1
00:00:03,400 --> 00:00:14,120
Speaker 1: Transmitting this. Welcome to Friday's show. We got a humdinger

2
00:00:14,200 --> 00:00:17,279
Speaker 1: for you today. That's right, Marion Morris will be on later.

3
00:00:17,600 --> 00:00:21,200
Speaker 1: Let me welcome in all my friends, morning studio. Morning. Hey, yesterday,

4
00:00:21,280 --> 00:00:24,160
Speaker 1: Lunchbox had an idea to book reservations for Valentine's Day

5
00:00:24,200 --> 00:00:26,759
Speaker 1: and then I sell them to people who need a

6
00:00:26,800 --> 00:00:30,960
Speaker 1: reservation for Valentine's Day. Got some calls first before we

7
00:00:31,040 --> 00:00:34,680
Speaker 1: hop into some news that Mike d has gathered about this.

8
00:00:35,320 --> 00:00:39,280
Speaker 1: Here is Maria from Massachusetts. I don't agree with many

9
00:00:39,400 --> 00:00:46,879
Speaker 1: of Lunchbox's ideas, but this reservation business is brilliant. Thank you. Finally,

10
00:00:47,320 --> 00:00:51,280
Speaker 1: finally someone sees me as brilliant. Number two, Hey, Lunchbox's

11
00:00:51,360 --> 00:00:55,080
Speaker 1: idea about the credit cards and reservations. He may want

12
00:00:55,080 --> 00:00:57,880
Speaker 1: to check with the police department because I believe that's

13
00:00:57,920 --> 00:01:02,720
Speaker 1: listed under fraud, but I could be wrong. How is

14
00:01:02,720 --> 00:01:05,080
Speaker 1: that fraud? You just double check? Yeah. They call him

15
00:01:05,080 --> 00:01:08,319
Speaker 1: and be like, hey, is this fraud what I'm currently doing? Yeah? Yeah,

16
00:01:08,360 --> 00:01:09,920
Speaker 1: don't say like if you do this as a fraud

17
00:01:10,040 --> 00:01:13,600
Speaker 1: like I'm currently doing this, is it from? Okay? They

18
00:01:13,600 --> 00:01:16,720
Speaker 1: just see what happens. I'll call him. I'm not nine

19
00:01:16,760 --> 00:01:20,119
Speaker 1: one one but the other night, Yeah, exactly, Mike desent

20
00:01:20,200 --> 00:01:22,520
Speaker 1: some research. He's a research head writer. Here. What did

21
00:01:22,520 --> 00:01:24,080
Speaker 1: you find out? That was actually the first thing I

22
00:01:24,120 --> 00:01:27,800
Speaker 1: looked up. Is it fraud? No stories about it being fraud? Yeah? Okay.

23
00:01:27,840 --> 00:01:29,440
Speaker 1: If there was another guy who did this back in

24
00:01:29,440 --> 00:01:31,840
Speaker 1: twenty fifteen in San Francisco, but he was selling them

25
00:01:31,840 --> 00:01:34,080
Speaker 1: for twenty nine dollars. He would post them on Craiglist,

26
00:01:34,240 --> 00:01:36,680
Speaker 1: and he got shut down by the restaurants. They found

27
00:01:36,680 --> 00:01:39,520
Speaker 1: out about his scheme and then canceled all his reservations.

28
00:01:39,720 --> 00:01:41,840
Speaker 1: There have been other apps that have done this, but

29
00:01:41,920 --> 00:01:43,720
Speaker 1: no one's been successful. So you're telling me this has

30
00:01:43,760 --> 00:01:46,200
Speaker 1: been happening. A lot been happening. He didn't create this idea, no,

31
00:01:46,280 --> 00:01:48,360
Speaker 1: and it hasn't worked for anybody. Well, I mean, listen,

32
00:01:48,440 --> 00:01:50,480
Speaker 1: there's a lot of people that tried the automobile and

33
00:01:50,520 --> 00:01:53,160
Speaker 1: it didn't work. And guess what, Henry t Ford he

34
00:01:53,280 --> 00:01:56,440
Speaker 1: got it to work. There are things people fail all

35
00:01:56,440 --> 00:01:58,559
Speaker 1: the time, but you just never give up. One person

36
00:01:58,840 --> 00:02:00,640
Speaker 1: has to get it, like the we of a car

37
00:02:00,840 --> 00:02:02,520
Speaker 1: or a wheel of a bicycle. You don't think there

38
00:02:02,560 --> 00:02:05,720
Speaker 1: was many versions. Then finally someone got it right. Maybe

39
00:02:05,760 --> 00:02:07,320
Speaker 1: I'm the one that's gonna get it right because he's

40
00:02:07,320 --> 00:02:09,560
Speaker 1: doing anything different. But they didn't have the clout that

41
00:02:09,639 --> 00:02:12,200
Speaker 1: I have. They didn't have the reach. That's why they

42
00:02:12,280 --> 00:02:16,160
Speaker 1: weren't getting successful. You should do it like a Ted

43
00:02:16,200 --> 00:02:20,120
Speaker 1: talk on business. You're inspiring, they're inspiring. Morgan. Did you

44
00:02:20,120 --> 00:02:21,840
Speaker 1: decided to get in or out with him? Oh? No,

45
00:02:21,880 --> 00:02:24,600
Speaker 1: he didn't accept. I mean he didn't accept. No, she

46
00:02:24,639 --> 00:02:26,800
Speaker 1: wanted sixty percent. I came up with the idea, and

47
00:02:26,800 --> 00:02:28,800
Speaker 1: she wanted more than half the business. What did she

48
00:02:28,840 --> 00:02:31,080
Speaker 1: just gets sixty percent of what she puts in? No,

49
00:02:31,160 --> 00:02:33,040
Speaker 1: she can do it herself. What am I talking about?

50
00:02:33,160 --> 00:02:35,280
Speaker 1: You don't own anything on this. You don't own it.

51
00:02:35,280 --> 00:02:38,000
Speaker 1: It's not your ideas. There's no patent pending. Someone else

52
00:02:38,040 --> 00:02:41,080
Speaker 1: could just do it. Okay, have you had any buyers

53
00:02:41,080 --> 00:02:42,720
Speaker 1: of your resident? Yeah? Have you had any way to

54
00:02:42,720 --> 00:02:47,080
Speaker 1: put him out Craigslist? I know you saying there's a question. No,

55
00:02:47,200 --> 00:02:48,840
Speaker 1: you're saying, have I had any ways to put him?

56
00:02:49,760 --> 00:02:51,760
Speaker 1: Not yet? Of course? All right, let us know buddy,

57
00:02:51,880 --> 00:02:54,880
Speaker 1: waiting closer to the dates. Okay, and you pe will

58
00:02:54,880 --> 00:02:56,960
Speaker 1: sell for seventy five bucks. Seventy five bucks, but I

59
00:02:56,960 --> 00:03:00,840
Speaker 1: mean I'll take fifty Oh he's already and no one's negotiation. Yes,

60
00:03:00,880 --> 00:03:05,960
Speaker 1: he started negotiating against himself already, not a single I

61
00:03:06,000 --> 00:03:07,760
Speaker 1: can learn a lot from you, man. That's pretty cool.

62
00:03:09,400 --> 00:03:15,920
Speaker 1: It is time to open up the mailbage something we

63
00:03:16,080 --> 00:03:22,400
Speaker 1: call ye good morning, Bobby. Back on Thanksgiving, my college

64
00:03:22,639 --> 00:03:27,080
Speaker 1: X and I were exchanging our standard holiday greeting texts.

65
00:03:27,680 --> 00:03:30,600
Speaker 1: We generally wish each other well on holidays and birthdays.

66
00:03:31,080 --> 00:03:34,160
Speaker 1: This year was different. We got talking a bit and

67
00:03:34,240 --> 00:03:37,120
Speaker 1: it seems to me like we both have feelings for

68
00:03:37,160 --> 00:03:41,320
Speaker 1: each other, still without outright saying so. He lives in DC,

69
00:03:41,480 --> 00:03:44,960
Speaker 1: I'm in Florida. He has talked seriously about moving back

70
00:03:44,960 --> 00:03:48,120
Speaker 1: to Florida. He asked me if I had any single friends,

71
00:03:48,240 --> 00:03:50,560
Speaker 1: to which I replied that I would hope he'd give

72
00:03:50,640 --> 00:03:54,600
Speaker 1: me a second chance before going after my friends quote jokingly.

73
00:03:54,680 --> 00:03:58,200
Speaker 1: Of course, he skimmed over that, but later in the

74
00:03:58,200 --> 00:04:01,400
Speaker 1: conversation brought it up again that he would absolutely give

75
00:04:01,440 --> 00:04:03,760
Speaker 1: me another shot if he was here. Do I tell

76
00:04:03,800 --> 00:04:05,640
Speaker 1: him I still have feelings for from after eleven years,

77
00:04:05,960 --> 00:04:07,960
Speaker 1: or do I just let it go and enjoy the

78
00:04:08,000 --> 00:04:11,800
Speaker 1: conversation sincerely, hoping for a fairy tale. Well, you kind

79
00:04:11,800 --> 00:04:14,240
Speaker 1: have already told him. You don't make that joke unless

80
00:04:14,280 --> 00:04:17,320
Speaker 1: that's there's some reality to it. Yeah, so one you

81
00:04:17,400 --> 00:04:20,360
Speaker 1: kind of told him he maybe dense and didn't get it,

82
00:04:20,920 --> 00:04:23,400
Speaker 1: or have maybe thought you were joking. But if he's

83
00:04:23,440 --> 00:04:26,200
Speaker 1: gonna move back and you're both single and you want

84
00:04:26,200 --> 00:04:29,920
Speaker 1: to why not try it again? It probably won't work,

85
00:04:30,000 --> 00:04:32,400
Speaker 1: but that's okay. Why not? Then you won't live a

86
00:04:32,400 --> 00:04:33,640
Speaker 1: life of a going like I wonder if it would

87
00:04:33,640 --> 00:04:35,760
Speaker 1: have worked. Yeah, why do you say probably? Because most

88
00:04:35,760 --> 00:04:39,599
Speaker 1: things don't work. Most people you date don't work. It's

89
00:04:39,640 --> 00:04:41,640
Speaker 1: like one in a thousand. But what about most people

90
00:04:41,720 --> 00:04:43,640
Speaker 1: you date that you get back together with eleven years?

91
00:04:43,680 --> 00:04:45,560
Speaker 1: Why would you break up such a long time. Well,

92
00:04:45,600 --> 00:04:47,760
Speaker 1: I'm sure they make sure you might work, but odds

93
00:04:47,760 --> 00:04:49,560
Speaker 1: are it's not gonna work. But I would rather play

94
00:04:49,600 --> 00:04:51,800
Speaker 1: that game of having low odds for it to work

95
00:04:51,839 --> 00:04:53,680
Speaker 1: than play the game of then I really wish I

96
00:04:53,680 --> 00:04:56,359
Speaker 1: would have tried again. So don't put any pressure on

97
00:04:56,360 --> 00:04:58,560
Speaker 1: yourself to make it work that you have to get married.

98
00:04:59,520 --> 00:05:01,560
Speaker 1: Say hey, if you come back, why don't we try

99
00:05:01,560 --> 00:05:03,000
Speaker 1: to date a little bit and see where it goes.

100
00:05:03,520 --> 00:05:05,440
Speaker 1: Don't put any pressure of it being long term or

101
00:05:05,480 --> 00:05:08,839
Speaker 1: anything serious. Quickly, because it could get to that you

102
00:05:08,880 --> 00:05:10,640
Speaker 1: have a history, you could jump back in and all

103
00:05:10,640 --> 00:05:12,560
Speaker 1: of a sudden you're waist deep and it's and you're

104
00:05:12,600 --> 00:05:15,400
Speaker 1: into it seriously, Like, whoa crap. All I'm saying is

105
00:05:16,200 --> 00:05:18,560
Speaker 1: if you want to do it, do it, because you

106
00:05:18,600 --> 00:05:20,320
Speaker 1: don't want to look back and go dang. I wish

107
00:05:20,360 --> 00:05:21,880
Speaker 1: I would have tried that. And what's going through a

108
00:05:21,920 --> 00:05:25,200
Speaker 1: guy's head when he asks ex girlfriend if she has

109
00:05:25,240 --> 00:05:27,760
Speaker 1: any single friends, probably that he wants her to go.

110
00:05:28,080 --> 00:05:32,640
Speaker 1: I would. I'm totally wanted that. Yeah, that's what I thought.

111
00:05:32,680 --> 00:05:34,960
Speaker 1: I just wanted you to say it. I want to

112
00:05:35,000 --> 00:05:36,600
Speaker 1: make sure. I was thinking, like, I'll say it and

113
00:05:36,640 --> 00:05:41,080
Speaker 1: say guys and then follow their friends, yes, hoping for

114
00:05:41,160 --> 00:05:43,160
Speaker 1: a fairy tale. Go for it. You have nothing to lose,

115
00:05:43,680 --> 00:05:46,680
Speaker 1: absolutely nothing to lose. But don't put any extra pressure

116
00:05:46,720 --> 00:05:48,440
Speaker 1: on it. But since you did it before, it needs

117
00:05:48,440 --> 00:05:51,520
Speaker 1: to automatically start backward you left off. Well, it shouldn't

118
00:05:51,520 --> 00:05:54,360
Speaker 1: start where you left off because it left off. Yeah,

119
00:05:54,400 --> 00:05:56,240
Speaker 1: but it left off at a place where you were

120
00:05:57,680 --> 00:06:01,240
Speaker 1: deeper into the relationship and college. Yeah, there you go.

121
00:06:01,520 --> 00:06:03,479
Speaker 1: We saw that one pretty easy. All right, close up

122
00:06:03,480 --> 00:06:15,840
Speaker 1: the mailbag. We got your game. Right. The most fun

123
00:06:15,880 --> 00:06:19,400
Speaker 1: facts of the week, as curated by our own amy.

124
00:06:20,360 --> 00:06:24,400
Speaker 1: Number five, Looking into each other's eyes can make strangers

125
00:06:24,440 --> 00:06:28,320
Speaker 1: fall in love. I don't believe that. Why, I don't believe.

126
00:06:28,360 --> 00:06:30,680
Speaker 1: Have you ever tried it? Just staring? Well no, but

127
00:06:30,760 --> 00:06:32,520
Speaker 1: I will go to jail. You can't just stare in

128
00:06:32,560 --> 00:06:35,119
Speaker 1: stranger's eyes because they're not going to stare back unless

129
00:06:35,120 --> 00:06:37,680
Speaker 1: you force them to. It has been proven that when

130
00:06:37,760 --> 00:06:40,440
Speaker 1: someone is gazing at you, the person's body produces a

131
00:06:40,520 --> 00:06:45,160
Speaker 1: chemical called phlammmon, which is associated with a fight or

132
00:06:45,160 --> 00:06:49,880
Speaker 1: flight response. And if you continue to look cupid. Zero.

133
00:06:50,080 --> 00:06:52,520
Speaker 1: But I'm telling you, you you won't fall in love. You

134
00:06:52,600 --> 00:06:54,680
Speaker 1: can't fall in love. You don't even know the person

135
00:06:54,920 --> 00:07:00,400
Speaker 1: we love is an understanding of Even through their vaults,

136
00:07:01,400 --> 00:07:07,640
Speaker 1: you still find joy, passion, string that's beautiful. Not staring

137
00:07:07,640 --> 00:07:12,920
Speaker 1: in someone's eyeballs. That okay. Next number four. You know

138
00:07:12,960 --> 00:07:15,120
Speaker 1: those grooves in the road, like when you veer off

139
00:07:15,200 --> 00:07:19,280
Speaker 1: example to wake you up or whatever. One root sixty six,

140
00:07:19,680 --> 00:07:23,320
Speaker 1: Those grooves play America the beautiful stop it. Yeah, how

141
00:07:23,560 --> 00:07:26,760
Speaker 1: New Mexico's Department of Transportation they decided, you know, spice

142
00:07:26,760 --> 00:07:29,920
Speaker 1: things up a little bit, and um, there's a stretch

143
00:07:30,040 --> 00:07:34,160
Speaker 1: between Albuquerque and to Rayjus where if you play, if

144
00:07:34,200 --> 00:07:37,200
Speaker 1: you ride on the grooves the whole ride, going forty

145
00:07:37,200 --> 00:07:40,520
Speaker 1: five miles an hour, you will hear America the Beautiful

146
00:07:40,640 --> 00:07:49,720
Speaker 1: through your tires, Oh Beautiful spin Ray, Charles Foreber, Waves

147
00:07:49,800 --> 00:07:59,880
Speaker 1: of Grain, o Per Bloodies, the foot Play Party, cra

148
00:08:01,120 --> 00:08:02,840
Speaker 1: you're already off the road. I think that's all of

149
00:08:02,840 --> 00:08:08,440
Speaker 1: our listeners all right. Next number three, there are ninety

150
00:08:08,480 --> 00:08:12,680
Speaker 1: six bags of you know, stuff from people's bodies, like

151
00:08:12,720 --> 00:08:17,800
Speaker 1: astronauts like p etc. On the Moon. They just leave

152
00:08:17,840 --> 00:08:19,680
Speaker 1: them up there. Yeah, they have to. Well they now

153
00:08:19,720 --> 00:08:21,960
Speaker 1: they want those adopted highways and that right where people

154
00:08:22,000 --> 00:08:24,520
Speaker 1: will come and clean it up later on. Then that's

155
00:08:24,560 --> 00:08:26,680
Speaker 1: not actually a plan, Like they don't all do it,

156
00:08:26,760 --> 00:08:30,280
Speaker 1: but astronauts from Apollo missions, some of them have left

157
00:08:30,280 --> 00:08:32,559
Speaker 1: it all up there to reduce weight in their shuttles

158
00:08:32,559 --> 00:08:35,040
Speaker 1: so they could bring back moon rocks and core samples

159
00:08:35,040 --> 00:08:37,160
Speaker 1: and stuff like that. So they just have to kind

160
00:08:37,160 --> 00:08:40,720
Speaker 1: of like leave there once they weigh things. Number two.

161
00:08:41,000 --> 00:08:43,160
Speaker 1: Nothing to say about that one. If you got into

162
00:08:43,160 --> 00:08:46,160
Speaker 1: your car, speaking of space, and turned on the ignition

163
00:08:46,240 --> 00:08:49,319
Speaker 1: and drove straight up, just going sixty miles per hour.

164
00:08:49,400 --> 00:08:51,680
Speaker 1: It would only take one hour to get to outer space.

165
00:08:52,840 --> 00:08:57,480
Speaker 1: Outer space like to break through the atmosphere, probably not

166
00:08:57,480 --> 00:08:59,160
Speaker 1: to get to the moon, but yeah, like when you

167
00:08:59,160 --> 00:09:01,000
Speaker 1: just look at the moon, I amnically thought that's where

168
00:09:01,000 --> 00:09:03,480
Speaker 1: you were going. Now I just said outer space. Okay,

169
00:09:03,600 --> 00:09:07,400
Speaker 1: got it? And number one the phrase cut to the

170
00:09:07,520 --> 00:09:11,559
Speaker 1: chase comes from the silent film era, when movies were

171
00:09:11,640 --> 00:09:15,880
Speaker 1: usually long love stories that ended with the thrilling chase scene.

172
00:09:16,200 --> 00:09:18,120
Speaker 1: So when people would say cut to the chase, it

173
00:09:18,200 --> 00:09:20,560
Speaker 1: literally meant skip all the boring details, get to the

174
00:09:20,600 --> 00:09:28,640
Speaker 1: exciting part. That's cool. The latest from Nashville and Tullywood

175
00:09:28,840 --> 00:09:32,240
Speaker 1: Morgan number two thirty said this Fitny Maddie and Tay's

176
00:09:32,400 --> 00:09:35,559
Speaker 1: new album Through the Madness Volume one is out today.

177
00:09:35,720 --> 00:09:38,120
Speaker 1: Here's a clip of their new song Don't Make Her

178
00:09:38,160 --> 00:09:45,560
Speaker 1: Look Dumb featuring Morgan Stapleton fun If you don't leave,

179
00:09:50,360 --> 00:10:01,720
Speaker 1: just make a little dum Church announced a new six

180
00:10:01,800 --> 00:10:06,920
Speaker 1: story bar, restaurant, and live entertainment space that for downtown Nashville, Tennessee.

181
00:10:07,200 --> 00:10:09,679
Speaker 1: It will be called Chiefs and Say at the corner

182
00:10:09,720 --> 00:10:12,880
Speaker 1: of Second Avenue and Broadway. The new spot will open

183
00:10:13,080 --> 00:10:16,479
Speaker 1: sometime in twenty twenty three. The nominees for the iHeartRadio

184
00:10:16,559 --> 00:10:20,920
Speaker 1: Music Awards were announced. Luke Combs, Thomas Rhett, Miranda Lambert,

185
00:10:21,040 --> 00:10:23,880
Speaker 1: Luke Bryan, and Jason Aldean are all up for Country

186
00:10:24,000 --> 00:10:26,600
Speaker 1: Artists of the Year. You can see the complete list

187
00:10:26,640 --> 00:10:29,720
Speaker 1: of country nominees at Bobby Bones dot com. The show

188
00:10:29,760 --> 00:10:33,200
Speaker 1: airs of March twenty second on Fox. I'm Morgan number two.

189
00:10:33,440 --> 00:10:39,120
Speaker 1: That's your skinny Hall. It's time for the good news.

190
00:10:40,960 --> 00:10:44,320
Speaker 1: So a group of passionate Peloton writers all got together

191
00:10:44,520 --> 00:10:47,800
Speaker 1: to have dinner together in Minden, Massachusetts, and they left

192
00:10:47,840 --> 00:10:52,120
Speaker 1: their waiter a four thousand dollars tip. Thank good. This

193
00:10:52,160 --> 00:10:55,160
Speaker 1: is good news for Peloton, because everything else in bad

194
00:10:55,160 --> 00:10:57,920
Speaker 1: news for Peloton. First of all, there you know, I

195
00:10:58,040 --> 00:11:02,120
Speaker 1: was reading like their stocks like Plummet died because during

196
00:11:02,160 --> 00:11:04,640
Speaker 1: the pandemic everybody was trying to get one because I

197
00:11:04,679 --> 00:11:06,079
Speaker 1: couldn't go to the gym. But now everybody's going to

198
00:11:06,120 --> 00:11:11,200
Speaker 1: the gym and it's been crashing. Man. Secondly, something on

199
00:11:11,240 --> 00:11:13,280
Speaker 1: the Sex and the City remake happen, don't know. And

200
00:11:13,320 --> 00:11:15,280
Speaker 1: then there's another show Billions where somebody had a heart

201
00:11:15,280 --> 00:11:17,680
Speaker 1: attack on a Peloton. So it's been NonStop bad press

202
00:11:17,760 --> 00:11:20,040
Speaker 1: for them. Wow, they did that on Billions. Yeah, and

203
00:11:20,080 --> 00:11:23,000
Speaker 1: Peloton said they didn't ask. I didn't say who, and

204
00:11:23,000 --> 00:11:24,959
Speaker 1: I don't even watch billions, so you but you also

205
00:11:25,040 --> 00:11:26,439
Speaker 1: you don't know what happened on the Sex and the

206
00:11:26,480 --> 00:11:28,400
Speaker 1: City one. No, I don't know anything. I need to

207
00:11:28,480 --> 00:11:31,000
Speaker 1: tell you. No, none of it's gonna irtar a listeners

208
00:11:31,520 --> 00:11:33,840
Speaker 1: it listen if they haven't heard this by now, I

209
00:11:33,840 --> 00:11:41,040
Speaker 1: won't say who haven heard this by no. No, But

210
00:11:41,480 --> 00:11:44,400
Speaker 1: it is also heart attack related. Go ahead, That's what

211
00:11:44,520 --> 00:11:47,080
Speaker 1: I'm just gonna say and leave it at that. But yeah,

212
00:11:47,240 --> 00:11:50,360
Speaker 1: that's as you said. Eve said, something happened on a

213
00:11:50,440 --> 00:11:52,640
Speaker 1: Peloton I don't know what and someone had a heart attack.

214
00:11:52,679 --> 00:11:55,600
Speaker 1: Well this is good news for Peloton. Also they had

215
00:11:55,600 --> 00:11:57,120
Speaker 1: a story where like a dog and a person died,

216
00:11:57,200 --> 00:12:02,240
Speaker 1: right and they have to put a code in. Yeah, okay,

217
00:12:02,280 --> 00:12:07,280
Speaker 1: good for Peloton's not actually Peloton. It's a group of

218
00:12:07,280 --> 00:12:11,360
Speaker 1: passionate Peloton writers. They got together to eat I have

219
00:12:11,400 --> 00:12:14,600
Speaker 1: a bike, I'll ride the bike, like yeah. Yeah. The

220
00:12:14,679 --> 00:12:18,120
Speaker 1: servers were obviously all super excited and very grateful. There

221
00:12:18,160 --> 00:12:20,760
Speaker 1: you go. That's what it's all about. That was tell

222
00:12:20,840 --> 00:12:25,560
Speaker 1: me something good. It's time to play easy trivia. Eddie

223
00:12:25,600 --> 00:12:28,520
Speaker 1: has put his tr on. Oh it's my thinking. If

224
00:12:28,520 --> 00:12:31,560
Speaker 1: you win this one, you're the champ again. Come on, already,

225
00:12:31,640 --> 00:12:34,800
Speaker 1: he's got four wins a short season. Bones. Do we

226
00:12:34,880 --> 00:12:37,320
Speaker 1: want to end the game today? Yes? Okay, yeah, yeah, yeah,

227
00:12:37,360 --> 00:12:40,920
Speaker 1: let's go easy trivia questions at an elementary school level.

228
00:12:42,080 --> 00:12:44,280
Speaker 1: Eddie is on his way for the first ever three peats.

229
00:12:44,679 --> 00:12:49,000
Speaker 1: By the way, nobody ever won the game. But ridiculous. Okay, Eddie,

230
00:12:49,000 --> 00:12:50,880
Speaker 1: you want to hear this sound at the end of

231
00:12:50,880 --> 00:12:56,440
Speaker 1: the game. The rest of you don't want to hear

232
00:12:56,640 --> 00:13:01,760
Speaker 1: this sound. You've been booed the gold not to get boned, Amy, Ready, Ready,

233
00:13:02,000 --> 00:13:06,760
Speaker 1: easy trivia? Yes? What bird represents freedom in the United States?

234
00:13:08,360 --> 00:13:16,640
Speaker 1: The equal? Correct lunchbox. What's the cowboy's name and toy story? Oh? Cowboys?

235
00:13:16,720 --> 00:13:20,480
Speaker 1: Oh it's Woody Eddie. What superhero is known as the

236
00:13:20,600 --> 00:13:24,800
Speaker 1: Dark Knight? That's Batman? Correct Morgan. What's the capital of

237
00:13:24,840 --> 00:13:28,800
Speaker 1: the USA? Washington, DC? That's correct? Nice shot. Everybody got

238
00:13:28,800 --> 00:13:32,160
Speaker 1: to the first round. Come on, Amy, M two, focus

239
00:13:32,440 --> 00:13:39,600
Speaker 1: and pay attention. Amy. What country is the Eiffel Tower? Um?

240
00:13:39,800 --> 00:13:46,199
Speaker 1: That is in the country of France, correct, lunchbox. Which

241
00:13:46,240 --> 00:13:53,120
Speaker 1: is the largest star in the Solar system? In our

242
00:13:53,120 --> 00:13:59,080
Speaker 1: solar system. What's the largest star the moon? That is?

243
00:14:00,040 --> 00:14:02,000
Speaker 1: I mean, why do you make that face? I have

244
00:14:02,080 --> 00:14:06,880
Speaker 1: no idea. You don't know, I mean obviously big. First

245
00:14:06,880 --> 00:14:09,800
Speaker 1: of all, the Moon's not a star, the moon. I

246
00:14:09,840 --> 00:14:14,920
Speaker 1: know what the star is, sun, Sun, things like keeps

247
00:14:15,040 --> 00:14:18,840
Speaker 1: the live It's hot to Amy's face like the most

248
00:14:19,000 --> 00:14:21,520
Speaker 1: sour candy. She went. But as soon as he said moon,

249
00:14:21,640 --> 00:14:25,560
Speaker 1: she went, hold on. The Sun is a star and

250
00:14:25,640 --> 00:14:27,920
Speaker 1: it comes out during the day about stars were at night?

251
00:14:28,840 --> 00:14:31,840
Speaker 1: Is a star? But the Earth turn rotate, it gets

252
00:14:31,840 --> 00:14:34,200
Speaker 1: farther from it and then turns away from it into it.

253
00:14:34,840 --> 00:14:36,840
Speaker 1: That's night in winter. So what is the moon? The

254
00:14:36,920 --> 00:14:39,440
Speaker 1: Moon's not a star? The moon? The moon? I don't

255
00:14:39,440 --> 00:14:41,080
Speaker 1: know what they call it. I know you're fighting for

256
00:14:41,120 --> 00:14:44,160
Speaker 1: the moon. There's no possible way out. I'm very confused

257
00:14:44,200 --> 00:14:47,800
Speaker 1: because they do the same thing. What's that moon doesn't

258
00:14:48,040 --> 00:14:53,320
Speaker 1: light us, doesn't allow heat. Yeah, well, but but a

259
00:14:53,480 --> 00:14:55,440
Speaker 1: star doesn't give me vitamin D at night. I look

260
00:14:55,480 --> 00:14:57,240
Speaker 1: at the stars, the big Dipper, and I've never got

261
00:14:57,320 --> 00:15:00,520
Speaker 1: vitamin They're little. The big one gives it to you, son?

262
00:15:01,640 --> 00:15:08,200
Speaker 1: Why would I'm I'm flabbergast. Study it. Study while we

263
00:15:08,200 --> 00:15:10,560
Speaker 1: play the game, Eddie. The mixture of red and yellow

264
00:15:10,800 --> 00:15:16,520
Speaker 1: makes white color red and yellow makes orange. Correct, Morgan,

265
00:15:16,720 --> 00:15:23,120
Speaker 1: which insect scared little miss Muffett? Hey, don't be helping

266
00:15:23,160 --> 00:15:25,640
Speaker 1: her over there are you doing? Amy? Don't be helping her? Amy?

267
00:15:26,160 --> 00:15:29,760
Speaker 1: What insects scared little miss Muffett? Who is Miss Muffett?

268
00:15:29,760 --> 00:15:33,960
Speaker 1: Oh my gosh. Remember she was on the moon. Remember this,

269
00:15:34,680 --> 00:15:37,360
Speaker 1: which is not a star? She wasn't on the moon.

270
00:15:37,560 --> 00:15:40,840
Speaker 1: Oh no, okay, I'll give you the first line, little

271
00:15:40,840 --> 00:15:46,480
Speaker 1: miss Muffett said on a tuffet. Guys, I don't think

272
00:15:46,520 --> 00:15:50,400
Speaker 1: I know this at all. I get you never heard it. Okay,

273
00:15:50,560 --> 00:15:53,960
Speaker 1: she's toughet? Is it like a rhyme? I'm assuming it's

274
00:15:54,000 --> 00:15:58,520
Speaker 1: maybe like a little miss Muffett said on a tuffet

275
00:15:58,720 --> 00:16:02,400
Speaker 1: eating her curds and way giving her curds in a

276
00:16:02,400 --> 00:16:08,680
Speaker 1: way cricket. Oh my gosh, you've been I don't know.

277
00:16:09,680 --> 00:16:15,080
Speaker 1: Along came a spider sat down beside her. It's scared

278
00:16:15,120 --> 00:16:17,200
Speaker 1: Miss Muffet. Away. Yeah, guys, I don't know that. I

279
00:16:17,200 --> 00:16:20,200
Speaker 1: wouldn't have known that either. Don't worry. I people always

280
00:16:20,280 --> 00:16:21,720
Speaker 1: used to say it to me because my maiden name

281
00:16:21,760 --> 00:16:24,680
Speaker 1: is Moffett. Well, this is a kid is getting easy? Kid?

282
00:16:24,720 --> 00:16:27,800
Speaker 1: It's down to Amy and Eddie. Amy. How many years

283
00:16:27,880 --> 00:16:32,640
Speaker 1: make up a century? I am gonna take my time

284
00:16:32,680 --> 00:16:34,400
Speaker 1: even though I know it, because like, I'm not going

285
00:16:34,440 --> 00:16:40,880
Speaker 1: to mess up. A century is one hundred years? Correct? Eddie.

286
00:16:40,920 --> 00:16:46,120
Speaker 1: What does c ST stand for in time? CST Central

287
00:16:46,200 --> 00:16:50,440
Speaker 1: Standard Time? Correct? Amy? A baby sheep is called a blank.

288
00:16:50,840 --> 00:16:55,880
Speaker 1: That's a baby lamb. It's a lamb. It's a lamb. Correct. Wow,

289
00:16:56,120 --> 00:16:58,480
Speaker 1: I didn't know that in the same category, Eddie. A

290
00:16:58,560 --> 00:17:04,439
Speaker 1: Joey is a baby? What kangaroo? Correct? Amy? Which mineral

291
00:17:04,520 --> 00:17:11,640
Speaker 1: helps strengthen bones? Calcium? Correct? Eddie. What's the largest organ

292
00:17:11,720 --> 00:17:15,560
Speaker 1: on the human body? Why did you laugh? It gets

293
00:17:15,560 --> 00:17:17,800
Speaker 1: asked a lot and somebody misses it every time. I

294
00:17:17,800 --> 00:17:22,320
Speaker 1: think it's the skin. It is the skin. I realize

295
00:17:22,359 --> 00:17:24,320
Speaker 1: I don't breathe very well during this segment, Like I

296
00:17:24,640 --> 00:17:27,760
Speaker 1: get nervous. Well, I don't know. I hold my breath

297
00:17:27,800 --> 00:17:31,960
Speaker 1: a lot. It's down two. Which country did pasta originate? Amy?

298
00:17:33,400 --> 00:17:35,760
Speaker 1: I hope this is not a true question. I would

299
00:17:35,760 --> 00:17:50,960
Speaker 1: assume it's Italy, but like, what if it's America? Randomly Italy? Correct? Eddie.

300
00:17:51,480 --> 00:17:57,000
Speaker 1: Mount Kilimanjaro is the tallest mountain. What continent is Mount Kilimanjaro?

301
00:17:57,080 --> 00:18:12,480
Speaker 1: On Kilimanjaro continent. Let's go Asia. You've been Amy, want

302
00:18:12,560 --> 00:18:23,360
Speaker 1: to go Africa? Everybody lives to play another week? Nice job,

303
00:18:23,760 --> 00:18:28,119
Speaker 1: Nice job, good job. Your next question, Amy would have

304
00:18:28,160 --> 00:18:33,399
Speaker 1: been what color is the middle stripe in the French flag? White?

305
00:18:33,680 --> 00:18:37,760
Speaker 1: That would have been correct. Were Eddie. Your next question

306
00:18:37,840 --> 00:18:41,960
Speaker 1: would have been with which body part do snakes smell

307
00:18:42,920 --> 00:18:45,840
Speaker 1: their tongue? Correct? But Eddie you lost it? Hey, how

308
00:18:45,880 --> 00:18:47,640
Speaker 1: did you know that? I don't know, because I mean,

309
00:18:47,720 --> 00:18:51,000
Speaker 1: it's not gonna be nose. Why I don't know if

310
00:18:51,040 --> 00:18:54,440
Speaker 1: they have noses? They have no holes holes in the

311
00:18:54,920 --> 00:18:59,080
Speaker 1: other face. Amy's a big winner. Okay. On the phone

312
00:18:59,119 --> 00:19:01,400
Speaker 1: right now is Laurie and Texas. Hey, Laurie, what's going on?

313
00:19:01,640 --> 00:19:05,879
Speaker 1: Not but morning student? Um? I was calling like I

314
00:19:05,920 --> 00:19:09,640
Speaker 1: just had two things. Um. One, I wanted to give

315
00:19:09,680 --> 00:19:13,640
Speaker 1: a shout out to Amy before recommending the show eighty three.

316
00:19:14,960 --> 00:19:19,240
Speaker 1: I like love that show and I wouldn't have watched

317
00:19:19,240 --> 00:19:21,960
Speaker 1: that if she hadn't recommended it. But also I wanted

318
00:19:22,000 --> 00:19:25,320
Speaker 1: to ask you if you ever watch Station eleven. Yes,

319
00:19:25,480 --> 00:19:28,640
Speaker 1: watch Station eleven. Thought it was good, really struggle with it.

320
00:19:28,760 --> 00:19:31,400
Speaker 1: I loved the idea, and then I got a little lost.

321
00:19:31,440 --> 00:19:32,359
Speaker 1: I was like, I don't know if I liked this.

322
00:19:32,400 --> 00:19:33,960
Speaker 1: About the end, I really liked it again, So watch

323
00:19:34,000 --> 00:19:36,639
Speaker 1: Station eleven, did you? I did? Yeah? I agree. You

324
00:19:36,680 --> 00:19:39,800
Speaker 1: take halfway through, you're like, okay, I'm here to stay

325
00:19:40,000 --> 00:19:44,560
Speaker 1: three and a half out of five h zombie apocalypses,

326
00:19:44,560 --> 00:19:48,959
Speaker 1: except there is an apocalypse yes, airports, so there's that.

327
00:19:49,119 --> 00:19:51,720
Speaker 1: And then you watch at eighty three all the way through. Yeah,

328
00:19:51,760 --> 00:19:54,280
Speaker 1: I'm claught up. I guess new episodes. We have to

329
00:19:54,280 --> 00:19:56,359
Speaker 1: wait for them to come. Yeah, unless I've loaded it

330
00:19:56,440 --> 00:19:58,680
Speaker 1: and I didn't know it, but I'm I'm I'm in.

331
00:19:59,000 --> 00:20:04,520
Speaker 1: Is it as cheesy as Yellowstone? No? Well, m no,

332
00:20:04,800 --> 00:20:06,480
Speaker 1: I like Yellowstone. Don't take that on the wrong way.

333
00:20:06,480 --> 00:20:09,359
Speaker 1: But it's cheesy right in some of the actings hokey

334
00:20:09,560 --> 00:20:13,080
Speaker 1: and a little goofy. So it's eighteen eighty three because

335
00:20:13,119 --> 00:20:14,639
Speaker 1: it seems like it's back in a period piece. They

336
00:20:14,640 --> 00:20:16,560
Speaker 1: can't only be as goofy, right. I don't think it's

337
00:20:16,560 --> 00:20:20,840
Speaker 1: as dramatic, like there's not like a best situation happening.

338
00:20:21,080 --> 00:20:23,120
Speaker 1: But what's interesting about it is it'll make you want

339
00:20:23,119 --> 00:20:24,840
Speaker 1: to I know how you are Bobby because it was

340
00:20:24,880 --> 00:20:26,640
Speaker 1: doing it to me. I want a Google, like I'm

341
00:20:26,640 --> 00:20:30,359
Speaker 1: googling things of how you know, traveling back in eighteen

342
00:20:30,359 --> 00:20:32,840
Speaker 1: eighty three, What was it really like crossing the Brazis River?

343
00:20:32,960 --> 00:20:35,680
Speaker 1: Was it really that difficult? And I mean I was

344
00:20:35,760 --> 00:20:39,640
Speaker 1: reading all about all journeys through Texas, so it's interesting,

345
00:20:39,880 --> 00:20:44,280
Speaker 1: all right, Laurie, thank you for the call. You're Amy's

346
00:20:44,320 --> 00:20:46,679
Speaker 1: pile of stories. So group of moms met up in

347
00:20:46,720 --> 00:20:50,800
Speaker 1: Boston to scream together. This whole thing was hosted by

348
00:20:50,880 --> 00:20:53,600
Speaker 1: a mental health therapist, Sarah Harmon, and she wanted to

349
00:20:53,640 --> 00:20:56,639
Speaker 1: give women a healthy space to let out their anger

350
00:20:56,720 --> 00:21:00,040
Speaker 1: and frustration that the pandemic has brought on. So I

351
00:21:00,560 --> 00:21:06,000
Speaker 1: did five different types of yells. You want to know screams. Okay,

352
00:21:06,040 --> 00:21:08,879
Speaker 1: First they did a normal scream. Then they did a

353
00:21:08,960 --> 00:21:12,879
Speaker 1: scream using any curseword they wanted. Oh wow that on.

354
00:21:14,040 --> 00:21:16,240
Speaker 1: Next was just a free for all scream. Then they

355
00:21:16,280 --> 00:21:17,960
Speaker 1: did a scream for the moms who were too busy

356
00:21:18,040 --> 00:21:20,240
Speaker 1: to make it to the event or were isolated because

357
00:21:20,280 --> 00:21:23,080
Speaker 1: of COVID. And then finally she encouraged them to just

358
00:21:23,400 --> 00:21:26,800
Speaker 1: scream as loudly as possible. And it's super fun. They

359
00:21:26,800 --> 00:21:29,400
Speaker 1: said it was hilarious. It was really good. It led

360
00:21:29,400 --> 00:21:32,040
Speaker 1: out a lot of pent up anger. All five of

361
00:21:32,080 --> 00:21:35,360
Speaker 1: those on exactly the same screams. Could have just done

362
00:21:35,359 --> 00:21:37,760
Speaker 1: a one word. Well number five was like an then

363
00:21:37,800 --> 00:21:41,600
Speaker 1: grab bag do it? Well, I've been grab bag? Yeah?

364
00:21:41,640 --> 00:21:46,160
Speaker 1: What else? Okay, So Google Trends says that the phrase

365
00:21:46,480 --> 00:21:49,840
Speaker 1: our bell bottoms back in style is trending right now.

366
00:21:49,880 --> 00:21:52,560
Speaker 1: It's actually the number one back in style search this week,

367
00:21:52,760 --> 00:21:56,159
Speaker 1: followed by our Fannie packs back in style and the

368
00:21:56,240 --> 00:21:58,600
Speaker 1: rest of the top five banana clips for your hair,

369
00:21:59,040 --> 00:22:02,719
Speaker 1: ugs and members only jackets. Okay, here's the deal with

370
00:22:03,040 --> 00:22:05,560
Speaker 1: bell bottoms. They come back in style kind of about

371
00:22:05,560 --> 00:22:08,720
Speaker 1: every four or five years, but never fully. They haven't

372
00:22:08,720 --> 00:22:10,840
Speaker 1: been fully back in style where everybody wears them since

373
00:22:10,840 --> 00:22:15,080
Speaker 1: the seventies. However, super cool people or risky people can

374
00:22:15,119 --> 00:22:18,000
Speaker 1: always wear them every few years. Also, you're seeing a

375
00:22:18,000 --> 00:22:20,119
Speaker 1: lot of fashion like eugs are really back in style

376
00:22:20,160 --> 00:22:25,440
Speaker 1: again because a lot of people who like young millennials,

377
00:22:25,520 --> 00:22:28,680
Speaker 1: didn't get to experience ugs, so they're bringing them back

378
00:22:28,720 --> 00:22:30,480
Speaker 1: in style. So ugs are back in style. I don't

379
00:22:30,480 --> 00:22:32,480
Speaker 1: know what the crap of banana clip is. Oh, it's

380
00:22:32,520 --> 00:22:34,760
Speaker 1: just a little thing you've probably seen Caitlin order one.

381
00:22:34,880 --> 00:22:37,040
Speaker 1: You'll notice bring it up, be like, oh, I like

382
00:22:37,040 --> 00:22:40,919
Speaker 1: your banana clip, so we'll go why are you calling it? Okay?

383
00:22:40,920 --> 00:22:43,160
Speaker 1: And Target just in case you want to check out

384
00:22:43,200 --> 00:22:45,879
Speaker 1: some wider leg jeans there, they just released the extreme

385
00:22:46,080 --> 00:22:48,560
Speaker 1: Flare jeans which will get you close to that bell

386
00:22:48,600 --> 00:22:51,080
Speaker 1: bottom look if you're wanting to be on trend. And

387
00:22:51,080 --> 00:22:53,960
Speaker 1: then Miranda Lambert was talking about the details behind meeting

388
00:22:53,960 --> 00:22:56,320
Speaker 1: her husband, like we all know that they met when

389
00:22:56,320 --> 00:22:58,840
Speaker 1: she was doing Good Morning America and he was doing security.

390
00:22:59,040 --> 00:23:02,440
Speaker 1: But tells you may not know is that her pistol

391
00:23:02,480 --> 00:23:05,800
Speaker 1: Annie vandmates they were kind of the ones that first

392
00:23:05,800 --> 00:23:08,040
Speaker 1: saw him and they were like, hey, he's cute. We

393
00:23:08,040 --> 00:23:10,720
Speaker 1: should invite him to the show for Miranda. So Miranda

394
00:23:10,720 --> 00:23:12,720
Speaker 1: didn't even know. Behind her back, they were like, hey,

395
00:23:12,760 --> 00:23:15,320
Speaker 1: come to our show tonight. Her security guard was even

396
00:23:15,359 --> 00:23:17,720
Speaker 1: in on it as well, and he ended up going

397
00:23:17,720 --> 00:23:19,439
Speaker 1: to the show and then the rest was history. They

398
00:23:19,520 --> 00:23:22,439
Speaker 1: later tied it up, what's he thinking they want me

399
00:23:22,440 --> 00:23:25,080
Speaker 1: to go to a show? Well, I mean he just

400
00:23:25,080 --> 00:23:27,000
Speaker 1: showed up to do his job at Good Morning America.

401
00:23:27,119 --> 00:23:28,680
Speaker 1: I'm talking about They're like, hey, we're gonna invite you

402
00:23:28,720 --> 00:23:31,720
Speaker 1: to the show tonight. He's like why, oh, well, do

403
00:23:31,800 --> 00:23:33,080
Speaker 1: they tell him because we want to hook you up

404
00:23:33,119 --> 00:23:37,359
Speaker 1: with Miranda. Yeah, she said, I don't know. They invited

405
00:23:37,400 --> 00:23:39,439
Speaker 1: him the show behind my back. They plucked him for me,

406
00:23:39,440 --> 00:23:40,760
Speaker 1: and then did he sit there and just wait to

407
00:23:40,800 --> 00:23:42,960
Speaker 1: be presented and like, okay, what's she coming back to?

408
00:23:43,119 --> 00:23:45,479
Speaker 1: Je I'm here. I just felt like an awkward thing

409
00:23:45,520 --> 00:23:47,199
Speaker 1: for him too, to be like, all right, well you

410
00:23:47,280 --> 00:23:50,159
Speaker 1: come and maybe she'll like you come sit back here

411
00:23:50,160 --> 00:23:52,080
Speaker 1: and just wait and we'll see risk you Miranda said

412
00:23:52,119 --> 00:23:54,600
Speaker 1: her her security guy when when he was telling her

413
00:23:54,600 --> 00:23:57,960
Speaker 1: about him, said he's here and he's pretty Yeah. I

414
00:23:58,000 --> 00:24:00,920
Speaker 1: guess is that said a lot of Eddie. Oh yeah,

415
00:24:01,040 --> 00:24:02,199
Speaker 1: like I said he here, that like, yeah, he's here

416
00:24:02,200 --> 00:24:09,520
Speaker 1: and he's That was Amy's pile of stories. Kid's time

417
00:24:09,560 --> 00:24:16,920
Speaker 1: for the good news. Good Joseph is the principal at

418
00:24:16,920 --> 00:24:20,560
Speaker 1: Wooly Elementary School in Las Vegas, and he is always there.

419
00:24:20,680 --> 00:24:24,360
Speaker 1: Substitutes aren't there. Guess what he's in the classroom, custodian sick,

420
00:24:24,520 --> 00:24:27,800
Speaker 1: he's cleaning the hallways. Well, the Las Vegas Raiders. Raiders

421
00:24:27,880 --> 00:24:30,560
Speaker 1: hit him up on a zoom call. Hey, my playing

422
00:24:30,600 --> 00:24:33,719
Speaker 1: quarterback next year. I said, oh, that's what you think.

423
00:24:33,760 --> 00:24:35,239
Speaker 1: You think he's gonna get part of the team, right,

424
00:24:35,280 --> 00:24:37,360
Speaker 1: And they said, listen, we know you're a huge football fan.

425
00:24:37,680 --> 00:24:39,440
Speaker 1: We got you two tickets to the Super Bowl this

426
00:24:39,520 --> 00:24:44,920
Speaker 1: Year's cool. Yeah, that's even better than playing quarterback, way better.

427
00:24:45,200 --> 00:24:47,560
Speaker 1: That's pretty cool. Killed being quarterback. What's his name again?

428
00:24:47,680 --> 00:24:50,240
Speaker 1: His name is Joseph and he's the principal at Wooly

429
00:24:50,359 --> 00:24:52,840
Speaker 1: Elementary School in Las Vegas. Pretty tough word to say,

430
00:24:52,840 --> 00:24:59,080
Speaker 1: that too. And Raiders, that's not tough. That Raiders is

431
00:24:59,080 --> 00:25:02,679
Speaker 1: not Raiders is probably the easiest word do we say, Hey, guys,

432
00:25:02,840 --> 00:25:05,760
Speaker 1: what do you call them? You ever trying to say

433
00:25:05,800 --> 00:25:10,520
Speaker 1: Las Vegas? That's Raiders. Gave the guy from Ruly a

434
00:25:10,640 --> 00:25:15,639
Speaker 1: ticket ours and w's for some people are hard, So

435
00:25:15,720 --> 00:25:20,320
Speaker 1: did you call it ruly? Ruly? It's wooly wooly? Okay, wooly.

436
00:25:21,160 --> 00:25:23,040
Speaker 1: You remember the song or you would remember maybe you've

437
00:25:23,040 --> 00:25:32,879
Speaker 1: heard it whole Booley watch me out sing it. I

438
00:25:32,880 --> 00:25:35,880
Speaker 1: didn't know that was the words, but I know bully

439
00:25:36,000 --> 00:25:39,320
Speaker 1: go okay, wully, bully, you're out of your mind that

440
00:25:39,320 --> 00:25:41,520
Speaker 1: that's not what you're saying. Bully, bully, do it again

441
00:25:42,600 --> 00:25:47,520
Speaker 1: with Wooly Bully, Wooly bully, Bully bully. Okay, maybe Wooly Bully,

442
00:25:47,680 --> 00:25:51,320
Speaker 1: Wooly bully, that's what I said. No, it's not, yes,

443
00:25:51,359 --> 00:25:54,520
Speaker 1: it is you said, bully bully woo No, that's me

444
00:25:54,600 --> 00:25:58,360
Speaker 1: really focus. I have to focus on getting the out.

445
00:26:00,640 --> 00:26:07,600
Speaker 1: Wooly bully boy, Wooly bully. That's it, bully. Hattie told

446
00:26:07,680 --> 00:26:21,280
Speaker 1: made let's take the chance. That's not dance bullet. Why

447
00:26:21,359 --> 00:26:26,280
Speaker 1: didn't you say it? That's crazy bullet bullet, bullet bully.

448
00:26:26,600 --> 00:26:29,879
Speaker 1: After a while, all right, that's what it's all about.

449
00:26:30,560 --> 00:26:34,080
Speaker 1: That was tell me something good. Let's go over to

450
00:26:34,080 --> 00:26:36,199
Speaker 1: Amy and get in the Morning Corny. First, here we go,

451
00:26:40,320 --> 00:26:44,280
Speaker 1: Morning Corny. What sound does a nut make when they sneeze?

452
00:26:44,520 --> 00:26:53,440
Speaker 1: What sound does a nut make when they sneeze? That

453
00:26:53,640 --> 00:26:58,960
Speaker 1: was the Morning Corny, the Friday Morning conversation with Mary Morris.

454
00:26:59,080 --> 00:27:00,760
Speaker 1: Mary just told me that she was giving a permission

455
00:27:00,760 --> 00:27:02,399
Speaker 1: to say the A word coming out? Who gave you

456
00:27:02,440 --> 00:27:07,119
Speaker 1: that permission? Lt um? So I'm assuming I can say it,

457
00:27:07,200 --> 00:27:08,920
Speaker 1: can say whatever you want. We didn't really do a

458
00:27:09,040 --> 00:27:11,560
Speaker 1: radio edit of this song, so I'm I might have

459
00:27:11,600 --> 00:27:14,240
Speaker 1: to do one after this. What can she insert instead

460
00:27:14,240 --> 00:27:19,399
Speaker 1: of the A word, the F word. No, no, no, no, no, okay, no, yeah, no,

461
00:27:19,480 --> 00:27:21,119
Speaker 1: you have absolutely you can say whatever you want in

462
00:27:21,119 --> 00:27:23,520
Speaker 1: the okay cool. Yeah. I just wonder who's passing out

463
00:27:23,560 --> 00:27:24,960
Speaker 1: coupons because I would like to say things on this

464
00:27:25,000 --> 00:27:26,879
Speaker 1: show too sometimes and I'm told I can't. I know,

465
00:27:26,960 --> 00:27:29,159
Speaker 1: I have a joke with the A word. What do

466
00:27:29,200 --> 00:27:31,359
Speaker 1: you mean? Like, I've have a morning Corny saved but

467
00:27:31,400 --> 00:27:32,840
Speaker 1: it has the A word, so I haven't done it.

468
00:27:33,200 --> 00:27:36,159
Speaker 1: That's good. But Marin's like cool, that's the difference to

469
00:27:36,240 --> 00:27:38,439
Speaker 1: her or not. It's like she has the liberty to

470
00:27:38,520 --> 00:27:40,200
Speaker 1: say that. Okay, Well let me know if I ever

471
00:27:40,880 --> 00:27:43,320
Speaker 1: Thank you for coming to the studio. Yeah, it's good

472
00:27:43,320 --> 00:27:45,600
Speaker 1: to be here. We had this planned and then the

473
00:27:45,640 --> 00:27:48,280
Speaker 1: massive snowstorm hit and so we talked to you on

474
00:27:48,280 --> 00:27:53,080
Speaker 1: the computer. Yeah, this is cooler, is it? And Jimmy

475
00:27:53,160 --> 00:27:57,439
Speaker 1: Robbins is here much very famous much clime songwriter. Jimmy,

476
00:27:57,440 --> 00:28:00,439
Speaker 1: how are you? I'm good? You wrote this next all

477
00:28:00,480 --> 00:28:03,680
Speaker 1: with Maren You're gonna play? I did, and so talk

478
00:28:03,720 --> 00:28:05,840
Speaker 1: to me because we've talked to Marrion a lot. But

479
00:28:05,880 --> 00:28:07,720
Speaker 1: you've written, You've written a ton of songs. I could

480
00:28:07,720 --> 00:28:10,240
Speaker 1: list off all the songs you wrote the bones too together, right,

481
00:28:10,320 --> 00:28:12,960
Speaker 1: didn't you? Guys? Yeah? Yeah, yeah, talk for a second

482
00:28:13,000 --> 00:28:17,040
Speaker 1: about circles, because who this song? How does this idea

483
00:28:17,080 --> 00:28:19,280
Speaker 1: come up in a room with you guys? Well, this

484
00:28:19,359 --> 00:28:22,560
Speaker 1: was your idea. You kind of came in wanting to

485
00:28:22,560 --> 00:28:25,720
Speaker 1: do this. Yeah. I brought the title, but I didn't

486
00:28:25,720 --> 00:28:28,280
Speaker 1: have it like fully sussed out yet, So you guys

487
00:28:28,280 --> 00:28:30,440
Speaker 1: helped me with that. But I'm glad that we made

488
00:28:30,440 --> 00:28:32,879
Speaker 1: it very personal to me. It was gonna go on

489
00:28:32,920 --> 00:28:35,879
Speaker 1: your record, but it was for my record. Yeah. Originally,

490
00:28:36,119 --> 00:28:38,160
Speaker 1: was there a fear of getting too personal, Mirran, where

491
00:28:38,160 --> 00:28:40,360
Speaker 1: you're like, if I get so personal, people won't relate

492
00:28:40,400 --> 00:28:44,000
Speaker 1: to the song if it's specifically about me. Yeah, I

493
00:28:44,040 --> 00:28:45,960
Speaker 1: did have that, just because I feel like we try

494
00:28:46,000 --> 00:28:50,560
Speaker 1: to keep most of the songs we write more emotional

495
00:28:50,640 --> 00:28:54,760
Speaker 1: than personal anecdotes. But I feel like with this one

496
00:28:55,400 --> 00:28:57,560
Speaker 1: it just didn't matter. And the second that I did

497
00:28:57,560 --> 00:28:59,840
Speaker 1: the vocal for the demo, it was like, I feel

498
00:28:59,840 --> 00:29:02,680
Speaker 1: like people relate to this even though it is so

499
00:29:02,880 --> 00:29:05,800
Speaker 1: concretely about how I got to Nashville from Texas ten

500
00:29:05,880 --> 00:29:08,240
Speaker 1: years ago. But I mean, it's hard for me to

501
00:29:08,240 --> 00:29:10,640
Speaker 1: say it because I wrote it. I guess if you've

502
00:29:10,680 --> 00:29:13,080
Speaker 1: listened to the song, let me know if you relate

503
00:29:13,120 --> 00:29:15,920
Speaker 1: to it, Jimmy, When you're in a room and an

504
00:29:16,000 --> 00:29:18,720
Speaker 1: artist or someone like Maren who you know is known

505
00:29:18,720 --> 00:29:21,480
Speaker 1: not only as a songwriter but also being a performer,

506
00:29:21,640 --> 00:29:23,880
Speaker 1: if they have a direction, do you just kind of

507
00:29:23,920 --> 00:29:25,960
Speaker 1: go along with it? If they're just like, I got it,

508
00:29:26,040 --> 00:29:29,680
Speaker 1: let's go. Yeah. I mean, I feel like my job

509
00:29:29,800 --> 00:29:31,680
Speaker 1: is to help somebody tell the story they want to tell,

510
00:29:32,240 --> 00:29:34,880
Speaker 1: and I try to be pretty fluid and pivot to

511
00:29:34,880 --> 00:29:36,560
Speaker 1: whatever they're going for. So I just try to make

512
00:29:36,560 --> 00:29:38,680
Speaker 1: it as good as I can. But still, at the

513
00:29:38,760 --> 00:29:40,200
Speaker 1: end of the day, she has to sing it, so

514
00:29:40,680 --> 00:29:42,040
Speaker 1: I could love it and she could hate it and

515
00:29:42,040 --> 00:29:44,239
Speaker 1: you would never hear it. So I need to make

516
00:29:44,280 --> 00:29:46,240
Speaker 1: sure that it's what you want to say. Yea. You

517
00:29:46,280 --> 00:29:48,320
Speaker 1: ever just say something and then you're just searching for

518
00:29:48,360 --> 00:29:50,440
Speaker 1: a word that rhymes. Because I feel like that's what

519
00:29:50,480 --> 00:29:53,400
Speaker 1: I want to be doing. Yeah, that's like ninety five

520
00:29:53,840 --> 00:29:57,920
Speaker 1: of rhymezone dot com. Why didn't we buy stock in

521
00:29:58,000 --> 00:30:01,720
Speaker 1: rhyme Zone? Here is mar Morris performing her new song

522
00:30:01,920 --> 00:30:19,960
Speaker 1: Circles around this Town. Let's do It? I swear. I

523
00:30:20,040 --> 00:30:25,400
Speaker 1: don't know how I trusted a Montero with the AC busted.

524
00:30:25,440 --> 00:30:28,920
Speaker 1: A couple of bad demos on a burned CD would

525
00:30:28,960 --> 00:30:33,280
Speaker 1: take me all the way to Tennessee. I showed up

526
00:30:33,320 --> 00:30:38,320
Speaker 1: to the new apartment first months, last months to deposits.

527
00:30:38,680 --> 00:30:42,280
Speaker 1: Hadn't hear the sound over doors slam yet, Thank god.

528
00:30:42,280 --> 00:30:47,960
Speaker 1: I wasn't optimist. I drove circles around and so trying

529
00:30:48,000 --> 00:30:53,000
Speaker 1: to ride circles around and stup trying to say something

530
00:30:53,120 --> 00:30:58,960
Speaker 1: with meaning SMO the worst singing a bad I've been cutting,

531
00:30:59,120 --> 00:31:03,600
Speaker 1: I've been ruthless. Yeah, I got here, but the truth

532
00:31:04,800 --> 00:31:08,480
Speaker 1: that went out hit it hit out a different pout.

533
00:31:08,520 --> 00:31:12,640
Speaker 1: So got the pedal down a still get lost, still

534
00:31:12,800 --> 00:31:30,400
Speaker 1: get fell jobbing circles around this. Oh, Marion Morris Live.

535
00:31:30,480 --> 00:31:32,840
Speaker 1: Why your voice sounds really good? Thank you? Does it

536
00:31:32,840 --> 00:31:36,760
Speaker 1: feel really strong right now? My voice? Yeah? I actually

537
00:31:36,840 --> 00:31:38,800
Speaker 1: kind of have like a bit of a cold that

538
00:31:38,880 --> 00:31:41,160
Speaker 1: I caught from my son last week, so thank you

539
00:31:41,600 --> 00:31:43,680
Speaker 1: for saying that. But I honestly feel like I had

540
00:31:43,680 --> 00:31:46,360
Speaker 1: a cold the day I sung the final vocals, So

541
00:31:46,440 --> 00:31:48,840
Speaker 1: it's just stuck around. Have you guys played this all

542
00:31:48,880 --> 00:31:51,480
Speaker 1: a lot together? This is the second time we run

543
00:31:51,520 --> 00:31:56,960
Speaker 1: it through since we wrote it. Yeah, we're very honored.

544
00:31:57,960 --> 00:32:01,040
Speaker 1: Jimmy's really I mean I don't want to sound like shocked,

545
00:32:01,080 --> 00:32:03,640
Speaker 1: but like he's a great guitar player. I mean everyone

546
00:32:03,680 --> 00:32:06,560
Speaker 1: knows him as a writer. But every time you play guitar,

547
00:32:06,680 --> 00:32:09,640
Speaker 1: like Greg Kristen, my producer, is like, I am trying

548
00:32:09,640 --> 00:32:12,400
Speaker 1: to replicate what Jimmy has done on this demo. So

549
00:32:12,800 --> 00:32:15,719
Speaker 1: good job. But thank you. Yeah you've written. Let me

550
00:32:15,720 --> 00:32:18,640
Speaker 1: read some of these here beechen Yeah, which it's me

551
00:32:18,760 --> 00:32:24,040
Speaker 1: doing a the beer can sound. That's a literal sound that. Yeah,

552
00:32:24,040 --> 00:32:25,920
Speaker 1: it was of course light and it was ten o'clock

553
00:32:25,960 --> 00:32:29,640
Speaker 1: in the morning. The bones, which you and Maren wrote together,

554
00:32:30,400 --> 00:32:33,480
Speaker 1: circles around this town. Let's see. I mean there's so

555
00:32:33,480 --> 00:32:35,200
Speaker 1: many I'm not going to read them all. Half of

556
00:32:35,240 --> 00:32:40,040
Speaker 1: my hometown, which is Kelsey and Kenney Chasney, let's see

557
00:32:40,880 --> 00:32:44,560
Speaker 1: Thomas Rhett. You've written with Thomas. This is your life, Jimmy,

558
00:32:44,600 --> 00:32:46,200
Speaker 1: So just stand by and I'm gonna read all your

559
00:32:46,200 --> 00:32:49,440
Speaker 1: songs there. Sure be cool. If you did Blake Shelton

560
00:32:51,120 --> 00:32:56,160
Speaker 1: love Triangle, Raylan I love Triangle, whatever She's got we

561
00:32:56,160 --> 00:33:02,520
Speaker 1: were us. Yeah, come on, you're rich you're rich, hey man,

562
00:33:02,760 --> 00:33:04,760
Speaker 1: and my first number one song I could use a

563
00:33:04,760 --> 00:33:07,920
Speaker 1: love song? Yeah, we wrote Oh really? So how many

564
00:33:07,960 --> 00:33:10,040
Speaker 1: songs have you guys written together that have been singles?

565
00:33:10,040 --> 00:33:14,360
Speaker 1: Those three or more than that? Yeah? Yeah, yeah, yeah.

566
00:33:14,400 --> 00:33:16,960
Speaker 1: I mean I would like to say, and it'll happen someday.

567
00:33:17,000 --> 00:33:19,440
Speaker 1: But I don't feel like we've written a bad song,

568
00:33:19,640 --> 00:33:21,920
Speaker 1: and we've written for a long time. I mean, even

569
00:33:21,960 --> 00:33:25,840
Speaker 1: our like average ones are still I still go back

570
00:33:25,840 --> 00:33:28,680
Speaker 1: and listen to and like, yeah, so we'll just keep

571
00:33:28,680 --> 00:33:30,640
Speaker 1: doing it. Yeah, you're all right. What was your first

572
00:33:30,760 --> 00:33:34,080
Speaker 1: number one? Jimmy? Should be cool if you did bite? Yeah,

573
00:33:34,120 --> 00:33:35,800
Speaker 1: what is that like, the first time you're flying up

574
00:33:35,800 --> 00:33:38,320
Speaker 1: the chart as a songwriter? Dude? It was crazy. Um,

575
00:33:38,640 --> 00:33:41,160
Speaker 1: I had been in music for a long time. I

576
00:33:41,200 --> 00:33:44,160
Speaker 1: had had a record deal and moved to New York,

577
00:33:44,200 --> 00:33:46,520
Speaker 1: moved to LA and came here, and I had only

578
00:33:46,520 --> 00:33:48,800
Speaker 1: been in Nashville for like six months. And that was

579
00:33:48,840 --> 00:33:50,600
Speaker 1: one of those rare times where the song was written,

580
00:33:50,880 --> 00:33:53,920
Speaker 1: got recorded two weeks later, debuted three weeks after that,

581
00:33:54,000 --> 00:33:56,200
Speaker 1: and then went number one like three months after that. Oh,

582
00:33:56,240 --> 00:33:59,040
Speaker 1: that's not even the real experience of fighting up the cheating.

583
00:33:59,200 --> 00:34:02,160
Speaker 1: It's cheating, but I paid my dad back for all

584
00:34:02,160 --> 00:34:06,760
Speaker 1: the years that he lent me money. Sounds good. The

585
00:34:06,880 --> 00:34:10,359
Speaker 1: Friday Morning Conversation with Marion Morris. Hey, let me say

586
00:34:10,360 --> 00:34:13,960
Speaker 1: this about Marin. On Saturday May seventh, at Austin's new arena,

587
00:34:14,000 --> 00:34:16,640
Speaker 1: the Moody Center, Marin is part of our twenty twenty

588
00:34:16,680 --> 00:34:19,720
Speaker 1: two I Heart Country Festival with so many other artists

589
00:34:20,120 --> 00:34:22,759
Speaker 1: Zach Brown Band, Cody Johnson and more. And we'll tell

590
00:34:22,800 --> 00:34:24,840
Speaker 1: you more about that later. But Marin, my question for

591
00:34:24,880 --> 00:34:26,360
Speaker 1: you is, with everything that you have done in the

592
00:34:26,360 --> 00:34:30,560
Speaker 1: past few years, do you get nervous anymore for a performance? Yeah,

593
00:34:30,600 --> 00:34:33,320
Speaker 1: I think that'll always stick around. It's just not something

594
00:34:33,320 --> 00:34:36,680
Speaker 1: that I think I can ever outgrow. And I don't

595
00:34:36,719 --> 00:34:40,600
Speaker 1: know why. I mean, it's just sometimes it's good anxiety

596
00:34:40,600 --> 00:34:43,720
Speaker 1: and it just gives you the adrenaline. But then yeah,

597
00:34:43,800 --> 00:34:48,000
Speaker 1: I mean, there's just I remember really distinctly when I

598
00:34:48,040 --> 00:34:52,480
Speaker 1: did SNL. I was performing eighties Mercedes and in the

599
00:34:52,520 --> 00:34:56,600
Speaker 1: middle of it, I blanked And you can't tell if

600
00:34:56,640 --> 00:34:59,120
Speaker 1: you watch the video, like it's probably two seconds of

601
00:34:59,200 --> 00:35:03,440
Speaker 1: silence from me, but I completely forgot all my lyrics

602
00:35:03,920 --> 00:35:07,520
Speaker 1: and then it came back and I didn't have a meltdown.

603
00:35:07,560 --> 00:35:10,040
Speaker 1: But I mean, yeah, it's like, I don't know what

604
00:35:10,080 --> 00:35:12,520
Speaker 1: it is. Maybe it's just me, but that's always going

605
00:35:12,560 --> 00:35:14,480
Speaker 1: to be around Amy. Is it comforting to you at

606
00:35:14,520 --> 00:35:15,960
Speaker 1: all to know that somebody who is so good at

607
00:35:16,000 --> 00:35:18,880
Speaker 1: what they do still gets nervous doing what they do. Yes? Yeah,

608
00:35:18,920 --> 00:35:20,840
Speaker 1: I don't feel like such an idiot. Yeah right, the

609
00:35:21,080 --> 00:35:23,320
Speaker 1: fact that you still get let's take us and l

610
00:35:23,320 --> 00:35:25,360
Speaker 1: out of it. When is the last like huge performance

611
00:35:25,400 --> 00:35:27,640
Speaker 1: and you're like, oh man, this there's something on the

612
00:35:27,680 --> 00:35:32,400
Speaker 1: line here. When I did the Houston Rodeo nine months pregnant,

613
00:35:33,000 --> 00:35:36,240
Speaker 1: I was more nervous about going into labor on stage,

614
00:35:36,280 --> 00:35:41,400
Speaker 1: but it was a lot of variables that evoked anxiety.

615
00:35:41,440 --> 00:35:44,640
Speaker 1: I mean, the stage at the Houston Rodeo rotates and

616
00:35:44,680 --> 00:35:49,360
Speaker 1: it's slow, but it's rotating, and I'm a beach ball

617
00:35:49,640 --> 00:35:53,239
Speaker 1: and I was just afraid for an hour straight that

618
00:35:53,280 --> 00:35:57,000
Speaker 1: I was gonna fall off this spinning stage and have

619
00:35:57,160 --> 00:36:02,160
Speaker 1: my baby on where the cows jump around. But yeah,

620
00:36:02,200 --> 00:36:03,600
Speaker 1: that was probably where it was like this, there's a

621
00:36:03,600 --> 00:36:05,399
Speaker 1: lot on the line here. I really need to keep

622
00:36:05,440 --> 00:36:09,640
Speaker 1: the child in. How long after that show did you

623
00:36:09,640 --> 00:36:13,040
Speaker 1: have your baby? It was like a week later. Is

624
00:36:13,080 --> 00:36:15,320
Speaker 1: that your last show before you had the baby. Yeah, well,

625
00:36:15,320 --> 00:36:17,720
Speaker 1: the doctors say when you're that close to giving birth

626
00:36:17,760 --> 00:36:20,319
Speaker 1: and you have something you have to do, like do

627
00:36:20,360 --> 00:36:22,640
Speaker 1: a concert. I had to get a doctor's note to

628
00:36:22,680 --> 00:36:25,879
Speaker 1: be able to do the show and not cancel. And

629
00:36:25,960 --> 00:36:28,480
Speaker 1: I brought my duelo with me, so that was the

630
00:36:28,480 --> 00:36:31,000
Speaker 1: only way I could get my doctor to sign off

631
00:36:31,000 --> 00:36:33,279
Speaker 1: on me going and doing that show. And it was

632
00:36:33,320 --> 00:36:35,359
Speaker 1: like a one. You know. I didn't stay overnight. I

633
00:36:35,520 --> 00:36:38,880
Speaker 1: was back in Nashville by ten pm. So yeah, it

634
00:36:38,920 --> 00:36:41,320
Speaker 1: was a lot, but I'm glad I did it because

635
00:36:41,480 --> 00:36:44,919
Speaker 1: those photos still make me cry and laugh because I'm

636
00:36:44,920 --> 00:36:47,720
Speaker 1: just so big and covered in rhinestones. At the roudio.

637
00:36:48,120 --> 00:36:50,720
Speaker 1: Jimmy Robbins is here too, who is just a massive

638
00:36:50,719 --> 00:36:53,239
Speaker 1: songwriter in town. Wrote Circles around this town with the

639
00:36:53,239 --> 00:36:55,120
Speaker 1: mayor and they played it a minute ago. Jimmy, do

640
00:36:55,200 --> 00:36:59,239
Speaker 1: you know how many number one you have? Yeah? I

641
00:36:59,239 --> 00:37:01,960
Speaker 1: mean it depends on your chart, but like ten, you

642
00:37:02,000 --> 00:37:05,080
Speaker 1: have ten number ones? Yeah? Well, your first one we

643
00:37:05,320 --> 00:37:08,480
Speaker 1: talked about earlier was the Blake Shelton song should Be Cool?

644
00:37:08,480 --> 00:37:11,080
Speaker 1: If which one was it? And what is your last

645
00:37:11,280 --> 00:37:15,279
Speaker 1: number one? Um? Oh, he's struggling. He's got so many

646
00:37:15,320 --> 00:37:17,120
Speaker 1: he can't remember his last one now. I think it

647
00:37:17,160 --> 00:37:20,399
Speaker 1: was The Bones was the last one to go. The

648
00:37:20,440 --> 00:37:23,440
Speaker 1: Bones was such a rarity because it was so massive.

649
00:37:24,360 --> 00:37:27,960
Speaker 1: In every lane, I would be listening to the conversation

650
00:37:28,400 --> 00:37:33,200
Speaker 1: if the Bone Okay, I've heard that song the the

651
00:37:33,239 --> 00:37:35,960
Speaker 1: hip hop yo yo yo. It's like a weird Yeah,

652
00:37:36,000 --> 00:37:38,640
Speaker 1: it's like all the different. Was that your first song,

653
00:37:38,880 --> 00:37:40,600
Speaker 1: because I know we've talked about the Marin Is that

654
00:37:40,640 --> 00:37:42,200
Speaker 1: your first song that crossed over and was a massive

655
00:37:42,239 --> 00:37:46,040
Speaker 1: pop success too? Yeah, definitely to that level. I've had

656
00:37:46,080 --> 00:37:48,560
Speaker 1: some songs on the pop charts. I did um a

657
00:37:48,600 --> 00:37:51,800
Speaker 1: song called This City for Sam Fisher and that was

658
00:37:51,840 --> 00:37:53,279
Speaker 1: on the pop charts at the same time, but not

659
00:37:53,400 --> 00:37:55,920
Speaker 1: at the level of that song. How does that song go,

660
00:37:56,840 --> 00:38:00,000
Speaker 1: City's going to brace the City's going to break my heart?

661
00:38:00,640 --> 00:38:04,960
Speaker 1: I'm singing, Do you play that? You got your guitar? Yeah?

662
00:38:05,000 --> 00:38:09,000
Speaker 1: It was like that was because it was me on

663
00:38:09,040 --> 00:38:12,359
Speaker 1: guitar on that. That song was just the What made

664
00:38:12,360 --> 00:38:13,960
Speaker 1: it to the radio was the demo that we hadn't

665
00:38:14,000 --> 00:38:16,799
Speaker 1: done that day, and then they cut another version and

666
00:38:16,840 --> 00:38:18,960
Speaker 1: went back to the one we did. Just that like

667
00:38:19,000 --> 00:38:23,279
Speaker 1: an Airbnb on a kitchen table in LA. That's pretty cool. Yeah,

668
00:38:23,360 --> 00:38:27,360
Speaker 1: the beer Can and then the La. I just realized

669
00:38:27,400 --> 00:38:29,839
Speaker 1: both those songs, like the Bones and the City. You're

670
00:38:29,880 --> 00:38:35,080
Speaker 1: like such a fan of the hammer on Um. Yeah,

671
00:38:35,080 --> 00:38:39,959
Speaker 1: it was like that's almost like the Bones too, like, yeah,

672
00:38:40,040 --> 00:38:42,600
Speaker 1: you got a thing, you got a thing the tenths Marin.

673
00:38:42,640 --> 00:38:47,000
Speaker 1: After having success outside of country, do you feel like

674
00:38:47,000 --> 00:38:48,879
Speaker 1: you've got to put some songs on a record that

675
00:38:48,880 --> 00:38:51,040
Speaker 1: that possibly could cross over or do you feel like

676
00:38:51,040 --> 00:38:53,319
Speaker 1: you you don't chase that at all? I don't really

677
00:38:53,480 --> 00:38:57,480
Speaker 1: chase it. Um. It's amazing if someone at the label

678
00:38:57,520 --> 00:38:59,319
Speaker 1: in New York is like, I think we could work

679
00:38:59,400 --> 00:39:04,520
Speaker 1: this it hot I see or whatever pop, But I

680
00:39:04,560 --> 00:39:08,640
Speaker 1: don't know after doing a song like the Middle, Like

681
00:39:08,680 --> 00:39:11,480
Speaker 1: I didn't go into it thinking The Bones would go

682
00:39:11,600 --> 00:39:13,680
Speaker 1: to any other lane than country, because I felt like

683
00:39:13,719 --> 00:39:16,239
Speaker 1: The Bones was a country song, But you just don't

684
00:39:16,280 --> 00:39:18,560
Speaker 1: know how listeners are going to feel, and it was

685
00:39:18,640 --> 00:39:23,640
Speaker 1: just getting playlisted in different genres, so I feel like, yeah,

686
00:39:23,760 --> 00:39:26,520
Speaker 1: it's not something you can really chase, And I personally

687
00:39:26,560 --> 00:39:30,200
Speaker 1: just feel kind of fake if I do that, not

688
00:39:30,280 --> 00:39:32,840
Speaker 1: like shading anyone that wants to chase that down. But

689
00:39:34,120 --> 00:39:36,480
Speaker 1: for me, it just like never feels right to go

690
00:39:36,520 --> 00:39:38,080
Speaker 1: in the room and be like, Okay, let's write a

691
00:39:38,080 --> 00:39:42,320
Speaker 1: song today, but let's shop it to every possible genre

692
00:39:42,360 --> 00:39:46,360
Speaker 1: and make sure it can wear all these hats and so. Yeah,

693
00:39:46,400 --> 00:39:49,160
Speaker 1: but with this new record, for instance, I mean, it's

694
00:39:49,480 --> 00:39:52,960
Speaker 1: it's it's country, and but yeah, it's it's always an honor.

695
00:39:53,000 --> 00:39:54,640
Speaker 1: I feel like the songs that are country that have

696
00:39:54,719 --> 00:39:59,160
Speaker 1: crossed into pop are epic. I mean like Lady A's

697
00:39:59,320 --> 00:40:02,759
Speaker 1: Need You Now, Taylor Swift, like Shania Twain, songs that

698
00:40:02,800 --> 00:40:06,719
Speaker 1: have crossed over FGL like those songs were like massive,

699
00:40:06,880 --> 00:40:08,799
Speaker 1: the ones that are able to be in both so

700
00:40:09,120 --> 00:40:11,759
Speaker 1: and they're also like doors into the country music like that.

701
00:40:11,840 --> 00:40:14,320
Speaker 1: That's my favorite part of like when a Rascal Flats

702
00:40:14,320 --> 00:40:15,960
Speaker 1: would do back in the day. Yeah or You, it's

703
00:40:16,000 --> 00:40:17,759
Speaker 1: people discovering you and they going, well, let me see

704
00:40:17,800 --> 00:40:19,600
Speaker 1: what else this is about. And then when they're seeing

705
00:40:19,600 --> 00:40:22,600
Speaker 1: what else, they're also being exposed to other artists that

706
00:40:22,680 --> 00:40:24,640
Speaker 1: are similar to you, and so then they get to

707
00:40:24,640 --> 00:40:26,120
Speaker 1: come into our world for a bit. Like I think

708
00:40:26,120 --> 00:40:28,560
Speaker 1: it's great for the format. I do too, and I

709
00:40:28,600 --> 00:40:31,600
Speaker 1: think it kind of raises the bar on everybody when

710
00:40:31,840 --> 00:40:34,080
Speaker 1: there's just because I just don't really look at things

711
00:40:34,080 --> 00:40:36,680
Speaker 1: at genre so much anymore. I think it's just like,

712
00:40:37,040 --> 00:40:39,640
Speaker 1: does this feel good? And I think that's how people

713
00:40:39,680 --> 00:40:42,960
Speaker 1: listen to music for the most part. It's like, oh,

714
00:40:43,000 --> 00:40:45,839
Speaker 1: this isn't country enough. Well, it's like what that's so

715
00:40:45,960 --> 00:40:50,120
Speaker 1: subjective at this point because it's just so many things. Um, sorry,

716
00:40:50,120 --> 00:40:52,840
Speaker 1: I've had a lot of coffee this morning. Let me

717
00:40:53,400 --> 00:40:55,759
Speaker 1: finish on this. Humble Quest is the name of the

718
00:40:55,760 --> 00:40:59,799
Speaker 1: record that's coming out March twenty fifth's what does that mean?

719
00:41:00,080 --> 00:41:04,040
Speaker 1: Uble Quest? For me personally, it's the journey to me,

720
00:41:04,760 --> 00:41:08,360
Speaker 1: kind of getting back to my roots. And it also

721
00:41:08,440 --> 00:41:10,880
Speaker 1: felt applicable to the world because I feel like the

722
00:41:10,920 --> 00:41:13,640
Speaker 1: world has been very humbled the last two years and

723
00:41:13,680 --> 00:41:16,960
Speaker 1: this craziness, and so I just wanted to create something

724
00:41:17,000 --> 00:41:21,719
Speaker 1: that was positive and made people feel good. And I

725
00:41:21,719 --> 00:41:24,040
Speaker 1: didn't want to not that there's not a place for

726
00:41:24,120 --> 00:41:27,920
Speaker 1: sad songs. I love them, but I personally did not

727
00:41:28,000 --> 00:41:31,200
Speaker 1: want to inject more of that into society. I wanted

728
00:41:31,239 --> 00:41:34,279
Speaker 1: to put art out that was that would a leave

729
00:41:34,800 --> 00:41:40,080
Speaker 1: that if that makes sense. Jimmy Robbins, you are leaving here,

730
00:41:40,160 --> 00:41:41,920
Speaker 1: what do you do the rest of the day. I'm

731
00:41:41,920 --> 00:41:45,920
Speaker 1: gonna go write a song with Brandy Clark and Sasha Sloan,

732
00:41:46,160 --> 00:41:47,840
Speaker 1: and then I've got to cut a vocal on Brett

733
00:41:47,880 --> 00:41:51,560
Speaker 1: Young at four and then I've got to see my kids.

734
00:41:52,520 --> 00:41:56,280
Speaker 1: That's a day to cut a vocal on. Someone explain

735
00:41:56,320 --> 00:41:58,759
Speaker 1: that to our audience. What does that mean to cut

736
00:41:58,760 --> 00:42:02,719
Speaker 1: a vocal? They'll come to my studio and sing a

737
00:42:02,760 --> 00:42:05,520
Speaker 1: song and generally will do multiple takes and I'll kind

738
00:42:05,520 --> 00:42:08,960
Speaker 1: of comp it which is compiled, you know, pick lines

739
00:42:09,000 --> 00:42:11,640
Speaker 1: here and there, and Brett doesn't. He's a great singer,

740
00:42:11,680 --> 00:42:13,440
Speaker 1: so it's not well you're saying, is Brett has to

741
00:42:13,480 --> 00:42:15,319
Speaker 1: sing a song seventy two times to get one take.

742
00:42:15,600 --> 00:42:20,360
Speaker 1: That's what I heard. Yeah, well, Maren, always great to

743
00:42:20,360 --> 00:42:22,560
Speaker 1: see you, thanks for coming bye. You definitely didn't have to,

744
00:42:22,760 --> 00:42:25,440
Speaker 1: but the snow guide us last time. I'm glad to

745
00:42:25,440 --> 00:42:28,080
Speaker 1: be here. It's nice to work again. And Jimmy, great

746
00:42:28,120 --> 00:42:30,759
Speaker 1: to meet you and thanks thanks for coming up. We

747
00:42:30,880 --> 00:42:32,520
Speaker 1: rarely get a big star that comes with a big star.

748
00:42:33,000 --> 00:42:35,120
Speaker 1: Most big stars have ego and they're like, I'm not

749
00:42:35,160 --> 00:42:36,960
Speaker 1: going to be in the same room, but not you,

750
00:42:37,080 --> 00:42:41,879
Speaker 1: my friend, humble question is all right? Marion Morris, Thomas, Rhet,

751
00:42:41,920 --> 00:42:44,279
Speaker 1: Carrie Underwood, Zach Brown Band. And if you want to

752
00:42:44,280 --> 00:42:45,960
Speaker 1: go to the show, you can enter for your chance

753
00:42:46,000 --> 00:42:47,880
Speaker 1: to win a three day, two night trip to Austin

754
00:42:48,280 --> 00:42:50,960
Speaker 1: by going to Bobby Bones dot com. It's all up there,

755
00:42:51,080 --> 00:42:54,280
Speaker 1: keyword rules, but Marion's gonna be there. Thank you, guys,

756
00:42:54,400 --> 00:43:01,560
Speaker 1: Thanks y'all, It's time for the good news. Bobby. The

757
00:43:01,600 --> 00:43:04,600
Speaker 1: guy's name is Anthony Sheriff. He's known as Sheriff drum Man.

758
00:43:05,280 --> 00:43:07,759
Speaker 1: He's been performing many concerts in Los Angeles from the

759
00:43:07,800 --> 00:43:10,440
Speaker 1: back of his truck for years. He's not really a sheriff.

760
00:43:10,480 --> 00:43:11,880
Speaker 1: That's just his last name, right, So I don't want

761
00:43:11,880 --> 00:43:15,040
Speaker 1: you guys think he's a cop. Anthony Sheriff. Last month,

762
00:43:15,200 --> 00:43:17,879
Speaker 1: both his truck and drums were stolen from in front

763
00:43:17,920 --> 00:43:20,440
Speaker 1: of his apartment, so he gets on social media It's like, hey,

764
00:43:20,560 --> 00:43:23,040
Speaker 1: anyone to see my drums, Like this is what I do.

765
00:43:23,640 --> 00:43:25,880
Speaker 1: A few days later, his truck turned up, but his

766
00:43:26,040 --> 00:43:28,400
Speaker 1: drums were gone, so it was his car battery, generator,

767
00:43:28,480 --> 00:43:30,000
Speaker 1: lighting rig all that he would use to do to

768
00:43:30,000 --> 00:43:33,000
Speaker 1: these drum concerts. Well, Metallica the band heard what happened

769
00:43:33,000 --> 00:43:36,000
Speaker 1: to give him a brand new drum kit. Wow. Metallica

770
00:43:36,040 --> 00:43:38,200
Speaker 1: responded with a tweet that read, We're honored to be

771
00:43:38,239 --> 00:43:40,960
Speaker 1: able to help out a fellow artist. Keep the music going,

772
00:43:41,360 --> 00:43:44,880
Speaker 1: Sheriff drum man, Well, that's cool Metallica songs. Can you

773
00:43:44,960 --> 00:43:46,960
Speaker 1: name any I mean, I'm sure he could if you

774
00:43:47,000 --> 00:43:53,160
Speaker 1: give me a tiny hit light extra lights, extra light,

775
00:43:54,000 --> 00:43:58,480
Speaker 1: take my hand to never never left. It's an exit

776
00:43:58,640 --> 00:44:02,520
Speaker 1: light okay or night okay? Well, yeah, you got it?

777
00:44:02,760 --> 00:44:09,520
Speaker 1: Or do you know? Um Nick coming unforgiven? No? No,

778
00:44:10,000 --> 00:44:12,080
Speaker 1: do you know you didn't really sound like him? Their

779
00:44:12,120 --> 00:44:17,960
Speaker 1: bones it was a little hard. Nothing else matters. They're

780
00:44:17,960 --> 00:44:21,959
Speaker 1: also the same by the way I'm doing this, Um

781
00:44:22,000 --> 00:44:26,040
Speaker 1: sad but true. I can't say that I'm recognizing what

782
00:44:26,080 --> 00:44:27,879
Speaker 1: you're doing me either, and I'm trying to sing them.

783
00:44:27,960 --> 00:44:30,040
Speaker 1: I don't either. I have to know more than just

784
00:44:30,080 --> 00:44:32,000
Speaker 1: that one. The great story though, that's what it's all about.

785
00:44:32,880 --> 00:44:38,759
Speaker 1: That was tell me something good on the Bobby Bones Show. Now,

786
00:44:39,440 --> 00:44:42,080
Speaker 1: Lenny Um, Well, let me say first of all that

787
00:44:42,120 --> 00:44:45,680
Speaker 1: I'm a massive fan of not only the show, but

788
00:44:45,920 --> 00:44:47,839
Speaker 1: you and a lot of your work that you've done,

789
00:44:48,040 --> 00:44:49,960
Speaker 1: you know, over the past amount of years. So I

790
00:44:50,000 --> 00:44:52,759
Speaker 1: come to this as kind of a nerd, so just

791
00:44:52,840 --> 00:44:55,839
Speaker 1: accept me for as I am. Well, thank you so much.

792
00:44:55,880 --> 00:45:01,000
Speaker 1: I will I'll start with um some like all Ozark stuff,

793
00:45:01,000 --> 00:45:03,359
Speaker 1: because at the end of this I'll ask more things

794
00:45:03,360 --> 00:45:05,640
Speaker 1: that could be considered spoiler related because we'll talk about

795
00:45:05,640 --> 00:45:07,919
Speaker 1: some of the past seasons. So just the first half

796
00:45:07,960 --> 00:45:11,000
Speaker 1: of this, we'll just talk about some of the macro

797
00:45:11,160 --> 00:45:14,600
Speaker 1: Ozark stuff, if you're okay with that. Okay, sure. So

798
00:45:15,040 --> 00:45:17,520
Speaker 1: when Ozark first comes together as a project, at what

799
00:45:17,640 --> 00:45:20,680
Speaker 1: point did you get involved and how did they approach you?

800
00:45:21,200 --> 00:45:24,279
Speaker 1: I got a it was interesting. I think it hit

801
00:45:24,600 --> 00:45:28,400
Speaker 1: Chris Munday was already on the show. Our showrunner, Jason

802
00:45:28,560 --> 00:45:34,200
Speaker 1: was already attached and was going to direct and produce,

803
00:45:34,880 --> 00:45:38,319
Speaker 1: and then they came to me. And I had met

804
00:45:38,400 --> 00:45:42,560
Speaker 1: Jason a few times just over the years at various events,

805
00:45:42,560 --> 00:45:44,720
Speaker 1: and I didn't know him well, but I just really

806
00:45:44,760 --> 00:45:48,840
Speaker 1: liked them, and I was sort of always curious about

807
00:45:50,360 --> 00:45:53,480
Speaker 1: when someone is that good and that specific in the

808
00:45:53,520 --> 00:45:57,400
Speaker 1: genre that they do. Most of the time, they have

809
00:45:57,440 --> 00:46:03,719
Speaker 1: a much wider range then they're given credit for. And

810
00:46:03,880 --> 00:46:06,400
Speaker 1: I always am curious and I love it when someone

811
00:46:06,960 --> 00:46:11,760
Speaker 1: ventures outside of that and really give something completely different.

812
00:46:11,760 --> 00:46:17,000
Speaker 1: Ago So that made the whole thing sort of. In fact,

813
00:46:17,080 --> 00:46:18,560
Speaker 1: it was him that I liked him as much as

814
00:46:18,560 --> 00:46:21,440
Speaker 1: I did um, and that he was trying something kind

815
00:46:21,480 --> 00:46:25,320
Speaker 1: of daring and risky, and I could see the potential

816
00:46:25,320 --> 00:46:28,319
Speaker 1: of the story. Um, I just you know, I wasn't

817
00:46:28,360 --> 00:46:29,880
Speaker 1: looking to do a series at the time, and I

818
00:46:29,920 --> 00:46:36,120
Speaker 1: remember just everything changed. I was like, okay, I was

819
00:46:36,160 --> 00:46:39,719
Speaker 1: it ozark in name already or was it dark project

820
00:46:39,760 --> 00:46:42,480
Speaker 1: based on money laundering in the mountains? Like how do

821
00:46:42,560 --> 00:46:45,360
Speaker 1: they come? There was a pilot that had been written,

822
00:46:46,200 --> 00:46:49,719
Speaker 1: um that build Abuke wrote and then they and then

823
00:46:49,760 --> 00:46:54,320
Speaker 1: he passed the show off to Chris Mundy, and Chris

824
00:46:54,360 --> 00:46:58,680
Speaker 1: and his team of writers. Huh did a little work

825
00:46:58,680 --> 00:47:01,279
Speaker 1: on that pilot and and they were off to the

826
00:47:01,360 --> 00:47:03,920
Speaker 1: races and then broke the series and broke the show

827
00:47:03,960 --> 00:47:06,759
Speaker 1: and all of that. No, it's funny to talk to

828
00:47:06,800 --> 00:47:08,600
Speaker 1: you in person. You have such a kind of a

829
00:47:08,600 --> 00:47:13,439
Speaker 1: delightful personality speaking. I'm not used to seeing delightful from

830
00:47:13,520 --> 00:47:16,080
Speaker 1: your character, and it's almost like I'm talking to a

831
00:47:16,080 --> 00:47:19,960
Speaker 1: whole different person here. It's funny. People are scared of

832
00:47:20,000 --> 00:47:23,120
Speaker 1: me when I walk into restaurants now, which I don't

833
00:47:23,120 --> 00:47:24,960
Speaker 1: do very often because of COVID. But when I do

834
00:47:25,080 --> 00:47:27,160
Speaker 1: go in or over the past five years, I see

835
00:47:27,200 --> 00:47:29,880
Speaker 1: people flinch a little bit, and is I have to

836
00:47:30,160 --> 00:47:33,000
Speaker 1: I have to remind myself sometimes like oh they they

837
00:47:33,040 --> 00:47:35,759
Speaker 1: think I'm that mean, nasty person on that show. The

838
00:47:35,760 --> 00:47:37,719
Speaker 1: show does get very dark at times, which is why

839
00:47:37,760 --> 00:47:39,560
Speaker 1: I like it. Are you able to switch it off

840
00:47:39,880 --> 00:47:41,680
Speaker 1: when you go home? Or is this something you kind

841
00:47:41,680 --> 00:47:44,840
Speaker 1: of have to live in? No, thankfully I don't. I

842
00:47:44,840 --> 00:47:47,960
Speaker 1: don't have to live in it. Fortunately, I've you know,

843
00:47:48,000 --> 00:47:50,200
Speaker 1: I love what I do, and I but I know

844
00:47:50,239 --> 00:47:53,000
Speaker 1: how to leave it at work? Can you switch off

845
00:47:53,040 --> 00:47:55,320
Speaker 1: of it while shooting in a day? Like can you

846
00:47:55,320 --> 00:47:56,880
Speaker 1: you know, all right, we'll take a break and you

847
00:47:56,880 --> 00:47:59,480
Speaker 1: can just remove the darkness that you're having a play

848
00:47:59,480 --> 00:48:02,120
Speaker 1: and go right back to be in normal you. I

849
00:48:02,160 --> 00:48:05,160
Speaker 1: think you keep the concentration. You want to keep the

850
00:48:05,200 --> 00:48:07,960
Speaker 1: work sort of percolating and kind of you want to

851
00:48:07,960 --> 00:48:09,799
Speaker 1: stay warm. You don't want to get too far away

852
00:48:09,840 --> 00:48:14,360
Speaker 1: from that, particularly your mid scene. But I mean, I

853
00:48:14,440 --> 00:48:16,799
Speaker 1: know that I'm me and that that is not my

854
00:48:16,920 --> 00:48:22,160
Speaker 1: life that you know. I mean the feelings you are feeling,

855
00:48:22,200 --> 00:48:24,719
Speaker 1: you are feeling them, and your body is responding as

856
00:48:24,760 --> 00:48:26,799
Speaker 1: if it is really you feeling them. So there is

857
00:48:26,840 --> 00:48:30,279
Speaker 1: an altered sort of physical state that can happen. But

858
00:48:31,560 --> 00:48:35,120
Speaker 1: that's the joy of having, you know, been able to

859
00:48:35,160 --> 00:48:36,799
Speaker 1: do something for a long periodi of time. You learn

860
00:48:36,840 --> 00:48:39,520
Speaker 1: how to protect yourself in the process. There's an intensity

861
00:48:39,560 --> 00:48:41,799
Speaker 1: that's maintained during the show, and I guess in the

862
00:48:41,840 --> 00:48:44,560
Speaker 1: same vein of you know, having to feel an emotion

863
00:48:44,600 --> 00:48:46,960
Speaker 1: and show an emotion and stay in an emotion. If

864
00:48:47,000 --> 00:48:49,360
Speaker 1: you guys take a break, does the set do you?

865
00:48:49,640 --> 00:48:51,239
Speaker 1: Can you guys goof around or is are kind of

866
00:48:51,280 --> 00:48:53,480
Speaker 1: a rule like, Hey, we're feeling this, so let's keep

867
00:48:53,520 --> 00:48:55,200
Speaker 1: feeling this because we're gonna shoot again in the next

868
00:48:55,200 --> 00:48:58,719
Speaker 1: fifteen twenty minutes. I think there's sort of in there's

869
00:48:58,719 --> 00:49:01,200
Speaker 1: a respect and an inherent understanding of where you are

870
00:49:01,239 --> 00:49:03,839
Speaker 1: in the day and where you are in the process.

871
00:49:04,280 --> 00:49:06,360
Speaker 1: But there's there's a little room and you sort of

872
00:49:06,400 --> 00:49:08,440
Speaker 1: follow the cue of the other actors like what do

873
00:49:08,520 --> 00:49:10,560
Speaker 1: they need and how do we I mean, our crew

874
00:49:10,640 --> 00:49:12,799
Speaker 1: was just divine. We just had the best group of

875
00:49:12,840 --> 00:49:18,000
Speaker 1: people and they were really considerate and respectful and and

876
00:49:18,640 --> 00:49:20,799
Speaker 1: could just read the room. You know. It's it's a

877
00:49:20,960 --> 00:49:24,440
Speaker 1: that's a really good quality for anyone to have you know,

878
00:49:24,560 --> 00:49:27,120
Speaker 1: read the room, figure out where people are in the process,

879
00:49:27,239 --> 00:49:32,680
Speaker 1: help them out, and you know, follow people's cues. You know,

880
00:49:32,800 --> 00:49:36,760
Speaker 1: having a streaming show is a bit different. I've had

881
00:49:37,040 --> 00:49:41,040
Speaker 1: a streaming show myself, and to have it exist it

882
00:49:41,080 --> 00:49:43,720
Speaker 1: feels like a wheel slowly turning until the wheel starts

883
00:49:43,719 --> 00:49:46,320
Speaker 1: to roll really fast, which is different than having a show,

884
00:49:46,760 --> 00:49:49,719
Speaker 1: a movie or a show like on a network. Was

885
00:49:49,800 --> 00:49:53,439
Speaker 1: there a big difference in Ozark and how it took

886
00:49:53,480 --> 00:49:55,440
Speaker 1: a second for it to catch on and then bam

887
00:49:55,480 --> 00:49:57,719
Speaker 1: it hit Then when you put out a movie and

888
00:49:57,760 --> 00:50:00,799
Speaker 1: people like that weekend, No, it's you, it's well. What

889
00:50:00,880 --> 00:50:03,359
Speaker 1: I find strange about the streaming is how it's just

890
00:50:03,440 --> 00:50:07,279
Speaker 1: inhaled so quickly. You know that you'll you'll work for

891
00:50:07,680 --> 00:50:10,719
Speaker 1: I mean this past season we worked for over a year.

892
00:50:10,719 --> 00:50:13,360
Speaker 1: It was a full year of our lives and people

893
00:50:13,440 --> 00:50:19,040
Speaker 1: inhale like six months worth of work in twenty four hours.

894
00:50:20,360 --> 00:50:24,759
Speaker 1: You know, it isn't really slowly over time, which is

895
00:50:24,760 --> 00:50:27,080
Speaker 1: why I'm sort of glad the season has been split

896
00:50:27,120 --> 00:50:30,040
Speaker 1: into two parts. It will elongate it just just a

897
00:50:30,080 --> 00:50:32,839
Speaker 1: little bit. It'll keep the story in suspense just a

898
00:50:32,880 --> 00:50:38,040
Speaker 1: little longer. But yeah, it's just a different you know,

899
00:50:38,040 --> 00:50:41,880
Speaker 1: we're in just such a different Entertainment in general is

900
00:50:41,880 --> 00:50:44,640
Speaker 1: in a different, very very different place. And how we

901
00:50:45,400 --> 00:50:49,759
Speaker 1: how people take in entertainment, how they talk about it,

902
00:50:49,800 --> 00:50:52,239
Speaker 1: what they do with it, how they react to it

903
00:50:52,360 --> 00:50:55,880
Speaker 1: is you know, it's never sort of been like it

904
00:50:55,960 --> 00:51:00,160
Speaker 1: is right now. Is there a like a rule that

905
00:51:00,200 --> 00:51:03,319
Speaker 1: you don't talk about spoilers with your family or just

906
00:51:03,400 --> 00:51:07,360
Speaker 1: not talk about spoilers at all with your close friends? Oh? Yeah, no,

907
00:51:07,480 --> 00:51:13,000
Speaker 1: I don't, No, no, no, absolutely not. Do they give

908
00:51:13,040 --> 00:51:15,640
Speaker 1: you the entire season in a script or do you

909
00:51:15,680 --> 00:51:20,160
Speaker 1: get them one at a time? It varies. What we

910
00:51:20,280 --> 00:51:23,120
Speaker 1: did always have, which was fantastic and because of the

911
00:51:23,160 --> 00:51:26,040
Speaker 1: good spirit and generosity of our showrunners that he would

912
00:51:26,040 --> 00:51:29,400
Speaker 1: sit down with us individually or if if he was

913
00:51:29,440 --> 00:51:31,520
Speaker 1: asked to, and he would go through the arc of

914
00:51:31,520 --> 00:51:33,719
Speaker 1: the season for you. So even if you didn't have

915
00:51:34,000 --> 00:51:36,000
Speaker 1: the script in hand, you would have a basic idea

916
00:51:36,000 --> 00:51:38,160
Speaker 1: of where your character was going, so you could make

917
00:51:38,640 --> 00:51:42,200
Speaker 1: decisions along the way that would help, you know, foster

918
00:51:42,360 --> 00:51:45,200
Speaker 1: that storyline. What's the responsibility that you feel when you

919
00:51:45,200 --> 00:51:48,800
Speaker 1: have such a complex character, Meaning I, while watching Ozark,

920
00:51:49,760 --> 00:51:52,279
Speaker 1: I root for you and I also don't like you

921
00:51:52,320 --> 00:51:55,240
Speaker 1: at the same time, and that is, Yeah, it's happened

922
00:51:55,239 --> 00:51:57,680
Speaker 1: in appropriate. Yeah it's happening at different times of the season.

923
00:51:58,840 --> 00:52:02,239
Speaker 1: But I would assume as an actor, you feel a

924
00:52:02,320 --> 00:52:04,799
Speaker 1: responsibility to maintain the integrity in both of those at

925
00:52:04,800 --> 00:52:08,520
Speaker 1: the same time. How do you juggle that It's story first,

926
00:52:10,000 --> 00:52:13,600
Speaker 1: whether someone likes me or not, that's not I'm not

927
00:52:13,640 --> 00:52:15,839
Speaker 1: going to make decisions to make an audience like me.

928
00:52:16,640 --> 00:52:18,799
Speaker 1: I'm The decisions I make are going to be how

929
00:52:18,840 --> 00:52:21,440
Speaker 1: do I how do I move this story forward? How

930
00:52:21,440 --> 00:52:25,640
Speaker 1: do I serve the narrative? How do I make choices

931
00:52:25,680 --> 00:52:31,680
Speaker 1: that make this viewing experience as potent as possible? And

932
00:52:32,800 --> 00:52:37,680
Speaker 1: as long as the actions that my character, the actions

933
00:52:37,680 --> 00:52:40,799
Speaker 1: and reactions that my character has is deeply rooted in

934
00:52:40,840 --> 00:52:44,680
Speaker 1: the script and in the story, and it's plausible. You know,

935
00:52:44,760 --> 00:52:47,080
Speaker 1: I'm just going to go for the strongest choice. Whether

936
00:52:47,160 --> 00:52:51,480
Speaker 1: someone likes the character or not is not my concern.

937
00:52:52,160 --> 00:52:55,440
Speaker 1: Do you ever get a script or you're kind of told, hey,

938
00:52:55,440 --> 00:52:57,520
Speaker 1: the storyline is going to do this, and you go, man,

939
00:52:57,600 --> 00:53:00,080
Speaker 1: I just do not like that. And if you do,

940
00:53:00,120 --> 00:53:04,200
Speaker 1: you get any say so at all. Well, if it's

941
00:53:04,200 --> 00:53:08,960
Speaker 1: a storyline that you you don't think you know it's

942
00:53:09,000 --> 00:53:11,280
Speaker 1: going to be fun to do or you know, because

943
00:53:11,280 --> 00:53:13,400
Speaker 1: it's a lot of time when you commit to something,

944
00:53:14,640 --> 00:53:18,920
Speaker 1: then you just don't do it. You know. Maggie Smith

945
00:53:18,920 --> 00:53:22,080
Speaker 1: has this fantastic expression which is when in doubt, don't

946
00:53:22,960 --> 00:53:28,480
Speaker 1: And I try to keep that close. And then sometimes

947
00:53:28,520 --> 00:53:31,320
Speaker 1: you can see something in a story and you see

948
00:53:31,360 --> 00:53:33,799
Speaker 1: that something is and just because you have a great

949
00:53:33,840 --> 00:53:37,439
Speaker 1: story doesn't mean that something's actable. You know, there's also that.

950
00:53:38,040 --> 00:53:40,719
Speaker 1: So but if you can see that a story has

951
00:53:40,719 --> 00:53:44,040
Speaker 1: potential or that, but there's something that's a little missing,

952
00:53:44,200 --> 00:53:46,040
Speaker 1: you know, you have to sort of feel out the

953
00:53:46,120 --> 00:53:48,680
Speaker 1: showrunner or the writer and see how they want to

954
00:53:48,719 --> 00:53:51,040
Speaker 1: work and if they're open to being collaborative or not,

955
00:53:51,280 --> 00:53:53,520
Speaker 1: or and just see if it's a good fit. I

956
00:53:53,600 --> 00:53:55,520
Speaker 1: want to ask you one final question, kind of an

957
00:53:55,520 --> 00:53:57,759
Speaker 1: overview of your role on the show before we get

958
00:53:57,880 --> 00:54:00,600
Speaker 1: this specifics here, But when it comes to your character,

959
00:54:00,920 --> 00:54:03,560
Speaker 1: and your character has changed a bit over all of

960
00:54:03,600 --> 00:54:06,560
Speaker 1: the seasons, it's had to based on the story. But

961
00:54:07,000 --> 00:54:10,600
Speaker 1: what part of your character do you relate to the most? Fortunately,

962
00:54:10,600 --> 00:54:16,480
Speaker 1: I don't, you know, thankfully, I kind of I don't.

963
00:54:16,520 --> 00:54:18,960
Speaker 1: I don't relate to her, which is why she was

964
00:54:19,000 --> 00:54:24,319
Speaker 1: so fun to play. You know, she's really reactive. She is.

965
00:54:24,560 --> 00:54:27,600
Speaker 1: I mean, I'm not the most mature person on the planet,

966
00:54:27,640 --> 00:54:33,319
Speaker 1: believe me, but she is really immature. She's a really immature, reactive,

967
00:54:34,400 --> 00:54:38,840
Speaker 1: primal person who can feel her power and stomp around

968
00:54:38,840 --> 00:54:43,320
Speaker 1: in it um And you know they're hints of mental

969
00:54:43,360 --> 00:54:45,960
Speaker 1: illness in there as well, and what form that takes,

970
00:54:46,040 --> 00:54:48,640
Speaker 1: and you know, that's just it's just fun to play.

971
00:54:49,120 --> 00:54:51,040
Speaker 1: And then I'm sure there are things that are that

972
00:54:51,120 --> 00:54:53,200
Speaker 1: are similar that I'm just not saying, or maybe I'm

973
00:54:53,200 --> 00:54:57,720
Speaker 1: too close to it, but I hope there's not that much.

974
00:54:58,680 --> 00:55:00,799
Speaker 1: When I'll talk about the scifics now. So if you're

975
00:55:00,800 --> 00:55:01,960
Speaker 1: listening to this and you don't want to do any

976
00:55:01,960 --> 00:55:04,799
Speaker 1: specifics from the last season, stop listening to this right now,

977
00:55:04,880 --> 00:55:06,600
Speaker 1: because I'm gonna talk about a few things. You know,

978
00:55:06,719 --> 00:55:11,280
Speaker 1: I felt like it maybe a bit of recency bias here,

979
00:55:11,320 --> 00:55:14,359
Speaker 1: but in the last season when you had to kill

980
00:55:14,520 --> 00:55:17,399
Speaker 1: or have your brother killed, that was a tough that's

981
00:55:17,400 --> 00:55:20,960
Speaker 1: a tough scene to watch, and so that's difficult for

982
00:55:21,000 --> 00:55:22,719
Speaker 1: me to sit and take in. It's it's also why

983
00:55:22,760 --> 00:55:25,000
Speaker 1: I really enjoy the show because it challenges me as

984
00:55:25,040 --> 00:55:28,480
Speaker 1: someone who's you know, consuming it as well. But for you,

985
00:55:29,520 --> 00:55:31,840
Speaker 1: is that just another was it hard? I guess the

986
00:55:31,840 --> 00:55:34,319
Speaker 1: basic question is it hard to do that scene? You

987
00:55:34,360 --> 00:55:36,160
Speaker 1: mean the scene in the car, Yeah, when you're right

988
00:55:36,200 --> 00:55:41,040
Speaker 1: there because it feels so real? Yeah, yeah, it's uh,

989
00:55:41,719 --> 00:55:44,040
Speaker 1: you know, those are those are scenes that you see

990
00:55:44,080 --> 00:55:46,239
Speaker 1: in the script and you know you have a sense

991
00:55:46,239 --> 00:55:48,560
Speaker 1: of like where they need to go, and this is

992
00:55:48,600 --> 00:55:51,279
Speaker 1: where just experience sort of pays off a little bit.

993
00:55:51,280 --> 00:55:53,040
Speaker 1: You know how to prepare for that, you know how

994
00:55:53,080 --> 00:55:54,759
Speaker 1: to do it, and then you just let you just

995
00:55:54,840 --> 00:56:03,359
Speaker 1: let go and whatever transpires sort of transpires. But it's yeah, yeah,

996
00:56:03,400 --> 00:56:06,040
Speaker 1: those scenes cost a little bit, Yeah, they do. You

997
00:56:06,080 --> 00:56:09,239
Speaker 1: know when the when the show started, Um, you know

998
00:56:09,320 --> 00:56:11,000
Speaker 1: two of your actors, your kids in the show. We're

999
00:56:11,160 --> 00:56:14,640
Speaker 1: very young and now they're yeah, they're growing up in

1000
00:56:14,640 --> 00:56:17,080
Speaker 1: this season. I'm only a couple episodes into the season,

1001
00:56:17,120 --> 00:56:18,839
Speaker 1: but you know your son at this point is going

1002
00:56:18,880 --> 00:56:23,120
Speaker 1: to start laundering money himself, but not for you. But

1003
00:56:23,160 --> 00:56:27,160
Speaker 1: he's grown up so much. I mean, to be something

1004
00:56:27,239 --> 00:56:29,839
Speaker 1: to be a kid in that show and to have

1005
00:56:29,960 --> 00:56:34,480
Speaker 1: such an adult theme to it at their youngest, do

1006
00:56:34,560 --> 00:56:37,400
Speaker 1: they do they keep some of the storylines from the

1007
00:56:37,520 --> 00:56:41,520
Speaker 1: kid or how do they deal with that? Well, yes,

1008
00:56:41,719 --> 00:56:45,000
Speaker 1: I mean and I always feel, you know, when I'm

1009
00:56:45,000 --> 00:56:47,440
Speaker 1: on the set with a with a child, you know

1010
00:56:47,520 --> 00:56:50,839
Speaker 1: which a minor is a child. Um, I always feel

1011
00:56:50,840 --> 00:56:53,040
Speaker 1: a bit of a responsibility to make sure that they're okay,

1012
00:56:53,239 --> 00:56:56,120
Speaker 1: because a set is not a place for a young person.

1013
00:56:56,320 --> 00:56:59,319
Speaker 1: It's it's really not adult people are understressed and doing

1014
00:56:59,360 --> 00:57:01,360
Speaker 1: a lot of work and it's hard work, and it's

1015
00:57:02,440 --> 00:57:06,839
Speaker 1: it's not real life. And they're taking cues about how

1016
00:57:06,880 --> 00:57:10,719
Speaker 1: to how to build relationships in an artificial world, and

1017
00:57:10,840 --> 00:57:14,680
Speaker 1: it can be there's a reason why, Um, you know,

1018
00:57:14,800 --> 00:57:17,280
Speaker 1: child actors have such a hard time, you know how

1019
00:57:17,280 --> 00:57:20,880
Speaker 1: they tend to have a hard time because they're the template,

1020
00:57:20,920 --> 00:57:23,560
Speaker 1: the foundation in which they learn social cues is just

1021
00:57:23,640 --> 00:57:29,240
Speaker 1: not a realistic environment. And our kids were they were

1022
00:57:29,240 --> 00:57:33,000
Speaker 1: both really young and so sweet and you know, five

1023
00:57:33,120 --> 00:57:35,480
Speaker 1: years of your life when you're doing you know, this

1024
00:57:35,480 --> 00:57:37,280
Speaker 1: show is five years from when we started to when

1025
00:57:37,280 --> 00:57:39,520
Speaker 1: we started. For me, is it's a period of time,

1026
00:57:39,520 --> 00:57:44,000
Speaker 1: but it's not a monumental period of time. But for them,

1027
00:57:44,280 --> 00:57:46,600
Speaker 1: you know, it's a monumental period of time. It's a

1028
00:57:46,720 --> 00:57:51,240
Speaker 1: huge part of their of their lives, and it was

1029
00:57:51,280 --> 00:57:56,160
Speaker 1: amazing to watch them, you know, grow both physically, I mean,

1030
00:57:56,240 --> 00:58:00,760
Speaker 1: Skylar grew like two feet and emotionally and to watch

1031
00:58:00,760 --> 00:58:03,560
Speaker 1: their skills you know, get better and better and better

1032
00:58:03,600 --> 00:58:06,640
Speaker 1: in front of you. And so there is a real

1033
00:58:06,720 --> 00:58:09,520
Speaker 1: sense of pride that we, I think all of us

1034
00:58:09,520 --> 00:58:12,280
Speaker 1: had for both of them. And you know, you sort

1035
00:58:12,280 --> 00:58:16,120
Speaker 1: of hope that whatever, you know, I hope that they

1036
00:58:17,040 --> 00:58:21,520
Speaker 1: leave with you know, a solid foundation about how to

1037
00:58:22,120 --> 00:58:25,400
Speaker 1: how to work responsibly. I got two final questions for you,

1038
00:58:25,480 --> 00:58:27,840
Speaker 1: and I know you won't be able to say too much,

1039
00:58:27,840 --> 00:58:32,960
Speaker 1: But will the finale be super satisfying for fans? I

1040
00:58:33,000 --> 00:58:35,400
Speaker 1: would think so, I hope, So I don't you know,

1041
00:58:35,640 --> 00:58:39,600
Speaker 1: who knows. I don't know, And it's such a likeay

1042
00:58:39,960 --> 00:58:42,880
Speaker 1: people might say it and see it and not like

1043
00:58:43,000 --> 00:58:44,800
Speaker 1: I mean, I always thought that part of the reason

1044
00:58:44,840 --> 00:58:48,960
Speaker 1: why the Game of Thrones finale was so um controversial

1045
00:58:49,400 --> 00:58:51,479
Speaker 1: was that people were just furious that the show was ending.

1046
00:58:53,120 --> 00:58:55,040
Speaker 1: You know, there's no way to end that show in

1047
00:58:55,080 --> 00:58:57,720
Speaker 1: a satisfactory way because everyone was just pissed off it

1048
00:58:57,800 --> 00:59:01,600
Speaker 1: was ending, you know, I was, I didn't want it

1049
00:59:01,640 --> 00:59:03,960
Speaker 1: to end, so nothing was going to feel good to me.

1050
00:59:05,920 --> 00:59:09,720
Speaker 1: So you know who knows with things like this? All right,

1051
00:59:09,800 --> 00:59:12,640
Speaker 1: I have no idea final question. You're in one of

1052
00:59:12,680 --> 00:59:15,000
Speaker 1: my favorite three movies of all time, The Truman Show

1053
00:59:15,760 --> 00:59:17,480
Speaker 1: watch it every year. Just loved you and it loved

1054
00:59:17,480 --> 00:59:20,600
Speaker 1: the movie, and so I was just thinking about you

1055
00:59:20,640 --> 00:59:22,320
Speaker 1: in movies. So now that this show is over, have

1056
00:59:22,400 --> 00:59:24,720
Speaker 1: you taken are you doing any movies any? Have you

1057
00:59:24,760 --> 00:59:29,000
Speaker 1: started any other big projects. I'm gonna go to Ireland

1058
00:59:29,440 --> 00:59:33,360
Speaker 1: in the next few months and go make a British

1059
00:59:33,360 --> 00:59:36,920
Speaker 1: indie with Maggie Smith and Kathy Bates. The title of

1060
00:59:36,920 --> 00:59:39,600
Speaker 1: that film is sort of changing, so I'm not quite

1061
00:59:39,640 --> 00:59:42,360
Speaker 1: sure what to call it, but um so I'm going

1062
00:59:42,400 --> 00:59:44,760
Speaker 1: to go do that, and then I'm hopeful to go

1063
00:59:44,800 --> 00:59:47,880
Speaker 1: do a few indies after that, and I'll get back

1064
00:59:47,880 --> 00:59:51,120
Speaker 1: to my sort of independent film roots, I think probably

1065
00:59:51,160 --> 00:59:52,880
Speaker 1: for a bit. That's it. You do something huge and

1066
00:59:52,920 --> 00:59:54,880
Speaker 1: you have then you go and do something that I mean,

1067
00:59:54,880 --> 00:59:57,440
Speaker 1: because those are guys, it's so big. But does that

1068
00:59:57,480 --> 00:59:59,880
Speaker 1: allow allow you space to go and do a few

1069
01:00:00,040 --> 01:00:02,960
Speaker 1: these now because you have done like the popular, you know,

1070
01:00:03,160 --> 01:00:07,120
Speaker 1: mainstream massive show. Sure, well you know, and this thing

1071
01:00:07,160 --> 01:00:10,280
Speaker 1: about television schedules The great thing about is that, you know,

1072
01:00:10,320 --> 01:00:12,800
Speaker 1: you work really solidly and really hard for half a year,

1073
01:00:13,320 --> 01:00:15,160
Speaker 1: and then you can go do whatever you want to

1074
01:00:15,240 --> 01:00:17,520
Speaker 1: on the downtime during the hiatus. And I was, you know,

1075
01:00:17,600 --> 01:00:20,040
Speaker 1: did a few Broadway plays and I did you know,

1076
01:00:20,120 --> 01:00:23,600
Speaker 1: small parts, and a few films here and there. But

1077
01:00:23,600 --> 01:00:25,520
Speaker 1: but the last season, our last season, you know, it

1078
01:00:25,560 --> 01:00:28,720
Speaker 1: was fourteen months because of COVID, So it was a

1079
01:00:28,880 --> 01:00:32,880
Speaker 1: long it was a long, long time, um and we

1080
01:00:32,880 --> 01:00:36,640
Speaker 1: were all so wrecked when it ended. I mean saying

1081
01:00:36,640 --> 01:00:41,280
Speaker 1: goodbye was traumatic enough, let alone working through a pandemic. Well,

1082
01:00:41,320 --> 01:00:43,560
Speaker 1: I appreciate your time. I'm such a massive fan of you,

1083
01:00:43,560 --> 01:00:46,360
Speaker 1: your work, my player. It's just been great to talk

1084
01:00:46,400 --> 01:00:48,920
Speaker 1: to you, Laura. I hope good luck, stay safe, stay healthy,

1085
01:00:49,040 --> 01:00:52,800
Speaker 1: and I'm really looking forward to the rest of part

1086
01:00:52,920 --> 01:00:59,240
Speaker 1: two when it comes out. Thank you so much for pleasure. Today.

1087
01:01:00,120 --> 01:01:03,600
Speaker 1: Story comes up from San Antonio, Texas. A thirty five

1088
01:01:03,680 --> 01:01:06,280
Speaker 1: year old woman was trying to get popular on TikTok's like,

1089
01:01:06,320 --> 01:01:08,720
Speaker 1: what can I do? Let me show these people my lemurs,

1090
01:01:09,080 --> 01:01:11,640
Speaker 1: shows the lemurs, the animals. Yeah, she had two lemurs

1091
01:01:11,640 --> 01:01:13,920
Speaker 1: in her house. Only problem is you're not allowed to

1092
01:01:13,960 --> 01:01:16,520
Speaker 1: have lemurs in your house. Well he saw it and

1093
01:01:16,680 --> 01:01:18,640
Speaker 1: they showed up at her door, knock, knock, knock. So

1094
01:01:18,680 --> 01:01:21,240
Speaker 1: I wonder how police saw it. Someone must have snitched,

1095
01:01:21,440 --> 01:01:26,560
Speaker 1: maybe because the police aren't patrolling TikTok. They should. I'm

1096
01:01:26,560 --> 01:01:29,640
Speaker 1: sure they do, because I don't think. I don't think

1097
01:01:29,680 --> 01:01:32,240
Speaker 1: any officers the precinct like O, can you take fourth Street?

1098
01:01:32,520 --> 01:01:38,320
Speaker 1: You take TikTok. Someone had to snitch Peter, maybe, But

1099
01:01:38,400 --> 01:01:40,200
Speaker 1: so then what happens to her? She loved her best

1100
01:01:40,200 --> 01:01:43,400
Speaker 1: friends or lemurs. She spent three thousand dollars on those suckers,

1101
01:01:43,400 --> 01:01:46,600
Speaker 1: but she got arrested for animal cruelty and having she's

1102
01:01:46,600 --> 01:01:49,040
Speaker 1: crolled to them then and having the illegal animals in

1103
01:01:49,080 --> 01:01:51,920
Speaker 1: her house. Are we sure she was croweled to them

1104
01:01:52,440 --> 01:01:54,720
Speaker 1: or do you just get that charge? I think it's

1105
01:01:54,760 --> 01:01:56,760
Speaker 1: a charge because they're not supposed to be caged up

1106
01:01:56,760 --> 01:01:59,200
Speaker 1: into someone's house. That's why I let mine run free.

1107
01:02:00,600 --> 01:02:03,720
Speaker 1: Here they go, all right, I'm lunchboxed at your bone

1108
01:02:03,720 --> 01:02:07,760
Speaker 1: head Story of the day. Exercising just ten minutes a

1109
01:02:07,800 --> 01:02:11,120
Speaker 1: day could save your life. Once I get started exercising,

1110
01:02:11,160 --> 01:02:12,600
Speaker 1: I'm okay to do it. The hardest part is just

1111
01:02:12,600 --> 01:02:14,600
Speaker 1: getting up there to do it, or driving somewhere to

1112
01:02:14,600 --> 01:02:16,200
Speaker 1: do it, and I hate doing it. And I don't

1113
01:02:16,200 --> 01:02:18,320
Speaker 1: want you to hear me and think, well, he likes

1114
01:02:18,360 --> 01:02:22,640
Speaker 1: to exercise. I hate it. That's the worst. I'm always

1115
01:02:22,640 --> 01:02:24,840
Speaker 1: annoyed when people go I love exercising. I love to

1116
01:02:24,840 --> 01:02:26,320
Speaker 1: get in that room and get my squeaed on and

1117
01:02:26,320 --> 01:02:28,480
Speaker 1: get the stretch on and you know, really pushed my

1118
01:02:28,680 --> 01:02:31,120
Speaker 1: I hate it. And the hardest thing for me to

1119
01:02:31,160 --> 01:02:32,760
Speaker 1: do is just get there to do it. And once

1120
01:02:32,760 --> 01:02:34,000
Speaker 1: I'm there, I go, okay, I'm here, might as well

1121
01:02:34,040 --> 01:02:35,360
Speaker 1: suck it up and get it over with. But I'm

1122
01:02:35,400 --> 01:02:37,960
Speaker 1: like you, if you're listening, I don't like it. Yeah,

1123
01:02:38,000 --> 01:02:41,360
Speaker 1: I mean, I mean I don't particularly enjoy it, but yes,

1124
01:02:41,440 --> 01:02:43,320
Speaker 1: I feel so much better after I know it's good

1125
01:02:43,320 --> 01:02:45,480
Speaker 1: for me. A new study published says ten minutes a

1126
01:02:45,560 --> 01:02:48,280
Speaker 1: day could be life saving. That one hundred and ten

1127
01:02:48,320 --> 01:02:50,680
Speaker 1: thousand depths could be prevented if people over forty just

1128
01:02:50,760 --> 01:02:54,360
Speaker 1: included ten minutes of moderate to vigorous physical activity in

1129
01:02:54,360 --> 01:02:56,960
Speaker 1: their daily routine. And I could probably like walk upstairs

1130
01:02:56,960 --> 01:02:59,600
Speaker 1: and stuff, but I don't. I never take that option. Stairs.

1131
01:03:00,320 --> 01:03:04,160
Speaker 1: Who's takes stairs? In twenty twenty two, oh there's an escalator.

1132
01:03:04,160 --> 01:03:07,560
Speaker 1: We're taking that right yeah, or you guys mind carrying

1133
01:03:07,560 --> 01:03:12,280
Speaker 1: me up. We're done. That's it. Have a great weekend.

1134
01:03:12,320 --> 01:03:14,480
Speaker 1: We will see you Monday. On Monday Show, we have

1135
01:03:14,560 --> 01:03:17,680
Speaker 1: Chris Stapleton and Jimmy Allen. Big show. See you guys

1136
01:03:17,680 --> 01:03:19,200
Speaker 1: in Bobby b