WEBVTT - From the Vault: The Ninja, Part 2

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<v Speaker 1>Hello, and welcome to Stuff to Blow Your Mind. My

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<v Speaker 1>name is Joe McCormick and it's Saturday, so we are

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<v Speaker 1>heading down into the vault for an older episode of

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<v Speaker 1>the show. This is part two of the series that

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<v Speaker 1>we began reairing on this previous Thursday. This is The Ninja,

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<v Speaker 1>Part two, originally published July thirtieth, twenty twenty four. Hope

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<v Speaker 1>you enjoy.

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<v Speaker 2>Welcome to Stuff to Blow Your Mind, production of iHeartRadio.

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<v Speaker 3>Hey, welcome to Stuff to Blow your Mind. My name

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<v Speaker 3>is Robert.

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<v Speaker 1>Lamb and I am Joe McCormick, and.

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<v Speaker 3>We are back with our second episode on the Ninja.

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<v Speaker 3>If you didn't listen to part one, go back and

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<v Speaker 3>start with that one. We talked about the modern pop

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<v Speaker 3>culture idea of the Ninja a bit. We didn't cover everything.

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<v Speaker 3>We're going to continue to throw in some mentions here

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<v Speaker 3>and there. And we've been getting some great listener mail

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<v Speaker 3>from folks writing in about their own first exposure to

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<v Speaker 3>Ninja media, either Japanese media or international media, and so

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<v Speaker 3>just keep that kind of stuff rolling in and when

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<v Speaker 3>we get around to doing another listener mail episode, which

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<v Speaker 3>we're currently experimenting with a return to the old format

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<v Speaker 3>of having our listener mail episodes occur on a Tuesday

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<v Speaker 3>or Thursday. When we get around to that will definitely

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<v Speaker 3>dive into the ninja portion of the mail bag. We

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<v Speaker 3>talked about how the idea of the ninja entered the

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<v Speaker 3>global mainstream. We discussed a little bit the scarcity of

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<v Speaker 3>historical accounts of the ninja, basic ideas concerning the reality

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<v Speaker 3>of what we refer to as a ninja, the origin

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<v Speaker 3>of the word, other colloquial names for the ninja, and

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<v Speaker 3>what sorts of activities they engaged in and are said

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<v Speaker 3>to have engaged in. And we also discussed how the

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<v Speaker 3>pop culture transformation of the ninja was not a Western

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<v Speaker 3>or even a modern thing, but began in Japan centuries ago.

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<v Speaker 3>And so we're going to jump back in here talking

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<v Speaker 3>about some more ninja history and sort of like continuing

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<v Speaker 3>to sort of tease apart, like what is history, what

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<v Speaker 3>is probably accurate from a historical standpoint, and then then

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<v Speaker 3>what are the additional layers of legend and fiction that

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<v Speaker 3>also lead to this modern idea of what the ninja is?

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<v Speaker 1>Right, So, before we get into more individual anecdotes and investigations,

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<v Speaker 1>I wanted to start with a brief way of looking

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<v Speaker 1>at the historical basis of the ninja myth. As we

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<v Speaker 1>mentioned in the last episode, this is a really complicated subject.

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<v Speaker 1>There are serious questions among scholars about to what extent

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<v Speaker 1>the historical ninja actually existed at all. It certainly is

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<v Speaker 1>the case that there are lots of historical records of

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<v Speaker 1>activities during warfare that were referred to as shinobi. This

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<v Speaker 1>is a synonym for ninja shenoby no mono shnoby activities

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<v Speaker 1>during warfare, especially during a particular historical period that we're

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<v Speaker 1>going to talk about in a bit. So it's not

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<v Speaker 1>like a scarcity of historical sources referring to ninja type

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<v Speaker 1>activities or shnobi activities. Instead, it seems to me the

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<v Speaker 1>historicity question is more about how accurate these sources are,

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<v Speaker 1>how to understand what they're talking about within its historical context,

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<v Speaker 1>and whether what they're talking about matches the idea of

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<v Speaker 1>the ninja that has come down to us.

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<v Speaker 3>That's right. Like in the last episode we talked about

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<v Speaker 3>how the basic idea, the image that instantly infiltrates your

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<v Speaker 3>mind concerning the ninja of the black clad individual with

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<v Speaker 3>swords and so forth. This is largely a fiction. This

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<v Speaker 3>is largely a create, a creation of fiction and legend making.

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<v Speaker 1>But there is something lying underneath it, and we're going

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<v Speaker 1>to try to take a look at what that might be.

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<v Speaker 1>Right now now, I want to mention again a major

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<v Speaker 1>source that I brought up in the last episode. This

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<v Speaker 1>is a book by Stephen Turnbull, who is a British

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<v Speaker 1>historian who's written a lot on the history of the

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<v Speaker 1>ninja and on Japanese history. The book is called Ninja

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<v Speaker 1>Unmasking the Myth from twenty seventeen, and specifically, in this

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<v Speaker 1>section we're about to do, I'm sort of relying on

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<v Speaker 1>a chapter of his book that's trying to trace the elusive,

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<v Speaker 1>underlying nature of what the ninja was and how that

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<v Speaker 1>relates to the ninja lore that came down. So to

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<v Speaker 1>refresh from last time, Ninja or shinobi no mono are

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<v Speaker 1>two different ways of expressing the same idea. The core

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<v Speaker 1>idea is a person who sneaks, one who practices stealth,

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<v Speaker 1>secrecy or hiddenness, or also, in one alternate reading of

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<v Speaker 1>the word, one who practices endurance or patience, which is

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<v Speaker 1>an interesting double loading of meaning on the term. While

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<v Speaker 1>this term can apply to an number of different activities

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<v Speaker 1>in warfare. A commonly cited equivalent in English would be

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<v Speaker 1>something like spy or secret agent. Now, as classically understood,

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<v Speaker 1>ninja or shinobi would be engaged in activities like spying

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<v Speaker 1>across enemy lines, infiltrating enemy strongholds, engaging in trickery and deception,

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<v Speaker 1>sneak attacks by night, psychological warfare, attempts to sew division

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<v Speaker 1>within enemy ranks, and things like that. So it's actually

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<v Speaker 1>a rather diverse set of activities or duties that would

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<v Speaker 1>fall to the ninja or shanobi. But they're all in

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<v Speaker 1>some way related to some kind of hiddenness or deception

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<v Speaker 1>or surprise.

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<v Speaker 3>Yeah, not all of them translate into the pop cultural

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<v Speaker 3>idea of the ninja. Like I've never seen a ninja

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<v Speaker 3>movie where the ninja's main mission is to infiltrate the

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<v Speaker 3>enemy barracks and start bad talking the rice rations, you know,

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<v Speaker 3>being like, man, they really don't give us good rice,

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<v Speaker 3>and they'd give us a little of it. I can't

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<v Speaker 3>believe these guys. We should probably think twice about fighting

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<v Speaker 3>for them.

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<v Speaker 1>Oh but this actually, yeah, this is perfectly in line

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<v Speaker 1>with what some historical uses of shinobi would refer to yeah,

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<v Speaker 1>the use of trying to sew division within enemy ranks

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<v Speaker 1>by using a double agent or a secret agent. Now,

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<v Speaker 1>one really important point is that when looking to our

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<v Speaker 1>earliest sources on the real shnobi of history, there is

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<v Speaker 1>a linguistic complication, which is that, as Stephen Turnbull talks

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<v Speaker 1>about in his book in Historical Documents, shinobi is not

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<v Speaker 1>only used as a noun, it can also be and

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<v Speaker 1>very often is, an adverb, meaning it's describing an action,

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<v Speaker 1>not a type of person. And the adverb form means

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<v Speaker 1>that a person, maybe anyone, not just a specialist, can

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<v Speaker 1>carry out an activity in a shinobi manner. So we

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<v Speaker 1>often understand ninja or its equivalent shinobi shinomi nomah know

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<v Speaker 1>as a person who is specialized by training. It's a

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<v Speaker 1>type of person. But you do have lots of records

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<v Speaker 1>of groups of regular soldiers or other people carrying out

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<v Speaker 1>a shinoby attack on a castle or fortress, usually meaning

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<v Speaker 1>a sneak attack by night, or some of their secretive approach,

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<v Speaker 1>and this creates issues for historians when you see a

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<v Speaker 1>story of somebody doing some kind of shinoby attack in

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<v Speaker 1>the adverb sense. Do you count that as a story

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<v Speaker 1>of a shinoby as a noun, as like a did

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<v Speaker 1>a ninja necessarily do that? Or is this the case

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<v Speaker 1>where we're using the equivalent of ninja to describe just

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<v Speaker 1>a way of doing something in secret, even if they're

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<v Speaker 1>not a specialist.

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<v Speaker 3>Yeah, you know, this reminds me of a moment in

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<v Speaker 3>the recent adaptation of Showgun, the excellent FX adaptation that

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<v Speaker 3>I have the recommend in the pivotal scene where these

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<v Speaker 3>Shinobi attack. If memory serves and I've only seen it once,

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<v Speaker 3>I believe the characters exclaim like shnobi, and it's maybe

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<v Speaker 3>left a little vague, like they're just saying like something

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<v Speaker 3>shinobi is occurring, like sound the alarm of shnobi actions

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<v Speaker 3>in progress.

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<v Speaker 1>Oh yeah, that's interesting, And so that could refer to

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<v Speaker 1>any kind of like deception or surprise or hiddenness. Yeah,

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<v Speaker 1>but to come back to the idea of shinobi nomono,

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<v Speaker 1>the people who practice shenobi or hiddenness, we can again

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<v Speaker 1>just call them shinobi for short, to the extent that

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<v Speaker 1>they were historical specialists in spying and undercover warfare, when

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<v Speaker 1>did they flourish? There's a bit of complication here also

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<v Speaker 1>because you get some claims of earlier precedents. We're going

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<v Speaker 1>to talk about some of these later in this episode.

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<v Speaker 1>But the classical ninja the classical shanobi are primarily associated

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<v Speaker 1>with the Singoku Period, also known as the Warring States

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<v Speaker 1>period of Japanese history. This was a turbulent age of

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<v Speaker 1>roughly one hundred years with fuzzy boundaries from the mid

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<v Speaker 1>fifteenth to the mid to late sixteenth characterized by civil wars, rebellions,

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<v Speaker 1>and revolts throughout Japan, and this time came to a

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<v Speaker 1>close as the country fell under the central control of

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<v Speaker 1>the Tokugawa Shogunate beginning around the seventeenth century. So this

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<v Speaker 1>time the Singoku period, the time of civil wars in

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<v Speaker 1>the fourteen hundreds to the fifteen hundreds. This was the

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<v Speaker 1>heyday of the historical ninja, and it's in records of

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<v Speaker 1>this time period that we'll find the historical basis of

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<v Speaker 1>the ninja myth, if there is one. Now, Turnbull raises

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<v Speaker 1>a few very interesting questions about the historical ninja from

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<v Speaker 1>the Singoku period and how they relate to received facts

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<v Speaker 1>about the ninja that we've sort of gotten from the

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<v Speaker 1>tradition and lore that emerged over time. One question that

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<v Speaker 1>comes up is are the ninja uniquely Japanese Ninja are

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<v Speaker 1>sometimes represented as a totally unique Japanese inn in secret warfare,

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<v Speaker 1>But Turnbull disputes this, saying that if you look at

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<v Speaker 1>the types of activities that are attributed to them in

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<v Speaker 1>the sources that have some chance of being historically accurate,

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<v Speaker 1>they're similar to activities we see recorded in all kinds

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<v Speaker 1>of societies, in all large war fighting societies. You might

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<v Speaker 1>find similar records of activities in China, Mesopotamia, and the

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<v Speaker 1>Roman Empire.

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<v Speaker 3>Yeah. Absolutely. This is something that the author's hero Coo

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<v Speaker 3>Yoda and Matt All talk about in Ninja Attack True

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<v Speaker 3>Tales of Assassin Samuraian Outlaws, which is a book that

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<v Speaker 3>I've been turning to in research for this episode, and

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<v Speaker 3>they point out that you see shnobi like activities in

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<v Speaker 3>such cases as the Odyssey, you know, which of course

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<v Speaker 3>is a literary work, but still like the most one

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<v Speaker 3>of the more believable aspects of the Odyssey is, say,

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<v Speaker 3>the example of Odysseus dresses as a beggar to sneak

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<v Speaker 3>into the walls of Troy.

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<v Speaker 1>Oh. Yeah, you include the Iliad. I would also say,

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<v Speaker 1>like the Trojan horse seems like a very ninja or

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<v Speaker 1>Shanobi type ploy.

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<v Speaker 3>Absolutely. They also point to the episode in the Bible

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<v Speaker 3>where Joshuason's a pair of secret agents into the walled

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<v Speaker 3>city of Jericho, and you know, just looking around. There

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<v Speaker 3>are also accounts of espionage under King Hammurabi of the

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<v Speaker 3>second millennium BCE Babylon. They're apparently accounts from ancient Egypt.

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<v Speaker 3>And we've already mentioned the art of war, but the

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<v Speaker 3>third the ancient third century BCE to third century CE

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<v Speaker 3>Sanskrit text the a Thrastra, also speaks of it. So again, yeah,

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<v Speaker 3>the Japanese didn't invent secrecy, assassination, espionage, and all these

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<v Speaker 3>other related activities. It just emerges universally as just part

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<v Speaker 3>of human conflict.

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<v Speaker 1>But there are some i think cultural details that will

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<v Speaker 1>attach themselves to the ninja myth as it develops, that

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<v Speaker 1>are more unique, and we'll talk about those as we

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<v Speaker 1>go on. Another thing Turnbull points out is that there

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<v Speaker 1>are references to spying during warfare in Japanese texts from

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<v Speaker 1>before the Singoku period. One example is a text called

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<v Speaker 1>the Shomunkey, which is from the tenth century and it

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<v Speaker 1>tells the story of a rebel named Taira Masakato, and

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<v Speaker 1>in this record, his enemy hires a spy named koh

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<v Speaker 1>Umru who infiltrates Masakado's stronghold with one companion, makes notes

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<v Speaker 1>of its layout and defensive capabilities, and then sends the

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<v Speaker 1>companion back to their employer with the information. But in

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<v Speaker 1>this story the dangers of spying are made clear because

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<v Speaker 1>the spy's employer uses the information, the information acquired by

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<v Speaker 1>the spy to launch a night attack, which fails. Masakato

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<v Speaker 1>and his rebels fight off the attack, and this leads

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<v Speaker 1>to the spy being exposed and executed. And there are

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<v Speaker 1>plenty of other early examples of stories of people who

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<v Speaker 1>go into enemy trees or inside an enemy castle or fortification,

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<v Speaker 1>make a note of the layout, and then report back

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<v Speaker 1>to outside conspirators. So this is a common form of spying,

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<v Speaker 1>a very important thing in warfare. That's a little bit

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<v Speaker 1>less what you imagine, if you know you're thinking of

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<v Speaker 1>the ninja as like a martial artist, someone who goes

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<v Speaker 1>in and sort of does daring individual violence. A lot

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<v Speaker 1>of spying is just making note of information and getting

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<v Speaker 1>it back outside.

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<v Speaker 3>Yeah, and this reminds me of one thing we talked

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<v Speaker 3>about in the last episode about the different the different

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<v Speaker 3>classifications according to sun Zoo of the spy, and how

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<v Speaker 3>there are different things you dare ask of your different

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<v Speaker 3>level of espionage operative. And so it's a much I mean,

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<v Speaker 3>it's still highly dangerous, but it's one thing to say

0:13:47.920 --> 0:13:51.160
<v Speaker 3>I need you to make a small map and report back,

0:13:51.200 --> 0:13:53.400
<v Speaker 3>as opposed to I need you to like switch out

0:13:53.440 --> 0:13:55.920
<v Speaker 3>a drink or stab someone in the back with a

0:13:56.040 --> 0:13:57.040
<v Speaker 3>dag or that sort of thing.

0:13:57.440 --> 0:14:11.800
<v Speaker 1>Right, So, spying both within and outside Japan predates any

0:14:11.840 --> 0:14:15.679
<v Speaker 1>concept of specialized ninja training, and it would have been

0:14:15.679 --> 0:14:18.640
<v Speaker 1>influenced by literature such as the Chinese classic The Art

0:14:18.679 --> 0:14:21.640
<v Speaker 1>of War, which you just brought up. I mentioned The

0:14:21.760 --> 0:14:23.920
<v Speaker 1>Art of War in the previous episode because of this

0:14:24.080 --> 0:14:27.000
<v Speaker 1>section about the five different kinds of secret agents. But

0:14:27.320 --> 0:14:31.280
<v Speaker 1>there is plenty of evidence that Japanese political and military leaders,

0:14:31.320 --> 0:14:35.680
<v Speaker 1>including the Samurai aristocracy, were widely familiar with this work

0:14:35.760 --> 0:14:39.280
<v Speaker 1>and others like it. Just one interesting example that stood

0:14:39.320 --> 0:14:42.600
<v Speaker 1>out to me that Turnbull sites there's a story about

0:14:42.640 --> 0:14:47.640
<v Speaker 1>an eleventh century Samurai hero named Minimoto Yoshi who used

0:14:47.680 --> 0:14:50.200
<v Speaker 1>a clue he had learned from reading the Art of

0:14:50.240 --> 0:14:54.000
<v Speaker 1>War to anticipate in ambush. The clue was that he

0:14:54.160 --> 0:14:58.280
<v Speaker 1>noticed birds rising startled from a thicket of forest, and

0:14:58.320 --> 0:15:01.080
<v Speaker 1>he knew that this meant his enemies were settling into

0:15:01.200 --> 0:15:05.160
<v Speaker 1>hiding there to launch a trap. So, therefore, Turnbull says,

0:15:05.200 --> 0:15:09.400
<v Speaker 1>there's ample evidence that Japan's long history of spying and

0:15:09.520 --> 0:15:14.760
<v Speaker 1>undercover warfare techniques are not uniquely Japanese, as some sources

0:15:14.800 --> 0:15:18.840
<v Speaker 1>have claimed, but was in part at least influenced by

0:15:18.920 --> 0:15:22.760
<v Speaker 1>Chinese military wisdom already in print for centuries, And the

0:15:22.840 --> 0:15:24.880
<v Speaker 1>fact that it goes back so far means that of

0:15:24.880 --> 0:15:28.520
<v Speaker 1>course people were spying before there was a concept of

0:15:28.600 --> 0:15:32.280
<v Speaker 1>the ninja that emerges in the Singoku period. Now there's

0:15:32.320 --> 0:15:35.280
<v Speaker 1>another thing this chapter addresses that I think is interesting,

0:15:35.320 --> 0:15:37.920
<v Speaker 1>and that's the idea of ninja or shinobi as a

0:15:38.040 --> 0:15:42.840
<v Speaker 1>hereditary elite. Part of the received ninja mythology is about

0:15:43.040 --> 0:15:48.520
<v Speaker 1>specialization and lineage. It's the idea that undercover warfare techniques

0:15:48.560 --> 0:15:53.320
<v Speaker 1>in Japan were practiced exclusively by quote a highly skilled

0:15:53.400 --> 0:15:59.040
<v Speaker 1>hereditary core of elite warriors called shinobi, and that ninjutsu

0:15:59.160 --> 0:16:03.080
<v Speaker 1>the practices of the ninja were the exclusive domain of

0:16:03.200 --> 0:16:07.000
<v Speaker 1>these warrior elites. They were sort of medieval commandos with

0:16:07.080 --> 0:16:12.240
<v Speaker 1>a hereditary component, and this vision of shnobi also implies

0:16:12.480 --> 0:16:16.360
<v Speaker 1>that they may have had some kind of social elite

0:16:16.360 --> 0:16:19.920
<v Speaker 1>status as well, that they were a kind of super samurai,

0:16:20.360 --> 0:16:26.000
<v Speaker 1>surpassing ordinary samurai warrior elites in the techniques of covert warfare,

0:16:26.080 --> 0:16:30.920
<v Speaker 1>like infiltrating secure locations and causing disruption inside enemy ranks

0:16:30.960 --> 0:16:33.480
<v Speaker 1>and all the other stuff we've already mentioned. But as

0:16:33.520 --> 0:16:36.200
<v Speaker 1>we brought up in the last episode, there are some

0:16:36.400 --> 0:16:40.440
<v Speaker 1>serious reasons for doubting the idea of shinobi as these

0:16:40.440 --> 0:16:44.640
<v Speaker 1>hereditary elites. The accounts of shnobi activities taking place during

0:16:44.680 --> 0:16:47.600
<v Speaker 1>the Japanese Civil Wars generally do not make any reference

0:16:47.640 --> 0:16:51.720
<v Speaker 1>to the idea of specialized elite warriors, certainly not from

0:16:51.720 --> 0:16:56.040
<v Speaker 1>a social elite, and so shnobi activities may be carried

0:16:56.040 --> 0:16:59.400
<v Speaker 1>out by regular samurai or by soldiers, but in other

0:16:59.440 --> 0:17:04.520
<v Speaker 1>cases by people who are quite clearly associated with the

0:17:04.560 --> 0:17:07.840
<v Speaker 1>lower classes. There is good reason to believe that the

0:17:07.960 --> 0:17:11.399
<v Speaker 1>historical Ninja were more likely from the lower classes, and

0:17:11.440 --> 0:17:15.440
<v Speaker 1>in some cases even thought of as criminals, and this

0:17:15.560 --> 0:17:19.320
<v Speaker 1>does raise a different kind of elite status that Turnbull

0:17:19.359 --> 0:17:22.560
<v Speaker 1>goes into depth about the idea of ninja as a

0:17:22.640 --> 0:17:27.400
<v Speaker 1>criminal elite, but this gets complicated too. Many accounts describing

0:17:27.520 --> 0:17:31.119
<v Speaker 1>covert military activities of the Singoku period use terms that

0:17:31.160 --> 0:17:36.000
<v Speaker 1>are also used to describe common crime. One example is

0:17:36.040 --> 0:17:41.320
<v Speaker 1>the Japanese term seto, which normally means thieves. Turnbull cites

0:17:41.359 --> 0:17:45.399
<v Speaker 1>a sixteen to fifty three military manual called the Gunpo Geoshu,

0:17:46.160 --> 0:17:49.199
<v Speaker 1>which says, quote, if a daimyo does not have a

0:17:49.240 --> 0:17:52.679
<v Speaker 1>seto serving under him, then no matter how good he is,

0:17:52.760 --> 0:17:56.720
<v Speaker 1>he will know nothing of his enemy's dispositions. So this

0:17:56.840 --> 0:17:59.600
<v Speaker 1>appears to be describing the work of a ninja as

0:17:59.640 --> 0:18:04.280
<v Speaker 1>a spot but uses a common word for thief. Does

0:18:04.359 --> 0:18:08.400
<v Speaker 1>this indicate some kind of historical overlap. Perhaps, and there

0:18:08.440 --> 0:18:10.919
<v Speaker 1>are some good reasons for thinking that there is actual

0:18:11.680 --> 0:18:16.520
<v Speaker 1>direct overlap between ninja in warfare and criminal gangs. But

0:18:16.600 --> 0:18:21.119
<v Speaker 1>another possibility is that the idea of a thief or

0:18:21.160 --> 0:18:23.919
<v Speaker 1>a bandit is in the eye of the beholder, and

0:18:24.000 --> 0:18:28.600
<v Speaker 1>that designation is class related. So to illustrate that, Turnbull

0:18:28.680 --> 0:18:33.359
<v Speaker 1>includes a text from the fourteenth century. This is the Minaiki,

0:18:33.480 --> 0:18:37.399
<v Speaker 1>compiled in thirteen forty eight and this is a longer section,

0:18:37.480 --> 0:18:40.760
<v Speaker 1>but it reads as follows. Various kinds of disturbing events

0:18:40.760 --> 0:18:44.680
<v Speaker 1>occurred around the eras of Shoan and Kingen, with rebellions,

0:18:44.800 --> 0:18:49.840
<v Speaker 1>coastal piracy, raids, robbery, mountain banditree pillaging, and so on

0:18:50.000 --> 0:18:53.879
<v Speaker 1>happening all over the place. They disguised themselves in an

0:18:54.000 --> 0:18:58.520
<v Speaker 1>unusual way by wearing yellowish brown clothes and a ropagassa

0:18:58.600 --> 0:19:00.920
<v Speaker 1>hat like a woman's in sea dead of an aboshi,

0:19:01.760 --> 0:19:04.040
<v Speaker 1>which is a type of cap or hat, and not

0:19:04.119 --> 0:19:08.080
<v Speaker 1>showing their faces. Individuals who congregated in groups of between

0:19:08.119 --> 0:19:11.399
<v Speaker 1>ten and twenty men wore swords that had no ornamentation,

0:19:11.920 --> 0:19:15.600
<v Speaker 1>with rough quivers on their backs and bamboo poles for spears,

0:19:16.000 --> 0:19:19.600
<v Speaker 1>and neither helmet nor armor. They withdrew to castles and

0:19:19.640 --> 0:19:22.719
<v Speaker 1>took on their enemies there, or they won over an

0:19:22.840 --> 0:19:26.320
<v Speaker 1>enemy but then betrayed him, committing themselves to nothing. They

0:19:26.320 --> 0:19:29.760
<v Speaker 1>were fond of gaming and gambling, and they behaved like

0:19:29.920 --> 0:19:32.920
<v Speaker 1>shinobi canusu, meaning sneak thieves.

0:19:33.480 --> 0:19:35.600
<v Speaker 3>This reminds me of something we talked about in the

0:19:35.680 --> 0:19:41.879
<v Speaker 3>last episode, the idea that you have less historical accounts

0:19:41.480 --> 0:19:46.480
<v Speaker 3>of Shnobi in part because you wanted your stories to

0:19:46.520 --> 0:19:50.520
<v Speaker 3>be about the aristocratic samurai, the brave exploits of the

0:19:50.520 --> 0:19:55.480
<v Speaker 3>samurai in the upper class samurai, as opposed to the

0:19:55.840 --> 0:20:02.119
<v Speaker 3>potentially shameful but necessary activities of actually sneak thieves, as

0:20:02.119 --> 0:20:04.960
<v Speaker 3>we're saying here, bandits and pirates exactly.

0:20:05.000 --> 0:20:06.680
<v Speaker 1>And this could also give rise to the idea of

0:20:06.760 --> 0:20:08.800
<v Speaker 1>ninja as a kind of super samurai.

0:20:09.880 --> 0:20:13.520
<v Speaker 3>You know, having mentioned piracy now in that quote you read,

0:20:14.080 --> 0:20:16.719
<v Speaker 3>this does make me see some strong similarities to what

0:20:16.760 --> 0:20:19.879
<v Speaker 3>has occurred with pirates as well in popular culture. Like

0:20:19.920 --> 0:20:23.920
<v Speaker 3>the modern pop culture idea of a pirate is rather

0:20:24.000 --> 0:20:25.880
<v Speaker 3>far removed from the reality.

0:20:25.440 --> 0:20:25.919
<v Speaker 1>Of the pirate.

0:20:26.000 --> 0:20:31.000
<v Speaker 3>In many ways, we romanticize them to a degree that

0:20:31.359 --> 0:20:34.600
<v Speaker 3>would not have matched up with the reality of living

0:20:34.680 --> 0:20:35.560
<v Speaker 3>during their heyday.

0:20:36.000 --> 0:20:38.960
<v Speaker 1>Oh yeah, certainly. But then I want to raise a question,

0:20:39.160 --> 0:20:43.879
<v Speaker 1>because this applies somewhat to piracy as well. What is

0:20:43.920 --> 0:20:48.760
<v Speaker 1>the difference between a pirate or a privateer and a

0:20:48.840 --> 0:20:53.399
<v Speaker 1>naval vessel that seizes seizes other ships from an enemy

0:20:53.400 --> 0:20:56.359
<v Speaker 1>country and takes on their goods and takes prisoners and

0:20:56.359 --> 0:21:00.879
<v Speaker 1>so forth. Sometimes these boundaries might be a little blurrier

0:21:00.920 --> 0:21:03.679
<v Speaker 1>than you would think, And the same applies here so

0:21:04.320 --> 0:21:07.320
<v Speaker 1>in contemporary records, these groups that I was just talking

0:21:07.320 --> 0:21:10.720
<v Speaker 1>about in that passage I read a second ago, they

0:21:10.720 --> 0:21:13.960
<v Speaker 1>are referred to with terms meaning thieves or bandits. You know,

0:21:14.000 --> 0:21:18.159
<v Speaker 1>they're disreputable, they're sneak thieves. But twenty years after the

0:21:18.160 --> 0:21:21.840
<v Speaker 1>passage I just read, Turnbull says that these gangs are

0:21:21.840 --> 0:21:27.000
<v Speaker 1>described quite differently as horsemen wearing finely decorated armor and

0:21:27.119 --> 0:21:30.639
<v Speaker 1>weapons inlaid with gold or silver, organized and loyal to

0:21:30.680 --> 0:21:33.960
<v Speaker 1>their leader. So sounds a lot more like the way

0:21:34.040 --> 0:21:37.320
<v Speaker 1>that local warriors who are simply in rebellion against a

0:21:37.359 --> 0:21:41.679
<v Speaker 1>distant feudal authority would be described let more like warriors

0:21:41.720 --> 0:21:44.879
<v Speaker 1>and an organized political authority, and less just like a

0:21:44.880 --> 0:21:49.520
<v Speaker 1>criminal gang. And so Turnbull concludes that there is some

0:21:49.720 --> 0:21:53.560
<v Speaker 1>blurring of the lines between warriors and criminals depending on

0:21:53.600 --> 0:21:57.600
<v Speaker 1>who is writing the account. Higher class authors would look

0:21:57.760 --> 0:22:01.760
<v Speaker 1>down on warriors of a lower level local uprising and

0:22:01.880 --> 0:22:06.040
<v Speaker 1>classify them not as worthy warriors. You know, this is

0:22:06.040 --> 0:22:10.360
<v Speaker 1>not a political conflict. These are bandits or pirates. And

0:22:10.400 --> 0:22:12.720
<v Speaker 1>so a similar thing could be going on with later

0:22:12.920 --> 0:22:16.919
<v Speaker 1>records from the Singoku period, which sometimes refer to people

0:22:17.000 --> 0:22:21.000
<v Speaker 1>who by description are functioning as spies and secret agents,

0:22:21.280 --> 0:22:26.240
<v Speaker 1>but are referred to as thieves or criminals. So it's

0:22:26.280 --> 0:22:29.919
<v Speaker 1>possible that in some cases shinobi warriors were perceived or

0:22:29.960 --> 0:22:35.280
<v Speaker 1>described as bandits by a contemptuous higher class authority. However,

0:22:35.359 --> 0:22:39.000
<v Speaker 1>it's also possible that in many cases actual bandits were

0:22:39.040 --> 0:22:43.960
<v Speaker 1>recruited to warfare and served as shinobi. So this also

0:22:44.000 --> 0:22:48.439
<v Speaker 1>brings up the question of shinobi as mercenaries. So a

0:22:48.680 --> 0:22:52.560
<v Speaker 1>mercenary is generally understood as a soldier who is hired

0:22:52.600 --> 0:22:54.920
<v Speaker 1>to fight for a land that is not their own,

0:22:55.800 --> 0:22:59.560
<v Speaker 1>and records of the use of mercenaries in this sense

0:22:59.600 --> 0:23:04.240
<v Speaker 1>in the and Goku warfare are mostly limited to shnobi

0:23:04.320 --> 0:23:08.680
<v Speaker 1>type activities. We don't really read of hired mercenaries doing

0:23:08.720 --> 0:23:12.280
<v Speaker 1>the work of the samurai, you know, like supposedly honorable

0:23:12.320 --> 0:23:16.360
<v Speaker 1>face to face warfare, leading cavalry charges and so forth. Instead,

0:23:16.680 --> 0:23:20.240
<v Speaker 1>it seems that mercenaries were used for sneak attacks and

0:23:20.280 --> 0:23:23.760
<v Speaker 1>dirty tricks. So you might have a daimyo who has

0:23:23.800 --> 0:23:26.960
<v Speaker 1>his own regular soldiers that are fighting on the battlefield

0:23:27.000 --> 0:23:31.360
<v Speaker 1>and defending fortresses, but in addition to that, the daimyo

0:23:31.480 --> 0:23:36.520
<v Speaker 1>might pay local criminals to do high risk activities, including

0:23:36.560 --> 0:23:42.119
<v Speaker 1>shanobi activities like spying, sneak attacks, false flags, and psychological warfare,

0:23:42.400 --> 0:23:46.399
<v Speaker 1>as well as less shnoby coated, high risk maneuvers like

0:23:46.600 --> 0:23:51.160
<v Speaker 1>covering the retreat of regular troops, and Turnbull suggests that

0:23:51.200 --> 0:23:56.040
<v Speaker 1>this also militates against the super samurai interpretation of Ninja,

0:23:56.480 --> 0:23:59.600
<v Speaker 1>since records indicate that these warriors were often seen as

0:23:59.760 --> 0:24:03.959
<v Speaker 1>crew food, low class, and expendable, and these warriors were

0:24:03.960 --> 0:24:08.840
<v Speaker 1>also implicated in very sordid types of activities like slave harvesting,

0:24:08.960 --> 0:24:13.440
<v Speaker 1>raiding villages, and kidnapping people into slavery, and so from

0:24:13.480 --> 0:24:17.040
<v Speaker 1>all this, Turnbull concludes that the sort of super samurai

0:24:17.080 --> 0:24:20.960
<v Speaker 1>hereditary elite interpretation of Ninja's is not based in history.

0:24:21.480 --> 0:24:24.080
<v Speaker 1>That they were not from a social elite to the

0:24:24.119 --> 0:24:28.479
<v Speaker 1>extent that they existed, but there clearly were people carrying

0:24:28.560 --> 0:24:32.320
<v Speaker 1>out these activities at the time, and that if we're

0:24:32.359 --> 0:24:34.840
<v Speaker 1>trying to figure out what their identity was, it may

0:24:34.960 --> 0:24:38.120
<v Speaker 1>very well be that there was significant overlap with crime,

0:24:39.040 --> 0:24:42.960
<v Speaker 1>or at least that many of them were lower class

0:24:43.000 --> 0:24:46.160
<v Speaker 1>warriors who were looked down upon by the social elites

0:24:46.480 --> 0:24:49.600
<v Speaker 1>and in some cases had some criminal experience or criminal

0:24:49.600 --> 0:24:54.639
<v Speaker 1>skills such as piracy or burglary or banditry. Now another

0:24:54.680 --> 0:24:58.760
<v Speaker 1>important note on the changing meaning of shinobi after the

0:24:58.800 --> 0:25:02.480
<v Speaker 1>Singoku period. Again, remember so after this you get the

0:25:02.880 --> 0:25:06.080
<v Speaker 1>Unification period under the Tokugawa Shogunate. This is also known

0:25:06.080 --> 0:25:10.320
<v Speaker 1>as the Edo period. During this time there are lots

0:25:10.359 --> 0:25:15.359
<v Speaker 1>of references to contemporary people called shinobi, but in this

0:25:15.480 --> 0:25:18.080
<v Speaker 1>time period they are not at all the ninja you

0:25:18.080 --> 0:25:19.959
<v Speaker 1>have in mind, and they're also not the ninja we

0:25:19.960 --> 0:25:22.600
<v Speaker 1>were just thinking we were just talking about that are

0:25:22.640 --> 0:25:27.000
<v Speaker 1>engaging in secrecy during warfare. Instead, the shanobi of the

0:25:27.040 --> 0:25:32.160
<v Speaker 1>Tokugawa period were official agents of the central government, which

0:25:32.280 --> 0:25:35.280
<v Speaker 1>ruled the country by martial law, and the duties of

0:25:35.320 --> 0:25:39.760
<v Speaker 1>these agents included rooting out dissent and disloyalty among the people.

0:25:40.200 --> 0:25:43.080
<v Speaker 1>So in reality, their function at this time was more

0:25:43.359 --> 0:25:46.880
<v Speaker 1>like a secret police than a class of secret agents

0:25:47.280 --> 0:25:51.400
<v Speaker 1>turnbull rights quote. They were engaged instead in sordid tasks

0:25:51.480 --> 0:25:55.080
<v Speaker 1>such as listening to gossip through keyholes, ready to denounce

0:25:55.119 --> 0:25:58.199
<v Speaker 1>their victims and give them over to torture and confession.

0:26:00.000 --> 0:26:02.720
<v Speaker 1>It's a very different take on the idea of shinobi

0:26:02.840 --> 0:26:06.000
<v Speaker 1>that the same term is being used here to describe

0:26:06.200 --> 0:26:10.680
<v Speaker 1>this very different orientation. But strangely, this is also when

0:26:10.760 --> 0:26:16.160
<v Speaker 1>this subsequent literature mythologizing the ninja from the earlier period.

0:26:15.800 --> 0:26:21.040
<v Speaker 3>Sort of emerges fascinating and this ties into I mentioned

0:26:21.080 --> 0:26:23.879
<v Speaker 3>in the last episode that when I recently traveled to Japan,

0:26:23.960 --> 0:26:28.440
<v Speaker 3>I got to see some historic sites associated with Shanobi

0:26:28.520 --> 0:26:32.520
<v Speaker 3>with ninja, and one of them bears mentioned right here,

0:26:33.240 --> 0:26:36.640
<v Speaker 3>because when I was visiting the grounds of the Imperial

0:26:36.680 --> 0:26:41.160
<v Speaker 3>Palace in Tokyo, there is a place known as the

0:26:41.359 --> 0:26:45.480
<v Speaker 3>hyakunen Bansho Guard House. It's located in the East Gardens

0:26:45.800 --> 0:26:49.240
<v Speaker 3>and it was the headquarters of the Hyakun and Gumi

0:26:49.280 --> 0:26:53.480
<v Speaker 3>teams that protected Edo. This would have housed samurai but

0:26:53.600 --> 0:26:57.240
<v Speaker 3>also ninja, and it served as a checkpoint in guard house.

0:26:57.960 --> 0:27:02.560
<v Speaker 3>So the historical situation here is that in fifteen ninety,

0:27:02.680 --> 0:27:07.960
<v Speaker 3>when the warlord Tokugawa Ayasu began fortifying the fishing village

0:27:07.960 --> 0:27:12.320
<v Speaker 3>that would become Edo modern day Tokyo, he had already

0:27:12.320 --> 0:27:19.600
<v Speaker 3>integrated Shenobi into his personal army, allegedly in special forces roles,

0:27:20.760 --> 0:27:23.240
<v Speaker 3>and had the caveat there. Based on everything we've been

0:27:23.240 --> 0:27:27.200
<v Speaker 3>discussing here, but then during the Edo period they took

0:27:27.240 --> 0:27:30.479
<v Speaker 3>on new roles, so he formed them into one hundred

0:27:30.480 --> 0:27:34.560
<v Speaker 3>man platoons or Hayakun and gumi and charge they were

0:27:34.640 --> 0:27:37.280
<v Speaker 3>charged not with espionage, not with again what we would

0:27:37.280 --> 0:27:39.240
<v Speaker 3>think of is ninja activities or even these more like

0:27:39.280 --> 0:27:43.399
<v Speaker 3>sort of criminal mercenary activities, but they were discharged with

0:27:44.119 --> 0:27:48.800
<v Speaker 3>roles involved in protecting the city using modern flintlock rifles

0:27:49.160 --> 0:27:53.080
<v Speaker 3>and using them potentially at fortified positions. So Yoda and

0:27:53.119 --> 0:27:55.640
<v Speaker 3>all compare them to like a kind of like homeland

0:27:55.640 --> 0:27:59.320
<v Speaker 3>security and Secret Service rolled into one. So, like you

0:27:59.359 --> 0:28:01.800
<v Speaker 3>said earlier, kind of kind of like a secret police

0:28:02.200 --> 0:28:06.119
<v Speaker 3>manning check points, checking papers, and you know, also keeping

0:28:06.480 --> 0:28:09.960
<v Speaker 3>keeping an ear open for anything they need to pass

0:28:10.040 --> 0:28:10.600
<v Speaker 3>up the chain.

0:28:20.240 --> 0:28:23.679
<v Speaker 1>So it's interesting to to really trace the evolution of

0:28:23.720 --> 0:28:26.359
<v Speaker 1>the concept here and to dig through these sources to

0:28:26.400 --> 0:28:29.120
<v Speaker 1>try to find the foundation of it in real history.

0:28:29.520 --> 0:28:32.199
<v Speaker 1>But despite all of these caveats about like what the

0:28:32.240 --> 0:28:35.000
<v Speaker 1>real ninja were, to the extent that they really existed

0:28:35.119 --> 0:28:38.720
<v Speaker 1>and where these stories come from, I think we would

0:28:38.800 --> 0:28:41.000
<v Speaker 1>it would we would really be remiss if we denied

0:28:41.080 --> 0:28:45.720
<v Speaker 1>ourselves just delving headfirst into the ninja legend, uh and

0:28:46.240 --> 0:28:49.280
<v Speaker 1>just exploring some of the anecdotes, whatever their basis in

0:28:49.320 --> 0:28:50.040
<v Speaker 1>real history.

0:28:50.400 --> 0:28:54.400
<v Speaker 3>Yeah, yeah, so we should probably begin with the what

0:28:54.520 --> 0:28:59.560
<v Speaker 3>is in some accounts, the first Ninja of Japanese traditions. Again,

0:28:59.560 --> 0:29:05.360
<v Speaker 3>this is possible to define from a realistic standpoint. Again,

0:29:05.560 --> 0:29:11.080
<v Speaker 3>like nobody invented espionage, per se, no one invented assassination,

0:29:11.280 --> 0:29:15.080
<v Speaker 3>and so forth. But according to Japanese traditions, there was

0:29:15.120 --> 0:29:19.440
<v Speaker 3>an individual named a Tomo who would have served the

0:29:19.480 --> 0:29:24.560
<v Speaker 3>semi legendary regent by the name of Prince Shotaku, who

0:29:24.600 --> 0:29:26.480
<v Speaker 3>was also known by various other names, and he would

0:29:26.520 --> 0:29:30.920
<v Speaker 3>have lived five seventy four through six twenty two CE. Now,

0:29:30.920 --> 0:29:35.200
<v Speaker 3>given his era and his status, he's attributed with a

0:29:35.280 --> 0:29:38.560
<v Speaker 3>vast number of things. We've encountered situations like this before

0:29:39.040 --> 0:29:42.080
<v Speaker 3>in various cultures. Where you have a significantly old and

0:29:42.120 --> 0:29:45.720
<v Speaker 3>semi legendary leader, they're going to be associated with various

0:29:45.920 --> 0:29:48.240
<v Speaker 3>you know, it can be things even straight up magical

0:29:48.280 --> 0:29:52.280
<v Speaker 3>and mythological acts or culture bearing acts, or you get

0:29:52.320 --> 0:29:54.479
<v Speaker 3>the idea. In many cases where it's like somebody who

0:29:54.560 --> 0:29:57.400
<v Speaker 3>worked for them invented something or something was invented in

0:29:57.480 --> 0:30:01.520
<v Speaker 3>their era, and therefore they are now the inventor. Yes,

0:30:02.200 --> 0:30:07.760
<v Speaker 3>and so Shataku is he's been attributed as promoting the

0:30:07.760 --> 0:30:10.480
<v Speaker 3>spread of Buddhism. Okay, fair enough. I'd said that he

0:30:10.520 --> 0:30:14.840
<v Speaker 3>was an excellent multitasker, which I've read nobody is maybe,

0:30:15.360 --> 0:30:18.760
<v Speaker 3>I mean, I guess maybe maybe he was an okay multitasker.

0:30:18.760 --> 0:30:20.200
<v Speaker 3>But I've also read that it might have to do

0:30:20.320 --> 0:30:23.320
<v Speaker 3>with like just like how many different streams of information

0:30:23.400 --> 0:30:26.560
<v Speaker 3>were coming to him or something, but also the idea

0:30:26.600 --> 0:30:30.000
<v Speaker 3>that he invented sushi cool, which I think is quite questionable.

0:30:30.040 --> 0:30:37.000
<v Speaker 3>I how many culinary inventions can truly be attributed to rulers,

0:30:37.720 --> 0:30:40.600
<v Speaker 3>you know, in kings and emperors and so forth. Generally

0:30:40.600 --> 0:30:43.800
<v Speaker 3>it's more of a bottom up sort of situation with

0:30:43.960 --> 0:30:50.560
<v Speaker 3>culinary invention. Yeah, But anyway, a Tomo was a regent.

0:30:50.800 --> 0:30:55.920
<v Speaker 3>He served Empress Suiko, and he was an early Japanese

0:30:55.960 --> 0:30:59.040
<v Speaker 3>proponent of sun Zu's The Art of War, which we've

0:30:59.080 --> 0:31:01.280
<v Speaker 3>you know, we've been talking about as being a text

0:31:01.320 --> 0:31:08.040
<v Speaker 3>that definitely values and quantifies and defines the different forms

0:31:08.040 --> 0:31:10.239
<v Speaker 3>of espionage that are important for any kind of like

0:31:10.280 --> 0:31:11.200
<v Speaker 3>military operation.

0:31:11.560 --> 0:31:15.280
<v Speaker 1>Yeah, and places a lot of importance on spies. Doesn't

0:31:15.280 --> 0:31:16.840
<v Speaker 1>just say like, here are the types of spies to

0:31:16.960 --> 0:31:19.640
<v Speaker 1>use but it's like, make sure you use your spies.

0:31:19.680 --> 0:31:22.880
<v Speaker 1>You should never fight a battle until you have adequately

0:31:23.320 --> 0:31:25.200
<v Speaker 1>discovered all of your enemy's secrets.

0:31:25.400 --> 0:31:28.400
<v Speaker 3>Yeah yeah, yeah again, it's like, you know, you may

0:31:28.440 --> 0:31:30.520
<v Speaker 3>not like thieves, but you need thieves. You know you're

0:31:30.560 --> 0:31:34.200
<v Speaker 3>not going to win this battle or this war via

0:31:34.400 --> 0:31:39.040
<v Speaker 3>bravery and nobility alone. So Prince Chataku is said to

0:31:39.080 --> 0:31:43.360
<v Speaker 3>have dubbed o Tomo this shnoby individual as Ghenoby along

0:31:43.400 --> 0:31:47.160
<v Speaker 3>with his operatives, and they aided him in surviving against

0:31:47.160 --> 0:31:51.560
<v Speaker 3>a vast enemy army that outnumbered them seemingly via some

0:31:51.840 --> 0:31:54.720
<v Speaker 3>specific shanobi tricks. I don't know that we really have

0:31:54.800 --> 0:31:57.560
<v Speaker 3>an idea what those tricks were, but Yoda and all

0:31:57.600 --> 0:32:00.000
<v Speaker 3>point out that their suspicion that they might have involve

0:32:00.520 --> 0:32:03.760
<v Speaker 3>tricking the enemy into thinking their forces were more numerous

0:32:03.800 --> 0:32:07.680
<v Speaker 3>than they actually were. Like, they point to some other

0:32:08.080 --> 0:32:11.600
<v Speaker 3>examples of this that may be connected, such as dressing

0:32:11.640 --> 0:32:14.360
<v Speaker 3>civilians up in armor or making them look more or

0:32:14.440 --> 0:32:18.200
<v Speaker 3>less like soldiers, sort of putting extras in place so

0:32:18.240 --> 0:32:21.240
<v Speaker 3>that your forces look greater than they are. So yeah,

0:32:21.280 --> 0:32:25.240
<v Speaker 3>total shanobi move and so in ninja traditions, in ninja

0:32:25.240 --> 0:32:28.400
<v Speaker 3>culture and pop culture, Atmo would come to be described

0:32:28.440 --> 0:32:31.640
<v Speaker 3>as the first ninja. The info may be scant, but

0:32:31.760 --> 0:32:34.240
<v Speaker 3>yet it sounds like a Tomo was more in line

0:32:34.960 --> 0:32:36.400
<v Speaker 3>with what we think of is kind of like a

0:32:36.440 --> 0:32:41.880
<v Speaker 3>master of spies, a misinformation manager, and so forth. I

0:32:41.880 --> 0:32:44.800
<v Speaker 3>should also point out that Atomo is apparently also the

0:32:44.880 --> 0:32:47.560
<v Speaker 3>name of one of the android ninjas in RoboCop III.

0:32:48.960 --> 0:32:53.200
<v Speaker 3>The ninja culture, you know, spreads far and wide. It's irresistible.

0:32:53.640 --> 0:32:56.240
<v Speaker 1>Did these ninjas have rocket boots or something? Were they

0:32:56.320 --> 0:32:58.360
<v Speaker 1>rocket ninjas? I don't know.

0:32:58.400 --> 0:33:01.040
<v Speaker 3>They had swords? I think they you know, it's been

0:33:01.080 --> 0:33:03.880
<v Speaker 3>a very long time since I watched RoboCop three. I

0:33:03.920 --> 0:33:07.000
<v Speaker 3>think maybe RoboCop had rocket boots or some sort of

0:33:07.080 --> 0:33:08.920
<v Speaker 3>rocket system that he used to fly.

0:33:09.360 --> 0:33:11.800
<v Speaker 1>Oh no, do we have to watch RoboCop three for

0:33:11.880 --> 0:33:16.800
<v Speaker 1>weird house? I don't know, investigations for another time.

0:33:17.080 --> 0:33:19.840
<v Speaker 3>Yeah. So in this book, Ninja Attack True Tales of

0:33:19.840 --> 0:33:23.440
<v Speaker 3>Assassin Samurai Outlaws. As the title suggests, it's not all

0:33:23.720 --> 0:33:27.360
<v Speaker 3>just about ninja's It kind of spreads out to ninja

0:33:27.360 --> 0:33:33.760
<v Speaker 3>adjacent characters and roles. So it looks at historical and

0:33:33.840 --> 0:33:37.120
<v Speaker 3>legendary figures that have, through one way or another, become

0:33:37.160 --> 0:33:42.160
<v Speaker 3>associated with ninja tradition, many of them are only vaguely shanobi,

0:33:42.680 --> 0:33:45.800
<v Speaker 3>and they may fit the mold of the latter day

0:33:45.840 --> 0:33:48.400
<v Speaker 3>mint ninja myth one way or the other, but not directly.

0:33:48.440 --> 0:33:49.880
<v Speaker 3>So you know, you have some characters in there that

0:33:49.960 --> 0:33:52.880
<v Speaker 3>are just great warriors. You have some that are definite

0:33:52.960 --> 0:33:59.080
<v Speaker 3>assassins or would be assassins, spymasters, and also wizards and

0:33:59.160 --> 0:33:59.959
<v Speaker 3>magic users.

0:34:00.360 --> 0:34:03.280
<v Speaker 1>Hmm. Oh, and I don't recall if we've brought this

0:34:03.400 --> 0:34:06.080
<v Speaker 1>up yet in the series or not, but one thing

0:34:06.120 --> 0:34:10.680
<v Speaker 1>to absolutely understand is that a lot of early ninja

0:34:10.760 --> 0:34:16.000
<v Speaker 1>legend and references to ninjutsu the practice of a ninja

0:34:16.400 --> 0:34:18.360
<v Speaker 1>are clearly magical in nature.

0:34:18.800 --> 0:34:22.120
<v Speaker 3>Yes, And one of the best examples of that is

0:34:22.480 --> 0:34:25.000
<v Speaker 3>the fictional character who had go on to become just

0:34:25.200 --> 0:34:28.880
<v Speaker 3>a staple of ninja pop culture, especially in Japan, is Juria.

0:34:29.600 --> 0:34:32.319
<v Speaker 3>So Juriah was the protagonist of an eighteen oh six

0:34:32.440 --> 0:34:39.680
<v Speaker 3>book by kanwate Onnataki. But modern ninja fans probably wouldn't

0:34:39.719 --> 0:34:44.000
<v Speaker 3>have even recognized Jeria as a ninja because, on one hand,

0:34:44.000 --> 0:34:46.839
<v Speaker 3>the all black ninja garb had not been invented yet,

0:34:46.840 --> 0:34:50.240
<v Speaker 3>that wasn't a part of the of the genre yet.

0:34:50.719 --> 0:34:53.120
<v Speaker 3>And at this point in Ninja Lored they were, as

0:34:53.120 --> 0:34:56.319
<v Speaker 3>we've been discussing, far more associated with dark magic. They

0:34:56.360 --> 0:34:58.440
<v Speaker 3>were more likely to use some sort of a spell

0:34:58.520 --> 0:35:00.759
<v Speaker 3>against you than to bust out out, you know, some

0:35:00.760 --> 0:35:06.000
<v Speaker 3>sort of martial arts attack. And so Juriah was a

0:35:06.680 --> 0:35:09.200
<v Speaker 3>just a kimono wearing like he's just describes wearing kimono's

0:35:09.239 --> 0:35:13.000
<v Speaker 3>just wearing like regular clothes, Robin Hood like character. He

0:35:13.160 --> 0:35:16.160
<v Speaker 3>was a robber with a heart of gold and the

0:35:16.280 --> 0:35:20.480
<v Speaker 3>magical ability to summon a giant, mighty phantom toad that

0:35:20.680 --> 0:35:21.680
<v Speaker 3>served as his steed.

0:35:22.440 --> 0:35:25.240
<v Speaker 1>That is so much cooler than the now cliche idea

0:35:25.239 --> 0:35:27.879
<v Speaker 1>of someone riding a dragon. Riding a dragon, I've seen

0:35:27.920 --> 0:35:30.480
<v Speaker 1>it a million times. Dragon's already sort of like a

0:35:30.520 --> 0:35:32.480
<v Speaker 1>horse anyway, I don't know why, don't ask me why.

0:35:32.480 --> 0:35:34.360
<v Speaker 1>It just is the dragon's kind of like a horse

0:35:34.640 --> 0:35:36.360
<v Speaker 1>riding a toad. That's different.

0:35:37.360 --> 0:35:41.239
<v Speaker 3>Yeah, not only this, he had a sidekick who was

0:35:41.320 --> 0:35:44.960
<v Speaker 3>a female master of slug magic, and they battled an

0:35:45.040 --> 0:35:47.879
<v Speaker 3>evil master of snake magic. And so Yoda and Alt

0:35:47.880 --> 0:35:50.160
<v Speaker 3>stress that there's kind of like a rock paper scissors

0:35:50.239 --> 0:35:54.120
<v Speaker 3>scenario here in this magic system. Brandon Sanderson may get

0:35:54.160 --> 0:35:56.840
<v Speaker 3>a lot of credit for his complex magical systems in

0:35:56.840 --> 0:36:02.160
<v Speaker 3>his novels, But does he have snake toad slug level

0:36:02.160 --> 0:36:04.600
<v Speaker 3>of magic here? Because basically the way it works is

0:36:04.640 --> 0:36:09.920
<v Speaker 3>that snakes beat toads, Slugs beat snakes, and toads beat slugs,

0:36:10.360 --> 0:36:12.000
<v Speaker 3>and that's the way the magic system works.

0:36:12.360 --> 0:36:18.080
<v Speaker 1>What yeah, how do the slugs beat snakes? They just do? Okay,

0:36:18.080 --> 0:36:18.400
<v Speaker 1>they just do.

0:36:18.520 --> 0:36:20.960
<v Speaker 3>It's just it's just how reality works.

0:36:21.000 --> 0:36:22.400
<v Speaker 1>I don't know, that's just science.

0:36:23.239 --> 0:36:28.160
<v Speaker 3>But Juriah has remained a strong part of Japanese pop culture,

0:36:28.840 --> 0:36:33.600
<v Speaker 3>enjoying multiple retellings and apparently factors into the popular anime Naruto,

0:36:34.160 --> 0:36:37.120
<v Speaker 3>which I think I've only watched one episode of, so

0:36:37.120 --> 0:36:39.279
<v Speaker 3>I didn't get in deep enough to see all of

0:36:38.840 --> 0:36:42.160
<v Speaker 3>the threads. But so many of these characters in Japanese

0:36:42.280 --> 0:36:46.040
<v Speaker 3>ninja pop culture, they end up emerging and re emerging,

0:36:46.120 --> 0:36:49.040
<v Speaker 3>you know, people keep diving back in and re exploring

0:36:49.080 --> 0:36:54.000
<v Speaker 3>them and reinventing them. But yeah, Juriah seems to have

0:36:54.080 --> 0:36:59.359
<v Speaker 3>been a very pivotal figure in ninja fiction, igniting a

0:36:59.440 --> 0:37:03.560
<v Speaker 3>huge nin of fad around eighteen thirty nine. This is

0:37:03.560 --> 0:37:06.879
<v Speaker 3>when an illustrated publication of the text in question came out,

0:37:07.440 --> 0:37:10.120
<v Speaker 3>and you ended up with like thirty years of sequels

0:37:10.120 --> 0:37:15.239
<v Speaker 3>following that, along with various imitators, theater adaptations, and there

0:37:15.280 --> 0:37:19.399
<v Speaker 3>was eventually a nineteen twenty one film version. A film

0:37:19.400 --> 0:37:23.360
<v Speaker 3>adaptation of this story called Jeriah the Hero sometimes cited

0:37:23.520 --> 0:37:26.960
<v Speaker 3>is the first tokusatsu or special effects movie, and Joe,

0:37:27.080 --> 0:37:29.120
<v Speaker 3>I have not seen it myself, but I included a

0:37:29.200 --> 0:37:31.760
<v Speaker 3>still from it here where you can see a giant

0:37:31.800 --> 0:37:33.760
<v Speaker 3>phantom toad jumping into battle.

0:37:33.800 --> 0:37:37.080
<v Speaker 1>I believe, my god, that's so good. And I just

0:37:37.120 --> 0:37:38.960
<v Speaker 1>looked at it. I think I have found a stream

0:37:39.040 --> 0:37:41.160
<v Speaker 1>of this online, so we could watch it.

0:37:41.200 --> 0:37:43.320
<v Speaker 3>We could watch it for weird House. Yeah, I believe

0:37:43.320 --> 0:37:46.080
<v Speaker 3>it's a twenty one minute film. So, yeah, it looks

0:37:46.120 --> 0:37:47.239
<v Speaker 3>like there are some streams.

0:37:48.680 --> 0:37:50.640
<v Speaker 1>Okay, that's gone on the list.

0:37:50.800 --> 0:37:52.600
<v Speaker 3>They mentioned that they so the book goes into a

0:37:52.640 --> 0:37:56.880
<v Speaker 3>lot of the other ways that the fictional world of

0:37:56.920 --> 0:37:59.479
<v Speaker 3>the ninja grew and spread. You know, later on during

0:37:59.480 --> 0:38:03.759
<v Speaker 3>the early nineteen tens, the novel Sara Toobe Saske was

0:38:03.800 --> 0:38:06.719
<v Speaker 3>a big ninja hit, still leaning more heavily on the

0:38:06.760 --> 0:38:09.440
<v Speaker 3>magical aspects of the ninja, and then you would just

0:38:09.480 --> 0:38:13.120
<v Speaker 3>get an additional ninja revivals that would occur in like

0:38:13.200 --> 0:38:18.240
<v Speaker 3>the fifties and sixties, and I think those waves will continue,

0:38:18.239 --> 0:38:21.200
<v Speaker 3>and you still see it continuing today, Like ninjas have

0:38:21.320 --> 0:38:23.600
<v Speaker 3>not gone away. It's not like everyone's like, hey, do

0:38:23.600 --> 0:38:26.080
<v Speaker 3>you remember ninja movies? Like now they're still around. This

0:38:26.200 --> 0:38:28.799
<v Speaker 3>ninja video game is still around, but there'll still be

0:38:29.080 --> 0:38:31.880
<v Speaker 3>an occasional like big hit that comes out and it

0:38:31.920 --> 0:38:35.719
<v Speaker 3>reminds everyone just how awesome ninja fiction really is.

0:38:36.320 --> 0:38:40.160
<v Speaker 1>So the way I understand it, it's this revival of

0:38:40.239 --> 0:38:43.160
<v Speaker 1>interest in the ninja through these like novels and stories

0:38:43.160 --> 0:38:46.480
<v Speaker 1>and movies in roughly the fifties and the sixties that

0:38:46.760 --> 0:38:50.960
<v Speaker 1>give way to the international, especially in English speaking markets,

0:38:51.000 --> 0:38:52.400
<v Speaker 1>obsession with the ninja.

0:38:52.520 --> 0:38:56.200
<v Speaker 3>Yeah, it does make me wonder like, outside of Japan

0:38:56.400 --> 0:39:00.200
<v Speaker 3>an international level, what would happen if you had a

0:39:01.680 --> 0:39:06.080
<v Speaker 3>true like sort of revitalization of the black magic aspect

0:39:06.120 --> 0:39:09.440
<v Speaker 3>of ninja. You know, that might be interesting, But again,

0:39:09.480 --> 0:39:13.400
<v Speaker 3>that seems to have never completely gone away in Japanese

0:39:13.440 --> 0:39:14.200
<v Speaker 3>media itself.

0:39:14.480 --> 0:39:17.480
<v Speaker 1>I think it's halfway there in some American ninja media,

0:39:17.640 --> 0:39:21.040
<v Speaker 1>Like it's not fully the case that we're seeing ninja

0:39:21.080 --> 0:39:24.840
<v Speaker 1>as like sorcerers doing spells and writing spectral toads, but

0:39:24.920 --> 0:39:28.799
<v Speaker 1>there's more a kind of vague mysticism to them, you know,

0:39:29.000 --> 0:39:31.920
<v Speaker 1>like that they're portrayed in a way where you wonder

0:39:32.080 --> 0:39:33.880
<v Speaker 1>if they are capable of magic.

0:39:34.320 --> 0:39:36.840
<v Speaker 3>Yeah. Yeah, And I guess one has to acknowledge Mortal

0:39:36.920 --> 0:39:40.520
<v Speaker 3>Kombat ninjas, though I think in some cases I'm always

0:39:40.520 --> 0:39:43.759
<v Speaker 3>a little foggy on how everything works in Mortal I

0:39:43.760 --> 0:39:45.640
<v Speaker 3>think some of those characters are supposed to be Chinese

0:39:45.800 --> 0:39:50.160
<v Speaker 3>as opposed to Japanese, but then they're clearly embracing like

0:39:50.280 --> 0:39:54.880
<v Speaker 3>Japanese ninja pop culture. But yeah, you have characters that

0:39:54.920 --> 0:39:57.600
<v Speaker 3>are clearly ninjas that are also doing things like throwing

0:39:57.640 --> 0:40:01.240
<v Speaker 3>fireballs or freeze by whatever the heck.

0:40:01.400 --> 0:40:04.919
<v Speaker 1>Are like Scorpion and sub Zero interpreted. I never even

0:40:04.960 --> 0:40:08.520
<v Speaker 1>thought about the nationality of those characters. Are they implied

0:40:08.560 --> 0:40:11.800
<v Speaker 1>to be Japanese? I thought it was like Lu Kang

0:40:11.960 --> 0:40:14.319
<v Speaker 1>is a Shaolin warrior, isn't he right?

0:40:14.480 --> 0:40:18.719
<v Speaker 3>Right? And I believe at least originally sub Zero was

0:40:18.719 --> 0:40:21.440
<v Speaker 3>supposed to be Chinese. But this, this is Moratl Kombat.

0:40:21.640 --> 0:40:26.360
<v Speaker 3>It plays very fast and loose with its source materials,

0:40:26.360 --> 0:40:29.439
<v Speaker 3>here to create its own strange universe, which I love.

0:40:29.840 --> 0:40:32.880
<v Speaker 3>But again, you have to sort of take everything with

0:40:32.880 --> 0:40:35.680
<v Speaker 3>a grain of salt and follow it through to like,

0:40:35.880 --> 0:40:39.120
<v Speaker 3>you know, the the the original inspirations, to get maybe

0:40:39.160 --> 0:40:41.120
<v Speaker 3>an idea of where things come from. And even then

0:40:41.160 --> 0:40:42.200
<v Speaker 3>there's a lot of overlap.

0:40:42.520 --> 0:40:47.000
<v Speaker 1>Johnny Cage is American, Sonia Blade is American, right I

0:40:47.040 --> 0:40:47.360
<v Speaker 1>think so?

0:40:47.920 --> 0:40:52.120
<v Speaker 3>Yeah, American, dwell until he was played by an Australian

0:40:52.160 --> 0:40:55.239
<v Speaker 3>man in the in the the Mortal Kombat movie in

0:40:55.280 --> 0:40:57.920
<v Speaker 3>the nineties and after that, and part of it I

0:40:58.040 --> 0:41:01.360
<v Speaker 3>believe is like a dedication to him because he i'd young.

0:41:02.239 --> 0:41:04.560
<v Speaker 3>They were like, Okay, Cano is Australian from now on.

0:41:04.880 --> 0:41:06.759
<v Speaker 3>Oh so you know you have changes like that that.

0:41:06.760 --> 0:41:09.080
<v Speaker 1>Occur raidings from out world.

0:41:09.760 --> 0:41:15.040
<v Speaker 3>Yeah. So he's generally or maybe not French gentleman depicted

0:41:15.080 --> 0:41:19.359
<v Speaker 3>as French. Yeah, he's French Scorpion. On the other hand,

0:41:19.360 --> 0:41:22.279
<v Speaker 3>I think has always been depicted as Japanese, but I'm

0:41:22.320 --> 0:41:24.200
<v Speaker 3>not one sure on that either.

0:41:24.880 --> 0:41:27.759
<v Speaker 1>Okay, all right, well, I think maybe we're out of

0:41:27.800 --> 0:41:30.480
<v Speaker 1>time for today's episode, but next time we will be

0:41:30.560 --> 0:41:35.080
<v Speaker 1>back with more stories of Ninja's throughout history, legendary ninjas,

0:41:35.160 --> 0:41:39.799
<v Speaker 1>Ninja anecdotes and techniques and technologies, and just we're gonna

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<v Speaker 1>find a lot of little corners to look into.

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<v Speaker 3>Yeah, and there will be a little bit of ninja

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<v Speaker 3>science in there. I can't promise lots of ninja science,

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<v Speaker 3>but I know there will be at.

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<v Speaker 1>Least a little bit the physics of toad riding.

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<v Speaker 3>Yes, all right, we're gonna go and close it out there.

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<v Speaker 3>But let's see what to mention here. Hey, I'll just

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<v Speaker 3>give throughout this once more. If you were on Instagram,

0:42:02.280 --> 0:42:04.719
<v Speaker 3>why don't you follow the Stuff to Blow your Mind

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<v Speaker 3>Instagram account. It is STBYM Podcast. That's our handle. We

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<v Speaker 3>had to reset it a while back because we lost

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<v Speaker 3>access to the old one, and then we were eventually

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<v Speaker 3>able to send in some Shinobi to destroy the old

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<v Speaker 3>one from the inside. But we need to get the

0:42:20.680 --> 0:42:22.920
<v Speaker 3>followers up on that Instagram. So if you use Instagram,

0:42:23.000 --> 0:42:27.040
<v Speaker 3>follow us there. I can promise you it won't be

0:42:27.440 --> 0:42:29.880
<v Speaker 3>completely boring. It'll be some you'll get an update on

0:42:29.920 --> 0:42:32.439
<v Speaker 3>what we're talking about sometimes some fun videos in there.

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<v Speaker 3>So give us a follow. STBYM Podcast Reminder that Stuff

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<v Speaker 3>to Blow Your Mind is primarily a science and culture podcast,

0:42:39.400 --> 0:42:42.120
<v Speaker 3>with core episodes on Tuesdays and Thursdays. On Wednesdays, we

0:42:42.160 --> 0:42:44.320
<v Speaker 3>do a short form episode on Fridays, we set aside

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<v Speaker 3>most serious concerns, all just talk about a weird film

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<v Speaker 3>on Weird House Cinema, and then we have some vault

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<v Speaker 3>episodes that occur. We have a vault episode of our

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<v Speaker 3>core episodes on Saturdays and on Mondays. Our current format

0:42:55.840 --> 0:42:59.160
<v Speaker 3>is to do a Weird House rewind. That's a vault episode,

0:42:59.200 --> 0:43:02.440
<v Speaker 3>a rerun of a past Weird House Cinema episode.

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<v Speaker 1>Huge thanks as always to our excellent audio producer JJ Posway.

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<v Speaker 1>If you would like to get in touch with us

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<v Speaker 1>with feedback on this episode or any other, to suggest

0:43:10.600 --> 0:43:12.640
<v Speaker 1>a topic for the future, or just to say hello,

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<v Speaker 1>you can email us at contact Stuff to Blow your

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<v Speaker 1>Mind dot com.

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<v Speaker 2>Stuff to Blow Your Mind is production of iHeartRadio. For

0:43:26.960 --> 0:43:29.719
<v Speaker 2>more podcasts from my Heart Radio, visit the iHeartRadio app,

0:43:29.880 --> 0:43:46.640
<v Speaker 2>Apple Podcasts, or wherever you're listening to your favorite shows.