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Speaker 1: Every day a week ago.

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Speaker 2: Click your glass up the Breakfast Club. I'm finish for y'all.

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Speaker 3: Done morning.

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Speaker 1: Everybody's d j n V. Just hilarious. Charlamagne the guy.

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Speaker 1: We are the Breakfast Club. Long the ruses here as well.

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Speaker 1: We got some special guests in the buildings, icons juvenile

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Speaker 1: and many fresh back at it.

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Speaker 2: What's up?

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Speaker 4: Man?

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Speaker 1: How you feeling?

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Speaker 5: Cooling?

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Speaker 1: Cooling?

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Speaker 2: Trying to make y'all half.

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Speaker 6: You're making it, man, because I know we're here to

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Speaker 6: talk about the steal four hundred podcasts.

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Speaker 4: Man.

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Speaker 3: Yes, then or they send us a copy of that damn.

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Speaker 6: Boiling point man, Lord have murder even making some magor

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Speaker 6: appropriate music, man, because then the age of forty seven,

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Speaker 6: one of my favorite things to do is something dooze off.

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Speaker 4: Not something.

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Speaker 5: The album is dope, Thank you the album. I'm glad

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Speaker 5: y'all listen to what I did the copy of it.

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Speaker 5: But and y'all know it's a couple of tracks that

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Speaker 5: ain't on that right. So it's the rob full nine

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Speaker 5: y'all popping in here, and y'all hear the Young Boy record,

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Speaker 5: but we didn't even hit y ain't hear the Wayne

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Speaker 5: record either. I got two albums right, So I'm releasing

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Speaker 5: one now and I'm gonna wait a few months and

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Speaker 5: release the second. So that's what the thing. Now.

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Speaker 1: We noticed the one with Megan that was released B

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Speaker 1: B B. Megan is not on the album.

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Speaker 5: She's on the album. I think they sent y'all. Yeah,

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Speaker 5: she's on the album. I think they sent for a copy.

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Speaker 5: But it's all good. I don't even know if the

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Speaker 5: all of y'all got right, because I think guys said

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Speaker 5: the first song was with BG, and I was like, no,

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Speaker 5: it ain't the first song.

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Speaker 2: The first song I think is Beverly.

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Speaker 5: Yeah, that's not the first song.

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Speaker 1: That j Beverley, And then it's dropped the location and

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Speaker 1: pay me back and yeah, yeah, go ahead and say it, bro,

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Speaker 1: pay me back.

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Speaker 4: Let me let me.

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Speaker 5: I've been singing that song on stage and by the

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Speaker 5: time I get to the second hook, all the women

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Speaker 5: are singing and I tell them, y'all, so.

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Speaker 3: That time you got BG and.

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Speaker 6: Bird Man in their bag on this project too, Like

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Speaker 6: what do you What is it about you that seems

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Speaker 6: to bring out the best in them?

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Speaker 3: But do y'all just bring out the best in each other.

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Speaker 5: I'm competitive, you know, if you want to save me.

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Speaker 5: I always always have been me, and man, I don't

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Speaker 5: know if people know me and this dude been one

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Speaker 5: in the studio from day one. I'm just competitive. I

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Speaker 5: walk in the studio and say I'm about to I'm

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Speaker 5: about to bust your ass. You better be ready. And uh,

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Speaker 5: they when we do songs together, they know that's how

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Speaker 5: I feel, so they're gonna be competitive with me.

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Speaker 1: What got you to this point where? I know a

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Speaker 1: lot of times when the artists get a little older,

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Speaker 1: they're scared to put out music because they're scared that

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Speaker 1: how will be received, right because everything is a stream,

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Speaker 1: everything is a number. But here it looked like you

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Speaker 1: ain't give about none of that.

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Speaker 4: You just put on.

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Speaker 5: I really focused on my nine nine and my two thousands. Really,

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Speaker 5: you know, I don't. I don't want to chase a fan.

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Speaker 5: I just want to do good music and hopefully people

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Speaker 5: accept it and like it. But I'm really not trying

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Speaker 5: to chase a fan. I'm doing this for me and

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Speaker 5: my people, and that's it.

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Speaker 7: Even the way you was rolling out some of the

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Speaker 7: new music, like you would drop the videos on your

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Speaker 7: Instagram and then that would go crazy, so we're all like, well,

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Speaker 7: where is it.

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Speaker 8: Where is it like?

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Speaker 7: But you dropping it like like if you said a

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Speaker 7: lot of times people hesitate you just putting it out

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Speaker 7: there like I know you're gonna want this here boom,

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Speaker 7: and they do.

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Speaker 5: Yeah. And you know what is the funny part is

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Speaker 5: when I put that first date out that I was

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Speaker 5: going to release in October, people got mad at me

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Speaker 5: when I put the album out. So I'm glad it's

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Speaker 5: coming out, and it's coming out on my birthday, So

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Speaker 5: we're really gonna cut up timeless y'all.

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Speaker 8: Both of y'all sound like even your son every every.

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Speaker 1: Wow.

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Speaker 8: It's not like you y'all.

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Speaker 9: Ever stepped out of music or took a hiatus or whatever.

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Speaker 8: Like you sound like you ain't never stop. I love it.

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Speaker 5: I really never stopped. But the truth is just kind

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Speaker 5: of scared of get in the studio, listening to everything

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Speaker 5: else that's going on. I just was like, damn, I

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Speaker 5: don't know if I could. I don't know if I

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Speaker 5: could compete. But then I had to sit back and

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Speaker 5: have it, have that that that reality check that tells me, nah, bro,

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Speaker 5: you gotta you gotta make music for you and your fans.

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Speaker 5: You don't have to appeal to nobody else.

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Speaker 7: It was crazy because the production of it sounds like,

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Speaker 7: I mean, you weren't afraid of that either, like even

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Speaker 7: on the Hot Boys Summer and like the sample that

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Speaker 7: you used there with the da bar sample. Yeah, it

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Speaker 7: doesn't sound like you were afraid to get back in

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Speaker 7: the studio or worried about competing at all.

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Speaker 8: It's like you knew exactly what you wanted to kind

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Speaker 8: of get into.

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Speaker 5: Shout out to my man C Smith too for making

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Speaker 5: that track. I really was scared. Who I'm not getting

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Speaker 5: no money off this one. But yeah, the album just

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Speaker 5: came together. Many many did so much, so many great

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Speaker 5: things outside of him, just you know, producing the tracks,

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Speaker 5: the ideas, our ideas was flowing together to make this

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Speaker 5: project what it is.

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Speaker 10: What about you, man, I know you're not scared of

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Speaker 10: getting the student Hell no, I mean I'm trying to

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Speaker 10: bring fun back, bro. You know in our era was fun,

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Speaker 10: you know, and you gotta you know, it resonate When

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Speaker 10: the song sound like that, people know the song is like,

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Speaker 10: oh well, this is really his personality. This is in

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Speaker 10: somewhere we got too cool to have fun, you know.

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Speaker 10: So when when I do it, I'm going head, I'm

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Speaker 10: gonna have fun. You know, it's gonna be some vodka

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Speaker 10: and some juice. And I'm like, turn on the mic,

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Speaker 10: and you know, and he already. What's cool about Juvie

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Speaker 10: is he knows what I'm gonna do, like you know,

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Speaker 10: and he ain't trying to say change.

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Speaker 2: He's like, he's like, bro, I know you're gonna.

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Speaker 10: Say some crazy ass or whatever, you know, And and

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Speaker 10: I'm like, that is the way I approach a song,

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Speaker 10: and it resonates with our fans. I think what he

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Speaker 10: found out what you know, Like he didn't figure out

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Speaker 10: by us being on tour. When me and him went

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Speaker 10: on tour, we got close to the fans and we

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Speaker 10: and we figured out, like, y'all really like this that

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Speaker 10: we do. Y'all don't want the new version of us.

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Speaker 10: You know what I'm saying, y'all don't need the new

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Speaker 10: version of us. They just like, do what you doing?

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Speaker 2: We all right with.

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Speaker 1: We're gonna bring dancing back. Is what you bring it up?

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Speaker 5: Dance specifically shaking your ass. Yes, I know I can't.

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Speaker 6: When you're getting the studio today many are you chasing

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Speaker 6: nostalgia or are you trying to create a new sound?

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Speaker 10: You know, I had a long time of doing that,

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Speaker 10: trying to say, well, you know, this is what this

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Speaker 10: sound like or whatever, and I'm like, this is a

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Speaker 10: headache trying to figure out something that you already know.

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Speaker 2: How to do, you know.

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Speaker 10: So I just had that moment of like, let me

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Speaker 10: step back and and real real. I stopped listening to

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Speaker 10: just new you know what I'm saying, because it's it's

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Speaker 10: nothing against it, but that that's that's their.

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Speaker 2: Error, that belongs to them. And I'm like, you know what,

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Speaker 2: let me go back to my error.

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Speaker 10: Let me listen to some of it that I love,

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Speaker 10: like a ball, m J G or whatever, like you know.

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Speaker 2: And that right.

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Speaker 10: There was like, okay, this this is still the same music, chords,

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Speaker 10: same format. And the reason why we like them songs

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Speaker 10: like that so much because they're easy, you know, and

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Speaker 10: and and we we've been using the same patterns for forever.

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Speaker 10: We already know them. They em better than us. It's

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Speaker 10: like hearing Marvin Gay, you know, and you don't even

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Speaker 10: know why it's timeless, why you like because it's simple

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Speaker 10: and it's it's it's the same that's been used in

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Speaker 10: music for forever and forever.

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Speaker 1: I wanted to somebody in this room. I wanted to

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Speaker 1: know Fuego and said, is Fueg?

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Speaker 7: What did you I said, I said, I it's flip on,

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Speaker 7: like a Latin flip on.

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Speaker 8: Get it from my mama.

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Speaker 4: Nah, I'm not gonna lie.

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Speaker 6: But she asked that question. I'm liked. Man, it's like

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Speaker 6: it's the hot boys. They've been using references the fire

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Speaker 6: for I.

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Speaker 7: Was trying to figure out because there was on the

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Speaker 7: other songs. I was trying to figure out, like if

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Speaker 7: you like, use one of your older songs because I

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Speaker 7: thought I heard like some.

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Speaker 4: Of the things.

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Speaker 5: Like she figured out, it was like so many ways

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Speaker 5: we fire, so many different ways. We got to, you know,

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Speaker 5: be innovative, and that was that was my way of

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Speaker 5: doing it.

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Speaker 7: I made them put the song on the other room

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Speaker 7: and then we was playing it together. I'm like, I

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Speaker 7: know I hear this, but I can't how.

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Speaker 3: Many how many fire references could.

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Speaker 2: I mean, I'll try it for that song.

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Speaker 5: Training.

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Speaker 10: Man, they're talking about shooting the video for You went

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Speaker 10: against the DJ and you told him you hear She

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Speaker 10: came just quiet.

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Speaker 1: It was quiet. Did you have and I'm do.

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Speaker 8: I hear another song in your song?

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Speaker 4: I saw.

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Speaker 1: Got so mad.

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Speaker 3: It's like so mad, it's just something, you know what?

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Speaker 7: She young always shut up. He always because I'm thirty four.

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Speaker 7: He always talked to me like I don't have any

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Speaker 7: experience with old music. Like my experience is a little

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Speaker 7: younger than yours.

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Speaker 5: Your mama, your mama was listening to it, probably your parents,

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Speaker 5: right from your mom. That's where she got it from.

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Speaker 5: You let her live.

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Speaker 7: That's what I was saying back to the ancestors every

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Speaker 7: time I say something.

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Speaker 3: But even in that album is called Boiling Point.

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Speaker 6: Yeah, right, so what that's an intense title when that

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Speaker 6: feeds into the fire references to it?

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Speaker 2: Does?

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Speaker 5: That's all it is. It's really like four hundred degrees

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Speaker 5: twoenty twenty six basically.

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Speaker 1: But do you chase those records?

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Speaker 5: The back of the ass up records?

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Speaker 10: And do you chase those No? No, I feel like touches.

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Speaker 10: When somebody tell me make one of them, I'm like,

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Speaker 10: I can't.

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Speaker 1: Somebody call you say make me one of them.

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Speaker 10: There's been so many artists that said that. You know

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Speaker 10: what I'm saying, like can you make me? I'm like

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Speaker 10: I can't that that ain't gonna happen again. That was

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Speaker 10: something special about that moment that day, how it went down,

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Speaker 10: I'm like.

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Speaker 2: You can't tell us how it went down, beefing.

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Speaker 5: Basically, he kept changing. The first of all, I was rapping,

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Speaker 5: I wasn't doing it. Yeah, the and doing none of that.

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Speaker 5: He kept changing. He see, his thing was I can't

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Speaker 5: beat him out. So I felt like I was killing

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Speaker 5: him on the first On the first beat, I was

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Speaker 5: killing I was like, damn, man. So when I got

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Speaker 5: back to the studio, he had to change the beat.

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Speaker 5: It's the first time. I'm like, damn. So I changed

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Speaker 5: the lyrics again. I got him again. I'm like, I

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Speaker 5: got his ass again. So we come back, we get

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Speaker 5: the Nashville out of the album, gotta get turned in

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Speaker 5: the next day, they're like, bro, you got two days.

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Speaker 5: You got one day to record two songs. I'm like, well, damn,

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Speaker 5: what songs I gotta record? He said, man, we gotta

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Speaker 5: do huh. And you said you want to hear you

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Speaker 5: heard back of the ass up again? I said, nah,

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Speaker 5: so man, they played it to me, so now they

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Speaker 5: got them even changed the whole beat again. I said,

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Speaker 5: I go in the room. Now. He tell him you

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Speaker 5: can't change nothing, saying you ain't changing nothing. So I

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Speaker 5: walk out the room, I get him my minding mood,

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Speaker 5: and I go straight to slump, say, slim brother, he

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Speaker 5: done did it again. Bro y'all got a lead to

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Speaker 5: at least let me do something else. Let me take

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Speaker 5: a chance at recording another the song, so let me

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Speaker 5: get in there. That's how we got what we got.

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Speaker 8: So it wasn't always the violin in the beginning.

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Speaker 10: Yeah, because I was just like this, you know, like

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Speaker 10: sometimes you know one of them that's gonna be a hit.

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Speaker 10: Just the DJ and me knew that this song was

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Speaker 10: gonna be a hit. I was like, this one is

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Speaker 10: gonna be a hit. And I was like the intro

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Speaker 10: was the setup, like, you know, because because it was

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Speaker 10: still the era of like whatever you're doing, you know,

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Speaker 10: you got time to get to the to the dance floor.

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Speaker 10: I was like, you know what, this should need a intro.

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Speaker 10: It needs like a little setup. When it comes down,

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Speaker 10: it's gonna be phenomenal, you know. And and you got

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Speaker 10: to think when you're telling somebody that they don't get it,

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Speaker 10: they're like, why you did that long assh it in

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Speaker 10: the beginning, And I'm like, I got this.

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Speaker 2: I know what all know.

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Speaker 8: In the clubs, they extended even longer.

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Speaker 9: The right right then, That's why I got a whole

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Speaker 9: joke in my set about it, and I come out

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Speaker 9: to back that ass up.

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Speaker 8: I go off the back that ass up. I got

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Speaker 8: a joke about it. I don't I don't play about

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Speaker 8: that song anthem of all time.

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Speaker 3: And I wanted to do when I saw something.

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Speaker 6: I don't know if it was on the still point

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Speaker 6: the podcast, you said everybody hated.

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Speaker 3: The song man.

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Speaker 10: Well, no, Juve didn't see it, as you know, because

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Speaker 10: he didn't want to be known as a bounce rapper,

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Speaker 10: because you know, he really really he was like, and

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Speaker 10: I'm like, bro, this one, I promise you, this one

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Speaker 10: is gonna be one up.

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Speaker 5: Okay, I'm gonna give you example. He wanted that to

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Speaker 5: be the first single, and I was totally against that.

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Speaker 5: I'm like, bro, I've been doing bounce music my whole life.

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Speaker 5: I come over here to get away from it. I

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Speaker 5: don't mind doing one or two songs, but you gotta

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Speaker 5: let me. I want to let the world know I

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Speaker 5: could really rap, you know what I'm saying, And I

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Speaker 5: want to not just be a normal rap. I want

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Speaker 5: to push the needle a little bit. And I felt

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Speaker 5: like how I was doing that was gonna do that

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Speaker 5: for me. And I was right. I was right because

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Speaker 5: I mean my dog jay Z jumps on the remix.

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Speaker 5: So I feel like I did do what I do

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Speaker 5: my thing. But guess what it didn't do. It didn't

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Speaker 5: send people to the record stores. I mean, so I

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Speaker 5: wasn't sell him because of that.

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Speaker 1: So let me ask you to the end of back

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Speaker 1: that ass up right driving Where did that come from?

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Speaker 1: Because not every verse and had it with Wayne Wayne

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Speaker 1: on it.

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Speaker 2: So you waited and yeah, Wayne waited in the corner.

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Speaker 3: Wayne knew it as well that just like.

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Speaker 4: Some dude I got something.

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Speaker 5: I was like, go ahead, saying, I said, that's.

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Speaker 1: Way was he can see it in the course would happened?

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Speaker 3: He was he was gonna be.

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Speaker 10: He meant he was gonna be on this ship, like

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Speaker 10: you know what I'm saying. And he was just like, well,

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Speaker 10: when can I do something? I was like, go ahead, bro,

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Speaker 10: do the n.

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Speaker 1: Not gonna went on the fade out. Let's you gonna

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Speaker 1: go on the verse?

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Speaker 5: He really wanted a verse. It was too loud. It

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Speaker 5: was it was our show.

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Speaker 6: When you all do the podcast, How does it feel

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Speaker 6: talking to people that you know, your lives are more interesting.

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Speaker 3: I rather you and man talking.

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Speaker 5: Shout out to everybody have been on my podcast.

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Speaker 1: We want our.

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Speaker 5: Podcasts to keep going. Podcasts, well, it was a little

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Speaker 5: bit of both of us and Dave too, you know,

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Speaker 5: but U Manny was was the first one with the title.

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Speaker 5: You know, I was lost with the title. You know,

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Speaker 5: I'm never good with.

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Speaker 2: Making you know, And people were like, well, what you know?

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Speaker 10: It came from still Fly and you know, four hundred degrees,

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Speaker 10: which is to me, one of the most popular songs,

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Speaker 10: like from the big timers.

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Speaker 2: To me, it's still Fly.

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Speaker 10: So I was just like, why not incorporate something that's

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Speaker 10: both of us or whatever, like, you know, and and

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Speaker 10: it represents both of us.

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Speaker 2: So that's where the name came from.

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Speaker 5: But our podcast is about fun, so we don't get

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Speaker 5: on that. We don't want people even coming over there

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Speaker 5: with expresses or your beefs. We try our best to

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Speaker 5: combat that. We want to get on there and just

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Speaker 5: have fun, talk about the funny things in your life,

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Speaker 5: talk about things that people don't know about you. A

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Speaker 5: lot of cats got got some humor going on inside

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Speaker 5: that they don't let people. Well, no, they never come out,

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Speaker 5: they shell. So that's what we try to do on

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Speaker 5: our show.

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Speaker 3: Is the album boiling point is?

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Speaker 6: Is it about proving something or is it more about

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Speaker 6: just documenting what y'all mind is today?

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Speaker 5: It's more like satisfying my fans and really feeding the

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Speaker 5: hunger of myself and seeing if I could really do it.

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Speaker 5: It's like an old cat saying I still got it.

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Speaker 5: I still got y'all said, I like, yeah, that's what

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Speaker 5: I need. But it's pretty much me man, just you know,

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Speaker 5: letting letting my fans know where I'm mad in life.

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Speaker 5: I'm happy, you know, simple as that, I'm happy.

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Speaker 1: How do you Megan get up on that record for

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Speaker 1: the BBB?

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Speaker 5: Well, people reached out to me. But like she was

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Speaker 5: talking about the snippets, I put a snippet out riding

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Speaker 5: riding in the car with just the one version the

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Speaker 5: hook playing, and it went crazy and the first the

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Speaker 5: first comments, all the comments was Megan needs to be

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Speaker 5: on this. I mean with ninety percent of the comments,

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Speaker 5: Megan needs to be on this making it. So my

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Speaker 5: thing was okay, y'all go tell her. And they started

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Speaker 5: going on page telling us and they reached out to it,

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Speaker 5: reached out for the song.

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Speaker 7: So what's happening with the date, because wasn't it like

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Speaker 7: with that song specifically, it was like supposed to up

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Speaker 7: at one point you and megans for her verse and

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Speaker 7: then you changed the day and it was upset.

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Speaker 5: I didn't have nothing to do with that. Only thing

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Speaker 5: I changed the data on is the album release. And

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Speaker 5: they was said about the album releasing, but we shocked

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Speaker 5: them with that because they kept asking for it. But

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Speaker 5: I never told him it was happening until like two

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Speaker 5: days before it came out.

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Speaker 1: Who's the young lady that was on it before Megan.

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Speaker 5: Her name is Genesis to God and she's cutting up

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Speaker 5: on I didn't take off the album for the record too,

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Speaker 5: because that's one of my son's friends and she did

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Speaker 5: a great job.

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Speaker 8: She delivered it.

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Speaker 1: So do you go to your son more now like something?

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Speaker 11: Really?

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Speaker 5: I go to my kids for a lot. My daughter

390
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Speaker 5: runs my social media, so she does.

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Speaker 7: A good job because it reaches outside of ye.

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Speaker 5: She she she is stuck on algorithms. I don't even

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Speaker 5: understand it.

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Speaker 9: But it is just one of the people that you

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Speaker 9: talked to when you said at first she was feeling

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Speaker 9: scared like about getting in the studio making new music

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Speaker 9: or whatever because of everything that's out now, did you

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Speaker 9: talk to him about it?

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Speaker 5: So I'm with my baby boy, my youngest boy, almost

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Speaker 5: every day of the week because he's a school teacher

401
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Speaker 5: once house. I'm just an aggravating parent. I'm always his

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Speaker 5: house and my oldest son, our young juve. He's the

403
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Speaker 5: one that's always like telling me, Pops, you should do this,

404
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Speaker 5: you should do this, try this. So you know, it's

405
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Speaker 5: kind of like I'm the kid again, you know, like

406
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Speaker 5: they say twice a child, twice a kid. It's kind

407
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Speaker 5: of like they parenting me a little bit. And I

408
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Speaker 5: just I just listen.

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Speaker 10: I don't ask you, man, do you think that culture

410
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Speaker 10: is ready to respect it's elders the same way genres

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Speaker 10: like jazz.

412
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Speaker 3: Or blues did or rock and roll?

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Speaker 10: I think we gotta knock down walls, bro Like, it's

414
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Speaker 10: a rebirth of music for me, and it's and the

415
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Speaker 10: cool thing is that it's now or never. You know,

416
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Speaker 10: we got a lot of I won't call him old school,

417
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Speaker 10: I'm gonna say seasoned artists. That's like they making good music,

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Speaker 10: great albums, and it's and you're seeing the shift. You're

419
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Speaker 10: seeing people like Oh, I really like this, Like, you know,

420
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Speaker 10: it's got substance, it's got movement to it.

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Speaker 2: So I think we gotta knock down doors.

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Speaker 10: You know, we can't accept no more when somebody does

423
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Speaker 10: an interview and they say, I don't really rap, I

424
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Speaker 10: just do this. Well move out the way and let

425
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Speaker 10: somebody who do it do it, you know, because because

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Speaker 10: you got a lot of artists that do that, that

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Speaker 10: say like, this ain't really my thing, you know, And

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Speaker 10: I'm like, well, this this is really my thing.

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Speaker 2: This is my bread and butter, you know.

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Speaker 10: And I think we got to knock down doors sometimes

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Speaker 10: and shake things up.

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Speaker 5: Yeah, you think for me, I don't. I try not

433
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Speaker 5: to be so critical of the young cast because I

434
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Speaker 5: was that cat and a lot of the older cast

435
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Speaker 5: was calling what I did one rap. They said that

436
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Speaker 5: ain't rapping. I'm like, well, damn, bro, I'm taking care

437
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Speaker 5: of my family. My records is selling. I'm selling more

438
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Speaker 5: records than you, and I'm doing good. I'm doing good

439
00:18:42,080 --> 00:18:45,680
Speaker 5: in my life, So who cares if it's rapping or not?

440
00:18:45,880 --> 00:18:49,400
Speaker 5: Like if my fans, the fans see me a certain way,

441
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Speaker 5: I don't even care what another artist thing about. So

442
00:18:52,040 --> 00:18:55,080
Speaker 5: us as so now, me being that older cat, I

443
00:18:55,160 --> 00:18:57,160
Speaker 5: always stick my hand out to him. I always reach

444
00:18:57,240 --> 00:18:58,920
Speaker 5: my arm out to him, and I always try to

445
00:18:58,920 --> 00:19:00,919
Speaker 5: show him love. And I'm never gonna say nothing negative

446
00:19:01,200 --> 00:19:03,800
Speaker 5: about him, because if how do you want to see him?

447
00:19:04,480 --> 00:19:05,760
Speaker 5: You want to see him with a mic or you

448
00:19:05,800 --> 00:19:07,680
Speaker 5: want to see him with that tool in his hand, right,

449
00:19:07,720 --> 00:19:10,520
Speaker 5: you know? So so I try to I try to

450
00:19:10,560 --> 00:19:12,320
Speaker 5: think like that and try to have an open mind

451
00:19:12,320 --> 00:19:15,720
Speaker 5: about it, because we don't own this, and I don't

452
00:19:15,720 --> 00:19:18,320
Speaker 5: see no other genre of music criticizing the youngsters. I

453
00:19:18,320 --> 00:19:20,399
Speaker 5: don't see country doing that. I don't see r being

454
00:19:20,440 --> 00:19:22,640
Speaker 5: I don't see nobody else doing that. So I try

455
00:19:22,680 --> 00:19:25,320
Speaker 5: to tell my cast, and the cast is old before me, like,

456
00:19:25,960 --> 00:19:28,639
Speaker 5: we don't own it, bro, we don't have ownership. We

457
00:19:28,640 --> 00:19:33,240
Speaker 5: don't have a union or something like that. That that

458
00:19:33,240 --> 00:19:36,400
Speaker 5: that that predicts how this, how this goes. So there's

459
00:19:36,480 --> 00:19:38,640
Speaker 5: no rules, So stop trying to make a rule.

460
00:19:39,760 --> 00:19:41,440
Speaker 2: Think we bridge that gap?

461
00:19:41,480 --> 00:19:44,080
Speaker 10: How do you think we get this this younger generation

462
00:19:44,480 --> 00:19:47,840
Speaker 10: to respect you know what came before them?

463
00:19:48,000 --> 00:19:49,600
Speaker 6: Just keep making dope music like you see what t

464
00:19:49,720 --> 00:19:51,400
Speaker 6: I doing right now with the with to let them

465
00:19:51,440 --> 00:19:54,919
Speaker 6: no record like dope records of don't records that they transcend,

466
00:19:55,280 --> 00:19:57,399
Speaker 6: you know, age like you got the BBB joint right now,

467
00:19:57,480 --> 00:20:00,639
Speaker 6: people loving the record. Yeah, I just think making no

468
00:20:00,880 --> 00:20:02,720
Speaker 6: music because I was talking about that earlier. With the

469
00:20:02,760 --> 00:20:06,080
Speaker 6: younger generation, I feel like because of social media, they

470
00:20:06,080 --> 00:20:09,840
Speaker 6: don't have they don't get the real world experience, Yeah,

471
00:20:10,040 --> 00:20:13,440
Speaker 6: to still be able to write well into their forties fifties.

472
00:20:13,119 --> 00:20:15,240
Speaker 7: If yeah, you got good odd y'all do a really

473
00:20:15,240 --> 00:20:17,399
Speaker 7: good job about talking about this SEP stuff on the podcast.

474
00:20:17,400 --> 00:20:18,840
Speaker 7: I remember it was a clip with David Banner that

475
00:20:18,880 --> 00:20:21,000
Speaker 7: went viral and he was talking about how y'all were

476
00:20:21,000 --> 00:20:23,000
Speaker 7: trying to survive the industry at one point. So y'all

477
00:20:23,040 --> 00:20:24,840
Speaker 7: didn't really get the chance to pass down the tools

478
00:20:24,840 --> 00:20:27,240
Speaker 7: because you were surviving it. And the young generation of

479
00:20:27,280 --> 00:20:30,359
Speaker 7: music needs that. And when I I mean, I watched

480
00:20:30,359 --> 00:20:32,280
Speaker 7: your show, but when I saw that, I'm like, this

481
00:20:32,320 --> 00:20:33,960
Speaker 7: is why y'all podcast is going to be so gold

482
00:20:34,040 --> 00:20:35,879
Speaker 7: because of those type of conversations, because now y'all in

483
00:20:35,920 --> 00:20:37,920
Speaker 7: a space where y'all could do it, and that preserves

484
00:20:37,920 --> 00:20:38,200
Speaker 7: it too.

485
00:20:38,359 --> 00:20:40,480
Speaker 5: Yeah. I think the good thing about it is it's

486
00:20:40,560 --> 00:20:42,920
Speaker 5: not about us, right, It's about the person that comes

487
00:20:42,960 --> 00:20:46,439
Speaker 5: on and to the younger generation. I feel like I

488
00:20:46,480 --> 00:20:48,760
Speaker 5: feel like I'm a part of their generation. Also, I

489
00:20:48,800 --> 00:20:51,640
Speaker 5: mean I do music with the younger cats. Also FO

490
00:20:51,720 --> 00:20:54,679
Speaker 5: two Doug is one of my friend's son. Me and

491
00:20:54,760 --> 00:20:57,399
Speaker 5: Ron full nine just did an album together, so you know,

492
00:20:57,440 --> 00:21:00,040
Speaker 5: and all the album album. So when I run and

493
00:21:00,040 --> 00:21:02,840
Speaker 5: then too young cats, I don't never treat them like that.

494
00:21:02,880 --> 00:21:05,280
Speaker 5: I don't never say I don't care. I got my opinion.

495
00:21:05,320 --> 00:21:07,760
Speaker 5: Whatever my personal opinion is of them, I keep it

496
00:21:07,760 --> 00:21:09,679
Speaker 5: to myself because I was taught if you ain't got

497
00:21:09,760 --> 00:21:11,720
Speaker 5: nothing good to say, I don't say nothing at all.

498
00:21:11,760 --> 00:21:13,320
Speaker 5: You ain't got to spend a night with that person,

499
00:21:13,520 --> 00:21:15,240
Speaker 5: you ain't got to be with them twenty four seven.

500
00:21:15,600 --> 00:21:17,199
Speaker 5: So that's how I do. I try to spread the

501
00:21:17,240 --> 00:21:20,120
Speaker 5: love and hopefully these cats will start seeing what I'm

502
00:21:20,160 --> 00:21:21,640
Speaker 5: doing and follow suit.

503
00:21:21,760 --> 00:21:24,439
Speaker 1: How that I with Rob will not come about just that.

504
00:21:25,080 --> 00:21:27,840
Speaker 5: And it's kind of crazy he say, Oh, you don't

505
00:21:27,920 --> 00:21:30,640
Speaker 5: like you don't. You don't A lot of the old

506
00:21:30,760 --> 00:21:32,840
Speaker 5: old g s don't treat us the way you do.

507
00:21:33,560 --> 00:21:35,280
Speaker 5: And it kind of like he felt like you relate

508
00:21:35,359 --> 00:21:36,760
Speaker 5: to me better than everybody else.

509
00:21:37,440 --> 00:21:40,160
Speaker 7: What's one thing that y'all learned that you passed down

510
00:21:40,160 --> 00:21:42,680
Speaker 7: now that you didn't realize when you were trying to

511
00:21:42,720 --> 00:21:44,399
Speaker 7: survive the industry be out of yall to live in

512
00:21:44,440 --> 00:21:44,879
Speaker 7: and y'all.

513
00:21:44,760 --> 00:21:47,720
Speaker 10: Are a statement that you said. You know, it's a

514
00:21:47,760 --> 00:21:49,480
Speaker 10: lot of artists I don't know. I don't know what

515
00:21:49,520 --> 00:21:51,320
Speaker 10: it is. They don't have the guts to say. The

516
00:21:51,359 --> 00:21:53,439
Speaker 10: reason why I couldn't help you because I was fucked

517
00:21:53,480 --> 00:21:55,480
Speaker 10: up myself, you know what I'm saying.

518
00:21:55,560 --> 00:21:55,879
Speaker 2: I was.

519
00:21:55,920 --> 00:21:58,600
Speaker 10: I was fighting fills, you know, I was trying to

520
00:21:58,600 --> 00:22:00,800
Speaker 10: figure out my paperwork. I was trying to figure out

521
00:22:00,960 --> 00:22:03,159
Speaker 10: cross my t's and dot my eyes like you know.

522
00:22:03,320 --> 00:22:05,920
Speaker 10: So I couldn't tell you how to do it when

523
00:22:05,960 --> 00:22:07,960
Speaker 10: I didn't know how to do it, you know, and

524
00:22:08,200 --> 00:22:11,960
Speaker 10: it took a while, you know, to learn, like, Okay,

525
00:22:12,320 --> 00:22:15,879
Speaker 10: I can't do homeboy business. I gotta really do the

526
00:22:15,960 --> 00:22:18,600
Speaker 10: lawyers got to show up. We can't just shake hands

527
00:22:18,600 --> 00:22:20,400
Speaker 10: on it no more. And if you if you say

528
00:22:20,440 --> 00:22:22,840
Speaker 10: it can't happen that way, then we can't do it,

529
00:22:23,359 --> 00:22:26,480
Speaker 10: you know, because it's it's how how can I tell

530
00:22:26,480 --> 00:22:29,720
Speaker 10: the next generation how to survive this when I'm still

531
00:22:29,760 --> 00:22:32,159
Speaker 10: doing it, you know, in a in a crazy ass manner,

532
00:22:32,320 --> 00:22:36,400
Speaker 10: when I'm just I'm trusting somebody who I'm like, nah, nah.

533
00:22:36,600 --> 00:22:38,720
Speaker 1: It's crazy. You know when you look we had Teddy

534
00:22:38,760 --> 00:22:41,200
Speaker 1: Rally up here, and when Teddy Rally you talk about

535
00:22:41,200 --> 00:22:44,879
Speaker 1: all of his city's produced, he said, we had like

536
00:22:44,920 --> 00:22:48,520
Speaker 1: Salt and Pepper Rock and Roll Hall of Fame that

537
00:22:48,600 --> 00:22:50,520
Speaker 1: put out all these records that say, to this day

538
00:22:50,560 --> 00:22:53,919
Speaker 1: their paperwork a't right. You start understanding like, damn, we

539
00:22:54,000 --> 00:22:56,040
Speaker 1: gotta pass down what we know because if not, we're

540
00:22:56,040 --> 00:22:58,160
Speaker 1: gonna be in the same situation over and over again.

541
00:22:58,480 --> 00:23:00,320
Speaker 5: And we look at I look at it like a

542
00:23:00,359 --> 00:23:04,040
Speaker 5: sacrifice man, because you know, in the beginning, we didn't

543
00:23:04,080 --> 00:23:06,200
Speaker 5: have the means that the artists got. Right now, we

544
00:23:06,440 --> 00:23:08,640
Speaker 5: like these artists surround themselves with some of the best

545
00:23:08,760 --> 00:23:12,240
Speaker 5: lawyers in the best everything. Well, we didn't have those advantages.

546
00:23:12,280 --> 00:23:15,080
Speaker 5: All those advantages was at the record companies. They had

547
00:23:15,119 --> 00:23:18,200
Speaker 5: all the best lawyers and the best representation. So now

548
00:23:18,600 --> 00:23:21,720
Speaker 5: when when when the new catch come around and they

549
00:23:21,880 --> 00:23:24,160
Speaker 5: they they do their business the way they do it,

550
00:23:24,840 --> 00:23:28,320
Speaker 5: we see it and we're like, god, damn, oh, I

551
00:23:28,359 --> 00:23:31,679
Speaker 5: wish we had the opportunities that they got. If we

552
00:23:31,760 --> 00:23:33,840
Speaker 5: had social media, even though you know it could be

553
00:23:33,920 --> 00:23:36,280
Speaker 5: negative in its own way. But I think if we

554
00:23:36,359 --> 00:23:39,080
Speaker 5: had social media in our era, when the records was

555
00:23:39,200 --> 00:23:41,960
Speaker 5: the record sales was through the damn roof, like ninety eight,

556
00:23:42,000 --> 00:23:45,879
Speaker 5: ninety nine, ninety seven, we would we would have way

557
00:23:45,920 --> 00:23:48,119
Speaker 5: more money, way more revenue than we have.

558
00:23:48,960 --> 00:23:50,320
Speaker 1: It was a lot different, though, Like you said, you

559
00:23:50,480 --> 00:23:52,199
Speaker 1: had to be intentional to go buy an album, right,

560
00:23:52,200 --> 00:23:53,840
Speaker 1: it wasn't You couldn't buy it online. You had to

561
00:23:53,840 --> 00:23:55,439
Speaker 1: go to a record store. You had to go to

562
00:23:55,440 --> 00:23:57,639
Speaker 1: a CD spot. You had to go buy it, and

563
00:23:57,640 --> 00:24:00,359
Speaker 1: that whether it was rain, sleet, snow hot, you went

564
00:24:00,480 --> 00:24:01,280
Speaker 1: to go buy that album.

565
00:24:01,320 --> 00:24:03,120
Speaker 5: And if it was a real music hege, you ain't

566
00:24:03,119 --> 00:24:04,560
Speaker 5: want to hear from your pot and or your friend.

567
00:24:04,600 --> 00:24:06,040
Speaker 5: You had to have a first.

568
00:24:06,080 --> 00:24:08,119
Speaker 2: Yeah, fail, you made you better.

569
00:24:08,680 --> 00:24:10,760
Speaker 10: Fail, you made you better in our era because you

570
00:24:10,840 --> 00:24:12,639
Speaker 10: was just like, I can't fall on my face, and

571
00:24:12,720 --> 00:24:15,280
Speaker 10: y'all just look at me and laugh. I'll be back,

572
00:24:15,600 --> 00:24:17,359
Speaker 10: and when I come back, it's gonna be bigger and

573
00:24:17,400 --> 00:24:20,120
Speaker 10: better next time I come back, you know. And then

574
00:24:20,240 --> 00:24:23,280
Speaker 10: now it just seem like, you know, when shit happens,

575
00:24:23,560 --> 00:24:25,440
Speaker 10: how do you dust yourself off? How do you get

576
00:24:25,440 --> 00:24:27,359
Speaker 10: back out there? You got to do some shock value

577
00:24:27,359 --> 00:24:29,880
Speaker 10: shit or some crazy ship instead of just hey, dust

578
00:24:29,920 --> 00:24:31,120
Speaker 10: yourself off and get back out.

579
00:24:31,240 --> 00:24:33,800
Speaker 5: You know what, though, in the days of social media,

580
00:24:33,960 --> 00:24:37,119
Speaker 5: it's so hard once you get once you go down,

581
00:24:37,280 --> 00:24:39,480
Speaker 5: to build yourself back up.

582
00:24:40,000 --> 00:24:43,080
Speaker 3: I don't know why, because the narrative. The narrative sticks

583
00:24:43,119 --> 00:24:43,880
Speaker 3: with you on social media.

584
00:24:43,920 --> 00:24:45,919
Speaker 6: So once you become a joke on social media, it

585
00:24:45,960 --> 00:24:48,200
Speaker 6: stays there for a long time. You could be winning

586
00:24:48,240 --> 00:24:51,159
Speaker 6: in real life, on social media, they'll still act like

587
00:24:51,200 --> 00:24:54,800
Speaker 6: you lose it big feel that you was here about

588
00:24:54,800 --> 00:24:57,640
Speaker 6: the business. It's interesting to hear y'all say that, because

589
00:24:57,680 --> 00:25:00,359
Speaker 6: I always felt like cash money they should told us

590
00:25:00,359 --> 00:25:01,160
Speaker 6: how to do business.

591
00:25:01,200 --> 00:25:04,360
Speaker 5: No, we did. I'm gonna say we did business far

592
00:25:04,400 --> 00:25:07,879
Speaker 5: as record company business in the beginning for us as artists.

593
00:25:08,520 --> 00:25:10,720
Speaker 5: As the artist, we didn't have our ship together. And

594
00:25:10,720 --> 00:25:12,720
Speaker 5: I'm not playing the finger at them, because we had

595
00:25:12,720 --> 00:25:14,520
Speaker 5: our ship together, none of some of the things would

596
00:25:14,520 --> 00:25:17,560
Speaker 5: have never happened. But yeah, as far as cash money, breaking,

597
00:25:17,760 --> 00:25:21,440
Speaker 5: kicking down or breaking barriers to deal for thirty million dollars,

598
00:25:21,480 --> 00:25:23,440
Speaker 5: that definitely broke barriers.

599
00:25:23,520 --> 00:25:25,359
Speaker 1: And I was asked, what were your biggest failures? Do

600
00:25:25,359 --> 00:25:27,320
Speaker 1: you I remember your biggest failures in the industry? One

601
00:25:27,320 --> 00:25:28,680
Speaker 1: thing that you're mad. It looked like, oh, maybe I

602
00:25:28,680 --> 00:25:30,560
Speaker 1: shouldn't have did this record, or I shouldn't have did this.

603
00:25:31,000 --> 00:25:31,160
Speaker 4: Man.

604
00:25:31,200 --> 00:25:34,000
Speaker 5: One of my biggest failures in the music industry. If

605
00:25:34,000 --> 00:25:37,199
Speaker 5: I want to say a record, a record, probably uh

606
00:25:37,560 --> 00:25:40,200
Speaker 5: the floor rid of record, and it wasn't mine. Let

607
00:25:40,240 --> 00:25:42,879
Speaker 5: me say it was. It was. It was Paul Wall's record.

608
00:25:43,400 --> 00:25:47,760
Speaker 5: But Mike Caroon told me multiple times, Man, you should

609
00:25:47,840 --> 00:25:49,840
Speaker 5: keep this record. You should cake Paul won On want

610
00:25:49,840 --> 00:25:50,560
Speaker 5: it and you're killing it.

611
00:25:50,560 --> 00:25:53,760
Speaker 3: You should keep yes record too.

612
00:25:54,000 --> 00:25:57,840
Speaker 5: No, it was never never Nelly record. So so, uh,

613
00:25:58,680 --> 00:26:00,840
Speaker 5: Paul Wall didn't want it. I'm like, they got to

614
00:26:00,880 --> 00:26:02,880
Speaker 5: take the apple bottom jeans part off of New Orleans.

615
00:26:02,920 --> 00:26:05,800
Speaker 5: We don't. I say, they got to take that part off.

616
00:26:05,960 --> 00:26:07,760
Speaker 5: So let's see if t pag can take it off.

617
00:26:08,080 --> 00:26:11,160
Speaker 5: T like, nah, I ain't changing it. It's staying like that.

618
00:26:11,520 --> 00:26:13,639
Speaker 5: So then Mike brings up floor Rider. I got a

619
00:26:13,680 --> 00:26:16,800
Speaker 5: new cat floor Rider Da Da da. I'm like, well, shit,

620
00:26:16,920 --> 00:26:19,920
Speaker 5: let him have it. I can. If he's not gonna

621
00:26:19,960 --> 00:26:22,200
Speaker 5: change it, let him have it. But that was a fumble.

622
00:26:23,040 --> 00:26:24,720
Speaker 3: They would have been the same record for you though.

623
00:26:24,960 --> 00:26:26,760
Speaker 5: Yeah, I mean had the same hook on it. You

624
00:26:26,760 --> 00:26:27,520
Speaker 5: don't think the hook.

625
00:26:27,600 --> 00:26:33,080
Speaker 10: So I would say, not speak in my mind, you know,

626
00:26:33,280 --> 00:26:35,119
Speaker 10: you know, because it was a lot of shit. I

627
00:26:35,240 --> 00:26:38,119
Speaker 10: let just go, you know, because wanting to stay neutral,

628
00:26:38,440 --> 00:26:40,480
Speaker 10: not wanting to see the argument, and not wanting to

629
00:26:40,480 --> 00:26:42,359
Speaker 10: see the fight, like you know what I'm saying. And

630
00:26:42,400 --> 00:26:46,000
Speaker 10: I feel like, because if I would have spoke my mind,

631
00:26:46,000 --> 00:26:47,960
Speaker 10: I think shit would have turned out different. But I

632
00:26:48,000 --> 00:26:51,280
Speaker 10: also believe that there's something like God got a plan

633
00:26:51,359 --> 00:26:53,560
Speaker 10: for you. Sometimes you gotta walk that walk, like you know,

634
00:26:53,680 --> 00:26:56,639
Speaker 10: and and everything happened for a reason. But but I

635
00:26:56,680 --> 00:26:59,399
Speaker 10: would say one of the biggest regrets was not you know,

636
00:26:59,560 --> 00:27:01,800
Speaker 10: speaking my mind a lot of times on how I

637
00:27:01,840 --> 00:27:03,320
Speaker 10: really felt about situations.

638
00:27:03,400 --> 00:27:05,840
Speaker 3: Would you say, used to argue in the studio, Yeah, we.

639
00:27:05,760 --> 00:27:08,399
Speaker 10: Did, But there was projects that I was like, we

640
00:27:08,440 --> 00:27:10,640
Speaker 10: shouldn't do this right now at the time, it shouldn't

641
00:27:10,640 --> 00:27:13,160
Speaker 10: have been like it, Like for instance, for a hundred degrees,

642
00:27:13,280 --> 00:27:15,920
Speaker 10: I wasn't ready to let that album go. I knew

643
00:27:15,920 --> 00:27:18,440
Speaker 10: there was other singles on it, you know what I'm saying.

644
00:27:18,440 --> 00:27:20,760
Speaker 10: And I and I and I agreed to like they

645
00:27:20,840 --> 00:27:23,000
Speaker 10: like we gotta work on Julie's new album. I'm like, no,

646
00:27:23,080 --> 00:27:25,200
Speaker 10: we don't we we we we we haven't scratched the

647
00:27:25,320 --> 00:27:28,520
Speaker 10: surface with this. We're not finished, you know what I'm saying.

648
00:27:28,520 --> 00:27:31,280
Speaker 10: Where I'm like, shit, I'm like, I know there's other

649
00:27:31,359 --> 00:27:31,960
Speaker 10: songs in here.

650
00:27:32,000 --> 00:27:34,960
Speaker 2: You gotta think for degrees. Was never a single.

651
00:27:36,680 --> 00:27:42,240
Speaker 5: Man oh man, put your sets up, run for it. Yeah, man,

652
00:27:42,240 --> 00:27:44,560
Speaker 5: we could have it was it was more that.

653
00:27:44,920 --> 00:27:47,960
Speaker 10: Was there was times where like just just a simple format,

654
00:27:48,240 --> 00:27:52,199
Speaker 10: you know where the concept of like the beginning of

655
00:27:52,240 --> 00:27:55,720
Speaker 10: this was like we we we wanted to do things

656
00:27:55,720 --> 00:27:58,199
Speaker 10: that were obtainable to the hood and people like So

657
00:27:58,240 --> 00:28:00,600
Speaker 10: that's why when we first started doing this, it was

658
00:28:00,640 --> 00:28:04,119
Speaker 10: PT Cruises and Chrysler three hundred, remember, because we knew

659
00:28:04,520 --> 00:28:06,680
Speaker 10: you could afford that ship, you know what I'm saying,

660
00:28:06,720 --> 00:28:10,520
Speaker 10: And everybody was purpose yeah, yeah, you know what I'm saying.

661
00:28:10,560 --> 00:28:14,440
Speaker 10: But then Egos got it's Lamborghini time, It's D D

662
00:28:14,560 --> 00:28:17,639
Speaker 10: D D. And my concept was always it's more Honda

663
00:28:17,840 --> 00:28:19,240
Speaker 10: cards than Lamborghinis.

664
00:28:19,560 --> 00:28:23,080
Speaker 2: Stick with the Honda cards and we're gonna want you know.

665
00:28:24,359 --> 00:28:26,960
Speaker 2: And I'm like, dude, you changing from you know what

666
00:28:27,000 --> 00:28:27,440
Speaker 2: I'm saying.

667
00:28:27,640 --> 00:28:29,720
Speaker 10: But I was like, okay, I'm gonna go with the floor,

668
00:28:30,040 --> 00:28:33,840
Speaker 10: you know.

669
00:28:32,520 --> 00:28:36,960
Speaker 5: Yeah, you to so yeah, all of audd moments.

670
00:28:36,960 --> 00:28:38,360
Speaker 1: But now when you think about it, go back to

671
00:28:38,360 --> 00:28:42,000
Speaker 1: those videos. You remember seeing the PT cruises and the

672
00:28:42,040 --> 00:28:44,040
Speaker 1: cars that they loved in the hood with rims and this,

673
00:28:44,080 --> 00:28:46,080
Speaker 1: that and the other thing. But now it makes sense

674
00:28:46,120 --> 00:28:47,040
Speaker 1: to why you did it that way.

675
00:28:46,920 --> 00:28:49,360
Speaker 10: Because because the concept that how I made songs, I

676
00:28:49,360 --> 00:28:52,360
Speaker 10: thought about the visuals and everything. You know what I'm saying,

677
00:28:52,360 --> 00:28:54,400
Speaker 10: like what the video was gonna be, how we was

678
00:28:54,440 --> 00:28:56,160
Speaker 10: gonna do it, and how we was gonna you know,

679
00:28:56,600 --> 00:28:59,400
Speaker 10: sell it, and with what women made things Completely different

680
00:28:59,400 --> 00:29:02,280
Speaker 10: from when I saw a shift in music was when

681
00:29:02,280 --> 00:29:05,520
Speaker 10: we did go DJ. You know, the concept that when

682
00:29:05,520 --> 00:29:08,600
Speaker 10: we was doing it, I said, we're gonna send all

683
00:29:08,600 --> 00:29:11,160
Speaker 10: the DJ's like a video camera and like if you

684
00:29:11,280 --> 00:29:13,680
Speaker 10: was a radio DJ, you can you know, tape your

685
00:29:13,720 --> 00:29:15,560
Speaker 10: show and send it back to us, and we're gonna

686
00:29:15,560 --> 00:29:17,600
Speaker 10: take all of that footage and we gonna, you know,

687
00:29:17,840 --> 00:29:20,000
Speaker 10: and then we're gonna make this like something big, like

688
00:29:20,040 --> 00:29:23,640
Speaker 10: with all the radio DJs. So when when when so

689
00:29:23,720 --> 00:29:25,200
Speaker 10: I got the hook on the song all of that,

690
00:29:25,280 --> 00:29:27,600
Speaker 10: and when Wayne did it, he didn't say shit about

691
00:29:27,680 --> 00:29:30,920
Speaker 10: DJs nothing at all, and I was just like, well,

692
00:29:30,920 --> 00:29:33,360
Speaker 10: what the fuck? The concept is not that, but it

693
00:29:33,440 --> 00:29:35,640
Speaker 10: was so jamming to I was like, Okay, I'm gonna

694
00:29:35,640 --> 00:29:37,880
Speaker 10: just leave a shit alone and see what happens.

695
00:29:38,040 --> 00:29:40,040
Speaker 2: And I was like, Okay, nobody never.

696
00:29:39,960 --> 00:29:42,960
Speaker 10: Said he ain't say shit about DJs on the ship,

697
00:29:43,440 --> 00:29:44,080
Speaker 10: like you know what I'm saying.

698
00:29:44,120 --> 00:29:45,040
Speaker 2: They didn't give a damn.

699
00:29:45,080 --> 00:29:47,680
Speaker 10: So I was just like this crazy. So something else

700
00:29:47,760 --> 00:29:50,000
Speaker 10: is going on in the water, like you know. So

701
00:29:50,120 --> 00:29:52,720
Speaker 10: that that kind of was. I was like, Okay, there's

702
00:29:52,760 --> 00:29:55,200
Speaker 10: a shift in music, something going on, like you know,

703
00:29:55,280 --> 00:29:57,720
Speaker 10: Cause I was like, this shit crazy because they rapping

704
00:29:57,800 --> 00:30:00,440
Speaker 10: this song word for word. It has nothing thing to

705
00:30:00,560 --> 00:30:02,000
Speaker 10: do the DJ with DJs.

706
00:30:02,040 --> 00:30:06,480
Speaker 3: But yeah, what is it about New Orleans that still

707
00:30:06,520 --> 00:30:07,720
Speaker 3: inspires y'all so much?

708
00:30:09,600 --> 00:30:10,120
Speaker 2: Culture?

709
00:30:10,240 --> 00:30:13,719
Speaker 5: Man, it's our food, our language, we second line, we

710
00:30:13,800 --> 00:30:18,080
Speaker 5: celebrate the dead, we live, we live to celebrate we

711
00:30:18,560 --> 00:30:21,520
Speaker 5: our I'm talking about. Man, you will never see nothing

712
00:30:21,560 --> 00:30:25,360
Speaker 5: like New Orleans. It's never It's the only real twenty

713
00:30:25,400 --> 00:30:28,560
Speaker 5: four hour city in America. Everybody say they got twenty

714
00:30:28,600 --> 00:30:31,240
Speaker 5: four hour cities. And the bars close at a certain

715
00:30:31,400 --> 00:30:33,800
Speaker 5: you can't walk out the ball with your drink. You know,

716
00:30:34,080 --> 00:30:36,720
Speaker 5: they don't sell alcohol at the gas stations. You don't

717
00:30:36,760 --> 00:30:40,480
Speaker 5: have drive through liquor stores. We got all that and

718
00:30:40,520 --> 00:30:43,560
Speaker 5: we sell alcohol twenty four seven. If it's open, we

719
00:30:43,680 --> 00:30:45,720
Speaker 5: selling it. If you had a bar, we don't have.

720
00:30:46,080 --> 00:30:49,280
Speaker 5: Two o'clock, they say two o'clock last call for alcohol.

721
00:30:49,880 --> 00:30:51,680
Speaker 5: The ball open, you're drinking this.

722
00:30:51,920 --> 00:30:56,440
Speaker 10: Imagine you got a crazy ass sibling or uncle or

723
00:30:56,480 --> 00:30:58,600
Speaker 10: ain t that don't give a shit about nothing that's

724
00:30:58,640 --> 00:30:59,320
Speaker 10: going on with you.

725
00:30:59,520 --> 00:31:01,720
Speaker 2: That puts you in your place. So it's a whole

726
00:31:01,760 --> 00:31:02,520
Speaker 2: city that do that.

727
00:31:02,920 --> 00:31:05,400
Speaker 10: They don't give a fuck about you know what I'm saying,

728
00:31:05,440 --> 00:31:06,040
Speaker 10: your success.

729
00:31:06,080 --> 00:31:08,160
Speaker 2: They're like, well, since your stupid ass down with all

730
00:31:08,200 --> 00:31:10,120
Speaker 2: of that, and it keeps you grounded. You know what

731
00:31:10,160 --> 00:31:10,640
Speaker 2: I'm saying.

732
00:31:10,880 --> 00:31:14,000
Speaker 10: One of the sweet things about New Orleans. You you

733
00:31:14,040 --> 00:31:16,840
Speaker 10: will never be a star to New Orleans. And what

734
00:31:16,880 --> 00:31:20,160
Speaker 10: I mean is they gonna always treat you where. You know, like, look, look, bro,

735
00:31:20,280 --> 00:31:22,040
Speaker 10: you one of us. We respect what.

736
00:31:22,040 --> 00:31:22,800
Speaker 2: You doing whatever.

737
00:31:22,880 --> 00:31:26,080
Speaker 10: But at the same time, Pope's chicken, that's what that's

738
00:31:26,080 --> 00:31:26,920
Speaker 10: what we doing today.

739
00:31:27,200 --> 00:31:30,280
Speaker 2: Ain't nothing special for your ass at the height.

740
00:31:30,360 --> 00:31:33,520
Speaker 5: Even at the height, well, we we had, you know,

741
00:31:33,560 --> 00:31:36,640
Speaker 5: we had our moments. But what we people saw so

742
00:31:36,840 --> 00:31:40,440
Speaker 5: much in the city like New Orleans is small. Usually

743
00:31:40,520 --> 00:31:43,280
Speaker 5: when you bump into somebody, the chances of seeing them again,

744
00:31:44,440 --> 00:31:46,240
Speaker 5: like at one hundred percent you're gonna see him again.

745
00:31:46,520 --> 00:31:51,520
Speaker 5: So down there family members that you probably never met

746
00:31:51,680 --> 00:31:54,280
Speaker 5: before in life, lives right on the other side of

747
00:31:54,280 --> 00:31:58,560
Speaker 5: the town, which is probably like twenty miles. Twenty miles.

748
00:31:58,640 --> 00:32:01,600
Speaker 2: Yeah, total him to run through that motherfucker. That's it.

749
00:32:01,960 --> 00:32:06,320
Speaker 10: We think we're a huge city out of that, you

750
00:32:06,360 --> 00:32:06,960
Speaker 10: know what I'm saying.

751
00:32:07,320 --> 00:32:12,160
Speaker 5: So it's so small. So it's it's well grounded, and

752
00:32:12,320 --> 00:32:15,240
Speaker 5: the people just stick to what they know. They don't

753
00:32:15,280 --> 00:32:17,800
Speaker 5: like to change. It's like a bunch of old people

754
00:32:17,800 --> 00:32:18,800
Speaker 5: that don't want change.

755
00:32:18,840 --> 00:32:21,720
Speaker 10: One of those things we had, we had that you know,

756
00:32:21,920 --> 00:32:24,480
Speaker 10: we don't really ever get a chance to talk about.

757
00:32:24,520 --> 00:32:26,560
Speaker 10: But one of the things that we had, like a

758
00:32:26,600 --> 00:32:30,040
Speaker 10: lot of crews don't have, our parents was death every

759
00:32:30,160 --> 00:32:32,440
Speaker 10: every walk of the ship that was going on. You know,

760
00:32:32,520 --> 00:32:34,560
Speaker 10: our parents know each other, you know what I'm saying.

761
00:32:34,640 --> 00:32:36,959
Speaker 10: My mama knew his mom, like when you know they

762
00:32:37,080 --> 00:32:40,320
Speaker 10: they they hung out together. And you know if that

763
00:32:40,400 --> 00:32:43,440
Speaker 10: ship that was documented, you know, like Julie Daddy got

764
00:32:43,480 --> 00:32:45,560
Speaker 10: he took pictures of every ship that I'm like, I

765
00:32:45,600 --> 00:32:47,800
Speaker 10: didn't even know he was doing this shit, like you

766
00:32:47,840 --> 00:32:49,840
Speaker 10: know what I'm saying. So I think we had a

767
00:32:49,880 --> 00:32:52,680
Speaker 10: lot of ship that kept us grounded to where, you know,

768
00:32:52,760 --> 00:32:55,160
Speaker 10: like if you went crazy. You know, his mama could

769
00:32:55,200 --> 00:32:57,720
Speaker 10: tell me that because you respect her as an elder.

770
00:32:57,760 --> 00:32:59,800
Speaker 2: She like you tripping. You got to start with that bullshit.

771
00:32:59,840 --> 00:33:01,440
Speaker 2: You you know what I'm saying.

772
00:33:02,080 --> 00:33:04,720
Speaker 6: Like you said, y'all celebrate the dead too, because I

773
00:33:04,760 --> 00:33:07,400
Speaker 6: always think about that when I see people nowadays who

774
00:33:07,880 --> 00:33:10,600
Speaker 6: I'm smoking on such and such pack or whatever whatever,

775
00:33:10,600 --> 00:33:12,560
Speaker 6: how y'all be feeling when y'all see that.

776
00:33:13,320 --> 00:33:15,080
Speaker 5: Well, that don't relate to me, cause I don't really

777
00:33:15,120 --> 00:33:17,040
Speaker 5: understand that. I'm gonna be honest with you when I

778
00:33:17,080 --> 00:33:19,280
Speaker 5: don't get that, so they gotta explain that part to

779
00:33:19,320 --> 00:33:21,880
Speaker 5: me because I don't really understand it. But in New Orleans,

780
00:33:22,480 --> 00:33:26,200
Speaker 5: instead of for us, instead of mourning and thinking about,

781
00:33:26,360 --> 00:33:28,680
Speaker 5: you know, you lost your person, you lost somebody that

782
00:33:28,720 --> 00:33:31,520
Speaker 5: you really love, we think about the great things we

783
00:33:31,640 --> 00:33:34,120
Speaker 5: did together and that what that person would have did

784
00:33:34,360 --> 00:33:36,720
Speaker 5: if they were still here, and we try to celebrate

785
00:33:36,800 --> 00:33:39,120
Speaker 5: those things. And that's why we call it, you know,

786
00:33:39,240 --> 00:33:41,640
Speaker 5: second line, because the first line is the band, and

787
00:33:41,680 --> 00:33:44,960
Speaker 5: the second line is the people, And it's all based

788
00:33:45,040 --> 00:33:48,840
Speaker 5: upon that. We celebrate the dead, and to be honest,

789
00:33:49,120 --> 00:33:51,720
Speaker 5: I enjoy it because who wants to be mourning and

790
00:33:52,600 --> 00:33:54,960
Speaker 5: up and sad? Like I get it when the person

791
00:33:55,000 --> 00:33:58,040
Speaker 5: first died, usually when the funeral occurs, that's like a

792
00:33:58,080 --> 00:34:00,560
Speaker 5: week later, a week or two late that he should

793
00:34:00,560 --> 00:34:00,800
Speaker 5: have been.

794
00:34:00,960 --> 00:34:01,200
Speaker 4: You know.

795
00:34:01,640 --> 00:34:04,040
Speaker 10: The craziest thing I seen in the launch Frankie Beverly

796
00:34:04,120 --> 00:34:07,680
Speaker 10: when he passed New Orleans more than them. Oh my god,

797
00:34:07,840 --> 00:34:09,879
Speaker 10: it was insane, Like you know what I'm saying.

798
00:34:09,880 --> 00:34:13,160
Speaker 5: They really get in a fight in New Orleans, a

799
00:34:13,200 --> 00:34:16,359
Speaker 5: serious fight. Tell somebody, Frankie Beverly ain't from there.

800
00:34:18,680 --> 00:34:23,799
Speaker 10: Tell amazed the whole We feel like we know, we

801
00:34:23,880 --> 00:34:27,640
Speaker 10: know they not tell him that he got kids.

802
00:34:29,080 --> 00:34:32,839
Speaker 5: Line, Man, I go get my grandfather right. All your

803
00:34:32,880 --> 00:34:35,920
Speaker 5: hand down, bro, I'm saying by that man from Philadelphia. Man,

804
00:34:36,000 --> 00:34:38,680
Speaker 5: don't give na bro nah brot. The funeral was here.

805
00:34:39,080 --> 00:34:40,440
Speaker 5: He wasn't in the casket.

806
00:34:40,520 --> 00:34:50,960
Speaker 12: But they had an all white ally the city down, all.

807
00:34:50,800 --> 00:34:53,359
Speaker 5: White parade, and he made a casket. Bro, he wasn't

808
00:34:53,360 --> 00:34:53,560
Speaker 5: in it.

809
00:34:53,719 --> 00:34:55,440
Speaker 2: He wasn't in it.

810
00:34:56,200 --> 00:34:59,160
Speaker 10: Casket around like he was in the second line and

811
00:34:59,360 --> 00:35:02,239
Speaker 10: tossing it everything and I was mad.

812
00:35:02,800 --> 00:35:11,000
Speaker 5: I was mad because I wasn't. The song I am

813
00:35:11,200 --> 00:35:14,680
Speaker 5: is called Julie Beverley, right, because everybody always like my

814
00:35:14,760 --> 00:35:18,680
Speaker 5: guy uh slab, always called me Frankie Beverly. For one reason,

815
00:35:19,120 --> 00:35:21,600
Speaker 5: Mays is one of the only bands that he performed

816
00:35:21,640 --> 00:35:24,279
Speaker 5: all the way up until he couldn't no more. Right,

817
00:35:24,920 --> 00:35:28,080
Speaker 5: always stayed booked. And he said the same thing about it,

818
00:35:28,200 --> 00:35:30,120
Speaker 5: like you, if you stayed booked, You're like, God, damn

819
00:35:30,400 --> 00:35:34,000
Speaker 5: you stay booked. You like Frankie Beverley. So I always

820
00:35:34,000 --> 00:35:36,880
Speaker 5: looked at Maids as somebody that I wanted to be like.

821
00:35:37,280 --> 00:35:39,600
Speaker 5: That's why I got a band, because I feel like

822
00:35:39,640 --> 00:35:43,040
Speaker 5: they had the best band, that live band on stage.

823
00:35:43,040 --> 00:35:48,120
Speaker 5: If you've never seen anybody perform, trust me, nobody's touching them.

824
00:35:48,600 --> 00:35:50,760
Speaker 5: And we miss him. We miss him in New Orleans,

825
00:35:50,840 --> 00:35:55,680
Speaker 5: take it, take it to heart. Uh but wise the

826
00:35:55,680 --> 00:35:58,120
Speaker 5: superfessor in New Orleans super we ain't.

827
00:35:57,960 --> 00:36:00,600
Speaker 10: See Maids first. We grew up with Maids. Your mama

828
00:36:00,600 --> 00:36:01,400
Speaker 10: cleaned your house.

829
00:36:03,160 --> 00:36:07,960
Speaker 5: At the single in New Orleans, he said, famous word.

830
00:36:08,000 --> 00:36:09,560
Speaker 5: He said, why would you do a live album in

831
00:36:09,600 --> 00:36:11,640
Speaker 5: New Orleans said, I said, well why not? You did?

832
00:36:12,520 --> 00:36:15,759
Speaker 5: That's that's law. That is Martin Luther King sayings and

833
00:36:15,800 --> 00:36:16,320
Speaker 5: that's next.

834
00:36:19,320 --> 00:36:21,399
Speaker 3: Listen how many times had somebody actually paid your back?

835
00:36:21,400 --> 00:36:32,560
Speaker 11: And Jesus my wife for my personal bitness in the street.

836
00:36:34,360 --> 00:36:39,640
Speaker 5: Man all the time. This album, yeah, I start on

837
00:36:39,760 --> 00:36:43,080
Speaker 5: April April second. I've been promoting it for a couple

838
00:36:43,120 --> 00:36:45,400
Speaker 5: of months now. My guy's gonna come out. I've been

839
00:36:45,440 --> 00:36:46,960
Speaker 5: trying to get him on the whole day.

840
00:36:47,480 --> 00:36:49,080
Speaker 2: I'm gonna do some date something out here.

841
00:36:49,680 --> 00:36:50,239
Speaker 3: You know what.

842
00:36:51,920 --> 00:36:55,000
Speaker 1: A couple he just thought, I said, Jesus man, he

843
00:36:55,080 --> 00:36:58,280
Speaker 1: just doing everything Africa.

844
00:36:58,600 --> 00:36:59,960
Speaker 3: DJ for eighty everybody.

845
00:37:00,160 --> 00:37:01,879
Speaker 2: Yes, sir, yes, sir, yes sir.

846
00:37:02,640 --> 00:37:04,279
Speaker 5: That he makes it, he get his money.

847
00:37:04,400 --> 00:37:05,080
Speaker 2: I'm out here.

848
00:37:06,920 --> 00:37:08,359
Speaker 3: The record one more round, right.

849
00:37:08,480 --> 00:37:11,239
Speaker 6: It's such a different sound, but it feels like it

850
00:37:11,280 --> 00:37:13,359
Speaker 6: feels like you know that that that that's summer and soul,

851
00:37:13,480 --> 00:37:15,120
Speaker 6: that's coming from South Carolina right now.

852
00:37:15,239 --> 00:37:18,800
Speaker 5: That that's why No, no, my god, my guy brig

853
00:37:18,840 --> 00:37:21,799
Speaker 5: from Nashville. Right from my relationship with Nashville is high

854
00:37:21,840 --> 00:37:23,200
Speaker 5: and back that the ash up because that's where we

855
00:37:23,320 --> 00:37:28,640
Speaker 5: recorded them. An so I always Nashville, man, always feel

856
00:37:28,680 --> 00:37:32,920
Speaker 5: like that's home for me. So Nashville always felt like

857
00:37:33,200 --> 00:37:35,279
Speaker 5: I'm one of them. So I said, you know what,

858
00:37:35,320 --> 00:37:39,800
Speaker 5: I'm gonna do a song directly strictly for Nashville. And

859
00:37:40,000 --> 00:37:41,800
Speaker 5: I got my guy bre on that doing that. He

860
00:37:41,840 --> 00:37:43,680
Speaker 5: did this thing, They did the track and everything for me.

861
00:37:43,719 --> 00:37:46,160
Speaker 5: They mix, they did everything. I just rapped on it

862
00:37:46,239 --> 00:37:49,040
Speaker 5: and it came when I heard I said, damn, it

863
00:37:49,080 --> 00:37:51,719
Speaker 5: does have that Southern It does have that feel too.

864
00:37:52,760 --> 00:37:54,799
Speaker 5: When you're making music, you never know how it's gonna

865
00:37:54,800 --> 00:37:57,239
Speaker 5: come out until you finish. So it was one of

866
00:37:57,280 --> 00:37:59,560
Speaker 5: them things. People gonna have the analysis of it and

867
00:38:00,080 --> 00:38:01,160
Speaker 5: hopefully they all like it.

868
00:38:01,280 --> 00:38:02,200
Speaker 3: You may get record like that.

869
00:38:02,440 --> 00:38:02,640
Speaker 4: Yeah.

870
00:38:02,880 --> 00:38:07,319
Speaker 2: Yeah. Just the crazy thing is the dude Raymond, that's

871
00:38:07,360 --> 00:38:08,239
Speaker 2: my Roaldy. You know.

872
00:38:08,320 --> 00:38:10,480
Speaker 10: He was just kind of singing around, you know, and

873
00:38:10,480 --> 00:38:12,360
Speaker 10: I'm like, bro, you really you know, you really know

874
00:38:12,400 --> 00:38:14,759
Speaker 10: what you're doing. So I just started cutting songs like

875
00:38:14,800 --> 00:38:16,799
Speaker 10: that on him and you're doing they coming out and

876
00:38:16,840 --> 00:38:20,600
Speaker 10: I'm like yeah, and I'm like yeah, and that's that's fun.

877
00:38:20,360 --> 00:38:22,600
Speaker 2: For me when it's musicianship in it, you know what

878
00:38:22,680 --> 00:38:23,080
Speaker 2: I'm saying.

879
00:38:23,120 --> 00:38:25,239
Speaker 10: And I'm like, bro, I kind of this this is

880
00:38:25,320 --> 00:38:27,440
Speaker 10: my lane right now, so you're gonna hear a lot of.

881
00:38:27,360 --> 00:38:27,840
Speaker 2: Them from me.

882
00:38:27,960 --> 00:38:30,640
Speaker 7: Bro, you said we might be getting to catch Money

883
00:38:31,000 --> 00:38:33,120
Speaker 7: No Limit tour. That's happening.

884
00:38:33,520 --> 00:38:36,680
Speaker 10: Yeah, that could happen, could have been. Yeah, I mean

885
00:38:36,719 --> 00:38:38,440
Speaker 10: we negotiations.

886
00:38:37,960 --> 00:38:46,960
Speaker 5: Negotiating, negotiations, paid until we get that bag.

887
00:38:47,960 --> 00:38:51,839
Speaker 3: Congrat We barely got the verses. How a y'all gonna

888
00:38:51,840 --> 00:38:52,040
Speaker 3: do it?

889
00:38:52,600 --> 00:38:53,120
Speaker 4: I mean.

890
00:38:55,040 --> 00:38:59,760
Speaker 1: Money, money, goodness.

891
00:39:00,320 --> 00:39:02,480
Speaker 7: Everybody we expected to see the verses will be on

892
00:39:02,520 --> 00:39:03,600
Speaker 7: this tour coming.

893
00:39:03,719 --> 00:39:12,880
Speaker 5: We come to Breakfast Club to elevate our.

894
00:39:10,760 --> 00:39:12,319
Speaker 6: I just remember when I heard you say. I think

895
00:39:12,320 --> 00:39:14,040
Speaker 6: it was with the drink chances somewhere. You was like,

896
00:39:14,080 --> 00:39:16,040
Speaker 6: you almost didn't do verse im.

897
00:39:17,600 --> 00:39:20,240
Speaker 5: Wait wait, wait, hold up. I'm the biggest little Wayne

898
00:39:20,280 --> 00:39:21,880
Speaker 5: fan als. I don't know if you've seen me. Our

899
00:39:21,880 --> 00:39:23,719
Speaker 5: campaign all the time is I think Wayne is the

900
00:39:23,760 --> 00:39:26,279
Speaker 5: greatest rapper of all time. I don't care who they say.

901
00:39:26,520 --> 00:39:28,759
Speaker 5: I always put him at one. You know when we

902
00:39:28,800 --> 00:39:31,120
Speaker 5: ain't on show up, you damn right. I got a problem.

903
00:39:32,000 --> 00:39:34,920
Speaker 5: You know how we gonna do a cash Money versus

904
00:39:34,960 --> 00:39:37,879
Speaker 5: No Limit and we won't have our machine, we don't

905
00:39:37,880 --> 00:39:40,560
Speaker 5: have our woozie with us. I was like, look, and

906
00:39:40,640 --> 00:39:42,160
Speaker 5: we ain't going to do it. I ain't doing it,

907
00:39:42,320 --> 00:39:44,439
Speaker 5: But my man Swiss Beast shot out the Swiss Beast

908
00:39:44,760 --> 00:39:48,359
Speaker 5: and Timlin. They called me and gave me along, give

909
00:39:48,400 --> 00:39:50,359
Speaker 5: me a long speech on why I should do it,

910
00:39:50,480 --> 00:39:51,920
Speaker 5: and I thought about it. I said, you know what,

911
00:39:52,040 --> 00:39:53,520
Speaker 5: I'm gonna go ahead on and do it, especially when

912
00:39:53,520 --> 00:39:55,200
Speaker 5: I found out what the reasons was my guy in

913
00:39:55,239 --> 00:39:55,600
Speaker 5: show up.

914
00:39:56,440 --> 00:39:59,960
Speaker 8: I'm fans fans, Yeah.

915
00:39:59,320 --> 00:40:01,240
Speaker 5: But I wish we would have did it in New Orleans.

916
00:40:01,360 --> 00:40:05,440
Speaker 5: So that's why we still should be having it. We

917
00:40:05,480 --> 00:40:08,400
Speaker 5: still we still got more verses to do because it

918
00:40:08,480 --> 00:40:09,880
Speaker 5: definitely should have happened in New Orleans.

919
00:40:10,239 --> 00:40:11,760
Speaker 3: You swised that record after the verses.

920
00:40:12,760 --> 00:40:14,600
Speaker 5: No, no, it was before the record.

921
00:40:15,200 --> 00:40:16,200
Speaker 8: This is what I can't wait for.

922
00:40:16,239 --> 00:40:17,960
Speaker 9: I can't wait for the tour because look, yo, I

923
00:40:18,040 --> 00:40:20,520
Speaker 9: was on I've never seen nothing like this I saw.

924
00:40:20,960 --> 00:40:23,320
Speaker 9: I did a couple of shows with you. I'm happyest

925
00:40:23,320 --> 00:40:24,920
Speaker 9: hell that I got to do that. But I was

926
00:40:24,960 --> 00:40:27,480
Speaker 9: at one of the stops. They had messed up your

927
00:40:27,560 --> 00:40:29,640
Speaker 9: sound and you had a lot you was headlining, so

928
00:40:29,719 --> 00:40:32,160
Speaker 9: you did like you close out the show. You were

929
00:40:32,200 --> 00:40:34,200
Speaker 9: so mad, you was like, fuck it, y'all, can just

930
00:40:34,239 --> 00:40:36,799
Speaker 9: cut it off, and you performed the rest of your

931
00:40:37,600 --> 00:40:40,439
Speaker 9: fella and everybody was singing with.

932
00:40:40,360 --> 00:40:40,759
Speaker 5: You like.

933
00:40:42,840 --> 00:40:45,440
Speaker 8: One of the guys, and everybody was crazy.

934
00:40:45,640 --> 00:40:48,560
Speaker 9: This man performed like what nine ten songs without the

935
00:40:48,680 --> 00:40:50,440
Speaker 9: music and everybody was singing.

936
00:40:50,600 --> 00:40:52,680
Speaker 5: I was like, oh, this is great now, see that's

937
00:40:52,719 --> 00:40:53,279
Speaker 5: what I need.

938
00:40:53,360 --> 00:40:54,560
Speaker 3: You know that.

939
00:40:59,440 --> 00:40:59,919
Speaker 4: Y'all heard.

940
00:41:00,360 --> 00:41:04,480
Speaker 5: Go find my tickets. Man, I'm gonna save my damn.

941
00:41:04,160 --> 00:41:14,080
Speaker 1: Song comes out when Congratulations come out again. The twenty seventh, Yes.

942
00:41:14,040 --> 00:41:16,560
Speaker 5: Don't Say Nope album, the twenty six at twelve o'clock.

943
00:41:16,600 --> 00:41:18,960
Speaker 1: All right, the twenty six by the twenty sixth, the

944
00:41:19,000 --> 00:41:21,680
Speaker 1: twenty sixth at midnight. Make sure you get the album

945
00:41:21,880 --> 00:41:24,080
Speaker 1: and check out their podcast. Will for the podcast. Will

946
00:41:24,080 --> 00:41:24,960
Speaker 1: appreciate you guys.

947
00:41:24,800 --> 00:41:25,200
Speaker 2: For doing that.

948
00:41:25,480 --> 00:41:26,640
Speaker 3: Represent for the older folks.

949
00:41:26,680 --> 00:41:28,080
Speaker 5: Man, Yeah, man, I got you.

950
00:41:28,680 --> 00:41:30,879
Speaker 6: You got all over my sweater. You want your head

951
00:41:30,880 --> 00:41:34,479
Speaker 6: full of your ass, You're gonna find out, like yeah,

952
00:41:34,840 --> 00:41:35,560
Speaker 6: don't talking.

953
00:41:35,320 --> 00:41:35,879
Speaker 4: About it right.

954
00:41:40,280 --> 00:41:41,879
Speaker 5: One. You want a young nigga around on the full,

955
00:41:42,160 --> 00:41:43,760
Speaker 5: or you want to grown man, you can drop polling.

956
00:41:48,160 --> 00:41:49,800
Speaker 5: That's the one talking about.

957
00:41:51,760 --> 00:41:55,520
Speaker 1: Is Manny Fresh. It's the breakfast Club. Good morning, hold.

958
00:41:55,440 --> 00:41:58,799
Speaker 6: Up every day a week, click your ass up the

959
00:41:58,840 --> 00:41:59,640
Speaker 6: Breakfast Club.

960
00:41:59,840 --> 00:42:01,040
Speaker 2: You're finished with your dumb