1 00:00:00,120 --> 00:00:02,920 Speaker 1: Good morning Usa yo yo yo yo yo yo yo 2 00:00:03,000 --> 00:00:04,800 Speaker 1: yo yo yo yo yo yo yo yo yo yo 3 00:00:04,840 --> 00:00:06,720 Speaker 1: yo yo yo yo yo yo yo yo yo yo 4 00:00:06,760 --> 00:00:10,720 Speaker 1: yo yo yo yo yo. I'm DJ Envy and now 5 00:00:10,760 --> 00:00:12,320 Speaker 1: go body named is Charlottage, the guy with the world 6 00:00:12,320 --> 00:00:14,480 Speaker 1: the most dangerous morning shore the Breakfast Club and currently 7 00:00:14,480 --> 00:00:18,239 Speaker 1: we are on vacation, man, totally disconnected. Yes, we're not 8 00:00:18,280 --> 00:00:19,919 Speaker 1: even really here. You think you're listening to us, but 9 00:00:20,000 --> 00:00:22,520 Speaker 1: we're not. Well, we are not. We're here in spirit. 10 00:00:23,280 --> 00:00:26,160 Speaker 1: Yeah yeah, but hey, it's okay because we had given 11 00:00:26,160 --> 00:00:28,720 Speaker 1: you some of the best of this week, the best donkeys, 12 00:00:28,720 --> 00:00:31,720 Speaker 1: the best interviews you guys, which are the best callers 13 00:00:31,880 --> 00:00:33,960 Speaker 1: in some of the best moments the Breakfast Club has 14 00:00:33,960 --> 00:00:36,519 Speaker 1: had in the last couple of months. So sit back, relax, 15 00:00:36,680 --> 00:00:38,760 Speaker 1: enjoy and have fun. Keep a lock right, it's gonna 16 00:00:38,760 --> 00:00:41,000 Speaker 1: be running the boards. It's the Breakfast Club morning, yo. 17 00:00:43,280 --> 00:00:44,800 Speaker 1: This is your time to get it off your chest. 18 00:00:45,600 --> 00:00:47,479 Speaker 1: Eight hundred and five A five, one oh five one. 19 00:00:47,600 --> 00:00:51,400 Speaker 1: We want to hear from you on the Breakfast Club. Hello. 20 00:00:51,440 --> 00:00:55,880 Speaker 1: Who's this? Yeah? This is the Sugar. Hey, what up, sugar? 21 00:00:55,920 --> 00:00:57,600 Speaker 1: And get it off your chest? Bro, man, I just 22 00:00:57,600 --> 00:01:00,280 Speaker 1: want to talk about my kids. Man, they'd be dressing yeah, 23 00:01:00,360 --> 00:01:04,440 Speaker 1: with the b Bucks vacation coming up. But I love 24 00:01:04,520 --> 00:01:06,600 Speaker 1: him though, I love the death he said, with it 25 00:01:06,720 --> 00:01:09,679 Speaker 1: what bug man, they'd be. They'll be sticking up the 26 00:01:09,720 --> 00:01:13,000 Speaker 1: bad room with the with the wives and the folds. 27 00:01:14,400 --> 00:01:17,960 Speaker 1: It's it's bad. It's the b bug how these kids 28 00:01:18,040 --> 00:01:20,319 Speaker 1: is bad? Man? Think it? Kids? Well, we gotta nine. 29 00:01:20,600 --> 00:01:22,200 Speaker 1: We got a nine year old and we got a 30 00:01:22,240 --> 00:01:24,399 Speaker 1: fat year room. You gotta teach how to wipe the ass. 31 00:01:24,560 --> 00:01:26,960 Speaker 1: That's wild nine to five din you know the white 32 00:01:27,000 --> 00:01:31,520 Speaker 1: big booky by now absolutely, man, pray for me, then 33 00:01:31,600 --> 00:01:34,480 Speaker 1: y'all pray for me. Then that means that means they 34 00:01:34,560 --> 00:01:38,039 Speaker 1: daddy don't really know how to wipe me as that's true. Whoa, whoa. 35 00:01:38,080 --> 00:01:40,200 Speaker 1: I watched the episode with you a ray Ja man, 36 00:01:40,240 --> 00:01:42,959 Speaker 1: I'm not a man. So you learned how to wipe 37 00:01:43,000 --> 00:01:44,920 Speaker 1: peple asks by watching the episode of the Breakfast Club 38 00:01:44,959 --> 00:01:48,800 Speaker 1: with ray Jack, and we're helping people. It does. I 39 00:01:48,800 --> 00:01:51,720 Speaker 1: appreciate ray Jake man, I'll be laughing. How old are you, brother, 40 00:01:53,080 --> 00:01:55,160 Speaker 1: I'm a good young thirty man. I was born in 41 00:01:55,160 --> 00:01:58,400 Speaker 1: the nineteen ninety hundreds. Man, so he was he thirtyears 42 00:01:58,400 --> 00:02:00,320 Speaker 1: old and just learn how to probably wipe his assos. 43 00:02:02,120 --> 00:02:03,600 Speaker 1: And if you got bed bugs, bro, this is a 44 00:02:03,600 --> 00:02:08,959 Speaker 1: serious problem. I mean you gotta do something. Yeah, yeah, 45 00:02:09,000 --> 00:02:12,000 Speaker 1: all right, but I appreciate that. Man. If we are 46 00:02:12,120 --> 00:02:17,400 Speaker 1: doing nothing cleaning this house. See yeah, I see niggas everything. 47 00:02:19,240 --> 00:02:21,520 Speaker 1: See that's the that's the when you're a child, that's 48 00:02:21,520 --> 00:02:23,280 Speaker 1: the one that your parents stay away from them because 49 00:02:23,280 --> 00:02:25,280 Speaker 1: that family dirty over there. That's that's that, that's that 50 00:02:25,360 --> 00:02:32,080 Speaker 1: dirty family. Lord have mercy. Hello hello. Yeah. I'd like 51 00:02:32,120 --> 00:02:35,480 Speaker 1: to say I'm a black boom Art Johnson from Long Beach, California. 52 00:02:35,520 --> 00:02:39,480 Speaker 1: I love black, love what I'm bugged to, my baby, 53 00:02:39,600 --> 00:02:42,640 Speaker 1: to a fact woman. The black woman is the pressure 54 00:02:42,680 --> 00:02:45,880 Speaker 1: thing gonna hurt. And if you date outside that, I 55 00:02:45,880 --> 00:02:48,919 Speaker 1: don't think nothing light right or white holy dark skin 56 00:02:50,440 --> 00:02:54,560 Speaker 1: art consult and I'm better. We've been together you and 57 00:02:54,760 --> 00:02:57,040 Speaker 1: all I want to say is owing the store, brother, 58 00:02:57,639 --> 00:03:01,000 Speaker 1: make sure your kids look like you ain't white black, 59 00:03:01,400 --> 00:03:04,160 Speaker 1: instead of going in there looking like any other and 60 00:03:04,320 --> 00:03:07,960 Speaker 1: you don't know what they are. See this black, I'm black. 61 00:03:08,200 --> 00:03:11,080 Speaker 1: I agree with you, that me and doctor black. Because 62 00:03:11,080 --> 00:03:13,080 Speaker 1: when you're going that store and they don't know what 63 00:03:13,160 --> 00:03:15,560 Speaker 1: your kids identify, it is they're gonna look at him 64 00:03:15,560 --> 00:03:17,560 Speaker 1: as others. But when you stay with your stay with 65 00:03:17,600 --> 00:03:20,399 Speaker 1: your black woman, they gonna know your kids the black 66 00:03:20,400 --> 00:03:22,880 Speaker 1: when they're going that supermarket? Are they going that mall? 67 00:03:22,960 --> 00:03:27,600 Speaker 1: Keep it black on black black Africa? He looks like 68 00:03:27,720 --> 00:03:32,440 Speaker 1: the African or bother where we came and everybody see 69 00:03:32,560 --> 00:03:40,280 Speaker 1: us black ain't nowhere. I'm my black brother? Doctor? Why yeah, 70 00:03:40,280 --> 00:03:43,800 Speaker 1: all right? Why you just said, Charlottagne. You keep telling 71 00:03:43,800 --> 00:03:45,920 Speaker 1: people I'm Dominican. I'm not Dominican. People starting to believe 72 00:03:45,920 --> 00:03:48,120 Speaker 1: I'm dominic I'm black, but I ain't. I'm black for 73 00:03:48,160 --> 00:03:53,480 Speaker 1: really the other black black? You know what to get 74 00:03:53,520 --> 00:03:57,480 Speaker 1: your hello? Who's this? This beard? Out of pumping on? Man? 75 00:03:57,520 --> 00:04:00,600 Speaker 1: Ain't bossil build a blast the day. I want to 76 00:04:00,600 --> 00:04:03,280 Speaker 1: tell y'all doing a great job. Y'all keep it positive 77 00:04:03,320 --> 00:04:05,720 Speaker 1: for me every morning. Thank you brother. How was your weekend? 78 00:04:05,720 --> 00:04:06,800 Speaker 1: What you do this week? And you said you want 79 00:04:06,800 --> 00:04:09,000 Speaker 1: to share something about your weekend. All I wanted to 80 00:04:09,120 --> 00:04:10,920 Speaker 1: said was it was a great weekend. Man. You know, 81 00:04:11,360 --> 00:04:16,280 Speaker 1: but something to say, employee, it UM gives me good 82 00:04:16,320 --> 00:04:19,440 Speaker 1: mental health. I read this book. Thank you, UM, tell 83 00:04:19,520 --> 00:04:22,480 Speaker 1: him thank you? When do you have you the man? Man? 84 00:04:22,880 --> 00:04:25,080 Speaker 1: I got a car in the making. Whenever you bring 85 00:04:25,120 --> 00:04:26,800 Speaker 1: your cars to the Florida, MA, I'm gonna bring you through. 86 00:04:27,040 --> 00:04:29,200 Speaker 1: All right, we come in the Florida. I think in October. 87 00:04:29,240 --> 00:04:32,000 Speaker 1: We're doing it the same weekend. It's fifties Tycoon weekends, 88 00:04:32,040 --> 00:04:34,280 Speaker 1: so I just stay tuned for the day, so I'm 89 00:04:34,279 --> 00:04:38,159 Speaker 1: not sure the exact day, though, I appreciate. Brother. Hello, 90 00:04:38,279 --> 00:04:41,600 Speaker 1: who's this yo? This is from Florida. What's up? What's up? 91 00:04:42,160 --> 00:04:48,920 Speaker 1: What's happening? Good morning, sir? Yes, sir, did you just 92 00:04:49,080 --> 00:04:52,120 Speaker 1: tell us what's gonna go duke for duke with any 93 00:04:52,200 --> 00:04:55,640 Speaker 1: country in this world? No, that's not what I said. 94 00:04:55,920 --> 00:04:58,440 Speaker 1: I said, I said, I said you. I said, you 95 00:04:58,560 --> 00:05:00,880 Speaker 1: don't want want nobody to be going new for new. 96 00:05:01,040 --> 00:05:02,920 Speaker 1: I said, We'll all be dead with it within a 97 00:05:03,000 --> 00:05:06,760 Speaker 1: matter of minutes. Absolutely, But I just wanted to put 98 00:05:06,880 --> 00:05:11,680 Speaker 1: on the record that America is that that country we 99 00:05:12,160 --> 00:05:15,720 Speaker 1: spent some military, no country wanting with us. It will 100 00:05:15,839 --> 00:05:20,320 Speaker 1: be over within a matter of matter of Yeah, yeah, yeah, 101 00:05:20,360 --> 00:05:22,680 Speaker 1: But you're acting like Russia and China don't have nuclear 102 00:05:22,720 --> 00:05:24,640 Speaker 1: weapons too, bro, bro be a lot of debt. You 103 00:05:24,680 --> 00:05:26,880 Speaker 1: don't want that. That's not what your instruction. I don't 104 00:05:26,880 --> 00:05:29,920 Speaker 1: want that at all. I don't think they're weapons are 105 00:05:30,000 --> 00:05:34,040 Speaker 1: advanced as ours, as quick as ours. I think I 106 00:05:34,160 --> 00:05:36,320 Speaker 1: think that y'all sound ridiculous, and I think y'all have 107 00:05:36,480 --> 00:05:39,080 Speaker 1: no idea what nuclear weapons are. You do not want 108 00:05:39,160 --> 00:05:41,640 Speaker 1: nuclear warfare, but sounds stupid. I hate when people say, yeah, 109 00:05:41,640 --> 00:05:44,760 Speaker 1: I will, our weapons are so more that you don't 110 00:05:44,760 --> 00:05:47,240 Speaker 1: want that. You do not want. You do not want 111 00:05:47,279 --> 00:05:49,880 Speaker 1: country to start throwing nukes around. That's not that, it's 112 00:05:50,160 --> 00:05:53,640 Speaker 1: there's no tomorrow. People. When when that happens, and we 113 00:05:53,760 --> 00:05:58,680 Speaker 1: faced a lot of them, don't do that. Begetting off 114 00:05:58,760 --> 00:06:01,440 Speaker 1: your chest. Eight hundred five eight five one oh five one. 115 00:06:01,520 --> 00:06:03,360 Speaker 1: If you need to vent, hit us up now. It's 116 00:06:03,360 --> 00:06:09,600 Speaker 1: the Breakfast Club. Good morning, the Breakfast Club. It's a 117 00:06:09,760 --> 00:06:13,279 Speaker 1: new thing. Is your time to get it off your chest? Wait, wait, 118 00:06:13,520 --> 00:06:17,119 Speaker 1: whether you're man or black, something, get up and get something. 119 00:06:17,200 --> 00:06:19,360 Speaker 1: Call up now. Eight hundred and five eight five one 120 00:06:19,400 --> 00:06:21,040 Speaker 1: oh five one. We want to hear from you on 121 00:06:21,120 --> 00:06:25,680 Speaker 1: the Breakfast Club. Hello, who's this? You're every what's up? 122 00:06:25,800 --> 00:06:30,360 Speaker 1: Traf dollar man? What's up? Start pieces? What's happening? I'm 123 00:06:30,400 --> 00:06:36,120 Speaker 1: telling until I'm telling say hilarious. Well, well, well isn't 124 00:06:36,160 --> 00:06:39,680 Speaker 1: this that's not that hilarious? How are you? How are 125 00:06:39,680 --> 00:06:41,960 Speaker 1: you doing? Don't you start that, trav Now you be nice. 126 00:06:43,760 --> 00:06:46,600 Speaker 1: We're gonna go blow for blow traff. It seemed like 127 00:06:46,680 --> 00:06:48,440 Speaker 1: they know you don't play with me because I'm gonna 128 00:06:48,440 --> 00:06:51,760 Speaker 1: get to know you in a minute. There's more. What's up? 129 00:06:51,800 --> 00:06:54,520 Speaker 1: There's more? Got tell you something more? You better tell 130 00:06:54,560 --> 00:06:58,240 Speaker 1: it right? What's up? Changing into missus? Jeff? Kind of 131 00:06:58,320 --> 00:07:00,240 Speaker 1: funny because you walk kind of funny. Ain't know, hater, 132 00:07:01,120 --> 00:07:04,600 Speaker 1: she's hilarious. I think that I can't travel, argued about 133 00:07:04,680 --> 00:07:07,679 Speaker 1: just before travel trave you was mad at just for something, 134 00:07:08,080 --> 00:07:10,960 Speaker 1: but that was that was years ago. And see I 135 00:07:11,040 --> 00:07:14,880 Speaker 1: can't say that she has, uh she has. She has 136 00:07:14,920 --> 00:07:18,320 Speaker 1: said something about the gaging with the years ago. Don't 137 00:07:18,360 --> 00:07:20,600 Speaker 1: need to bring that up. Sorry, Oh you gay? Yeah 138 00:07:20,640 --> 00:07:23,080 Speaker 1: you gay. I'm just giving us some contact. I don't 139 00:07:23,080 --> 00:07:24,760 Speaker 1: want her to think you just coming out of no read. 140 00:07:24,880 --> 00:07:26,320 Speaker 1: I felt like it was coming from a place, but 141 00:07:26,400 --> 00:07:28,160 Speaker 1: I ain't know he was gay? All right, what's up 142 00:07:28,200 --> 00:07:33,840 Speaker 1: with you? You're kind of funny, she's hilarious and whatever, 143 00:07:34,120 --> 00:07:40,440 Speaker 1: be like you kind of screamed you you know that, 144 00:07:40,800 --> 00:07:43,080 Speaker 1: don't you know that you would be thinking of straight 145 00:07:43,080 --> 00:07:45,920 Speaker 1: when they need I'm not what I'm saying, so until 146 00:07:45,920 --> 00:07:48,600 Speaker 1: I get, until I get the talking, you do that 147 00:07:48,760 --> 00:07:50,640 Speaker 1: kind of straight now that I think that kind of 148 00:07:50,720 --> 00:07:55,920 Speaker 1: straight sor heavy? Just listen. I want to I need 149 00:07:56,120 --> 00:07:58,000 Speaker 1: what I do right. I think the first thing that 150 00:07:58,080 --> 00:08:00,680 Speaker 1: lives above me, I think he'd be his girl up. 151 00:08:01,920 --> 00:08:05,040 Speaker 1: I don't allow my business. You call the cops. You 152 00:08:05,080 --> 00:08:07,760 Speaker 1: want nobody to die? He beat it down? Call the police? 153 00:08:07,800 --> 00:08:09,480 Speaker 1: Why do you? But you gotta give us some context. 154 00:08:09,520 --> 00:08:10,920 Speaker 1: Why do you think he's doing that? They could just 155 00:08:10,960 --> 00:08:14,360 Speaker 1: be having rough steps. But I don't know, because because 156 00:08:14,520 --> 00:08:17,840 Speaker 1: because the Africans, I don't know if he does yelling 157 00:08:17,880 --> 00:08:21,960 Speaker 1: when he thought but like he's like going off her 158 00:08:22,080 --> 00:08:24,119 Speaker 1: his language on the whippy who I'll be hearing FURGI 159 00:08:24,160 --> 00:08:26,200 Speaker 1: to move right, but he'd be like napping on her. 160 00:08:27,320 --> 00:08:28,960 Speaker 1: And if he makes me want to call the cops, 161 00:08:29,360 --> 00:08:31,160 Speaker 1: I don't know what they're talking about. Maybe you should 162 00:08:31,200 --> 00:08:37,160 Speaker 1: tell the landlord first. Yeah, the maintenance man. Oh he 163 00:08:37,440 --> 00:08:42,319 Speaker 1: maintenance maintenance man ain't live upstairs. I will. So when 164 00:08:42,360 --> 00:08:43,640 Speaker 1: you go to work, why don't you just go up 165 00:08:43,679 --> 00:08:46,040 Speaker 1: there and ask? As the girl she's not gonna see 166 00:08:46,600 --> 00:08:47,920 Speaker 1: but you can see a face if he gives she 167 00:08:47,960 --> 00:08:50,880 Speaker 1: getting beat or something. Yeah, you know I should have 168 00:08:50,960 --> 00:08:54,400 Speaker 1: been like, I'm mocked out and open the door there. 169 00:08:54,480 --> 00:08:57,200 Speaker 1: You shouldn't tell somebody if you really feel that. Definitely, 170 00:08:57,240 --> 00:08:58,839 Speaker 1: if you feel like it's going down up there, you 171 00:08:58,840 --> 00:09:03,880 Speaker 1: should tell somebody. Draft so crazy man getting off your 172 00:09:03,960 --> 00:09:06,640 Speaker 1: chest eight hundred five A five one oh five one. 173 00:09:06,760 --> 00:09:08,719 Speaker 1: If you need to vent hit this up now. It's 174 00:09:08,720 --> 00:09:15,280 Speaker 1: the Breakfast Club, Good morning, the Breakfast Club doing it 175 00:09:15,360 --> 00:09:17,079 Speaker 1: And I'm doing it on my own terms because I 176 00:09:17,240 --> 00:09:19,840 Speaker 1: kind of backed away from the industry because it became 177 00:09:19,920 --> 00:09:22,400 Speaker 1: too much for me to still do it and then 178 00:09:22,480 --> 00:09:26,040 Speaker 1: find someone like AMP who believed in me and allows 179 00:09:26,120 --> 00:09:28,360 Speaker 1: me to be who I am, because you know, in 180 00:09:28,400 --> 00:09:30,719 Speaker 1: this business they try to change you to meet a 181 00:09:30,840 --> 00:09:34,920 Speaker 1: certain criteria and I never fit into that Yahia and 182 00:09:35,040 --> 00:09:36,959 Speaker 1: didn't want to. And I love that. I love it. 183 00:09:37,080 --> 00:09:42,280 Speaker 1: And so for the Rolling Stones magazine of all time, Yeah, 184 00:09:42,440 --> 00:09:44,000 Speaker 1: the greatest one of the things of all time. How 185 00:09:44,520 --> 00:09:46,880 Speaker 1: do you feel being left out of that? I don't 186 00:09:46,880 --> 00:09:49,520 Speaker 1: feel anything. I don't pay any attention to that. That's 187 00:09:49,600 --> 00:09:52,160 Speaker 1: somebody behind the desk who doesn't really know what they're 188 00:09:52,160 --> 00:09:56,319 Speaker 1: talking and how could you leave Celine Diona? How could you? 189 00:09:57,160 --> 00:09:59,520 Speaker 1: He said, great, you know, how could you? So I 190 00:09:59,559 --> 00:10:01,760 Speaker 1: don't pay attention is that I don't pay attention to 191 00:10:01,880 --> 00:10:04,559 Speaker 1: awards and all that, even though I have awards of 192 00:10:04,679 --> 00:10:07,800 Speaker 1: everything that of musically, but it doesn't mean anything. What 193 00:10:08,000 --> 00:10:10,559 Speaker 1: means matters to me and which has kept me with 194 00:10:10,760 --> 00:10:13,400 Speaker 1: my sold out shows that I'm proud of is my 195 00:10:13,600 --> 00:10:16,800 Speaker 1: people coming to see me and playing their hard earned money. 196 00:10:17,160 --> 00:10:19,839 Speaker 1: That's what keeps me going. Yeah, I grew with the 197 00:10:19,960 --> 00:10:22,920 Speaker 1: Rolling Stone. Clearly those people are culturally clueless, you know 198 00:10:22,960 --> 00:10:25,480 Speaker 1: what I mean. They're leaving people like you clean theon all. 199 00:10:26,000 --> 00:10:29,200 Speaker 1: But see, I was never played on VHRON or MTV, 200 00:10:29,600 --> 00:10:31,480 Speaker 1: none of my videos because they always said I was 201 00:10:31,559 --> 00:10:33,640 Speaker 1: too urban and I only had a pop record with 202 00:10:33,760 --> 00:10:36,880 Speaker 1: Never Knew Love. That's the only one they allowed to 203 00:10:37,040 --> 00:10:39,520 Speaker 1: cross over. I wonder you said something earlier. You said 204 00:10:39,559 --> 00:10:41,640 Speaker 1: that you never had the machine behind you. And it's 205 00:10:41,679 --> 00:10:43,920 Speaker 1: interesting because you can see how that might still impact 206 00:10:43,960 --> 00:10:46,679 Speaker 1: you now when it comes to these lists, right exactly 207 00:10:46,960 --> 00:10:48,640 Speaker 1: when you think about it, like back in the day 208 00:10:48,720 --> 00:10:51,280 Speaker 1: when MTV, I want my MTV and they didn't want 209 00:10:51,280 --> 00:10:53,360 Speaker 1: to play Michael. You know, it was the president of 210 00:10:53,440 --> 00:10:55,679 Speaker 1: the company that said, if you don't play him, I'm 211 00:10:55,720 --> 00:10:58,400 Speaker 1: going to expose that you're racist. And I don't think 212 00:10:58,480 --> 00:11:00,559 Speaker 1: really anything has changed. I think you have to have 213 00:11:00,760 --> 00:11:02,800 Speaker 1: and back then, I didn't have that kind of person 214 00:11:03,280 --> 00:11:05,520 Speaker 1: that would go on the front line for me. But 215 00:11:05,760 --> 00:11:09,160 Speaker 1: Michael did, and I'm glad he did because just imagine 216 00:11:09,280 --> 00:11:11,760 Speaker 1: you not hearing Thriller the way it was, or being 217 00:11:11,840 --> 00:11:14,959 Speaker 1: exposed to all those wonderful videos that he did, and 218 00:11:15,120 --> 00:11:18,000 Speaker 1: they didn't acknowledge his forty at the anniversary of Thriller 219 00:11:18,040 --> 00:11:21,280 Speaker 1: or anything at the Grammys or American Music Award. How 220 00:11:21,320 --> 00:11:23,160 Speaker 1: did it ain't pick and choose who got the machine 221 00:11:23,480 --> 00:11:25,679 Speaker 1: back then though, because I feel like back then it 222 00:11:25,800 --> 00:11:28,320 Speaker 1: you really needed talent to get a deal. You really 223 00:11:28,400 --> 00:11:32,199 Speaker 1: needed talent to get a deal. That's why my audience 224 00:11:32,440 --> 00:11:37,840 Speaker 1: is predominantly black, because Beet and all those black outlets 225 00:11:38,000 --> 00:11:41,319 Speaker 1: played my videos, you know, and Black radio supported me 226 00:11:41,440 --> 00:11:45,160 Speaker 1: so much. So That's why I'm able to survive. That's 227 00:11:45,200 --> 00:11:47,280 Speaker 1: why I don't understand why a lot of black artists 228 00:11:47,400 --> 00:11:51,360 Speaker 1: like don't go back to the black publications and things 229 00:11:51,440 --> 00:11:54,360 Speaker 1: like that that made them. You know, that's well, I 230 00:11:54,480 --> 00:12:00,559 Speaker 1: know always why I know I don't know understand that. 231 00:12:00,640 --> 00:12:03,360 Speaker 1: I never understand why they think vanilla ice cream is 232 00:12:03,400 --> 00:12:06,160 Speaker 1: colder than chocolate. I think it's because they want that mask. 233 00:12:06,600 --> 00:12:08,719 Speaker 1: Look you know what I mean, but you couldn't have that. 234 00:12:08,920 --> 00:12:11,680 Speaker 1: Let me tell you something. I went to, Oh what's 235 00:12:11,720 --> 00:12:14,320 Speaker 1: the Girl's group? They came to Charlotte and they sold 236 00:12:14,400 --> 00:12:19,080 Speaker 1: out the arena. There was nothing there but black people escaped. Yes, 237 00:12:20,000 --> 00:12:22,920 Speaker 1: so what's wrong with the black dollar? I definitely get 238 00:12:22,920 --> 00:12:26,880 Speaker 1: what you're saying that. My generation they also feel like 239 00:12:26,920 --> 00:12:30,079 Speaker 1: because I don't although I'm a part of them, they 240 00:12:30,160 --> 00:12:34,000 Speaker 1: felt that some type of advanced validation when you get 241 00:12:34,440 --> 00:12:36,719 Speaker 1: like it did he call it the crossover? Right? It's 242 00:12:36,760 --> 00:12:38,559 Speaker 1: like you know and people, I did a show for 243 00:12:38,640 --> 00:12:42,520 Speaker 1: Fox sitcom on Fox people yep, yep, shout out to 244 00:12:42,640 --> 00:12:45,280 Speaker 1: the show row and I was on it with Simbad. 245 00:12:45,480 --> 00:12:48,679 Speaker 1: He played it was amazing, right, I love him too, 246 00:12:49,200 --> 00:12:52,280 Speaker 1: Like the show people was telling me because people was 247 00:12:52,360 --> 00:12:54,000 Speaker 1: only used to seeing me on like walling out and 248 00:12:54,040 --> 00:12:56,000 Speaker 1: all that type of stuff, you know, more production with 249 00:12:56,120 --> 00:13:01,000 Speaker 1: black people. And then they were like, oh, that's your crossover. 250 00:13:01,120 --> 00:13:03,760 Speaker 1: Fox is your crossover. It's like you really made it now, 251 00:13:03,960 --> 00:13:06,360 Speaker 1: I really made it because I'm on Fox, you know, 252 00:13:06,480 --> 00:13:09,280 Speaker 1: working around all these white people. No, I've been made 253 00:13:09,320 --> 00:13:11,720 Speaker 1: it and then still I still ain't make it. That's 254 00:13:11,960 --> 00:13:13,920 Speaker 1: that sitcom wasn't like the cream of the crop for 255 00:13:14,000 --> 00:13:15,880 Speaker 1: me yet. I'm still not where I want to be 256 00:13:16,160 --> 00:13:19,040 Speaker 1: in terms of, you know, just where I'm going, right, 257 00:13:19,720 --> 00:13:23,319 Speaker 1: But I didn't consider that as my crossover. That's another 258 00:13:23,360 --> 00:13:26,040 Speaker 1: show that I'm on. That's another stepping stone, right, you know, 259 00:13:26,160 --> 00:13:29,640 Speaker 1: so I never so I get exactly what you're saying. 260 00:13:29,720 --> 00:13:32,200 Speaker 1: And that's what we think, we think when we cross 261 00:13:32,320 --> 00:13:35,120 Speaker 1: over to that pop. We've made it. Why do we 262 00:13:35,240 --> 00:13:38,000 Speaker 1: want to be so accepted? And I never really want 263 00:13:38,120 --> 00:13:41,640 Speaker 1: I just wanted to be accepted. I wasn't good at smoothing, 264 00:13:41,800 --> 00:13:45,240 Speaker 1: you know. I wasn't chomagne. I wasn't good at doing that. 265 00:13:45,360 --> 00:13:46,920 Speaker 1: And I didn't want to go to the parties and 266 00:13:47,200 --> 00:13:50,760 Speaker 1: have to meet this one. And I didn't like auditioning. Yeah, 267 00:13:50,880 --> 00:13:53,760 Speaker 1: I know that's Do you like it? No? I know 268 00:13:53,920 --> 00:13:55,760 Speaker 1: they look at you like you're crazy, but they make 269 00:13:55,800 --> 00:13:57,959 Speaker 1: it so hard for you. I won't do it, or 270 00:13:58,000 --> 00:14:00,599 Speaker 1: they'll act like we got mold stuff emails when we 271 00:14:00,679 --> 00:14:02,680 Speaker 1: come back, don't move. It's the breakfast Club. Good Morning, 272 00:14:03,600 --> 00:14:10,360 Speaker 1: the Breakfast Club on Everybody's dj n V. Charlemagne the guy. 273 00:14:10,400 --> 00:14:12,400 Speaker 1: We are the Breakfast Club. Let's get back into it. 274 00:14:12,480 --> 00:14:15,480 Speaker 1: It's the Breakfast Club. Good morning. Question about Michael Till 275 00:14:16,040 --> 00:14:18,880 Speaker 1: because I want to know I will answer. Okay, good 276 00:14:19,080 --> 00:14:22,120 Speaker 1: So it's the truth that you and the date I 277 00:14:22,280 --> 00:14:25,560 Speaker 1: called it dating? How was that? It was wonderful? Michael 278 00:14:25,800 --> 00:14:30,280 Speaker 1: was gentle, he was kind, very determined, knew where he 279 00:14:30,400 --> 00:14:33,520 Speaker 1: wanted to go, and we just had fun. Yeah, used 280 00:14:33,520 --> 00:14:35,760 Speaker 1: to come to the whiz all the time. So was 281 00:14:35,840 --> 00:14:43,840 Speaker 1: he a smooth criminal? He was a smooth criminal. Can't 282 00:14:43,840 --> 00:14:48,640 Speaker 1: we say that? I loved him that afro and chocolate? Yeah, 283 00:14:48,960 --> 00:14:50,960 Speaker 1: So why do you change all that? I think that's 284 00:14:50,960 --> 00:14:53,720 Speaker 1: what people get Michael Miskin screwed, and you know they'll 285 00:14:53,800 --> 00:14:56,160 Speaker 1: they'll they'll labeled Michael toom as an Uncle Tom or 286 00:14:56,680 --> 00:14:58,960 Speaker 1: you know, a coon because of that. I gotta be 287 00:14:59,080 --> 00:15:03,600 Speaker 1: strategic cause that's my baby. But um, Michael wanted to 288 00:15:03,760 --> 00:15:06,440 Speaker 1: be the king of pop. He had a fetish with 289 00:15:06,760 --> 00:15:11,200 Speaker 1: Elvis Presley and he had his eyes on Lisa Presley 290 00:15:11,280 --> 00:15:14,080 Speaker 1: when she was very young. I think he always knew 291 00:15:14,120 --> 00:15:18,240 Speaker 1: he wanted to because he felt like that was the epitome. Yeah, 292 00:15:19,120 --> 00:15:23,320 Speaker 1: you know, and I think he really wanted to be king. 293 00:15:23,680 --> 00:15:26,240 Speaker 1: But then when he got over there, they showed him 294 00:15:26,320 --> 00:15:31,120 Speaker 1: that you still and he broke his heart. Yeah, don't 295 00:15:32,080 --> 00:15:35,640 Speaker 1: until his path. No, he was too different. Yeah, I 296 00:15:35,720 --> 00:15:38,920 Speaker 1: couldn't relate to that. Michael. It had gone too far. 297 00:15:39,040 --> 00:15:41,800 Speaker 1: But I think he knew that it had gone too far. 298 00:15:41,880 --> 00:15:44,160 Speaker 1: But what can you do. You can't go back at 299 00:15:44,240 --> 00:15:46,600 Speaker 1: this point. Yeah, you can't go back. Because we went 300 00:15:46,720 --> 00:15:51,880 Speaker 1: to the opening of the Atlantis and he asked me 301 00:15:52,040 --> 00:15:55,680 Speaker 1: to come. He asked to see me, and I didn't 302 00:15:55,720 --> 00:15:59,400 Speaker 1: go because I was rehearsing, and I often wondered what 303 00:15:59,600 --> 00:16:01,760 Speaker 1: he wanted, what he wanted to tell me. He probably 304 00:16:01,800 --> 00:16:04,480 Speaker 1: wanted to tell me something or you know, but it 305 00:16:04,640 --> 00:16:08,200 Speaker 1: had gone too far and I couldn't relate. And Michael 306 00:16:08,360 --> 00:16:11,880 Speaker 1: was taught the moonwalk by my ex husband, Jeffrey Daniel. 307 00:16:12,840 --> 00:16:15,920 Speaker 1: I went to those rehearsals. Yeah, I know, everybody claimed 308 00:16:15,960 --> 00:16:19,680 Speaker 1: that they did not Jeffrey Daniel taught Michael the moonwalk 309 00:16:19,760 --> 00:16:22,200 Speaker 1: and all those things. But you know, the Motown people, 310 00:16:22,440 --> 00:16:25,160 Speaker 1: they don't always give people credit. You know, they're taught 311 00:16:25,240 --> 00:16:28,640 Speaker 1: not to give people credit. I love giving people credit 312 00:16:28,720 --> 00:16:30,480 Speaker 1: for what they do for me, because you can't do 313 00:16:30,560 --> 00:16:34,320 Speaker 1: this by yourself. But you know, Michael never gave him credit, 314 00:16:34,520 --> 00:16:38,360 Speaker 1: and he should have. M It's just interesting to me, how, 315 00:16:38,600 --> 00:16:40,200 Speaker 1: you know. I always wondered, like, what can make a 316 00:16:40,280 --> 00:16:44,120 Speaker 1: person like totally lose their blackness? And have you seen 317 00:16:44,240 --> 00:16:47,480 Speaker 1: somebody lose their blackness or fall out with black people 318 00:16:47,960 --> 00:16:50,360 Speaker 1: to find a way to get back with the communicause 319 00:16:50,360 --> 00:16:52,000 Speaker 1: it feel like once you, once you turn your back 320 00:16:52,040 --> 00:16:54,560 Speaker 1: on us, we turned our back on you forever. Yeah, 321 00:16:54,560 --> 00:16:57,680 Speaker 1: but look at it. You know, I can remember a 322 00:16:57,800 --> 00:17:00,320 Speaker 1: time people not gonna like this either, But I could 323 00:17:00,360 --> 00:17:02,880 Speaker 1: remember a time when Michael would be at the awards 324 00:17:02,920 --> 00:17:04,240 Speaker 1: and you would have to get in a line to 325 00:17:04,359 --> 00:17:08,159 Speaker 1: see him. I never did that. I'm not getting an 326 00:17:08,160 --> 00:17:10,600 Speaker 1: a line to see nobody. Ain't nobody that important? Nobody's 327 00:17:10,640 --> 00:17:12,800 Speaker 1: more important than God? And I think there's no one 328 00:17:12,880 --> 00:17:15,320 Speaker 1: that's you know, like some people say, well, how can 329 00:17:15,359 --> 00:17:18,879 Speaker 1: you say something about Oprah or something about Gail? Aren't 330 00:17:18,920 --> 00:17:21,159 Speaker 1: you afraid? I fear God? And you know that, you 331 00:17:21,240 --> 00:17:25,400 Speaker 1: know that, Charlemagne, I only fear fear God. I don't 332 00:17:25,400 --> 00:17:28,600 Speaker 1: feel a backlash. I mean, I'm sixty six years old. 333 00:17:30,720 --> 00:17:34,359 Speaker 1: You know what I say, but I think and nobody 334 00:17:35,760 --> 00:17:38,719 Speaker 1: like nobody. I don't care who you are and how 335 00:17:38,800 --> 00:17:41,119 Speaker 1: much money you have, because you could lose that. Look 336 00:17:41,160 --> 00:17:45,720 Speaker 1: at Harvey Weinstein. I remember a certain person calling him God. 337 00:17:46,240 --> 00:17:49,760 Speaker 1: I you know, Charlie Rose, who would have thought, you know, 338 00:17:50,040 --> 00:17:53,640 Speaker 1: Matt lower where he was kind of arrogant. He was arrogant. Yeah, 339 00:17:54,160 --> 00:17:57,200 Speaker 1: But I just don't think that anybody's under approach. But 340 00:17:57,280 --> 00:17:59,320 Speaker 1: I do think Michael knew he went too far. And 341 00:17:59,359 --> 00:18:01,800 Speaker 1: you gotta remember, towards the end of his career he 342 00:18:01,920 --> 00:18:05,800 Speaker 1: went to Jesse Jackson and al shot and he even 343 00:18:05,880 --> 00:18:10,080 Speaker 1: wanted to give Pops his minister Barkon his catalog and 344 00:18:10,160 --> 00:18:12,119 Speaker 1: Pops wouldn't take it. And he had a lot of 345 00:18:12,240 --> 00:18:16,840 Speaker 1: Muslims around him. Towards the end, Michael never forgot he 346 00:18:17,040 --> 00:18:19,800 Speaker 1: was black. I think he just got caught up in 347 00:18:19,920 --> 00:18:23,480 Speaker 1: that bride. That ride can be vicious, as we see 348 00:18:23,560 --> 00:18:26,919 Speaker 1: with other people that are white dealing with the Britney 349 00:18:26,960 --> 00:18:29,720 Speaker 1: Spears and and and I go back to them because 350 00:18:30,080 --> 00:18:34,119 Speaker 1: I really see how the business has tormented them and 351 00:18:34,240 --> 00:18:37,440 Speaker 1: the people around them. Um, the movie Pride, Seven Deadly 352 00:18:37,520 --> 00:18:41,080 Speaker 1: Sins Story, it's gonna be all lifetime, Yes, with with 353 00:18:41,680 --> 00:18:45,280 Speaker 1: nephew Tommy, who did a brilliant job. He plays with 354 00:18:45,400 --> 00:18:48,919 Speaker 1: my son Gabe, and Ken your King who's a Canadian actress. 355 00:18:49,200 --> 00:18:54,760 Speaker 1: And Erica Campbell came in to play Pastor Trey. My 356 00:18:55,000 --> 00:18:59,920 Speaker 1: first feature That's Crazy, First Broadway and everything else. Nobody 357 00:19:00,080 --> 00:19:02,960 Speaker 1: decided seventy Mills should be active. They wouldn't give me 358 00:19:03,040 --> 00:19:06,920 Speaker 1: a job, dam they wouldn't you want to do more? Oh? Yes, 359 00:19:07,080 --> 00:19:10,320 Speaker 1: I got the bug now, but I'm not auditioning. No, 360 00:19:11,240 --> 00:19:13,720 Speaker 1: tell him, yes, she's not auditional, so don't ask her. 361 00:19:14,200 --> 00:19:17,600 Speaker 1: What rules? Would you want to play mothers? I mean 362 00:19:17,680 --> 00:19:21,000 Speaker 1: I could play a mother, you know, an older sister, 363 00:19:21,760 --> 00:19:24,800 Speaker 1: but mothers. I want to do a Christmas Yes, I 364 00:19:24,880 --> 00:19:27,520 Speaker 1: want a therapist. Or I want to play somebody really 365 00:19:27,720 --> 00:19:31,159 Speaker 1: tough and like gangster. I could see that too. I 366 00:19:31,200 --> 00:19:34,200 Speaker 1: can see that too. Now until you see your side, 367 00:19:36,200 --> 00:19:42,119 Speaker 1: I would you don't shorter than you? When does the 368 00:19:42,359 --> 00:19:46,440 Speaker 1: movie time? Movies Real eight and then Black to Broadway 369 00:19:46,800 --> 00:19:51,920 Speaker 1: is yes? Well, Stephanie Mills is always a pleasure sitting 370 00:19:51,960 --> 00:19:53,600 Speaker 1: down the bill with you and talk to you. And 371 00:19:53,720 --> 00:19:55,480 Speaker 1: I just love seeing you all the time. I love 372 00:19:55,560 --> 00:19:59,880 Speaker 1: seeing you too bad biyes, Yes, that's right. It's Steph 373 00:20:00,000 --> 00:20:04,160 Speaker 1: any Middle. Y'alls to the Breakfast Club. The Breakfast Club, 374 00:20:04,280 --> 00:20:09,760 Speaker 1: Your mornings will never be the same. What up, Y'alla's 375 00:20:09,840 --> 00:20:17,240 Speaker 1: DJ Envy and we are on up y'all, j Envy. 376 00:20:17,640 --> 00:20:20,320 Speaker 1: We are on vacation. But hey, it's okay because we 377 00:20:20,400 --> 00:20:22,360 Speaker 1: had given you some of the best of this week, 378 00:20:22,480 --> 00:20:25,840 Speaker 1: the best donkeys, the best interviews, you guys, which are 379 00:20:25,880 --> 00:20:28,080 Speaker 1: the best callers in some of the best moments the 380 00:20:28,119 --> 00:20:30,080 Speaker 1: Breakfast Club has had in the last couple of months. 381 00:20:30,400 --> 00:20:32,879 Speaker 1: So sit back, relax, enjoy, and have fun. It's the 382 00:20:32,920 --> 00:20:36,680 Speaker 1: Breakfast Club, the Morning morn and everybody's DJ NV Charlomagne 383 00:20:36,680 --> 00:20:38,439 Speaker 1: the guy. We are the Breakfast Club. We got our 384 00:20:38,480 --> 00:20:42,239 Speaker 1: guest co host just hilarious here, yes, and we got 385 00:20:42,320 --> 00:20:47,040 Speaker 1: our special guest Tyler long way from ringside, my brother, 386 00:20:47,160 --> 00:20:49,160 Speaker 1: don't way from ringside, man, shout out the rust, Pard. 387 00:20:50,080 --> 00:20:52,360 Speaker 1: That's when I first that's when I first met Charlemagne. Yeah, 388 00:20:52,480 --> 00:20:55,240 Speaker 1: y'all know he's a good actor. That's a goddamn live 389 00:20:55,280 --> 00:20:57,480 Speaker 1: I ain't never seen you ain't never seen ringside, have 390 00:20:57,560 --> 00:20:59,879 Speaker 1: seen him act? Shouldn't want to ask. That's a guy there. 391 00:21:00,440 --> 00:21:02,680 Speaker 1: That's when I first met this man. Gonna lie though. 392 00:21:02,720 --> 00:21:04,879 Speaker 1: He showed up professional. He knew his lines and he 393 00:21:05,000 --> 00:21:10,600 Speaker 1: had a few of them. Ye think he was a 394 00:21:10,640 --> 00:21:12,320 Speaker 1: true professional. That's when I met him, like, I don't know, 395 00:21:12,400 --> 00:21:18,560 Speaker 1: eight years ago now were Chesnut? First of all, Mars 396 00:21:18,680 --> 00:21:22,439 Speaker 1: Chestnut thinks that I'm him, he said, I didn't make 397 00:21:22,520 --> 00:21:24,520 Speaker 1: this up. He started there. But things have been on 398 00:21:24,600 --> 00:21:26,320 Speaker 1: the up since then. For you, though, brother man, you 399 00:21:26,400 --> 00:21:28,200 Speaker 1: know what, it's always good to have a job. You 400 00:21:28,200 --> 00:21:30,120 Speaker 1: know what I'm saying. Let's let's go back from Let's 401 00:21:30,119 --> 00:21:31,520 Speaker 1: go back to beginning for people that don't know who 402 00:21:31,560 --> 00:21:35,520 Speaker 1: you are, young man for Philly had football dreams high 403 00:21:35,560 --> 00:21:38,600 Speaker 1: school to football, college to football, and then decided that 404 00:21:38,760 --> 00:21:41,600 Speaker 1: football wasn't the key to answer. Yeah, you know a 405 00:21:41,680 --> 00:21:43,760 Speaker 1: lot of times like, um, you know, our losses can 406 00:21:43,840 --> 00:21:45,520 Speaker 1: really be lessons if you got enough, you know, if 407 00:21:45,520 --> 00:21:47,159 Speaker 1: you can really see it for what it is. So 408 00:21:47,320 --> 00:21:49,520 Speaker 1: it's like, um, I just always thought I was gonna 409 00:21:49,560 --> 00:21:52,080 Speaker 1: play you know, football and the NFL whatnot, like since 410 00:21:52,119 --> 00:21:54,119 Speaker 1: a little boy went all the way through Pop Warner 411 00:21:54,400 --> 00:21:56,639 Speaker 1: got a scholarship and whatnot. But it's like, you know, 412 00:21:56,680 --> 00:21:58,400 Speaker 1: what I figured out is that it's not always it's 413 00:21:58,440 --> 00:22:00,360 Speaker 1: not all about having a skill set and this really 414 00:22:00,400 --> 00:22:02,520 Speaker 1: crosses genres anywhere. You know what I'm saying, you gotta 415 00:22:02,520 --> 00:22:04,360 Speaker 1: know the right people, you gotta have the right politics 416 00:22:04,440 --> 00:22:06,240 Speaker 1: going on. And you know, I had a couple of injuries. 417 00:22:06,280 --> 00:22:08,040 Speaker 1: I was getting a little bit of trouble. Um. You know, 418 00:22:08,040 --> 00:22:10,080 Speaker 1: I didn't end up making it, but you know, in hindsight, 419 00:22:10,160 --> 00:22:13,520 Speaker 1: it definitely was one of my biggest lessons. Eagles, Oh 420 00:22:13,560 --> 00:22:20,840 Speaker 1: for sure. It was a tough loss. Congratulations. So then 421 00:22:20,920 --> 00:22:24,920 Speaker 1: you are a friend of y'alls invited you to LA blind? Yeah, 422 00:22:25,000 --> 00:22:26,760 Speaker 1: you know it was. It was. It was very blind. 423 00:22:26,800 --> 00:22:28,600 Speaker 1: But I had to blindfold on me already. So, like 424 00:22:28,760 --> 00:22:30,120 Speaker 1: like I said, I had, I got in a little 425 00:22:30,119 --> 00:22:31,920 Speaker 1: bit of trouble, couldn't get a job. I couldn't really 426 00:22:31,960 --> 00:22:34,320 Speaker 1: figure nothing out. I had two friends they really like, 427 00:22:34,400 --> 00:22:36,000 Speaker 1: you know, I call him cousins, but you know, not 428 00:22:36,119 --> 00:22:44,840 Speaker 1: by bloody but black understand the training now in LA. Yeah, 429 00:22:44,880 --> 00:22:46,879 Speaker 1: so they were thinking about training and he's like, well, 430 00:22:46,920 --> 00:22:50,200 Speaker 1: our football trains so but but the cats I'm talking 431 00:22:50,200 --> 00:22:52,960 Speaker 1: about shout out to Leona Leroy. They were they were boxers. 432 00:22:53,200 --> 00:22:55,199 Speaker 1: So I kind of just hanging around the gym. Finessed 433 00:22:55,240 --> 00:22:58,040 Speaker 1: the job. Personal training so somebody came up and just 434 00:22:58,160 --> 00:23:00,760 Speaker 1: asked me. The audition super small. I hope it never 435 00:23:00,800 --> 00:23:02,840 Speaker 1: sees the light of the day. I appreciate it. I 436 00:23:02,880 --> 00:23:11,399 Speaker 1: appreciate that's called super slumber, horror movie, crazy slaughter. The 437 00:23:11,520 --> 00:23:13,360 Speaker 1: more your star ride, it's gonna come out. It's gonna 438 00:23:13,359 --> 00:23:18,560 Speaker 1: come out somebody buddy produce in the bat like. It's 439 00:23:18,560 --> 00:23:20,439 Speaker 1: not a porn though. And you know, so I showed up. 440 00:23:20,480 --> 00:23:22,119 Speaker 1: I did it, I booked it, and it wasn't enough, 441 00:23:22,160 --> 00:23:23,480 Speaker 1: you know, a couple of thousand dollars, but it was 442 00:23:23,600 --> 00:23:25,600 Speaker 1: enough to kind of pique my interest. I had some 443 00:23:25,680 --> 00:23:27,840 Speaker 1: natural skill set, but I wasn't like the best at it. 444 00:23:28,280 --> 00:23:29,920 Speaker 1: So at that point I started to, Um, you know, 445 00:23:29,960 --> 00:23:31,679 Speaker 1: I apply myself to get the head shots and get 446 00:23:31,760 --> 00:23:34,080 Speaker 1: into a class, and you know, this thing started going. 447 00:23:34,119 --> 00:23:36,360 Speaker 1: You get deep running, you start doing reading, getting into 448 00:23:36,440 --> 00:23:38,320 Speaker 1: therapy and all the things that that it takes to 449 00:23:38,400 --> 00:23:42,040 Speaker 1: really sharpeness tool. But it takes work. I had to 450 00:23:42,119 --> 00:23:44,200 Speaker 1: tie up everything. They said that he actually walked in 451 00:23:44,320 --> 00:23:47,560 Speaker 1: wearing his outfit as you were auditioning. That had to 452 00:23:47,600 --> 00:23:51,000 Speaker 1: be kind of stream you with, um, six foot six 453 00:23:51,119 --> 00:23:54,960 Speaker 1: walking in dressed out how tall he is? Yeah, like 454 00:23:55,000 --> 00:23:58,359 Speaker 1: a basketball player walking through But um, yeah, so it 455 00:23:58,520 --> 00:24:00,760 Speaker 1: was like that that was that was a long audition process, 456 00:24:01,119 --> 00:24:03,480 Speaker 1: maybe over the span like four or five months. You know, 457 00:24:03,560 --> 00:24:05,440 Speaker 1: he was auditioned in a few different shows for like 458 00:24:05,960 --> 00:24:08,720 Speaker 1: plenty of different roles at the same time. So it's 459 00:24:08,760 --> 00:24:10,480 Speaker 1: a you know, it's like a gauntlet. You're going in 460 00:24:10,560 --> 00:24:13,000 Speaker 1: for this role, this this different TV show, and you know, 461 00:24:13,080 --> 00:24:15,400 Speaker 1: maybe like three or four auditions into it, we had 462 00:24:15,480 --> 00:24:17,840 Speaker 1: like some type of callbacks. They brought us to Atlanta 463 00:24:17,960 --> 00:24:19,880 Speaker 1: and he was in the middle of shooting something while 464 00:24:19,880 --> 00:24:21,879 Speaker 1: he was coming down to look at the audition and 465 00:24:22,000 --> 00:24:23,800 Speaker 1: anybody that knows him like, he don't got no time 466 00:24:23,840 --> 00:24:25,919 Speaker 1: for nothing. He's doing twelve things at once. You think 467 00:24:25,960 --> 00:24:28,440 Speaker 1: he's Jamaica. He got fifty different jobs. So you know, 468 00:24:28,520 --> 00:24:30,639 Speaker 1: on his lunch break from shooting something with me, did 469 00:24:30,760 --> 00:24:32,200 Speaker 1: he came in to check out what was going on 470 00:24:36,240 --> 00:24:39,280 Speaker 1: each perspective, how hard he worked, right, and how much 471 00:24:39,359 --> 00:24:41,520 Speaker 1: tunnel vision you need to really get done what you're 472 00:24:41,560 --> 00:24:43,320 Speaker 1: trying to do in this business, and that's what the 473 00:24:43,359 --> 00:24:46,439 Speaker 1: has and to half not right. Yeah, And so when 474 00:24:46,480 --> 00:24:48,560 Speaker 1: did you get p Valley Valley was probably like we 475 00:24:48,680 --> 00:24:50,399 Speaker 1: did nine seasons that the HA and have nots. I 476 00:24:50,440 --> 00:24:52,600 Speaker 1: think we went off the air maybe in like twenty twenty. 477 00:24:52,760 --> 00:24:55,920 Speaker 1: We probably stopped filming maybe twenty eighteen, twenty nineteen, and 478 00:24:56,000 --> 00:24:58,320 Speaker 1: I had booked it maybe like twenty nineteen. So for 479 00:24:58,400 --> 00:25:00,520 Speaker 1: the last season of the having half in the first 480 00:25:00,560 --> 00:25:02,200 Speaker 1: season to Pee Valley, we were shooting them at the 481 00:25:02,240 --> 00:25:04,600 Speaker 1: same time. It's just crazy because back then in the 482 00:25:04,680 --> 00:25:07,280 Speaker 1: first season, we shot on Tyler Perry Studios. So like 483 00:25:07,520 --> 00:25:09,160 Speaker 1: I was having a couple of days that were crazy, 484 00:25:09,200 --> 00:25:10,879 Speaker 1: were like, you know, we would I would shoot a 485 00:25:11,119 --> 00:25:13,720 Speaker 1: ten hour, eleven hour day over here, you know, six 486 00:25:13,840 --> 00:25:16,480 Speaker 1: to seven over here, go take a shower and clock 487 00:25:16,600 --> 00:25:19,040 Speaker 1: in eight to six am for Pee Valley. But it 488 00:25:19,200 --> 00:25:21,440 Speaker 1: was just like and that's two different roles and two 489 00:25:21,480 --> 00:25:24,240 Speaker 1: different scripts and two different whoa, Yeah, it was. It 490 00:25:24,359 --> 00:25:27,160 Speaker 1: was definitely, um, you know it definitely it was difficult, 491 00:25:27,240 --> 00:25:28,720 Speaker 1: you know for those few days. But this is these 492 00:25:28,760 --> 00:25:30,560 Speaker 1: are the problems that we that we asked for, you 493 00:25:30,600 --> 00:25:38,600 Speaker 1: know what. I'm sat in between sets, you know, yeah, yeah, 494 00:25:38,720 --> 00:25:40,800 Speaker 1: Now I ask you know, you say you were playing football, 495 00:25:40,960 --> 00:25:42,880 Speaker 1: and this is a question that I ask every football 496 00:25:42,920 --> 00:25:45,240 Speaker 1: player or anybody that's played football. Would you allow your 497 00:25:45,400 --> 00:25:48,080 Speaker 1: child to play football, especially because you had a bad 498 00:25:48,359 --> 00:25:51,040 Speaker 1: back surgery. So yeah, for sure, I had yeah, knee 499 00:25:51,040 --> 00:25:54,160 Speaker 1: surgeries like playing concussions. It's man, It's it's different nowadays, 500 00:25:54,320 --> 00:25:56,119 Speaker 1: you know, with all the science and everything that we know. 501 00:25:56,400 --> 00:25:57,960 Speaker 1: So I would probably say, I mean, I don't want 502 00:25:57,960 --> 00:26:00,240 Speaker 1: to I want to be a dreamkiller. I play, you know, 503 00:26:00,240 --> 00:26:01,680 Speaker 1: don't want to be tough and one I got two 504 00:26:01,720 --> 00:26:06,040 Speaker 1: boys now graduated. But I do think that, like you know, 505 00:26:06,080 --> 00:26:07,800 Speaker 1: I would be a fool and not apply some of 506 00:26:07,840 --> 00:26:09,720 Speaker 1: the things that we know now. I wouldn't want them 507 00:26:09,760 --> 00:26:11,399 Speaker 1: to play my position. I was running back. It's just 508 00:26:11,480 --> 00:26:14,960 Speaker 1: constant contact. Maybe a little wide receiver, quarterback something. Yeah. 509 00:26:15,000 --> 00:26:17,240 Speaker 1: You know, we got mored with Tyler Leplie. When we 510 00:26:17,359 --> 00:26:19,840 Speaker 1: come back to the Mister Breakfast Club, good morning, wanting 511 00:26:19,920 --> 00:26:23,280 Speaker 1: everybody is DJ Envy Charlemagne the guy we all the 512 00:26:23,359 --> 00:26:25,720 Speaker 1: Breakfast Club. We got our co host, Jesse Hilary is 513 00:26:25,800 --> 00:26:28,240 Speaker 1: joining us, and we have Tyler Leplie in the building. 514 00:26:28,320 --> 00:26:38,200 Speaker 1: Charlemagne Valley were getting season three, Yeah, yeah, yeah, season 515 00:26:38,359 --> 00:26:40,960 Speaker 1: season three got green. Let shout out to Tory Hall. Yeah. 516 00:26:41,119 --> 00:26:43,880 Speaker 1: And in that matter of fact, so look I heard 517 00:26:44,040 --> 00:26:46,480 Speaker 1: when they was auditioning when they were doing the screen 518 00:26:46,520 --> 00:26:48,960 Speaker 1: test with the chemistry. Read who's gonna be big Bone? 519 00:26:49,359 --> 00:26:52,320 Speaker 1: That your name? Yeah man? Yeah yeah, your girls stole 520 00:26:52,359 --> 00:26:59,760 Speaker 1: that friendly shout out my bones, ain't that big man? Yeah? Man? 521 00:27:00,440 --> 00:27:10,560 Speaker 1: Always take the stop. I know somebody, yo, man, who 522 00:27:10,600 --> 00:27:19,680 Speaker 1: you want? Just some miracles miracles miracle concept though, so yeah, 523 00:27:19,720 --> 00:27:24,280 Speaker 1: I met her before that already, know Damn. I auditioned 524 00:27:24,359 --> 00:27:29,399 Speaker 1: for that four times, four times the first season, the 525 00:27:29,520 --> 00:27:32,000 Speaker 1: second season, Yo, what's up coutry, what's up with you? 526 00:27:32,480 --> 00:27:35,119 Speaker 1: He's saying, I can't. I don't got the accent. They 527 00:27:35,280 --> 00:27:39,840 Speaker 1: saying that. I that you you gotta be from Mississippi, 528 00:27:40,000 --> 00:27:44,480 Speaker 1: a place ain't even real, Like no, Lisa, that ain't 529 00:27:44,480 --> 00:27:48,280 Speaker 1: et real. You know what I'm saying. I turned that. 530 00:27:48,720 --> 00:27:51,120 Speaker 1: That's like me auditioning for Black Panther, Like you gotta 531 00:27:51,160 --> 00:27:54,359 Speaker 1: talk like they're doing with Connor what I said. So, 532 00:27:54,960 --> 00:27:57,720 Speaker 1: but I get it because I can't be country that 533 00:27:58,040 --> 00:28:01,760 Speaker 1: I can't. It's like she continues to go back you've 534 00:28:01,760 --> 00:28:05,200 Speaker 1: been Yeah, yeah, yeah, they're gonna keep bringing you back. 535 00:28:05,200 --> 00:28:08,040 Speaker 1: Absolutely absolutely, But yeah, I just I had heard. I 536 00:28:08,080 --> 00:28:09,560 Speaker 1: had heard that because Miracle was the only one that 537 00:28:09,600 --> 00:28:12,000 Speaker 1: actually did the chemistry read yeah, and I had asked, 538 00:28:12,080 --> 00:28:13,959 Speaker 1: like who else, because a lot of times with chemistry read, 539 00:28:13,960 --> 00:28:16,199 Speaker 1: they have a few people, so we can, right, right, 540 00:28:16,880 --> 00:28:18,640 Speaker 1: But I think the only one, the only other person 541 00:28:18,680 --> 00:28:20,800 Speaker 1: they brought up was you. Yeah. Yeah, this is before 542 00:28:20,880 --> 00:28:22,760 Speaker 1: y'all was a couple and all of that. Yeah. Yeah, 543 00:28:22,760 --> 00:28:24,359 Speaker 1: So I remember I was shooting the first season of 544 00:28:24,400 --> 00:28:28,359 Speaker 1: Harlem and appreciate it. Yeah, we got the new season 545 00:28:28,400 --> 00:28:31,119 Speaker 1: all right now on Amazon. Fine, you know, to stop that, 546 00:28:31,680 --> 00:28:33,359 Speaker 1: But yeah, I remember we were shooting the first season 547 00:28:33,400 --> 00:28:35,159 Speaker 1: and I had had a day off and Coutr hit 548 00:28:35,160 --> 00:28:37,119 Speaker 1: me and she was like, yeah, do you mind, um, 549 00:28:37,240 --> 00:28:39,800 Speaker 1: do you mind just just doing some chemistry reads with 550 00:28:39,920 --> 00:28:42,840 Speaker 1: us so we can see the chemistry between Diamond and 551 00:28:43,160 --> 00:28:44,960 Speaker 1: you know, his potential love interest. We didn't know her 552 00:28:45,000 --> 00:28:46,560 Speaker 1: name is gonna be big one at the time. I 553 00:28:46,600 --> 00:28:49,000 Speaker 1: think it was maybe like maybe like March or whatever 554 00:28:49,120 --> 00:28:51,640 Speaker 1: year that was twenty twenty, and so I had met 555 00:28:51,680 --> 00:28:54,240 Speaker 1: her on FaceTime. And then I remember a couple of 556 00:28:54,280 --> 00:28:57,880 Speaker 1: months later, I had showed up to my friends dinner 557 00:28:57,960 --> 00:29:00,320 Speaker 1: party or he was having a birthday party. He was 558 00:29:00,360 --> 00:29:02,240 Speaker 1: having at dinner underknown to me, we had a mutual 559 00:29:02,320 --> 00:29:04,680 Speaker 1: we had a mutual friend. She was there and between 560 00:29:04,800 --> 00:29:06,600 Speaker 1: the time I had met her on FaceTime and that 561 00:29:06,760 --> 00:29:08,600 Speaker 1: point she had booked it, So now I knew she 562 00:29:08,680 --> 00:29:11,040 Speaker 1: was about to be, you know, working with me. I 563 00:29:11,160 --> 00:29:12,920 Speaker 1: know what it's like to transition into this business. You know, 564 00:29:12,960 --> 00:29:14,840 Speaker 1: it can be a lot, you know, coming from where 565 00:29:14,920 --> 00:29:17,320 Speaker 1: she's coming from into something like this, especially something like 566 00:29:17,400 --> 00:29:19,600 Speaker 1: pe Valley accent and so many things. You gonna have 567 00:29:19,640 --> 00:29:21,080 Speaker 1: it with her. You know, she was just my she 568 00:29:21,240 --> 00:29:23,000 Speaker 1: was my friend at first, and really that's how I 569 00:29:23,120 --> 00:29:24,880 Speaker 1: was going into it. Let me just kind of be like, 570 00:29:25,040 --> 00:29:26,520 Speaker 1: you know, big bro and kind of just you know 571 00:29:26,520 --> 00:29:40,280 Speaker 1: what I'm saying, bro B, it was big Bro talking 572 00:29:40,320 --> 00:29:46,080 Speaker 1: about like that I just kind of went to school 573 00:29:46,120 --> 00:29:47,920 Speaker 1: or a little bit or just just be um, you know, 574 00:29:48,040 --> 00:29:50,160 Speaker 1: be any help that that she may need, because you know, 575 00:29:50,280 --> 00:29:52,400 Speaker 1: ninety five percent of her scenes are with me. It's 576 00:29:52,480 --> 00:29:54,800 Speaker 1: kind of like everything I go through on Harlem with Megan, 577 00:29:54,840 --> 00:29:56,520 Speaker 1: all my stuff was with her. So you know it 578 00:29:56,640 --> 00:29:58,960 Speaker 1: behooves us to have a cool relationship. You don't have 579 00:29:59,000 --> 00:30:02,280 Speaker 1: to like, right, no, but yeah we did. Man. We 580 00:30:02,400 --> 00:30:04,320 Speaker 1: hit it off and we were just we just clicked 581 00:30:04,360 --> 00:30:06,160 Speaker 1: so hard that it just it just was what it was. 582 00:30:06,240 --> 00:30:08,000 Speaker 1: So by the time we started shooting on set. It 583 00:30:08,040 --> 00:30:09,960 Speaker 1: already was was what it was? How does that work 584 00:30:10,000 --> 00:30:11,800 Speaker 1: in this area? Because to me, that's not perfectly normal. 585 00:30:11,840 --> 00:30:13,560 Speaker 1: But then you see all of these situations where like 586 00:30:14,000 --> 00:30:16,040 Speaker 1: an employee hooked up with an employee, you know, it's 587 00:30:16,080 --> 00:30:18,680 Speaker 1: a stand like like what is that y'all gotta disclose 588 00:30:18,720 --> 00:30:21,600 Speaker 1: after the production of the studio or yeah, um, you 589 00:30:21,680 --> 00:30:24,400 Speaker 1: know it's it's about It's about like communication, I think 590 00:30:24,440 --> 00:30:26,600 Speaker 1: is your best friend and just kind of knowing what's 591 00:30:26,640 --> 00:30:30,040 Speaker 1: going on and also and also like compartmentalizing what's going on. 592 00:30:30,160 --> 00:30:31,800 Speaker 1: It's like, yeah, that's my girl. But when we show 593 00:30:31,880 --> 00:30:34,160 Speaker 1: up on set, we're here to do work. But that 594 00:30:34,320 --> 00:30:36,239 Speaker 1: what happens when when when you're a miracle at home 595 00:30:36,400 --> 00:30:38,920 Speaker 1: arguing about something right, could be something y'all arguing because 596 00:30:39,040 --> 00:30:40,760 Speaker 1: every couple gets to it and you gotta go to 597 00:30:40,800 --> 00:30:43,160 Speaker 1: work the next day. Y'are not really talking. But now 598 00:30:43,240 --> 00:30:46,120 Speaker 1: y'all got to turn it on. How is that? I 599 00:30:46,240 --> 00:30:50,320 Speaker 1: know how to do that? But against me it's on? Yeah, 600 00:30:51,840 --> 00:30:55,120 Speaker 1: all jokes aside, Yeah, like, um, has that happened? Yeah? Sure, 601 00:30:55,800 --> 00:31:02,680 Speaker 1: I mean a big bro to her that Now you know, 602 00:31:02,760 --> 00:31:04,520 Speaker 1: we got the type of connection where like you know, 603 00:31:04,760 --> 00:31:06,880 Speaker 1: like this on the service always rolls off the sleep, 604 00:31:06,960 --> 00:31:08,520 Speaker 1: you know what I mean. So it's like we hain't 605 00:31:08,520 --> 00:31:10,000 Speaker 1: never been crazy like that. I mean, you know we 606 00:31:10,080 --> 00:31:15,160 Speaker 1: get there always think what you just say? Ya, I 607 00:31:15,160 --> 00:31:22,000 Speaker 1: don't know, man, it comes to whatever off to sleep 608 00:31:22,080 --> 00:31:28,160 Speaker 1: like that's what. I don't know if he said it 609 00:31:28,240 --> 00:31:31,120 Speaker 1: with y'all or a big boy he said that. He said, 610 00:31:31,160 --> 00:31:32,800 Speaker 1: sometimes you gotta think about things. How you don't want 611 00:31:32,800 --> 00:31:34,600 Speaker 1: to think about things? He say, what that means he's saying, 612 00:31:34,640 --> 00:31:37,920 Speaker 1: I don't know, it just sounds it makes sense. Though. 613 00:31:38,120 --> 00:31:39,560 Speaker 1: How does she feel when you got to do scenes 614 00:31:39,560 --> 00:31:43,360 Speaker 1: with Miss Magan? You know, she's um, she's a she's 615 00:31:43,400 --> 00:31:45,720 Speaker 1: a professional too, man. She understands that, you know, as 616 00:31:45,840 --> 00:31:48,440 Speaker 1: much as she's a professional, she understands that I'm a professional, 617 00:31:48,720 --> 00:31:50,800 Speaker 1: you know what I'm saying. And it's like it's and 618 00:31:50,880 --> 00:31:52,800 Speaker 1: she and it's it's also great that she's been in 619 00:31:52,920 --> 00:31:54,520 Speaker 1: some of those you know, she's she's been in the 620 00:31:54,560 --> 00:31:56,240 Speaker 1: scene like that with man, she's been on set. She 621 00:31:56,280 --> 00:31:58,480 Speaker 1: sees how it is and she kind of understands that. 622 00:31:58,600 --> 00:31:59,920 Speaker 1: You know, it's it's a it's a muscle that you 623 00:32:00,080 --> 00:32:02,600 Speaker 1: turn on the turn off, so it's not even you know, 624 00:32:02,680 --> 00:32:05,240 Speaker 1: you got all type of all type of sound people 625 00:32:05,280 --> 00:32:07,400 Speaker 1: on cameras, and it's like it's way more awkward than 626 00:32:07,440 --> 00:32:10,680 Speaker 1: you than it looked, right, even if it's a girl 627 00:32:10,800 --> 00:32:13,400 Speaker 1: or not, it's still Yeah, for sure, I was. That 628 00:32:13,520 --> 00:32:14,880 Speaker 1: was the first time you had to do that though, 629 00:32:16,040 --> 00:32:17,840 Speaker 1: the first sex scene or the first love scene like 630 00:32:18,240 --> 00:32:26,880 Speaker 1: period in life. No, not on me on film, because 631 00:32:26,880 --> 00:32:28,640 Speaker 1: I mean the first time, it's just weird. Yeah, yeah, 632 00:32:29,520 --> 00:32:33,160 Speaker 1: it got hard. What you want to ask, what about 633 00:32:33,200 --> 00:32:35,480 Speaker 1: your scene in that movie? Did you have time to 634 00:32:35,560 --> 00:32:42,760 Speaker 1: even get hard in the same because I've been I've 635 00:32:42,800 --> 00:32:44,680 Speaker 1: been you know, I've been doing it, you know, uh 636 00:32:45,560 --> 00:32:47,080 Speaker 1: with the Lord's Blessing Man, I've been doing it for 637 00:32:47,120 --> 00:32:49,600 Speaker 1: a while. So it's probably like, yeah, even a decade ago, 638 00:32:49,680 --> 00:32:51,240 Speaker 1: probably one of the first couple of seasons to have 639 00:32:51,440 --> 00:32:54,040 Speaker 1: to have not and it was it was definitely very awkward. 640 00:32:54,120 --> 00:32:55,720 Speaker 1: You know, as as an actor, you kind of got 641 00:32:55,800 --> 00:32:58,680 Speaker 1: to figure out, um, you know, what your process is 642 00:32:58,720 --> 00:33:00,480 Speaker 1: and how you break into things and out of it, 643 00:33:00,680 --> 00:33:02,640 Speaker 1: you know, to do it without like you know, drinking 644 00:33:02,680 --> 00:33:04,960 Speaker 1: in the bag, you know for real. So it's like, 645 00:33:05,080 --> 00:33:07,520 Speaker 1: you know, figuring all that out was was a learning process. 646 00:33:07,640 --> 00:33:09,360 Speaker 1: But it was it was cool. You know, I was 647 00:33:09,440 --> 00:33:12,040 Speaker 1: on set with professionals, and you know, I kind of 648 00:33:12,120 --> 00:33:15,440 Speaker 1: learned how to be um. You know when you're when 649 00:33:15,480 --> 00:33:17,440 Speaker 1: you're having new people come on set. You know, it's 650 00:33:17,680 --> 00:33:20,280 Speaker 1: supposed to welcome with open arms, have open communications. Is 651 00:33:20,320 --> 00:33:22,960 Speaker 1: this it's okay, it's not okay. And that's how you 652 00:33:23,080 --> 00:33:24,600 Speaker 1: kind of get through it until you figure out how 653 00:33:24,600 --> 00:33:26,600 Speaker 1: to do it and be comfortable in it. The social 654 00:33:26,640 --> 00:33:28,480 Speaker 1: media a gift and a curse because you are like 655 00:33:28,560 --> 00:33:30,760 Speaker 1: a you like an internet doling. But then it's just 656 00:33:30,880 --> 00:33:33,320 Speaker 1: like you see everything that that that that y'all got 657 00:33:33,360 --> 00:33:36,560 Speaker 1: going on. Yeah, you know, was that new for you? Yeah? 658 00:33:36,640 --> 00:33:38,760 Speaker 1: For sure, you know, because I had never I've always 659 00:33:38,800 --> 00:33:41,960 Speaker 1: been like a private person, and um, you know, that's 660 00:33:42,000 --> 00:33:44,080 Speaker 1: definitely one of the one of the downsides with being 661 00:33:44,320 --> 00:33:46,880 Speaker 1: with being in the open about anything. It doesn't matter 662 00:33:46,880 --> 00:33:50,080 Speaker 1: if it's my girl, for my kids, my parents, you 663 00:33:50,160 --> 00:33:52,240 Speaker 1: know what I'm saying. You you open things up to 664 00:33:52,960 --> 00:33:55,280 Speaker 1: the trolls in this world, and it's like the one 665 00:33:55,400 --> 00:33:58,880 Speaker 1: the one reason I feel like I've always been um private. 666 00:33:59,000 --> 00:34:02,160 Speaker 1: You know, people think it's it's secret, that's secrecy, it's privacy. 667 00:34:02,720 --> 00:34:05,200 Speaker 1: And the one reason I've always been you know, private 668 00:34:05,280 --> 00:34:07,280 Speaker 1: with my private life is is you know, I'm just 669 00:34:07,320 --> 00:34:09,320 Speaker 1: conscious of the fact that this is the life that 670 00:34:09,400 --> 00:34:11,560 Speaker 1: I chose and everything that comes with it. I'm cool with, 671 00:34:11,680 --> 00:34:13,839 Speaker 1: you know what I'm saying. My family didn't choose this, right, 672 00:34:14,000 --> 00:34:16,919 Speaker 1: you know, So like I've always been conscious of, I've 673 00:34:16,920 --> 00:34:20,000 Speaker 1: always been conscious of, you know, just just that aspect 674 00:34:20,040 --> 00:34:22,120 Speaker 1: of it. So you know, back to your question, you 675 00:34:22,200 --> 00:34:24,040 Speaker 1: know that that is that is part of the downside 676 00:34:24,080 --> 00:34:25,480 Speaker 1: with it. It's like, you know, it's it's great to 677 00:34:25,560 --> 00:34:27,279 Speaker 1: win in front of everybody, but if you're in front 678 00:34:27,280 --> 00:34:30,279 Speaker 1: of everybody and you lose, he's gonna talk about that too. Yeah, 679 00:34:30,560 --> 00:34:32,120 Speaker 1: So it's like it's just one of these things that 680 00:34:32,600 --> 00:34:34,440 Speaker 1: all right, we got mored with Tyler Lepli when we 681 00:34:34,560 --> 00:34:36,480 Speaker 1: come back, so don't move. It's to Breakfast Club. Good 682 00:34:36,520 --> 00:34:40,080 Speaker 1: morning morning. Everybody is DJ, Envy, Charlemagne and God. We 683 00:34:40,200 --> 00:34:42,359 Speaker 1: all to Breakfast Club. We got our co host, Jess 684 00:34:42,440 --> 00:34:44,880 Speaker 1: Hilary is joining us and we have Tyler Leplie in 685 00:34:44,960 --> 00:34:46,840 Speaker 1: the building. How do you stay focused because you know, 686 00:34:47,680 --> 00:34:49,560 Speaker 1: ladies love you, so I'm sure that in the DMS, 687 00:34:49,560 --> 00:34:50,960 Speaker 1: I'm sure that that holler and that you so how 688 00:34:51,000 --> 00:34:52,719 Speaker 1: do you stay focused from the beginning when you were 689 00:34:52,719 --> 00:34:54,720 Speaker 1: a trainer? So when you think about lights Kin brothers, 690 00:34:54,760 --> 00:34:58,719 Speaker 1: it's usually me you what else you get? What say? 691 00:34:58,920 --> 00:35:11,000 Speaker 1: Nobody asking about you? So back to you say, so, 692 00:35:11,040 --> 00:35:15,200 Speaker 1: how do you stay focused? Yeah? Again, like internally, I'm 693 00:35:15,280 --> 00:35:17,120 Speaker 1: just never too far away from the beginning. Man, I 694 00:35:17,239 --> 00:35:22,160 Speaker 1: just he was never out there. Why he was getting 695 00:35:22,200 --> 00:35:26,120 Speaker 1: into the ruts? Yeah yeah, yeah, but I think that, 696 00:35:26,560 --> 00:35:28,279 Speaker 1: you know, I'm just still close to, like, you know, 697 00:35:28,360 --> 00:35:30,800 Speaker 1: where I started, and I just remember some of those roadblocks, 698 00:35:30,880 --> 00:35:33,000 Speaker 1: like I couldn't figure it out. I didn't have a passion. 699 00:35:33,120 --> 00:35:35,440 Speaker 1: I wasn't I wasn't really good at something, you know 700 00:35:35,480 --> 00:35:37,400 Speaker 1: what I'm saying. I was kind of just like aimless. 701 00:35:37,480 --> 00:35:39,080 Speaker 1: I was kind of lost in a sense. So to 702 00:35:39,360 --> 00:35:42,080 Speaker 1: you know, fast forward twelve years and be so locked in, 703 00:35:42,440 --> 00:35:44,759 Speaker 1: like be so passionate about something to the point where 704 00:35:44,960 --> 00:35:46,640 Speaker 1: I would do it for free, but I get paid 705 00:35:46,719 --> 00:35:48,920 Speaker 1: handsomely for it, and you know, want to put the 706 00:35:49,000 --> 00:35:51,080 Speaker 1: work in. I'm just I'm just in such a blessed position, 707 00:35:51,239 --> 00:35:53,200 Speaker 1: you know. And I also always think about that analogy 708 00:35:53,239 --> 00:35:54,840 Speaker 1: the man in the arena. None of the problems of 709 00:35:54,960 --> 00:35:56,840 Speaker 1: being in that arena really affect me because at the 710 00:35:56,920 --> 00:35:58,840 Speaker 1: end of the day, I'm in I'm I'm in the arena. 711 00:35:58,960 --> 00:36:00,520 Speaker 1: It's easy for me to focus. It's a lock in 712 00:36:00,920 --> 00:36:04,160 Speaker 1: renascent me. A song I didn't know you wrapped? Yeah, yeah, yeah, 713 00:36:04,239 --> 00:36:05,920 Speaker 1: just dropped something last week. Yeah. I mean, I've been 714 00:36:06,000 --> 00:36:07,719 Speaker 1: doing music as long as I've been as as long 715 00:36:07,760 --> 00:36:09,320 Speaker 1: as i've been acting. But um, you know, it's just 716 00:36:09,480 --> 00:36:11,879 Speaker 1: that it's acting popped off first. You know what I'm saying. 717 00:36:11,880 --> 00:36:14,680 Speaker 1: I've been an artist as far back as I can remember. Um, 718 00:36:14,760 --> 00:36:16,959 Speaker 1: they but they both their own separate beast. They're gonna 719 00:36:16,960 --> 00:36:20,040 Speaker 1: come up down time. But it's like, if something doesn't happen, 720 00:36:20,080 --> 00:36:22,080 Speaker 1: it ain't never gonna be for the you know, the 721 00:36:22,160 --> 00:36:23,960 Speaker 1: lack of me not giving one hundred percent. So you 722 00:36:24,000 --> 00:36:25,680 Speaker 1: know I've been dropping. We're just gonna we're gonna keep 723 00:36:25,719 --> 00:36:28,000 Speaker 1: pushing into this podcast. So Michael B. Jordan got to 724 00:36:28,040 --> 00:36:33,080 Speaker 1: move over and right now. Yeah, but this plenty room 725 00:36:33,120 --> 00:36:36,719 Speaker 1: at the table, you know. So I'm just saying that. 726 00:36:36,880 --> 00:36:38,680 Speaker 1: All right, Well, I gotta ask you this to your 727 00:36:38,840 --> 00:36:44,240 Speaker 1: ex fiance my girlfriend. Yeah it was Mike's girlfriend. Never Okay, 728 00:36:44,640 --> 00:36:47,040 Speaker 1: thank you for cleaning it up. So yeah, ex girl. 729 00:36:47,320 --> 00:36:50,759 Speaker 1: I remember it was something you know, going know each other, right, Yeah, 730 00:36:50,800 --> 00:36:53,440 Speaker 1: I definitely know each other. Um, miracle Wat's head. It 731 00:36:53,600 --> 00:36:55,799 Speaker 1: said something about, you know, like she takes on your 732 00:36:55,840 --> 00:36:58,000 Speaker 1: kids and her kids, Like, how is that situation now? 733 00:36:58,040 --> 00:37:00,560 Speaker 1: Because I know that April got mad at that? How 734 00:37:00,760 --> 00:37:03,399 Speaker 1: is that now? Though? Um, you know it's it's it's 735 00:37:03,440 --> 00:37:05,799 Speaker 1: a process, you know, it's like it's definitely better than 736 00:37:05,840 --> 00:37:07,799 Speaker 1: it was. Still got a little way to go. As 737 00:37:07,920 --> 00:37:09,920 Speaker 1: much as I would not like it to be like that, 738 00:37:10,120 --> 00:37:12,560 Speaker 1: you know, I can't rush anything because this is you know, 739 00:37:12,600 --> 00:37:14,279 Speaker 1: again the problems of the man here, and it just 740 00:37:14,520 --> 00:37:16,040 Speaker 1: it kind of happens like this. The one thing I 741 00:37:16,120 --> 00:37:18,359 Speaker 1: will say is that again, that's that's some other two 742 00:37:18,360 --> 00:37:19,680 Speaker 1: of my children. You know what. I'm trying to have 743 00:37:19,760 --> 00:37:21,920 Speaker 1: nothing but love and respect for us. So you know, 744 00:37:22,000 --> 00:37:24,280 Speaker 1: I give her grace and patience as she actually figures 745 00:37:24,280 --> 00:37:26,400 Speaker 1: out what she got to feel herself through. Right, And 746 00:37:26,520 --> 00:37:28,759 Speaker 1: you know, it doesn't help that everything's like you talked about. 747 00:37:28,760 --> 00:37:31,239 Speaker 1: It doesn't help that everything is in the public eye, 748 00:37:31,480 --> 00:37:32,600 Speaker 1: you know what I mean. So like I kind of 749 00:37:32,680 --> 00:37:34,480 Speaker 1: understand where it's coming from. You know, what I will 750 00:37:34,600 --> 00:37:38,400 Speaker 1: want for somebody to treat my kids like that, like 751 00:37:38,480 --> 00:37:40,319 Speaker 1: my kid is there is you know what I yeah, 752 00:37:40,480 --> 00:37:42,360 Speaker 1: and you know, to get back to that part, it's like, 753 00:37:42,520 --> 00:37:44,480 Speaker 1: you know, Miracle does such a great job of just 754 00:37:44,640 --> 00:37:47,759 Speaker 1: loving me for everything, and yeah, just just just the 755 00:37:47,840 --> 00:37:50,200 Speaker 1: fullness of who I am and everything that comes with it. Sure, 756 00:37:50,360 --> 00:37:52,080 Speaker 1: you know, it brings me back to that. I don't 757 00:37:52,080 --> 00:37:53,960 Speaker 1: know if it was a meme someone viral on on 758 00:37:54,080 --> 00:37:56,000 Speaker 1: Instagram and it was about like, you know, the dad 759 00:37:56,080 --> 00:38:00,160 Speaker 1: came home, I only got mcdowns for his kids? You 760 00:38:00,280 --> 00:38:02,600 Speaker 1: want that? Or like you want someone who really loves 761 00:38:02,600 --> 00:38:04,960 Speaker 1: all three? Like it's exactly so, I want my kids 762 00:38:05,040 --> 00:38:11,480 Speaker 1: eating healthier in McDonald But McDonald you only get for 763 00:38:11,719 --> 00:38:14,040 Speaker 1: one one. Yeah. Yeah, that's one thing I didn't know 764 00:38:14,080 --> 00:38:16,040 Speaker 1: about her. People may not know that from the outside 765 00:38:16,080 --> 00:38:18,399 Speaker 1: looking in because the package looks like what it looks like. Yeah, 766 00:38:18,760 --> 00:38:20,840 Speaker 1: she is just man. She got she got the biggest 767 00:38:20,880 --> 00:38:23,520 Speaker 1: heart and she really just like a down south home 768 00:38:23,600 --> 00:38:25,279 Speaker 1: grown girl at the end of the day. So she 769 00:38:25,440 --> 00:38:27,839 Speaker 1: really has everything that I need as a man, for sure. 770 00:38:28,080 --> 00:38:31,239 Speaker 1: You love is it hard to love out loud? I 771 00:38:31,320 --> 00:38:32,840 Speaker 1: guess when you have a next like you like you 772 00:38:32,880 --> 00:38:34,440 Speaker 1: know you bought, we saw you buy the bench for 773 00:38:35,080 --> 00:38:47,799 Speaker 1: famercle Instagram. Yeah, shout out the man. Are you are 774 00:38:47,840 --> 00:38:49,640 Speaker 1: you afraid to put stuff like that out there because 775 00:38:49,760 --> 00:38:51,640 Speaker 1: it might piss off the act? Yeah, I mean, you know, 776 00:38:51,680 --> 00:38:53,279 Speaker 1: I don't really I don't really think about it like that. 777 00:38:53,400 --> 00:38:55,000 Speaker 1: You know, she's got to push gifts to It just 778 00:38:55,160 --> 00:38:56,680 Speaker 1: wasn't you know, it wasn't in front of everybody, and 779 00:38:56,760 --> 00:38:58,279 Speaker 1: it was at a different you know place in my 780 00:38:58,440 --> 00:39:02,759 Speaker 1: in my career and stuff and want the job money 781 00:39:02,800 --> 00:39:04,759 Speaker 1: at the time. You know, she I gave her. I 782 00:39:04,840 --> 00:39:06,640 Speaker 1: gave her equity in the house that we had before. 783 00:39:06,719 --> 00:39:08,200 Speaker 1: So when I saw it, she you know, she had 784 00:39:08,239 --> 00:39:10,759 Speaker 1: some money and that's dope. You know, she taking care 785 00:39:10,760 --> 00:39:12,959 Speaker 1: of everything when we were together, and even when we weren't, 786 00:39:13,000 --> 00:39:14,799 Speaker 1: she still had a full time nanny because she's got 787 00:39:14,840 --> 00:39:16,680 Speaker 1: a job that requires her to be away for like 788 00:39:16,719 --> 00:39:18,680 Speaker 1: twelve hours a day. So like, even if it's not 789 00:39:18,760 --> 00:39:20,480 Speaker 1: what you see on Instagram, you know, I provide for 790 00:39:20,520 --> 00:39:22,640 Speaker 1: all of my family, you know what I'm saying. But yeah, 791 00:39:22,680 --> 00:39:24,839 Speaker 1: it can be. You know, social media can make things 792 00:39:25,760 --> 00:39:29,120 Speaker 1: scared to not scared, but like can't feel away so 793 00:39:29,400 --> 00:39:31,840 Speaker 1: much like of watching what you do in this relationship 794 00:39:31,880 --> 00:39:35,080 Speaker 1: because of his past relationship. He's still if you want 795 00:39:35,080 --> 00:39:37,320 Speaker 1: to love loud, you know, maybe this girl is different. 796 00:39:37,640 --> 00:39:41,640 Speaker 1: You know Avery was was private, you know, Miracles different. 797 00:39:41,760 --> 00:39:43,960 Speaker 1: So it's like you were just I don't. I don't, 798 00:39:44,040 --> 00:39:46,040 Speaker 1: not that you asked me that, but I'm just saying 799 00:39:46,120 --> 00:39:51,640 Speaker 1: I don't think that you should, because woman, you know 800 00:39:52,160 --> 00:39:54,000 Speaker 1: what was then was then this is now. Yeah, and 801 00:39:54,120 --> 00:39:55,960 Speaker 1: there was love and there was love in both scenarios. 802 00:39:56,320 --> 00:39:58,759 Speaker 1: Just you know, I'm in love with Miracle. Now we 803 00:39:58,840 --> 00:40:00,320 Speaker 1: have we have a family, and this is this is 804 00:40:00,360 --> 00:40:03,200 Speaker 1: how I'm moving birthdays and Valentine If you don't did 805 00:40:03,200 --> 00:40:05,440 Speaker 1: the g wagon just for a push? Oh my god, man, 806 00:40:05,480 --> 00:40:08,600 Speaker 1: I was making that. I was making a joke. My 807 00:40:08,680 --> 00:40:11,560 Speaker 1: family recently, like the last five months is like loaded 808 00:40:11,680 --> 00:40:15,279 Speaker 1: up like everybody's birthday, Valentine's Day, Christmas. It is like 809 00:40:15,320 --> 00:40:18,520 Speaker 1: it's all compounded into like this five months run. So 810 00:40:18,600 --> 00:40:23,359 Speaker 1: I was like, I'm gonna need them three jobs. He said, 811 00:40:23,360 --> 00:40:28,439 Speaker 1: he just dropped the mixtape. But yeah, I don't. I don't. 812 00:40:28,840 --> 00:40:30,480 Speaker 1: You know what I give. I give out of the 813 00:40:30,520 --> 00:40:32,560 Speaker 1: goodness of my heart. I don't really take tabs of it. 814 00:40:32,680 --> 00:40:34,239 Speaker 1: You know, it's it's nice. You may get you may 815 00:40:34,280 --> 00:40:35,800 Speaker 1: get a g wagon. One day, you may get a 816 00:40:35,880 --> 00:40:38,759 Speaker 1: conversation another two flowers or something like. I don't really 817 00:40:38,760 --> 00:40:41,360 Speaker 1: pay attention to it. I'm not coming to damn conversation 818 00:40:41,400 --> 00:40:43,880 Speaker 1: for a birthday, university or Christmas. If you know what, 819 00:40:47,640 --> 00:40:49,120 Speaker 1: let's have a talk. I love how the game has 820 00:40:49,200 --> 00:40:51,120 Speaker 1: changed for y'all though, because back in the day, I say, 821 00:40:51,160 --> 00:40:53,319 Speaker 1: about fifteen years ago, they'd have told you, Tyler, don't 822 00:40:53,360 --> 00:40:55,680 Speaker 1: tell nobody you in a relationship, you know what I mean. 823 00:40:55,840 --> 00:40:59,560 Speaker 1: The women have to feel like they can have you. Yeah, yeah, 824 00:40:59,840 --> 00:41:02,040 Speaker 1: I have. But you know, I've never I've never lived, 825 00:41:02,280 --> 00:41:04,520 Speaker 1: I've never lived for for anybody else. So you know, 826 00:41:04,600 --> 00:41:07,120 Speaker 1: I think it's one thing I love about Harlem that, like, 827 00:41:07,200 --> 00:41:09,359 Speaker 1: I see this through line of people chasing the life 828 00:41:09,400 --> 00:41:11,560 Speaker 1: that that they see for themselves as opposed to the 829 00:41:11,640 --> 00:41:13,480 Speaker 1: life the others see for them, you know what I'm saying. 830 00:41:13,520 --> 00:41:15,560 Speaker 1: And I connect with that because I've always been like that. 831 00:41:15,640 --> 00:41:17,800 Speaker 1: So I don't really listen to that too much because 832 00:41:17,800 --> 00:41:20,160 Speaker 1: it can be difficult. I just last question for me, 833 00:41:20,200 --> 00:41:23,040 Speaker 1: how do you pronounce your son's name Zi Zi? Yeah? 834 00:41:23,120 --> 00:41:27,200 Speaker 1: Zi spelled l e oh. Yeah. Za's his middle name. 835 00:41:28,600 --> 00:41:31,560 Speaker 1: In her family, everybody got the middle name Lee, and 836 00:41:31,680 --> 00:41:34,120 Speaker 1: she wanted to do something different, so Zale and I 837 00:41:34,239 --> 00:41:35,799 Speaker 1: kind of like how I played off a lepile zale 838 00:41:36,000 --> 00:41:41,520 Speaker 1: leple sound like what do you want to do next time? Like? 839 00:41:41,600 --> 00:41:43,400 Speaker 1: What do you want to do next ultimate? I mean 840 00:41:43,440 --> 00:41:45,400 Speaker 1: you said you want to you want to knock Michael B. 841 00:41:45,520 --> 00:41:50,200 Speaker 1: Jordan up, you want to put your drink out? Now, 842 00:41:50,239 --> 00:41:51,719 Speaker 1: I'm just try. I'm I'm just trying to get to 843 00:41:51,800 --> 00:41:54,040 Speaker 1: where they at. That's all um. Now. I think for me, 844 00:41:54,160 --> 00:41:56,000 Speaker 1: it's like, man, I just gotta I gotta, I gotta 845 00:41:56,080 --> 00:41:58,120 Speaker 1: check off everything that I'm feeling, you know what I'm saying, 846 00:41:58,160 --> 00:42:00,080 Speaker 1: and not let the obstacles get in the way. You know. 847 00:42:00,120 --> 00:42:01,759 Speaker 1: I feel like in the tug of war between like 848 00:42:02,120 --> 00:42:04,960 Speaker 1: the heart and the mind, sometimes we overthink things and 849 00:42:05,040 --> 00:42:07,480 Speaker 1: we're getting our own way, you know. So I don't. 850 00:42:07,719 --> 00:42:10,879 Speaker 1: The short answer is right now, I'm I'm producing the movie. 851 00:42:11,120 --> 00:42:13,480 Speaker 1: I got you know, the music dropping, We got pe 852 00:42:13,640 --> 00:42:16,000 Speaker 1: Valley and Harlem seasons three coming up. So it's like, 853 00:42:16,080 --> 00:42:17,799 Speaker 1: you know, that's gonna take up most of the twelve months. 854 00:42:17,840 --> 00:42:19,040 Speaker 1: But it's like, you know, as I look into the 855 00:42:19,080 --> 00:42:20,880 Speaker 1: crystal ball, you know, the sky is the limit, and 856 00:42:20,880 --> 00:42:22,400 Speaker 1: I don't want to put a limit on myself, you know, 857 00:42:22,400 --> 00:42:24,520 Speaker 1: because I would have never thought in a million years 858 00:42:24,960 --> 00:42:26,600 Speaker 1: when I was going through that rut that I would 859 00:42:26,600 --> 00:42:29,680 Speaker 1: be sitting right here with y'all. Know what I'm saying. Never, Yeah, 860 00:42:29,800 --> 00:42:32,960 Speaker 1: I couldn't. I couldn't. Like right before I came out, man, 861 00:42:33,040 --> 00:42:35,680 Speaker 1: I was, I went around the room, grab a little 862 00:42:35,760 --> 00:42:37,239 Speaker 1: jewelry here, and now I was at the pawn shop. 863 00:42:37,440 --> 00:42:38,600 Speaker 1: You know what I'm saying. Like I didn't have I 864 00:42:38,600 --> 00:42:41,440 Speaker 1: didn't have fifty dollars to my name. So it's like 865 00:42:41,560 --> 00:42:44,480 Speaker 1: to see where it went if you just follow what 866 00:42:44,600 --> 00:42:46,640 Speaker 1: you're feeling. That's what I'm on. I'm trying to. I'm 867 00:42:46,680 --> 00:42:49,160 Speaker 1: trying to just get to to, you know, where where 868 00:42:49,239 --> 00:42:52,799 Speaker 1: my destiny is taking me. You were running back, running backs, 869 00:42:53,080 --> 00:42:56,360 Speaker 1: We see the whole. Yeah, I mean it's a crazy analga. Yeah. Absolutely. 870 00:42:56,560 --> 00:43:00,400 Speaker 1: So you're producing the film, you are like holding auditions. No, no, 871 00:43:00,480 --> 00:43:03,360 Speaker 1: I'm I'm doing it with with um, he said, No, 872 00:43:03,719 --> 00:43:11,400 Speaker 1: Jess and me and you. That means you da I 873 00:43:11,520 --> 00:43:21,840 Speaker 1: mean not yet you mean what you say. No, ladies 874 00:43:21,880 --> 00:43:25,319 Speaker 1: and gentlemen, we appreciate you for joining us, brother, y'all. 875 00:43:27,080 --> 00:43:30,320 Speaker 1: Oh man, the Miracles got the role Jess again. Okay, 876 00:43:33,640 --> 00:43:37,200 Speaker 1: it's the Breakfast Club, the time to let y'all. No, 877 00:43:38,239 --> 00:43:39,960 Speaker 1: let's don't be a dust because right now you want 878 00:43:40,000 --> 00:43:44,359 Speaker 1: some real doctor. It's time for Donkey of the Dead. 879 00:43:44,560 --> 00:43:45,920 Speaker 1: So if you ever feel I need to be a 880 00:43:46,040 --> 00:43:50,239 Speaker 1: duk man with the heat, did she get the name? Please? 881 00:43:51,040 --> 00:43:55,080 Speaker 1: I had become Donkey of the Dead the Breakfast Club, bitch, 882 00:43:55,400 --> 00:43:59,080 Speaker 1: you're yes, Donkey. Dave goes to a twenty year old 883 00:43:59,160 --> 00:44:05,080 Speaker 1: man who was in Brazil at Carnival having big fun. Okay, 884 00:44:05,400 --> 00:44:07,239 Speaker 1: slew to everyone who has been having big fun at 885 00:44:07,280 --> 00:44:09,399 Speaker 1: carnivals all around the world, dropping a cluees bombs where 886 00:44:09,400 --> 00:44:12,320 Speaker 1: everybody at Carnival all around the world. I'm talking like 887 00:44:12,440 --> 00:44:14,680 Speaker 1: I know what I'm speaking on, but I don't. I 888 00:44:14,760 --> 00:44:17,680 Speaker 1: just saw Nicki Minaj and Trinidad for Carnival and Ashanti 889 00:44:18,200 --> 00:44:20,200 Speaker 1: I saw her on Instagram saying she was upset she 890 00:44:20,280 --> 00:44:22,560 Speaker 1: was missing Carnival. And now I read this story about 891 00:44:22,600 --> 00:44:25,040 Speaker 1: this young man this morning at Carnival. So I'm just 892 00:44:25,120 --> 00:44:28,160 Speaker 1: assuming it's Carnival season. I'm just assuming that now Carnival 893 00:44:28,239 --> 00:44:30,080 Speaker 1: looks like a lot of fun for those of you 894 00:44:30,160 --> 00:44:31,920 Speaker 1: who like going out in public and having a lot 895 00:44:32,000 --> 00:44:34,400 Speaker 1: of the public there. It's a very public thing. And 896 00:44:34,560 --> 00:44:36,600 Speaker 1: one reason I try to avoid so much of the 897 00:44:36,680 --> 00:44:39,240 Speaker 1: public is because it's hard to control that much crazy 898 00:44:39,480 --> 00:44:42,040 Speaker 1: when it's that much public. Okay, the more public there 899 00:44:42,200 --> 00:44:46,080 Speaker 1: is out, the more chances of you encountering crazy. And 900 00:44:46,120 --> 00:44:50,200 Speaker 1: today's donkey is absolutely crazy. See this man, this twenty 901 00:44:50,280 --> 00:44:52,839 Speaker 1: year old was arrested for harassing women. I would think 902 00:44:53,080 --> 00:44:55,880 Speaker 1: women being harassed at carnivals are very common because the 903 00:44:55,920 --> 00:44:58,120 Speaker 1: women be out there looking amazing, you know, dressed in 904 00:44:58,160 --> 00:45:00,320 Speaker 1: their carnival garb, which to me is you usually a 905 00:45:00,320 --> 00:45:02,040 Speaker 1: two piece swimsuit and a lot of feathers, and you 906 00:45:02,120 --> 00:45:04,000 Speaker 1: have a lot of men who can't handle being around 907 00:45:04,000 --> 00:45:05,719 Speaker 1: all that. Okay, they just scraped up perverts, all right, 908 00:45:05,760 --> 00:45:08,120 Speaker 1: shame on those types of dudes. But this man took 909 00:45:08,120 --> 00:45:10,680 Speaker 1: harassment to a whole nother level. Okay, But I have 910 00:45:10,719 --> 00:45:12,840 Speaker 1: to commit the police for being on top of the situation, 911 00:45:12,920 --> 00:45:15,680 Speaker 1: because when a person looks suspicious or as acting as 912 00:45:15,880 --> 00:45:18,840 Speaker 1: especially as this man was, he should be seized immediately. 913 00:45:18,880 --> 00:45:21,520 Speaker 1: And I know you can't look at a person and tell, hey, 914 00:45:22,000 --> 00:45:24,640 Speaker 1: this person is gonna be someone who sexually harasses women. 915 00:45:24,840 --> 00:45:27,200 Speaker 1: But this man wasn't hard to identify at all. See 916 00:45:27,520 --> 00:45:30,680 Speaker 1: the reason this human is getting donkey in the days 917 00:45:30,680 --> 00:45:34,680 Speaker 1: because he decided to go to carnival in Brazil dressed 918 00:45:35,320 --> 00:45:38,840 Speaker 1: in a seven foot penis costume. Oh you want to 919 00:45:38,840 --> 00:45:40,680 Speaker 1: see the pictures, let me show you the picture. Nope, 920 00:45:40,680 --> 00:45:42,359 Speaker 1: I don't want to see that picture. Look at the picture. 921 00:45:43,000 --> 00:45:47,120 Speaker 1: Get a picture. Oh, I mean it's a black one. 922 00:45:52,000 --> 00:45:54,920 Speaker 1: This is a black penis. But it's this a black man. No, 923 00:45:55,360 --> 00:45:57,640 Speaker 1: that's right. He's either white or Latino, he's some type 924 00:45:57,680 --> 00:46:01,520 Speaker 1: of other. Listen. If you can't beat him, you join now. 925 00:46:01,560 --> 00:46:03,560 Speaker 1: I'm not gonna happen doing that. I don't like that. 926 00:46:03,680 --> 00:46:06,880 Speaker 1: I don't like this white or Latito or other deciding 927 00:46:06,920 --> 00:46:10,960 Speaker 1: to dress in a shock size slong suit. Okay, a 928 00:46:11,200 --> 00:46:15,000 Speaker 1: shock size his size, ain't that size? He that size? 929 00:46:15,040 --> 00:46:17,480 Speaker 1: Why would you say that? I mean shot size. Ain't 930 00:46:17,520 --> 00:46:20,080 Speaker 1: talking about his penis. Find I'm not talking about some 931 00:46:20,160 --> 00:46:22,360 Speaker 1: mighty be Okay, good, here we go. We're on a 932 00:46:22,400 --> 00:46:32,400 Speaker 1: straight path today. That's nice. Crooked with you, y'all. I mean, 933 00:46:32,400 --> 00:46:40,120 Speaker 1: I don't love him, but the relationship boy like them. 934 00:46:40,160 --> 00:46:44,000 Speaker 1: You'll listen. I don't know what makes one want to 935 00:46:44,040 --> 00:46:46,000 Speaker 1: wake up and dresses Indiana bones. But we live in 936 00:46:46,040 --> 00:46:48,560 Speaker 1: an error where people can wake up and identify with 937 00:46:48,640 --> 00:46:50,839 Speaker 1: whatever they want to identify ass and this man dressed 938 00:46:50,920 --> 00:46:53,160 Speaker 1: up as a seven foot skin flute to harassed women 939 00:46:53,200 --> 00:46:55,520 Speaker 1: at carnival. Let me tell you something. There's so much 940 00:46:55,600 --> 00:46:58,759 Speaker 1: wrong with this number one. It's the harassment. Number two. 941 00:46:59,280 --> 00:47:02,319 Speaker 1: Why you got be a colored chuck dickens. Okay, y'all 942 00:47:02,360 --> 00:47:04,560 Speaker 1: be knowing what y'all doing when you decide to present 943 00:47:04,640 --> 00:47:07,240 Speaker 1: as a black anything, because you know how people perceive 944 00:47:07,360 --> 00:47:11,360 Speaker 1: black skin all around the world, even when it's black foreskin. Okay, 945 00:47:12,400 --> 00:47:14,640 Speaker 1: Now you really gotta go see the pictures for yourself, 946 00:47:14,680 --> 00:47:17,040 Speaker 1: because not only is he presenting as a seven foot 947 00:47:17,120 --> 00:47:21,520 Speaker 1: meat puppet, this man, this man is this man dressed 948 00:47:21,520 --> 00:47:23,520 Speaker 1: as a Wu tang wang got on flip flops. You 949 00:47:23,600 --> 00:47:28,920 Speaker 1: ain't see that blax god on flip flops man right 950 00:47:29,160 --> 00:47:31,960 Speaker 1: a third leg with all these toes out. Yo, listen, 951 00:47:32,040 --> 00:47:34,040 Speaker 1: I don't care what you say. They may hate us, 952 00:47:34,360 --> 00:47:40,879 Speaker 1: but everybody loves the black. Yeah, I'm saying, piece, yes, wow, wow, 953 00:47:41,239 --> 00:47:45,480 Speaker 1: moth the ice so yeah or bother me. The most 954 00:47:45,480 --> 00:47:47,560 Speaker 1: about this situation is this man really woke up and 955 00:47:47,640 --> 00:47:50,000 Speaker 1: chose sexual violence. He literally woke up and said, I'm 956 00:47:50,040 --> 00:47:52,560 Speaker 1: going to harass and chase women dressed as a seven 957 00:47:52,600 --> 00:47:56,520 Speaker 1: foot dark dingleling. Okay, I think the only suitable punishment 958 00:47:56,960 --> 00:47:59,360 Speaker 1: is for him to be in prison, in a cell 959 00:47:59,719 --> 00:48:02,839 Speaker 1: one on one with the largest penis in the penitentiary. 960 00:48:03,200 --> 00:48:05,680 Speaker 1: I think he'd love that, You think, I think. I 961 00:48:05,800 --> 00:48:08,560 Speaker 1: don't know. It wouldn't be prisoner, would be jail. You know. 962 00:48:08,680 --> 00:48:11,160 Speaker 1: Go find the biggest Johnson in the joint. I'm talking. 963 00:48:11,280 --> 00:48:13,560 Speaker 1: Go find someone who got something that's the size of 964 00:48:13,640 --> 00:48:16,080 Speaker 1: those little women from Atlanta, Okay, and let that man 965 00:48:16,200 --> 00:48:18,239 Speaker 1: get chased around of jail. So with it, all right, Peter, 966 00:48:18,320 --> 00:48:20,800 Speaker 1: miss Minnie, find someone who got a PDD her size 967 00:48:20,840 --> 00:48:23,120 Speaker 1: and let him go to work. Okay, ain't no fun 968 00:48:23,200 --> 00:48:25,439 Speaker 1: when the rabbit got the custod launching, is it? Now? 969 00:48:26,040 --> 00:48:28,560 Speaker 1: You about to meet a seven foot spank aaron batter 970 00:48:28,680 --> 00:48:30,960 Speaker 1: up young man Okay, that's twenty year old should have 971 00:48:31,000 --> 00:48:33,239 Speaker 1: to experience the same trauma that all old women at 972 00:48:33,280 --> 00:48:35,799 Speaker 1: carnival had to experience. Because he wants to dress up 973 00:48:35,800 --> 00:48:38,080 Speaker 1: like a seven foot we need to poop, all right, 974 00:48:38,840 --> 00:48:44,920 Speaker 1: Please give this twenty year old from Rio de Jannaro dokey, 975 00:48:46,719 --> 00:49:00,319 Speaker 1: Oh the day, yeah, dog, oh the day. Yeah, tell 976 00:49:00,400 --> 00:49:02,799 Speaker 1: him just being chased in harass is not fun. Yeah, 977 00:49:05,080 --> 00:49:08,080 Speaker 1: all right, being chased harass is not fun. I mean 978 00:49:09,080 --> 00:49:12,520 Speaker 1: being chased by a big black you know what I'm saying. 979 00:49:15,480 --> 00:49:20,640 Speaker 1: But it happens usually. Act like this doesn't just happen 980 00:49:20,680 --> 00:49:24,040 Speaker 1: to you. I'm just saying, like, I'm just saying, those 981 00:49:24,160 --> 00:49:27,000 Speaker 1: people want if you want somebody to do it, yeah, 982 00:49:27,000 --> 00:49:30,640 Speaker 1: if you want somebody to cook cool, all right. I 983 00:49:30,640 --> 00:49:31,960 Speaker 1: don't think he woke up. It was like, you know what, 984 00:49:32,600 --> 00:49:35,200 Speaker 1: I'm gonna go on harass people with this. I think 985 00:49:35,280 --> 00:49:37,680 Speaker 1: he's thinking, like, they don't like what I got, so 986 00:49:37,840 --> 00:49:40,320 Speaker 1: let me give them what I don't got, hoping and 987 00:49:40,440 --> 00:49:46,280 Speaker 1: I can get something. You know what I'm saying. That's interesting, Okay, 988 00:49:46,880 --> 00:49:49,520 Speaker 1: they ain't still like na thank you for that, dunkey today, 989 00:49:49,600 --> 00:49:56,520 Speaker 1: Charlotte Man, the Breakfast club never treated my child crazy. 990 00:49:56,719 --> 00:49:58,880 Speaker 1: That was just something you know that we as mothers, 991 00:49:58,880 --> 00:50:02,640 Speaker 1: as women or whatever, But nah, it's never been that way. 992 00:50:02,680 --> 00:50:04,839 Speaker 1: So do you want them to take a mother type 993 00:50:04,920 --> 00:50:06,399 Speaker 1: role or you just want them just to be cool? 994 00:50:06,520 --> 00:50:08,560 Speaker 1: You don't gotta take them. That's what they end up 995 00:50:08,600 --> 00:50:11,520 Speaker 1: doing anyway, but you don't have to take that. You 996 00:50:11,600 --> 00:50:13,320 Speaker 1: don't have to be over nurture, like oh you know 997 00:50:13,360 --> 00:50:15,120 Speaker 1: what I'm saying where it seems fosil if it's something 998 00:50:15,200 --> 00:50:18,520 Speaker 1: that you just because he needed. My son's dad has 999 00:50:18,520 --> 00:50:19,879 Speaker 1: been with a lot of girls who didn't have kids, 1000 00:50:19,920 --> 00:50:22,560 Speaker 1: so they didn't really even have experience and being around kids. 1001 00:50:22,680 --> 00:50:25,160 Speaker 1: But they tried that. It was just like, you don't 1002 00:50:25,200 --> 00:50:28,160 Speaker 1: really gotta try to be his mother, but you have to. 1003 00:50:29,160 --> 00:50:31,520 Speaker 1: You have to like my child. My child gotta like 1004 00:50:31,640 --> 00:50:34,120 Speaker 1: you too. Like but let me ask you, Jesse, so, yeah, 1005 00:50:34,239 --> 00:50:35,840 Speaker 1: you know when it's a younger child, they have to 1006 00:50:35,920 --> 00:50:40,600 Speaker 1: be motherly, right, but what is is it like mom too? 1007 00:50:40,920 --> 00:50:44,640 Speaker 1: Is it like did it never happened? And that never happened? 1008 00:50:45,040 --> 00:50:47,880 Speaker 1: He better not ever called nobody else, no mom, not 1009 00:50:48,320 --> 00:50:56,080 Speaker 1: mom to Okay, okay, yeah, I don't get mom two 1010 00:50:56,320 --> 00:50:59,680 Speaker 1: three whatever? No is I'm the first and only mom. 1011 00:51:00,040 --> 00:51:02,040 Speaker 1: He can call them miss whatever because you gotta put 1012 00:51:02,040 --> 00:51:04,640 Speaker 1: a hand on it. I don't care how young the girl, whatever, 1013 00:51:05,120 --> 00:51:07,400 Speaker 1: it's gonna be miss whatever her name is. Now, what 1014 00:51:07,520 --> 00:51:11,520 Speaker 1: about you know? Tyler bought his miracle or g wagon right, 1015 00:51:11,560 --> 00:51:14,000 Speaker 1: and I asked him, like, you know, just to keep 1016 00:51:14,080 --> 00:51:15,879 Speaker 1: the piece. Do you do stuff like that for your 1017 00:51:16,160 --> 00:51:19,320 Speaker 1: other baby moms? Is that expected? Man? Because when you 1018 00:51:19,320 --> 00:51:22,000 Speaker 1: think about when people get divorced, you know, they got 1019 00:51:22,120 --> 00:51:24,080 Speaker 1: to make sure that they're they're exits set up the 1020 00:51:24,120 --> 00:51:25,960 Speaker 1: same way that set I think they should. You know, 1021 00:51:26,360 --> 00:51:28,400 Speaker 1: I'm gonna tell you why. Because you don't want your 1022 00:51:28,440 --> 00:51:30,520 Speaker 1: one kid to be driving into G sixty three G 1023 00:51:30,680 --> 00:51:32,719 Speaker 1: Wagon and that's one hundred and eighty thousand dollars and 1024 00:51:32,880 --> 00:51:35,520 Speaker 1: the other kid to be driving in a Ford Escort. 1025 00:51:35,719 --> 00:51:39,399 Speaker 1: What's wrong for Look? Yo, that's that's what listen, man. 1026 00:51:39,680 --> 00:51:45,200 Speaker 1: Why would you say that word up? Say it? Prisus? Okay, yeah, 1027 00:51:48,000 --> 00:51:49,960 Speaker 1: not not if my brother got a G sixty three. 1028 00:51:50,080 --> 00:51:52,839 Speaker 1: That's what I'm saying. I'm pulling up. Yeah, what you're saying, 1029 00:51:52,880 --> 00:51:54,520 Speaker 1: I'm pulling up in that No do you have so 1030 00:51:54,760 --> 00:51:56,000 Speaker 1: you're saying you have to do that if you got 1031 00:51:56,080 --> 00:51:58,959 Speaker 1: If I got an X and she got kids, of mind, 1032 00:51:59,239 --> 00:52:01,359 Speaker 1: she gotta be right the same way with my new woman. Right. 1033 00:52:01,520 --> 00:52:03,080 Speaker 1: I don't agree with that. I don't know what envy 1034 00:52:03,239 --> 00:52:06,680 Speaker 1: is saying over there, but I don't. I don't think that. 1035 00:52:07,080 --> 00:52:09,279 Speaker 1: I don't think that. I think whatever I do for 1036 00:52:09,360 --> 00:52:11,600 Speaker 1: my kids all right, cool, I don't I shouldn't have 1037 00:52:11,640 --> 00:52:14,840 Speaker 1: to be responsible for what you got going on after me. 1038 00:52:15,080 --> 00:52:17,640 Speaker 1: Like I'm in a new relationship. My responsibility is my 1039 00:52:17,840 --> 00:52:20,560 Speaker 1: kids and me protecting the kids gonna still be in 1040 00:52:20,600 --> 00:52:22,040 Speaker 1: the p Yeah, that's what I'm saying. The kids go, 1041 00:52:22,160 --> 00:52:25,239 Speaker 1: your kids, as long as they not dropped in the back. 1042 00:52:25,520 --> 00:52:28,200 Speaker 1: It's you're in the back, so you're good. You don't 1043 00:52:28,200 --> 00:52:29,680 Speaker 1: got no buills, You ain't got nothing to worry about. 1044 00:52:29,680 --> 00:52:31,600 Speaker 1: You still want four wheels. I'm not saying you gotta 1045 00:52:31,600 --> 00:52:34,359 Speaker 1: have another Mercedes, but give me something that the kids 1046 00:52:34,400 --> 00:52:37,279 Speaker 1: feel cold. And then I'm making fun of Listen, we 1047 00:52:37,400 --> 00:52:40,359 Speaker 1: grew up different whatever. But he didn't buy the kids 1048 00:52:40,400 --> 00:52:42,879 Speaker 1: at GI Wagon. He bought Miracle or g Wagon. Yeah, 1049 00:52:42,920 --> 00:52:48,080 Speaker 1: the baby wagonbe don't know number no g Wagon. That's true. 1050 00:52:48,239 --> 00:52:51,319 Speaker 1: It ain't that kids like your son is in fifth grade. 1051 00:52:51,360 --> 00:52:53,400 Speaker 1: He knows the difference between the g Wagon and the priest. 1052 00:52:53,719 --> 00:52:56,920 Speaker 1: I'm telling you my kids, and all right, y'all, listen, 1053 00:52:57,080 --> 00:52:59,279 Speaker 1: I don't care I said what I say. That's it. 1054 00:52:59,680 --> 00:53:01,680 Speaker 1: All right, let's go to the phone. Jests soon definitely 1055 00:53:01,719 --> 00:53:04,719 Speaker 1: know the different tween the wagon. At the point I 1056 00:53:04,840 --> 00:53:06,960 Speaker 1: get that man three hundred dollars birthday. He didn't want that. 1057 00:53:09,440 --> 00:53:12,880 Speaker 1: I have a gwagon and I also have I forgot 1058 00:53:12,920 --> 00:53:15,399 Speaker 1: the name of whatever my other bends is. I got 1059 00:53:15,600 --> 00:53:20,640 Speaker 1: both of them right. But my baby father, he got 1060 00:53:20,680 --> 00:53:24,880 Speaker 1: a nice little actor showing my son the best of 1061 00:53:24,960 --> 00:53:28,120 Speaker 1: both words. You know what I'm saying, Tyler, Little kids, 1062 00:53:28,160 --> 00:53:33,919 Speaker 1: they're gonna know the best of I say, he's so stupid. Hello, 1063 00:53:37,440 --> 00:53:43,799 Speaker 1: hey boy, I love you too. Baby. What's your thoughts, Mama? 1064 00:53:43,840 --> 00:53:48,120 Speaker 1: What do you think? Yeah, I'm a lover, so a 1065 00:53:48,920 --> 00:53:52,280 Speaker 1: very important or whoever my brother's father was to treat 1066 00:53:52,320 --> 00:53:54,520 Speaker 1: her exactly how I retreat her. You know, I want 1067 00:53:54,560 --> 00:53:56,719 Speaker 1: her to feel about She got to mom. You know 1068 00:53:56,840 --> 00:54:01,080 Speaker 1: it's I'm plaint. However that now is it? That's not 1069 00:54:01,200 --> 00:54:05,840 Speaker 1: your experience? No, woman, it's just like so jealous of 1070 00:54:06,040 --> 00:54:11,200 Speaker 1: my child. I don't understand it. Like she started baking 1071 00:54:11,280 --> 00:54:13,440 Speaker 1: my daughter's saw it when I was pregnant, and I 1072 00:54:13,560 --> 00:54:16,160 Speaker 1: came to her when the baby was born, like, girl, 1073 00:54:17,000 --> 00:54:19,440 Speaker 1: I'm my mother, you and her man, let's come together 1074 00:54:19,600 --> 00:54:22,680 Speaker 1: bring it and let's a friend. And it's definitely gonna 1075 00:54:22,719 --> 00:54:24,439 Speaker 1: goes down that way. And my daughter is now seven. 1076 00:54:24,480 --> 00:54:26,319 Speaker 1: It was still the little back This is a good 1077 00:54:26,360 --> 00:54:28,600 Speaker 1: example of maybe you should treat both like the baby 1078 00:54:28,640 --> 00:54:30,480 Speaker 1: dad should probably treat both of them the same, like 1079 00:54:30,560 --> 00:54:34,320 Speaker 1: you buy one of three? Is you got yes, and 1080 00:54:34,480 --> 00:54:37,160 Speaker 1: like he starting to realize that, like you have to 1081 00:54:37,280 --> 00:54:39,800 Speaker 1: be there for your thing mother no matter what, because 1082 00:54:39,800 --> 00:54:44,040 Speaker 1: at the end of the baby has a comment everything 1083 00:54:44,400 --> 00:54:48,120 Speaker 1: you're still and he had a new girlfriend that Yeah, 1084 00:54:48,520 --> 00:54:50,799 Speaker 1: I don't know that's how things happened like that because 1085 00:54:50,800 --> 00:54:53,400 Speaker 1: my baby has been in that situation too, But it's different. 1086 00:54:53,520 --> 00:54:55,320 Speaker 1: It sure he felt the way because he was having it. 1087 00:54:55,360 --> 00:54:57,839 Speaker 1: That's when her though she she was having a baby. 1088 00:54:57,880 --> 00:55:00,719 Speaker 1: The baby wasn't even here yet and then and so 1089 00:55:00,800 --> 00:55:04,080 Speaker 1: she probably felt the way because honestly, breaking news. We 1090 00:55:04,160 --> 00:55:06,880 Speaker 1: never heard she talking about the last talk about the 1091 00:55:06,960 --> 00:55:09,560 Speaker 1: last Yeah, the girl you hung up on the um, Yeah, 1092 00:55:09,840 --> 00:55:13,440 Speaker 1: like it is. Yeah, that's different. The girl she met 1093 00:55:13,520 --> 00:55:16,120 Speaker 1: the guy and his baby mother was still pregnant. Yeah, 1094 00:55:16,200 --> 00:55:18,879 Speaker 1: broke up while she was pregnant. So she probably still 1095 00:55:19,040 --> 00:55:21,640 Speaker 1: was like you could go back with her anytime. That 1096 00:55:21,760 --> 00:55:23,800 Speaker 1: baby is so fresh and so new. Yeah, you know, 1097 00:55:23,920 --> 00:55:26,480 Speaker 1: so that's different, all right. Eight hundred five A five 1098 00:55:26,560 --> 00:55:28,480 Speaker 1: one oh five one. What are your thoughts if you 1099 00:55:28,600 --> 00:55:31,560 Speaker 1: buy your baby, but your new baby mom or your 1100 00:55:31,600 --> 00:55:35,160 Speaker 1: new fiance a g wagon. Let's say, you know, is 1101 00:55:35,200 --> 00:55:36,759 Speaker 1: it you're right? You are you supposed to buy the 1102 00:55:36,840 --> 00:55:40,000 Speaker 1: old baby mom? Is something comparable you could be driving 1103 00:55:40,040 --> 00:55:43,680 Speaker 1: in a comparable type of lifestyle? Yes? And do you 1104 00:55:43,760 --> 00:55:45,680 Speaker 1: want someone to treat your kids like they're their own 1105 00:55:45,719 --> 00:55:47,920 Speaker 1: as well? All right, let's talk about it. It's the 1106 00:55:47,920 --> 00:55:56,640 Speaker 1: Breakfast Club. Good morning, it's topic time, eight hundred five 1107 00:55:56,840 --> 00:55:58,320 Speaker 1: five one oh five. Want to join it to the 1108 00:55:58,360 --> 00:56:05,799 Speaker 1: discussion with the Breakfast Club, wanting everybody Steve, we all 1109 00:56:05,880 --> 00:56:09,719 Speaker 1: the Breakfast Club? We have what's wrong with you? Oh? 1110 00:56:09,760 --> 00:56:13,520 Speaker 1: Now I was singing Justin Steffords, He's singing. Stefan jes 1111 00:56:13,640 --> 00:56:16,359 Speaker 1: Hilarius is our co host. We're asking eight hundred five 1112 00:56:16,440 --> 00:56:18,839 Speaker 1: A five one on five one. It's coming from our 1113 00:56:18,920 --> 00:56:25,680 Speaker 1: tyler to play what's his name? All the time? Black 1114 00:56:26,040 --> 00:56:28,360 Speaker 1: always want to fancy up their name name be Johnson, 1115 00:56:28,440 --> 00:56:35,759 Speaker 1: Reginald val Johnson play Tyler left leave was here earlier. 1116 00:56:35,840 --> 00:56:38,960 Speaker 1: This is what he said. Miracle Watt's head said something about, 1117 00:56:39,160 --> 00:56:41,120 Speaker 1: you know, like she takes on your kids and her kids, 1118 00:56:41,160 --> 00:56:43,000 Speaker 1: Like how is that situation now? Because I know that 1119 00:56:43,040 --> 00:56:46,520 Speaker 1: April got mad at that she how is that now though? Um, 1120 00:56:46,840 --> 00:56:49,080 Speaker 1: you know it's it's it's a process. You know, it's 1121 00:56:49,160 --> 00:56:51,440 Speaker 1: like it's definitely better than it was. Still got a 1122 00:56:51,480 --> 00:56:53,360 Speaker 1: little way to go. As much as I would not 1123 00:56:53,520 --> 00:56:55,080 Speaker 1: like it to be like that, you know, I can't 1124 00:56:55,160 --> 00:56:57,800 Speaker 1: rush anything because this is you know, again the problems 1125 00:56:57,800 --> 00:56:59,360 Speaker 1: of the man you ring. It just it kind of 1126 00:56:59,400 --> 00:57:00,960 Speaker 1: happens like that. It's the one thing I will say, 1127 00:57:01,080 --> 00:57:03,400 Speaker 1: is that again, that's that's some other two of my children. 1128 00:57:03,440 --> 00:57:04,920 Speaker 1: You know what. I'm trying to have nothing but love 1129 00:57:05,000 --> 00:57:06,880 Speaker 1: and respect for us. So you know, I give her 1130 00:57:06,960 --> 00:57:08,960 Speaker 1: grace and patience as she as she figures out what 1131 00:57:09,080 --> 00:57:10,960 Speaker 1: she gotta feel herself through. You know what, I will 1132 00:57:11,040 --> 00:57:14,840 Speaker 1: want for somebody to treat my kids like that, like 1133 00:57:14,960 --> 00:57:17,080 Speaker 1: my kid is there? You know what? I Yeah. So 1134 00:57:17,200 --> 00:57:20,040 Speaker 1: we're asking eight hundred five A five one oh five one. 1135 00:57:20,400 --> 00:57:22,640 Speaker 1: You know, if you buy your fiance something, are you 1136 00:57:22,720 --> 00:57:24,800 Speaker 1: supposed to take care of your baby mom's the same way? 1137 00:57:24,880 --> 00:57:27,600 Speaker 1: And also do you want your fiance, you know, look 1138 00:57:27,600 --> 00:57:29,840 Speaker 1: at you your other kids the same way as they 1139 00:57:29,880 --> 00:57:32,280 Speaker 1: look at your kids. That's the question we're asking grenin Hello, 1140 00:57:32,360 --> 00:57:37,160 Speaker 1: who's this? This is siquana Hey Shiquana, Hey, guys, good morning. Yes, 1141 00:57:37,560 --> 00:57:51,040 Speaker 1: what right? She got so bad? But she play with, 1142 00:57:51,200 --> 00:57:54,400 Speaker 1: don't play with, don't play What's what's your thoughts? Mom? Um? Honestly, 1143 00:57:54,440 --> 00:57:56,560 Speaker 1: I just want the way in and say, um, it 1144 00:57:56,720 --> 00:57:58,840 Speaker 1: depends on how long you know what the person, because 1145 00:57:59,400 --> 00:58:02,200 Speaker 1: I have asked who would take our kids around his girlfriend? 1146 00:58:02,240 --> 00:58:04,840 Speaker 1: He just met like a week ago, and I feel 1147 00:58:04,920 --> 00:58:07,280 Speaker 1: that's something you shouldn't do. But if you're serious with 1148 00:58:07,360 --> 00:58:09,560 Speaker 1: the person and you know you're feel like you got 1149 00:58:09,640 --> 00:58:11,480 Speaker 1: a future with them, I mean, I see nothing wrong 1150 00:58:11,520 --> 00:58:14,000 Speaker 1: with it. But on the stand still, it is a 1151 00:58:14,080 --> 00:58:16,080 Speaker 1: lot of crazy people in the world. You got to 1152 00:58:16,080 --> 00:58:18,480 Speaker 1: be cautious. A lot of people harming kids and doing 1153 00:58:18,560 --> 00:58:22,120 Speaker 1: crazy things to kids. So that's where I'm with it. Like, if, um, 1154 00:58:22,480 --> 00:58:24,200 Speaker 1: you think you're gonna do at the first long term 1155 00:58:24,600 --> 00:58:26,200 Speaker 1: and you're dating for a minute and you get to 1156 00:58:26,360 --> 00:58:29,360 Speaker 1: know each other, you're talking about your kids, okay, but 1157 00:58:29,960 --> 00:58:31,800 Speaker 1: on your first date, you're not taking their kids to 1158 00:58:31,960 --> 00:58:35,800 Speaker 1: Chucky Keys to play together because y'allo kids. I agree, right, 1159 00:58:36,320 --> 00:58:39,200 Speaker 1: I agree? I agree. You can't to be bringing anybody 1160 00:58:39,240 --> 00:58:41,280 Speaker 1: around your Yeah, that's that's what she's saying. That's what 1161 00:58:41,360 --> 00:58:45,640 Speaker 1: she's saying, but I do believe. I do believe that. Um, 1162 00:58:46,080 --> 00:58:48,640 Speaker 1: if I got kids and you got kids and we 1163 00:58:48,720 --> 00:58:50,200 Speaker 1: ain't got no babysit this, we want to see you 1164 00:58:50,440 --> 00:58:57,840 Speaker 1: bad enough. Yeah, let's meet up at Hello, Hello, Hello, Hey, 1165 00:58:57,880 --> 00:59:02,240 Speaker 1: what's your name? Monica? Monica? Good morning, good morning. What's 1166 00:59:02,280 --> 00:59:06,560 Speaker 1: your thoughts, Mama, my thoughts? I do not date with me. 1167 00:59:06,880 --> 00:59:10,160 Speaker 1: I don't date mess kid. For a fact. If I 1168 00:59:10,280 --> 00:59:12,400 Speaker 1: can't let my kids go over to the other parent, 1169 00:59:12,520 --> 00:59:15,720 Speaker 1: I don't feel comfortable. That's not like. How am I 1170 00:59:15,800 --> 00:59:18,320 Speaker 1: gonna feel comfortable if my kid going to see his 1171 00:59:18,440 --> 00:59:20,400 Speaker 1: other parent if I don't like or get along with 1172 00:59:20,480 --> 00:59:23,320 Speaker 1: the other person, Now, is that better enough? But let 1173 00:59:23,400 --> 00:59:25,720 Speaker 1: me ask you this, Monica, is that because you better 1174 00:59:26,000 --> 00:59:28,320 Speaker 1: or is that because has he ever given you any 1175 00:59:28,440 --> 00:59:30,280 Speaker 1: type of like, Yo, I'm gonna I'm gonna put my 1176 00:59:30,320 --> 00:59:32,160 Speaker 1: son in jevity or put my kid in jevity, Like 1177 00:59:32,200 --> 00:59:34,600 Speaker 1: it's he that you got to know the other parents too? 1178 00:59:34,640 --> 00:59:37,360 Speaker 1: Are they ever gonna bring somebody that you don't like 1179 00:59:37,440 --> 00:59:39,120 Speaker 1: around your kid that's gonna do something to your kid? 1180 00:59:39,280 --> 00:59:40,760 Speaker 1: Is that better? Or is that just how you feel 1181 00:59:41,320 --> 00:59:44,760 Speaker 1: that's not better? I think it's out as a mother. Yeah, 1182 00:59:45,000 --> 00:59:46,560 Speaker 1: I'm gonna speak it for the mother thing to do. 1183 00:59:46,880 --> 00:59:50,120 Speaker 1: As a mother, you have to feel comfortable. If you're 1184 00:59:50,160 --> 00:59:53,360 Speaker 1: not comfortable with the man, she's gonna write me it's 1185 00:59:53,400 --> 00:59:55,720 Speaker 1: not ever gonna work. So I would think that maybe 1186 00:59:55,880 --> 00:59:57,560 Speaker 1: me and the girl would have to talk. I would 1187 00:59:57,560 --> 01:00:00,280 Speaker 1: be maturing, be like, let me talk to the girl. 1188 01:00:00,760 --> 01:00:03,000 Speaker 1: And that's if I'm still on her and I like her. Yeah, 1189 01:00:04,160 --> 01:00:08,720 Speaker 1: you can go. But listen, Jeff, yes must and I'm 1190 01:00:08,760 --> 01:00:12,000 Speaker 1: talking about it. You have to stay the permanent co 1191 01:00:12,200 --> 01:00:16,160 Speaker 1: host on the show. I've been crying all week. Yeah, 1192 01:00:16,240 --> 01:00:18,960 Speaker 1: this is the funniest show ever been in my life. 1193 01:00:19,280 --> 01:00:22,000 Speaker 1: Teller man is at his best with you. Thank you 1194 01:00:22,200 --> 01:00:24,560 Speaker 1: so much, girl. I I agree with everything you say 1195 01:00:26,680 --> 01:00:29,960 Speaker 1: that because I can't. I had you, and I think 1196 01:00:29,960 --> 01:00:33,760 Speaker 1: I dressed the best win here out of everybody. Thank 1197 01:00:33,800 --> 01:00:35,520 Speaker 1: you so much. Baby. I already told yes, she get 1198 01:00:35,520 --> 01:00:37,200 Speaker 1: the permanent role. I'll guarantee you she won't be coming 1199 01:00:37,240 --> 01:00:39,160 Speaker 1: here like she hosted the Award Show every day. I 1200 01:00:39,320 --> 01:00:45,640 Speaker 1: guarantee you to be sweatsuits all right. So what's the 1201 01:00:45,680 --> 01:00:47,680 Speaker 1: moral of the story. What is the moral of the story, 1202 01:00:47,760 --> 01:00:50,040 Speaker 1: jes Because you've been co parenting very well for a 1203 01:00:50,120 --> 01:00:53,240 Speaker 1: pretty long time. Now, oh man, the moral of the stories, 1204 01:00:53,240 --> 01:00:55,320 Speaker 1: all right, So look what wish she said, which is 1205 01:00:55,360 --> 01:00:58,800 Speaker 1: also a part of the moral. You still cannot say 1206 01:00:58,840 --> 01:01:01,840 Speaker 1: because she said if you don't, if you don't trust 1207 01:01:02,080 --> 01:01:05,520 Speaker 1: the other parents to date somebody that you you can't. 1208 01:01:05,560 --> 01:01:07,880 Speaker 1: Really that's still in the sense controlling, Like you, you 1209 01:01:07,960 --> 01:01:10,560 Speaker 1: don't know who they're gonna date. They dated you, So 1210 01:01:10,640 --> 01:01:12,920 Speaker 1: if you're going off of that past, then you got 1211 01:01:13,040 --> 01:01:15,600 Speaker 1: to include yourself. Like you can't just say he and not. 1212 01:01:15,720 --> 01:01:18,520 Speaker 1: That's not the monica. But I'm just saying, like it's 1213 01:01:18,560 --> 01:01:21,360 Speaker 1: just period. You can't control who some of you. Who 1214 01:01:21,360 --> 01:01:22,880 Speaker 1: are you to say like, oh hey, I don't like 1215 01:01:23,000 --> 01:01:24,880 Speaker 1: the way he dates. I don't. You don't until you 1216 01:01:24,920 --> 01:01:26,600 Speaker 1: get to know somebody. But I like how she ended it. 1217 01:01:26,800 --> 01:01:28,600 Speaker 1: If we have a conversation, Look, you're gonna be around 1218 01:01:28,600 --> 01:01:30,200 Speaker 1: my child. This is who I am, this is you 1219 01:01:30,280 --> 01:01:34,040 Speaker 1: know whatever. So the more what the story is, you 1220 01:01:34,200 --> 01:01:36,040 Speaker 1: do not, I don't think you have to. You're not 1221 01:01:36,160 --> 01:01:39,560 Speaker 1: responsible for your actual responsible for your kids. I think 1222 01:01:39,640 --> 01:01:43,080 Speaker 1: that's what that is. That makes sense. You're not responsible 1223 01:01:43,120 --> 01:01:45,640 Speaker 1: for your actually responsible for your kids. Yeah, you're not. 1224 01:01:45,760 --> 01:01:48,280 Speaker 1: You're not responsible like my Like I said, my son's 1225 01:01:48,360 --> 01:01:52,600 Speaker 1: dad has five kids with five different women. As after 1226 01:01:52,720 --> 01:01:55,320 Speaker 1: he moved on, he take care of his bomb father 1227 01:01:55,440 --> 01:01:56,720 Speaker 1: take care of his kids, and I don't try to 1228 01:01:56,760 --> 01:01:59,880 Speaker 1: support no more for none of them. But no more. Yeah, 1229 01:02:00,320 --> 01:02:03,960 Speaker 1: but he is not responsible for their mothers right, not 1230 01:02:04,160 --> 01:02:06,480 Speaker 1: in that nothing. Yeah, it's different than the marriage because 1231 01:02:06,520 --> 01:02:09,040 Speaker 1: the divorce you gotta settle that, you gotta you get this, 1232 01:02:09,200 --> 01:02:11,840 Speaker 1: I get this whatever. But like girlfriend, boyfriend, yo, if 1233 01:02:11,960 --> 01:02:14,560 Speaker 1: if it's not about my child, yo, I'm in my relationship. 1234 01:02:16,360 --> 01:02:18,840 Speaker 1: Let's say you move on and now that one child 1235 01:02:19,240 --> 01:02:21,920 Speaker 1: lives a different life than those off those other four kids, 1236 01:02:22,280 --> 01:02:24,080 Speaker 1: how do you think the other four kids will feel like? 1237 01:02:24,120 --> 01:02:25,720 Speaker 1: You know what I mean? Like, yeah, that one kid 1238 01:02:25,880 --> 01:02:28,000 Speaker 1: he gets you know, he gets to go to the 1239 01:02:28,040 --> 01:02:30,040 Speaker 1: football games, he gets to go to this because he's 1240 01:02:30,080 --> 01:02:32,439 Speaker 1: with the father old day long in that house. Don't 1241 01:02:32,440 --> 01:02:34,439 Speaker 1: you feel like all the kids should have that same 1242 01:02:34,560 --> 01:02:37,240 Speaker 1: love and that same feeling. But that's what I'm saying. 1243 01:02:37,360 --> 01:02:38,920 Speaker 1: What the ex gotta do with that. I'm gonna go 1244 01:02:39,040 --> 01:02:41,200 Speaker 1: pick my kid up and we're gonna I'm gonna take 1245 01:02:41,240 --> 01:02:43,920 Speaker 1: you with the rest of my kids. Your daddy, it 1246 01:02:44,000 --> 01:02:45,600 Speaker 1: ain't I'm gonna pick you in the baby mother up 1247 01:02:45,800 --> 01:02:47,959 Speaker 1: and y'all and no, I'm picking my all. I'm gonna 1248 01:02:47,960 --> 01:02:50,200 Speaker 1: get all my kids together, just like Rome do it, 1249 01:02:50,560 --> 01:02:52,600 Speaker 1: just like my son's dad does it. He don't do 1250 01:02:52,680 --> 01:02:54,160 Speaker 1: nothing with all his other kids. Or if he got 1251 01:02:54,240 --> 01:02:57,320 Speaker 1: his girls his girls Day and boys boys Day, then 1252 01:02:57,400 --> 01:02:58,760 Speaker 1: he got days when he get all of them, so 1253 01:02:59,040 --> 01:03:02,240 Speaker 1: he does. I don't know, but my baby father though 1254 01:03:02,280 --> 01:03:04,840 Speaker 1: it basically what justice saying. She only buying McDonald's for 1255 01:03:04,880 --> 01:03:06,560 Speaker 1: her son. She ain't buying me donald for the rest 1256 01:03:06,560 --> 01:03:10,360 Speaker 1: of your own kids. It's the Breakfast Club. Good Morning, 1257 01:03:11,080 --> 01:03:17,000 Speaker 1: the Breakfast Club. One of everybody is DJ n V 1258 01:03:17,280 --> 01:03:20,800 Speaker 1: Charlomagne the Guy. We are the Breakfast Club. April twenty 1259 01:03:20,840 --> 01:03:24,160 Speaker 1: second um for the first ever Black Effect Podcast Festival, 1260 01:03:24,240 --> 01:03:26,800 Speaker 1: happening at Pulman Yards in Atlanta, hosted by me and 1261 01:03:26,880 --> 01:03:29,320 Speaker 1: my good sister Just Hilarious. We got some of your 1262 01:03:29,360 --> 01:03:32,040 Speaker 1: favorite podcasts hitting that stage, like The eighty five South Show, 1263 01:03:32,320 --> 01:03:36,920 Speaker 1: Horrible Decisions, Reasonably Shady, Checking In with Michelle Williams, and 1264 01:03:37,080 --> 01:03:39,640 Speaker 1: a whole lot more. We got the Black Effect Marketplace, 1265 01:03:39,720 --> 01:03:41,560 Speaker 1: where a lot of local businesses in Atlanta will be 1266 01:03:41,640 --> 01:03:43,800 Speaker 1: set up and we'll have merchandise from a lot of 1267 01:03:43,880 --> 01:03:46,760 Speaker 1: your favorite podcasts, man, So go to event bright dot 1268 01:03:46,840 --> 01:03:48,880 Speaker 1: com right now and get your tickets and go to 1269 01:03:48,960 --> 01:03:51,800 Speaker 1: black Effect dot com for more information. Okay, on the 1270 01:03:51,920 --> 01:03:56,280 Speaker 1: first ever Black Affect Podcast Festival April twenty second in Atlanta, 1271 01:03:58,880 --> 01:04:02,840 Speaker 1: beat dj Envy. We are on vacation, but I want 1272 01:04:02,880 --> 01:04:05,480 Speaker 1: to remind you that my call show is going down 1273 01:04:05,600 --> 01:04:08,760 Speaker 1: May twenty eighth in Memphis. You don't want to miss it. 1274 01:04:09,040 --> 01:04:12,800 Speaker 1: It's family fund, celebrity cause, exotic cause, old school cause, 1275 01:04:13,240 --> 01:04:16,720 Speaker 1: rides and all those things. So get your tickets. You 1276 01:04:16,720 --> 01:04:18,560 Speaker 1: can click the link in my buio for more information 1277 01:04:18,600 --> 01:04:23,120 Speaker 1: and kids fiving under up Free morning. Everybody is DJ Envy, Charlomagne, 1278 01:04:23,160 --> 01:04:25,280 Speaker 1: the guy. We are the breakfast Club. Charlomagne. You got 1279 01:04:25,320 --> 01:04:27,640 Speaker 1: a positive note? Yes, the positive note simply this man. 1280 01:04:27,680 --> 01:04:29,600 Speaker 1: I said it once during Dunkey Today, I want to 1281 01:04:29,680 --> 01:04:32,800 Speaker 1: repeat it. When you choose an action, you choose the 1282 01:04:32,960 --> 01:04:36,320 Speaker 1: consequences of that action. When you desire a consequence, you 1283 01:04:36,440 --> 01:04:39,480 Speaker 1: had damn well better take the action that we create it. Okay, 1284 01:04:39,560 --> 01:04:42,440 Speaker 1: we all make choices, but in the end, our choices 1285 01:04:42,560 --> 01:04:44,800 Speaker 1: make us. We are free to choose our paths, but 1286 01:04:44,920 --> 01:04:48,000 Speaker 1: we can't choose the consequences that come with them. Breakfast 1287 01:04:48,040 --> 01:04:50,240 Speaker 1: club you don't finish, or y'all dumb