WEBVTT - Jake Gold

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<v Speaker 1>Welcome, Welcome, Welcome to the Bob Left Sets Podcast. We're

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<v Speaker 1>just back from Santa Barbara, the second Annual Music Media Summit.

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<v Speaker 1>My good friend Jake Gold is here to review the Shenanigans. There. Jake,

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<v Speaker 1>good to have you here. Good to be back, Bob.

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<v Speaker 1>I think we should call it the Bob Cast, not

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<v Speaker 1>the podcast. I think it should be the Left Sets

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<v Speaker 1>Bob Cast. That's a good idea. I'm open to change,

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<v Speaker 1>right I Actually, Jeremiah and I were looking that up

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<v Speaker 1>in Santa Barbara and we saw that there were some

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<v Speaker 1>other Bobs that say Bob cat Cast, which means it's

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<v Speaker 1>totally legit. It's wide open. So I don't see why

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<v Speaker 1>we don't call it the Bob Cast. That's a good idea.

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<v Speaker 1>I have to contemplate that, have to run that through

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<v Speaker 1>the mental filtrations. I know, I know he likes it.

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<v Speaker 1>I know he likes the idea of it. So, Jake

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<v Speaker 1>as a manager, and once he gets on something, he's

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<v Speaker 1>covered all three hundred sixty degrees, he's closing on you.

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<v Speaker 1>I'm trying to trying to maintain a little bit of

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<v Speaker 1>my own independence before I make a decision. Okay, Well,

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<v Speaker 1>you know that's what that's what we do. We we

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<v Speaker 1>surround the the artist with all the yes is before

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<v Speaker 1>we actually approached the artist. That's all they can do

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<v Speaker 1>is say yes. Correct, they'll because they'll have the what about?

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<v Speaker 1>What about? And you already have the answers. That's your job.

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<v Speaker 1>That's what experiences teaches you. That's correct, amundo um Santa Barbara.

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<v Speaker 1>I had never been there before, So what do you

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<v Speaker 1>think you want to move there? Uh? It may be

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<v Speaker 1>a little sleepy for me, right, I sleeping for me too,

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<v Speaker 1>But people really become infatuated with Santa Barbara and they

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<v Speaker 1>want to move there. There are even some people. The

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<v Speaker 1>guy ran Universal Studios for a long time, he used

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<v Speaker 1>to commute to Universal City from Santa Barbara. Well, we

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<v Speaker 1>left Wednesday morning and it took us maybe an hour

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<v Speaker 1>and a half to get into West Hollywood. So it

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<v Speaker 1>wasn't bad. I mean, people commute longer and living in

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<v Speaker 1>New York. Let's be clear, if you go a typical

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<v Speaker 1>commute time, you're never gonna be able to match that. No, no, not.

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<v Speaker 1>If you're leaving at seven am, you're dealing with rush

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<v Speaker 1>hour and the same on the way out. I remember

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<v Speaker 1>I was mapping it from Toronto to see how long

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<v Speaker 1>it was going to take. And at the time I

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<v Speaker 1>was mapping it, it was five o'clock here. It was

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<v Speaker 1>the last Friday I mapped it, and it said two

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<v Speaker 1>hours and twenty minutes exactly. Yeah, so it could take

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<v Speaker 1>a lot longer. But there is a train too that

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<v Speaker 1>goes like Jeremiah producer podcast took the train. But uh,

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<v Speaker 1>you know, we live in Los Angeles. Were addicted to

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<v Speaker 1>our cars, I know, I know, although as you know,

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<v Speaker 1>more and more people are getting into the car. Well

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<v Speaker 1>that's another thing. I mean, we're not really discussing the

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<v Speaker 1>conference here, but your car was unfortunately totaled. And you're

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<v Speaker 1>a uber guy. We talked about that in the last party. Yeah,

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<v Speaker 1>doing it all the time, you know, I love it.

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<v Speaker 1>It's great, no responsibilities of a vehicle. I'm shirking all

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<v Speaker 1>my responsibilities. It's wonderful at sixty. So we've you doing

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<v Speaker 1>what happened in Santa Barbara. Well, I mean, it's it's

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<v Speaker 1>interesting that there was yet great speakers. First of all, um, uh,

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<v Speaker 1>high level people, all at the top of their game. Um,

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<v Speaker 1>I'm curious as to what do you think was the

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<v Speaker 1>common thread amongst the five speakers that we had, they

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<v Speaker 1>were available. No. Uh, the common thread was the personality.

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<v Speaker 1>Someone else said that they were talking about the hustle.

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<v Speaker 1>But um, music business is a very fluid business where

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<v Speaker 1>your education and the typical uh notches in your belt

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<v Speaker 1>don't really apply. So all of these people to a

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<v Speaker 1>degree were self starters, and they found their way to

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<v Speaker 1>the music business and had achieved success based on their

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<v Speaker 1>personality and their smarts as opposed to coming up through

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<v Speaker 1>the ranks of business or something else. I would agree

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<v Speaker 1>with you, except in the case of Steve Boom from

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<v Speaker 1>Amazon and Rob Glazer, who were academics, I mean Steve

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<v Speaker 1>Booms and a lawyer, right and and and they all

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<v Speaker 1>had jobs until until you know, as I say, in

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<v Speaker 1>in the case of Rob Glazer whose chairman of Real Networks,

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<v Speaker 1>he left college and he went to work for Microsoft. Okay,

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<v Speaker 1>and that was before Microsoft was the monolith and it

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<v Speaker 1>ultimately became. But then he went on his own and

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<v Speaker 1>he started a business, and he ultimately bought the Pro

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<v Speaker 1>Bowlers Association and he became a VC so he was

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<v Speaker 1>really doing his own thing. And Steve Boom was a lawyer,

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<v Speaker 1>but then he went to work for Yahoo and he

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<v Speaker 1>ran looped. So these were people who were finding their

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<v Speaker 1>own way, as opposed to someone working for Ge or Xerox,

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<v Speaker 1>who just keeps on going up the ladder. I don't

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<v Speaker 1>doubt that for a second, But I think those two

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<v Speaker 1>chose Academia UM as their fallback because Boom was a lawyer,

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<v Speaker 1>like he was a practicing lawyer. Well, let's start with raw.

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<v Speaker 1>I mean, Rob is highly educated in computer reach. Even

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<v Speaker 1>though he was not a coder at Microsoft or Real Networks,

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<v Speaker 1>he was into computer programming against in high school and

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<v Speaker 1>then he learned how to do that. You know, that's

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<v Speaker 1>one of the great things about today's society. You know.

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<v Speaker 1>They call the guy who just wrote what color is

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<v Speaker 1>Your Parachute? Recently died? The Ultimate job Seekers Bible, and

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<v Speaker 1>he talks about transferable skills. It's like even myself, I'm

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<v Speaker 1>an attorney. I practice law very briefly, and then when

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<v Speaker 1>the Naster thing came up in the year two thousand,

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<v Speaker 1>I knew all the law. Suddenly my law background was relevant.

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<v Speaker 1>So a lot of these people, their training comes back

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<v Speaker 1>in certain ways they understand even though they don't use

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<v Speaker 1>it directly. Like Rob Glazer, I found it interesting because uh,

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<v Speaker 1>in the case of Daniel Glass, where he he wants

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<v Speaker 1>everybody to have at least finished college to work for him,

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<v Speaker 1>and and uh, and then you segue to someone like

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<v Speaker 1>like Ethiopia who is president of Motown, who came from

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<v Speaker 1>an academia family, uh, and didn't go to college. And

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<v Speaker 1>it was interesting because Daniel Glass came up to me

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<v Speaker 1>after that, that's Ethiopia have to have to marry him?

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<v Speaker 1>Of whose head of Motown? And uh, he said, if

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<v Speaker 1>you remember what she said, she said she was offered

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<v Speaker 1>a gig at u M at Universal Music Publishing and

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<v Speaker 1>she turned it down and stayed for two years with

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<v Speaker 1>the publishing companies. Who was out in Atlanta, and he said,

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<v Speaker 1>that was kind of like going to school. It's a

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<v Speaker 1>little bit of a fudging of the concept. And you know,

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<v Speaker 1>we both we both love Daniel and we both think

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<v Speaker 1>the world of him. And he really is you know,

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<v Speaker 1>you you had um, you had uh uh you had

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<v Speaker 1>Superman schon a while back and and um, but Daniel

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<v Speaker 1>Glass is as much Superman as anybody else. Like, the

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<v Speaker 1>guy's a wonderful guy and you know, totally accommodating. He

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<v Speaker 1>returns every email, he's that kind a guy, and I

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<v Speaker 1>just find it funny that he'll fudget to fit his

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<v Speaker 1>That may be true, But the interesting thing. The interesting

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<v Speaker 1>thing about Daniel Glass is he trains all his people.

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<v Speaker 1>He doesn't want anybody with bad habits. So I remember

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<v Speaker 1>going the early days to Glass Note Records office in

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<v Speaker 1>Manhattan and there's one big room with like fifteen He's

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<v Speaker 1>got more people. Now he's got forty people. But fifteen

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<v Speaker 1>people are not one over thirty, Okay, So he teaches

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<v Speaker 1>them his style. He does have a couple of people

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<v Speaker 1>who come from somewhere else. This is what people don't

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<v Speaker 1>understand about the entertainment business, is you are working seven

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<v Speaker 1>He has a couple of people in Los Angeles. These

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<v Speaker 1>people are working around the clock. One of them came

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<v Speaker 1>to the conference, and it takes that to make it,

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<v Speaker 1>along with a lot of insights. I mean, Daniel Glass

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<v Speaker 1>is very successful with his own company right now, but

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<v Speaker 1>he had bumps in the road getting there. Yeah, but

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<v Speaker 1>everybody does. I mean, that's the nature of entrepreneurship. I agree.

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<v Speaker 1>But you know, it's a funny era in the music

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<v Speaker 1>business because most of the people running the giant operations

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<v Speaker 1>never had skin in the game. Now, if you look

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<v Speaker 1>on the promotion side at a g J. Marciano was

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<v Speaker 1>an independent promoter and Michael Ruppino had a limited amount

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<v Speaker 1>of time as a promoter. But everybody running the record

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<v Speaker 1>companies never had an independent company as a promoter. I know,

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<v Speaker 1>a club promoter boss says, you've never really a promoter

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<v Speaker 1>until you've gone to the A T M At two

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<v Speaker 1>in the morning to withdraw cash to pay the act. Well,

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<v Speaker 1>it's an interesting thing because I I personally have a

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<v Speaker 1>bit of an issue. Maybe it's you know, because I've

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<v Speaker 1>only ever done it on my own, never had a

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<v Speaker 1>real job, like a job job, like with a paycheck.

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<v Speaker 1>But you always see that most of these record company

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<v Speaker 1>guys that have been at record companies all their lives,

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<v Speaker 1>that go to try and become a manager, because you know,

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<v Speaker 1>at some point there's attrition at all these record companies

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<v Speaker 1>and they all lose their jobs because they're the staffs

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<v Speaker 1>are shrinking, and they go, well, I'll guess I'll be

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<v Speaker 1>a manager because they say they know artists or whatever

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<v Speaker 1>they think they know, and then they have to pay

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<v Speaker 1>their first career bill because they've never even seen one.

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<v Speaker 1>They didn't even know what it looks like before. Uh,

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<v Speaker 1>they've they've never you know, paid their own phone bill

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<v Speaker 1>because it's been paid for like everything else has been

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<v Speaker 1>paid for. And then they have to run a business

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<v Speaker 1>and generate revenue at the same time, um, which they

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<v Speaker 1>never had to do before, and most of them fail. Yeah,

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<v Speaker 1>And and some of them go to work for management companies.

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<v Speaker 1>And I've encountered a few of those people, you know,

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<v Speaker 1>with dealing with other acts when your Access Support Act

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<v Speaker 1>or their Access Support Act whatever. And most of them

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<v Speaker 1>have no concept of management. They're they're just like their

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<v Speaker 1>their job at a management company is almost like their

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<v Speaker 1>job was at a record company. They're not real managers,

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<v Speaker 1>They're just another person that works there. Well, that speaks

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<v Speaker 1>to another issue which started having by ten years ago,

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<v Speaker 1>which is the roll up of management companies. Do you

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<v Speaker 1>believe managers should be independent? Well, I I think that

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<v Speaker 1>it's a little different um in the United States than

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<v Speaker 1>it is everywhere else. From talking to some of these

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<v Speaker 1>managers that I know that became part of the bigger companies,

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<v Speaker 1>a lot of them are basically running their own fiefdoms

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<v Speaker 1>with a healthcare package. And and they they've kind of

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<v Speaker 1>said to me, look, I take this I take. I

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<v Speaker 1>become part of a bigger thing. There's a good healthcare package.

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<v Speaker 1>I have a family and I want to make sure

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<v Speaker 1>I'm covered just in case the ship goes down. And

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<v Speaker 1>at the same time, I have an infrastructure and have

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<v Speaker 1>to worry about an infrastructure. But I still run my

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<v Speaker 1>own company and I just do a split on the

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<v Speaker 1>revenue that comes in. Do you think it hobbles them

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<v Speaker 1>in some way having that that as opposed to being

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<v Speaker 1>completely independent, Well, I I think there's I think there's

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<v Speaker 1>something for everybody. I think if you're a hustler, you're

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<v Speaker 1>a hustler. Um, Chris ru Is, He's He's the one

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<v Speaker 1>that that became part of Chris was totally independent, it

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<v Speaker 1>was motional easiest became part of red Light. I think

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<v Speaker 1>I think probably you never know, and maybe down the

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<v Speaker 1>road he'll either you know, moved to a higher position

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<v Speaker 1>at red Light, or he may end up leaving on

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<v Speaker 1>his own. Because at some point, I don't know what

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<v Speaker 1>their their deals are, and I think some of them

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<v Speaker 1>are doing probably really small deals back to the mother Ship. UM,

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<v Speaker 1>I wouldn't know, but I think for a while there,

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<v Speaker 1>I think some of the companies were doing seventy thirty

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<v Speaker 1>splits with with managers. Am I not right? You know

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<v Speaker 1>most of these deals and I'm not privy to all

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<v Speaker 1>of them. Certainly in the initial incarnation was they paid

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<v Speaker 1>you a fee and then it was fifty fifty and

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<v Speaker 1>you had to earn back against It was a versus commission,

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<v Speaker 1>which is kind of like an agency deal. Right. But

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<v Speaker 1>the interesting thing you reference, and this is a political

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<v Speaker 1>football in the United States. I remember I was, you know,

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<v Speaker 1>I was in Canada talking to a woman who was

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<v Speaker 1>thinking of leaving her major label job to go with

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<v Speaker 1>an independent and using my US lens, I was, you know,

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<v Speaker 1>saying that that may not be a good idea because

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<v Speaker 1>I'm thinking about healthcare. Where in this particular case, she

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<v Speaker 1>goes to work for the independent, doesn't work out, She's

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<v Speaker 1>still got her healthcare. That's always a concern in the

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<v Speaker 1>United States. Yeah, if you know, if I'm gonna leave,

0:12:25.080 --> 0:12:26.760
<v Speaker 1>what am I gonna do about my health care? You know,

0:12:26.800 --> 0:12:29.200
<v Speaker 1>there's extended packages. I mean, we can get into that

0:12:29.200 --> 0:12:31.840
<v Speaker 1>whole thing. Cobra is a limited time Ian healthcare is

0:12:31.880 --> 0:12:35.280
<v Speaker 1>really a big thing. Certainly with Obamacare it was less threatening.

0:12:35.360 --> 0:12:38.200
<v Speaker 1>That's being undercut at this particular point in time. But

0:12:38.280 --> 0:12:41.560
<v Speaker 1>the real question is are you a self starter or

0:12:41.800 --> 0:12:45.120
<v Speaker 1>are you someone who needs the team to function? Well?

0:12:45.160 --> 0:12:48.440
<v Speaker 1>I think you you you're building your own team. Anyways,

0:12:48.800 --> 0:12:52.080
<v Speaker 1>from my experience from talking to dealing with some of

0:12:52.080 --> 0:12:55.360
<v Speaker 1>these managers that work within these these bigger management firms,

0:12:56.200 --> 0:13:01.000
<v Speaker 1>it doesn't seem like, you know, they're getting all that

0:13:01.120 --> 0:13:05.319
<v Speaker 1>extra stuff that they're really still running their own things

0:13:05.640 --> 0:13:09.800
<v Speaker 1>with not being a specific about different ones, uh, some

0:13:09.920 --> 0:13:12.200
<v Speaker 1>are different. Some give you a lot more autonomy and

0:13:12.280 --> 0:13:17.199
<v Speaker 1>less support than others. And by the I guess for me,

0:13:17.360 --> 0:13:23.040
<v Speaker 1>when there's no net, you have a heightened anxiety, whereas

0:13:23.040 --> 0:13:25.240
<v Speaker 1>if you have a contract with the management company, you

0:13:25.320 --> 0:13:27.599
<v Speaker 1>might at least say, well, things are not working. I

0:13:27.679 --> 0:13:30.000
<v Speaker 1>got six months and it's always in the distance. Where

0:13:30.120 --> 0:13:32.480
<v Speaker 1>if you're working for yourself every day you're waking up

0:13:32.520 --> 0:13:35.640
<v Speaker 1>and you're thinking, okay, what's next. Is this gonna work? Well?

0:13:35.679 --> 0:13:38.160
<v Speaker 1>In fact, I think that's kind of how it works.

0:13:38.160 --> 0:13:41.520
<v Speaker 1>And if let's go back to to Santa Barbara is

0:13:41.640 --> 0:13:46.240
<v Speaker 1>most of the people that um that we're there, I

0:13:46.280 --> 0:13:49.640
<v Speaker 1>think have that attitude. It's like you you live and

0:13:49.679 --> 0:13:53.520
<v Speaker 1>breathe what you're doing because it's all yours. Well. I

0:13:53.559 --> 0:13:56.120
<v Speaker 1>mean one of the great stories was Troy Carter who

0:13:56.120 --> 0:14:00.240
<v Speaker 1>said before he signed uh Lady Gaga, he was Rooke

0:14:01.000 --> 0:14:04.280
<v Speaker 1>and he was you know, uh, you know, selling or

0:14:04.400 --> 0:14:08.240
<v Speaker 1>painting his wife's engagement ring in order to make the bills.

0:14:08.280 --> 0:14:11.679
<v Speaker 1>And he took Lady Gaga out of the spaghetti warehouse

0:14:11.720 --> 0:14:15.040
<v Speaker 1>to celebrate. People have no that's where they met. That

0:14:15.160 --> 0:14:17.920
<v Speaker 1>was their big meeting, he said. He took her out

0:14:18.120 --> 0:14:20.960
<v Speaker 1>to meet at I thought it was a celebration. But

0:14:20.960 --> 0:14:23.680
<v Speaker 1>but in any event, the point being, people have the

0:14:23.720 --> 0:14:27.040
<v Speaker 1>impression that it's a constant upward trend and that is

0:14:27.040 --> 0:14:30.600
<v Speaker 1>not true. No, And I've been doing it now. I

0:14:30.680 --> 0:14:37.400
<v Speaker 1>started full time November eighty one, so I'm like thirty. Okay,

0:14:37.400 --> 0:14:40.360
<v Speaker 1>So now is it easier or less easy? It's the same.

0:14:41.360 --> 0:14:43.560
<v Speaker 1>It's like it's a funny thing. You know. People talk

0:14:43.640 --> 0:14:49.200
<v Speaker 1>about about how much the business has changed, and for

0:14:49.320 --> 0:14:54.200
<v Speaker 1>everything that has changed, nothing has changed. You know. Um,

0:14:54.320 --> 0:14:57.120
<v Speaker 1>we had to talk, uh, And I've been thinking about

0:14:57.160 --> 0:14:58.480
<v Speaker 1>this because I knew, you know, we were going to

0:14:58.560 --> 0:15:02.240
<v Speaker 1>be sitting down doing this. But people were talking about,

0:15:02.800 --> 0:15:06.920
<v Speaker 1>you know, you continually bring up um and by Spotify

0:15:07.040 --> 0:15:11.360
<v Speaker 1>standards rightly, so hip hop strive is the dominant force,

0:15:11.600 --> 0:15:15.680
<v Speaker 1>and pop is the dominant force. Um. But you know,

0:15:15.760 --> 0:15:19.320
<v Speaker 1>if you think back to when um, you know, we

0:15:19.360 --> 0:15:23.520
<v Speaker 1>had pop radio and rock radio. Uh if it it

0:15:23.600 --> 0:15:27.920
<v Speaker 1>just went strictly on plays. Pop records were spun fifty

0:15:28.000 --> 0:15:32.240
<v Speaker 1>sixty times a week and rock records were spun times

0:15:32.320 --> 0:15:36.440
<v Speaker 1>a week, and so pop and those kind of that

0:15:36.560 --> 0:15:40.360
<v Speaker 1>kind of music was always sort of more popular, which

0:15:40.400 --> 0:15:42.080
<v Speaker 1>is why it was called pop. You know, we're all

0:15:42.160 --> 0:15:44.640
<v Speaker 1>victims of our own experience, did you may we grew

0:15:44.720 --> 0:15:46.960
<v Speaker 1>up in a major market with multiple stations. You grew

0:15:47.040 --> 0:15:50.320
<v Speaker 1>up in the hinterlands with only one station, But certainly

0:15:50.520 --> 0:15:52.600
<v Speaker 1>if you grew up in the metropolis, and you know,

0:15:52.640 --> 0:15:56.760
<v Speaker 1>and you're but at my age, baby boomer, Um, there

0:15:56.840 --> 0:15:59.320
<v Speaker 1>was a switch certainly in sixty eight in the New

0:15:59.360 --> 0:16:03.360
<v Speaker 1>York radio market, which was my radio market, uh, to

0:16:03.520 --> 0:16:07.600
<v Speaker 1>the FM band. And it wasn't until seventy three that

0:16:07.720 --> 0:16:11.560
<v Speaker 1>Lie Abrahams came along and codified and turned FM into

0:16:11.600 --> 0:16:14.760
<v Speaker 1>a kind of top forty format and then tracks with

0:16:14.960 --> 0:16:18.320
<v Speaker 1>then crossover in the early seventies to AM four people

0:16:18.320 --> 0:16:20.960
<v Speaker 1>at FM and the cars at FM ruled and then

0:16:21.000 --> 0:16:23.320
<v Speaker 1>all of a sudden, MTV came in and it was

0:16:23.360 --> 0:16:26.200
<v Speaker 1>what MTV played, and there was a resurgence of Top

0:16:26.240 --> 0:16:30.240
<v Speaker 1>forty radio. So in Top forty moved to FM at

0:16:30.240 --> 0:16:33.000
<v Speaker 1>that point to excellent point. I remember, you know, uh

0:16:33.800 --> 0:16:36.520
<v Speaker 1>one point one Here in Los Angeles, they used to

0:16:36.520 --> 0:16:38.440
<v Speaker 1>be they used to be a divide. And I had

0:16:38.520 --> 0:16:41.280
<v Speaker 1>a very funny story about that that happened to me

0:16:41.320 --> 0:16:43.520
<v Speaker 1>when I was about fourteen, fifteen years old, as I

0:16:43.560 --> 0:16:46.680
<v Speaker 1>had been at one of these ben are retreat things

0:16:46.920 --> 0:16:50.760
<v Speaker 1>and I met this girl and and um, she was

0:16:50.800 --> 0:16:53.360
<v Speaker 1>a year older than me, and she lived in St.

0:16:53.400 --> 0:16:55.920
<v Speaker 1>Catharine's and she invited me to come spend the weekend

0:16:55.920 --> 0:16:58.720
<v Speaker 1>in St. Catherine's with her and her family, which was,

0:16:58.760 --> 0:17:00.640
<v Speaker 1>when you think back on it now, kind of weird.

0:17:00.720 --> 0:17:04.119
<v Speaker 1>Your fourteen, you're four you're fourteen years old, and you know,

0:17:04.440 --> 0:17:08.160
<v Speaker 1>and and so I took the bus to St. Catherine.

0:17:09.000 --> 0:17:11.080
<v Speaker 1>It's like an hour an hour and a half by bus,

0:17:11.119 --> 0:17:13.119
<v Speaker 1>probably about an hour and a half two hours depending

0:17:13.119 --> 0:17:16.160
<v Speaker 1>on the stops. St. Catherine's near Niagara Falls, so it's

0:17:16.359 --> 0:17:18.520
<v Speaker 1>and if you drive it, it's like an hour fifteen

0:17:18.880 --> 0:17:22.560
<v Speaker 1>with no traffic back to traffic. And I remember it

0:17:22.640 --> 0:17:26.840
<v Speaker 1>was the it was a Saturday night, and we were

0:17:26.880 --> 0:17:30.520
<v Speaker 1>listening to the radio and I hadn't crossed over into

0:17:30.720 --> 0:17:33.800
<v Speaker 1>FM yet and I was still listening to pop music

0:17:33.880 --> 0:17:37.600
<v Speaker 1>on AM. But she was a year older and she

0:17:37.720 --> 0:17:41.800
<v Speaker 1>was already listening to FM, and and it was like

0:17:41.840 --> 0:17:45.199
<v Speaker 1>a moment where she kind of realized that I was

0:17:45.240 --> 0:17:47.840
<v Speaker 1>too young for her because I wasn't cool because I

0:17:47.880 --> 0:17:50.840
<v Speaker 1>wasn't listening to FM and she was listening to FM.

0:17:50.880 --> 0:17:53.720
<v Speaker 1>And then you know, within six months, I was now

0:17:53.800 --> 0:17:56.640
<v Speaker 1>listening to FM and listening too much cooler music as

0:17:56.640 --> 0:17:59.520
<v Speaker 1>a result. But after that weekend, she was like, she

0:17:59.600 --> 0:18:02.120
<v Speaker 1>basically said, oh yeah, like we can't. We can't hang

0:18:02.119 --> 0:18:05.240
<v Speaker 1>out anymore because I wasn't cool enough because I was

0:18:05.400 --> 0:18:07.520
<v Speaker 1>like still listening to a M music. Well, the funny

0:18:07.520 --> 0:18:10.280
<v Speaker 1>thing is, I don't think today your friends would be

0:18:10.320 --> 0:18:14.159
<v Speaker 1>decided Capulli on music. That just illustrates how important music

0:18:14.320 --> 0:18:21.120
<v Speaker 1>was back then. We'll take a quick break and come

0:18:21.160 --> 0:18:24.600
<v Speaker 1>back with more of my conversation with Jake Gold, recorded

0:18:24.640 --> 0:18:27.600
<v Speaker 1>live at the tune In Studios in Venice Beach as

0:18:27.600 --> 0:18:32.520
<v Speaker 1>we recap the Music Media Summit in Santa Barbara, California.

0:18:33.480 --> 0:18:36.520
<v Speaker 1>This week. I'm speaking with Jake Gold in the last

0:18:36.520 --> 0:18:39.800
<v Speaker 1>couple of months, Paul Rodgers from Free and Bad Company

0:18:39.880 --> 0:18:42.639
<v Speaker 1>joined me in the studio, as well as Oscar winner

0:18:42.680 --> 0:18:47.520
<v Speaker 1>Brian Fogel created the documentary Chorus here next week's episode.

0:18:47.640 --> 0:18:51.240
<v Speaker 1>First by subscribing to the podcast on tune in, Apple

0:18:51.320 --> 0:18:54.960
<v Speaker 1>Podcast or your podcast player of choice. Check out the

0:18:55.000 --> 0:18:59.359
<v Speaker 1>first thirty interviews, and please rate and review the podcast. Okay,

0:18:59.400 --> 0:19:03.800
<v Speaker 1>let's get back to my conversation with Jake Gold getting

0:19:03.800 --> 0:19:05.560
<v Speaker 1>back to the dominant and you make you bring up

0:19:05.560 --> 0:19:11.040
<v Speaker 1>an excellent point with the analogy of uh Spotify streams

0:19:11.080 --> 0:19:15.760
<v Speaker 1>to radio spins. But for those of us who investigate

0:19:15.840 --> 0:19:18.399
<v Speaker 1>the market, whether it be media base which is the

0:19:18.480 --> 0:19:21.639
<v Speaker 1>radio charts or the varying charts on Spotify, I'm a

0:19:21.720 --> 0:19:26.040
<v Speaker 1>huge rock fan and I cannot sit here and champion

0:19:26.240 --> 0:19:29.320
<v Speaker 1>all these rock acts that are deserve attention or not

0:19:29.400 --> 0:19:31.840
<v Speaker 1>getting it. But some of them are doing okay. You know,

0:19:31.920 --> 0:19:34.119
<v Speaker 1>the War on Drugs is doing well, and there's a

0:19:34.160 --> 0:19:36.479
<v Speaker 1>bunch of rock acts that are actually doing well. And

0:19:36.520 --> 0:19:39.080
<v Speaker 1>you know, I brought it up at the conference and

0:19:39.240 --> 0:19:42.120
<v Speaker 1>even when when you were talking to Ethiopia and she agreed,

0:19:42.200 --> 0:19:45.280
<v Speaker 1>is that Spotify doesn't do an album chart, and if

0:19:45.280 --> 0:19:48.160
<v Speaker 1>they did an album chart maybe be different because all

0:19:48.200 --> 0:19:50.800
<v Speaker 1>we see is is a song consumption chart, and by

0:19:50.840 --> 0:19:54.399
<v Speaker 1>seeing a song consumption consumption chart, what we're getting is

0:19:54.400 --> 0:19:59.520
<v Speaker 1>we're getting And because the chart kind of and the

0:19:59.520 --> 0:20:02.720
<v Speaker 1>way they're algorithm works, it kind of becomes a self

0:20:02.720 --> 0:20:06.840
<v Speaker 1>fulfilling prophecy, so one begets the other. I think that

0:20:06.880 --> 0:20:10.200
<v Speaker 1>will drive more plays over and over and again again

0:20:10.320 --> 0:20:13.520
<v Speaker 1>and being put on more playlists. Plus, you know, it's

0:20:13.520 --> 0:20:15.639
<v Speaker 1>an interesting thing. I have this band Common Deary. We've

0:20:15.680 --> 0:20:19.800
<v Speaker 1>brought it up before. Um they got on to CBC

0:20:20.040 --> 0:20:24.119
<v Speaker 1>Radio two. Now CBC Radio two has their own playlists

0:20:24.200 --> 0:20:27.760
<v Speaker 1>on Spotify and it's got a decent amount of followers. Now.

0:20:27.840 --> 0:20:33.280
<v Speaker 1>I saw our plays go up on those tracks because

0:20:33.640 --> 0:20:36.239
<v Speaker 1>partly was on some other playlists, but also because it

0:20:36.280 --> 0:20:38.480
<v Speaker 1>was on the radio to play. One of the things

0:20:38.520 --> 0:20:42.520
<v Speaker 1>I you know, which I wish, which I wish is

0:20:42.560 --> 0:20:45.720
<v Speaker 1>that they had the media based charts, which are radio

0:20:45.800 --> 0:20:50.840
<v Speaker 1>charts on Spotify. So far, none of the main streaming

0:20:50.840 --> 0:20:55.359
<v Speaker 1>outlets Apple, Spotify, etcetera. Have put the radio charts on that.

0:20:55.440 --> 0:20:57.359
<v Speaker 1>I would like that. It's great that they have that Canada.

0:20:57.400 --> 0:20:59.560
<v Speaker 1>But you can put your own chart up. There's nothing

0:20:59.560 --> 0:21:02.479
<v Speaker 1>to stop few a station can actually create their own

0:21:03.280 --> 0:21:05.480
<v Speaker 1>playlist and put it up there, just like there can

0:21:05.520 --> 0:21:08.080
<v Speaker 1>be a Bob Left Sets playlist. But I asked about

0:21:08.080 --> 0:21:09.520
<v Speaker 1>the you know I have. We'd have to get Troy

0:21:09.560 --> 0:21:11.320
<v Speaker 1>here to find out what the real stories. In any event,

0:21:11.320 --> 0:21:14.560
<v Speaker 1>they're not dominant there, and there's the lag. But you know,

0:21:14.640 --> 0:21:16.840
<v Speaker 1>you bring up a lot of things. Although the acts

0:21:16.880 --> 0:21:21.879
<v Speaker 1>you mentioned, the rock acts are successful, they're not culturally

0:21:21.920 --> 0:21:24.520
<v Speaker 1>dominant the way the hip hop acts are. But I

0:21:24.560 --> 0:21:27.760
<v Speaker 1>don't think we're in a heyday of rock music. Okay,

0:21:27.840 --> 0:21:33.080
<v Speaker 1>I wouldn't say we're I don't think. The fact is

0:21:33.080 --> 0:21:37.400
<v Speaker 1>is that, you know, knowing, look, I managed the biggest

0:21:37.480 --> 0:21:43.119
<v Speaker 1>rock rock act in the country for many many years,

0:21:43.160 --> 0:21:45.359
<v Speaker 1>and you know we got we never got played on

0:21:45.359 --> 0:21:48.040
<v Speaker 1>pop radio. We only got played on rock radio. And

0:21:48.080 --> 0:21:53.320
<v Speaker 1>I can only tell you that our our check royalty

0:21:53.400 --> 0:21:57.200
<v Speaker 1>checks for airplay, compared to some of the pop acts

0:21:57.240 --> 0:22:00.520
<v Speaker 1>who weren't selling nearly the amount of ticket and doing

0:22:00.560 --> 0:22:02.880
<v Speaker 1>nearly the amount of business, or even for that matter,

0:22:02.920 --> 0:22:08.000
<v Speaker 1>selling nearly amount of records. We were selling um albums, um.

0:22:08.080 --> 0:22:11.520
<v Speaker 1>Their checks were probably bigger than ours because of airplay. Yeah,

0:22:11.520 --> 0:22:14.480
<v Speaker 1>but that was a different era and a different paradigm.

0:22:14.640 --> 0:22:17.280
<v Speaker 1>Everything is different now. Now you bring up a number

0:22:17.320 --> 0:22:19.760
<v Speaker 1>of things. One thing that some of the label people

0:22:20.119 --> 0:22:23.560
<v Speaker 1>brought up in Santa Barbara that I've patently disagree with

0:22:23.800 --> 0:22:27.159
<v Speaker 1>is the concept of the album. Okay, I believe that

0:22:27.320 --> 0:22:30.000
<v Speaker 1>fans want a body of work. If I find a

0:22:30.040 --> 0:22:32.920
<v Speaker 1>track I like on Spotify, immediately go on and see

0:22:32.960 --> 0:22:35.639
<v Speaker 1>what else has got the most streams on Spotify. I

0:22:35.640 --> 0:22:38.000
<v Speaker 1>don't care what album it is. I might check whether

0:22:38.040 --> 0:22:41.160
<v Speaker 1>it's from the most recent album. I might triangulate that way,

0:22:41.160 --> 0:22:42.920
<v Speaker 1>but you know, I'm getting it. On a business level,

0:22:43.080 --> 0:22:46.040
<v Speaker 1>I want to hear good music. You need a continuous,

0:22:46.880 --> 0:22:50.800
<v Speaker 1>uh drip of product. Now, maybe you record it all

0:22:50.840 --> 0:22:53.320
<v Speaker 1>at once and you drip it out. I mean, but

0:22:53.680 --> 0:22:56.840
<v Speaker 1>the concept of a once you know, once a year,

0:22:56.920 --> 0:22:58.959
<v Speaker 1>once every couple of years, and then I think it's

0:22:59.040 --> 0:23:02.879
<v Speaker 1>incredibly dequated and based on issues that people say, well,

0:23:02.880 --> 0:23:05.320
<v Speaker 1>it has to be an album so we get publicity, right, Okay,

0:23:05.400 --> 0:23:09.560
<v Speaker 1>So so let's let's back up. Let's back up fifty years. Okay,

0:23:09.640 --> 0:23:13.080
<v Speaker 1>that's how the Beatles put out records exactly. Well, so

0:23:13.200 --> 0:23:15.720
<v Speaker 1>what has changed is what I'm trying to say now.

0:23:15.800 --> 0:23:20.199
<v Speaker 1>But the irony here is the public is leading and

0:23:20.280 --> 0:23:25.160
<v Speaker 1>it is the producers and the business infrastructure who are behind. Okay,

0:23:25.320 --> 0:23:29.879
<v Speaker 1>the public is jumping genres and listening to singles. So

0:23:29.880 --> 0:23:32.760
<v Speaker 1>so what happened when the when the Beatles put out records,

0:23:32.800 --> 0:23:34.959
<v Speaker 1>they put out a bunch of singles, and then they

0:23:35.000 --> 0:23:37.600
<v Speaker 1>put out an album, and then they put out another

0:23:37.640 --> 0:23:39.720
<v Speaker 1>bunch of singles, and then they put on an album,

0:23:39.720 --> 0:23:42.120
<v Speaker 1>and they were putting them out every six months. Well,

0:23:42.119 --> 0:23:45.040
<v Speaker 1>the interesting thing is, like any business, it's like the

0:23:45.080 --> 0:23:49.280
<v Speaker 1>computer business in the last twenty years and music business

0:23:49.359 --> 0:23:53.000
<v Speaker 1>then they were constantly pushing the envelope. And when you

0:23:53.119 --> 0:23:57.199
<v Speaker 1>when before a business is mature, it's very exciting. Like

0:23:57.920 --> 0:24:00.320
<v Speaker 1>ten years ago, we'd be sitting here talk it about

0:24:00.320 --> 0:24:03.080
<v Speaker 1>our devices. Did you get the iPod? What size you have,

0:24:03.160 --> 0:24:06.239
<v Speaker 1>flash memory, etcetera. People don't talk. People don't even talk

0:24:06.280 --> 0:24:09.919
<v Speaker 1>about their phones that way at this particular know, they

0:24:09.960 --> 0:24:12.760
<v Speaker 1>may be talking about the cameras. That's the biggest thing

0:24:12.760 --> 0:24:14.600
<v Speaker 1>on the So so the point and then you saw,

0:24:14.600 --> 0:24:16.399
<v Speaker 1>because I know, Jake, you're not gonna be able the

0:24:16.560 --> 0:24:18.560
<v Speaker 1>next year. The camera's gonna have three lenses, so you

0:24:18.600 --> 0:24:22.000
<v Speaker 1>may have to get a new one. Contract to be

0:24:22.119 --> 0:24:23.960
<v Speaker 1>up in another year and I'll get anot of you

0:24:24.400 --> 0:24:28.399
<v Speaker 1>get another photo. So in any event, Uh, the problem

0:24:28.720 --> 0:24:31.600
<v Speaker 1>is we don't have enough innovation in the non hip

0:24:31.640 --> 0:24:34.520
<v Speaker 1>hop world. I remember when you got a vinyl record.

0:24:34.600 --> 0:24:39.160
<v Speaker 1>Vinyl record held between eight and thirty six minutes of music.

0:24:39.200 --> 0:24:42.159
<v Speaker 1>Once you got below beyond like four, you had a

0:24:42.200 --> 0:24:45.480
<v Speaker 1>sound degradation issue. You can push the forty. These days

0:24:46.200 --> 0:24:49.880
<v Speaker 1>you can push. Most people don't because of the high

0:24:49.960 --> 0:24:52.080
<v Speaker 1>quality pressings. I'll put it on two discs, but that's

0:24:52.080 --> 0:24:56.080
<v Speaker 1>not even my point. People stretched to fill that limit.

0:24:56.680 --> 0:24:59.920
<v Speaker 1>And on vinyl records there were essentially four key cuts. Oh,

0:25:00.000 --> 0:25:02.320
<v Speaker 1>putting track on each side, closing track on each side.

0:25:02.520 --> 0:25:05.239
<v Speaker 1>You knew that acts put their best stuff there, and

0:25:05.280 --> 0:25:07.600
<v Speaker 1>you checked it out. When we went to the CD.

0:25:08.160 --> 0:25:10.280
<v Speaker 1>It was every It was too much to begin when

0:25:10.280 --> 0:25:11.960
<v Speaker 1>you knew the opening track was supposed to be good,

0:25:12.160 --> 0:25:14.199
<v Speaker 1>and at the end of the CD era they would say,

0:25:14.240 --> 0:25:15.919
<v Speaker 1>well what about the fourth track? Fourtra I didn't even

0:25:15.960 --> 0:25:18.800
<v Speaker 1>get there. But at this point in time and for

0:25:18.840 --> 0:25:24.720
<v Speaker 1>a long time, UH CD holds almost eighty minutes, So artistically,

0:25:25.520 --> 0:25:29.480
<v Speaker 1>an album which was under forty minutes suddenly jumped to

0:25:29.600 --> 0:25:33.760
<v Speaker 1>sixty minutes because of the format, not because anybody had

0:25:33.760 --> 0:25:36.480
<v Speaker 1>anything specially new to say. And I think we have

0:25:36.600 --> 0:25:39.840
<v Speaker 1>this new format of streaming, but the artists or lunites

0:25:40.200 --> 0:25:43.760
<v Speaker 1>and kept in the old paradigm. As I say, not

0:25:43.840 --> 0:25:46.520
<v Speaker 1>the hip hop acts, not Drake putting up missed mix tapes,

0:25:46.800 --> 0:25:49.800
<v Speaker 1>you know, other people starting with mixed tapes and SoundCloud, etcetera.

0:25:49.920 --> 0:25:53.080
<v Speaker 1>But all the other acts can't stop complaining that we

0:25:53.160 --> 0:25:55.280
<v Speaker 1>will not go back to where we once were. So

0:25:55.359 --> 0:25:58.679
<v Speaker 1>even my own acts and I any act I talked to,

0:25:58.800 --> 0:26:00.639
<v Speaker 1>when they asked me about, oh, we're gonna make an

0:26:00.640 --> 0:26:02.800
<v Speaker 1>album and we're gonna do this, I say, fine, you

0:26:02.840 --> 0:26:04.800
<v Speaker 1>can go in and record an album, but don't release

0:26:04.840 --> 0:26:08.000
<v Speaker 1>it that way. There's no reason to release three tracks

0:26:08.040 --> 0:26:10.919
<v Speaker 1>at a time. Release two tracks at a time and

0:26:11.040 --> 0:26:13.960
<v Speaker 1>keep the flow going. Part of it is also that

0:26:14.359 --> 0:26:17.399
<v Speaker 1>you know, every time you release a new track, you

0:26:17.440 --> 0:26:19.800
<v Speaker 1>can get another hit from the blogs, you can get

0:26:19.840 --> 0:26:22.600
<v Speaker 1>more media attention. You put out ten songs, you get

0:26:22.640 --> 0:26:26.399
<v Speaker 1>your media attention once and then it disappears. If you

0:26:26.560 --> 0:26:28.720
<v Speaker 1>if you put out a track a month, you're gonna

0:26:28.720 --> 0:26:31.800
<v Speaker 1>get media attention every month, and there's more to talk

0:26:31.840 --> 0:26:34.000
<v Speaker 1>about because there's something new all the time. This is

0:26:34.040 --> 0:26:36.400
<v Speaker 1>interesting to what degree it will affect the visual business.

0:26:36.400 --> 0:26:38.560
<v Speaker 1>Like I'm reading the newspaper before I come here, and

0:26:38.600 --> 0:26:41.840
<v Speaker 1>it happens to be a Friday. They must have reviewed

0:26:41.880 --> 0:26:45.640
<v Speaker 1>in excess of twenty movies. Yes, and I'm laughing. I said,

0:26:45.680 --> 0:26:48.159
<v Speaker 1>some of these movies are interesting. I'm never going to

0:26:48.240 --> 0:26:50.800
<v Speaker 1>the theater to see these movies. And when they hit

0:26:51.240 --> 0:26:55.040
<v Speaker 1>UH TV services, I'll forget they existed. First of all,

0:26:55.080 --> 0:26:59.280
<v Speaker 1>the newspapers out of touch. They should be reviewing television. Secondly,

0:26:59.280 --> 0:27:01.399
<v Speaker 1>there should be day and date so there could be

0:27:01.480 --> 0:27:05.640
<v Speaker 1>ongoing word of mouth. Get this publicity on television shows. Well,

0:27:06.080 --> 0:27:07.919
<v Speaker 1>it's a funny thing. I was. I knew you were

0:27:07.920 --> 0:27:10.439
<v Speaker 1>going to bring up movies and culture, but you know,

0:27:10.720 --> 0:27:13.440
<v Speaker 1>May the fourth be with you Today is May the

0:27:13.480 --> 0:27:16.400
<v Speaker 1>fourth when we're recording this and Star Wars is out

0:27:16.600 --> 0:27:20.000
<v Speaker 1>and they they finally timed it to put out the

0:27:20.040 --> 0:27:24.439
<v Speaker 1>new Star Wars with UH with UM with May the

0:27:24.480 --> 0:27:27.640
<v Speaker 1>fourth and last year. Right, No, it's there's a new

0:27:27.720 --> 0:27:31.359
<v Speaker 1>Solo Star Wars today. Solo. Isn't that the new Solo movie?

0:27:31.400 --> 0:27:35.040
<v Speaker 1>I can't even And it's actually it's my brother's birthday

0:27:35.119 --> 0:27:37.560
<v Speaker 1>and he's like a big girlfriend's I know it is

0:27:37.640 --> 0:27:40.320
<v Speaker 1>and and and he's a big tech nerd, and and

0:27:40.400 --> 0:27:43.399
<v Speaker 1>he loves Star Wars. It's just so happening. Born on

0:27:43.480 --> 0:27:47.000
<v Speaker 1>May the fourth, it's so weird and uh and uh

0:27:47.040 --> 0:27:49.440
<v Speaker 1>because he's you want to talk about technology, He got

0:27:49.440 --> 0:27:54.960
<v Speaker 1>a new sixty five inch four K TV and he

0:27:55.080 --> 0:27:57.840
<v Speaker 1>loves it. He just can't stop talking about the only thing.

0:27:58.080 --> 0:28:01.439
<v Speaker 1>I have a five K Mac. And it used to

0:28:01.480 --> 0:28:06.560
<v Speaker 1>be YouTube showed four K videos on all browsers. Now

0:28:06.600 --> 0:28:09.959
<v Speaker 1>they switched it only to their own browser, which is Chrome.

0:28:10.720 --> 0:28:15.040
<v Speaker 1>And I was watching a video yesterday and granted only

0:28:15.080 --> 0:28:17.159
<v Speaker 1>like you know, eight inches from the screen, and I

0:28:17.240 --> 0:28:19.600
<v Speaker 1>was watching in four K's just great. Yeah, well he's

0:28:19.600 --> 0:28:23.080
<v Speaker 1>watching sports and he's upgraded his Netflix to four K

0:28:23.320 --> 0:28:27.480
<v Speaker 1>and Amazon Prime and like you know, he literally has

0:28:27.520 --> 0:28:30.440
<v Speaker 1>his house set up like he's he's uh Captain Kirk

0:28:30.480 --> 0:28:33.159
<v Speaker 1>and he's running the Starship Enterprise. You know, where was

0:28:33.200 --> 0:28:35.439
<v Speaker 1>I and somewhere and we're talking about no, no, But

0:28:35.480 --> 0:28:37.880
<v Speaker 1>I was somewhere in the in the last week, maybe

0:28:37.880 --> 0:28:40.760
<v Speaker 1>in a hotel where they had a TV so big

0:28:41.200 --> 0:28:44.160
<v Speaker 1>that I said, this is almost as big as some

0:28:44.280 --> 0:28:47.000
<v Speaker 1>of the small theaters of the seventies. Well, but but

0:28:47.080 --> 0:28:49.480
<v Speaker 1>that's what it feels like. Um, the hotel I'm in

0:28:49.640 --> 0:28:52.840
<v Speaker 1>has two giant TVs, one in the living room area

0:28:52.840 --> 0:28:55.120
<v Speaker 1>and one in the bedroom area. And when you think

0:28:55.120 --> 0:28:58.880
<v Speaker 1>about the distance you are away from the TV in

0:28:58.880 --> 0:29:02.360
<v Speaker 1>in in in comparison to being in a theater, it's

0:29:02.440 --> 0:29:05.360
<v Speaker 1>it's probably almost as big. And I was at a

0:29:05.440 --> 0:29:09.120
<v Speaker 1>hotel in Vancouver, was the first time I've ever experienced

0:29:09.120 --> 0:29:12.560
<v Speaker 1>this for the junos, and they had Netflix on the

0:29:12.600 --> 0:29:15.640
<v Speaker 1>TV and you just logged in your account. I've heard

0:29:15.640 --> 0:29:18.240
<v Speaker 1>about that. I know a lot of people travel with

0:29:18.320 --> 0:29:21.600
<v Speaker 1>a firestick. Not to get in legal issues here, but

0:29:21.640 --> 0:29:23.360
<v Speaker 1>I know a lot of people travel with a jail

0:29:23.400 --> 0:29:26.560
<v Speaker 1>broken firestick, and you know, they watched their own things.

0:29:26.560 --> 0:29:27.880
<v Speaker 1>The other thing you can do is we're getting to

0:29:27.960 --> 0:29:30.160
<v Speaker 1>this technical stuff. I had a flatter rio a little

0:29:30.160 --> 0:29:34.880
<v Speaker 1>while back, and now Netflix is downloadable, so I downloaded

0:29:34.880 --> 0:29:37.479
<v Speaker 1>to my iPad like twenty hours worth of stuff, so

0:29:37.520 --> 0:29:40.440
<v Speaker 1>you're never shut Now. They really upgraded the plane, especially

0:29:40.480 --> 0:29:43.720
<v Speaker 1>the one to Miami. We're really deep into this travel talk.

0:29:44.080 --> 0:29:45.760
<v Speaker 1>And it used to be that was the old seven

0:29:45.840 --> 0:29:47.880
<v Speaker 1>thirties seven and you know, with the old seats, and

0:29:48.120 --> 0:29:50.560
<v Speaker 1>you know you couldn't see anything. But it's better now. Yeah. No,

0:29:50.680 --> 0:29:53.520
<v Speaker 1>I mean, and all the airlines have their own thing,

0:29:53.720 --> 0:29:57.040
<v Speaker 1>but but they're gonna take out all the visual entertainment

0:29:57.080 --> 0:29:59.520
<v Speaker 1>because they think people. I mean, I would rather not

0:29:59.600 --> 0:30:03.640
<v Speaker 1>travel with the iPad because I'm traveling with so much

0:30:03.720 --> 0:30:06.719
<v Speaker 1>crapple already. And I got the laptop, I got the Kindle,

0:30:06.760 --> 0:30:09.560
<v Speaker 1>I got the bows, headphones, etcetera. I don't really want

0:30:09.560 --> 0:30:12.640
<v Speaker 1>to add something to the pile. But by the same token,

0:30:12.680 --> 0:30:15.000
<v Speaker 1>I tend not to watch the movies on the plane anyway.

0:30:15.320 --> 0:30:18.040
<v Speaker 1>That's where I watched the movies that you're talking about

0:30:18.080 --> 0:30:22.160
<v Speaker 1>that you'll never watch those that I call them plane movies.

0:30:22.400 --> 0:30:24.880
<v Speaker 1>That's a good plane movie. Yeah, Like when you see

0:30:24.920 --> 0:30:26.720
<v Speaker 1>the ad for do you read the review, Oh, that

0:30:26.760 --> 0:30:29.520
<v Speaker 1>will be on a plane soon, and that's a plane movie.

0:30:29.560 --> 0:30:32.000
<v Speaker 1>To me. Those are there's certain movies there it's like, oh, yeah,

0:30:32.040 --> 0:30:34.440
<v Speaker 1>I'll watch that on the plane. But when you're flying here, Cannon,

0:30:34.480 --> 0:30:37.720
<v Speaker 1>if you're upfront, it's it's a nineteen inch screen. Wow.

0:30:37.880 --> 0:30:41.200
<v Speaker 1>Like especially this flight Toronto l A. It's it's uh,

0:30:41.240 --> 0:30:44.160
<v Speaker 1>it's life flats, it's it's a whole other thing. So

0:30:45.320 --> 0:30:49.080
<v Speaker 1>I did that flight to Sydney. UM from Toronto. You

0:30:49.200 --> 0:30:53.680
<v Speaker 1>flight Toronto Vancouver, Vancouver City. That's sixteen hours. You're up front,

0:30:54.200 --> 0:30:56.440
<v Speaker 1>you're you're in your own pod, and there's like it's

0:30:56.440 --> 0:30:58.560
<v Speaker 1>a nice way to let's not get too class oriented.

0:30:58.600 --> 0:31:01.760
<v Speaker 1>Not everybody listening to but listen, listen. Like I I

0:31:01.880 --> 0:31:04.160
<v Speaker 1>paid for that ticket, and it was like I was

0:31:04.200 --> 0:31:07.120
<v Speaker 1>treating myself. It was like I'm gonna do this, Like, um,

0:31:07.240 --> 0:31:09.680
<v Speaker 1>if you're flying for sixteen hours and I'm a big guy,

0:31:09.720 --> 0:31:13.200
<v Speaker 1>I'm not. And I was with a manager for dinner

0:31:13.320 --> 0:31:16.880
<v Speaker 1>last Friday night, and he travels an unbelievable amount. If

0:31:16.920 --> 0:31:18.640
<v Speaker 1>I mentioned the acts, you'd know who he is, and

0:31:18.640 --> 0:31:21.360
<v Speaker 1>I'd rather not do that. UH. But he got deep

0:31:21.440 --> 0:31:26.080
<v Speaker 1>vein thrombosis, and he suddenly realized that's what Richard Nixon had,

0:31:26.280 --> 0:31:28.560
<v Speaker 1>where you get a blood clot from flying so much

0:31:28.560 --> 0:31:32.480
<v Speaker 1>and not moving. And he was supposed to fly to

0:31:33.080 --> 0:31:35.840
<v Speaker 1>UH on a one hour flight. He said, I'm just

0:31:35.840 --> 0:31:37.920
<v Speaker 1>gonna cancel. Went to the doctor said, if you've taken

0:31:37.920 --> 0:31:39.880
<v Speaker 1>that flight, you would have died. Is that you would

0:31:39.880 --> 0:31:42.680
<v Speaker 1>have been fine on the flight, but walking around thereafter

0:31:42.720 --> 0:31:44.080
<v Speaker 1>it would have gone to your heart. At the blood

0:31:44.120 --> 0:31:47.080
<v Speaker 1>clot that would have been it. So now he has to.

0:31:47.280 --> 0:31:49.680
<v Speaker 1>Now he's on blood thinners and he has to get

0:31:49.720 --> 0:31:51.800
<v Speaker 1>up on the plane and walk every four hours. And

0:31:51.800 --> 0:31:54.360
<v Speaker 1>I'm always thinking about that myself walking on the plane.

0:31:54.760 --> 0:31:58.600
<v Speaker 1>Well that if you're flying big enough planes, his plenty room. Yeah,

0:31:58.600 --> 0:31:59.959
<v Speaker 1>but usually you don't want to get to be if

0:32:00.000 --> 0:32:01.360
<v Speaker 1>you're sleeping on the plane, you don't want to the

0:32:01.360 --> 0:32:03.280
<v Speaker 1>guy I want to get up every four hours. Yeah,

0:32:03.400 --> 0:32:05.880
<v Speaker 1>well we're on a sixteen hour flight. You're sleeping like

0:32:05.920 --> 0:32:08.880
<v Speaker 1>you would at home anyway, So you you do, you're sleeping.

0:32:13.160 --> 0:32:15.440
<v Speaker 1>We'll pause here for a brief moment and come back

0:32:15.480 --> 0:32:20.360
<v Speaker 1>with more of my conversation with Jake Cole. For those

0:32:20.400 --> 0:32:23.160
<v Speaker 1>who attended the Music Media Summit in Santa Barbara, where

0:32:23.200 --> 0:32:26.160
<v Speaker 1>a conversation with leaders in their industries. We have Jake

0:32:26.240 --> 0:32:30.120
<v Speaker 1>Gold here this week, Canadian manager extraordinaire, to help put

0:32:30.120 --> 0:32:33.240
<v Speaker 1>all the conversations into context. But if you missed any

0:32:33.280 --> 0:32:36.680
<v Speaker 1>of them from Troy Carter at Spotify or Ethiope at

0:32:36.760 --> 0:32:40.479
<v Speaker 1>Motown or Steve at Amazon Music, listen to them all

0:32:40.520 --> 0:32:43.320
<v Speaker 1>on the Bob Left Sets podcast and please join us

0:32:43.360 --> 0:32:48.400
<v Speaker 1>next year in Santa Barbara. Now we're with Jake gold. Okay,

0:32:48.880 --> 0:32:54.400
<v Speaker 1>let's go back Amazon. Amazon. Do you think it really

0:32:54.600 --> 0:32:59.280
<v Speaker 1>is the sleeping giant? That? Absolutely? I mean, just like

0:32:59.480 --> 0:33:02.880
<v Speaker 1>people to this date don't know that you can sink

0:33:03.520 --> 0:33:06.560
<v Speaker 1>tracks to your phone via Spotify, such that if you're

0:33:06.560 --> 0:33:08.760
<v Speaker 1>out of cell range, you will have music as long

0:33:08.800 --> 0:33:14.120
<v Speaker 1>as your device has juice. Uh. You know. I've discussed

0:33:14.120 --> 0:33:16.680
<v Speaker 1>this with Steve Boom ahead of Amazon Music previously, but

0:33:16.680 --> 0:33:19.000
<v Speaker 1>he went into further depth in Santa Barbara. How they

0:33:19.040 --> 0:33:23.320
<v Speaker 1>do it, there's what's called metadata, metadata, or the identifying

0:33:23.400 --> 0:33:26.680
<v Speaker 1>factors about a record. A track, you know what label,

0:33:26.720 --> 0:33:29.680
<v Speaker 1>who the artist is, and you know who wrote it.

0:33:30.040 --> 0:33:33.640
<v Speaker 1>But they have developed much more or have entered much

0:33:33.680 --> 0:33:37.120
<v Speaker 1>more metadata at Amazon. And what this allows you to

0:33:37.320 --> 0:33:43.240
<v Speaker 1>do is ask your Echo to play playlists, which it

0:33:43.280 --> 0:33:45.920
<v Speaker 1>then creates on the fly, which is much more granular.

0:33:46.480 --> 0:33:50.560
<v Speaker 1>You can say, uh, Alexa, hopefully it's not Alexa. This

0:33:50.640 --> 0:33:53.440
<v Speaker 1>room is going to go off. Alexa play rock tracks

0:33:53.440 --> 0:33:57.800
<v Speaker 1>from nineteen. It can do that so on other services

0:33:57.800 --> 0:34:00.800
<v Speaker 1>where the playlists already has to exist. List here it

0:34:00.880 --> 0:34:03.720
<v Speaker 1>is making the playlist on the fly. I like to

0:34:03.840 --> 0:34:07.080
<v Speaker 1>I like when you when he said play sad songs,

0:34:07.240 --> 0:34:13.239
<v Speaker 1>sad rock songs from x Y specific. I mean, uh,

0:34:13.280 --> 0:34:16.160
<v Speaker 1>you know, there's this sounds complicated, but if you're in

0:34:16.160 --> 0:34:20.160
<v Speaker 1>the ecosystem, it's not. If you have Amazon Prime, which

0:34:20.160 --> 0:34:22.680
<v Speaker 1>over a hundred million people have, and you have an

0:34:22.680 --> 0:34:27.799
<v Speaker 1>electa device, you can you have music built in. It's

0:34:27.800 --> 0:34:30.600
<v Speaker 1>just you can't call out the specific track. And if

0:34:30.600 --> 0:34:34.200
<v Speaker 1>you pay three echo you can call out the specific track.

0:34:34.200 --> 0:34:36.319
<v Speaker 1>And if you pay ten bucks a month, you can

0:34:36.440 --> 0:34:39.719
<v Speaker 1>have an app, just like Apple Music and Spotify, and

0:34:39.800 --> 0:34:42.279
<v Speaker 1>I have all those apps. And I noticed in the

0:34:42.360 --> 0:34:46.680
<v Speaker 1>past week that Spotify went to voice control, but Amazon

0:34:47.160 --> 0:34:49.440
<v Speaker 1>has electra control on their app on the phone. So

0:34:49.480 --> 0:34:53.520
<v Speaker 1>I'm there with the engineer from Amazon Music and I say,

0:34:53.600 --> 0:34:56.560
<v Speaker 1>he says, play happy fun music from the sixties, and

0:34:56.640 --> 0:35:00.960
<v Speaker 1>it did. So then I say, play the pressed songs

0:35:00.960 --> 0:35:03.719
<v Speaker 1>from the eighties and and then of course you know,

0:35:03.760 --> 0:35:05.360
<v Speaker 1>and you don't have to tell Morrissey. It was just

0:35:05.440 --> 0:35:07.839
<v Speaker 1>a list. But the funny thing was two things. You're

0:35:07.880 --> 0:35:09.839
<v Speaker 1>not say ALEXA to the app. You can just say it,

0:35:10.400 --> 0:35:12.600
<v Speaker 1>and although you push the button and you can see

0:35:12.600 --> 0:35:14.919
<v Speaker 1>the little circles, you know it's ready. But the other

0:35:15.040 --> 0:35:17.680
<v Speaker 1>thing is it said, you know, I forget the exact lingo.

0:35:17.760 --> 0:35:20.000
<v Speaker 1>What it does you know, Sorry, we don't have that yet,

0:35:20.080 --> 0:35:23.799
<v Speaker 1>and he said, say depressing. Then it came up and

0:35:23.840 --> 0:35:28.239
<v Speaker 1>not depressed. They're still working, but they're doing all these things.

0:35:28.239 --> 0:35:31.400
<v Speaker 1>I mean, I have not heard that Apple and the

0:35:31.400 --> 0:35:34.440
<v Speaker 1>Amazon are doing. But just last night for this morning,

0:35:35.080 --> 0:35:37.719
<v Speaker 1>I got this song stuck in my head and I

0:35:37.800 --> 0:35:40.680
<v Speaker 1>called out to the Echo show to play it, and

0:35:40.719 --> 0:35:43.360
<v Speaker 1>I was thinking, how I've listened to that song a

0:35:43.400 --> 0:35:45.560
<v Speaker 1>lot recently. It's an old song called back where I've

0:35:45.600 --> 0:35:49.040
<v Speaker 1>Come From by mac Mcinally there's a famous hit version

0:35:49.120 --> 0:35:52.279
<v Speaker 1>by Kenny Chesney. I even liked the live version even better.

0:35:53.120 --> 0:35:55.719
<v Speaker 1>And so I've listened a lot on Disraeli, which is

0:35:55.800 --> 0:35:59.319
<v Speaker 1>you know, CD quality, And so I'm listening on the

0:35:59.360 --> 0:36:01.719
<v Speaker 1>Echo and a good enough for me even though I

0:36:01.840 --> 0:36:04.839
<v Speaker 1>have all the high end equipment. It's just amazing. It's

0:36:04.880 --> 0:36:07.880
<v Speaker 1>just the convenience of it, like you're already there and okay,

0:36:07.920 --> 0:36:10.080
<v Speaker 1>so let's let's talk about because you and I have

0:36:10.160 --> 0:36:13.680
<v Speaker 1>had this conversation a couple of times and and I'm

0:36:13.719 --> 0:36:19.279
<v Speaker 1>I'm I'm not sure what my stances on it yet,

0:36:19.320 --> 0:36:21.440
<v Speaker 1>but i'd like to get your opinion on it. Is

0:36:21.960 --> 0:36:25.680
<v Speaker 1>the only one that offers a free tier is Spotify,

0:36:26.960 --> 0:36:34.080
<v Speaker 1>and Spotify is the predominant um streaming service right now

0:36:35.160 --> 0:36:40.359
<v Speaker 1>and half of their half of their subscribers are free tier.

0:36:41.480 --> 0:36:45.640
<v Speaker 1>So do you think, first of all, that's skewing the

0:36:46.400 --> 0:36:50.480
<v Speaker 1>data data on on the most streams. So no, I

0:36:50.480 --> 0:36:52.080
<v Speaker 1>mean at this point in time, they just released their

0:36:52.120 --> 0:36:55.959
<v Speaker 1>numbers a couple of days ago and they added four

0:36:56.080 --> 0:37:00.880
<v Speaker 1>million subscribers since they paid or free paid. So the

0:37:01.200 --> 0:37:04.120
<v Speaker 1>paid subscribers as we speak here is bubbling under eighty

0:37:04.120 --> 0:37:09.240
<v Speaker 1>million that's paid, whereas Apple has forty million and Amazon

0:37:09.320 --> 0:37:13.040
<v Speaker 1>doesn't tell you, so there's another fifty plus million there

0:37:13.080 --> 0:37:15.040
<v Speaker 1>were free, but they break it down. No, but there

0:37:15.080 --> 0:37:18.040
<v Speaker 1>I think as many free on Spotify as there is.

0:37:19.120 --> 0:37:21.240
<v Speaker 1>There may be, but I thought I read like hundred

0:37:21.280 --> 0:37:24.719
<v Speaker 1>and sixty millions. I don't know. But the thing is

0:37:24.719 --> 0:37:28.640
<v Speaker 1>they're the only ones that offer free and now they've

0:37:28.800 --> 0:37:33.120
<v Speaker 1>they've they've done all these upgrades to the to the

0:37:33.200 --> 0:37:37.719
<v Speaker 1>mobile app to allow you more access on the free

0:37:37.760 --> 0:37:41.480
<v Speaker 1>tier than they did before. So is the movement because

0:37:41.480 --> 0:37:44.640
<v Speaker 1>they've gone public to go to drive more revenue on

0:37:44.680 --> 0:37:47.560
<v Speaker 1>the ad side, or they trying to get more conversion.

0:37:47.920 --> 0:37:50.440
<v Speaker 1>I mean, they're obviously conversion. There's a lot of issues.

0:37:50.480 --> 0:37:53.719
<v Speaker 1>They're starting with the ad side. Historically, the ad side

0:37:53.760 --> 0:37:57.040
<v Speaker 1>has not generated that much revenue. One might argue that

0:37:57.120 --> 0:38:00.279
<v Speaker 1>they're not sophisticated enough in that area. Spotify, and they're

0:38:00.280 --> 0:38:04.239
<v Speaker 1>making progress. Let's go back to the history of Spotify.

0:38:04.400 --> 0:38:07.319
<v Speaker 1>When Spotify originally came to this country, even when it

0:38:07.320 --> 0:38:10.080
<v Speaker 1>was in other countries, it was free on the desktop

0:38:10.480 --> 0:38:13.320
<v Speaker 1>and you had to pay on the mobile. Correct. And

0:38:13.520 --> 0:38:15.680
<v Speaker 1>I try to be fear in my assessments. I haven't

0:38:15.719 --> 0:38:17.440
<v Speaker 1>written any songs. I'm not getting paid at all. I

0:38:17.440 --> 0:38:19.880
<v Speaker 1>don't have the stock at any of these companies. But

0:38:20.040 --> 0:38:24.239
<v Speaker 1>that seemed a fair demarcation. And then Daniel X said

0:38:24.360 --> 0:38:26.640
<v Speaker 1>it was going they were gonna have a free tier

0:38:26.920 --> 0:38:30.480
<v Speaker 1>on the mobile device. That seemed to step over the

0:38:30.520 --> 0:38:34.279
<v Speaker 1>line to me, but he showed me the statistics that

0:38:34.400 --> 0:38:38.759
<v Speaker 1>it caused conversion. Okay, which is the ultimate goal. Going

0:38:39.320 --> 0:38:43.840
<v Speaker 1>back to the beginning more, let me stay there. Unfortunately,

0:38:43.880 --> 0:38:46.680
<v Speaker 1>have to go back in time. One cannot forget how

0:38:46.719 --> 0:38:50.960
<v Speaker 1>big a problem piracy was before Spotify, and the free

0:38:51.000 --> 0:38:55.719
<v Speaker 1>tier essentially eradicates piracy. Is Michael Eisner one said ten

0:38:55.760 --> 0:38:57.840
<v Speaker 1>percent of the people will never pay forget about that

0:38:57.880 --> 0:39:00.640
<v Speaker 1>ten percent, But other people because I can venience, they

0:39:00.680 --> 0:39:03.520
<v Speaker 1>won't do that. So this is pretty much eradicated piracy

0:39:03.520 --> 0:39:08.160
<v Speaker 1>along with YouTube. And I believe the free tier Spotify

0:39:08.280 --> 0:39:11.040
<v Speaker 1>would have had even greater penetration if it had launched

0:39:11.480 --> 0:39:14.719
<v Speaker 1>two years previous when it did in America. It didn't

0:39:14.800 --> 0:39:17.120
<v Speaker 1>launch the two thousand eleven and wanted to launch earlier,

0:39:17.160 --> 0:39:19.000
<v Speaker 1>but one of the major companies would not get on board,

0:39:19.000 --> 0:39:21.759
<v Speaker 1>and it was in that window that YouTube became so

0:39:21.880 --> 0:39:24.560
<v Speaker 1>popular for music. However, at this point in time, a

0:39:24.640 --> 0:39:27.560
<v Speaker 1>lot of tracks have more streams on Spotify than they

0:39:27.640 --> 0:39:30.520
<v Speaker 1>do on YouTube. But if you go now, so what

0:39:30.640 --> 0:39:36.120
<v Speaker 1>people don't realize is the free tier on Spotify is hobbled.

0:39:36.480 --> 0:39:39.399
<v Speaker 1>You can't go in and pick one track. You might

0:39:39.400 --> 0:39:41.840
<v Speaker 1>be able to pick an album, you might be able

0:39:41.880 --> 0:39:45.520
<v Speaker 1>to pick a playlist. It's ultimately frustrating. So you have

0:39:45.600 --> 0:39:48.719
<v Speaker 1>the ability, but it's also an incentive to pay well.

0:39:48.760 --> 0:39:53.239
<v Speaker 1>This announcement recently about enhanced free tier stuff, I mean

0:39:53.560 --> 0:39:56.759
<v Speaker 1>on the mobile. I think at the conference Troy put

0:39:56.760 --> 0:40:00.040
<v Speaker 1>it well, they want to personalize as such, the you

0:40:00.200 --> 0:40:03.200
<v Speaker 1>feel welcome, so that when you turn on the app,

0:40:03.840 --> 0:40:06.520
<v Speaker 1>the songs and the identity you have you want to

0:40:06.560 --> 0:40:09.520
<v Speaker 1>hear this is deep into the Spotify ecosystem, which most

0:40:09.520 --> 0:40:12.720
<v Speaker 1>people are aware of this point, but having brought a company,

0:40:12.760 --> 0:40:15.439
<v Speaker 1>I think it's driven by the echo nest. Every week

0:40:15.440 --> 0:40:19.400
<v Speaker 1>they put out these personalized playlists, and they want the

0:40:19.640 --> 0:40:23.000
<v Speaker 1>people who are non paying customers get a taste of

0:40:23.040 --> 0:40:25.920
<v Speaker 1>that so they'll feel comfortab when they want to pay.

0:40:26.000 --> 0:40:29.640
<v Speaker 1>You know, we can't say what the results are of

0:40:29.680 --> 0:40:32.480
<v Speaker 1>this latest change because it's too new, but everything they

0:40:32.480 --> 0:40:36.560
<v Speaker 1>have done has increased conversion. It's just like Steve Boom

0:40:36.560 --> 0:40:40.520
<v Speaker 1>talking about Amazon. Once they get people using the product

0:40:40.760 --> 0:40:44.480
<v Speaker 1>and they hit up against the wall, they then pay well.

0:40:44.640 --> 0:40:48.279
<v Speaker 1>But their first earnings came out Spotify, and everyone took

0:40:48.280 --> 0:40:53.200
<v Speaker 1>a look at it and to stop drop ten that day,

0:40:53.239 --> 0:40:56.080
<v Speaker 1>And I think partially because now everyone's seeing how this

0:40:56.200 --> 0:40:59.560
<v Speaker 1>company's run and they're still losing losing money. Now revenues up,

0:40:59.560 --> 0:41:02.000
<v Speaker 1>but they're still losing money. And you know, and you've

0:41:02.040 --> 0:41:05.440
<v Speaker 1>written about this, that the more subscribers they get because

0:41:05.440 --> 0:41:09.439
<v Speaker 1>of the payout, the more money they lose. And and

0:41:09.560 --> 0:41:11.560
<v Speaker 1>I guess we even had to talk about it in

0:41:11.560 --> 0:41:16.279
<v Speaker 1>Santa Barbara. At what point does that turn? What's the

0:41:16.400 --> 0:41:20.719
<v Speaker 1>line where they go from paid subscribers actually pay for

0:41:20.760 --> 0:41:25.759
<v Speaker 1>the business to run or or or is are they

0:41:25.800 --> 0:41:29.040
<v Speaker 1>getting so big that eventually they're gonna have way more

0:41:29.120 --> 0:41:32.360
<v Speaker 1>leverage with the labels and the label they're gonna end

0:41:32.440 --> 0:41:34.640
<v Speaker 1>up paying less because the labels are gonna need them

0:41:34.680 --> 0:41:37.000
<v Speaker 1>more than ever. You've got a lot of things going

0:41:37.080 --> 0:41:41.480
<v Speaker 1>on there. Let's start with Uh. The issue is that

0:41:41.600 --> 0:41:45.520
<v Speaker 1>if you listen to Spotify, they are in a lost

0:41:45.600 --> 0:41:49.200
<v Speaker 1>position because they're investing so much in growth. That is

0:41:49.239 --> 0:41:53.360
<v Speaker 1>a kin to Netflix, Okay, because you want to double

0:41:53.440 --> 0:41:56.160
<v Speaker 1>down now to win the war at the end, and

0:41:56.160 --> 0:41:59.120
<v Speaker 1>there's certainly a war and streaming although an Amazon did

0:41:59.160 --> 0:42:05.239
<v Speaker 1>that too exactly and then but in the sales earnings call,

0:42:06.000 --> 0:42:08.319
<v Speaker 1>Daniel lex said it was not a zero sum game.

0:42:08.400 --> 0:42:11.360
<v Speaker 1>I don't really agree with him. I believe one force

0:42:11.400 --> 0:42:14.520
<v Speaker 1>will one of the streaming services will be dominant. Your

0:42:14.560 --> 0:42:19.359
<v Speaker 1>point about scale is a huge one. The more people subscribe,

0:42:19.760 --> 0:42:23.360
<v Speaker 1>the more costs go up. That is why I believe

0:42:24.000 --> 0:42:28.759
<v Speaker 1>that Spotify is best as part of another company. Who

0:42:28.840 --> 0:42:31.160
<v Speaker 1>might that company be? Amazon does not have a long

0:42:31.239 --> 0:42:34.560
<v Speaker 1>history of buying other companies. Apple should have bought Spotify

0:42:34.680 --> 0:42:38.000
<v Speaker 1>long ago. The only one who can really afford it

0:42:38.120 --> 0:42:41.839
<v Speaker 1>is Google, and Google has had one after another non

0:42:41.920 --> 0:42:45.319
<v Speaker 1>starting streaming services. They're just starting a new one that

0:42:45.440 --> 0:42:47.759
<v Speaker 1>they will always talk about the telcost with telcos have

0:42:47.840 --> 0:42:50.400
<v Speaker 1>hit a wall. I don't really see that now. The

0:42:50.440 --> 0:42:53.960
<v Speaker 1>other thing they have said in the investor Day and

0:42:54.000 --> 0:43:00.920
<v Speaker 1>Troy did say in Santa Barbara, okay, if you follow this, uh,

0:43:00.960 --> 0:43:05.160
<v Speaker 1>when Spotify launch, essentially seventy page really sixty nine points

0:43:05.239 --> 0:43:10.120
<v Speaker 1>something of revenues went to rights soldiers in renegotiations over

0:43:10.160 --> 0:43:13.680
<v Speaker 1>the last two years, most of them were completed about

0:43:13.680 --> 0:43:18.479
<v Speaker 1>a year ago. UM, they have lowered the percentage they

0:43:18.560 --> 0:43:23.680
<v Speaker 1>pay to the labels. They labels are agreeing to that

0:43:23.760 --> 0:43:26.000
<v Speaker 1>because they want Spotify to succeed. As we've seen in

0:43:26.080 --> 0:43:29.080
<v Speaker 1>the last two years. At this point, the majority of

0:43:29.120 --> 0:43:32.120
<v Speaker 1>revenue comes from streaming services. So if you hurt your

0:43:32.200 --> 0:43:36.120
<v Speaker 1>number one distributor in trouble now, Spotify will also say

0:43:36.280 --> 0:43:40.120
<v Speaker 1>they will gain advantage by being such a large distributor.

0:43:40.239 --> 0:43:44.000
<v Speaker 1>Just like anybody, whether it be Best Buyer, Amazon or Walmart,

0:43:44.200 --> 0:43:47.160
<v Speaker 1>you can drive down costs because of your volume. But

0:43:47.600 --> 0:43:53.880
<v Speaker 1>baked into all the statements is they put it in English.

0:43:53.960 --> 0:43:55.799
<v Speaker 1>They don't necessarily say in English. I don't mean not

0:43:55.800 --> 0:43:59.960
<v Speaker 1>in Swedish, but in a comprehensible fashion. They are anticipate

0:44:00.040 --> 0:44:04.280
<v Speaker 1>painting there will be a growth of independent unaffiliated acts.

0:44:05.239 --> 0:44:08.680
<v Speaker 1>Those acts get all of the revenue. So if you

0:44:08.800 --> 0:44:11.560
<v Speaker 1>sign a deal with a major label of the sixty

0:44:11.560 --> 0:44:14.840
<v Speaker 1>odd percent, you might be getting ten, which is on

0:44:14.920 --> 0:44:17.279
<v Speaker 1>a dollar six cents. So are you well, let me

0:44:17.400 --> 0:44:19.600
<v Speaker 1>let me just fens one second. Whereas if you're an

0:44:19.600 --> 0:44:22.600
<v Speaker 1>independent act, you're essentially getting all sixty. You know, you

0:44:22.640 --> 0:44:24.640
<v Speaker 1>have to pay a small fee of tune Core CD

0:44:24.719 --> 0:44:28.800
<v Speaker 1>baby to get up there an aggregator, right, but they want,

0:44:29.320 --> 0:44:31.400
<v Speaker 1>they expect and they want to drive more of that

0:44:31.520 --> 0:44:33.880
<v Speaker 1>business and pay them less. They haven't made it a

0:44:34.560 --> 0:44:37.840
<v Speaker 1>put on an exact number. Whereas right now they're paying

0:44:37.880 --> 0:44:40.600
<v Speaker 1>sixty percent to the independent act. They'd like to pay

0:44:40.719 --> 0:44:44.120
<v Speaker 1>less of that, increasing their margin, and they are thinking

0:44:44.160 --> 0:44:47.000
<v Speaker 1>there's going to be more chance the rapper type acts.

0:44:47.600 --> 0:44:51.280
<v Speaker 1>I don't disagree. I think that's that's already starting to happen.

0:44:51.320 --> 0:44:53.880
<v Speaker 1>You're seeing that all the time. There's tons of people

0:44:53.960 --> 0:44:57.120
<v Speaker 1>like me who are working with with young bands who

0:44:57.160 --> 0:44:59.440
<v Speaker 1>don't want to do a deal or don't think the

0:44:59.480 --> 0:45:01.920
<v Speaker 1>deal is to right time because there's no leverage and

0:45:01.960 --> 0:45:04.680
<v Speaker 1>we're able to get our stuff out there and hiring.

0:45:04.960 --> 0:45:08.160
<v Speaker 1>But if they're paying you sixty five now and they

0:45:08.200 --> 0:45:10.960
<v Speaker 1>start paying you sixty, which is huge on their end,

0:45:11.360 --> 0:45:14.600
<v Speaker 1>I don't think you're gonna be freaking out. Probably not.

0:45:15.040 --> 0:45:17.600
<v Speaker 1>But as I say, so, that's all the margin they

0:45:17.600 --> 0:45:19.360
<v Speaker 1>have to deal with. As I say, five percent on

0:45:19.400 --> 0:45:23.040
<v Speaker 1>their end is gigantius right right now. And I agree,

0:45:23.040 --> 0:45:27.000
<v Speaker 1>But I also think that that um so, maybe there's

0:45:27.000 --> 0:45:29.160
<v Speaker 1>an argument that says we should all be investing in

0:45:29.200 --> 0:45:32.799
<v Speaker 1>the CD babies and the aggregators because you know, if

0:45:32.840 --> 0:45:35.879
<v Speaker 1>the independence is moving in that direction. I mean, there's

0:45:35.880 --> 0:45:37.960
<v Speaker 1>a whole bunch of someone I know sent out an

0:45:37.960 --> 0:45:41.279
<v Speaker 1>email to a list of other managers um and said

0:45:41.320 --> 0:45:43.960
<v Speaker 1>I'm about to do something digital. Who's who's your best

0:45:44.000 --> 0:45:48.239
<v Speaker 1>digital distributor? And every single one of us on the list,

0:45:48.280 --> 0:45:50.560
<v Speaker 1>it was ten of us responded and we all named

0:45:50.560 --> 0:45:55.000
<v Speaker 1>a different company. Yeah, that's also a business doesn't scale

0:45:55.040 --> 0:45:58.000
<v Speaker 1>that well. I mean, it's just distribution and it's a

0:45:58.040 --> 0:46:01.200
<v Speaker 1>small piece. And say, but you know, don't if those

0:46:01.239 --> 0:46:04.719
<v Speaker 1>people don't know. With aggregators, they charge at one time

0:46:04.760 --> 0:46:06.480
<v Speaker 1>fee or an the annual fee as opposed to the

0:46:06.560 --> 0:46:10.560
<v Speaker 1>number of times there are some that charge of Some

0:46:10.640 --> 0:46:13.080
<v Speaker 1>of those offer more services though, so they offer they

0:46:13.160 --> 0:46:15.760
<v Speaker 1>charge a percentage, and then maybe they'll offer some marketing

0:46:15.880 --> 0:46:17.960
<v Speaker 1>or whatever. But most of them, you're right, it's a

0:46:18.000 --> 0:46:20.160
<v Speaker 1>flat fee and it's an easy access and they get

0:46:20.200 --> 0:46:23.080
<v Speaker 1>it up fast. You used to Ingestion used to take forever,

0:46:23.719 --> 0:46:25.560
<v Speaker 1>you know, when you were with the label, it was like, oh,

0:46:25.560 --> 0:46:27.799
<v Speaker 1>we need all the metadata three months in advance, and

0:46:27.800 --> 0:46:29.960
<v Speaker 1>blah blah blah blah blah. Now you go on to

0:46:30.120 --> 0:46:32.239
<v Speaker 1>c D Baby or tune Car and it's like in

0:46:32.320 --> 0:46:34.680
<v Speaker 1>two weeks, less than two weeks, I've had stuff up

0:46:34.719 --> 0:46:37.200
<v Speaker 1>in five days. Well, I had this experience last week.

0:46:37.239 --> 0:46:39.680
<v Speaker 1>I was writing about an album, Open Skies, which came

0:46:39.680 --> 0:46:43.560
<v Speaker 1>out r c A, was not on any streaming service.

0:46:44.400 --> 0:46:47.520
<v Speaker 1>You know. Two days later, somebody emails me it's on

0:46:47.600 --> 0:46:49.960
<v Speaker 1>Apple Music. You know. It just just blew my mind.

0:46:50.239 --> 0:46:51.680
<v Speaker 1>And then I heard from the label they added it

0:46:51.800 --> 0:46:54.920
<v Speaker 1>just that fast. Well, it's it's interesting you say that,

0:46:55.000 --> 0:46:57.560
<v Speaker 1>because I was looking for a record the other day

0:46:57.800 --> 0:47:00.839
<v Speaker 1>on Spotify and on Deezer and it wasn't on either

0:47:00.920 --> 0:47:03.200
<v Speaker 1>of them. What record was it? Mad Man Across the Water?

0:47:03.320 --> 0:47:05.560
<v Speaker 1>I could not find it on Spotify, and there it

0:47:05.680 --> 0:47:11.040
<v Speaker 1>was on Apple Music. Unfortunately, when you can't find something,

0:47:11.160 --> 0:47:15.800
<v Speaker 1>especially on Spotify, the search is not fantastic, and maybe

0:47:15.840 --> 0:47:17.719
<v Speaker 1>that was you have to search in a different way.

0:47:17.760 --> 0:47:20.120
<v Speaker 1>I've had this happen again and again. I have this

0:47:20.160 --> 0:47:22.960
<v Speaker 1>happen with open Skies on Apple. Somebody send me the link.

0:47:23.000 --> 0:47:25.520
<v Speaker 1>I click the link. I could listen on Apple, okay,

0:47:25.640 --> 0:47:27.960
<v Speaker 1>but if I searched on Apple, it wasn't there. Well,

0:47:28.000 --> 0:47:31.640
<v Speaker 1>I searched on Spotify and and every other out in

0:47:31.719 --> 0:47:33.600
<v Speaker 1>John record was there. And in fact, they had the

0:47:33.640 --> 0:47:37.759
<v Speaker 1>track Madman Across the Water on another record. Well, I

0:47:37.840 --> 0:47:40.040
<v Speaker 1>might say, without pulling my Modify, without pull him up

0:47:40.040 --> 0:47:42.200
<v Speaker 1>my device. Right now, I think that's probably a search issue.

0:47:42.239 --> 0:47:44.200
<v Speaker 1>I run into that all the time. Where did I

0:47:44.200 --> 0:47:46.280
<v Speaker 1>search on a track and I don't get it? Searching

0:47:46.320 --> 0:47:48.239
<v Speaker 1>on the band's name, I don't get it. And then

0:47:48.239 --> 0:47:50.839
<v Speaker 1>I put the two together. It's is. It's better than

0:47:50.880 --> 0:47:52.440
<v Speaker 1>it used to be, but it ain't perfect. But it

0:47:52.520 --> 0:47:54.480
<v Speaker 1>was right there on Apple Music. It was. It was

0:47:54.520 --> 0:47:57.080
<v Speaker 1>a weird to Apple Music. The other thing that they're

0:47:57.120 --> 0:48:00.720
<v Speaker 1>doing is they've just rolled out in beta the Apple

0:48:00.840 --> 0:48:03.759
<v Speaker 1>Music for Artists, which is what Spotify has had for

0:48:03.800 --> 0:48:05.960
<v Speaker 1>a while. That is a data program just just for

0:48:05.960 --> 0:48:09.360
<v Speaker 1>the audience is not that sophisticated. So so one of

0:48:09.400 --> 0:48:12.880
<v Speaker 1>the bigger complaints that the business side had, the artists

0:48:12.880 --> 0:48:17.000
<v Speaker 1>and the labels, was that Spotify was wonderful in supplying

0:48:17.080 --> 0:48:20.120
<v Speaker 1>us with back end data. And it was the agents

0:48:20.200 --> 0:48:22.160
<v Speaker 1>love that you could see where your spins, where you

0:48:22.160 --> 0:48:25.760
<v Speaker 1>could look at the different markets city by city, country

0:48:25.800 --> 0:48:28.440
<v Speaker 1>by country, You could look in the twenty four hour basis,

0:48:28.440 --> 0:48:31.160
<v Speaker 1>a seven day basis, a twenty eight day basis, and

0:48:31.280 --> 0:48:35.000
<v Speaker 1>a since inception basis, and you could get all this

0:48:35.120 --> 0:48:40.200
<v Speaker 1>information from them. Apple gave you no information. And I

0:48:40.239 --> 0:48:43.800
<v Speaker 1>think one of the reasons that the labels were really,

0:48:43.960 --> 0:48:46.920
<v Speaker 1>you know, gearing towards Spotify so much, is because they

0:48:46.920 --> 0:48:50.319
<v Speaker 1>were providing back marketing data that that everyone could use.

0:48:51.400 --> 0:48:54.480
<v Speaker 1>Apples decided um, and I think I saw it at

0:48:54.480 --> 0:48:56.680
<v Speaker 1>Pole Star. In fact, was the last time I was

0:48:56.719 --> 0:48:58.320
<v Speaker 1>here where Apples said they were going to roll it

0:48:58.360 --> 0:49:00.480
<v Speaker 1>out in April, and now they were going it out

0:49:00.480 --> 0:49:04.040
<v Speaker 1>in data for artists to be able to access their data,

0:49:04.080 --> 0:49:05.960
<v Speaker 1>and the labels are going to be able to access

0:49:06.160 --> 0:49:09.759
<v Speaker 1>the data, which Apple never gave us before ever. On

0:49:09.880 --> 0:49:14.400
<v Speaker 1>sales on CD sales or downloads of of albums and

0:49:14.680 --> 0:49:17.440
<v Speaker 1>we never got that information. They would report it to

0:49:17.560 --> 0:49:20.080
<v Speaker 1>sound scan and you could sort of extrapulate it at

0:49:20.080 --> 0:49:23.200
<v Speaker 1>a sound scan, but you couldn't get that granular, granular

0:49:23.320 --> 0:49:26.520
<v Speaker 1>data that Spotify has, and I think they're trying. They're

0:49:26.560 --> 0:49:29.560
<v Speaker 1>basically saying, Okay, if we're gonna play this game, the

0:49:29.640 --> 0:49:33.000
<v Speaker 1>streaming game, and work with our partners, meaning the people

0:49:33.000 --> 0:49:35.880
<v Speaker 1>that are supplying us the content, we're gonna have to

0:49:36.160 --> 0:49:40.279
<v Speaker 1>uh start supplying the data and uh we'll see. I mean,

0:49:40.360 --> 0:49:43.480
<v Speaker 1>I it's funny because they gave me, uh for for

0:49:43.560 --> 0:49:46.799
<v Speaker 1>my tune two acts. They gave me uh log in,

0:49:46.880 --> 0:49:49.760
<v Speaker 1>and I logged in and looked at everything and nothing

0:49:49.800 --> 0:49:53.040
<v Speaker 1>came up. It was like page So it's still in

0:49:53.160 --> 0:49:57.000
<v Speaker 1>data and it'll probably they're probably working all the bugs out,

0:49:57.080 --> 0:50:01.280
<v Speaker 1>but when that data starts to come through, it'll be interesting.

0:50:02.120 --> 0:50:05.600
<v Speaker 1>On another note, Um, there was a bit of discussion

0:50:05.640 --> 0:50:08.319
<v Speaker 1>about it. I forget who you were talking to. Wasn't Boom.

0:50:08.440 --> 0:50:11.200
<v Speaker 1>You were talking to Boom about this, Steve Boom about

0:50:11.440 --> 0:50:17.319
<v Speaker 1>how different genres are doing different services. That's an interesting thing.

0:50:17.520 --> 0:50:19.560
<v Speaker 1>The manager of Garth Brooks was at the conference, and

0:50:19.600 --> 0:50:23.680
<v Speaker 1>I know him, and I've previously discussed you know why

0:50:24.000 --> 0:50:26.920
<v Speaker 1>is in Garth brook On Garth Brooks on other streaming

0:50:26.960 --> 0:50:30.600
<v Speaker 1>services and they have an overall deal with the Amazon

0:50:30.680 --> 0:50:32.959
<v Speaker 1>which benefits Garth and Garth has been on the road

0:50:33.560 --> 0:50:38.839
<v Speaker 1>and uh, but they alerted me to the number of

0:50:38.920 --> 0:50:41.160
<v Speaker 1>streams they were getting. And then it begs the question

0:50:41.760 --> 0:50:44.800
<v Speaker 1>what is the audience for these varying services? Once again,

0:50:45.239 --> 0:50:48.239
<v Speaker 1>there's a free if you have Prime, there's essentially a

0:50:48.280 --> 0:50:54.719
<v Speaker 1>free tier for Amazon, so certainly prior to Apple Music's

0:50:55.239 --> 0:50:58.359
<v Speaker 1>getting the king for Prime. Yeah, but it's it doesn't feel,

0:50:58.360 --> 0:51:01.640
<v Speaker 1>you know, the old cliche, doesn't feel like you're pick okay,

0:51:01.800 --> 0:51:05.800
<v Speaker 1>And is Spotify for at one point early adopters in

0:51:05.960 --> 0:51:09.200
<v Speaker 1>hardcore music fans and as Steve mentioned, you know all

0:51:09.280 --> 0:51:11.480
<v Speaker 1>as we sit here, he didn't say that hip hop

0:51:11.520 --> 0:51:14.759
<v Speaker 1>was strong there, but a lot of other genres are

0:51:14.840 --> 0:51:18.960
<v Speaker 1>much stronger on Amazon. That's an interesting question. Is it

0:51:19.040 --> 0:51:22.160
<v Speaker 1>a self selecting slice of the populace? It is a

0:51:22.520 --> 0:51:26.320
<v Speaker 1>is it a better representation of the populace. I don't

0:51:26.400 --> 0:51:29.239
<v Speaker 1>really know, but I do know we are going to

0:51:29.360 --> 0:51:32.880
<v Speaker 1>an era where all your music will be voice controlled

0:51:33.640 --> 0:51:36.240
<v Speaker 1>and they are the leaders on this now The interesting

0:51:36.320 --> 0:51:39.000
<v Speaker 1>thing is they do not have a closed door policy

0:51:39.040 --> 0:51:42.680
<v Speaker 1>like Apple. If you have an Echo, you can make

0:51:42.760 --> 0:51:47.560
<v Speaker 1>Spotify the default service. It doesn't have to be Amazon Music, okay,

0:51:47.760 --> 0:51:50.520
<v Speaker 1>And they allow Sonos to bake in the Alexa chip

0:51:50.960 --> 0:51:55.360
<v Speaker 1>into their one product. I mean that's the son has

0:51:55.400 --> 0:51:59.839
<v Speaker 1>a speaker there, they have they have a speaker right,

0:52:00.040 --> 0:52:04.719
<v Speaker 1>and Apples coming out with their speaker Apple speakers here,

0:52:05.200 --> 0:52:08.640
<v Speaker 1>but it does not work with any other music format

0:52:09.040 --> 0:52:14.600
<v Speaker 1>other than Apple Music. Now. Uh so nos wants to

0:52:14.640 --> 0:52:17.840
<v Speaker 1>be flatform independent, and they will also get to the

0:52:17.840 --> 0:52:21.080
<v Speaker 1>point where they'll speak with Apple Music, but the services don't.

0:52:21.560 --> 0:52:25.239
<v Speaker 1>I mean, it ultimately comes down to who's got the

0:52:25.239 --> 0:52:27.279
<v Speaker 1>most stuff. We get an email every Friday if you

0:52:27.280 --> 0:52:30.680
<v Speaker 1>have an Alexa talking about all the new things that

0:52:30.760 --> 0:52:35.239
<v Speaker 1>you can say or ask ask Alexa. Whereas I don't

0:52:35.320 --> 0:52:38.440
<v Speaker 1>use Syria on my phone. Do you use Siri? I

0:52:38.440 --> 0:52:40.839
<v Speaker 1>have by have friends that use it when you when

0:52:40.840 --> 0:52:43.640
<v Speaker 1>they're driving. Right, it's just too inaccurate. I mean, I

0:52:43.680 --> 0:52:46.680
<v Speaker 1>don't want to retype every email. And everyone who's got

0:52:46.719 --> 0:52:51.200
<v Speaker 1>a home pod says the same thing. There's been a

0:52:51.239 --> 0:52:54.120
<v Speaker 1>lot of reviews of the home Pod. The initial reviews

0:52:54.120 --> 0:52:56.720
<v Speaker 1>of the home pod said it was the best device.

0:52:57.239 --> 0:53:00.000
<v Speaker 1>Then there were issues of weather in terms of audio quality.

0:53:00.040 --> 0:53:03.960
<v Speaker 1>Then there were issues of what was the test set up,

0:53:03.960 --> 0:53:06.040
<v Speaker 1>and a lot of people read other tests where they

0:53:06.040 --> 0:53:11.200
<v Speaker 1>said the Sons product, which is significantly cheaper, UH, sounded better.

0:53:11.760 --> 0:53:14.399
<v Speaker 1>And I don't think that, you know, none of these

0:53:14.440 --> 0:53:18.920
<v Speaker 1>devices sound so good. It's not like a BMW Zeppelin

0:53:19.040 --> 0:53:21.480
<v Speaker 1>or anything. No one's gonna pay that price. I think

0:53:21.520 --> 0:53:24.160
<v Speaker 1>Apple has missed the market here. I always go back

0:53:24.160 --> 0:53:27.480
<v Speaker 1>to the UH, the example of the nineties when a

0:53:27.680 --> 0:53:30.520
<v Speaker 1>well was burgeoning. Microsoft said they were gonna have a

0:53:30.560 --> 0:53:33.520
<v Speaker 1>new product call the MSN network, and everyone said, oh,

0:53:33.560 --> 0:53:35.960
<v Speaker 1>it's gonna come kill a O L didn't at all.

0:53:36.760 --> 0:53:39.520
<v Speaker 1>So Apple where it's been late to the market, certainly

0:53:39.520 --> 0:53:42.560
<v Speaker 1>with products that are not significantly better, also at a

0:53:42.640 --> 0:53:48.360
<v Speaker 1>higher price, they're nonstarters. Well, I don't think you know,

0:53:48.400 --> 0:53:50.319
<v Speaker 1>you talked about who would buy Spotify. I don't think

0:53:50.360 --> 0:53:53.239
<v Speaker 1>Apple will ever will because because I don't think, I

0:53:53.280 --> 0:53:56.560
<v Speaker 1>don't think, and I trust certainly in Europel. I also

0:53:56.680 --> 0:53:59.120
<v Speaker 1>think that you know, in light of you know how

0:53:59.160 --> 0:54:03.439
<v Speaker 1>they operate. You know, Spotify operates where everyone has can

0:54:03.840 --> 0:54:08.040
<v Speaker 1>can access Spotify, So nos controller, all of those other things.

0:54:08.040 --> 0:54:10.640
<v Speaker 1>If Apple gets to the point where they buy Spotify

0:54:10.719 --> 0:54:14.200
<v Speaker 1>and try and mold you know, blend it in with

0:54:14.280 --> 0:54:18.520
<v Speaker 1>and folded into Apple Music, They're gonna have subscribers. But

0:54:18.960 --> 0:54:21.640
<v Speaker 1>because the way they operate, where it's like, you know,

0:54:21.719 --> 0:54:25.200
<v Speaker 1>everything has to be through Apple, it would hurt them,

0:54:25.440 --> 0:54:27.279
<v Speaker 1>I think. I don't think they get the benefit of

0:54:27.280 --> 0:54:30.760
<v Speaker 1>it the same way. I'm not exactly sure where you're going,

0:54:30.880 --> 0:54:34.480
<v Speaker 1>But at this point in time, if a pre existing

0:54:34.520 --> 0:54:37.080
<v Speaker 1>service were to buy Spotify, it would be less for

0:54:37.160 --> 0:54:40.520
<v Speaker 1>technology and more for the raw subscribers. Would it would

0:54:40.520 --> 0:54:44.640
<v Speaker 1>be strictly for the subscribers, you know. Um, but let's

0:54:44.640 --> 0:54:48.640
<v Speaker 1>go back to Santa Barbara for a second. Um do

0:54:48.680 --> 0:54:56.120
<v Speaker 1>you think that, um that Real Networks? I mean I

0:54:56.320 --> 0:55:00.479
<v Speaker 1>use Neil Real Networks sometimes because I'm have a PC,

0:55:00.719 --> 0:55:06.400
<v Speaker 1>a desktop PC, but everything else I have as Apple. Um.

0:55:06.440 --> 0:55:09.080
<v Speaker 1>I don't know where that's going. Like, what what is

0:55:09.160 --> 0:55:11.520
<v Speaker 1>the for those people who have not listened to Rob

0:55:11.520 --> 0:55:16.040
<v Speaker 1>Glazer's podcast? Uh, you know, yes, he admits in the

0:55:16.120 --> 0:55:20.960
<v Speaker 1>late nineties, Uh, real Player was the default player on

0:55:21.120 --> 0:55:26.239
<v Speaker 1>audio and video for your desktop computer. They were ultimately

0:55:26.360 --> 0:55:31.520
<v Speaker 1>undercut by Microsoft and Apple and ultimately Adobe et cetera

0:55:31.680 --> 0:55:35.239
<v Speaker 1>now and we're going to a new generation. But he

0:55:35.320 --> 0:55:38.000
<v Speaker 1>did say they have a very strong presence in China

0:55:38.360 --> 0:55:41.960
<v Speaker 1>and they do have other products. Okay, So to sit

0:55:42.040 --> 0:55:46.200
<v Speaker 1>here and evaluate the value and the road map of

0:55:46.320 --> 0:55:49.520
<v Speaker 1>real networks, I don't think I'm qualified without having Robb

0:55:49.640 --> 0:55:52.960
<v Speaker 1>here to literally say every product, which I knew you

0:55:52.960 --> 0:55:56.319
<v Speaker 1>were gonna say, which is why I'm gonna let's talk

0:55:56.360 --> 0:55:58.920
<v Speaker 1>about China. Okay. I knew you were gonna talk. I

0:55:58.960 --> 0:56:01.160
<v Speaker 1>knew you were going to mention and I actually sent

0:56:01.200 --> 0:56:06.040
<v Speaker 1>you an email today about the biggest app being downloaded

0:56:06.040 --> 0:56:09.040
<v Speaker 1>off the app store form, which is a music driven

0:56:09.040 --> 0:56:13.000
<v Speaker 1>app called TikTok is that what it's called. And that's China,

0:56:13.160 --> 0:56:16.040
<v Speaker 1>and and it's it's got more downloads off the App

0:56:16.040 --> 0:56:19.560
<v Speaker 1>Store than any other app. And it's a music based app,

0:56:19.719 --> 0:56:23.040
<v Speaker 1>music and video based app. And that's the company that

0:56:23.080 --> 0:56:26.279
<v Speaker 1>owns that is the same company that bought Musically And

0:56:26.360 --> 0:56:29.919
<v Speaker 1>so are we all just pretending right now that they're

0:56:29.960 --> 0:56:32.200
<v Speaker 1>all gonna be this dominant, But you know this one's

0:56:32.200 --> 0:56:34.440
<v Speaker 1>gonna be dominant in Amazon is gonna be dominant, and

0:56:34.480 --> 0:56:36.960
<v Speaker 1>then someone from China is just gonna come in and

0:56:37.080 --> 0:56:39.719
<v Speaker 1>just just gonna be this tidal wave, excuse the pun,

0:56:40.440 --> 0:56:42.960
<v Speaker 1>that's gonna just take it all over at some point.

0:56:43.560 --> 0:56:45.680
<v Speaker 1>This is a much larger issue. You know, you have

0:56:45.800 --> 0:56:50.400
<v Speaker 1>the benefit of living in Canada, but we have turmoil

0:56:50.440 --> 0:56:53.080
<v Speaker 1>in the United States. And I was watching Bill Maher

0:56:53.239 --> 0:56:57.160
<v Speaker 1>show on HBO last night and they were discussing the

0:56:57.200 --> 0:57:00.840
<v Speaker 1>fact that Germany is the most respect acted country in

0:57:00.840 --> 0:57:04.279
<v Speaker 1>the world right now. We can argue about that, but

0:57:04.400 --> 0:57:06.880
<v Speaker 1>what do we know about China. China makes all our products.

0:57:07.040 --> 0:57:09.400
<v Speaker 1>If you've got an Apple, aptops made in China, maybe

0:57:09.400 --> 0:57:13.680
<v Speaker 1>made in Taiwan. Is most of the clothes you're wearing.

0:57:13.719 --> 0:57:20.360
<v Speaker 1>And they have a vast population. And if you look

0:57:20.400 --> 0:57:22.840
<v Speaker 1>at what's going on and the days of dominance in

0:57:22.880 --> 0:57:26.720
<v Speaker 1>the United States seem to be in the rear view mirror, okay,

0:57:26.840 --> 0:57:32.200
<v Speaker 1>and we don't attack the underlying problems. Yes, we have

0:57:32.360 --> 0:57:36.440
<v Speaker 1>innovation in Silicon Valley and it's about intellectual property. By

0:57:36.480 --> 0:57:39.200
<v Speaker 1>the same token, we have visa issues where we don't

0:57:39.240 --> 0:57:42.040
<v Speaker 1>allow foreign engineers to come here and live such that

0:57:42.200 --> 0:57:46.959
<v Speaker 1>India is becoming a hotbed of technology. Uh, innovation. This

0:57:47.040 --> 0:57:51.320
<v Speaker 1>is dangerous stuff to talk about in America, especially since

0:57:51.360 --> 0:57:54.000
<v Speaker 1>the culture changed. Are you saying we can't talk about

0:57:54.000 --> 0:57:56.480
<v Speaker 1>this today. No no, no, no no, we can definitely

0:57:56.520 --> 0:58:01.120
<v Speaker 1>talk No. Nine with the Iranian says bom bomb I ran.

0:58:01.480 --> 0:58:04.400
<v Speaker 1>Now it's like the sixties, but it's flipped. Are you

0:58:04.480 --> 0:58:07.520
<v Speaker 1>with us or you against us? So we have a

0:58:07.560 --> 0:58:12.560
<v Speaker 1>great divide in America economically and people wanting to jet

0:58:12.680 --> 0:58:16.320
<v Speaker 1>back to a past that doesn't exist, whereas China is

0:58:16.360 --> 0:58:19.440
<v Speaker 1>all about pushing the envelope of the future. So the

0:58:19.520 --> 0:58:24.080
<v Speaker 1>question is is they're gonna be a music service coming

0:58:24.080 --> 0:58:26.080
<v Speaker 1>in there is? I mean this did come up. John

0:58:26.120 --> 0:58:27.880
<v Speaker 1>Boil did bring this up. But if you've been following

0:58:28.240 --> 0:58:31.600
<v Speaker 1>ten Cent, which is the biggest music service, ten percent

0:58:31.720 --> 0:58:36.000
<v Speaker 1>of off Spotify, they that is on the verge of

0:58:36.040 --> 0:58:41.040
<v Speaker 1>going public and evaluation approximately the same as Spotify. That

0:58:41.240 --> 0:58:44.840
<v Speaker 1>is something to watch for. That is not a short

0:58:45.000 --> 0:58:50.200
<v Speaker 1>term thing. It's like Ali Baba versus Amazon. Okay, Ali

0:58:50.280 --> 0:58:54.160
<v Speaker 1>Baba when public, Ali Baba is much vaster than Amazon,

0:58:54.200 --> 0:58:57.520
<v Speaker 1>although Amazon makes a very significant proportion of their profits

0:58:57.800 --> 0:59:00.400
<v Speaker 1>from their web services division, which is not something they're

0:59:00.440 --> 0:59:03.680
<v Speaker 1>selling to the you know, not something the average cloud

0:59:03.760 --> 0:59:08.680
<v Speaker 1>stories and uh, this is going to play out. I

0:59:08.680 --> 0:59:13.760
<v Speaker 1>mean you have to ask Americans Okay, are you willing

0:59:14.000 --> 0:59:19.439
<v Speaker 1>to pay more for a flat screen? Okay, so at

0:59:19.480 --> 0:59:22.440
<v Speaker 1>this point in time, because if terrorists they're talking ten

0:59:22.560 --> 0:59:25.880
<v Speaker 1>or fifteen dollars to fIF no hanging here, hanging fifty

0:59:25.920 --> 0:59:30.840
<v Speaker 1>dollars more for American I'm just talking in general the

0:59:30.880 --> 0:59:36.280
<v Speaker 1>American mentality, which then impacts Spotify to the point being,

0:59:36.360 --> 0:59:39.520
<v Speaker 1>are we going to play for the future. It is

0:59:39.560 --> 0:59:45.360
<v Speaker 1>a globally economy, and therefore if we pull back from

0:59:45.360 --> 0:59:47.919
<v Speaker 1>a global economy, it's only going to hurt us. One

0:59:47.920 --> 0:59:50.880
<v Speaker 1>of the benefits of Spotify and one of the reasons

0:59:50.920 --> 0:59:53.120
<v Speaker 1>why they've been in a negative position all these years,

0:59:53.120 --> 0:59:55.360
<v Speaker 1>and Daniel like has told me, is they're so busy

0:59:55.360 --> 0:59:59.480
<v Speaker 1>investing around the world at this point in time. China

0:59:59.840 --> 1:00:03.560
<v Speaker 1>is still dealing with piracy. Okay, for a long time.

1:00:03.640 --> 1:00:06.120
<v Speaker 1>China is the new performance market. We're all gonna go

1:00:06.160 --> 1:00:10.000
<v Speaker 1>to China. Then the government seemed to crack down on

1:00:10.320 --> 1:00:13.680
<v Speaker 1>what could be sung and needing playlists in advance, and

1:00:13.760 --> 1:00:16.840
<v Speaker 1>people kind of backed off from that, just like investment

1:00:16.920 --> 1:00:19.920
<v Speaker 1>from China. Okay, they were they were gonna be sales

1:00:19.920 --> 1:00:23.600
<v Speaker 1>of movie theaters. Now China said no. So China maybe

1:00:23.640 --> 1:00:28.160
<v Speaker 1>a self contained market with a vast population. But whether

1:00:28.320 --> 1:00:31.800
<v Speaker 1>ten cents or Ali Baba expand to the rest of

1:00:31.880 --> 1:00:35.360
<v Speaker 1>the world, I'm not sure that's going to happen. Well,

1:00:35.840 --> 1:00:38.600
<v Speaker 1>and remember no I said it earlier while you were talking.

1:00:38.640 --> 1:00:41.800
<v Speaker 1>But you know, Spotify is a Swedish company. It's not

1:00:41.840 --> 1:00:46.440
<v Speaker 1>an American company. So you want to talk about um,

1:00:46.480 --> 1:00:50.920
<v Speaker 1>you know, American companies and and you know, you know what,

1:00:51.080 --> 1:00:55.960
<v Speaker 1>what's happening in America that's not an American company. And

1:00:56.120 --> 1:00:57.800
<v Speaker 1>then wait a second. It was in a lot of

1:00:57.800 --> 1:01:00.400
<v Speaker 1>other markets before it came into the United Eights. Like

1:01:00.440 --> 1:01:03.320
<v Speaker 1>I was dealing with Spotify in the UK and in

1:01:03.400 --> 1:01:05.800
<v Speaker 1>Europe with clients before it was even launched in the

1:01:05.840 --> 1:01:08.480
<v Speaker 1>United stuff. But they listed in on the stock market

1:01:08.480 --> 1:01:12.280
<v Speaker 1>in New York. So yes, there's still the majority of

1:01:12.280 --> 1:01:15.080
<v Speaker 1>technological innovation in the United States, but it's not the

1:01:15.160 --> 1:01:18.480
<v Speaker 1>only place, right So back to Glacier. Maybe he knows

1:01:18.520 --> 1:01:22.680
<v Speaker 1>something we don't know. Maybe there's something going on where

1:01:22.680 --> 1:01:25.080
<v Speaker 1>but China. You know, this is like you talked to

1:01:25.120 --> 1:01:28.360
<v Speaker 1>certain acts. It is not glamorous to go to a

1:01:28.440 --> 1:01:32.400
<v Speaker 1>lot of these countries, but it pays huge economic dividends. Yeah,

1:01:32.480 --> 1:01:34.640
<v Speaker 1>I had a client. I had a client go to China.

1:01:34.920 --> 1:01:37.520
<v Speaker 1>He was fortunate because they asked for lyrics and he did.

1:01:37.600 --> 1:01:41.560
<v Speaker 1>He did instrumental music, so he had no issues with lyrics. Um.

1:01:41.600 --> 1:01:43.160
<v Speaker 1>And he had a great time and he said the

1:01:43.160 --> 1:01:48.160
<v Speaker 1>audiences were amazing, like amazing um. And you know, but

1:01:48.200 --> 1:01:50.480
<v Speaker 1>you know, forgetting China, which is a market onto itself,

1:01:50.640 --> 1:01:54.960
<v Speaker 1>just going to Europe, Okay, it's costly South America and

1:01:55.000 --> 1:01:57.760
<v Speaker 1>you have to go multiple times to establish a beach

1:01:57.800 --> 1:02:01.560
<v Speaker 1>chat it you can say it's costly, Okay. The difference

1:02:01.640 --> 1:02:06.160
<v Speaker 1>between you know, okay, let's look at geography. You live

1:02:06.200 --> 1:02:08.360
<v Speaker 1>in New York or Toronto where I live on the

1:02:08.400 --> 1:02:11.560
<v Speaker 1>East Coast. You know, it's takes almost as long to

1:02:11.680 --> 1:02:15.520
<v Speaker 1>fly to l A as it does to London. Yes, okay,

1:02:15.560 --> 1:02:20.640
<v Speaker 1>so once you're there, then touring through Europe, you can

1:02:20.640 --> 1:02:23.360
<v Speaker 1>go to a lot of countries the same as you

1:02:23.400 --> 1:02:27.440
<v Speaker 1>can tour America. And so the the initial cost is

1:02:27.480 --> 1:02:32.080
<v Speaker 1>the flight, but after that the concert. You know, it's

1:02:32.120 --> 1:02:34.400
<v Speaker 1>it's not cheaper, it's I wouldn't say it's cheaper, but

1:02:34.440 --> 1:02:37.880
<v Speaker 1>you're also earning euros as opposed to you know, you

1:02:37.880 --> 1:02:40.000
<v Speaker 1>you're more familiar with this. I certainly know talking to

1:02:40.080 --> 1:02:43.480
<v Speaker 1>major acts that they talk about the cost relative to

1:02:43.720 --> 1:02:46.600
<v Speaker 1>income that you can take home is less, but that's

1:02:46.840 --> 1:02:50.000
<v Speaker 1>also there's a human cost. The act actually has to

1:02:50.040 --> 1:02:53.680
<v Speaker 1>go there, Okay, and especially when you're an established act

1:02:53.720 --> 1:02:58.800
<v Speaker 1>in America, we're already too busy with your recording, live dates, etcetera.

1:02:59.040 --> 1:03:03.520
<v Speaker 1>To go develop these markets where you're essentially nobody is.

1:03:03.560 --> 1:03:06.680
<v Speaker 1>Although now because of these worldwide services you can have

1:03:06.720 --> 1:03:10.040
<v Speaker 1>a greater chance, but you're really building from a small base.

1:03:10.440 --> 1:03:12.320
<v Speaker 1>A lot of them don't want to do it well,

1:03:12.320 --> 1:03:15.040
<v Speaker 1>but you're always building from a small base. And the

1:03:15.080 --> 1:03:17.080
<v Speaker 1>fact is is what happens is is a lot of

1:03:17.080 --> 1:03:19.040
<v Speaker 1>them don't want to do it because they're fucking lazy.

1:03:19.320 --> 1:03:22.280
<v Speaker 1>And here's what happens is they forgot that if you

1:03:22.320 --> 1:03:25.760
<v Speaker 1>were a band from upstate New York, you worked Rochester

1:03:25.960 --> 1:03:29.800
<v Speaker 1>and Buffalo and Albany and in those places, and then

1:03:29.840 --> 1:03:32.600
<v Speaker 1>you gradually spread your base out and then you were

1:03:32.600 --> 1:03:35.240
<v Speaker 1>a Northeast band, and then you were a Northeast and

1:03:35.280 --> 1:03:37.960
<v Speaker 1>a Southeast band, and then you moved into the Midwest,

1:03:37.960 --> 1:03:40.640
<v Speaker 1>and gradually you work your way across the country. And

1:03:40.680 --> 1:03:42.800
<v Speaker 1>if you did it right, it took you a certain

1:03:42.840 --> 1:03:45.840
<v Speaker 1>amount of time to get there. It's no different than

1:03:46.560 --> 1:03:49.360
<v Speaker 1>the manager. We're not sitting here the act. You have

1:03:49.400 --> 1:03:51.480
<v Speaker 1>to convince the act. I mean, I I know, And

1:03:51.560 --> 1:03:53.840
<v Speaker 1>let me tell you something. I had plenty of acts

1:03:53.840 --> 1:03:59.919
<v Speaker 1>that said they'd rather be in Brussels then in cans

1:04:00.040 --> 1:04:04.040
<v Speaker 1>A city. And anybody who's gone to Europe and spend

1:04:04.160 --> 1:04:06.480
<v Speaker 1>time in some of the most beautiful places in the

1:04:06.520 --> 1:04:11.280
<v Speaker 1>world and culture and people and how how people, how

1:04:11.320 --> 1:04:14.520
<v Speaker 1>people love music there and it's way different than sort

1:04:14.520 --> 1:04:18.520
<v Speaker 1>of this. It's it's not necessarily the glam thing. But

1:04:19.120 --> 1:04:21.800
<v Speaker 1>when you go to those places and you experience that

1:04:21.920 --> 1:04:24.640
<v Speaker 1>kind of life, at some point you say, well, I'd

1:04:24.720 --> 1:04:27.760
<v Speaker 1>much rather build my audience in Europe than than go

1:04:27.920 --> 1:04:30.920
<v Speaker 1>through certain parts of Well you're not. You're although you're

1:04:30.920 --> 1:04:33.400
<v Speaker 1>a dual passport holder holder, you're living in Toronto with

1:04:33.440 --> 1:04:40.680
<v Speaker 1>a much more worldwide view. You're listening to my conversation

1:04:40.760 --> 1:04:44.680
<v Speaker 1>with Jake Gold, manager The Tragically Him and former judge

1:04:44.680 --> 1:04:48.360
<v Speaker 1>on Canadian Idol, recorded live in the tune in studios

1:04:48.400 --> 1:04:53.160
<v Speaker 1>in Venice, California. I hope you're enjoying listening to this

1:04:53.200 --> 1:04:55.800
<v Speaker 1>episode of the Bob Left Sets podcast. If you want

1:04:55.800 --> 1:04:58.160
<v Speaker 1>to hear sound bites, you check out videos and photos

1:04:58.200 --> 1:05:01.560
<v Speaker 1>of our guests go to at tune in on Twitter, Facebook,

1:05:01.560 --> 1:05:05.280
<v Speaker 1>and Instagram. Now more of Jake Gold as we discussed

1:05:05.280 --> 1:05:10.800
<v Speaker 1>the music industry today on the Bob Left Sets podcast. Okay,

1:05:10.840 --> 1:05:12.360
<v Speaker 1>before we get to the end, any more things you

1:05:12.400 --> 1:05:18.919
<v Speaker 1>want to bring up about Santa Barbara? Well, um, did

1:05:18.960 --> 1:05:22.160
<v Speaker 1>you did you feel that you got to ask all

1:05:22.240 --> 1:05:25.480
<v Speaker 1>the questions that you wanted to evolved a lot of

1:05:25.480 --> 1:05:28.800
<v Speaker 1>these people. These interviews were very lengthy, but I still

1:05:28.880 --> 1:05:31.120
<v Speaker 1>had questions, not because I was afraid to ask him,

1:05:31.160 --> 1:05:34.040
<v Speaker 1>but just because you can't ask everybody everything. It's very important.

1:05:34.520 --> 1:05:36.480
<v Speaker 1>Give me give me a question for each of them

1:05:36.480 --> 1:05:38.120
<v Speaker 1>that you oh god, I mean, I don't want to

1:05:38.120 --> 1:05:40.280
<v Speaker 1>go through each of them, but give me give me

1:05:40.320 --> 1:05:43.200
<v Speaker 1>a couple that you felt. I mean, I really don't,

1:05:43.240 --> 1:05:44.960
<v Speaker 1>just because I don't want to tax my brain at

1:05:44.960 --> 1:05:47.200
<v Speaker 1>this particular point, because I don't think the information will

1:05:47.240 --> 1:05:50.000
<v Speaker 1>be that relevant when you get down deep into the

1:05:50.040 --> 1:05:51.840
<v Speaker 1>rabbit hole. The most of the questions I wanted to

1:05:51.920 --> 1:05:55.600
<v Speaker 1>ask these people were more technical questions. I don't mean

1:05:55.640 --> 1:06:00.439
<v Speaker 1>literally technology, but they're enterprises. How do things work? They

1:06:00.480 --> 1:06:03.120
<v Speaker 1>talk and you get stimulated and go, okay, well, if

1:06:03.120 --> 1:06:05.280
<v Speaker 1>I'm in this situation, what about this and one of

1:06:05.040 --> 1:06:07.800
<v Speaker 1>the number as opposed to the essence. I believe I

1:06:07.840 --> 1:06:10.160
<v Speaker 1>got to the essence of all these people. I think

1:06:10.200 --> 1:06:12.400
<v Speaker 1>you got to the essence of all the people. I'll

1:06:12.400 --> 1:06:15.960
<v Speaker 1>tell you what I missed. Okay, what I missed is

1:06:16.840 --> 1:06:21.440
<v Speaker 1>um and less less the Steve and Rob, but more Daniel,

1:06:21.640 --> 1:06:28.960
<v Speaker 1>Ethiopia and Troy is the now. It's like, you know, Ethiopia,

1:06:29.040 --> 1:06:33.040
<v Speaker 1>if you're gonna launch an act today, what's your what

1:06:33.080 --> 1:06:34.560
<v Speaker 1>do you do? How do you roll it out? What

1:06:34.600 --> 1:06:36.520
<v Speaker 1>do you do? Saying with Daniel, what are you looking for?

1:06:36.640 --> 1:06:38.440
<v Speaker 1>He touched on it here and there what we try

1:06:38.480 --> 1:06:41.280
<v Speaker 1>to build with these players, But there wasn't any kind

1:06:41.360 --> 1:06:44.960
<v Speaker 1>of if I'm gonna launch an act today, these are

1:06:45.000 --> 1:06:47.080
<v Speaker 1>the steps we take. These are the people on the

1:06:47.080 --> 1:06:50.520
<v Speaker 1>team that I think are the most important. UM questions

1:06:50.520 --> 1:06:53.800
<v Speaker 1>like how important is pressed these days? Is it that important?

1:06:53.800 --> 1:06:56.120
<v Speaker 1>Are the blogs more important than the press? Are blogs?

1:06:56.360 --> 1:06:58.280
<v Speaker 1>You know? I read a piece the other day that said,

1:06:58.560 --> 1:07:01.880
<v Speaker 1>you know, blogs are less important than ever because the

1:07:01.920 --> 1:07:05.600
<v Speaker 1>playlists are the new blogs. Um, those are the kind

1:07:05.640 --> 1:07:08.000
<v Speaker 1>of things I think all those are excellent questions. I

1:07:08.000 --> 1:07:11.040
<v Speaker 1>wanted I wanted to learn those kinds of things and

1:07:11.040 --> 1:07:13.600
<v Speaker 1>then when it came time to ask the questions, and

1:07:13.640 --> 1:07:15.840
<v Speaker 1>you know, I asked a question to every single one

1:07:15.840 --> 1:07:20.320
<v Speaker 1>of them because I'm definitely not shy um uh. When

1:07:20.360 --> 1:07:22.240
<v Speaker 1>I was asking those questions, there was I could have

1:07:22.280 --> 1:07:25.480
<v Speaker 1>sat there and asked them five more questions, um. But

1:07:25.560 --> 1:07:29.560
<v Speaker 1>nobody asked those questions in the room. Nobody asked like, well,

1:07:29.720 --> 1:07:31.720
<v Speaker 1>how are you going to roll an act out today?

1:07:31.960 --> 1:07:35.400
<v Speaker 1>When I asked Ethiopia about would you rather have an

1:07:35.400 --> 1:07:39.360
<v Speaker 1>act like um, a logic that's already something happening, or

1:07:39.440 --> 1:07:43.040
<v Speaker 1>a chance to rapper then starting from scratch, she didn't

1:07:43.120 --> 1:07:46.320
<v Speaker 1>really give me a good answer. I think she said, well,

1:07:46.360 --> 1:07:47.960
<v Speaker 1>it would be good to have both like it was.

1:07:48.040 --> 1:07:51.720
<v Speaker 1>That also usually depends on economics. You know, sometimes the

1:07:51.760 --> 1:07:55.800
<v Speaker 1>acts already established, they want deals. But on the side,

1:07:55.800 --> 1:07:57.960
<v Speaker 1>when I was talking to Daniel about a couple of

1:07:58.000 --> 1:08:01.560
<v Speaker 1>acts out there that we're indie that we're now being

1:08:01.600 --> 1:08:03.440
<v Speaker 1>trying to be signed, he mentioned me, he goes, now

1:08:03.480 --> 1:08:05.440
<v Speaker 1>there's bidding wars for those acts, and he goes and

1:08:05.480 --> 1:08:07.320
<v Speaker 1>some of them have gone up to like six and

1:08:07.440 --> 1:08:10.640
<v Speaker 1>eight and ten million and fifteen million dollar deals. Now

1:08:10.840 --> 1:08:14.400
<v Speaker 1>he said, the bidding wars are back in again because

1:08:14.480 --> 1:08:17.280
<v Speaker 1>of the ability for artists to do it on their

1:08:17.320 --> 1:08:21.519
<v Speaker 1>own now, which is a really interesting dynamic, very much so.

1:08:22.280 --> 1:08:25.280
<v Speaker 1>But the other thing about it is it is harder

1:08:25.320 --> 1:08:28.760
<v Speaker 1>to break an act than ever. So Daniel touched upon

1:08:28.840 --> 1:08:32.120
<v Speaker 1>this in his presentation. We've discussed it previously. If the

1:08:32.320 --> 1:08:35.559
<v Speaker 1>act delivers a record without a hit, and I don't

1:08:35.600 --> 1:08:37.920
<v Speaker 1>mean a hit that's necessarily something's gonna run up the

1:08:37.960 --> 1:08:41.120
<v Speaker 1>top forty chart, but something that's reacting in the marketplace.

1:08:41.520 --> 1:08:43.640
<v Speaker 1>If they don't give him something to work with, he

1:08:43.720 --> 1:08:46.160
<v Speaker 1>sends them back to the studio, and if it gets

1:08:46.240 --> 1:08:48.120
<v Speaker 1>to the point where the act is frustrated, he says,

1:08:48.200 --> 1:08:51.679
<v Speaker 1>you can walk. I'll release you because it's so much

1:08:51.720 --> 1:08:55.080
<v Speaker 1>effort on behalf of my team that I cannot work

1:08:55.120 --> 1:08:58.040
<v Speaker 1>with something that won't make it right. So everyone needs

1:08:58.720 --> 1:09:04.280
<v Speaker 1>needs that one track, that um is a traveler that

1:09:04.520 --> 1:09:08.000
<v Speaker 1>travels the world on their behalf without them and that.

1:09:08.160 --> 1:09:10.920
<v Speaker 1>But it hasn't that always been the case, hasn't it been? Yeah,

1:09:10.960 --> 1:09:14.160
<v Speaker 1>that band is one hit away from being huge, wasn't

1:09:14.200 --> 1:09:17.880
<v Speaker 1>That wasn't the used to in the eighties and the nineties,

1:09:18.520 --> 1:09:22.879
<v Speaker 1>in the seventies, you know, But the problem is before

1:09:22.960 --> 1:09:26.679
<v Speaker 1>they had that one track. They were somewhere now before

1:09:26.680 --> 1:09:29.320
<v Speaker 1>that one track, they're kind of nowhere, yes and no,

1:09:29.680 --> 1:09:32.280
<v Speaker 1>yes and no. I I think nowhere is a is

1:09:32.320 --> 1:09:35.000
<v Speaker 1>a relative term. You know, you live in Canada. There's

1:09:35.000 --> 1:09:37.920
<v Speaker 1>a lot of benefits of Canada. Less population makes it

1:09:37.920 --> 1:09:40.160
<v Speaker 1>easier to spread than the thing you have to We

1:09:40.200 --> 1:09:43.720
<v Speaker 1>have a huge country. No I'm talking about in terms

1:09:43.720 --> 1:09:46.320
<v Speaker 1>of mind share. You have government help in the radio

1:09:46.479 --> 1:09:50.080
<v Speaker 1>and production whatever. That gives a leg of some size up,

1:09:50.439 --> 1:09:52.679
<v Speaker 1>whereas in the country of three hundred million in America,

1:09:52.800 --> 1:09:55.519
<v Speaker 1>we have none of that government help. Radio is harder

1:09:55.560 --> 1:09:58.120
<v Speaker 1>than ever to get on. It is very hard to

1:09:58.160 --> 1:10:00.479
<v Speaker 1>get started. It's really hard to get on the radio,

1:10:00.479 --> 1:10:02.960
<v Speaker 1>and Canada these days as hard as anything. And they're

1:10:03.000 --> 1:10:05.200
<v Speaker 1>all looking to see how you're doing on the streaming

1:10:05.240 --> 1:10:08.680
<v Speaker 1>services before they take a shot. So now it's like

1:10:08.680 --> 1:10:11.519
<v Speaker 1>like they're set. You've said it many times where their

1:10:11.560 --> 1:10:14.880
<v Speaker 1>second Now they're looking at the streaming services because that's

1:10:14.880 --> 1:10:16.920
<v Speaker 1>their new call out research. They don't need to do

1:10:17.000 --> 1:10:19.760
<v Speaker 1>call a research anymore, you know, And Chris Ruth said

1:10:19.760 --> 1:10:22.880
<v Speaker 1>this in the Logic podcast. You know, the Logic was

1:10:22.960 --> 1:10:27.120
<v Speaker 1>on the Grammy Awards and there was no bounce on

1:10:27.160 --> 1:10:30.879
<v Speaker 1>streaming services, the audiences on streaming, and it would behoove

1:10:31.120 --> 1:10:33.640
<v Speaker 1>radio to get closer in time. That's one of the

1:10:33.640 --> 1:10:35.200
<v Speaker 1>things that's killing it. Who wants to listen to four

1:10:35.200 --> 1:10:37.960
<v Speaker 1>month old music? I don't think. But that's the other thing.

1:10:38.000 --> 1:10:40.640
<v Speaker 1>I don't think there would be a bounce on the

1:10:40.720 --> 1:10:44.560
<v Speaker 1>streaming services after um because most of the people have

1:10:44.600 --> 1:10:47.080
<v Speaker 1>already heard the songs that used to be. If you

1:10:47.200 --> 1:10:49.439
<v Speaker 1>play the Grammys, you got a big thing. You've got

1:10:49.439 --> 1:10:53.200
<v Speaker 1>a sales bounce. But streaming is not the same. And

1:10:53.280 --> 1:10:55.640
<v Speaker 1>that's a stream is it's a different thing because the

1:10:55.680 --> 1:10:59.200
<v Speaker 1>stuffs available. So any other topics we haven't covered, I see,

1:10:59.240 --> 1:11:01.599
<v Speaker 1>I think we're pretty good. I mean, anything you want

1:11:01.600 --> 1:11:03.800
<v Speaker 1>to talk about that happened there that you felt there

1:11:03.880 --> 1:11:07.040
<v Speaker 1>was the social aspect that had nothing to do with

1:11:07.120 --> 1:11:10.160
<v Speaker 1>the speakers, which is, you know, in a world where

1:11:10.320 --> 1:11:14.280
<v Speaker 1>we can communicate so easily on our devices, people underestimate

1:11:14.640 --> 1:11:18.040
<v Speaker 1>face to face contact. And one thing I knew describe

1:11:18.200 --> 1:11:22.519
<v Speaker 1>interviewing these people, a couple of whom I'd only met briefly,

1:11:23.400 --> 1:11:27.160
<v Speaker 1>and uh that you have a preconception who people are

1:11:27.479 --> 1:11:29.559
<v Speaker 1>and then you start talking to they're really somebody different.

1:11:30.080 --> 1:11:32.800
<v Speaker 1>And how many, and I think all of them though

1:11:33.240 --> 1:11:39.479
<v Speaker 1>was a pleasant surprise. Everybody certainly was was good some

1:11:39.680 --> 1:11:42.040
<v Speaker 1>of them. You know, as I as I say, you

1:11:42.080 --> 1:11:44.360
<v Speaker 1>know Rob Glazer, you talked to him for about a

1:11:44.400 --> 1:11:46.839
<v Speaker 1>minute and a half to say, this is a really

1:11:46.920 --> 1:11:51.240
<v Speaker 1>smart guy person and you don't talk to Ethiopia along

1:11:51.640 --> 1:11:54.840
<v Speaker 1>to be in transpire personality. One of the things she said,

1:11:54.840 --> 1:11:56.599
<v Speaker 1>if you know, we talked about the me too moment

1:11:56.680 --> 1:12:00.320
<v Speaker 1>shows if a guy you know starts uh pushing the hope,

1:12:00.320 --> 1:12:03.160
<v Speaker 1>she checks them. And I had to say this, she

1:12:03.200 --> 1:12:05.240
<v Speaker 1>knows how to be sass. It was funny when she

1:12:05.320 --> 1:12:08.120
<v Speaker 1>was talking about that time where they're in the hotel

1:12:08.200 --> 1:12:10.080
<v Speaker 1>room and she started taking all the knives and putting

1:12:10.080 --> 1:12:13.120
<v Speaker 1>them underneath the pillows just in case, like she's she's

1:12:13.160 --> 1:12:16.719
<v Speaker 1>a listening to. Really impressive. Thirty eight years old, already

1:12:16.760 --> 1:12:19.960
<v Speaker 1>been the president of Motown for four years. Um so

1:12:20.000 --> 1:12:22.559
<v Speaker 1>at thirty four years old being the president of Motown Records,

1:12:22.560 --> 1:12:24.559
<v Speaker 1>I always wonder where something like that is going now.

1:12:24.600 --> 1:12:27.120
<v Speaker 1>She very much comes from the creative side. While she

1:12:27.200 --> 1:12:29.519
<v Speaker 1>was a publisher for a long time, write Jody Gerson

1:12:29.600 --> 1:12:32.560
<v Speaker 1>came from the creative side. She's now ahead of Universal

1:12:32.680 --> 1:12:36.120
<v Speaker 1>Music publishing, but you you wonder what the next role

1:12:36.520 --> 1:12:39.360
<v Speaker 1>is for Ethiopia. You know, they're famous people going back

1:12:39.360 --> 1:12:42.360
<v Speaker 1>in history. John kalodn Are one of the most famous

1:12:42.360 --> 1:12:45.240
<v Speaker 1>A and R people, never wanted to be a president.

1:12:45.320 --> 1:12:48.200
<v Speaker 1>One of his contemporaries, Gary Gersh now works at a

1:12:48.320 --> 1:12:50.920
<v Speaker 1>G in the promotion game, but he wanted to be president.

1:12:50.920 --> 1:12:54.160
<v Speaker 1>Became president of Capital Records. So I got into a

1:12:54.200 --> 1:12:57.799
<v Speaker 1>little bit that with the Ethiopia we didn't really uh

1:12:57.800 --> 1:13:00.519
<v Speaker 1>plummet too great depths. But you know, what is the

1:13:00.600 --> 1:13:04.880
<v Speaker 1>upward mobility? Begging the question less about Ethiopia than women

1:13:04.880 --> 1:13:09.640
<v Speaker 1>in general in that what is the upward mobility of

1:13:09.640 --> 1:13:11.840
<v Speaker 1>the path for women in the music business which has

1:13:11.880 --> 1:13:16.559
<v Speaker 1>traditionally been a male dominated business with rough edges. Well,

1:13:16.600 --> 1:13:19.320
<v Speaker 1>we touched on that the last time, and I don't

1:13:19.320 --> 1:13:20.960
<v Speaker 1>I don't know if we need to go there again.

1:13:21.320 --> 1:13:23.880
<v Speaker 1>Um not that I don't want to go there. I

1:13:23.920 --> 1:13:25.920
<v Speaker 1>just think we already kind of touched on that. And

1:13:25.960 --> 1:13:28.839
<v Speaker 1>I think, you know, we know that there's big movements

1:13:28.840 --> 1:13:31.880
<v Speaker 1>in Canada. There's these fifty fifty movements where it's like

1:13:32.240 --> 1:13:37.920
<v Speaker 1>all boards across across all the different organizations in Canada

1:13:37.960 --> 1:13:42.640
<v Speaker 1>are being pushed to have women. It is artificial on

1:13:42.680 --> 1:13:46.080
<v Speaker 1>the surface. But if you go to America to title nine,

1:13:46.640 --> 1:13:50.479
<v Speaker 1>which is about many things, but primarily in the eye

1:13:50.479 --> 1:13:53.960
<v Speaker 1>of the public, about sports teams in college. Okay, we

1:13:54.040 --> 1:13:58.400
<v Speaker 1>have professional women's hockey, we have professional women's basketball. We

1:13:58.520 --> 1:14:01.120
<v Speaker 1>pay attention all things because the change of the law.

1:14:02.000 --> 1:14:05.080
<v Speaker 1>So even though people might say, oh, let it be organic,

1:14:05.160 --> 1:14:08.559
<v Speaker 1>sometimes you need the pressure of the law. You yeah,

1:14:08.600 --> 1:14:11.519
<v Speaker 1>you need to push well. Um, And remember Bi Billy

1:14:11.640 --> 1:14:14.960
<v Speaker 1>jen King started in tennis that movie Battle of This

1:14:15.240 --> 1:14:19.240
<v Speaker 1>of the Sexes. Regardless of the the whole idea of

1:14:19.280 --> 1:14:21.519
<v Speaker 1>that movie, which was her and Bobby Riggs and that

1:14:21.560 --> 1:14:25.720
<v Speaker 1>crazy exhibition, the thing about that movie was how she

1:14:25.800 --> 1:14:29.280
<v Speaker 1>created a w t A and took on That shows

1:14:29.360 --> 1:14:32.479
<v Speaker 1>the power of the individual. And we see that especially

1:14:32.520 --> 1:14:37.520
<v Speaker 1>in the arts, but also with Steve Jobs, Elon Musk, Bezos, etcetera.

1:14:38.160 --> 1:14:42.639
<v Speaker 1>And I'm waiting for that, not only business in business,

1:14:42.640 --> 1:14:45.840
<v Speaker 1>in music business, but artistically, I'm waiting for someone who's

1:14:45.840 --> 1:14:48.839
<v Speaker 1>gonna go against the grain, gonna say no as opposed

1:14:48.880 --> 1:14:51.920
<v Speaker 1>to yes the sponsorship, gonna stand up for their identity,

1:14:52.120 --> 1:14:55.080
<v Speaker 1>create music that doesn't sound like everybody to say Gaga

1:14:55.160 --> 1:14:59.920
<v Speaker 1>did that kind of I would say Gaga broke electronics

1:15:00.000 --> 1:15:05.280
<v Speaker 1>ounds on top forty, but that's already a different era. Okay.

1:15:05.320 --> 1:15:09.160
<v Speaker 1>So the question becomes, especially now streaming is amped up

1:15:09.720 --> 1:15:14.040
<v Speaker 1>the importance and popularity of hip hop, what is the

1:15:14.120 --> 1:15:17.360
<v Speaker 1>new sound? What will it sound like and how will

1:15:17.360 --> 1:15:19.680
<v Speaker 1>it infiltrate? The other thing which people don't realize with

1:15:19.760 --> 1:15:23.040
<v Speaker 1>the barrier to entry music so low that the quality

1:15:23.280 --> 1:15:27.040
<v Speaker 1>has to be increased. So if you are a great

1:15:27.120 --> 1:15:29.960
<v Speaker 1>lyricist and you're a great player and a bad singer,

1:15:31.240 --> 1:15:33.519
<v Speaker 1>things are gonna be really tough for you right now.

1:15:33.760 --> 1:15:35.559
<v Speaker 1>You're gonna have to find some of those things. Well.

1:15:35.760 --> 1:15:38.720
<v Speaker 1>The barrier to you know, the bearer to success used

1:15:38.720 --> 1:15:41.360
<v Speaker 1>to be lower. People don't like to hear this. You know,

1:15:42.439 --> 1:15:45.120
<v Speaker 1>I can't play in the NBA. I'm not tall enough.

1:15:45.200 --> 1:15:48.040
<v Speaker 1>I accept that. Used to be if you couldn't sing,

1:15:48.080 --> 1:15:49.760
<v Speaker 1>you had to accept you wouldn't be a singer in

1:15:49.760 --> 1:15:53.040
<v Speaker 1>the music business. Plenty of plenty of people out there

1:15:53.080 --> 1:15:56.920
<v Speaker 1>that I wouldn't call them singers that do fairly well well.

1:15:57.080 --> 1:16:00.800
<v Speaker 1>Most of them, though, broke in a different era. I

1:16:00.800 --> 1:16:03.920
<v Speaker 1>mean today, I mean this is you know, dicey territory. Okay.

1:16:03.920 --> 1:16:06.639
<v Speaker 1>One but Bob Dylan, he did make it originally as

1:16:06.680 --> 1:16:09.600
<v Speaker 1>a writer, but it'd be very hard for him to

1:16:09.720 --> 1:16:12.800
<v Speaker 1>make it as a singer today. The breakthrough was when

1:16:12.840 --> 1:16:15.160
<v Speaker 1>they started to play his records on Top forty radio,

1:16:15.400 --> 1:16:20.240
<v Speaker 1>which was years after he started. Leonard Cohen wins Male

1:16:20.360 --> 1:16:23.679
<v Speaker 1>Vocalist of the Year at the Juno Awards and says,

1:16:24.000 --> 1:16:26.920
<v Speaker 1>only in Canada could I win Male Vocalist of the Year.

1:16:27.280 --> 1:16:30.280
<v Speaker 1>And that kind of says it all. One more thing

1:16:30.320 --> 1:16:32.559
<v Speaker 1>I want to talk to you about, which was how

1:16:32.600 --> 1:16:35.760
<v Speaker 1>did you feel? Because I know you like being the spotlight,

1:16:35.760 --> 1:16:39.200
<v Speaker 1>but you really are reluctant person in the spotlight. About

1:16:39.240 --> 1:16:42.840
<v Speaker 1>those guys that came from Australia and Sweden and that

1:16:43.160 --> 1:16:46.160
<v Speaker 1>because they're big time readers and they knew they'd have

1:16:46.200 --> 1:16:50.000
<v Speaker 1>a chance to actually meet you, they flew thousands of

1:16:50.040 --> 1:16:52.519
<v Speaker 1>miles to come and have a chance to be one

1:16:52.520 --> 1:16:54.400
<v Speaker 1>of the guy the guy from Sweden was complained to

1:16:54.439 --> 1:16:56.439
<v Speaker 1>me that he's written to you so many times, You've

1:16:56.479 --> 1:16:58.840
<v Speaker 1>never used any of his stuff in mail bag, and

1:16:58.880 --> 1:17:01.559
<v Speaker 1>he thought, forget it. I'm just gonna show up and

1:17:01.600 --> 1:17:04.040
<v Speaker 1>I'm gonna talk. And he was the guy that kept

1:17:04.040 --> 1:17:07.400
<v Speaker 1>asking the question, Peter really nice guy, and I thought

1:17:07.400 --> 1:17:09.599
<v Speaker 1>it was really funny that these guys had flown in

1:17:09.720 --> 1:17:12.040
<v Speaker 1>from all kinds of places just to be able to

1:17:12.040 --> 1:17:13.960
<v Speaker 1>sit there and say they met you and talk to you.

1:17:14.680 --> 1:17:16.400
<v Speaker 1>How did that make you feel? Well, First, that's the

1:17:16.439 --> 1:17:20.000
<v Speaker 1>power of the internet. Second, I'm still metabolizing it. I

1:17:20.600 --> 1:17:24.559
<v Speaker 1>really have a hard time finding a place because my

1:17:24.600 --> 1:17:27.320
<v Speaker 1>parents always told me I was a ship head. So

1:17:27.400 --> 1:17:30.200
<v Speaker 1>it's hard to be a ship head and have these

1:17:30.240 --> 1:17:35.759
<v Speaker 1>people do this spend time, money, devotion. I I'm still

1:17:35.760 --> 1:17:39.360
<v Speaker 1>trying to figure out how to you know, accept it. Well,

1:17:39.560 --> 1:17:41.880
<v Speaker 1>remember we went around the room and everyone got to

1:17:41.880 --> 1:17:43.519
<v Speaker 1>say who they were and where they're from, and how

1:17:43.560 --> 1:17:46.200
<v Speaker 1>many of them said I'm just a big, big fan

1:17:46.280 --> 1:17:48.120
<v Speaker 1>of Bob's a big reader, and I thought I needed

1:17:48.160 --> 1:17:50.360
<v Speaker 1>to be here. Well, the other thing about it is

1:17:50.400 --> 1:17:52.360
<v Speaker 1>the nature of what you're going to be the next

1:17:52.400 --> 1:17:58.880
<v Speaker 1>Coachella won't matter who the guests are. I don't like that.

1:17:58.960 --> 1:18:00.880
<v Speaker 1>It doesn't have a good ray like anythink. I think

1:18:00.880 --> 1:18:04.880
<v Speaker 1>there'll be a better one. But when you think about

1:18:04.920 --> 1:18:07.960
<v Speaker 1>like Glastonbury and Coachell and the festival, I mean, obviously

1:18:08.000 --> 1:18:11.240
<v Speaker 1>we know Coachella took over, the didn't take over, but

1:18:11.360 --> 1:18:13.880
<v Speaker 1>took their lead from Glastonbury, where you know, you could

1:18:13.880 --> 1:18:15.920
<v Speaker 1>go on sale without the acts and it would sell

1:18:15.960 --> 1:18:18.360
<v Speaker 1>out because of the event. You know, we hope, you

1:18:18.400 --> 1:18:20.960
<v Speaker 1>hope to get the Music Media Summit to that point

1:18:21.000 --> 1:18:24.240
<v Speaker 1>and it won't matter who the who the speakers are

1:18:24.640 --> 1:18:27.040
<v Speaker 1>as long as you're they're doing the d I certainly

1:18:27.120 --> 1:18:29.240
<v Speaker 1>hope that. I mean, one of the luxuries we have

1:18:29.280 --> 1:18:31.760
<v Speaker 1>at this point in time is the group is not

1:18:31.960 --> 1:18:35.960
<v Speaker 1>so large that we all can't connect. But this is

1:18:36.040 --> 1:18:38.960
<v Speaker 1>kind of like my newsletter. I continue to march in

1:18:39.040 --> 1:18:41.880
<v Speaker 1>my own direction, even though it's against the grain. I

1:18:41.920 --> 1:18:44.800
<v Speaker 1>announced the conference, I heard from all the usual suspects.

1:18:45.040 --> 1:18:47.880
<v Speaker 1>Let me run a panel, and I said, there, you

1:18:47.920 --> 1:18:51.840
<v Speaker 1>can come, but there are no panels. Okay, I'm interviewing.

1:18:51.880 --> 1:18:56.000
<v Speaker 1>In addition, I'm interviewing differently from everybody else. I mean,

1:18:56.439 --> 1:19:00.200
<v Speaker 1>Barbara Walters was classically she had limited time for him.

1:19:00.439 --> 1:19:06.120
<v Speaker 1>She was classically gotcha, Okay. Other people posit questions based

1:19:06.160 --> 1:19:09.920
<v Speaker 1>on their research. My goal is a to get the

1:19:09.960 --> 1:19:12.360
<v Speaker 1>person's story, because I believe unless you know where someone

1:19:12.520 --> 1:19:14.120
<v Speaker 1>is coming from, you don't really know who they are.

1:19:14.760 --> 1:19:17.679
<v Speaker 1>And to make them feel comfortable enough that they'll tell stories.

1:19:18.320 --> 1:19:20.120
<v Speaker 1>This is you know, this is not why I do it,

1:19:20.160 --> 1:19:23.280
<v Speaker 1>but it's something I've noticed. They'll tell stories that they

1:19:23.320 --> 1:19:27.519
<v Speaker 1>haven't told previously. It's like, um, Troy Carter saying he

1:19:27.560 --> 1:19:31.000
<v Speaker 1>was briefly unwelfare the one check and then he realized,

1:19:31.080 --> 1:19:34.400
<v Speaker 1>I can't do this. This is insane. And those are

1:19:34.400 --> 1:19:37.280
<v Speaker 1>the things you want as opposed to the usual stuff.

1:19:37.280 --> 1:19:39.760
<v Speaker 1>I mean, I'm reading the newspaper today and it's all

1:19:39.760 --> 1:19:42.040
<v Speaker 1>about hype. Oh, the movies coming out, so we'll have

1:19:42.080 --> 1:19:43.760
<v Speaker 1>a story on the person who acted or made them.

1:19:44.160 --> 1:19:46.759
<v Speaker 1>Who gives a funk and they're and they're also media

1:19:46.840 --> 1:19:49.240
<v Speaker 1>trained up the ying yang and then that's all. That's

1:19:49.280 --> 1:19:54.320
<v Speaker 1>a whole other thing. So I'm with you ad there.

1:19:54.360 --> 1:19:56.000
<v Speaker 1>I mean, I thought that the stuff you got out

1:19:56.000 --> 1:19:57.720
<v Speaker 1>of Troy was great. The stuff you got out of

1:19:57.760 --> 1:20:01.479
<v Speaker 1>Ethiopia was great. I think you got their stories and

1:20:01.520 --> 1:20:03.519
<v Speaker 1>I think that's why one of the one of my

1:20:03.600 --> 1:20:06.160
<v Speaker 1>favorite interviews you ever did was an Aspen when you

1:20:06.240 --> 1:20:10.479
<v Speaker 1>interviewed Rapino. And I've known Michael Rapino since like I've

1:20:10.520 --> 1:20:12.720
<v Speaker 1>known him a long long time and I've spent time

1:20:12.760 --> 1:20:14.880
<v Speaker 1>with him and talked to him. But there was stuff

1:20:14.920 --> 1:20:17.360
<v Speaker 1>that I found out that day that I did not

1:20:17.520 --> 1:20:19.120
<v Speaker 1>know about the guy. Well, you know, I got an

1:20:19.120 --> 1:20:22.400
<v Speaker 1>email at the Chef Gordon Post podcast. Same thing. People

1:20:22.400 --> 1:20:24.800
<v Speaker 1>who work with Sheep said, I never knew that. But

1:20:25.479 --> 1:20:29.680
<v Speaker 1>as I say, with Rapino, everything is so confrontational. They

1:20:29.680 --> 1:20:31.439
<v Speaker 1>expect you to go there. What do you know in

1:20:31.479 --> 1:20:35.680
<v Speaker 1>these conferences, these public company CEOs, they're not going to

1:20:35.800 --> 1:20:39.600
<v Speaker 1>make news. They literally can't because of all these filings, etcetera, etcetera.

1:20:39.840 --> 1:20:44.000
<v Speaker 1>So you can't focus on that. So most of these conferences,

1:20:44.520 --> 1:20:48.439
<v Speaker 1>the foremost thing is how can we make money? I mean,

1:20:48.400 --> 1:20:51.040
<v Speaker 1>in terms of music conferences outside of America, a lot

1:20:51.080 --> 1:20:54.679
<v Speaker 1>of them supported by the government. This is something different,

1:20:54.720 --> 1:20:57.840
<v Speaker 1>you know, the way you're talking, I would certainly like

1:20:58.400 --> 1:21:01.080
<v Speaker 1>to blow it up bigger. But what I liked about

1:21:01.120 --> 1:21:03.960
<v Speaker 1>it is, as I say, every day I get email

1:21:04.000 --> 1:21:05.840
<v Speaker 1>from people. Every day I turn on my computer, I

1:21:05.880 --> 1:21:08.400
<v Speaker 1>find out I'm God and I'm a ship heead okay,

1:21:09.040 --> 1:21:11.759
<v Speaker 1>But going to Santa better to be loved and hated

1:21:11.840 --> 1:21:14.519
<v Speaker 1>than ignored. We know that true. But we're going to

1:21:14.560 --> 1:21:17.840
<v Speaker 1>Santa Barbara. I'm anxious. I'm in front of the group,

1:21:18.080 --> 1:21:21.080
<v Speaker 1>I'm interviewing people. I don't get a grade after I'm

1:21:21.120 --> 1:21:23.639
<v Speaker 1>and I can see in today's era, you're talking, people

1:21:23.640 --> 1:21:26.599
<v Speaker 1>are on their devices, etcetera. You're worried whether you're getting

1:21:26.600 --> 1:21:30.439
<v Speaker 1>people's attention. So the last night, when everybody was ultra

1:21:30.640 --> 1:21:34.559
<v Speaker 1>positive and loving, that shocked me. It really did shock me.

1:21:34.800 --> 1:21:38.240
<v Speaker 1>And it made me realize that a vast majority of

1:21:38.280 --> 1:21:40.800
<v Speaker 1>the people who emailed it on the ship head really

1:21:40.840 --> 1:21:42.479
<v Speaker 1>has nothing to do with me and everything to do

1:21:42.520 --> 1:21:45.080
<v Speaker 1>with them. But that's always been the case, I know,

1:21:45.160 --> 1:21:48.360
<v Speaker 1>but it's when it's personalized it is difficult. I mean,

1:21:48.360 --> 1:21:50.160
<v Speaker 1>I have a guy who emails but that, but that's

1:21:50.200 --> 1:21:53.320
<v Speaker 1>the Internet in general. I mean, you go on Twitter,

1:21:53.439 --> 1:21:56.160
<v Speaker 1>you see what Twitter, but you know that this that

1:21:56.320 --> 1:21:58.920
<v Speaker 1>same person that says you're a ship head wouldn't sit

1:21:58.960 --> 1:22:01.320
<v Speaker 1>across the desk like we're sitting right here and say

1:22:01.320 --> 1:22:04.600
<v Speaker 1>you're a ship head. I agree. But if you are insecure,

1:22:05.600 --> 1:22:08.719
<v Speaker 1>and most people in this world who were playing heavily

1:22:08.960 --> 1:22:12.080
<v Speaker 1>in terms of visible your age, you're still feeling that

1:22:12.160 --> 1:22:16.240
<v Speaker 1>way like you haven't. You haven't is not thick enough.

1:22:18.400 --> 1:22:22.360
<v Speaker 1>But my my skin is thicker than anybody I know

1:22:23.280 --> 1:22:25.600
<v Speaker 1>in the music business. I can't speak to acts, so

1:22:25.680 --> 1:22:29.000
<v Speaker 1>the acts are traditionally thin skin. But as you continue

1:22:29.080 --> 1:22:32.360
<v Speaker 1>to I remember at you know, in the nineties, I

1:22:32.360 --> 1:22:35.040
<v Speaker 1>would go into the psychiatrist and talk about the bizarre

1:22:35.080 --> 1:22:37.439
<v Speaker 1>things that happened online. People would have no idea what

1:22:37.439 --> 1:22:43.120
<v Speaker 1>I'm talking about. Okay, Now, even Jimmy Kimmel does mean tweets. Okay,

1:22:43.160 --> 1:22:46.280
<v Speaker 1>but there's still stuff at the end of the envelope.

1:22:46.400 --> 1:22:49.080
<v Speaker 1>And there is stuff, you know, I don't want to

1:22:49.080 --> 1:22:53.040
<v Speaker 1>say that it's politically incorrect, but you know that you're

1:22:53.040 --> 1:22:55.439
<v Speaker 1>gonna get pushed back on just from writing. You know,

1:22:55.479 --> 1:22:57.920
<v Speaker 1>when when you're watching Bill Maher, he immirely shuts the

1:22:57.920 --> 1:23:00.599
<v Speaker 1>audience stuff. There was some moments in in Anna Barber

1:23:00.680 --> 1:23:03.680
<v Speaker 1>that I think made a few people uncomfortable, right, And

1:23:03.720 --> 1:23:05.639
<v Speaker 1>as I say, and it's funny, you know what I'm

1:23:05.640 --> 1:23:07.519
<v Speaker 1>talking And one of those moments, I said, if we

1:23:07.520 --> 1:23:10.759
<v Speaker 1>were here across the table, I am I'm not I'm

1:23:10.800 --> 1:23:14.479
<v Speaker 1>probing to open someone up so they might tell you

1:23:14.560 --> 1:23:17.559
<v Speaker 1>something you don't know. I'm not looking for an answer

1:23:17.600 --> 1:23:20.680
<v Speaker 1>that I can be trumpeting on TMZ. It's okay, but

1:23:20.720 --> 1:23:24.040
<v Speaker 1>if you as you know, to give these specific example,

1:23:24.680 --> 1:23:26.880
<v Speaker 1>I had a car, this car I still have this

1:23:27.160 --> 1:23:30.000
<v Speaker 1>relatively new and I was talking to a friend in

1:23:30.040 --> 1:23:32.080
<v Speaker 1>the car and I pulled a U turn and it

1:23:32.200 --> 1:23:34.920
<v Speaker 1>hits some branches. Little did I know. I thought it

1:23:34.960 --> 1:23:37.240
<v Speaker 1>was just a bush, but it was a very They

1:23:37.360 --> 1:23:40.400
<v Speaker 1>chopped the bush down so that the branches were very stiff,

1:23:40.400 --> 1:23:42.720
<v Speaker 1>and it scratched my car. Now, let's be care if

1:23:42.720 --> 1:23:44.120
<v Speaker 1>you get a big clear, if you get a big den,

1:23:44.200 --> 1:23:46.280
<v Speaker 1>your car gonna get it. Appeared in this case there

1:23:46.280 --> 1:23:48.280
<v Speaker 1>were a ton of scratches, but they didn't all go

1:23:48.360 --> 1:23:52.280
<v Speaker 1>through the paint. I was upset b I went to

1:23:52.400 --> 1:23:56.599
<v Speaker 1>get an estimate twelve dollars. I wasn't gonna get it

1:23:56.760 --> 1:24:01.600
<v Speaker 1>by that stuff they sell on TV in Okay. I

1:24:01.640 --> 1:24:04.519
<v Speaker 1>wasn't gonna pay twelve. So I once again, I go

1:24:04.560 --> 1:24:07.639
<v Speaker 1>to the therapist and I'm upset about this, and he goes,

1:24:08.880 --> 1:24:11.360
<v Speaker 1>if you don't go up to the edge, up to

1:24:11.400 --> 1:24:14.200
<v Speaker 1>the line, you'll have no idea where it is. Sometimes

1:24:14.240 --> 1:24:17.280
<v Speaker 1>you go over. But if you're so anxious that you're

1:24:17.320 --> 1:24:19.120
<v Speaker 1>not going to go to the line, you're not gonna

1:24:19.120 --> 1:24:21.040
<v Speaker 1>live your life fully. So that's a great lesson. And

1:24:21.200 --> 1:24:22.840
<v Speaker 1>my car was scratched. But the same thing when you

1:24:22.880 --> 1:24:26.320
<v Speaker 1>talk to people, if you don't ask some probing questions,

1:24:26.880 --> 1:24:28.800
<v Speaker 1>you won't find the good stuff the new guy. And

1:24:28.880 --> 1:24:31.680
<v Speaker 1>let me ask you a question about the car being scratched.

1:24:33.160 --> 1:24:35.880
<v Speaker 1>Why does it matter? Do you think people are gonna

1:24:35.880 --> 1:24:38.160
<v Speaker 1>look at your car and say, oh, Bob left Sets

1:24:38.240 --> 1:24:41.880
<v Speaker 1>drives a scratched car, Like, does anybody really give? I

1:24:41.920 --> 1:24:44.280
<v Speaker 1>don't think I ever drove a car that I didn't scratch.

1:24:44.640 --> 1:24:48.360
<v Speaker 1>Believe me. It has nothing to do with a third

1:24:48.520 --> 1:24:53.040
<v Speaker 1>party opinion. That's not it. This is a whole another

1:24:53.160 --> 1:24:57.200
<v Speaker 1>podcast in order to explain it. It has to do

1:24:57.280 --> 1:25:01.280
<v Speaker 1>with my identity and O C D and you know,

1:25:01.880 --> 1:25:04.760
<v Speaker 1>and other things. And as I say that that that's

1:25:04.920 --> 1:25:07.600
<v Speaker 1>very interesting stuff to get into. But and it's not

1:25:07.600 --> 1:25:09.200
<v Speaker 1>that I'm gonna louctant. We'd have to do at least

1:25:09.200 --> 1:25:12.280
<v Speaker 1>another twenty minutes. Okay, well then I think we're almost

1:25:12.280 --> 1:25:14.120
<v Speaker 1>done here. I think, you know, I think we could

1:25:14.160 --> 1:25:17.639
<v Speaker 1>go on forever. It's been very productive for those people listening.

1:25:17.720 --> 1:25:20.200
<v Speaker 1>I think you've gotten the full story. But we're off

1:25:20.200 --> 1:25:23.400
<v Speaker 1>the high of a three day conference in Santa Barbara,

1:25:23.880 --> 1:25:27.240
<v Speaker 1>reviewing the speakers in the experience. I have to thank

1:25:27.360 --> 1:25:29.280
<v Speaker 1>Jake who came in for the conference and came in

1:25:29.320 --> 1:25:31.960
<v Speaker 1>to do this podcast. To an update to do an update.

1:25:32.600 --> 1:25:36.280
<v Speaker 1>Until next time you're listening to the Bob Left Sets podcast.

1:25:36.360 --> 1:25:39.599
<v Speaker 1>Thank you Jake, Thank you Bob, the Bob Left Sets

1:25:39.720 --> 1:25:47.160
<v Speaker 1>Bob Cast. There you have it. That wraps up this

1:25:47.200 --> 1:25:50.479
<v Speaker 1>week's episode of the Bob Left Sets podcast, recorded live

1:25:50.520 --> 1:25:53.679
<v Speaker 1>at the tune In Studios in Venice, California. I hope

1:25:53.720 --> 1:25:56.960
<v Speaker 1>you liked this conversation with Jake Gold. As always, I'm

1:25:57.040 --> 1:26:00.280
<v Speaker 1>interested in your feedback, positive or negative. You can reach

1:26:00.360 --> 1:26:03.639
<v Speaker 1>me at Bob at left sense dot com. Until next time,

1:26:04.000 --> 1:26:19.360
<v Speaker 1>I'm Bob. Left Sense can think of and me reason,

1:26:19.720 --> 1:26:22.480
<v Speaker 1>and I don't know me exactly