WEBVTT - Extra 4 U

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<v Speaker 1>As a dad actor produced for an activist. My schedule

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<v Speaker 1>it's Mala adiosa co hosts of Locata Radio. Listen. Life

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<v Speaker 1>your journey alrighty. Then, obviously this is still a work

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<v Speaker 1>in progress, but I think the melody has enough of

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<v Speaker 1>a Latin component mix in with pop to accomplish what

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<v Speaker 1>you want and what your audience will expect. It's a

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<v Speaker 1>step in the right direction. Yeah, what do you think? What?

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<v Speaker 1>I love it? There you go see someone loves it already.

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<v Speaker 1>H Really, Monica, it's super catchy and it has a

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<v Speaker 1>great beat to dance too. That's a good sign. Sign

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<v Speaker 1>me up, right, So why don't we do this? I'll

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<v Speaker 1>play around some more with the track and then bringing

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<v Speaker 1>a songwriter who I think will come up with really

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<v Speaker 1>fun and catchy lyrics. Then once I have a solid

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<v Speaker 1>scratch track, get your input sound good. Do you think

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<v Speaker 1>someone else should write the lyrics at least the first pass. Yeah, oh,

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<v Speaker 1>I'm not sure how I feel about that day. No

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<v Speaker 1>need to worry. I'm in your corner. I'm here for you. Okay,

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<v Speaker 1>anything you don't like we can change. I'll even come

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<v Speaker 1>to you. We can make the changes and lay in

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<v Speaker 1>your voice and I'll pass us so that you don't

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<v Speaker 1>have to come back. Yeah, okay, consider it done. I'll

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<v Speaker 1>talk to both Natalia and her mother and get it

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<v Speaker 1>straightened up. And by the way, I just walk into

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<v Speaker 1>that Elita session. Let me hand her the phone so

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<v Speaker 1>you can say, who is it your mother? Yeah, talk

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<v Speaker 1>to her, be right back, Sean. Yeah that sounds good.

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<v Speaker 1>Hey mom, hang on a minute. So how's it going, Sean?

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<v Speaker 1>We made progress this afternoon, That's what I like to hear. Sorry, Mom,

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<v Speaker 1>I just needed to get into the bathroom. It seems

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<v Speaker 1>to be the only private are in this whole place.

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<v Speaker 1>Where are you in a TikTok house? Don't ask how's

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<v Speaker 1>it going? It's a whole new world. But trying to

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<v Speaker 1>keep up. Did you catch my performance. I didn't. I'm sorry.

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<v Speaker 1>We focused on Natalia prompts you that what isn't setting

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<v Speaker 1>her up here? Right? But Marco said it went great. Yeah,

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<v Speaker 1>it was fun. How's how's Natalia handling the transition? She's

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<v Speaker 1>doing okay. Thank god for Rodrigo. He's so great with her.

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<v Speaker 1>He said that you were the one who suggested him

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<v Speaker 1>to Marco's for Natalia's album. Rodrigo mentioned he wanted to

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<v Speaker 1>produce other music besides the Handle, and I thought, why

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<v Speaker 1>not this album, especially since he's as crazy about Yeah,

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<v Speaker 1>makes total sense. You should see him with her. That

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<v Speaker 1>boy was born to be a father, and with her

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<v Speaker 1>parents and Chihuahua, he had definitely feeled a boy. Talking

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<v Speaker 1>to my mom made me feel so sad and unsettled.

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<v Speaker 1>It seemed like this new relationship with Natalia. I was

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<v Speaker 1>feeling a void in Rodrigo's life too, one he had

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<v Speaker 1>tried to talk to me about years, but I kept avoiding.

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<v Speaker 1>When I got what tomorrow, Oh perfect middle at my

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<v Speaker 1>please us. Yeah, Rodrigo promised to cook for Natalia night.

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<v Speaker 1>Tomorrow night, I'll call the Limo company and have them

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<v Speaker 1>drop you off at my place. You and Rodrigo can

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<v Speaker 1>go home together. Oh, I better get going. Rodrico was

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<v Speaker 1>about to come back from a break. Should I have

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<v Speaker 1>him call you? No, that's okay. I don't want to

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<v Speaker 1>interrupt his session. All right, then that's for you tomorrows

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<v Speaker 1>best be right there. I got so insecure after that

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<v Speaker 1>call that as soon as I got back into the

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<v Speaker 1>studio and had my own phone, i'd texted Wisdom. Unfortunately,

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<v Speaker 1>he was rehearsing for his performance in Chicago that night,

0:05:57.000 --> 0:06:00.240
<v Speaker 1>so I was left to resolve my feelings a loan.

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<v Speaker 1>I had mixed feelings about going back to Basso. The

0:06:05.400 --> 0:06:07.760
<v Speaker 1>fantasy was over, and now I had to face the

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<v Speaker 1>reality of my everyday life at home, especially since I

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<v Speaker 1>found out later on that Wisdom wouldn't be coming home

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<v Speaker 1>anytime soon. Africa. Huh, yeah, I know. Sorry, Ah, don't be,

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<v Speaker 1>don't be. It sounds like an amazing opportunity. It should be.

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<v Speaker 1>You know, the label has already cancel with other shows

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<v Speaker 1>you was scheduled to do. You're okay with that? Oh,

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<v Speaker 1>of course, yeah, don't. Don't even worry about it. But

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<v Speaker 1>the single is selling like crazy though. I was kind

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<v Speaker 1>of looking forward to hanging out with you back at home.

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<v Speaker 1>Me too, when are you back. It's a couple of weeks.

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<v Speaker 1>Oh yeah, you could calm me, okay and be like

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<v Speaker 1>your groupie. I've got too much work to do, and

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<v Speaker 1>you know what, I think it'll be good for me

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<v Speaker 1>to just focus on the new single for a while.

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<v Speaker 1>Yeah yeah, yeah, yeah yeah. In New York was fun. No, right,

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<v Speaker 1>I know, I know, the best time I've had in

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<v Speaker 1>a long time. Right. Maybe we pick it up when

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<v Speaker 1>you get back, no doubt, can't wait. Oh what am

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<v Speaker 1>I doing? What am I doing? Ladies and gentlemen, we

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<v Speaker 1>can't see. Don't worry, Domingo Ala do comercos exactly, Hi, Rodrigo.

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<v Speaker 1>See no, miss Puss is talking to my parents about

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<v Speaker 1>hanging over my social media accounts. Okay, she even had

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<v Speaker 1>mister Roblis called in. But I'm giving them up. Ye.

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<v Speaker 1>Parents don't stop being parents just because you turn your team.

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<v Speaker 1>I thought I would get all this new freedom when

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<v Speaker 1>I turned eighteen, but in some ways I have lists

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<v Speaker 1>of it. Yeah, but everyone's just trying to protect you,

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<v Speaker 1>that's all. Yeah, you're telling me, don't worry about it.

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<v Speaker 1>Mom in the kitchen, I believe that lose ma. Oh

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<v Speaker 1>I missed you so much. Just in time. How was

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<v Speaker 1>your fly? I slept the whole way. Oh hey, guys,

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<v Speaker 1>welcome Homelita just taught me how to make chi lava

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<v Speaker 1>sweets us. How does one man have so many talents?

0:08:36.920 --> 0:08:40.400
<v Speaker 1>I wonder that myself all the time. Do you miss

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<v Speaker 1>buss like to cook? I'm a terrible cut I hate it,

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<v Speaker 1>like mother, like daughter. Well, looks like I'm stuck as

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<v Speaker 1>your sush chef. Hi five, We'll make a good team,

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<v Speaker 1>let's see. As we sat down to Ida could see

0:08:57.480 --> 0:09:00.720
<v Speaker 1>that their lives hadn't moved on without you, but together

0:09:02.760 --> 0:09:05.520
<v Speaker 1>losm could tell I was being left out of the conversation,

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<v Speaker 1>so she tried to shift the focus on me. Belita.

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<v Speaker 1>I thought that your performance was amazing. Oh me too, wisdom,

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<v Speaker 1>and you really sell that song. Thanks, Okay, rather you go,

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<v Speaker 1>So what are you gonna teach me to cook next? Okay?

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<v Speaker 1>I'm sorry about tonight. It was not my idea to

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<v Speaker 1>come over. I know your mom mentioned she had invited

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<v Speaker 1>you for dinner. I guess it was bound to happen.

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<v Speaker 1>You're really good with Natalia. Thanks. I like her. Yeah,

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<v Speaker 1>I think the feeling is mutual here you are. Thanks

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<v Speaker 1>for bringing me home, no problem. Good night, good night.

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<v Speaker 1>I walked into my home and soon felt all the

0:10:10.360 --> 0:10:13.960
<v Speaker 1>quiet around me. It was a shock to my system

0:10:14.040 --> 0:10:19.360
<v Speaker 1>after the last few weeks, but maybe quiet is exactly

0:10:19.360 --> 0:10:25.480
<v Speaker 1>what I needed. The quiet didn't last long. A few

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<v Speaker 1>days later Sean arrived Hi and Wilma Rama. As a dad, actor, producer,

0:10:35.920 --> 0:10:39.160
<v Speaker 1>and activist. My schedule fills up fast, and as we

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<v Speaker 1>all know, life can be unpredictable. That's why good help

0:10:42.120 --> 0:10:44.560
<v Speaker 1>is always welcome by when your friend offers you those

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<v Speaker 1>important words of advice, or when your mom makes your

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<v Speaker 1>favorite food just because it's hold an act of kindness

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<v Speaker 1>There's a common misconception going around today that we always

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<v Speaker 1>it's your journey. Did you Here comes the chorus? Wait

0:13:20.200 --> 0:13:30.360
<v Speaker 1>for it, Wait for it? Hot? Right? Is that the

0:13:30.440 --> 0:13:34.720
<v Speaker 1>songwriter on vocals? Yeah, she's a good singer and she

0:13:34.840 --> 0:13:37.120
<v Speaker 1>knows how to write to her strengths. Oh yeah, but

0:13:37.160 --> 0:13:40.440
<v Speaker 1>your vocals will sound even better. It's definitely catchy, but

0:13:40.760 --> 0:13:46.600
<v Speaker 1>I'm still not sure it's Metalita. Listen, No one knows

0:13:46.640 --> 0:13:48.880
<v Speaker 1>who you are yet not in pop music, not not

0:13:49.000 --> 0:13:51.840
<v Speaker 1>even you. I promise. Once we lay in your vocals,

0:13:52.040 --> 0:13:54.839
<v Speaker 1>it's gonna click. Okay, you'll see. You've just gotta trust.

0:13:55.160 --> 0:13:58.839
<v Speaker 1>The lyrics are just too young, like the teenagers should

0:13:58.840 --> 0:14:01.559
<v Speaker 1>be singing them, not a third year old woman. Don't

0:14:01.600 --> 0:14:03.559
<v Speaker 1>worry about that. Okay, we can adjust the lyrics. I'm

0:14:03.559 --> 0:14:05.400
<v Speaker 1>sticking around in El Paso till we get it right.

0:14:05.800 --> 0:14:09.040
<v Speaker 1>I want you to love this as much as I do.

0:14:09.160 --> 0:14:11.240
<v Speaker 1>Has Madico has hurt it, Yeah, he's already hurt it.

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<v Speaker 1>And he's already planning a listening party for a single

0:14:14.280 --> 0:14:17.640
<v Speaker 1>should tell you something. But come, let's get all the

0:14:17.720 --> 0:14:19.280
<v Speaker 1>lyrics right. I want to get you in the booth

0:14:19.280 --> 0:14:22.800
<v Speaker 1>by this afternoon. You work fast, don't you? If I'm inspired? Adelita?

0:14:23.600 --> 0:14:26.120
<v Speaker 1>Hell yeah, And we gotta get this song out there

0:14:26.120 --> 0:14:28.480
<v Speaker 1>while there's still all this momentum lying around. All right,

0:14:28.640 --> 0:14:33.600
<v Speaker 1>all right, speedy Gonzalez. Love that, love it, love it,

0:14:33.640 --> 0:14:38.440
<v Speaker 1>love it. Okay. So these two lines right here, I

0:14:38.520 --> 0:14:41.760
<v Speaker 1>was thinking that instead of it, could be something like this,

0:14:42.520 --> 0:14:50.160
<v Speaker 1>to be stronger and get through this love of Oh yes, definitely.

0:14:50.240 --> 0:14:52.760
<v Speaker 1>And then on the chorus, I like the first line,

0:14:53.080 --> 0:14:55.720
<v Speaker 1>but what if we change the next few lines too.

0:14:58.000 --> 0:15:00.920
<v Speaker 1>I think I'm going on the eggs extra for you

0:15:01.200 --> 0:15:07.480
<v Speaker 1>on my efforts, getting only extra extra. I love that,

0:15:08.080 --> 0:15:10.520
<v Speaker 1>but let's keep the last line. It'll transition better to

0:15:10.560 --> 0:15:12.880
<v Speaker 1>the next verse. One. Want to try that? Yeah, sure,

0:15:16.440 --> 0:15:20.760
<v Speaker 1>I think I'm going only extra for you on my efforts,

0:15:20.840 --> 0:15:25.960
<v Speaker 1>getting only extra extra. And every time I look at

0:15:26.000 --> 0:15:29.280
<v Speaker 1>you all let go. I'm caught up in these clothes

0:15:29.320 --> 0:15:34.160
<v Speaker 1>looking extra extra for you. Can't imagine how my mind

0:15:34.240 --> 0:15:37.600
<v Speaker 1>goes through you. You're round me, around me, and I

0:15:37.760 --> 0:15:43.480
<v Speaker 1>find my way home. That's dope, we got it. What

0:15:43.480 --> 0:15:46.120
<v Speaker 1>else you got? Let me hear the third verse again.

0:15:46.880 --> 0:15:50.080
<v Speaker 1>There's a line that bumped me, but I have an

0:15:50.120 --> 0:16:02.320
<v Speaker 1>idea for it. Sure, definitely. Sean and I finally found

0:16:02.360 --> 0:16:05.200
<v Speaker 1>our rhythm. By the time he laid my voice on

0:16:05.200 --> 0:16:08.440
<v Speaker 1>the track and finished mixing it the following week, the

0:16:08.520 --> 0:16:12.000
<v Speaker 1>song grew on me more and more. But the true

0:16:12.040 --> 0:16:15.440
<v Speaker 1>test would be the listening party, which MACHOs had scheduled

0:16:15.560 --> 0:16:18.880
<v Speaker 1>in La exactly one week after we got the single done.

0:16:19.920 --> 0:16:25.000
<v Speaker 1>I was excited and nervous. I no longer had the

0:16:25.040 --> 0:16:27.760
<v Speaker 1>benefit of being a guest artist on a hugely successful

0:16:27.800 --> 0:16:29.920
<v Speaker 1>song with the biggest hip hop artist in the world.

0:16:30.960 --> 0:16:34.480
<v Speaker 1>This song would be all me and I just hope

0:16:35.480 --> 0:16:45.000
<v Speaker 1>I had made the right choices along the way. If

0:16:45.000 --> 0:16:49.120
<v Speaker 1>you're enjoying Adelita Changing the Key, please subscribe, rate, and

0:16:49.240 --> 0:16:53.040
<v Speaker 1>review our show Wherever you're listening Adelita Changing the Key.

0:16:53.360 --> 0:16:56.400
<v Speaker 1>He's a production of Sonoro in partnership with Our Hearts

0:16:56.480 --> 0:17:01.680
<v Speaker 1>Michael Tura Network. Created and written by leish Yaviaalobos. Produced

0:17:01.680 --> 0:17:06.040
<v Speaker 1>by Luisa Guardo, Castillo, Grinza Chaires, and Bettina Lopez Mendoza.

0:17:06.640 --> 0:17:12.040
<v Speaker 1>Directed by Javier Perrazza, Developed by Jaspin Romero, Bettina Lopez

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<v Speaker 1>and Christian Hatar. Executive produced by Gisel Benzes and Conald

0:17:16.600 --> 0:17:21.040
<v Speaker 1>Byrne for iHeart and Camilla Victoriano and Josia Weinstein for Sonoro.

0:17:21.560 --> 0:17:26.679
<v Speaker 1>Executive produced by Dayangerero and li Jiavijanovos. This episode written

0:17:26.720 --> 0:17:30.960
<v Speaker 1>by Perrett Helms and Lijavielovos, with help from Daniela Sarkis,

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<v Speaker 1>Beetina Lopez, Rodrigo Bravo, Moniza Hinrichs, Mariana Martinez Gomez, and

0:17:36.520 --> 0:17:41.960
<v Speaker 1>Edgar Estevan. Performances in this episode by Diangerero, Garrett Gaievo,

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<v Speaker 1>Destanique Beninieves and artist Lomarqui, Chasten Eli Hernandez, Jesi Garcia,

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<v Speaker 1>and Carla Jimez as a dad actor producer for an

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<v Speaker 1>activist My schedule fils up I stand. As we all know,

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<v Speaker 1>life can be unpredictable. That's why good help is always welcome.

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<v Speaker 1>We all have to learn to take care of business

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