WEBVTT - Emily King

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<v Speaker 1>Hi, I'm Nora Jones and today I'm playing along with

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<v Speaker 1>Emily King.

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<v Speaker 2>I'm just playing a long withee, I'm just playing a

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<v Speaker 2>lone with you.

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<v Speaker 1>Hi, I'm Nora. Welcome to the show with me as

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<v Speaker 1>always a Sarah Oda. Hi, Nora, Hi Sarah. Just a

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<v Speaker 1>side note before we get into this episode. I don't

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<v Speaker 1>want to be annoying, but please like and subscribe to

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<v Speaker 1>us so that we can keep doing this and you

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<v Speaker 1>don't miss an episode, because it'll let you know you

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<v Speaker 1>know how it works.

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<v Speaker 3>Our guest today is Grammy nominated singer, songwriter, musician, and

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<v Speaker 3>our dear friend Emily King.

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<v Speaker 1>All around great human. Anytime her name comes up, I

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<v Speaker 1>feel like she knows a lot of people, and her

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<v Speaker 1>name comes up a lot around other people that we

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<v Speaker 1>don't know know her, and it's always.

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<v Speaker 4>Like Emily King. I love her.

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<v Speaker 3>She's just like the sweetest, warmest bitter music too, and they're.

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<v Speaker 1>Always her music and I love her. She's so sweet,

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<v Speaker 1>she's the best.

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<v Speaker 3>She has roots in New York City from the Lower

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<v Speaker 3>East Side, and she's from a musical family, which you'll

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<v Speaker 3>hear about in this episode.

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<v Speaker 1>We actually toured with her last summer, so if you

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<v Speaker 1>came to any shows in the States last July. She

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<v Speaker 1>may have been opening. True. If you know Emily King,

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<v Speaker 1>you're stoked to hear this episode, And if you don't

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<v Speaker 1>know her, you're gonna be super excited that you do.

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<v Speaker 3>She has a new album that came out last month

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<v Speaker 3>called Special Occasion.

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<v Speaker 1>We're going to do a few songs from that album.

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<v Speaker 3>It's a very beautiful collection of songs that really hits

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<v Speaker 3>you in the fields.

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<v Speaker 1>Yes, it does. Check her out on tour. Check out

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<v Speaker 1>her new album. Check out this episode. We had a

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<v Speaker 1>lot of fun enjoy Emily King.

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<v Speaker 5>I was not already the deal gave me a heart.

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<v Speaker 6>I was still falling. But since that moment, I guess

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<v Speaker 6>up here in your knee wondering batch.

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<v Speaker 5>Oh wait, come back, George, come back, come back, George,

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<v Speaker 5>just come back.

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<v Speaker 1>I just need enough chance.

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<v Speaker 4>Chance to make it better.

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<v Speaker 5>Come back, George, come back, come back, Jorge to come back.

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<v Speaker 4>I just need another chance.

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<v Speaker 7>Chest to make it better.

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<v Speaker 8>I was unhappy the day you left on my door.

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<v Speaker 8>I was just feeling U shu.

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<v Speaker 4>So love mischief.

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<v Speaker 7>No, I can honestly.

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<v Speaker 5>Shave ready to love. Oh come back, Judge to come back,

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<v Speaker 5>come back. Chuge just come back.

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<v Speaker 6>I just need another chance.

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<v Speaker 4>Chest, just make a bit better. Come back, Judge, come back, comeback,

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<v Speaker 4>Charge to come back. I just need enough chance, chest

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<v Speaker 4>to make it better.

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<v Speaker 6>Oh to think that he would be resting in my arms.

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<v Speaker 9>However shall you George?

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<v Speaker 4>How can be.

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<v Speaker 1>You?

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<v Speaker 4>Judge come in, come back to come back. I just

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<v Speaker 4>need another chance. I just need a chest to make

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<v Speaker 4>it better. Come back, Judge to come back. I want

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<v Speaker 4>let you go. Comey, come back. I just need another chance,

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<v Speaker 4>chance just to make it better.

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<v Speaker 6>Come back, Judge, come back, come back.

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<v Speaker 4>Jorge, just come back.

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<v Speaker 5>I just need another chance, chance to make it better.

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<v Speaker 5>Come back, George to come back, come back, George, just

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<v Speaker 5>come back.

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<v Speaker 4>I just need another chance, chest to make it better.

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<v Speaker 1>That was great. That was really fun. Oh my god,

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<v Speaker 1>I'm getting that was so fun. Beautiful.

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<v Speaker 10>Oh my god, I love.

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<v Speaker 1>We were doing good on the switching.

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<v Speaker 4>I liked it.

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<v Speaker 1>I was. I was kind of bowing right, thank you.

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<v Speaker 1>Such a beautiful song. I was actually nervous to do

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<v Speaker 1>this woman, you because I've seen you do it so

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<v Speaker 1>much live with Jeremy, but also I've seen you online

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<v Speaker 1>do it with many other people. Really, I feel like

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<v Speaker 1>I've seen you do it Okay, maybe that's an exactation.

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<v Speaker 11>I sound like a real SLUTU.

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<v Speaker 1>I saw you do it Jacob Collier online. Oh yeah.

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<v Speaker 1>And then I did this podcast with Lucas Nelson and

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<v Speaker 1>he said something about how he did it with you. Yeah,

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<v Speaker 1>so I guess in my mind it's everybody everyone's it's

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<v Speaker 1>everyone everyone's now. Like I was nervous because, yeah, it's

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<v Speaker 1>a beautiful song, thank you, and it's really interesting. The

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<v Speaker 1>chord changes are very atypical and beautiful. Thanks. I love

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<v Speaker 1>all the sevens and like, you know, if you were

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<v Speaker 1>to just write the straight chords and play them triad style,

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<v Speaker 1>it wouldn't sound right. All those extensions make a difference.

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<v Speaker 12>Well, Jeremy had just taught me that chord he did

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<v Speaker 12>win Yeah, yeah, he's he's like, you need another chord

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<v Speaker 12>in your repertoire.

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<v Speaker 1>Wait which one is it? Just like you know which? Yeah,

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<v Speaker 1>there's all those ways. Yeah. And someone had asked me

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<v Speaker 1>to write them a song.

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<v Speaker 12>Yeah, And I went to their concert and I said, oh, well,

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<v Speaker 12>I think it should be the most simple song for

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<v Speaker 12>this singer because the singing is very simple.

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<v Speaker 1>And so I went home and I like.

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<v Speaker 12>I had this new chord in my pocket, and I

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<v Speaker 12>was like, started doing, let me get this, I'd like

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<v Speaker 12>to start with the groove.

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<v Speaker 1>So I was doing, and then and then I wrote

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<v Speaker 1>it for him to sing to a woman. Georgia. Yeah, ah,

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<v Speaker 1>I was wondering.

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<v Speaker 12>Yeah, Georgia, I know, but you know, you get into

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<v Speaker 12>the story, so it became something else. And and then

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<v Speaker 12>I remember singing it to Jeremy. Well, should you say, George.

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<v Speaker 1>George, I thought you were a lesbian, But no, I mean,

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<v Speaker 1>who knows, who knows? It could be in my future exactly.

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<v Speaker 1>But that's interesting you for someone else, like thinking about

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<v Speaker 1>it from someone else's perspective. Yes, it made it so

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<v Speaker 1>much easier to write it. That's so cool. I should

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<v Speaker 1>do that more.

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<v Speaker 12>Yeah, I forget to get to like do that to

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<v Speaker 12>get out of your head.

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<v Speaker 1>It's hard to sometimes it's so much easier to just

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<v Speaker 1>write your own deep emotions. Sometimes it's better. I do

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<v Speaker 1>find that. Yeah, usually it's better. Yeah, yeah, I think

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<v Speaker 1>I think writing from an emotional place is usually better.

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<v Speaker 1>And sometimes it gets a little cliche and in your

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<v Speaker 1>feelings in the most basic way. But I think if

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<v Speaker 1>you mean it when you're singing it, yeah, it doesn't

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<v Speaker 1>sound like that.

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<v Speaker 12>Yes, and it's there's no too much. It's like there's

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<v Speaker 12>always going to be a time when you need to

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<v Speaker 12>circle back to that thing.

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<v Speaker 1>And there's always going to be someone who feels that way. Yeah,

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<v Speaker 1>and you can always change little things. You can tweak

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<v Speaker 1>it a little so that it's not too you know

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<v Speaker 1>straight up. Yeah, I don't want to.

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<v Speaker 12>I mean I tend to go yeah, yeah, because it

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<v Speaker 12>feels good, will do right. It feels it's like that's

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<v Speaker 12>the that's the the medicine is to like get into that.

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<v Speaker 1>Yeah, it is. Well, I love all those diminished chords.

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<v Speaker 1>Those are my things now, I know they are. I

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<v Speaker 1>don't feel like you hear a lot of diminished chords

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<v Speaker 1>in non sort of jazz settings. Yeah, you know. I

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<v Speaker 1>like how they add that. I love. Yeah, your background

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<v Speaker 1>comes through, yeah, you know. Yeah, the jazz. The jazz

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<v Speaker 1>is always there. It's a good foundation. Yeah. I wanted

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<v Speaker 1>to ask you about your parents. Oh yeah, they're the

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<v Speaker 1>jazz musicians. There's jazz singers.

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<v Speaker 12>Well they when I was a kid, they were okay,

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<v Speaker 12>they've they've evolved into well, my dad is all straight.

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<v Speaker 1>Ahead jazz, okay, you know, he's the cat and mom

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<v Speaker 1>is like.

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<v Speaker 12>This beautiful composer and this that's so cool sort of

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<v Speaker 12>has all different genres within her. But they saying, do

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<v Speaker 12>you know Lambert Hendrickson Ross?

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<v Speaker 1>So they were doing that style when I was a kid. Whoa, Yeah,

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<v Speaker 1>it's very.

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<v Speaker 12>Cloppers, Yeah, clappers, lots of diminished chords, lots of singing, lots.

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<v Speaker 1>Of lyrics and yeah, but it was good. It was

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<v Speaker 1>It was like a very rich music to have first,

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<v Speaker 1>and then I got into like R and B and

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<v Speaker 1>hip hop in the nineties. Okay, that's kind of that

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<v Speaker 1>was the time to complete sense for what I'm hearing.

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<v Speaker 1>That's that's the perfect combo. I love that. Did you

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<v Speaker 1>grow up listening to R and B, R and B?

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<v Speaker 1>I did?

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<v Speaker 12>Yeah in the water right, Yeah, of course it was

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<v Speaker 12>the popular music and we only had the radio.

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<v Speaker 1>Yeah, and I loved the radio. And I got really

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<v Speaker 1>into jazz in high school and I stopped listening to

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<v Speaker 1>the radio so much, but it was there too because

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<v Speaker 1>there was all this crossover hip hop and jazz musicians, right,

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<v Speaker 1>so it was still kind of like part of my orbit. Yeah. Yeah,

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<v Speaker 1>that's the best. It's the best. Yeah, the nineties I've

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<v Speaker 1>seen you d you see ninety the nineties and nineties.

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<v Speaker 1>Who would have known it would have come back around?

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<v Speaker 1>I know. I think at the time I didn't. I

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<v Speaker 1>wasn't really into anything popular posts a certain year, and

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<v Speaker 1>then now it's just like that's all I can that's

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<v Speaker 1>all I want to hear.

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<v Speaker 12>Yeah, it's also the nostalgia there is. I don't know

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<v Speaker 12>what I'm nostalgic for exactly, because like.

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<v Speaker 1>I hated in school.

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<v Speaker 12>I was so so insecure and so really so middle

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<v Speaker 12>school is the worst, the worst. You're like trying to

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<v Speaker 12>fit in and try to you know, it so hard. Yeah,

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<v Speaker 12>and you grew up in New York City.

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<v Speaker 1>I did. I'm down in downtown, downtown. They call it Nolita. Now, yeah,

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<v Speaker 1>it wasn't called that was No, it's just just like Manhattan, Yeah, downtowntown, Yeah,

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<v Speaker 1>all encompassing.

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<v Speaker 12>Yes, before the whole foods and before you know, there

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<v Speaker 12>was more empty space, less people, less people.

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<v Speaker 1>Boy, that's the thing.

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<v Speaker 12>I guess if I'm nostalgic, it's for that, for that.

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<v Speaker 1>Sort of less people.

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<v Speaker 11>Yeah, that would be very less people, less stores, less

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<v Speaker 11>pressure to you know, you go outside with a plastic

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<v Speaker 11>bag in your hand, sweatpants and flip flops, and I

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<v Speaker 11>remember there was a certain point in my adolescence where

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<v Speaker 11>I was like, oh my god, I have to look

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<v Speaker 11>cute out.

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<v Speaker 12>To leave to go outside, because there's all these good

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<v Speaker 12>looking people around now. Yeah, like, oh I'm I have

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<v Speaker 12>you know, maybe that wasn't real, the real situation, but

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<v Speaker 12>that's how you felt. Yeah, because like all these supermodels

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<v Speaker 12>started showing up and like Europeans and people fancy people.

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<v Speaker 1>Yeah.

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<v Speaker 12>Oh and then they started fixing the cracks in the sidewalk.

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<v Speaker 1>Like, oh, here we go. I got to figure out

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<v Speaker 1>my style. Man, your style, but you have such a

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<v Speaker 1>good style. Thanks, yeah trying you didn't. Oh god, you're

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<v Speaker 1>in a fashion you're junior high.

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<v Speaker 12>I was. It sounds I sound like an old person

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<v Speaker 12>when I say this, but I'm older. All the kids

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<v Speaker 12>are wearing what I was wearing, you know, like the

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<v Speaker 12>Billie Eilish stuff, like you know, we had baggy north

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<v Speaker 12>face and all that stuff.

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<v Speaker 1>Yeah, it's all come full circle. Yeah.

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<v Speaker 12>So yeah, at some point a couple of years ago,

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<v Speaker 12>I was like, I'm gonna wear mostly black because I

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<v Speaker 12>don't know how to do like other things. I don't

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<v Speaker 12>really know how to combine, Like you have a pretty.

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<v Speaker 1>This is all I have I only this is the

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<v Speaker 1>only thing I own with the color. I mostly just

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<v Speaker 1>really Yeah, it's easy, it's easier to like, it's kind

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<v Speaker 1>of easier always dressy looking. I like the idea of

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<v Speaker 1>having a uniform, yes for life exactly and stage hopefully. Yeah,

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<v Speaker 1>like two things and either every color or six of

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<v Speaker 1>them in black. Yes, it's just we do you do that?

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<v Speaker 1>If I find a shoe that I like, I just buy.

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<v Speaker 10>I do do that. I have.

0:14:13.320 --> 0:14:15.600
<v Speaker 1>I have a T shirt that I have at least

0:14:15.720 --> 0:14:19.720
<v Speaker 1>eight pairs of the exact same shirt, same color. It's

0:14:19.760 --> 0:14:21.840
<v Speaker 1>like a dark gray, and I think people think it's

0:14:21.920 --> 0:14:25.560
<v Speaker 1>very soft. It is. I'll send you the All Saints

0:14:25.720 --> 0:14:29.200
<v Speaker 1>took me up All Saints shimmer shirt. It's not. Yeah,

0:14:29.240 --> 0:14:31.240
<v Speaker 1>it's pretty good. Yeah.

0:14:31.240 --> 0:14:35.920
<v Speaker 12>When you find something you like, send me more anymore.

0:14:36.760 --> 0:14:40.720
<v Speaker 1>Yeah, I think it's good jingle.

0:14:41.360 --> 0:14:41.840
<v Speaker 10>I will do it.

0:14:41.960 --> 0:14:46.320
<v Speaker 1>All Saints bad they give me for that damn shirt.

0:14:46.480 --> 0:14:48.640
<v Speaker 1>I also kind of wear them out. Do you do

0:14:48.640 --> 0:14:50.880
<v Speaker 1>you get holes in your shirts from your guitar? I

0:14:51.760 --> 0:14:53.920
<v Speaker 1>you don't practice that much. Yeah, well there you go.

0:14:55.400 --> 0:14:59.600
<v Speaker 12>Well I get holes from the moths up here really,

0:15:00.280 --> 0:15:03.240
<v Speaker 12>like in the wintertime, and I used to I used

0:15:03.280 --> 0:15:05.760
<v Speaker 12>to wear out my jeans pretty like when I find

0:15:05.840 --> 0:15:08.280
<v Speaker 12>jeans that like, I'll wear them every day. I can't

0:15:08.320 --> 0:15:12.680
<v Speaker 12>wear pants, yeah, no, I want to do dresses, but

0:15:12.960 --> 0:15:15.160
<v Speaker 12>I don't know. I've just always it's just been a

0:15:15.240 --> 0:15:15.720
<v Speaker 12>tick with me.

0:15:15.920 --> 0:15:17.880
<v Speaker 1>Yeah. It just depends on your body type too, Like

0:15:18.000 --> 0:15:20.280
<v Speaker 1>I had a high waist, so pants hit me in

0:15:20.400 --> 0:15:23.120
<v Speaker 1>the wrong spot. Yeah, they're always too tight up top,

0:15:24.000 --> 0:15:27.160
<v Speaker 1>so they're too tight on me too. But I don't know,

0:15:27.440 --> 0:15:33.760
<v Speaker 1>it's just like sacrifice pain. I have to tell myself

0:15:33.840 --> 0:15:38.080
<v Speaker 1>don't wear heels anymore because my feet are like hurting.

0:15:40.320 --> 0:15:43.000
<v Speaker 1>Do you so? Do your parents still live in the city.

0:15:43.400 --> 0:15:43.680
<v Speaker 1>They do.

0:15:44.280 --> 0:15:46.520
<v Speaker 12>Everyone's in the city. My dad is on the Upper

0:15:46.560 --> 0:15:48.920
<v Speaker 12>West Side. My mom's still in the place I grew

0:15:49.000 --> 0:15:52.840
<v Speaker 12>up in. Really yeah, that is really special. I feel

0:15:52.880 --> 0:15:57.160
<v Speaker 12>like that's like not everybody gets to go back home, like,

0:15:57.280 --> 0:15:59.240
<v Speaker 12>oh wow, you know, it's a nice way to say it,

0:16:00.240 --> 0:16:02.520
<v Speaker 12>That's how I would way to put it.

0:16:03.400 --> 0:16:04.080
<v Speaker 10>No, it is.

0:16:04.240 --> 0:16:07.560
<v Speaker 12>It's funny going back home because there is so much

0:16:08.480 --> 0:16:10.120
<v Speaker 12>Even when I walk down some of the same streets

0:16:10.160 --> 0:16:13.160
<v Speaker 12>in the city, I feel like I'm not making progress

0:16:13.280 --> 0:16:16.120
<v Speaker 12>in my life. It's a weird mental They're changing so

0:16:16.320 --> 0:16:20.000
<v Speaker 12>much I think I really need new things. I need

0:16:20.200 --> 0:16:24.080
<v Speaker 12>like constantly. That's why I love touring and traveling, because

0:16:24.480 --> 0:16:26.680
<v Speaker 12>you just feel like a new person. So sometimes when

0:16:26.720 --> 0:16:28.720
<v Speaker 12>I go back home, it's like I have a time

0:16:28.800 --> 0:16:31.880
<v Speaker 12>limit how long I can be there, otherwise I start

0:16:31.960 --> 0:16:36.000
<v Speaker 12>feeling like a kid again. I guess I when everyone

0:16:36.120 --> 0:16:36.360
<v Speaker 12>has that.

0:16:36.760 --> 0:16:39.680
<v Speaker 1>Mothers have a way of me like that, I turned

0:16:39.760 --> 0:16:43.120
<v Speaker 1>into a thirteen year old even though we're not in

0:16:43.240 --> 0:16:46.640
<v Speaker 1>the same You do too, I do. But also I

0:16:46.720 --> 0:16:48.240
<v Speaker 1>feel like, if you're going back to the house you

0:16:48.320 --> 0:16:50.960
<v Speaker 1>grew up in the place you grew up, it's definitely

0:16:51.360 --> 0:16:53.560
<v Speaker 1>gotta feel like that. Yeah, it is.

0:16:54.000 --> 0:16:57.200
<v Speaker 12>Or like she'll say things like, oh, but you never

0:16:57.960 --> 0:16:59.640
<v Speaker 12>you know, you don't like doing this, and I'm like

0:16:59.760 --> 0:17:00.560
<v Speaker 12>that was when I was.

0:17:00.560 --> 0:17:02.560
<v Speaker 1>Eight years old. I didn't like you know. I'm like,

0:17:02.760 --> 0:17:04.040
<v Speaker 1>can we refresh?

0:17:06.280 --> 0:17:09.680
<v Speaker 11>You're bringing me back in time to my old insecurities

0:17:09.760 --> 0:17:11.639
<v Speaker 11>and my old problems.

0:17:11.880 --> 0:17:12.880
<v Speaker 1>That's a family thing.

0:17:13.080 --> 0:17:15.800
<v Speaker 12>Yeah, it's a family thing. Hard Do you have the

0:17:15.880 --> 0:17:16.840
<v Speaker 12>place you grew up in?

0:17:17.560 --> 0:17:20.560
<v Speaker 1>Yeah? Did you? Guys, we moved around a lot when

0:17:20.600 --> 0:17:24.679
<v Speaker 1>I was a kid, so I was set. It was fine,

0:17:25.240 --> 0:17:27.440
<v Speaker 1>you have to make a new friend different. I don't

0:17:27.480 --> 0:17:29.879
<v Speaker 1>have a lot of friends from growing up. Yeah, I

0:17:29.960 --> 0:17:32.720
<v Speaker 1>have one friend I reconnected with, but we didn't talk

0:17:32.840 --> 0:17:35.680
<v Speaker 1>for like twenty years. So oh wow, it's not like

0:17:36.600 --> 0:17:40.480
<v Speaker 1>we were always friends, right, But really, because I moved

0:17:40.480 --> 0:17:42.119
<v Speaker 1>around a lot, I didn't keep a lot of friends

0:17:42.200 --> 0:17:46.159
<v Speaker 1>from pre high school. That makes sense, which kind of

0:17:46.520 --> 0:17:49.920
<v Speaker 1>that's you have siblings. I have a half sister. Oh,

0:17:50.240 --> 0:17:53.080
<v Speaker 1>but we did not grow up together. Okay, so yeah,

0:17:53.119 --> 0:17:55.040
<v Speaker 1>it was just me and my mom. And wow, we

0:17:55.160 --> 0:17:57.560
<v Speaker 1>moved a lot, and we moved a lot weirdly in

0:17:57.640 --> 0:18:00.040
<v Speaker 1>the same area, so it would be like not it

0:18:00.040 --> 0:18:03.119
<v Speaker 1>would be like the same neighboring town, but a different

0:18:03.160 --> 0:18:06.840
<v Speaker 1>school district. Interesting, so you know what I mean? Where

0:18:06.960 --> 0:18:10.080
<v Speaker 1>was that in Texas? Oh, I'm going to grape Vine,

0:18:10.280 --> 0:18:14.639
<v Speaker 1>cotgl Yeah, but no accent because you moved around maybe

0:18:14.880 --> 0:18:17.200
<v Speaker 1>well it was mostly in Texas. Yeah, but I also,

0:18:17.240 --> 0:18:19.920
<v Speaker 1>I've been in New York since nineteen ninety ninety.

0:18:20.040 --> 0:18:23.760
<v Speaker 12>Oh no, it's party like it's nineteen ninety night.

0:18:24.000 --> 0:18:26.840
<v Speaker 1>And I was born in New York but I really Yeah,

0:18:27.240 --> 0:18:32.760
<v Speaker 1>do you know what hospital Mount SINAI? Ooh, and I lived.

0:18:33.000 --> 0:18:37.080
<v Speaker 1>I think we lived on twenty fourth in Lexington. Wow,

0:18:37.280 --> 0:18:38.920
<v Speaker 1>so I was three or four and then we moved

0:18:38.920 --> 0:18:41.880
<v Speaker 1>to Texas. Amazing. Yeah, so you're in New Yorker. Wow.

0:18:42.119 --> 0:18:44.960
<v Speaker 1>I always felt like I was. Yeah, but you know

0:18:45.160 --> 0:18:50.720
<v Speaker 1>those formative first three years. Yeah yeah, right, yeah, yeah,

0:18:50.760 --> 0:18:53.840
<v Speaker 1>I mean I definitely am in Texan. Yeah.

0:18:54.119 --> 0:18:56.399
<v Speaker 12>But you lived in the city too, Yeah, yeah for

0:18:56.480 --> 0:18:59.920
<v Speaker 12>a long time. What neighborhood for the last twenty years.

0:19:00.560 --> 0:19:03.399
<v Speaker 1>I think it was like, you know, East Village, West Village,

0:19:03.400 --> 0:19:07.520
<v Speaker 1>at some Brooklyn, some Usburg, some South Brooklyn.

0:19:07.800 --> 0:19:07.960
<v Speaker 4>Right.

0:19:08.080 --> 0:19:11.720
<v Speaker 1>Yeah, I moved on. That's cool. I like moving. I

0:19:11.800 --> 0:19:14.800
<v Speaker 1>also like the sense of home. But I love touring.

0:19:15.520 --> 0:19:17.760
<v Speaker 1>You do to, of course they do. I also, I

0:19:17.800 --> 0:19:20.560
<v Speaker 1>don't know, some people really don't enjoy People don't enjoy it,

0:19:20.600 --> 0:19:23.520
<v Speaker 1>and I understand, but there's different reasons for that. Yeah.

0:19:23.520 --> 0:19:25.440
<v Speaker 1>I mean I also feel like I tour in a

0:19:25.720 --> 0:19:29.280
<v Speaker 1>fashion that is really fortunate because I, you know, had

0:19:29.359 --> 0:19:31.680
<v Speaker 1>success early so I can have a tour bus. Yeah.

0:19:32.800 --> 0:19:33.000
<v Speaker 4>Yeah.

0:19:33.040 --> 0:19:34.879
<v Speaker 1>Some people don't like a tour bus even but I

0:19:35.080 --> 0:19:37.600
<v Speaker 1>find it super comfy. That's good because I have to

0:19:37.680 --> 0:19:40.080
<v Speaker 1>go on tour and a tour bus. Are you going

0:19:40.119 --> 0:19:40.640
<v Speaker 1>on a bus?

0:19:40.800 --> 0:19:41.040
<v Speaker 6>Yeah?

0:19:41.280 --> 0:19:44.680
<v Speaker 12>And it's been four years since I have done that. Yeah,

0:19:44.760 --> 0:19:47.640
<v Speaker 12>And I actually was sort of dreading it a little

0:19:47.680 --> 0:19:50.840
<v Speaker 12>bit really, because because I'm so used to home, or

0:19:50.880 --> 0:19:54.879
<v Speaker 12>I've been home so long that you know, I don't know,

0:19:55.080 --> 0:19:57.560
<v Speaker 12>I sort of dread anything that I have to do.

0:19:58.320 --> 0:19:59.520
<v Speaker 10>I'm kind I'm kind of like that.

0:20:00.080 --> 0:20:01.800
<v Speaker 12>So the point that I'm in there and then you're

0:20:01.840 --> 0:20:03.480
<v Speaker 12>like in it, yeah, and then I'm like, oh, it

0:20:03.600 --> 0:20:05.840
<v Speaker 12>was fun, then I start I don't want to go home.

0:20:06.000 --> 0:20:09.879
<v Speaker 1>You know we're dreading this. No this, I want this.

0:20:10.080 --> 0:20:15.320
<v Speaker 12>I wasn't dreading. I knew everything in that when I'm

0:20:15.359 --> 0:20:17.639
<v Speaker 12>glad we were scheduled because that was I was a

0:20:17.720 --> 0:20:22.040
<v Speaker 12>little bit dicey. Yeah, I didn't want to rush, but no,

0:20:22.200 --> 0:20:23.080
<v Speaker 12>you had to go to Europe.

0:20:23.440 --> 0:20:26.680
<v Speaker 1>Yeah, that's cool, it's fun. You went. Are you doing

0:20:26.880 --> 0:20:31.280
<v Speaker 1>press for your new record? Yes? That is exciting. That's exciting. Well,

0:20:31.320 --> 0:20:34.840
<v Speaker 1>that always feels like a lot of like anxiety before

0:20:34.880 --> 0:20:37.680
<v Speaker 1>you put out a record, like you're done with it

0:20:38.000 --> 0:20:39.760
<v Speaker 1>and you're excited about it and you know you like

0:20:39.880 --> 0:20:42.200
<v Speaker 1>it or love it, but then you have to go

0:20:42.359 --> 0:20:45.119
<v Speaker 1>talk about it. It's kind of a funny in between

0:20:45.240 --> 0:20:47.680
<v Speaker 1>place before it comes out right it is.

0:20:47.920 --> 0:20:50.720
<v Speaker 12>I'm not a good salesman, so I'm trying, like I

0:20:50.920 --> 0:20:53.879
<v Speaker 12>really want to do my best to make the record

0:20:54.600 --> 0:20:58.520
<v Speaker 12>heard by people, but I don't. You know, It's funny

0:20:58.560 --> 0:21:00.760
<v Speaker 12>because you have these conversations with the Lake and they're like, well,

0:21:00.760 --> 0:21:01.879
<v Speaker 12>what is the album about?

0:21:02.119 --> 0:21:02.239
<v Speaker 4>Oh?

0:21:02.320 --> 0:21:03.720
<v Speaker 1>They want to know how to sell it?

0:21:03.920 --> 0:21:07.240
<v Speaker 12>Yeah, so yeah, what is it about? And let's get

0:21:07.280 --> 0:21:07.680
<v Speaker 12>to dirt.

0:21:07.800 --> 0:21:08.639
<v Speaker 1>We want to know, you know.

0:21:08.760 --> 0:21:11.280
<v Speaker 12>So I'm like, well, it's I was working in a brothel,

0:21:11.840 --> 0:21:12.040
<v Speaker 12>you know.

0:21:12.720 --> 0:21:15.000
<v Speaker 1>And then I got Then I had to get sober,

0:21:15.920 --> 0:21:17.879
<v Speaker 1>you know. I'm trying to come up with this like

0:21:18.000 --> 0:21:21.920
<v Speaker 1>oh bye, and then I don't know.

0:21:22.000 --> 0:21:24.359
<v Speaker 12>I could think of I couldn't think of anything. And

0:21:24.680 --> 0:21:28.560
<v Speaker 12>it's basically, I don't know that what people will take

0:21:28.640 --> 0:21:30.879
<v Speaker 12>from the record is what it's actually about.

0:21:31.000 --> 0:21:33.880
<v Speaker 1>Well said, it's not great to tell people what something's

0:21:33.920 --> 0:21:37.600
<v Speaker 1>about because then they have these preconceived ideas. That's right,

0:21:37.880 --> 0:21:41.080
<v Speaker 1>And I think the reason music is so beautiful is

0:21:41.160 --> 0:21:43.560
<v Speaker 1>that you can put it out there and people can

0:21:43.640 --> 0:21:45.119
<v Speaker 1>relate to it however they want to.

0:21:45.359 --> 0:21:45.760
<v Speaker 4>Mm hmm.

0:21:46.280 --> 0:21:50.880
<v Speaker 1>I totally are really yes, I totally agree people, yeah,

0:21:50.960 --> 0:21:53.800
<v Speaker 1>especially to sell music now because it's hard to They

0:21:53.880 --> 0:21:55.920
<v Speaker 1>really want they want to have like a hook and

0:21:56.160 --> 0:21:57.160
<v Speaker 1>story for people.

0:21:57.800 --> 0:21:59.560
<v Speaker 12>Yeah, it's like, is it a makeup album? Is it

0:21:59.600 --> 0:22:03.960
<v Speaker 12>a break about it's you know, so it's sort of

0:22:04.040 --> 0:22:04.840
<v Speaker 12>hard to explain.

0:22:05.200 --> 0:22:07.040
<v Speaker 1>Yeah, you don't have to explain it to me. Oh,

0:22:07.240 --> 0:22:11.480
<v Speaker 1>thank you the one place because already no, right, I

0:22:11.640 --> 0:22:14.400
<v Speaker 1>know you do. But I'm also like, I just love

0:22:14.480 --> 0:22:18.520
<v Speaker 1>getting inside these new songs. Thank you, Thank you for

0:22:18.680 --> 0:22:22.000
<v Speaker 1>listening to them. Yeah, I mean I think we should

0:22:22.040 --> 0:22:24.040
<v Speaker 1>do one and then it would be fun get to

0:22:24.320 --> 0:22:25.520
<v Speaker 1>make their own decisions.

0:22:25.800 --> 0:22:28.159
<v Speaker 12>Yeah, they could hate it, you know, move on to

0:22:28.240 --> 0:22:30.320
<v Speaker 12>the next broad exactly.

0:22:30.560 --> 0:22:35.880
<v Speaker 1>No, No, nothing's fraudulent here. Should we try that one?

0:22:36.080 --> 0:22:41.920
<v Speaker 1>You did a song with Lucas. Yeah, Lucas it Nell says.

0:22:42.200 --> 0:22:44.879
<v Speaker 1>He's so sweet. He really is a sweetheart. And his

0:22:45.080 --> 0:22:48.359
<v Speaker 1>voice it's beautiful, so beautiful. He just keeps getting better

0:22:48.440 --> 0:22:50.520
<v Speaker 1>and better. I love what you guys did together. We

0:22:50.640 --> 0:22:53.480
<v Speaker 1>had so much fun because I've known him forever, but

0:22:53.560 --> 0:22:56.639
<v Speaker 1>we've got to like sit and actually be together for

0:22:56.760 --> 0:22:58.840
<v Speaker 1>a few hours and play music and talk and it

0:22:59.000 --> 0:23:03.600
<v Speaker 1>was beautiful. I've never met him really. No, what, Oh,

0:23:03.680 --> 0:23:06.400
<v Speaker 1>and you did this online? So you did like a remote?

0:23:06.560 --> 0:23:08.359
<v Speaker 1>Did you actually see each other online or do you

0:23:08.480 --> 0:23:10.800
<v Speaker 1>just send stuff back and forth? We just sent stuff

0:23:10.840 --> 0:23:13.280
<v Speaker 1>back and forth. That's so crazy, right, I know, it's funny,

0:23:13.520 --> 0:23:14.080
<v Speaker 1>it's crazy.

0:23:14.160 --> 0:23:15.960
<v Speaker 12>I feel like I know him because I'm on his

0:23:16.080 --> 0:23:17.400
<v Speaker 12>Instagram page all the time.

0:23:17.640 --> 0:23:20.120
<v Speaker 1>Yeah, I mean he's easy to get to know. Yeah.

0:23:20.240 --> 0:23:22.040
<v Speaker 1>I think that's a nice way to say. Yeah, in

0:23:22.119 --> 0:23:25.040
<v Speaker 1>a good way, Like he's he's open and he reaches

0:23:25.119 --> 0:23:27.680
<v Speaker 1>out and he's super kind and loves He's a love.

0:23:27.920 --> 0:23:33.920
<v Speaker 1>I'm sweet. All right, let me get my lyrics. Do

0:23:34.000 --> 0:23:36.440
<v Speaker 1>you want to take a verse? You were me to

0:23:36.480 --> 0:23:38.440
<v Speaker 1>take his verse? Yeah, if you're comfortable with it, I

0:23:38.480 --> 0:23:42.200
<v Speaker 1>would love to so. Yeah. I love the song Let's

0:23:42.280 --> 0:24:05.679
<v Speaker 1>check hioks, you look beautiful? Oh stop, you.

0:24:06.480 --> 0:24:08.400
<v Speaker 7>Give me a bad.

0:24:09.680 --> 0:24:09.920
<v Speaker 6>Man.

0:24:16.000 --> 0:24:30.680
<v Speaker 4>All this shows a good times we hid Toyllo reason

0:24:35.760 --> 0:24:36.399
<v Speaker 4>loving you.

0:24:37.560 --> 0:24:46.720
<v Speaker 13>All this makes me said, you are too hard to forget.

0:24:47.200 --> 0:24:50.800
<v Speaker 13>I'm drowning and regret, oh darding.

0:24:51.040 --> 0:24:56.960
<v Speaker 4>Won't you let me free? You still dream about the past.

0:24:57.320 --> 0:24:59.440
<v Speaker 6>I'm rounding from it fast?

0:24:59.760 --> 0:25:04.480
<v Speaker 4>Don't I want to ask about my story? I care?

0:25:04.680 --> 0:25:05.200
<v Speaker 5>Let it be.

0:25:06.960 --> 0:25:32.199
<v Speaker 4>I've got a bad, bad memory. You give me an

0:25:32.359 --> 0:25:33.840
<v Speaker 4>age in my.

0:25:40.080 --> 0:26:01.120
<v Speaker 14>Everything reminds me you used to have a kind red collection. Everything,

0:26:01.520 --> 0:26:11.120
<v Speaker 14>every memory just makes me you are to how to forget.

0:26:11.600 --> 0:26:16.280
<v Speaker 13>I'm drowning in redred, Oh dared, and won't you let

0:26:16.680 --> 0:26:23.920
<v Speaker 13>me free? Extusie about the best I'm riding from it fast.

0:26:24.320 --> 0:26:29.800
<v Speaker 4>Don't ask about my story. I care letting it be.

0:26:31.560 --> 0:27:14.560
<v Speaker 9>I've got a bad bad memory. You are too how

0:27:14.680 --> 0:27:15.480
<v Speaker 9>to fucket?

0:27:15.960 --> 0:27:20.600
<v Speaker 14>I'm drowning men regret, Oh God, and won't you let

0:27:21.040 --> 0:27:21.840
<v Speaker 14>me free?

0:27:23.160 --> 0:27:28.240
<v Speaker 4>You still dream about the best story? Riding from it first?

0:27:28.640 --> 0:27:31.639
<v Speaker 4>Don't ask by my story.

0:27:32.760 --> 0:27:34.040
<v Speaker 15>I can't let it be.

0:27:35.840 --> 0:27:38.760
<v Speaker 9>I've got a bad bad memory.

0:27:42.800 --> 0:27:44.080
<v Speaker 4>I care let it be.

0:27:45.960 --> 0:27:48.879
<v Speaker 9>I've got a bad bad memory.

0:27:53.240 --> 0:27:59.440
<v Speaker 4>You'll let it be. I've got a bad bad memory.

0:28:26.400 --> 0:28:31.280
<v Speaker 1>It's a perfect ending. It was good. That was awesome.

0:28:31.359 --> 0:28:33.560
<v Speaker 1>That was so pretty. I messed up a lyric, but

0:28:33.680 --> 0:28:36.320
<v Speaker 1>I kind of fixed it was perfect. Okay, Yeah, I

0:28:36.359 --> 0:28:39.239
<v Speaker 1>didn't know how much everything is. Lucas is gonna call

0:28:39.320 --> 0:28:43.040
<v Speaker 1>me and be you had a lyric, dear you, that's

0:28:43.080 --> 0:28:45.560
<v Speaker 1>so cool. Though you wrote this with Lucas too, or

0:28:45.600 --> 0:28:47.640
<v Speaker 1>he just sang on it. He's sang on this one

0:28:47.760 --> 0:28:48.960
<v Speaker 1>so well.

0:28:49.360 --> 0:28:53.680
<v Speaker 12>So he definitely inspired this one because his song Georgia,

0:28:53.880 --> 0:28:57.320
<v Speaker 12>when we did that Georgia exchange, it got in my psyche.

0:28:57.880 --> 0:29:00.440
<v Speaker 1>And when I started writing this, I was like, oh.

0:29:00.440 --> 0:29:03.239
<v Speaker 12>I hear Lucas's voice on here, and only later did

0:29:03.320 --> 0:29:07.640
<v Speaker 12>I realize it was directly like inspired.

0:29:08.760 --> 0:29:10.800
<v Speaker 1>Is kind of similar. So I called him up. I

0:29:10.880 --> 0:29:13.000
<v Speaker 1>was like, am I ripping you off? Is this okay? Oh?

0:29:13.240 --> 0:29:15.400
<v Speaker 1>Well that's great, that's one way to do so I.

0:29:15.440 --> 0:29:18.440
<v Speaker 12>Think he you know, if all people understands how songwriting works,

0:29:18.520 --> 0:29:21.440
<v Speaker 12>it's like you get inspired and things, you know.

0:29:22.040 --> 0:29:24.560
<v Speaker 1>Yeah, I mean I think that there is no songwriting

0:29:24.600 --> 0:29:27.960
<v Speaker 1>without being inspired by other songs, right, That's what I think.

0:29:28.040 --> 0:29:30.600
<v Speaker 1>We don't come up with everything, no, though, I will

0:29:30.680 --> 0:29:32.600
<v Speaker 1>say I've been listening to a lot of pop radio

0:29:32.640 --> 0:29:35.120
<v Speaker 1>with my kids. Oh, and there are definitely a few

0:29:35.200 --> 0:29:39.400
<v Speaker 1>songs that, like production and everything are clearly ripping off

0:29:39.480 --> 0:29:43.080
<v Speaker 1>songs from the nineties Hello we grew up with. But

0:29:43.160 --> 0:29:45.080
<v Speaker 1>it's funny because I don't realize it at first, and

0:29:45.160 --> 0:29:47.560
<v Speaker 1>I just love the song. Yeah, you're like, why this

0:29:47.720 --> 0:29:48.160
<v Speaker 1>is a jam?

0:29:48.600 --> 0:29:51.960
<v Speaker 12>I'm into this, like that weekend song. I just realized

0:29:52.080 --> 0:29:54.280
<v Speaker 12>what is from the nineties that song?

0:29:54.400 --> 0:29:56.840
<v Speaker 1>Yeah, I don't remember what song writing now, But so

0:29:57.040 --> 0:29:59.720
<v Speaker 1>he's well, he sings a song that I was like, Oh,

0:29:59.800 --> 0:30:03.120
<v Speaker 1>that's I don't want to know if you're playing me, I.

0:30:03.120 --> 0:30:04.600
<v Speaker 12>Don't know it's on the radio all the time. But

0:30:05.120 --> 0:30:07.440
<v Speaker 12>I was like, that's familiar, and it's from the night.

0:30:07.480 --> 0:30:09.360
<v Speaker 12>It's a total cover from the night.

0:30:09.360 --> 0:30:12.920
<v Speaker 1>Oh, it's an actual sound like Grandma, Yes, where Granny

0:30:13.040 --> 0:30:16.080
<v Speaker 1>is by actual cover. But it's fine, like sometimes I am,

0:30:16.120 --> 0:30:18.920
<v Speaker 1>but it's good sometimes. Also when they use that production

0:30:19.040 --> 0:30:22.960
<v Speaker 1>and blatantly copy it, yeah, it's like clearly not an accident. Actually,

0:30:23.000 --> 0:30:25.720
<v Speaker 1>I just love it even more so I don't really care,

0:30:26.080 --> 0:30:28.600
<v Speaker 1>you know what, like when did we when? When did

0:30:28.640 --> 0:30:32.360
<v Speaker 1>we decide that it was bad to do something again?

0:30:32.800 --> 0:30:35.280
<v Speaker 1>You know, I guess, I guess if the original person

0:30:35.720 --> 0:30:39.280
<v Speaker 1>never got paid well paid a lot, that's the answer.

0:30:39.480 --> 0:30:41.240
<v Speaker 1>That's when it matters. That's when it's bad.

0:30:41.520 --> 0:30:44.960
<v Speaker 12>Yeah, if you're not, you're yeah, totally I know so.

0:30:45.440 --> 0:30:48.400
<v Speaker 1>But if they are, then it's really good. Yeah, it's

0:30:48.440 --> 0:30:51.480
<v Speaker 1>great for everyone. The spread the money, spread it around,

0:30:51.960 --> 0:30:55.960
<v Speaker 1>and you know some folks need that so especially back

0:30:56.040 --> 0:30:58.400
<v Speaker 1>in the day. Ye, back in the day, what kind

0:30:58.400 --> 0:31:02.640
<v Speaker 1>of deals they were doing? God, speaking of deals, I

0:31:02.800 --> 0:31:05.640
<v Speaker 1>do have a question for you. Okay, when we went

0:31:05.680 --> 0:31:10.320
<v Speaker 1>on a walk, Yeah, you told me something I didn't know, really, Yeah.

0:31:10.520 --> 0:31:11.520
<v Speaker 10>You when did so?

0:31:12.800 --> 0:31:15.720
<v Speaker 1>Okay? Wait, what order should I ask it. It doesn't matter.

0:31:16.800 --> 0:31:17.240
<v Speaker 4>You told me.

0:31:17.520 --> 0:31:20.480
<v Speaker 1>You told me that you got signed by Clive Davis. Yeah,

0:31:20.720 --> 0:31:24.680
<v Speaker 1>is that a secretor no? Oh yeah, okay, that's crazy.

0:31:25.120 --> 0:31:28.960
<v Speaker 12>That was Peter peters Edge was the anara there that

0:31:29.160 --> 0:31:32.840
<v Speaker 12>really put me on and then brought me to Clive.

0:31:33.200 --> 0:31:37.480
<v Speaker 1>What year was this, This was two thousand and three. Okay, yeah, so,

0:31:37.680 --> 0:31:41.840
<v Speaker 1>and that was around the time that Clive had Alicia Keys. Yes,

0:31:42.000 --> 0:31:45.200
<v Speaker 1>she was. She was so, she was huge, she was.

0:31:45.320 --> 0:31:48.160
<v Speaker 1>They would send me clip pictures of her like, Okay,

0:31:48.280 --> 0:31:50.080
<v Speaker 1>first of all, I love Alicia. Oh I love her

0:31:50.640 --> 0:31:51.040
<v Speaker 1>so much.

0:31:51.240 --> 0:31:53.240
<v Speaker 12>So I'm just but it was back in the day

0:31:53.280 --> 0:31:57.880
<v Speaker 12>I had a different idea of her because they were like,

0:31:58.080 --> 0:32:00.600
<v Speaker 12>you need to be Alicia Keys. They were trying to

0:32:00.720 --> 0:32:03.160
<v Speaker 12>just have you be the next Yeah, They're like, you

0:32:03.320 --> 0:32:04.880
<v Speaker 12>have a guitar and she has a piano.

0:32:05.640 --> 0:32:06.400
<v Speaker 1>Isn't that crazy?

0:32:06.480 --> 0:32:09.320
<v Speaker 12>It was really like not good for a young person

0:32:09.520 --> 0:32:12.960
<v Speaker 12>to compare themselves constantly with someone else, but they were

0:32:13.080 --> 0:32:15.440
<v Speaker 12>feeding that. Yeah, Like they sent me text message of

0:32:15.560 --> 0:32:18.840
<v Speaker 12>like Alicia jogging on the beach with abs and they're

0:32:18.880 --> 0:32:20.160
<v Speaker 12>like you should do that.

0:32:20.680 --> 0:32:21.280
<v Speaker 7>You serious?

0:32:21.520 --> 0:32:25.440
<v Speaker 1>It was like very strange. Okay, that is strange. It was.

0:32:25.720 --> 0:32:28.960
<v Speaker 12>It was a strange environment, but I'm so grateful for

0:32:29.080 --> 0:32:32.320
<v Speaker 12>it because all of these ideas I had about and

0:32:32.440 --> 0:32:34.479
<v Speaker 12>I wanted that I wanted to be in the major

0:32:34.760 --> 0:32:38.000
<v Speaker 12>label situation. And this was before the Internet, when it

0:32:38.120 --> 0:32:43.640
<v Speaker 12>was still yeah yeah, I was like, I'm like, I'm

0:32:43.720 --> 0:32:47.480
<v Speaker 12>going to be as big success, you know, And I

0:32:47.680 --> 0:32:50.640
<v Speaker 12>learned all these valuable lessons along the way.

0:32:50.840 --> 0:32:52.520
<v Speaker 1>And it was hard and it was all.

0:32:52.440 --> 0:32:56.600
<v Speaker 12>The things, and then finally it wasn't a success, you know,

0:32:56.840 --> 0:32:59.560
<v Speaker 12>and in retrospect, thank god, because it wasn't.

0:32:59.360 --> 0:33:01.880
<v Speaker 1>Really what I was trying to do, Like musically was

0:33:02.120 --> 0:33:04.880
<v Speaker 1>did you you made an album? Though? And yeah, I

0:33:04.920 --> 0:33:06.960
<v Speaker 1>mean I I so. I met CHUCKI.

0:33:07.040 --> 0:33:12.320
<v Speaker 12>Thompson rest his soul, amazing Chucky Thompson, and he was

0:33:12.400 --> 0:33:15.880
<v Speaker 12>my teacher and my guide through that process, and I

0:33:16.000 --> 0:33:17.120
<v Speaker 12>signed a production deal with.

0:33:17.160 --> 0:33:18.720
<v Speaker 1>Him, which is what you did back then.

0:33:18.960 --> 0:33:22.000
<v Speaker 12>Yeah that's right, you know, and then through him, I

0:33:22.080 --> 0:33:24.000
<v Speaker 12>signed with them, and then we had this like three

0:33:24.080 --> 0:33:27.760
<v Speaker 12>years of artist development, which is.

0:33:27.840 --> 0:33:30.560
<v Speaker 1>Like at a time at the salon, that's a wormhole.

0:33:30.800 --> 0:33:34.640
<v Speaker 12>Yeah, it was, that is crazy. It was like writing

0:33:34.760 --> 0:33:36.920
<v Speaker 12>with try this, yeah, try this, writer.

0:33:36.760 --> 0:33:39.800
<v Speaker 1>Away that didn't fit, try this, Yeah, let's try this. Oh,

0:33:39.840 --> 0:33:40.760
<v Speaker 1>we know, Oh you know what.

0:33:40.840 --> 0:33:43.520
<v Speaker 12>We want you to sound like Lauren Hill. Here's her producers,

0:33:43.520 --> 0:33:45.600
<v Speaker 12>and we want you to sound like D'Angelo here's his

0:33:46.120 --> 0:33:49.600
<v Speaker 12>you know. So it was like constantly like, well when

0:33:49.680 --> 0:33:50.520
<v Speaker 12>do I get a chance to.

0:33:50.520 --> 0:33:51.479
<v Speaker 1>Figure out who I am?

0:33:51.640 --> 0:33:51.800
<v Speaker 10>You know?

0:33:51.920 --> 0:33:54.360
<v Speaker 1>And that sounds like a factory. It was. It was,

0:33:55.000 --> 0:33:58.360
<v Speaker 1>and again like a lot. I learned a lot from it,

0:33:58.480 --> 0:34:00.280
<v Speaker 1>and a lot of people come out of that that

0:34:00.440 --> 0:34:06.600
<v Speaker 1>scenario finding themselves, but not not everyone. Yeah, no, I

0:34:06.680 --> 0:34:07.160
<v Speaker 1>mean I could.

0:34:07.440 --> 0:34:09.400
<v Speaker 12>I thank god I had the support around me and

0:34:09.480 --> 0:34:14.400
<v Speaker 12>my family and you know, they were just keeping me honest.

0:34:14.719 --> 0:34:17.080
<v Speaker 1>I kind of Yeah, you have to have someone keeping

0:34:17.120 --> 0:34:19.719
<v Speaker 1>you honest, or you have to sucked into whatever it

0:34:19.880 --> 0:34:22.439
<v Speaker 1>is that people are telling you to do. Oh yeah,

0:34:22.560 --> 0:34:26.680
<v Speaker 1>and you'll start singing about stuff that five years down

0:34:26.719 --> 0:34:28.759
<v Speaker 1>the line, you're gonna be like, I'm never gonna say

0:34:28.800 --> 0:34:29.520
<v Speaker 1>those words again.

0:34:31.640 --> 0:34:34.120
<v Speaker 12>I know my whole first record, I mean, I put

0:34:34.200 --> 0:34:36.960
<v Speaker 12>so much time and effort into it, and I remember

0:34:37.320 --> 0:34:38.760
<v Speaker 12>it got nominated for a Grammy.

0:34:38.880 --> 0:34:39.120
<v Speaker 1>Wow.

0:34:39.440 --> 0:34:39.719
<v Speaker 16>I know.

0:34:39.960 --> 0:34:41.960
<v Speaker 1>See, I don't really know a lot about your history.

0:34:42.360 --> 0:34:45.520
<v Speaker 1>Well that's fine, amazing talk about.

0:34:47.239 --> 0:34:49.160
<v Speaker 12>I just bring that up to say, like I remember

0:34:49.280 --> 0:34:53.360
<v Speaker 12>being at this Grammy party and just feeling like not

0:34:53.760 --> 0:34:57.680
<v Speaker 12>one hundred percent confident because I came from this really

0:34:57.719 --> 0:35:01.319
<v Speaker 12>really musical upbringing, and I knew that I had made

0:35:01.400 --> 0:35:05.560
<v Speaker 12>compromises with the record that I made, you know, and

0:35:05.920 --> 0:35:08.600
<v Speaker 12>that felt really bad to me because it was always

0:35:08.719 --> 0:35:12.799
<v Speaker 12>music first in my life with my family, and then

0:35:12.840 --> 0:35:16.960
<v Speaker 12>at some point it became like hairstyle first, or fashion

0:35:17.120 --> 0:35:19.360
<v Speaker 12>or you know, fame, fame first.

0:35:19.480 --> 0:35:21.280
<v Speaker 1>It got caught up in that machine.

0:35:21.719 --> 0:35:24.279
<v Speaker 12>Yeah, the people said, well, do it our way now,

0:35:24.600 --> 0:35:26.960
<v Speaker 12>and when that's a success, you can do it your way.

0:35:27.600 --> 0:35:32.359
<v Speaker 1>And it's so backwards it works. It actually doesn't ever work. Yeah,

0:35:32.360 --> 0:35:34.560
<v Speaker 1>because people people can hear even if they don't know

0:35:34.680 --> 0:35:37.560
<v Speaker 1>anything about songwriting or production or they don't care, they

0:35:37.600 --> 0:35:41.279
<v Speaker 1>can hear your heart through the through the radio. Yes,

0:35:41.480 --> 0:35:42.400
<v Speaker 1>you know, and there we was.

0:35:42.680 --> 0:35:46.440
<v Speaker 12>There was definitely people who would tell me that then anyway,

0:35:47.040 --> 0:35:49.440
<v Speaker 12>it was what it was, and I'm grateful for it,

0:35:49.680 --> 0:35:51.040
<v Speaker 12>and you know, you.

0:35:51.080 --> 0:35:55.080
<v Speaker 1>Got a great story after that. I got dropped, I

0:35:55.120 --> 0:35:58.560
<v Speaker 1>got fired, And did that feel like a relief or

0:35:58.600 --> 0:36:00.960
<v Speaker 1>a failure at that time? Both?

0:36:01.520 --> 0:36:04.640
<v Speaker 12>Yeah, because I didn't have any money, of course, yeah,

0:36:04.760 --> 0:36:08.680
<v Speaker 12>you're a musician, and I didn't have an. I was

0:36:08.760 --> 0:36:11.520
<v Speaker 12>happy to part ways musically that didn't work out, and

0:36:11.719 --> 0:36:15.560
<v Speaker 12>like having an an art you know, although shout out

0:36:15.560 --> 0:36:18.400
<v Speaker 12>to Peter because he's, you know, an important person in

0:36:18.480 --> 0:36:21.480
<v Speaker 12>my in my development. No, that's part of their they're

0:36:21.520 --> 0:36:22.200
<v Speaker 12>in the machine too.

0:36:22.360 --> 0:36:23.160
<v Speaker 1>Yeah. Yeah, yeah.

0:36:23.400 --> 0:36:26.840
<v Speaker 12>But I fortunately met my producer just as I was

0:36:26.960 --> 0:36:29.799
<v Speaker 12>leaving them, who was my guitar player at the time,

0:36:29.960 --> 0:36:33.319
<v Speaker 12>and then he became my producer, Jeremy most So there

0:36:33.400 --> 0:36:35.440
<v Speaker 12>was like a transition. That's a good transition.

0:36:35.680 --> 0:36:39.000
<v Speaker 1>Yeah. Was I was lucky? Wow? Well I didn't know

0:36:39.040 --> 0:36:41.640
<v Speaker 1>any of that. Yeah, it's kind of crazy. Did you

0:36:41.760 --> 0:36:45.759
<v Speaker 1>have those experiences? I didn't I had. I was doing

0:36:45.920 --> 0:36:48.360
<v Speaker 1>jazz gigs and then I was I had just started

0:36:48.400 --> 0:36:51.160
<v Speaker 1>writing songs. I had only been to New York about

0:36:52.080 --> 0:36:54.879
<v Speaker 1>eight months. Wow. I dropped out of jam Texas. Yeah.

0:36:54.880 --> 0:36:57.560
<v Speaker 1>I dropped out of jazz college and I moved to

0:36:57.640 --> 0:37:00.719
<v Speaker 1>New York after the right choice. Wow, I mean, what

0:37:00.800 --> 0:37:02.960
<v Speaker 1>do you say? It like that? But I learned a

0:37:03.000 --> 0:37:04.800
<v Speaker 1>lot and then I left when I was like, Okay,

0:37:04.960 --> 0:37:07.520
<v Speaker 1>I don't want to get a degree in education. Yeah,

0:37:07.560 --> 0:37:09.400
<v Speaker 1>you know, I don't think that's what I'm going to do.

0:37:09.480 --> 0:37:14.640
<v Speaker 1>But I came and I was doing jazz gigs around town,

0:37:14.760 --> 0:37:17.040
<v Speaker 1>but mostly in restaurants because I mean I hadn't even

0:37:17.400 --> 0:37:19.560
<v Speaker 1>I couldn't even get a gig at a club, right,

0:37:19.719 --> 0:37:25.120
<v Speaker 1>you know, I wasn't even that scene. Yeah, But then

0:37:25.320 --> 0:37:26.879
<v Speaker 1>I started hanging out the living room. Did you ever

0:37:26.960 --> 0:37:27.960
<v Speaker 1>hang out there? No?

0:37:28.239 --> 0:37:31.719
<v Speaker 12>That was before my year younger. They closed after it room.

0:37:31.880 --> 0:37:36.840
<v Speaker 1>Yeah. So, so I started hanging out with Jesse, Harris,

0:37:37.280 --> 0:37:41.160
<v Speaker 1>Richard Julian, all these songwriters. We became really good friends.

0:37:41.640 --> 0:37:44.320
<v Speaker 1>And at a certain point, Jesse booked a gig for

0:37:44.400 --> 0:37:46.359
<v Speaker 1>me to sing his songs at the living room because

0:37:46.360 --> 0:37:49.239
<v Speaker 1>it was a songwriter a club, right, And so I

0:37:49.320 --> 0:37:51.120
<v Speaker 1>was singing his songs and I threw in like the

0:37:51.239 --> 0:37:54.879
<v Speaker 1>two songs I wrote, and my bass player at the time,

0:37:55.160 --> 0:37:57.640
<v Speaker 1>Lee Alexander, was writing songs. So we did a few

0:37:57.640 --> 0:38:00.560
<v Speaker 1>of his songs. Oh that's cool. And then I was

0:38:00.600 --> 0:38:03.799
<v Speaker 1>doing some jazz gig and someone saw me and liked

0:38:03.840 --> 0:38:07.160
<v Speaker 1>the way I was singing and playing and got me

0:38:07.200 --> 0:38:09.920
<v Speaker 1>a meeting with Bruce len Vallave Luno. Wow, and then

0:38:10.120 --> 0:38:12.640
<v Speaker 1>they ended up signing I did the same thing. It

0:38:12.719 --> 0:38:14.880
<v Speaker 1>was like a demo deal. It gave me money to

0:38:14.920 --> 0:38:18.280
<v Speaker 1>make some more recordings. It wasn't the same thing because

0:38:18.320 --> 0:38:20.759
<v Speaker 1>it wasn't a full on production, wasn't like a sixth

0:38:20.800 --> 0:38:23.279
<v Speaker 1>album deal. No, And they weren't. They weren't involved in

0:38:23.560 --> 0:38:26.080
<v Speaker 1>the recordings I was making so much. But I think

0:38:26.600 --> 0:38:29.480
<v Speaker 1>the general idea was try to work on the songwriting

0:38:29.600 --> 0:38:33.080
<v Speaker 1>project and not the straight ahead jazz project, and it

0:38:33.200 --> 0:38:35.600
<v Speaker 1>ended up becoming the record was that little band with

0:38:35.719 --> 0:38:36.399
<v Speaker 1>Jesse and Lee.

0:38:36.840 --> 0:38:40.759
<v Speaker 12>Do you think that's because I mean, because there wasn't

0:38:40.800 --> 0:38:44.279
<v Speaker 12>pressure for it to be the record or I think, well,

0:38:44.480 --> 0:38:47.960
<v Speaker 12>there was this whole roundabout thing where I actually ended

0:38:48.080 --> 0:38:48.840
<v Speaker 12>up using a producer.

0:38:48.880 --> 0:38:51.680
<v Speaker 1>I really loved Craig Street, who did a great job

0:38:52.680 --> 0:38:56.120
<v Speaker 1>producing the kind of music I wanted to because I

0:38:56.200 --> 0:39:00.920
<v Speaker 1>was in love with Cassandra Wilson that record daughter, Do

0:39:00.960 --> 0:39:03.319
<v Speaker 1>you know that record? Is that one with Harvest Meat? Yeah?

0:39:03.320 --> 0:39:06.360
<v Speaker 1>Oh my god, that's the best beautiful. I loved that record.

0:39:06.400 --> 0:39:09.239
<v Speaker 1>I still do, and so I got Craig to produce it,

0:39:09.800 --> 0:39:13.239
<v Speaker 1>and Craig did a great job. But it was very

0:39:13.320 --> 0:39:15.279
<v Speaker 1>dark and moody, kind of like you know, it wasn't

0:39:15.360 --> 0:39:17.320
<v Speaker 1>a lot like that record. It was very much not

0:39:17.920 --> 0:39:19.640
<v Speaker 1>trying to be that record, but it had more of

0:39:19.719 --> 0:39:22.480
<v Speaker 1>a dark moodiness, and we ended up going back and

0:39:22.600 --> 0:39:26.239
<v Speaker 1>using like some of the demos I made for the record. Wow,

0:39:26.760 --> 0:39:29.000
<v Speaker 1>And so I didn't know. It didn't sound like the

0:39:29.040 --> 0:39:33.880
<v Speaker 1>same situation. It sounded a little more free. Nice. You

0:39:34.120 --> 0:39:36.320
<v Speaker 1>loved it. I loved it, But I loved it. I

0:39:36.440 --> 0:39:39.239
<v Speaker 1>did love it, but I also was twenty two. Yeah,

0:39:39.320 --> 0:39:42.200
<v Speaker 1>I was still fake, like I loved singing Jesse songs,

0:39:42.239 --> 0:39:44.960
<v Speaker 1>but I didn't want to do that. Only right, because

0:39:44.960 --> 0:39:47.960
<v Speaker 1>you're a songwriter, Well, I wasn't yet. I only had

0:39:48.040 --> 0:39:50.880
<v Speaker 1>like two songs on that record. I was just starting

0:39:51.480 --> 0:39:54.080
<v Speaker 1>to write songs and I was scared of it, right,

0:39:54.360 --> 0:39:57.479
<v Speaker 1>And so now I feel very confident saying I'm a songwriter. Yeah,

0:39:57.760 --> 0:40:01.520
<v Speaker 1>then I didn't, right, I still finding myself. But I

0:40:01.600 --> 0:40:03.400
<v Speaker 1>definitely felt like I had some room to do that.

0:40:03.960 --> 0:40:06.800
<v Speaker 1>But you were such a good storyteller. Of the songs

0:40:06.880 --> 0:40:09.360
<v Speaker 1>that were on that record, it felt like it was

0:40:09.440 --> 0:40:12.000
<v Speaker 1>your song. Some of them felt like my songs. I mean.

0:40:12.080 --> 0:40:15.719
<v Speaker 1>I also, I think because I grew up singing jazz, Yeah,

0:40:15.840 --> 0:40:18.759
<v Speaker 1>it was all right trying to sell those stories, right, Yes,

0:40:19.480 --> 0:40:22.279
<v Speaker 1>did you grow up singing jazz? Yeah with your parents? Yeah?

0:40:22.360 --> 0:40:22.520
<v Speaker 6>Yeah?

0:40:22.640 --> 0:40:26.680
<v Speaker 1>Do you have a favorite favorite song? Maybe we used

0:40:26.680 --> 0:40:27.960
<v Speaker 1>to go to our tur We still do.

0:40:28.200 --> 0:40:31.640
<v Speaker 12>Oh yeah, I love our tur My dad would teach

0:40:31.680 --> 0:40:36.359
<v Speaker 12>a vocal class there with the incredible Harry Whittaker. Am

0:40:36.680 --> 0:40:39.400
<v Speaker 12>it was since past, but he was an angel, and

0:40:39.800 --> 0:40:41.719
<v Speaker 12>you know, all the singers would go there and I

0:40:41.760 --> 0:40:42.879
<v Speaker 12>would always sing if.

0:40:42.800 --> 0:40:43.640
<v Speaker 1>You could see me now.

0:40:44.880 --> 0:40:46.600
<v Speaker 12>I don't know why I related so much of that

0:40:46.760 --> 0:40:50.279
<v Speaker 12>song as a youth, If you could see me now,

0:40:50.480 --> 0:40:54.320
<v Speaker 12>you know how blu up been. But there's just so

0:40:54.520 --> 0:40:58.640
<v Speaker 12>many incredible songs. I mean, so many off the top

0:40:58.680 --> 0:41:01.600
<v Speaker 12>of my head. I can't remember.

0:41:01.800 --> 0:41:03.919
<v Speaker 1>I know, it's it's hard to remember. I was thinking

0:41:03.920 --> 0:41:05.879
<v Speaker 1>of a We'd bust one. Do you have a favorite one?

0:41:06.320 --> 0:41:09.839
<v Speaker 1>It's hard for me too. I used to saying, I'll

0:41:09.880 --> 0:41:10.360
<v Speaker 1>be seeing you.

0:41:10.840 --> 0:41:11.000
<v Speaker 6>Oh.

0:41:11.760 --> 0:41:14.440
<v Speaker 1>And it was a straight ripoff of Edda James's version,

0:41:14.800 --> 0:41:17.400
<v Speaker 1>which was a Billie Holiday tribute. So it was like

0:41:17.520 --> 0:41:22.040
<v Speaker 1>a twice removed ripoff. Yeah, but in a beautiful way.

0:41:22.560 --> 0:41:25.440
<v Speaker 1>Sometimes it gets better when it's it's just like it's

0:41:25.480 --> 0:41:28.080
<v Speaker 1>like the game of telephone. It just keeps changing. Yeah,

0:41:28.440 --> 0:41:29.200
<v Speaker 1>they keep changing.

0:41:30.160 --> 0:41:33.640
<v Speaker 12>Certainly, I don't always love the original recordings of things. Yeah,

0:41:34.080 --> 0:41:38.200
<v Speaker 12>but it never entered my mind, is so uh Harry

0:41:38.320 --> 0:41:40.920
<v Speaker 12>used to play that all the time. Really so beautiful.

0:41:53.440 --> 0:42:05.040
<v Speaker 4>So when I do you say the let me play.

0:42:07.000 --> 0:42:18.680
<v Speaker 17>So uneasy minch.

0:42:22.760 --> 0:42:34.560
<v Speaker 6>It never entered myma, what you told me.

0:42:38.320 --> 0:42:40.319
<v Speaker 4>That I'd awaken.

0:42:43.560 --> 0:42:47.719
<v Speaker 1>Thought it's so pretty, little snippet and then they'll kill

0:42:47.800 --> 0:42:49.280
<v Speaker 1>me because they have to get clearance for everything.

0:42:51.800 --> 0:42:52.440
<v Speaker 4>So pretty.

0:42:52.680 --> 0:42:56.440
<v Speaker 1>Oh my god, it's so beautiful. Have you ever thought

0:42:56.480 --> 0:42:58.440
<v Speaker 1>of doing a jazz record? Is too close to him?

0:42:59.880 --> 0:43:02.080
<v Speaker 12>I don't think I sing jazz very well. You don't

0:43:02.080 --> 0:43:03.120
<v Speaker 12>think about that yet.

0:43:03.160 --> 0:43:03.439
<v Speaker 1>I don't.

0:43:03.520 --> 0:43:06.520
<v Speaker 12>I honestly get really nervous when I sing jazz.

0:43:07.080 --> 0:43:07.520
<v Speaker 1>I don't know.

0:43:07.800 --> 0:43:10.719
<v Speaker 12>That's fine, just feels like such a it has to

0:43:10.920 --> 0:43:12.880
<v Speaker 12>be represented, you know.

0:43:13.719 --> 0:43:17.439
<v Speaker 1>That's interesting. I also feel like if your parents grew

0:43:17.560 --> 0:43:20.600
<v Speaker 1>up singing more of a Lambert Hendricks and rastyle, which

0:43:20.600 --> 0:43:23.239
<v Speaker 1>is completely opposite of what I grew up kind of

0:43:23.320 --> 0:43:28.880
<v Speaker 1>playing that's also with its own weight, like history, like

0:43:28.960 --> 0:43:36.600
<v Speaker 1>a jazz history style, almost as very complicated and complex. Yeah,

0:43:36.760 --> 0:43:41.440
<v Speaker 1>totally hard to do, like a rhythmic. I think, yeah, yeah, well,

0:43:41.480 --> 0:43:43.319
<v Speaker 1>what kind did you grow up? That is a lot

0:43:43.400 --> 0:43:45.840
<v Speaker 1>of ballads? Yeah yeah, I did some like you know,

0:43:46.040 --> 0:43:49.000
<v Speaker 1>mellow swing, but I could never play fast and I

0:43:49.120 --> 0:43:52.439
<v Speaker 1>have this hilarious recording of me in high school Ska

0:43:52.600 --> 0:43:58.279
<v Speaker 1>singing you know I tried it, don't fun. Don't ask

0:43:58.360 --> 0:44:01.279
<v Speaker 1>me this gas, don't ask me. I have a friend

0:44:01.520 --> 0:44:04.680
<v Speaker 1>Sasha Dobson. She actually does it really well and teastefully

0:44:04.800 --> 0:44:08.040
<v Speaker 1>without it being you know that. It's a rare thing.

0:44:08.239 --> 0:44:11.480
<v Speaker 1>It's rare. Yeah. I feel like only Ella could scat

0:44:11.600 --> 0:44:14.640
<v Speaker 1>and not to scout like Ella. If I could scot

0:44:14.760 --> 0:44:16.440
<v Speaker 1>like Ella, I would scat all the time. Yeah, yeah,

0:44:16.440 --> 0:44:21.719
<v Speaker 1>I would scatter all over the play taking easy. Yeah,

0:44:21.800 --> 0:44:24.839
<v Speaker 1>but yeah, that's a hard thing to pull off. Oh

0:44:24.960 --> 0:44:25.479
<v Speaker 1>my god.

0:44:25.760 --> 0:44:29.759
<v Speaker 12>My brother can scat really, and both my parents. But yeah,

0:44:30.200 --> 0:44:32.840
<v Speaker 12>because it because the rhythmic thing that's part of that.

0:44:32.920 --> 0:44:36.080
<v Speaker 1>Tradition, especially if you're in the Lambert Hendrickson Roth style

0:44:36.200 --> 0:44:39.719
<v Speaker 1>of like Bbop and the Yeah. So that was that

0:44:39.880 --> 0:44:44.640
<v Speaker 1>was cool. But yeah, the ballads and the ballads are

0:44:44.680 --> 0:44:48.239
<v Speaker 1>the best. I could turn anything into a ballad. Hey,

0:44:50.360 --> 0:44:53.640
<v Speaker 1>that's a good skill to have. Oh, speaking of completely

0:44:53.840 --> 0:44:56.839
<v Speaker 1>opposite things, I saw your Thing with Mark Revier. Oh.

0:44:57.760 --> 0:44:58.840
<v Speaker 4>I love Mark.

0:44:59.239 --> 0:45:02.080
<v Speaker 1>He's amazing the best. I did the podcast with it.

0:45:02.280 --> 0:45:05.239
<v Speaker 1>I saw that so fun. That is so cool. I

0:45:05.400 --> 0:45:08.359
<v Speaker 1>love him. He went to my high school in Texas. Way, Oh,

0:45:08.400 --> 0:45:11.399
<v Speaker 1>you're both from Texas, so much younger than me. But yeah,

0:45:11.480 --> 0:45:13.960
<v Speaker 1>he's a lot younger than me. It was my man

0:45:14.640 --> 0:45:18.319
<v Speaker 1>h school with me. Oh, I know, he's a big fan,

0:45:18.600 --> 0:45:20.319
<v Speaker 1>you know him. I've known him for a long time.

0:45:20.760 --> 0:45:23.880
<v Speaker 1>I've known him maybe two years. Oh okay, Yeah, was

0:45:23.960 --> 0:45:26.640
<v Speaker 1>that like the first time you guys did anything together.

0:45:26.800 --> 0:45:31.480
<v Speaker 12>Yeah, Jeremy sent me Marks when he was doing stuff

0:45:31.520 --> 0:45:35.120
<v Speaker 12>from home in Texas. He was doing like reviews of records,

0:45:35.160 --> 0:45:37.319
<v Speaker 12>and he did a review of our record. Oh that's

0:45:37.400 --> 0:45:39.600
<v Speaker 12>so cool, it was, and I was like, oh, he's

0:45:39.640 --> 0:45:40.839
<v Speaker 12>an interesting guy.

0:45:41.239 --> 0:45:41.760
<v Speaker 4>And then.

0:45:43.640 --> 0:45:45.920
<v Speaker 1>Then we talked a little bit online. And then.

0:45:47.520 --> 0:45:51.160
<v Speaker 12>The street that I grew up on in Manhattan. Sorry,

0:45:51.239 --> 0:45:55.800
<v Speaker 12>my brain just stopped working. When Biden won, I was

0:45:55.880 --> 0:45:58.440
<v Speaker 12>standing on the corner of that street on Houston Street,

0:45:59.239 --> 0:46:01.000
<v Speaker 12>and of course everybody is like.

0:46:01.600 --> 0:46:05.040
<v Speaker 1>The cars are honking and everything, and here comes Mark

0:46:05.120 --> 0:46:05.319
<v Speaker 1>on his.

0:46:05.400 --> 0:46:10.040
<v Speaker 12>Wheeling around the corner and I'm already jumping up and down,

0:46:10.080 --> 0:46:12.160
<v Speaker 12>and he jumps off of his bike and we start

0:46:12.239 --> 0:46:13.240
<v Speaker 12>jumping up and down together.

0:46:13.320 --> 0:46:14.719
<v Speaker 1>And that was the first time we met.

0:46:16.280 --> 0:46:17.600
<v Speaker 7>Yeah, that's so crazy.

0:46:17.719 --> 0:46:18.480
<v Speaker 4>I know, it's weird.

0:46:18.840 --> 0:46:21.239
<v Speaker 12>That is weird, but he just has that great energy

0:46:21.280 --> 0:46:24.080
<v Speaker 12>about him, like he's so spontaneous and his energy is

0:46:24.120 --> 0:46:27.040
<v Speaker 12>the best. That's the best energy. So it's fun because

0:46:27.760 --> 0:46:32.160
<v Speaker 12>I was really nervous to do his show, his stream,

0:46:32.920 --> 0:46:36.880
<v Speaker 12>but he's so not nervous that like instantly and it

0:46:37.000 --> 0:46:37.799
<v Speaker 12>was just fun.

0:46:38.160 --> 0:46:39.680
<v Speaker 1>Yeah. I was nervous too, and I'm like, how do

0:46:39.760 --> 0:46:41.960
<v Speaker 1>I prepare? Oh, you don't prepare when the music is

0:46:42.080 --> 0:46:45.160
<v Speaker 1>all improvised on the spot. Yes, but you're jazz, so

0:46:45.280 --> 0:46:48.480
<v Speaker 1>you're I'm used to improvising, but but I mean not

0:46:48.640 --> 0:46:51.719
<v Speaker 1>like that. Yeah. But also he kind of carries it

0:46:51.800 --> 0:46:54.759
<v Speaker 1>because he's got, you know, the stuff totally and if

0:46:54.760 --> 0:46:57.040
<v Speaker 1>you don't do anything, he'll just keep going. So it's

0:46:57.120 --> 0:47:04.479
<v Speaker 1>like fine, exactly, Yes, that's awesome. Yeah, he's pretty rad. Hey, Mark,

0:47:06.160 --> 0:47:10.480
<v Speaker 1>you know he's listening. Should we do another song? Yeah?

0:47:10.880 --> 0:47:14.799
<v Speaker 1>So we toured together last summer. Thank you so much fun.

0:47:15.520 --> 0:47:16.680
<v Speaker 1>I'm so glad you could do it.

0:47:17.320 --> 0:47:20.800
<v Speaker 12>My friend is going to be in Portsmouth today, New Hampshire,

0:47:20.840 --> 0:47:21.400
<v Speaker 12>and I.

0:47:21.480 --> 0:47:23.560
<v Speaker 1>Was like, oh, we had the best time there.

0:47:23.640 --> 0:47:25.279
<v Speaker 4>That was the best, the best.

0:47:25.360 --> 0:47:27.719
<v Speaker 1>Hay, that venue was crazy. It was so fun.

0:47:27.800 --> 0:47:30.040
<v Speaker 12>I hope you tell them to get there early. I know,

0:47:30.960 --> 0:47:33.160
<v Speaker 12>well he's not playing though he's not playing, but he's

0:47:33.200 --> 0:47:34.080
<v Speaker 12>just going to be in the town.

0:47:34.239 --> 0:47:37.279
<v Speaker 1>Okay. But I had like happy memories, so I was like, oh,

0:47:37.360 --> 0:47:39.759
<v Speaker 1>try this and go here. Yeah, that was such a

0:47:39.880 --> 0:47:43.719
<v Speaker 1>fun gig. And this venue. I can't remember the name

0:47:43.719 --> 0:47:45.279
<v Speaker 1>of the venue. Do you guys remember the name of

0:47:45.320 --> 0:47:48.480
<v Speaker 1>the venue? Sarah just said Bank of New Hampshire Pavilion

0:47:48.560 --> 0:47:51.800
<v Speaker 1>in Guildford, New Hampshire. They have this crazy artist friendly

0:47:51.920 --> 0:47:55.000
<v Speaker 1>backstage area for those of you who haven't been there.

0:47:55.239 --> 0:47:57.960
<v Speaker 1>And they have like fire pits, they have ping pong table.

0:47:58.200 --> 0:48:02.120
<v Speaker 1>They have a swimming pool. That's right. Did you go swimming?

0:48:02.400 --> 0:48:05.440
<v Speaker 1>Did not go? So after you left, I went swimming

0:48:05.520 --> 0:48:08.520
<v Speaker 1>with the crew. That was pretty fun. Was it cold? No,

0:48:08.600 --> 0:48:11.480
<v Speaker 1>it was heated. Oh my, come on, yeah, it was heated.

0:48:12.120 --> 0:48:15.719
<v Speaker 1>It was gorgeous playground and they had a playground if

0:48:15.719 --> 0:48:18.880
<v Speaker 1>you have kids. They had bikes and the food was

0:48:19.160 --> 0:48:22.720
<v Speaker 1>I still have my mug. They had oysters. It's crazy.

0:48:22.800 --> 0:48:25.840
<v Speaker 1>We don't always get fed like that backstae. No, it

0:48:26.000 --> 0:48:27.880
<v Speaker 1>was too much. It was actually too much. They had

0:48:27.920 --> 0:48:29.880
<v Speaker 1>like lobster. It was like too much and you couldn't

0:48:29.920 --> 0:48:32.400
<v Speaker 1>take it on the bus because it was weird seafood,

0:48:32.520 --> 0:48:33.400
<v Speaker 1>but it was delicious.

0:48:33.880 --> 0:48:37.880
<v Speaker 12>I've never had that experience before and or since. Yeah, Oh,

0:48:37.960 --> 0:48:41.160
<v Speaker 12>the bikes they had bikes. Could we could take the

0:48:41.239 --> 0:48:43.600
<v Speaker 12>bikes to the lake and then jump in the lake.

0:48:44.000 --> 0:48:48.239
<v Speaker 1>It was crazy. It was the best. Everybody, can we

0:48:48.320 --> 0:48:51.759
<v Speaker 1>do another gig there? Please? Can we just do a weak? No?

0:48:52.080 --> 0:48:52.760
<v Speaker 4>It was a camp.

0:48:53.120 --> 0:48:56.359
<v Speaker 1>That's a good place to start a tour and right,

0:48:56.680 --> 0:49:00.520
<v Speaker 1>definitely grown up camp. Yeah. It was so fun. And

0:49:00.640 --> 0:49:03.759
<v Speaker 1>you we met a few years ago. Yeah, we met

0:49:03.840 --> 0:49:06.480
<v Speaker 1>for men asks at a show, but we barely talked.

0:49:06.800 --> 0:49:10.360
<v Speaker 1>And then we met again. You came to Chicago and

0:49:10.760 --> 0:49:12.719
<v Speaker 1>that was so fun too, and it rained all day.

0:49:13.560 --> 0:49:16.640
<v Speaker 12>I remember getting the email that that you had asked

0:49:16.680 --> 0:49:21.160
<v Speaker 12>about tour and I was hiking. Oh cool, and I

0:49:21.320 --> 0:49:23.839
<v Speaker 12>was like, oh, I just you know, sometimes you get

0:49:23.840 --> 0:49:24.520
<v Speaker 12>a happy email.

0:49:24.760 --> 0:49:28.120
<v Speaker 1>Oh good, that's great. I was so happy you wanted

0:49:28.160 --> 0:49:30.640
<v Speaker 1>to do it, of course, and you did this. Saw

0:49:30.719 --> 0:49:31.480
<v Speaker 1>my god, your show.

0:49:32.600 --> 0:49:35.799
<v Speaker 12>That band was incredible, so much fun to watch.

0:49:35.960 --> 0:49:37.680
<v Speaker 1>It was so much fun just all being together and

0:49:37.719 --> 0:49:39.680
<v Speaker 1>the fact that you knew Chris already. It was like,

0:49:39.840 --> 0:49:43.600
<v Speaker 1>it's cool Chris, good old Chris Morrissey. And you did

0:49:43.640 --> 0:49:47.240
<v Speaker 1>this song distance every night. Oh yeah, such a jam. Thanks,

0:49:47.680 --> 0:49:50.239
<v Speaker 1>it's fun. It was fun. Do you want to do it? No?

0:49:50.760 --> 0:49:50.800
<v Speaker 10>No?

0:49:53.560 --> 0:49:59.120
<v Speaker 1>Yeah? No, the end, the end, it's done. Yeah. So

0:49:59.840 --> 0:50:01.840
<v Speaker 1>you guys would do this song distance and it was

0:50:02.200 --> 0:50:04.520
<v Speaker 1>it was a jam every night. You can do it.

0:50:04.880 --> 0:50:07.080
<v Speaker 12>It's a it's a it's an ode to New York

0:50:07.120 --> 0:50:08.799
<v Speaker 12>City living in tiny apartments.

0:50:09.719 --> 0:50:14.880
<v Speaker 1>I could tell. I figured you could. Yeah, I know

0:50:14.960 --> 0:50:17.920
<v Speaker 1>what this song is about. I'm pretty sure I've been there. Okay.

0:50:20.160 --> 0:50:22.319
<v Speaker 1>I when I hear the song, all I can see

0:50:22.440 --> 0:50:26.279
<v Speaker 1>is you dancing? Oh did I dance on this one?

0:50:26.520 --> 0:50:29.120
<v Speaker 1>I feel like you did? I mean, did you dance

0:50:29.200 --> 0:50:29.879
<v Speaker 1>on every jam?

0:50:30.040 --> 0:50:30.400
<v Speaker 13>I do?

0:50:30.840 --> 0:50:34.040
<v Speaker 1>I can't help myself. Wait, so are you Is your

0:50:34.080 --> 0:50:37.239
<v Speaker 1>brother a dancer? Yes? Okay, he's a tap dancer. It's

0:50:37.239 --> 0:50:40.719
<v Speaker 1>an amazing it's so fun. Thanks for noticing that I

0:50:40.800 --> 0:50:46.360
<v Speaker 1>stalked you on Oh cute? Did you grow up dancing too? No?

0:50:46.920 --> 0:50:51.040
<v Speaker 12>I tried tap dancing. Well, my parents put us in classes,

0:50:51.560 --> 0:50:54.040
<v Speaker 12>but we did like Afro Caribbean, and we did like

0:50:54.680 --> 0:50:58.040
<v Speaker 12>you know, but I never thought of myself as a dancer.

0:50:58.160 --> 0:51:00.560
<v Speaker 12>I started playing guitar and singing, and I was really

0:51:00.640 --> 0:51:03.560
<v Speaker 12>shy to move, to move around and then scary.

0:51:03.680 --> 0:51:07.960
<v Speaker 1>You know, it is because that I'm not really that

0:51:08.760 --> 0:51:11.480
<v Speaker 1>I'm not as good guitar as I'd like to be,

0:51:12.480 --> 0:51:15.360
<v Speaker 1>And I think what liberated me.

0:51:15.600 --> 0:51:17.520
<v Speaker 12>I don't There must have been a moment or a

0:51:17.600 --> 0:51:20.280
<v Speaker 12>tour or something where I was like, Okay, I'm gonna

0:51:20.280 --> 0:51:21.920
<v Speaker 12>step out and do and dance.

0:51:22.960 --> 0:51:26.320
<v Speaker 1>But I just just enjoy to stepping I really, but

0:51:26.880 --> 0:51:27.839
<v Speaker 1>then I went too far.

0:51:28.000 --> 0:51:30.360
<v Speaker 12>Now I look back at clips, I'm like, oh god,

0:51:30.600 --> 0:51:36.520
<v Speaker 12>she's like I feel, and that's not cute. So I'm

0:51:36.560 --> 0:51:39.120
<v Speaker 12>trying to find an now the sweet spot. I still

0:51:39.160 --> 0:51:40.719
<v Speaker 12>haven't reached it, but yeah, I'm trying to find the

0:51:40.760 --> 0:51:44.080
<v Speaker 12>sweet spot. I think you're dancing is infectious. When you

0:51:44.280 --> 0:51:48.520
<v Speaker 12>perform things, it looks pretty natural as well.

0:51:48.800 --> 0:51:50.839
<v Speaker 1>Really, yeah, I mean the fact that you say you're

0:51:50.960 --> 0:51:53.960
<v Speaker 1>like shy about it is surprising to me.

0:51:54.640 --> 0:51:57.760
<v Speaker 12>It's like I'm forcing myself to do to do things

0:51:57.800 --> 0:51:58.839
<v Speaker 12>that are uncomfortable.

0:51:59.600 --> 0:52:01.439
<v Speaker 1>That is, it's a good thing to do. And also

0:52:01.520 --> 0:52:03.560
<v Speaker 1>it doesn't seem like that at all, thank you. Yeah,

0:52:03.800 --> 0:52:06.040
<v Speaker 1>I'm the worst. I'll stand up there and I'll like

0:52:06.200 --> 0:52:09.520
<v Speaker 1>start going backwards into the darkness of the back of

0:52:09.600 --> 0:52:15.520
<v Speaker 1>the STA dance. No, come on, I dance like, yeah,

0:52:15.680 --> 0:52:19.600
<v Speaker 1>like a weirdo. I think my kids have my style

0:52:19.680 --> 0:52:22.640
<v Speaker 1>of dancing, like like a Lane from Seinfeld and she

0:52:22.760 --> 0:52:25.560
<v Speaker 1>dances kind of like that where you're so happy to

0:52:25.640 --> 0:52:26.080
<v Speaker 1>be doing it.

0:52:26.960 --> 0:52:29.160
<v Speaker 4>Yeah, it is the weird thing.

0:52:29.880 --> 0:52:33.960
<v Speaker 1>It's crazy stuff like that. That's more fun though than

0:52:34.040 --> 0:52:36.640
<v Speaker 1>trying to dance cool. I feel like if I was

0:52:36.719 --> 0:52:39.480
<v Speaker 1>dancing with my friends who don't give a crap, I

0:52:39.560 --> 0:52:42.040
<v Speaker 1>can be silly and do like I like to inject

0:52:42.120 --> 0:52:44.800
<v Speaker 1>some humor in my dance. Good, But if it was

0:52:44.920 --> 0:52:47.560
<v Speaker 1>for real an audience, I don't think I can do

0:52:47.680 --> 0:52:50.319
<v Speaker 1>it well.

0:52:50.400 --> 0:52:52.359
<v Speaker 12>I really like I want to give them I want

0:52:52.400 --> 0:52:54.680
<v Speaker 12>them to be allowed to dance. So I was like,

0:52:54.800 --> 0:52:57.680
<v Speaker 12>as soon as I start moving, they feel more comfortable moving.

0:52:57.960 --> 0:53:00.880
<v Speaker 1>That's fun. Well, it's fun when an audience dances. How

0:53:00.920 --> 0:53:02.440
<v Speaker 1>did my audience do dancing?

0:53:02.560 --> 0:53:05.440
<v Speaker 12>They were good, they really well. They were very polite.

0:53:05.760 --> 0:53:07.600
<v Speaker 1>But did they dance? That's what I want to know,

0:53:07.960 --> 0:53:10.200
<v Speaker 1>because I did not see them dancing. They were moving

0:53:10.280 --> 0:53:10.719
<v Speaker 1>in the back.

0:53:10.800 --> 0:53:13.399
<v Speaker 12>When people stand up, they yeah, I mean it's hard

0:53:13.440 --> 0:53:14.640
<v Speaker 12>to dance when he's sitting down.

0:53:14.719 --> 0:53:16.640
<v Speaker 1>It is hard. I have a great audience and they

0:53:16.680 --> 0:53:20.600
<v Speaker 1>are really kind. Usually were very but they.

0:53:20.520 --> 0:53:24.600
<v Speaker 12>Were danced, they were danced, they were so old they

0:53:24.640 --> 0:53:27.400
<v Speaker 12>were in trance. They were dance instead of danced with

0:53:27.560 --> 0:53:32.799
<v Speaker 12>your dance and tranced. The other thing is you can

0:53:32.880 --> 0:53:35.880
<v Speaker 12>trip and fall, you know, so there's like a hazard

0:53:36.600 --> 0:53:38.240
<v Speaker 12>dancing headset.

0:53:38.320 --> 0:53:44.920
<v Speaker 1>Mic. Yeah, exactly, all right, M.

0:53:46.960 --> 0:54:07.520
<v Speaker 7>Yeah, I love time to get up.

0:54:07.800 --> 0:54:11.200
<v Speaker 4>I think you've been slipping till long.

0:54:12.800 --> 0:54:12.960
<v Speaker 1>By.

0:54:13.880 --> 0:54:25.000
<v Speaker 18>They started when you were still to see when it's

0:54:25.360 --> 0:54:32.440
<v Speaker 18>too folks trying to get along, but it's hard to

0:54:32.719 --> 0:54:33.040
<v Speaker 18>leave you.

0:54:35.440 --> 0:54:43.760
<v Speaker 6>Ooh oh, love is always better when we did time.

0:54:43.960 --> 0:54:45.120
<v Speaker 4>You'll get back to.

0:54:48.760 --> 0:54:49.360
<v Speaker 1>When we.

0:54:50.840 --> 0:54:51.120
<v Speaker 4>Born.

0:54:52.880 --> 0:55:00.319
<v Speaker 13>Distance makes the hard even when only happened on that's

0:55:00.600 --> 0:55:01.719
<v Speaker 13>your love.

0:55:01.719 --> 0:55:06.640
<v Speaker 4>Is never f well we are.

0:55:09.680 --> 0:55:15.880
<v Speaker 6>Distance makes the heart, It makes the leaves on the trees, four.

0:55:17.360 --> 0:55:19.480
<v Speaker 4>Makes the hours in the day.

0:55:21.520 --> 0:55:24.480
<v Speaker 6>Makes me want to cumb my head out a little

0:55:24.680 --> 0:55:27.200
<v Speaker 6>cave rather the worst to s.

0:55:29.719 --> 0:55:34.880
<v Speaker 4>And I know that I'm still free be anywhere that

0:55:35.120 --> 0:55:35.840
<v Speaker 4>I want to be.

0:55:37.880 --> 0:55:42.320
<v Speaker 13>Maybe get your rest up, bless something really pretty legen

0:55:42.960 --> 0:55:43.640
<v Speaker 13>never seen.

0:55:44.480 --> 0:55:47.840
<v Speaker 4>Oh, love is always better.

0:55:48.480 --> 0:55:51.200
<v Speaker 6>I would take time and you'll get back to.

0:55:54.680 --> 0:56:00.320
<v Speaker 4>Well we are. Distance makes it's.

0:56:00.239 --> 0:56:06.640
<v Speaker 6>The heart, even when only having known that your.

0:56:06.760 --> 0:56:11.520
<v Speaker 4>Love is never well we.

0:56:13.040 --> 0:56:13.279
<v Speaker 1>Bar.

0:56:15.080 --> 0:56:25.720
<v Speaker 4>Distance makes the heart heart hard heart, hot hat hot

0:56:26.440 --> 0:56:29.759
<v Speaker 4>hot hot hot.

0:56:49.239 --> 0:56:52.080
<v Speaker 7>When you love, it makes a heart.

0:56:53.400 --> 0:56:56.400
<v Speaker 6>When you trust and makes the heart.

0:56:57.320 --> 0:57:00.080
<v Speaker 1>And when you go, it makes.

0:57:01.560 --> 0:57:06.719
<v Speaker 15>When we're alone, when we were pot in the meet,

0:57:07.160 --> 0:57:12.879
<v Speaker 15>do love a fight or away to make it right?

0:57:14.040 --> 0:57:14.640
<v Speaker 4>Where we go?

0:57:15.760 --> 0:57:20.840
<v Speaker 16>We never fall in the light or in the dark

0:57:22.080 --> 0:57:25.520
<v Speaker 16>on a plane a bill starts.

0:57:26.160 --> 0:57:31.200
<v Speaker 9>In only or have a bar a horn along.

0:57:32.080 --> 0:57:36.760
<v Speaker 4>Or raty to hard and think of me.

0:57:38.000 --> 0:57:39.080
<v Speaker 6>I want to love you.

0:57:39.800 --> 0:57:44.120
<v Speaker 14>I don't want to child to change the pace to

0:57:44.320 --> 0:57:50.120
<v Speaker 14>your life. We get together, we make it good, and

0:57:50.280 --> 0:57:51.800
<v Speaker 14>we get together.

0:57:56.120 --> 0:57:56.360
<v Speaker 1>Love.

0:57:57.160 --> 0:58:01.600
<v Speaker 18>Time to care about the you've been sleeping too long?

0:58:05.600 --> 0:58:07.680
<v Speaker 18>Started on you still?

0:58:08.360 --> 0:58:22.919
<v Speaker 10>He Yes, that was fun, Yes, yes, you is that good?

0:58:23.040 --> 0:58:25.040
<v Speaker 1>Yeah, that's great. I'm sorry to look at you more.

0:58:25.080 --> 0:58:27.040
<v Speaker 1>I was trying to like the same.

0:58:27.200 --> 0:58:27.400
<v Speaker 4>Yeah.

0:58:27.440 --> 0:58:31.200
<v Speaker 1>I was trying to not miss my my lyric. Okay.

0:58:31.880 --> 0:58:34.200
<v Speaker 1>I was very like, it's this can be a challenging

0:58:34.280 --> 0:58:34.800
<v Speaker 1>song to sing.

0:58:34.920 --> 0:58:37.000
<v Speaker 10>So I was like, yeah, you.

0:58:37.040 --> 0:58:38.800
<v Speaker 1>Weren't looking at me or you. I was wondering why

0:58:39.120 --> 0:58:41.200
<v Speaker 1>I wasn't looking at you, know, I was singing. I

0:58:41.400 --> 0:58:43.680
<v Speaker 1>hope I'm not that she doesn't mind that I'm not

0:58:43.800 --> 0:58:47.400
<v Speaker 1>looking at No. I was like in my notes, don't

0:58:47.440 --> 0:58:51.400
<v Speaker 1>miss that line. That's felt really good to me. Yeah,

0:58:51.400 --> 0:58:54.680
<v Speaker 1>that's all good, Okay, good good, Yes, thanks. Oh that's funny.

0:58:54.800 --> 0:58:57.040
<v Speaker 1>I wanted to dance, but you know I'm sitting.

0:58:57.800 --> 0:59:00.200
<v Speaker 12>I wasn't dancing as much with that whole day dance

0:59:00.240 --> 0:59:01.680
<v Speaker 12>intro was like being very still.

0:59:02.160 --> 0:59:05.080
<v Speaker 1>You didn't dance at all. I can't believe you didn't dance.

0:59:05.120 --> 0:59:05.280
<v Speaker 12>I know.

0:59:08.080 --> 0:59:10.600
<v Speaker 1>Well, this has been so fun. Well, thanks for letting

0:59:10.600 --> 0:59:12.439
<v Speaker 1>me play piano and that. I do love your guitar

0:59:12.520 --> 0:59:14.800
<v Speaker 1>playing though, And when did you start When did you

0:59:14.880 --> 0:59:15.640
<v Speaker 1>start playing guitar?

0:59:16.040 --> 0:59:20.640
<v Speaker 12>When I was fifteen or sixteen? Steve Bloom okay, my

0:59:20.800 --> 0:59:22.240
<v Speaker 12>amazing guitar teacher.

0:59:22.440 --> 0:59:24.800
<v Speaker 1>That's so cool. He'd come over and he taught me

0:59:24.920 --> 0:59:26.920
<v Speaker 1>like red actually Peppers because that's who I loved at

0:59:26.960 --> 0:59:31.120
<v Speaker 1>the time. We should have done I love thee oh

0:59:31.240 --> 0:59:33.680
<v Speaker 1>my god, road tripping. I think that was one of

0:59:33.720 --> 0:59:38.480
<v Speaker 1>the first. Yeah, it's funny. You never know what people

0:59:38.640 --> 0:59:41.640
<v Speaker 1>where people come from, you know, with what they grew

0:59:41.720 --> 0:59:45.000
<v Speaker 1>up loving. It can be surprising, it can be surprising. Yeah.

0:59:45.360 --> 0:59:47.400
<v Speaker 12>I had a huge crush on Anthony Ketus.

0:59:47.480 --> 0:59:53.400
<v Speaker 1>Oh he was cute. Yeah that long yeah, no shirt.

0:59:53.680 --> 0:59:54.600
<v Speaker 4>The no shirt.

0:59:55.880 --> 0:59:59.400
<v Speaker 1>Yeah, the bad acting and point Point. What was it

0:59:59.480 --> 1:00:00.600
<v Speaker 1>called point point break?

1:00:00.840 --> 1:00:01.320
<v Speaker 4>Was he in point?

1:00:03.640 --> 1:00:07.800
<v Speaker 1>I just had this last moment I can't stop thinking about.

1:00:07.800 --> 1:00:09.560
<v Speaker 1>I need to go back and watch Point Break? Was

1:00:09.640 --> 1:00:12.480
<v Speaker 1>your dream? You had a dream? I dreamed that I

1:00:12.600 --> 1:00:15.400
<v Speaker 1>was I was not home. I was I was gone

1:00:15.520 --> 1:00:18.320
<v Speaker 1>doing some shows. And I had the funniest dream that

1:00:19.000 --> 1:00:20.640
<v Speaker 1>I went to some barbecue but it was at my

1:00:20.720 --> 1:00:23.000
<v Speaker 1>house and Kanu Reeves was there and he was helping

1:00:23.120 --> 1:00:26.040
<v Speaker 1>everybody set up, but he didn't talk to me at all,

1:00:26.080 --> 1:00:27.760
<v Speaker 1>and I was like, that's kind of weird. Maybe I

1:00:27.800 --> 1:00:30.760
<v Speaker 1>should he's helping everybody because he's supposed to be like

1:00:30.840 --> 1:00:34.080
<v Speaker 1>the super nice person, right, it sounds like something he

1:00:34.120 --> 1:00:36.560
<v Speaker 1>would do. Yeah, exactly like Ala is reading about how

1:00:36.640 --> 1:00:41.920
<v Speaker 1>he's the Internet. He's always helping an old lady, and

1:00:42.040 --> 1:00:44.120
<v Speaker 1>so he was like helping everybody set up, and I

1:00:44.240 --> 1:00:47.760
<v Speaker 1>was like, man, he's not talking to me and he's

1:00:47.800 --> 1:00:49.360
<v Speaker 1>not helping me in But I was kind of not

1:00:49.560 --> 1:00:51.560
<v Speaker 1>doing anything either. So I was like, you know what,

1:00:51.760 --> 1:00:53.240
<v Speaker 1>I'm going to go see if I can reach this

1:00:53.440 --> 1:00:56.200
<v Speaker 1>base on the very top shelf. And it was a

1:00:56.280 --> 1:01:00.920
<v Speaker 1>total manipulative move to see if oh wow me and

1:01:01.040 --> 1:01:03.240
<v Speaker 1>he did, and he came over and he helped me.

1:01:03.360 --> 1:01:05.240
<v Speaker 1>Was like, I was wondering when the mom was gonna

1:01:05.280 --> 1:01:08.520
<v Speaker 1>start getting ready for the barbecue. Then he mom shamed me. No,

1:01:08.680 --> 1:01:11.720
<v Speaker 1>he didn't say mom. He did because because I was

1:01:11.880 --> 1:01:13.960
<v Speaker 1>out of town and so I felt bad for being

1:01:13.960 --> 1:01:17.320
<v Speaker 1>away from my kids. I think is my psychology. It's

1:01:17.400 --> 1:01:21.840
<v Speaker 1>kind of a funny jobs interesting point break it maybe

1:01:22.040 --> 1:01:24.120
<v Speaker 1>like I was like, I'm having a real Keanu moment.

1:01:24.320 --> 1:01:27.120
<v Speaker 1>That's an interesting dream. Also, he's kind of he's promoting

1:01:27.160 --> 1:01:28.440
<v Speaker 1>a movie, so he's everywhere.

1:01:28.520 --> 1:01:30.480
<v Speaker 12>I think right now he's everywhere else. Is that how

1:01:30.520 --> 1:01:31.200
<v Speaker 12>the dream ended?

1:01:31.960 --> 1:01:36.600
<v Speaker 1>I woke up crying? Oh no, is that mean shame

1:01:36.800 --> 1:01:39.480
<v Speaker 1>had a week? I guess, yeah, Like it's one of

1:01:39.520 --> 1:01:41.480
<v Speaker 1>those you start crying in the dreams and then you

1:01:41.560 --> 1:01:44.680
<v Speaker 1>wake up cry and right what happened to the all?

1:01:44.880 --> 1:01:47.880
<v Speaker 1>Where did that come from? Come from?

1:01:48.240 --> 1:01:51.600
<v Speaker 12>And you were laying next to Keanu, which is so well, yeah,

1:01:51.640 --> 1:01:52.400
<v Speaker 12>that's the punch line.

1:01:52.480 --> 1:01:56.760
<v Speaker 1>No, he was there, he was helping. No, he wasn't there,

1:01:57.040 --> 1:02:01.360
<v Speaker 1>but ohow, big dreams are funny dreams. If any Encounteries

1:02:01.600 --> 1:02:04.280
<v Speaker 1>was also my childhood favorite, you.

1:02:04.320 --> 1:02:07.640
<v Speaker 12>Know, oh yeah, yeah, he's a great He's the fact

1:02:07.640 --> 1:02:09.040
<v Speaker 12>that he rejected a great movie star.

1:02:09.600 --> 1:02:12.200
<v Speaker 1>Yeah, I saw him on the street once you did.

1:02:12.360 --> 1:02:15.640
<v Speaker 12>I saw him, Yeah, and I was walking with my

1:02:15.960 --> 1:02:18.520
<v Speaker 12>boyfriend at the time, and we both did a double

1:02:18.640 --> 1:02:20.760
<v Speaker 12>take and then we looked at each other.

1:02:20.720 --> 1:02:23.960
<v Speaker 1>And we're like, that is the most beautiful person. Did

1:02:24.040 --> 1:02:24.640
<v Speaker 1>you know with him?

1:02:24.840 --> 1:02:25.080
<v Speaker 4>Yes?

1:02:25.240 --> 1:02:27.800
<v Speaker 1>Okay, because sometimes you see people and you just think, wow,

1:02:27.800 --> 1:02:31.400
<v Speaker 1>they're beautiful and you don't even realize Oh, that's true too. Yeah,

1:02:32.120 --> 1:02:34.320
<v Speaker 1>it was like he's he can't get away with being in.

1:02:34.320 --> 1:02:36.959
<v Speaker 12>The public right with Yeah, it must be hard for people.

1:02:37.640 --> 1:02:39.240
<v Speaker 1>Yeah, I don't know.

1:02:39.840 --> 1:02:40.520
<v Speaker 4>I don't know.

1:02:40.840 --> 1:02:42.680
<v Speaker 1>I think he would have been nicer in real life

1:02:42.760 --> 1:02:45.960
<v Speaker 1>to me, Well, he did help you with the jar?

1:02:46.120 --> 1:02:46.440
<v Speaker 1>He did?

1:02:46.880 --> 1:02:47.120
<v Speaker 3>Did he?

1:02:47.200 --> 1:02:51.120
<v Speaker 1>Mom shamed me? I don't know. Back to your record

1:02:51.920 --> 1:02:53.240
<v Speaker 1>to record.

1:02:53.400 --> 1:02:53.480
<v Speaker 10>So.

1:02:55.480 --> 1:02:58.000
<v Speaker 12>Yeah, that's how I started playing. And I just really

1:02:58.040 --> 1:03:00.640
<v Speaker 12>wanted to play enough to write songs because I knew

1:03:00.640 --> 1:03:04.200
<v Speaker 12>I could kind of improvise and so, and I wanted to.

1:03:04.680 --> 1:03:07.840
<v Speaker 1>Sit at a campfire and play what. Yeah, did you

1:03:07.920 --> 1:03:09.880
<v Speaker 1>go to a lot of campfires growing up in the city.

1:03:11.240 --> 1:03:15.600
<v Speaker 1>It's like this romantic idea of going to campfires exactly right,

1:03:15.760 --> 1:03:16.560
<v Speaker 1>that's pretty funny.

1:03:16.960 --> 1:03:19.200
<v Speaker 12>That's why I live in the country now. Because I

1:03:19.400 --> 1:03:21.000
<v Speaker 12>was like, oh, country.

1:03:20.760 --> 1:03:27.760
<v Speaker 1>Is exotic, that's the coolest thing, and board staring at

1:03:27.800 --> 1:03:32.720
<v Speaker 1>the squirrels. Yeah, it has its moments. That's funny. Well,

1:03:32.760 --> 1:03:34.680
<v Speaker 1>you probably go to the city a lot. I do,

1:03:34.920 --> 1:03:35.640
<v Speaker 1>and I think it.

1:03:35.720 --> 1:03:38.280
<v Speaker 12>Works out that way, and that's good. There's a lot

1:03:38.280 --> 1:03:39.160
<v Speaker 12>of nice folks up here.

1:03:40.280 --> 1:03:42.880
<v Speaker 1>Let's do one more song from your new album. Yeah. Yeah,

1:03:43.640 --> 1:03:46.200
<v Speaker 1>you're gonna go on tour. I'm going on tour. When

1:03:46.400 --> 1:03:51.400
<v Speaker 1>is the tour? It starts May fifth, or maybe possibly

1:03:51.480 --> 1:03:54.360
<v Speaker 1>the fourth. That is exciting. And you're gonna have your bus.

1:03:54.480 --> 1:03:56.520
<v Speaker 12>And I have a bus and a bus full of

1:03:56.680 --> 1:03:58.880
<v Speaker 12>dudes and me, it would be.

1:03:58.920 --> 1:04:02.120
<v Speaker 1>A lot of wiping on the seat. They have to

1:04:02.680 --> 1:04:06.520
<v Speaker 1>tell them they have to sit pee at night if

1:04:06.560 --> 1:04:09.880
<v Speaker 1>the bus is moving. Oh that's a good idea. Are

1:04:09.920 --> 1:04:12.360
<v Speaker 1>guys against that? I guess you'll find out. I'm going

1:04:12.400 --> 1:04:14.680
<v Speaker 1>to find out. I'm sure. I'm sure they'll do whatever

1:04:14.720 --> 1:04:17.160
<v Speaker 1>they're going to do in there and not listen. I

1:04:17.920 --> 1:04:18.920
<v Speaker 1>not let you tell them.

1:04:19.200 --> 1:04:21.120
<v Speaker 12>The last time I did a bus, I just always

1:04:21.160 --> 1:04:23.400
<v Speaker 12>had the clorox and I was always cleaning because I'm

1:04:23.520 --> 1:04:28.640
<v Speaker 12>clean's super clean. Oh gosh, But so that's what I'm anticipating,

1:04:28.760 --> 1:04:29.840
<v Speaker 12>but I'm excited.

1:04:29.960 --> 1:04:32.120
<v Speaker 1>But I feel like as you get older, guys are

1:04:32.160 --> 1:04:34.360
<v Speaker 1>a little more aware of that, aren't they. Yeah, I

1:04:34.400 --> 1:04:37.120
<v Speaker 1>think so. Are they a bunch of college guys? No,

1:04:37.200 --> 1:04:38.200
<v Speaker 1>I'm touring with teenagers?

1:04:41.760 --> 1:04:42.000
<v Speaker 4>Yeah.

1:04:42.200 --> 1:04:46.440
<v Speaker 1>No, they'll tour for cheap the young people. How big

1:04:46.560 --> 1:04:47.200
<v Speaker 1>is the band though?

1:04:47.600 --> 1:04:50.480
<v Speaker 12>The ban is probably six people total.

1:04:50.560 --> 1:04:52.200
<v Speaker 1>Wow, that's awesome.

1:04:52.480 --> 1:04:52.680
<v Speaker 3>Yeah.

1:04:52.880 --> 1:04:55.720
<v Speaker 12>And then we have a tour manager and a lighting

1:04:55.840 --> 1:05:01.000
<v Speaker 12>person and it's very very ye come on, I think

1:05:01.040 --> 1:05:03.760
<v Speaker 12>a compact tour is really nice, like your tour.

1:05:04.000 --> 1:05:07.080
<v Speaker 1>Yeah, yeah, I mean it was compact. I really love that.

1:05:07.240 --> 1:05:09.320
<v Speaker 1>I try to keep it small. Yeah.

1:05:09.560 --> 1:05:12.600
<v Speaker 12>And then I just loved there wasn't a lot of

1:05:12.760 --> 1:05:15.960
<v Speaker 12>like electronics, and you don't play the tracks and you're

1:05:16.000 --> 1:05:17.000
<v Speaker 12>not doing you know that.

1:05:19.320 --> 1:05:21.840
<v Speaker 1>I'm inspired by that. I wouldn't know how. Yeah, I

1:05:21.960 --> 1:05:24.840
<v Speaker 1>don't either. I don't either, So Fie, do you do

1:05:24.920 --> 1:05:27.160
<v Speaker 1>what you want? It's nice when everyone sings. That's what

1:05:27.200 --> 1:05:30.160
<v Speaker 1>I'm trying to get it is. I think harmonies are

1:05:30.200 --> 1:05:33.840
<v Speaker 1>so key for both of our mastics, definitely, and it's

1:05:33.920 --> 1:05:36.240
<v Speaker 1>just so fun to sing with people. It's so much

1:05:36.280 --> 1:05:39.400
<v Speaker 1>fun to sing with people. Harmony rehearsals are tricky though

1:05:39.440 --> 1:05:44.360
<v Speaker 1>you gotta really yeah, you do well, that's awesome. Thanks

1:05:44.400 --> 1:05:49.080
<v Speaker 1>for doing this with me, my pleasure together me too.

1:05:49.840 --> 1:05:52.600
<v Speaker 1>It's so fun. Let's do this song from your new

1:05:52.640 --> 1:05:54.920
<v Speaker 1>album and take us out. That sounds good. What's this

1:05:55.000 --> 1:05:58.640
<v Speaker 1>one called? This one's called false start? Okay? Cool?

1:06:00.360 --> 1:06:16.360
<v Speaker 4>All right? Yeah, m hmmm.

1:06:26.120 --> 1:06:31.080
<v Speaker 6>I get lost in when I do run on Betty, you.

1:06:38.280 --> 1:06:43.440
<v Speaker 13>Tell myself another truth and fall back quess you.

1:06:50.200 --> 1:06:56.560
<v Speaker 4>But leaves don't never know a way the fall and

1:06:56.920 --> 1:06:59.560
<v Speaker 4>I've been sitting away for the.

1:07:06.120 --> 1:07:11.080
<v Speaker 19>I guess don't when I had to a run on Betsy,

1:07:18.400 --> 1:07:20.360
<v Speaker 19>play myself.

1:07:19.960 --> 1:07:24.040
<v Speaker 6>Another tube and fall bag was seen.

1:07:31.000 --> 1:07:37.800
<v Speaker 13>God endings never tell you where to start. You're just

1:07:38.000 --> 1:07:44.400
<v Speaker 13>so many times it for the part, and I've been

1:07:44.520 --> 1:08:01.080
<v Speaker 13>sitting waterway. It's a false start, almost a Muty new

1:08:01.680 --> 1:08:06.560
<v Speaker 13>Hart starting making plans.

1:08:07.400 --> 1:08:19.400
<v Speaker 4>Couldn't take the pain, had go back to it came

1:08:20.400 --> 1:08:25.120
<v Speaker 4>all start, couldn't Letty.

1:08:26.800 --> 1:08:28.320
<v Speaker 17>New Hard.

1:08:30.240 --> 1:08:37.040
<v Speaker 4>Was the last. No, couldn'take the pain, had.

1:08:42.760 --> 1:08:43.240
<v Speaker 10>Back to.

1:08:44.760 --> 1:09:36.320
<v Speaker 4>Key And then he's never tell you where to start.

1:09:38.840 --> 1:09:45.280
<v Speaker 18>We're just so many times and for the pot, and

1:09:45.720 --> 1:09:48.240
<v Speaker 18>I've been sitting wanting away.

1:09:54.479 --> 1:09:57.200
<v Speaker 4>It's a full stop.

1:09:59.400 --> 1:10:10.600
<v Speaker 20>Almost some archets new had starting making plants, couldn't take.

1:10:10.680 --> 1:10:12.960
<v Speaker 1>Them, Pain had.

1:10:18.600 --> 1:10:23.360
<v Speaker 4>Back came fall Start.

1:10:24.920 --> 1:10:34.920
<v Speaker 16>Couldn't lecle new Hart was the last to know, couldn't

1:10:35.160 --> 1:10:46.120
<v Speaker 16>take them, Pain had back to acking.

1:11:31.360 --> 1:11:46.439
<v Speaker 1>Yeah, ah, that was so fun.

1:11:47.840 --> 1:11:49.280
<v Speaker 4>Comes back, George to come Back.

1:11:49.560 --> 1:11:50.160
<v Speaker 1>I love that song.

1:11:50.240 --> 1:11:51.280
<v Speaker 4>I love her songs.

1:11:51.640 --> 1:11:51.840
<v Speaker 5>Yeah.

1:11:52.360 --> 1:11:56.320
<v Speaker 3>So that's such an honesty to her lyrics and the

1:11:56.400 --> 1:11:59.160
<v Speaker 3>way she performs that. It really makes it so powerful.

1:11:59.520 --> 1:12:03.720
<v Speaker 1>Her singing is very special. Yeah. Yeah, she's a jim

1:12:03.960 --> 1:12:05.320
<v Speaker 1>We love you, Emily, and.

1:12:05.439 --> 1:12:07.920
<v Speaker 3>She's an incredible performer. So go see her live if

1:12:07.960 --> 1:12:10.280
<v Speaker 3>you get the chance. It's true she is, you'll be

1:12:10.320 --> 1:12:10.920
<v Speaker 3>glad you did.

1:12:11.360 --> 1:12:13.679
<v Speaker 1>Yes, she's amazing. Ellie.

1:12:14.160 --> 1:12:16.519
<v Speaker 3>Thanks for being part of our show and sharing all

1:12:16.560 --> 1:12:18.000
<v Speaker 3>your gorgeous songs with us.

1:12:18.240 --> 1:12:21.320
<v Speaker 1>Thanks for listening everyone. Tune in next time for another

1:12:21.400 --> 1:12:24.479
<v Speaker 1>special guest. Meanwhile, if you want to know what songs

1:12:24.520 --> 1:12:27.439
<v Speaker 1>were on this episode, the first song is called Georgia

1:12:27.760 --> 1:12:31.360
<v Speaker 1>from Emily King The seven EP. The second song is

1:12:31.400 --> 1:12:34.840
<v Speaker 1>called Bad Memory from her new album Special Occasion. Third

1:12:34.920 --> 1:12:37.160
<v Speaker 1>song we did a little snippet if it never entered

1:12:37.200 --> 1:12:40.200
<v Speaker 1>My mind, the old jazz standard. The fourth song we

1:12:40.320 --> 1:12:43.200
<v Speaker 1>did was called Distance, and it's from an album called

1:12:43.280 --> 1:12:45.880
<v Speaker 1>The Switch and the last song was from her new

1:12:45.920 --> 1:12:49.280
<v Speaker 1>album Special Occasion, and it's called False Start. Thanks again

1:12:49.360 --> 1:12:52.479
<v Speaker 1>for listening. This episode was recorded and mixed by Jamie Landry,

1:12:52.960 --> 1:12:56.880
<v Speaker 1>edited by Sarah Oda, additional engineering by Matthew Vasquez and

1:12:57.080 --> 1:13:02.519
<v Speaker 1>Steven Sacho. Artwork by Eliza fryehtography by Shervin Leniez. Produced

1:13:02.760 --> 1:13:03.280
<v Speaker 1>by US.

1:13:03.880 --> 1:13:06.560
<v Speaker 3>Don't forget to like us and subscribe so that you

1:13:06.680 --> 1:13:09.479
<v Speaker 3>never miss a new episode of Norah Jones is playing along.

1:13:09.800 --> 1:13:19.320
<v Speaker 1>I'm Norah Jones, no paid along, I don't cut all right,