WEBVTT - Penn Jillette's Marathon Life in Magic

0:00:08.560 --> 0:00:11.719
<v Speaker 1>This is Alec Baldwin and you're listening to Here's the thing,

0:00:12.480 --> 0:00:16.720
<v Speaker 1>My chance to talk with artists, policymakers and performers, to

0:00:16.800 --> 0:00:21.120
<v Speaker 1>hear their stories. What inspires their creations, what decisions change

0:00:21.160 --> 0:00:27.160
<v Speaker 1>their careers, what relationships influenced their work. My guest today,

0:00:27.400 --> 0:00:31.240
<v Speaker 1>Penjollette is the speaking half of the duo Penn and Teller.

0:00:31.880 --> 0:00:35.479
<v Speaker 1>Their act mixes magic and comedy with a subversive element

0:00:35.760 --> 0:00:39.599
<v Speaker 1>that turns the traditional magic act on its head. In

0:00:39.640 --> 0:00:42.240
<v Speaker 1>addition to having one of the longest running shows in

0:00:42.360 --> 0:00:47.239
<v Speaker 1>Las Vegas, Penjoleette is also a musician, juggler, and inventor.

0:00:47.800 --> 0:00:52.280
<v Speaker 1>The six foot six outspoken atheist and libertarian also finds

0:00:52.320 --> 0:00:55.600
<v Speaker 1>time to write books, host TV shows, and appear as

0:00:55.640 --> 0:01:00.840
<v Speaker 1>a contestant on Dancing with the Stars and The Celebrity Apprentice. Recently,

0:01:00.920 --> 0:01:04.720
<v Speaker 1>Pendolet performed Defeat harder than any magic trick. He made

0:01:04.720 --> 0:01:09.240
<v Speaker 1>a hundred pounds disappear. I had wicked high blood pressure,

0:01:09.800 --> 0:01:13.240
<v Speaker 1>and I was telling myself, because it's easy to tell

0:01:13.280 --> 0:01:16.560
<v Speaker 1>yourself this, that it's genetic or there's nothing you can

0:01:16.640 --> 0:01:20.399
<v Speaker 1>do about it, and then there is UH. And I

0:01:20.480 --> 0:01:23.480
<v Speaker 1>just started eating in order to fix my blood pressure,

0:01:23.800 --> 0:01:26.160
<v Speaker 1>which ends up as a side effect losing a lot.

0:01:26.319 --> 0:01:28.679
<v Speaker 1>Were you leaner and and and and and kind of

0:01:28.720 --> 0:01:30.720
<v Speaker 1>readier when you were young and you got heavier as

0:01:30.720 --> 0:01:32.520
<v Speaker 1>you got over? Yeah? Sure, I was an American is

0:01:32.520 --> 0:01:36.920
<v Speaker 1>another way to say that, right, Yeah, America that was

0:01:36.959 --> 0:01:39.559
<v Speaker 1>doing you. What was the problem. Well, now I'm eating

0:01:40.240 --> 0:01:41.640
<v Speaker 1>what were you not? What are you not eating? Now?

0:01:41.760 --> 0:01:46.160
<v Speaker 1>I'm eating no animal products, no refined grains, extremely low salt,

0:01:46.200 --> 0:01:50.760
<v Speaker 1>sugar in oil. So I'm not able to do things

0:01:50.840 --> 0:01:53.440
<v Speaker 1>in moderation. One of the reasons I've never had a

0:01:53.520 --> 0:01:55.960
<v Speaker 1>drink or any drug in my life is I'm very

0:01:56.000 --> 0:01:59.120
<v Speaker 1>aware that moderation is not my strongest I can't imagine

0:01:59.160 --> 0:02:01.120
<v Speaker 1>you and I. Yeah, you and I trapped in this

0:02:01.240 --> 0:02:03.720
<v Speaker 1>room with a bowl of cocaine and the two trail

0:02:03.800 --> 0:02:07.200
<v Speaker 1>makes bars and the cacao. We wouldn't need the food

0:02:07.200 --> 0:02:09.400
<v Speaker 1>if we had the cocaine. But so so I've never

0:02:09.480 --> 0:02:12.040
<v Speaker 1>you know, has has so much as a puff of marijuana. No,

0:02:12.400 --> 0:02:16.679
<v Speaker 1>that's true. Never, never a sip of beer, because well,

0:02:16.680 --> 0:02:20.560
<v Speaker 1>my personality is such. Not only do I not do moderation,

0:02:20.639 --> 0:02:23.680
<v Speaker 1>I also don't respect it. If you tell me about

0:02:23.680 --> 0:02:25.680
<v Speaker 1>an author that I need to read I will go

0:02:25.720 --> 0:02:28.440
<v Speaker 1>home and read everything. You know, if you uh, if

0:02:28.440 --> 0:02:30.839
<v Speaker 1>I when I start to listen to a different kind

0:02:30.840 --> 0:02:33.000
<v Speaker 1>of music, you know, if all of a sudden I

0:02:33.040 --> 0:02:37.000
<v Speaker 1>discover alban Berg. I'm listening to all twelve toned German

0:02:37.040 --> 0:02:39.680
<v Speaker 1>opera for months, and I love living like that. I

0:02:39.680 --> 0:02:43.200
<v Speaker 1>mean a lot of people seem to strive from moderation.

0:02:43.960 --> 0:02:45.600
<v Speaker 1>I don't. So you and your wife, you're gonna have

0:02:45.639 --> 0:02:51.639
<v Speaker 1>a family, You're gonna have like twelve Fortunately you're able

0:02:51.720 --> 0:02:54.680
<v Speaker 1>to stop that with a vast activation and you don't

0:02:54.720 --> 0:02:57.560
<v Speaker 1>have to do any moderation. What science can science and

0:02:57.680 --> 0:03:00.200
<v Speaker 1>science can step in on these things. Interviews? But because so,

0:03:00.360 --> 0:03:02.920
<v Speaker 1>what's something that you craved or liked or that you

0:03:02.960 --> 0:03:06.560
<v Speaker 1>stopped eating? It's really interesting? But do you mind me

0:03:06.200 --> 0:03:13.840
<v Speaker 1>as I find that? Uh, it's exactly like situation comedies.

0:03:14.639 --> 0:03:18.280
<v Speaker 1>When you were watching situation comedies every night when you're younger,

0:03:18.720 --> 0:03:20.720
<v Speaker 1>they kind of make sense and you want to watch

0:03:20.760 --> 0:03:23.200
<v Speaker 1>them the next night. But if you stop for two

0:03:23.240 --> 0:03:25.959
<v Speaker 1>months and you go back and watch a situation comedy,

0:03:26.320 --> 0:03:30.160
<v Speaker 1>it's nonsense. Why would anybody watch this? Don't they have

0:03:30.240 --> 0:03:32.480
<v Speaker 1>real friends? Why are they watching this? Where do they

0:03:32.480 --> 0:03:34.320
<v Speaker 1>get all that money? For that apartment. And the same

0:03:34.360 --> 0:03:38.360
<v Speaker 1>thing with with food. Uh I really, for the first

0:03:38.440 --> 0:03:41.440
<v Speaker 1>you know, a couple of months, wanted uh hamburgers and

0:03:41.720 --> 0:03:44.240
<v Speaker 1>you know, fried chicken and all that stuff all the time.

0:03:44.480 --> 0:03:46.160
<v Speaker 1>And then after a couple of months the food I

0:03:46.200 --> 0:03:49.400
<v Speaker 1>was eating tasted great. It's exactly like you you listen

0:03:49.400 --> 0:03:52.360
<v Speaker 1>to music. You listen at four on the floor, three chord,

0:03:52.440 --> 0:03:54.960
<v Speaker 1>rock and roll, and you love it and it's great,

0:03:55.400 --> 0:03:57.520
<v Speaker 1>and then all of a sudden someone says, oh, and

0:03:57.560 --> 0:04:00.280
<v Speaker 1>there's jazz, and you go, oh, there's whole difference sounds

0:04:00.280 --> 0:04:03.960
<v Speaker 1>and different stuff. It's that salt, sugar, fat is just

0:04:04.000 --> 0:04:06.880
<v Speaker 1>that boom boom boom boom. But you take that away

0:04:06.920 --> 0:04:10.480
<v Speaker 1>and there's a zillion other flavors. Everything changes, including And

0:04:10.480 --> 0:04:13.040
<v Speaker 1>I'm a little bit embarrassed about this because I tend

0:04:13.080 --> 0:04:16.320
<v Speaker 1>to as much as I'm a strong atheist, I still

0:04:16.400 --> 0:04:19.640
<v Speaker 1>catch myself occasionally in a in a mind body separation,

0:04:19.760 --> 0:04:22.560
<v Speaker 1>you know, thinking that there's there's some sort of intellectual

0:04:22.640 --> 0:04:25.480
<v Speaker 1>side different the physical side. I was really surprised how

0:04:25.520 --> 0:04:27.599
<v Speaker 1>my mood changed. Are you ready to become a Catholic?

0:04:28.279 --> 0:04:39.279
<v Speaker 1>Very close? He thinks you're great, there's a great here's

0:04:39.320 --> 0:04:42.560
<v Speaker 1>a great story about Roy of Siegfried and Roy. Yeah,

0:04:43.160 --> 0:04:46.599
<v Speaker 1>meeting the Pope, and Sigfried and Roy met the Pope,

0:04:46.640 --> 0:04:50.680
<v Speaker 1>you know, the great magicians. They meet the Pope and uh,

0:04:50.800 --> 0:04:54.720
<v Speaker 1>Roy gives him a ring and the Pope takes the

0:04:54.839 --> 0:04:57.440
<v Speaker 1>ring and hands it to the assistant as this is

0:04:57.480 --> 0:05:00.280
<v Speaker 1>a gift. And then Roy goes, no, no, that that

0:05:00.400 --> 0:05:02.600
<v Speaker 1>is utual, blessed and give back to me my whole

0:05:02.640 --> 0:05:06.839
<v Speaker 1>Oh my god. That which is all you need to

0:05:06.839 --> 0:05:11.680
<v Speaker 1>know about Roy and the Pope. Now when you when

0:05:11.720 --> 0:05:17.960
<v Speaker 1>you you you just touched on many subjects atheism. You've

0:05:17.960 --> 0:05:20.719
<v Speaker 1>covered everything. We're done. We guys count now. But the

0:05:20.720 --> 0:05:23.760
<v Speaker 1>the let let's talk about that meaning. Did you know

0:05:23.800 --> 0:05:27.600
<v Speaker 1>you were an atheist from from the earlier? You had no? No,

0:05:28.480 --> 0:05:31.440
<v Speaker 1>I was you know, people do this thing that uh

0:05:31.560 --> 0:05:35.320
<v Speaker 1>that I always always feel very um. I feel it's

0:05:35.400 --> 0:05:37.599
<v Speaker 1>very important to point out. They always say, you know,

0:05:37.680 --> 0:05:41.360
<v Speaker 1>religious people must have treated you badly. I'm a religious personal,

0:05:41.400 --> 0:05:45.960
<v Speaker 1>treat you well. The point is religious people treated me wonderfully.

0:05:46.240 --> 0:05:49.520
<v Speaker 1>I have always been treated very well by religious people.

0:05:49.839 --> 0:05:52.440
<v Speaker 1>I was raised, I have a perfect family life. My

0:05:52.520 --> 0:05:55.400
<v Speaker 1>mom and dad and my sister and I were very

0:05:55.480 --> 0:06:00.120
<v Speaker 1>very close. I was raised a Congregationalist Massachusetts wh to

0:06:00.240 --> 0:06:05.240
<v Speaker 1>mess and I went to church an hour you know north.

0:06:05.800 --> 0:06:09.960
<v Speaker 1>When I got to be uh junior high age, my

0:06:10.040 --> 0:06:13.279
<v Speaker 1>parents said I could go to youth group instead of

0:06:13.960 --> 0:06:15.919
<v Speaker 1>Sunday morning services. I wanted to, and I went to

0:06:15.960 --> 0:06:18.240
<v Speaker 1>youth group, and I believe I was the only one

0:06:18.279 --> 0:06:21.359
<v Speaker 1>who took us seriously. And the minister spoke with us

0:06:21.400 --> 0:06:24.400
<v Speaker 1>about religion, and I read the Bible and then came

0:06:24.440 --> 0:06:29.120
<v Speaker 1>in with some questions, and I had a wonderful, wonderful

0:06:29.160 --> 0:06:32.520
<v Speaker 1>minister who was very open and would talk with me

0:06:32.560 --> 0:06:35.400
<v Speaker 1>for hours. I did this exactly the way the church

0:06:35.440 --> 0:06:39.040
<v Speaker 1>would want you to do it. There was no horrible rebellion,

0:06:39.080 --> 0:06:41.840
<v Speaker 1>there was no fuck you, there was no screaming, there

0:06:41.920 --> 0:06:45.320
<v Speaker 1>was no being molested. I have not one horror story.

0:06:45.360 --> 0:06:50.280
<v Speaker 1>I've just kind, wonderful, sweet people and an intellectual discussion.

0:06:50.560 --> 0:06:53.719
<v Speaker 1>And I went, you know, I don't like the idea

0:06:53.920 --> 0:06:56.840
<v Speaker 1>of putting God before my family. My family is more

0:06:56.880 --> 0:06:59.400
<v Speaker 1>important to me, and I don't like the idea of

0:06:59.520 --> 0:07:01.800
<v Speaker 1>their being a love greater than the love I have

0:07:01.880 --> 0:07:05.120
<v Speaker 1>from my family and friends. And I do believe that

0:07:05.240 --> 0:07:08.960
<v Speaker 1>humans are good on their own without this, and I

0:07:09.000 --> 0:07:12.040
<v Speaker 1>don't think anything happens after we die, and my minister

0:07:12.320 --> 0:07:14.680
<v Speaker 1>and I and there's you sound like a moderate Republican.

0:07:15.560 --> 0:07:19.600
<v Speaker 1>There's there's no way to tell this story without making

0:07:19.680 --> 0:07:21.760
<v Speaker 1>him look like a goofball. But he's not a goofball.

0:07:21.800 --> 0:07:23.880
<v Speaker 1>This is a sensible thing. He called that. My mom

0:07:23.880 --> 0:07:26.760
<v Speaker 1>and dad had said, you know, Penn is doing wonderful

0:07:26.760 --> 0:07:29.480
<v Speaker 1>and youth group, but we're having discussions, and I believe

0:07:29.520 --> 0:07:32.320
<v Speaker 1>he's doing a better job at converting the other children

0:07:32.360 --> 0:07:37.320
<v Speaker 1>to Atheism than I am with Christianity. So why don't

0:07:37.320 --> 0:07:39.560
<v Speaker 1>you just not have him come to you group anymore?

0:07:39.840 --> 0:07:43.400
<v Speaker 1>And I talked to my my parents and uh, my

0:07:43.480 --> 0:07:47.400
<v Speaker 1>dad till the day he died, prayed for me and

0:07:47.440 --> 0:07:51.200
<v Speaker 1>would say what he has Carles, and he would say

0:07:51.240 --> 0:07:54.160
<v Speaker 1>to me all stuff all the time, like, well, Pen,

0:07:54.560 --> 0:07:57.080
<v Speaker 1>you were such a good Christian. I say, except for

0:07:57.120 --> 0:08:00.200
<v Speaker 1>that not accepting Christ than Dad, except for that if

0:08:00.200 --> 0:08:03.760
<v Speaker 1>you separate out the dogma of a particular religion. Because

0:08:03.760 --> 0:08:05.880
<v Speaker 1>I'm a Catholic, I was raised a Catholic, and over

0:08:05.880 --> 0:08:08.840
<v Speaker 1>the ark of my present, when I when I've been

0:08:08.920 --> 0:08:11.160
<v Speaker 1>over the ark of my life, I've I've lapsed and

0:08:11.280 --> 0:08:13.440
<v Speaker 1>gone back and laps to go back. But a priest

0:08:13.520 --> 0:08:15.240
<v Speaker 1>who I grew up with, who was a priest in

0:08:15.240 --> 0:08:16.760
<v Speaker 1>the church I went to when I was a boy,

0:08:17.520 --> 0:08:19.120
<v Speaker 1>he said, at best, he said, listen, all the great

0:08:19.120 --> 0:08:22.360
<v Speaker 1>religions have something to offer to me. Hinduism and Judaism

0:08:22.400 --> 0:08:25.440
<v Speaker 1>and Buddhism and so forth, and Muslim he says, He said,

0:08:25.440 --> 0:08:27.480
<v Speaker 1>the Catholics just seem to have the nicest places to

0:08:27.520 --> 0:08:30.680
<v Speaker 1>hang out, the nicest real estate. But you separate all

0:08:30.720 --> 0:08:34.880
<v Speaker 1>the dogma of any particular religion, and to me, atheism

0:08:34.920 --> 0:08:37.560
<v Speaker 1>is you just don't believe there's a God, right. And

0:08:37.600 --> 0:08:41.600
<v Speaker 1>I also, regardless of your individual relationship, there's there isn't

0:08:41.640 --> 0:08:45.200
<v Speaker 1>really there there there is no moral code that goes

0:08:45.240 --> 0:08:47.400
<v Speaker 1>along with that. There's a lot of stuff we've noticed

0:08:47.440 --> 0:08:51.319
<v Speaker 1>about atheists, you know, but there isn't an actual church

0:08:51.520 --> 0:08:54.400
<v Speaker 1>of atheism. And I wanted to say with a great

0:08:54.440 --> 0:08:57.839
<v Speaker 1>deal of pride that my mom when she was eight

0:08:58.000 --> 0:09:01.880
<v Speaker 1>five eight five years old, and what did it? Was

0:09:02.920 --> 0:09:05.760
<v Speaker 1>this this but this is the Great Father was like God, damn.

0:09:07.520 --> 0:09:09.320
<v Speaker 1>My dad used to say, and this is, you know,

0:09:09.559 --> 0:09:13.000
<v Speaker 1>just a tribute to My dad was the most most

0:09:13.040 --> 0:09:16.120
<v Speaker 1>wonderful man I've ever met. My dad would say to me,

0:09:16.600 --> 0:09:20.600
<v Speaker 1>I'm going to have to work so hard after I

0:09:20.679 --> 0:09:23.199
<v Speaker 1>die to get you and your mother into heaven. But

0:09:23.280 --> 0:09:26.199
<v Speaker 1>I'm going to do it. I just have to work very,

0:09:26.320 --> 0:09:29.319
<v Speaker 1>very hard. You can make it so much easier for me. Yes,

0:09:29.640 --> 0:09:32.000
<v Speaker 1>you have to know that. My mom and my dad

0:09:32.040 --> 0:09:36.000
<v Speaker 1>never said hell or damn or any absenter hard in

0:09:36.000 --> 0:09:39.880
<v Speaker 1>the house, hardcore, no alcohol, no heller, damn. When I

0:09:39.920 --> 0:09:43.640
<v Speaker 1>started doing card tricks, my my my father was like,

0:09:44.240 --> 0:09:47.040
<v Speaker 1>you won't be gambling though. You can do card tricks,

0:09:47.080 --> 0:09:49.000
<v Speaker 1>but I don't like having a deck of cards in

0:09:49.000 --> 0:09:50.959
<v Speaker 1>the house. I would say, Dad, I'm just doing manipulations

0:09:50.960 --> 0:09:54.560
<v Speaker 1>and tricks. Well, that's fine. Now when people obviously, when

0:09:54.600 --> 0:09:55.960
<v Speaker 1>they think of you, they think of you as part

0:09:55.960 --> 0:09:59.240
<v Speaker 1>of a tandem and your partner. It's always mystified to

0:09:59.280 --> 0:10:03.560
<v Speaker 1>me the mute performer, what's that like for him to

0:10:03.640 --> 0:10:08.760
<v Speaker 1>play that role all these years? It's thirty years forty

0:10:09.160 --> 0:10:13.280
<v Speaker 1>good god, and uh it is a very shut up

0:10:13.280 --> 0:10:16.480
<v Speaker 1>when he's home. Well, that's that's the joke. Everybody in

0:10:16.520 --> 0:10:19.480
<v Speaker 1>the crew will tell you. Penn speaks on stage, doesn't

0:10:19.480 --> 0:10:22.400
<v Speaker 1>speak off stage. Tell there, doesn't speak on stage, never

0:10:22.440 --> 0:10:24.920
<v Speaker 1>shuts up. When if you were to come to one

0:10:24.960 --> 0:10:28.320
<v Speaker 1>of our rehearsals. Uh, it's me sitting over the corner

0:10:28.360 --> 0:10:31.120
<v Speaker 1>reading the paper, and tell their talking to everybody handling.

0:10:31.160 --> 0:10:36.079
<v Speaker 1>They tell us essentially, O Lucille Ball direct and but

0:10:36.280 --> 0:10:39.040
<v Speaker 1>you know, tell her direct Shakespeare. You know he's he's

0:10:39.080 --> 0:10:44.360
<v Speaker 1>directing The Tempest in Chicago, a wonderful production with real magic.

0:10:45.240 --> 0:10:48.760
<v Speaker 1>The Yeah, but more more directing and more writing. And

0:10:48.760 --> 0:10:51.319
<v Speaker 1>he's very articulate. Who's a high school Latin and Greek

0:10:51.320 --> 0:10:54.840
<v Speaker 1>teacher and he is a classic scholar. Where does he live?

0:10:54.880 --> 0:10:57.000
<v Speaker 1>Where as his home Vegas? So you guys both live

0:10:57.040 --> 0:11:00.840
<v Speaker 1>in this Yeah, about five miles apart. And you have

0:11:00.920 --> 0:11:06.840
<v Speaker 1>a theater that your own theater, and it's really near obligated.

0:11:06.880 --> 0:11:09.000
<v Speaker 1>The contract is how many months of the year until

0:11:09.040 --> 0:11:13.120
<v Speaker 1>we die? I mean we do? We do forty six

0:11:13.160 --> 0:11:16.920
<v Speaker 1>weeks a year for now, yeah, when you if we

0:11:17.040 --> 0:11:20.280
<v Speaker 1>ever crossed your if you ever, we don't have time off,

0:11:22.200 --> 0:11:24.480
<v Speaker 1>and we sometimes do run outs on the on the day,

0:11:24.559 --> 0:11:27.200
<v Speaker 1>on the day, supposedly six weeks. In Vegas. We do

0:11:27.320 --> 0:11:30.080
<v Speaker 1>about two d and fifty shows a year a little more.

0:11:30.200 --> 0:11:32.040
<v Speaker 1>It's a pretty easy schedule, but I make it as

0:11:32.080 --> 0:11:35.840
<v Speaker 1>hard as possible because I play upright bass, jazz bebop

0:11:35.920 --> 0:11:37.880
<v Speaker 1>for an hour before the show, and then we meet

0:11:37.920 --> 0:11:40.800
<v Speaker 1>everybody after the show. So we turn a cushy ninety

0:11:40.800 --> 0:11:44.400
<v Speaker 1>minute gig into three and act like Steve Martin yeah

0:11:45.000 --> 0:11:47.320
<v Speaker 1>and everything. Yeah, yeah, I do. When Steve's in town.

0:11:47.360 --> 0:11:50.720
<v Speaker 1>I love to talk music with When you were a child,

0:11:50.960 --> 0:11:55.280
<v Speaker 1>I mean I grew up and anything magic or anything

0:11:55.800 --> 0:11:59.560
<v Speaker 1>of the paranormal, if you will, Eurie Geller, crest Skin,

0:11:59.640 --> 0:12:01.680
<v Speaker 1>all those, I mean, I grew up glued to that.

0:12:01.800 --> 0:12:03.840
<v Speaker 1>I love that where you glued to that kind of

0:12:03.840 --> 0:12:06.440
<v Speaker 1>stuff to come into your life. I was. I was

0:12:06.559 --> 0:12:11.199
<v Speaker 1>horrified by Kreskin Um. I believed when he went on

0:12:11.440 --> 0:12:14.559
<v Speaker 1>he went on a television show and he did an experiment,

0:12:14.600 --> 0:12:17.320
<v Speaker 1>as he called it, and I believed that this was

0:12:17.360 --> 0:12:19.400
<v Speaker 1>an area of science. I was fascinated by science, an

0:12:19.400 --> 0:12:22.520
<v Speaker 1>area of science that I wanted to study. And my parents,

0:12:22.559 --> 0:12:24.199
<v Speaker 1>who I said, weren't wealth. He bought me was a

0:12:24.280 --> 0:12:28.000
<v Speaker 1>little ESP game as piece of ship with little pendulum

0:12:28.000 --> 0:12:29.960
<v Speaker 1>in the ESP cards. And then I would do that

0:12:30.000 --> 0:12:33.920
<v Speaker 1>with my parents over and over and then um, because

0:12:33.960 --> 0:12:36.839
<v Speaker 1>I was becoming a juggler and practicing all the time

0:12:37.200 --> 0:12:39.079
<v Speaker 1>in the library. If you cast your mind back to

0:12:39.120 --> 0:12:41.880
<v Speaker 1>the Dewey decimal system. You know that the nine hundreds

0:12:42.000 --> 0:12:47.600
<v Speaker 1>are religion, magic, juggling. They're all there together, which is great.

0:12:47.640 --> 0:12:50.679
<v Speaker 1>My whole life is in the nine decimal system. I

0:12:50.760 --> 0:12:53.480
<v Speaker 1>happened to see a dune in your book The Mentalist

0:12:53.480 --> 0:12:56.480
<v Speaker 1>from the forties. Yeah, he's he's He was the most

0:12:56.520 --> 0:12:59.280
<v Speaker 1>popular mentalist mind reader. And I opened the book on

0:12:59.360 --> 0:13:03.200
<v Speaker 1>magic and theyre in There was the description of how

0:13:03.280 --> 0:13:05.760
<v Speaker 1>to do the trick I'd seen Christ can do as

0:13:05.800 --> 0:13:10.280
<v Speaker 1>an experiment, And that moment in the library was a

0:13:10.320 --> 0:13:13.000
<v Speaker 1>complete breakdown. I mean I went, I could not believe

0:13:13.080 --> 0:13:15.680
<v Speaker 1>that a scientist, which is the way I perceived it,

0:13:15.760 --> 0:13:18.559
<v Speaker 1>had lied to me. And I went almost humiliated in

0:13:18.600 --> 0:13:20.480
<v Speaker 1>front of my parents. By the way, here's the birth

0:13:20.520 --> 0:13:22.760
<v Speaker 1>of the bullshit show too. By the way, absolutely everything

0:13:22.760 --> 0:13:25.400
<v Speaker 1>my whole life, and I also pretty much at that

0:13:25.440 --> 0:13:29.720
<v Speaker 1>point went from straight a's to failing because I said

0:13:30.000 --> 0:13:34.320
<v Speaker 1>to my physics teachers and scientists, lie. Why am I

0:13:34.320 --> 0:13:37.760
<v Speaker 1>listening to you scientists? Lie? Scientists? And I hated magic,

0:13:38.120 --> 0:13:40.959
<v Speaker 1>hated magic because why would you be fooling people? It's

0:13:41.000 --> 0:13:44.040
<v Speaker 1>hard enough to figure out about the world is hard enough. Yeah,

0:13:44.040 --> 0:13:46.080
<v Speaker 1>why why are you doing that? And my parents, you know,

0:13:46.080 --> 0:13:48.679
<v Speaker 1>would try to console me. It's just a stupid little

0:13:48.679 --> 0:13:51.640
<v Speaker 1>game pad. God, Dad, It's okay, No, No No, I'm a juggler.

0:13:51.679 --> 0:13:54.680
<v Speaker 1>I'm not a magician all of this. And it wasn't

0:13:54.760 --> 0:13:56.200
<v Speaker 1>until I met Teller, who I met when I was

0:13:56.200 --> 0:13:58.600
<v Speaker 1>in high school. Until there's seven years older than me

0:13:59.360 --> 0:14:02.680
<v Speaker 1>and amazing Randy and may explain to me the very

0:14:02.760 --> 0:14:06.160
<v Speaker 1>simple thing that if you put a procenium around something,

0:14:06.679 --> 0:14:09.680
<v Speaker 1>it's all of a sudden moral. If Robert de Niro

0:14:09.920 --> 0:14:12.600
<v Speaker 1>runs around New York saying he's Travis Bickle and he's

0:14:12.600 --> 0:14:15.679
<v Speaker 1>a cab driver, he is insane. If he does it

0:14:15.920 --> 0:14:19.080
<v Speaker 1>in a movie, he's a genius. Yes, And the same

0:14:19.120 --> 0:14:22.280
<v Speaker 1>thing with magic. If you come to our show, all

0:14:22.400 --> 0:14:25.360
<v Speaker 1>the stuff we do would be immoral if you take

0:14:25.360 --> 0:14:27.400
<v Speaker 1>that proscenium. So you did a lot on the street,

0:14:27.440 --> 0:14:29.680
<v Speaker 1>you were on the street, yeah, yeah, but but always

0:14:29.720 --> 0:14:33.040
<v Speaker 1>as a juggler, it wasn't. Uh. So we try to

0:14:33.160 --> 0:14:36.560
<v Speaker 1>follow this very strict moral code in the penn and

0:14:36.640 --> 0:14:39.080
<v Speaker 1>tell the show, which is what I call the sawing

0:14:39.400 --> 0:14:41.520
<v Speaker 1>a woman in a half code sawing a woman in

0:14:41.520 --> 0:14:46.280
<v Speaker 1>the half, which is we saw a woman in to

0:14:46.360 --> 0:14:49.840
<v Speaker 1>have haves on stage. You see that no one leaves

0:14:49.840 --> 0:14:53.320
<v Speaker 1>the theater thinking they've witnessed a murder. Nobody. That is

0:14:53.360 --> 0:14:55.800
<v Speaker 1>my rule for all magic. If I'm going to do

0:14:56.040 --> 0:15:00.119
<v Speaker 1>a mind reading trick, you cannot leave the theater thinking

0:15:00.280 --> 0:15:02.800
<v Speaker 1>that I can read minds. It must be exactly the

0:15:02.840 --> 0:15:05.320
<v Speaker 1>same as not witnessing a murder. There's a lot of

0:15:05.400 --> 0:15:09.480
<v Speaker 1>intellectual and moral gymnastics that need to be done in

0:15:09.600 --> 0:15:11.840
<v Speaker 1>order to follow that code and tell her and I

0:15:12.600 --> 0:15:15.360
<v Speaker 1>A big part of our writing tricks is trying to

0:15:15.400 --> 0:15:19.080
<v Speaker 1>be intellectually honest. So what is it required of the

0:15:19.120 --> 0:15:23.240
<v Speaker 1>street performer that you had the street and they score well? I,

0:15:23.320 --> 0:15:26.560
<v Speaker 1>you know, I uh, with my parents permission. You know,

0:15:26.680 --> 0:15:29.560
<v Speaker 1>left home when I was eighteen and was essentially homeless,

0:15:29.600 --> 0:15:34.560
<v Speaker 1>hitchhiking around the country hippie and I supported myself juggling

0:15:34.600 --> 0:15:38.520
<v Speaker 1>on streets and juggling in bars. And uh, you need

0:15:38.560 --> 0:15:42.560
<v Speaker 1>to uh, you need to gather a crowd, and you

0:15:42.600 --> 0:15:44.200
<v Speaker 1>need to collect the money for the bit of a

0:15:44.240 --> 0:15:46.920
<v Speaker 1>barker question, what's yeah? Or is they called to the

0:15:46.960 --> 0:15:51.800
<v Speaker 1>carny talker? Um? I was a really really good street performers,

0:15:51.800 --> 0:15:55.000
<v Speaker 1>a matter of fact teller. I'm not sure how to

0:15:55.080 --> 0:15:57.520
<v Speaker 1>take this, but tell her always says, you know, the

0:15:57.560 --> 0:15:59.720
<v Speaker 1>best thing you've ever done in your career was your

0:16:00.040 --> 0:16:02.440
<v Speaker 1>a bit of street act. There was really nothing better

0:16:02.480 --> 0:16:04.680
<v Speaker 1>than that. Where was the money good? What was the

0:16:04.680 --> 0:16:07.080
<v Speaker 1>place that was like? I had a rule that I

0:16:07.080 --> 0:16:09.640
<v Speaker 1>would only work places that it was illegal, because I

0:16:09.640 --> 0:16:12.200
<v Speaker 1>thought that was sexy. And I worked head out Square

0:16:12.200 --> 0:16:15.920
<v Speaker 1>in Philadelphia, and uh, I knew all the police officers,

0:16:16.320 --> 0:16:19.240
<v Speaker 1>and the police officers would come to my show and say,

0:16:19.400 --> 0:16:22.440
<v Speaker 1>the second someone can convince me that you're begging, I'll

0:16:22.520 --> 0:16:26.120
<v Speaker 1>arrest you. Until then you're doing a show, and I

0:16:26.160 --> 0:16:29.280
<v Speaker 1>would do. I I was making so much money. I

0:16:29.320 --> 0:16:32.160
<v Speaker 1>was nineteen years old and I was making so much

0:16:32.200 --> 0:16:35.160
<v Speaker 1>money street performing. I went to an accountant and I

0:16:35.200 --> 0:16:37.320
<v Speaker 1>said to file taxes. I said, I want to file

0:16:37.400 --> 0:16:39.200
<v Speaker 1>my taxes and the money I made And he said,

0:16:39.200 --> 0:16:40.320
<v Speaker 1>what do you do when I said, I'm a street

0:16:40.360 --> 0:16:42.520
<v Speaker 1>jungle And he said, how much do you make? And

0:16:42.560 --> 0:16:44.880
<v Speaker 1>I told him and I said, I have you know,

0:16:44.920 --> 0:16:48.320
<v Speaker 1>I keep records of every hat I passed and how

0:16:48.400 --> 0:16:50.160
<v Speaker 1>much I make, and I have it all laid out here,

0:16:50.160 --> 0:16:52.000
<v Speaker 1>and I had when I brought it to the bank

0:16:52.040 --> 0:16:55.200
<v Speaker 1>and when I did everything. And he said, in your nineteen.

0:16:55.280 --> 0:16:58.040
<v Speaker 1>I said yeah, And he said, if you go to

0:16:58.120 --> 0:17:00.760
<v Speaker 1>the I R S And tell the you made this

0:17:00.920 --> 0:17:04.520
<v Speaker 1>much money juggling, they will arrest you as a drug dealer.

0:17:04.960 --> 0:17:07.639
<v Speaker 1>They will assume you're a drug dealer. And then he said,

0:17:07.920 --> 0:17:10.440
<v Speaker 1>and oh, by the way, I think you're a drug dealer.

0:17:12.240 --> 0:17:15.000
<v Speaker 1>By the way, I don't believe. And I said, well, no, no,

0:17:15.040 --> 0:17:18.040
<v Speaker 1>I'm really making this. He goes, take the money, don't

0:17:18.080 --> 0:17:21.000
<v Speaker 1>put it in the bank, keep it in cash, walk away,

0:17:21.040 --> 0:17:23.240
<v Speaker 1>And when does that change meaning that you're doing that?

0:17:23.520 --> 0:17:25.800
<v Speaker 1>And then I put all that money. Well, first of all,

0:17:26.520 --> 0:17:29.200
<v Speaker 1>totally ruined my voice because I'd work for five people

0:17:29.520 --> 0:17:34.439
<v Speaker 1>outside no training, just scream and put chloris, put chlorosceptic

0:17:34.640 --> 0:17:37.080
<v Speaker 1>in a coke can and just go. Or is your

0:17:37.119 --> 0:17:40.760
<v Speaker 1>costume to try to oh yeah. My rule on street

0:17:40.800 --> 0:17:44.280
<v Speaker 1>performing was you have to look so that people are

0:17:44.320 --> 0:17:48.359
<v Speaker 1>embarrassed to give you less than a twenty. So I

0:17:48.359 --> 0:17:51.240
<v Speaker 1>wore a three thousand dollar watch when I street performed.

0:17:51.480 --> 0:17:55.639
<v Speaker 1>I wore a really expensive suit, really expensive pants, was

0:17:55.920 --> 0:17:58.560
<v Speaker 1>perfectly groomed, much more than what I went, like Michael

0:17:58.600 --> 0:18:02.480
<v Speaker 1>Douglas than the artful does. Absolutely absolutely. My idea was

0:18:02.600 --> 0:18:04.760
<v Speaker 1>I want to make as much money as Johnny Carson,

0:18:05.400 --> 0:18:07.879
<v Speaker 1>so I'll be out there looking like Johnny Carson. So

0:18:08.080 --> 0:18:10.159
<v Speaker 1>the idea was I would gather a crowd and you

0:18:10.280 --> 0:18:13.800
<v Speaker 1>come up and go, man, he's really funny. He's really

0:18:13.800 --> 0:18:15.800
<v Speaker 1>a good juggler. You'd be with your date and go,

0:18:16.200 --> 0:18:20.760
<v Speaker 1>I can't give him fifty cents. I get a twenty.

0:18:21.080 --> 0:18:24.159
<v Speaker 1>You can't do that and uh And then Teller would

0:18:24.240 --> 0:18:27.000
<v Speaker 1>alternate with me in the same spot, which we kind

0:18:27.000 --> 0:18:32.480
<v Speaker 1>of owned, and the um, the local hoodlum children uh

0:18:32.840 --> 0:18:35.320
<v Speaker 1>loved us because what I would do is I, you know,

0:18:35.560 --> 0:18:37.639
<v Speaker 1>have them take care of my money and buy props

0:18:37.640 --> 0:18:39.000
<v Speaker 1>from me and take care of that kind of stuff.

0:18:39.040 --> 0:18:41.600
<v Speaker 1>Trusted them. So anybody else that came in to take

0:18:41.680 --> 0:18:44.840
<v Speaker 1>that spot, the police arrested them and the local kids

0:18:44.840 --> 0:18:47.240
<v Speaker 1>are asked them. So we had that spot to ourselves,

0:18:47.600 --> 0:18:49.679
<v Speaker 1>and I would go to all the store owners that

0:18:49.720 --> 0:18:52.160
<v Speaker 1>are around there. I would go up after every show

0:18:52.200 --> 0:18:54.360
<v Speaker 1>and say, you're getting enough traffic in and out. I'm

0:18:54.359 --> 0:18:57.480
<v Speaker 1>not blocking Everything's okay. The police officers liked us. He

0:18:57.600 --> 0:19:00.399
<v Speaker 1>joined the Chamber of Commerce, yes pretty much, and we

0:19:00.400 --> 0:19:03.199
<v Speaker 1>did that very well. Then then I really got interested

0:19:03.760 --> 0:19:06.080
<v Speaker 1>in doing uh Tell, and I wanted to do a

0:19:06.080 --> 0:19:09.719
<v Speaker 1>full evening show. We thought that the ideas that we

0:19:09.800 --> 0:19:12.359
<v Speaker 1>had were more than just the twelve minutes. So we

0:19:12.400 --> 0:19:15.520
<v Speaker 1>took all the money that we've made street performing and

0:19:15.560 --> 0:19:18.920
<v Speaker 1>put it into buying lights and sound and and producing.

0:19:21.200 --> 0:19:24.680
<v Speaker 1>Our very first shows were at the Walnut Street Theater.

0:19:24.960 --> 0:19:28.040
<v Speaker 1>They had a space that would seat like seventy people

0:19:28.640 --> 0:19:31.000
<v Speaker 1>and they had put that aside with a grant for

0:19:31.080 --> 0:19:37.919
<v Speaker 1>experimental theater, and the experimental theater company UH could not

0:19:38.119 --> 0:19:40.600
<v Speaker 1>get it together in three months to put an experimental

0:19:40.640 --> 0:19:43.320
<v Speaker 1>show on. Now you know, they couldn't in three months

0:19:43.320 --> 0:19:45.560
<v Speaker 1>get it together. So they came to teller they gone

0:19:45.560 --> 0:19:48.200
<v Speaker 1>to college with, and said, you're doing your little show,

0:19:48.480 --> 0:19:51.119
<v Speaker 1>can you just put it in and we'll let you

0:19:51.160 --> 0:19:54.320
<v Speaker 1>have the theater for free. Now they were getting grants,

0:19:54.720 --> 0:19:57.320
<v Speaker 1>we could have the theater for free. So we put

0:19:57.400 --> 0:20:01.040
<v Speaker 1>the show up and we charged whatever it was ten dollars,

0:20:01.240 --> 0:20:03.879
<v Speaker 1>and we got wonderful reviews and put the place up

0:20:04.400 --> 0:20:07.160
<v Speaker 1>and then the UH, the head of the Walnut Street

0:20:07.200 --> 0:20:11.000
<v Speaker 1>Theater called us in and said, uh, so the theater

0:20:11.080 --> 0:20:14.080
<v Speaker 1>company up there, they gave you the they gave you

0:20:14.160 --> 0:20:15.680
<v Speaker 1>the space, and how much money they give you to

0:20:15.680 --> 0:20:17.199
<v Speaker 1>put this on? We said nothing. They just gave us

0:20:17.200 --> 0:20:19.200
<v Speaker 1>a space, which is a big help man, huge help

0:20:19.280 --> 0:20:20.960
<v Speaker 1>not to pay rent. We could really make money on this.

0:20:21.000 --> 0:20:24.000
<v Speaker 1>We're supporting ourselves. This is trip we're getting going. He goes, yeah, yeah,

0:20:24.080 --> 0:20:26.560
<v Speaker 1>And they were paid money to put a show on

0:20:26.720 --> 0:20:28.600
<v Speaker 1>in there, and they just give to you afraid. So

0:20:28.800 --> 0:20:31.000
<v Speaker 1>you guys are welcome to use the theater whenever you want.

0:20:31.080 --> 0:20:34.960
<v Speaker 1>And they're losing all their grants. So we became we

0:20:35.040 --> 0:20:39.480
<v Speaker 1>became the people that killed the experimental theater in that particular,

0:20:39.560 --> 0:20:41.119
<v Speaker 1>and they were like, what did you do to us?

0:20:41.160 --> 0:20:43.119
<v Speaker 1>We said, we didn't even we didn't know. We were

0:20:43.119 --> 0:20:45.640
<v Speaker 1>supposed to lie. We could have said we can't make

0:20:45.680 --> 0:20:47.760
<v Speaker 1>money in there, but as it turned out, we could

0:20:47.920 --> 0:20:50.000
<v Speaker 1>make money, you know, and in a hundred seed theater,

0:20:50.920 --> 0:20:52.720
<v Speaker 1>we we could fill it up and make money doing

0:20:52.760 --> 0:20:55.960
<v Speaker 1>nhhos a week. Um. So you you you perform inside

0:20:56.000 --> 0:20:57.600
<v Speaker 1>and you start to do the show. And what kind

0:20:57.600 --> 0:20:59.120
<v Speaker 1>of a show was it back then? We we did

0:20:59.200 --> 0:21:00.800
<v Speaker 1>we was the three person and show that we had

0:21:00.800 --> 0:21:02.680
<v Speaker 1>a we had a third partner who did classical music,

0:21:03.040 --> 0:21:06.160
<v Speaker 1>and it was called the Asparagus Valley Cultural Society and

0:21:06.480 --> 0:21:11.440
<v Speaker 1>h we got we did a thing that was so nuts.

0:21:12.400 --> 0:21:14.639
<v Speaker 1>Teller was in charge of the putting the ads together

0:21:14.720 --> 0:21:16.800
<v Speaker 1>and putting them in the paper, and I was in

0:21:16.880 --> 0:21:19.840
<v Speaker 1>charge of getting critics to the show. So I just

0:21:20.000 --> 0:21:22.159
<v Speaker 1>put on my leather jacket and went, you know, to

0:21:22.200 --> 0:21:24.399
<v Speaker 1>the list of people that were critics, and walked up

0:21:24.400 --> 0:21:26.640
<v Speaker 1>to their desks and said, Hi, I'm Penn. We're doing

0:21:26.640 --> 0:21:28.800
<v Speaker 1>a show next Friday. We can give you free tickets.

0:21:29.000 --> 0:21:31.720
<v Speaker 1>Would you come and review our show? To the you know,

0:21:31.720 --> 0:21:34.440
<v Speaker 1>to the head critic and the Philadelphia inquirer, who went,

0:21:35.520 --> 0:21:38.239
<v Speaker 1>what are you doing here? No, you'd go through your

0:21:38.240 --> 0:21:40.120
<v Speaker 1>press agent and do this, And he said, why should

0:21:40.160 --> 0:21:41.919
<v Speaker 1>I come see your show? And I went, because I

0:21:41.920 --> 0:21:44.240
<v Speaker 1>can do this? And I picked up his little spindle

0:21:44.280 --> 0:21:46.320
<v Speaker 1>that he put papers on and rammed it in my

0:21:46.359 --> 0:21:47.840
<v Speaker 1>head and jammed it in my nose, doing a thing

0:21:47.920 --> 0:21:50.800
<v Speaker 1>called blockhead and old Carney trick and you know, and

0:21:50.800 --> 0:21:52.640
<v Speaker 1>then took out a cigarette lighter and did a little

0:21:52.680 --> 0:21:55.000
<v Speaker 1>bit of fire eating stuff and said, come to our show.

0:21:55.440 --> 0:21:59.240
<v Speaker 1>And he was not supposed to review little shows. He

0:21:59.320 --> 0:22:01.520
<v Speaker 1>was the big credit, but he came to see our show.

0:22:02.040 --> 0:22:06.879
<v Speaker 1>And then he wrote a rave review and which piste

0:22:06.880 --> 0:22:10.280
<v Speaker 1>off everybody because other big shows are opening, and then

0:22:10.280 --> 0:22:12.920
<v Speaker 1>teller said you have to call him up and thank them.

0:22:13.200 --> 0:22:15.920
<v Speaker 1>So I said, okay. So I called him up and said,

0:22:16.280 --> 0:22:18.400
<v Speaker 1>thank you for your review. It's gonna sell a lot

0:22:18.440 --> 0:22:20.239
<v Speaker 1>of tickets. We're doing really well. And he said did

0:22:20.280 --> 0:22:22.080
<v Speaker 1>you like the review? And I said, well, it's gonna

0:22:22.080 --> 0:22:24.120
<v Speaker 1>sell a lot of tickets. It's gonna do really well.

0:22:24.240 --> 0:22:26.240
<v Speaker 1>And he goes, wait a minute, did you like Did

0:22:26.280 --> 0:22:29.960
<v Speaker 1>you like the review? I said, well, it's selling a

0:22:29.960 --> 0:22:32.240
<v Speaker 1>lot of tickets and I appreciate it. Thank you very much, sir.

0:22:32.520 --> 0:22:35.359
<v Speaker 1>And he said, what are you saying. I'm saying it's awful.

0:22:35.600 --> 0:22:37.879
<v Speaker 1>You don't understand the thing we were doing. It's you

0:22:37.960 --> 0:22:40.840
<v Speaker 1>say kind stuff about us. But I did this show

0:22:40.880 --> 0:22:43.680
<v Speaker 1>so someone would understand it. You missed the point of everything.

0:22:43.720 --> 0:22:47.639
<v Speaker 1>I was saying. It broke my heart. And there was

0:22:47.680 --> 0:22:51.040
<v Speaker 1>a long pause and he said, uh, can I do

0:22:51.119 --> 0:22:54.119
<v Speaker 1>an interview with you for like a few hours, and

0:22:54.160 --> 0:22:57.280
<v Speaker 1>then I will write another review. I'll see the show again.

0:22:57.880 --> 0:23:00.680
<v Speaker 1>And I said sure. I told tell her just tell

0:23:00.720 --> 0:23:02.439
<v Speaker 1>us to just take up. I said, yeah, hey, I

0:23:02.480 --> 0:23:07.040
<v Speaker 1>told him his review sucked. What are you doing? And he, uh,

0:23:07.280 --> 0:23:12.160
<v Speaker 1>Two weeks later wrote another bigger review that said, more

0:23:12.200 --> 0:23:16.040
<v Speaker 1>to your liking, this is a retraction of my previous review.

0:23:16.800 --> 0:23:20.000
<v Speaker 1>I said they were wonderful, and they are, but everything

0:23:20.040 --> 0:23:22.720
<v Speaker 1>else I said was wrong. And then he went in

0:23:22.760 --> 0:23:25.680
<v Speaker 1>to wrote a whole other reviews. So now we've got

0:23:25.680 --> 0:23:29.119
<v Speaker 1>a hundred seat theater that have had two front page

0:23:29.119 --> 0:23:33.560
<v Speaker 1>of the Entertainment section reviews within two weeks. So all

0:23:33.560 --> 0:23:36.840
<v Speaker 1>of a sudden, we're selling ticket sold hundred seats. You know,

0:23:36.880 --> 0:23:38.760
<v Speaker 1>selling a hundred seats is not that hard, but it

0:23:38.880 --> 0:23:41.720
<v Speaker 1>was huge to us. And then a producer sauce there,

0:23:41.760 --> 0:23:44.320
<v Speaker 1>and we went out and played in San Francisco for

0:23:44.400 --> 0:23:47.280
<v Speaker 1>three years at a theater there there was a hundred

0:23:48.160 --> 0:23:51.560
<v Speaker 1>or something. Remember reading an article once about because I'm

0:23:51.600 --> 0:23:55.000
<v Speaker 1>thinking about Vegas and when I know about Vegas acts,

0:23:55.080 --> 0:23:56.840
<v Speaker 1>and I've been to Vegas a few times, but not

0:23:56.840 --> 0:23:59.760
<v Speaker 1>not a lot. I'm not a gambler. I go see shows.

0:23:59.800 --> 0:24:03.199
<v Speaker 1>Is that vice? I don't. I don't. I never I

0:24:03.240 --> 0:24:05.919
<v Speaker 1>never get dog gamble. With your background, it seems like

0:24:06.480 --> 0:24:09.639
<v Speaker 1>I always would. I would go and people would gamble,

0:24:10.000 --> 0:24:11.960
<v Speaker 1>I think, and I lost, and I thought, I I

0:24:12.000 --> 0:24:14.280
<v Speaker 1>can't afford this hard money to throw it. And I'd

0:24:14.320 --> 0:24:15.840
<v Speaker 1>see guys who do that. I mean, I don't want

0:24:15.840 --> 0:24:18.040
<v Speaker 1>to name names, but I got some pretty high end

0:24:18.040 --> 0:24:19.600
<v Speaker 1>friends of mine who really blow a lot of dough

0:24:19.720 --> 0:24:21.080
<v Speaker 1>on that. I go, God, how do you do that?

0:24:21.119 --> 0:24:24.680
<v Speaker 1>And so irresponsible? Many other ways to waste money, Yeah, exactly,

0:24:25.160 --> 0:24:28.760
<v Speaker 1>like like boats, I likes the worst than gamp agains

0:24:28.760 --> 0:24:30.919
<v Speaker 1>so because you can drown. But I was reading this

0:24:31.040 --> 0:24:33.919
<v Speaker 1>article once, this wonderful old article about Wayne Newton, and

0:24:33.920 --> 0:24:37.160
<v Speaker 1>they said, how uh you know? The big punch line

0:24:37.200 --> 0:24:39.600
<v Speaker 1>was that the guy goes he and he takes with

0:24:39.720 --> 0:24:41.680
<v Speaker 1>a stop watch the measure of the show, and Newton

0:24:41.720 --> 0:24:44.040
<v Speaker 1>would come out with the encore and say, hey, you

0:24:44.080 --> 0:24:46.040
<v Speaker 1>know we we never do this. I never do this,

0:24:46.080 --> 0:24:47.960
<v Speaker 1>but I just love this crowd. I never played this song,

0:24:48.400 --> 0:24:50.720
<v Speaker 1>but you know, I'm just gonna throw all my my,

0:24:50.720 --> 0:24:53.080
<v Speaker 1>my my preferences to the wind here and he comes

0:24:53.119 --> 0:24:55.679
<v Speaker 1>and we never stayed for another song. I'm gonna do

0:24:55.720 --> 0:24:58.080
<v Speaker 1>one more song and he just teases the oars and

0:24:58.119 --> 0:25:01.000
<v Speaker 1>the guy and every show the show exact and exactly

0:25:01.000 --> 0:25:03.520
<v Speaker 1>the same, exactly. The show was exactly like one hour

0:25:03.840 --> 0:25:06.680
<v Speaker 1>and in fourteen minutes. Have you ever seen Way Newton

0:25:06.760 --> 0:25:08.920
<v Speaker 1>show that it was? It was just great. I'm so

0:25:08.960 --> 0:25:11.320
<v Speaker 1>it was phenomenal. Yeah, it probably still is. I haven't

0:25:11.320 --> 0:25:12.880
<v Speaker 1>seen in a few of the idea of the show

0:25:12.920 --> 0:25:15.119
<v Speaker 1>being for the man who you and your partner do

0:25:15.200 --> 0:25:17.880
<v Speaker 1>two and fifty shows a year, regardless of the fact

0:25:17.920 --> 0:25:19.600
<v Speaker 1>that it's in your own space and you know it's

0:25:19.720 --> 0:25:22.960
<v Speaker 1>it's obviously it's a very lucrative thing. Is like, do

0:25:23.040 --> 0:25:25.560
<v Speaker 1>you go out there and there's a menu, like a playlist?

0:25:26.359 --> 0:25:27.720
<v Speaker 1>We do? We do the same show, you do the

0:25:27.800 --> 0:25:30.320
<v Speaker 1>same show. Now we're always writing new stuff. So when

0:25:30.320 --> 0:25:32.479
<v Speaker 1>I say the same show, it's the same show as

0:25:32.480 --> 0:25:36.360
<v Speaker 1>the night before, not the same show as the year before. Um.

0:25:36.359 --> 0:25:38.560
<v Speaker 1>And I love that. You know, there's this thing that

0:25:38.640 --> 0:25:43.600
<v Speaker 1>happens um in the variety arts. You know, I'm just

0:25:43.760 --> 0:25:47.320
<v Speaker 1>old enough. I'm sixty. You're a yes, I am, I am,

0:25:47.359 --> 0:25:52.680
<v Speaker 1>I'm a I am a proud egg man. Um, I'm sixty.

0:25:53.080 --> 0:25:58.400
<v Speaker 1>So when I was learning to juggle at fifteen, sixteen, seventeen,

0:25:58.720 --> 0:26:02.919
<v Speaker 1>I could just me the guys who worked Vodeville their

0:26:02.960 --> 0:26:06.240
<v Speaker 1>whole life, right, I could just meet the guys who

0:26:06.240 --> 0:26:09.600
<v Speaker 1>wrote a show when they were seventeen years old and

0:26:09.640 --> 0:26:12.600
<v Speaker 1>we're doing it when they were eighty and hadn't changed

0:26:12.640 --> 0:26:16.960
<v Speaker 1>in it and the joy. Yeah, but there were guys jugglers,

0:26:17.119 --> 0:26:20.160
<v Speaker 1>you know, because juggling it's not like music. You can't

0:26:20.200 --> 0:26:22.720
<v Speaker 1>do a whole different routine with juggling. You learned that trick.

0:26:22.800 --> 0:26:25.360
<v Speaker 1>It takes you six years to learn the trick. That's

0:26:25.359 --> 0:26:27.159
<v Speaker 1>the trick you're gonna be doing for a while. You know.

0:26:27.480 --> 0:26:29.080
<v Speaker 1>You know how to throw a cigarette behind your back,

0:26:29.119 --> 0:26:31.680
<v Speaker 1>catching your mouth and throw a match catching then light them.

0:26:31.760 --> 0:26:33.399
<v Speaker 1>That's what you're gonna do. That's your closer for the

0:26:33.400 --> 0:26:36.479
<v Speaker 1>rest of your life. And there's something you're able to

0:26:36.520 --> 0:26:41.640
<v Speaker 1>do after doing something ten thousand times, not a thousand,

0:26:42.200 --> 0:26:45.679
<v Speaker 1>ten thousand times, where you're able to communicate with the

0:26:45.680 --> 0:26:49.120
<v Speaker 1>audience in ways that you don't even know what's giving

0:26:49.160 --> 0:26:51.959
<v Speaker 1>them the information when you first do a gag. You know,

0:26:52.160 --> 0:26:53.840
<v Speaker 1>one of the things you see on Saturday Night Live.

0:26:54.080 --> 0:26:56.720
<v Speaker 1>You know, I always want to say, boy, I'd like

0:26:56.800 --> 0:26:59.280
<v Speaker 1>to see this sketch after they did a ten thousand times,

0:26:59.560 --> 0:27:02.639
<v Speaker 1>as Dyldan said, I want to play guitar without tricks.

0:27:03.000 --> 0:27:04.680
<v Speaker 1>You know, all the tricks should be gone and it

0:27:04.680 --> 0:27:07.159
<v Speaker 1>would just be the material that you're just selling. And

0:27:07.200 --> 0:27:09.040
<v Speaker 1>I just love that, So tell her and I try

0:27:09.080 --> 0:27:12.120
<v Speaker 1>to be very conscientious and there's some stuff that's only

0:27:12.160 --> 0:27:15.000
<v Speaker 1>a few months old, but there's other stuff that we've

0:27:15.040 --> 0:27:18.920
<v Speaker 1>been doing forty years. There's one trick that actually predates

0:27:18.920 --> 0:27:23.000
<v Speaker 1>Penn and Teller that Teller did alone, that he's doing yeah, actually, yeah,

0:27:23.000 --> 0:27:26.400
<v Speaker 1>it's a Judini trip that Teller does, and god damn

0:27:26.480 --> 0:27:28.639
<v Speaker 1>that we're in rehearsal. So we decided to really spruce

0:27:28.720 --> 0:27:30.800
<v Speaker 1>up the show and worked with John Randall is a great,

0:27:30.800 --> 0:27:33.880
<v Speaker 1>great director, great director. We decided to we haven't worked

0:27:33.880 --> 0:27:38.840
<v Speaker 1>with the director ever, and so we're going through stuff

0:27:38.880 --> 0:27:42.600
<v Speaker 1>we've done ten thousand times, and we're going through with

0:27:42.640 --> 0:27:44.680
<v Speaker 1>the director and going through a moment by moment, getting

0:27:44.720 --> 0:27:47.640
<v Speaker 1>us in in the afternoon to do a trick we've

0:27:47.680 --> 0:27:49.880
<v Speaker 1>done ten thousand times. Like, what the funk are you doing?

0:27:49.920 --> 0:27:51.840
<v Speaker 1>We know how to do this, but we get in

0:27:51.880 --> 0:27:53.600
<v Speaker 1>there and we wanted to do it, wanted to dig in.

0:27:54.000 --> 0:27:56.080
<v Speaker 1>And I'm watching tell Her from the wings, you know,

0:27:56.160 --> 0:27:58.480
<v Speaker 1>just the other night, watching him do a trick that

0:27:58.600 --> 0:28:00.959
<v Speaker 1>is the first trick I ever saw do. So I

0:28:01.000 --> 0:28:03.720
<v Speaker 1>saw him do this trick when I was first meeting him,

0:28:03.760 --> 0:28:05.919
<v Speaker 1>before there was a Penn and Teller watching him to

0:28:05.960 --> 0:28:08.000
<v Speaker 1>the first trick every so, and I'm watching him going,

0:28:08.040 --> 0:28:10.080
<v Speaker 1>you know, and Tell, here's whatever. He is sixty seven

0:28:10.160 --> 0:28:12.360
<v Speaker 1>years old. Now I saw him first do it when

0:28:12.359 --> 0:28:16.200
<v Speaker 1>he was you know, and uh, I'm watching the trick

0:28:16.240 --> 0:28:19.840
<v Speaker 1>and I go, God damn, he's better, you know. And

0:28:19.960 --> 0:28:22.320
<v Speaker 1>we have this thing in our culture that if the

0:28:22.440 --> 0:28:26.040
<v Speaker 1>Rolling Stones are doing satisfaction, oh well, they should have

0:28:26.040 --> 0:28:28.280
<v Speaker 1>outgrown that. They should have done this. We've done this

0:28:28.400 --> 0:28:31.480
<v Speaker 1>temporary thing in our culture that forgets the fact that,

0:28:31.520 --> 0:28:34.320
<v Speaker 1>god damn, people can't get good at ship. People get

0:28:34.359 --> 0:28:39.960
<v Speaker 1>really good at stuff. One thing Penn and Teller got

0:28:40.080 --> 0:28:43.000
<v Speaker 1>very good at was shocking David Letterman during their multiple

0:28:43.000 --> 0:28:47.959
<v Speaker 1>appearances on his show. Here's an unsuspecting Dave suggesting that

0:28:48.000 --> 0:28:51.680
<v Speaker 1>their act was missing something, you know, the originality and originality.

0:28:51.760 --> 0:28:53.160
<v Speaker 1>But you know, I guess the thing that I missed

0:28:53.160 --> 0:28:54.600
<v Speaker 1>most out of the whole deal was it just didn't

0:28:54.600 --> 0:28:57.600
<v Speaker 1>seem to be an element of a real surprise. They

0:28:57.600 --> 0:28:59.960
<v Speaker 1>just continue to be any surprise with the Then Tell

0:29:00.000 --> 0:29:03.640
<v Speaker 1>are lifted a hat off Dave's desk, casually revealing a

0:29:03.720 --> 0:29:12.080
<v Speaker 1>pile of live cockroaches. This is Alec Baldwin and you're

0:29:12.120 --> 0:29:15.080
<v Speaker 1>listening to here's the thing you can hear all of

0:29:15.120 --> 0:29:19.840
<v Speaker 1>my other interviews with entertainers, politicians, and entrepreneurs in our

0:29:20.040 --> 0:29:23.720
<v Speaker 1>archives at Here's the Thing dot org. Like my conversation

0:29:23.760 --> 0:29:28.200
<v Speaker 1>with Gillette's friend David Blaine, another world famous magician known

0:29:28.280 --> 0:29:32.000
<v Speaker 1>for extreme feats of physical endurance. You're standing on a

0:29:32.080 --> 0:29:36.440
<v Speaker 1>beam for you were up there thirty six hours hours.

0:29:36.680 --> 0:29:38.720
<v Speaker 1>How is that on your body? Well? You know what.

0:29:39.680 --> 0:29:41.120
<v Speaker 1>When I was a little kid in school and I

0:29:41.200 --> 0:29:42.920
<v Speaker 1>get in trouble and the teacher would say, go stand

0:29:42.960 --> 0:29:44.960
<v Speaker 1>in the corner. I's like, come on, this is easy.

0:29:45.160 --> 0:29:47.760
<v Speaker 1>Like you can stand for forty five minutes is supposed

0:29:47.800 --> 0:29:50.200
<v Speaker 1>to be hard, So yeah, and then you can apply

0:29:50.280 --> 0:29:52.000
<v Speaker 1>that so it's like how long can you stand in

0:29:52.080 --> 0:29:54.680
<v Speaker 1>one place? So that's really what it's about. Take a

0:29:54.720 --> 0:30:13.120
<v Speaker 1>listen at Here's the Thing dot org. This is Alec

0:30:13.120 --> 0:30:16.920
<v Speaker 1>Baldwin and you're listening to Here's the Thing. In addition

0:30:16.960 --> 0:30:20.240
<v Speaker 1>to his show in Vegas my guest Pen Gillette regularly

0:30:20.280 --> 0:30:24.680
<v Speaker 1>appears in television and film. He's also done some stage acting.

0:30:25.040 --> 0:30:27.880
<v Speaker 1>He had a part in The Exonerated, a play that

0:30:27.960 --> 0:30:30.840
<v Speaker 1>brings to life the stories of a half dozen former

0:30:30.920 --> 0:30:34.040
<v Speaker 1>death row inmates. Pen doesn't strike you as a man

0:30:34.080 --> 0:30:37.240
<v Speaker 1>who was afraid of much. But he says for that project,

0:30:37.520 --> 0:30:40.360
<v Speaker 1>the fear was real. They put me into that with

0:30:40.400 --> 0:30:44.880
<v Speaker 1>Bob Balaban directing it, and I was terrified, you know,

0:30:45.960 --> 0:30:49.440
<v Speaker 1>because I had never done that kind of legitimate acting.

0:30:49.560 --> 0:30:51.360
<v Speaker 1>And I was on stage like me a pharaoh, and

0:30:51.520 --> 0:30:54.600
<v Speaker 1>you know, and uh and Peter Peter Coyote and people

0:30:54.600 --> 0:31:00.959
<v Speaker 1>that can act, you know, and I us loved it.

0:31:01.040 --> 0:31:04.560
<v Speaker 1>I love taking someone else's work. I love thinking about that.

0:31:04.840 --> 0:31:07.600
<v Speaker 1>And a few times I've done little movie things and

0:31:07.640 --> 0:31:11.040
<v Speaker 1>stuff I've just uh, I've just really should do I

0:31:11.040 --> 0:31:12.520
<v Speaker 1>really mean that you should do more. I mean, I

0:31:12.560 --> 0:31:17.840
<v Speaker 1>know that means stopping doing this orphans well, I think

0:31:17.840 --> 0:31:20.040
<v Speaker 1>I can think of a lot of things. Seriously, I

0:31:20.080 --> 0:31:22.360
<v Speaker 1>think a lot of but I I really really like

0:31:22.840 --> 0:31:25.520
<v Speaker 1>Hickey and uh and I did a wonderful but there

0:31:25.560 --> 0:31:28.960
<v Speaker 1>was a wonderful moment when there was they were doing

0:31:29.000 --> 0:31:34.239
<v Speaker 1>that the movie about blacklisting, uh with de Niro, I

0:31:34.240 --> 0:31:35.800
<v Speaker 1>forgot the name of it, but he was having a

0:31:35.840 --> 0:31:40.320
<v Speaker 1>friend um uh. But I was going to play the part.

0:31:40.520 --> 0:31:42.719
<v Speaker 1>I was auditioning for the part of Bunny and I

0:31:42.760 --> 0:31:45.840
<v Speaker 1>got to read with DeNiro. I got that far that

0:31:45.960 --> 0:31:49.360
<v Speaker 1>I get to read this. I'm sitting there in front

0:31:49.400 --> 0:31:51.239
<v Speaker 1>of the camera and we're going through our script and

0:31:51.280 --> 0:31:55.560
<v Speaker 1>he's just kind of mumbling through it. He's not doing anything,

0:31:55.600 --> 0:31:56.960
<v Speaker 1>you know, he's just that I'm going on, this is

0:31:57.000 --> 0:32:00.040
<v Speaker 1>no big deal with DeNiro up reading my part, and

0:32:00.080 --> 0:32:02.719
<v Speaker 1>I'm going, Wow, I'm doing a really good job here.

0:32:02.720 --> 0:32:04.800
<v Speaker 1>I mean, even even compared to the near I'm doing

0:32:04.880 --> 0:32:07.040
<v Speaker 1>really good. And then there comes to the moment where

0:32:07.040 --> 0:32:10.160
<v Speaker 1>he has to grab his friend who sold him out

0:32:10.360 --> 0:32:13.800
<v Speaker 1>to the h to the blacklisted him. You know, who

0:32:13.880 --> 0:32:18.080
<v Speaker 1>is me, who's a college friend, and like, hug me

0:32:18.360 --> 0:32:21.880
<v Speaker 1>and grab me and do this, And all of a sudden,

0:32:22.360 --> 0:32:28.080
<v Speaker 1>I saw really world class acting like six inches away

0:32:28.120 --> 0:32:30.239
<v Speaker 1>from my face, and I was like, I couldn't even

0:32:30.280 --> 0:32:32.520
<v Speaker 1>stay at the scene. It was like, whoa, you're good.

0:32:33.840 --> 0:32:36.040
<v Speaker 1>And it was just I would love to have the

0:32:36.080 --> 0:32:38.400
<v Speaker 1>experience of somebody, you know, within a scene because I'm

0:32:38.440 --> 0:32:42.120
<v Speaker 1>always addressing the audience and it's so interesting to me

0:32:42.200 --> 0:32:45.000
<v Speaker 1>when you see really really good actors how they get

0:32:45.040 --> 0:32:47.680
<v Speaker 1>into that, get into that moment, you know, and that thing.

0:32:48.400 --> 0:32:51.200
<v Speaker 1>But so for you, you're you're committed to do this

0:32:51.280 --> 0:32:55.200
<v Speaker 1>for a while. The Vegas thing, Yeah, you know when whenever,

0:32:56.440 --> 0:32:58.520
<v Speaker 1>whenever I can find time, you know, whenever I can

0:32:58.520 --> 0:32:59.880
<v Speaker 1>find a week or two. I you know, it was

0:32:59.880 --> 0:33:02.680
<v Speaker 1>like tell her flies back and forth the Chicago to

0:33:02.720 --> 0:33:05.920
<v Speaker 1>direct The Tempest, and I just finished up this movie

0:33:05.920 --> 0:33:08.200
<v Speaker 1>that I crowdfunded, that I that I rived in. It's

0:33:08.200 --> 0:33:12.040
<v Speaker 1>a movie called Director's Cut, and it's a crazy, crazy movie.

0:33:12.400 --> 0:33:16.160
<v Speaker 1>H the idea of the movie. I was really fascinated

0:33:16.200 --> 0:33:21.280
<v Speaker 1>by by the idea that information is out there. Information

0:33:21.320 --> 0:33:23.480
<v Speaker 1>is out there, so now when you make a movie,

0:33:23.800 --> 0:33:25.640
<v Speaker 1>it all gets put into hard drives and it's on

0:33:25.720 --> 0:33:28.600
<v Speaker 1>sharers and people can get it. So I postulated a

0:33:28.760 --> 0:33:31.400
<v Speaker 1>guy who was obsessed with an actress, obsessed with her,

0:33:32.080 --> 0:33:35.440
<v Speaker 1>and the movie was being crowdfunded, and crowdfunded his way

0:33:35.440 --> 0:33:38.280
<v Speaker 1>onto the set and then got the codes to get

0:33:38.320 --> 0:33:42.160
<v Speaker 1>all the outtakes from the movie and then kidnaps her

0:33:43.160 --> 0:33:46.800
<v Speaker 1>and then uses all the footage to make his own

0:33:46.840 --> 0:33:49.320
<v Speaker 1>movie that tells his own story with him as the star.

0:33:49.840 --> 0:33:51.920
<v Speaker 1>So we had Missy Pyle who says, like the sequel

0:33:52.000 --> 0:33:55.840
<v Speaker 1>to Human Centipede, Yeah, well yeah, it's not as sick

0:33:55.880 --> 0:33:59.680
<v Speaker 1>as that, well, not as sexually sick, but intellectually meta

0:33:59.760 --> 0:34:03.240
<v Speaker 1>of a seque, very very many and uh, and uh,

0:34:03.280 --> 0:34:06.280
<v Speaker 1>I play Uh, I play Herbert. There's a guy who

0:34:06.400 --> 0:34:08.600
<v Speaker 1>does this and who's on the on the set, and

0:34:08.640 --> 0:34:13.480
<v Speaker 1>then I get to have the scenes where the two

0:34:13.960 --> 0:34:17.120
<v Speaker 1>men who are acting in it are doing a scene

0:34:17.160 --> 0:34:20.320
<v Speaker 1>with her, but she's in my basement. So I've tried

0:34:20.360 --> 0:34:23.839
<v Speaker 1>to match the scene to match that. So it's all

0:34:23.880 --> 0:34:28.240
<v Speaker 1>about continuity and changing that and all about movie making.

0:34:28.640 --> 0:34:30.640
<v Speaker 1>You and I should do a horror movie, a really

0:34:30.680 --> 0:34:34.560
<v Speaker 1>low something really tawd me and disgusting, and yeah, well,

0:34:35.280 --> 0:34:40.719
<v Speaker 1>cons anything, anything, anything, anything I could do to I'll

0:34:40.719 --> 0:34:46.239
<v Speaker 1>make a couple of atheists, no catholic and an atheist atheist,

0:34:50.560 --> 0:34:54.680
<v Speaker 1>and we'll get someone to do for you, like, yeah,

0:34:54.719 --> 0:34:57.360
<v Speaker 1>you can, you can do even even the fact that

0:34:57.400 --> 0:35:01.319
<v Speaker 1>you're doing this like this, I'll work with you a

0:35:01.320 --> 0:35:09.759
<v Speaker 1>little bit. It's not that's cool, Yeah, exactly. And now

0:35:09.880 --> 0:35:12.359
<v Speaker 1>the tell me what is movie night? You're a movie fan?

0:35:12.400 --> 0:35:16.320
<v Speaker 1>What's movie nights? Um, Tuesday nights? After my show, people

0:35:16.360 --> 0:35:20.040
<v Speaker 1>come over and we watch in Vegas over my house.

0:35:20.040 --> 0:35:21.920
<v Speaker 1>You have a killer screening room. Yeah, and we have

0:35:22.040 --> 0:35:26.520
<v Speaker 1>about Sometimes people come over love movies and well, yes,

0:35:26.560 --> 0:35:29.160
<v Speaker 1>but this is not showing the love of movies. This

0:35:29.280 --> 0:35:32.400
<v Speaker 1>is just thirty people screaming, and people think when they

0:35:32.440 --> 0:35:34.720
<v Speaker 1>come over that it's going to be witty. It's not witty,

0:35:35.000 --> 0:35:38.879
<v Speaker 1>simply obscenity. It's simply spewing out the bile from the week.

0:35:39.719 --> 0:35:42.080
<v Speaker 1>Is a group it's a group encounter sits mock the

0:35:42.120 --> 0:35:45.440
<v Speaker 1>movie much more than more than. And now we're in

0:35:45.480 --> 0:35:50.000
<v Speaker 1>the middle of we're watching every season of and I

0:35:50.040 --> 0:35:53.640
<v Speaker 1>am so trying to convince Keefer to come by one

0:35:53.719 --> 0:35:58.239
<v Speaker 1>night because I would love to have him there. Yes,

0:36:00.239 --> 0:36:02.560
<v Speaker 1>how how tall are you? Exactly came? You know, juste

0:36:02.719 --> 0:36:05.120
<v Speaker 1>we we And it's just it's just screaming. He's just

0:36:05.120 --> 0:36:07.279
<v Speaker 1>gonna get because you know, I tend to because I

0:36:07.360 --> 0:36:10.799
<v Speaker 1>have my children are nine and ten years old, and

0:36:10.880 --> 0:36:12.719
<v Speaker 1>because I do so many shows and as so much

0:36:12.719 --> 0:36:15.400
<v Speaker 1>stuff going on, I really don't get a chance to

0:36:15.440 --> 0:36:18.240
<v Speaker 1>hang out with friends. So this is my two hours

0:36:18.280 --> 0:36:21.440
<v Speaker 1>a week. That just it's what what's something? Yeah, exactly

0:36:21.520 --> 0:36:23.399
<v Speaker 1>what some guys to do with poker. It's just it's

0:36:23.440 --> 0:36:26.600
<v Speaker 1>just yelling. So when did you become this arbiter of bullshit?

0:36:26.680 --> 0:36:28.719
<v Speaker 1>When did? When? Did it? It? Just the things that

0:36:28.760 --> 0:36:31.040
<v Speaker 1>you strike you as bullshit, that's whatever word you want

0:36:31.080 --> 0:36:34.560
<v Speaker 1>to use. This genuous or false, whatever it sat in

0:36:34.640 --> 0:36:37.000
<v Speaker 1>your craw how long before you decided you didn't do

0:36:37.000 --> 0:36:39.200
<v Speaker 1>a TV show out of this? We we have always

0:36:39.400 --> 0:36:42.840
<v Speaker 1>wanted to do a skeptical TV show always, and we

0:36:42.880 --> 0:36:45.239
<v Speaker 1>started pitching that in the eighties. Tell it to Yeah

0:36:45.320 --> 0:36:49.319
<v Speaker 1>and we're because we're both. You know, there's two very

0:36:49.440 --> 0:36:54.799
<v Speaker 1>strong schools in magic. There's the Houdini school, which is

0:36:54.920 --> 0:37:00.520
<v Speaker 1>the we are or as Robert Houdan said, we are

0:37:00.560 --> 0:37:04.640
<v Speaker 1>actors playing the parts of magicians. Uh. It also starts

0:37:04.680 --> 0:37:07.640
<v Speaker 1>with the sixteenth century the Discovery of Witchcraft, which is

0:37:07.640 --> 0:37:10.520
<v Speaker 1>the first book written that says this stuff is fake,

0:37:11.080 --> 0:37:14.400
<v Speaker 1>we are doing tricks. There's that whole school that believes

0:37:14.920 --> 0:37:18.440
<v Speaker 1>that the magician is someone who helps us study how

0:37:18.480 --> 0:37:21.319
<v Speaker 1>we ascertain truth. In other words, I've studied trickery, so

0:37:21.400 --> 0:37:23.920
<v Speaker 1>let's talk about the truth. Then there's a whole other school,

0:37:23.920 --> 0:37:26.279
<v Speaker 1>which is you know David Blaine, for instance, who's a

0:37:26.280 --> 0:37:28.279
<v Speaker 1>friend of mine and who we get along with. Well,

0:37:28.560 --> 0:37:31.719
<v Speaker 1>we have a very strong philosophical disagreement. He believes that

0:37:31.719 --> 0:37:34.560
<v Speaker 1>the magician's job is to distort reality, that you must

0:37:34.600 --> 0:37:37.480
<v Speaker 1>leave his show thinking things that aren't true. He believes

0:37:37.520 --> 0:37:40.000
<v Speaker 1>that strongly and can make a very coaching argument for it,

0:37:40.040 --> 0:37:43.319
<v Speaker 1>which I disagree with, but I know I like them. Um,

0:37:43.320 --> 0:37:45.560
<v Speaker 1>there's those two schools, and tell him I've always been

0:37:45.560 --> 0:37:50.200
<v Speaker 1>strongly in the Houdini amazing Randy camp on that Ben ps,

0:37:50.280 --> 0:37:52.160
<v Speaker 1>I don't see a David Blaine theater in a Vegy yes,

0:37:52.239 --> 0:37:54.840
<v Speaker 1>by the way, So I don't know I'm putting my

0:37:54.880 --> 0:37:56.680
<v Speaker 1>money on, although we had him on the show and

0:37:56.719 --> 0:37:59.120
<v Speaker 1>he's he's great, he's wonderful. He's a great, great magician

0:37:59.560 --> 0:38:03.240
<v Speaker 1>and and a great guy. Um, So we've been pushing

0:38:03.239 --> 0:38:08.200
<v Speaker 1>this and I would go in and say, the nuts

0:38:09.000 --> 0:38:13.880
<v Speaker 1>always have the passion and the scientists always have this

0:38:14.040 --> 0:38:18.480
<v Speaker 1>low key, measured way. What we will give you in

0:38:18.600 --> 0:38:21.239
<v Speaker 1>bullshit is we will do the best to give you

0:38:21.280 --> 0:38:24.360
<v Speaker 1>the scientific point of view, done with the passion of

0:38:24.360 --> 0:38:27.520
<v Speaker 1>a nut. And I'm willing to give you all that

0:38:27.560 --> 0:38:31.400
<v Speaker 1>passion and rip my heart open and be wrong and

0:38:32.120 --> 0:38:34.400
<v Speaker 1>go off half cocked. But I'm going to do it

0:38:34.480 --> 0:38:36.600
<v Speaker 1>for the other side, and and the and the topics

0:38:36.640 --> 0:38:38.080
<v Speaker 1>came to you, like what was the first show. The

0:38:38.080 --> 0:38:42.759
<v Speaker 1>first show is very complex because the first show was

0:38:42.800 --> 0:38:46.800
<v Speaker 1>about talking to the dead, and we conceived the show

0:38:47.360 --> 0:38:50.080
<v Speaker 1>to attack you know John Edward and those people who

0:38:50.120 --> 0:38:53.200
<v Speaker 1>say they can communicate with the dead. And I conceived

0:38:53.239 --> 0:38:58.359
<v Speaker 1>it intellectually, and then while thinking about it, my mom

0:38:58.440 --> 0:39:02.000
<v Speaker 1>died at the age of ninety in two thousand and

0:39:02.040 --> 0:39:04.839
<v Speaker 1>we started doing the show in two thousand one, and

0:39:05.040 --> 0:39:08.279
<v Speaker 1>this happened. Forgive me for only in this one way

0:39:08.320 --> 0:39:13.280
<v Speaker 1>comparing myself to Hudini. But Udini had this intellectual dislike

0:39:14.040 --> 0:39:16.920
<v Speaker 1>for people who claimed to talk to the dead. And

0:39:16.920 --> 0:39:19.919
<v Speaker 1>it was a lot of Houdini's posturing, I do better

0:39:19.960 --> 0:39:22.120
<v Speaker 1>tricks than them. I do tricks no one can figure

0:39:22.160 --> 0:39:24.359
<v Speaker 1>out their tricks. Aren't that good? And then his mom

0:39:24.400 --> 0:39:30.759
<v Speaker 1>dies and Um, Arthur Conan Doyle Ryla Holmes, writer was

0:39:30.800 --> 0:39:34.040
<v Speaker 1>a big believer in in spiritualist. Judini wanted to be

0:39:34.040 --> 0:39:37.800
<v Speaker 1>around him because Udini um was the son of a rabbi.

0:39:37.920 --> 0:39:41.879
<v Speaker 1>But uh, but it was not well educated, and Arthur

0:39:41.920 --> 0:39:45.239
<v Speaker 1>Conan Doyle was very respected and very well educated. And

0:39:45.360 --> 0:39:47.640
<v Speaker 1>Udini was thrilled to be traveling in that circle. He

0:39:47.680 --> 0:39:50.640
<v Speaker 1>was cheap carney trash, traveling the circle of the intellectuals.

0:39:50.680 --> 0:39:54.560
<v Speaker 1>He loved Eric Yeah, and his mother. Judini's mother died

0:39:55.200 --> 0:39:59.399
<v Speaker 1>and Arthur Conan Doyle's wife did automatic writing, okay, which

0:39:59.480 --> 0:40:02.439
<v Speaker 1>was you would just without thinking, you would just write,

0:40:02.480 --> 0:40:05.359
<v Speaker 1>and it was the spirits talking through you. And Arthur

0:40:05.400 --> 0:40:07.279
<v Speaker 1>Conan Doyle said, well, you know you miss your mom

0:40:07.360 --> 0:40:11.560
<v Speaker 1>so much, because Judini was another similarity, a mama's boy,

0:40:11.600 --> 0:40:14.160
<v Speaker 1>which I was. I was very close to my mom

0:40:14.200 --> 0:40:18.239
<v Speaker 1>and Houdini, you know, okay, it's a little dangerous, you're

0:40:18.239 --> 0:40:20.800
<v Speaker 1>gonna talk to my mom, but okay. So his wife

0:40:20.800 --> 0:40:25.160
<v Speaker 1>sat down and then did automatic writing, and at the

0:40:25.200 --> 0:40:26.879
<v Speaker 1>top of the page, I would have given the bay

0:40:26.960 --> 0:40:31.080
<v Speaker 1>to be there was across and the first words were

0:40:32.360 --> 0:40:37.439
<v Speaker 1>dear Harry, and then it went on. Now, what Arthur

0:40:37.480 --> 0:40:40.520
<v Speaker 1>Kona and his wife didn't know was that his mother

0:40:41.160 --> 0:40:44.640
<v Speaker 1>didn't speak English. He was born in Budapest. He claimed

0:40:44.680 --> 0:40:47.200
<v Speaker 1>to be from Appleton, Wisconsin. He was actually born in Budapest.

0:40:48.520 --> 0:40:51.759
<v Speaker 1>He was the son of a rabbi. Across at the top,

0:40:52.040 --> 0:40:54.960
<v Speaker 1>probably not right, and his mother never once called him Harry,

0:40:55.360 --> 0:41:00.040
<v Speaker 1>that was his stage name. So Judini felt what it

0:41:00.080 --> 0:41:04.920
<v Speaker 1>feels like to have your image of someone you love distorted.

0:41:05.440 --> 0:41:09.000
<v Speaker 1>And Houdini went ape ship and then the second half

0:41:09.040 --> 0:41:12.520
<v Speaker 1>of his career was all busting these people. And so

0:41:13.280 --> 0:41:14.920
<v Speaker 1>we were going to do talking to the dead, and

0:41:15.000 --> 0:41:18.520
<v Speaker 1>I we did that show, uh, you know, within a

0:41:18.640 --> 0:41:22.360
<v Speaker 1>year of my mom dying, And so it was very

0:41:22.480 --> 0:41:25.680
<v Speaker 1>very passionate because the point that people don't make is

0:41:25.719 --> 0:41:29.520
<v Speaker 1>a lot of times the people that do this communication

0:41:29.560 --> 0:41:32.520
<v Speaker 1>with the dead, they say that they're bringing solace to people.

0:41:34.160 --> 0:41:38.080
<v Speaker 1>The most valuable thing I have in my life is

0:41:38.120 --> 0:41:41.239
<v Speaker 1>the memories of my family, my mom and dad, also

0:41:41.520 --> 0:41:43.640
<v Speaker 1>my children. The new memories I'm making, but let's let's

0:41:43.640 --> 0:41:46.560
<v Speaker 1>go from the past, the memories of my mom and dad.

0:41:47.080 --> 0:41:50.799
<v Speaker 1>If I come to you grief stricken about my mom

0:41:50.840 --> 0:41:53.480
<v Speaker 1>and you claim that you're communicating with her, and then

0:41:53.520 --> 0:41:57.360
<v Speaker 1>we have some sort of communication, what you have done

0:41:57.840 --> 0:42:00.440
<v Speaker 1>you can call it bringing solace, but you and also

0:42:00.480 --> 0:42:04.360
<v Speaker 1>see it as distorting my memory. You've now said something

0:42:04.760 --> 0:42:09.520
<v Speaker 1>that she never said. And I cannot think of a

0:42:09.680 --> 0:42:13.320
<v Speaker 1>crueler thing. In order to get power and make money,

0:42:13.360 --> 0:42:17.759
<v Speaker 1>you're doing this, and it's actually the most dis Yeah,

0:42:18.800 --> 0:42:23.120
<v Speaker 1>and it's it's it's horrible. I am naturally not cynical,

0:42:23.960 --> 0:42:27.200
<v Speaker 1>and when you're naturally not cynical, you bump into this

0:42:27.239 --> 0:42:31.000
<v Speaker 1>stuff all the time. I tend to, uh, I tend

0:42:31.040 --> 0:42:33.960
<v Speaker 1>to be skeptical, but not cynical, and people always put

0:42:34.000 --> 0:42:37.759
<v Speaker 1>those together, and they are very different emotional states. You know,

0:42:38.160 --> 0:42:42.680
<v Speaker 1>Skepticism is is cold and cynicism is hot. You know.

0:42:42.719 --> 0:42:46.160
<v Speaker 1>Cynicism is, uh, everybody's full of ship, everybody's lying to us,

0:42:46.160 --> 0:42:49.000
<v Speaker 1>everybody's doing this. Skepticism is let's get to the truth.

0:42:49.239 --> 0:42:51.120
<v Speaker 1>And those are two very different things. You know. When

0:42:51.200 --> 0:42:53.480
<v Speaker 1>I talked to Bill Maher about this, because Bill Moore

0:42:53.640 --> 0:42:57.719
<v Speaker 1>is proudly cynical and I am proudly skeptical, and we

0:42:57.760 --> 0:43:01.880
<v Speaker 1>are different things. It's a very different reactions. And and

0:43:01.920 --> 0:43:05.040
<v Speaker 1>I think that if you get to Pollyanna and I

0:43:05.080 --> 0:43:09.359
<v Speaker 1>am very Pollyanna, I am much too optimistic. I'm much

0:43:09.400 --> 0:43:12.319
<v Speaker 1>too straightforward. It's one of the things you get, you

0:43:12.400 --> 0:43:14.880
<v Speaker 1>get with a with a perfect You know, everybody in

0:43:14.880 --> 0:43:17.719
<v Speaker 1>show business complains I'm from a dysfunctional family. I drop

0:43:17.760 --> 0:43:20.959
<v Speaker 1>out of those conversations. You know, my my dad never

0:43:21.000 --> 0:43:24.279
<v Speaker 1>got the memo that dad's supposed to give you conditional love.

0:43:24.960 --> 0:43:27.600
<v Speaker 1>He never got that. He was just unconditional love and

0:43:27.680 --> 0:43:31.120
<v Speaker 1>supportive and even thinks he didn't understand. My parents tried,

0:43:31.560 --> 0:43:36.920
<v Speaker 1>from the time I was seventeen until the day they died,

0:43:37.480 --> 0:43:39.520
<v Speaker 1>tried to get me to cut my hair. And the

0:43:39.719 --> 0:43:42.000
<v Speaker 1>really funny part of it was that this boy, this

0:43:42.040 --> 0:43:47.400
<v Speaker 1>baby laugh is my mother when she was in her

0:43:47.480 --> 0:43:51.840
<v Speaker 1>eighties and I was in my forties. My mother actually said,

0:43:51.920 --> 0:43:53.960
<v Speaker 1>I just love this moment. My mom sitting there and

0:43:54.040 --> 0:43:58.439
<v Speaker 1>she goes, you know, Pen, when you were a young man,

0:43:59.400 --> 0:44:03.160
<v Speaker 1>having the long hair was fine. But now that you're older,

0:44:03.200 --> 0:44:05.560
<v Speaker 1>I mean you're older than middle aged and you have

0:44:05.719 --> 0:44:08.680
<v Speaker 1>some gray in there. You need to get your hair cut.

0:44:08.680 --> 0:44:10.839
<v Speaker 1>And I said, Mom, this is how far we've come.

0:44:11.080 --> 0:44:13.040
<v Speaker 1>We've now come to the point where now it was

0:44:13.080 --> 0:44:16.280
<v Speaker 1>okay when I was young, that never happened because every

0:44:16.320 --> 0:44:18.960
<v Speaker 1>single time she saw me, that battle went on. But

0:44:19.040 --> 0:44:20.600
<v Speaker 1>I want to say, and I want to say this

0:44:20.719 --> 0:44:24.600
<v Speaker 1>proudly to the world, that before my mother died, I

0:44:24.680 --> 0:44:27.719
<v Speaker 1>went out one evening when visiting her and we remembered

0:44:27.760 --> 0:44:30.160
<v Speaker 1>to get milk on the way home, something I had

0:44:30.239 --> 0:44:33.640
<v Speaker 1>never done my entire life before. As we sign up,

0:44:34.640 --> 0:44:36.120
<v Speaker 1>I know what play you and I should do. What's

0:44:36.120 --> 0:44:38.520
<v Speaker 1>that We're gonna do a play together? We're gonna do Beckett.

0:44:40.000 --> 0:44:44.279
<v Speaker 1>I would nothing. I would like nothing. Sure, I mean

0:44:44.480 --> 0:44:47.640
<v Speaker 1>we made bomb, made bomb, but we do it for us? Oh,

0:44:47.680 --> 0:44:49.920
<v Speaker 1>I would I would I would do it for us,

0:44:50.080 --> 0:44:51.239
<v Speaker 1>I would do it for I would. Do you have

0:44:51.280 --> 0:44:54.520
<v Speaker 1>anything we set that up, Glenn look. Clan says yes.

0:44:54.520 --> 0:44:59.520
<v Speaker 1>Clan says yes. If you missed Penn and Teller during

0:44:59.560 --> 0:45:02.319
<v Speaker 1>their sick week run on Broadway this summer, you can

0:45:02.360 --> 0:45:08.520
<v Speaker 1>catch them in Vegas by Alec Baldwin. And this is

0:45:08.560 --> 0:45:29.320
<v Speaker 1>here's the thing. M