WEBVTT - Mini Crush #81

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<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio. Hey, everybody,

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<v Speaker 1>welcome to Mini Crush. Well moment, new crossan Crush, Crush,

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<v Speaker 1>Many Crush, Many Crush. I would say, I don't want

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<v Speaker 1>to do this for so long? My mini cross ribs, No,

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<v Speaker 1>it's it's mini Mini Crush ribs cross and then buss

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<v Speaker 1>well nol. When did that commercial premiere? I would say,

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<v Speaker 1>m M early ots. Oh really, yeah, that's not an

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<v Speaker 1>old bit. I don't think so. Chili. Yeah, I'm even

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<v Speaker 1>gonna look this up. I think you should, because that's

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<v Speaker 1>the dumbest thing ever to look up. Let's see I

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<v Speaker 1>want to I want to date, though I don't. Let's

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<v Speaker 1>see the inventor of the Chili's baby back ribs song

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<v Speaker 1>has never eaten baby back ribs. Wow, and look at this.

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<v Speaker 1>Someone has the original in the studio. Oh no, this guy,

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<v Speaker 1>his name is Guy bam Arito and he was the

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<v Speaker 1>quote unquote Don Draper of the nineties, the guy who

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<v Speaker 1>wrote the guy who wrote it, and he's never eaten

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<v Speaker 1>Chili's baby back ribs? Got you? What do you? Guy? Well?

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<v Speaker 1>This is a of the YouTube of the gentleman in

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<v Speaker 1>the studio singing it it's the guy, or just did

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<v Speaker 1>they hire somebody to do it? Well, yeah, it's a singer.

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<v Speaker 1>What's his name here, I'm trying to give him, do

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<v Speaker 1>do props? Alvin Chia not familiar with its work. Largely

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<v Speaker 1>a session man, I imagine. I guess so. Well. Actually

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<v Speaker 1>he was the lead singer of the Temptations from seventies

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<v Speaker 1>seven to eighty. Oh well that's kind of a big deal.

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<v Speaker 1>It's a very big That was sort of a latter

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<v Speaker 1>day Temptations period, right yeah, post uh well now the

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<v Speaker 1>Spooky Romans. It was the Miracles, that's right. Who was

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<v Speaker 1>the lead singer for the Temptations? Man, we're the worst.

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<v Speaker 1>Did I even say Welcome to Mini Crush? That was

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<v Speaker 1>the baby background, that was the impetus. That's the Temptations

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<v Speaker 1>lead singer Originally. I can't believe. I don't know you guys.

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<v Speaker 1>You guys look we're doing our can't believe this is

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<v Speaker 1>the show. Otis Williams, No, oh god, I mean you

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<v Speaker 1>can't believe this is the show. There was David Ruffin,

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<v Speaker 1>Otis Williams, Paul Williams, the baritone Eddie Kendricks was the

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<v Speaker 1>tenor Melvin Franklin on the base and let me killmeister

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<v Speaker 1>on on the on the other base. Alright, p Lemmy,

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<v Speaker 1>what do you got today? Chuck? How you doing? I'm

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<v Speaker 1>doing great, Noll And the reason I this is all

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<v Speaker 1>just been so ham fisted. I thought that was from

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<v Speaker 1>the eighties and this is an eighties episode. That's the

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<v Speaker 1>big surprise. If you, if you would, if you'd clue

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<v Speaker 1>me into these things, I might be able to drop

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<v Speaker 1>some more theme appropriate reference. You want me to send

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<v Speaker 1>you a fucking syllabus, now send me a memo, an email,

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<v Speaker 1>a text. I don't know. I like the eighties. I

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<v Speaker 1>love the eighties and were that No, yeah, of course

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<v Speaker 1>you do. It was his clip shows where they like

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<v Speaker 1>talk about the eighties with different talking heads on v

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<v Speaker 1>H one. I never saw those, but I know what

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<v Speaker 1>you're talking about. You lived the eighties, though, didn't you, Chuck?

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<v Speaker 1>You lived? I lived him. I don't need to see

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<v Speaker 1>what Michael ian Blackhouse to say about him. But gosh,

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<v Speaker 1>she's charming, isn't he know? He's great? But he's on

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<v Speaker 1>he was on the show. He's not one of the

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<v Speaker 1>shows shares on them. Occasionally. There's a lot of kind

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<v Speaker 1>of regular usual suspects on those types of ship. That

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<v Speaker 1>was a fun little gig for them. I bet it

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<v Speaker 1>was Michael Change going there and just talk about the

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<v Speaker 1>eighties exactly. Why didn't they get me. I wouldn't around

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<v Speaker 1>back then. You know, we were around today and any

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<v Speaker 1>sort of notable way, and we're gonna hear you talk

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<v Speaker 1>about the eighties, right, No, So what we're going to

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<v Speaker 1>start out with for the eighties? And I see, I've

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<v Speaker 1>gathered my paper over here. All I need is sharpie

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<v Speaker 1>and you know what's coming? Oh yeah, old holes eighties

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<v Speaker 1>a dish boom. I thought I had done this before,

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<v Speaker 1>have I? But I asked on the movie Crushers page uh,

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<v Speaker 1>and they said, no, not eighties specific. Yeah, no, I

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<v Speaker 1>don't think you. Oh that was such a delicate, pretty

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<v Speaker 1>good right, you caught it. It's on the wrist um,

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<v Speaker 1>all right. No, I'm ready. You were handicapped a bit

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<v Speaker 1>because I know that you're of a man of the nineties. Yeah.

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<v Speaker 1>I was born in nineteen hundred and eighty three, so

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<v Speaker 1>I remember the tail end of the eighties, which is

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<v Speaker 1>pretty indistinguishable from the beginning of the nineties. But your

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<v Speaker 1>early movie watching days, you didn't have much eighties in there. No.

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<v Speaker 1>I mean, well, you know that's not entirely true, because

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<v Speaker 1>we probably started movies when you were a lot of

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<v Speaker 1>v I watched a lot of Blockbuster, a lot of

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<v Speaker 1>VHS things. So I watched a lot of things from

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<v Speaker 1>the tail end of the nineties because they kind of

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<v Speaker 1>carried over into my movie watching days, excuse me, the

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<v Speaker 1>tail end of the eighties. But plus, you go back

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<v Speaker 1>and you watch stuff for mother, of course, we'll see

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<v Speaker 1>how you do. And a student of history, I went

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<v Speaker 1>with all kinds of genres and very pretty, kind of

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<v Speaker 1>iconic eighties movies. I think I didn't try and like

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<v Speaker 1>mess you up as usual. Their Breakfast Club and not

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<v Speaker 1>seen it now, not not entirely seen some of that's

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<v Speaker 1>the one they're in detention, right, that is the one

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<v Speaker 1>where they're in detention. Yeah, I've seen some key scenes

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<v Speaker 1>probably on I love the eighties, but I've not seen

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<v Speaker 1>all the way through all right, interesting Fatal Attraction, No seen,

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<v Speaker 1>Basic Instinct. Those are two different movies, I know, but

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<v Speaker 1>they you know, similar number of syllables in the names,

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<v Speaker 1>they have similar types of stories. No Number three Basic Instinct, Yes,

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<v Speaker 1>good job, Uh, No number four just to one of

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<v Speaker 1>the guys, I don't even know what this is. I

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<v Speaker 1>had a feeling on that one, but it is. Uh.

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<v Speaker 1>There are a lot of people out there grinning right

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<v Speaker 1>now because that was one of those teen comedy high

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<v Speaker 1>school teen comedies of the eighties that there were so

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<v Speaker 1>many of. But the cream rose to the top in

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<v Speaker 1>this case. I like cream. I like things that are

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<v Speaker 1>on top. Hey, I don't know, I have nothing to

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<v Speaker 1>add because I haven't seen this movie, so I get

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<v Speaker 1>on top exactly see. Oh my god, bringing it back,

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<v Speaker 1>all right, the old number five movie called flash Dance. Now,

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<v Speaker 1>I just watched that for the first time, nol. I

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<v Speaker 1>will say this though, Chuck. I saw it on the

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<v Speaker 1>shelf at Blockbuster a lot, and I was slightly titillated

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<v Speaker 1>because it looked I thought it was I thought it

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<v Speaker 1>was a dirty movie because the name flash Dance it

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<v Speaker 1>makes me think of, you know, being flashed, like by

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<v Speaker 1>a flasher applying nudity. She doesn't they do not take

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<v Speaker 1>their clothes there dancing, Uh, I guess you would call

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<v Speaker 1>exotic dancers. But they're really tasteful. Yeah, I mean, you know,

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<v Speaker 1>it's like they're doing real dancing up there. What is that?

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<v Speaker 1>I don't know what that is, though, I guess that's

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<v Speaker 1>what they're doing. It's called the fucking flash dance. They

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<v Speaker 1>never address it. They're never like, so this flash dancing

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<v Speaker 1>we're doing it's great? Is it like a flash mob?

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<v Speaker 1>Remember flash mobs? Yeah? I've never been in one, but

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<v Speaker 1>you're aware of flashdance? Is a good movie? Is that

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<v Speaker 1>the one that's got time of Time of my life? No? No,

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<v Speaker 1>No movie that is that from? That's from Dirty Dancing? No.

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<v Speaker 1>Number six, Dirty Dancing. No, I've never seen dancing. Does

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<v Speaker 1>Havanna Knights count? I would give you credit if you

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<v Speaker 1>saw that. I haven't that either. Number seven. I just

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<v Speaker 1>called your bluff. Number seven the great, great Steven Spielberg film.

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<v Speaker 1>Always I am not aware of this as a movie

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<v Speaker 1>that exists in the world. What's your Dreyfuss and Holly

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<v Speaker 1>Hunt Hunter Hunter, Holly Hunt, Holly Hunter, Richard Dreyfuss, John

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<v Speaker 1>Goodman eighties movie, Steven Spielberg, Audrey Hepburn's last role. What

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<v Speaker 1>is it? What is it about? It is great? It

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<v Speaker 1>is romance. It is a movie about a flame jumper,

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<v Speaker 1>like a pilot who dumps, you know, on firefighters, fire firefighters? Fires?

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<v Speaker 1>Was wrong with me? Today forest fires and he and

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<v Speaker 1>this is not a spoiler because it's the whole premise

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<v Speaker 1>of the film. Uh, he dies in an accident, and

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<v Speaker 1>that's Richard dry Fuss, and he is a ghost looking

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<v Speaker 1>after her, uh in the afterlife, and she falls in

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<v Speaker 1>love with a young new pilot and he sort of

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<v Speaker 1>has to either let go or like you know, at first,

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<v Speaker 1>she's trying to prevent that from happening because his heart

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<v Speaker 1>is broken. Very good, so very old Hollywood, big sweeping

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<v Speaker 1>romance kind of thing. Yeah, not even sweeping, because it's

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<v Speaker 1>fairly contained setting wise, but just a big, sweet comedy romance.

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<v Speaker 1>You will not believe who one of the screenwriters was

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<v Speaker 1>among one, two, three, four four. I'm gonna make a

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<v Speaker 1>wild guest because you said I won't believe it, so

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<v Speaker 1>I'm going to say, um, Red Fox Dalton Trumbo was

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<v Speaker 1>blacklisted and the carthid Era or whatever, and there's a

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<v Speaker 1>movie about film exactly. But he was like a classic

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<v Speaker 1>old school Hollywood screenwriter brought him and they brought him

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<v Speaker 1>in the mix. And I guess with all Audrey Hepperd,

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<v Speaker 1>that's why I'm like that old old you know, very

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<v Speaker 1>classic old style of film. I stand by always. I

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<v Speaker 1>cannot believe I've never even heard of this. I'm not

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<v Speaker 1>aware of it at all. No, you're you're getting killed here,

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<v Speaker 1>all right. Emily and I have been the reason we're

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<v Speaker 1>doing this. You know, the eighties is so hot right

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<v Speaker 1>now again red hot. Yeah, And Emily and I've just

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<v Speaker 1>been We're all we don't have a TV show going

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<v Speaker 1>right now, and it's kind of felt like a burden

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<v Speaker 1>to get into a new one. Sure you ever get

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<v Speaker 1>in those moods? Yes, So I'm like, let's just watch

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<v Speaker 1>faval Attraction again, or let's watch just one of the guys,

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<v Speaker 1>Fatal Attractions one with Glenn Close, right, Yeah, so good.

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<v Speaker 1>We watched Jagget Edge the other night too. Gosh, I

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<v Speaker 1>don't know that one. Jeff Bridges and Glenn Close, alright. No,

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<v Speaker 1>Number eight Turner and Hooch, No, big, big, big No.

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<v Speaker 1>He's just shaking his head at this point. Everyone. No.

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<v Speaker 1>Number nine to Live and Die in l A. Nope,

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<v Speaker 1>you would love that. I know we've talked about that before.

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<v Speaker 1>Casey Pegram loves it. We've talked about it multiple times.

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<v Speaker 1>Number ten Blue Thunder, No, is that a helicopter movie?

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<v Speaker 1>I only know about that because I know what it

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<v Speaker 1>was on How Did This Get Made? Which is uh

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<v Speaker 1>Paul Shs Bad Movie Podcast, which we I think we

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<v Speaker 1>both enjoy very much. They did an episode on Jaws

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<v Speaker 1>three D. Yeah, yeah, and it's you know, awful obviously,

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<v Speaker 1>and uh, Roy Scheider is not in it, right he

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<v Speaker 1>was in the second Jaws because he was I believe

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<v Speaker 1>contractually obligated to do it. But I believe he got

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<v Speaker 1>out of being in three because he was in Blue Thunder.

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<v Speaker 1>And it's about sort of a futuristic helicopter right, like

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<v Speaker 1>very advanced to the testing it out ends up being

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<v Speaker 1>and are the Russians involved? I don't know what happens.

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<v Speaker 1>It sounds cool now I want to see. I love

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<v Speaker 1>Roy and who else is in it? Who's whos opposite him?

0:11:27.120 --> 0:11:30.480
<v Speaker 1>If someone else? Pretty fair? The bad guy is Malcolm McDowell, Yes,

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<v Speaker 1>oh gosh, he's a great bat and um, Daniel Stern

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<v Speaker 1>is the young kid. He was like one of the

0:11:36.200 --> 0:11:38.679
<v Speaker 1>wet bandits from Home Alone, one of the wet band

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<v Speaker 1>who my brother worked with on Uh City Slickers too,

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<v Speaker 1>and he was That was the best experience of that movie.

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<v Speaker 1>Was Daniel Stern? Nice? Just the best guy? He said,

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<v Speaker 1>that's cool. He's really really good dude, he's he is

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<v Speaker 1>with us still? Yes, okay, you know he's not a

0:11:56.160 --> 0:11:59.400
<v Speaker 1>nice guy, Billy Crystal. Oh, I can imagine, all right?

0:11:59.720 --> 0:12:03.760
<v Speaker 1>Number or eleven? Am I? Zero? No? You got one?

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<v Speaker 1>Which one? Did I get? You saw? Basically, well, you're

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<v Speaker 1>getting killed. I don't even know if this is. This

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<v Speaker 1>is You're gonna be your first big loss. That's fine,

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<v Speaker 1>I'm into it. Number eleven license to drive, uh Cory,

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<v Speaker 1>same as licensed to kill? No, Corey Hayme, I haven't

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<v Speaker 1>seen it. Or Corey uh Feldman, Corey Haim one of

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<v Speaker 1>the corries. Yeah, ten to one. We'll just keep going

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<v Speaker 1>here anyway, of course we should. I want to know.

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<v Speaker 1>I want to know. Number twelve airplane too, Yes? Is

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<v Speaker 1>that the one where they No, I don't know if

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<v Speaker 1>I've seen two. I've definitely seen one. You know, I'm

0:12:39.520 --> 0:12:41.360
<v Speaker 1>pretty sure i've seen two because when I was a kid,

0:12:41.480 --> 0:12:44.560
<v Speaker 1>those were like comedies that were kind of raunchy, but

0:12:44.600 --> 0:12:47.280
<v Speaker 1>they were like PG but they probably should have been

0:12:47.280 --> 0:12:50.400
<v Speaker 1>PG thirteen. PG thirteen didn't exist, So I remember watching

0:12:50.400 --> 0:12:51.840
<v Speaker 1>those when I was a kid because they were kind

0:12:51.880 --> 0:12:56.240
<v Speaker 1>of naughty even though they were like accessible. Pretty sure

0:12:56.280 --> 0:12:59.360
<v Speaker 1>I have check that was the one where it was

0:12:59.440 --> 0:13:03.120
<v Speaker 1>a I think it was like a space shuttle instead

0:13:03.160 --> 0:13:05.080
<v Speaker 1>of a plane. I don't know if I have chuck,

0:13:05.760 --> 0:13:07.400
<v Speaker 1>I'm gonna give it to you cool. I think that

0:13:07.480 --> 0:13:09.520
<v Speaker 1>might be a pity point, but that's fine. I'll take it.

0:13:09.640 --> 0:13:13.600
<v Speaker 1>Number thirteen Adventures in Babysitting, No, the great, great film

0:13:13.800 --> 0:13:17.200
<v Speaker 1>with Elizabeth Shoe. It's a babysitter and her wild eyed

0:13:17.240 --> 0:13:22.040
<v Speaker 1>out with children in tow M M good movie. Number fourteen, No,

0:13:22.280 --> 0:13:25.480
<v Speaker 1>I think you've seen this one at Risky Business. That

0:13:25.640 --> 0:13:29.240
<v Speaker 1>the is that the one with the pool pool pool sharking.

0:13:30.960 --> 0:13:34.240
<v Speaker 1>I'm thinking the Color of Money. No, there's a sequel

0:13:34.280 --> 0:13:36.960
<v Speaker 1>to the Color of Money that Tom Cruises in where

0:13:37.000 --> 0:13:40.320
<v Speaker 1>he plays pool. That's supposed to be really good. But

0:13:40.360 --> 0:13:43.520
<v Speaker 1>I haven't seen Risky Business. Now, I haven't seen Risky Business.

0:13:44.320 --> 0:13:47.640
<v Speaker 1>What's the deal with Risky Business? Tom Cruise parents are

0:13:47.679 --> 0:13:49.360
<v Speaker 1>out its own for the weekends where he's slides in

0:13:49.400 --> 0:13:52.960
<v Speaker 1>his underwear across his sex workers come over and to

0:13:53.080 --> 0:13:57.040
<v Speaker 1>make money for I think college. But he does slide

0:13:57.040 --> 0:13:59.920
<v Speaker 1>in his tidy whitey's in his socks across the across

0:14:00.000 --> 0:14:05.160
<v Speaker 1>the floor. Iconic scene. I've seen that Rebecca de Mornay. Yeah, yeah,

0:14:07.480 --> 0:14:10.199
<v Speaker 1>I don't know what to say, Lady Hawk. That's the

0:14:10.200 --> 0:14:13.000
<v Speaker 1>one with the lady in the hawk Shellfife for Lady

0:14:13.000 --> 0:14:16.320
<v Speaker 1>Hawk is it's a fantasatty. It's a fantasy, right, yeah,

0:14:16.320 --> 0:14:19.560
<v Speaker 1>fantasy medieval time type of thing, you know. I heard. No,

0:14:19.600 --> 0:14:21.040
<v Speaker 1>I haven't seen it, but I heard something really interesting

0:14:21.040 --> 0:14:23.160
<v Speaker 1>about that. I can't rememb where I heard this. It

0:14:23.200 --> 0:14:25.480
<v Speaker 1>was on some podcast, but it was it was I

0:14:25.520 --> 0:14:27.760
<v Speaker 1>believe it was shot in Italy or it was like

0:14:28.040 --> 0:14:29.840
<v Speaker 1>the director was a talent. No, it wasn't. The director

0:14:29.880 --> 0:14:33.880
<v Speaker 1>was Tony Scott. Wasn't it wasn't there Scott. I'm pretty sure. Um,

0:14:33.920 --> 0:14:37.640
<v Speaker 1>hang on. But the point is they shot it somewhere overseas.

0:14:37.680 --> 0:14:39.800
<v Speaker 1>I think you're thinking of Legend by Ridley Scott. No,

0:14:39.880 --> 0:14:44.920
<v Speaker 1>i'm not. Lady Hawk movie was directed by I'm sorry,

0:14:45.000 --> 0:14:49.160
<v Speaker 1>Richard Donner, who did the Superman movie. But the thing

0:14:49.200 --> 0:14:52.880
<v Speaker 1>that I heard was they filmed it in Italy and

0:14:53.080 --> 0:14:57.160
<v Speaker 1>the cruise in Italy because typically Italian movies are dubbed.

0:14:57.640 --> 0:15:00.720
<v Speaker 1>Even all the dialogue is like dubbed afterwards. They won't

0:15:00.800 --> 0:15:05.880
<v Speaker 1>be quiet when you shout rolling action or whatever. And

0:15:05.920 --> 0:15:09.440
<v Speaker 1>it was making him insane. And I must have heard

0:15:09.480 --> 0:15:12.200
<v Speaker 1>this as well on how did this get made? Interest?

0:15:12.240 --> 0:15:14.920
<v Speaker 1>That's the only movie podcast I listened to. But that

0:15:15.000 --> 0:15:19.880
<v Speaker 1>was interesting for s Number sixteen Old War Games. No,

0:15:20.720 --> 0:15:28.000
<v Speaker 1>who's in that? Matthew Broderick? Yeah, sorry, I didn't know that.

0:15:28.080 --> 0:15:34.320
<v Speaker 1>Your eighties whole was this large. It's a very big hole. Okay, yes,

0:15:35.280 --> 0:15:40.160
<v Speaker 1>that's with Uh, don't tell me. Um. You know the

0:15:40.160 --> 0:15:45.240
<v Speaker 1>guy from Say Anything? Right? What's his name Cusack, John Maloney, Cusack,

0:15:45.400 --> 0:15:48.000
<v Speaker 1>John Cusack? Right? Yeah, I've seen better Off then? All right?

0:15:48.080 --> 0:15:49.280
<v Speaker 1>Is this the one that's one where he works in

0:15:49.280 --> 0:15:53.080
<v Speaker 1>a burger place? Right? Uh? Isn't there a weird claimation

0:15:53.440 --> 0:15:56.760
<v Speaker 1>series with Van Halen's Everybody Wants? That was a very

0:15:56.760 --> 0:15:58.520
<v Speaker 1>odd scene. And isn't his like he's got a buddy

0:15:58.640 --> 0:16:01.160
<v Speaker 1>sort of like this grotesque like weird little trolley kind

0:16:01.160 --> 0:16:03.720
<v Speaker 1>of toady guy. Yeah? Did he have? Yeah? That's a

0:16:03.720 --> 0:16:08.120
<v Speaker 1>booger from Revenge of the Nurse And for Moonlighting. Yes,

0:16:08.160 --> 0:16:10.400
<v Speaker 1>I have seen that, all right, you pass that one

0:16:10.480 --> 0:16:16.760
<v Speaker 1>on television. Number eighteen, I've not seen Okay, number nineteen

0:16:16.800 --> 0:16:22.120
<v Speaker 1>it Can't buy Me Love? No, okay? And number twenty

0:16:22.440 --> 0:16:28.480
<v Speaker 1>Little movie with Julia Roberts called a mystic pizza. Alright,

0:16:28.520 --> 0:16:31.400
<v Speaker 1>final score seventeen to three, and one of those was

0:16:31.440 --> 0:16:34.240
<v Speaker 1>a pity point. All right. No, you know you've got

0:16:34.240 --> 0:16:37.120
<v Speaker 1>some work to do, so I don't know. The weird

0:16:37.160 --> 0:16:39.640
<v Speaker 1>thing is, you gotta see all these are all really good,

0:16:39.680 --> 0:16:42.360
<v Speaker 1>really okay, I'll take your word for it, chuckle. I

0:16:42.400 --> 0:16:45.320
<v Speaker 1>mean maybe you know. Definitely see the Breakfast Club and

0:16:45.360 --> 0:16:48.960
<v Speaker 1>Fatal Attraction. If you want to skip just one of

0:16:49.000 --> 0:16:51.680
<v Speaker 1>the guys and Flash Dance and Dirty Dancing. You gotta

0:16:51.680 --> 0:16:54.320
<v Speaker 1>see Always, you gotta see to Live In Diane l

0:16:54.360 --> 0:16:57.240
<v Speaker 1>A and Blue Thunder. Yes, you can skip License to Drive,

0:16:57.320 --> 0:17:00.480
<v Speaker 1>you can skip Adventures of Babysitting. You gotta see Risky Business,

0:17:00.960 --> 0:17:04.360
<v Speaker 1>Lady Hawk and War Games and Tutsie and Can't Buy

0:17:04.400 --> 0:17:08.600
<v Speaker 1>Me Love? What's Can't Buy Me Love? Uh? Teen comedy

0:17:08.600 --> 0:17:11.879
<v Speaker 1>where the nerd pays the pretty girl to be his

0:17:11.920 --> 0:17:14.320
<v Speaker 1>girlfriend for a little while and then he gets vaulted

0:17:14.320 --> 0:17:16.600
<v Speaker 1>into popular dum and it goes to his head and

0:17:16.640 --> 0:17:18.720
<v Speaker 1>she ended up falling in love with him for real.

0:17:18.800 --> 0:17:24.479
<v Speaker 1>Z's what do you think? But you can buy love?

0:17:25.160 --> 0:17:27.280
<v Speaker 1>In that movie? Ye seems that way. It seems like

0:17:27.280 --> 0:17:29.200
<v Speaker 1>a mixed message and they're sending, all right, now we're

0:17:29.240 --> 0:17:36.879
<v Speaker 1>gonna go with the social studies, next social studies. I

0:17:37.000 --> 0:17:40.880
<v Speaker 1>just very simply asked everyone what their favorite eighties comedy

0:17:41.080 --> 0:17:45.639
<v Speaker 1>was pretty simple, right, And we got four hundred and

0:17:45.680 --> 0:17:49.360
<v Speaker 1>eleven comments and all, and I'm just gonna mow through.

0:17:49.400 --> 0:17:55.239
<v Speaker 1>These are Catherine Bryniac says Princess Bride, Alison Couch, our

0:17:55.240 --> 0:17:58.960
<v Speaker 1>old friends is raising Arizona. Keith Hannons is better off dead.

0:18:00.000 --> 0:18:02.840
<v Speaker 1>Ashua Ramsey says inner Space Boy? What a good movie?

0:18:03.040 --> 0:18:06.240
<v Speaker 1>Do you ever see? Innerspace? Yeah? Seen on TV? Start short,

0:18:06.880 --> 0:18:10.680
<v Speaker 1>little spaceship inside dude's head. Dylan Nichols says, Uncle Buck.

0:18:12.200 --> 0:18:16.720
<v Speaker 1>That was in the eighties. He little McAuley Culkin was

0:18:16.760 --> 0:18:19.280
<v Speaker 1>in that right, little that I have seen that. Maybe

0:18:19.280 --> 0:18:20.800
<v Speaker 1>you should just say whether you've seen or not so

0:18:20.840 --> 0:18:23.200
<v Speaker 1>we can further explore your whole I think that's fair.

0:18:23.960 --> 0:18:30.760
<v Speaker 1>Our old pal Kevin Herbond says three Amigos, Nope, oh,

0:18:30.840 --> 0:18:33.560
<v Speaker 1>J m Arroyo or old Palace says Ferris Bueller's Day

0:18:33.600 --> 0:18:41.320
<v Speaker 1>Off yep. Christopher best And says Spaceballs. Yeah, of course

0:18:41.359 --> 0:18:44.560
<v Speaker 1>you've seen Spaceballs. C J. Danny says, clue I haven't

0:18:44.600 --> 0:18:48.080
<v Speaker 1>seen Clue. I've I've I've been really wanting to people

0:18:48.680 --> 0:18:51.720
<v Speaker 1>swear by Clue. That's great. Our old pal Jeff Noel says,

0:18:51.800 --> 0:18:53.440
<v Speaker 1>I can't pick one, but I'm gonna go with real

0:18:53.520 --> 0:18:56.879
<v Speaker 1>Genius or Trading Places. I've seen trading places, don't know

0:18:56.920 --> 0:19:03.600
<v Speaker 1>real genius. Reese Cousin's as Blues brothers. Our old friend

0:19:03.680 --> 0:19:06.479
<v Speaker 1>Dan True Bodies says, spinal tap easily. That's that's one

0:19:06.520 --> 0:19:08.880
<v Speaker 1>of my favorite comedies of all time. Yeah, I knew

0:19:08.880 --> 0:19:13.640
<v Speaker 1>you had seen that Christmas vacation that comes from Melanie Dickie. Right.

0:19:14.840 --> 0:19:17.280
<v Speaker 1>I tried watching Vegas Vacation on a plane. I didn't

0:19:17.280 --> 0:19:20.399
<v Speaker 1>think it was very funny. Vegas Vacation is not pretty funny. Okay,

0:19:20.440 --> 0:19:23.840
<v Speaker 1>you were correct, just making sure. Yeah, yeah, it was

0:19:24.320 --> 0:19:29.639
<v Speaker 1>European vacation. It was okay, it's really just the original

0:19:29.720 --> 0:19:32.680
<v Speaker 1>Christmas vacations pretty good, got it. There's really just those

0:19:32.680 --> 0:19:36.639
<v Speaker 1>three that are even passable. Was Vegas Vacation newer? Yeah, no,

0:19:37.119 --> 0:19:39.920
<v Speaker 1>kind of later. I'm sorry. I saw the original vacation

0:19:39.920 --> 0:19:43.760
<v Speaker 1>and didn't think it was that funny. Oh wow, really yeah,

0:19:43.800 --> 0:19:45.480
<v Speaker 1>I don't know, like there's something about the style of

0:19:45.560 --> 0:19:48.280
<v Speaker 1>humor just didn't quite There was parts that I thought

0:19:48.359 --> 0:19:50.520
<v Speaker 1>was funny, but I just found myself kind of getting

0:19:50.640 --> 0:19:52.119
<v Speaker 1>like out of it, and it's like, not, you may

0:19:52.160 --> 0:19:54.920
<v Speaker 1>not like Chevy Chase. I guess I don't. Maybe I don't.

0:19:55.160 --> 0:20:03.720
<v Speaker 1>It's possible that when he falls down a lot, I

0:20:03.760 --> 0:20:07.919
<v Speaker 1>don't think you like Chevy. James Fletch would let you

0:20:07.920 --> 0:20:09.359
<v Speaker 1>know for sure. Now, then I tell you that my

0:20:09.400 --> 0:20:12.680
<v Speaker 1>mom was in a Chevy Chase movie called Foul Play

0:20:12.920 --> 0:20:15.520
<v Speaker 1>with him and Goldie Hawn, and she's in the pace

0:20:15.560 --> 0:20:16.919
<v Speaker 1>and the opera scene at the end, she's in the

0:20:17.000 --> 0:20:20.320
<v Speaker 1>great I actually quite enjoyed that movie. Um, but maybe

0:20:20.320 --> 0:20:22.760
<v Speaker 1>it was because my mom was in it. Well, that's also,

0:20:23.800 --> 0:20:26.399
<v Speaker 1>um that Neil Simon sort of early Chevy Chase. He

0:20:26.440 --> 0:20:28.640
<v Speaker 1>had a couple of movies with him that was less

0:20:28.720 --> 0:20:31.080
<v Speaker 1>Chevy Chase like because it was Neil Simon. Yeah. I

0:20:31.200 --> 0:20:34.480
<v Speaker 1>enjoyed really good in those movies. I think, uh. Back

0:20:34.480 --> 0:20:37.520
<v Speaker 1>to the Future, of course, from Brett Giles, I love it.

0:20:37.560 --> 0:20:40.320
<v Speaker 1>Our old friend carry Armour, says Bucker Bucker. Rubon's I

0:20:40.720 --> 0:20:42.960
<v Speaker 1>across the eighth to mention, I have not seen this,

0:20:42.960 --> 0:20:46.720
<v Speaker 1>isn't that Peter Weller, Yeah, Mr RoboCop himself. Yeah, you

0:20:46.760 --> 0:20:50.000
<v Speaker 1>would like that, nol. Jonathan Gerber's is Back to the Future,

0:20:50.040 --> 0:20:52.840
<v Speaker 1>of course, followed by Ferris Spieler's Day Off our old

0:20:52.880 --> 0:20:56.040
<v Speaker 1>Pal Karen Schlump Hugh says Caddy Shack. You didn't like

0:20:56.080 --> 0:20:59.719
<v Speaker 1>Catty Shack either, right, I thought it was funny. Yeah, okay,

0:20:59.840 --> 0:21:01.480
<v Speaker 1>it was funny, I thought. I remember you're saying you

0:21:01.480 --> 0:21:03.320
<v Speaker 1>didn't quite like It's just I mean, it's it's not

0:21:03.400 --> 0:21:05.439
<v Speaker 1>my favorite thing in the whole wide world, but there

0:21:05.480 --> 0:21:07.240
<v Speaker 1>are things that are funny about. I think that's a

0:21:07.280 --> 0:21:10.760
<v Speaker 1>generational thing too. I think dudes, my aids love Caddy Scheck,

0:21:11.320 --> 0:21:13.760
<v Speaker 1>and younger people are a little bit more like really,

0:21:13.920 --> 0:21:16.560
<v Speaker 1>I also like, I saw Animal House, and I'm like,

0:21:16.560 --> 0:21:19.360
<v Speaker 1>it's perfectly funny. It's fine, but it's not like uproariously

0:21:19.800 --> 0:21:22.159
<v Speaker 1>hilarious to me. And I just didn't didn't find myself

0:21:22.200 --> 0:21:23.639
<v Speaker 1>be like, oh god, that was a good movie. I

0:21:23.680 --> 0:21:26.920
<v Speaker 1>gotta watch that again, you know, certainly compared to like, well,

0:21:27.000 --> 0:21:28.879
<v Speaker 1>I'm not gonna do that. No, I don't want to

0:21:28.880 --> 0:21:32.280
<v Speaker 1>get in trouble. Rachel Jones says the I'm sorry, Rochelle

0:21:32.359 --> 0:21:36.280
<v Speaker 1>Jones says The Goonies even went to visit a story

0:21:36.280 --> 0:21:39.880
<v Speaker 1>of Oregon where it was filmed, and I'm from Australia. Wow,

0:21:40.240 --> 0:21:43.400
<v Speaker 1>the Goonies is genuinely funny and it's an adventure. It's

0:21:43.440 --> 0:21:46.720
<v Speaker 1>got great characters, Like it's not what's the wronging for,

0:21:46.840 --> 0:21:49.719
<v Speaker 1>it's not cynical, it's got this adventure spirit kind of

0:21:49.800 --> 0:21:53.720
<v Speaker 1>and it's physical comedies great, like everything about it. To

0:21:53.760 --> 0:21:56.600
<v Speaker 1>be a kid when that movie came out, like, uh,

0:21:57.280 --> 0:22:00.200
<v Speaker 1>the adventure aspect of it, Like that's all every kid

0:22:00.240 --> 0:22:03.359
<v Speaker 1>ever wanted to do was go on some adventure looking

0:22:03.359 --> 0:22:05.280
<v Speaker 1>for pirate Tredgure. I tried watching it with my kid

0:22:05.680 --> 0:22:08.520
<v Speaker 1>a year or so ago. I did not realize how

0:22:08.600 --> 0:22:10.600
<v Speaker 1>kind of raunchy it is. Like the language of these

0:22:10.680 --> 0:22:12.320
<v Speaker 1>kids talking a little bit. They talked about a lot

0:22:12.359 --> 0:22:14.359
<v Speaker 1>of sex stuff. Yeah, there's some stuff here, and there's

0:22:14.440 --> 0:22:16.000
<v Speaker 1>some stuff that I was like, But now my kid

0:22:16.080 --> 0:22:19.760
<v Speaker 1>is just obsessed with stranger things. She understands the connection

0:22:19.800 --> 0:22:22.000
<v Speaker 1>and she gets all of those old eighties kind of

0:22:22.000 --> 0:22:23.720
<v Speaker 1>movie trumps, and I think it's kind of neat. You know,

0:22:23.840 --> 0:22:26.920
<v Speaker 1>what's old is new again and all that. Yeah, that's

0:22:27.040 --> 0:22:30.919
<v Speaker 1>the circle of life. That's how it happens. Jimmy Mallory

0:22:30.960 --> 0:22:33.680
<v Speaker 1>Old Friends has real genius. Another vote for that one.

0:22:33.760 --> 0:22:39.080
<v Speaker 1>That's interesting. Uh. Matt Hoseley says Ghostbusters, Dana Augustason says

0:22:39.080 --> 0:22:43.399
<v Speaker 1>Princess Bride, and Ferris Bueller interesting. I'm looking for something.

0:22:44.960 --> 0:22:46.920
<v Speaker 1>I wonder when someone's going to chime in with, like

0:22:48.119 --> 0:22:50.600
<v Speaker 1>something that doesn't feel like an eighties movie but it

0:22:50.600 --> 0:22:53.520
<v Speaker 1>was in the eighties, like Absence of Malice or something

0:22:54.600 --> 0:22:57.280
<v Speaker 1>like a serious film. No one's naming any serious films

0:22:57.280 --> 0:23:01.159
<v Speaker 1>and all Real Genius with valc Elmer. Yeah, that was

0:23:01.160 --> 0:23:03.960
<v Speaker 1>a good movie, and I'm not familiar. But again, a

0:23:04.040 --> 0:23:06.119
<v Speaker 1>lot of these are good and then eighties sensibility, like

0:23:06.560 --> 0:23:09.720
<v Speaker 1>when I watched them, now it's largely nostalgic. Can't Buy

0:23:09.760 --> 0:23:12.399
<v Speaker 1>Me Love isn't some great, great film, but it's a

0:23:12.400 --> 0:23:14.760
<v Speaker 1>good little eighties team comedy, you know. I guess that's

0:23:14.800 --> 0:23:16.520
<v Speaker 1>my thing with a lot of the movies that you picked.

0:23:16.720 --> 0:23:20.919
<v Speaker 1>They all seem very quintessentially like eighties like time, Whereas

0:23:20.960 --> 0:23:23.359
<v Speaker 1>the movies that I'd like from the eighties, we're just

0:23:23.480 --> 0:23:27.200
<v Speaker 1>movies that happened to come out stand the test of time. Chuck,

0:23:27.280 --> 0:23:29.560
<v Speaker 1>I think that's I'm not being us now. And is

0:23:29.600 --> 0:23:32.320
<v Speaker 1>telling you why my is in that shape, in that

0:23:32.359 --> 0:23:48.720
<v Speaker 1>particular shape. Okay, one a nieto, Welcome to the club. One.

0:23:48.760 --> 0:23:50.480
<v Speaker 1>I don't think we've seen you yet. Bill and Ted

0:23:51.040 --> 0:23:55.960
<v Speaker 1>and then Scrooged. Scrooge is funny, I think. I think

0:23:56.000 --> 0:23:58.680
<v Speaker 1>Scrooge holds up. I think that, yeah, Scrooge holds up here.

0:23:58.760 --> 0:24:01.440
<v Speaker 1>Here's my dirty secret. I didn't think Bill and Ted's

0:24:01.520 --> 0:24:03.960
<v Speaker 1>is that great. I liked it, Okay, no, it's I mean,

0:24:04.000 --> 0:24:06.399
<v Speaker 1>I liked it, but I was never like, I was

0:24:06.440 --> 0:24:10.440
<v Speaker 1>not one of those guys who really really like lost

0:24:10.480 --> 0:24:12.240
<v Speaker 1>their mind over that movie. Here's the buy in. The

0:24:12.280 --> 0:24:17.920
<v Speaker 1>buy in is these two stoner bros doing some space

0:24:18.119 --> 0:24:21.240
<v Speaker 1>time travel ship and that's it. It's like, what a

0:24:21.240 --> 0:24:23.960
<v Speaker 1>wacky concept, you know. Like, But the movie, the dialogue,

0:24:24.040 --> 0:24:27.800
<v Speaker 1>everything about it itself is not very good. And the

0:24:27.840 --> 0:24:30.320
<v Speaker 1>second one came out when I was younger and it

0:24:30.400 --> 0:24:32.840
<v Speaker 1>was in theaters and I had not seen the original.

0:24:33.240 --> 0:24:35.359
<v Speaker 1>But it was like the Bogus Journey or whatever. I

0:24:35.400 --> 0:24:38.040
<v Speaker 1>think the Bogus Journey is actually funnier really than the

0:24:38.440 --> 0:24:41.200
<v Speaker 1>Excellent Adventure. I don't remember which one I thought was funnier.

0:24:42.240 --> 0:24:44.119
<v Speaker 1>I was pretty into it though, come to think of it.

0:24:44.160 --> 0:24:45.880
<v Speaker 1>I just I don't know. Maybe it was an age

0:24:45.920 --> 0:24:48.399
<v Speaker 1>thing and then doing another one. Yeah, And when I

0:24:48.400 --> 0:24:50.840
<v Speaker 1>heard about that, I was like cool, but I wasn't like,

0:24:50.920 --> 0:24:54.159
<v Speaker 1>oh my god. Of course finally, like everyone's been screaming

0:24:54.200 --> 0:24:57.520
<v Speaker 1>about it. Alex Winter, who plays the one that is

0:24:57.560 --> 0:25:01.240
<v Speaker 1>not Keiana Reeves, he's a conspiracy guy. He made a

0:25:01.240 --> 0:25:03.960
<v Speaker 1>documentary about the dread pirate Roberts, who was this like

0:25:04.080 --> 0:25:07.840
<v Speaker 1>big he had the Silk Road Dark Web drug smuggling

0:25:07.920 --> 0:25:10.800
<v Speaker 1>or illegal stuff smuggling ring. And he did a documentary

0:25:10.800 --> 0:25:12.640
<v Speaker 1>about him, and we had him on stuff they don't

0:25:12.640 --> 0:25:14.879
<v Speaker 1>want you to know. He was really nice. He paused

0:25:14.880 --> 0:25:16.359
<v Speaker 1>the interview for a second so he could eat his

0:25:16.400 --> 0:25:19.560
<v Speaker 1>hot pocket. That is my memory of that interview. Where

0:25:19.560 --> 0:25:21.240
<v Speaker 1>did you interview him on the phone he was at

0:25:21.240 --> 0:25:22.760
<v Speaker 1>as he was just look at his house. I was like,

0:25:22.800 --> 0:25:25.040
<v Speaker 1>did he bring it? We heard the ding and then

0:25:25.040 --> 0:25:27.560
<v Speaker 1>he was excuse me, guys, I gotta I gotta eat

0:25:27.560 --> 0:25:30.080
<v Speaker 1>my hot pocket real quick. Do you think that's a joke? No?

0:25:30.200 --> 0:25:33.879
<v Speaker 1>I heard the ding. Yeah, But do you think he's

0:25:33.920 --> 0:25:35.439
<v Speaker 1>joking about it being a hot pocket? No? I think

0:25:35.480 --> 0:25:38.119
<v Speaker 1>it was a hot pocket because that would be a

0:25:38.119 --> 0:25:42.160
<v Speaker 1>pretty funny bit. It's like whenever he's on a business call. Yeah,

0:25:42.280 --> 0:25:46.679
<v Speaker 1>just just just the situation has a power move pocket.

0:25:46.800 --> 0:25:48.760
<v Speaker 1>That's funny. I would do that. I didn't think about that.

0:25:48.800 --> 0:25:51.480
<v Speaker 1>It could be even steal that all right, Barry King

0:25:52.200 --> 0:25:58.480
<v Speaker 1>old friend says the money pit and overboard money pits,

0:25:58.520 --> 0:26:01.440
<v Speaker 1>the one about the house that saw falling apart? Right, Yeah,

0:26:01.440 --> 0:26:04.560
<v Speaker 1>that's a pretty fun movie, is that Tom Hanks and

0:26:04.760 --> 0:26:09.280
<v Speaker 1>uh Diane from Cheers, Shelly Long. Yeah, I don't think

0:26:09.280 --> 0:26:10.399
<v Speaker 1>I've seen that one all the way through, but I

0:26:10.440 --> 0:26:13.480
<v Speaker 1>definitely know enough about it to know that I've seen

0:26:13.600 --> 0:26:15.760
<v Speaker 1>parts of it. Yeah, the eighties is great because you

0:26:16.000 --> 0:26:19.159
<v Speaker 1>like Shelley Long was a leading lady, you know, and

0:26:20.000 --> 0:26:24.919
<v Speaker 1>today that would be like Megan Fox. Now you're Megan Fox.

0:26:25.200 --> 0:26:27.920
<v Speaker 1>There certainly some like girl ne store types in Hollywood

0:26:27.960 --> 0:26:30.480
<v Speaker 1>these days, but it feels like everybody now that it

0:26:30.560 --> 0:26:33.000
<v Speaker 1>just has to be so uber attractive. I guess so.

0:26:33.040 --> 0:26:34.960
<v Speaker 1>But I also I do feel like we're going we're

0:26:35.080 --> 0:26:39.040
<v Speaker 1>entering into a period even with pop music, where massive

0:26:39.119 --> 0:26:42.560
<v Speaker 1>over sexualization of women is starting to fall away a

0:26:42.600 --> 0:26:45.119
<v Speaker 1>little bit. Whether it's a product of like, you know,

0:26:45.240 --> 0:26:47.159
<v Speaker 1>the me Too movement and like people being taken the

0:26:47.240 --> 0:26:50.120
<v Speaker 1>task for all this shitty behavior. But like, my kid

0:26:50.200 --> 0:26:53.560
<v Speaker 1>is really into this pop artist Billie Eilish who wears

0:26:53.680 --> 0:26:56.800
<v Speaker 1>really big baggy you know what. Some might say I'm

0:26:57.160 --> 0:27:00.560
<v Speaker 1>becoming closed, but she's like, I do it so you

0:27:00.800 --> 0:27:02.879
<v Speaker 1>can't over sexualize me if you can't see my body.

0:27:03.240 --> 0:27:04.800
<v Speaker 1>And I think the fact that my kid is into

0:27:04.840 --> 0:27:07.439
<v Speaker 1>someone who's a fashion icon like that rather than like

0:27:07.440 --> 0:27:09.919
<v Speaker 1>a fucking Britney Spears or something like that, is a

0:27:09.920 --> 0:27:11.760
<v Speaker 1>big deal. And I've seen that in movies too. You've

0:27:11.800 --> 0:27:14.239
<v Speaker 1>got like Melissa McCarthy is a meeting lady and uh,

0:27:14.480 --> 0:27:16.560
<v Speaker 1>you know, oscar bait type of So I don't know.

0:27:16.560 --> 0:27:18.439
<v Speaker 1>I think I sort of I want to rephrase my

0:27:18.440 --> 0:27:22.199
<v Speaker 1>statement that was very much Hollywood like five years and

0:27:22.240 --> 0:27:25.720
<v Speaker 1>be yeah, but it's only just seeing it happen. But

0:27:25.760 --> 0:27:27.680
<v Speaker 1>it is happening now that the wine Steins of the

0:27:27.720 --> 0:27:30.800
<v Speaker 1>world have finally been exposed openly as being the ship

0:27:30.840 --> 0:27:33.000
<v Speaker 1>bags that they are. You know, that's right. No, I

0:27:33.040 --> 0:27:35.920
<v Speaker 1>like that little soapbox moment. No, you know, our friend

0:27:36.000 --> 0:27:40.639
<v Speaker 1>Jason Loeps is National Lampunt's vacation and then let's just

0:27:40.680 --> 0:27:44.000
<v Speaker 1>finish it off with Okay, here we go. Here's a

0:27:44.040 --> 0:27:49.000
<v Speaker 1>different one. Tracy Miller who framed Roger Rabbit Rabbit, rare bit,

0:27:50.080 --> 0:27:53.640
<v Speaker 1>rare bit, rare bit. That's uh English rare bit. That's

0:27:53.640 --> 0:27:55.840
<v Speaker 1>the thing that's the breakfast food that dude likes in

0:27:56.359 --> 0:28:00.600
<v Speaker 1>Phantom Thread. Roger Rarebit. That's a good one. That one's

0:28:00.800 --> 0:28:02.679
<v Speaker 1>that's a weird one. Man. I saw when I was

0:28:02.680 --> 0:28:04.960
<v Speaker 1>a kid, and I was kind of disturbed by it.

0:28:04.960 --> 0:28:07.760
<v Speaker 1>It's got a lot of weird sexual, cartoony stuff with

0:28:08.359 --> 0:28:12.359
<v Speaker 1>Jessica rare Bit, you know, and you know what all,

0:28:12.840 --> 0:28:15.320
<v Speaker 1>I've never seen that movie all the way through it

0:28:15.480 --> 0:28:17.320
<v Speaker 1>really yeah, oh my god, it is one of my

0:28:17.359 --> 0:28:19.440
<v Speaker 1>big holes. Has a rare Bit shaped hole right there,

0:28:19.480 --> 0:28:22.879
<v Speaker 1>my friends. Um, yeah, there's a whole thing with Judge

0:28:22.960 --> 0:28:26.680
<v Speaker 1>Doom like that's played by Christopher Lloyd. He melts into

0:28:26.720 --> 0:28:28.920
<v Speaker 1>a puddle of slime in the end, and like there's

0:28:28.960 --> 0:28:32.959
<v Speaker 1>like toxic waste and crazy weird ship man. The psychedelic

0:28:33.520 --> 0:28:36.439
<v Speaker 1>not psychedelic, yeah, a little bit psychedelic. It almost reminds

0:28:36.440 --> 0:28:38.680
<v Speaker 1>me of that Ralph Backshee stuff, you know, where it's

0:28:38.720 --> 0:28:43.719
<v Speaker 1>like create creepy babies that talk like old grizzled detectives

0:28:43.720 --> 0:28:46.080
<v Speaker 1>and smoke cigars and ship you know, it's that kind

0:28:46.080 --> 0:28:47.560
<v Speaker 1>of thing. I remember seeing that when I was a kid.

0:28:48.640 --> 0:28:51.040
<v Speaker 1>It's cool, It's it's interesting because it's definitely you know,

0:28:51.920 --> 0:28:53.480
<v Speaker 1>it was hard to make a movie like that where

0:28:53.480 --> 0:28:56.760
<v Speaker 1>you mix live action with cartoons and you have at work,

0:28:56.760 --> 0:28:59.600
<v Speaker 1>and that one really kind of does. Yeah, yeah, classic.

0:29:00.000 --> 0:29:02.080
<v Speaker 1>Why I didn't see it? What was in Sino Man.

0:29:02.120 --> 0:29:03.719
<v Speaker 1>That was in the eighties. That was the early nineties,

0:29:03.760 --> 0:29:09.720
<v Speaker 1>I think it was that feels like a ninety a

0:29:09.760 --> 0:29:12.640
<v Speaker 1>movie caught between eras doesn't know what it is. The

0:29:12.680 --> 0:29:14.960
<v Speaker 1>reason I bring that up as I absolutely saw in

0:29:15.080 --> 0:29:20.280
<v Speaker 1>Sino Man in the theaters. I never saw that two. Yeah,

0:29:20.280 --> 0:29:21.680
<v Speaker 1>I never saw that. I never saw any of the

0:29:21.720 --> 0:29:25.240
<v Speaker 1>poly Shore movies. You know. The Man was kind of

0:29:25.280 --> 0:29:30.720
<v Speaker 1>the first one, I believe. Yeah, okay, that's when where

0:29:30.720 --> 0:29:35.160
<v Speaker 1>he goes weezen the jit. I just remember Brendan Fraser

0:29:35.240 --> 0:29:37.560
<v Speaker 1>was in Cino Man. He was in Sino Man, which

0:29:37.640 --> 0:29:39.920
<v Speaker 1>was like he was like a what do you call it?

0:29:39.960 --> 0:29:41.640
<v Speaker 1>Which is this is actually kind of very much a

0:29:41.720 --> 0:29:45.920
<v Speaker 1>carry over eighties type of movie concept. He's a caveman

0:29:46.600 --> 0:29:49.480
<v Speaker 1>hanging out in modern day in Sino California, going to

0:29:49.560 --> 0:29:54.320
<v Speaker 1>the mall and skateboarding and shouldn't trying to figure out exactly? Yeah,

0:29:54.520 --> 0:29:57.240
<v Speaker 1>very much. So have you seen teen Wolf? I have

0:29:57.320 --> 0:29:59.520
<v Speaker 1>seen teen Wolf. I've seen teen Wolf two as well.

0:30:00.040 --> 0:30:02.880
<v Speaker 1>Oh interesting, alright, I think we should just wrap it up.

0:30:02.920 --> 0:30:04.840
<v Speaker 1>Nolan spanking on the bottom. I think it's fine and

0:30:04.920 --> 0:30:08.000
<v Speaker 1>send this one out into internetly. I'm ready to crush

0:30:08.080 --> 0:30:10.440
<v Speaker 1>some judgments. Let's do it, all right, Let's see you

0:30:10.440 --> 0:30:26.960
<v Speaker 1>next time, folks. For more podcasts for my Heart Radio,

0:30:27.120 --> 0:30:29.800
<v Speaker 1>visit the I Heart Radio app, Apple Podcasts, or wherever

0:30:29.880 --> 0:30:31.200
<v Speaker 1>you listen to your favorite shows.