1 00:00:03,520 --> 00:00:07,040 Speaker 1: Welcome to the Bloomberg Law Podcast. I'm June Grosso. Every 2 00:00:07,120 --> 00:00:09,680 Speaker 1: day we bring you insight an analysis into the most 3 00:00:09,720 --> 00:00:12,200 Speaker 1: important legal news of the day. You can find more 4 00:00:12,240 --> 00:00:16,120 Speaker 1: episodes of the Bloomberg Law Podcast on Apple Podcasts, SoundCloud 5 00:00:16,280 --> 00:00:20,000 Speaker 1: and on Bloomberg dot com, Slash Podcasts, Real Estate Air. 6 00:00:20,160 --> 00:00:23,480 Speaker 1: Robert Durst has been investigated for the murders of three people, 7 00:00:23,840 --> 00:00:27,800 Speaker 1: including his first wife, who disappeared in two in New York. 8 00:00:28,360 --> 00:00:31,920 Speaker 1: Durst was the subject of books, movies, Law and Order episodes, 9 00:00:31,960 --> 00:00:37,360 Speaker 1: and the award winning HBO documentary The Jinks The Life 10 00:00:37,400 --> 00:00:40,440 Speaker 1: and Deaths of Robert Durst, in which Durst spoke to 11 00:00:40,440 --> 00:00:44,280 Speaker 1: the filmmakers he belongs to one of the richest families 12 00:00:44,280 --> 00:00:46,600 Speaker 1: in New York City, might be a little eccentric. I 13 00:00:46,600 --> 00:00:48,680 Speaker 1: think Bob is very smart. I mean, he's managed to 14 00:00:48,680 --> 00:00:52,600 Speaker 1: get away with three murders. Why did he do this? 15 00:00:52,800 --> 00:00:54,680 Speaker 1: No one knows. Why was he dressed like a woman? 16 00:00:54,760 --> 00:00:57,360 Speaker 1: No one knows. Only witness left alive to even talk 17 00:00:57,400 --> 00:01:01,320 Speaker 1: about it? Is Robert Durst not tell the whole truth? 18 00:01:01,400 --> 00:01:05,480 Speaker 1: Nobody tells the whole truth. That documentary series not only 19 00:01:05,520 --> 00:01:08,760 Speaker 1: told the story of durst past, it's having a profound 20 00:01:08,800 --> 00:01:12,440 Speaker 1: effect on his future. The FBI arrested Durst for the 21 00:01:12,520 --> 00:01:16,080 Speaker 1: murder of his longtime friends Susan Burman on the night 22 00:01:16,120 --> 00:01:20,000 Speaker 1: before the last episode of The Jinks aired. In that episode, 23 00:01:20,080 --> 00:01:23,360 Speaker 1: Durst is confronted with a crucial piece of evidence, a 24 00:01:23,480 --> 00:01:26,600 Speaker 1: letter he'd sent to Burman, a letter the filmmakers had 25 00:01:26,640 --> 00:01:30,000 Speaker 1: obtained and turned over to police because of its similarity 26 00:01:30,040 --> 00:01:33,480 Speaker 1: to an anonymous letter about the murder. Durst murder trial 27 00:01:33,560 --> 00:01:36,640 Speaker 1: is set for January, but in pre trial maneuvers. His 28 00:01:36,760 --> 00:01:39,560 Speaker 1: lawyers tried to convince the Los Angeles judge that the 29 00:01:39,640 --> 00:01:43,280 Speaker 1: case against him is tainted by corrupt ties between police 30 00:01:43,319 --> 00:01:47,600 Speaker 1: and the filmmakers, saying the filmmakers collaborated with investigators more 31 00:01:47,640 --> 00:01:51,320 Speaker 1: than thirty times, but the judge ruled against them on Wednesday, 32 00:01:51,720 --> 00:01:55,200 Speaker 1: joining me as former federal prosecutor Laurie Levinson, a professor 33 00:01:55,240 --> 00:01:57,960 Speaker 1: at Loyala Law School. Laurie the judge said this was 34 00:01:58,000 --> 00:02:01,360 Speaker 1: an issue of first impression. Will you explain the argument 35 00:02:01,400 --> 00:02:04,320 Speaker 1: that Durst lawyers made, Well, this is the first time 36 00:02:04,320 --> 00:02:07,360 Speaker 1: a judge is seen exactly this type of argument. Durst 37 00:02:07,440 --> 00:02:10,560 Speaker 1: lawyers are arguing that basically the producers of the show 38 00:02:10,600 --> 00:02:13,960 Speaker 1: we're working for the police, and that they don't have 39 00:02:14,040 --> 00:02:18,120 Speaker 1: a separate journalist privilege for being an independent journalists, and 40 00:02:18,160 --> 00:02:20,240 Speaker 1: therefore that they should be able to give all of 41 00:02:20,280 --> 00:02:23,720 Speaker 1: the research material and background and out takes that the 42 00:02:23,720 --> 00:02:27,120 Speaker 1: producers have. The producers are saying, no way, we didn't 43 00:02:27,160 --> 00:02:30,240 Speaker 1: work for the police. We may have cooperated, but that 44 00:02:30,360 --> 00:02:34,160 Speaker 1: doesn't mean we lose our news reporter privilege. So I've 45 00:02:34,160 --> 00:02:37,639 Speaker 1: been involved in making documentaries about crimes and murder trials 46 00:02:37,680 --> 00:02:41,040 Speaker 1: and you often interview police or even get information that 47 00:02:41,160 --> 00:02:44,400 Speaker 1: couldn't be presented at trial. But was the making of 48 00:02:44,440 --> 00:02:48,520 Speaker 1: the Jinks different from that? Did they go a little further? Well, 49 00:02:48,560 --> 00:02:51,720 Speaker 1: the defense is claiming Durst lawyer claiming that this was 50 00:02:51,800 --> 00:02:56,000 Speaker 1: all basically collaborative between the police and the producers, that 51 00:02:56,120 --> 00:02:58,840 Speaker 1: the filmmakers in order to make and you know, a 52 00:02:58,880 --> 00:03:03,400 Speaker 1: winning document, unery or movie, needed the police's cooperation, and 53 00:03:03,440 --> 00:03:05,920 Speaker 1: the police will relying on them to get information that 54 00:03:06,000 --> 00:03:09,640 Speaker 1: they could use in the investigation and prosecution. Judge Mark 55 00:03:09,720 --> 00:03:13,440 Speaker 1: Wyndham said that Durst had not shown that the production 56 00:03:13,520 --> 00:03:16,880 Speaker 1: company became so entangled with l A law enforcement that 57 00:03:16,919 --> 00:03:19,840 Speaker 1: they should be treated like government agents. But can they 58 00:03:19,880 --> 00:03:24,079 Speaker 1: still use that theory at trial to challenge evidence like 59 00:03:24,320 --> 00:03:28,240 Speaker 1: the letter that the filmmakers found from Durst to Berman. 60 00:03:28,800 --> 00:03:30,440 Speaker 1: I don't think that they'll be able to use it 61 00:03:30,520 --> 00:03:33,280 Speaker 1: to challenge the admissibility of the evidence like the letter. 62 00:03:33,400 --> 00:03:35,400 Speaker 1: What they will be able to use it is in 63 00:03:35,520 --> 00:03:39,200 Speaker 1: cross examining anybody who takes the stand to see what 64 00:03:39,240 --> 00:03:43,280 Speaker 1: their relationship was with the filmmakers and what their motive was, 65 00:03:43,400 --> 00:03:45,720 Speaker 1: and whether they might have actually taken things out of 66 00:03:45,720 --> 00:03:49,160 Speaker 1: control or even created evidence in order to promote both 67 00:03:49,160 --> 00:03:52,680 Speaker 1: the film and the police effort. In the final episode 68 00:03:52,840 --> 00:03:57,360 Speaker 1: of the documentary, Durst goes into a bathroom, apparently unaware 69 00:03:57,400 --> 00:03:59,920 Speaker 1: that he's still wearing a microphone, and he appears to 70 00:04:00,040 --> 00:04:03,320 Speaker 1: confessed to murder. Here's part of that. You're all right 71 00:04:10,320 --> 00:04:17,720 Speaker 1: it is that confession admissible in this case? Are there 72 00:04:17,760 --> 00:04:21,520 Speaker 1: any problems with it? Well, it's you know, probably admissible 73 00:04:21,600 --> 00:04:25,159 Speaker 1: because nobody forced him to make that statement. He wasn't 74 00:04:25,160 --> 00:04:28,480 Speaker 1: being interrogated. He made an off hand remark. He just 75 00:04:28,520 --> 00:04:31,159 Speaker 1: doesn't realize or he didn't realize at the time that 76 00:04:31,240 --> 00:04:34,120 Speaker 1: he was might it wasn't wise, but it doesn't make 77 00:04:34,160 --> 00:04:37,120 Speaker 1: it illegal. My big question, however, is how much is 78 00:04:37,160 --> 00:04:40,480 Speaker 1: it worth because there's is an odd fellow to put 79 00:04:40,520 --> 00:04:43,760 Speaker 1: it mildly, and he could be just saying, look, I 80 00:04:43,880 --> 00:04:46,640 Speaker 1: was saying things. They didn't mean anything. This wasn't a 81 00:04:46,720 --> 00:04:49,279 Speaker 1: confession where I sat down and said here's who I 82 00:04:49,360 --> 00:04:51,800 Speaker 1: killed and here's how I killed them, and that it's 83 00:04:51,839 --> 00:04:54,919 Speaker 1: just being taken out of context. So he didn't realize 84 00:04:54,960 --> 00:04:57,600 Speaker 1: that he was still might, which has happened to a 85 00:04:57,600 --> 00:05:00,359 Speaker 1: lot of people. But he seems so care full in 86 00:05:00,400 --> 00:05:03,400 Speaker 1: this that it seemed odd that he wouldn't know that. Well, 87 00:05:03,440 --> 00:05:05,479 Speaker 1: it does seem odd. I mean, he didn't realize it 88 00:05:05,520 --> 00:05:07,640 Speaker 1: was a hot bike and he sort of muttered, there 89 00:05:07,640 --> 00:05:11,600 Speaker 1: it is. You're caught killed them all of course, and 90 00:05:11,640 --> 00:05:14,479 Speaker 1: again he will try to say, you know, this was 91 00:05:14,560 --> 00:05:17,520 Speaker 1: just sort of play acting, or I was frustrated, or 92 00:05:17,560 --> 00:05:20,240 Speaker 1: I was confused. They'll be up to the jury to 93 00:05:20,320 --> 00:05:23,080 Speaker 1: interpret it. I think for Durst, one of the hardest 94 00:05:23,120 --> 00:05:27,279 Speaker 1: things is actually Durst. Different people react to just his presence, 95 00:05:27,440 --> 00:05:29,880 Speaker 1: and some people get a very cold feeling by seeing 96 00:05:29,960 --> 00:05:33,520 Speaker 1: him and others don't. Now that shouldn't determine a murder case, 97 00:05:33,920 --> 00:05:37,119 Speaker 1: but the courtroom is theater and he's part of that theater. 98 00:05:37,680 --> 00:05:40,000 Speaker 1: Do you think Durst is likely to take the stand 99 00:05:40,080 --> 00:05:42,960 Speaker 1: in his own defense. Since he's already said so much 100 00:05:43,000 --> 00:05:46,000 Speaker 1: to filmmakers on tape, and he testified in his own 101 00:05:46,000 --> 00:05:48,880 Speaker 1: defense at his last trial. It's hard to say it's 102 00:05:48,960 --> 00:05:52,200 Speaker 1: absolutely his choice. I could imagine that his lawyers saying, 103 00:05:52,240 --> 00:05:55,240 Speaker 1: this is very risky for you to take the witness stand. 104 00:05:55,240 --> 00:05:59,000 Speaker 1: They have so much ammunition, including those taped the statements 105 00:05:59,040 --> 00:06:02,480 Speaker 1: during the taping, to use against you. But Durst will 106 00:06:02,560 --> 00:06:05,800 Speaker 1: do what Durst wants to do. He was acquitted in 107 00:06:06,120 --> 00:06:10,039 Speaker 1: two thousand three of the murder of his neighbor in Galveston, Texas. 108 00:06:10,800 --> 00:06:14,280 Speaker 1: Does that indicate that he might actually be believable to 109 00:06:14,360 --> 00:06:17,320 Speaker 1: a jury. Well, he might be. In fact, a lot 110 00:06:17,400 --> 00:06:19,240 Speaker 1: of people shake their head and say, how do you 111 00:06:19,279 --> 00:06:22,040 Speaker 1: get acquitted in a case where you admit you've chopped 112 00:06:22,120 --> 00:06:24,880 Speaker 1: up the body? Um? But he argued that he acted 113 00:06:24,880 --> 00:06:28,400 Speaker 1: in self defense. So obviously he has a compelling story 114 00:06:28,440 --> 00:06:31,080 Speaker 1: when he gives it, and he has a very very 115 00:06:31,120 --> 00:06:34,440 Speaker 1: good lawyer. Tell me a little bit about his lawyer. Well, 116 00:06:34,440 --> 00:06:37,320 Speaker 1: his lawyer, Mr Jan Garon is known as somebody who 117 00:06:37,320 --> 00:06:40,560 Speaker 1: goes all out very zealous for his client, and even 118 00:06:40,600 --> 00:06:43,719 Speaker 1: if his client is not that credible. The garon believes 119 00:06:43,760 --> 00:06:46,479 Speaker 1: that he will be in front of the jury. How 120 00:06:46,560 --> 00:06:49,880 Speaker 1: difficult will the case be for the prosecution? Some up 121 00:06:50,000 --> 00:06:53,680 Speaker 1: the evidence they have. They have to trace events dating 122 00:06:53,720 --> 00:06:56,960 Speaker 1: back to the days of disco. Right, this isn't a 123 00:06:57,080 --> 00:07:01,320 Speaker 1: slam case. The prosecution does have a compelling, you know, 124 00:07:01,440 --> 00:07:04,880 Speaker 1: a circumstantial evidence, which is every bit as admissible and 125 00:07:05,320 --> 00:07:08,039 Speaker 1: useful in the courtroom. But what they have that is 126 00:07:08,080 --> 00:07:11,520 Speaker 1: particularly compelling are the letters where you have the same 127 00:07:11,560 --> 00:07:16,000 Speaker 1: misspelling on the Beverly Hills. They have again durst statement 128 00:07:16,120 --> 00:07:19,440 Speaker 1: during the filming, we have his motive, and then they 129 00:07:19,480 --> 00:07:22,560 Speaker 1: traced all of his actions to show that he likely 130 00:07:22,760 --> 00:07:26,040 Speaker 1: was in Los Angeles when the death occurred. This has 131 00:07:26,080 --> 00:07:31,000 Speaker 1: been described as an execution style killing. Will Durst pass 132 00:07:31,160 --> 00:07:34,360 Speaker 1: come up to show that he's capable of that? The 133 00:07:34,400 --> 00:07:37,200 Speaker 1: prosecutors will try very hard to get his passed in 134 00:07:37,720 --> 00:07:40,480 Speaker 1: to sort of say this lays the groundwork for why 135 00:07:40,600 --> 00:07:43,320 Speaker 1: he would commit this crime. We're not simply saying that 136 00:07:43,640 --> 00:07:46,600 Speaker 1: because he might have done bad things before, even if 137 00:07:46,640 --> 00:07:49,480 Speaker 1: not convicted of him, he did him again. But here 138 00:07:49,560 --> 00:07:53,320 Speaker 1: is somebody who has a pattern of behavior, and so 139 00:07:53,360 --> 00:07:55,480 Speaker 1: I think they'll try to get it in how much 140 00:07:55,560 --> 00:07:57,680 Speaker 1: the court will allow. We'll have to wait and see. 141 00:07:58,120 --> 00:08:01,760 Speaker 1: Did you watch the series yourself. I watched portions of it. 142 00:08:01,800 --> 00:08:04,920 Speaker 1: I certainly watched the portion where they had this outtake 143 00:08:05,000 --> 00:08:08,640 Speaker 1: of him making these remarks. And you know, again, I 144 00:08:08,680 --> 00:08:11,520 Speaker 1: think that in itself will not win the case for 145 00:08:11,560 --> 00:08:15,120 Speaker 1: the prosecutor. I think that it's less than the misspelling 146 00:08:15,160 --> 00:08:19,560 Speaker 1: of Beverly on the envelope, But every single part matters. 147 00:08:20,080 --> 00:08:22,120 Speaker 1: So looking at this, and I know this is a 148 00:08:22,160 --> 00:08:24,640 Speaker 1: hard call, but which side do you think has the 149 00:08:24,680 --> 00:08:28,080 Speaker 1: advantage in this case? I think the prosecutor has a 150 00:08:28,080 --> 00:08:30,560 Speaker 1: lot of strong evidence, but they also have the burden, 151 00:08:30,720 --> 00:08:33,440 Speaker 1: and the burden is proof beyond a resonable doubt. And 152 00:08:33,600 --> 00:08:36,600 Speaker 1: especially here in Los Angeles, we have seen cases and 153 00:08:36,720 --> 00:08:40,240 Speaker 1: I need I remind anybody of the famous o J 154 00:08:40,480 --> 00:08:44,000 Speaker 1: one where people had DNA and it came back with 155 00:08:44,080 --> 00:08:47,080 Speaker 1: an acquittal. So even though I think the prosecutors have 156 00:08:47,160 --> 00:08:51,800 Speaker 1: done a tremendous job of investigating and interviewing and finding 157 00:08:51,840 --> 00:08:55,800 Speaker 1: everything they can, in the end, they don't have a 158 00:08:55,920 --> 00:08:59,440 Speaker 1: video of this crime occurring. And some jurors might demand 159 00:08:59,480 --> 00:09:03,160 Speaker 1: that it's going to be a fascinating trial and we'll 160 00:09:03,160 --> 00:09:05,880 Speaker 1: talk more about it. Thanks so much for coming on again. Laurie. 161 00:09:06,080 --> 00:09:08,760 Speaker 1: That's Laurie Levin since she's a former federal prosecutor and 162 00:09:08,840 --> 00:09:14,240 Speaker 1: she is a professor at Loyola Law School. Thanks for 163 00:09:14,320 --> 00:09:17,520 Speaker 1: listening to the Bloomberg Law Podcast. You can subscribe and 164 00:09:17,640 --> 00:09:20,880 Speaker 1: listen to the show on Apple Podcasts, SoundCloud, and on 165 00:09:20,960 --> 00:09:25,680 Speaker 1: bloomberg dot com slash podcast. I'm June Bosso. This is 166 00:09:25,720 --> 00:09:26,320 Speaker 1: Bloomberg