1 00:00:00,520 --> 00:00:03,120 Speaker 1: It is time now for today's Strawberry Letter. And if 2 00:00:03,120 --> 00:00:06,520 Speaker 1: you need advice on relationships, work, sex, parenting, and more, 3 00:00:06,880 --> 00:00:11,280 Speaker 1: please submit your Strawberry Letter to STEVEHARVEYFM dot com and 4 00:00:11,400 --> 00:00:14,560 Speaker 1: click submit Strawberry Letter. We could be reading your letter 5 00:00:14,760 --> 00:00:16,920 Speaker 1: live on the air, just like we're going to read 6 00:00:16,920 --> 00:00:18,320 Speaker 1: this one right there, right now. 7 00:00:18,320 --> 00:00:20,920 Speaker 2: Now. That's for you, Jay, You never know it could 8 00:00:21,000 --> 00:00:24,680 Speaker 2: be yours. You never know, You never know. Buckle up 9 00:00:24,680 --> 00:00:26,440 Speaker 2: and hold on tight. We got it for you here. 10 00:00:26,440 --> 00:00:27,880 Speaker 2: It is the Strawberry Letter. 11 00:00:28,360 --> 00:00:32,519 Speaker 1: Subject the Hood, the Bad, and the Bougie. Dear Stephen Shirley, 12 00:00:32,800 --> 00:00:36,839 Speaker 1: I met a very beautiful woman that is hood and bougie. 13 00:00:36,880 --> 00:00:40,040 Speaker 1: She's a bad dresser, she has a bad figure, she's 14 00:00:40,080 --> 00:00:42,840 Speaker 1: got a bad ride, and she's got a mean walk. 15 00:00:43,280 --> 00:00:46,280 Speaker 2: I mean bad as in good, Steve, real good. 16 00:00:46,680 --> 00:00:48,879 Speaker 1: We met at a lounge and she stood out from 17 00:00:48,920 --> 00:00:52,519 Speaker 1: her group of girlfriends. She was poised and graceful, and 18 00:00:52,560 --> 00:00:55,160 Speaker 1: I watched her sib wine while her friends were all 19 00:00:55,360 --> 00:00:59,800 Speaker 1: loudly chanting and taking shots. She walked past me to 20 00:00:59,840 --> 00:01:02,440 Speaker 1: get to the bar, and I followed her. Though I 21 00:01:02,480 --> 00:01:05,959 Speaker 1: could buy her a drink, hell, I bought her a 22 00:01:06,040 --> 00:01:09,279 Speaker 1: whole bottle We sat at the bar and talked the minute, 23 00:01:09,319 --> 00:01:11,199 Speaker 1: and she gave me a business card so I could 24 00:01:11,200 --> 00:01:14,280 Speaker 1: come buy her nail salon and get a manicure. I 25 00:01:14,360 --> 00:01:16,679 Speaker 1: walked her to her car and she kissed me on 26 00:01:16,720 --> 00:01:19,640 Speaker 1: the cheek. I was in heaven, and as soon as 27 00:01:19,640 --> 00:01:23,119 Speaker 1: the nail salon opened, I called to make an appointment. 28 00:01:23,520 --> 00:01:26,520 Speaker 1: I knew the salon wasn't in the best part of town, 29 00:01:26,840 --> 00:01:29,840 Speaker 1: but I still wanted to see my girl again. When 30 00:01:29,880 --> 00:01:32,560 Speaker 1: I walked in, the receptionist looked at me like I 31 00:01:32,640 --> 00:01:35,440 Speaker 1: was lost. She rolled her eyes and she pointed to 32 00:01:35,520 --> 00:01:39,000 Speaker 1: my girl. My girl looked totally different from the night before. 33 00:01:39,319 --> 00:01:41,760 Speaker 1: Her hair was in corn rows and she had on 34 00:01:41,800 --> 00:01:44,959 Speaker 1: a body suit and some air Jordan's. She was loud 35 00:01:45,040 --> 00:01:47,560 Speaker 1: and cursed a lot as she did my nails. She 36 00:01:47,680 --> 00:01:51,000 Speaker 1: referred to me as her inWORD when other ladies commented 37 00:01:51,040 --> 00:01:54,520 Speaker 1: on me being in the salon. She was so hood 38 00:01:54,640 --> 00:01:57,160 Speaker 1: in the hood, and it was amazing to see this 39 00:01:57,280 --> 00:01:59,640 Speaker 1: side of her. We've been hanging out a lot, and 40 00:01:59,680 --> 00:02:02,200 Speaker 1: she first to eat soul food and wings most of 41 00:02:02,240 --> 00:02:04,800 Speaker 1: the time, so I had to adjust to that and 42 00:02:04,880 --> 00:02:09,079 Speaker 1: take an assets at Nahis. At this point, I will 43 00:02:09,080 --> 00:02:11,640 Speaker 1: do whatever this girl wants to do because the sex 44 00:02:11,720 --> 00:02:13,280 Speaker 1: is off the chain, and I have a lot of 45 00:02:13,320 --> 00:02:15,480 Speaker 1: fun with her, even though I have to keep my 46 00:02:15,560 --> 00:02:17,600 Speaker 1: pistol on meat when I'm in her neighborhood. 47 00:02:17,760 --> 00:02:21,000 Speaker 2: Am I crazy to be falling for this woman? Nope? 48 00:02:21,040 --> 00:02:23,359 Speaker 2: Not at all. I mean, why would you even say that. 49 00:02:24,560 --> 00:02:26,920 Speaker 1: One thing for sure is that the heart wants what 50 00:02:27,080 --> 00:02:30,000 Speaker 1: the heart wants. It doesn't matter if this girl is hood, 51 00:02:30,040 --> 00:02:32,760 Speaker 1: if she's rocking corn rows, calling you her in word, 52 00:02:32,880 --> 00:02:35,040 Speaker 1: and cursing a lot while she's doing your nails, you 53 00:02:35,120 --> 00:02:37,120 Speaker 1: really like her and you want to be with her. 54 00:02:37,200 --> 00:02:40,120 Speaker 1: It's all in the letter. I mean, just know that 55 00:02:40,200 --> 00:02:42,560 Speaker 1: this is who she is and what she does, and 56 00:02:42,680 --> 00:02:45,280 Speaker 1: don't try to change her. All right, this is who 57 00:02:45,320 --> 00:02:48,200 Speaker 1: she is and that's okay. You need to decide and 58 00:02:48,240 --> 00:02:50,200 Speaker 1: think about what your future is going to look like 59 00:02:50,320 --> 00:02:52,880 Speaker 1: with her, and you got to ask yourself some questions. 60 00:02:52,919 --> 00:02:55,200 Speaker 1: Can you take her to meet your family? Can you 61 00:02:55,280 --> 00:02:58,240 Speaker 1: go to your work Christmas party when they start having 62 00:02:58,320 --> 00:03:01,079 Speaker 1: Christmas parties again? Can you take to church with you? 63 00:03:01,120 --> 00:03:03,480 Speaker 1: Will you be embarrassed to take her around your friends? 64 00:03:03,760 --> 00:03:06,280 Speaker 1: And most importantly, can your stomach take much more of 65 00:03:06,320 --> 00:03:09,600 Speaker 1: the soul food and the wings. Okay, if the answer 66 00:03:09,680 --> 00:03:12,320 Speaker 1: to all of these questions is yesin I say go 67 00:03:12,440 --> 00:03:13,080 Speaker 1: get your girl. 68 00:03:14,240 --> 00:03:14,440 Speaker 3: You know. 69 00:03:14,919 --> 00:03:17,680 Speaker 1: But because she's already calling you her in word, and 70 00:03:17,720 --> 00:03:20,520 Speaker 1: you called her your girl in the letter, so I 71 00:03:20,560 --> 00:03:22,400 Speaker 1: think you know you guys are a match. There is 72 00:03:22,400 --> 00:03:25,639 Speaker 1: a saying that opposites the tract a track. This sounds 73 00:03:25,680 --> 00:03:27,600 Speaker 1: like one of those cases to me, But it sounds 74 00:03:27,600 --> 00:03:30,120 Speaker 1: okay right now, Steve. 75 00:03:31,639 --> 00:03:37,200 Speaker 3: Well, my man, the subject is the Hood, the Bad, 76 00:03:37,280 --> 00:03:42,840 Speaker 3: and the bullshy. But if she wrote this letter about 77 00:03:42,840 --> 00:03:49,840 Speaker 3: this girl, this letter also tells me a lot about you. 78 00:03:49,840 --> 00:03:55,600 Speaker 3: You got some concerns about the girl, understandable, I got 79 00:03:55,600 --> 00:04:01,040 Speaker 3: some concerns about you. So there's gonna be a teaching 80 00:04:01,080 --> 00:04:03,080 Speaker 3: and learning moment for all of us. So when the 81 00:04:03,240 --> 00:04:06,680 Speaker 3: letter first came out, The Hood, the Bad, and the Bougie, 82 00:04:06,720 --> 00:04:09,640 Speaker 3: I thought it was about our morning show. I'll be 83 00:04:09,800 --> 00:04:13,160 Speaker 3: quite honest with you, because the Hood on the show, 84 00:04:14,000 --> 00:04:21,320 Speaker 3: it's here, her name caller for real, the bad on 85 00:04:21,440 --> 00:04:26,760 Speaker 3: the show it's Janathy Brown. Come on, come on cure space, 86 00:04:27,800 --> 00:04:33,880 Speaker 3: Thomas Miles. I'm sex and myself, and the bourgie on 87 00:04:34,000 --> 00:04:37,719 Speaker 3: the show is the person who just answered this letter 88 00:04:38,320 --> 00:04:44,200 Speaker 3: as a bogie person. The whole response is bgie. He's 89 00:04:44,240 --> 00:04:48,159 Speaker 3: already calling you the N word and what it didn't 90 00:04:48,160 --> 00:04:50,880 Speaker 3: even sound like. And you called her her your girl. 91 00:04:51,120 --> 00:04:55,200 Speaker 3: So you know see how buogy that was because she 92 00:04:55,320 --> 00:04:58,599 Speaker 3: the bougie on this show. Buddy, wasn't about this show. 93 00:05:00,080 --> 00:05:04,480 Speaker 3: It's about this damn letter and brother. Right now, I 94 00:05:04,600 --> 00:05:07,640 Speaker 3: really don't see the problem you got with the girl. 95 00:05:08,080 --> 00:05:11,520 Speaker 3: I'm gonna show you the problem that's within yourself. You 96 00:05:11,600 --> 00:05:17,440 Speaker 3: saw this girl, bad dresser, bad figure, bad ride, and 97 00:05:17,560 --> 00:05:19,359 Speaker 3: you say, Steve, I mean in a good way. I 98 00:05:19,400 --> 00:05:21,720 Speaker 3: knew exactly what you went home. I've been there. We 99 00:05:21,800 --> 00:05:24,200 Speaker 3: met in a lounge. She stood out from a group 100 00:05:24,240 --> 00:05:28,680 Speaker 3: of girlfriend poise graceful. Watched her sip wine while her 101 00:05:28,720 --> 00:05:32,960 Speaker 3: friends all loudly chatting and taking shots. She walked past 102 00:05:33,040 --> 00:05:35,719 Speaker 3: me to get to the bar. I followed this thing 103 00:05:35,839 --> 00:05:38,640 Speaker 3: to buy her drink. Hell I bought the whole bottle. 104 00:05:39,520 --> 00:05:42,040 Speaker 3: We say at the bar, talked a minute. She gave 105 00:05:42,080 --> 00:05:44,040 Speaker 3: me a business card shop I could come out in 106 00:05:44,080 --> 00:05:47,279 Speaker 3: her nail salon get a manicure. I walked her to 107 00:05:47,360 --> 00:05:49,159 Speaker 3: the car. She kissed you on the cheek. Boy, Yo, 108 00:05:49,200 --> 00:05:53,400 Speaker 3: ass was in heaven. Ain't nothing wrong because she dressed 109 00:05:53,480 --> 00:05:57,800 Speaker 3: up nice, she clean up nice. She know how to 110 00:05:57,839 --> 00:06:03,279 Speaker 3: act in public. She got two sides. You saw the 111 00:06:03,400 --> 00:06:07,120 Speaker 3: good side, but you took your ass to the nail 112 00:06:07,200 --> 00:06:10,960 Speaker 3: appointment the next morning. You couldn't wait, And when you 113 00:06:11,040 --> 00:06:15,640 Speaker 3: walked through the door, you met somebody else. You said. 114 00:06:15,720 --> 00:06:20,840 Speaker 3: It wasn't in the best part of town. You gotta 115 00:06:20,880 --> 00:06:25,960 Speaker 3: act like your environment. If you gonna get with him, 116 00:06:25,960 --> 00:06:31,280 Speaker 3: you gotta get with him. So now you're the bad 117 00:06:31,320 --> 00:06:33,640 Speaker 3: part of town. You can't be boys y over here. 118 00:06:34,760 --> 00:06:38,680 Speaker 3: We ain't at the lounge. We work now, and when 119 00:06:38,680 --> 00:06:40,799 Speaker 3: I come back, I'll show you what happened. 120 00:06:41,600 --> 00:06:44,640 Speaker 1: All right, We'll be back with part two of Steve's 121 00:06:44,680 --> 00:06:47,560 Speaker 1: response to today's Strawberry letter, The Hood, the Bad, and 122 00:06:47,600 --> 00:06:50,400 Speaker 1: the Bushey at twenty three minutes after the hour. Right 123 00:06:50,440 --> 00:06:55,440 Speaker 1: after this, you're listening Morning show. All right, Come on, Steve, 124 00:06:55,520 --> 00:06:59,400 Speaker 1: let's recap today's Strawberry letter. The subject, the Hood, the Bad, 125 00:06:59,480 --> 00:07:01,000 Speaker 1: and the Oh. 126 00:07:01,080 --> 00:07:05,080 Speaker 3: This man met this very beautiful woman, he says, hood 127 00:07:05,120 --> 00:07:08,440 Speaker 3: and bougie. I understand right off the top. She's a 128 00:07:08,480 --> 00:07:11,760 Speaker 3: bad dresser, bad figure, bad body, bad walk. You followed 129 00:07:11,760 --> 00:07:13,960 Speaker 3: her to the bar, end of the bar, you bought 130 00:07:14,000 --> 00:07:16,640 Speaker 3: her drank y'all talked, walked her to the car. She 131 00:07:16,680 --> 00:07:18,800 Speaker 3: gave you a business car, kissed you on the cheek. 132 00:07:19,200 --> 00:07:22,560 Speaker 3: You was in heaven, boys. She was fining, sophisticated. While 133 00:07:22,560 --> 00:07:25,160 Speaker 3: the girls was loud and chating. She was sipping wine, 134 00:07:25,400 --> 00:07:28,240 Speaker 3: meaning she know how to be where she is. She 135 00:07:28,320 --> 00:07:30,840 Speaker 3: know how to act a part, played the role. She 136 00:07:31,000 --> 00:07:33,600 Speaker 3: had you hook line and sinker. It worked, didn't it? 137 00:07:33,760 --> 00:07:35,680 Speaker 3: Then you showed up the next day of the men 138 00:07:35,760 --> 00:07:38,560 Speaker 3: nail salon? Did she own to get your nails done? 139 00:07:38,560 --> 00:07:40,720 Speaker 3: Everybody know who she was because she told her you 140 00:07:40,840 --> 00:07:43,400 Speaker 3: was coming. Now you came to the shop. They rolling 141 00:07:43,440 --> 00:07:48,920 Speaker 3: their eyes. She right there. She looked totally different. Her 142 00:07:49,000 --> 00:07:51,160 Speaker 3: hair was in corn roll. She had on her body 143 00:07:51,200 --> 00:07:56,480 Speaker 3: suit and some Air Jordan's. That nice house fit you 144 00:07:56,560 --> 00:07:58,880 Speaker 3: got corn rolls you buy you wear. Bodysuit was a 145 00:07:58,920 --> 00:08:01,120 Speaker 3: Mad George's. Because you know what's sitting down in them 146 00:08:01,120 --> 00:08:04,480 Speaker 3: mad Jordan's. You know that the ankles is lowered down 147 00:08:04,520 --> 00:08:07,000 Speaker 3: into these air Jordan's and you got a battery suit 148 00:08:07,040 --> 00:08:09,000 Speaker 3: on with it. You know everything that's stuck down in 149 00:08:09,040 --> 00:08:10,320 Speaker 3: them shoes is right and tight. 150 00:08:10,880 --> 00:08:11,560 Speaker 2: So she went it. 151 00:08:11,600 --> 00:08:13,440 Speaker 3: But she got a hand corn roll probably had a 152 00:08:13,440 --> 00:08:15,560 Speaker 3: wig on last night or weave or something like that, 153 00:08:15,560 --> 00:08:17,400 Speaker 3: because you didn't pay no attention to the corn roll. 154 00:08:17,680 --> 00:08:19,840 Speaker 3: So she didn't put on her best and went out 155 00:08:19,880 --> 00:08:21,760 Speaker 3: and dressed, and she got you right where she wanted. 156 00:08:22,360 --> 00:08:24,280 Speaker 3: She was loud, and she cussed a lot, and she 157 00:08:24,320 --> 00:08:27,520 Speaker 3: did my nails because it was in the worst part 158 00:08:27,560 --> 00:08:30,880 Speaker 3: of town. You said. She referred to me as her 159 00:08:31,080 --> 00:08:34,200 Speaker 3: end word when other ladies commented on me being in 160 00:08:34,240 --> 00:08:36,319 Speaker 3: the salon? What in in fau? Oh? This is my 161 00:08:36,480 --> 00:08:41,440 Speaker 3: in right here? Who you think is it? Who? You see? 162 00:08:41,440 --> 00:08:42,840 Speaker 3: Who he is? You see who he went on? 163 00:08:42,880 --> 00:08:43,160 Speaker 2: It? 164 00:08:43,160 --> 00:08:44,720 Speaker 3: This mine? 165 00:08:45,640 --> 00:08:46,120 Speaker 2: Yeah? 166 00:08:46,200 --> 00:08:48,520 Speaker 3: She was so hood in the hood, and it was 167 00:08:48,559 --> 00:08:51,439 Speaker 3: amazing to see this side of her. We been hanging 168 00:08:51,480 --> 00:08:53,640 Speaker 3: out a lot, and she prefers to eat soul food 169 00:08:53,679 --> 00:08:55,680 Speaker 3: and wings most of the time, so I had to 170 00:08:55,720 --> 00:08:58,560 Speaker 3: adjust to that and take antassis at night. Let's stop 171 00:08:58,640 --> 00:09:04,520 Speaker 3: right here here. The problem got what mane don't like 172 00:09:04,640 --> 00:09:06,000 Speaker 3: sold food and chicken wayns? 173 00:09:06,280 --> 00:09:10,000 Speaker 2: What kind of mad is you? 174 00:09:10,040 --> 00:09:10,160 Speaker 1: What? 175 00:09:10,320 --> 00:09:12,439 Speaker 3: Hell? Yeah? Now you ain't here mad at her because 176 00:09:12,440 --> 00:09:14,640 Speaker 3: she got con rolls of body shuiting, some jawings on 177 00:09:15,000 --> 00:09:16,760 Speaker 3: and she want to eat sold food and chicken. Way, 178 00:09:16,840 --> 00:09:19,720 Speaker 3: you gotta take antacin where the punk ass come from? 179 00:09:20,400 --> 00:09:21,000 Speaker 2: Every night? 180 00:09:21,720 --> 00:09:23,959 Speaker 3: Shoe little ass don't want to eat no sold food 181 00:09:23,960 --> 00:09:25,760 Speaker 3: and no chicken wayn. Now you gotta take a hand. 182 00:09:26,200 --> 00:09:29,720 Speaker 3: Who has to take antasis for chicken waves? What kind 183 00:09:29,760 --> 00:09:34,160 Speaker 3: of man is this? You softened and medicated cotton. You 184 00:09:34,280 --> 00:09:36,400 Speaker 3: in here trying to date somebody that's real and you 185 00:09:36,440 --> 00:09:39,800 Speaker 3: can't even eat a chicken wing without vomity. Choe punk ass, 186 00:09:39,800 --> 00:09:44,920 Speaker 3: come from hell? You been watching sports and ain't been 187 00:09:44,960 --> 00:09:49,719 Speaker 3: able to eat no damn chicken wings. You probably ain't 188 00:09:49,720 --> 00:09:52,040 Speaker 3: even got no black friends comeing here talking about something. 189 00:09:52,080 --> 00:09:54,480 Speaker 3: Y'all got some antaskins for what? Because I fin to 190 00:09:54,520 --> 00:09:57,960 Speaker 3: eat these wings? What you can tell us to? Man? 191 00:09:59,320 --> 00:10:01,840 Speaker 3: You black and you can't eat soul food because you 192 00:10:01,920 --> 00:10:06,720 Speaker 3: need a task? It's what That's really what this letter about. 193 00:10:06,800 --> 00:10:10,000 Speaker 3: It ain't about her being too hood. It's about your 194 00:10:10,360 --> 00:10:17,880 Speaker 3: ass being soft as medicated cotting. So now at this 195 00:10:18,040 --> 00:10:20,480 Speaker 3: point I would do whatever this girl wants to do 196 00:10:20,520 --> 00:10:23,000 Speaker 3: because the sex is off the chain, and I got 197 00:10:23,040 --> 00:10:25,280 Speaker 3: a lot of fun with her. And even though I 198 00:10:25,280 --> 00:10:27,240 Speaker 3: had to keep my pistol on me when I'm in 199 00:10:27,320 --> 00:10:30,400 Speaker 3: her neighborhood. Am I crazy for falling for this woman 200 00:10:30,960 --> 00:10:36,640 Speaker 3: you know already failed you whipped dog that little tight 201 00:10:36,720 --> 00:10:41,920 Speaker 3: bodysuit with them conrods jammed down in them. George, working 202 00:10:41,960 --> 00:10:47,640 Speaker 3: with it got you sprung you in love? Why would 203 00:10:47,679 --> 00:10:51,760 Speaker 3: you leave her now, Shirley with that budge answer talking 204 00:10:51,760 --> 00:10:53,440 Speaker 3: about you know, will you be able to take her 205 00:10:53,480 --> 00:10:56,200 Speaker 3: to your mama and teach cherishing around your friends? Yeah? 206 00:10:56,200 --> 00:10:58,960 Speaker 3: Because she know how to dress up. She fooled you 207 00:10:59,000 --> 00:11:02,080 Speaker 3: the night before. She know how to be whatever. She's 208 00:11:02,120 --> 00:11:05,000 Speaker 3: a chameleon. She knows how to put on and be 209 00:11:05,040 --> 00:11:08,000 Speaker 3: what she gotta be. But you ain't got no problem 210 00:11:08,000 --> 00:11:10,280 Speaker 3: with her. Whatever she is in that bedroom, obviously, that 211 00:11:10,320 --> 00:11:13,840 Speaker 3: ain't no problem. You ain't got no problem hanging out 212 00:11:13,920 --> 00:11:17,559 Speaker 3: and y'all having fun. Seems like a real sweet person 213 00:11:17,600 --> 00:11:20,760 Speaker 3: to me, that knows how to play the game, but 214 00:11:21,120 --> 00:11:27,400 Speaker 3: show punk as Yeah, she polish up good everything. 215 00:11:28,040 --> 00:11:30,079 Speaker 1: What about the part about him having to keep his 216 00:11:30,120 --> 00:11:32,080 Speaker 1: pistol on him when he's in her neighborhood. 217 00:11:33,960 --> 00:11:36,319 Speaker 3: You ain't only one. You ain't to only one got 218 00:11:36,360 --> 00:11:39,520 Speaker 3: a pistol. I can promise you ain't only one over 219 00:11:39,559 --> 00:11:42,600 Speaker 3: there got a pistol. I bet you if them girls 220 00:11:42,640 --> 00:11:44,800 Speaker 3: open up that desk tray at that nail salon. It's 221 00:11:44,800 --> 00:11:48,840 Speaker 3: about eight of them in now, right, it's probably one 222 00:11:48,880 --> 00:11:52,480 Speaker 3: of these stations. You just number nine. You gone number nine. 223 00:11:52,559 --> 00:11:55,320 Speaker 3: It's eight all of them in there and matter. So 224 00:11:55,400 --> 00:11:59,760 Speaker 3: what you got your pistol on you? So listen to 225 00:11:59,800 --> 00:12:03,120 Speaker 3: me what your little scary ass want to do. That's 226 00:12:03,160 --> 00:12:06,079 Speaker 3: all I got to say. I'm so mad about to 227 00:12:06,240 --> 00:12:10,160 Speaker 3: sol food chicken wing line. I can't even address nothing 228 00:12:10,160 --> 00:12:14,359 Speaker 3: else he talking about. The hell got to take antastis 229 00:12:14,360 --> 00:12:17,840 Speaker 3: because they didn't have some colic green. You can't even 230 00:12:17,880 --> 00:12:22,040 Speaker 3: need to macaroni and cheese. Now your ass got antasty. 231 00:12:22,040 --> 00:12:24,280 Speaker 3: You known ate some yams, Now you got an taskit. 232 00:12:24,559 --> 00:12:26,160 Speaker 3: I'm just trying to figure out what you name some 233 00:12:26,240 --> 00:12:28,440 Speaker 3: oak green? Now your ass got to take a hand tasky. 234 00:12:28,600 --> 00:12:31,120 Speaker 3: I'm trying to figure out how weak are you? Where 235 00:12:31,120 --> 00:12:33,480 Speaker 3: your little rudy poop? But come from? What did you 236 00:12:33,600 --> 00:12:35,800 Speaker 3: dating the girl for? If you can't eat the damn food? 237 00:12:35,840 --> 00:12:38,360 Speaker 3: You who the hell got to take an antaskit? That's 238 00:12:38,480 --> 00:12:41,959 Speaker 3: some damn fried chicken. Just shame. But I'm apologize to 239 00:12:42,000 --> 00:12:44,600 Speaker 3: the hood public for reading this ragged ass let on 240 00:12:44,640 --> 00:12:46,400 Speaker 3: our show. Anyway, go ahead, shit. 241 00:12:46,360 --> 00:12:49,199 Speaker 1: Leave us your comments on Today's Letter on Instagram and 242 00:12:49,280 --> 00:12:52,000 Speaker 1: Steve Harvey FM, and check out the Strawberry Letter podcast 243 00:12:52,040 --> 00:12:52,560 Speaker 1: on demand. 244 00:12:52,840 --> 00:12:55,560 Speaker 2: You're listening Harvey Morning Show