1 00:00:03,720 --> 00:00:09,880 Speaker 1: The I Am Rapp Reports Stereo podcast live and you're 2 00:00:09,960 --> 00:00:13,680 Speaker 1: down with Rapp Report. Yes I am, I'm a Rapperport. 3 00:00:14,080 --> 00:00:18,800 Speaker 1: Yes I am a Rapperport. Yes I am a Rapperport. 4 00:00:19,200 --> 00:00:22,239 Speaker 1: Yes i am better tune in Iron rapp Report dot 5 00:00:22,320 --> 00:00:25,320 Speaker 1: com is every single podcast you know, we drops farms. 6 00:00:25,360 --> 00:00:27,720 Speaker 1: I've seen him on set a season vet with True Town. 7 00:00:27,800 --> 00:00:29,720 Speaker 1: Catch him on his way to course fit rocking the 8 00:00:29,760 --> 00:00:31,840 Speaker 1: New Balance. He asked me to do the track because 9 00:00:31,840 --> 00:00:33,560 Speaker 1: you know I round the leak. But I'm just waiting 10 00:00:33,600 --> 00:00:35,680 Speaker 1: for the Robert the Nero line of the week. Rightference 11 00:00:35,720 --> 00:00:38,360 Speaker 1: the Champions hosted Bagel, Cream, Cheese and Lock. This is 12 00:00:38,440 --> 00:00:41,000 Speaker 1: I Am rapp Report. The show Never Stopped. Might catch 13 00:00:41,080 --> 00:00:43,680 Speaker 1: the Mountain Public stretching his knees. But if you don't 14 00:00:43,760 --> 00:00:48,160 Speaker 1: listen to the show, yo, we're gonna pleading. We're gonna please. 15 00:00:49,159 --> 00:00:54,560 Speaker 1: Rapport podcast all right, this is what it is. This 16 00:00:54,640 --> 00:00:58,560 Speaker 1: is the Iron Rapports Stereo podcast, coming live and direct 17 00:00:58,640 --> 00:01:05,360 Speaker 1: from the Rue Room tomb uh in Los Angeles, California. 18 00:01:05,400 --> 00:01:07,960 Speaker 1: If you're hearing any beeping and bobbing the room to 19 00:01:08,080 --> 00:01:10,720 Speaker 1: MB is my car. It's a new and improved two 20 00:01:10,720 --> 00:01:15,760 Speaker 1: thousand and sixteen room to him. Um, my name is 21 00:01:15,800 --> 00:01:20,120 Speaker 1: Michael Rappaport a k a. The Gringo Man Dingo a 22 00:01:20,280 --> 00:01:24,199 Speaker 1: k a. The Backdoor Man, no Bruno. I'm in here 23 00:01:25,200 --> 00:01:31,280 Speaker 1: the Room Tomb with my partner Gerald Moody. Yeah. What's good, gimnetti, 24 00:01:31,760 --> 00:01:35,479 Speaker 1: everything's good, man. We had a live show the other 25 00:01:35,600 --> 00:01:40,800 Speaker 1: night at the Hollywood Improv with the Dirty Sports podcast Dudes, 26 00:01:41,000 --> 00:01:43,199 Speaker 1: and I just want to shout out everybody who took 27 00:01:43,200 --> 00:01:47,240 Speaker 1: the time to come out and support the show. That 28 00:01:47,280 --> 00:01:51,120 Speaker 1: was fantastic. It was our second live show sold out 29 00:01:51,120 --> 00:01:54,920 Speaker 1: of course. Um, that's what we do. A lot of fun. Yeah, 30 00:01:54,920 --> 00:01:57,360 Speaker 1: a lot of fun, a lot of fun. You get 31 00:01:57,360 --> 00:02:00,480 Speaker 1: nervous in front of the live audience, Monetti, Man, No, 32 00:02:00,520 --> 00:02:02,840 Speaker 1: you're back. You're holding me down, man. Yeah, but that's 33 00:02:02,880 --> 00:02:05,120 Speaker 1: that's impressive though people get freaked out. I mean, that's 34 00:02:05,160 --> 00:02:08,160 Speaker 1: like only your second time performing live, and you you 35 00:02:08,400 --> 00:02:12,560 Speaker 1: don't seem flustered at all. This is easy. We've been 36 00:02:12,600 --> 00:02:18,079 Speaker 1: doing this. How long? Sho this is nothing the other 37 00:02:18,120 --> 00:02:20,320 Speaker 1: podcast when they they find out that we've been doing 38 00:02:20,320 --> 00:02:22,959 Speaker 1: this since a D two because a lot of the uh, 39 00:02:23,000 --> 00:02:25,720 Speaker 1: a lot of the other podcasts that the two man 40 00:02:25,760 --> 00:02:29,480 Speaker 1: crews out there, you know they're new to this. We're 41 00:02:29,520 --> 00:02:32,960 Speaker 1: true to this since a d too. Literally and that's 42 00:02:32,960 --> 00:02:35,440 Speaker 1: not that's not this, that's so. But it's just like 43 00:02:35,480 --> 00:02:41,239 Speaker 1: that chemistry. It's it's it's hard to recreate that, um, 44 00:02:41,280 --> 00:02:44,600 Speaker 1: but we're doing it. As I've mentioned a couple of times, 45 00:02:44,680 --> 00:02:48,679 Speaker 1: I'm moving, uh, and and and I have to say, 46 00:02:48,680 --> 00:02:51,000 Speaker 1: thanks for helping me with with with the two boxes 47 00:02:51,000 --> 00:02:53,680 Speaker 1: that you help me move. Don't mention it there. There's 48 00:02:53,720 --> 00:02:56,680 Speaker 1: like there's like a hundred boxes in my house and 49 00:02:56,680 --> 00:03:00,160 Speaker 1: and five days ago you helped me move two of them. 50 00:03:00,200 --> 00:03:04,320 Speaker 1: So I really appreciate, uh, you know, the the effort 51 00:03:04,400 --> 00:03:06,520 Speaker 1: and like, you know, the kind of like you know, oh, 52 00:03:06,560 --> 00:03:09,480 Speaker 1: could I help you with anything? A lot of people 53 00:03:09,480 --> 00:03:11,600 Speaker 1: who I don't even know, like, YO, if you need anything, 54 00:03:11,720 --> 00:03:13,880 Speaker 1: let me know. You've been staying with me for almost 55 00:03:13,880 --> 00:03:16,240 Speaker 1: two weeks. You helped me move two boxes, So I 56 00:03:16,240 --> 00:03:20,600 Speaker 1: appreciate that. Yo, don't mention it. Hey, no problem, And 57 00:03:20,760 --> 00:03:24,040 Speaker 1: I I sincerely appreciate that. That was really cool. Um, 58 00:03:24,280 --> 00:03:27,560 Speaker 1: you're a fantastic house guest, especially during the moving process. 59 00:03:27,600 --> 00:03:29,239 Speaker 1: I just I just want to let you know what 60 00:03:29,240 --> 00:03:30,840 Speaker 1: it means a lot to me that you know what 61 00:03:30,919 --> 00:03:33,600 Speaker 1: I thought i'd just stay out of your way. Yeah, now, 62 00:03:33,680 --> 00:03:36,160 Speaker 1: I got you. I got you that. That that's cool. 63 00:03:36,200 --> 00:03:38,360 Speaker 1: I I get that that that was your plan, Like 64 00:03:38,440 --> 00:03:41,000 Speaker 1: that was your way to help? Was it? Just stay 65 00:03:41,000 --> 00:03:45,200 Speaker 1: out of the way? Thank you? Um? What else is 66 00:03:45,240 --> 00:03:46,960 Speaker 1: going on? Man? I don't know. We're gonna jump into 67 00:03:46,960 --> 00:03:51,560 Speaker 1: all sorts of things. I'm literally driving and podcasting. Have 68 00:03:51,640 --> 00:03:53,680 Speaker 1: you and me ever rocked from the Google from the 69 00:03:53,720 --> 00:03:58,600 Speaker 1: from the room to him on the way to the airport? Okay, okay, yes, 70 00:03:58,640 --> 00:04:03,480 Speaker 1: no doubt. So so this time I'm taking Monetti uh 71 00:04:03,680 --> 00:04:07,360 Speaker 1: to Uh you're going back to the Bronx. Yes, you're 72 00:04:07,360 --> 00:04:10,560 Speaker 1: heading back to New York City? Uh, what's the what's 73 00:04:10,600 --> 00:04:12,200 Speaker 1: the what's the word on the weather in New York? 74 00:04:12,240 --> 00:04:15,200 Speaker 1: Because I'm coming there next week hopefully. I heard it 75 00:04:15,240 --> 00:04:17,520 Speaker 1: was kind of chili. When you say chili, Like, what 76 00:04:17,560 --> 00:04:24,040 Speaker 1: does that mean? Chili is in May? Come on, man, 77 00:04:24,400 --> 00:04:26,440 Speaker 1: it's not there yet. You know how New York goes bro, 78 00:04:27,440 --> 00:04:30,240 Speaker 1: you gotta get to mid mid May or the latter 79 00:04:30,320 --> 00:04:35,080 Speaker 1: part of May to get that good man. Um, you know, 80 00:04:36,080 --> 00:04:42,160 Speaker 1: but your head into Arizona before you go to JFK. Yeah, right, 81 00:04:42,160 --> 00:04:45,440 Speaker 1: you'd like Arizona to Basque in the sun. You need 82 00:04:45,480 --> 00:04:48,040 Speaker 1: a little son. You haven't basted enough in the sun. 83 00:04:48,160 --> 00:04:51,480 Speaker 1: I've been hauling boxes. I noticed yesterday I was haulding 84 00:04:51,520 --> 00:04:53,320 Speaker 1: boxes and I was like, gee, can you help me. 85 00:04:53,640 --> 00:04:57,359 Speaker 1: You're back there drinking wine, basking. Yeah, you know you 86 00:04:57,400 --> 00:04:59,799 Speaker 1: need more sons. Yeah, I want to go back home. 87 00:05:00,240 --> 00:05:08,320 Speaker 1: Glazed glaze brown, right, Okay, cool, okay cool. So just 88 00:05:08,360 --> 00:05:10,720 Speaker 1: so you know, if if the two thousand and fifteen 89 00:05:10,800 --> 00:05:13,320 Speaker 1: podcast co host of the Year, if you need a 90 00:05:13,440 --> 00:05:18,840 Speaker 1: hand or or help or or anything, uh while he's 91 00:05:18,880 --> 00:05:24,400 Speaker 1: staying with you, you got the wrong fucking guy. Um 92 00:05:24,480 --> 00:05:27,680 Speaker 1: So let me see how how where should we even 93 00:05:27,720 --> 00:05:30,040 Speaker 1: start here today? Uh? Yeah, I want to start with 94 00:05:30,120 --> 00:05:34,600 Speaker 1: something that that bothered me. That bothered me because I 95 00:05:34,680 --> 00:05:38,080 Speaker 1: always refer to New York Magazine, which is actually my 96 00:05:38,160 --> 00:05:40,719 Speaker 1: favorite magazine. I have a love hate relationship with this 97 00:05:40,800 --> 00:05:45,520 Speaker 1: magazine because it has truly become a hipster manifesto. Yet 98 00:05:45,600 --> 00:05:49,640 Speaker 1: it still has great articles and and information and pop 99 00:05:49,680 --> 00:05:52,960 Speaker 1: culture stuff and and movie and music reviews. Yet it 100 00:05:53,400 --> 00:05:59,919 Speaker 1: is it is absolutely a d being run by hipster elitist. 101 00:06:00,600 --> 00:06:03,360 Speaker 1: There's another website. I don't know if it's it's uh 102 00:06:03,440 --> 00:06:05,839 Speaker 1: a website or just a magazine or magazine or just 103 00:06:05,880 --> 00:06:09,120 Speaker 1: a website or a blog. It's called sleet. I think 104 00:06:09,160 --> 00:06:11,800 Speaker 1: that these guys uh might have been the ones to 105 00:06:12,040 --> 00:06:15,560 Speaker 1: to to talk greasy at one point about the caprio 106 00:06:16,040 --> 00:06:19,680 Speaker 1: about something else. Not the guy from Vulture who bowed 107 00:06:19,720 --> 00:06:22,039 Speaker 1: down to us after the Wrapper pack attacked him, shout 108 00:06:22,040 --> 00:06:25,120 Speaker 1: out to the entire wrapper pack. Um. But but a 109 00:06:25,120 --> 00:06:30,839 Speaker 1: guy named Kyle Buchanan, who's obviously a guilty white guy, 110 00:06:31,240 --> 00:06:35,240 Speaker 1: wrote this article about It's the title of it by 111 00:06:35,320 --> 00:06:41,520 Speaker 1: Kyle Buchanan. Why won't Hollywood let us see our best 112 00:06:41,680 --> 00:06:45,960 Speaker 1: black actors? And he went on to see how I 113 00:06:46,000 --> 00:06:49,279 Speaker 1: went on to talk about how it DRIs Elba and 114 00:06:50,320 --> 00:06:54,000 Speaker 1: uh Lupeta, I can't pronounce her nasty, but you know 115 00:06:54,080 --> 00:06:56,520 Speaker 1: the the actress who won the Oscar Lupete, I'm not 116 00:06:56,520 --> 00:07:00,479 Speaker 1: even gonna try to pronounce it. And Zoe's Aldano who 117 00:07:00,880 --> 00:07:05,320 Speaker 1: actually darkened herself Uh to play Nina Simone, which has 118 00:07:05,360 --> 00:07:07,599 Speaker 1: caused a lot of controversy before the movie hasn't come out. 119 00:07:07,800 --> 00:07:11,400 Speaker 1: It goes on to say how uh Idris Elba is 120 00:07:11,440 --> 00:07:14,480 Speaker 1: in four major studio films this year, but you won't 121 00:07:14,520 --> 00:07:16,960 Speaker 1: see his face in any of them. Three of these 122 00:07:17,080 --> 00:07:21,320 Speaker 1: high profile jobs are voice roles in addition to playing 123 00:07:22,240 --> 00:07:25,200 Speaker 1: a car role in Zutopia and La La, La, La La. 124 00:07:25,680 --> 00:07:28,640 Speaker 1: His only live action role is playing the villain in 125 00:07:28,720 --> 00:07:32,440 Speaker 1: Star Trek, where he's buried under so many facial prosthetics. 126 00:07:32,480 --> 00:07:36,920 Speaker 1: He's more unrecognizable, he's not even unrecognizable. He's a totally 127 00:07:37,000 --> 00:07:39,600 Speaker 1: different color. And he goes on to say how Hollywood 128 00:07:39,640 --> 00:07:42,440 Speaker 1: hasn't figured this out, and La La La La La. 129 00:07:42,800 --> 00:07:45,520 Speaker 1: And you don't see Leonardo DiCaprio doing this, and you 130 00:07:45,560 --> 00:07:48,560 Speaker 1: don't see Tom Cruise, And I want to tell you, 131 00:07:48,560 --> 00:07:52,080 Speaker 1: you're a fucking idiot. You get this guy. I'm gonna 132 00:07:52,120 --> 00:07:55,480 Speaker 1: explain to you why Number one, you think Idris Elba 133 00:07:55,640 --> 00:07:59,040 Speaker 1: getting paid top dollar to work in Star Track gives 134 00:07:59,040 --> 00:08:02,640 Speaker 1: a funk about proces NX. You think Idris Elbow got 135 00:08:02,640 --> 00:08:07,680 Speaker 1: paid top dollar to break in the Wire? No? Do 136 00:08:07,760 --> 00:08:10,240 Speaker 1: you think Idris Elba got paid top dollar to do 137 00:08:10,360 --> 00:08:14,480 Speaker 1: Beasts of No Nation? No? You think Zoey's All Donna 138 00:08:14,600 --> 00:08:17,040 Speaker 1: got paid a lot of money to play Nina Simone 139 00:08:17,720 --> 00:08:19,800 Speaker 1: and Lupeta got paid a lot of money. This is 140 00:08:19,880 --> 00:08:24,840 Speaker 1: the reality of this Mr Hipster white guilt fuck, is 141 00:08:24,880 --> 00:08:28,160 Speaker 1: that actors want to work and actors want to get 142 00:08:28,200 --> 00:08:32,200 Speaker 1: paid to work, okay. And and if he's in Star 143 00:08:32,320 --> 00:08:37,320 Speaker 1: Trek rest Assure, that's the um Idris Elba's biggest paid 144 00:08:37,400 --> 00:08:42,200 Speaker 1: day ever. Okay. And this whole idea of oh and 145 00:08:42,200 --> 00:08:45,400 Speaker 1: and this is that there's some sort of racial connotations 146 00:08:45,440 --> 00:08:48,920 Speaker 1: behind this. This is adding flames to a fire that's 147 00:08:48,960 --> 00:08:51,400 Speaker 1: not even there. You're you're, you're, you're, you're pouring gas 148 00:08:51,440 --> 00:08:54,480 Speaker 1: on in a in a pile of water. It's not valid. 149 00:08:54,679 --> 00:08:57,920 Speaker 1: And I don't like somebody trying to stir the pot 150 00:08:58,280 --> 00:09:01,600 Speaker 1: with nothing. And this is coming for white yo, my man. 151 00:09:02,120 --> 00:09:03,760 Speaker 1: If you don't want to see Idris Elbo in star 152 00:09:03,840 --> 00:09:08,080 Speaker 1: track with prosthetics, are somehow that offends your white ass, 153 00:09:09,520 --> 00:09:12,480 Speaker 1: I don't know what to tell you. Okay, you don't 154 00:09:12,480 --> 00:09:15,400 Speaker 1: want to see loup loup. They're they're getting paid. Actors 155 00:09:15,440 --> 00:09:18,880 Speaker 1: want to get paid. Actors want to make money. And 156 00:09:18,920 --> 00:09:23,000 Speaker 1: when when Adri Salbut showed his whole face and was 157 00:09:23,040 --> 00:09:25,560 Speaker 1: in that movie on Netflix which is Great Beasts of 158 00:09:25,600 --> 00:09:28,400 Speaker 1: No Nation, which he won awards for, I guarantee you 159 00:09:28,400 --> 00:09:33,240 Speaker 1: he took a major pay cut. Zutopia and all these 160 00:09:33,280 --> 00:09:36,319 Speaker 1: films where he's lending his voice. That's easy work for 161 00:09:36,360 --> 00:09:40,160 Speaker 1: an actor. Actors want to make money. Everything is in 162 00:09:40,240 --> 00:09:44,839 Speaker 1: an artistic endeavor. So if Zoe's al Donna wants to 163 00:09:44,880 --> 00:09:47,760 Speaker 1: put on prosthetics to get paid top dollar and whatever 164 00:09:47,880 --> 00:09:49,920 Speaker 1: movie she went to do that, don't try to make 165 00:09:49,960 --> 00:09:52,120 Speaker 1: this into some sort of race thing. There's plenty. There's 166 00:09:52,160 --> 00:09:54,920 Speaker 1: plenty of actors that you know, like Jennifer Lawrence, she's 167 00:09:54,920 --> 00:09:56,760 Speaker 1: in that movie she paints her face. But these are 168 00:09:56,800 --> 00:09:59,680 Speaker 1: sci fi movies, people. You can't have adri Selbull just 169 00:09:59,679 --> 00:10:02,559 Speaker 1: be DRIs Elbow or any actor being just any actor, 170 00:10:03,320 --> 00:10:05,520 Speaker 1: you know. And then he goes it's perhaps it's just 171 00:10:05,600 --> 00:10:09,560 Speaker 1: another symptom of Hollywood's current failure when it comes to 172 00:10:09,640 --> 00:10:15,080 Speaker 1: actors of color. This is the hipster ship, this is 173 00:10:15,080 --> 00:10:17,800 Speaker 1: the this is the white guilt seeping through. And then 174 00:10:17,840 --> 00:10:20,240 Speaker 1: this guy went on some other, some other thing to 175 00:10:20,320 --> 00:10:22,840 Speaker 1: talk about his article. You know, your article is whack, 176 00:10:22,960 --> 00:10:26,720 Speaker 1: Kyle Buchanan. He went on, there any truth to what 177 00:10:26,760 --> 00:10:29,320 Speaker 1: he's saying. Hell no, there's no truth to what he's saying. Man, 178 00:10:31,160 --> 00:10:34,280 Speaker 1: there's no there's no truth. Adri Selboy is more popular 179 00:10:34,320 --> 00:10:38,680 Speaker 1: now than he's ever been. This chick Lupeau, I can't 180 00:10:38,679 --> 00:10:41,240 Speaker 1: say her last name. She's more. She came out of nowhere. 181 00:10:41,280 --> 00:10:44,000 Speaker 1: She's happy as shipped to be working as much as 182 00:10:43,200 --> 00:10:45,800 Speaker 1: she was in twelve years and slay before that, she 183 00:10:45,880 --> 00:10:50,600 Speaker 1: wasn't doing anything. She's gonna take all the opportunities. Some 184 00:10:50,800 --> 00:10:52,559 Speaker 1: she's gonna you're gonna see her face something You're not 185 00:10:52,559 --> 00:10:55,160 Speaker 1: gonna see her face. Process. The money is in the 186 00:10:55,200 --> 00:10:58,199 Speaker 1: sci fi. The money is in the cartoons. The money's 187 00:10:58,200 --> 00:11:01,080 Speaker 1: not in a Piece of No Nation. The money isn't 188 00:11:01,120 --> 00:11:05,240 Speaker 1: in in the Nina Simone projects. For any actor. The 189 00:11:05,280 --> 00:11:08,360 Speaker 1: money isn't in uh Um, what was the movie that 190 00:11:08,520 --> 00:11:10,960 Speaker 1: uh Lee of Schreiber and all those guys won the 191 00:11:11,000 --> 00:11:14,600 Speaker 1: Oscar for um this year Mark Ruffalo and all the 192 00:11:14,600 --> 00:11:17,960 Speaker 1: money is not in that. The money in Hollywood right now, 193 00:11:18,040 --> 00:11:21,600 Speaker 1: the only real money in in in the film business 194 00:11:21,720 --> 00:11:25,199 Speaker 1: is if you're gino Store. There's like five or six 195 00:11:25,240 --> 00:11:26,880 Speaker 1: of them. They could do whatever they want to get paid, 196 00:11:27,040 --> 00:11:30,000 Speaker 1: and the rest of them it's Captain America. Captain is 197 00:11:30,240 --> 00:11:34,040 Speaker 1: Captain America versus this one sci Fi. All this crazy 198 00:11:34,120 --> 00:11:36,120 Speaker 1: because that's what people go to see. So this dude 199 00:11:36,120 --> 00:11:38,240 Speaker 1: trying to make the ship about race. Any actor of 200 00:11:38,280 --> 00:11:40,920 Speaker 1: any color would would die to be in Star Trek 201 00:11:41,120 --> 00:11:43,440 Speaker 1: put on prosthetics, make them any color you want, because 202 00:11:43,440 --> 00:11:47,160 Speaker 1: that's where you're gonna get paid the biggest money I see. 203 00:11:47,840 --> 00:11:51,960 Speaker 1: That's the reality of it. Motherfucker's in the nineties. You 204 00:11:52,000 --> 00:11:56,559 Speaker 1: can make money doing quote unquote smaller. Spotlight was the 205 00:11:56,600 --> 00:11:58,640 Speaker 1: movie I was talking about. You think that Liev Schreiber 206 00:11:58,720 --> 00:12:01,120 Speaker 1: and Mark Ruffalo and all them got paid their quote 207 00:12:01,120 --> 00:12:03,880 Speaker 1: their quote unquote quote to do Spotlight. They did it. 208 00:12:04,880 --> 00:12:07,520 Speaker 1: They did it. That's that's a passion project. So you 209 00:12:07,559 --> 00:12:10,080 Speaker 1: do a passion project, and then you gotta make it 210 00:12:10,160 --> 00:12:14,240 Speaker 1: up by doing something else. Ud you sail but did 211 00:12:14,240 --> 00:12:16,520 Speaker 1: Beast of No Nation? You gotta make up the money 212 00:12:16,520 --> 00:12:20,840 Speaker 1: doing voiceover ship, which is great work, doesn't there's no 213 00:12:21,120 --> 00:12:23,880 Speaker 1: that's that's that's the easiest job you do. Zutopia the 214 00:12:23,920 --> 00:12:26,280 Speaker 1: movie makes three million. You go in there, you don't 215 00:12:26,280 --> 00:12:28,520 Speaker 1: even have to wear makeup. You you throw your voice 216 00:12:28,559 --> 00:12:32,400 Speaker 1: or that's easy and Star Trek process and you're like, oh, 217 00:12:32,520 --> 00:12:35,200 Speaker 1: it must be some racial cover up. Shut the funk up, Kyle, 218 00:12:35,240 --> 00:12:38,000 Speaker 1: because you can't. You don't know what you're talking about. 219 00:12:38,200 --> 00:12:42,199 Speaker 1: That's the hipster elite and slate as a hipster manifesto. 220 00:12:42,840 --> 00:12:44,559 Speaker 1: So I just wanted to get that, get that off 221 00:12:44,600 --> 00:12:46,160 Speaker 1: my chest right now, because I'm letting you know what 222 00:12:46,240 --> 00:12:49,120 Speaker 1: the real deal is with why people take these jobs 223 00:12:49,440 --> 00:12:52,480 Speaker 1: and why people choose to do these films actors want 224 00:12:52,520 --> 00:12:55,480 Speaker 1: to act. It ain't always about like, oh I'm doing this, 225 00:12:55,600 --> 00:12:58,040 Speaker 1: I'm getting covered up and oh there's racial kind of 226 00:12:58,040 --> 00:13:00,719 Speaker 1: tones and there's racial undertone. You don't know what you're 227 00:13:00,720 --> 00:13:03,560 Speaker 1: talking about. Kyle Buchanan. Hey, we're not welcoming me on 228 00:13:03,600 --> 00:13:05,280 Speaker 1: the I N rapp Port Pockets. You could take that 229 00:13:05,320 --> 00:13:08,080 Speaker 1: little your little story somewhere else. That ship is whack 230 00:13:08,200 --> 00:13:12,720 Speaker 1: Duke moody. If they were paying you five million dollars, 231 00:13:13,800 --> 00:13:15,319 Speaker 1: it paid me five million. No, you can put you 232 00:13:15,400 --> 00:13:17,080 Speaker 1: can put any ship on my feet and give a 233 00:13:17,080 --> 00:13:20,800 Speaker 1: funk about it. All that guy talking about maybe it's 234 00:13:20,960 --> 00:13:24,240 Speaker 1: artistic endeavor to do that. Maybe we'self but love star track. 235 00:13:24,600 --> 00:13:27,360 Speaker 1: You don't hear him talking. Why not complained? Right? Why 236 00:13:27,360 --> 00:13:30,600 Speaker 1: are you talking? Oh it's Hollywood, It's it's conspiracy. And 237 00:13:30,720 --> 00:13:33,920 Speaker 1: Kyle Buchanan, Mr White is the one to pull back 238 00:13:33,960 --> 00:13:37,360 Speaker 1: the the the sheets. You ain't pulling back ship, dude, 239 00:13:38,840 --> 00:13:43,520 Speaker 1: all right, you ain't pulling back ship. Um, we're in 240 00:13:43,520 --> 00:13:45,320 Speaker 1: the room till we're we're we're heading to the watch 241 00:13:45,440 --> 00:13:50,000 Speaker 1: towers to to to photograph, uh and and podcast at 242 00:13:50,040 --> 00:13:52,520 Speaker 1: the watch towers. You've been adamant about getting getting us 243 00:13:52,520 --> 00:13:54,960 Speaker 1: down to the watch towers. On my ass, I feel 244 00:13:55,440 --> 00:13:58,120 Speaker 1: a lot of stuff going on with blackness, people trying 245 00:13:58,120 --> 00:14:02,679 Speaker 1: to take Uh. We got at Sean King. Oh, Sean King, 246 00:14:02,760 --> 00:14:07,120 Speaker 1: what did he do? He said, he is seventy white. 247 00:14:07,679 --> 00:14:11,480 Speaker 1: He's he's inching up each each quarter. Does he still 248 00:14:11,480 --> 00:14:13,600 Speaker 1: have a job at the Daily News? What the fuck? 249 00:14:13,920 --> 00:14:16,720 Speaker 1: But this is what this guy said, I look blacker 250 00:14:17,000 --> 00:14:22,360 Speaker 1: than the average civil rights activist. Like it's a contest, right, 251 00:14:23,160 --> 00:14:25,920 Speaker 1: Like it's a content. You can see. This guy's a joke. 252 00:14:26,640 --> 00:14:30,240 Speaker 1: He said it. He got like real racial hang ups. 253 00:14:30,560 --> 00:14:34,480 Speaker 1: Yeah racial Slimball said, it's guilt, like you were saying 254 00:14:34,520 --> 00:14:40,640 Speaker 1: white guilt. Right, he's got sev white guilt. He doesn't 255 00:14:40,680 --> 00:14:44,040 Speaker 1: have full white guilt, not yet, not yet, but he's 256 00:14:44,040 --> 00:14:48,200 Speaker 1: coming to terms with his seventy white guilt. So he 257 00:14:48,200 --> 00:14:50,600 Speaker 1: he admitted that, how does he still have a job 258 00:14:51,280 --> 00:14:53,440 Speaker 1: at the New York Daily News? The New York Daily News, 259 00:14:53,520 --> 00:14:58,120 Speaker 1: you should be a reputable Uh, it's a yeah. The 260 00:14:58,240 --> 00:15:02,560 Speaker 1: black writer can't get job based on him being black. 261 00:15:03,520 --> 00:15:07,720 Speaker 1: But Mr King could identify as black and get the 262 00:15:07,920 --> 00:15:12,080 Speaker 1: job and then come out and say, well, I'm not black. 263 00:15:12,640 --> 00:15:14,840 Speaker 1: But all he does is like he was brought in there. 264 00:15:15,040 --> 00:15:20,560 Speaker 1: He's like like a rabble rouser, right and shaunky yo, 265 00:15:20,720 --> 00:15:25,200 Speaker 1: Shaun King man yo. I know his intentions aren't bad, 266 00:15:25,280 --> 00:15:27,240 Speaker 1: but you know, you gotta come You already fucked up. 267 00:15:27,280 --> 00:15:29,520 Speaker 1: And I think he was accused of stealing money. You 268 00:15:29,560 --> 00:15:32,000 Speaker 1: gotta come clear. I know his intentions aren't bad, but 269 00:15:32,080 --> 00:15:34,440 Speaker 1: you can't in this day and age, you can't lie 270 00:15:34,480 --> 00:15:40,000 Speaker 1: about anything anything. In the nineties, it was a free throw. 271 00:15:40,040 --> 00:15:42,520 Speaker 1: You could just say anything you wanted. There was there 272 00:15:42,560 --> 00:15:47,320 Speaker 1: was there was no ability to fact check. So the 273 00:15:47,320 --> 00:15:49,800 Speaker 1: watch Towers like, okay, so the watch House were So 274 00:15:49,840 --> 00:15:52,560 Speaker 1: we're driving there right now, he listen, I'm driving, We're 275 00:15:52,600 --> 00:15:56,040 Speaker 1: in the car. This is the only podcast that does 276 00:15:56,160 --> 00:15:59,480 Speaker 1: live broadcast from the car a k A. The room. 277 00:15:59,520 --> 00:16:06,640 Speaker 1: To him, it's another groundbreaking UHUM podcast event. I brought 278 00:16:06,680 --> 00:16:09,800 Speaker 1: my Dashiki for the watch Towers just to try to 279 00:16:09,840 --> 00:16:13,280 Speaker 1: affirm my blackness because I feel it's under siege out here. 280 00:16:13,720 --> 00:16:19,280 Speaker 1: Doze l right, Sean King, I gotta take my ship 281 00:16:19,400 --> 00:16:23,320 Speaker 1: back yeah, well you know that's good. That's good. We're 282 00:16:23,360 --> 00:16:25,520 Speaker 1: heading to the watch towers. You have your dashiki on, 283 00:16:25,880 --> 00:16:28,120 Speaker 1: and I'm glad you feel comfortable and excited about that. 284 00:16:28,200 --> 00:16:32,120 Speaker 1: I I feel comfortable that you that you feel comfortable. Um. 285 00:16:32,320 --> 00:16:36,040 Speaker 1: No good judges, Oh man, we got one who resigned 286 00:16:36,320 --> 00:16:39,680 Speaker 1: yo in Arkansas. This is a real Should we give 287 00:16:39,760 --> 00:16:43,440 Speaker 1: him sick Funk of a Week? Yes? This award is earned, 288 00:16:43,560 --> 00:16:47,200 Speaker 1: not given. It's called the sick fucking a Week. This 289 00:16:47,280 --> 00:16:50,680 Speaker 1: guy is really sick. Lock him up? How could you do? 290 00:16:50,680 --> 00:16:55,160 Speaker 1: Don't let him out? Damn the door? You want you 291 00:16:55,360 --> 00:16:58,240 Speaker 1: fuck the door? Why would you fuck the dog? Why 292 00:16:58,280 --> 00:17:02,640 Speaker 1: would you fuck your girlfriends? Donk sick fuck the sick 293 00:17:02,800 --> 00:17:06,720 Speaker 1: funck of the week. It's earned and not kiving. You 294 00:17:06,800 --> 00:17:15,760 Speaker 1: didn't what? No, no, no, there's a thin line between 295 00:17:15,800 --> 00:17:18,800 Speaker 1: a sick fuck and and and and and somebody that's 296 00:17:18,880 --> 00:17:24,639 Speaker 1: that's just a real bad fuck. This guy is a 297 00:17:24,720 --> 00:17:29,240 Speaker 1: sick fuck. Go ahead, gimnetti. This no good judge right 298 00:17:30,440 --> 00:17:38,840 Speaker 1: from Arkansas resigned because they found hundreds of images of defendants, 299 00:17:38,920 --> 00:17:42,800 Speaker 1: young male defendants that he rendered decisions on, but he 300 00:17:42,840 --> 00:17:48,320 Speaker 1: would exchange like sexual favors for a lighter sentence. Man. 301 00:17:48,640 --> 00:17:52,800 Speaker 1: So he had some of him in his chambers, wearing 302 00:17:52,840 --> 00:17:57,720 Speaker 1: them out so they could get little, smaller sentences. And 303 00:17:57,760 --> 00:18:02,520 Speaker 1: I'm saying, this guy is a judge, a real sick fuck, 304 00:18:02,920 --> 00:18:08,760 Speaker 1: rendering decisions, ruining people's lives. Man, man, you're the judge, 305 00:18:08,760 --> 00:18:11,439 Speaker 1: and look what the funk you doing? Yo? This is 306 00:18:11,520 --> 00:18:13,240 Speaker 1: when the more. When I first heard this, I was like, 307 00:18:13,280 --> 00:18:14,720 Speaker 1: I didn't want to mention. I didn't think it was 308 00:18:14,760 --> 00:18:16,800 Speaker 1: worthy of getting the sick fun. But when you break 309 00:18:16,800 --> 00:18:20,399 Speaker 1: it down like that, so you so. So before he 310 00:18:20,400 --> 00:18:23,119 Speaker 1: would sentence them, he'd have him come into chambers for 311 00:18:23,119 --> 00:18:27,439 Speaker 1: a little yeah, a little sidebar, Yeah, a little sidebar, 312 00:18:28,000 --> 00:18:32,199 Speaker 1: and he'd give him a little sidebar. Huh you know 313 00:18:32,240 --> 00:18:35,200 Speaker 1: what I mean? Yeah, you want probation or you want 314 00:18:35,200 --> 00:18:38,720 Speaker 1: to go away for ten years? Yeah? Yeah? He fix it? 315 00:18:39,000 --> 00:18:42,760 Speaker 1: Did it? Fix yo? This guy? So what's gonna happen? 316 00:18:42,800 --> 00:18:45,000 Speaker 1: Are they're gonna press charges on this guy? I hope, 317 00:18:45,040 --> 00:18:47,679 Speaker 1: I hope all the guys he wore out. I hope 318 00:18:47,720 --> 00:18:57,080 Speaker 1: they pressed charges and put him in jail with us. Right, man, man, 319 00:18:57,160 --> 00:19:00,680 Speaker 1: this this that guy is terrible man, man, so sick 320 00:19:00,760 --> 00:19:04,639 Speaker 1: fuck slash, no good judge. He's a he's a double 321 00:19:04,680 --> 00:19:09,240 Speaker 1: winner and any aspiring no good judges that listen have 322 00:19:09,400 --> 00:19:12,200 Speaker 1: compassion for the man. Yeah, I know it's a it's 323 00:19:12,200 --> 00:19:15,600 Speaker 1: a hard job. I know. You get you get tired, 324 00:19:15,680 --> 00:19:17,320 Speaker 1: and you hear the same old, same old. But when 325 00:19:17,320 --> 00:19:20,840 Speaker 1: I come through, look at him, look at my face. Man, 326 00:19:21,200 --> 00:19:24,200 Speaker 1: that's you right. You ain't no better than me because 327 00:19:24,200 --> 00:19:26,919 Speaker 1: you got your little robe on, freaking off underneath your 328 00:19:26,960 --> 00:19:30,520 Speaker 1: black robe, holding your low funder their while I'm talking 329 00:19:30,560 --> 00:19:32,480 Speaker 1: to you pleading my ship. They had one who had 330 00:19:32,520 --> 00:19:37,200 Speaker 1: a dick pump, rendering decisions with a dick pump. No good. 331 00:19:39,760 --> 00:19:43,960 Speaker 1: Where's my man Lance Itto? Where we need to get 332 00:19:44,040 --> 00:19:46,120 Speaker 1: him on here to talk about that ship? Lance though 333 00:19:46,200 --> 00:19:48,600 Speaker 1: he was in the fire man, he he did, he 334 00:19:48,640 --> 00:19:50,320 Speaker 1: did his He did as good as he could. Man, 335 00:19:50,640 --> 00:19:52,719 Speaker 1: he was, he was out there. We want to get 336 00:19:52,800 --> 00:19:55,479 Speaker 1: him on there, Judge Edo the O. J. Simpson, judge, 337 00:19:55,600 --> 00:19:59,240 Speaker 1: get him on the Iron Rapports Stereo podcast. Open invitation 338 00:19:59,359 --> 00:20:08,679 Speaker 1: for for Mr Yes, Uh? What else is Papapa Monetti? Um? 339 00:20:08,720 --> 00:20:11,400 Speaker 1: I want the uh? I wrote a petition. I drafted 340 00:20:11,440 --> 00:20:14,080 Speaker 1: up a letter. Oh that's cool, you type something up? 341 00:20:14,400 --> 00:20:18,119 Speaker 1: What about about something in New York? The no the NBA? 342 00:20:18,240 --> 00:20:22,800 Speaker 1: I wrote to Adam Silver, I want you to give 343 00:20:23,160 --> 00:20:28,359 Speaker 1: Alan Iverson a formal apology at halftime of the finals, 344 00:20:28,400 --> 00:20:33,119 Speaker 1: because because you put him out to dry about his 345 00:20:33,200 --> 00:20:36,359 Speaker 1: fucking clothing and you said, oh, we won't have any 346 00:20:36,400 --> 00:20:40,159 Speaker 1: more of this, right, this is in the do rag Actually, 347 00:20:40,240 --> 00:20:45,800 Speaker 1: uh you know double XL wranglers Timberland's were outlawed, and 348 00:20:45,920 --> 00:20:52,760 Speaker 1: now you have guys wearing skirt seemingly right, right, tight, 349 00:20:53,000 --> 00:20:56,600 Speaker 1: really tight stuff that looks really like women's clothing, right, 350 00:20:56,600 --> 00:20:59,080 Speaker 1: and then you have nothing to say, yeah, this is 351 00:20:59,080 --> 00:21:02,359 Speaker 1: this is not somehow or another, this is cool. So 352 00:21:02,480 --> 00:21:06,320 Speaker 1: if you're gonna throw a guy away for wearing his culture, 353 00:21:06,920 --> 00:21:10,040 Speaker 1: no matter how you feel about this ship, that's black 354 00:21:10,080 --> 00:21:14,679 Speaker 1: culture right, right, and you say no, And then that 355 00:21:14,840 --> 00:21:20,960 Speaker 1: same black person puts on women's ship, right and you say, yes, 356 00:21:21,440 --> 00:21:24,720 Speaker 1: that's fine, right you see, fuck you man, And that's 357 00:21:24,720 --> 00:21:26,760 Speaker 1: what my letter said. Oh you wrote that letter. You 358 00:21:26,760 --> 00:21:28,639 Speaker 1: said that in a letter because I like Adam Silver, 359 00:21:28,640 --> 00:21:30,760 Speaker 1: but I hear what you're saying. I'm a I'm a fan, 360 00:21:32,560 --> 00:21:34,840 Speaker 1: but but you're you're you think that an apology of 361 00:21:34,880 --> 00:21:38,920 Speaker 1: public apology at halftime bring him out of Game two. Yes, 362 00:21:39,480 --> 00:21:42,119 Speaker 1: the world is watching. We want to make up. We 363 00:21:42,160 --> 00:21:46,840 Speaker 1: are sorry. We wish, we wish we had your type 364 00:21:46,840 --> 00:21:49,600 Speaker 1: of style back. Yeah, we were if only we knew 365 00:21:50,720 --> 00:21:55,680 Speaker 1: what this would do. Yeah, how things have changed? Speaking 366 00:21:55,720 --> 00:22:01,800 Speaker 1: of the NBA. Uh Stefan Curry two times time, congrats man, 367 00:22:02,680 --> 00:22:04,840 Speaker 1: two time m v P. He did it again, well 368 00:22:04,880 --> 00:22:07,280 Speaker 1: deserved and and and he he was out during the 369 00:22:07,280 --> 00:22:10,200 Speaker 1: playoffs and came back and has been performing like a 370 00:22:10,240 --> 00:22:15,280 Speaker 1: real m v P. Seventeen points in overtime. Nobody did 371 00:22:15,320 --> 00:22:19,720 Speaker 1: it ever in any game ever yet and still as 372 00:22:20,400 --> 00:22:27,760 Speaker 1: as if on Q literally the haters like roaches come out. Yeah, 373 00:22:27,800 --> 00:22:34,239 Speaker 1: they came out. You could hear it. Kenny Smith, Charles Barkley, 374 00:22:34,560 --> 00:22:38,720 Speaker 1: T mac all, y'all, I I see Oscar Robertson. We 375 00:22:38,800 --> 00:22:43,480 Speaker 1: shut you down, no more for you. Yeah, we did that. 376 00:22:43,480 --> 00:22:48,080 Speaker 1: That was us, Kenny Smith. They were talking about what 377 00:22:48,560 --> 00:22:52,560 Speaker 1: he said in his era, Steph Curry would be a 378 00:22:52,600 --> 00:22:59,560 Speaker 1: good player in my era. Possibly possibly, Kenny Smith. I'm 379 00:22:59,560 --> 00:23:01,800 Speaker 1: sorry to do it to you, Bro. I love you. 380 00:23:01,840 --> 00:23:05,280 Speaker 1: I've always loved you. I loved you since North Carolina. 381 00:23:05,800 --> 00:23:08,080 Speaker 1: He knows I love them. But we are New Yorkers 382 00:23:08,359 --> 00:23:12,440 Speaker 1: and we're gonna let you know. Kenny Smith. You say 383 00:23:12,520 --> 00:23:15,280 Speaker 1: that Stefan Curry could possibly have been a good player 384 00:23:15,359 --> 00:23:18,199 Speaker 1: during during your era if you were in the league 385 00:23:19,760 --> 00:23:21,760 Speaker 1: doing whatever the funk you was doing, and he had 386 00:23:21,800 --> 00:23:25,320 Speaker 1: a very formidable career. You don't think Steph Curry could 387 00:23:25,320 --> 00:23:27,800 Speaker 1: have done what you did while he well for the 388 00:23:27,840 --> 00:23:31,439 Speaker 1: for the Houston Rockets, at least on your best day. 389 00:23:31,680 --> 00:23:36,840 Speaker 1: Kenny Smith, you you weren't Steph Curry ever, and you're 390 00:23:36,840 --> 00:23:40,239 Speaker 1: talking about, uh, he could could have possibly been a 391 00:23:40,240 --> 00:23:43,440 Speaker 1: good player. Like he ain't nice, Like he ain't nice, 392 00:23:43,640 --> 00:23:45,959 Speaker 1: Like he's not nice, like like what was going on 393 00:23:46,200 --> 00:23:49,280 Speaker 1: back then was so much different and so and I 394 00:23:49,359 --> 00:23:54,160 Speaker 1: love that era. I'm from that era. But you're talking greasy, 395 00:23:55,520 --> 00:24:00,359 Speaker 1: big time t mac t mack. They're saying the league 396 00:24:00,359 --> 00:24:03,920 Speaker 1: has watered down. Obviously, it must be watered down because 397 00:24:03,960 --> 00:24:06,720 Speaker 1: you couldn't get out of the second round of the playoffs, 398 00:24:07,200 --> 00:24:09,280 Speaker 1: So it must have been really tough. As great as 399 00:24:09,320 --> 00:24:12,879 Speaker 1: you were, you couldn't even get out of the second 400 00:24:12,960 --> 00:24:16,240 Speaker 1: round of the playoffs. So it must have been really hard. 401 00:24:16,400 --> 00:24:19,080 Speaker 1: It must have been really hard because because if Steph 402 00:24:19,160 --> 00:24:23,040 Speaker 1: Curry could do that, now, well, golly, you couldn't even 403 00:24:23,040 --> 00:24:24,760 Speaker 1: get out of the second round of the place Charles 404 00:24:24,800 --> 00:24:27,520 Speaker 1: Barkley man, Yeah, it must have been tough. We know, 405 00:24:28,840 --> 00:24:32,840 Speaker 1: we know your jewelry game is missing in action. You 406 00:24:32,920 --> 00:24:35,920 Speaker 1: have no rings. And the one year you did win 407 00:24:36,840 --> 00:24:40,280 Speaker 1: the m v P, it was so tough that Michael 408 00:24:40,359 --> 00:24:43,120 Speaker 1: Jordan's seemed beat you in the championship. It was so 409 00:24:43,240 --> 00:24:45,600 Speaker 1: tough that you the year you wont m v P, 410 00:24:47,400 --> 00:24:51,359 Speaker 1: similar to this year, because they're like, oh, well Lebron 411 00:24:51,400 --> 00:24:53,879 Speaker 1: should you know he didn't get any votes. You know, 412 00:24:54,080 --> 00:24:58,760 Speaker 1: the m v P is the m v P conge. 413 00:24:59,040 --> 00:25:01,960 Speaker 1: First of all, you guys said him crazy, and I know, 414 00:25:02,080 --> 00:25:03,879 Speaker 1: like they're like, we don't talk about what's good with 415 00:25:03,960 --> 00:25:05,840 Speaker 1: the game. We talk about what's wrong with the game. 416 00:25:06,480 --> 00:25:08,359 Speaker 1: We don't talk about you know what I'm talking about? 417 00:25:08,359 --> 00:25:12,240 Speaker 1: What's wrong? Were you word called these motherfucker's out man? 418 00:25:12,359 --> 00:25:15,840 Speaker 1: And then the next night they interviewed Steph Curry after 419 00:25:15,880 --> 00:25:18,760 Speaker 1: he after he did it again. The next game he 420 00:25:18,800 --> 00:25:22,640 Speaker 1: did it again versus Portland's hit the hit the Dagger 421 00:25:23,000 --> 00:25:26,600 Speaker 1: from Deep in the three, as if the Deep three 422 00:25:27,200 --> 00:25:29,640 Speaker 1: wouldn't be as effective as the Deep three in two 423 00:25:29,640 --> 00:25:33,080 Speaker 1: thousand and sixteen. It's a Deep three. Nobody nobody was 424 00:25:33,119 --> 00:25:36,760 Speaker 1: shooting like that. No one back then, So what what 425 00:25:36,840 --> 00:25:40,399 Speaker 1: would you what would you do? They say, grab him right, 426 00:25:40,520 --> 00:25:42,600 Speaker 1: but his hands was too ill right and then the 427 00:25:42,640 --> 00:25:47,480 Speaker 1: ball is away. So then you hear the applause, and 428 00:25:47,800 --> 00:25:51,280 Speaker 1: you guys are just you know, your player hating. And 429 00:25:51,320 --> 00:25:53,439 Speaker 1: I'm not hate shaming, because we don't hate shame at 430 00:25:53,440 --> 00:25:55,840 Speaker 1: the iron rapports stereo pockets, and I know it's not hate. 431 00:25:56,440 --> 00:25:58,720 Speaker 1: You guys are talking all that side talk out the 432 00:25:58,760 --> 00:26:01,920 Speaker 1: side of your mouth, the little side odd comments. Can't 433 00:26:02,000 --> 00:26:06,280 Speaker 1: just congratulate and appreciate what you're watching. You gotta dismiss it. 434 00:26:06,359 --> 00:26:10,120 Speaker 1: You gotta dismiss it. Oh, if it wasn't my time, 435 00:26:10,640 --> 00:26:13,080 Speaker 1: he would have bust your ass in your time too. 436 00:26:13,200 --> 00:26:17,600 Speaker 1: He's one of them special players do period. Kenny Smith 437 00:26:17,600 --> 00:26:19,959 Speaker 1: to Houston. Yeah, you had your seven threes, you had 438 00:26:20,000 --> 00:26:22,280 Speaker 1: your great games, and I know, I know your style, 439 00:26:22,840 --> 00:26:24,359 Speaker 1: I know your whole. They also know you one of 440 00:26:24,400 --> 00:26:28,760 Speaker 1: them queens. Dude, shout out to queens. But if you're 441 00:26:28,760 --> 00:26:32,479 Speaker 1: from New York, you know not all y'all you know 442 00:26:32,640 --> 00:26:36,879 Speaker 1: is about it about it. The next night they interviewed 443 00:26:36,880 --> 00:26:40,480 Speaker 1: Steph Curry on there and they're not saying, oh, well, 444 00:26:40,520 --> 00:26:42,639 Speaker 1: in my error, you quite they're not saying all that 445 00:26:42,680 --> 00:26:46,000 Speaker 1: when he's not there. But but but we have some 446 00:26:46,000 --> 00:26:52,639 Speaker 1: some videotape of the interview with Bizarro Steph Curry, UM 447 00:26:52,720 --> 00:26:55,600 Speaker 1: that we have unearthed. Um, this is not the real 448 00:26:55,640 --> 00:27:00,439 Speaker 1: Steph Curry. This is Bizarro Steph Curry, two time MVP. 449 00:27:01,640 --> 00:27:04,280 Speaker 1: Uh So this is the footage that we've we've unearthed. 450 00:27:04,359 --> 00:27:06,280 Speaker 1: It's it's it's a first year at the Iron Rapports 451 00:27:06,320 --> 00:27:10,159 Speaker 1: Stereo podcast. Um. First of all, Steph, I want to 452 00:27:10,200 --> 00:27:13,440 Speaker 1: congratulate you on your m v P. Oh, thank you man. 453 00:27:13,480 --> 00:27:17,520 Speaker 1: I wanna um, First, I wanna thank my father for 454 00:27:17,800 --> 00:27:20,600 Speaker 1: teaching me how to shoot okay. Um. And second of all, 455 00:27:20,640 --> 00:27:22,600 Speaker 1: I wanted to let you know, like, yeah, how does 456 00:27:22,600 --> 00:27:25,080 Speaker 1: it feel being the first uh m v P to 457 00:27:25,280 --> 00:27:28,320 Speaker 1: get all the votes and that's never happened before. And 458 00:27:28,359 --> 00:27:31,000 Speaker 1: do you feel like you disrespect somehow the legacy of 459 00:27:31,000 --> 00:27:33,680 Speaker 1: the NBA by by by doing this, by by sending this. 460 00:27:34,040 --> 00:27:36,400 Speaker 1: First of all, I want to say, Um, I wanted 461 00:27:36,440 --> 00:27:38,520 Speaker 1: this ship because I was supposed to win this ship. 462 00:27:38,960 --> 00:27:41,880 Speaker 1: You see the ship we did. We won seventy three 463 00:27:42,000 --> 00:27:47,000 Speaker 1: fucking games, right, we beat Michael Jordan's They never fucking 464 00:27:47,000 --> 00:27:51,640 Speaker 1: we won more than this motherfucker and I averaged thirty 465 00:27:51,760 --> 00:27:54,520 Speaker 1: and you see the fucking ship I'm putting on out there. 466 00:27:54,800 --> 00:27:58,520 Speaker 1: No one has ever done what I have done. Okay, 467 00:27:58,560 --> 00:28:02,439 Speaker 1: that's great, Mr Curry, And I want to wait, okay, sorry, 468 00:28:02,480 --> 00:28:06,480 Speaker 1: I want to address the former players that are sitting 469 00:28:06,520 --> 00:28:10,720 Speaker 1: there sulking because I'm busting asked like no one has 470 00:28:10,800 --> 00:28:15,320 Speaker 1: ever bust asked except Michael Jordan. Yeah, go ahead. And 471 00:28:15,359 --> 00:28:17,760 Speaker 1: they say I won't be doing this for five years. 472 00:28:17,800 --> 00:28:19,919 Speaker 1: I must be doing I can't do it for just 473 00:28:20,119 --> 00:28:23,040 Speaker 1: two three. I'm gonna do it till I retire. Are 474 00:28:23,119 --> 00:28:27,320 Speaker 1: you fuck great? Mr car I never heard you so adamant. 475 00:28:27,320 --> 00:28:31,040 Speaker 1: I'm tired of these motherfucker's right yes, yes, and in 476 00:28:31,320 --> 00:28:35,159 Speaker 1: their error and this and that you wasn't ship, you 477 00:28:35,200 --> 00:28:38,480 Speaker 1: didn't win a championship. I got, I'm gonna win two. 478 00:28:39,600 --> 00:28:42,960 Speaker 1: I got two m vps. Right many do you got? 479 00:28:43,280 --> 00:28:47,320 Speaker 1: Kenny Smith? Right? Right? Okay? Great. I I'm it's it's 480 00:28:47,320 --> 00:28:50,400 Speaker 1: interesting to hear you talk this way. Um, so well, 481 00:28:51,240 --> 00:28:53,280 Speaker 1: I'm really your your family was at the m v 482 00:28:53,360 --> 00:28:56,440 Speaker 1: P ceremony. You know you're you're very wholesome. You you 483 00:28:56,480 --> 00:28:58,960 Speaker 1: seem to be very wholesome. I understand you're upset right now, 484 00:28:59,160 --> 00:29:02,480 Speaker 1: but you have a very wholesome image. Um, how important 485 00:29:02,560 --> 00:29:04,960 Speaker 1: is that for you to present a wholesome image? You know, 486 00:29:05,000 --> 00:29:07,720 Speaker 1: you have your beautiful daughter, Riley. She shows up at 487 00:29:07,720 --> 00:29:11,000 Speaker 1: the press comments she's, you know, the darling. And wait 488 00:29:11,000 --> 00:29:14,280 Speaker 1: a minute, don't nobody talk my wife. I got one 489 00:29:14,320 --> 00:29:19,280 Speaker 1: of the baddest wives. Nobody talked about my wife. That's 490 00:29:19,360 --> 00:29:23,720 Speaker 1: my boom, that's why, that's my boot, that's my wife. 491 00:29:25,200 --> 00:29:27,360 Speaker 1: I see a lot of motherfucker's looking at and on 492 00:29:27,360 --> 00:29:33,080 Speaker 1: on the sideline and ship trying to I help eyeball her. Okay, okay, Um, 493 00:29:33,280 --> 00:29:35,520 Speaker 1: I understand that we we we. I was just don't 494 00:29:35,560 --> 00:29:39,480 Speaker 1: like that. Okay, okay, but I'm just mad. Okay bizarro 495 00:29:39,600 --> 00:29:42,760 Speaker 1: Steph Curry, Um, is there anything else you want to say? I? 496 00:29:43,640 --> 00:29:47,880 Speaker 1: T mac um Tracy McGrady was on ESPN the other 497 00:29:47,960 --> 00:29:51,840 Speaker 1: day saying that the league water day. Yeah you heard him. 498 00:29:51,880 --> 00:29:53,960 Speaker 1: I heard him, And I want to say to T 499 00:29:54,160 --> 00:29:59,160 Speaker 1: mac one thing. Remember when you were bragging about getting 500 00:29:59,600 --> 00:30:04,840 Speaker 1: to the X round before the game was over? Right, 501 00:30:05,240 --> 00:30:09,800 Speaker 1: you didn't do it? Yeah? Did you win an m 502 00:30:09,880 --> 00:30:17,600 Speaker 1: v p uh? No? Did you beat Jordan's record? No? 503 00:30:17,720 --> 00:30:20,640 Speaker 1: But you're talking about me and I'm doing these things. 504 00:30:20,960 --> 00:30:22,360 Speaker 1: So what do you have to say to Tea Mack 505 00:30:22,840 --> 00:30:26,400 Speaker 1: Tea Mac Okay, you know what, Mr Bizarre Steph Curry, 506 00:30:26,560 --> 00:30:29,080 Speaker 1: thank you for the time, and is there anything else 507 00:30:29,120 --> 00:30:32,720 Speaker 1: you want to say? Fuck team back? Okay, cool man, 508 00:30:32,760 --> 00:30:35,040 Speaker 1: that is great day. Thanks for having it done. See 509 00:30:35,160 --> 00:30:39,320 Speaker 1: so I'm actually on the uh the one ten freeway 510 00:30:39,440 --> 00:30:43,800 Speaker 1: driving to see Iron Rapports Stereo podcast coming live and direct. 511 00:30:44,440 --> 00:30:49,760 Speaker 1: Um we're heading to the watch towers. Um. If you 512 00:30:49,760 --> 00:30:53,320 Speaker 1: want to get a soft Ass Iron Rapports Stereo Podcast 513 00:30:53,360 --> 00:30:57,840 Speaker 1: t shirt, you go to District Lines Forward Slash. I 514 00:30:57,880 --> 00:31:03,240 Speaker 1: am Rappaport. So many people came out rocking soft ass 515 00:31:03,240 --> 00:31:06,760 Speaker 1: Iron Rapports Stereo Podcast teachers Live and Direct. Shout out 516 00:31:06,800 --> 00:31:09,600 Speaker 1: to the entire wrapper pack. Yo. We asked the other day, 517 00:31:09,600 --> 00:31:14,000 Speaker 1: please send us pictures where you're ripping from. We want 518 00:31:14,000 --> 00:31:16,840 Speaker 1: to see you where you're at. I'm putting together a 519 00:31:16,960 --> 00:31:20,040 Speaker 1: collage for the people. We're gonna put out a new, 520 00:31:20,360 --> 00:31:23,120 Speaker 1: a new little collage with the Moody beats. But some 521 00:31:23,160 --> 00:31:24,920 Speaker 1: of these people are you know, I get it. Some 522 00:31:25,000 --> 00:31:26,240 Speaker 1: of the some of the fans are like, yeah, we 523 00:31:26,240 --> 00:31:28,720 Speaker 1: ain't showing you my face. Duke, and I respect that, 524 00:31:29,240 --> 00:31:32,600 Speaker 1: I respect that, I expect that we probably have some undesirables. 525 00:31:32,640 --> 00:31:36,920 Speaker 1: And I say that would all due respect run right. 526 00:31:37,080 --> 00:31:40,360 Speaker 1: We got military wrapper pacts. Shout out all the bases 527 00:31:40,880 --> 00:31:43,320 Speaker 1: around the world. Yo, if you're in the military, you're 528 00:31:43,320 --> 00:31:46,560 Speaker 1: listening to the Iron Rapports stereo podcast. We love and 529 00:31:46,600 --> 00:31:50,360 Speaker 1: support and we just hope nothing uh, nothing happens. We 530 00:31:50,400 --> 00:31:53,840 Speaker 1: want safe for you and your family, and we appreciate 531 00:31:53,880 --> 00:31:56,440 Speaker 1: the support and we support you. And if we're bringing 532 00:31:56,480 --> 00:31:59,400 Speaker 1: any any kind of joy and laughed at to you, yo, 533 00:31:59,680 --> 00:32:03,080 Speaker 1: it's a pleasure. Hold it down out there, YEA, hold 534 00:32:03,080 --> 00:32:06,120 Speaker 1: it down, and hold yourself down, be be careful and 535 00:32:06,120 --> 00:32:08,719 Speaker 1: and protect and serve and and and and and just 536 00:32:08,760 --> 00:32:10,720 Speaker 1: know that the people appreciate it. I know it's a 537 00:32:10,760 --> 00:32:13,240 Speaker 1: thankless job, and it seems like a thankless job. And 538 00:32:13,400 --> 00:32:15,840 Speaker 1: and and you guys don't get treated with the respect 539 00:32:16,240 --> 00:32:19,000 Speaker 1: that you deserve. Should be taken care of for life, 540 00:32:19,080 --> 00:32:26,200 Speaker 1: no questions asked. So uh. Scott Skiles m M, who 541 00:32:26,240 --> 00:32:30,440 Speaker 1: played at Michigan State, made a big splash during the 542 00:32:30,440 --> 00:32:32,800 Speaker 1: the the I think it was the eighty six n 543 00:32:32,840 --> 00:32:35,360 Speaker 1: c A tournament. Went on to have a good career 544 00:32:35,400 --> 00:32:38,520 Speaker 1: with the Orlando Magic and many many other teams. Coach, 545 00:32:38,600 --> 00:32:43,560 Speaker 1: solid coach, tough coach resigned today from the Orlando Magic. 546 00:32:44,760 --> 00:32:48,720 Speaker 1: Wow said he's not the guy to coached his team. 547 00:32:49,240 --> 00:32:53,600 Speaker 1: Scotty Skiles, Yo, we have a great Scott Skyles story. 548 00:32:53,960 --> 00:32:57,520 Speaker 1: In nineteen eighty six, eighty six, eighty six, the Summer 549 00:32:57,520 --> 00:32:59,560 Speaker 1: of eighty six, No tricks in eighties six, No time 550 00:32:59,560 --> 00:33:06,880 Speaker 1: to build a six Summer of eight five five No, 551 00:33:06,880 --> 00:33:13,320 Speaker 1: No No and album Summer eight six. I was playing 552 00:33:13,400 --> 00:33:17,600 Speaker 1: high school basketball with Seawan Higgins, Chris Mills. Both of 553 00:33:17,640 --> 00:33:19,440 Speaker 1: you'll could kiss my ass. Y'all know I used to 554 00:33:19,440 --> 00:33:21,280 Speaker 1: give it to you. I didn't really do it. These 555 00:33:21,280 --> 00:33:26,040 Speaker 1: guys were on a different level. Sean Higgins was on 556 00:33:26,160 --> 00:33:29,600 Speaker 1: some other ship and Chris Mills wasn't even developed. Chris Mills, 557 00:33:29,800 --> 00:33:32,320 Speaker 1: he he was, He wasn't anywhere near as good as 558 00:33:32,480 --> 00:33:36,600 Speaker 1: is Sean Higgins. We're gonna have a very good long 559 00:33:36,760 --> 00:33:41,640 Speaker 1: NBA career. He's the first person who told me about 560 00:33:41,680 --> 00:33:46,400 Speaker 1: when Charles Oakley smacked the ship out of Charles Barkley. 561 00:33:46,440 --> 00:33:48,600 Speaker 1: He was right there and he remember he told me, 562 00:33:48,640 --> 00:33:52,320 Speaker 1: he said, Yo, chill oak smack fire out that motherfucker. 563 00:33:54,320 --> 00:33:56,640 Speaker 1: That summer, we were hanging out with with Shawn Higgins. 564 00:33:57,120 --> 00:34:00,120 Speaker 1: My man Moody was out here. We were playing all 565 00:34:00,160 --> 00:34:02,400 Speaker 1: with him. Every day. Ball was our life. We loved 566 00:34:02,400 --> 00:34:05,560 Speaker 1: playing basketball. We weren't even thinking about chasing girls or 567 00:34:05,560 --> 00:34:08,480 Speaker 1: any of that. We went to the pro am tournaments 568 00:34:08,520 --> 00:34:10,400 Speaker 1: down by in the Marina. I think it was a 569 00:34:10,400 --> 00:34:14,120 Speaker 1: Marina Long Beach or something. Yeah, and and and but no, 570 00:34:14,239 --> 00:34:17,279 Speaker 1: this wasn't slamming. This is was this slamming Jim and 571 00:34:17,280 --> 00:34:21,560 Speaker 1: and Scott Skiles who just got drafted by uh? I 572 00:34:21,560 --> 00:34:25,560 Speaker 1: think it was the Orlando Magic um before his game 573 00:34:25,600 --> 00:34:27,120 Speaker 1: in the pro And we who do we see? Club? 574 00:34:27,160 --> 00:34:29,400 Speaker 1: Who do we see getting out of his car? Remember 575 00:34:29,440 --> 00:34:32,319 Speaker 1: we see uh, Kevin Willis, Kevin Willis guy. Remember he 576 00:34:32,360 --> 00:34:35,920 Speaker 1: was all fun man in the summer league games. This 577 00:34:36,000 --> 00:34:39,200 Speaker 1: is this is. We were like kids in a candy store. 578 00:34:40,320 --> 00:34:43,640 Speaker 1: And before Scott skiles summer League game, about two hours before, 579 00:34:44,160 --> 00:34:47,480 Speaker 1: we went to a pickup court right nearby, and lo 580 00:34:47,640 --> 00:34:50,680 Speaker 1: and behold, Scott Skiles was there drinking a six pack 581 00:34:50,719 --> 00:34:54,160 Speaker 1: of Budweiser with his homeboy. And we played pick up 582 00:34:54,440 --> 00:34:57,680 Speaker 1: five on five full court with Scott Skiles. He was 583 00:34:57,800 --> 00:35:01,440 Speaker 1: drinking the fucking the beer as he was playing. So 584 00:35:01,640 --> 00:35:03,400 Speaker 1: when he was a dead ball, he'd go take us. 585 00:35:03,560 --> 00:35:05,799 Speaker 1: He had said he drinking water, He'd go take a 586 00:35:05,840 --> 00:35:09,319 Speaker 1: sipper that good bud and he and and he was 587 00:35:09,600 --> 00:35:12,200 Speaker 1: doing all that fly freaky ship and he was ready 588 00:35:12,239 --> 00:35:15,760 Speaker 1: to fight a dude because it was some bullshit calls 589 00:35:16,239 --> 00:35:18,000 Speaker 1: and he was like, yo, man, stop making it. Like 590 00:35:18,000 --> 00:35:20,759 Speaker 1: Scott Skiles was like a tough guy. Scott Scyles was 591 00:35:20,800 --> 00:35:22,799 Speaker 1: about about it. Scott Skoyles was a bout about it. 592 00:35:22,840 --> 00:35:25,680 Speaker 1: And Scott Skiles was not taking any ship and drinking 593 00:35:25,719 --> 00:35:30,160 Speaker 1: beer before his game. So I know Scott Skiles is 594 00:35:30,200 --> 00:35:33,600 Speaker 1: a legitimate like he's a legitimate tough guy, no doubt. 595 00:35:33,680 --> 00:35:39,319 Speaker 1: So he he uh has resigned from playing coaching. We 596 00:35:39,320 --> 00:35:42,319 Speaker 1: were playing, by the way with him in this game. Me, you, 597 00:35:42,600 --> 00:35:45,479 Speaker 1: Scott Skyles, Sean Higgins, and someone else that was out five. 598 00:35:46,120 --> 00:35:47,680 Speaker 1: We were with all the same thing. And he did 599 00:35:47,719 --> 00:35:50,200 Speaker 1: that same pass like he he got famous at Michigan 600 00:35:50,239 --> 00:35:53,600 Speaker 1: State during the tournament for doing the around the back pass. 601 00:35:53,680 --> 00:35:55,920 Speaker 1: He did that ship does while he was sucking playing 602 00:35:55,920 --> 00:35:58,360 Speaker 1: and drinking. He had like he had like a Budweiser 603 00:35:58,360 --> 00:36:03,280 Speaker 1: in his sock work. So now there's another coaching job open, 604 00:36:04,080 --> 00:36:08,360 Speaker 1: and I guarantee you since Pat Ewing is just days 605 00:36:08,360 --> 00:36:12,200 Speaker 1: didn't confuse somewhere in an airport, he's gonna take his 606 00:36:12,239 --> 00:36:14,080 Speaker 1: ass down to Worlanto, Like, oh yeah, they are they 607 00:36:14,120 --> 00:36:17,239 Speaker 1: gonna meet with me because he was assistant down there. 608 00:36:17,360 --> 00:36:20,040 Speaker 1: They're they're not gonna meet with him. For some reason. 609 00:36:20,680 --> 00:36:23,840 Speaker 1: Pat is being overlooked for some and and and be 610 00:36:23,920 --> 00:36:26,640 Speaker 1: amatively looked like a like a fool. Just give him 611 00:36:26,640 --> 00:36:29,719 Speaker 1: a shot. He's walking around the Sacramento Airport, doesn't know 612 00:36:29,800 --> 00:36:34,879 Speaker 1: what's going on. If you can hire Earl Watson, who 613 00:36:34,920 --> 00:36:38,520 Speaker 1: has no experience doing anything as far as coach, and 614 00:36:38,560 --> 00:36:41,160 Speaker 1: you could hire Jack Vaughan out of the blue. They 615 00:36:41,160 --> 00:36:43,720 Speaker 1: picked him up from fucking Haiti. He was in Haiti 616 00:36:43,840 --> 00:36:46,319 Speaker 1: chilling somewhere. He got a call. He became the head coach. 617 00:36:46,400 --> 00:36:48,319 Speaker 1: He was doing charity work in Haiti. The next thing 618 00:36:48,360 --> 00:36:49,799 Speaker 1: you know, he's like, you want to coach, you want 619 00:36:49,800 --> 00:36:54,160 Speaker 1: to coach? The who did he coach? Utah, He's like 620 00:36:54,239 --> 00:36:56,800 Speaker 1: fox shy, All right, yeah sure I never coached before, 621 00:36:56,800 --> 00:36:58,839 Speaker 1: but yeah, I'm they just like picked the name out 622 00:36:58,880 --> 00:37:03,319 Speaker 1: of a hat and now we're begging and pleading for 623 00:37:03,320 --> 00:37:05,360 Speaker 1: you to give my man Pat a shot, one of 624 00:37:05,400 --> 00:37:08,560 Speaker 1: the fifty greatest. Just give him an interview. Man. He's 625 00:37:08,920 --> 00:37:11,200 Speaker 1: he's still he's still sending in video tapes like he 626 00:37:11,239 --> 00:37:14,479 Speaker 1: doesn't understand. Like he's sending videotapes in from the Big 627 00:37:14,480 --> 00:37:18,640 Speaker 1: East Finals. He's like, Yo, this is my work. They're like, yeah, 628 00:37:18,640 --> 00:37:21,839 Speaker 1: we don't have a VHS player. Chris Mullen is coaching St. 629 00:37:21,920 --> 00:37:26,640 Speaker 1: John's do the right thing for Pat. Yo. There's a 630 00:37:26,719 --> 00:37:30,960 Speaker 1: dude in South Carolina who got bailed out the other day. 631 00:37:30,960 --> 00:37:40,040 Speaker 1: This is real shit. This dude shot buried and quote 632 00:37:40,120 --> 00:37:45,640 Speaker 1: unquote slow cooked to people and he's out on bail. 633 00:37:46,800 --> 00:37:49,640 Speaker 1: Oh yeah, he's a cab driver they made. Yeah, he's 634 00:37:49,640 --> 00:37:55,399 Speaker 1: doing a stand your ground defense. Yo, yo yo, yo, okay. 635 00:37:55,120 --> 00:37:57,560 Speaker 1: And he was a fair beater. They were running after 636 00:37:57,600 --> 00:38:01,680 Speaker 1: this motherfucker and he and and he managed to beat 637 00:38:01,719 --> 00:38:03,759 Speaker 1: the US and burn him and ship, right, And why 638 00:38:03,840 --> 00:38:05,839 Speaker 1: you I get all that, I get I get all that. 639 00:38:05,960 --> 00:38:10,480 Speaker 1: I don't condone it because me and Moody we did. 640 00:38:10,520 --> 00:38:12,839 Speaker 1: We didn't suck a ship like that. But we used 641 00:38:12,880 --> 00:38:16,560 Speaker 1: to run out of cabs in New York City. We 642 00:38:16,719 --> 00:38:18,680 Speaker 1: were running out of cab one time. Was that Hollis 643 00:38:18,760 --> 00:38:22,600 Speaker 1: Queen's Yeah, you know, the guy was not having it, 644 00:38:23,320 --> 00:38:25,719 Speaker 1: and I you know, we were jumping into bushes. This 645 00:38:25,760 --> 00:38:34,120 Speaker 1: motherfucker was driving like he wanted to kill us. We 646 00:38:34,200 --> 00:38:36,000 Speaker 1: got away from him, but it was not easy that 647 00:38:36,120 --> 00:38:38,520 Speaker 1: it was. We were running, jumping, he was backing up 648 00:38:38,520 --> 00:38:45,279 Speaker 1: down streets. Money wasn't playing. But this guy, I get it, 649 00:38:45,840 --> 00:38:49,040 Speaker 1: I get it. I don't think he should have shot 650 00:38:49,080 --> 00:38:51,520 Speaker 1: and killed him. Okay, but if you're shoot and kill 651 00:38:51,600 --> 00:38:56,839 Speaker 1: the guy, why slow cook him? How? How has that 652 00:38:56,920 --> 00:39:00,239 Speaker 1: become like like an option in it and and and 653 00:39:00,000 --> 00:39:02,480 Speaker 1: and after you slow cooking? Like, I just don't understand 654 00:39:02,520 --> 00:39:06,399 Speaker 1: what the mentality behind that is. Clean up the ship, 655 00:39:06,480 --> 00:39:15,120 Speaker 1: no evidence, a lot of crazy fools out there. Let's 656 00:39:15,160 --> 00:39:17,399 Speaker 1: the Iron Wrap Coors Stereo Podcast. The Iron Wrap Coors 657 00:39:17,400 --> 00:39:22,200 Speaker 1: Stereo Podcast is sponsored by Casper Mattresses. Casper Mattress is 658 00:39:22,239 --> 00:39:26,440 Speaker 1: an award winning sleep company, given two thousand and fifteen 659 00:39:26,440 --> 00:39:28,520 Speaker 1: one of the Best Inventions of two thousand and fifteen 660 00:39:28,520 --> 00:39:34,719 Speaker 1: for a mattress last year guaranteed great sleep. You could 661 00:39:34,719 --> 00:39:37,200 Speaker 1: try a Casper mattress for a hundred nights. If you 662 00:39:37,280 --> 00:39:39,640 Speaker 1: do not like it, they will refund it pick it 663 00:39:39,719 --> 00:39:43,279 Speaker 1: up for free and donate it or recycle it and 664 00:39:43,320 --> 00:39:45,520 Speaker 1: give it to somebody who appreciates a good night's sleep, 665 00:39:45,520 --> 00:39:49,080 Speaker 1: a good nap. Go to Casper dot com c a 666 00:39:49,360 --> 00:39:53,120 Speaker 1: s p e er dot com forward slash rapp report. 667 00:39:53,160 --> 00:39:57,480 Speaker 1: You can say fifty bucks on your order. Fantastic prices 668 00:39:58,120 --> 00:40:01,840 Speaker 1: for a fantastic mattress. Go to Casper dot com. I 669 00:40:01,880 --> 00:40:06,120 Speaker 1: am moving. I'm gonna have Casper mattresses in every room 670 00:40:06,320 --> 00:40:10,920 Speaker 1: of my new home and I can't wait. Yes, right, 671 00:40:11,080 --> 00:40:16,440 Speaker 1: Casper is the best simple c a spr dot com 672 00:40:16,560 --> 00:40:19,680 Speaker 1: Forward slash rapppard Trust me, you could spend up to 673 00:40:19,840 --> 00:40:22,160 Speaker 1: two tho dollars on a king size bed, but with 674 00:40:22,320 --> 00:40:26,120 Speaker 1: Casper mattresses, it's only nine and fifty bucks to get 675 00:40:26,120 --> 00:40:29,480 Speaker 1: a get a king size mattress. Very much worth it, 676 00:40:30,920 --> 00:40:33,960 Speaker 1: c I rapport seeo podcast. What else is popp in Monetti? 677 00:40:34,600 --> 00:40:38,280 Speaker 1: Nothing much? Man, we we did. That show was really good. 678 00:40:38,880 --> 00:40:42,640 Speaker 1: I am very happy. The fans are great. We've had 679 00:40:42,640 --> 00:40:45,480 Speaker 1: a lot of people come out. Wrapper pack my man, 680 00:40:45,640 --> 00:40:51,440 Speaker 1: Mr Morris, Mr Morris, everybody came through. So Danny from 681 00:40:51,520 --> 00:40:54,960 Speaker 1: Long Beach, what's good? What's really good? And uh, it 682 00:40:55,040 --> 00:40:58,000 Speaker 1: was good to see them do with man, that's what 683 00:40:58,080 --> 00:41:02,319 Speaker 1: we do this. See you see somebody would say this 684 00:41:02,400 --> 00:41:05,560 Speaker 1: is the sick funk of the week. The Twitter, Twitter, 685 00:41:05,800 --> 00:41:07,920 Speaker 1: the Twitter people were like rapping board. You guys got 686 00:41:07,920 --> 00:41:10,959 Speaker 1: to get this guy this. See, George Zimmerman doesn't get 687 00:41:11,000 --> 00:41:16,120 Speaker 1: the sick fuck. He doesn't have the genes se kua 688 00:41:17,719 --> 00:41:21,240 Speaker 1: to get the sick funk of the week. Okay again, 689 00:41:21,400 --> 00:41:25,279 Speaker 1: that award has earned, not given George Zimmerman. Somebody, you know, 690 00:41:25,320 --> 00:41:30,160 Speaker 1: how is this guy? How is somebody not like taking 691 00:41:30,440 --> 00:41:33,319 Speaker 1: the I mean, he's been through so much ship but 692 00:41:33,480 --> 00:41:38,160 Speaker 1: no one's no one's gotten him yet. Now he's saying 693 00:41:38,200 --> 00:41:44,839 Speaker 1: he wants the auction off the gun, auction off the 694 00:41:44,840 --> 00:41:48,840 Speaker 1: gun that he used to kill. What kind of human 695 00:41:48,840 --> 00:41:54,040 Speaker 1: being is that? A piece of ship? George Zimman is 696 00:41:54,080 --> 00:41:58,160 Speaker 1: a piece of ship. Man. He wants an auction off 697 00:41:58,160 --> 00:42:04,640 Speaker 1: the gun that he used to kill unarmed Trayvon Martin. Yo, 698 00:42:05,000 --> 00:42:07,399 Speaker 1: this guy looked, but look at that how ship works. 699 00:42:07,440 --> 00:42:10,560 Speaker 1: He's still out here, see this ship of of the 700 00:42:10,680 --> 00:42:15,920 Speaker 1: non the no justice emboldened people man, especially against black people. 701 00:42:16,200 --> 00:42:19,319 Speaker 1: It's like this guy killed this dude. He's still out here, right, 702 00:42:19,400 --> 00:42:22,120 Speaker 1: you know what I'm saying, Like he's still posturing. You 703 00:42:22,120 --> 00:42:25,040 Speaker 1: know what I'm saying, like nothing happened, you know what 704 00:42:25,040 --> 00:42:26,879 Speaker 1: I mean? Like, and this has been going on for 705 00:42:27,000 --> 00:42:30,040 Speaker 1: three or four hundred years, just no justice. This ship 706 00:42:30,239 --> 00:42:34,279 Speaker 1: emboldened people because they know the odds are if you 707 00:42:34,920 --> 00:42:38,719 Speaker 1: kill a black person, Yo, more than likely I'm gonna 708 00:42:38,760 --> 00:42:43,560 Speaker 1: get off damn right that there there's history to support that, 709 00:42:44,840 --> 00:42:48,000 Speaker 1: so yo. Man. Of course this guy is a piece 710 00:42:48,000 --> 00:42:54,960 Speaker 1: of ship man. Of course, somebody's gonna somebody's gonna get him. 711 00:42:55,000 --> 00:42:58,640 Speaker 1: And he's terrible. Man. The fact that he has the 712 00:42:58,920 --> 00:43:02,440 Speaker 1: goal to do that shows that he has to go like, 713 00:43:02,520 --> 00:43:06,080 Speaker 1: he don't give us ship man, he's terrible. Well, weren't 714 00:43:06,080 --> 00:43:12,240 Speaker 1: they saying at one point that dmx was gonna box him? Yeah, 715 00:43:12,520 --> 00:43:14,520 Speaker 1: like in a charity event? Was it, dmx it was 716 00:43:14,520 --> 00:43:17,960 Speaker 1: gonna fight him? I think so. I think so. Speaking 717 00:43:18,000 --> 00:43:21,719 Speaker 1: of dmx uh, last week we had the pleasure of 718 00:43:21,719 --> 00:43:24,359 Speaker 1: getting some some some some bites from DMX no pun 719 00:43:24,400 --> 00:43:28,160 Speaker 1: intended from the dog um and and this week I 720 00:43:28,200 --> 00:43:36,200 Speaker 1: guess dmx uh recently the other day his dog got sick. Yeah, 721 00:43:36,320 --> 00:43:39,560 Speaker 1: what's good, what's good? I had to take my dog 722 00:43:39,640 --> 00:43:43,000 Speaker 1: but he got sick. Yeah, man, we had to go 723 00:43:43,080 --> 00:43:45,680 Speaker 1: to vet a bit whio. I had to take I 724 00:43:45,680 --> 00:43:48,879 Speaker 1: had to take my day up there. You you you took, 725 00:43:49,000 --> 00:43:51,040 Speaker 1: you took your your friend up there? Or you took 726 00:43:51,160 --> 00:43:52,600 Speaker 1: I had to take my digga to the dog to 727 00:43:52,640 --> 00:43:57,239 Speaker 1: the vet. What what's it? What's your what's your dog's name? 728 00:43:58,120 --> 00:44:01,560 Speaker 1: I had to take my digg into the vet? Who's that? 729 00:44:04,200 --> 00:44:11,319 Speaker 1: What is he? My dog? I went to the vet? 730 00:44:11,960 --> 00:44:14,279 Speaker 1: That suckers finger on my dog's ass? Was like chill. 731 00:44:15,040 --> 00:44:17,200 Speaker 1: It's like, Mr X, we we we have to make 732 00:44:17,200 --> 00:44:21,000 Speaker 1: sure everything's okay. He's like not with that, but but 733 00:44:21,160 --> 00:44:23,560 Speaker 1: there's no other way to check to make sure your dog. 734 00:44:23,600 --> 00:44:25,120 Speaker 1: We want your dog to be safe. I will give 735 00:44:25,120 --> 00:44:29,000 Speaker 1: an You don't sweep that way, dude. Okay, Mr X, 736 00:44:29,080 --> 00:44:31,360 Speaker 1: do you have any suggestions? Uh on what what you 737 00:44:31,360 --> 00:44:34,440 Speaker 1: wanted to do? That ain't my problem. I'm sticking your 738 00:44:34,440 --> 00:44:37,799 Speaker 1: finger on my dog's ass. Bro, you gotta deervice that right, 739 00:44:37,840 --> 00:44:41,000 Speaker 1: but it is fuck about okay? Mims like, what's your 740 00:44:41,000 --> 00:44:44,799 Speaker 1: dog's name? My name? I told you that my guy 741 00:44:44,920 --> 00:44:50,040 Speaker 1: to take him to the vet. This the Iron Wrap 742 00:44:50,080 --> 00:44:54,640 Speaker 1: p Stereo podcast coming live and direct. I don't know 743 00:44:54,680 --> 00:44:57,440 Speaker 1: what else to do. Man. We're driving here to the 744 00:44:57,440 --> 00:45:02,560 Speaker 1: Watts Towers. Uh you know what else you got from me? Monetti? 745 00:45:02,840 --> 00:45:05,520 Speaker 1: Oh man, let's give a shout out to West Coast 746 00:45:05,560 --> 00:45:08,239 Speaker 1: hip hop. Oh yes, you know we people have said 747 00:45:08,239 --> 00:45:11,320 Speaker 1: that they they we don't show love. Listen, Ice Q 748 00:45:11,640 --> 00:45:16,919 Speaker 1: and W Way, DJ Quick iced T Above the Law, 749 00:45:17,800 --> 00:45:20,560 Speaker 1: M Above the Law is one of my favorites. All 750 00:45:20,640 --> 00:45:26,919 Speaker 1: the great Snoop DOGG, po Yo Yo, hell yeah, all 751 00:45:26,960 --> 00:45:30,640 Speaker 1: the great guys that we mc ran, all these motherfucker's 752 00:45:30,719 --> 00:45:34,440 Speaker 1: rand is one of my favorites. Uh well to show 753 00:45:34,920 --> 00:45:41,279 Speaker 1: at Banks Spice one Cypress Cypress Hill was a motherfucker 754 00:45:42,800 --> 00:45:46,560 Speaker 1: King T King T C eight played like a fucking 755 00:45:46,600 --> 00:45:53,399 Speaker 1: piano the late DJ Train. I think, damn West Coast 756 00:45:53,480 --> 00:45:55,400 Speaker 1: Hip Hop. K Day, We we we we we know 757 00:45:55,440 --> 00:45:58,600 Speaker 1: what it is. K Day. Of course we messed with 758 00:45:58,600 --> 00:46:00,640 Speaker 1: West Coast hip hop. So so we people have saying 759 00:46:00,640 --> 00:46:02,399 Speaker 1: we don't, we don't shout out the West Coast hip 760 00:46:03,400 --> 00:46:06,440 Speaker 1: Come on, man, we love it all. I don't care 761 00:46:06,440 --> 00:46:09,239 Speaker 1: where are you from. Get on that one and stay there. 762 00:46:11,440 --> 00:46:14,120 Speaker 1: We love it. Good. Good, that's good. And we're we're 763 00:46:14,160 --> 00:46:17,520 Speaker 1: we're heading here to the Watch Towers. I think we're 764 00:46:17,560 --> 00:46:22,640 Speaker 1: we're we're we're close by Monetti. Hell, yeah, man, get 765 00:46:22,680 --> 00:46:26,359 Speaker 1: some shrimping grits out this motherfucker. We're where are We're 766 00:46:26,360 --> 00:46:29,000 Speaker 1: gonna get shrimp and grits. We were in the black name. 767 00:46:29,080 --> 00:46:31,319 Speaker 1: Oh no, it's Mexican now right, I don't know man, 768 00:46:31,440 --> 00:46:36,879 Speaker 1: shrimping tacos? Man? Yeah we we we we here man, 769 00:46:37,080 --> 00:46:41,640 Speaker 1: we're in the bottom man. Um all right, Monetti? Here 770 00:46:41,640 --> 00:46:44,680 Speaker 1: we are at the uh watch Towers. We've made it, 771 00:46:44,840 --> 00:46:50,000 Speaker 1: We've driven here, we're podcasting from here. You seem a 772 00:46:50,000 --> 00:46:52,279 Speaker 1: little move to be here at the watch Towers. I've 773 00:46:52,280 --> 00:46:56,000 Speaker 1: never been here myself personally. Um, I've never been Uh, 774 00:46:56,480 --> 00:46:59,800 Speaker 1: I keep it keeping, Uh, I've never been down in Compton. 775 00:47:00,000 --> 00:47:02,280 Speaker 1: I had no business coming down here, and I know better. 776 00:47:03,040 --> 00:47:04,800 Speaker 1: You don't just want and when you drive around it 777 00:47:05,000 --> 00:47:07,400 Speaker 1: like yo, it's like, oh, I'm in competent. You're not 778 00:47:07,440 --> 00:47:10,799 Speaker 1: in Disneyland. This ship is ship is real. Second, Yeah, 779 00:47:10,840 --> 00:47:14,080 Speaker 1: you can you know it's definitely. It's definitely the hood. Um. 780 00:47:14,160 --> 00:47:17,480 Speaker 1: But you know, good people we've met, talk to, chatting with. 781 00:47:18,200 --> 00:47:21,160 Speaker 1: But you seem a little a little emotional being here. 782 00:47:22,080 --> 00:47:27,800 Speaker 1: Never been down to Watts. Uh. It's always good to 783 00:47:28,239 --> 00:47:32,719 Speaker 1: come to a nice, nice, nice place where where a 784 00:47:32,800 --> 00:47:36,040 Speaker 1: nice tourists feel. Yeah, beautiful the watch Towers. If you've 785 00:47:36,080 --> 00:47:38,080 Speaker 1: never been here, it's it's it's a lot bigger than 786 00:47:38,280 --> 00:47:41,080 Speaker 1: uh it looks in the pictures in and on TV. 787 00:47:42,160 --> 00:47:45,200 Speaker 1: Real piece of art. Um. And they have so many 788 00:47:45,280 --> 00:47:48,239 Speaker 1: kids here. The kids love your Dashiki Moody. They see 789 00:47:48,239 --> 00:47:50,480 Speaker 1: the color scheme. I'm just saying, I I you know, 790 00:47:50,520 --> 00:47:52,799 Speaker 1: they I put it on and you said, oh, you're 791 00:47:52,800 --> 00:47:55,839 Speaker 1: gonna wear that ship? Yeah, I said, but the kids say, oh, 792 00:47:55,880 --> 00:47:58,960 Speaker 1: what do they say? Rap? They said, I like your shirt? 793 00:47:59,360 --> 00:48:01,800 Speaker 1: No shirts, sir, A bunch of us. So this is 794 00:48:01,840 --> 00:48:05,239 Speaker 1: the Iron Rap or stereo podcast. We made it down here. 795 00:48:05,239 --> 00:48:08,439 Speaker 1: We we we we we podcasted uh on the way 796 00:48:08,480 --> 00:48:11,240 Speaker 1: to the to the watch Towers. It's been a pleasure. 797 00:48:12,160 --> 00:48:14,600 Speaker 1: Um Moody's on his way back to the New to 798 00:48:14,719 --> 00:48:19,000 Speaker 1: New York. You have a good schedule set up. I 799 00:48:19,080 --> 00:48:22,040 Speaker 1: am chilling. You have a good schedule set up for 800 00:48:22,080 --> 00:48:24,239 Speaker 1: your Yeah, my plane is I feel it's gonna take 801 00:48:24,280 --> 00:48:27,560 Speaker 1: off on time. Right. You don't want to share what 802 00:48:27,600 --> 00:48:30,839 Speaker 1: you're okay because you've been You've been telling me we've 803 00:48:30,880 --> 00:48:32,640 Speaker 1: been going over the schedule for a few days, like 804 00:48:32,680 --> 00:48:37,359 Speaker 1: I got it, Um all right, and We're coming back 805 00:48:37,360 --> 00:48:39,759 Speaker 1: on more hits. We have the rest of the call 806 00:48:39,840 --> 00:48:41,960 Speaker 1: in episode. Some of you guys said, oh you didn't 807 00:48:42,000 --> 00:48:44,799 Speaker 1: play my call. We you know, listen, we had a 808 00:48:44,800 --> 00:48:46,120 Speaker 1: lot of calls. We have to break it up. So 809 00:48:46,160 --> 00:48:49,000 Speaker 1: we got the rest of the Calling episode coming. YO. 810 00:48:49,080 --> 00:48:50,960 Speaker 1: Give us. Give us a shout out on iTunes. If 811 00:48:50,960 --> 00:48:53,719 Speaker 1: you haven't given a rating or review, YO. You whether 812 00:48:53,760 --> 00:48:55,680 Speaker 1: you like us, you hate us, you don't like us, 813 00:48:56,120 --> 00:49:00,399 Speaker 1: review it, give a review. This is the make Over 814 00:49:00,640 --> 00:49:05,120 Speaker 1: the Weight's over Zion Rapports Stereo podcast coming uh live 815 00:49:05,160 --> 00:49:07,959 Speaker 1: and direct from the Watts Towers and we're out.