WEBVTT - Part Two: John Henry Was Real & Also Became Superman

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<v Speaker 1>Hello, and welcome to Cool People Did Cool Stuff, which

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<v Speaker 1>is a podcast that has some people on it. One

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<v Speaker 1>of them is me. I'm Margaret Kiljoy. One of them

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<v Speaker 1>is prop h prop.

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<v Speaker 2>Hey kill Joy continue to.

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<v Speaker 1>Body The worst part is this is several days later

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<v Speaker 1>and we've stayed on zoom and prop has just been

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<v Speaker 1>body rolling.

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<v Speaker 2>My back is killing me. Yeah, but I want to

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<v Speaker 2>be known for committing to the bit. Yeah, you just

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<v Speaker 2>you commit.

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<v Speaker 1>That's true, Sophie. Should I commit to the bit of

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<v Speaker 1>pretending like your last name is podcast, It's not as

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<v Speaker 1>good of a bit. Maybe it's not worth committing to.

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<v Speaker 1>Sophie is our producer? What about produce Well? You could

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<v Speaker 1>be produced well prod Well. How do well sounds like

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<v Speaker 1>a name, Sophie Prodwell? That sounds sexual. I take it back,

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<v Speaker 1>it does. Was sorry, she's cleaning her.

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<v Speaker 2>You're out right now right? Ian?

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<v Speaker 1>Your our fate is in your hands. It's up to

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<v Speaker 1>you whether you leave that or cut that out. It's

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<v Speaker 1>just Sophie, all right, Sophie. Uh yeah, Sophie's a producer.

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<v Speaker 1>Ian is our audio engineer on woman song Hi end

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<v Speaker 1>I almost.

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<v Speaker 2>Forgot and the body Roller. I'm not currently d the

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<v Speaker 2>body Roll Prop the body roller, don't stop the body roll.

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<v Speaker 1>You can get body roll tattooed on your knuckles if

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<v Speaker 1>you want.

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<v Speaker 2>Dog that's whatever.

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<v Speaker 3>Yeah, favorite things to do is to tell you what

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<v Speaker 3>you could get tattooed on your knuckles.

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<v Speaker 2>Yeah, especially if it's four letters, you know.

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<v Speaker 1>Yeah, yeah, exactly, perfect, Yeah, perfect, Yeah, hilarious. On Woman

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<v Speaker 1>has the person who wrote a theme song on Woman

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<v Speaker 1>has an album coming out. New album coming out called

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<v Speaker 1>Desire Paths out September twenty second. Prop has a new

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<v Speaker 1>album that came out in June. I can't remember the

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<v Speaker 1>name off the top of my head.

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<v Speaker 2>Terrorform the possibility that's right, is that the third in

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<v Speaker 2>the trilogy? That was the fourth, the fourth four.

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<v Speaker 4>The trilogy in the quadrus something Yeah, yeah, the fourth

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<v Speaker 4>and final man the opis the final, the opus minimis

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<v Speaker 4>magnus the magnum p I.

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<v Speaker 1>Yeah, that's cool. People don't really do that much anymore.

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<v Speaker 1>Like we're in a very like single culture let alone

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<v Speaker 1>album culture let alone, a like arc.

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<v Speaker 2>Like this was a book and then the book had

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<v Speaker 2>four EPs and a cold Brew. Yeah, you know, this

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<v Speaker 2>was a four year process. I like that.

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<v Speaker 1>The cold Brew is the same name. It's good.

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<v Speaker 2>Yeah, man, same world.

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<v Speaker 1>Yeah, you gonna start a new killed terraform.

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<v Speaker 2>I mean I might as well.

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<v Speaker 3>Yeah that's what you need more more projects.

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<v Speaker 2>I absolutely need more. Yeah, so I do need more money.

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<v Speaker 2>So does y'all subscribe to Cooler Zone Media?

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<v Speaker 1>That's sure? And where we last left off, this is Wednesday.

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<v Speaker 1>If you've started, if you've been listening to the show,

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<v Speaker 1>if this is your very first episode of the show, congratulations,

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<v Speaker 1>you should go back one. For everyone else, Wednesday means

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<v Speaker 1>it's the second part of a topic, and the topic

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<v Speaker 1>we're talking about today is the fact that John Henry

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<v Speaker 1>was a real last person, and he was a cool

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<v Speaker 1>last person, and his legacy is cool as shit, although

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<v Speaker 1>some of it's really messy, but not because of him,

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<v Speaker 1>but because of shitty people. So where we last left

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<v Speaker 1>our hero he is convicted and he's been sent off

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<v Speaker 1>to the Alleghany Mountains to dig through them. Will actually

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<v Speaker 1>not dig through them, actually just a haul mud and

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<v Speaker 1>shit away. But and they're running into this thing. They're

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<v Speaker 1>able to automate everything except the drilling, or they're able

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<v Speaker 1>to speed up everything except the drilling. And you know,

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<v Speaker 1>they have dynamite. They have railroad cars now they just

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<v Speaker 1>need a better drill, enter the steam drill. The problem

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<v Speaker 1>with steam engines for drilling and just kind of in

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<v Speaker 1>general actually is that you need they're really big and

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<v Speaker 1>convoluted and complicated. You need a boiler and you need

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<v Speaker 1>an engine. They need to be near each other, and

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<v Speaker 1>they need to be near where you need the power.

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<v Speaker 1>You can't just strap an engine to a big old drill,

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<v Speaker 1>as much people kind of tried, but not easy. You

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<v Speaker 1>have to transfer that power. Eventually, folks figure out how

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<v Speaker 1>to use pipes to transfer the pressure using compressed air

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<v Speaker 1>to power a drill. Basically, someone else made a diamond

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<v Speaker 1>coded drill where the drill itself was like part of

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<v Speaker 1>the engine. I don't know. Nineteenth century technology is wacky.

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<v Speaker 2>Yeah.

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<v Speaker 1>Both it sounds so difficult, yeah, and both broke down constantly.

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<v Speaker 1>And you've got these old timey sales people running around

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<v Speaker 1>being like, Hi, I'm an old timey salesperson. Would you

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<v Speaker 1>like to purchase the latest technological marvel that'll increase your

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<v Speaker 1>profits lately and murder just the absolute most workers possible.

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<v Speaker 2>It's the greatest, the latest and greatest.

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<v Speaker 1>That's right. And then the robber barons are like, yes,

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<v Speaker 1>that sounds like two birds with one stone and sign

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<v Speaker 1>me up. I would like to both drill into this

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<v Speaker 1>mountain and kill these people.

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<v Speaker 2>If this dude dies, there's more people, right yeah, yeah, yeah, yeah,

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<v Speaker 2>it's fine, we get more, right, yeah.

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<v Speaker 1>Yeah. The amount of American history that is like literally

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<v Speaker 1>tied into like quote unquote we hate immigrants, just kidding.

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<v Speaker 1>We need immigrants so that they can die doing the

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<v Speaker 1>following labor that no one who was born here wants

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<v Speaker 1>to do, like.

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<v Speaker 2>The most bizarre, the just the most toxic, and just

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<v Speaker 2>if we could just give the country a therapist, like

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<v Speaker 2>just the most y'all just need therapy. It's so bizarre.

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<v Speaker 2>And also like I mean speak yeah, I mean it's

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<v Speaker 2>it's an obvious tangent that none of us need to

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<v Speaker 2>go on because we already know. But I'm just like,

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<v Speaker 2>and then the nerve, just the psychological malady of thinking

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<v Speaker 2>that it's the immigrant's fault. Yeah, that you know what

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<v Speaker 2>I'm saying, Rather like you mad at the immigrant because

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<v Speaker 2>you can't get a job because the people are willing

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<v Speaker 2>are down to pay pennies. Yeah, you're not mad at

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<v Speaker 2>the person that says that's gonna that wouldn't gonna pay

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<v Speaker 2>you a livable wage in the first place. That's not

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<v Speaker 2>the problem. The problem is the person that's willing to

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<v Speaker 2>work for non livable I just don't understand, y'all. Math

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<v Speaker 2>ain't math in.

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<v Speaker 1>No, and it's you were seeing that cartoon there's like

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<v Speaker 1>the capitalists. He's sitting in front of a huge plate

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<v Speaker 1>of cookies, and then there's like a white worker who

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<v Speaker 1>has one cookie, and then there's a you know, a

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<v Speaker 1>brown worker on the other side has no cookies, and

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<v Speaker 1>the boss is like, careful, that man's trying to steal

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<v Speaker 1>your cookie.

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<v Speaker 2>Yeah, like that. Yeah, that's just exactly that. It's exactly that.

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<v Speaker 1>Yeah. So before steam drills, when you tunnel through a mountain,

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<v Speaker 1>you do it with humans and you do a dynamite well,

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<v Speaker 1>originally black powder, but you have two man teams. Sometimes

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<v Speaker 1>it's three men teams. It's a hammerman and then one

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<v Speaker 1>shaker who holds the chisel in place, shifting the chisel

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<v Speaker 1>between every blow to make sure it has a good

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<v Speaker 1>bite into the rock.

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<v Speaker 3>Right.

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<v Speaker 1>That is called rolling. That is where rock and roll

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<v Speaker 1>comes from. Almost certainly. I mean there's a lot of

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<v Speaker 1>different people claiming different etymologies, but the argument I read

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<v Speaker 1>in this history book is very convincing.

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<v Speaker 2>That is called body rolling. That's right, this whole time.

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<v Speaker 1>Absolutely, you're the roller, Sophie is the hammerman, and I

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<v Speaker 1>am the third person. Actually, the third person on the

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<v Speaker 1>team actually just sings. You actually don't want me to sing?

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<v Speaker 1>You keep the rhythm. Yeah, no, that is what you do.

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<v Speaker 1>That is what they sang to time everything involved, and

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<v Speaker 1>sometimes there's a third man on the team literally just

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<v Speaker 1>to sing.

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<v Speaker 2>That's interesting about rock and roll, man, Yeah, you said

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<v Speaker 2>it was pretty convincing.

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<v Speaker 1>Yeah, because I'm going to talk about how all of

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<v Speaker 1>this ties into two blues, right, which obviously comes before

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<v Speaker 1>rock and roll. You know, it doesn't go straight from

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<v Speaker 1>these hammer songs to rock and roll, But I know

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<v Speaker 1>more about the blues at as a more known and

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<v Speaker 1>totally rock and roll. If you look up the etymology,

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<v Speaker 1>most of the etymologies that people say are actually more

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<v Speaker 1>recent or they'll be like, oh, it comes back to

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<v Speaker 1>sailors and they're like ships that are rolling or whatever.

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<v Speaker 1>But honestly, this is more convincing because this is because

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<v Speaker 1>this is black culture. Yeah, like that, It's just much

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<v Speaker 1>more convincing to me. So they chisel or drill holes

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<v Speaker 1>then they pack them with gunpowder dynamite, and then they

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<v Speaker 1>set it off. A lot of the digging actually in

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<v Speaker 1>these tunnels was actually vertical because you drop shafts in

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<v Speaker 1>from the top of the mountain, so you can dig

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<v Speaker 1>from more than one or I guess two spots at once. Right,

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<v Speaker 1>you want as many different places to dig from as

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<v Speaker 1>possible so that you can get it done fast. So

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<v Speaker 1>they'll do like three, They'll drop three shafts and then

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<v Speaker 1>dig all directions the conditions. Well, okay, so but when

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<v Speaker 1>John Henry is first shipped out, he starts as a mucker.

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<v Speaker 1>His job is loading broken rock and muck into railway cars.

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<v Speaker 1>We know this because all of the people who were

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<v Speaker 1>sent out that is their job, right, That is what

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<v Speaker 1>the prison laborers were doing. The convicts weren't used for

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<v Speaker 1>the actual specialized hammering yet, and the conditions were This

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<v Speaker 1>is going to shock you, they weren't very good.

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<v Speaker 2>Huh.

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<v Speaker 1>I know, you think that these people doing a dangerous job,

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<v Speaker 1>we would hold them as a probably, I mean, they're

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<v Speaker 1>doing a more dangerous job than the CEO, so they're

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<v Speaker 1>probably getting paid more, right, But it actually wasn't the case.

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<v Speaker 2>Yeah, Yeah, it's pretty valuable to have you have a company. Yeah,

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<v Speaker 2>you would think that most important part of the company

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<v Speaker 2>is the people doing the work.

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<v Speaker 1>Yeah, you'd think that their overseer was a guy named

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<v Speaker 1>Claiborne Mason who had previously built railroads overseeing shadow slaves,

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<v Speaker 1>and now he's using oversee prison slaves. During the war,

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<v Speaker 1>he'd been a slave master who worked to build bridges

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<v Speaker 1>for the Confederate military. But he had a hobby. His

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<v Speaker 1>hobby was hanging Confederate deserters and anyone suspected of helping them.

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<v Speaker 1>He sucks. Okay, fuck this guy.

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<v Speaker 2>Imagine like that's the overseer from your old plantation. Yeah.

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<v Speaker 2>Like you you're like, this is a ship job, but

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<v Speaker 2>at least I'm not a slave. And then you get

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<v Speaker 2>there and you're just like, what.

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<v Speaker 1>The Yeah, it's still the same guy.

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<v Speaker 2>Man ain't dead. How his man ain't dead. We went

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<v Speaker 2>through the old last ward. His man ain't dead ship.

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<v Speaker 1>Because he did fight in the front lines. He did

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<v Speaker 1>the safest work impossible in the war.

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<v Speaker 2>Why didn't you die slow?

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<v Speaker 1>Yeah. The tunnelers, who at this point are black and

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<v Speaker 1>Irish and free, both sides are you know, free folks.

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<v Speaker 1>They drink together and they swap songs at illegal Irish

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<v Speaker 1>run whiskey shops in the evenings. The convict labor wasn't

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<v Speaker 1>allowed to drink at except at the grog shop, which

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<v Speaker 1>was owned by Claiborne Mason, the racist asshole. And is

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<v Speaker 1>a way to get all basically a way to get

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<v Speaker 1>all your money back, right, You drink away all your

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<v Speaker 1>wages and then it goes straight back to your boss. Now,

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<v Speaker 1>I mean everyone else is drinking away their wages too,

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<v Speaker 1>but at least it goes to another worker. You know.

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<v Speaker 1>They built a bunch of railway tunnels. Historians used to

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<v Speaker 1>think John Henry's tunnel was this one called big Ben Tunnel,

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<v Speaker 1>and actually the nearby town there's a statue of him,

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<v Speaker 1>which is cool, But it wasn't this tunnel, but I

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<v Speaker 1>don't care. It's close enough. The rock there at big

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<v Speaker 1>Ben Tunnel is fairly soft, and there's no evidence that

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<v Speaker 1>steam drills were ever used. There's actually specific evidence that

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<v Speaker 1>they weren't used. The holes weren't big enough and shit.

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<v Speaker 1>So Lewis Tunnel is the one that John Henry haunts.

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<v Speaker 1>It is the second longest tunnel on the route. It

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<v Speaker 1>is forty three hundred feet long, which is most of

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<v Speaker 1>a mile. It goes through the hardest stone of any

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<v Speaker 1>of the tunnels on that route, So it's where the

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<v Speaker 1>owners decided to try out these new steam drills. Hand

0:11:53.200 --> 0:11:56.040
<v Speaker 1>labor was at the time digging about one point five

0:11:56.120 --> 0:12:00.920
<v Speaker 1>feet of tunnel a day, and old i Amy salespeople

0:12:01.000 --> 0:12:03.400
<v Speaker 1>were promising seven feet a day from the newest and

0:12:03.440 --> 0:12:07.280
<v Speaker 1>greatest steam drill. So they got themselves some steam drills,

0:12:07.960 --> 0:12:09.679
<v Speaker 1>and they were very prone to breaking down, and they

0:12:09.679 --> 0:12:12.200
<v Speaker 1>weren't usable in all conditions, like if the tunnel was flooded,

0:12:12.240 --> 0:12:14.520
<v Speaker 1>you can still make people go dig, but you can't

0:12:14.559 --> 0:12:16.000
<v Speaker 1>make a machine go dig, you know.

0:12:16.720 --> 0:12:17.320
<v Speaker 2>Sheesh.

0:12:17.600 --> 0:12:22.400
<v Speaker 1>Yeah, parts were hard to source. They actually had to

0:12:22.400 --> 0:12:25.800
<v Speaker 1>build entire boom towns devoted to their upkeep sometimes right

0:12:25.920 --> 0:12:31.040
<v Speaker 1>like yeah, you need like boiler factories basically, and the

0:12:31.040 --> 0:12:34.760
<v Speaker 1>bosses had a hard time keeping workers. The bosses I

0:12:34.840 --> 0:12:37.480
<v Speaker 1>think they subcontracted a lot. They passed a rule that

0:12:37.520 --> 0:12:41.520
<v Speaker 1>their contractors couldn't pay the employees more than a dollar

0:12:41.559 --> 0:12:44.280
<v Speaker 1>a day. So both the Irish workers and the free

0:12:44.280 --> 0:12:46.560
<v Speaker 1>black workers, who were friends because they spent all their

0:12:46.559 --> 0:12:49.800
<v Speaker 1>evenings drinking together, they were like, fuck, no, we demand

0:12:49.800 --> 0:12:52.960
<v Speaker 1>two dollars a day. Which is all of like fifty dollars,

0:12:53.000 --> 0:12:55.160
<v Speaker 1>that's what they were asking for. They're working ten to

0:12:55.160 --> 0:12:58.720
<v Speaker 1>twelve hours of a day at like murder work, and

0:12:58.760 --> 0:13:02.480
<v Speaker 1>they're like, yeah, we want fifty dollars.

0:13:02.440 --> 0:13:10.200
<v Speaker 2>To take that man. First of all, like just again,

0:13:10.760 --> 0:13:13.400
<v Speaker 2>living in any other century had to be awful because

0:13:13.440 --> 0:13:19.280
<v Speaker 2>I'm just thinking smell, I'm thinking temperature, and it's not

0:13:19.320 --> 0:13:22.640
<v Speaker 2>like you had, like, you know, any sort of radar

0:13:22.760 --> 0:13:25.160
<v Speaker 2>technology to when you just you're just gonna drop some

0:13:25.240 --> 0:13:28.440
<v Speaker 2>dynamite into a rock that you standing on like this

0:13:28.679 --> 0:13:31.560
<v Speaker 2>just this is just all of that sounds stupid to me,

0:13:32.000 --> 0:13:36.760
<v Speaker 2>you know, and like and then secondly, I just I

0:13:36.800 --> 0:13:44.319
<v Speaker 2>am continually fascinated by. Me and my wife were just

0:13:44.360 --> 0:13:47.000
<v Speaker 2>talking about this, like there's a like at the school

0:13:47.120 --> 0:13:51.040
<v Speaker 2>that one of my children go to. Uh, there's a

0:13:51.040 --> 0:13:53.760
<v Speaker 2>as an Irish lady there, and me and my wife

0:13:53.760 --> 0:13:56.640
<v Speaker 2>are like, when you when you see an Irish, we

0:13:56.760 --> 0:13:59.840
<v Speaker 2>see an Irish person, they kind of get it pass already,

0:14:00.000 --> 0:14:01.720
<v Speaker 2>you know what I mean. It's like how you gotta

0:14:01.760 --> 0:14:03.600
<v Speaker 2>pass like you get it, you know, I mean, like

0:14:03.640 --> 0:14:05.680
<v Speaker 2>you just kind of already feel like well you I mean,

0:14:05.760 --> 0:14:08.640
<v Speaker 2>y'all kind of our cousins you know, and like so

0:14:08.800 --> 0:14:11.880
<v Speaker 2>you just kind of like I just I've been just

0:14:11.920 --> 0:14:14.760
<v Speaker 2>so fascinated by and I know that that like connection

0:14:14.800 --> 0:14:17.800
<v Speaker 2>has been weaponized and has been used against us. But

0:14:17.920 --> 0:14:21.200
<v Speaker 2>at the same time, like, but the lived experience, I

0:14:21.400 --> 0:14:22.960
<v Speaker 2>just be like, like we talked about in the in

0:14:23.000 --> 0:14:25.840
<v Speaker 2>the this last week so or that's this week's politics.

0:14:25.840 --> 0:14:30.680
<v Speaker 2>It's like yo, like Nat O'Connor, like y'all, she's squad,

0:14:30.760 --> 0:14:32.280
<v Speaker 2>you know what I'm saying, Like you just look at him,

0:14:32.320 --> 0:14:36.480
<v Speaker 2>like y'all kind of y'all man, y'all should have never

0:14:36.520 --> 0:14:39.240
<v Speaker 2>been white people like y'all should have just y'all should

0:14:39.240 --> 0:14:40.560
<v Speaker 2>have stayed one of us, you know.

0:14:41.840 --> 0:14:45.160
<v Speaker 1>And like it's funny because like overall, I would say

0:14:45.160 --> 0:14:47.800
<v Speaker 1>that Irish people living in Ireland did performed way better

0:14:47.840 --> 0:14:50.240
<v Speaker 1>about this than like Irish people in the US, especially

0:14:50.480 --> 0:14:54.840
<v Speaker 1>local generations. But yeah, but yeah no, I I yeah.

0:14:55.720 --> 0:14:58.920
<v Speaker 2>Yeah, yeah, yeah. The ones on the ones back home

0:14:58.960 --> 0:15:01.240
<v Speaker 2>for y'all like really get it and like they're like,

0:15:01.480 --> 0:15:04.720
<v Speaker 2>oh nah man man, yeah fuck all that we would chill.

0:15:05.400 --> 0:15:07.160
<v Speaker 2>And I'm like, yeah, there.

0:15:07.080 --> 0:15:09.120
<v Speaker 1>Was an article, there's an episode we did recently about

0:15:09.600 --> 0:15:13.880
<v Speaker 1>some ties between Irish resistance and Palestinian resistance, and like

0:15:13.960 --> 0:15:15.840
<v Speaker 1>Palestinian folks would talk about like, oh, I go to

0:15:15.880 --> 0:15:19.440
<v Speaker 1>Ireland and it's like I see Palestinian flags on the street,

0:15:19.520 --> 0:15:21.840
<v Speaker 1>and like it is like a place where people actually

0:15:21.840 --> 0:15:25.880
<v Speaker 1>respect me. And obviously Ireland is also struggling with all

0:15:25.880 --> 0:15:27.640
<v Speaker 1>these like nativist fucks who are trying to get rid

0:15:27.680 --> 0:15:29.440
<v Speaker 1>of a comorans wore right wing and yeah, you know

0:15:29.480 --> 0:15:32.200
<v Speaker 1>there's like fucking Nazis everywhere these days. But of course,

0:15:33.080 --> 0:15:38.120
<v Speaker 1>but yeah, no, I I keep thinking about how how

0:15:38.200 --> 0:15:40.320
<v Speaker 1>much right the history of the creational whiteness is the

0:15:40.360 --> 0:15:42.360
<v Speaker 1>history of like trying to separate the working class from

0:15:42.400 --> 0:15:45.120
<v Speaker 1>itself absolutely be like, hey, that guy's trying to do

0:15:45.200 --> 0:15:48.080
<v Speaker 1>at your cookie and yeah, but the thing that I

0:15:48.120 --> 0:15:51.600
<v Speaker 1>keep running across more and more is all obviously there's

0:15:51.640 --> 0:15:54.640
<v Speaker 1>so many times where this worked, right. There's so many

0:15:54.720 --> 0:15:57.080
<v Speaker 1>times where poor white people immediately turned around. We're like

0:15:57.280 --> 0:15:59.880
<v Speaker 1>I'm better than someone fuck fuck yeah you know, yeah,

0:16:00.040 --> 0:16:02.920
<v Speaker 1>but there's all of these times when they didn't right, Like, yeah,

0:16:03.000 --> 0:16:07.640
<v Speaker 1>these folks they just walked off. Yeah, they they quit together,

0:16:07.800 --> 0:16:10.280
<v Speaker 1>like you know, they didn't even have There's often this

0:16:10.360 --> 0:16:13.160
<v Speaker 1>moment where like the white workers leave and so they

0:16:13.240 --> 0:16:15.000
<v Speaker 1>or go on strikes, so they bring in black strike

0:16:15.040 --> 0:16:17.040
<v Speaker 1>breakers in order to use race to try and divide

0:16:17.080 --> 0:16:19.840
<v Speaker 1>the work with us. And then often actually those then

0:16:20.040 --> 0:16:22.479
<v Speaker 1>the same black people come are like, oh, actually we're joining.

0:16:22.200 --> 0:16:24.840
<v Speaker 2>The strike, right, yeah, yeah.

0:16:24.200 --> 0:16:27.720
<v Speaker 1>And not always right, but but this time, I think,

0:16:27.800 --> 0:16:29.840
<v Speaker 1>I think this is like kind of a it's almost

0:16:29.840 --> 0:16:31.600
<v Speaker 1>this like throwaway line in the book I'm reading, but

0:16:31.640 --> 0:16:33.320
<v Speaker 1>it's like one of the one of my favorite parts

0:16:33.320 --> 0:16:35.120
<v Speaker 1>of this whole story that I wish I knew more about.

0:16:35.680 --> 0:16:39.440
<v Speaker 1>They like, so they demand that something be done about

0:16:39.480 --> 0:16:42.560
<v Speaker 1>the bad air in the tunnel. Yeah, And I'm not

0:16:42.640 --> 0:16:44.480
<v Speaker 1>certain that they wanted two dollars a day, and I

0:16:44.520 --> 0:16:46.360
<v Speaker 1>don't think it was a strike. I think that they're like,

0:16:46.360 --> 0:16:49.400
<v Speaker 1>all right, well, we're we're just gonna quit and go

0:16:49.440 --> 0:16:50.560
<v Speaker 1>work somewhere else, like.

0:16:50.600 --> 0:16:53.920
<v Speaker 2>Like you, we don't, we don't have to do this,

0:16:54.600 --> 0:16:58.600
<v Speaker 2>like yeah, yeah.

0:16:58.640 --> 0:17:03.120
<v Speaker 1>And the air and the Lewest Tunnel was bad because specifically,

0:17:03.480 --> 0:17:06.119
<v Speaker 1>certain types of rock, if you blast into them with

0:17:06.160 --> 0:17:08.880
<v Speaker 1>a steam drill, even more than hand drilling and even

0:17:08.920 --> 0:17:14.399
<v Speaker 1>more than blowing it up, it creates silica dust. And

0:17:14.480 --> 0:17:17.520
<v Speaker 1>this killed hundreds or thousands of railroad workers in West

0:17:17.560 --> 0:17:21.960
<v Speaker 1>Virginia over the course of like sixty seventy years. It

0:17:22.000 --> 0:17:25.359
<v Speaker 1>doesn't kill you quickly. It's kind of closer to like

0:17:25.400 --> 0:17:27.800
<v Speaker 1>something like black lung or something like that, and or

0:17:27.960 --> 0:17:30.320
<v Speaker 1>asbestos or you know, basically anything you breathe in that

0:17:30.320 --> 0:17:32.560
<v Speaker 1>you really shouldn't breathe in. It slowly destroys your lungs

0:17:32.560 --> 0:17:34.360
<v Speaker 1>and then you're more prone to infection than you die.

0:17:34.800 --> 0:17:35.399
<v Speaker 2>Yeah, And.

0:17:37.520 --> 0:17:39.960
<v Speaker 1>So a lot of people died of miner's consumption, which

0:17:40.040 --> 0:17:44.280
<v Speaker 1>was tuberculosis. But also like, oh, specifically related to all

0:17:44.280 --> 0:17:48.480
<v Speaker 1>this shit, When drilling was done by hand, it doesn't

0:17:48.480 --> 0:17:54.280
<v Speaker 1>put out as much dust. And also people weren't near

0:17:54.359 --> 0:17:57.560
<v Speaker 1>the explodey bits because you tend not to stand next

0:17:57.560 --> 0:18:01.040
<v Speaker 1>to an explosion as a general rule. Right, But the

0:18:01.080 --> 0:18:03.879
<v Speaker 1>steam drills they just spit out dust, and so the

0:18:03.880 --> 0:18:06.199
<v Speaker 1>tunnels had bad air, and the workers were right. They

0:18:06.200 --> 0:18:07.960
<v Speaker 1>didn't know why they were right yet. They hadn't figured

0:18:07.960 --> 0:18:13.200
<v Speaker 1>this out yet, right. Hunting actually tried to higher indentured

0:18:13.280 --> 0:18:15.679
<v Speaker 1>Chinese labor once all of his workers left, but it

0:18:15.720 --> 0:18:18.840
<v Speaker 1>wasn't available that far east. He just couldn't get it,

0:18:18.880 --> 0:18:21.119
<v Speaker 1>and he like was like trying to figure it out.

0:18:21.160 --> 0:18:23.400
<v Speaker 1>He was like trying to like talk with like the

0:18:23.440 --> 0:18:25.879
<v Speaker 1>assholes in mainland China who are selling people, and like

0:18:26.240 --> 0:18:29.640
<v Speaker 1>he was like, and he just couldn't get Chinese labor,

0:18:29.680 --> 0:18:31.359
<v Speaker 1>and he's like, fuck, what am I going to do?

0:18:31.440 --> 0:18:34.119
<v Speaker 1>Where can I find people that I can pay fucking

0:18:34.200 --> 0:18:38.000
<v Speaker 1>nothing and send to their deaths? Yeah, the reformer Quaker

0:18:38.040 --> 0:18:41.240
<v Speaker 1>guy had left the penitentiary and the new guy was

0:18:41.280 --> 0:18:43.959
<v Speaker 1>even more hyped about convict labor. No more showing up

0:18:43.960 --> 0:18:48.119
<v Speaker 1>to make sure the conditions are okay. So folks were

0:18:48.160 --> 0:18:51.000
<v Speaker 1>forced to come out from the penitentiary and they started

0:18:51.000 --> 0:18:53.520
<v Speaker 1>doing the actual drilling. And at this point probably is

0:18:53.520 --> 0:18:58.320
<v Speaker 1>when John Henry became a driller, right, a steel driving man.

0:19:00.240 --> 0:19:03.560
<v Speaker 1>And wouldn't it be great if they could just test

0:19:03.640 --> 0:19:06.480
<v Speaker 1>the steam drills, like compared to a human, like which

0:19:06.480 --> 0:19:09.399
<v Speaker 1>one's faster? Really? You know, is it really?

0:19:09.720 --> 0:19:12.880
<v Speaker 2>Yeah? Is the juice really worth the squeeze? Because you know,

0:19:13.000 --> 0:19:15.480
<v Speaker 2>as you're as you explaining this story, that's the whole

0:19:15.520 --> 0:19:17.199
<v Speaker 2>thing I'm thinking about. I'm like, man, when don't you

0:19:17.200 --> 0:19:21.399
<v Speaker 2>just cut your losses? This just obviously we have, you know,

0:19:21.520 --> 0:19:24.679
<v Speaker 2>the hindsight of you know, two hundred years. But like

0:19:25.359 --> 0:19:27.440
<v Speaker 2>I feel like if I was in this situation, like man,

0:19:27.440 --> 0:19:30.640
<v Speaker 2>I don't know if this juice worth squeeze, yeah over

0:19:30.680 --> 0:19:36.400
<v Speaker 2>their yeah, you know. And and I'm like even as yeah,

0:19:36.440 --> 0:19:40.399
<v Speaker 2>like you said, like you're trying to find I would

0:19:40.400 --> 0:19:43.200
<v Speaker 2>be worried about the quality of work, especially if it's

0:19:43.240 --> 0:19:45.439
<v Speaker 2>like you got these like you got just prison labor.

0:19:45.560 --> 0:19:47.280
<v Speaker 2>I'm like, yes, people don't want to be here. They

0:19:47.400 --> 0:19:51.560
<v Speaker 2>not paying attention. I'm just burning money, you know what

0:19:51.640 --> 0:19:54.040
<v Speaker 2>I mean. I'm like, I'm just burning money here, Like so,

0:19:54.240 --> 0:19:55.200
<v Speaker 2>I don't know that would.

0:19:54.960 --> 0:19:57.199
<v Speaker 1>Be but you're burning the state's money, not your money,

0:19:57.520 --> 0:19:59.560
<v Speaker 1>to shade and they just keep providing it.

0:20:00.000 --> 0:20:01.720
<v Speaker 2>I was the piece I was missing. Oh well, if

0:20:01.760 --> 0:20:03.440
<v Speaker 2>it's not my money, then I guess it's fine.

0:20:03.520 --> 0:20:06.399
<v Speaker 1>Yeah, yeah, exactly, Like the South is bankrupting itself in

0:20:06.520 --> 0:20:09.920
<v Speaker 1>order to finance this kind of work and actually yeah,

0:20:09.920 --> 0:20:12.880
<v Speaker 1>and actually they they don't shore it up right right,

0:20:13.040 --> 0:20:15.040
<v Speaker 1>and eventually it like collapses and kills But this is

0:20:15.040 --> 0:20:17.320
<v Speaker 1>like decades later, collapses kills most people, so now it's

0:20:17.359 --> 0:20:19.879
<v Speaker 1>all bricked up. I might be conflating the other tunnel,

0:20:19.880 --> 0:20:22.160
<v Speaker 1>Big ben Tunnel with Lewis Tunnel. I read about them both,

0:20:22.200 --> 0:20:23.080
<v Speaker 1>but the same.

0:20:23.200 --> 0:20:25.919
<v Speaker 2>Point is it's obvious that at some point this is

0:20:25.960 --> 0:20:26.440
<v Speaker 2>going to happen.

0:20:26.520 --> 0:20:30.040
<v Speaker 1>Yeah, yeah, yeah, totally. So John Henry was never like

0:20:30.119 --> 0:20:34.399
<v Speaker 1>I'm faster than any machine. An evil empire was like, hey,

0:20:34.480 --> 0:20:36.359
<v Speaker 1>we want to run a cost benefit analysis, and you

0:20:36.400 --> 0:20:38.399
<v Speaker 1>are not a free person, so you're going to do

0:20:38.440 --> 0:20:38.840
<v Speaker 1>it for us.

0:20:38.960 --> 0:20:40.240
<v Speaker 2>Oh my gosh.

0:20:40.280 --> 0:20:43.520
<v Speaker 1>And this tunnel was built by one hundred and fifty

0:20:43.560 --> 0:20:46.479
<v Speaker 1>men working day and night in three different shifts, cutting

0:20:46.480 --> 0:20:50.560
<v Speaker 1>into the hardest rock anyone had ever dealt with. Most convicts,

0:20:52.119 --> 0:20:54.159
<v Speaker 1>so it's mostly convicts now that everyone else was like,

0:20:54.160 --> 0:20:56.720
<v Speaker 1>oh hell no. And they were working right next to

0:20:56.760 --> 0:20:58.560
<v Speaker 1>the steam drill, so like in some versions of the

0:20:58.600 --> 0:21:00.480
<v Speaker 1>song they're like steam drill on the left, Henry on

0:21:00.520 --> 0:21:03.040
<v Speaker 1>the right. That's just true. There was like they were

0:21:03.119 --> 0:21:06.440
<v Speaker 1>side by side competing, so they're just breathing in all

0:21:06.480 --> 0:21:11.000
<v Speaker 1>of that dust right the entire time they're working. And

0:21:11.080 --> 0:21:14.280
<v Speaker 1>the hand drilling one it was more effective. New boilers

0:21:14.280 --> 0:21:17.359
<v Speaker 1>weren't easy to get and they kept failing. So in

0:21:17.400 --> 0:21:20.840
<v Speaker 1>eighteen seventy one, with the cost benefit analysis run, the

0:21:20.880 --> 0:21:23.800
<v Speaker 1>machines left and the work was finished by hand. The

0:21:23.960 --> 0:21:26.399
<v Speaker 1>twenty five cent a day convicts did the rest of

0:21:26.440 --> 0:21:29.280
<v Speaker 1>the work, continuing for years after the Lewis Tunnel gave

0:21:29.359 --> 0:21:33.720
<v Speaker 1>up on steam drills. Ten percent of the workers died

0:21:33.840 --> 0:21:36.480
<v Speaker 1>any given year during the years that they took to

0:21:36.480 --> 0:21:41.120
<v Speaker 1>build this tunnel. John Henry probably died in eighteen seventy three.

0:21:41.880 --> 0:21:45.399
<v Speaker 1>They didn't actually record as death. They literally wrote transferred.

0:21:45.480 --> 0:21:47.720
<v Speaker 1>But that's what they did for everyone who died, because

0:21:47.720 --> 0:21:50.400
<v Speaker 1>it was like transferred. I think it means like transferred out.

0:21:50.240 --> 0:21:53.120
<v Speaker 2>To the the work site. Passed.

0:21:53.480 --> 0:21:56.800
<v Speaker 1>Yeah, even those who moved off of the dot job

0:21:56.840 --> 0:21:59.040
<v Speaker 1>site often died from the silica dust that they had

0:21:59.040 --> 0:22:02.480
<v Speaker 1>already inhaled. Since they were convicts, they couldn't strike over

0:22:02.480 --> 0:22:04.840
<v Speaker 1>the bad air like others had, and almost all of

0:22:04.840 --> 0:22:07.400
<v Speaker 1>the workers who died were black men in their early twenties.

0:22:09.200 --> 0:22:11.760
<v Speaker 1>No one recorded as death or exactly how he died,

0:22:12.480 --> 0:22:15.880
<v Speaker 1>But yes, the race with the machine killed John Henry.

0:22:15.960 --> 0:22:18.680
<v Speaker 1>It took until nineteen sixty nine for the Coal Act

0:22:18.720 --> 0:22:21.040
<v Speaker 1>to get past and for powered trills to be required

0:22:21.040 --> 0:22:23.399
<v Speaker 1>of collars that limited the dust, and for workers to

0:22:23.400 --> 0:22:30.560
<v Speaker 1>get masks. And there's a there's an old white building

0:22:30.640 --> 0:22:32.720
<v Speaker 1>referenced in some of the songs. They took John Henry

0:22:32.720 --> 0:22:34.359
<v Speaker 1>to the White House and buried him in the sand

0:22:35.520 --> 0:22:38.080
<v Speaker 1>in nineteen ninety two, before anyone had tracked down the

0:22:38.080 --> 0:22:43.280
<v Speaker 1>real John Henry, the real story, right, A white house

0:22:43.560 --> 0:22:47.119
<v Speaker 1>on the penitentiary grounds was knocked down and they found

0:22:47.160 --> 0:22:50.320
<v Speaker 1>three hundred Yeah, and they found three hundred skeletons that

0:22:50.359 --> 0:22:52.520
<v Speaker 1>had never been recorded of people whose death had never

0:22:52.560 --> 0:22:53.120
<v Speaker 1>been recorded.

0:22:53.320 --> 0:22:54.480
<v Speaker 2>Oh my gosh.

0:22:54.520 --> 0:22:56.639
<v Speaker 1>And they were all clearly prisoners who died somewhere in

0:22:56.640 --> 0:22:59.600
<v Speaker 1>the latter half of the nineteenth century. So John Henry's

0:22:59.600 --> 0:23:00.960
<v Speaker 1>body was almost certainly.

0:23:00.680 --> 0:23:02.959
<v Speaker 2>Among them, most likely in there.

0:23:03.320 --> 0:23:14.960
<v Speaker 1>Yeah dang, But where his body wasn't was in advertisements.

0:23:16.600 --> 0:23:20.240
<v Speaker 1>Sophie's Okay, that's the best transition I've ever done. You're right, man,

0:23:20.440 --> 0:23:21.639
<v Speaker 1>the best I'm.

0:23:21.600 --> 0:23:25.440
<v Speaker 2>You're listen that, Yeah, ten points for finess.

0:23:25.720 --> 0:23:28.920
<v Speaker 1>I can get a machine. I can out podcast as AI.

0:23:29.680 --> 0:23:32.479
<v Speaker 2>Because look, I was locked in. I was like I

0:23:32.520 --> 0:23:35.640
<v Speaker 2>was hanging on your everywhere right now, Like that one

0:23:35.760 --> 0:23:37.480
<v Speaker 2>really got me most of the time, you know, when

0:23:37.480 --> 0:23:39.920
<v Speaker 2>it's happening. I was like, I can't even go along

0:23:39.920 --> 0:23:42.639
<v Speaker 2>with the bit I was locked in, Like where was

0:23:42.640 --> 0:23:44.879
<v Speaker 2>his I was like, yeah, he's probably, Yeah, he's probably

0:23:44.920 --> 0:23:47.160
<v Speaker 2>in that tunnel, man, are you probably in that thing

0:23:47.200 --> 0:23:48.919
<v Speaker 2>under the white eyes? But you know, where he not

0:23:48.960 --> 0:23:50.800
<v Speaker 2>though I was like, probably not in the it's like,

0:23:50.840 --> 0:23:51.199
<v Speaker 2>oh no.

0:23:51.800 --> 0:23:56.399
<v Speaker 1>Yeah, well he's probably not in these ads, but here

0:23:56.440 --> 0:23:58.880
<v Speaker 1>they are anyway, unless you were subscribed to coolers on media,

0:23:58.880 --> 0:24:00.360
<v Speaker 1>in which case you just get the address.

0:24:00.720 --> 0:24:02.720
<v Speaker 2>And you just hear us go and we're back.

0:24:06.119 --> 0:24:11.840
<v Speaker 1>And we're back. So these deaths aren't mentioned anywhere else

0:24:11.880 --> 0:24:16.120
<v Speaker 1>except the internal reports from the prison. There's no newspaper articles,

0:24:16.160 --> 0:24:19.320
<v Speaker 1>no company reports, no private letters, no politicians talking about

0:24:19.320 --> 0:24:21.680
<v Speaker 1>it on the floor of the Senate or whatever the fuck.

0:24:21.840 --> 0:24:24.080
<v Speaker 1>Even though these reports were given to the Senate, right,

0:24:24.119 --> 0:24:26.560
<v Speaker 1>they just didn't look or care. And the thing that's

0:24:26.600 --> 0:24:29.320
<v Speaker 1>so interesting to me about this the no newspaper's bit.

0:24:30.440 --> 0:24:35.520
<v Speaker 1>It shows collusion between ostensibly competing companies because the competing

0:24:35.640 --> 0:24:39.080
<v Speaker 1>railways had bought all of the newspapers in Richmond pretty

0:24:39.160 --> 0:24:43.119
<v Speaker 1>much to talk shit on the CNO. Because CNO, like

0:24:43.160 --> 0:24:47.280
<v Speaker 1>the railroads are big fucking business, right, yes, and so

0:24:47.520 --> 0:24:50.199
<v Speaker 1>they would have loved to have dirt on someone unless

0:24:50.200 --> 0:24:53.720
<v Speaker 1>it's something that they're like, no, there's nothing wrong with that.

0:24:53.800 --> 0:24:58.240
<v Speaker 1>We can't we can't have people like care about dead convicts.

0:24:58.920 --> 0:25:01.800
<v Speaker 2>Just so here's the thing we could we could talk

0:25:01.840 --> 0:25:05.720
<v Speaker 2>shit about them, Yeah, and how everybody that worked there'd

0:25:05.720 --> 0:25:13.080
<v Speaker 2>be dying. But counterpoint, Yeah, except yeah, that may make

0:25:13.160 --> 0:25:19.240
<v Speaker 2>them invest us investigate on us. Yeah yeah. Wow.

0:25:20.600 --> 0:25:24.679
<v Speaker 1>So one thing that is cool though, a bunch of

0:25:24.680 --> 0:25:27.480
<v Speaker 1>folks managed to escape the work camps and go into

0:25:27.520 --> 0:25:28.480
<v Speaker 1>the mountains.

0:25:28.960 --> 0:25:31.920
<v Speaker 2>Yeah, I'm waiting on the cool people that did cool stuff. Part.

0:25:32.080 --> 0:25:35.240
<v Speaker 1>It's of this, honestly, It's like it's kind of the

0:25:36.840 --> 0:25:39.120
<v Speaker 1>he his legacy is cool, like.

0:25:39.080 --> 0:25:42.000
<v Speaker 2>What yeah yeah did with him?

0:25:42.280 --> 0:25:45.400
<v Speaker 1>Yeah, Like, and it's interesting because it's a less political

0:25:45.440 --> 0:25:47.080
<v Speaker 1>cool people and it's more about like all of this

0:25:47.080 --> 0:25:49.080
<v Speaker 1>stuff about music and all this other stuff that we'll

0:25:49.080 --> 0:25:52.719
<v Speaker 1>get to. But like but yeah, no, it's like people

0:25:53.840 --> 0:25:56.119
<v Speaker 1>got out and some people died. Like I don't know

0:25:56.119 --> 0:25:57.879
<v Speaker 1>what percent of the ten percent who died were people

0:25:58.640 --> 0:26:00.679
<v Speaker 1>trying to get out, right, But it would make a

0:26:00.680 --> 0:26:02.040
<v Speaker 1>lot of sense to try and get free of this

0:26:02.080 --> 0:26:02.840
<v Speaker 1>fucking situation.

0:26:03.160 --> 0:26:03.320
<v Speaker 3>Yeah.

0:26:04.080 --> 0:26:06.159
<v Speaker 1>The first time I came to West Virginia as an adult,

0:26:06.680 --> 0:26:09.679
<v Speaker 1>I was doing flood relief work, mountaintop removal. Coal mining

0:26:09.920 --> 0:26:12.720
<v Speaker 1>was trashing everything. It was causing whole towns to be

0:26:12.760 --> 0:26:16.240
<v Speaker 1>evacuated because of coal dust. So all this shit still happens,

0:26:16.240 --> 0:26:18.840
<v Speaker 1>you know, and the bare hills led to all these

0:26:18.840 --> 0:26:21.520
<v Speaker 1>flash floods that fucked up all these towns, right, And

0:26:21.560 --> 0:26:23.760
<v Speaker 1>so I went to one of these towns and was

0:26:23.760 --> 0:26:26.040
<v Speaker 1>just like literally helping muck out people's basements and shit.

0:26:26.440 --> 0:26:29.960
<v Speaker 1>And I talked with all these old miners and they

0:26:29.960 --> 0:26:32.520
<v Speaker 1>told me with pride that the history of West Virginia,

0:26:32.600 --> 0:26:36.560
<v Speaker 1>of the mountaineers, they probably said Hillbillies, was the place

0:26:36.600 --> 0:26:39.800
<v Speaker 1>where enslaved people, poor white people and indigenous people like

0:26:40.040 --> 0:26:44.119
<v Speaker 1>where everyone ran to, you know, and that their like

0:26:44.280 --> 0:26:47.040
<v Speaker 1>heritage was that they had swapped cultures and fucked.

0:26:48.280 --> 0:26:48.480
<v Speaker 2>Yeah.

0:26:48.480 --> 0:26:51.760
<v Speaker 1>And there's some myth making there, and there's like some hyperbole, right,

0:26:52.880 --> 0:26:55.679
<v Speaker 1>but only some the mountains are where people go to

0:26:55.720 --> 0:26:56.800
<v Speaker 1>be free.

0:26:57.000 --> 0:26:58.800
<v Speaker 2>Yeah, And.

0:27:00.600 --> 0:27:02.800
<v Speaker 1>So some of the tunnelers escaped in the mountains and

0:27:02.840 --> 0:27:03.840
<v Speaker 1>it makes me fucking happy.

0:27:04.200 --> 0:27:04.920
<v Speaker 2>That's kind of rad.

0:27:05.119 --> 0:27:10.439
<v Speaker 1>Yeah, yeah, pretty much. Immediately, John Henry became John Henry

0:27:10.480 --> 0:27:13.800
<v Speaker 1>became a symbol and was immortalized in song. And he

0:27:13.840 --> 0:27:15.720
<v Speaker 1>was imortalized in three different ways. And none of these

0:27:15.720 --> 0:27:18.640
<v Speaker 1>are written yet. It's going to be decades of forty

0:27:18.880 --> 0:27:22.760
<v Speaker 1>almost fifty years before it gets written down. There's miner song,

0:27:22.920 --> 0:27:26.040
<v Speaker 1>there's prison labor song, and there's railroad workers song, and

0:27:26.080 --> 0:27:30.640
<v Speaker 1>they're all different and they're all really cool. Roughly, this

0:27:30.760 --> 0:27:33.359
<v Speaker 1>era is when coal mining really takes off in Appalacha,

0:27:33.480 --> 0:27:37.040
<v Speaker 1>especially in West Virginia. Steam engines have been recently shifted

0:27:37.040 --> 0:27:39.160
<v Speaker 1>from wood to coal, and so all these new steam

0:27:39.160 --> 0:27:41.320
<v Speaker 1>engines were powering the modern world, and they need coal.

0:27:42.119 --> 0:27:44.919
<v Speaker 1>The Welsh coal miners had a tradition of singing ballads

0:27:44.920 --> 0:27:49.080
<v Speaker 1>while working, like everyone sings song, yeah, time work right,

0:27:50.600 --> 0:27:53.360
<v Speaker 1>but does so differently with very different styles of song,

0:27:53.480 --> 0:27:57.240
<v Speaker 1>very different rhythm, like you know. And so a lot

0:27:57.280 --> 0:28:00.200
<v Speaker 1>of black rail workers stuck around the area after you know,

0:28:00.200 --> 0:28:03.600
<v Speaker 1>all these tunnels and joined them in the minds. And

0:28:03.680 --> 0:28:06.720
<v Speaker 1>so the two cultures bled into one another, and John

0:28:06.760 --> 0:28:10.520
<v Speaker 1>Henry became a ballad. And the Welsh ballads were not

0:28:10.680 --> 0:28:13.640
<v Speaker 1>happy songs. They were songs about death. They were songs

0:28:13.680 --> 0:28:16.160
<v Speaker 1>about dying, and they were songs about premonitions of death.

0:28:16.840 --> 0:28:19.120
<v Speaker 1>So in this version of John Henry, it's a mournful

0:28:19.160 --> 0:28:21.399
<v Speaker 1>song of a man who knows his sad destiny to

0:28:21.480 --> 0:28:23.400
<v Speaker 1>die with a hammer in his hand. That's the line

0:28:23.440 --> 0:28:26.120
<v Speaker 1>from this part that stays in the modern versions, right,

0:28:26.720 --> 0:28:28.399
<v Speaker 1>And it was set to a tune from the fifteen

0:28:28.480 --> 0:28:31.399
<v Speaker 1>hundreds from Across the Ocean, and it was a slow

0:28:31.520 --> 0:28:34.240
<v Speaker 1>song because the moral of the story of this song

0:28:34.720 --> 0:28:37.119
<v Speaker 1>is don't work yourself to death over you know, like,

0:28:37.160 --> 0:28:40.960
<v Speaker 1>don't let the word bullshit. Yeah, since work is done

0:28:41.000 --> 0:28:43.320
<v Speaker 1>to the pace of the songs, singing a slow song

0:28:43.440 --> 0:28:47.640
<v Speaker 1>kept people working at an even measured pace, right really yeah, yeah,

0:28:47.680 --> 0:28:49.320
<v Speaker 1>people are fucking smart, you know.

0:28:49.520 --> 0:28:49.720
<v Speaker 2>Yeah.

0:28:49.960 --> 0:28:53.160
<v Speaker 1>Like minor songs were also songs about how evil bosses

0:28:53.160 --> 0:28:55.960
<v Speaker 1>were and about how women are cheat or bad. This

0:28:56.280 --> 0:28:58.800
<v Speaker 1>is going to tie into some blue shit too, although

0:28:58.800 --> 0:29:01.240
<v Speaker 1>that's less from the Welsh ballad stuff. That's more from

0:29:01.280 --> 0:29:03.760
<v Speaker 1>what we'll talk about later with the anyway, with the

0:29:03.760 --> 0:29:06.920
<v Speaker 1>hammer songs, these are songs about how everything hurts and

0:29:06.920 --> 0:29:09.840
<v Speaker 1>then you die. The earliest John Henry songs are about

0:29:09.880 --> 0:29:12.160
<v Speaker 1>a man who struggled and died a horrible death, about

0:29:12.160 --> 0:29:16.440
<v Speaker 1>how he still was alive underground, haunting the living. Basically,

0:29:16.520 --> 0:29:19.520
<v Speaker 1>the earliest John Henry songs are creepy full car songs,

0:29:19.640 --> 0:29:23.800
<v Speaker 1>which is coolest shit. I really liked all that shit. Yeah.

0:29:24.120 --> 0:29:26.360
<v Speaker 1>Up until the nineteen thirties, a lot of black workers

0:29:26.360 --> 0:29:29.320
<v Speaker 1>wouldn't go near the Cno Canals tunnels at night because

0:29:29.320 --> 0:29:35.000
<v Speaker 1>of his ghost, and supposedly this possibly goes back to

0:29:35.040 --> 0:29:38.920
<v Speaker 1>West African especially Igbo traditions about those who die suddenly

0:29:39.280 --> 0:29:42.480
<v Speaker 1>or terribly often like live underground, and their spirits have

0:29:42.520 --> 0:29:46.000
<v Speaker 1>to be warded off, right, Yeah, Singing is one of

0:29:46.040 --> 0:29:49.960
<v Speaker 1>the best ways to ward off these spirits. And I

0:29:49.960 --> 0:29:52.440
<v Speaker 1>think that's coolest shit because singing is one of the

0:29:52.480 --> 0:29:54.760
<v Speaker 1>best ways to conquer fear. So the idea of like

0:29:54.800 --> 0:29:56.720
<v Speaker 1>baking that into your culture where you're.

0:29:56.520 --> 0:29:59.920
<v Speaker 2>Like, yeah, it's Igbo, Yeah, okay, cool, it is ego.

0:30:00.080 --> 0:30:03.320
<v Speaker 1>Yeah, and so John Henry exists in this sense and

0:30:03.400 --> 0:30:05.840
<v Speaker 1>like I'll actually just literally believe it. There's no part

0:30:05.840 --> 0:30:08.280
<v Speaker 1>of me that's like, well, no, he doesn't haunt these tunnels,

0:30:08.320 --> 0:30:10.120
<v Speaker 1>Like no, like literally, these songs are proof that he

0:30:10.120 --> 0:30:15.200
<v Speaker 1>haunts these tunnels. Everyone remembers that these yeah, exactly, Yeah,

0:30:15.240 --> 0:30:19.640
<v Speaker 1>totally okay. So then convict laborers picked this song up

0:30:19.680 --> 0:30:22.360
<v Speaker 1>too as a hammer song. Hammer songs tended to be

0:30:22.400 --> 0:30:26.200
<v Speaker 1>less narrative. They instead had short lines punctuated by a hunh,

0:30:26.280 --> 0:30:28.120
<v Speaker 1>which was for swinging the hammer right at the end

0:30:28.120 --> 0:30:31.920
<v Speaker 1>of each line, and one of the themes of the

0:30:32.000 --> 0:30:36.640
<v Speaker 1>John Brown one, the John Brown Hammer Song, is you

0:30:36.640 --> 0:30:38.760
<v Speaker 1>know how like racist white people are terrified of the

0:30:38.760 --> 0:30:43.840
<v Speaker 1>black man as like physically powerful. Yeah, this is a

0:30:43.880 --> 0:30:46.560
<v Speaker 1>song about a black man killed for his physical might.

0:30:47.560 --> 0:30:51.080
<v Speaker 1>And it is a black power song but like black

0:30:51.120 --> 0:30:54.360
<v Speaker 1>power and a raw physical athletic power song, and how

0:30:54.360 --> 0:30:58.600
<v Speaker 1>it terrified white men. The other way that prisoners were

0:30:58.720 --> 0:31:01.440
<v Speaker 1>using it was it got picked up as a fiddle

0:31:01.480 --> 0:31:05.240
<v Speaker 1>song for hodowns in like Kentucky and shit in the

0:31:05.320 --> 0:31:09.680
<v Speaker 1>Hills of Kentucky where go? Yeah, black and white, black

0:31:09.720 --> 0:31:11.440
<v Speaker 1>and white kids in the at least the town that

0:31:11.440 --> 0:31:14.080
<v Speaker 1>I'm reading this particular story about black and white kids

0:31:14.080 --> 0:31:16.880
<v Speaker 1>went to school together until it was outlawed, Like segregation

0:31:17.000 --> 0:31:20.080
<v Speaker 1>was like forced into this part of Appalachia in nineteen

0:31:20.080 --> 0:31:23.680
<v Speaker 1>oh four. So before that, and kids who grew up

0:31:23.680 --> 0:31:26.240
<v Speaker 1>doing this, white and black ex convicts would play versions

0:31:26.240 --> 0:31:30.240
<v Speaker 1>of John Henry John Henry on banjo, and they would

0:31:30.280 --> 0:31:33.440
<v Speaker 1>do it right outside of jails so that prisoners could

0:31:33.480 --> 0:31:34.000
<v Speaker 1>sing it too.

0:31:34.640 --> 0:31:35.200
<v Speaker 2>That's dope.

0:31:35.240 --> 0:31:37.200
<v Speaker 1>You have a fucking hodoun outside the prison.

0:31:37.360 --> 0:31:39.800
<v Speaker 2>Yeah, yeah, ban Joe just unite in us.

0:31:39.960 --> 0:31:44.640
<v Speaker 1>Yeah, both of these styles are songs are still around,

0:31:44.640 --> 0:31:46.840
<v Speaker 1>and there's still John Henry songs in those styles, right,

0:31:47.440 --> 0:31:49.920
<v Speaker 1>But the themes of John Henry that we currently have.

0:31:50.360 --> 0:31:53.160
<v Speaker 1>When I first learned the story, I was convinced that,

0:31:53.240 --> 0:31:56.400
<v Speaker 1>like John Henry is like a hard worker who you know,

0:31:56.680 --> 0:31:58.840
<v Speaker 1>was like proud and shit. I was like, I was

0:31:58.880 --> 0:32:00.760
<v Speaker 1>convinced I was gonna be like some shit some capitalists

0:32:00.760 --> 0:32:05.680
<v Speaker 1>try to sell people on uh huh, it actually isn't okay.

0:32:05.720 --> 0:32:09.520
<v Speaker 1>The third version of these songs comes from another yet

0:32:09.560 --> 0:32:13.400
<v Speaker 1>another black culture, or another culture of black workers, the

0:32:13.520 --> 0:32:14.320
<v Speaker 1>track liners.

0:32:15.200 --> 0:32:15.560
<v Speaker 2>Okay.

0:32:16.920 --> 0:32:18.840
<v Speaker 1>One of the reasons that the South lost to the

0:32:18.880 --> 0:32:22.200
<v Speaker 1>Civil War was that their supply lines were shit because

0:32:22.240 --> 0:32:25.520
<v Speaker 1>their railroads were shit. They were all different gauges, nothing

0:32:25.600 --> 0:32:29.600
<v Speaker 1>was standardized. They didn't have much industry, so building the

0:32:29.680 --> 0:32:32.560
<v Speaker 1>railways in post Civil War South took an awful lot

0:32:32.560 --> 0:32:35.840
<v Speaker 1>of work. Some of that was convict labor, but an

0:32:35.880 --> 0:32:38.800
<v Speaker 1>awful lot of that was free black labor called the

0:32:38.840 --> 0:32:43.720
<v Speaker 1>track liners. These were roving gangs of workers, mostly young,

0:32:43.760 --> 0:32:47.000
<v Speaker 1>single black men. The crews were actually racially integrated. I

0:32:47.000 --> 0:32:49.760
<v Speaker 1>don't think like white workers were in the minority, but

0:32:49.800 --> 0:32:52.040
<v Speaker 1>I don't believe that it was like, oh, you have

0:32:52.120 --> 0:32:53.640
<v Speaker 1>like a white gang and a black gang, and most

0:32:53.600 --> 0:32:55.680
<v Speaker 1>of the gangs are black. I believe it was actually

0:32:55.720 --> 0:32:58.120
<v Speaker 1>Most of the gangs were mostly black, but had white

0:32:58.160 --> 0:33:04.400
<v Speaker 1>makers in them as well. And so these gangs, right,

0:33:04.480 --> 0:33:09.360
<v Speaker 1>the rail gangs, they're proud only the strongest men could

0:33:09.360 --> 0:33:12.400
<v Speaker 1>track line. And they seem to be freelance crews. They

0:33:12.400 --> 0:33:14.640
<v Speaker 1>weren't incredibly well paid. They were paid better than a

0:33:14.680 --> 0:33:18.680
<v Speaker 1>lot of other people, right, but they were freelance crews

0:33:18.720 --> 0:33:21.760
<v Speaker 1>of eight to fourteen men. They got paid cash instead

0:33:21.760 --> 0:33:24.560
<v Speaker 1>of script like so many other workers. Right, And so

0:33:24.600 --> 0:33:26.720
<v Speaker 1>you could go do this job and then come back

0:33:26.760 --> 0:33:27.200
<v Speaker 1>and be like.

0:33:27.200 --> 0:33:29.240
<v Speaker 2>I'm home with some money. Yeah.

0:33:29.280 --> 0:33:32.080
<v Speaker 1>And so it's incredibly hard, physically demanding work that paid

0:33:32.080 --> 0:33:34.600
<v Speaker 1>better than other jobs. It was still shit compared to

0:33:34.680 --> 0:33:37.760
<v Speaker 1>what you know, rich people get, but it was livable

0:33:37.880 --> 0:33:41.400
<v Speaker 1>rather than starvation wages. One person's job on the gang.

0:33:41.680 --> 0:33:44.000
<v Speaker 1>I hope they rotated, but maybe they didn't. I don't know.

0:33:44.000 --> 0:33:46.040
<v Speaker 1>Maybe one person is just a good singer. One person's

0:33:46.120 --> 0:33:49.560
<v Speaker 1>job is the caller who sings, and they time everything

0:33:49.600 --> 0:33:53.239
<v Speaker 1>as they're like digging up railroad tracks. Yah. Yeah, and

0:33:53.320 --> 0:33:55.880
<v Speaker 1>it literally, like, I mean, it prevents physical injury to

0:33:56.280 --> 0:34:00.200
<v Speaker 1>have everyone pull at the same time. Right of their

0:34:00.240 --> 0:34:03.720
<v Speaker 1>songs are like literally just like you know, women are

0:34:03.720 --> 0:34:05.440
<v Speaker 1>hot in their underwear, Am I right? You know?

0:34:05.600 --> 0:34:06.400
<v Speaker 2>Yeah, And.

0:34:07.960 --> 0:34:10.080
<v Speaker 1>A lot of their songs are like, hey, we're strong

0:34:10.120 --> 0:34:14.839
<v Speaker 1>and proud. This rules their Their nickname besides the track

0:34:14.880 --> 0:34:19.040
<v Speaker 1>Liners was the Gandy Dancers, since their work looked almost

0:34:19.080 --> 0:34:21.880
<v Speaker 1>like dancing, and Gandy was the manufacturer of lots of

0:34:21.880 --> 0:34:26.880
<v Speaker 1>their tools. The work wore you down. Most track Liners

0:34:26.920 --> 0:34:28.920
<v Speaker 1>retired in their early thirties to go take up and

0:34:29.920 --> 0:34:33.359
<v Speaker 1>you know that like classic, easy, not physically demanding job

0:34:33.520 --> 0:34:39.000
<v Speaker 1>like farming. That's how are these motherfuckers were?

0:34:39.080 --> 0:34:40.879
<v Speaker 2>You are tougher men than I am.

0:34:41.960 --> 0:34:48.479
<v Speaker 1>That's your's your that's your retirement. Yeaheah, Early, I'm gonna

0:34:48.520 --> 0:34:52.520
<v Speaker 1>go be a farmer. Yeah, because these days farming is

0:34:52.560 --> 0:34:53.920
<v Speaker 1>like the definition of hard work.

0:34:54.239 --> 0:34:56.239
<v Speaker 2>Yeah, there's nothing harder than this. Yeah.

0:34:57.239 --> 0:35:00.799
<v Speaker 1>Uh. Fortunately they had a new and mention the track

0:35:00.840 --> 0:35:05.200
<v Speaker 1>Liners to help them cope with the pain drug cocaine.

0:35:05.360 --> 0:35:10.680
<v Speaker 2>Yeah, at least we can get.

0:35:14.040 --> 0:35:16.359
<v Speaker 1>And so they saw sang John Henry too, and they

0:35:16.360 --> 0:35:18.680
<v Speaker 1>sang it as a ballad like the miners, but to

0:35:18.760 --> 0:35:21.400
<v Speaker 1>them it was an inspiring story about the kind of

0:35:21.400 --> 0:35:24.120
<v Speaker 1>stuff they were into, being strong as fuck and being

0:35:24.160 --> 0:35:27.839
<v Speaker 1>better than any fucking machine. It was an inspiring story

0:35:27.840 --> 0:35:30.080
<v Speaker 1>about a giant, strong black man who could work hard

0:35:30.080 --> 0:35:32.200
<v Speaker 1>as fuck, just like they were working hard as fuck.

0:35:32.640 --> 0:35:35.000
<v Speaker 1>So this is the hustle culture John Henry or the

0:35:35.040 --> 0:35:39.919
<v Speaker 1>Tall Tail Hall John Henry. These were guys who at night,

0:35:40.120 --> 0:35:41.759
<v Speaker 1>they you know, they've been working all day, so they

0:35:41.800 --> 0:35:43.920
<v Speaker 1>get together and do physical feats of strength as their

0:35:43.960 --> 0:35:47.080
<v Speaker 1>main like competition. And I would call that a pissing contest,

0:35:47.120 --> 0:35:49.279
<v Speaker 1>except they also had literal pissing.

0:35:49.440 --> 0:35:54.120
<v Speaker 2>They also had those. Yeah, Doug, these guys are insufferable, man,

0:35:54.239 --> 0:35:55.319
<v Speaker 2>I know, like the.

0:35:55.400 --> 0:35:59.960
<v Speaker 1>Probably I don't want to be one, but you know

0:36:00.320 --> 0:36:00.719
<v Speaker 1>at all.

0:36:00.960 --> 0:36:03.279
<v Speaker 2>Yeah, like you can have it, buddy, Yeah, you can

0:36:03.320 --> 0:36:05.719
<v Speaker 2>have it. Yeah, I'm just going I'm just going to

0:36:05.840 --> 0:36:08.879
<v Speaker 2>rail this cocaine and yeah, watch you guys lift shit.

0:36:09.040 --> 0:36:11.719
<v Speaker 1>Hey, I'll be the singer again. Yeah, I'll just sing, Yeah,

0:36:12.680 --> 0:36:15.239
<v Speaker 1>I keep rhythm. Yeah, oh crap, I can't do it.

0:36:17.120 --> 0:36:19.680
<v Speaker 1>So there's three versions of the song now, right, there's

0:36:19.719 --> 0:36:22.080
<v Speaker 1>the minor song, the convict song, in the track liner song.

0:36:22.120 --> 0:36:24.000
<v Speaker 1>With all these subversions of the song. Already, this is

0:36:24.000 --> 0:36:28.239
<v Speaker 1>what folk culture does, which fucking cool. Yeah, folklorists like

0:36:28.320 --> 0:36:30.560
<v Speaker 1>conscious academic folkloress. So I'm not trying to talk shit

0:36:30.640 --> 0:36:33.600
<v Speaker 1>on but they conflated them all back together in the

0:36:33.600 --> 0:36:39.759
<v Speaker 1>early nineteen hundreds. Then these songs kind of started all

0:36:39.800 --> 0:36:43.880
<v Speaker 1>the genres, or at least were present at the start

0:36:43.920 --> 0:36:47.600
<v Speaker 1>of all the genres. It's less that they hooks up,

0:36:47.680 --> 0:36:51.560
<v Speaker 1>we'll get okay. So white America has always been hungry

0:36:51.560 --> 0:36:53.040
<v Speaker 1>for black culture, especially music.

0:36:53.120 --> 0:36:53.359
<v Speaker 3>Yeah.

0:36:53.719 --> 0:36:54.279
<v Speaker 2>Yeah.

0:36:54.360 --> 0:36:57.120
<v Speaker 1>In the eighteen forties, about twenty percent of free black

0:36:57.160 --> 0:37:00.399
<v Speaker 1>men in the northern cities, like who had that were

0:37:00.400 --> 0:37:05.920
<v Speaker 1>written on official shit whatever their jobs were, like musicianear

0:37:06.120 --> 0:37:09.880
<v Speaker 1>as their job description, and so often like you know,

0:37:10.680 --> 0:37:13.560
<v Speaker 1>traveling folks doing songs, and also comedy was a big

0:37:13.600 --> 0:37:17.440
<v Speaker 1>part of that too, And so the late eighteen hundreds

0:37:17.440 --> 0:37:19.240
<v Speaker 1>and early nineteen hundred saw a lot of these people

0:37:19.680 --> 0:37:24.000
<v Speaker 1>as wandering musicians. By the eighteen nineties, white medicine show

0:37:24.000 --> 0:37:26.760
<v Speaker 1>people like people did medicine shows who were white, figured

0:37:26.760 --> 0:37:29.640
<v Speaker 1>out that black songs were how you draw customers white

0:37:29.640 --> 0:37:32.160
<v Speaker 1>and black into your tent to sell them snake oil.

0:37:33.520 --> 0:37:36.440
<v Speaker 1>By the nineteen twenties, the proto blues musicians black street

0:37:36.440 --> 0:37:41.880
<v Speaker 1>performers were recording versions of John Henry Hammer songs became

0:37:41.960 --> 0:37:44.920
<v Speaker 1>the blues when the home was dropped out of the song,

0:37:45.200 --> 0:37:48.080
<v Speaker 1>replaced with an unvocalized pause, which is I guess called

0:37:48.080 --> 0:37:52.520
<v Speaker 1>a a say zura. And yeah, I realize I'm now

0:37:52.600 --> 0:37:56.000
<v Speaker 1>probably getting in the territory have at least as much knowledge.

0:37:56.080 --> 0:37:57.440
<v Speaker 2>Yeah, I get I know a little bit. But this

0:37:57.960 --> 0:38:01.600
<v Speaker 2>stuff's dope, dude, Like if you just enjoy music, just

0:38:01.640 --> 0:38:04.399
<v Speaker 2>the musicality of it, because like, yeah, the hammer song,

0:38:04.560 --> 0:38:08.200
<v Speaker 2>like and you guys, like a listener is like you

0:38:08.239 --> 0:38:11.400
<v Speaker 2>have you actually have more of a picture. You have

0:38:11.440 --> 0:38:13.600
<v Speaker 2>an idea of how this sounds already, you know, just

0:38:13.680 --> 0:38:16.319
<v Speaker 2>to even just you remember, for this kid, that's the

0:38:16.600 --> 0:38:23.560
<v Speaker 2>sound of a man working on a chain, huh, you

0:38:23.560 --> 0:38:25.080
<v Speaker 2>know what I mean. So when you remove that and

0:38:25.120 --> 0:38:30.000
<v Speaker 2>it's just m m m. Yeah. Now now it's in

0:38:30.000 --> 0:38:32.719
<v Speaker 2>the blues because you took out the huh, it's just

0:38:32.760 --> 0:38:34.680
<v Speaker 2>the downbeat of the of the bass.

0:38:34.760 --> 0:38:37.200
<v Speaker 1>Yeah, burn burn.

0:38:36.960 --> 0:38:39.239
<v Speaker 2>Yeah, it's it's dope. I love it. Yeah.

0:38:39.320 --> 0:38:41.880
<v Speaker 1>No, And they like you know, they replaced like a

0:38:41.880 --> 0:38:44.120
<v Speaker 1>thump on the body of the guitar instead of the

0:38:44.160 --> 0:38:47.400
<v Speaker 1>hammer and like yeah, and these were first played in

0:38:47.480 --> 0:38:50.640
<v Speaker 1>the juke joints and roadhouses of the rail workers. Then

0:38:50.680 --> 0:38:53.759
<v Speaker 1>it found its way into cities for rent parties, which

0:38:53.760 --> 0:38:56.799
<v Speaker 1>were basically benefit shows and potlucks for people falling behind

0:38:56.840 --> 0:38:59.600
<v Speaker 1>on rent. And John Henry was an early classic of

0:38:59.640 --> 0:39:03.960
<v Speaker 1>this stuff. These are almost exclusively a black audience. White folks,

0:39:04.000 --> 0:39:06.239
<v Speaker 1>even working class white folks at this point, were like

0:39:06.600 --> 0:39:10.200
<v Speaker 1>walking around humming operas, still in like the Tenets. Yeah,

0:39:10.239 --> 0:39:13.960
<v Speaker 1>and this doesn't last long. It it's the Blues. It's

0:39:14.000 --> 0:39:18.719
<v Speaker 1>kind of better. Yeah, like, yeah, just sorry, survival of

0:39:18.719 --> 0:39:24.720
<v Speaker 1>the fittest here. But yeah, yeah, so it's white leftist

0:39:24.800 --> 0:39:26.960
<v Speaker 1>picking up on the Blues and John Henry that gives

0:39:27.000 --> 0:39:28.720
<v Speaker 1>us Superman. But we'll get to that later.

0:39:29.239 --> 0:39:30.359
<v Speaker 2>Okay, okay.

0:39:32.320 --> 0:39:35.239
<v Speaker 1>For sort of double the weird white fetishization of black

0:39:35.280 --> 0:39:39.440
<v Speaker 1>suffering blind black men in particular were all the rage.

0:39:39.440 --> 0:39:42.040
<v Speaker 1>Most of these blind musicians only recorded a song or

0:39:42.040 --> 0:39:46.280
<v Speaker 1>two and then died in poverty. They in particular, started

0:39:46.360 --> 0:39:49.240
<v Speaker 1>tying John Henry to the story of Samson from the Bible,

0:39:49.840 --> 0:39:55.160
<v Speaker 1>the strong Man. Yes, he was blinded and enslaved by

0:39:55.160 --> 0:39:57.920
<v Speaker 1>the Philistines, and he prayed to God for one final

0:39:57.960 --> 0:40:00.560
<v Speaker 1>feat of strength, then collapse the empathy that he was

0:40:00.640 --> 0:40:04.520
<v Speaker 1>chained in killing his slavers alongside of him. It's not

0:40:04.600 --> 0:40:07.920
<v Speaker 1>hard to imagine why, Yeah, people make this connection. This

0:40:08.080 --> 0:40:09.400
<v Speaker 1>is how I get into the Like you're like, well,

0:40:09.440 --> 0:40:11.120
<v Speaker 1>how is this story about cool people did cool stuff?

0:40:11.120 --> 0:40:15.040
<v Speaker 1>It's like, yeah, it's like Samson was cool, right, Samson's

0:40:15.040 --> 0:40:15.480
<v Speaker 1>pretty rad.

0:40:15.600 --> 0:40:16.719
<v Speaker 2>Yeah, and like John.

0:40:16.480 --> 0:40:20.240
<v Speaker 1>Henry was cool even though it yeah, even though involved

0:40:20.280 --> 0:40:20.680
<v Speaker 1>as death.

0:40:21.200 --> 0:40:24.839
<v Speaker 2>Yes, yes, yes, I'm seeing it now. Once as we're

0:40:24.840 --> 0:40:26.480
<v Speaker 2>getting into this part, I'm like, oh I get it.

0:40:26.560 --> 0:40:31.600
<v Speaker 1>Yeah yeah. And black soldiers in France in World War

0:40:31.640 --> 0:40:34.200
<v Speaker 1>One brought the blues and jazz with them. They were

0:40:34.239 --> 0:40:38.000
<v Speaker 1>also treated better than they were at home because France

0:40:38.120 --> 0:40:40.320
<v Speaker 1>passed a law that even on US army basis, no

0:40:40.360 --> 0:40:42.400
<v Speaker 1>one was allowed to be racist pieces of shit in France,

0:40:42.440 --> 0:40:45.080
<v Speaker 1>Like you're in our fucking country now, which is funny

0:40:45.280 --> 0:40:47.880
<v Speaker 1>even now that race. France is like a perfect racism

0:40:47.880 --> 0:40:50.959
<v Speaker 1>free society. But like it's not hard to be better

0:40:51.000 --> 0:40:51.520
<v Speaker 1>than the US.

0:40:52.120 --> 0:40:54.400
<v Speaker 2>No, it was like the bar, the bars, the bars

0:40:54.400 --> 0:40:57.800
<v Speaker 2>in hell, like the bar couldn't be lower. Yeah, but yeah,

0:40:57.840 --> 0:41:00.279
<v Speaker 2>like my who I feel like my patriots saying is

0:41:00.360 --> 0:41:04.359
<v Speaker 2>James Baldwin. Is him talking about going to France and

0:41:04.400 --> 0:41:09.200
<v Speaker 2>being like, yeah, oh I'm a human here, like yeah,

0:41:09.400 --> 0:41:12.319
<v Speaker 2>just like that simple, Like well, I mean I feel

0:41:12.360 --> 0:41:14.960
<v Speaker 2>like a human. Yeah, didn't he stayed there, right, he

0:41:15.080 --> 0:41:17.320
<v Speaker 2>was like yes, yeah, he was like, why hear what?

0:41:17.440 --> 0:41:18.040
<v Speaker 2>I go back?

0:41:18.120 --> 0:41:25.200
<v Speaker 1>Yeah, yeah, yeah. And so so France now certainly has

0:41:25.239 --> 0:41:27.440
<v Speaker 1>a lot of this black culture stuff, but you know

0:41:27.480 --> 0:41:30.080
<v Speaker 1>what else is trying to sell probably black culture to

0:41:30.960 --> 0:41:34.240
<v Speaker 1>absolutely today's advertisers.

0:41:34.719 --> 0:41:38.360
<v Speaker 2>Absolutely, yes, I was ready for this one.

0:41:42.880 --> 0:41:49.360
<v Speaker 1>And we're back. So internationalists and leftists in Europe starts

0:41:49.400 --> 0:41:54.239
<v Speaker 1>spreading US black culture across the country continent Europe. It

0:41:54.280 --> 0:41:58.839
<v Speaker 1>starts spreading across across Europe. Hobo's in the US pick

0:41:58.920 --> 0:42:01.200
<v Speaker 1>up John Henry songs of course too, and from there

0:42:01.200 --> 0:42:03.640
<v Speaker 1>it entered the growing folk music tradition of the United

0:42:03.640 --> 0:42:10.319
<v Speaker 1>States and cultural appreciation. Appreciation and appropriation are hard to

0:42:10.360 --> 0:42:13.880
<v Speaker 1>sort out. But there are times where it's obviously the

0:42:13.920 --> 0:42:16.759
<v Speaker 1>bad one. Yeah, some of these ones, I'm like, I

0:42:16.760 --> 0:42:18.120
<v Speaker 1>don't know, I'm not really in a good position.

0:42:18.160 --> 0:42:20.520
<v Speaker 2>Yeah, jud sometimes you really got to Sometimes it's like

0:42:20.560 --> 0:42:22.640
<v Speaker 2>you really got to be there because there's like a

0:42:22.680 --> 0:42:26.040
<v Speaker 2>lot of like a nuance about the moment that maybe

0:42:26.040 --> 0:42:29.520
<v Speaker 2>you're not catching. And then there's other times, yeah, like

0:42:29.719 --> 0:42:32.680
<v Speaker 2>if you're in the situation to where like it just

0:42:32.719 --> 0:42:36.040
<v Speaker 2>don't it just don't feel right, Like this just don't

0:42:36.280 --> 0:42:38.319
<v Speaker 2>don't feel right? Yeah, but yeah, go ahead.

0:42:38.600 --> 0:42:42.600
<v Speaker 1>No, yeah, So this is the this is the most

0:42:42.640 --> 0:42:45.400
<v Speaker 1>obvious example of it being bad. How John Henry became

0:42:45.440 --> 0:42:47.080
<v Speaker 1>one of the first recorded country songs.

0:42:47.800 --> 0:42:48.839
<v Speaker 2>Oh yep, there it is.

0:42:49.280 --> 0:42:51.080
<v Speaker 1>Yeah, I heard of this guy. I hadn't heard of him.

0:42:51.120 --> 0:42:54.239
<v Speaker 1>But I'm not a big country music fan. I try

0:42:54.239 --> 0:42:56.759
<v Speaker 1>not to hate on any given genre, right, but there's

0:42:56.800 --> 0:43:00.279
<v Speaker 1>like some genres where I okay, if I like the

0:43:00.320 --> 0:43:03.439
<v Speaker 1>mediocre song in a genre, I like that genre.

0:43:03.600 --> 0:43:05.719
<v Speaker 2>Right, I like that. That's a good way to say it.

0:43:06.040 --> 0:43:08.920
<v Speaker 1>And so I like the standout country songs, but I

0:43:09.000 --> 0:43:11.279
<v Speaker 1>like the mediocre hip hop songs and I like the meat.

0:43:11.360 --> 0:43:12.720
<v Speaker 1>That's a good way to put it all songs.

0:43:12.800 --> 0:43:14.960
<v Speaker 2>Yeah, that's a good way to put it, because, like

0:43:15.040 --> 0:43:17.040
<v Speaker 2>you have like for a country song, if it's not

0:43:17.120 --> 0:43:22.480
<v Speaker 2>like Ray Charles, like, it's gotta be like exceptional. Yeah, yeah, okay, yeah,

0:43:22.520 --> 0:43:22.680
<v Speaker 2>go on.

0:43:23.640 --> 0:43:26.719
<v Speaker 1>The first country singer widely considered the first country singer

0:43:26.800 --> 0:43:29.040
<v Speaker 1>is a man named Fidland John Carson.

0:43:29.320 --> 0:43:32.680
<v Speaker 2>Got me no clue. Never heard those words said together.

0:43:33.440 --> 0:43:35.680
<v Speaker 1>I almost wish I wasn't bringing him up. He is

0:43:35.719 --> 0:43:39.000
<v Speaker 1>a racist, piece of shit and a poser. He grew

0:43:39.080 --> 0:43:41.319
<v Speaker 1>up in black culture. His first job was as a

0:43:41.320 --> 0:43:43.520
<v Speaker 1>water boy to black workers on the railroad in Georgia,

0:43:43.560 --> 0:43:46.279
<v Speaker 1>and so he was steeped in black worker music. He

0:43:46.360 --> 0:43:49.640
<v Speaker 1>went he learned to play fiddle in Atlanta, famously not

0:43:50.040 --> 0:43:51.040
<v Speaker 1>rural place.

0:43:51.360 --> 0:43:52.000
<v Speaker 2>Yeah.

0:43:52.040 --> 0:43:54.000
<v Speaker 1>He was one of the first members of the second

0:43:54.040 --> 0:43:57.960
<v Speaker 1>incarnation of the klu Klux Klan, the one that formed

0:43:58.000 --> 0:44:01.520
<v Speaker 1>in nineteen fifteen, which was like whatever costplaying as the originals.

0:44:02.280 --> 0:44:03.800
<v Speaker 2>Yeah they're not funny ones.

0:44:04.000 --> 0:44:04.920
<v Speaker 1>Yeah.

0:44:05.040 --> 0:44:05.239
<v Speaker 2>Yeah.

0:44:06.400 --> 0:44:09.560
<v Speaker 1>He immediately started lying and saying that he was from

0:44:09.680 --> 0:44:12.279
<v Speaker 1>some like white, whitest fuck place and that he's only

0:44:12.280 --> 0:44:14.400
<v Speaker 1>ever been into white shit any of these like rural

0:44:14.440 --> 0:44:16.920
<v Speaker 1>as fuck. That is like his thing now. And he

0:44:17.000 --> 0:44:20.279
<v Speaker 1>goes around and he supports all the racist like politicians

0:44:20.280 --> 0:44:22.520
<v Speaker 1>and shit. He's like, he's the guy who comes and

0:44:22.560 --> 0:44:25.680
<v Speaker 1>plays at your fucking you're a racist politician going around

0:44:25.800 --> 0:44:27.399
<v Speaker 1>on the stump or whatever. He's the guy who comes

0:44:27.400 --> 0:44:33.360
<v Speaker 1>and plays for you. Fidland, John Carson, And so you

0:44:33.400 --> 0:44:35.560
<v Speaker 1>know how we have this problem in modern pop music

0:44:35.600 --> 0:44:37.719
<v Speaker 1>where there's some piece of shit country stars who lie

0:44:37.719 --> 0:44:39.480
<v Speaker 1>about their origins and pretend to be all rural but

0:44:39.520 --> 0:44:43.239
<v Speaker 1>are actually suburban and urban. And then are racist. Yeah, yeah,

0:44:43.440 --> 0:44:44.879
<v Speaker 1>like the try it in a small town guy.

0:44:46.000 --> 0:44:47.880
<v Speaker 2>Oh yeah, yeah origin story.

0:44:48.560 --> 0:44:51.560
<v Speaker 1>Yeah, that is a that's a tradition that goes back

0:44:51.600 --> 0:44:52.600
<v Speaker 1>one hundred years.

0:44:53.960 --> 0:44:58.200
<v Speaker 2>Where your accent from bro, you from Cleveland Homeboys? Hilarious.

0:44:59.560 --> 0:45:02.600
<v Speaker 1>John Arson was the first person to press a record

0:45:02.600 --> 0:45:04.520
<v Speaker 1>that was called Country. He was also the first person

0:45:04.520 --> 0:45:06.520
<v Speaker 1>to press a record that was like released and publicly

0:45:06.520 --> 0:45:10.480
<v Speaker 1>available called John Henry. He stripped out the fact that

0:45:10.520 --> 0:45:13.600
<v Speaker 1>John Henry was a black man. Also, at one point,

0:45:13.600 --> 0:45:16.320
<v Speaker 1>with his music, he managed to lead to the lynching

0:45:16.320 --> 0:45:19.200
<v Speaker 1>of a Jewish man because he wrote a song about

0:45:19.239 --> 0:45:22.560
<v Speaker 1>an accused Jewish murderer and who like killed a white woman,

0:45:22.640 --> 0:45:25.319
<v Speaker 1>I mean was a white Jewish man. But you know, yes,

0:45:25.440 --> 0:45:27.799
<v Speaker 1>got it, got to protect the white woman. And so

0:45:27.880 --> 0:45:30.160
<v Speaker 1>this this accused murderer was dragged out of jail before

0:45:30.200 --> 0:45:33.880
<v Speaker 1>his trial and hanged. Sheesh great after he wrote a

0:45:33.920 --> 0:45:35.200
<v Speaker 1>song about After.

0:45:35.000 --> 0:45:39.040
<v Speaker 2>He wrote a song about it. Yeah, so he just

0:45:39.600 --> 0:45:42.800
<v Speaker 2>so he front of Black grew with black people, learned

0:45:42.800 --> 0:45:46.120
<v Speaker 2>our music, got roped into the racist folks, pretending like

0:45:46.160 --> 0:45:50.160
<v Speaker 2>he ain't know nothing about it, gentrified John Henry. And

0:45:50.200 --> 0:45:54.439
<v Speaker 2>then and he got somebody killed. Yeah wow, yeah, haven't

0:45:54.480 --> 0:45:55.120
<v Speaker 2>heard that before.

0:45:55.440 --> 0:45:58.440
<v Speaker 1>No, so this initial country there is good and awesome

0:45:58.440 --> 0:46:01.879
<v Speaker 1>country music. The first thing that called country music was

0:46:01.880 --> 0:46:05.160
<v Speaker 1>wasn't by or for rural people. It was by and

0:46:05.200 --> 0:46:08.640
<v Speaker 1>for urban white people who wanted nostalgia about the rural

0:46:08.680 --> 0:46:11.799
<v Speaker 1>past that their parents or grandparents left behind, which is

0:46:11.840 --> 0:46:15.800
<v Speaker 1>not inherently wrong. You can, I like, living in the country,

0:46:15.920 --> 0:46:19.759
<v Speaker 1>I could imagine tabbing whatever, but just fucking own it.

0:46:20.960 --> 0:46:23.480
<v Speaker 2>Yeah, just be what you are. Yeah yeah, yeah. The

0:46:23.640 --> 0:46:27.160
<v Speaker 2>romantization like and that's something even even in modern country music,

0:46:27.239 --> 0:46:31.520
<v Speaker 2>Like that's something that I'm like, it's that doesn't bother me.

0:46:31.600 --> 0:46:35.200
<v Speaker 2>The romantization of romanticization. I don't know how to say this,

0:46:35.320 --> 0:46:38.120
<v Speaker 2>Like how you romanticize just like small town live urbans,

0:46:38.480 --> 0:46:40.359
<v Speaker 2>it is what it is, Like, I mean hip hop

0:46:40.360 --> 0:46:43.160
<v Speaker 2>does that with like hood and gang life, like like

0:46:43.239 --> 0:46:45.840
<v Speaker 2>this is clearly you're clearly romanticizing. Yeah, you know what

0:46:45.880 --> 0:46:48.880
<v Speaker 2>I mean, because if you was here, Yeah, you like,

0:46:50.120 --> 0:46:52.480
<v Speaker 2>there's there's certain things that you just like, I'm never

0:46:52.520 --> 0:46:55.959
<v Speaker 2>reliving this again, you know what I mean. But but yeah,

0:46:56.000 --> 0:46:59.680
<v Speaker 2>that but to know that like it was, and actually

0:46:59.680 --> 0:47:05.240
<v Speaker 2>that's like to be like the first like recorded actual

0:47:05.360 --> 0:47:10.560
<v Speaker 2>like star Yeah, was a poser. Yeah, is like also

0:47:10.680 --> 0:47:13.000
<v Speaker 2>something that I mean that had happened today five two,

0:47:13.080 --> 0:47:17.279
<v Speaker 2>you know what I'm saying. The first like Megastar was

0:47:17.320 --> 0:47:19.719
<v Speaker 2>like grand Master Caz wrote that, you.

0:47:19.640 --> 0:47:22.640
<v Speaker 1>Know anyway, Yeah, that doesn't surprise me.

0:47:24.560 --> 0:47:25.960
<v Speaker 2>When the industry gets involved.

0:47:26.239 --> 0:47:30.840
<v Speaker 1>Yeah, totally, that is the Yeah, because that's the thing is,

0:47:30.920 --> 0:47:32.840
<v Speaker 1>it's like he didn't invent that style of music or

0:47:32.880 --> 0:47:34.799
<v Speaker 1>anything like that. I I don't know that he claimed to,

0:47:35.040 --> 0:47:38.239
<v Speaker 1>you know, but yeah, he became the first star of

0:47:38.239 --> 0:47:41.200
<v Speaker 1>at the first recorded and he managed to rip off

0:47:41.200 --> 0:47:44.120
<v Speaker 1>both black culture and rural white working class culture all

0:47:44.160 --> 0:47:49.040
<v Speaker 1>at once at that time and place skewed left wing,

0:47:49.120 --> 0:47:51.400
<v Speaker 1>not right wing, which is not always the case and

0:47:51.480 --> 0:47:54.319
<v Speaker 1>not universal. True, that's part of my own I have

0:47:54.360 --> 0:47:57.359
<v Speaker 1>to be careful about my own like romanticization of you know,

0:47:57.800 --> 0:48:02.719
<v Speaker 1>the anyway whatever, So everyone wants a piece of John

0:48:02.760 --> 0:48:08.719
<v Speaker 1>Henry as a symbol, including surprise entry into conversation. The

0:48:08.760 --> 0:48:13.920
<v Speaker 1>Communist Party, Okay, credit where it's due. In the Great Depression,

0:48:14.000 --> 0:48:17.080
<v Speaker 1>the Communist Party was probably the most influential political organization

0:48:17.120 --> 0:48:19.000
<v Speaker 1>involved in black civil rights that had lots of black

0:48:19.080 --> 0:48:24.440
<v Speaker 1>leadership that was not specifically a black civil rights organization. Yeah,

0:48:24.480 --> 0:48:27.560
<v Speaker 1>and the Communist Party started using John Henry as an

0:48:27.719 --> 0:48:31.200
<v Speaker 1>icon of working class black America. I don't know whether

0:48:31.239 --> 0:48:33.080
<v Speaker 1>this started with a white person or a black person

0:48:33.120 --> 0:48:35.480
<v Speaker 1>in the Communist Party deciding this. I know that there

0:48:35.560 --> 0:48:38.439
<v Speaker 1>was black leadership in the Communist Party, but it wasn't

0:48:38.480 --> 0:48:42.120
<v Speaker 1>a majority of it. I don't think this also represented

0:48:42.120 --> 0:48:44.600
<v Speaker 1>the sort of masculinization of the left, because he was

0:48:44.640 --> 0:48:51.120
<v Speaker 1>portrayed in this cartoonishly giant strong man way right, Yeah,

0:48:51.200 --> 0:48:54.120
<v Speaker 1>this is around this time. It's my best guess, is

0:48:54.120 --> 0:48:56.480
<v Speaker 1>when white socialists in the US move away from like

0:48:56.600 --> 0:49:00.560
<v Speaker 1>humming opera and towards American folk music and blues and

0:49:01.200 --> 0:49:04.560
<v Speaker 1>all this other stuff. One of the main people who

0:49:04.640 --> 0:49:07.080
<v Speaker 1>drew John Henry for the Communist Party was a white

0:49:07.120 --> 0:49:09.359
<v Speaker 1>Jewish New Yorker whose name I forgot to write down.

0:49:09.560 --> 0:49:11.439
<v Speaker 1>And the worst part is I actually literally wrote into

0:49:11.440 --> 0:49:14.239
<v Speaker 1>the script a white Jewish New Yorker whose name I

0:49:14.239 --> 0:49:16.520
<v Speaker 1>forgot to write down because I made that addition at

0:49:16.520 --> 0:49:22.600
<v Speaker 1>the last minute, right before we recorded. And this particular man, yes, yeah,

0:49:22.600 --> 0:49:24.759
<v Speaker 1>this synonymous man. No one knows who he is. Now

0:49:24.800 --> 0:49:25.960
<v Speaker 1>the book I read knows who he is.

0:49:26.600 --> 0:49:29.640
<v Speaker 2>Yeah, plenty of people know. Yes, yes, I just didn't

0:49:29.640 --> 0:49:30.120
<v Speaker 2>write it down.

0:49:30.200 --> 0:49:36.080
<v Speaker 1>Yeah, drew him cartoonishly large and powerful, like almost a superhero.

0:49:37.640 --> 0:49:41.560
<v Speaker 1>This has two direct impacts. The less last lasting impact

0:49:41.880 --> 0:49:45.640
<v Speaker 1>is that communist Jews were a understandably communist Jews were

0:49:45.640 --> 0:49:47.239
<v Speaker 1>a huge part of the push against fascism in the

0:49:47.320 --> 0:49:49.360
<v Speaker 1>nineteen thirties because they had plenty of their skin in

0:49:49.360 --> 0:49:50.360
<v Speaker 1>that game multiple ways.

0:49:50.400 --> 0:49:50.600
<v Speaker 3>You know.

0:49:51.080 --> 0:49:54.920
<v Speaker 1>Yes, So when the US government was looking for icons

0:49:54.920 --> 0:49:58.680
<v Speaker 1>for a multi racial American industrial power, like we're this

0:49:58.840 --> 0:50:01.680
<v Speaker 1>multi racial industrial power, We're going to defeat Nazis, Right,

0:50:02.760 --> 0:50:07.720
<v Speaker 1>there's John Henry. And so the images of the giant,

0:50:07.880 --> 0:50:12.040
<v Speaker 1>strong industrial man, whether he's white or black, in US

0:50:12.120 --> 0:50:16.480
<v Speaker 1>propaganda from this time comes from John Henry as a communist.

0:50:17.360 --> 0:50:19.880
<v Speaker 2>Wow. Okay.

0:50:20.400 --> 0:50:21.839
<v Speaker 1>When I was reading this book, like once I got

0:50:21.840 --> 0:50:23.279
<v Speaker 1>to the part where like John Henry was dead, I

0:50:23.320 --> 0:50:24.640
<v Speaker 1>was like, all right, Like, I mean, like I most

0:50:24.680 --> 0:50:26.200
<v Speaker 1>have done with this story, right, he was dead, and

0:50:26.239 --> 0:50:30.200
<v Speaker 1>I'm like, holy shit, holy shit.

0:50:28.560 --> 0:50:32.400
<v Speaker 2>What is happening. Yeah, guys buried the lead here, guys,

0:50:32.560 --> 0:50:34.520
<v Speaker 2>I know. Yeah. Yeah.

0:50:34.560 --> 0:50:38.640
<v Speaker 1>The other lasting impact is that three Jewish leftist teenagers

0:50:38.680 --> 0:50:42.399
<v Speaker 1>in New York City, Jerry Siegel, Joe Schuster and Jack

0:50:42.480 --> 0:50:44.880
<v Speaker 1>Kirby or at least anti fascist, but coming from a

0:50:44.960 --> 0:50:49.040
<v Speaker 1>leftist background, I believe they grew up seeing John Henry

0:50:49.120 --> 0:50:52.640
<v Speaker 1>as this larger than life muscle icon fighting for what's right.

0:50:53.280 --> 0:50:56.560
<v Speaker 1>So they grew up drawing comics. A lot of them

0:50:56.560 --> 0:50:59.640
<v Speaker 1>are like John Henry and Space and Shit Right are

0:50:59.680 --> 0:51:04.319
<v Speaker 1>like the first comics. Eventually, his clothes get tighter, his

0:51:04.440 --> 0:51:08.640
<v Speaker 1>skin gets lighter, and you get Superman and Captain America.

0:51:08.680 --> 0:51:11.040
<v Speaker 1>Because that's the thing that these three kids make separately.

0:51:11.080 --> 0:51:13.359
<v Speaker 1>The first two make Superman, the last one yeah, yeah,

0:51:14.040 --> 0:51:17.759
<v Speaker 1>Captain America or by the way, someone fuck, someone's gonna

0:51:17.800 --> 0:51:18.640
<v Speaker 1>be real mad at me, Bohoka.

0:51:18.960 --> 0:51:22.280
<v Speaker 2>Right, Hey guys, relax yea wherever you are relaxed, Yeah,

0:51:22.320 --> 0:51:23.280
<v Speaker 2>this is relaxed.

0:51:23.320 --> 0:51:25.799
<v Speaker 1>I couldn't afford I tried to buy a number one

0:51:25.880 --> 0:51:28.360
<v Speaker 1>as research, but iHeart was like, we were not going

0:51:28.440 --> 0:51:28.719
<v Speaker 1>to do that.

0:51:29.160 --> 0:51:31.680
<v Speaker 2>Yeah, We're not going to spend a million dollars. Yeah.

0:51:31.760 --> 0:51:37.080
<v Speaker 1>Yeah. So many of the earliest superheroes that these folks

0:51:37.160 --> 0:51:40.279
<v Speaker 1>drew were actually were darker skin too, though soon the

0:51:40.360 --> 0:51:44.000
<v Speaker 1>industry stripped away both the politics and the melanin from

0:51:44.000 --> 0:51:47.600
<v Speaker 1>it really quick because these first heroes were like tracking

0:51:47.640 --> 0:51:49.799
<v Speaker 1>down capitalists who sent minors to their death.

0:51:50.440 --> 0:51:52.680
<v Speaker 2>Let's go, let's go.

0:51:53.040 --> 0:51:57.919
<v Speaker 1>Yeah. So a five foot one black convict laborer guy

0:51:58.640 --> 0:52:01.680
<v Speaker 1>killed in an industrial accent accident is directly tied into

0:52:01.680 --> 0:52:05.840
<v Speaker 1>the origins of blues, jazz, folk, country, and fucking comic

0:52:05.840 --> 0:52:11.799
<v Speaker 1>books and is the model for Superman and Captain America.

0:52:12.400 --> 0:52:14.480
<v Speaker 2>Oh my gosh.

0:52:14.520 --> 0:52:17.279
<v Speaker 1>And then to go full circle, the last paragraph I

0:52:17.360 --> 0:52:19.200
<v Speaker 1>have in my script, which is actually just ties into

0:52:19.239 --> 0:52:22.640
<v Speaker 1>what you brought up. The very beginning. Black power activists

0:52:22.680 --> 0:52:25.359
<v Speaker 1>in the early seventies taught John Henry to as an

0:52:25.560 --> 0:52:27.560
<v Speaker 1>icon of a strong black man who died because he

0:52:28.040 --> 0:52:31.600
<v Speaker 1>worked for the white man, you know. And the use

0:52:31.600 --> 0:52:33.279
<v Speaker 1>of him as a black power icon seems to have

0:52:33.280 --> 0:52:37.320
<v Speaker 1>peaked in the seventies, but that's mostly because repression destroyed

0:52:37.680 --> 0:52:40.880
<v Speaker 1>the black power movement in the seventies, and so he

0:52:40.960 --> 0:52:45.239
<v Speaker 1>lives on as two separate things, a weird folk tale

0:52:45.280 --> 0:52:48.160
<v Speaker 1>devoid of any political, cultural or racial analysis that's about

0:52:48.160 --> 0:52:52.319
<v Speaker 1>like how we're better than machines but will die, and

0:52:52.400 --> 0:52:54.520
<v Speaker 1>as a working class black Appalachian hero.

0:52:55.280 --> 0:53:05.759
<v Speaker 2>Wow, man, I need a minute. That's you just you

0:53:05.960 --> 0:53:08.759
<v Speaker 2>just made my brain a pretzel? What a what a

0:53:08.800 --> 0:53:16.080
<v Speaker 2>brain pretzel? You know, I know, oh you forget you know,

0:53:16.239 --> 0:53:24.799
<v Speaker 2>like it's hard to say, like use words prop like ja. Yes,

0:53:25.800 --> 0:53:29.320
<v Speaker 2>history is not it's not dominoes. It's not linear where

0:53:29.680 --> 0:53:32.399
<v Speaker 2>this thing happened and then the air we call them

0:53:32.440 --> 0:53:39.279
<v Speaker 2>eras like much later. But everything's happening just like it's

0:53:39.280 --> 0:53:43.759
<v Speaker 2>happening now, Like just everything's happening at once all the time. Yea,

0:53:44.080 --> 0:53:47.040
<v Speaker 2>you know, and of course because we're all on the

0:53:47.080 --> 0:53:50.480
<v Speaker 2>same planet, it is all interconnected. It's just the only

0:53:50.560 --> 0:53:52.080
<v Speaker 2>way for you to be able to focus on what's

0:53:52.080 --> 0:53:53.960
<v Speaker 2>happening is you have to take a piece by piece.

0:53:53.960 --> 0:53:59.120
<v Speaker 2>But it's all it's all happening, you know. And but

0:53:59.239 --> 0:54:01.799
<v Speaker 2>since we don't and I don't know, how could you,

0:54:01.840 --> 0:54:05.040
<v Speaker 2>since we don't study history like that to where you're like, well, no,

0:54:05.160 --> 0:54:09.400
<v Speaker 2>like this was what was all? It's all the time,

0:54:09.600 --> 0:54:13.239
<v Speaker 2>you know what I mean, Like, yeah, that the integration,

0:54:13.360 --> 0:54:18.920
<v Speaker 2>if you will, when someone ties it all together, it

0:54:18.920 --> 0:54:22.759
<v Speaker 2>it's so mind blowing. But it's also like, well, yeah, dumb,

0:54:22.840 --> 0:54:25.080
<v Speaker 2>I mean I mean that's what was That's what people

0:54:25.400 --> 0:54:28.319
<v Speaker 2>because yeah, that's what people do. That's how life is now,

0:54:28.480 --> 0:54:29.120
<v Speaker 2>you know what I mean.

0:54:29.200 --> 0:54:33.280
<v Speaker 1>Like the ship you're doing can have that impact exactly.

0:54:33.400 --> 0:54:36.479
<v Speaker 2>You know, you got like all at the same time,

0:54:36.800 --> 0:54:39.600
<v Speaker 2>Cali had a hurricane, Florida got a hurricane, while Russia

0:54:40.000 --> 0:54:43.120
<v Speaker 2>and Ukraine are in war, while you know, Niche is

0:54:43.160 --> 0:54:46.000
<v Speaker 2>being overthrown, while there's a fire in Johannesburg, while you

0:54:46.040 --> 0:54:48.840
<v Speaker 2>know what I'm saying, so like yet yeah, while China

0:54:48.920 --> 0:54:52.279
<v Speaker 2>is still outpacing us. Like all of it's happening in

0:54:52.360 --> 0:54:54.239
<v Speaker 2>fifty cent through a mic at a lady. You know,

0:54:54.440 --> 0:54:59.160
<v Speaker 2>like it's just it's all happening all right now, you know,

0:54:59.239 --> 0:55:00.760
<v Speaker 2>so of course it's all connected.

0:55:00.960 --> 0:55:06.120
<v Speaker 1>Yeah, wow, Yeah, No, I there's this it's like meme

0:55:06.200 --> 0:55:08.360
<v Speaker 1>going around where people are like everyone's afraid to go

0:55:08.360 --> 0:55:09.960
<v Speaker 1>back in time because they're afraid if they change one

0:55:09.960 --> 0:55:12.239
<v Speaker 1>small thing, it'll change everything about the future. But no

0:55:12.280 --> 0:55:15.720
<v Speaker 1>one recognizes that that means that we can change the future.

0:55:15.760 --> 0:55:19.520
<v Speaker 1>Like now, small things we do now could totally change

0:55:19.520 --> 0:55:23.920
<v Speaker 1>everything about the future. Like like would we have superheroes

0:55:24.040 --> 0:55:27.319
<v Speaker 1>if John Henry hadn't been born. Probably, I don't know,

0:55:27.440 --> 0:55:30.799
<v Speaker 1>you know, like yeah, but like we don't know, we

0:55:30.800 --> 0:55:34.480
<v Speaker 1>don't know whether they would have looked the same. Everything

0:55:34.520 --> 0:55:36.839
<v Speaker 1>about culture gets shaped by all of these things, these

0:55:36.880 --> 0:55:40.719
<v Speaker 1>decisions that we make even if it's not you know,

0:55:41.239 --> 0:55:42.960
<v Speaker 1>always conscious like I'm going to try and have the

0:55:42.960 --> 0:55:47.640
<v Speaker 1>following effect. But yeah we can, fucking we can. Like

0:55:47.719 --> 0:55:49.120
<v Speaker 1>gut shit done, we can't do and.

0:55:49.120 --> 0:55:52.560
<v Speaker 2>Shit, yes we can. It's so pop, Yes we can,

0:55:52.800 --> 0:56:02.839
<v Speaker 2>Yes we can. Imagining a better future, dude, Margaret, I mean,

0:56:03.160 --> 0:56:07.480
<v Speaker 2>I'm gonna go body roll to some blues hell.

0:56:07.560 --> 0:56:12.680
<v Speaker 1>Yeah, you know, gonna learn some pentatonic scales. That's what

0:56:12.719 --> 0:56:13.200
<v Speaker 1>I gotta do.

0:56:14.040 --> 0:56:21.800
<v Speaker 2>Yeah, good luck, man, joints is difficult? What yeah? Yeah?

0:56:21.920 --> 0:56:25.960
<v Speaker 2>And and then I don't know. I mean I feel

0:56:26.000 --> 0:56:31.480
<v Speaker 2>like everybody does. You have these just like various like

0:56:31.680 --> 0:56:37.960
<v Speaker 2>lucid memories or like you know, disparate images from childhood

0:56:38.080 --> 0:56:40.840
<v Speaker 2>or books or things, maybe your parents that are passing

0:56:40.960 --> 0:56:43.680
<v Speaker 2>or maybe you had to watch a video in school

0:56:43.800 --> 0:56:48.560
<v Speaker 2>or something, and like, but they're bits and pieces of information. Yeah,

0:56:48.600 --> 0:56:51.680
<v Speaker 2>and and so when you said so even we opened

0:56:51.680 --> 0:56:53.400
<v Speaker 2>when we opened it up, that's what happened. When you

0:56:53.440 --> 0:56:55.759
<v Speaker 2>say you heard of John Henry, it was like at

0:56:55.920 --> 0:56:57.839
<v Speaker 2>bits and pieces of it. That's why I was like, yeah,

0:56:57.840 --> 0:57:00.560
<v Speaker 2>I know the story. And then I was like, wait, no,

0:57:00.680 --> 0:57:01.840
<v Speaker 2>I don't wait, yeah.

0:57:01.640 --> 0:57:03.560
<v Speaker 1>I do, but you knew more of the story than

0:57:03.600 --> 0:57:03.960
<v Speaker 1>I did.

0:57:04.600 --> 0:57:09.520
<v Speaker 2>Yeah, you know, so there there. Yeah, just those man,

0:57:09.680 --> 0:57:12.560
<v Speaker 2>i I'm like as a just a fan of the

0:57:12.640 --> 0:57:16.560
<v Speaker 2>show and just a fan of learning like you. Just like, man,

0:57:16.600 --> 0:57:19.600
<v Speaker 2>you just connect again. The birds just all came into

0:57:20.000 --> 0:57:23.919
<v Speaker 2>all came into place right now. Hell yeah, I'm I'm

0:57:23.920 --> 0:57:26.360
<v Speaker 2>so thankful, like I feel gratitude.

0:57:26.680 --> 0:57:29.439
<v Speaker 1>Oh no, I like having you on this show.

0:57:29.600 --> 0:57:34.120
<v Speaker 2>This is good, man, keep doing this. We're gonna we're

0:57:34.120 --> 0:57:41.480
<v Speaker 2>gonna renew We're renewing Margaret's contract. Yeah, we're renewing my contract.

0:57:43.160 --> 0:57:45.640
<v Speaker 3>As long as you guys want to do shows, there's

0:57:45.680 --> 0:57:46.280
<v Speaker 3>a place for you.

0:57:46.640 --> 0:57:47.960
<v Speaker 1>The heat Death of the Universe.

0:57:48.360 --> 0:57:50.440
<v Speaker 2>So the heat Death of the Universe.

0:57:51.040 --> 0:57:53.760
<v Speaker 1>Or are we breathing too much silica dust?

0:57:54.000 --> 0:57:56.480
<v Speaker 2>You know, one of those things.

0:57:56.960 --> 0:58:02.520
<v Speaker 1>Yeah. Well, if people want to hear your podcast, please

0:58:02.680 --> 0:58:04.920
<v Speaker 1>hood Politics. What's your podcast podcast called?

0:58:05.520 --> 0:58:12.040
<v Speaker 2>Yeah? Uh? Politics with Prop? Yeah, so the Politics with Prop.

0:58:12.960 --> 0:58:17.520
<v Speaker 2>Matt and I are actually sitting on seven songs that

0:58:18.040 --> 0:58:19.920
<v Speaker 2>we're gonna, you know, kind of put out as a

0:58:19.920 --> 0:58:22.760
<v Speaker 2>mix tape do like some song exploders. But we're waiting

0:58:22.840 --> 0:58:25.840
<v Speaker 2>for He's fools to figure out how to do the

0:58:25.920 --> 0:58:28.600
<v Speaker 2>cooler zone on Android, you know what I mean. So

0:58:28.640 --> 0:58:30.959
<v Speaker 2>we're kind of waiting on that. That's ready.

0:58:31.000 --> 0:58:34.800
<v Speaker 1>So it's gonna be a Cooler Zone mixtape. Yeah cool,

0:58:34.800 --> 0:58:36.320
<v Speaker 1>I mean, I mean.

0:58:37.800 --> 0:58:40.440
<v Speaker 2>Cooler. Are we gonna make that? Are we gonna make

0:58:40.440 --> 0:58:41.439
<v Speaker 2>that a thing that's cool?

0:58:41.720 --> 0:58:44.240
<v Speaker 1>Get us an actual cooler as the logo.

0:58:46.640 --> 0:58:48.640
<v Speaker 2>Yo, I'm gonna trying. I'm gonna try to get my

0:58:48.840 --> 0:58:50.680
<v Speaker 2>trying to get my kids to say start saying cooler.

0:58:51.120 --> 0:58:55.520
<v Speaker 2>It's cooler man. Yeah yeah, dad can't do it. I

0:58:55.560 --> 0:58:57.600
<v Speaker 2>think we're too old to start slag. Yeah yeah, yeah,

0:58:57.640 --> 0:58:59.560
<v Speaker 2>I'm sorry, I can't start slaying. I'm like, but your

0:58:59.640 --> 0:59:00.360
<v Speaker 2>dad's a wrapper.

0:59:00.840 --> 0:59:03.480
<v Speaker 5>Yeah yeah, but you do like old man, your dad?

0:59:04.160 --> 0:59:09.240
<v Speaker 5>Yeah you rap about dad shit? Yeah yeah. Now terrorform

0:59:09.280 --> 0:59:13.960
<v Speaker 5>cold brew please use promo code hood get fifteen percent off.

0:59:14.240 --> 0:59:15.360
<v Speaker 5>When we did this on the.

0:59:16.840 --> 0:59:19.080
<v Speaker 2>I threw that out on it could happen here and

0:59:19.520 --> 0:59:23.800
<v Speaker 2>sold war coffee did ibbly like y'all got a lot

0:59:23.840 --> 0:59:27.800
<v Speaker 2>of listeners. I like this, Yeah yeah so so yeah yeah,

0:59:27.920 --> 0:59:30.439
<v Speaker 2>do that and follow me on all the things prop

0:59:30.520 --> 0:59:30.960
<v Speaker 2>hip hop.

0:59:31.960 --> 0:59:36.840
<v Speaker 1>Hell yam. And if you are white person concerned about

0:59:37.080 --> 0:59:40.440
<v Speaker 1>what is cultural appreciation and not, one thing that is

0:59:40.480 --> 0:59:42.400
<v Speaker 1>almost always safe to do is buy things from black

0:59:42.400 --> 0:59:43.120
<v Speaker 1>owned businesses.

0:59:43.440 --> 0:59:46.760
<v Speaker 2>Listen, you can't lose. Yeah, I will take your money,

0:59:47.040 --> 0:59:53.680
<v Speaker 2>yeah and appropriate it. Well, I will allocate the funds.

0:59:54.800 --> 0:59:59.720
<v Speaker 1>Yes, if you want to watch me at the end

0:59:59.720 --> 1:00:03.040
<v Speaker 1>of every single episode not remember what it is that

1:00:03.120 --> 1:00:03.800
<v Speaker 1>I'm going to.

1:00:05.280 --> 1:00:06.160
<v Speaker 2>I swear.

1:00:06.240 --> 1:00:07.880
<v Speaker 1>I was like, I spent the whole break in between

1:00:07.920 --> 1:00:09.840
<v Speaker 1>being like, I'm gonna remember the thing that I'm supposed

1:00:09.880 --> 1:00:12.240
<v Speaker 1>to plug and I don't know what it is.

1:00:12.240 --> 1:00:13.960
<v Speaker 2>Is it a live show? Do you have like I

1:00:14.000 --> 1:00:15.080
<v Speaker 2>don't coming up?

1:00:15.120 --> 1:00:16.160
<v Speaker 1>I think so, No, I.

1:00:18.160 --> 1:00:20.800
<v Speaker 2>But I have. Are you running for office?

1:00:21.440 --> 1:00:24.840
<v Speaker 1>I've been thinking about it, but no, I probably won't.

1:00:26.880 --> 1:00:29.280
<v Speaker 1>It gets distracted. Think you know what that would look like?

1:00:29.680 --> 1:00:31.520
<v Speaker 1>Vote Margaret anarchist for president?

1:00:32.040 --> 1:00:32.680
<v Speaker 2>Amazing?

1:00:33.800 --> 1:00:35.960
<v Speaker 1>Well, okay, it's all about music. I have a bunch

1:00:35.960 --> 1:00:37.880
<v Speaker 1>of different music projects. This isn't what I was going

1:00:37.960 --> 1:00:41.200
<v Speaker 1>to pitch, but or promote or whatever. Plug that's the verb.

1:00:41.920 --> 1:00:45.440
<v Speaker 1>My most recent whatever. My most recent is of a

1:00:45.640 --> 1:00:48.480
<v Speaker 1>synthpop band called the Lathe and it is a We

1:00:48.520 --> 1:00:52.400
<v Speaker 1>have an EP out on band camp and Spotify, and

1:00:52.520 --> 1:00:56.680
<v Speaker 1>as Prop pointed out, even if Spotify pays garbage, people

1:00:56.720 --> 1:00:59.560
<v Speaker 1>look at the Spotify numbers in order to determine how

1:00:59.600 --> 1:01:02.480
<v Speaker 1>important someone is, whereas no one looks at band camp

1:01:02.520 --> 1:01:04.280
<v Speaker 1>to say how important is this band because it doesn't

1:01:04.280 --> 1:01:07.360
<v Speaker 1>have an immediate quantifiable number. So, however you choose to

1:01:07.400 --> 1:01:09.920
<v Speaker 1>listen to it, I'm perfectly happy. I hope you enjoy it.

1:01:10.000 --> 1:01:12.120
<v Speaker 1>I'm also in a black metal band called Feminine School,

1:01:12.920 --> 1:01:16.760
<v Speaker 1>and I am not yet in a band with Sophie

1:01:17.600 --> 1:01:19.680
<v Speaker 1>m be good thing.

1:01:20.480 --> 1:01:22.720
<v Speaker 2>Oh oh man, it broke up. Would you say you're

1:01:22.760 --> 1:01:27.000
<v Speaker 2>not in a band with what Sophie me? Yeah? Did

1:01:27.040 --> 1:01:28.360
<v Speaker 2>you imagine.

1:01:31.240 --> 1:01:32.360
<v Speaker 3>Ruined Margaret's career?

1:01:34.240 --> 1:01:34.600
<v Speaker 1>Talent?

1:01:34.960 --> 1:01:36.680
<v Speaker 2>Is that? Is that your achilles heel? Is that the

1:01:36.680 --> 1:01:37.600
<v Speaker 2>one thing you can't do?

1:01:38.840 --> 1:01:42.200
<v Speaker 1>Oh? No, I got, I got Midian auto tune. We're fine.

1:01:43.800 --> 1:01:45.040
<v Speaker 1>I'm just gonna you just sing.

1:01:46.160 --> 1:01:48.360
<v Speaker 2>Look, I don't know what I need to do to

1:01:48.440 --> 1:01:52.600
<v Speaker 2>be in these like group texts or like party situations,

1:01:52.680 --> 1:01:55.480
<v Speaker 2>because I feel like I can't wait, like we have

1:01:55.640 --> 1:01:58.840
<v Speaker 2>yet to like party somewhere, like yeah, you know, and

1:01:58.920 --> 1:02:00.880
<v Speaker 2>like I need to see y'all on it.

1:02:01.280 --> 1:02:02.040
<v Speaker 1>I'm on the West Coast.

1:02:02.440 --> 1:02:06.880
<v Speaker 3>DJ Daniel just remixed my voice onto the I've been

1:02:06.920 --> 1:02:10.880
<v Speaker 3>asking for a cool Zone Media ending jingle since we

1:02:10.960 --> 1:02:13.160
<v Speaker 3>decided we were going to do Cool Zone Media, and

1:02:13.200 --> 1:02:16.400
<v Speaker 3>they just finalize that, so maybe I could be in

1:02:16.440 --> 1:02:17.240
<v Speaker 3>a band.

1:02:17.640 --> 1:02:20.960
<v Speaker 2>All right, Well, well that sounds dope to me.

1:02:21.320 --> 1:02:23.640
<v Speaker 1>Is your plug that everyone should go listen to your band?

1:02:24.720 --> 1:02:26.680
<v Speaker 3>No, my plug is that everyone should go listen to

1:02:26.720 --> 1:02:28.880
<v Speaker 3>your band and go listen to Prop's new album.

1:02:29.080 --> 1:02:34.000
<v Speaker 1>Yeah, all right, bye.

1:02:35.320 --> 1:02:37.840
<v Speaker 3>Cool People Who Did Cool Stuff is a production of

1:02:37.880 --> 1:02:40.960
<v Speaker 3>cool Zone Media. For more podcasts and cool Zone Media,

1:02:41.120 --> 1:02:44.400
<v Speaker 3>visit our website Coolzonemedia dot com, or check us out

1:02:44.480 --> 1:02:47.840
<v Speaker 3>on the iHeartRadio app, Apple Podcasts, or wherever you get

1:02:47.880 --> 1:02:48.720
<v Speaker 3>your podcasts.