1 00:00:01,639 --> 00:00:13,039 Speaker 1: Come on, he good. We have a good show today. 2 00:00:13,200 --> 00:00:15,440 Speaker 1: Luke Combs will be on later on. He'll be performing. 3 00:00:15,520 --> 00:00:18,120 Speaker 1: Pretty excited about that. I love Luke Combs. You love 4 00:00:18,200 --> 00:00:20,319 Speaker 1: Luke Combs. You scream, I scream, will all scream for 5 00:00:22,320 --> 00:00:26,000 Speaker 1: Morning Studio the CMT Awards for a couple of nights ago, 6 00:00:26,040 --> 00:00:29,560 Speaker 1: and they asked all the artists really generic question. But 7 00:00:29,600 --> 00:00:31,360 Speaker 1: I loved it because I liked hearing all the responses. 8 00:00:31,600 --> 00:00:33,639 Speaker 1: They said, hey, what's your favorite country song? Took any 9 00:00:33,680 --> 00:00:35,840 Speaker 1: country artists? What's your favorite country song? So I'm gonna 10 00:00:35,840 --> 00:00:37,960 Speaker 1: just ask you guys around the room in some form 11 00:00:38,040 --> 00:00:39,680 Speaker 1: or fashion. This has been talked about on the show. 12 00:00:39,720 --> 00:00:41,920 Speaker 1: But back to the basics, Amy, what is your favorite 13 00:00:41,920 --> 00:00:50,480 Speaker 1: country song? George Straight, Amarilla vun Morning can't argue that one. 14 00:00:51,080 --> 00:00:53,840 Speaker 1: Hetty yours and I can't believe she answered so quickly. 15 00:00:53,840 --> 00:00:56,560 Speaker 1: This is hard, really hard. But I'm gonna go with 16 00:00:57,280 --> 00:01:01,280 Speaker 1: Johnny cash fulsome Prison Blues, just because it just takes 17 00:01:01,280 --> 00:01:04,600 Speaker 1: me back to being a kid. Sixty. My dad would 18 00:01:04,640 --> 00:01:06,520 Speaker 1: listen to it. My dad hated music, but do you 19 00:01:06,560 --> 00:01:09,360 Speaker 1: like this song? There are only two people I've ever 20 00:01:09,400 --> 00:01:13,559 Speaker 1: heard that he didn't like music. Your dad in lunchbox, Yeah, 21 00:01:13,680 --> 00:01:18,120 Speaker 1: so weird. Who's like music? Who cares? I mean it's there, okay, lunchbox? 22 00:01:18,200 --> 00:01:20,839 Speaker 1: Your favorite country song? Oh it's easy, guys, speaks to everyone. 23 00:01:20,880 --> 00:01:25,080 Speaker 1: How do you like me now, Toby Keith? I mean 24 00:01:25,120 --> 00:01:29,559 Speaker 1: it sends a great message having I'm on my way? 25 00:01:30,400 --> 00:01:39,400 Speaker 1: You think Morgan, Well, everybody knows I love Shania Twains. 26 00:01:39,480 --> 00:01:48,440 Speaker 1: It has to be Shania Twain, but any man of mine? Baby, 27 00:01:48,480 --> 00:01:52,440 Speaker 1: we know what about yours? Yeah, I'm always the latest 28 00:01:52,560 --> 00:01:55,680 Speaker 1: Sam Hunt song? So I want it hard to forget? 29 00:01:56,360 --> 00:02:00,560 Speaker 1: Hold on a second, your favorite all time country song 30 00:02:00,680 --> 00:02:02,960 Speaker 1: all time? It's Sam Hunt. Hard to forget. It was 31 00:02:03,080 --> 00:02:05,280 Speaker 1: body like a back road and this is now replaced. 32 00:02:05,280 --> 00:02:12,400 Speaker 1: It can argue whatever Sam puts out? Ray? Do you 33 00:02:12,400 --> 00:02:15,120 Speaker 1: get starstruck when Sam comes by? Honestly, of all the 34 00:02:15,200 --> 00:02:17,880 Speaker 1: artists that do come in here, and actors and movie stars, 35 00:02:18,000 --> 00:02:20,000 Speaker 1: he would be the one person that I do stumble 36 00:02:20,040 --> 00:02:22,519 Speaker 1: over my words. I feel a little bit out of body, 37 00:02:22,600 --> 00:02:25,079 Speaker 1: and it's it's it's awkward. I'm usually not an awkward person, 38 00:02:25,120 --> 00:02:27,040 Speaker 1: but around him, I'm like, hey man, and I'll answer 39 00:02:27,120 --> 00:02:28,680 Speaker 1: questions that he didn't even ask me, like I'm good, 40 00:02:28,680 --> 00:02:30,480 Speaker 1: I'm good. How are you like? But he never asked 41 00:02:30,520 --> 00:02:33,680 Speaker 1: me how I was doing. Why do you think that is? 42 00:02:33,680 --> 00:02:35,200 Speaker 1: Do you want to be him so bad? I think 43 00:02:35,280 --> 00:02:38,600 Speaker 1: he's really cool. I love his music. I honestly, it's 44 00:02:38,600 --> 00:02:40,840 Speaker 1: just an aura about him. It's really just stops you 45 00:02:40,880 --> 00:02:43,320 Speaker 1: in your tracks. I'm honestly starstruck when he comes in. 46 00:02:43,840 --> 00:02:46,480 Speaker 1: He's a good looking guy. He's a really nice guy. Yeah. 47 00:02:46,600 --> 00:02:49,760 Speaker 1: We went to lunch a few weeks back, Kylen and 48 00:02:49,840 --> 00:02:52,720 Speaker 1: I did. And Sam's such a chill dude. He wasn't. 49 00:02:52,760 --> 00:02:56,119 Speaker 1: He walked in by himself, came up, said hey, walked 50 00:02:56,120 --> 00:02:57,680 Speaker 1: to his table, sat down, He lunch by himself right 51 00:02:57,680 --> 00:03:00,560 Speaker 1: behind us. Awesome, walked out as he's just such a 52 00:03:01,560 --> 00:03:05,800 Speaker 1: even kill guy. Sam Hunt eight lunch by himself. He 53 00:03:05,840 --> 00:03:07,640 Speaker 1: just walked in, got some food. But it's where I 54 00:03:07,680 --> 00:03:11,440 Speaker 1: go a lot. But Sam Hunt can be seen in 55 00:03:11,520 --> 00:03:14,480 Speaker 1: probably eating by himself, like just go eating the car. No, 56 00:03:14,919 --> 00:03:17,600 Speaker 1: how embarrassing would that be Sam eating in his car? 57 00:03:18,000 --> 00:03:20,640 Speaker 1: Why would he do that? My favorite all time country 58 00:03:20,680 --> 00:03:27,560 Speaker 1: song is Garth Brooks If Tomorrow never comes, Morrow never where. 59 00:03:27,560 --> 00:03:29,680 Speaker 1: It wasn't hard for me I do. My second would 60 00:03:29,680 --> 00:03:31,680 Speaker 1: have been blue Eyes Crying in the Rain. Willie Nelson. 61 00:03:31,760 --> 00:03:36,120 Speaker 1: But this is just kind of my introduction to Garth 62 00:03:36,440 --> 00:03:39,240 Speaker 1: as far as like, oh man, that's an amazing song. 63 00:03:40,160 --> 00:03:42,400 Speaker 1: So this is it for me. Some of the other ones, 64 00:03:43,040 --> 00:03:47,200 Speaker 1: Jimmy Allen went with Kenny Chesney's Don't Blink, which is 65 00:03:47,840 --> 00:03:52,920 Speaker 1: a great song. Um Morgan Wallen picked Keith Willie's Don't 66 00:03:52,920 --> 00:04:02,920 Speaker 1: Closure is great song. Sam Hunt, speaking of Ray, picked 67 00:04:02,920 --> 00:04:09,120 Speaker 1: George Jones. He stopped loving. He stopped. Do you know 68 00:04:09,160 --> 00:04:12,880 Speaker 1: why that's a love song? Yes, he died. That's right. 69 00:04:12,920 --> 00:04:14,960 Speaker 1: The only way he was gonna stop loving her is 70 00:04:14,960 --> 00:04:18,800 Speaker 1: because he died. Yeah. When you're read the title, you're like, 71 00:04:18,800 --> 00:04:21,240 Speaker 1: that song does not sound nice. No, it's because he 72 00:04:21,279 --> 00:04:22,720 Speaker 1: loved her so much. The only way you could get 73 00:04:22,720 --> 00:04:27,320 Speaker 1: her to stop was by dying. Get him styles by dying. Yeah, 74 00:04:27,480 --> 00:04:31,360 Speaker 1: jam m, Well, there you have it. You just can't 75 00:04:31,360 --> 00:04:33,360 Speaker 1: go wrong with Garth though right now. And I wasn't 76 00:04:33,360 --> 00:04:36,039 Speaker 1: gonna pick Garth, but I just feel like if you 77 00:04:36,040 --> 00:04:37,960 Speaker 1: would have asked me in junior high, Garth for sure 78 00:04:38,000 --> 00:04:41,120 Speaker 1: one percent. But now that I've kind of learned all 79 00:04:41,160 --> 00:04:44,560 Speaker 1: country music, I gotta go back to Johnny. Okay. The 80 00:04:44,640 --> 00:04:47,080 Speaker 1: question is should Lunchbox have called nine one one for 81 00:04:47,120 --> 00:04:49,840 Speaker 1: this what happened. So we were out for a walk 82 00:04:50,080 --> 00:04:52,560 Speaker 1: and we're walking and we walked by this one house 83 00:04:52,600 --> 00:04:55,040 Speaker 1: and there's like this little three year old girl just 84 00:04:55,080 --> 00:04:58,080 Speaker 1: in the front yard in her underwear. No one else around, 85 00:04:58,800 --> 00:05:00,840 Speaker 1: and my wife him looked each other. I'm like, man, 86 00:05:00,880 --> 00:05:03,280 Speaker 1: that's weird, but the parents must be just coming right 87 00:05:03,320 --> 00:05:04,960 Speaker 1: back out. And we walked down a few houses and 88 00:05:04,960 --> 00:05:06,960 Speaker 1: we come walking back because my wife was like, I 89 00:05:06,960 --> 00:05:09,279 Speaker 1: just don't feel right about it. Still no one out, 90 00:05:09,600 --> 00:05:12,480 Speaker 1: just the three year old girl, and we're like okay. 91 00:05:12,560 --> 00:05:16,040 Speaker 1: So we go up and knock on the door. Nobody answers, 92 00:05:16,880 --> 00:05:19,200 Speaker 1: and we're like, hello, anybody there, you know, there's this 93 00:05:19,240 --> 00:05:20,960 Speaker 1: young girl out here. And we stand there for like 94 00:05:21,000 --> 00:05:25,240 Speaker 1: eight minutes and knock again. No answer. So we walk 95 00:05:25,279 --> 00:05:27,279 Speaker 1: around the side of the house and we start yelling 96 00:05:27,279 --> 00:05:30,040 Speaker 1: in the backyard, Hello, is anybody back there? Hello, there's 97 00:05:30,080 --> 00:05:32,560 Speaker 1: this young girl out here. And a lady comes out 98 00:05:32,600 --> 00:05:35,039 Speaker 1: the back door and she goes what's up, And I 99 00:05:35,080 --> 00:05:37,000 Speaker 1: was like, oh, this girl was in the front yard. 100 00:05:37,040 --> 00:05:39,600 Speaker 1: And she's like, oh, how did she get out there? 101 00:05:39,640 --> 00:05:41,400 Speaker 1: I had no idea, you know how kids are, And 102 00:05:41,440 --> 00:05:43,400 Speaker 1: she kind of laughs it off and opens the gate 103 00:05:43,440 --> 00:05:46,600 Speaker 1: and the girl goes in the backyard. And so I 104 00:05:46,680 --> 00:05:48,839 Speaker 1: was thinking we should call nine one one, and we didn't. 105 00:05:48,880 --> 00:05:50,599 Speaker 1: But now I'm like, should we still call nine one 106 00:05:50,640 --> 00:05:53,760 Speaker 1: one because the kid was outside, the parent had no idea, 107 00:05:53,880 --> 00:05:56,240 Speaker 1: and we're knocking on the door, so it's not like 108 00:05:56,320 --> 00:05:59,839 Speaker 1: they were like listening. Well, you shouldn't call nine one. 109 00:06:00,040 --> 00:06:02,960 Speaker 1: Now that's an emergency number. Yeah, if you decided you 110 00:06:03,000 --> 00:06:05,920 Speaker 1: needed to call someone, it wouldn't be nine one one. 111 00:06:05,960 --> 00:06:09,760 Speaker 1: You could call a bunch of places. But that's tough. 112 00:06:10,400 --> 00:06:12,960 Speaker 1: But that but once, I mean, you're better if you 113 00:06:13,000 --> 00:06:16,760 Speaker 1: call child services and open up something that I get it, Like, 114 00:06:16,880 --> 00:06:19,800 Speaker 1: it's a fine line of if that child needs help, 115 00:06:19,880 --> 00:06:23,560 Speaker 1: then great, But if it wasn't an isolated incident, that 116 00:06:23,680 --> 00:06:26,680 Speaker 1: was just unfortunate and that is the result of it. 117 00:06:26,680 --> 00:06:29,400 Speaker 1: It could cause that family a lot of Yeah, I 118 00:06:29,800 --> 00:06:32,960 Speaker 1: understand that, I just didn't. I was having that internal 119 00:06:32,960 --> 00:06:35,040 Speaker 1: struggle that that kid was out there and the parents 120 00:06:35,040 --> 00:06:37,880 Speaker 1: had no idea. And when we knocked on the door 121 00:06:37,880 --> 00:06:39,520 Speaker 1: to try to get the kid inside, because the door 122 00:06:39,560 --> 00:06:41,520 Speaker 1: was obviously locked because the kid tried to turn the 123 00:06:41,520 --> 00:06:43,479 Speaker 1: handle and it was locked. I think you did the 124 00:06:43,560 --> 00:06:46,320 Speaker 1: right thing. By going back waiting with the kid knocking 125 00:06:46,320 --> 00:06:48,480 Speaker 1: on the door, knocking on the other door, like that 126 00:06:48,560 --> 00:06:51,200 Speaker 1: was the right thing to do. My suggestion would be, 127 00:06:51,240 --> 00:06:53,560 Speaker 1: if you see this happen again, then maybe you call 128 00:06:53,680 --> 00:06:56,240 Speaker 1: because there is a pattern of neglect. Yeah, and if 129 00:06:56,279 --> 00:06:58,479 Speaker 1: you are near this house, like keep an eye out, 130 00:06:58,680 --> 00:07:01,159 Speaker 1: like that would be a way you could contribute, Just 131 00:07:01,279 --> 00:07:03,880 Speaker 1: make like keep an eye out. I'm sure there were 132 00:07:03,920 --> 00:07:06,760 Speaker 1: isolated incidents when I was a kid. Oh yeah, where 133 00:07:06,760 --> 00:07:09,920 Speaker 1: I was doing god knows what. So I forgot my 134 00:07:10,000 --> 00:07:11,480 Speaker 1: kid in the car one time, I mean in the 135 00:07:11,480 --> 00:07:13,760 Speaker 1: front yard. Yeah, it happens. I didn't know he was 136 00:07:13,760 --> 00:07:17,360 Speaker 1: out there. How did that happen? I just everyone got 137 00:07:17,360 --> 00:07:18,720 Speaker 1: out of the car except him. I think he was 138 00:07:18,720 --> 00:07:20,560 Speaker 1: on his phone or something, and I just we all 139 00:07:20,600 --> 00:07:23,600 Speaker 1: got out and I clicked it done. And then the 140 00:07:24,040 --> 00:07:27,520 Speaker 1: pest control guy came, luckily like five minutes after we 141 00:07:27,560 --> 00:07:29,520 Speaker 1: all went inside, said I think your son's in the car, 142 00:07:29,560 --> 00:07:33,560 Speaker 1: and he was like the car and so yeah that 143 00:07:33,720 --> 00:07:36,400 Speaker 1: but again that from the inside, now that was what 144 00:07:36,440 --> 00:07:38,360 Speaker 1: a couple of years ago just maybe didn't have that 145 00:07:38,400 --> 00:07:40,720 Speaker 1: strength or know how to do it. Maybe childlocks. Yeah 146 00:07:40,800 --> 00:07:43,280 Speaker 1: all that, But I mean again, I don't do it 147 00:07:43,280 --> 00:07:45,240 Speaker 1: all the time. That happened one time, and if you'd 148 00:07:45,320 --> 00:07:47,520 Speaker 1: call child protective Services on me or wouldn't have my 149 00:07:47,560 --> 00:07:50,720 Speaker 1: kid parent exactly. Yeah. So by the way, good on 150 00:07:50,800 --> 00:07:52,640 Speaker 1: you and good on your wife because what you did 151 00:07:52,680 --> 00:07:54,880 Speaker 1: was exactly right. But I I am a like Amy. 152 00:07:54,920 --> 00:07:58,120 Speaker 1: I'm saying it could be isolated. We all screw up. 153 00:07:58,680 --> 00:08:00,800 Speaker 1: That's a big screw up. But we all screw up. 154 00:08:00,840 --> 00:08:02,840 Speaker 1: If you see it again, then maybe, But now I 155 00:08:02,880 --> 00:08:06,200 Speaker 1: would say no, all right, yeah, and I would say, yeah, 156 00:08:06,240 --> 00:08:09,280 Speaker 1: if it's in your neighborhood, make a point to drive 157 00:08:09,320 --> 00:08:12,440 Speaker 1: by and just make sure you can. I'll be neighborhood 158 00:08:12,680 --> 00:08:17,960 Speaker 1: because like go deliver things like take amath. By the way, 159 00:08:18,200 --> 00:08:21,680 Speaker 1: Ray's wedding is tomorrow. What's up with your hair? I mean, 160 00:08:21,760 --> 00:08:24,559 Speaker 1: I think it looks good. I was told that Bay 161 00:08:25,120 --> 00:08:28,200 Speaker 1: Ray's fiance is okay with my hair? Right Ray? I 162 00:08:28,240 --> 00:08:30,920 Speaker 1: guess she's really understanding right now, and she's relaxed in 163 00:08:30,960 --> 00:08:33,240 Speaker 1: this moment because she honestly said on Twitter, you can 164 00:08:33,280 --> 00:08:35,960 Speaker 1: do whatever makes you comfortable in your own skin. Well, 165 00:08:36,000 --> 00:08:38,200 Speaker 1: the big debate was is he growing it out as 166 00:08:38,200 --> 00:08:40,079 Speaker 1: a joke because it is out of control and his 167 00:08:40,160 --> 00:08:43,480 Speaker 1: beard's out of control and you love it. I love it. 168 00:08:43,520 --> 00:08:45,440 Speaker 1: I think I look good. And Ray was telling me 169 00:08:45,480 --> 00:08:47,680 Speaker 1: that I was gonna be kicked. He was saying cut, 170 00:08:47,800 --> 00:08:50,520 Speaker 1: get a cut, or get cut from the wedding, and 171 00:08:50,559 --> 00:08:52,720 Speaker 1: I was like, is he serious? And now the fiance 172 00:08:52,920 --> 00:08:54,960 Speaker 1: is with me. I mean, I don't know why he 173 00:08:55,000 --> 00:08:57,040 Speaker 1: can be upset with my hair and my face in 174 00:08:57,160 --> 00:09:00,560 Speaker 1: my beard when lupa back there, I mean, is it's 175 00:09:00,600 --> 00:09:03,959 Speaker 1: so brown that he looks like the situation from Jersey Shore. 176 00:09:04,040 --> 00:09:12,000 Speaker 1: I'll raise tank, get you some oomper looper. I mean, 177 00:09:12,080 --> 00:09:15,160 Speaker 1: how dark are you? Jabs are hire? Did you get 178 00:09:15,160 --> 00:09:19,600 Speaker 1: a spray tanner? No? Yeah, thought, but he looks like 179 00:09:19,640 --> 00:09:23,319 Speaker 1: that episode I'm friends, I've seen that. What's ross? Yeah 180 00:09:23,360 --> 00:09:27,760 Speaker 1: that he gets Oh mys, it'll tone down in the shower. 181 00:09:27,800 --> 00:09:30,040 Speaker 1: It's what they told me at the salon. So we're good. 182 00:09:30,640 --> 00:09:33,200 Speaker 1: You look well, you look orange right now, but it 183 00:09:33,240 --> 00:09:36,480 Speaker 1: will end up looking pretty good. Yeah, he does look 184 00:09:36,840 --> 00:09:41,320 Speaker 1: oddly orange. It'll be perfect by the time he is 185 00:09:41,400 --> 00:09:43,319 Speaker 1: walking down. Well, one of you guys let him know 186 00:09:43,320 --> 00:09:48,440 Speaker 1: if it's not perfect before you walk. And Big Wedding 187 00:09:48,440 --> 00:09:55,440 Speaker 1: Weekend fund The five most fun facts Amy's found this 188 00:09:55,480 --> 00:09:59,840 Speaker 1: week let's go number five. So the Dallas Cowboys are 189 00:09:59,840 --> 00:10:03,839 Speaker 1: the first NFL team to make nacho's popular at stadiums. 190 00:10:04,120 --> 00:10:06,840 Speaker 1: I guess do you know who Howard Costle is? I 191 00:10:06,880 --> 00:10:12,040 Speaker 1: know Howard is the announcer. Oh well, Howard Cosell he 192 00:10:12,400 --> 00:10:14,959 Speaker 1: ate them and then talked about them during a slow 193 00:10:15,240 --> 00:10:18,360 Speaker 1: Monday night football game in nineteen seventy eight, and then 194 00:10:18,400 --> 00:10:20,480 Speaker 1: the rest of the NFL got on board, and now 195 00:10:20,480 --> 00:10:23,280 Speaker 1: it's a staple. I do love a great nacho, do 196 00:10:23,320 --> 00:10:25,840 Speaker 1: you really? I love a nacho with a lot of cheese. 197 00:10:26,440 --> 00:10:28,439 Speaker 1: I love a nacho with a little bit of meat. Okay, 198 00:10:28,520 --> 00:10:30,319 Speaker 1: like I can do just a cheese nacho and it's fantastic. 199 00:10:30,600 --> 00:10:32,160 Speaker 1: But I like a nacho with a lot of cheese 200 00:10:32,400 --> 00:10:36,200 Speaker 1: and a little bit of meat. And I like peppers. Yeah, 201 00:10:36,800 --> 00:10:39,000 Speaker 1: I don't really peppers anywhere else, but a good nacho 202 00:10:39,080 --> 00:10:42,679 Speaker 1: and a good freedo pie which reminds me of high 203 00:10:42,720 --> 00:10:45,680 Speaker 1: school football. Yes, of course, there should be more freedo 204 00:10:45,760 --> 00:10:50,760 Speaker 1: pies out there. It's fantastic. Number four. So you can 205 00:10:50,800 --> 00:10:57,359 Speaker 1: send a coconut, a potato, a sombrero, a brick, a frisbee. 206 00:10:57,440 --> 00:10:59,800 Speaker 1: The list goes on through the US Postal service with 207 00:11:00,200 --> 00:11:03,600 Speaker 1: a box stamp up break. Yeah, you just have to 208 00:11:03,640 --> 00:11:05,720 Speaker 1: make sure that you've got enough postage on it and 209 00:11:05,880 --> 00:11:09,800 Speaker 1: an address label, and it will go a pillow. That 210 00:11:09,840 --> 00:11:11,960 Speaker 1: would be disgusting to get a pillow that's been run 211 00:11:11,960 --> 00:11:15,200 Speaker 1: through mail. Yeah, I want to try to mail you 212 00:11:15,200 --> 00:11:19,599 Speaker 1: a potato and see what happens. Okay, next one number three. 213 00:11:19,800 --> 00:11:22,640 Speaker 1: So this is ironic, and no one knows for sure 214 00:11:22,760 --> 00:11:26,040 Speaker 1: when the fire hydrant was invented, because the patent was 215 00:11:26,160 --> 00:11:29,240 Speaker 1: lost in a fire at the US Patent Office in 216 00:11:29,360 --> 00:11:35,560 Speaker 1: eighteen thirty six. Don't you think it's like ray number two? 217 00:11:36,440 --> 00:11:40,560 Speaker 1: So the recipe for doctor Pepper is a trade secret, 218 00:11:40,760 --> 00:11:44,440 Speaker 1: and it's allegedly stored in two halves in safe deposit 219 00:11:44,559 --> 00:11:48,120 Speaker 1: boxes in two different Dallas banks. It can't be that 220 00:11:48,200 --> 00:11:51,000 Speaker 1: hard k reverse engineer that I mean, mister Pips tastes 221 00:11:51,040 --> 00:11:54,560 Speaker 1: pretty close. Wow, it's a good point. You gotta figure 222 00:11:54,600 --> 00:11:57,559 Speaker 1: that out right on it? They were, Oh, yeah, of 223 00:11:57,559 --> 00:12:00,640 Speaker 1: course that was the I guess the generic version of it. No, 224 00:12:00,760 --> 00:12:02,480 Speaker 1: or I think is a regional thing, right because my 225 00:12:02,559 --> 00:12:08,280 Speaker 1: family just in Arkansas. Doctor pepper was Texas for a 226 00:12:08,320 --> 00:12:11,480 Speaker 1: long time, right, And then you got mister pib get 227 00:12:11,480 --> 00:12:13,320 Speaker 1: a parade and everything. Yes, well no, if we ever 228 00:12:13,360 --> 00:12:15,840 Speaker 1: traveled outside of Texas, they only had mister Pimmin, we'd 229 00:12:15,840 --> 00:12:18,120 Speaker 1: be Yeah, that's why I think it's a regional thing. 230 00:12:18,400 --> 00:12:21,200 Speaker 1: Really well, for those who don't know, mister pib tastes 231 00:12:21,240 --> 00:12:23,880 Speaker 1: like Doctor Pepper. Yeah, and maybe the other companies what 232 00:12:24,200 --> 00:12:26,160 Speaker 1: or it's just Doctor Pepper being like, we can sell 233 00:12:26,200 --> 00:12:28,920 Speaker 1: more if we create this mister Pibb, they create their 234 00:12:28,920 --> 00:12:32,800 Speaker 1: own rival. Yea, yeah, here we go. Number one. Mister 235 00:12:32,880 --> 00:12:36,360 Speaker 1: T's original set of gold chains came from people who 236 00:12:36,600 --> 00:12:39,400 Speaker 1: lost them or left them after fights when he worked 237 00:12:39,440 --> 00:12:42,199 Speaker 1: as a nightclub bouncer, because he would just layer them 238 00:12:42,240 --> 00:12:44,840 Speaker 1: on and then that, and that became his signature. Look, 239 00:12:45,040 --> 00:12:48,240 Speaker 1: do you remember mister T saying I pitied the fool? 240 00:12:48,360 --> 00:12:51,720 Speaker 1: That's right? Yeah, mister T from eighteen, way back in 241 00:12:51,760 --> 00:12:56,760 Speaker 1: the day, from Rocky three, correct, from his own TV series, 242 00:12:56,840 --> 00:12:59,520 Speaker 1: later became a he's probably pretty old now, Morgan. Do 243 00:12:59,559 --> 00:13:02,439 Speaker 1: you know No, I was just googling him when you 244 00:13:02,480 --> 00:13:05,440 Speaker 1: see a picture of him because Morgans twenty seven. Oh, okay, 245 00:13:06,840 --> 00:13:10,040 Speaker 1: I know who that is? Hello today? I know, yeah, 246 00:13:10,360 --> 00:13:13,640 Speaker 1: it's the season change. Yeah, but yes, I know who 247 00:13:13,640 --> 00:13:15,840 Speaker 1: he is. Okay, well, let's go ahead and get out 248 00:13:15,880 --> 00:13:24,360 Speaker 1: of this ready. In fact, the latest from Nashville and 249 00:13:24,440 --> 00:13:28,240 Speaker 1: Tullywood Morgan number two, thirty second Skinny. Lots of new 250 00:13:28,320 --> 00:13:31,839 Speaker 1: music out today. Luke Holmbs released his deluxe album called 251 00:13:31,920 --> 00:13:35,240 Speaker 1: What You See Ain't Always What You Get. Dirk's Bentley 252 00:13:35,320 --> 00:13:46,120 Speaker 1: released a new song It's called Gone Gone. Adam Hamburg 253 00:13:46,200 --> 00:13:49,400 Speaker 1: released two new songs. One is a collaboration with Gillian 254 00:13:49,520 --> 00:13:58,800 Speaker 1: Jacqueline called The Longer I Lay Here Thinking. Garth Brooks 255 00:13:58,800 --> 00:14:01,120 Speaker 1: and Trigan Yearwood and Now I'm their single It's a 256 00:14:01,200 --> 00:14:12,280 Speaker 1: cover of Challenge, and Chris Stapleton dropped a new song 257 00:14:12,400 --> 00:14:19,080 Speaker 1: called Arkansas. I'm Morgan number two. That's your skinny, It's 258 00:14:19,120 --> 00:14:27,000 Speaker 1: time for the good news. There's a school resource officer 259 00:14:27,040 --> 00:14:29,920 Speaker 1: by the name of Deputy Pedro Cologne down in Florida. 260 00:14:30,000 --> 00:14:32,400 Speaker 1: He's working and all of a sudden in the cafeteria, 261 00:14:32,560 --> 00:14:35,400 Speaker 1: some kids starts having a seizure and he's like, oh, 262 00:14:35,440 --> 00:14:38,560 Speaker 1: I know, CPR runs over, give some CPR. A couple 263 00:14:38,560 --> 00:14:40,680 Speaker 1: of minutes later, kids sitting up breathing on his own, 264 00:14:41,280 --> 00:14:46,520 Speaker 1: just eating square pizza. Hey, what happened to my pizza? 265 00:14:47,320 --> 00:14:49,560 Speaker 1: That's awesome? There you go that's what it's all about. 266 00:14:50,280 --> 00:14:54,200 Speaker 1: That was tell me something good, Bobby bone show Downhead. 267 00:14:54,320 --> 00:14:57,640 Speaker 1: Sorry up to day. This story comes to us from Manhattan, 268 00:14:57,680 --> 00:15:00,480 Speaker 1: New York, a thirty six year old man and decided, 269 00:15:00,560 --> 00:15:02,320 Speaker 1: you know what New York Times building. I think I'm 270 00:15:02,320 --> 00:15:04,160 Speaker 1: gonna climb up the side of it. He got about 271 00:15:04,200 --> 00:15:06,440 Speaker 1: six stories up and he got tired, and he's like, hey, 272 00:15:06,520 --> 00:15:09,320 Speaker 1: please come get me, Come get me, Come get me. 273 00:15:09,360 --> 00:15:10,840 Speaker 1: So they had to cut out a window and pull 274 00:15:10,880 --> 00:15:13,920 Speaker 1: him into safety. That's funny and sucks for him. This 275 00:15:14,040 --> 00:15:17,240 Speaker 1: is funny, right, Yeah, there you go. I'm lunchboxed at 276 00:15:17,280 --> 00:15:20,960 Speaker 1: your bone Head Story of the Day tonight at seventh 277 00:15:21,040 --> 00:15:25,040 Speaker 1: Central our iHeart Country Festival. Watch it at live xlive 278 00:15:25,200 --> 00:15:28,440 Speaker 1: dot com. Sam Hunt, lady A, Dirk Spentley. It's gonna 279 00:15:28,440 --> 00:15:31,840 Speaker 1: be awesome. Check it out tonight. Let's open up the mailbag, 280 00:15:32,560 --> 00:15:38,000 Speaker 1: Bobbies mailbag, He writes, Morning Studio. My name is Paul. 281 00:15:38,720 --> 00:15:42,320 Speaker 1: I'm emailing you after having a really awkward moment picking 282 00:15:42,400 --> 00:15:45,400 Speaker 1: up my daughter from school yesterday. I met her teacher 283 00:15:45,400 --> 00:15:47,600 Speaker 1: outside and when we looked at each other, I realized 284 00:15:48,000 --> 00:15:50,320 Speaker 1: I ghosted her about ten years ago after a couple 285 00:15:50,320 --> 00:15:55,680 Speaker 1: of dates. Oh that is so awkward. All she said 286 00:15:55,880 --> 00:16:00,120 Speaker 1: was nice to see you again, and then walked away. 287 00:16:00,800 --> 00:16:02,400 Speaker 1: Let me pause this email for a second. We're going 288 00:16:02,480 --> 00:16:04,720 Speaker 1: to explain to listeners who may not know what ghosting is, 289 00:16:05,080 --> 00:16:08,000 Speaker 1: what that means. So if somebody you were talking to 290 00:16:08,200 --> 00:16:10,480 Speaker 1: or went on a few dates with, decided they didn't 291 00:16:10,520 --> 00:16:13,760 Speaker 1: like you, they just kind of disappear without a trace. 292 00:16:14,000 --> 00:16:15,960 Speaker 1: Like they don't say bye, they don't say why, they 293 00:16:16,040 --> 00:16:20,360 Speaker 1: just straight up disappear. Poof, you're a ghost. Good Back 294 00:16:20,400 --> 00:16:23,840 Speaker 1: to the email. I remember feeling bad that I ghosted 295 00:16:23,840 --> 00:16:26,360 Speaker 1: her at the time, but I was dating another woman. 296 00:16:26,440 --> 00:16:28,360 Speaker 1: I decided to commit to her. Well, that didn't work out, 297 00:16:28,360 --> 00:16:30,160 Speaker 1: but I did meet my wife the next year, and 298 00:16:30,240 --> 00:16:33,320 Speaker 1: now well, we have a six year old daughter. I 299 00:16:33,360 --> 00:16:36,720 Speaker 1: didn't tell my wife that I once dated our daughter's teacher, 300 00:16:37,160 --> 00:16:40,000 Speaker 1: but I think I should. I'm just wondering if I 301 00:16:40,000 --> 00:16:43,560 Speaker 1: should talk to my daughter's teacher and explain myself. I'm 302 00:16:43,560 --> 00:16:45,240 Speaker 1: not sure if that's going to make anything better, but 303 00:16:45,360 --> 00:16:50,920 Speaker 1: maybe it's crazy. It will clear the air. I'm just 304 00:16:50,960 --> 00:16:53,480 Speaker 1: happy I never pick her up at school so I 305 00:16:53,520 --> 00:16:56,520 Speaker 1: don't have to feel this way every single day. Signed Paul. 306 00:16:57,640 --> 00:17:03,560 Speaker 1: Hilarious story, probably a pretty smallish talent. That's like something 307 00:17:03,600 --> 00:17:09,080 Speaker 1: that happened nearish where I grow up. You know, here's 308 00:17:09,119 --> 00:17:11,840 Speaker 1: what I'm gonna say. Uh, maybe you mentioned it to 309 00:17:11,840 --> 00:17:13,480 Speaker 1: the wife, but you don't talk to the teacher about it. 310 00:17:14,840 --> 00:17:17,399 Speaker 1: You probably tell the wife like, hey, I went it 311 00:17:17,440 --> 00:17:19,960 Speaker 1: picked up a kid, did you know? I mean I 312 00:17:20,000 --> 00:17:22,119 Speaker 1: went on two dates ten years ago with the teacher. 313 00:17:22,880 --> 00:17:25,760 Speaker 1: You tell her because if the wife tells her later, 314 00:17:26,560 --> 00:17:28,800 Speaker 1: you get in trouble. If the teacher tells the wife. 315 00:17:28,880 --> 00:17:30,560 Speaker 1: Excuse me, if the teacher tells the wife later, you 316 00:17:30,600 --> 00:17:33,720 Speaker 1: get in trouble. So you do a little preemptive striken. 317 00:17:33,760 --> 00:17:37,080 Speaker 1: You didn't do anything wrong. But I don't talk to 318 00:17:37,119 --> 00:17:39,600 Speaker 1: the teacher about it. I just let her live her 319 00:17:39,600 --> 00:17:43,280 Speaker 1: life because it's an awkward conversation for her too. Do 320 00:17:43,320 --> 00:17:44,879 Speaker 1: you think she wants someone who goes to her to 321 00:17:44,920 --> 00:17:46,239 Speaker 1: be like, hey, let me tell you why don't want 322 00:17:46,240 --> 00:17:47,600 Speaker 1: to go out with you anymore about in the day? 323 00:17:47,800 --> 00:17:50,800 Speaker 1: Of course not. You just avoid it, do you think? 324 00:17:51,000 --> 00:17:53,000 Speaker 1: I mean? Yeah, I think that that's smart. Talk to 325 00:17:53,040 --> 00:17:56,680 Speaker 1: the wife about it and then avoid it. But if 326 00:17:56,720 --> 00:18:00,920 Speaker 1: your kid gets started treated differently because of things, then 327 00:18:00,960 --> 00:18:03,040 Speaker 1: you might have to go to the principle until the 328 00:18:03,040 --> 00:18:07,119 Speaker 1: principle what happened? Yeah, can you imagine? I tell you, 329 00:18:07,240 --> 00:18:10,240 Speaker 1: I just play this clip back for the principal Paul 330 00:18:10,359 --> 00:18:16,240 Speaker 1: quote unquote. That was Bobbies mail bad. On my music 331 00:18:16,320 --> 00:18:18,840 Speaker 1: podcast today called the Bobby Cast, there's a new episode up. 332 00:18:18,840 --> 00:18:21,240 Speaker 1: We talked to Kevin Griffin, the lead singer of Better 333 00:18:21,280 --> 00:18:24,480 Speaker 1: Than Ezra. Their song good is twenty five years old. 334 00:18:24,520 --> 00:18:26,679 Speaker 1: It was a number one song back in the day. Also, 335 00:18:26,760 --> 00:18:28,879 Speaker 1: we did song wars. We put up two songs with 336 00:18:28,920 --> 00:18:31,680 Speaker 1: the same name. It picked which one was better, for example, crazy, 337 00:18:31,920 --> 00:18:34,560 Speaker 1: Did you like the Narls Barkley version better or the 338 00:18:34,640 --> 00:18:37,400 Speaker 1: Patsy Klein version? You know, does that make me crazy 339 00:18:37,880 --> 00:18:42,000 Speaker 1: or crazy? So check it out. It's my podcast called 340 00:18:42,000 --> 00:18:43,960 Speaker 1: the Bobby Cast. We talk about new music that comes 341 00:18:43,960 --> 00:18:46,160 Speaker 1: out every week. I hope you check that out after 342 00:18:46,200 --> 00:18:50,040 Speaker 1: you listen to the show on my podcast today, the 343 00:18:50,119 --> 00:18:53,400 Speaker 1: music podcast I do called the Bobby Cast. We have 344 00:18:54,200 --> 00:18:56,399 Speaker 1: two songs that were named the same thing, and we 345 00:18:56,480 --> 00:18:58,680 Speaker 1: pick which one we liked the most. Crazy. For example, 346 00:18:58,760 --> 00:19:03,879 Speaker 1: Narls Barkley may be crazy or Patsy Klein crazy. But 347 00:19:03,920 --> 00:19:05,240 Speaker 1: there's a lot of songs at the same title. We 348 00:19:05,280 --> 00:19:07,919 Speaker 1: kind of debate which one's the best. Also, Kevin Griffin 349 00:19:07,960 --> 00:19:09,920 Speaker 1: from Better Than Ezra's on too, So it's really cool 350 00:19:09,920 --> 00:19:14,600 Speaker 1: twenty five years after having good hit number one, you're 351 00:19:14,640 --> 00:19:17,879 Speaker 1: Samy's pile of stories. So Matt Stell was recently in 352 00:19:18,040 --> 00:19:21,639 Speaker 1: Vegas to celebrate a friend's tenth wedding anniversary, and I 353 00:19:21,680 --> 00:19:24,840 Speaker 1: guess part of the trip and the party was a 354 00:19:24,920 --> 00:19:28,680 Speaker 1: tattoo artist was on hand inking people there, and so 355 00:19:28,760 --> 00:19:32,640 Speaker 1: he'd always been thinking about getting a Galileo quote, and 356 00:19:32,720 --> 00:19:36,000 Speaker 1: yet it moves. So he did it. And it looks 357 00:19:36,080 --> 00:19:39,800 Speaker 1: like it's in a different language because it says be 358 00:19:40,040 --> 00:19:45,200 Speaker 1: per see movie Galileo was what was he Spanish? I 359 00:19:45,240 --> 00:19:49,480 Speaker 1: would assume that was maybe Latin? Yeah, because it sound 360 00:19:51,200 --> 00:19:53,720 Speaker 1: like we have any idea, we're breaking it down. I 361 00:19:53,760 --> 00:19:57,000 Speaker 1: can't believe you. I mean, I think galile was Italian, 362 00:19:57,040 --> 00:19:59,600 Speaker 1: So maybe Italian? Possibly, Yeah, Matt, Still, I think it's 363 00:19:59,600 --> 00:20:02,000 Speaker 1: coming over house on Sunday in our final basketball game 364 00:20:02,000 --> 00:20:04,240 Speaker 1: of the year. He played college basketball and the last 365 00:20:04,280 --> 00:20:06,040 Speaker 1: time he was gonna play with us I got sick. 366 00:20:06,600 --> 00:20:09,600 Speaker 1: So it won't be pretty. But he's gonna probably come 367 00:20:09,640 --> 00:20:11,080 Speaker 1: over Sunday and play with us, all right, what else? 368 00:20:11,560 --> 00:20:15,160 Speaker 1: So this guy proposed to a woman and she rejected him, 369 00:20:15,200 --> 00:20:17,080 Speaker 1: so he threw her down a well and she was 370 00:20:17,160 --> 00:20:19,679 Speaker 1: down there for three days. Oh she didn't die. She 371 00:20:19,760 --> 00:20:22,000 Speaker 1: did not die, of course not. I wouldn't put death 372 00:20:22,000 --> 00:20:26,520 Speaker 1: in the pile. Wow. But people heard her screaming, and 373 00:20:26,720 --> 00:20:29,840 Speaker 1: luckily they decided to figure out where the screaming was 374 00:20:29,920 --> 00:20:32,760 Speaker 1: coming from. They called the fire and rescue department. A 375 00:20:32,800 --> 00:20:35,800 Speaker 1: team of police, fire other emergency people had to show up. 376 00:20:35,800 --> 00:20:38,600 Speaker 1: They had to use a crane to rescue her. She 377 00:20:38,680 --> 00:20:41,439 Speaker 1: had fractured her hand during the fall. But police say 378 00:20:41,640 --> 00:20:44,360 Speaker 1: they're so lucky that she survived. And again it's all 379 00:20:44,400 --> 00:20:47,960 Speaker 1: because a man proposed to her and she said no, 380 00:20:48,720 --> 00:20:53,919 Speaker 1: well a punk. Yeah, what country is this? Indiana? I 381 00:20:53,960 --> 00:20:56,320 Speaker 1: mean not a country. I think America. I just said, 382 00:20:56,359 --> 00:21:00,399 Speaker 1: it sounds like something that these countries do. Oh it's India. Okay, 383 00:21:00,640 --> 00:21:04,560 Speaker 1: that's what I thought. I was like, that had been 384 00:21:04,640 --> 00:21:10,720 Speaker 1: national news and Britseason says in Indian and it's like, 385 00:21:10,760 --> 00:21:17,520 Speaker 1: I think Bloomington, Bloomington, Indiana. Okay, what else you got? Okay? 386 00:21:17,560 --> 00:21:20,240 Speaker 1: I saw this isn't being cool that funeral homes are doing. 387 00:21:20,280 --> 00:21:25,040 Speaker 1: They're offering up limo rides for older voters on election day. What. 388 00:21:25,320 --> 00:21:29,600 Speaker 1: It's the National Funeral Directors and Morticians Association that thought 389 00:21:29,680 --> 00:21:32,560 Speaker 1: up the idea, and they anticipate giving about three hundred 390 00:21:32,560 --> 00:21:35,280 Speaker 1: thousand people ages fifty five and older a lift that day. 391 00:21:35,560 --> 00:21:38,080 Speaker 1: Good for them, Yeah, cool. The vehicles will be cleaned 392 00:21:38,119 --> 00:21:41,159 Speaker 1: between rides and masks will be required, but they'll be 393 00:21:41,200 --> 00:21:43,240 Speaker 1: able to go vote. And they're trying to just do 394 00:21:43,280 --> 00:21:45,520 Speaker 1: their part. You guys saw the FBI director came out 395 00:21:46,320 --> 00:21:49,040 Speaker 1: night and a half ago and said, hey, Russia and 396 00:21:49,080 --> 00:21:51,119 Speaker 1: Iran had hacked in and they have a bunch of 397 00:21:51,160 --> 00:21:53,480 Speaker 1: voter information and they were sending threatening emails to people. 398 00:21:53,600 --> 00:21:56,280 Speaker 1: Oh boy, they were like, if you don't go vote 399 00:21:56,520 --> 00:21:59,159 Speaker 1: for I think in this since it was Trump, we're 400 00:21:59,160 --> 00:22:02,399 Speaker 1: gonna come and hurt you. Wow, that was the I's 401 00:22:03,040 --> 00:22:06,040 Speaker 1: It is nutty right now. The debate was last night. 402 00:22:06,040 --> 00:22:12,680 Speaker 1: It's just a nutties situation. Go vote, be safe. You 403 00:22:12,760 --> 00:22:15,199 Speaker 1: have one of those emails, can you tell people what 404 00:22:15,240 --> 00:22:18,679 Speaker 1: do you mean? Like they did? They say like, don't 405 00:22:19,080 --> 00:22:22,160 Speaker 1: don't go to the police or roll. They signed off 406 00:22:22,160 --> 00:22:24,320 Speaker 1: that they were the Proud Boys, that kind of white 407 00:22:24,320 --> 00:22:28,560 Speaker 1: supremacist group, But it was it wasn't. It was anyway, 408 00:22:29,040 --> 00:22:30,840 Speaker 1: the whole voting situation, Like, I'm just ready to get 409 00:22:30,880 --> 00:22:32,720 Speaker 1: through this. Probably gona take a couple of weeks after 410 00:22:32,920 --> 00:22:35,240 Speaker 1: the election night too to figure it out. This is 411 00:22:35,240 --> 00:22:36,720 Speaker 1: gonna be not a great time. So take care of 412 00:22:36,720 --> 00:22:39,439 Speaker 1: your mental health. That's what I'm gonna say here. Don't 413 00:22:40,160 --> 00:22:44,760 Speaker 1: immerse yourself an extreme amount because it will not be 414 00:22:44,800 --> 00:22:47,239 Speaker 1: good for you. I'm trying not to. Probably won't. All right, 415 00:22:47,240 --> 00:22:52,000 Speaker 1: is that that's my pile. That was Amy's pile of stories. 416 00:22:52,520 --> 00:22:59,800 Speaker 1: It's time for the good news. So a medical emergency 417 00:22:59,840 --> 00:23:02,480 Speaker 1: care came up, and this dad in California had no 418 00:23:02,520 --> 00:23:05,120 Speaker 1: one left to care for his two young children. And 419 00:23:05,160 --> 00:23:09,119 Speaker 1: that's when two San Diego police officers stepped in to 420 00:23:09,240 --> 00:23:12,040 Speaker 1: save the day. They actually responded to the dad's call 421 00:23:12,080 --> 00:23:14,119 Speaker 1: for help when he was taken to the hospital, and 422 00:23:14,160 --> 00:23:17,960 Speaker 1: then they stayed behind to babysit his two year old 423 00:23:17,960 --> 00:23:20,040 Speaker 1: and four year old daughters for a couple of hours. 424 00:23:21,000 --> 00:23:24,480 Speaker 1: That's extra help, I know. That's that's great. That's what 425 00:23:24,560 --> 00:23:27,320 Speaker 1: it's all about. Right there. That was tell me something 426 00:23:27,359 --> 00:23:32,520 Speaker 1: good in studio with Luke Combs in about twenty minutes. 427 00:23:33,080 --> 00:23:36,040 Speaker 1: He's got some guitars. He's gonna play some songs we 428 00:23:36,119 --> 00:23:38,919 Speaker 1: always love when Luke Combs comes by his deluxe album. 429 00:23:39,160 --> 00:23:41,040 Speaker 1: The deluxe version of his album is out today, five 430 00:23:41,080 --> 00:23:42,960 Speaker 1: new songs. So we hang out with Luke Combs in 431 00:23:43,000 --> 00:23:45,160 Speaker 1: just a little bit over to Amy. Now though, let's 432 00:23:45,200 --> 00:23:51,800 Speaker 1: do the morning Corny Morning corny do witches put on 433 00:23:51,960 --> 00:23:55,520 Speaker 1: every morning? What do witches put on every morning? Mass 434 00:23:55,640 --> 00:24:08,800 Speaker 1: Gara asked Sara. Sara, Sara, Yeah, okay, what Yeah, Thatscara. 435 00:24:12,200 --> 00:24:16,320 Speaker 1: Here is a voicemailt left from Hayden in Spring Film Missouri. Hey, 436 00:24:16,400 --> 00:24:18,639 Speaker 1: I just called in. I heard Morgan number two was 437 00:24:18,680 --> 00:24:20,639 Speaker 1: supposed to be getting the podcast and I was just 438 00:24:20,680 --> 00:24:23,520 Speaker 1: wondering if we could get an update on when that is. 439 00:24:23,600 --> 00:24:27,040 Speaker 1: I'm really excited Big Fanny and Morgan number two. Um 440 00:24:27,200 --> 00:24:29,000 Speaker 1: just I love you guys. You guys help me get 441 00:24:29,040 --> 00:24:31,119 Speaker 1: through every day and listen to you every day and 442 00:24:31,320 --> 00:24:35,080 Speaker 1: thank you bye. He's a big fan. Thank you. So 443 00:24:35,280 --> 00:24:38,600 Speaker 1: this weekend we're kicking off the Best Bits of the 444 00:24:38,640 --> 00:24:42,040 Speaker 1: week show with Morgan number two and on this podcast 445 00:24:42,080 --> 00:24:44,719 Speaker 1: not only counting playing back to the best bits. How 446 00:24:44,720 --> 00:24:46,439 Speaker 1: do you, by the way, do you find those like? 447 00:24:46,680 --> 00:24:49,200 Speaker 1: Based on all the engagement we get on social media, 448 00:24:49,240 --> 00:24:52,159 Speaker 1: I'll determine which ones people are the most interested in, okay, 449 00:24:52,200 --> 00:24:55,280 Speaker 1: and then what's your role on this I'll basically hosted, 450 00:24:55,400 --> 00:24:57,199 Speaker 1: just kind of count it down, kind of like you 451 00:24:57,240 --> 00:24:59,680 Speaker 1: do the Country Top thirty with songs, but instead of songs, 452 00:24:59,720 --> 00:25:01,760 Speaker 1: it's the big bits of the show and behind the 453 00:25:01,760 --> 00:25:05,040 Speaker 1: scenes stuff. Yeah. So if there's a segment that's really 454 00:25:05,800 --> 00:25:08,200 Speaker 1: interesting and I'm like, there's probably some stuff there that 455 00:25:08,240 --> 00:25:09,680 Speaker 1: we didn't get to talk about on the show, I'll 456 00:25:09,720 --> 00:25:12,280 Speaker 1: bring that person on and they can tell the other 457 00:25:12,320 --> 00:25:14,760 Speaker 1: side of the story, kind of the best bits of 458 00:25:14,800 --> 00:25:17,680 Speaker 1: the week show. We'll be launching this weekend on Saturday. 459 00:25:17,720 --> 00:25:20,760 Speaker 1: Every Saturday, fun so check it out. Morgan number two 460 00:25:20,840 --> 00:25:24,040 Speaker 1: is hosting that. I've almost had your kids for three 461 00:25:24,119 --> 00:25:26,720 Speaker 1: years now, huh. I know, and it's crazy. I can't 462 00:25:26,760 --> 00:25:28,919 Speaker 1: believe it. But I got an email reminder from our 463 00:25:28,920 --> 00:25:32,760 Speaker 1: adoption agency that our thirty six month review is due 464 00:25:33,160 --> 00:25:36,600 Speaker 1: and we need to start compiling our photos and drafting 465 00:25:36,600 --> 00:25:39,520 Speaker 1: our report to submit to them. How important is this review? 466 00:25:40,000 --> 00:25:41,879 Speaker 1: They do them every year. I think I think the 467 00:25:42,040 --> 00:25:44,000 Speaker 1: three year might be the final one. They don't do 468 00:25:44,080 --> 00:25:48,760 Speaker 1: it every year for the rest of their lives. But yeah, 469 00:25:48,840 --> 00:25:50,719 Speaker 1: we've done it every year since we've had them. If 470 00:25:50,760 --> 00:25:54,119 Speaker 1: you bombed out, will they take the kids back? I 471 00:25:54,160 --> 00:25:55,760 Speaker 1: don't know how honest do we have to be? I 472 00:25:55,760 --> 00:26:00,920 Speaker 1: hope not talking to me, you're talking to them. No. 473 00:26:01,040 --> 00:26:03,199 Speaker 1: I think it's fine. They just want to an update. 474 00:26:03,200 --> 00:26:04,800 Speaker 1: They look forward to it. I think it's just for 475 00:26:04,840 --> 00:26:07,840 Speaker 1: their records, to make sure everybody's healthy and doing good. 476 00:26:07,960 --> 00:26:10,919 Speaker 1: Three years has flown by. Alan. When you came from 477 00:26:11,000 --> 00:26:13,200 Speaker 1: Haiti to the airpoint, we were all waiting on you. Yeah, 478 00:26:13,280 --> 00:26:15,880 Speaker 1: as wild Stashia was only ten years old, and now 479 00:26:15,880 --> 00:26:19,639 Speaker 1: I look at her and she's like a woman. It's crazy. 480 00:26:19,800 --> 00:26:22,800 Speaker 1: And Eddie is about to hopefully well, I don't know. 481 00:26:22,840 --> 00:26:24,560 Speaker 1: We kind of got a little set back. We found 482 00:26:24,560 --> 00:26:27,520 Speaker 1: out a couple of days ago that they've scheduled the 483 00:26:27,760 --> 00:26:32,359 Speaker 1: termination trial date. This is just the date to say that, 484 00:26:32,400 --> 00:26:34,800 Speaker 1: all right, we've reviewed all the documents and the parents 485 00:26:34,800 --> 00:26:36,720 Speaker 1: have terminated their rights and now they can move forward 486 00:26:36,760 --> 00:26:38,680 Speaker 1: with adoption. And they're not going to do that till 487 00:26:38,680 --> 00:26:41,880 Speaker 1: ten months from now. So it's a bad deal, man. 488 00:26:41,960 --> 00:26:43,639 Speaker 1: We were really looking forward to doing it a lot 489 00:26:43,720 --> 00:26:46,920 Speaker 1: quicker than that. And it's just tough, right, both foster 490 00:26:47,000 --> 00:26:52,439 Speaker 1: goods both Yeah, I know. So that's where we're at 491 00:26:52,480 --> 00:26:56,040 Speaker 1: with that. Why so late COVID backed up a lot, 492 00:26:57,560 --> 00:26:59,880 Speaker 1: but they I guess the state just wants to give 493 00:27:00,320 --> 00:27:04,120 Speaker 1: parents as much time as they can have to prove 494 00:27:04,200 --> 00:27:06,720 Speaker 1: that they were able to get their kids back before 495 00:27:06,760 --> 00:27:09,239 Speaker 1: it's final. But that's tough for the kids. Man. You 496 00:27:09,240 --> 00:27:10,840 Speaker 1: think about the kids and what they have to go through. 497 00:27:10,880 --> 00:27:13,359 Speaker 1: It's it's it's a lot of time because the baby 498 00:27:13,400 --> 00:27:15,800 Speaker 1: you guys have has only known you guys. The baby 499 00:27:15,840 --> 00:27:19,520 Speaker 1: I'm sure considers us his only parents, like he's met 500 00:27:19,560 --> 00:27:21,920 Speaker 1: no one else but us since the day he was born. 501 00:27:22,800 --> 00:27:25,399 Speaker 1: The older one, though, you know, like he's still in limbo. 502 00:27:25,600 --> 00:27:29,520 Speaker 1: He asks a lot, Hey, what's happening with me? How 503 00:27:29,600 --> 00:27:31,159 Speaker 1: much longer am I going to be here? That's a 504 00:27:31,160 --> 00:27:34,200 Speaker 1: hard question to answer. Wow, what do you say? You're 505 00:27:34,240 --> 00:27:36,080 Speaker 1: gonna be here as long as you need to be, 506 00:27:36,680 --> 00:27:39,679 Speaker 1: Like this is your home. So we keep telling him. 507 00:27:39,720 --> 00:27:41,159 Speaker 1: He's like okay, and I think that's good enough for 508 00:27:41,240 --> 00:27:44,040 Speaker 1: him at the moment, but he still wonders, like, what's happening? 509 00:27:44,280 --> 00:27:48,320 Speaker 1: Something's not right? And oh, yeah, what's happening? Well that stinks, 510 00:27:48,440 --> 00:27:53,800 Speaker 1: yeah it does. So just I mean, we are awesome Eddie, though, 511 00:27:53,960 --> 00:27:56,800 Speaker 1: like you just keep loving them through this, Like that's 512 00:27:56,840 --> 00:27:59,920 Speaker 1: hard for everybody all around. It reminds me a lot 513 00:28:00,080 --> 00:28:02,040 Speaker 1: what Amy went through, you know, with just the adoption 514 00:28:02,080 --> 00:28:04,440 Speaker 1: process and waiting and waiting and then like oh, you 515 00:28:04,480 --> 00:28:06,199 Speaker 1: get told this date and you get excited, and then 516 00:28:06,240 --> 00:28:08,800 Speaker 1: it's like no, they pushed it back another day. And 517 00:28:08,800 --> 00:28:10,720 Speaker 1: and I'm like tempted to be like Amy, like let's 518 00:28:10,720 --> 00:28:14,320 Speaker 1: call governors, like let's call everyone we know to try 519 00:28:14,359 --> 00:28:17,280 Speaker 1: to get this thing, you know, do it right? Well? 520 00:28:17,320 --> 00:28:19,480 Speaker 1: I mean sometimes that, honestly might be what it takes 521 00:28:19,600 --> 00:28:24,600 Speaker 1: is writing senators and congress people and just seeing anybody 522 00:28:24,640 --> 00:28:26,760 Speaker 1: that could help. Our listeners are amazing. They would send 523 00:28:26,800 --> 00:28:28,600 Speaker 1: me different people, and I would draft a letter and 524 00:28:28,640 --> 00:28:30,360 Speaker 1: send a lot of them I never heard back from. 525 00:28:30,440 --> 00:28:32,840 Speaker 1: And then some people I would hear back from, so Hey, 526 00:28:32,960 --> 00:28:37,480 Speaker 1: you never know. Tweet Trump, Yeah, he's always on Twitter. 527 00:28:39,400 --> 00:28:42,040 Speaker 1: Do it late night, all right, We'll come back. The 528 00:28:42,160 --> 00:28:46,480 Speaker 1: Friday morning conversation with Luke Combs. Are you a man? Good? 529 00:28:46,520 --> 00:28:48,600 Speaker 1: How are you good? To see you? Likewise, you know 530 00:28:48,640 --> 00:28:50,880 Speaker 1: you have nine number ones. Now I feel like if 531 00:28:50,960 --> 00:28:53,480 Speaker 1: I'm in the car for fifteen minutes, I'm for sure 532 00:28:53,480 --> 00:28:55,560 Speaker 1: going to get a couple of Luke Coombs songs. I 533 00:28:55,560 --> 00:28:57,760 Speaker 1: think so when you're driving, if you're in the car 534 00:28:57,840 --> 00:29:01,000 Speaker 1: and the Lukecombs song comes on yourself, obviously, do you 535 00:29:01,120 --> 00:29:04,600 Speaker 1: change the station or do you turn it? Yeah, it's 536 00:29:04,640 --> 00:29:07,280 Speaker 1: just weird. It's just weird. Yeah, I know, talent wrong, Yeah, 537 00:29:07,280 --> 00:29:10,080 Speaker 1: it's just weird. I don't know to listen to yourself. 538 00:29:10,080 --> 00:29:13,000 Speaker 1: I mean, I just by the time something is out 539 00:29:13,080 --> 00:29:15,040 Speaker 1: and then by the time it's on the radio, I've 540 00:29:15,040 --> 00:29:18,880 Speaker 1: heard it so many times. Do you ever hear something 541 00:29:18,960 --> 00:29:21,920 Speaker 1: new though, when you're hearing it on the radio, like, oh, 542 00:29:21,960 --> 00:29:24,800 Speaker 1: I didn't know that was mixed like that? Or definitely 543 00:29:24,840 --> 00:29:27,520 Speaker 1: not no, because you listen to it so many now, Yeah, yeah, 544 00:29:27,640 --> 00:29:30,320 Speaker 1: definitely not. You've added five new songs. By the way, 545 00:29:30,360 --> 00:29:33,440 Speaker 1: Luke Holmbs is here because the deluxe albums out. If 546 00:29:33,480 --> 00:29:35,800 Speaker 1: you would have added all the songs that you'd written 547 00:29:35,920 --> 00:29:38,520 Speaker 1: during the last five or six months during the pandemic, 548 00:29:38,520 --> 00:29:40,320 Speaker 1: if you'd added all of them, how many tracks would 549 00:29:40,320 --> 00:29:44,040 Speaker 1: be on that thing, probably forty forty or fifty. What 550 00:29:44,120 --> 00:29:45,920 Speaker 1: do you do with these songs that you don't end 551 00:29:46,000 --> 00:29:49,120 Speaker 1: up cutting. I hope that no one hears them because 552 00:29:49,120 --> 00:29:51,640 Speaker 1: they're not good really if they didn't get cut. I 553 00:29:51,680 --> 00:29:53,320 Speaker 1: mean there, but you don't there aren't some of them 554 00:29:53,360 --> 00:29:55,160 Speaker 1: where you're going this just isn't for me right now. 555 00:29:55,200 --> 00:29:57,200 Speaker 1: But maybe this artist would like it. No, there is 556 00:29:57,200 --> 00:29:59,080 Speaker 1: a lot of that. But I think there's like a 557 00:29:59,280 --> 00:30:01,920 Speaker 1: there can be a stigma in town a little bit 558 00:30:01,960 --> 00:30:05,479 Speaker 1: with so for example, I can only put out you know, 559 00:30:05,520 --> 00:30:09,640 Speaker 1: so many songs, however and however amount of time. So 560 00:30:09,720 --> 00:30:12,840 Speaker 1: then if another artist were to hear this song and 561 00:30:12,880 --> 00:30:15,400 Speaker 1: they go, man, I really like that song, and then 562 00:30:15,400 --> 00:30:17,960 Speaker 1: they see that my name's on it, or whoever artist's 563 00:30:18,040 --> 00:30:19,880 Speaker 1: name is on it, they would go, well, and why 564 00:30:19,880 --> 00:30:23,040 Speaker 1: didn't that guy cut it? If it's so good? But really, 565 00:30:23,040 --> 00:30:26,440 Speaker 1: it's just impossible to put out as many good songs 566 00:30:26,480 --> 00:30:28,680 Speaker 1: as you could write because you would never be able 567 00:30:28,680 --> 00:30:31,000 Speaker 1: to you know, you wouldn't be able to promo stuff 568 00:30:31,040 --> 00:30:34,440 Speaker 1: correctly and have it be in the spotlight long enough. 569 00:30:34,920 --> 00:30:36,800 Speaker 1: So I think there is a stigma to that, Like 570 00:30:36,840 --> 00:30:38,719 Speaker 1: if you see another artist's name on it, you go, well, 571 00:30:38,760 --> 00:30:40,960 Speaker 1: if he didn't cut it, then it must not be 572 00:30:41,040 --> 00:30:43,400 Speaker 1: that good. So even if you really like it, you're 573 00:30:43,440 --> 00:30:45,280 Speaker 1: kind of thinking to yourself, well, what's wrong with it? 574 00:30:46,040 --> 00:30:47,880 Speaker 1: If that guy. If it was really great, he would 575 00:30:47,880 --> 00:30:51,080 Speaker 1: have cut it. Would you ever use a pseudonym, a 576 00:30:51,240 --> 00:30:54,360 Speaker 1: different name if you weren't gonna use for yourself and go? 577 00:30:54,400 --> 00:30:58,080 Speaker 1: You know what I think is gonna I think maybe 578 00:30:58,200 --> 00:31:01,680 Speaker 1: already do that. I couldn't say, No, I couldn't, you know, legally, 579 00:31:01,720 --> 00:31:03,440 Speaker 1: couldn't say if I already do that. All I know 580 00:31:03,520 --> 00:31:05,000 Speaker 1: is that he got slapped on the leg. I want 581 00:31:05,040 --> 00:31:09,800 Speaker 1: to ask that question. Yeah, so no, I think that's 582 00:31:09,800 --> 00:31:13,240 Speaker 1: a good idea. But any riders out there, that's a 583 00:31:13,280 --> 00:31:15,360 Speaker 1: good idea to do, I should do that. You had 584 00:31:15,360 --> 00:31:17,720 Speaker 1: to change wedding venues a week before your wedding, yep. 585 00:31:17,880 --> 00:31:19,440 Speaker 1: If you had to offer someone a piece of advice 586 00:31:19,480 --> 00:31:23,400 Speaker 1: because Raymundo's wedding is tomorrow, our producer, Oh nice, Yeah, 587 00:31:23,400 --> 00:31:26,320 Speaker 1: what what is your piece of advice? Just do it? 588 00:31:26,640 --> 00:31:29,000 Speaker 1: Just go. It doesn't matter. I mean, as long as 589 00:31:29,080 --> 00:31:31,480 Speaker 1: the two of you are there, it's that's really it, 590 00:31:31,760 --> 00:31:33,880 Speaker 1: you know. I mean it was nice. You know, we 591 00:31:33,960 --> 00:31:36,320 Speaker 1: had we had a small group of our family and 592 00:31:36,360 --> 00:31:38,200 Speaker 1: friends there, so that was still really great to have 593 00:31:38,320 --> 00:31:42,760 Speaker 1: them there. And um, it wasn't the big gigantic thing 594 00:31:42,800 --> 00:31:44,880 Speaker 1: that we thought it was going to be. But it 595 00:31:44,960 --> 00:31:47,760 Speaker 1: kind of ended up being even better. I think the 596 00:31:47,760 --> 00:31:50,200 Speaker 1: way that we did it. Is there a difference with 597 00:31:50,240 --> 00:31:52,920 Speaker 1: you and Nicole's relationships since you've been married. Is there 598 00:31:52,960 --> 00:31:56,080 Speaker 1: a different feeling about it? I think so, yeah, a 599 00:31:56,160 --> 00:31:59,200 Speaker 1: little bit like he kind of have that you just 600 00:31:59,280 --> 00:32:02,200 Speaker 1: I don't know, it's like a it's like a comforting thing, 601 00:32:03,240 --> 00:32:05,920 Speaker 1: you know, I don't know, like regardless of what happens, 602 00:32:06,280 --> 00:32:08,720 Speaker 1: right like we're there, we're in it together right for 603 00:32:08,880 --> 00:32:11,800 Speaker 1: you know, there's that feeling, um, which is really nice. 604 00:32:11,840 --> 00:32:13,800 Speaker 1: It's been, it's been great, and it's it's been a 605 00:32:13,840 --> 00:32:15,960 Speaker 1: blessing in disguise to have this much, you know, time 606 00:32:16,000 --> 00:32:18,800 Speaker 1: away from the road and stuff to to you know, 607 00:32:18,880 --> 00:32:20,640 Speaker 1: really kind of dig into that part of our lives. 608 00:32:20,640 --> 00:32:22,760 Speaker 1: So it's been it's been awesome. I was watching your 609 00:32:22,760 --> 00:32:25,800 Speaker 1: Twitter and you had posted, um, the name's gonna slip 610 00:32:25,840 --> 00:32:27,200 Speaker 1: my mind, but it was like lonely in a hotel 611 00:32:27,280 --> 00:32:29,960 Speaker 1: room or sleep us in a hotel room. I saw 612 00:32:30,000 --> 00:32:33,800 Speaker 1: you playing that, and it's not on your record. So 613 00:32:33,840 --> 00:32:37,520 Speaker 1: you're releasing new songs ahead of the new songs you're releasing, 614 00:32:38,880 --> 00:32:41,440 Speaker 1: it's it's coming from all directions here. Yeah, when you're 615 00:32:41,480 --> 00:32:43,400 Speaker 1: when you have something you're gonna put out. You're like, hey, 616 00:32:43,400 --> 00:32:45,440 Speaker 1: I'm just putting out as much as I can period 617 00:32:45,480 --> 00:32:48,040 Speaker 1: for my fans. Yeah, and I think, you know, I 618 00:32:48,080 --> 00:32:51,920 Speaker 1: think that one especially, I was in LA when I 619 00:32:51,960 --> 00:32:54,160 Speaker 1: put that up. I was for the Billboard Arts and 620 00:32:54,200 --> 00:32:56,800 Speaker 1: so it was like I was just in a hotel 621 00:32:56,920 --> 00:32:59,440 Speaker 1: room kind of like we can't go anywhere. I mean, 622 00:32:59,600 --> 00:33:02,160 Speaker 1: LA's like super lockdown. And so I had written that 623 00:33:02,160 --> 00:33:05,760 Speaker 1: song previously, like in maybe in January or something of 624 00:33:05,840 --> 00:33:07,920 Speaker 1: this year, and then I was like, oh, yeah, I 625 00:33:07,920 --> 00:33:10,000 Speaker 1: have a song about this, So I just put it. 626 00:33:10,080 --> 00:33:13,560 Speaker 1: I mean there was no ulterior motive. Watched it the 627 00:33:13,560 --> 00:33:17,840 Speaker 1: Billboards and you know, now you're on these multi format 628 00:33:17,840 --> 00:33:20,120 Speaker 1: shows and they are artists from all over the place 629 00:33:20,200 --> 00:33:22,000 Speaker 1: to do all kinds of music. Any of the artists 630 00:33:22,040 --> 00:33:23,280 Speaker 1: come up to you and go, hey, man, I know 631 00:33:23,320 --> 00:33:25,360 Speaker 1: I'm not, you know, a country music fan really, but 632 00:33:25,400 --> 00:33:28,360 Speaker 1: I love your music. I mean definitely not. At that one, 633 00:33:28,520 --> 00:33:31,440 Speaker 1: it was like I don't even think I saw another artist. 634 00:33:31,800 --> 00:33:34,600 Speaker 1: Because of the pandemic. They killed everybody apart, Yeah, and 635 00:33:34,680 --> 00:33:36,560 Speaker 1: they did. I mean it was like I literally didn't 636 00:33:36,560 --> 00:33:40,480 Speaker 1: see another artist at all. I think I saw Jimmy 637 00:33:40,480 --> 00:33:43,680 Speaker 1: Butler on TikTok listening to your music. Yeah. Yeah, Jimmy 638 00:33:43,680 --> 00:33:46,200 Speaker 1: Butler is awesome. Man, He's a great dude. Yeah. I 639 00:33:46,240 --> 00:33:48,400 Speaker 1: was watching him on a boat and he was singing 640 00:33:48,400 --> 00:33:51,880 Speaker 1: along to your song and on like a pontoon boat. Yeah, 641 00:33:51,920 --> 00:33:54,120 Speaker 1: And I was like, I was like, that's awesome. You know, 642 00:33:54,200 --> 00:33:56,120 Speaker 1: Jimmy Butler plays for Miami Amy. By the way, I 643 00:33:56,160 --> 00:33:59,000 Speaker 1: was about to ask, you know, Jimmy Butler, Yeah, that's great. 644 00:33:59,040 --> 00:34:02,240 Speaker 1: Did you root for him? Oh? Of course, yeah, yeah 645 00:34:02,240 --> 00:34:04,680 Speaker 1: I was. I think I sent him a good text 646 00:34:05,200 --> 00:34:09,320 Speaker 1: before before the series started. I saw your TikTok where 647 00:34:09,040 --> 00:34:11,480 Speaker 1: you were like where it started and where it is now, 648 00:34:11,480 --> 00:34:12,880 Speaker 1: and you were playing in a club. I think you 649 00:34:12,920 --> 00:34:15,560 Speaker 1: were singing Hurricane and it was some old club footage. 650 00:34:15,560 --> 00:34:16,640 Speaker 1: And then where it is now and it was you 651 00:34:16,719 --> 00:34:19,520 Speaker 1: in an arena. Does it feel like that's just been 652 00:34:19,640 --> 00:34:22,360 Speaker 1: such a runaway train or does it feel like it 653 00:34:22,360 --> 00:34:25,759 Speaker 1: took forever? I think a little bit of both, you know, 654 00:34:26,880 --> 00:34:28,680 Speaker 1: I think it was in a lot of ways. It 655 00:34:28,719 --> 00:34:31,640 Speaker 1: was like, man, that feels like two lifetimes ago because 656 00:34:31,680 --> 00:34:34,279 Speaker 1: we've done so much in that amount of time. But 657 00:34:34,400 --> 00:34:36,680 Speaker 1: then you know, I'll be talking with these guys and 658 00:34:36,680 --> 00:34:39,080 Speaker 1: we'll be talking about something and they're like, you know, 659 00:34:39,120 --> 00:34:42,120 Speaker 1: that was like two years ago, and I'm like, man, 660 00:34:42,239 --> 00:34:44,440 Speaker 1: it feels like it was ten years ago. You know. 661 00:34:44,760 --> 00:34:46,440 Speaker 1: I don't know. It's just a lot has happened in 662 00:34:46,440 --> 00:34:48,960 Speaker 1: such a small amount of time that it's all just 663 00:34:49,080 --> 00:34:53,040 Speaker 1: really jam packed in there. When you were playing clubs, 664 00:34:53,120 --> 00:34:57,160 Speaker 1: even before you came to Nashville full time, what was 665 00:34:57,280 --> 00:35:01,759 Speaker 1: best case scenario that you could see for yourself. I 666 00:35:01,800 --> 00:35:03,520 Speaker 1: don't know what it was gonna be. I mean, I 667 00:35:03,560 --> 00:35:05,799 Speaker 1: think anything would have been fine, as long as I 668 00:35:05,800 --> 00:35:09,400 Speaker 1: could could have made a living doing music in some capacity, 669 00:35:09,440 --> 00:35:13,200 Speaker 1: whether that was being like a full time staff right 670 00:35:13,320 --> 00:35:17,480 Speaker 1: or somewhere, or I don't know, being a demo singer 671 00:35:17,560 --> 00:35:20,399 Speaker 1: would have been cool. I mean really, anything to like 672 00:35:20,960 --> 00:35:23,520 Speaker 1: not have to like do the grind, like the forty 673 00:35:23,560 --> 00:35:26,200 Speaker 1: hour week thing, I would have been cool with. I think, 674 00:35:26,400 --> 00:35:29,440 Speaker 1: did you, in any of your wildest dreams see this? No? 675 00:35:29,480 --> 00:35:31,560 Speaker 1: I don't think so. I mean I had a I 676 00:35:31,600 --> 00:35:34,040 Speaker 1: had a you know, I always was very confident in myself, 677 00:35:34,400 --> 00:35:37,440 Speaker 1: and I believed in myself. But it was never like 678 00:35:37,640 --> 00:35:41,919 Speaker 1: I think I'm gonna be doing setting records. Yeah No, no, 679 00:35:42,480 --> 00:35:44,280 Speaker 1: no chance, did I think that that was gonna happen. 680 00:35:44,360 --> 00:35:46,800 Speaker 1: But here we are, got nine number one's Hurricane first 681 00:35:46,880 --> 00:35:50,200 Speaker 1: in twenty sixteen, Loving on you your latest. We're gonna 682 00:35:50,200 --> 00:35:52,160 Speaker 1: come back in a second and do a little music, 683 00:35:52,200 --> 00:35:54,040 Speaker 1: but I do want to play. Let me play a 684 00:35:54,080 --> 00:35:56,480 Speaker 1: clip of Cold as You. This is from the deluxe 685 00:35:56,480 --> 00:36:05,839 Speaker 1: album Feel Like this was a fan that, like the 686 00:36:05,840 --> 00:36:08,759 Speaker 1: fans demanded this one. Did you feel that way? I 687 00:36:08,800 --> 00:36:11,719 Speaker 1: think that yeah? My uh, why did you guys look 688 00:36:11,719 --> 00:36:13,239 Speaker 1: at each other and laugh on this plate? We just 689 00:36:14,080 --> 00:36:15,520 Speaker 1: I was just I told him it was a jam. 690 00:36:15,560 --> 00:36:19,799 Speaker 1: He didn't write on it, so, oh that's funny. I'm 691 00:36:19,800 --> 00:36:25,600 Speaker 1: always like jam so so good. Yeah? Yeah, did you 692 00:36:25,640 --> 00:36:29,040 Speaker 1: feel like people were like you gotta cut that song? Um? 693 00:36:29,080 --> 00:36:31,600 Speaker 1: I think I just knew when I when I you know, 694 00:36:31,640 --> 00:36:33,400 Speaker 1: when we wrote it with me and Jonathan and Randy 695 00:36:33,400 --> 00:36:35,200 Speaker 1: wrote it, it was just kind of like, yeah, that's 696 00:36:35,200 --> 00:36:37,400 Speaker 1: gonna be on something. I didn't know what, you know, 697 00:36:37,520 --> 00:36:39,799 Speaker 1: if that would be this thing or the next thing. 698 00:36:39,840 --> 00:36:41,839 Speaker 1: I knew it would come out at some point. Here's 699 00:36:41,840 --> 00:36:52,920 Speaker 1: a clip of the other guy, see that. Did you 700 00:36:52,960 --> 00:36:56,759 Speaker 1: write on this one? You did? Okay? He made up 701 00:36:56,760 --> 00:37:00,920 Speaker 1: on that. Luke's gonna play this Luke, Colmbs is here, 702 00:37:01,040 --> 00:37:02,840 Speaker 1: but we're gonna play the new single first, This is 703 00:37:02,920 --> 00:37:05,759 Speaker 1: Better Together. Give me a line about this song. Tell 704 00:37:05,760 --> 00:37:08,319 Speaker 1: me I wrote this song a couple of years ago 705 00:37:08,360 --> 00:37:11,440 Speaker 1: and boone on a writer's retreat with my with my 706 00:37:11,480 --> 00:37:15,920 Speaker 1: buddies Dan and Rainy Montana, and um, it's kind of 707 00:37:15,920 --> 00:37:19,319 Speaker 1: a story about about about my wife, you know, just 708 00:37:19,440 --> 00:37:21,880 Speaker 1: kind of the way I was feeling that at the time. 709 00:37:21,920 --> 00:37:25,040 Speaker 1: And uh, I guess, I guess it's kind of part 710 00:37:25,040 --> 00:37:28,160 Speaker 1: of the story. I guess like beautiful crazy too, It's 711 00:37:28,200 --> 00:37:30,279 Speaker 1: like the next chapter in that story a little bit. 712 00:37:31,760 --> 00:37:34,440 Speaker 1: You have the most CMA nominations, Luke, for any artist. Oh, 713 00:37:34,440 --> 00:37:36,200 Speaker 1: I like that. You guys are aggressive with the songs. Here, 714 00:37:37,120 --> 00:37:41,120 Speaker 1: they're ready to go. I like the background music background. Okay, 715 00:37:41,280 --> 00:37:45,680 Speaker 1: hold them by, you know what, I'll save the questions. 716 00:37:45,760 --> 00:37:49,400 Speaker 1: Let's go, baby, Luke, Colms is here. Can we do 717 00:37:49,680 --> 00:37:59,320 Speaker 1: better together? Yeah? Just a little verse, of course. A 718 00:37:59,480 --> 00:38:04,560 Speaker 1: four h P. Johnson on a flat bottom metal boat, 719 00:38:06,719 --> 00:38:11,680 Speaker 1: cod cans and BB guns, bar wiring old fence posts 720 00:38:13,080 --> 00:38:20,160 Speaker 1: at point Bucks and autumn freshly cut corn field, one 721 00:38:20,400 --> 00:38:25,320 Speaker 1: arm out to win new and one hand on the wheels. 722 00:38:25,480 --> 00:38:32,600 Speaker 1: Somethings just go better together and probably always wheel like 723 00:38:32,760 --> 00:38:37,759 Speaker 1: a cup of coffee and a sunrise Sunday drives in 724 00:38:37,960 --> 00:38:42,880 Speaker 1: time to kill. What's the part of this old guitar 725 00:38:44,000 --> 00:38:49,160 Speaker 1: if it ain't gotten nough strings, a pouring your heart 726 00:38:49,239 --> 00:38:54,279 Speaker 1: and too song that you ain't gonna sing? It's a 727 00:38:54,480 --> 00:38:59,480 Speaker 1: match made up in heaven like you old boys and 728 00:38:59,680 --> 00:39:13,600 Speaker 1: b and me. You alright here nice Luke holmbs a 729 00:39:13,719 --> 00:39:15,839 Speaker 1: studio right now, here's a question I was gonna ask 730 00:39:15,880 --> 00:39:17,800 Speaker 1: for you guys. Came shoot fired out of a cannon, 731 00:39:18,120 --> 00:39:20,839 Speaker 1: which I respect. By the way, you have the most 732 00:39:20,880 --> 00:39:23,480 Speaker 1: CMA nominations for any artists with six. Now do you 733 00:39:23,520 --> 00:39:27,080 Speaker 1: have different You have six different speeches at home ready 734 00:39:27,120 --> 00:39:28,919 Speaker 1: to pull out? Does he get all pockets? You're gonna 735 00:39:28,920 --> 00:39:32,359 Speaker 1: have a speech? I have zero speeches. I've never pre 736 00:39:32,520 --> 00:39:35,960 Speaker 1: written a speech before. I think maybe it's like a 737 00:39:36,000 --> 00:39:39,280 Speaker 1: superstitious thing. Have you forgotten though while giving a speech 738 00:39:39,400 --> 00:39:42,359 Speaker 1: people that you were like son of a gun? I 739 00:39:42,400 --> 00:39:44,840 Speaker 1: think there's probably people out there who would tell you 740 00:39:44,880 --> 00:39:48,920 Speaker 1: that I have, but I have. Let's do another one 741 00:39:48,960 --> 00:39:51,680 Speaker 1: from the new music out today. Luke Holms is here. 742 00:39:51,800 --> 00:39:53,399 Speaker 1: How about Cold as you guys will do that one. 743 00:39:53,480 --> 00:40:12,520 Speaker 1: Let's do it w It's a junk tap joint off 744 00:40:12,520 --> 00:40:16,480 Speaker 1: a back group, a blinking wind sign with an air 745 00:40:16,760 --> 00:40:20,560 Speaker 1: rope of grabbing light, chock full of two box trucks 746 00:40:20,960 --> 00:40:25,880 Speaker 1: making their happy Harowey home, putting guys like me, lose 747 00:40:25,960 --> 00:40:30,800 Speaker 1: girls like you. That's where we run to. They got 748 00:40:30,920 --> 00:40:35,880 Speaker 1: whiskey river on the chin box, a hockey tom, saw dust, 749 00:40:36,080 --> 00:40:40,440 Speaker 1: dass flow, a knee out of five, a clock bro pot, 750 00:40:40,800 --> 00:40:44,040 Speaker 1: and plenty damn many when you want more of this 751 00:40:44,360 --> 00:40:48,920 Speaker 1: broke card book on an old barstool, drinking beer almost 752 00:40:49,080 --> 00:41:00,239 Speaker 1: as cold as you nice. Come on, lose this here. 753 00:41:00,640 --> 00:41:04,160 Speaker 1: That's awesome. It sounds great, man, it's you know, I 754 00:41:04,200 --> 00:41:06,560 Speaker 1: think you feel it. We don't hear it. I definitely 755 00:41:06,560 --> 00:41:09,319 Speaker 1: feel it. Yeah, sure, let's do one more. Luke Combs 756 00:41:09,400 --> 00:41:11,319 Speaker 1: is here, by the way, you guys be sure check 757 00:41:11,320 --> 00:41:12,640 Speaker 1: out the new music out today. I don't have to 758 00:41:12,680 --> 00:41:14,600 Speaker 1: tell you that you're probably gonna do it anyway, but 759 00:41:15,000 --> 00:41:17,400 Speaker 1: let's do loving on you vers and chorus of that. 760 00:41:17,600 --> 00:41:19,080 Speaker 1: You know what I like about it? I just I 761 00:41:19,280 --> 00:41:21,040 Speaker 1: love the intro to this. I tell you why a 762 00:41:21,080 --> 00:41:24,840 Speaker 1: person like it. It's long. That's that's everybody's zigging. You 763 00:41:25,000 --> 00:41:30,080 Speaker 1: zagged it comes in destructives and boo a lot. That's 764 00:41:30,239 --> 00:41:32,080 Speaker 1: my favorite part of the song because it's so different. 765 00:41:33,080 --> 00:41:34,600 Speaker 1: So I want to hear that intro. I'm like, oh, 766 00:41:34,600 --> 00:41:56,160 Speaker 1: this is good, Luke Combs loving on you. Why, don't 767 00:41:56,239 --> 00:42:00,280 Speaker 1: get me wrong. I like a barber on water again. 768 00:42:00,400 --> 00:42:04,600 Speaker 1: I'm in reeling a man. I like a Friday night 769 00:42:04,719 --> 00:42:09,920 Speaker 1: slew ride Brooks Enum beside here while I spend it again. 770 00:42:11,239 --> 00:42:15,399 Speaker 1: I like a strong shout of whiskeyathing wear Marborough hits 771 00:42:15,400 --> 00:42:20,280 Speaker 1: me some broken in cowboy boots. But I'm in loving 772 00:42:23,239 --> 00:42:30,840 Speaker 1: loving on you. I feel that a round as soon 773 00:42:30,920 --> 00:42:36,440 Speaker 1: as you walk in a room. I can't get enough 774 00:42:36,920 --> 00:42:40,920 Speaker 1: for your honey right on the money. I'm a junky 775 00:42:41,040 --> 00:42:48,719 Speaker 1: for your midnight moves. I'm in love loving on you. 776 00:42:52,000 --> 00:42:55,719 Speaker 1: Nice it is, you know if you're listening now and 777 00:42:55,760 --> 00:42:57,359 Speaker 1: you're like, man, that sounds so good. If you were 778 00:42:57,400 --> 00:42:59,239 Speaker 1: to separate the parts of that, like who is singing 779 00:42:59,280 --> 00:43:02,719 Speaker 1: the high harmony? Mean? Tyler? Tyler? Can you just do 780 00:43:02,800 --> 00:43:05,520 Speaker 1: the high harmony without the other guy do it? I 781 00:43:05,520 --> 00:43:08,360 Speaker 1: would like our listeners to hear just how good, just 782 00:43:08,440 --> 00:43:10,120 Speaker 1: to hear how good you are at this, but how 783 00:43:10,160 --> 00:43:13,160 Speaker 1: weird it sounds by itself? Okay, So if you don't mind, 784 00:43:13,239 --> 00:43:33,000 Speaker 1: go ahead, love feeling you, walking for you, honey on 785 00:43:33,000 --> 00:43:41,000 Speaker 1: the money, I'm a junky for you, midnight moves with 786 00:43:41,280 --> 00:43:45,279 Speaker 1: loving that great man. Now, hold on a second, it's 787 00:43:45,280 --> 00:43:47,239 Speaker 1: an old bitter. Now if you hop in and do 788 00:43:47,360 --> 00:43:50,560 Speaker 1: your you're because you're doing kind of a background vocal. 789 00:43:50,920 --> 00:43:58,000 Speaker 1: Who now without Luke? It just those two. This is 790 00:43:58,040 --> 00:44:00,960 Speaker 1: so hard. This is but if anyone can do it, it 791 00:44:00,880 --> 00:44:03,959 Speaker 1: it s he's a guy. That's true. That's true. Fired 792 00:44:04,080 --> 00:44:19,839 Speaker 1: one more time, love it all you walk in a room. 793 00:44:27,480 --> 00:44:37,080 Speaker 1: I'm gonna be for you midnight, love you. That's so cool, 794 00:44:38,280 --> 00:44:41,480 Speaker 1: so good. How do you decide which words you're gonna 795 00:44:41,520 --> 00:44:44,879 Speaker 1: fully do out and then not because obviously Luke's doing 796 00:44:44,920 --> 00:44:47,560 Speaker 1: all the words, and but then some of the words 797 00:44:47,640 --> 00:44:51,080 Speaker 1: y'all do fully and then other one's ud. So is 798 00:44:51,080 --> 00:44:53,600 Speaker 1: that just you feel it? You know, you attack certain 799 00:44:53,600 --> 00:44:56,680 Speaker 1: words or sometimes it's like a vale science. Sometimes it's 800 00:44:57,400 --> 00:44:59,160 Speaker 1: there's like a science to it. And there's some guys 801 00:44:59,160 --> 00:45:02,239 Speaker 1: in this town that do it. Oh other worldly. Well, 802 00:45:02,239 --> 00:45:04,400 Speaker 1: we just got a master class you guys doing that. 803 00:45:04,680 --> 00:45:06,400 Speaker 1: There's a vulnerability, do you guys having to break that 804 00:45:06,480 --> 00:45:09,200 Speaker 1: apart and to actually show that are so yeah, I 805 00:45:09,239 --> 00:45:11,920 Speaker 1: appreciate that. All Right, Luke Combs is here. We're gonna go. 806 00:45:12,160 --> 00:45:14,400 Speaker 1: We could do this all day. However, let me encourage 807 00:45:14,440 --> 00:45:16,040 Speaker 1: you guys to check out the new music Luke put 808 00:45:16,040 --> 00:45:18,239 Speaker 1: out today. It's got five new songs for you. You 809 00:45:18,320 --> 00:45:20,400 Speaker 1: probably already are. You're probably not even listening to us 810 00:45:20,480 --> 00:45:21,960 Speaker 1: right now because you're listening to it. So how would 811 00:45:22,000 --> 00:45:24,200 Speaker 1: you even hear me say this? That's that's the question. 812 00:45:24,400 --> 00:45:27,000 Speaker 1: All Right, there is Luke Combs. So you guys, thank you. 813 00:45:30,040 --> 00:45:37,200 Speaker 1: It's time for the good news. You guys are familiar 814 00:45:37,200 --> 00:45:39,880 Speaker 1: with the shoe company Salconi. Yeah, they have some new 815 00:45:39,880 --> 00:45:42,120 Speaker 1: designers working for them for a good cause. The Athletic 816 00:45:42,160 --> 00:45:45,320 Speaker 1: Shoe Company has teamed up with the Boston Children's Hospital 817 00:45:45,360 --> 00:45:48,239 Speaker 1: for as Shoes with Soul campaign. They've asked six young 818 00:45:48,280 --> 00:45:50,880 Speaker 1: patients the hospital to create their own designs for footwear 819 00:45:51,080 --> 00:45:53,000 Speaker 1: that will be sold to raise money and awareness for 820 00:45:53,080 --> 00:45:55,840 Speaker 1: work being done at Boston Children's Hospital. Instead of asking 821 00:45:55,880 --> 00:45:57,880 Speaker 1: for donations, a company also wanted to give some of 822 00:45:57,880 --> 00:45:59,839 Speaker 1: the young patients at the hospital a chance to share 823 00:45:59,840 --> 00:46:03,279 Speaker 1: their stories and talents. Proceeds from the shoe sales will 824 00:46:03,320 --> 00:46:06,920 Speaker 1: go to Boston Children's Hospital Cardiac Fitness program, which encourages 825 00:46:07,000 --> 00:46:09,960 Speaker 1: kids to find your possible So love what they're doing. 826 00:46:10,480 --> 00:46:13,359 Speaker 1: These are some really great shoes. You know, sometimes when 827 00:46:13,440 --> 00:46:16,160 Speaker 1: people design their own shoes like that, they're sometimes better 828 00:46:16,160 --> 00:46:18,560 Speaker 1: than the shoe company makes. You can get a good 829 00:46:18,600 --> 00:46:20,480 Speaker 1: design out of that. Yeah, I thought that was really great. 830 00:46:20,520 --> 00:46:22,320 Speaker 1: I wanted to share that. That's what it's all about. 831 00:46:23,160 --> 00:46:27,520 Speaker 1: That was tell me something good. Time for our favorite 832 00:46:27,520 --> 00:46:33,320 Speaker 1: trivia game and our easiest. It's not for easy trivia. 833 00:46:33,640 --> 00:46:36,799 Speaker 1: These are the easiest trivia questions you could possibly imagine? 834 00:46:37,400 --> 00:46:40,200 Speaker 1: How long will each remember the show survived? Amy? Lunchbox 835 00:46:40,239 --> 00:46:43,920 Speaker 1: producer Ready Morgan? Number two? You're all in today for 836 00:46:44,120 --> 00:46:49,800 Speaker 1: easy trivia? Amy, are you ready? Ready? A caterpillar grows 837 00:46:50,200 --> 00:46:59,000 Speaker 1: and develops into what butterfly? Correct? Lunchbox snow White was 838 00:46:59,080 --> 00:47:07,400 Speaker 1: befriended and lived with? How many dwarfs? Seventh? Correct? Eddie? 839 00:47:07,440 --> 00:47:12,600 Speaker 1: Come on? A decade is made up of how many years? Ten? Correct? 840 00:47:14,480 --> 00:47:17,760 Speaker 1: Hey Morgan? Who was the first human to set foot 841 00:47:17,840 --> 00:47:27,839 Speaker 1: on the moon? Neil Armstrong Correct? Round two. It gets 842 00:47:27,880 --> 00:47:31,399 Speaker 1: a little harder, Amy, how many people in the band 843 00:47:31,400 --> 00:47:39,520 Speaker 1: the Beatles stop? Come on? Amy? Ringo Paul McCartney, John Lennon, 844 00:47:41,080 --> 00:47:48,200 Speaker 1: some other person Ringos Ringo star Paul McCartney, John Lennon. 845 00:47:48,400 --> 00:47:52,840 Speaker 1: That's three. That that's the only ones I know? Is 846 00:47:53,360 --> 00:47:55,160 Speaker 1: I feel like they're up there and there's either four 847 00:47:55,239 --> 00:47:57,920 Speaker 1: or five? But how could I not name the other people? 848 00:47:58,560 --> 00:48:06,000 Speaker 1: Is it four? What's your aunts? Gosh? Uh? Four? George 849 00:48:06,040 --> 00:48:11,360 Speaker 1: Harrison is the fourth? You're correct? April On? Who's in 850 00:48:11,360 --> 00:48:15,239 Speaker 1: Ohio right now? April? Welcome to the Bobby Bones Show. 851 00:48:15,280 --> 00:48:18,839 Speaker 1: How are you today? I'm great? Thank I'm gonna give 852 00:48:18,840 --> 00:48:21,319 Speaker 1: you a chance to win some a Walmart gift card 853 00:48:21,320 --> 00:48:23,400 Speaker 1: here one hundred bucks if you pick the person that 854 00:48:23,440 --> 00:48:27,080 Speaker 1: wins easy trivia. You have Amy Lunchbox. Eddie good number two. 855 00:48:27,200 --> 00:48:28,960 Speaker 1: Who would you like to represent you and try to 856 00:48:28,960 --> 00:48:34,960 Speaker 1: win you some cash? I'm gonna go with Eddie today. Eddie. 857 00:48:35,000 --> 00:48:38,320 Speaker 1: Good luck, Bud, thank you. We're back over to Lunchbox. 858 00:48:38,560 --> 00:48:42,480 Speaker 1: Here we go, Lunchbox. What planet is also known as 859 00:48:42,520 --> 00:48:46,319 Speaker 1: the Red planet? Good? What planet is known as the 860 00:48:46,400 --> 00:48:52,120 Speaker 1: Red Planet? I don't know anything about outer space? Um Saturn? 861 00:48:52,200 --> 00:48:56,360 Speaker 1: I have no idea? Wow? Wow, Saturn's the planet with rings? Yeah, 862 00:48:56,600 --> 00:49:01,279 Speaker 1: Mars is the red planet. Lunchbox has been eliminated fun fact. 863 00:49:01,320 --> 00:49:04,120 Speaker 1: You can see it right now, it's visible. Okay, it's 864 00:49:04,160 --> 00:49:06,560 Speaker 1: your fun fact. Get this one right. How many days 865 00:49:06,840 --> 00:49:10,279 Speaker 1: are an eleap year? Oh? Gosh, stop it. You know 866 00:49:10,360 --> 00:49:12,560 Speaker 1: I'm not good at leap years? No, I don't. How 867 00:49:12,560 --> 00:49:15,000 Speaker 1: would I know you're not good at leap years? How 868 00:49:15,040 --> 00:49:18,279 Speaker 1: many days are an eleap year? Are you talking about 869 00:49:18,280 --> 00:49:21,560 Speaker 1: the whole year? Three hundred and sixty five days in 870 00:49:21,640 --> 00:49:26,120 Speaker 1: a year? So the leap year would be one more? God, 871 00:49:26,160 --> 00:49:30,359 Speaker 1: I don't know this. So three what did I say? 872 00:49:30,440 --> 00:49:33,600 Speaker 1: Three hundred and sixty five? Three and sixty six doesn't 873 00:49:33,600 --> 00:49:36,239 Speaker 1: sound right? How many days an e leap year? Three 874 00:49:36,320 --> 00:49:38,920 Speaker 1: hundred and sixty four? What's your answer? And now sit 875 00:49:38,960 --> 00:49:41,239 Speaker 1: three hundred sixty four? The answer is three hundred and 876 00:49:41,239 --> 00:49:44,920 Speaker 1: sixty six? Noy? And did you know that we had 877 00:49:44,960 --> 00:49:47,560 Speaker 1: a leap year last year? Fun fact? You got a fact? 878 00:49:50,000 --> 00:49:53,600 Speaker 1: Oh no, April, I let her down. April. You get 879 00:49:53,600 --> 00:49:56,239 Speaker 1: one more shot here. You want Amy or Morgan. But 880 00:49:56,280 --> 00:49:57,440 Speaker 1: if you don't win this one, I can't give it 881 00:49:57,440 --> 00:50:05,160 Speaker 1: to you. You You want Amy or Morgan? Definitely going with Amy. 882 00:50:05,200 --> 00:50:07,680 Speaker 1: I would have told her to go with Amy Morgan. 883 00:50:07,800 --> 00:50:12,840 Speaker 1: JK Rowling wrote what famous book series, Oh, Harry Potter? Correct? Amy. 884 00:50:13,760 --> 00:50:16,560 Speaker 1: What singer is referred to as the King of pop 885 00:50:17,920 --> 00:50:27,520 Speaker 1: Michael Jackson? Correct Morgan. What's the capital of Hawaii? Correct? 886 00:50:28,920 --> 00:50:33,640 Speaker 1: We get a slug, Amy? Yeah? What state is the 887 00:50:33,719 --> 00:50:42,000 Speaker 1: Grand Canyon located? That is in Arizona? Correct? Nice job, Morgan. 888 00:50:42,560 --> 00:50:47,360 Speaker 1: It's a little tougher. Which country has the highest population 889 00:50:47,680 --> 00:50:58,360 Speaker 1: in the world? China? Correct? Two? Wow? Amy? What American 890 00:50:58,400 --> 00:51:03,200 Speaker 1: president was assassinated in nineteen sixty three? That would be JFK. 891 00:51:03,520 --> 00:51:11,880 Speaker 1: Correct Morgan. What continent is North Korea in continent? Maybe? 892 00:51:12,080 --> 00:51:16,239 Speaker 1: I think so of Asia? Correct? Okay, right now you've 893 00:51:16,239 --> 00:51:18,399 Speaker 1: dialed into a very intense game of super easy trip. 894 00:51:18,480 --> 00:51:21,480 Speaker 1: Yet maybe you just turn it on the questions are 895 00:51:21,920 --> 00:51:25,040 Speaker 1: They're not super easy anymore, They're just a little easy, Amy. 896 00:51:25,080 --> 00:51:29,520 Speaker 1: What's the largest mammal in the world? Shoot? I never 897 00:51:29,600 --> 00:51:32,480 Speaker 1: can remember if it's the elephant or the whale? The 898 00:51:32,520 --> 00:51:35,799 Speaker 1: white yol? Did you know why yo had two syllables? 899 00:51:36,360 --> 00:51:39,160 Speaker 1: I can't shake him by and see hell? I always 900 00:51:39,200 --> 00:51:41,680 Speaker 1: I don't know if it's the what do you think's bigger? 901 00:51:41,680 --> 00:51:46,160 Speaker 1: An elephant or a whale? I mean I never had 902 00:51:46,239 --> 00:51:51,600 Speaker 1: them side by side before, big Amy, I mean the elephant. 903 00:51:51,640 --> 00:51:55,040 Speaker 1: I think I don't. I know that the the the 904 00:51:55,080 --> 00:52:03,040 Speaker 1: blue whale specifically, I know that I know this. Okay, 905 00:52:03,160 --> 00:52:07,480 Speaker 1: what are you going with? Amy? Good gosh, I mean 906 00:52:09,840 --> 00:52:17,680 Speaker 1: I'm gonna go with the elephant. That's your answer. Yeah, 907 00:52:17,960 --> 00:52:26,400 Speaker 1: the answer is blue whale. No, I knew like we're 908 00:52:26,400 --> 00:52:34,839 Speaker 1: on the edge of a miracle. She's a sixteen seed. Yeah, 909 00:52:35,040 --> 00:52:42,120 Speaker 1: I've never won easy trivia before, freaking whale Morgan. Okay. 910 00:52:42,360 --> 00:52:46,920 Speaker 1: Geography is the category what's the largest US state by 911 00:52:47,000 --> 00:52:51,760 Speaker 1: land area? Largest states, the biggest state. Okay, well, there's 912 00:52:52,280 --> 00:52:57,759 Speaker 1: California in Texas that are pretty big. I feel like 913 00:52:57,800 --> 00:53:02,040 Speaker 1: I'm in a whale elephant situation there. M m hmm. 914 00:53:03,560 --> 00:53:05,480 Speaker 1: Not between a rock and hard place, but between a 915 00:53:05,520 --> 00:53:10,080 Speaker 1: well and the Texas looks bigger on a map, but 916 00:53:10,320 --> 00:53:18,600 Speaker 1: California is really tall. Oh California. Alaska. Oh, by far 917 00:53:19,680 --> 00:53:22,200 Speaker 1: it Alaska's almost three times bigger than Texas. If you 918 00:53:22,200 --> 00:53:24,240 Speaker 1: take Alaska and put in the middle of United States, 919 00:53:24,360 --> 00:53:27,760 Speaker 1: it covers about over a third of the whole country. Really, 920 00:53:28,360 --> 00:53:30,440 Speaker 1: all right, back in edge, We're now at a sudden 921 00:53:30,480 --> 00:53:37,839 Speaker 1: death buzzing with your no butterfly Okay, are you ready? Yes, 922 00:53:38,680 --> 00:53:43,760 Speaker 1: say your name as your Buzzeray, what type of dog 923 00:53:45,160 --> 00:53:49,839 Speaker 1: is Scooby Doo? You can guess he doesn't. You don't 924 00:53:52,239 --> 00:54:01,640 Speaker 1: a rot Wiler? Incorrect? You didn't answer Amy a hound incorrectly? 925 00:54:02,280 --> 00:54:08,040 Speaker 1: What Scooby Doo is a great Dane's not look like 926 00:54:08,040 --> 00:54:16,400 Speaker 1: a great Dane? What a sudden death? What is the 927 00:54:16,480 --> 00:54:19,520 Speaker 1: name of Han Solo's ship in Star Wars? Come on, 928 00:54:22,520 --> 00:54:30,960 Speaker 1: Come on, guys? Why wait? Hold on? Three? Amy? Amy? 929 00:54:31,280 --> 00:54:37,040 Speaker 1: The galact Wow? Wow? Wasted that one? Okay? Morgan rogue one? 930 00:54:37,320 --> 00:54:44,040 Speaker 1: Rogue one incorrect? As a millennium falcon? Oh? What is it? Was? 931 00:54:44,040 --> 00:54:48,160 Speaker 1: A video game from the eighties? Almost? Okay? Go? What 932 00:54:48,400 --> 00:54:53,760 Speaker 1: artist painted the famous portrait the Mona Lisa Hey Amy? 933 00:54:54,719 --> 00:54:59,160 Speaker 1: Da Vinci? Leonardo Da Vinci. Amy has falling out of 934 00:54:59,160 --> 00:55:07,600 Speaker 1: her chair. Now she's nervous. The answer is da Vinci. 935 00:55:09,120 --> 00:55:17,960 Speaker 1: In the end, dude beats Butler. April, you won a 936 00:55:18,000 --> 00:55:20,560 Speaker 1: one hundred all Walmart Photo gift card. Walmart Photo invite 937 00:55:20,560 --> 00:55:21,960 Speaker 1: you to stay connected to the ones you love. I'm 938 00:55:21,960 --> 00:55:24,640 Speaker 1: making beautiful prints and photo books on wal Art from 939 00:55:24,640 --> 00:55:27,560 Speaker 1: your favorite photos, all taken during your time spent at home. 940 00:55:27,880 --> 00:55:30,320 Speaker 1: April appreciate you listening. Would you like to say anything 941 00:55:30,320 --> 00:55:32,600 Speaker 1: to Amy. Way to go, Amy, I think that was 942 00:55:32,640 --> 00:55:35,319 Speaker 1: really fun. You're welcome. Did you know all of them? April? No, 943 00:55:35,440 --> 00:55:39,320 Speaker 1: but I did know Scooby doo oh Yeah, great team. Okay, 944 00:55:40,560 --> 00:55:44,320 Speaker 1: Amy's like poodle. Now you knew it wasn't a Bassett hounded. 945 00:55:44,640 --> 00:55:46,640 Speaker 1: I think Morgan ver two knew it was not a 946 00:55:46,680 --> 00:55:49,640 Speaker 1: rot Liler. But they're just good guesses. Yeah, we just 947 00:55:49,680 --> 00:55:54,080 Speaker 1: for throwing dog breeds out. All right, Hold on the line, April, 948 00:55:54,560 --> 00:55:58,920 Speaker 1: don't forget to seven pm Central. I heard Country Festival 949 00:55:58,960 --> 00:56:02,439 Speaker 1: presented by Capital One, Dirk's lady A, Sam Hunt, Kane Brown, 950 00:56:02,520 --> 00:56:05,760 Speaker 1: Dustin Lynch, John Party, Kelsey Ballerini, Riley Green. I'm hosting 951 00:56:06,120 --> 00:56:09,560 Speaker 1: live xlive dot com. Live Bye live live xlive dot com. 952 00:56:09,560 --> 00:56:14,879 Speaker 1: You sort of check that out. Tomorrow is ray Mundo's wedding. Rejoice. 953 00:56:15,560 --> 00:56:21,400 Speaker 1: We are so skiding just over twenty four hours. Raymundo, 954 00:56:21,480 --> 00:56:23,760 Speaker 1: you will be married to the girl of your dreams. 955 00:56:23,920 --> 00:56:26,680 Speaker 1: You even went there for over six years. How you 956 00:56:26,719 --> 00:56:32,360 Speaker 1: feeling excited? Um? Anxious? Can't wait for those moments that 957 00:56:32,400 --> 00:56:36,000 Speaker 1: I've only heard about in storybooks and on movies. It's 958 00:56:36,000 --> 00:56:38,120 Speaker 1: gonna be really, really a once in a lifetime thing 959 00:56:38,880 --> 00:56:43,200 Speaker 1: in Raymundo's wedding. It's lunchbox, myself, Eddie, his friend Billy. 960 00:56:43,360 --> 00:56:47,400 Speaker 1: Who am I forgetting a nephew? Eric Doddo you got 961 00:56:47,400 --> 00:56:51,480 Speaker 1: a big wedding party? You? Wow? It's it was? It's 962 00:56:51,480 --> 00:56:55,160 Speaker 1: a Corona wedding. Is the whole wedding? Is the everyone 963 00:56:55,200 --> 00:56:59,520 Speaker 1: coming in the wedding? Uh? There's a couple like my grandma. 964 00:57:00,000 --> 00:57:02,279 Speaker 1: There's a couple outliers if you will well, Eddie has 965 00:57:02,280 --> 00:57:03,920 Speaker 1: a question about what we're supposed to wear. Yeah, And 966 00:57:03,920 --> 00:57:05,520 Speaker 1: I don't want to stress Ray out because he did 967 00:57:05,520 --> 00:57:08,520 Speaker 1: a little segment the other day about how he's stressed 968 00:57:08,520 --> 00:57:11,480 Speaker 1: out about things and him and his fiance. But you know, 969 00:57:11,560 --> 00:57:14,239 Speaker 1: I'm very self conscious of my hair, so I've got 970 00:57:14,239 --> 00:57:16,400 Speaker 1: to wear a hat or something. I can't just, you know, 971 00:57:16,760 --> 00:57:18,920 Speaker 1: wear my bald head out. So I'm wondering if it's 972 00:57:18,920 --> 00:57:23,120 Speaker 1: okay with Ray if I wear a cowboy hat, like 973 00:57:23,160 --> 00:57:25,880 Speaker 1: a formal cowboy hat, like a big one, Like you 974 00:57:25,920 --> 00:57:28,280 Speaker 1: don't wear a cow Garth Brooks at the CMA. No, 975 00:57:28,440 --> 00:57:31,560 Speaker 1: you don't, you know what I mean? Everyone, then everyone's 976 00:57:31,560 --> 00:57:36,480 Speaker 1: gonna be looking at you like, what's this guy? Okay? Yeah? 977 00:57:36,960 --> 00:57:39,280 Speaker 1: Like like when when the guys wear cowboy hats at 978 00:57:39,280 --> 00:57:43,200 Speaker 1: the Awards Show's not like a cheesy John Party's everyday 979 00:57:43,200 --> 00:57:46,400 Speaker 1: hat kind of thing. But you wear cowboy hats. Never correct. 980 00:57:46,760 --> 00:57:49,080 Speaker 1: But it's formal though, you know what. I can't wear 981 00:57:49,200 --> 00:57:50,960 Speaker 1: my pimp and joy cap. You know, I get to 982 00:57:51,000 --> 00:57:53,520 Speaker 1: wear something formal. So to me, I'm thinking a cowboy 983 00:57:53,520 --> 00:57:56,040 Speaker 1: hat would be cool and bones. I think a while 984 00:57:56,080 --> 00:57:58,200 Speaker 1: back to Tim McGraw gave you his black cowboy hat 985 00:57:58,520 --> 00:58:01,440 Speaker 1: backs formal. Yeah, can't I borrow that for the night? 986 00:58:01,640 --> 00:58:04,240 Speaker 1: Ray didn't say you could wear it. I don't know, Ray. 987 00:58:04,320 --> 00:58:06,560 Speaker 1: I think they may be upset with that, so Bezer 988 00:58:06,600 --> 00:58:10,000 Speaker 1: would definitely shut you down. I'm actually semi for it. 989 00:58:10,240 --> 00:58:11,880 Speaker 1: I think it would be a good look. It gives 990 00:58:11,960 --> 00:58:15,640 Speaker 1: us some swag instead of looking like every other bachelor 991 00:58:15,720 --> 00:58:19,120 Speaker 1: party group groomsmen, I mean, dude, throw something different at it. 992 00:58:19,160 --> 00:58:21,320 Speaker 1: I like that. I got my nephew, I gotta. I mean, 993 00:58:21,360 --> 00:58:23,000 Speaker 1: I I mixed it up with the way I went. 994 00:58:23,320 --> 00:58:24,920 Speaker 1: I got the people I work with and I'm really 995 00:58:24,960 --> 00:58:26,640 Speaker 1: close with. I know my buddy from college, I liked 996 00:58:26,640 --> 00:58:32,000 Speaker 1: to wear a Native American headdress. Cool dude, Bezer like 997 00:58:32,200 --> 00:58:51,080 Speaker 1: she's already a little happening here a construction work. Oh no, oh, okay, 998 00:58:51,320 --> 00:58:52,600 Speaker 1: all right, well I don't mean it for to be 999 00:58:52,600 --> 00:58:55,960 Speaker 1: a joke, man, I'm serious. It feels like a joke. Serious, 1000 00:58:56,560 --> 00:58:59,800 Speaker 1: you can't, can't. But Ray likes it. He's the groom. 1001 00:59:00,040 --> 00:59:02,520 Speaker 1: I think Bay makes the decision. What is she gonna say, right, 1002 00:59:02,640 --> 00:59:04,440 Speaker 1: she's gonna say no. But I don't know if this 1003 00:59:04,560 --> 00:59:06,720 Speaker 1: is just a radio bit. But I think it's funny 1004 00:59:06,760 --> 00:59:08,920 Speaker 1: and I think you would look really good. I agree, thing, 1005 00:59:09,040 --> 00:59:11,360 Speaker 1: is this just a radio bit? H it's not because 1006 00:59:11,400 --> 00:59:13,880 Speaker 1: I was really thinking, like I have to wear a hat. 1007 00:59:13,560 --> 00:59:16,240 Speaker 1: I'm not comfortable with my bald head, and you know, 1008 00:59:16,360 --> 00:59:19,120 Speaker 1: so I think a cowboy hat would be cool. But 1009 00:59:19,960 --> 00:59:22,120 Speaker 1: all the people that you brought up the war formal 1010 00:59:22,160 --> 00:59:26,400 Speaker 1: cowboy hats, wear cowboy hats. Otherwise, Clinton Black he always 1011 00:59:26,400 --> 00:59:29,880 Speaker 1: looks formal everywhere because he always wears a cowboy hat. Okay, 1012 00:59:31,320 --> 00:59:33,480 Speaker 1: So no, yeah, it's like this thing. I would just 1013 00:59:33,480 --> 00:59:35,640 Speaker 1: watch for the pictures tomorrow. Let's see what Eddie's wearing, 1014 00:59:38,040 --> 00:59:39,880 Speaker 1: all right. I do think it's a Bay question though, 1015 00:59:39,880 --> 00:59:42,680 Speaker 1: because these pictures will be important to her. Right. Just remember, 1016 00:59:42,720 --> 00:59:45,240 Speaker 1: you guys are one, so your opinion matters. You guys 1017 00:59:45,320 --> 00:59:47,600 Speaker 1: talk it out, but let me know, either have one 1018 00:59:47,600 --> 00:59:50,840 Speaker 1: of your cool formal hipster hats. It's not as big 1019 00:59:51,400 --> 00:59:53,200 Speaker 1: my raging idiots one, but I mean that thing is 1020 00:59:53,240 --> 00:59:56,720 Speaker 1: like worn out. We've worn that. Why don't you go 1021 00:59:56,760 --> 00:59:59,959 Speaker 1: get a new nice hat? Back the matches? What color 1022 01:00:00,280 --> 01:00:03,960 Speaker 1: our suits? Ray blue? Okay, take your suit to the 1023 01:00:03,960 --> 01:00:06,360 Speaker 1: hat store. Suits are already gonna put me back two 1024 01:00:06,440 --> 01:00:09,240 Speaker 1: hundred bucks. A nice hat it's another two hundred. This 1025 01:00:09,280 --> 01:00:12,480 Speaker 1: whole thing's gonna cost me four hundred cost two hundred formal. 1026 01:00:12,680 --> 01:00:15,320 Speaker 1: How much you think you're Tim McGraw hats worth, no idea. 1027 01:00:15,760 --> 01:00:19,160 Speaker 1: Probably probably way more than I don't even know where 1028 01:00:19,160 --> 01:00:22,160 Speaker 1: that is, Okay, when I moved, I'm thinking to like, oh, 1029 01:00:22,160 --> 01:00:26,000 Speaker 1: where is that hat? Um a stetson stallion Bullock black 1030 01:00:26,080 --> 01:00:29,200 Speaker 1: forty four ninety nine at boob Barn? What if forty nine? 1031 01:00:29,560 --> 01:00:34,000 Speaker 1: That's fifty okay at boot barn? Okay? What color? Cowboy? 1032 01:00:34,040 --> 01:00:37,880 Speaker 1: How you want to black? You're not a cowboy? Hat? Black? 1033 01:00:37,960 --> 01:00:40,800 Speaker 1: Felt wow? Right with? You know? And sometimes you get 1034 01:00:40,840 --> 01:00:42,200 Speaker 1: the band it's got a little buckle on it on 1035 01:00:42,240 --> 01:00:44,280 Speaker 1: the side, would be really nice, okay, George straight at 1036 01:00:44,280 --> 01:00:49,440 Speaker 1: prom there you go there quick. Go's what I'm talking about? Ray, 1037 01:00:49,600 --> 01:00:51,080 Speaker 1: let us know. I guess you can't let us know 1038 01:00:51,160 --> 01:00:53,479 Speaker 1: to the wedding. That's something to loosen everybody up. Though, 1039 01:00:54,000 --> 01:00:57,520 Speaker 1: then you wear as a joke. It's not a joke, Bones, 1040 01:00:57,760 --> 01:00:59,720 Speaker 1: I have to wear something cover in my head. I 1041 01:00:59,800 --> 01:01:03,600 Speaker 1: think your cowboy had no you are easy for you 1042 01:01:03,640 --> 01:01:08,960 Speaker 1: to say, mister foolhead of hair. Yeah, get out of here. Okay, okay, 1043 01:01:09,200 --> 01:01:10,640 Speaker 1: you guys got to Facebook. Let us know what you 1044 01:01:10,680 --> 01:01:12,920 Speaker 1: think about this. It's a pretty funny topic. You get 1045 01:01:12,920 --> 01:01:17,720 Speaker 1: a Facebook Bobby Bones show. Thank you. Flashback Friday, two 1046 01:01:17,800 --> 01:01:23,720 Speaker 1: thousand and ten. Flashback Friday. The biggest country song at 1047 01:01:23,720 --> 01:01:26,960 Speaker 1: this time is the band Perry If I Die Young, Wow, 1048 01:01:30,480 --> 01:01:36,160 Speaker 1: great song. Played it at Pump. It's just crossover, a 1049 01:01:36,200 --> 01:01:38,280 Speaker 1: monster smash. What are they up to now? I was 1050 01:01:38,280 --> 01:01:41,880 Speaker 1: on their Instagram of the day. They look kokie really Yeah, 1051 01:01:42,040 --> 01:01:44,320 Speaker 1: didn't Kimberly die her hair like a she? That's maybe 1052 01:01:44,320 --> 01:01:45,720 Speaker 1: it just looks weird because they don't look like the 1053 01:01:45,800 --> 01:01:47,520 Speaker 1: last time I saw them. I like them a lot, 1054 01:01:48,080 --> 01:01:49,760 Speaker 1: but I think they were like sitting outside on a 1055 01:01:49,760 --> 01:01:52,480 Speaker 1: wall smoking a cigarette or something. I used to listen 1056 01:01:52,560 --> 01:01:57,120 Speaker 1: to this song on repeat and like, dude, it made 1057 01:01:57,120 --> 01:02:00,840 Speaker 1: me happy. I'm sad it was awesome. Yeah, they all 1058 01:02:00,840 --> 01:02:05,360 Speaker 1: have really blonde hair. Kimberly's in a brawl and they're 1059 01:02:05,360 --> 01:02:07,280 Speaker 1: smoking a cigarette. Well, this picture is not I'm just 1060 01:02:07,280 --> 01:02:08,840 Speaker 1: looking at what they look like. Oh I didn't make 1061 01:02:08,840 --> 01:02:11,560 Speaker 1: that up. Scroll down some more, Mike. Maybe it's on 1062 01:02:11,600 --> 01:02:14,080 Speaker 1: her page. I don't know. All right, let's see the 1063 01:02:14,120 --> 01:02:17,440 Speaker 1: biggest pop song like a G six bar East Movement, 1064 01:02:26,520 --> 01:02:39,160 Speaker 1: I six. The biggest thing in pop culture is Katy 1065 01:02:39,240 --> 01:02:41,160 Speaker 1: Perry marries Russell. I got a yelling like a club. 1066 01:02:41,320 --> 01:02:46,600 Speaker 1: Katy Perry marries Russell brand what they spare no expense 1067 01:02:46,600 --> 01:02:50,400 Speaker 1: in the extravagant ceremony in India, which includes a procession 1068 01:02:50,400 --> 01:02:54,800 Speaker 1: of elephants, camels, horses, dancers and musicians. The marriage lasts 1069 01:02:54,920 --> 01:02:58,320 Speaker 1: less than two years. What happened to him? I think 1070 01:02:58,360 --> 01:03:03,320 Speaker 1: he's still chilling. Is he making anything? Yeah? He was funny. 1071 01:03:03,320 --> 01:03:05,200 Speaker 1: I used think it's really he does like a podcast, 1072 01:03:05,320 --> 01:03:07,880 Speaker 1: successful podcast. Yeah it was funny. Yeah, there was a picture. 1073 01:03:08,200 --> 01:03:10,240 Speaker 1: Um or they're out, I don't know what they're smoking, 1074 01:03:10,480 --> 01:03:13,720 Speaker 1: celebration of a song well written. What's got you all 1075 01:03:13,760 --> 01:03:18,440 Speaker 1: lit up tonight? Yeah? I like them They just are 1076 01:03:18,480 --> 01:03:22,000 Speaker 1: different now and we all grow in different ways. Good 1077 01:03:22,000 --> 01:03:25,320 Speaker 1: for them. That's it, big weekend for all of us. 1078 01:03:25,520 --> 01:03:32,640 Speaker 1: It is Raymond knows. This is the last segment we 1079 01:03:32,680 --> 01:03:34,040 Speaker 1: do before your wedding. Ray what would you like to 1080 01:03:34,040 --> 01:03:36,480 Speaker 1: say to all of our listeners. I appreciate the support. 1081 01:03:36,720 --> 01:03:39,960 Speaker 1: Majority of it was ninety ten positive to negative. There 1082 01:03:39,960 --> 01:03:43,120 Speaker 1: couldn't be any more happy emotions going into the wedding. 1083 01:03:43,320 --> 01:03:45,760 Speaker 1: It's gonna be a swinging success. And people have said 1084 01:03:45,800 --> 01:03:49,080 Speaker 1: things do go wrong or prepared for that. It's all good. 1085 01:03:49,160 --> 01:03:51,840 Speaker 1: It's all good, baby baby. Thank you guys. We'll see 1086 01:03:51,880 --> 01:03:54,920 Speaker 1: you Monday. Have a great day. Bye.