WEBVTT - Queer as Folklore (with Open Mike Eagle)

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<v Speaker 1>Maybe I was Sunny Bono. He died in this Yeah,

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<v Speaker 1>I think he died skin he dies all right into

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<v Speaker 1>a tree. Yeah? Oh fuck, yeah, he died silly. That's

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<v Speaker 1>not good. Oh oh no. The reason I remember that

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<v Speaker 1>is because Red Man turned it into a punch line

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<v Speaker 1>very soon after it happened, because you know, he's a

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<v Speaker 1>big we'd smoke. I hit more trees and Sunny Bono fu,

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<v Speaker 1>that's really me. Yeah, that's suing me. But also it's

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<v Speaker 1>a good bar. It's a good line, good for red men.

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<v Speaker 1>Chips in your racists money stuff. I can't tell me.

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<v Speaker 1>M m m. There is the ed is there is?

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<v Speaker 1>Ladies and gentlemen, Welcome to another spectacular episode of My

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<v Speaker 1>Mama Told Me the podcast. But we dive deep, deep

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<v Speaker 1>into the world of black conspiracy theories, and we finally

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<v Speaker 1>work to prove that Ty Dollar Sign is the devil.

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<v Speaker 1>You can't trust the black man with eyes like a

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<v Speaker 1>rare yugiokard. They're too late, they're too light. There's no

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<v Speaker 1>reason for that giant black man to have them blue.

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<v Speaker 1>Evil wise, he's the devil, and I know it. Ty

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<v Speaker 1>dollar Sign, that money symbol can't fool me. You are evil. Sir,

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<v Speaker 1>h I am your hosts like Stan Kerman as always.

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<v Speaker 1>I'm excited to be here. My guest today. Oh, we

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<v Speaker 1>have a great guest today. He's he's hilarious, he's talented,

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<v Speaker 1>he's exceptional. We were just talking about how good he

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<v Speaker 1>is the fucking pad like a sound pad, and how

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<v Speaker 1>terrible I am. But that doesn't matter. You know him

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<v Speaker 1>from the New Negroes on Comedy Central or Wonderful Show.

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<v Speaker 1>You know him from his brand new album Anime Trauma

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<v Speaker 1>and Divorce. He's an exceptional artist. You're gonna love him.

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<v Speaker 1>Please give it up for my guest, Mr Open Mike Ego.

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<v Speaker 1>That was probably the best introduction I've had all all pandemic.

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<v Speaker 1>Hell yeah great. You mean when the period when no

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<v Speaker 1>one's introducing you to anything. I love that. Usually usually

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<v Speaker 1>the attempts are just they're just sad, you know, they're

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<v Speaker 1>just like, I don't even know if this is his

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<v Speaker 1>real name. I guess his name is Open. I'm excited

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<v Speaker 1>you're here, man, Let's let's get into it. Let's just

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<v Speaker 1>real quick. I saw your TV the other day on

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<v Speaker 1>the Boys and I love an audible Yale. Oh it's great.

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<v Speaker 1>They made me get buff for that role. And then

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<v Speaker 1>I just sat there and you and you really acting too.

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<v Speaker 1>It's great, man. I had to be a creepy dude

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<v Speaker 1>with muscles. It was nice. It's a fun time. But

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<v Speaker 1>we don't have time for that. We gotta get into

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<v Speaker 1>this goddamn conspiracy because you came to me with one

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<v Speaker 1>that I guess sort of connects even to the question

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<v Speaker 1>of a person acting on television. The conspiracy theory you

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<v Speaker 1>brought was my mama told me Hollywood has a gay agenda. Yeah,

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<v Speaker 1>talk to me about it. Tell me my mama didn't

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<v Speaker 1>tell me. But every barber I've ever had, I mean

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<v Speaker 1>Chicago to l a different shops, it don't matter. They

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<v Speaker 1>always believe that because they always have something on TV,

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<v Speaker 1>either the news or BT and and they are commenting

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<v Speaker 1>on what's happening. And once anything even like I won't

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<v Speaker 1>say slightly homosexual, was just like anything that's not a

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<v Speaker 1>traditional manly man Madrid. Yeah, hetero normative ship that's a

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<v Speaker 1>better word. Oh my god, thank you. Once anything slightly

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<v Speaker 1>less than hetero normative happens, then um, you know than

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<v Speaker 1>outcomes to you know, they only want to show us

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<v Speaker 1>in certain ways because you know, they tried to emasculate

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<v Speaker 1>the black man, and but two thousand years right. Yeah,

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<v Speaker 1>it's always and for our our listeners at home, who

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<v Speaker 1>have not yet been privy to the wisdom of a barber,

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<v Speaker 1>it is always rooted in this conspiracy that by making

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<v Speaker 1>black men gay or we are somehow undermining the black community,

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<v Speaker 1>that it is like the destruction of the nuclear family,

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<v Speaker 1>as it were, and and that gay images are intentionally

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<v Speaker 1>reflected back to us in order to make us more

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<v Speaker 1>gay over time. Is the other other part of the theory, guess,

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<v Speaker 1>So we become more gay and then subsequently and I

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<v Speaker 1>know this is always a part of it is and

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<v Speaker 1>it's not always a part that maybe is articulated. It's

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<v Speaker 1>that we become more gay and then we become weaker

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<v Speaker 1>because of that gay. Of course, it's it's all. It's

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<v Speaker 1>all very negative perspective. So it's very They very much

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<v Speaker 1>believe that hetero is the way to be sure, and

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<v Speaker 1>that anything else is a programming error and it needs

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<v Speaker 1>to be fought against. That's fair. Yeah, it's never like

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<v Speaker 1>a good thing. They're not like, you become more gay

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<v Speaker 1>and then your apartment is going to be real clean

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<v Speaker 1>and smell a little better. You know none of that. Yeah,

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<v Speaker 1>they don't. They don't see anything but what they consider

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<v Speaker 1>to be the dark side. You're gonna become more gay

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<v Speaker 1>and then you're gonna get some of those sweet abs

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<v Speaker 1>that all the gay men have. And that's pretty cool.

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<v Speaker 1>I hope you like it now. It's it's a fascinating

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<v Speaker 1>I think conversation almost like a checkpoint that every black

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<v Speaker 1>man goes through in their experience of like, you're gonna

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<v Speaker 1>have an older black dude at some point sell you

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<v Speaker 1>on this idea, and the question really becomes how bought

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<v Speaker 1>in do you do you want to be to the

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<v Speaker 1>premise that Hollywood is trying to make you gay? I

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<v Speaker 1>guess my question for you is how bought in were

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<v Speaker 1>you the first time you heard this? How much were

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<v Speaker 1>you believing this to be true? I mean, I've always

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<v Speaker 1>known a lot of gay people like and and I've

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<v Speaker 1>never um never been like judgementel or never thought that

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<v Speaker 1>it was somehow lesser than so this always sounded ridiculous

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<v Speaker 1>to me. And the other thing is, I mean I

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<v Speaker 1>feel like this conspiracy theory, like most of them, also

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<v Speaker 1>kind of reflects my brain wants to say education level,

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<v Speaker 1>but that's not it. It's it's more like how much information,

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<v Speaker 1>like real information, somebody has at hand or somebody has consumed. Yeah,

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<v Speaker 1>it's like it comes from a place of like, oh,

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<v Speaker 1>I don't really know what's going on, but I'm gonna

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<v Speaker 1>stay here in this barbershop and make shut up. And

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<v Speaker 1>then when people come in here saying some ship it

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<v Speaker 1>sounds interesting, I'm just gonna stick with that. But I'm

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<v Speaker 1>not gonna really read anything, and I'm not gonna go

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<v Speaker 1>have other experiences other places. I'm just gonna perpetuate this

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<v Speaker 1>ship because it sounds cool. It makes me feel smarter, Yeah,

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<v Speaker 1>I do. And to that point, some of it also

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<v Speaker 1>feels like a lack of control. Do you know what

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<v Speaker 1>I mean? That? Like you don't have control in certain

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<v Speaker 1>parts of your life because the government and poverty and

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<v Speaker 1>all the reasons why we often feel like we don't

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<v Speaker 1>have control. And so subsequently you go, well, where do

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<v Speaker 1>I have control? And part of that is just making

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<v Speaker 1>up your own truth. You go like, well, if I

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<v Speaker 1>can make this true, and if I can convince other

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<v Speaker 1>people that it's true, then I have a power that

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<v Speaker 1>I otherwise wouldn't have, because you know, I'm broke and

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<v Speaker 1>I don't know how to fix that, right, And and

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<v Speaker 1>it's yeah, you're right, because it's it's reflective of of

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<v Speaker 1>not understanding how systems work. You don't understand how systems work,

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<v Speaker 1>then it just looks as if everything is being puppeteered

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<v Speaker 1>by some force that's just right outside of your grasp.

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<v Speaker 1>And if somebody comes along saying something that checks the

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<v Speaker 1>box of explaining that somehow, but also aligns with any

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<v Speaker 1>other beliefs you have, Like if you happen to believe, uh,

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<v Speaker 1>somehow that that being gay is also bad, and also

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<v Speaker 1>you were told that these forces who you can't see

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<v Speaker 1>are pushing that on you, well, then that checks a

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<v Speaker 1>couple of boxes. And you know like, okay, yeah, that

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<v Speaker 1>makes sense. That's how the world works, you know, right,

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<v Speaker 1>And I think there are also those weird to your point,

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<v Speaker 1>there are those weird affirming moments that make your ideas

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<v Speaker 1>feel at least somewhat valid, that then force you to

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<v Speaker 1>go even further down that tunnel of your belief right. Yeah,

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<v Speaker 1>I got a haircut, um right after uh it had

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<v Speaker 1>to be the week that Moonlight won that oscar. That

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<v Speaker 1>was a bad bad shop man, bad bad day. Because

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<v Speaker 1>I'm sitting there and they're saying that ship and I'm

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<v Speaker 1>just like, Yo, that movie is amazing though, it's so good,

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<v Speaker 1>Like it's really good. And the whole time that I

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<v Speaker 1>saw the movie and I'm and I'm reveling and celebrating

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<v Speaker 1>and its accomplishments, I'm thinking, how awesome it is that

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<v Speaker 1>we have a black gay story with that sort of

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<v Speaker 1>representation and it's getting that sort of recognition. Yeah, And

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<v Speaker 1>I'm in the barbershop and they just think this is

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<v Speaker 1>the end of the world to them, you know what

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<v Speaker 1>I'm saying. And I know I have to believe they

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<v Speaker 1>were going down the train of like you know, they

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<v Speaker 1>wasn't even supposed to win. They didn't even call out

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<v Speaker 1>their name, but somebody got in the earpiece and was like, no,

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<v Speaker 1>give it to the gay people, so we could make

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<v Speaker 1>the niggas gays like, oh, you know, it's wild. And

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<v Speaker 1>then I remember, and maybe you similarly have this memory.

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<v Speaker 1>I think my first sense of this quote unquote gay

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<v Speaker 1>agenda came out of like the conversation about black men

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<v Speaker 1>and dresses. That like, there was that whole theory that

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<v Speaker 1>anytime they put a black man on TV in address

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<v Speaker 1>it was sort of like a transition in his career, Uh,

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<v Speaker 1>Martin Lawrence, the you know, the Eddie Murphy's whoever. It

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<v Speaker 1>was that they stopped being connected with the black community

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<v Speaker 1>and we're suddenly now like Hollywood elites who were being

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<v Speaker 1>puppeted by the white man, right, and they were willing

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<v Speaker 1>to like they were basically showing they were willing to

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<v Speaker 1>do whatever it takes yes to be you know, to

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<v Speaker 1>be rich, to be positioned that way. And and and that

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<v Speaker 1>was a signal that they were willing to turn away from,

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<v Speaker 1>you know, the traditional idea of of black manhood in

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<v Speaker 1>order to do what the white man thinks it's funny,

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<v Speaker 1>which those people also think is by self detegration, you know,

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<v Speaker 1>making fun of yourself to that degree, right, And I

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<v Speaker 1>guess I wonder the question I have for you is

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<v Speaker 1>how much of that? Because I found myself, and this

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<v Speaker 1>is a better way of framing it, I found myself

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<v Speaker 1>even as a kid being like, I don't hate gay people.

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<v Speaker 1>I like gay people. I don't or certainly don't have

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<v Speaker 1>any you know, hard feelings in any direction about like

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<v Speaker 1>them based on the fact that they like kissing somebody

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<v Speaker 1>of the same sex. But I also don't want to

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<v Speaker 1>be a sellout. I don't want to be like a

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<v Speaker 1>person who, like my peers, would view that way. So yeah,

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<v Speaker 1>I'll never wear a dress, I'll never commit to any

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<v Speaker 1>of these homo erotic images so that nobody could ever

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<v Speaker 1>question my commitment to the black man and black community

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<v Speaker 1>and all that stuff. I think. Yeah, I think, and

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<v Speaker 1>and if you're getting at what I think you're getting that,

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<v Speaker 1>I do think there's that kernel of something that resonates

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<v Speaker 1>in that um about when you are a black man

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<v Speaker 1>entering the entertainment industry, you do feel, especially if you're

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<v Speaker 1>not doing you know, shows with black writers, black producers,

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<v Speaker 1>you know, black showrunners, you're on guard to make sure

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<v Speaker 1>that you're not being put in a position that's gonna

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<v Speaker 1>cost you your credibility. So like, even though you're not

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<v Speaker 1>bringing a homophobia to it or transphobia to it, you

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<v Speaker 1>do feel a certain sense of needing to protect your image,

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<v Speaker 1>and so you're kind of on the lookout for stuff

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<v Speaker 1>like that, right, Yeah, you're constantly sort of on edge

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<v Speaker 1>for this thing that, even though it's not coming from

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<v Speaker 1>your own hatred, is coming from someone else's hatred and

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<v Speaker 1>yourself like trying to not articulate it, but it's coming

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<v Speaker 1>out either way. It's yeah, it's a fun up dance

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<v Speaker 1>that we find and that you know, And that's the thing.

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<v Speaker 1>You know, people argue against the idea of privilege, like

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<v Speaker 1>that's one of the perfect examples. It's not like privileged

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<v Speaker 1>means you automatically have it easier. Privileged means there's just

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<v Speaker 1>certain inner conversations you don't have to have. You get

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<v Speaker 1>to devote that brain power in brain space into something

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<v Speaker 1>else you don't have to worry about, like wearing the

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<v Speaker 1>whole weight of a culture shoulders every time you get

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<v Speaker 1>an opportunity like that sort of thing. I mean, it's

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<v Speaker 1>and that's you know, in some sense it is what

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<v Speaker 1>makes those artists who are able to escape that so groundbreaking.

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<v Speaker 1>But right like like young Thug wearing a fucking, you know,

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<v Speaker 1>beautiful gown on his album cover is a groundbreaking decision

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<v Speaker 1>no matter how you want to spin it. But then

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<v Speaker 1>the danger of that goes back to that same question

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<v Speaker 1>of like how much responsibility does he still have to

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<v Speaker 1>the community that then judges him or wants him to

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<v Speaker 1>do something different than the choices that he made. Yeah,

0:14:02.120 --> 0:14:06.000
<v Speaker 1>I mean, you know what goes on in mainstream rap

0:14:06.120 --> 0:14:10.080
<v Speaker 1>now is really interesting on that level because you know,

0:14:10.200 --> 0:14:12.240
<v Speaker 1>ten fifteen years ago, I guess you just have to

0:14:12.240 --> 0:14:16.360
<v Speaker 1>say fifteen now, it was just unheard of for somebody

0:14:16.440 --> 0:14:21.000
<v Speaker 1>to be positioned or depicted in any way other than

0:14:21.120 --> 0:14:23.920
<v Speaker 1>just like the hardest to hard dude. I mean, in

0:14:23.960 --> 0:14:27.320
<v Speaker 1>the nineties you had rappers who were positioned to be

0:14:27.360 --> 0:14:31.240
<v Speaker 1>a little lighter like a mc hammer or fresh prints

0:14:31.240 --> 0:14:34.440
<v Speaker 1>like where they weren't super street. But then you know,

0:14:34.480 --> 0:14:39.880
<v Speaker 1>after like two thousands, it got so homogenized that everybody

0:14:39.960 --> 0:14:42.480
<v Speaker 1>was really leaning into that. And so if you look

0:14:42.520 --> 0:14:48.800
<v Speaker 1>at that versus now and how much room mainstream rappers

0:14:48.880 --> 0:14:51.800
<v Speaker 1>have to express themselves visually all these different ways, it's

0:14:51.800 --> 0:14:55.640
<v Speaker 1>really interesting. But it does feedback into that conversation. We're

0:14:55.680 --> 0:14:58.480
<v Speaker 1>like the dudes in the barbershop were like, wait a minute,

0:14:58.520 --> 0:15:02.680
<v Speaker 1>can I still like this? You know what I'm saying. Yeah,

0:15:02.800 --> 0:15:06.240
<v Speaker 1>it's it's I think they're asking themselves, can I still

0:15:06.320 --> 0:15:08.960
<v Speaker 1>like this? And the even scarier part is out loud,

0:15:09.280 --> 0:15:13.120
<v Speaker 1>they're definitively going nobody should like this. This is it's

0:15:13.200 --> 0:15:16.480
<v Speaker 1>and you know that's the old headship where they go like, Nope,

0:15:16.760 --> 0:15:18.840
<v Speaker 1>I don't funk with it. That's some new ship. That's

0:15:18.960 --> 0:15:22.240
<v Speaker 1>these young kids they are they're the product of the

0:15:22.280 --> 0:15:25.840
<v Speaker 1>gay agenda that sort of was already at play during

0:15:26.000 --> 0:15:29.080
<v Speaker 1>the the younger hip hop era or the older rather

0:15:29.200 --> 0:15:32.440
<v Speaker 1>hip hop era, and now you're just letting the gay

0:15:32.440 --> 0:15:36.360
<v Speaker 1>agenda live live out. It's you know, it's worse our

0:15:36.360 --> 0:15:38.880
<v Speaker 1>worst fears is living out in front of us through

0:15:39.360 --> 0:15:42.600
<v Speaker 1>an oozy, through a young thug, through a Frank Ocean

0:15:42.680 --> 0:15:45.520
<v Speaker 1>whoever the funk it is. That sort of is kind

0:15:45.560 --> 0:15:48.240
<v Speaker 1>of just being themselves or at least the Yeah, it's

0:15:48.280 --> 0:15:51.520
<v Speaker 1>just really but really reflecting, because the interesting thing is

0:15:51.560 --> 0:15:55.480
<v Speaker 1>to they're reflecting the street culture of now to like,

0:15:55.520 --> 0:15:59.440
<v Speaker 1>the street culture of now isn't super baggy pans and

0:15:59.560 --> 0:16:03.320
<v Speaker 1>big hoodies or even long white tease like it's like

0:16:03.840 --> 0:16:09.240
<v Speaker 1>fitted clothes and really expensive belts. Right, It's a it's

0:16:09.240 --> 0:16:12.360
<v Speaker 1>a different vibe in the streets now, and of course

0:16:12.800 --> 0:16:14.800
<v Speaker 1>you know mainstream map is going to reflect that too.

0:16:14.880 --> 0:16:17.520
<v Speaker 1>But then, you know, I do wonder for people who

0:16:17.520 --> 0:16:21.120
<v Speaker 1>believe that stuff, how do they bridge that? You know?

0:16:21.200 --> 0:16:23.560
<v Speaker 1>How do they bridge I guess, but I guess it

0:16:23.600 --> 0:16:25.560
<v Speaker 1>kind of leads into what you're saying, where like they

0:16:25.600 --> 0:16:28.400
<v Speaker 1>look at it, they look at the tight pants and

0:16:28.400 --> 0:16:36.040
<v Speaker 1>they're like, oh, there you go, Agenda. Um. It's funny

0:16:36.040 --> 0:16:38.080
<v Speaker 1>too that you mentioned old heads because it makes me

0:16:38.120 --> 0:16:42.520
<v Speaker 1>think about Lord Jamar from Brand Nuby and who is

0:16:42.560 --> 0:16:47.600
<v Speaker 1>like the mascot. He's like the quintessential old head and

0:16:47.640 --> 0:16:50.360
<v Speaker 1>he's one of the main ones that are always using

0:16:50.360 --> 0:16:53.360
<v Speaker 1>their social media, using their their YouTube, you know, doing

0:16:53.440 --> 0:16:57.120
<v Speaker 1>dj vlad interviews, tearing down things that seemed to from

0:16:57.160 --> 0:17:00.520
<v Speaker 1>their perspective, come from that place. But lordam was on

0:17:00.640 --> 0:17:06.160
<v Speaker 1>odds M. If I'm not mistaken, Laura mars Entire, Penis

0:17:06.240 --> 0:17:09.719
<v Speaker 1>was out when he was walking around to jail, and

0:17:09.760 --> 0:17:13.200
<v Speaker 1>it's like, if you wasn't part of the gag in,

0:17:14.200 --> 0:17:17.160
<v Speaker 1>how are you so sure that everybody else is now?

0:17:17.600 --> 0:17:20.240
<v Speaker 1>You don't think having your dick meat out on HBO

0:17:20.520 --> 0:17:26.200
<v Speaker 1>attempted If the presumption is that literally seeing dicks, seeing

0:17:26.240 --> 0:17:29.280
<v Speaker 1>anything that is homo erotic is going to tempt me

0:17:29.720 --> 0:17:33.399
<v Speaker 1>into homosexuality, you having your dick meat out had to

0:17:33.440 --> 0:17:35.720
<v Speaker 1>do something for me. It had to give me in

0:17:35.880 --> 0:17:39.240
<v Speaker 1>some direction and right. And on the same episode there's

0:17:39.440 --> 0:17:43.880
<v Speaker 1>you know, all sorts of stuff stepping, you know, with

0:17:43.880 --> 0:17:47.520
<v Speaker 1>with with men on men um touching, so you know

0:17:47.800 --> 0:17:51.320
<v Speaker 1>it's It's just it's always struck me as hilarious. He's

0:17:51.400 --> 0:17:56.760
<v Speaker 1>out there finger wagon against people doing the slightest bit

0:17:56.800 --> 0:18:01.359
<v Speaker 1>of you know, gender expression. He was on he was

0:18:01.440 --> 0:18:05.440
<v Speaker 1>on the gay Show on television as time, right, And

0:18:05.560 --> 0:18:09.600
<v Speaker 1>I will say there's a there's another layer of irony

0:18:09.680 --> 0:18:14.280
<v Speaker 1>in going on a lad TV to to complain about

0:18:14.320 --> 0:18:17.639
<v Speaker 1>the gay agenda when you're talking to a white dude

0:18:17.920 --> 0:18:21.960
<v Speaker 1>who is essentially like appropriating black culture and hip hop

0:18:22.000 --> 0:18:26.040
<v Speaker 1>culture for his own benefit, like you're complaining to in theory,

0:18:26.119 --> 0:18:31.359
<v Speaker 1>the oppressor while about his oppression about what you're seeing

0:18:31.400 --> 0:18:35.119
<v Speaker 1>as like something oppressive in your community, right, and using

0:18:35.160 --> 0:18:37.000
<v Speaker 1>his platform to do it when he don't give a

0:18:37.080 --> 0:18:40.320
<v Speaker 1>damn about what happens to none of us. Right, He's

0:18:40.359 --> 0:18:43.760
<v Speaker 1>not invested in the beef that Nick Cannon started. He's

0:18:43.800 --> 0:18:46.080
<v Speaker 1>just gonna get Nick Cannon to say whatever the funk

0:18:46.119 --> 0:18:49.960
<v Speaker 1>he can. M I. I guess one of the parts

0:18:50.000 --> 0:18:53.480
<v Speaker 1>that always fascinated me with this is I do a

0:18:53.520 --> 0:18:58.520
<v Speaker 1>hundred percent believe that there's I don't believe in any way,

0:18:58.560 --> 0:19:01.120
<v Speaker 1>shape or form that there isn't fact they quote unquote

0:19:01.160 --> 0:19:04.359
<v Speaker 1>gay agenda right, that we are by showing us gay

0:19:04.440 --> 0:19:08.560
<v Speaker 1>imagery or or homo erotic imagery we are somehow being

0:19:08.640 --> 0:19:12.199
<v Speaker 1>tempted towards becoming gay people. That's not how that works.

0:19:12.520 --> 0:19:17.040
<v Speaker 1>But I do wonder how much you believe about Hollywood

0:19:17.960 --> 0:19:22.080
<v Speaker 1>undermining black celebrities, Like how much of it do you

0:19:22.119 --> 0:19:24.600
<v Speaker 1>buy in in that way, even if it isn't rooted

0:19:24.600 --> 0:19:27.840
<v Speaker 1>in sort of like gayness, if you will, well, you know,

0:19:27.920 --> 0:19:32.200
<v Speaker 1>I tend to push back against that kind of argument

0:19:32.240 --> 0:19:35.760
<v Speaker 1>because I look at Hollywood for the most part, like

0:19:35.840 --> 0:19:40.359
<v Speaker 1>a giant conglomeration of different corporations, and at the end

0:19:40.400 --> 0:19:45.439
<v Speaker 1>of the day, they want to do what makes money. Uh,

0:19:45.440 --> 0:19:49.560
<v Speaker 1>you know, like if you're if you're Warner Brothers, Universal Parent, whatever,

0:19:49.680 --> 0:19:52.000
<v Speaker 1>whatever company, it is the end of the day, Like

0:19:53.160 --> 0:19:55.680
<v Speaker 1>if you're a higher high level executive, you're trying to

0:19:55.760 --> 0:19:58.440
<v Speaker 1>keep your job, You're trying to get your bonus, You're

0:19:58.440 --> 0:20:01.240
<v Speaker 1>trying to show that quarter earning, whatever it is that

0:20:01.320 --> 0:20:04.760
<v Speaker 1>has to happen. Like, are you really gonna take the

0:20:04.840 --> 0:20:09.280
<v Speaker 1>time out of your day to knock down an entertainer

0:20:09.359 --> 0:20:11.119
<v Speaker 1>or somebody who could be making your money just because

0:20:11.160 --> 0:20:14.640
<v Speaker 1>they're black, Like I don't, I don't, Like I think

0:20:14.640 --> 0:20:17.000
<v Speaker 1>in the past that definitely could have been the case

0:20:17.200 --> 0:20:20.240
<v Speaker 1>in some sense just out of like personal feelings that

0:20:20.240 --> 0:20:22.879
<v Speaker 1>people have about other other races and other cultures. But

0:20:22.960 --> 0:20:27.080
<v Speaker 1>it's like now, I just I can't see I can't

0:20:27.119 --> 0:20:29.639
<v Speaker 1>see them taking the time out. I can't see them

0:20:29.680 --> 0:20:32.280
<v Speaker 1>putting the energy into doing that kind of thing when

0:20:32.320 --> 0:20:34.280
<v Speaker 1>at the end of the day, they're always trying to

0:20:34.320 --> 0:20:36.800
<v Speaker 1>do whatever it takes to to make one more, one

0:20:36.880 --> 0:20:39.600
<v Speaker 1>penny more than the next man. Yeah, I think to

0:20:39.720 --> 0:20:43.280
<v Speaker 1>your point, it probably it's very likely that there are

0:20:43.359 --> 0:20:46.680
<v Speaker 1>individuals in all industries who are like, I don't want

0:20:46.760 --> 0:20:50.240
<v Speaker 1>niggas reading around me. That makes me angry. I'm gonna

0:20:50.280 --> 0:20:53.080
<v Speaker 1>do everything I can to make sure that these motherfuckers

0:20:53.119 --> 0:20:55.879
<v Speaker 1>don't be reading. But in the grand theme of things,

0:20:56.119 --> 0:20:58.679
<v Speaker 1>that doesn't mean that the industry as a whole, like

0:20:58.840 --> 0:21:01.280
<v Speaker 1>had a meeting and a read on that. It just

0:21:01.359 --> 0:21:04.080
<v Speaker 1>means that one dude has a passion for making sure

0:21:04.119 --> 0:21:06.560
<v Speaker 1>black people don't read, and he's gonna do his best

0:21:06.600 --> 0:21:10.239
<v Speaker 1>to work that out however he can, even if that

0:21:10.280 --> 0:21:13.080
<v Speaker 1>means putting a dude in a dress and then making

0:21:13.160 --> 0:21:21.720
<v Speaker 1>him not read. Effective, put that dress on, close that book, motherfucker.

0:21:21.840 --> 0:21:25.840
<v Speaker 1>We've got work to do, all right. We're gonna take

0:21:25.880 --> 0:21:28.080
<v Speaker 1>a break. We'll be back with more hoping Mike Eagle

0:21:28.119 --> 0:21:55.480
<v Speaker 1>and more. My mama told me, are you do you can? You? You?

0:21:55.480 --> 0:21:58.560
<v Speaker 1>You could? You want? You want him to do you

0:21:58.640 --> 0:22:01.200
<v Speaker 1>so much? You could do any Yeah, we're back here

0:22:01.240 --> 0:22:04.080
<v Speaker 1>were more open my giggle and more. My mama told

0:22:04.119 --> 0:22:08.320
<v Speaker 1>me who who does? Who did the intro? Oh? Is

0:22:08.359 --> 0:22:13.000
<v Speaker 1>this amazing? Dude. He's a comedian. He's an artist, much

0:22:13.040 --> 0:22:16.000
<v Speaker 1>like you. He has more talents than I care for.

0:22:16.600 --> 0:22:20.439
<v Speaker 1>I very angry at you, sort of like multi hyphen

0:22:20.520 --> 0:22:23.119
<v Speaker 1>it people. But his name is Nick Chambers. He's very funny,

0:22:23.240 --> 0:22:25.280
<v Speaker 1>very talented. I gotta, I gotta, yeah, I gotta, I

0:22:25.359 --> 0:22:28.080
<v Speaker 1>gotta find out more. Man that that intro is brilliant.

0:22:28.160 --> 0:22:32.560
<v Speaker 1>Oh thanks man, No, he's fucking he's the best. I

0:22:32.600 --> 0:22:35.720
<v Speaker 1>gave him like very little information. I was like, hey,

0:22:35.800 --> 0:22:38.399
<v Speaker 1>I need an intro song and here are five words

0:22:38.480 --> 0:22:42.960
<v Speaker 1>to include that he went crazy. So yeah, he's very dope.

0:22:43.480 --> 0:22:46.280
<v Speaker 1>Um and if you guys are listening, follow Nick Chambers.

0:22:46.520 --> 0:22:49.600
<v Speaker 1>Show him all the love because he's very talented. Anyway,

0:22:49.680 --> 0:22:53.719
<v Speaker 1>funck Nick Chambers. We gotta get into this research, Nick Chambers,

0:22:53.800 --> 0:22:56.520
<v Speaker 1>get stuck, my dick. I got research to talk about

0:22:56.560 --> 0:22:59.520
<v Speaker 1>open my giggles. You're right, you're right, My bad, my bad,

0:23:01.160 --> 0:23:06.720
<v Speaker 1>all right. I really found myself sort of deep diving

0:23:06.840 --> 0:23:12.840
<v Speaker 1>into the history of gayness in television and just sort

0:23:12.840 --> 0:23:15.960
<v Speaker 1>of it's presentation. And one of the things that got

0:23:15.960 --> 0:23:19.679
<v Speaker 1>really interesting for me was the fact that and I

0:23:19.840 --> 0:23:22.159
<v Speaker 1>you know, you don't think about this stuff until you

0:23:22.160 --> 0:23:25.639
<v Speaker 1>actually have to research it, but the first appearance of

0:23:25.680 --> 0:23:30.920
<v Speaker 1>a homosexual person sort of openly homosexual, at least on television,

0:23:31.000 --> 0:23:35.000
<v Speaker 1>was in nineteen seventy three on the Mary Tyler Moore Show.

0:23:35.600 --> 0:23:38.919
<v Speaker 1>Did you know that? Did you know anything about? Nah?

0:23:38.960 --> 0:23:41.480
<v Speaker 1>And I'm trying to I guess I never really saw

0:23:41.520 --> 0:23:43.880
<v Speaker 1>a lot of that show. I considered myself a TV

0:23:44.000 --> 0:23:46.120
<v Speaker 1>head and I grew up watching tons of reruns and stuff.

0:23:46.160 --> 0:23:48.560
<v Speaker 1>But I think, um, I don't think I called but

0:23:48.640 --> 0:23:50.800
<v Speaker 1>a few episodes of Mary Tyler Morris. I'm not sure

0:23:50.840 --> 0:23:53.760
<v Speaker 1>which which character that was. I watched it a lot.

0:23:54.160 --> 0:23:58.280
<v Speaker 1>Nick and Knight was my ship for a while. And uh, yeah,

0:23:58.320 --> 0:24:00.959
<v Speaker 1>I watched the Mary Tyler morrishow And apparently there was

0:24:01.119 --> 0:24:04.439
<v Speaker 1>a character in the show who was the brother of

0:24:04.480 --> 0:24:07.320
<v Speaker 1>one of her friends, who then tried to her friend

0:24:07.359 --> 0:24:10.679
<v Speaker 1>tried to set her up, set Mary up with this brother,

0:24:11.080 --> 0:24:14.119
<v Speaker 1>and then it became it was later revealed that the

0:24:14.160 --> 0:24:16.520
<v Speaker 1>brother was in fact gay and he was holding this

0:24:16.640 --> 0:24:19.679
<v Speaker 1>big secret. And so that was just the arc of

0:24:19.680 --> 0:24:23.840
<v Speaker 1>an episode. But over so over the course from nineteen

0:24:23.880 --> 0:24:27.000
<v Speaker 1>seventy to nineteen eighty, there were only twelve shows that

0:24:27.119 --> 0:24:32.119
<v Speaker 1>at any point introduced a gay character. So twelve in

0:24:32.160 --> 0:24:36.119
<v Speaker 1>an entire decade, right, And then here's where it gets

0:24:36.160 --> 0:24:39.679
<v Speaker 1>crazy because you compare that to two thousand ten to

0:24:39.760 --> 0:24:43.440
<v Speaker 1>two thousand twenty decade the odds? Is this the odds? What?

0:24:43.720 --> 0:24:45.960
<v Speaker 1>What do you call that? The I guess what people

0:24:46.040 --> 0:24:48.200
<v Speaker 1>call it the odds. I try to avoid talking about

0:24:48.200 --> 0:24:50.680
<v Speaker 1>it altogether, just because their names so stupid. But sure

0:24:50.960 --> 0:24:56.360
<v Speaker 1>you're making the right choice. But it goes from twelve shows,

0:24:56.960 --> 0:24:59.960
<v Speaker 1>uh in nineteen seventy two now in two thousand and ten,

0:25:00.440 --> 0:25:05.680
<v Speaker 1>a hundred and nine shows that include lgbt Q characters.

0:25:05.720 --> 0:25:11.080
<v Speaker 1>So there's clearly a progression happening here. There's an increase, Right,

0:25:11.280 --> 0:25:13.480
<v Speaker 1>What do you do with that? What do you do

0:25:13.560 --> 0:25:18.159
<v Speaker 1>with it? You celebrate? Right? Like? I mean, you know

0:25:18.200 --> 0:25:19.879
<v Speaker 1>what what you're hoping? Because I don't know that you know?

0:25:20.359 --> 0:25:22.520
<v Speaker 1>Of course I don't know what ratio or percentage that

0:25:22.600 --> 0:25:25.840
<v Speaker 1>is the total number of shows is made. But you

0:25:25.880 --> 0:25:29.520
<v Speaker 1>know you're wanting there to be in like a reflection

0:25:29.600 --> 0:25:32.920
<v Speaker 1>of the percentages in real life. You know, you wanted

0:25:32.960 --> 0:25:35.479
<v Speaker 1>to be approaching that kind of level. And even if

0:25:35.520 --> 0:25:38.000
<v Speaker 1>it's more it's like, that's cool too, it's I don't know,

0:25:38.040 --> 0:25:40.880
<v Speaker 1>it's it's to me, that seems only like a good thing.

0:25:40.880 --> 0:25:43.119
<v Speaker 1>And it seems like the only reason that it wasn't

0:25:43.160 --> 0:25:47.080
<v Speaker 1>so much before was because everybody thought that that was

0:25:47.160 --> 0:25:52.360
<v Speaker 1>somehow a negative for everybody was trying to um avoid

0:25:52.480 --> 0:25:54.720
<v Speaker 1>dealing with that sort of issue when it's something is

0:25:54.760 --> 0:25:58.359
<v Speaker 1>real in life, and exactly I think those people, yeah, exactly,

0:25:58.359 --> 0:26:01.320
<v Speaker 1>those people should be represented. I think that's exactly right.

0:26:01.400 --> 0:26:04.399
<v Speaker 1>And you know, in in terms of the actual percentage.

0:26:04.400 --> 0:26:07.439
<v Speaker 1>I did some research on that. GLAD, which is the

0:26:07.560 --> 0:26:11.600
<v Speaker 1>Gay and Lesbian Alliance Against Defamation, does like this tracking

0:26:11.600 --> 0:26:15.960
<v Speaker 1>every year of the number of gay or lesbian, trans

0:26:16.080 --> 0:26:21.520
<v Speaker 1>queer people in broadcast television and uh this time this

0:26:21.720 --> 0:26:25.520
<v Speaker 1>in two thousand nineteen, of the eight hundred and seventy

0:26:25.560 --> 0:26:29.720
<v Speaker 1>nine regular characters expected to appear in broadcast scripted prime

0:26:29.760 --> 0:26:35.040
<v Speaker 1>time programming, ninety were identified as gay, lesbian, bisexual, transgender

0:26:35.119 --> 0:26:38.639
<v Speaker 1>or queer. And so that's basically ten point two percent,

0:26:38.960 --> 0:26:41.760
<v Speaker 1>which is the highest percentage GLAD has found in the

0:26:41.800 --> 0:26:45.960
<v Speaker 1>fifteen years that it's been reporting all these numbers. Which

0:26:46.040 --> 0:26:49.040
<v Speaker 1>is it, Like you said, that's progress. Yeah, but I

0:26:49.359 --> 0:26:52.840
<v Speaker 1>guess then my next question would be what it is?

0:26:52.920 --> 0:26:56.840
<v Speaker 1>What is the reported percentage of you know, people who

0:26:56.920 --> 0:27:00.760
<v Speaker 1>identify as gay in society? Uh. And of course whatever

0:27:00.800 --> 0:27:04.160
<v Speaker 1>that number is, you'd have to up buy some percentage anyway,

0:27:04.200 --> 0:27:07.880
<v Speaker 1>because everybody's out. But well, I'm glad, I'm glad you're

0:27:07.880 --> 0:27:13.400
<v Speaker 1>saying that, because internationally, as it's reported, it's somewhere between

0:27:13.520 --> 0:27:16.240
<v Speaker 1>one point two to six point eight percent of the

0:27:16.280 --> 0:27:19.960
<v Speaker 1>population identifies l g B t Q. And to your point,

0:27:20.200 --> 0:27:24.200
<v Speaker 1>that doesn't account for the massive, massive amounts of people

0:27:24.320 --> 0:27:27.880
<v Speaker 1>that are not saying anything at fear of judgment, ridicule

0:27:27.960 --> 0:27:31.720
<v Speaker 1>or whatever. Yeah, I mean, especially if you when you're

0:27:31.720 --> 0:27:34.960
<v Speaker 1>expanding it globally. I mean, there's some cultures in which

0:27:35.640 --> 0:27:39.199
<v Speaker 1>it's it can still be lethal to be seen is

0:27:39.400 --> 0:27:43.680
<v Speaker 1>gay publicly. So there's no way anybody would ever um

0:27:43.760 --> 0:27:47.440
<v Speaker 1>answer that question honestly in some cultures. So yeah, you'd

0:27:47.440 --> 0:27:52.280
<v Speaker 1>have to, you'd have to increase that number, but some factor. Yeah,

0:27:52.680 --> 0:27:58.119
<v Speaker 1>it can't be one point to. There's no fucking way

0:27:58.160 --> 0:28:01.040
<v Speaker 1>that one point too of the popular Asian is gay

0:28:01.080 --> 0:28:04.360
<v Speaker 1>anywhere is gotta be more. And y'all got to make

0:28:04.359 --> 0:28:11.440
<v Speaker 1>peace with that Nigeria, get over yourself, Russia, and let

0:28:11.520 --> 0:28:16.600
<v Speaker 1>these people start kissing each other. Y Uh. One of

0:28:16.640 --> 0:28:19.800
<v Speaker 1>the more fascinating things that I sort of found in

0:28:19.920 --> 0:28:22.240
<v Speaker 1>some of the research. I don't know if you remember this,

0:28:22.320 --> 0:28:25.160
<v Speaker 1>but that New Beauty and the Beast came out three

0:28:25.200 --> 0:28:27.280
<v Speaker 1>years ago. There was a new Beauty and the Beast,

0:28:27.320 --> 0:28:30.080
<v Speaker 1>the live action quote unquote Beauty and the Beast, and

0:28:30.160 --> 0:28:34.000
<v Speaker 1>everybody lost their minds because one of the characters ended

0:28:34.040 --> 0:28:37.200
<v Speaker 1>up being gay by the end of the movie, The Lafou.

0:28:37.359 --> 0:28:40.120
<v Speaker 1>Do you remember who Lafu is? I don't. Was he

0:28:40.240 --> 0:28:44.120
<v Speaker 1>like a candlestick or something, remember now? But he was

0:28:44.200 --> 0:28:48.120
<v Speaker 1>the uh Gaston who's a big buff dude who hates

0:28:48.200 --> 0:28:51.400
<v Speaker 1>the Beast and hates that that old girl wants Beauty

0:28:51.440 --> 0:28:55.360
<v Speaker 1>wants to be with him. Uh. Lafu was his like sidekick,

0:28:55.640 --> 0:28:58.760
<v Speaker 1>his his main homie who like would run around and

0:28:58.840 --> 0:29:00.560
<v Speaker 1>sort of big up him at all times to be

0:29:00.600 --> 0:29:04.520
<v Speaker 1>like you are so buff Gaston. I love your Adams Apple,

0:29:04.600 --> 0:29:10.200
<v Speaker 1>oh that delicious Adams Apple. And everybody, he's clearly gay.

0:29:10.840 --> 0:29:14.400
<v Speaker 1>Your feelings for Gaston are clearly being expressed at all

0:29:14.520 --> 0:29:18.239
<v Speaker 1>times and in everything that he does. And everybody got

0:29:18.320 --> 0:29:21.640
<v Speaker 1>upset that. Uh it turns out they actually made him

0:29:21.640 --> 0:29:24.600
<v Speaker 1>gay and didn't just like leave him with these feelings

0:29:24.600 --> 0:29:31.440
<v Speaker 1>smothered underneath. So who's upset? Who's Who's mad? Families? Who's mad? Christians? Yeah,

0:29:31.520 --> 0:29:34.120
<v Speaker 1>a lot of Christians. There was a drive in theater

0:29:34.240 --> 0:29:38.920
<v Speaker 1>in Alabama, Uh, the Hannager Theater that basically took to

0:29:39.000 --> 0:29:41.680
<v Speaker 1>Facebook to say, you can feel free to come watch

0:29:41.760 --> 0:29:46.360
<v Speaker 1>a wholesome, wholesome movies without worrying about sex, nudity, homosexuality,

0:29:46.480 --> 0:29:49.840
<v Speaker 1>and foul language. And uh, they refused to play The

0:29:49.920 --> 0:29:52.840
<v Speaker 1>New Beauty and the Beast, saying that that fell too

0:29:52.840 --> 0:29:56.880
<v Speaker 1>close to their rules of of engagement. You know what

0:29:56.920 --> 0:30:00.320
<v Speaker 1>I mean, implied beast reality. In the movie, there find

0:30:00.360 --> 0:30:04.400
<v Speaker 1>with perfectly okay for the lady to be with the

0:30:04.440 --> 0:30:08.880
<v Speaker 1>lion man. It's all good. Let that big ass cursed

0:30:09.040 --> 0:30:13.720
<v Speaker 1>yak stick is weird dick inside of this this beautiful

0:30:13.800 --> 0:30:17.800
<v Speaker 1>young girl. But don't you dare show them boys kissing

0:30:17.840 --> 0:30:28.320
<v Speaker 1>each other, be furious kursi yak. Yeah, it's it's a

0:30:28.360 --> 0:30:32.520
<v Speaker 1>weird dance that that, Like, I think people are constantly playing.

0:30:32.640 --> 0:30:36.080
<v Speaker 1>And to your point, it's this weird dance of almost

0:30:36.920 --> 0:30:41.400
<v Speaker 1>not allowing our imaginations to go Like it's a movie

0:30:41.640 --> 0:30:46.320
<v Speaker 1>literally about people's turning into two household objects. Would you

0:30:46.400 --> 0:30:49.560
<v Speaker 1>let your imagination go that far and then you you

0:30:49.600 --> 0:30:53.320
<v Speaker 1>cut it off at sexuality? That's absurd. I don't know,

0:30:53.360 --> 0:30:55.760
<v Speaker 1>it's so weird because what are you afraid of? You're

0:30:55.800 --> 0:30:58.280
<v Speaker 1>afraid of having to talk to your kids about it? Like,

0:30:58.360 --> 0:31:01.480
<v Speaker 1>what is what is the what is the concern here?

0:31:01.560 --> 0:31:04.280
<v Speaker 1>I mean, it's funny, it's like you said, yeah, like

0:31:04.680 --> 0:31:07.680
<v Speaker 1>so many other elements of this thing are completely fantastical,

0:31:08.480 --> 0:31:10.240
<v Speaker 1>you know, even the fact, you know, people just break

0:31:10.280 --> 0:31:15.320
<v Speaker 1>out in the song. Yeah, it's a weird world, you know,

0:31:15.440 --> 0:31:18.320
<v Speaker 1>and all of that. All of that's fine, but then

0:31:18.320 --> 0:31:22.880
<v Speaker 1>this this thing that you know happens that real human

0:31:22.960 --> 0:31:26.680
<v Speaker 1>beings have have feelings for people of the same gender

0:31:28.040 --> 0:31:31.360
<v Speaker 1>not allowed. I've never once been walking down the street

0:31:31.680 --> 0:31:34.040
<v Speaker 1>and a bitch just breaks out into rhyme, you know

0:31:34.040 --> 0:31:37.360
<v Speaker 1>what I mean, like just a full song. I've seen

0:31:37.400 --> 0:31:40.440
<v Speaker 1>some people freestyle, but not a full fucking three bar

0:31:41.040 --> 0:31:44.080
<v Speaker 1>you know, three stands a song, right, and strangers are

0:31:44.160 --> 0:31:47.480
<v Speaker 1>joining in, you know, went back and forth and reins

0:31:47.680 --> 0:31:50.720
<v Speaker 1>and all of that. No, it doesn't happen. It's not real.

0:31:50.880 --> 0:31:54.400
<v Speaker 1>So even if you are in fact homophobic, right, let's

0:31:54.440 --> 0:31:57.560
<v Speaker 1>say you truly don't believe that gay people should be

0:31:57.560 --> 0:32:01.120
<v Speaker 1>getting married or have happiness, whatever it is that helps

0:32:01.160 --> 0:32:03.400
<v Speaker 1>you sleep at night, the fact that you do that

0:32:03.480 --> 0:32:06.560
<v Speaker 1>in the middle of a fantasy, you should just be

0:32:06.640 --> 0:32:08.720
<v Speaker 1>able to say, like, well, this is fantasy, so it's

0:32:08.720 --> 0:32:12.120
<v Speaker 1>not real and therefore doesn't threaten me. But the fact

0:32:12.160 --> 0:32:15.200
<v Speaker 1>that you can't even dispel it in that just means

0:32:15.280 --> 0:32:20.959
<v Speaker 1>this is rooted in real hatred and not Yeah, and

0:32:21.280 --> 0:32:24.920
<v Speaker 1>this actually brought me to what you were bringing up

0:32:24.960 --> 0:32:29.160
<v Speaker 1>earlier about the issue of OZ. Right. OZ came up

0:32:29.200 --> 0:32:32.360
<v Speaker 1>a lot in sort of this this fear of homophobia

0:32:32.520 --> 0:32:36.280
<v Speaker 1>or rather fear of queerness um. And part of it

0:32:36.560 --> 0:32:39.320
<v Speaker 1>that they sort of explained in the OZ scenario is

0:32:39.360 --> 0:32:43.720
<v Speaker 1>that they don't actually consider images like the ones you

0:32:43.800 --> 0:32:46.760
<v Speaker 1>see in shows like OZ or The Wire to be

0:32:46.920 --> 0:32:51.040
<v Speaker 1>part of the gay agenda because those men are not

0:32:51.240 --> 0:32:55.160
<v Speaker 1>consensually being a part of gayness or of queerness. Right

0:32:55.480 --> 0:32:58.600
<v Speaker 1>that because they're being raped, or because they're being there

0:32:58.640 --> 0:33:02.160
<v Speaker 1>in the closet, or because is there somehow treating gayness

0:33:02.240 --> 0:33:05.960
<v Speaker 1>is something you should be ashamed of. It isn't working

0:33:06.040 --> 0:33:08.720
<v Speaker 1>towards the gay agenda. I don't know. I don't know

0:33:08.720 --> 0:33:12.920
<v Speaker 1>how much wied and people watched Man because Omar wasn't

0:33:12.920 --> 0:33:16.680
<v Speaker 1>ashamed of nothing. Omar used to walk around with his

0:33:16.800 --> 0:33:20.120
<v Speaker 1>boot and do crimes. They used to do crimes together

0:33:20.920 --> 0:33:22.880
<v Speaker 1>and then go home and do what they do. They

0:33:22.960 --> 0:33:28.720
<v Speaker 1>was cool, that's fair. Nothing Omar was whistling. And it

0:33:28.840 --> 0:33:31.320
<v Speaker 1>wasn't just because he was murdering people because he got

0:33:31.320 --> 0:33:35.760
<v Speaker 1>some dick, right, yeah, he was. He was fully satisfied man.

0:33:36.200 --> 0:33:39.120
<v Speaker 1>So yeah, he I don't you know that's that's that's

0:33:39.120 --> 0:33:41.840
<v Speaker 1>a weird kind of cognitive dissidence. They're talking about their man,

0:33:41.880 --> 0:33:44.960
<v Speaker 1>because I feel like that's one of the real brilliant

0:33:45.000 --> 0:33:50.400
<v Speaker 1>aspects of Omar's characters, specifically, is that he wasn't ashamed

0:33:50.760 --> 0:33:55.320
<v Speaker 1>of anything. And he was he was the scariest dude

0:33:55.960 --> 0:33:59.400
<v Speaker 1>on the block, but his lifestyle and how he lived

0:33:59.400 --> 0:34:02.080
<v Speaker 1>it was complete his business and and and something he

0:34:02.160 --> 0:34:04.800
<v Speaker 1>wasn't afraid to wear at all, even though you know,

0:34:04.880 --> 0:34:07.520
<v Speaker 1>he's in a situation where he knows that he's surrounded

0:34:07.560 --> 0:34:10.720
<v Speaker 1>by homophobic people, he was choosing to live his life.

0:34:11.040 --> 0:34:14.440
<v Speaker 1>And and and to that point, you're hearing all of

0:34:14.680 --> 0:34:17.920
<v Speaker 1>like the the language around the way that they talked

0:34:17.920 --> 0:34:21.560
<v Speaker 1>about Omar right that like, you know, they're using derogatory

0:34:21.680 --> 0:34:27.680
<v Speaker 1>language when referring to him, right, But their argument, I guess,

0:34:27.760 --> 0:34:32.799
<v Speaker 1>at its essences like that that derogatory language protects us

0:34:33.239 --> 0:34:38.560
<v Speaker 1>from the cell of of homosexuality, when in fact, to

0:34:38.680 --> 0:34:41.600
<v Speaker 1>your larger point, that's not the big takeaway of the

0:34:41.840 --> 0:34:44.440
<v Speaker 1>of the Wire. You're not supposed to watch it and

0:34:44.480 --> 0:34:49.040
<v Speaker 1>go you know what, Stringer Bell was right, he was

0:34:49.080 --> 0:34:56.640
<v Speaker 1>really nailing it. Oh man, Yeah, Marlowe speaks for us.

0:34:56.640 --> 0:35:02.200
<v Speaker 1>All right, Yeah, that's not the thing. And so I mean,

0:35:02.520 --> 0:35:05.399
<v Speaker 1>why can't these people just say that's a really good

0:35:05.400 --> 0:35:07.759
<v Speaker 1>show and it's and it's got gay stuff in it,

0:35:07.840 --> 0:35:10.879
<v Speaker 1>and that's okay, you know what I'm saying, It's all

0:35:10.920 --> 0:35:12.360
<v Speaker 1>it's all this thing. What they're trying to do is

0:35:12.440 --> 0:35:15.879
<v Speaker 1>make excuses for shows that they think are good. They

0:35:15.920 --> 0:35:18.200
<v Speaker 1>can they can keep watching the show that they think

0:35:18.320 --> 0:35:20.719
<v Speaker 1>is good, and they can have you know, reasons that

0:35:20.800 --> 0:35:23.320
<v Speaker 1>they hide away with to make it okay, to excuse

0:35:23.360 --> 0:35:25.279
<v Speaker 1>it for him. But it's so strange you have to

0:35:25.360 --> 0:35:28.040
<v Speaker 1>jump through all those hoops to engage with a television

0:35:28.040 --> 0:35:31.680
<v Speaker 1>show where where something really, I mean in OZ is

0:35:31.800 --> 0:35:33.640
<v Speaker 1>is weird Because in OZ it was a lot of

0:35:33.640 --> 0:35:37.120
<v Speaker 1>non consensual Uh it was almost it was used as

0:35:37.120 --> 0:35:39.120
<v Speaker 1>a weapon in a way to dominate people in a

0:35:39.120 --> 0:35:41.440
<v Speaker 1>lot of senses, and I think they're worth some genuine

0:35:42.080 --> 0:35:46.640
<v Speaker 1>relationships in that setting too, but it was also weaponized

0:35:46.719 --> 0:35:49.120
<v Speaker 1>and was and it was also it was using a

0:35:49.120 --> 0:35:53.040
<v Speaker 1>lot of different contexts than just you know, normal sexual behavior.

0:35:53.400 --> 0:35:56.040
<v Speaker 1>But you know, I think, I think specifically the way

0:35:56.080 --> 0:35:58.640
<v Speaker 1>they did that in a wire was was was beautiful

0:35:58.840 --> 0:36:03.440
<v Speaker 1>because even even in the presentation of it as a

0:36:03.480 --> 0:36:05.480
<v Speaker 1>real life thing that just happened to be a part

0:36:05.480 --> 0:36:09.480
<v Speaker 1>of this guy's character, they also didn't go the step

0:36:09.600 --> 0:36:13.319
<v Speaker 1>of making a huge deal about it like it was

0:36:13.440 --> 0:36:17.560
<v Speaker 1>some triumphant thing that they were doing. They just presented

0:36:17.600 --> 0:36:20.719
<v Speaker 1>it as normal. Just like there's heterosexual sex scenes in

0:36:20.760 --> 0:36:22.960
<v Speaker 1>that show. There's homosexual sex scenes in that show, and

0:36:22.960 --> 0:36:27.040
<v Speaker 1>they were both kind of like treated equally, and neither

0:36:27.239 --> 0:36:31.800
<v Speaker 1>were trumpeted as some grand accomplishment. It was just showing

0:36:31.880 --> 0:36:36.080
<v Speaker 1>you life in this scenario, and sexiest part of life.

0:36:36.320 --> 0:36:41.520
<v Speaker 1>If anything, I would say that the heterosexual relationships were

0:36:41.560 --> 0:36:45.520
<v Speaker 1>more toxic than even like the ones that Omar had, Like,

0:36:45.600 --> 0:36:49.719
<v Speaker 1>if nothing else, his relationships were almost the healthiest part

0:36:49.800 --> 0:36:53.160
<v Speaker 1>of him. And then you know his his choice is

0:36:53.239 --> 0:36:59.400
<v Speaker 1>beyond that although fucking coolest ship probably weren't necessarily as admirable. True.

0:37:00.520 --> 0:37:04.000
<v Speaker 1>One of the things that that really got me excited,

0:37:04.040 --> 0:37:06.680
<v Speaker 1>probably in the wrong ways, but I I couldn't help

0:37:06.719 --> 0:37:10.360
<v Speaker 1>but enjoy was I ended up down a YouTube tunnel

0:37:10.880 --> 0:37:14.960
<v Speaker 1>of like all the like hotep conspiracy theories. Oh here

0:37:14.960 --> 0:37:18.440
<v Speaker 1>we go. It's fun. It's a fun time, probably not

0:37:18.560 --> 0:37:22.560
<v Speaker 1>in a way that it's supposed to be. But one

0:37:22.560 --> 0:37:25.320
<v Speaker 1>of the things that basically a lot of people argue

0:37:25.400 --> 0:37:28.200
<v Speaker 1>is that there's no way into Hollywood, there's no way

0:37:28.280 --> 0:37:33.480
<v Speaker 1>into real success in Hollywood without committing to sell your soul,

0:37:34.160 --> 0:37:38.880
<v Speaker 1>uh through some version of homosexuality. M hm hm. And

0:37:39.080 --> 0:37:42.919
<v Speaker 1>I think that's if I'm understanding correctly, then that's also

0:37:42.960 --> 0:37:45.239
<v Speaker 1>kind of points back to the dress thing, right, like

0:37:46.080 --> 0:37:49.360
<v Speaker 1>that you make you choose the dress, and you have

0:37:49.440 --> 0:37:53.640
<v Speaker 1>to choose a dress or else you won't have a career. Yes, yeah,

0:37:53.719 --> 0:37:57.080
<v Speaker 1>I mean and okay, and and this is I'm gonna

0:37:57.080 --> 0:37:59.640
<v Speaker 1>tell you this gets harry for me because when you

0:37:59.640 --> 0:38:03.000
<v Speaker 1>asked me this question earlier, what my mind went was

0:38:03.200 --> 0:38:05.480
<v Speaker 1>to how at the end of the day, all the

0:38:05.480 --> 0:38:08.680
<v Speaker 1>corporations just want to make money, right, so, and that

0:38:09.000 --> 0:38:11.759
<v Speaker 1>it kind of filters out some of the conspiracy bs

0:38:11.800 --> 0:38:15.719
<v Speaker 1>for me. But I do think there is also a

0:38:15.800 --> 0:38:21.120
<v Speaker 1>long documented history of like people in Hollywood doing nasty

0:38:21.200 --> 0:38:27.080
<v Speaker 1>stuff behind the scenes, and that also the nastiness of

0:38:27.120 --> 0:38:32.120
<v Speaker 1>that also gets into hiring and casting choices, and and

0:38:32.200 --> 0:38:35.760
<v Speaker 1>that in many ways has interfered with the money making

0:38:35.800 --> 0:38:40.040
<v Speaker 1>on that level. To that point, I think, I think

0:38:40.320 --> 0:38:43.160
<v Speaker 1>what we're seeing is that humans are horny as fuck,

0:38:43.560 --> 0:38:47.840
<v Speaker 1>right that like, despite it being heterosexual, homosexual, whatever is

0:38:47.880 --> 0:38:50.919
<v Speaker 1>in between, it's just a du being Like I'm trying

0:38:50.920 --> 0:38:54.120
<v Speaker 1>to see something and I'm gonna make this this. You know,

0:38:54.160 --> 0:38:57.120
<v Speaker 1>I've got enough money to make this person with talent

0:38:57.280 --> 0:39:01.319
<v Speaker 1>show me there's something for my benefit. So, yes, the

0:39:01.440 --> 0:39:05.520
<v Speaker 1>nastiness as exists, but is that rooted in like a

0:39:05.640 --> 0:39:08.840
<v Speaker 1>want to undermine a community. Probably not. It's just a

0:39:08.920 --> 0:39:12.160
<v Speaker 1>do being a yucky person, it is it is and

0:39:12.160 --> 0:39:15.279
<v Speaker 1>and and it's not to undermine a community, but it

0:39:15.440 --> 0:39:19.400
<v Speaker 1>is in a way systemic, but it's systemic in in

0:39:19.440 --> 0:39:22.360
<v Speaker 1>the same way as its systemic, and government in the

0:39:22.440 --> 0:39:26.400
<v Speaker 1>same way as systemic, and like megachurches, like wherever there's

0:39:26.440 --> 0:39:30.839
<v Speaker 1>cult of personality, there's people using their position to take

0:39:30.880 --> 0:39:35.680
<v Speaker 1>advantage of other people. And you know, in the entertainment industry,

0:39:35.719 --> 0:39:40.359
<v Speaker 1>there's just a long, nasty history of it. And I

0:39:40.400 --> 0:39:44.080
<v Speaker 1>think that if you look at the occurrences of disgusting

0:39:44.160 --> 0:39:46.960
<v Speaker 1>things there and ways that people's lives have been ruined,

0:39:47.440 --> 0:39:51.640
<v Speaker 1>it's easy to also conflate that with something something along

0:39:51.680 --> 0:39:55.600
<v Speaker 1>the lines of the hotel philosophies, where you know where

0:39:55.640 --> 0:39:58.040
<v Speaker 1>you you got to choose to go gay or else.

0:39:58.680 --> 0:40:01.839
<v Speaker 1>And in some in some situations where there are some

0:40:02.600 --> 0:40:07.040
<v Speaker 1>casting directors or some managers or some agents that are

0:40:07.280 --> 0:40:11.120
<v Speaker 1>gay or omni or whatever, they do use their position

0:40:11.280 --> 0:40:14.320
<v Speaker 1>to make sure that they have that sort of access

0:40:14.360 --> 0:40:16.279
<v Speaker 1>to their clients, and they put those clients in the

0:40:16.360 --> 0:40:22.160
<v Speaker 1>best positions. But that's not like a contractual thing. I'm saying,

0:40:22.160 --> 0:40:24.160
<v Speaker 1>when you're right, when you when you ink a six

0:40:24.239 --> 0:40:27.120
<v Speaker 1>picture deal where there's a clause, you know what I'm saying,

0:40:27.160 --> 0:40:30.120
<v Speaker 1>it's not that thing. You didn't sign this in Booty Blood.

0:40:30.200 --> 0:40:35.600
<v Speaker 1>This is just h This is just the thing that

0:40:35.719 --> 0:40:38.520
<v Speaker 1>happened to come up. And so you decide whether or

0:40:38.560 --> 0:40:41.200
<v Speaker 1>not you're gonna continue and be a part of it

0:40:41.320 --> 0:40:46.080
<v Speaker 1>or not. And that's okay in either direction. I will say,

0:40:46.320 --> 0:40:49.880
<v Speaker 1>my absolute favorite suggestion that I saw in one of

0:40:49.920 --> 0:40:53.360
<v Speaker 1>these videos was there was one dude who claimed that

0:40:53.400 --> 0:40:57.720
<v Speaker 1>the reason Chadwick Boseman died was because of his unwillingness

0:40:57.840 --> 0:41:02.319
<v Speaker 1>to continue his commitment in the gay agenda, that like

0:41:02.440 --> 0:41:08.560
<v Speaker 1>Hollywood had him murdered for not wanting to be gay again. Wow. Oh,

0:41:08.600 --> 0:41:11.719
<v Speaker 1>that reminds me. This is how I really. At one point,

0:41:11.800 --> 0:41:15.319
<v Speaker 1>I thought I made it because there was a very

0:41:15.400 --> 0:41:19.840
<v Speaker 1>old hotel on YouTube who made this whole video about

0:41:19.880 --> 0:41:22.680
<v Speaker 1>how Comedy Central was making this show called the New

0:41:22.719 --> 0:41:26.759
<v Speaker 1>Negro and it was and it was it was to

0:41:27.080 --> 0:41:34.440
<v Speaker 1>amass further emasculate black Oh. I thought, Oh, man, I

0:41:34.440 --> 0:41:39.200
<v Speaker 1>thought we had a ride and that was the whole video.

0:41:39.880 --> 0:41:44.480
<v Speaker 1>That was the whole video. He saw an advertisement for

0:41:44.560 --> 0:41:46.640
<v Speaker 1>our show and could not wait to hop in front

0:41:46.640 --> 0:41:49.719
<v Speaker 1>of his computer and talk about how they were doing

0:41:49.719 --> 0:41:53.720
<v Speaker 1>it again man, And so was the suggestion that y'all

0:41:53.719 --> 0:41:58.640
<v Speaker 1>were gay? What was that? What Paul his His wasn't gay,

0:41:58.800 --> 0:42:01.040
<v Speaker 1>It was just about it. It would be more along

0:42:01.080 --> 0:42:04.520
<v Speaker 1>the lines of the emasculation by like wearing a dress

0:42:04.600 --> 0:42:07.120
<v Speaker 1>or like we were cool, you know, like that that

0:42:07.239 --> 0:42:11.160
<v Speaker 1>direction for Comedy Central exactly, and that we are somehow

0:42:11.239 --> 0:42:15.600
<v Speaker 1>we were somehow tools viacom trying to subjugate our own

0:42:15.640 --> 0:42:20.799
<v Speaker 1>community on behalf of them. That's wild. Did you did

0:42:20.800 --> 0:42:23.719
<v Speaker 1>you ever have a part of you that wanted to respond?

0:42:23.760 --> 0:42:27.160
<v Speaker 1>Did you right under under the comments? Did you do anything? Man?

0:42:27.239 --> 0:42:30.840
<v Speaker 1>But I I showed Barren, and I wanted to show

0:42:31.040 --> 0:42:35.160
<v Speaker 1>everybody like I wanted to like really run with it

0:42:35.400 --> 0:42:38.640
<v Speaker 1>on YouTube. But I also I think once I saw

0:42:38.680 --> 0:42:41.080
<v Speaker 1>that though, it also kind of gave me pause to

0:42:41.520 --> 0:42:45.279
<v Speaker 1>like it was a situation that caused me to look

0:42:45.360 --> 0:42:48.640
<v Speaker 1>at what I was doing from a different perspective quickly. Yeah,

0:42:48.800 --> 0:42:52.640
<v Speaker 1>like oh people could really think that, yeah, I'm saying

0:42:52.680 --> 0:42:54.960
<v Speaker 1>like and so that was that was interesting too, like

0:42:55.640 --> 0:42:57.520
<v Speaker 1>to be inside of it and to know exactly what

0:42:57.560 --> 0:43:00.880
<v Speaker 1>it is, um, but then to all so see something

0:43:00.920 --> 0:43:03.439
<v Speaker 1>that makes me look at the title of our own

0:43:03.440 --> 0:43:08.400
<v Speaker 1>show like oh, oh dang, Like I wonder if other

0:43:08.480 --> 0:43:13.160
<v Speaker 1>people are, well, that's that you're bringing up something really

0:43:13.239 --> 0:43:16.480
<v Speaker 1>fascinating that that I think is sometimes hard to articulate.

0:43:16.640 --> 0:43:19.200
<v Speaker 1>But but maybe this will be a great entrance, is

0:43:19.239 --> 0:43:22.320
<v Speaker 1>that I don't think there's a way to exist in

0:43:22.480 --> 0:43:26.040
<v Speaker 1>Hollywood without being a coon at some point? Do you

0:43:26.080 --> 0:43:28.839
<v Speaker 1>know what I mean? Like for somebody, that doesn't mean

0:43:28.840 --> 0:43:31.400
<v Speaker 1>that you are in fact a quote unquote coon. It

0:43:31.440 --> 0:43:33.560
<v Speaker 1>doesn't even mean that. I think we have a an

0:43:33.560 --> 0:43:37.360
<v Speaker 1>objective definition of what that actually is. But there's it

0:43:37.440 --> 0:43:40.879
<v Speaker 1>almost is a certainty that somebody's gonna be like, man,

0:43:40.960 --> 0:43:43.919
<v Speaker 1>he's a sellout. He don't believe in black people. Look,

0:43:44.000 --> 0:43:45.719
<v Speaker 1>he could have done it this way or that way,

0:43:45.719 --> 0:43:48.799
<v Speaker 1>and it's like, nah, I gotta show and I put

0:43:48.840 --> 0:43:51.600
<v Speaker 1>black people on. I don't understand, Like, at what point

0:43:51.680 --> 0:43:56.080
<v Speaker 1>did this become you know, uh, detrimental to to my

0:43:56.160 --> 0:43:58.840
<v Speaker 1>own community? Well, you know, I think I think the

0:43:58.840 --> 0:44:03.719
<v Speaker 1>stark realization for me and for Baron was um was

0:44:03.800 --> 0:44:08.920
<v Speaker 1>the realization that the problem is you you don't get

0:44:08.960 --> 0:44:13.040
<v Speaker 1>to have the conversation with everybody who has those thoughts.

0:44:13.080 --> 0:44:16.359
<v Speaker 1>Like they see a title, they see an ad, they

0:44:16.400 --> 0:44:19.880
<v Speaker 1>may watch the show, they may not ever watch the show,

0:44:19.960 --> 0:44:22.400
<v Speaker 1>but their thoughts are going to form based on the

0:44:22.440 --> 0:44:26.640
<v Speaker 1>information they're presented and whatever kind of person they are already,

0:44:26.760 --> 0:44:31.000
<v Speaker 1>and you don't get to explain to them the power

0:44:31.040 --> 0:44:33.960
<v Speaker 1>that we had that we're executive producers, that we got

0:44:34.000 --> 0:44:36.920
<v Speaker 1>to have, you know, as many black people as we

0:44:36.960 --> 0:44:38.960
<v Speaker 1>could find to work on the show, to be on

0:44:39.000 --> 0:44:41.840
<v Speaker 1>the show, and everything that it meant to us to

0:44:41.920 --> 0:44:44.279
<v Speaker 1>do it, and the ways we went about that. We

0:44:44.480 --> 0:44:47.759
<v Speaker 1>don't get to actually open that part of it up

0:44:47.840 --> 0:44:50.520
<v Speaker 1>for people. And so in some ways, like you're saying,

0:44:50.560 --> 0:44:53.680
<v Speaker 1>you can't control what people take it wrong with because

0:44:53.680 --> 0:44:55.400
<v Speaker 1>you don't. You don't get a chance to sit with

0:44:55.480 --> 0:44:59.319
<v Speaker 1>them and tell them what really happened. There's nothing you

0:44:59.360 --> 0:45:01.439
<v Speaker 1>can do that can into me that that lady Flow

0:45:01.600 --> 0:45:05.000
<v Speaker 1>from Progressive ain't an asshole, I think you know what

0:45:05.000 --> 0:45:07.320
<v Speaker 1>I mean. Like to me, that is an asshole the

0:45:07.480 --> 0:45:10.120
<v Speaker 1>human being. She's a piece of ship. I'll never forgive

0:45:10.120 --> 0:45:13.200
<v Speaker 1>her but what she's done. But the reality is Flow

0:45:13.239 --> 0:45:15.480
<v Speaker 1>as a real person who might have real say in

0:45:15.520 --> 0:45:17.759
<v Speaker 1>the way that these ads are being shaped, and like

0:45:17.880 --> 0:45:21.800
<v Speaker 1>the messaging and being able to creep, you know, add

0:45:21.880 --> 0:45:24.359
<v Speaker 1>humor to a thing that otherwise might have been just

0:45:24.400 --> 0:45:28.160
<v Speaker 1>a straight ad read and that's an unfair judgment that's

0:45:28.200 --> 0:45:30.000
<v Speaker 1>being placed on her much in the way that you

0:45:30.040 --> 0:45:32.960
<v Speaker 1>guys are dealing with And so I apologize Flow, but

0:45:33.080 --> 0:45:39.799
<v Speaker 1>fuck you. At the same time. All right, we're gonna

0:45:39.840 --> 0:45:41.800
<v Speaker 1>take more, more break. We'll be back with more open

0:45:41.840 --> 0:45:54.560
<v Speaker 1>Mike Eagle and more. My mama told me, and we

0:45:55.280 --> 0:46:00.560
<v Speaker 1>are back. If you want to reach the kids on

0:46:00.640 --> 0:46:02.680
<v Speaker 1>the street, and you gotta do a rep, do a

0:46:02.760 --> 0:46:06.200
<v Speaker 1>hip hop beat. So I gave my swimming an urban kick.

0:46:06.480 --> 0:46:09.479
<v Speaker 1>My rhymes are flying, my beat is sick. My crew

0:46:09.760 --> 0:46:14.640
<v Speaker 1>is big, and it keeps getting bigger. That's because Jesus Christ. Yeah,

0:46:14.840 --> 0:46:19.919
<v Speaker 1>we're back here with more Mikey more. No, no, no,

0:46:20.080 --> 0:46:24.040
<v Speaker 1>what was that? Who was who was that? I don't know.

0:46:24.120 --> 0:46:27.240
<v Speaker 1>It's just a man I saw on YouTube spitting bars

0:46:27.360 --> 0:46:34.400
<v Speaker 1>open say, oh my God, of course he said it.

0:46:34.960 --> 0:46:41.600
<v Speaker 1>He's not a He's not a coward. Jesus Christ. I

0:46:41.680 --> 0:46:44.600
<v Speaker 1>think it was genuinely meant to be like a tutorial

0:46:45.600 --> 0:46:48.279
<v Speaker 1>or like a thing to get young people involved in

0:46:48.320 --> 0:46:52.640
<v Speaker 1>the church. And boy did it go wrong. But I've

0:46:52.640 --> 0:46:55.480
<v Speaker 1>had fun with it. I love dropping it wherever I can.

0:46:59.640 --> 0:47:04.080
<v Speaker 1>I thought the show was going real well. Now hurt well,

0:47:04.160 --> 0:47:06.520
<v Speaker 1>it's only gonna get worse because now we're gonna play

0:47:06.560 --> 0:47:09.600
<v Speaker 1>a game. This is I'm gonna play a game with you.

0:47:09.680 --> 0:47:11.520
<v Speaker 1>This is a very fun game that I like to

0:47:11.560 --> 0:47:15.879
<v Speaker 1>call white lies ugly. You're disgusting. I'm gonna kill you.

0:47:15.960 --> 0:47:19.080
<v Speaker 1>Give me two white lies. This is a fun game

0:47:19.800 --> 0:47:23.520
<v Speaker 1>where I am going to present to you a conspiracy

0:47:23.600 --> 0:47:27.560
<v Speaker 1>theory mostly supported in the white community. And what I

0:47:27.560 --> 0:47:29.960
<v Speaker 1>would love for you to do is to really unpack

0:47:30.040 --> 0:47:32.759
<v Speaker 1>it and figure out why you think white people are

0:47:32.840 --> 0:47:36.799
<v Speaker 1>so invested in this conspiracy thing. What do they Yes,

0:47:36.920 --> 0:47:40.239
<v Speaker 1>it's great. Tell me what these sneaky motherfucker's are up to? Do?

0:47:40.280 --> 0:47:43.680
<v Speaker 1>You know what I mean? Alright, so the the conspiracy theory.

0:47:43.880 --> 0:47:46.480
<v Speaker 1>I don't know how much you track Qua nine, I

0:47:46.520 --> 0:47:53.440
<v Speaker 1>don't know if you're okay. Beautiful is hious. There's some

0:47:53.480 --> 0:47:55.520
<v Speaker 1>of the funniest people on the Internet, and they don't

0:47:55.520 --> 0:47:58.840
<v Speaker 1>get enough credit for being hilarious. But one of the

0:47:58.880 --> 0:48:01.280
<v Speaker 1>things that Q and on me bers have started to

0:48:01.360 --> 0:48:05.760
<v Speaker 1>sort of believe and maintain and circulate is that JFK Jr.

0:48:06.200 --> 0:48:09.520
<v Speaker 1>Or he still alive and uh for some reason, is

0:48:09.560 --> 0:48:12.560
<v Speaker 1>now a Trump supporter who is going to be showing

0:48:12.640 --> 0:48:15.719
<v Speaker 1>up at his rallies or events now that he no

0:48:15.760 --> 0:48:19.400
<v Speaker 1>longer is president. My question for you, why do you

0:48:19.480 --> 0:48:22.360
<v Speaker 1>think it's so important for these white people to believe

0:48:22.440 --> 0:48:27.880
<v Speaker 1>that JFK Jr. Is still alive? Oh man? Because they

0:48:28.080 --> 0:48:32.280
<v Speaker 1>they really want to believe that the tables have turned

0:48:33.120 --> 0:48:35.760
<v Speaker 1>to where you know, a lot of these people probably

0:48:35.840 --> 0:48:40.480
<v Speaker 1>used to be Democrats, um, And they really want to

0:48:40.520 --> 0:48:44.520
<v Speaker 1>believe that the the left and the Democrats have become

0:48:44.640 --> 0:48:47.839
<v Speaker 1>evil and they eat babies and they throw children out

0:48:47.840 --> 0:48:51.440
<v Speaker 1>a window. Um. They really want to believe that. And

0:48:51.440 --> 0:48:53.080
<v Speaker 1>and one of the things going to help them believe

0:48:53.080 --> 0:48:55.440
<v Speaker 1>it is if somebody who they used to love, who

0:48:55.520 --> 0:48:59.759
<v Speaker 1>was part of you know, uh, the last probably democratic

0:49:00.040 --> 0:49:04.880
<v Speaker 1>gimee that they really respected, somebody on that side sees

0:49:04.920 --> 0:49:08.839
<v Speaker 1>it all clearly and it's gonna tell on everybody. And

0:49:08.880 --> 0:49:11.120
<v Speaker 1>they're waiting like that's gonna be their savior. That's what's

0:49:11.120 --> 0:49:13.520
<v Speaker 1>gonna make everything makes sense for them. In their head.

0:49:13.640 --> 0:49:15.960
<v Speaker 1>It already exists, so that's what has made it makes

0:49:15.960 --> 0:49:19.239
<v Speaker 1>sense for them, But they need JFK Jr. Help it

0:49:19.320 --> 0:49:24.920
<v Speaker 1>make sense for all of us. That's that's that's very astute.

0:49:25.080 --> 0:49:27.920
<v Speaker 1>I had. Okay, that makes a lot of sense to me.

0:49:28.000 --> 0:49:30.839
<v Speaker 1>So it means that JFK Jr. Is sort of like

0:49:30.920 --> 0:49:34.640
<v Speaker 1>the last semblance of like a truth that they do

0:49:34.760 --> 0:49:38.120
<v Speaker 1>believe about Democrats and about sort of like what Democrats

0:49:38.280 --> 0:49:41.600
<v Speaker 1>used to represent. It's like how Republicans still bring up

0:49:41.640 --> 0:49:45.319
<v Speaker 1>Abraham Lincoln as a way of like justifying all the

0:49:45.360 --> 0:49:48.360
<v Speaker 1>evil that they've done since, because it's like, no, remember,

0:49:48.400 --> 0:49:51.960
<v Speaker 1>our boy freed the slave. So so we're still good.

0:49:52.000 --> 0:49:54.000
<v Speaker 1>We're still we still the good guys, no matter what.

0:49:54.920 --> 0:49:58.919
<v Speaker 1>It's no, it's it's a little more complicated than that place. Boy. Yeah,

0:49:58.920 --> 0:50:00.759
<v Speaker 1>he freed the slaves. I don't even know if he

0:50:00.800 --> 0:50:04.120
<v Speaker 1>wanted to. And that's a different and that was many

0:50:04.200 --> 0:50:10.040
<v Speaker 1>hundreds of years ago, right, it wasn't recent. Yeah, but

0:50:10.120 --> 0:50:13.120
<v Speaker 1>I love that. So they're sitting here going if JFK Jr.

0:50:13.160 --> 0:50:15.600
<v Speaker 1>Is still alive, then he'll come back and he'll show

0:50:15.640 --> 0:50:18.279
<v Speaker 1>the Democrats what's what and what they should have been

0:50:18.280 --> 0:50:20.360
<v Speaker 1>and what they could have been. I think we did it.

0:50:20.440 --> 0:50:23.839
<v Speaker 1>I think we nailed the episode. What a great time. Uh.

0:50:24.040 --> 0:50:26.440
<v Speaker 1>Could you tell the people where where they can find

0:50:26.480 --> 0:50:30.719
<v Speaker 1>you on the internet? Cool ship you've got going on? Whatever? Yeah, man,

0:50:31.120 --> 0:50:32.520
<v Speaker 1>just put out the album like you said anime A

0:50:32.600 --> 0:50:36.480
<v Speaker 1>Trauma Divorce, which is out everywhere music is legal. I

0:50:36.520 --> 0:50:39.680
<v Speaker 1>have a podcast network called Stony Gotland Audio and there's

0:50:39.680 --> 0:50:41.360
<v Speaker 1>a bunch of shows that we have on there that

0:50:41.400 --> 0:50:44.759
<v Speaker 1>are mostly from the hip hop perspective. What else and

0:50:44.760 --> 0:50:47.680
<v Speaker 1>and that's really it. And I'm always on Twitter Mike

0:50:47.840 --> 0:50:50.640
<v Speaker 1>underscore Ego, letting people know all of the ship did

0:50:50.680 --> 0:50:53.040
<v Speaker 1>I get up to and my weird thoughts about what's

0:50:53.040 --> 0:50:56.520
<v Speaker 1>happening in the world. Fuck yeah, And as always, you

0:50:56.560 --> 0:50:59.719
<v Speaker 1>can follow me at Lankstein Kerman and follow you know,

0:51:00.080 --> 0:51:03.480
<v Speaker 1>can subscribe on the podcast. And if you have drop

0:51:03.560 --> 0:51:07.319
<v Speaker 1>ideas or if you have conspiracy theories or art or

0:51:07.320 --> 0:51:10.080
<v Speaker 1>whatever it is that you like to send, please send

0:51:10.080 --> 0:51:12.920
<v Speaker 1>it to my Mama pod at gmail dot com. We

0:51:12.920 --> 0:51:15.839
<v Speaker 1>would love to see your ship. And uh yeah, this

0:51:15.920 --> 0:51:26.160
<v Speaker 1>has been amazing. Open Mike Eagle, everybody, okay by my

0:51:26.280 --> 0:51:40.600
<v Speaker 1>crop chips in your hands us racists, money stuff, I

0:51:40.600 --> 0:51:41.359
<v Speaker 1>can't tell me