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Speaker 1: Look man, oh I see you? Why why? And look

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Speaker 1: over there? How is that ulture? Yes? Goodness, last culture

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Speaker 1: just calling and rain on us more like not even

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Speaker 1: just me, because we're both in the same room, and

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Speaker 1: if a cloud came and rained on us, it would

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Speaker 1: have a very hard time doing so. Every part of

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Speaker 1: that statement is so accurate. Wait did you say that?

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Speaker 1: Did you just reveal that we were in the same room?

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Speaker 1: I revealed, I went ahead and revealed. Was that? Okay? No,

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Speaker 1: that's okay. I just I took my headphones off. Um,

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Speaker 1: are you going to take yours off too? I'm also

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Speaker 1: taking mind off because we can, I can put am

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Speaker 1: I making you feel self conscious? No? No No, no, no no,

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Speaker 1: It was just so basically for all the readers at home,

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Speaker 1: we're kind of re establishing what it means to record

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Speaker 1: a podcast in the same room again, you know what

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Speaker 1: I mean? And so that means many things. It means

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Speaker 1: certain audio has to get figured out, and we are

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Speaker 1: just mere mortals here. We don't really know what we're doing.

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Speaker 1: Is let me ask you something? Did it? It started

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Speaker 1: to feel like the new normal that we were recording

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Speaker 1: on Zoom, wasn't it? It It started to feel like the

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Speaker 1: new normal and also, to be honest with you, I

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Speaker 1: felt like the guests that we were getting were extreme

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Speaker 1: because through very much so like I will, then I

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Speaker 1: thought to myself, like, okay, so the quarantine right, the

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Speaker 1: fact that it happened got us into survivor, and then

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Speaker 1: that's what got us part and we would not have

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Speaker 1: been able to have part if it weren't for COVID.

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Speaker 1: I'm not saying I'm happy COVID happened at all. You're not.

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Speaker 1: You're not like Jennifer Aniston, that Hollywood reporter around table

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Speaker 1: who was like, you know, COVID is actually a blessing

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Speaker 1: and then and then it was like it was community, yeah,

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Speaker 1: and it was basically I'm not Jennifer Anniston right now.

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Speaker 1: I am, however, saying that I am happy that we

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Speaker 1: were able to have the kind of guests that we've had,

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Speaker 1: which because we felt unmoored by the location of it

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Speaker 1: all right, and it was like we only have to

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Speaker 1: be in the same time, in the same not even

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Speaker 1: the same place. We just have to be together at

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Speaker 1: the same time. We just have to exist in the

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Speaker 1: same world with internet really to get anyone we want,

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Speaker 1: and we've asked some asks, we've had some masks. We've

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Speaker 1: put some masks out, that's true. Um. Anyway, readers, I'm

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Speaker 1: in l A. Now. This is a very long standing

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Speaker 1: plan since March. Study and I we're gonna fly out

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Speaker 1: here anyway. I'm in Los Angeles now for a little bit.

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Speaker 1: This is a long standing plan. We're taking every precaution

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Speaker 1: we can. Isn't that right. Let's just say that Bone

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Speaker 1: and I are seated across the room from each other,

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Speaker 1: and it's very um, sort of the fifties shades of

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Speaker 1: gray boardroom scene where we are very much negotiating with

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Speaker 1: each other from across the room and it is dimly

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Speaker 1: lit and the stakes are high. It's very power couple.

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Speaker 1: Web series story Matt Rogers and Study Green to Peter

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Speaker 1: Kelly the Britain episode, which was modeled after that fifties

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Speaker 1: shades scene. Now this is what it is. Thank you

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Speaker 1: for that shout out to my work. It's wonderful. Um.

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Speaker 1: You and I are Chloe and Holle and we're we're

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Speaker 1: in the tennis courts shooting our music videos. Wow, we

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Speaker 1: are very Chloe and Hell Chloe. Can I say, like

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Speaker 1: out loud right now that we are the Chloe and

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Speaker 1: Hollye of podcasting, and this is and that we were

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Speaker 1: influenced by Beyonce and ye are a duo. We were

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Speaker 1: influenced by Beyonce. We were raptured by a larger corporate

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Speaker 1: structure also known as I Heart, also known as um Well,

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Speaker 1: Will Ferrells are Beyonce. Will Ferrells really our Beyonce. And

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Speaker 1: also we should say that, um, while is it Chloe

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Speaker 1: or Halley that is in Little Mermaid, It's it's Hallian

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Speaker 1: Calle is it in Little Mermaid? And we aspire to

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Speaker 1: be in Little Mermaid as Flotsam and jetson. So there

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Speaker 1: is like a familial thing here. We are all sisters.

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Speaker 1: And I am so happy that my sister is here

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Speaker 1: in Los Angeles with me because I can better take

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Speaker 1: care of her and she me, and also we can

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Speaker 1: do things like this very fun episode because I don't

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Speaker 1: know if you know, and I know that you know.

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Speaker 1: But that's the way I can transition into saying it's

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Speaker 1: actually our two hundredth episode of Lost Cultures, and there's

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Speaker 1: I mean, let's do the math. Two hundred times one

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Speaker 1: point five. That's three hundred hours on average of us talking,

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Speaker 1: hundreds of hours of us out there shooting the absolute shit,

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Speaker 1: saying really crazy things. And that's the thing is, it's

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Speaker 1: like people who are like I'm starting the podcast from

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Speaker 1: the beginning, I'm like, oh, bitch, to be a journey.

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Speaker 1: You're gonna hear us talking about how we can't wait

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Speaker 1: for Hillary Clinton to win the damn president thing. Let's

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Speaker 1: just say we, like the rest of the world, from

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Speaker 1: March two thousand sixteen to November sixteen, were quite confident

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Speaker 1: and now it'll it is like kind of crazy to think, like, um,

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Speaker 1: how far not only like the podcast has come, but

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Speaker 1: also the world has come and we've come individually, but

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Speaker 1: also that we started this in a different world climate. Yeah,

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Speaker 1: like in almost every way. I mean yeah, And look

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Speaker 1: now you and I are both completely radicalized, and um,

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Speaker 1: we're radical girl, We're radical girls. We embrace the radicality.

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Speaker 1: Let me just say, Matt Rodgers just mixed to me

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Speaker 1: the strongest vodka Red Bull I've ever had, and it's

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Speaker 1: such a tall, tall tumbler. Well there's two shots in

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Speaker 1: it too, full shot girl. I have not had a

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Speaker 1: full on cocktail in like a month. Well, this is

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Speaker 1: part of the new normal, which is we have to

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Speaker 1: find a way to drink too much, even though we're

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Speaker 1: not going out, and this is just gonna be like,

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Speaker 1: I'm excited that Boonen is here. It's our two hundred episode.

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Speaker 1: I mixed us a little celebratory cocktail, and I'm very

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Speaker 1: excited about it because this is not just the two episode.

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Speaker 1: We've actually prepared, which we do not often do for

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Speaker 1: last reasons. We have prepared a list and it's it's

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Speaker 1: actually real culture number thirteen. Culture is lists absolutely and

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Speaker 1: Bowen what is this list? So it's our two hundredth

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Speaker 1: episode of Lost Cultures, just not counting those little, you know,

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Speaker 1: ad swamps where we just do a little fifteen minute

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Speaker 1: episode where we show you a preview of a Jaws

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Speaker 1: theme podcast or whatever, the standalone episode. So in honor

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Speaker 1: of this, we have prepared a list of the top

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Speaker 1: two hundred moments in culture history. These are the top

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Speaker 1: two hundred moments that have happened in culture history, as

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Speaker 1: decided by Matt Rogers and Bowen Lost Culture Estes. We

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Speaker 1: are a little bit drunk, but we feel very confident

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Speaker 1: about what we've put on the list, that this is

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Speaker 1: a definitive list that is empirically ordered. I would say, um,

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Speaker 1: every spot on this list. Uh is a huge deal.

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Speaker 1: It's culture. It's it's something that shaped the culture in

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Speaker 1: a positive way from the beginning of recorded history. Yes,

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Speaker 1: from our viewpoint, which is the empirical objective viewpoint, because

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Speaker 1: I actually remember the first episode of Last Cultures and

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Speaker 1: we're calling all the way back, we did say it.

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Speaker 1: If we say it on this podcast, it is cannon.

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Speaker 1: Did we say this, Yes, we we said we are

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Speaker 1: the Lost cultures. Does I means we are the arbiters

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Speaker 1: of culture and taste? Yes, I mean we We really

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Speaker 1: evolved over the course of that first episode where we

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Speaker 1: started out. I do believe we started out by saying

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Speaker 1: we're the arbiter where the consultants of culture, culture consultants,

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Speaker 1: which is not a phrase we have said since, not since,

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Speaker 1: but I really want to harken back to that sort

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Speaker 1: of um that ethos and then and then by the

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Speaker 1: end of the episode, I guess we said that anything

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Speaker 1: that we say is canon. Yeah. Well, even if it

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Speaker 1: wasn't said, I'm saying we said. And what's important is

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Speaker 1: that we as culture consultants have consulted with each other.

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Speaker 1: And I don't trust anyone as much as I don't

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Speaker 1: trust anyone as much as Matt ros and you know

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Speaker 1: that I've been I have not been blowing smoke up

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Speaker 1: You're asked these last couple of days since I've seen

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Speaker 1: you in person, I was like, Matt Rodgers, He's he's

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Speaker 1: he's he's the one, He's the culture Maven Well, and

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Speaker 1: we know that Bowen Yang has, you know, not only

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Speaker 1: created culture in his own right, but he is one

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Speaker 1: of the refined minds of our generations. And this is

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Speaker 1: us sitting in my apartment absolutely blowing smoke off each

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Speaker 1: other's but holes tight or otherwise, hight or otherwise. And

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Speaker 1: I have to say we have raised our drinks. And

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Speaker 1: this is also going out to not only just our

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Speaker 1: incredible team at my heart, but also shout out to

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Speaker 1: Forever Dogs. Forever Dog. Shout out to Yes Go gave

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Speaker 1: us our start and allowed us to do exactly what

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Speaker 1: we wanted to do. Shout out to every single guest

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Speaker 1: we have had on the podcast, thank you, and what else.

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Speaker 1: Anyone that's come to our live shows I don't think

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Speaker 1: so honey live, anyone that's bought a ticket, anyone who's

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Speaker 1: performed for that matter, performed for that show. And so

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Speaker 1: we have to say to all the readers, thank you,

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Speaker 1: bitch for listening to last culture reasons, whether you're a

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Speaker 1: recent person who started listening or you've been here from

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Speaker 1: the very beginning. I remember we used to look at

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Speaker 1: our listener account and be like, oh my god, sixty

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Speaker 1: two people listen. Remember that. I remember the day that

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Speaker 1: we broke three digits, three figures, and that was a

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Speaker 1: big day. I think it was on the Aaron Jackson

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Speaker 1: and Josh Haarp episode, the first And they'll be back,

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Speaker 1: and they'll be back back. But suffices to say, we

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Speaker 1: have accrued much knowledge over these years during the podcast,

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Speaker 1: and we came in with our inherited knowledge is as

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Speaker 1: homosexual gay man, and we have put together this list. Now.

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Speaker 1: Matt alluded to earlier that we consulted with each other

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Speaker 1: on this list, and that is true. We there were

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Speaker 1: a couple of points of contention on this list. I

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Speaker 1: wanted to take some stuff off. I wanted to add

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Speaker 1: some stuff in. Matt said, no, we're keeping that note.

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Speaker 1: We're we're not putting that in. Although I will say

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Speaker 1: ultimately this was a pretty We only disagreed about two

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Speaker 1: or items and like pretty much the rest of it is.

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Speaker 1: Of course, but I'm saying this is a collaborative effort.

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Speaker 1: This is an effort that we had to, yes, kind

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Speaker 1: of watch ourselves on on an individual level and be like, actually,

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Speaker 1: know if this is not important to me, this is

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Speaker 1: important to him, or it's important to me and not

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Speaker 1: to him, And I'm gonna fight for its importance. This

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Speaker 1: is a beautiful list. I think it's some of our

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Speaker 1: best work. I think it's some of our best work.

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Speaker 1: And I think that everything here has a place here

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Speaker 1: and belongs here. And I am excited to start the

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Speaker 1: list mailing of the top two moments in pop culture history. Yes, okay,

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Speaker 1: let's begin with the very first thing we have to say.

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Speaker 1: There is an honorable mention on the list. Honorable mentions.

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Speaker 1: She did not make the cut. She almost made the

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Speaker 1: cut Ladies and Gentlemen number two hundred and one, but

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Speaker 1: doesn't really get a number because she did not make

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Speaker 1: the list. It is Nicole Singer, give it up. I mean,

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Speaker 1: I was listening to react today. What a comeback single,

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Speaker 1: great comeback single. And you know, I've really respected her

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Speaker 1: since buttons absolute Louis and you've you've had to respect

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Speaker 1: her at some point, especially when she was Andrew lod

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Speaker 1: Webber's firstwhile news and then they felt that they had

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Speaker 1: a falling out. Well they you know, they had a

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Speaker 1: falling out because she wanted to do The X Factor

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Speaker 1: in the UK because she is famously an international talent

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Speaker 1: show judge and we respect that, and you respect her

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Speaker 1: because she's an international talent show judge. And she also

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Speaker 1: can turn on musical theater. Yeah, oh yeah. And the

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Speaker 1: voice you can't, you can't, you just can't beat it.

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Speaker 1: I mean, her performance of Don't Cry for Me Argentina

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Speaker 1: was absolutely amazing. And Andrew load Webber famously said, I

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Speaker 1: mean the way she acted that amazing and she's incredible.

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Speaker 1: But she did not she did not make the list.

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Speaker 1: But let's not get going. Let's get started unless we

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Speaker 1: have to blow past a lot of these items. But

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Speaker 1: let's start with number two hundred. Let's say together for

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Speaker 1: all of these number two hundred, when when Brittany said

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Speaker 1: good Morning America. When Brittany came out and said good

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Speaker 1: morning America in that voice, I mean I think that

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Speaker 1: we all knew she was bad. She knew she was

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Speaker 1: back promoting her new lead single against Me, good Morning America.

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Speaker 1: And I promise you it'll be a morning to remember,

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Speaker 1: see you soon that you know, and then the transition

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Speaker 1: into would you hold it against me? I mean there

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Speaker 1: there has a lot that can be said about Britney Spears.

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Speaker 1: She is a revolutionary pop star. But when she came

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Speaker 1: out and said good Morning America, I feel that America

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Speaker 1: really woke up. She had just I mean it sounds

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Speaker 1: like from her for the timber of her voice, it

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Speaker 1: sounds like she had just swan dived into a pool,

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Speaker 1: got a little flemmy in the nose and in the sinus.

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Speaker 1: And then there was Brittany, you have to shoot your

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Speaker 1: good Morning America promo right now. I mean it sounded

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Speaker 1: like like a cartoonishly big hammer hit her right in

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Speaker 1: the nose and broke it. I mean like, honestly, it was.

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Speaker 1: We will never get answers really as to why it

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Speaker 1: was the way it was, but I can say what

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Speaker 1: answer to your question? Was this iconic? Yes? It was

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Speaker 1: number two hundred on our list. Yes, let's move on

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Speaker 1: to number is TL video. This was an amazing video,

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Speaker 1: an amazing song that was later covered by Glee stars

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Speaker 1: Lea Michelle, Lea Michelle and I believe Diana Agron Diana

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Speaker 1: when they did I'm Pretty mashed up with I Feel

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Speaker 1: Pretty from West Side Story iconic mash up. But of

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Speaker 1: course we have to go back to the source, and

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Speaker 1: that was the Unpretty video which started t Buzz, Chili

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Speaker 1: and left Ie in some sort of future, some like

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Speaker 1: sort of floating den. There was very much their vibe.

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Speaker 1: It was off of fan mail, and of course we

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Speaker 1: remember the theme was like Y two K digital and

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Speaker 1: it's the video is sort of interspersed with cuts to

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Speaker 1: a bunch of monitors that say things like probe searching

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Speaker 1: or digital search or these very new concepts at the time,

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Speaker 1: Like computers were huge at this time, and so what

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Speaker 1: they did was they blended the idea of computers with

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Speaker 1: the idea of and so they took those two things

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Speaker 1: and put them together. And honestly, this is an absolute

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Speaker 1: bob of a song. Its lyrics are beautiful and the

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Speaker 1: video took it to the next level. You got acting

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Speaker 1: from the girls and I love it when to pop

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Speaker 1: star acts and we can't have tlc araser no no no,

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Speaker 1: I mean, and we can't have a raiser over the

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Speaker 1: fact that t Bas went on Celebrity Apprentice and was

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Speaker 1: and had to make an impression for our current president.

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Speaker 1: Isn't that crazy? Oh my god, to think that these

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Speaker 1: celebrities had to dance, and to think that t Bas

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Speaker 1: had something like unpretty inside her and she had to

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Speaker 1: like bow down to Trump. No, like please, Trump needs

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Speaker 1: to have some respect for t Bas and by extension,

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Speaker 1: Chili and left Ie, who we say, rest in peace.

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Speaker 1: Left Eye, you are amazing in an icon. You're amazing

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Speaker 1: in an nicon. What's the next one, man? Well, the

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Speaker 1: next one hundred. Number one on our Top two hundred

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Speaker 1: Items and Culture list is the Austin Powers Trilogy starring

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Speaker 1: Mike Myers. I think we can say this was an

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Speaker 1: incredible character, an incredible character for Mike Myers. What to

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Speaker 1: be a well and you cannot to speak that it

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Speaker 1: was a trilogy. Oh no, There were three films in

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Speaker 1: this series, which makes it a trilogy by definition. And

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Speaker 1: to think of the characters that were born not just

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Speaker 1: from one film, but two and three films. You had

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Speaker 1: Fat Bastard played by Mike Meyers, Mike, you had gold

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Speaker 1: Member played by Mike Myers. You had Seth Green Scotty,

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Speaker 1: you had Seth Green a Scotty. I mean, also, never

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Speaker 1: forget probably the iconic character from it all is not

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Speaker 1: even Austin, But I would say Dr Evil. Dr Evil

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Speaker 1: played by Mike Myers play and to think he is

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Speaker 1: out there playing multiple characters, this obviously as an actor

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Speaker 1: who has been involved in sketches, and we know that

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Speaker 1: from his origins at a Saturday night, Yes, which puts

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Speaker 1: him in the family. Which puts him in the family,

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Speaker 1: you know. And many people say Dr Evil is based

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Speaker 1: on Mr Lorne Michaels can confirm, can neither confirm nor didn't?

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Speaker 1: You have to wow? Okay? And also we have to

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Speaker 1: shout out the amazing women of the franchise. I'm talking

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Speaker 1: about Elizabeth Hurley there and Beyonce Knowles Carter. The fear

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Speaker 1: in Bowen's eyes as he checked in with me that

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Speaker 1: it was in fact Heather ground it was. I was

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Speaker 1: sure that it was Heather. I wasn't sure if you,

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Speaker 1: like had had left Heather Graham's mind behind back in

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Speaker 1: two thousand three. Excuse me, this is the hangover rature.

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Speaker 1: She had to come back, her incredible performance, her incredible

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Speaker 1: versatile performance of performance in the Hangover and empowered performance.

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Speaker 1: And I think we can all agree that Austin powers

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Speaker 1: was comedically a formidable trilogy when and it's time. I'm

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Speaker 1: saying you and I have talked about how I mean,

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Speaker 1: I love Austin powers me too. It's I'm not lying,

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Speaker 1: and I wanted to do a fourth is our energy

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Speaker 1: mannic Right now, I am is hitting me sideways, it's

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Speaker 1: fucking me sideways, and I am who maybe that someone's

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Speaker 1: getting sideways. I'm amped, I'm not. Let's talk about Can

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Speaker 1: we talk about something? What did the math? I have

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Speaker 1: not had sex since December? You did? For a second,

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Speaker 1: I thought you said I did meth. I said I

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Speaker 1: didn't have math, and you have had sex since when

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Speaker 1: I did meth? And I did the math and I

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Speaker 1: have not had sex since December. We don't have to

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Speaker 1: we can cut this. That's six months. Yeah, and we're

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Speaker 1: not going to bitch bitch, Well, we'll have to find

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Speaker 1: someone who's COVID free in Los Angeles for you. I

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Speaker 1: I literally implore, like, it's going to be such a

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Speaker 1: fabulous experience for the person fucking you end for you

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Speaker 1: to have sex, so much pressure on them and on

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Speaker 1: it doesn't need to be a lot of pressure, and

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Speaker 1: you know what, it should be fun. It's actually real

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Speaker 1: culture number eleven sex should be five. We are minutes

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Speaker 1: into this episode, SIPs into our drinks and a hundred

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Speaker 1: ninety seven away from our top number one moment and culture.

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Speaker 1: So our number one nine seven moment of culture is

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Speaker 1: ocean expedition slash exploring of our world. See that you

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Speaker 1: put this in explain this. I think that once we

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Speaker 1: just once we just of her, that we could go

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Speaker 1: into the ocean and discover the bottom of the seas.

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Speaker 1: That opened the door to so much culture Because think

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Speaker 1: about all the culture we would not have if we

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Speaker 1: hadn't been able to explore the seas of the world.

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Speaker 1: You know, Titanic, which we're going to touch on later,

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Speaker 1: we would never have Titanic fever finding Dory, That's what

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Speaker 1: I'm saying. Finding Dory and also finding Nemo we have.

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Speaker 1: There are so many things that are happening in the

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Speaker 1: ocean that we needed. We required scientists to have the

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Speaker 1: technology to go around the ocean to discover. Do you

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Speaker 1: have any oceanographers marine biologists that you want to shout

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Speaker 1: out right now? Yes, I would love to shout out

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Speaker 1: Miss Frizzle who got in her Um. Of course, magic

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Speaker 1: school Bus, which was famously was magic and dove to

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Speaker 1: the bottom of the sea. And we should say, right now,

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Speaker 1: as I shout her out, miss Frazzle did not make

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Speaker 1: the top two hundred items. They're sorry we apolished her.

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Speaker 1: Not that she didn't even in, but she just wasn't

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Speaker 1: one of the top two hundred. She and like we're

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Speaker 1: not talking about her like I I did not. I

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Speaker 1: have not thought of his first and so long, and

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Speaker 1: I can't say that I have either. It took you

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Speaker 1: to bring her up for me to remember who she was.

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Speaker 1: What is your favorite moment in ocean history. I think

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Speaker 1: my favorite moment in ocean history was when I mean,

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Speaker 1: we're to talk about it later. So I don't want

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Speaker 1: to sort of shoot my load as it below the load,

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Speaker 1: my load as it were. Um. But you know, just

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Speaker 1: even the beginning of Titanic, I remember as a kid,

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Speaker 1: when they were going down into the rusty rest of

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Speaker 1: the ship. I was like, there's something about this that

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Speaker 1: I left. I want to be down there. I want

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Speaker 1: to I want to dig up the little things from

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Speaker 1: the fireplace. And there's something there's something so great about that,

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Speaker 1: and it just made me, you know, if if Titanic,

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Speaker 1: if I followed that thread a little bit more. If

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Speaker 1: I pulled on that a little bit more, I might

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Speaker 1: have been, you know, the submarine biologist, you know who

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Speaker 1: Bill Paxiston in that movie. I would have been like

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Speaker 1: you might have been like Bill Paxiston in that movie.

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Speaker 1: I've been able to discover many things. But we're an earring.

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Speaker 1: He didn't ear piercing, remember exactly. He did in a

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Speaker 1: shaggy haircut, and they cut a plot line where he

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Speaker 1: fucked Susie Amos, who became James Cameron's But listen to

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Speaker 1: stay tuned. You're gonna have to stay tuned on that one,

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Speaker 1: because let's just say that we may not be done

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Speaker 1: with Titanic Fever, sir. Not Okay, okay, next one, This

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Speaker 1: next one is an It's Will Smith as a rap

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Speaker 1: pop star who could forget. But you think there's a

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Speaker 1: world where he was a pop star. He was a

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Speaker 1: popular rap artist. I would go so far as to

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Speaker 1: say that his rap was more pop music than it

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Speaker 1: was like hard rap music. Not that rap music has

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Speaker 1: to be hard, but obviously it got more play on

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Speaker 1: pop radio than it did probably on urban radio. I

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Speaker 1: don't know. I don't have those facts and fingers in

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Speaker 1: front of me. But I think, you know, when someone

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Speaker 1: like Will Smith is singing songs like the Wild Wild

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Speaker 1: West is singing songs like Men in Black is singing

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Speaker 1: songs like with It, you know, I'm thinking, this is

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Speaker 1: someone who's appearing on pop radio with a pop sensibility.

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Speaker 1: And he did really have an impact. He had a

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Speaker 1: huge impact, I would say. I remember, I really did

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Speaker 1: feel something. I never ended up seeing the movie, but

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Speaker 1: when the Wildlad West trailer played on TV, I was like,

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Speaker 1: there's something so cool about this and and wait, this

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Speaker 1: is a Stevie Wonder song, Like you know, it just

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Speaker 1: opened a lot of doors for me. Culturally. Well, I'm

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Speaker 1: telling you what you missed out on was some iconic

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Speaker 1: Salamahayak culture because she is, of course the female lead

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Speaker 1: in that little film, and there's great performances in it.

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Speaker 1: It's a silly, silly movie, and you do see a

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Speaker 1: little Will Smith. But in it, who who could dispute that?

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Speaker 1: Who could who who could resist that? No one could resist,

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Speaker 1: especially at that time Will Smith was a movie star

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Speaker 1: and a music star, which gets lost gets lost? And

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Speaker 1: this is the moment in culture that we wanted to

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Speaker 1: sort of canonize in the list right. I wouldn't say

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Speaker 1: anything else that he's done is worth mentioning on this list.

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Speaker 1: Just him as a rap slash pop star, his musical remember,

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Speaker 1: just the two of us. Oh my god, get out

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Speaker 1: of here, two of us. We can make it. Which

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Speaker 1: iconic culture speaking of iconic musical culture, bowing this one?

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Speaker 1: Number one is the boy is Mine? It just it

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Speaker 1: still holds up in a way that is that Not

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Speaker 1: a lot of culture does that opening that dialogue? I

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Speaker 1: mean what other songs have dialogue to open them? I

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Speaker 1: mean none like this. What we get is a full

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Speaker 1: scene with the two young women, of course, I'm speaking

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Speaker 1: of Brandy and Monica. And would we be able to

427
00:22:38,480 --> 00:22:44,480
Speaker 1: do the dialogue right now? Absolutely? Um? Okay, you're that's

428
00:22:44,480 --> 00:22:47,080
Speaker 1: how that's how we identify. Okay, go excuse me. Can

429
00:22:47,119 --> 00:22:50,480
Speaker 1: I please talk to you for a minute? Mm hmm sure.

430
00:22:50,520 --> 00:22:54,080
Speaker 1: You know you look kind of familiar. Yeah you do too,

431
00:22:54,400 --> 00:22:56,040
Speaker 1: But um, I just wanted to know. I want to

432
00:22:56,240 --> 00:22:58,879
Speaker 1: I want to know, do you know somebody name? You

433
00:22:59,200 --> 00:23:02,560
Speaker 1: know his name? Oh? Yeah, definitely, I know his name. Well,

434
00:23:02,600 --> 00:23:05,880
Speaker 1: I just want to let you know that he's mine. No, no,

435
00:23:06,200 --> 00:23:07,800
Speaker 1: he is mine. I have a question to ask you

436
00:23:08,320 --> 00:23:10,840
Speaker 1: where do you think they were in that scene? What's

437
00:23:10,880 --> 00:23:13,359
Speaker 1: the place? Because I have a clear answer from the

438
00:23:13,400 --> 00:23:15,280
Speaker 1: very first moment I heard this as a child, I

439
00:23:15,280 --> 00:23:18,160
Speaker 1: have a clear answer of where they were. Okay, I'm

440
00:23:18,200 --> 00:23:21,639
Speaker 1: gonna say they're at a public pool. Okay, that's cool.

441
00:23:22,400 --> 00:23:24,600
Speaker 1: As an I was in elementary school at the time,

442
00:23:24,640 --> 00:23:27,200
Speaker 1: and so for me, like the social hub in elementary

443
00:23:27,240 --> 00:23:29,920
Speaker 1: school is the cafeteria. Even though so even though these

444
00:23:29,960 --> 00:23:34,080
Speaker 1: were women in their late teen slash early twenties UM

445
00:23:34,119 --> 00:23:36,199
Speaker 1: at the time of recording, I imagine them to be

446
00:23:36,240 --> 00:23:38,520
Speaker 1: in a cafeteria setting of some source. So you did

447
00:23:38,560 --> 00:23:40,399
Speaker 1: see them in sort of like a high school vibe.

448
00:23:40,760 --> 00:23:42,239
Speaker 1: I thought it was high school, but even like, more

449
00:23:42,280 --> 00:23:45,920
Speaker 1: specifically spatially, it was in the cafeteria of my elementary

450
00:23:45,920 --> 00:23:48,760
Speaker 1: school in Montreal at the time. I get it. So

451
00:23:49,080 --> 00:23:51,720
Speaker 1: I think for me, I kind of I associate this

452
00:23:51,760 --> 00:23:54,400
Speaker 1: as being like a summer jam. Yes, and I think

453
00:23:54,480 --> 00:23:57,760
Speaker 1: I saw like a pool, yeah, a pool because it

454
00:23:57,800 --> 00:24:02,600
Speaker 1: was a summer and also just like them, sort of

455
00:24:03,160 --> 00:24:05,160
Speaker 1: being at a place where one could be with their

456
00:24:05,200 --> 00:24:08,200
Speaker 1: group of friends and another could be with their group

457
00:24:08,200 --> 00:24:12,480
Speaker 1: of friends and where does that happen? But I haven't

458
00:24:12,480 --> 00:24:15,200
Speaker 1: thought about it until this moment. That's isn't an interesting

459
00:24:15,280 --> 00:24:18,520
Speaker 1: question to ask. So ask yourself, reader, where when you

460
00:24:18,560 --> 00:24:20,800
Speaker 1: first listen to The Boy's Mind? Where did you think

461
00:24:20,840 --> 00:24:23,520
Speaker 1: that Brandy and Monica were in the beginning? And also,

462
00:24:23,720 --> 00:24:28,520
Speaker 1: any any song, any song that you hear, think, where

463
00:24:28,640 --> 00:24:31,600
Speaker 1: is this happening there? It's it's actually a really culture

464
00:24:31,680 --> 00:24:37,679
Speaker 1: number thirty. Any song that you think, where is this happening?

465
00:24:37,800 --> 00:24:40,560
Speaker 1: Like on the album Chromatica. We can imagine that a

466
00:24:40,600 --> 00:24:43,359
Speaker 1: lot of those songs are taking place on Chromatica. Yes,

467
00:24:43,680 --> 00:24:48,000
Speaker 1: but the geopolitical thoughts around music I think are left

468
00:24:48,000 --> 00:24:50,600
Speaker 1: out of the conversation right exactly. And you know, speaking

469
00:24:50,600 --> 00:24:54,639
Speaker 1: of geopolitical thoughts, we are going to move along to

470
00:24:55,160 --> 00:24:59,200
Speaker 1: um so so much so such a mind went into

471
00:24:59,240 --> 00:25:01,520
Speaker 1: the creation of this movie. But we're not talking about

472
00:25:01,560 --> 00:25:03,560
Speaker 1: the writing of the movie. We're talking about a specific

473
00:25:03,600 --> 00:25:06,760
Speaker 1: performance in the movie. One four on our top two

474
00:25:06,840 --> 00:25:12,040
Speaker 1: hundred is Rooney Mara in The Social Network. Now, why

475
00:25:12,119 --> 00:25:14,840
Speaker 1: is this culturally important? Bow she is in that, the

476
00:25:14,920 --> 00:25:18,880
Speaker 1: character of Erica in The Social Network, Mark Zuckerberg's fictional

477
00:25:19,000 --> 00:25:23,040
Speaker 1: perhaps former girlfriend, is in I want to say, three

478
00:25:23,080 --> 00:25:25,680
Speaker 1: scenes in the entire movie. But she makes an impact

479
00:25:25,760 --> 00:25:29,000
Speaker 1: I mean she sets up the flaw of Mark Zuckerberg,

480
00:25:29,040 --> 00:25:32,879
Speaker 1: which is that he is huboristic and whatever only is

481
00:25:32,880 --> 00:25:36,800
Speaker 1: concerned about being cool, and she delivers iconic lines such

482
00:25:36,800 --> 00:25:38,480
Speaker 1: as because I watched this movie the other night with

483
00:25:38,520 --> 00:25:40,760
Speaker 1: my parents. It's on Netflix, and they loved it. They

484
00:25:40,760 --> 00:25:42,640
Speaker 1: were like, Mark Zuckerberg is like this. I was like, yes,

485
00:25:43,320 --> 00:25:47,480
Speaker 1: according to Erin's workin but the line the girls aren't

486
00:25:47,480 --> 00:25:49,560
Speaker 1: going to not like you because you're a nerd. They're

487
00:25:49,560 --> 00:25:52,520
Speaker 1: not going to like you because and then the Internet

488
00:25:52,560 --> 00:25:55,000
Speaker 1: is not written in pencil. I think it's written in ink.

489
00:25:55,760 --> 00:25:59,600
Speaker 1: I mean, she is really good at this, and I

490
00:25:59,640 --> 00:26:04,760
Speaker 1: would say it's a tone setting for a fabulous movie.

491
00:26:05,000 --> 00:26:07,359
Speaker 1: And also it kind of like did give birth to

492
00:26:07,440 --> 00:26:11,439
Speaker 1: Rooney Mara David Finch rom Use because then she was

493
00:26:11,480 --> 00:26:15,080
Speaker 1: famously she was Lizabeth Salander and she was famously on

494
00:26:15,119 --> 00:26:16,520
Speaker 1: The Girl with the Dragon Tattoo, which got her an

495
00:26:16,520 --> 00:26:19,159
Speaker 1: Oscar nomination, And would she have done that had she

496
00:26:19,240 --> 00:26:22,399
Speaker 1: not slaid so hard in the social network? Also iconic

497
00:26:22,520 --> 00:26:26,520
Speaker 1: be you representation, and there's not enough. There's not enough.

498
00:26:27,119 --> 00:26:29,600
Speaker 1: We don't see enough be you girls in film, and

499
00:26:29,640 --> 00:26:34,680
Speaker 1: that's real culture number nine. We don't see enough girls

500
00:26:35,000 --> 00:26:41,520
Speaker 1: in film. We're going so slow, we're we're only seven things.

501
00:26:41,520 --> 00:26:44,880
Speaker 1: Then we're twenty seven bits. And Hans Hans, our producer, said,

502
00:26:44,920 --> 00:26:46,800
Speaker 1: heads up for twenty seven minutes. And well, no one

503
00:26:46,840 --> 00:26:51,959
Speaker 1: asked him. Let no one asked him, No one is

504
00:26:52,040 --> 00:26:54,520
Speaker 1: he's doing a little cute, little um sort of smiley

505
00:26:54,520 --> 00:26:56,359
Speaker 1: face with the tongue sticking out, but no one asked

506
00:26:56,440 --> 00:26:58,960
Speaker 1: him what rule culture number I mean, this is not

507
00:26:59,040 --> 00:27:07,080
Speaker 1: rutal culture. This is moment moment Number one is who

508
00:27:07,080 --> 00:27:11,000
Speaker 1: wants to I won five thousand dollars and Studie Green

509
00:27:11,119 --> 00:27:13,680
Speaker 1: was my phone, my phone a friend a plus one

510
00:27:13,760 --> 00:27:15,679
Speaker 1: because they got rid of phone a friend. It was

511
00:27:15,720 --> 00:27:18,480
Speaker 1: a very much not a lucrative moment, but it wasn't

512
00:27:18,600 --> 00:27:22,080
Speaker 1: entertaining moment. And Chris Harrison shook her hand very hard.

513
00:27:22,320 --> 00:27:25,000
Speaker 1: Chris Harrison did a Trump shake on my hand where

514
00:27:25,040 --> 00:27:27,639
Speaker 1: he shook it and pulled me into a certain dominance

515
00:27:27,720 --> 00:27:29,960
Speaker 1: over me. And you can find it online and I

516
00:27:29,960 --> 00:27:32,480
Speaker 1: am not lying, And okay, let's move on to number

517
00:27:35,520 --> 00:27:38,720
Speaker 1: snatch game perform. Wanted you to come up and suck

518
00:27:38,800 --> 00:27:41,879
Speaker 1: me in the ass sometime. I think the undisputed best

519
00:27:42,080 --> 00:27:47,200
Speaker 1: snatch game performance ever followed very closely by jinx is

520
00:27:47,680 --> 00:27:51,160
Speaker 1: Little Lady. Absolutely, I would. And really what this does,

521
00:27:51,200 --> 00:27:54,760
Speaker 1: This Alaska's May West moment on the list really represents

522
00:27:54,800 --> 00:27:57,399
Speaker 1: all snatch games because it is a moment of culture.

523
00:27:57,480 --> 00:28:00,440
Speaker 1: It's a moment of culture. So we're moving forward. Number

524
00:28:00,440 --> 00:28:03,679
Speaker 1: one on the list of top two moments in culture history.

525
00:28:03,880 --> 00:28:07,560
Speaker 1: It's the game tag You know what you love it?

526
00:28:07,640 --> 00:28:10,760
Speaker 1: You played it likely with many girls. They made a

527
00:28:10,800 --> 00:28:14,600
Speaker 1: movie about it. Yes, And it's the game of when

528
00:28:14,640 --> 00:28:16,720
Speaker 1: you are running around and you tag some with your

529
00:28:16,760 --> 00:28:21,920
Speaker 1: hands and they become quote it. Yes, it's actually real culture.

530
00:28:22,000 --> 00:28:26,840
Speaker 1: Number four, when you are tagged, you are, you become

531
00:28:26,920 --> 00:28:31,360
Speaker 1: quote unquote. It's let's just keep going. Number one nine

532
00:28:32,200 --> 00:28:37,560
Speaker 1: The Jaws Ride opens at Universal Studios. Now, this was

533
00:28:37,600 --> 00:28:39,959
Speaker 1: an iconic moment in my personal culture and I think

534
00:28:40,000 --> 00:28:42,360
Speaker 1: the culture of many, which was you could board a

535
00:28:42,560 --> 00:28:46,880
Speaker 1: ship in the Universal Studios in Amity Arbor and that

536
00:28:46,960 --> 00:28:50,800
Speaker 1: ship would be repeatedly attacked by the villainous shark Jaws.

537
00:28:50,920 --> 00:28:53,400
Speaker 1: And how it Jaws mete its demise It would bite

538
00:28:53,400 --> 00:28:57,280
Speaker 1: onto an electrocuted wire. Well, yes, it would bite onto

539
00:28:57,320 --> 00:29:00,160
Speaker 1: the electrocuted wire and explode in flames. It would then

540
00:29:00,280 --> 00:29:02,760
Speaker 1: arrived at the surface of the water as a charred mess,

541
00:29:02,800 --> 00:29:04,960
Speaker 1: and then it launches at the boat one final time.

542
00:29:05,320 --> 00:29:09,520
Speaker 1: The skipper shoots a shotgun that it finally dies, and um,

543
00:29:09,560 --> 00:29:12,760
Speaker 1: that is how you survived the Menace of Jaws. And

544
00:29:12,840 --> 00:29:16,000
Speaker 1: I can say here and now it no longer exists,

545
00:29:16,040 --> 00:29:21,000
Speaker 1: but for the one in Japan. Yes, but you've got

546
00:29:21,000 --> 00:29:22,320
Speaker 1: to go out there in Japan if you want to

547
00:29:22,360 --> 00:29:24,320
Speaker 1: ride it. Otherwise I just can't help you. We're going

548
00:29:24,400 --> 00:29:35,160
Speaker 1: to go there some day very soon. Once say, okay,

549
00:29:35,240 --> 00:29:40,400
Speaker 1: one is Mario? Oh my god, who hasn't played this?

550
00:29:40,480 --> 00:29:42,920
Speaker 1: Hasn't played this one? You love it? You love it?

551
00:29:42,960 --> 00:29:45,480
Speaker 1: And who are you usually when you play? I'm usually

552
00:29:45,520 --> 00:29:47,040
Speaker 1: a peach in the old school games, But in the

553
00:29:47,080 --> 00:29:48,960
Speaker 1: New School games, I like to be a warrio. I

554
00:29:49,000 --> 00:29:51,560
Speaker 1: like to be a toad At, So you like to

555
00:29:51,600 --> 00:29:53,640
Speaker 1: be a warrior on a toad at. I am always

556
00:29:53,640 --> 00:29:57,280
Speaker 1: going to be misstowed. You love mistowed. I love toad

557
00:29:57,360 --> 00:29:59,880
Speaker 1: because I feel she was moving around the fastest. I

558
00:30:00,040 --> 00:30:03,400
Speaker 1: love the kind of sounds she made, such as this, yeah,

559
00:30:04,200 --> 00:30:07,400
Speaker 1: like I thought that that was so enthusiastic, And I

560
00:30:07,440 --> 00:30:10,560
Speaker 1: loved her her freedom. I don't know why I'm calling

561
00:30:10,640 --> 00:30:12,800
Speaker 1: could tote a female. I don't think totally has a

562
00:30:12,840 --> 00:30:15,560
Speaker 1: job miss gender to tote is mail. You feel this

563
00:30:15,640 --> 00:30:18,360
Speaker 1: one tote is Mail. There is a famously trans character

564
00:30:18,400 --> 00:30:20,920
Speaker 1: in the Mario cannon, which is Burdo. Who is Burdo?

565
00:30:20,960 --> 00:30:22,800
Speaker 1: I would I would say, I should say Birdo is trans.

566
00:30:23,400 --> 00:30:26,400
Speaker 1: That's a real thing. Yes, she's she was assigned Mail

567
00:30:26,400 --> 00:30:29,880
Speaker 1: at birth. And in the lore of the second Mario,

568
00:30:30,320 --> 00:30:33,320
Speaker 1: like the whole thing was bird like back then. And

569
00:30:33,440 --> 00:30:35,200
Speaker 1: this is like the rough Japanese translation, but it was

570
00:30:35,560 --> 00:30:39,280
Speaker 1: Burdo thinks he's a girl. But then like Mario, Nintendo

571
00:30:39,360 --> 00:30:41,760
Speaker 1: have like sort of grown along with the time socially

572
00:30:41,760 --> 00:30:44,360
Speaker 1: and they're like, no, Burdo's trans is that serious? Serious?

573
00:30:44,400 --> 00:30:46,080
Speaker 1: Look it up, like, oh my god, I love that.

574
00:30:46,160 --> 00:30:52,640
Speaker 1: Moving on to one hundred, number one hundred. It's Vegas

575
00:30:52,760 --> 00:30:56,320
Speaker 1: residence really made being in Vegas what it is, and

576
00:30:56,400 --> 00:30:58,120
Speaker 1: she kept it for so long. She kept it going

577
00:30:58,160 --> 00:31:01,040
Speaker 1: for something. It was the double e thing to do

578
00:31:01,280 --> 00:31:03,960
Speaker 1: with your mother and when you were in Vegas. Absolutely,

579
00:31:03,960 --> 00:31:06,800
Speaker 1: and you know she's also kept those vocals up. We

580
00:31:06,840 --> 00:31:08,520
Speaker 1: can see her with that mask on, that sort of

581
00:31:08,520 --> 00:31:11,720
Speaker 1: saline mask with iconic culture. Is that image and we

582
00:31:11,760 --> 00:31:15,800
Speaker 1: have to think Renee. We have to think Renee. We

583
00:31:16,000 --> 00:31:20,760
Speaker 1: can't really get into how it's a little probb. It

584
00:31:20,800 --> 00:31:23,120
Speaker 1: feels a little predatory to me that Renee, you know,

585
00:31:23,160 --> 00:31:26,120
Speaker 1: went after Selene, you went there. You really we have

586
00:31:26,160 --> 00:31:29,240
Speaker 1: to it's we got to talk about these things. We love.

587
00:31:29,320 --> 00:31:32,560
Speaker 1: We love it. Selene loved him. Um, but you know,

588
00:31:32,680 --> 00:31:36,600
Speaker 1: we've got a question Renee's motives. That's certainly an odd relationship,

589
00:31:36,640 --> 00:31:39,280
Speaker 1: but one that did stand the test of time and um,

590
00:31:39,520 --> 00:31:42,640
Speaker 1: she was with him until his dying day. And you know, Selene,

591
00:31:42,680 --> 00:31:45,440
Speaker 1: we thank you for your incredible talent, the way you

592
00:31:45,480 --> 00:31:49,840
Speaker 1: touch of the world. And we remember Renee, even though

593
00:31:49,960 --> 00:31:53,520
Speaker 1: we have questions about the genesis of the relationship. But

594
00:31:53,600 --> 00:31:56,880
Speaker 1: that's really none of our business, is it. French Canadian queen,

595
00:31:56,920 --> 00:32:00,160
Speaker 1: French Canadian queen. We just bring it up. Um, We're

596
00:32:00,160 --> 00:32:02,640
Speaker 1: just bring it up. We bring it up, and that's

597
00:32:02,680 --> 00:32:05,600
Speaker 1: our roles to bring it up. Now, bowen. One number

598
00:32:07,640 --> 00:32:13,640
Speaker 1: Nadia achieving a perfect ten and gymnastics had never been

599
00:32:13,640 --> 00:32:16,200
Speaker 1: done before, and then she did it so many times

600
00:32:16,200 --> 00:32:18,960
Speaker 1: at that Olympics. You know she received over six top

601
00:32:19,000 --> 00:32:21,520
Speaker 1: ten score ten perfect tense. You know this off the

602
00:32:21,560 --> 00:32:25,000
Speaker 1: top of your head, I looked it up actually today

603
00:32:25,040 --> 00:32:27,240
Speaker 1: because I was thinking about putting it on the list,

604
00:32:27,280 --> 00:32:28,720
Speaker 1: and then I saw that you had already added it,

605
00:32:28,760 --> 00:32:31,400
Speaker 1: and I thought, Okay, we are simpatico because I also

606
00:32:31,480 --> 00:32:35,680
Speaker 1: just recently watched the documentary athlete A on Netflix, which

607
00:32:35,760 --> 00:32:40,240
Speaker 1: is a startling watch but I think an important watch,

608
00:32:40,280 --> 00:32:44,800
Speaker 1: and they talked about how Nadia was like the prototype

609
00:32:45,240 --> 00:32:50,960
Speaker 1: for that young, young, young girl that they created into

610
00:32:51,000 --> 00:32:55,520
Speaker 1: like an Olympics monster the world over, because China's fucked

611
00:32:55,600 --> 00:32:59,440
Speaker 1: up with no completely fucked and I mean the fact

612
00:32:59,440 --> 00:33:01,120
Speaker 1: of the matter is like we have to have a

613
00:33:01,120 --> 00:33:05,719
Speaker 1: serious looked at the way we are sort of grooming

614
00:33:06,040 --> 00:33:11,200
Speaker 1: these young girls to be these these machine athletes, because oh,

615
00:33:11,360 --> 00:33:13,000
Speaker 1: we see that in the US it kind of got

616
00:33:13,040 --> 00:33:15,160
Speaker 1: a little out of control. And by a little control,

617
00:33:15,200 --> 00:33:17,200
Speaker 1: I mean a lot out of control. The doctor was

618
00:33:17,240 --> 00:33:20,680
Speaker 1: a sexual predator. So, oh my god. But was it

619
00:33:20,760 --> 00:33:23,840
Speaker 1: an achievement that Nadia's got those tens? Yes, when it

620
00:33:23,960 --> 00:33:26,280
Speaker 1: was a moment in culture. Let's go to one A six,

621
00:33:26,280 --> 00:33:31,400
Speaker 1: what is this shell? The shining Wow, we all remember

622
00:33:31,400 --> 00:33:33,800
Speaker 1: her running about that house with the knife. I mean

623
00:33:33,800 --> 00:33:36,880
Speaker 1: the screams, the most iconic screaming film history. Oh, can

624
00:33:36,960 --> 00:33:43,160
Speaker 1: you do it? It's pretty good. Sorry, Oh my god.

625
00:33:43,440 --> 00:33:46,960
Speaker 1: Literally our engineer Dug I know, his head absolutely exploded

626
00:33:47,000 --> 00:33:49,160
Speaker 1: on that one. But she was giving you and Stanley

627
00:33:49,200 --> 00:33:54,840
Speaker 1: Kubrick was I mean psychologically torturing this poor woman. Impact

628
00:33:54,840 --> 00:33:57,440
Speaker 1: on her because Mr Vall, we hope she's doing well now,

629
00:33:57,480 --> 00:34:01,600
Speaker 1: but you know, things took a turn. I'm those were

630
00:34:01,600 --> 00:34:03,960
Speaker 1: the glory days of Shelley. But now like she's like

631
00:34:04,000 --> 00:34:05,800
Speaker 1: she was in an interview like a few years ago,

632
00:34:05,920 --> 00:34:10,359
Speaker 1: just like she's in a bad way. She um you know.

633
00:34:10,480 --> 00:34:13,600
Speaker 1: I I think we got an amazing performance out of her,

634
00:34:13,760 --> 00:34:16,920
Speaker 1: But at what cost? At what cost did great culture?

635
00:34:17,000 --> 00:34:20,520
Speaker 1: Let's keep going, Okay, So number one eighty five is

636
00:34:20,840 --> 00:34:26,680
Speaker 1: the name Amanda Culture. So there are so many millions

637
00:34:26,760 --> 00:34:30,080
Speaker 1: of women across America are named Amanda. And this is

638
00:34:30,120 --> 00:34:33,160
Speaker 1: a name that, you know, very similar to the name Chris.

639
00:34:33,680 --> 00:34:36,080
Speaker 1: I think with men, Amanda has really taken over. And

640
00:34:36,120 --> 00:34:41,239
Speaker 1: Amanda has absolutely revolutionized the Hollywood industry because every publicist

641
00:34:41,320 --> 00:34:45,080
Speaker 1: was named Amanda. Yes, many managers and agents named Amanda,

642
00:34:45,200 --> 00:34:48,920
Speaker 1: and some talent named Amanda. Some talent is named Amanda.

643
00:34:49,280 --> 00:34:52,000
Speaker 1: I would say that Amanda made a huge impact on

644
00:34:52,000 --> 00:34:53,719
Speaker 1: the culture. But not even just in showbiz. Let's not

645
00:34:53,719 --> 00:34:56,160
Speaker 1: limited to show biz. No, I would say in classroom,

646
00:34:56,200 --> 00:34:58,719
Speaker 1: in elementary school, classrooms, everywhere where, there were at least

647
00:34:58,719 --> 00:35:02,080
Speaker 1: four Amanda's in every class. Amanda. Really when we were

648
00:35:02,080 --> 00:35:04,000
Speaker 1: growing up, it really took the world by storm. From

649
00:35:04,000 --> 00:35:07,279
Speaker 1: the years nineteen eight seven to nine two, they were

650
00:35:07,320 --> 00:35:11,160
Speaker 1: approximately a billion Amanda's. A billion Amanda's who are now

651
00:35:11,440 --> 00:35:14,879
Speaker 1: in positions of middle management and even executive leadership. And

652
00:35:15,120 --> 00:35:18,000
Speaker 1: you cannot dispute Amanda, but you know, we don't forget

653
00:35:18,040 --> 00:35:20,680
Speaker 1: the Amandas that have been left behind, you know. And

654
00:35:20,680 --> 00:35:24,800
Speaker 1: and some Amanda's um they feel that they must shorten

655
00:35:24,840 --> 00:35:27,839
Speaker 1: their name to Mandy, and we're thinking of them. We're

656
00:35:27,840 --> 00:35:29,640
Speaker 1: thinking of them, and we are not going to tell

657
00:35:29,680 --> 00:35:31,239
Speaker 1: you what to do either way. But you know, just

658
00:35:31,280 --> 00:35:33,160
Speaker 1: to go back to your roots. You're an Amanda. You

659
00:35:33,200 --> 00:35:35,719
Speaker 1: have our support. Number one hundred eighty four on our

660
00:35:35,760 --> 00:35:40,520
Speaker 1: top two hundred list. Dakota Fanning sets a child actress precedent,

661
00:35:40,760 --> 00:35:44,959
Speaker 1: and it's eaten by her own sister l Who could

662
00:35:44,960 --> 00:35:47,759
Speaker 1: forget when Dakota Fanning really set the tone for child

663
00:35:47,800 --> 00:35:49,880
Speaker 1: actresses and then was eaten by her own sister l

664
00:35:49,920 --> 00:35:53,040
Speaker 1: Fanna Yeah, what do you think was the last great

665
00:35:53,120 --> 00:35:55,239
Speaker 1: Dakota Fanning work. I want to say it's Uptown Girls.

666
00:35:55,360 --> 00:35:57,600
Speaker 1: I was gonna say it's Uptown Girls and World War

667
00:35:58,000 --> 00:36:00,600
Speaker 1: World World, World War of the World. Where are the

668
00:36:00,680 --> 00:36:03,560
Speaker 1: roles she was? I mean, excellent. If you can hold

669
00:36:03,600 --> 00:36:07,640
Speaker 1: your own opposite Tom Cruise, Oh my god, you're really something.

670
00:36:07,640 --> 00:36:09,520
Speaker 1: You are a real talent if you can hold your

671
00:36:09,520 --> 00:36:12,520
Speaker 1: own off against that crazy man. But let's not forget.

672
00:36:12,600 --> 00:36:15,480
Speaker 1: I mean, once upon a time in Hollywood she played.

673
00:36:17,400 --> 00:36:20,919
Speaker 1: I didn't see this. She's phenomenal. Well, she's an incredible talent.

674
00:36:20,920 --> 00:36:23,320
Speaker 1: She's an incredible talent, and you know that she consistently

675
00:36:23,320 --> 00:36:26,760
Speaker 1: works in television. Now on that show with um with Evans,

676
00:36:27,239 --> 00:36:29,759
Speaker 1: I watched this show. Who is like fully gay? By

677
00:36:29,760 --> 00:36:31,920
Speaker 1: the way, I didn't realize that. Oh my god. No,

678
00:36:32,040 --> 00:36:34,680
Speaker 1: he's like literally the hottest and he's very gay on

679
00:36:34,719 --> 00:36:37,080
Speaker 1: his Instagram And he said this thing on Pride where

680
00:36:37,120 --> 00:36:39,319
Speaker 1: he posed his boyfriend, and I didn't realize he had

681
00:36:39,520 --> 00:36:41,799
Speaker 1: come out. And then I realized maybe he never did,

682
00:36:42,120 --> 00:36:44,400
Speaker 1: which I love, which, oh god, he didn't have to

683
00:36:44,440 --> 00:36:47,760
Speaker 1: publicize it too much. Oh, here we go. Someone wrote

684
00:36:48,000 --> 00:36:52,160
Speaker 1: the alienist Angel of Darkness so what we've got here

685
00:36:52,360 --> 00:36:55,640
Speaker 1: is Hans has come in and a huge bold made

686
00:36:55,719 --> 00:36:58,800
Speaker 1: us know that the series that's a coded Fanning is

687
00:36:58,840 --> 00:37:01,280
Speaker 1: in is called the Alienist. But we of course remember

688
00:37:01,320 --> 00:37:04,880
Speaker 1: her best from her incredible form performances in Uptown Girls.

689
00:37:05,000 --> 00:37:08,880
Speaker 1: I Am Sam, I Am Sam. Member of that movie.

690
00:37:08,920 --> 00:37:11,279
Speaker 1: She did this scary movie with Robert de Niro, Hide

691
00:37:11,320 --> 00:37:15,440
Speaker 1: and Seek, that was shocking, shocking. Wait, we have to

692
00:37:15,440 --> 00:37:17,200
Speaker 1: talk about L. We're ignoring the l of it all

693
00:37:17,239 --> 00:37:20,160
Speaker 1: and she completely ate her own sister. I mean L

694
00:37:20,239 --> 00:37:23,040
Speaker 1: came in and was in Maleficent one end two. L

695
00:37:23,160 --> 00:37:24,719
Speaker 1: was coming in as a child actress, and she was

696
00:37:24,719 --> 00:37:29,080
Speaker 1: more of a teen like now she's in the Great

697
00:37:29,239 --> 00:37:36,160
Speaker 1: getting amazing notices, but like Super eight into into Um.

698
00:37:36,280 --> 00:37:38,000
Speaker 1: She was a kid in super She was a kid

699
00:37:38,000 --> 00:37:39,600
Speaker 1: in super Ate at that UM that that movie, that

700
00:37:39,680 --> 00:37:44,480
Speaker 1: Sofia couple of movie. She was incredible and the Begot

701
00:37:44,640 --> 00:37:47,600
Speaker 1: very funny, very funny. In the Beguild. She's really come

702
00:37:47,640 --> 00:37:51,399
Speaker 1: out and also twenty century women don't forget women. She's

703
00:37:51,400 --> 00:37:53,879
Speaker 1: so good. She's got the damn resume and Dakota used

704
00:37:53,880 --> 00:37:55,480
Speaker 1: to have the resume. But that's what happens when you

705
00:37:55,480 --> 00:37:57,520
Speaker 1: said a precedent is your own sister might eat you.

706
00:37:57,719 --> 00:38:00,880
Speaker 1: But we're saying that Dakota is still very much established

707
00:38:00,880 --> 00:38:03,440
Speaker 1: and working on very good projects. She is a gold standard.

708
00:38:03,480 --> 00:38:06,080
Speaker 1: She's just not sort of um. She couldn't have stayed

709
00:38:06,080 --> 00:38:08,440
Speaker 1: a child forever. Yeah, I mean, well, you know, I

710
00:38:08,480 --> 00:38:13,960
Speaker 1: hope that she comes back with an adult role. Yes, okay,

711
00:38:14,000 --> 00:38:18,520
Speaker 1: So when number one is the Real House of Pa.

712
00:38:19,440 --> 00:38:27,000
Speaker 1: You've got Karen, You've got Hug, You've got Giselle. Oh oh,

713
00:38:27,080 --> 00:38:30,800
Speaker 1: We've got an amazing cast, and also real drama, real steaks,

714
00:38:31,200 --> 00:38:33,600
Speaker 1: and honestly, the other franchises need to take a page

715
00:38:33,600 --> 00:38:37,040
Speaker 1: out of the Potomac book. Scale it back, get human drama,

716
00:38:37,080 --> 00:38:41,040
Speaker 1: real drama, and honestly, we need a full reboot of

717
00:38:41,080 --> 00:38:43,680
Speaker 1: these other franchises. And I'm not afraid to say it

718
00:38:43,719 --> 00:38:46,480
Speaker 1: on this podcast. Nothing is doing what Potomac is doing,

719
00:38:46,680 --> 00:38:51,560
Speaker 1: and for that it gets listed on our Number three

720
00:38:51,880 --> 00:38:56,000
Speaker 1: on top two hundred moments of culture history is the

721
00:38:56,160 --> 00:39:00,319
Speaker 1: is the cocktail hitting you? Yes? Number one two is

722
00:39:00,880 --> 00:39:07,360
Speaker 1: Rosie Perez dancing the right on this specifically in the

723
00:39:07,400 --> 00:39:09,320
Speaker 1: opening credits, to do the right thing. Obviously a huge

724
00:39:09,360 --> 00:39:12,279
Speaker 1: movie seminal movie one of Spike Lee's best works. But

725
00:39:12,400 --> 00:39:16,719
Speaker 1: Rosie Perez Dancing to Fight the Power Um huge. I

726
00:39:16,760 --> 00:39:20,120
Speaker 1: mean what a huge moments, sexual, powerful, political, all at once.

727
00:39:20,239 --> 00:39:22,719
Speaker 1: And you couldn't have had it with anyone else but

728
00:39:22,920 --> 00:39:25,200
Speaker 1: Mrs Rosie Perez, who went on to do great things

729
00:39:25,320 --> 00:39:27,520
Speaker 1: and she was an Oscar nominee for the film Fearless

730
00:39:27,560 --> 00:39:32,000
Speaker 1: and we respect. Number one eight one is Adam Lambert

731
00:39:32,080 --> 00:39:37,799
Speaker 1: and Clay a a K. Lambert and claymate culture a

732
00:39:38,000 --> 00:39:42,440
Speaker 1: k a. Middle aged women love. I think enough has

733
00:39:42,440 --> 00:39:45,520
Speaker 1: been said about that, and we speak for itself. Number

734
00:39:45,520 --> 00:39:52,080
Speaker 1: one Jane Workouts because she's most commonly I think known

735
00:39:52,120 --> 00:39:55,160
Speaker 1: as an actress and an activist, but we know her

736
00:39:55,719 --> 00:39:59,120
Speaker 1: primarily as a bund of steel queen, a woman in

737
00:39:59,200 --> 00:40:03,760
Speaker 1: five acts, a woman with buns of steel. Oh please,

738
00:40:04,800 --> 00:40:11,960
Speaker 1: revolutionizing the way white women got their skinny little tight booties. Yes,

739
00:40:12,600 --> 00:40:16,279
Speaker 1: and it was a revolution. It was not televised, but

740
00:40:16,400 --> 00:40:19,200
Speaker 1: on tape. Oh, the revolution will be on tape. It's

741
00:40:19,200 --> 00:40:22,560
Speaker 1: actually a real culture. Number two hundred, The revolution will

742
00:40:22,600 --> 00:40:27,440
Speaker 1: be on tape if Jan Fonda had anything to say

743
00:40:27,480 --> 00:40:32,880
Speaker 1: about it is the second half of Gone Girl, the

744
00:40:33,320 --> 00:40:36,480
Speaker 1: book Girl, When You, When You, when that twist hit you,

745
00:40:36,560 --> 00:40:40,080
Speaker 1: that she was still alive. Spoiler alert, I've never had

746
00:40:40,120 --> 00:40:44,320
Speaker 1: more fun while the cool girl monologue, Oh that was writing.

747
00:40:44,520 --> 00:40:47,799
Speaker 1: Thank you, Gillian flanned you served it up on that one.

748
00:40:47,880 --> 00:40:55,120
Speaker 1: Thank you, and and Viv getting recast on Fresh Friends. Now,

749
00:40:55,120 --> 00:40:57,040
Speaker 1: why did this happen? And why is it important that

750
00:40:57,080 --> 00:40:59,880
Speaker 1: we comment on it? And you know there's no time

751
00:41:00,280 --> 00:41:03,360
Speaker 1: we're gonna move on to one hundred seventy seven, number

752
00:41:03,360 --> 00:41:10,080
Speaker 1: one seventies seven Emily Blond take out work. And this

753
00:41:10,360 --> 00:41:14,560
Speaker 1: was Emily Blonde absolutely entering the main stage and you

754
00:41:14,600 --> 00:41:16,520
Speaker 1: were like, who is this woman? Is she really British

755
00:41:16,520 --> 00:41:18,160
Speaker 1: because she's laying on this accent and thick But then

756
00:41:18,200 --> 00:41:20,560
Speaker 1: you find out, oh, she really is British. But the

757
00:41:20,600 --> 00:41:22,839
Speaker 1: moments in that movie I love my job, I love

758
00:41:22,880 --> 00:41:25,839
Speaker 1: my job, I joined job. And also you can never

759
00:41:25,880 --> 00:41:29,000
Speaker 1: forget only one stomach flew away from my goal weight.

760
00:41:29,840 --> 00:41:35,480
Speaker 1: I have patrick amazing, unbelievable. I mean, listen, Emily Blonde.

761
00:41:35,680 --> 00:41:38,760
Speaker 1: We have her today because of her Golden Globe nominated

762
00:41:38,800 --> 00:41:42,120
Speaker 1: work of the Divorce Product and we hashtag stam to

763
00:41:42,320 --> 00:41:44,759
Speaker 1: wait before we move on. Remember when her and Anne

764
00:41:44,800 --> 00:41:47,359
Speaker 1: Hathaway president of the Oscars for Mayor all that year

765
00:41:47,440 --> 00:41:48,799
Speaker 1: and it was a whole bit and it was like

766
00:41:48,880 --> 00:41:54,560
Speaker 1: funnier than any you know, any comedy, any comedy I've

767
00:41:54,560 --> 00:41:56,640
Speaker 1: ever seen. It was funnier than any comedy I've ever seen.

768
00:41:56,640 --> 00:41:58,920
Speaker 1: In Emily Blond, I'll never forget when she when she

769
00:41:59,040 --> 00:42:02,399
Speaker 1: snaps her fingers like you tell Anne Hath the way

770
00:42:02,400 --> 00:42:05,239
Speaker 1: to go into the room. So good, so good, so good.

771
00:42:06,160 --> 00:42:10,759
Speaker 1: So speaking of the ladies who are high fashion, we

772
00:42:10,880 --> 00:42:16,799
Speaker 1: have number one hundred seventy six Rihanna at Wow the

773
00:42:16,960 --> 00:42:21,160
Speaker 1: met Ball Gala. Bowen Yanga is feeling has Red Bull Vodka. Now,

774
00:42:21,680 --> 00:42:24,080
Speaker 1: what are some incredible looks of Rihanna at the Mecca.

775
00:42:24,440 --> 00:42:28,400
Speaker 1: I'm of course always remembering her yellow moment with that

776
00:42:28,640 --> 00:42:32,600
Speaker 1: huge circular train. Oh my god. We always remember the

777
00:42:32,640 --> 00:42:38,600
Speaker 1: Pope outfit, papal paple um, the Catholic imagination theme. Of course,

778
00:42:38,680 --> 00:42:42,719
Speaker 1: we remember so much Rihanna. She is the number one

779
00:42:42,840 --> 00:42:46,120
Speaker 1: met Galla moment. She is the staple. And remember she

780
00:42:46,280 --> 00:42:49,200
Speaker 1: is out there, you know, not necessarily making music, but

781
00:42:49,280 --> 00:42:52,040
Speaker 1: she has pivoted to fashion in a way that is controversial,

782
00:42:52,040 --> 00:42:54,040
Speaker 1: but we respect. I'm for it. I'm all for it.

783
00:42:54,120 --> 00:42:57,520
Speaker 1: I'm for it. Okay. So one hundred seventy five, every

784
00:42:57,640 --> 00:43:02,760
Speaker 1: time Kenny died on Park and they say, oh my god,

785
00:43:03,120 --> 00:43:07,560
Speaker 1: you killed bastard, you bastard. It was really Cartmon who

786
00:43:07,560 --> 00:43:11,440
Speaker 1: said you can. And remember when every kid in elementary

787
00:43:11,440 --> 00:43:14,280
Speaker 1: school was doing their Cartman voice. I remember this so

788
00:43:14,280 --> 00:43:17,560
Speaker 1: so so vividly. And I remember moving from Montreal to

789
00:43:17,600 --> 00:43:19,600
Speaker 1: Colorado and then all the kids in the third grade

790
00:43:19,640 --> 00:43:22,000
Speaker 1: being like, well, you're moving to where they where they

791
00:43:22,040 --> 00:43:25,080
Speaker 1: do South Park, That's where South Park is. And I

792
00:43:25,160 --> 00:43:27,239
Speaker 1: was like, that actually gave me a lot of cool

793
00:43:27,280 --> 00:43:29,680
Speaker 1: capital right as I was leaving. And so there we go.

794
00:43:29,760 --> 00:43:33,160
Speaker 1: That's local culture. And now one seventy four is the

795
00:43:33,200 --> 00:43:39,120
Speaker 1: Big Bang to be the beginning of our universe is

796
00:43:39,160 --> 00:43:41,879
Speaker 1: the Big Bang, which was a huge I don't how

797
00:43:41,880 --> 00:43:47,399
Speaker 1: did it happen. Um, I think it happened like one Adam,

798
00:43:47,960 --> 00:43:50,240
Speaker 1: you know, kind of got sucked up and then started

799
00:43:50,280 --> 00:43:52,960
Speaker 1: the whole and then and then the universe started to expand.

800
00:43:53,560 --> 00:43:58,080
Speaker 1: Well thank god, well, thank god, I mean you really can't. Yeah,

801
00:43:58,120 --> 00:43:59,840
Speaker 1: we have the Big Bang to thank for all of

802
00:43:59,840 --> 00:44:03,080
Speaker 1: the us. We really do, wouldn't you say, I mean,

803
00:44:03,120 --> 00:44:05,040
Speaker 1: we would not be sitting here without the Big Bang.

804
00:44:05,080 --> 00:44:09,040
Speaker 1: And so I definitely pour out some respect to ha Alright,

805
00:44:09,080 --> 00:44:13,760
Speaker 1: so this is one seventy three. This is Kate Notes

806
00:44:13,840 --> 00:44:19,120
Speaker 1: on a scandal saying you want to bar I just

807
00:44:19,200 --> 00:44:23,200
Speaker 1: think a screenplay that we remember. Yes, Number one seventy

808
00:44:23,200 --> 00:44:28,480
Speaker 1: two is claymation technology. Claymation technology. Now this is the

809
00:44:28,560 --> 00:44:33,839
Speaker 1: act of sort of making little clay figures and sort

810
00:44:33,840 --> 00:44:36,440
Speaker 1: of making them move. And then we get amazing things

811
00:44:36,520 --> 00:44:39,640
Speaker 1: like Chicken Run. Like Chicken Run darring mel Gibson. We

812
00:44:39,719 --> 00:44:42,120
Speaker 1: get I forgot that he was in that, and he

813
00:44:42,200 --> 00:44:44,279
Speaker 1: was just dropped from the Chicken Run sequel for all

814
00:44:44,320 --> 00:44:48,200
Speaker 1: of his resurfaced anti semitic and when he was just

815
00:44:48,400 --> 00:44:50,800
Speaker 1: dropped from the Chicken Run sequel, part of the news

816
00:44:50,920 --> 00:44:53,000
Speaker 1: that kind of maybe got lost in the mel Gibson

817
00:44:53,040 --> 00:44:55,080
Speaker 1: news cycle of it all after Winona writer decided to

818
00:44:55,120 --> 00:44:59,360
Speaker 1: speak out again, thankfully, is that they were good at DreamWorks.

819
00:44:59,480 --> 00:45:01,360
Speaker 1: Was I think going to do another Chicken Run with

820
00:45:01,400 --> 00:45:04,920
Speaker 1: mel Gibson attached, like some twenty years later? But it's like,

821
00:45:05,280 --> 00:45:08,080
Speaker 1: we don't have we can't have mel Gibson in movies anymore.

822
00:45:08,239 --> 00:45:10,560
Speaker 1: I don't think we can have mel Gibson and film anymore.

823
00:45:11,239 --> 00:45:13,560
Speaker 1: Technology stands as the number one seventy two, but we're

824
00:45:13,560 --> 00:45:17,960
Speaker 1: happy we have claimation. Of course, Rudolph, Rudolph, I think

825
00:45:18,520 --> 00:45:22,000
Speaker 1: I think it qualifies. Okay, So number one hundred seventy

826
00:45:22,040 --> 00:45:27,600
Speaker 1: one is Nicole's Pitman's American accent as seen in Big

827
00:45:27,640 --> 00:45:30,160
Speaker 1: Little Lies, as seen in many films, are American accent

828
00:45:30,320 --> 00:45:34,800
Speaker 1: is very American. I would say it's very Australian. Wow,

829
00:45:34,920 --> 00:45:38,319
Speaker 1: I would say it's very Australian learning American. There you go,

830
00:45:38,400 --> 00:45:40,880
Speaker 1: and that's the perfect middle grounds. And one hundred seventy

831
00:45:40,920 --> 00:45:46,440
Speaker 1: is American accent. Yes, of course it's very stressed. You know.

832
00:45:46,520 --> 00:45:48,680
Speaker 1: You can hear this in you know such films as

833
00:45:48,760 --> 00:45:52,360
Speaker 1: Revolutionary Road six, films as Steve Jobs, and you know

834
00:45:52,440 --> 00:45:55,200
Speaker 1: Titanic which stay tuned, stay tuned, actually know Steve Jobs.

835
00:45:55,200 --> 00:45:59,080
Speaker 1: She played, like, ah, yes, yes, I don't know why

836
00:45:59,080 --> 00:46:01,680
Speaker 1: I said Steve Jobs. There were some interesting accent work

837
00:46:01,680 --> 00:46:04,640
Speaker 1: going on in there, and that Oscar nominated performance. Of course,

838
00:46:04,640 --> 00:46:10,360
Speaker 1: one hundred sixty nine on our list is American accent.

839
00:46:10,680 --> 00:46:17,440
Speaker 1: You're so infuriating. I can't even come up with the line.

840
00:46:18,200 --> 00:46:21,560
Speaker 1: I think women have lives. I don't even know what

841
00:46:21,600 --> 00:46:26,960
Speaker 1: the full line. She definitely is American in those films.

842
00:46:27,000 --> 00:46:30,080
Speaker 1: Outside of the films, she's decidedly not. And we see

843
00:46:30,120 --> 00:46:33,920
Speaker 1: that sort of dialogue between Sarsha, between Nicole, between Kate,

844
00:46:34,200 --> 00:46:36,320
Speaker 1: but for none, for none of them, do I think?

845
00:46:37,320 --> 00:46:39,120
Speaker 1: I don't think the accident work takes away from the

846
00:46:39,160 --> 00:46:42,360
Speaker 1: performance exactly. And you know what three talents, three huge

847
00:46:43,120 --> 00:46:46,400
Speaker 1: white women talents. Yeah, and so speaking of talents and

848
00:46:46,520 --> 00:46:52,920
Speaker 1: white women, number one is Christine Apple and all of

849
00:46:53,440 --> 00:46:57,200
Speaker 1: her many projects. Can you speak to some of these

850
00:46:57,200 --> 00:46:59,359
Speaker 1: projects that Christine Applegate has been involved, you know, as

851
00:46:59,400 --> 00:47:01,680
Speaker 1: someone who's still hasn't seemed dead to me, I still

852
00:47:01,680 --> 00:47:06,520
Speaker 1: appreciate this. Hold on, let me say, married with Children huge, Yes, yes,

853
00:47:06,680 --> 00:47:11,600
Speaker 1: Anchor man Legend, Ron Burgundy, come on, iconic, And Samantha

854
00:47:11,640 --> 00:47:17,080
Speaker 1: be Samantha Samantha not Samantha b Smanthody is famously someone else.

855
00:47:17,480 --> 00:47:22,320
Speaker 1: We also have um the incredible bad Moms, Bad Moms,

856
00:47:22,360 --> 00:47:25,480
Speaker 1: Oh my god, who could forget just and honestly, if

857
00:47:25,520 --> 00:47:27,200
Speaker 1: no one has seen dead to me out there, and

858
00:47:27,280 --> 00:47:29,319
Speaker 1: some have, it's not like no one has seen it,

859
00:47:29,440 --> 00:47:31,440
Speaker 1: but you have to check it out. Dead to me

860
00:47:31,640 --> 00:47:34,920
Speaker 1: is culture, and of course also culture is Linda Cardalini,

861
00:47:34,960 --> 00:47:38,879
Speaker 1: who unfortunately did not but we do shout her out

862
00:47:39,040 --> 00:47:43,800
Speaker 1: on sixty seven Christmas, Well, could you even have culture

863
00:47:43,840 --> 00:47:45,960
Speaker 1: without Christmas? I don't think you could have culture without Christmas.

864
00:47:46,000 --> 00:47:49,960
Speaker 1: For Christmas to have its own genre of music, it

865
00:47:50,040 --> 00:47:52,520
Speaker 1: might as well be country. You know, Oh, it might

866
00:47:52,560 --> 00:47:54,440
Speaker 1: as well be country. It's actually a rule of culture

867
00:47:54,520 --> 00:47:59,560
Speaker 1: number fifty. Christmas might as well. My country is not

868
00:47:59,640 --> 00:48:02,120
Speaker 1: on the left, it's not on the last country. Music

869
00:48:02,160 --> 00:48:04,960
Speaker 1: did not make it, did not make it, but Christmas

870
00:48:05,000 --> 00:48:07,600
Speaker 1: as a season, as a holiday, as a vibe, definitely

871
00:48:07,640 --> 00:48:10,200
Speaker 1: made it. Because you know, what affects so many people

872
00:48:10,280 --> 00:48:12,120
Speaker 1: in terms of you know, and I hate to say it,

873
00:48:12,120 --> 00:48:16,239
Speaker 1: but the capitalist sort of machines. Yes, you know, it's

874
00:48:16,280 --> 00:48:19,320
Speaker 1: like saying like, you can't you can't be like I

875
00:48:19,360 --> 00:48:21,600
Speaker 1: don't see color in a racist society, even though it's

876
00:48:21,600 --> 00:48:24,160
Speaker 1: a social construct. Capitalism is a social construct. You can't

877
00:48:24,160 --> 00:48:27,120
Speaker 1: say I don't believe in money, um, but you can

878
00:48:27,200 --> 00:48:29,080
Speaker 1: and you can't say I don't believe in Christmas because

879
00:48:29,080 --> 00:48:31,520
Speaker 1: we live in a Christmas culture. We live actually in

880
00:48:31,520 --> 00:48:33,959
Speaker 1: a Christmas culture. And actually, if you really think about

881
00:48:34,000 --> 00:48:36,719
Speaker 1: how many months out of the year Christmas decides it's

882
00:48:37,160 --> 00:48:40,360
Speaker 1: optimal culture, it's really crazy. And we need to be

883
00:48:40,400 --> 00:48:46,839
Speaker 1: talking about it, and I say, where's that is when

884
00:48:46,880 --> 00:48:52,360
Speaker 1: the French judge was not fair towards the Canadian skaters.

885
00:48:52,640 --> 00:48:54,880
Speaker 1: You remember this, I actually don't. And you put this

886
00:48:54,960 --> 00:48:57,600
Speaker 1: on the list tonight. Oh my god. This is when

887
00:48:57,640 --> 00:49:03,120
Speaker 1: the Canadians doubles figures skaters were absolutely incredible when they

888
00:49:02,800 --> 00:49:06,320
Speaker 1: go this is years ago and there was doubles figure

889
00:49:06,360 --> 00:49:09,239
Speaker 1: skating and the Russian couple beat them, even though the

890
00:49:09,680 --> 00:49:12,560
Speaker 1: Canadian figure skaters are absolutely slate it. And then you

891
00:49:12,680 --> 00:49:15,480
Speaker 1: found out it came out that the French judge had

892
00:49:15,520 --> 00:49:17,200
Speaker 1: a biased vote and it was a little bit of

893
00:49:17,239 --> 00:49:19,800
Speaker 1: a fix going in, so they gave them co gold medals.

894
00:49:20,520 --> 00:49:23,440
Speaker 1: Oh my god, I can't believe you of Canadian culture

895
00:49:23,480 --> 00:49:25,839
Speaker 1: don't remember when the Canadian figure skaters got the shop.

896
00:49:25,960 --> 00:49:28,560
Speaker 1: Why isn't there a movie optioned about that? Well, we

897
00:49:28,560 --> 00:49:31,120
Speaker 1: should write it. And that's the thing is like, when

898
00:49:31,160 --> 00:49:33,880
Speaker 1: there's not a movie of things you have you have

899
00:49:34,040 --> 00:49:37,120
Speaker 1: tote it. And that's a rule culture number seventeen. When

900
00:49:37,120 --> 00:49:42,880
Speaker 1: there's not a movie of things, you have to write them.

901
00:49:43,040 --> 00:49:51,799
Speaker 1: Let's move on to skills conversations debate. I mean it's

902
00:49:51,800 --> 00:49:54,520
Speaker 1: a tales all the time, people debating what's better Eminem's

903
00:49:54,520 --> 00:49:58,480
Speaker 1: for skittles? Where do you stand? I stand firmly on

904
00:49:58,520 --> 00:50:03,400
Speaker 1: the side of my eminem sisters. Okay, what do you

905
00:50:03,440 --> 00:50:08,840
Speaker 1: say as someone who enjoys sweets and sugary sweets over chocolate.

906
00:50:09,640 --> 00:50:12,239
Speaker 1: I'm a Skittles girl, and I love skittles and I

907
00:50:12,280 --> 00:50:15,839
Speaker 1: always will the beginning of a new conflict between us.

908
00:50:16,040 --> 00:50:21,799
Speaker 1: The beginning let's move on to this is Jonas inventing

909
00:50:21,960 --> 00:50:25,640
Speaker 1: the polio vaccine Gone Fish. Tell us about Miss sal

910
00:50:25,920 --> 00:50:30,960
Speaker 1: Miss Salk was successful in the concept of noculating your

911
00:50:31,000 --> 00:50:34,160
Speaker 1: immune system with a weaker version of a virus such

912
00:50:34,200 --> 00:50:38,520
Speaker 1: as polio, such as coronavirus. And this is gonna be

913
00:50:38,520 --> 00:50:41,080
Speaker 1: a thing that sort of lifts as all, hopefully out

914
00:50:41,120 --> 00:50:44,640
Speaker 1: of the current squalor that we're in. I mean, you know,

915
00:50:44,960 --> 00:50:47,640
Speaker 1: let's not get too used to this, yep. Where the

916
00:50:47,640 --> 00:50:50,440
Speaker 1: goal is to get out of this situation with the

917
00:50:50,480 --> 00:50:53,840
Speaker 1: help of multiple vaccines, several of them in phase three

918
00:50:53,880 --> 00:50:57,480
Speaker 1: trials at the moment of this recording in late June.

919
00:50:58,200 --> 00:51:01,040
Speaker 1: And you know, we will not achieve herd immunity if

920
00:51:01,080 --> 00:51:04,080
Speaker 1: we don't if if, if enough people do not get vaccinated.

921
00:51:04,120 --> 00:51:06,000
Speaker 1: So let's we have to beat back this tide of

922
00:51:06,000 --> 00:51:09,080
Speaker 1: the anti vax movement and make sure that everyone gets

923
00:51:09,080 --> 00:51:13,520
Speaker 1: equitable access to a vaccine once it is invented. Number

924
00:51:13,520 --> 00:51:19,640
Speaker 1: one sixty three is big Old Meg the Stallion absolutely

925
00:51:19,640 --> 00:51:23,360
Speaker 1: burst onto the scene Hot Girl Summer, indeed Hot Girl Lifetime,

926
00:51:23,400 --> 00:51:25,319
Speaker 1: more like how Girl Lifetime. We're like, we would not

927
00:51:25,360 --> 00:51:27,920
Speaker 1: have Hot Girl Summer, we would not have none fast

928
00:51:27,920 --> 00:51:31,800
Speaker 1: Ship or the Savage Dream Mix or um Her Girls.

929
00:51:31,840 --> 00:51:33,840
Speaker 1: I mean this was this was to me the single

930
00:51:33,840 --> 00:51:36,440
Speaker 1: that's that launched Megan's career because I would agree And

931
00:51:36,480 --> 00:51:38,240
Speaker 1: this is the first one you turned to my attention,

932
00:51:38,280 --> 00:51:40,200
Speaker 1: and I knew that you were serious about it because

933
00:51:40,200 --> 00:51:44,240
Speaker 1: of the way you squealed, and you are a squiller

934
00:51:44,239 --> 00:51:46,279
Speaker 1: for Megan and I am too. Can you can you

935
00:51:46,360 --> 00:51:48,320
Speaker 1: just tell the listeners that I was in on the

936
00:51:48,360 --> 00:51:50,880
Speaker 1: ground floor with Megan. I will I can confirm to

937
00:51:50,880 --> 00:51:53,080
Speaker 1: the listeners. Boon Yang was one of the first to

938
00:51:53,239 --> 00:51:56,560
Speaker 1: even be speaking about Megan v. Stallion in the way

939
00:51:56,600 --> 00:51:59,600
Speaker 1: that we all are. You know, I'm just saying like

940
00:52:00,120 --> 00:52:02,760
Speaker 1: you need to respect just like we need to respect.

941
00:52:02,840 --> 00:52:07,040
Speaker 1: Number one sixty two Joe Millionaire. This, of course, was

942
00:52:07,080 --> 00:52:11,880
Speaker 1: the reality show where several contestants thought that the suitor

943
00:52:11,960 --> 00:52:15,200
Speaker 1: they were competing for was a millionaire named Joe Millionaire.

944
00:52:15,840 --> 00:52:18,440
Speaker 1: His name I think was actually Evan. It was revealed

945
00:52:18,480 --> 00:52:20,880
Speaker 1: to the ladies that, um, he actually was not a

946
00:52:20,880 --> 00:52:23,120
Speaker 1: millionaire after all. He was like a simple farm person

947
00:52:23,760 --> 00:52:26,680
Speaker 1: and the woman he picked, Zora, had to deal with

948
00:52:26,680 --> 00:52:28,840
Speaker 1: that and they did not make it. They did not

949
00:52:28,960 --> 00:52:30,360
Speaker 1: make it, but there was a lot of tension in

950
00:52:30,360 --> 00:52:33,680
Speaker 1: that final episode because the Door first said no, rejected

951
00:52:33,719 --> 00:52:36,279
Speaker 1: the proposal, and then said she came back and said yes.

952
00:52:36,360 --> 00:52:39,160
Speaker 1: I think probably because she was trapped in a situation

953
00:52:39,400 --> 00:52:42,759
Speaker 1: and coerced by producers. I'd be very curious to see

954
00:52:42,760 --> 00:52:45,360
Speaker 1: how the Doors doing now. Unfortunately we won't have that

955
00:52:45,400 --> 00:52:48,680
Speaker 1: answer in this episode, but perhaps in a future installment.

956
00:52:48,960 --> 00:52:53,759
Speaker 1: Number one sixty one is art Pop. I mean an

957
00:52:53,800 --> 00:52:56,560
Speaker 1: amazing album, I think, ahead of its time, ahead of

958
00:52:56,560 --> 00:52:58,439
Speaker 1: its time. As our friend Sam Taggart has written about

959
00:52:58,440 --> 00:53:01,640
Speaker 1: in Vulture, it is her Pinkerton. It is the album

960
00:53:01,680 --> 00:53:06,240
Speaker 1: that was released to critical panning, and then over time

961
00:53:06,600 --> 00:53:08,799
Speaker 1: has developed a nice petina and we've all sort of

962
00:53:09,000 --> 00:53:11,120
Speaker 1: we listened back to it and this is actually genius.

963
00:53:11,160 --> 00:53:15,320
Speaker 1: Applause is amazing. We were too hard on it. Donna

964
00:53:15,320 --> 00:53:18,640
Speaker 1: Tella is incredible. G u Y watched the video again.

965
00:53:18,680 --> 00:53:21,000
Speaker 1: It's the last time Kyle Richards and Lisavanner pop were

966
00:53:21,040 --> 00:53:24,400
Speaker 1: able to be in the same place, and um, do

967
00:53:24,440 --> 00:53:26,640
Speaker 1: what you Want unfortunately a great song, but we have

968
00:53:26,840 --> 00:53:29,320
Speaker 1: the Christina Aguilera version, Yes we Do, which is a

969
00:53:29,360 --> 00:53:32,080
Speaker 1: definitive version which I believe is superior. And also never

970
00:53:32,120 --> 00:53:35,640
Speaker 1: forget the ballad Dope Dope, Oh No. I like she

971
00:53:35,760 --> 00:53:43,319
Speaker 1: performed indentures that the YouTube music Festidium and number one

972
00:53:43,680 --> 00:53:48,080
Speaker 1: sixty is another song. It's called this song Somewhere Over

973
00:53:49,400 --> 00:53:52,279
Speaker 1: This famously appeared in the film Wizard of Oz and

974
00:53:52,400 --> 00:53:54,520
Speaker 1: went on to have a quiet and impact on the culture.

975
00:53:55,040 --> 00:53:57,440
Speaker 1: It's you know, we we we get to graft a

976
00:53:57,440 --> 00:54:00,360
Speaker 1: lot of queer meaning onto the song. Now, um, you

977
00:54:00,400 --> 00:54:03,200
Speaker 1: know the song also in terms of the filmic narrative

978
00:54:03,360 --> 00:54:06,560
Speaker 1: aspect of it, you know, sets up Dorothy's want and

979
00:54:06,680 --> 00:54:09,520
Speaker 1: it's beautiful. It's sort of gets us into Act two

980
00:54:09,560 --> 00:54:11,200
Speaker 1: of the movie, which is when she lands in Oz

981
00:54:11,239 --> 00:54:14,440
Speaker 1: when she said it's a favorite of American Idol contestants

982
00:54:14,840 --> 00:54:18,120
Speaker 1: Kimberly Locker and I'm so happy that when we talk

983
00:54:18,160 --> 00:54:20,480
Speaker 1: about Somewhere over the Rainbow, we also say the name

984
00:54:20,800 --> 00:54:27,160
Speaker 1: Kimberly lock Um number one. Kelly Rowland saying she's the

985
00:54:27,239 --> 00:54:32,279
Speaker 1: second lead vocalist of the group. Huge, I mean when

986
00:54:32,280 --> 00:54:34,200
Speaker 1: she proclaimed that she was the second lead vocalist of

987
00:54:34,239 --> 00:54:36,319
Speaker 1: the group and she earned that look from Beyonce. This

988
00:54:36,360 --> 00:54:38,000
Speaker 1: is a YouTube video that you can all look up.

989
00:54:38,040 --> 00:54:40,719
Speaker 1: Just type in Kelly Rowland second lead vocalist other group.

990
00:54:40,920 --> 00:54:44,240
Speaker 1: You will not be upset that you did. Kelly Roland

991
00:54:44,239 --> 00:54:48,880
Speaker 1: invented a sort of role in groups and musical groups,

992
00:54:48,920 --> 00:54:50,719
Speaker 1: called the second lead vocalist of the group. Even though

993
00:54:50,840 --> 00:54:52,919
Speaker 1: the term lead vocalist would imply that there's only one

994
00:54:53,840 --> 00:54:57,440
Speaker 1: second lead vocalist means would would would require us to

995
00:54:57,480 --> 00:54:59,799
Speaker 1: believe there are two lead vocalists and one is sort

996
00:54:59,840 --> 00:55:02,759
Speaker 1: of Maine and one a second. And honestly, she did

997
00:55:02,800 --> 00:55:06,000
Speaker 1: correctly label herself she was the second LEO and this

998
00:55:06,160 --> 00:55:08,360
Speaker 1: was didn't she say this during the first generation of

999
00:55:08,400 --> 00:55:11,160
Speaker 1: Destiny's Child? She said it when there were still four

1000
00:55:11,200 --> 00:55:13,160
Speaker 1: when there was four, so in a way you can

1001
00:55:13,239 --> 00:55:16,520
Speaker 1: be like if it was just her, Michelle and Beyonce,

1002
00:55:16,719 --> 00:55:18,040
Speaker 1: and she was like, I'm the second lea focus of

1003
00:55:18,080 --> 00:55:19,640
Speaker 1: the group. That's a huge fu you to Michelle, But

1004
00:55:19,840 --> 00:55:21,919
Speaker 1: what she's saying it when there's four, that's a funk

1005
00:55:21,960 --> 00:55:26,520
Speaker 1: you to LaTavia LaToya. Yes, obviously, I mean she didn't

1006
00:55:26,520 --> 00:55:28,680
Speaker 1: mean any harm. But at that point, could she have

1007
00:55:28,680 --> 00:55:31,120
Speaker 1: done anything correctly? Probably not. Probably was held to be

1008
00:55:31,239 --> 00:55:39,239
Speaker 1: Kelly Rowland. Number one is USA South Carolina answer to

1009
00:55:39,280 --> 00:55:42,560
Speaker 1: her debate question, Um, I forget what it was. It

1010
00:55:42,680 --> 00:55:47,200
Speaker 1: was about textbooks or something. Well, she definitely mentioned textbooks

1011
00:55:47,200 --> 00:55:49,239
Speaker 1: and how there needs to be more education in schools,

1012
00:55:49,680 --> 00:55:52,680
Speaker 1: but please look up on YouTube miss team USA South

1013
00:55:52,719 --> 00:55:56,520
Speaker 1: Carolina to answer epically bad. Yes, you all know what.

1014
00:55:56,600 --> 00:55:58,520
Speaker 1: You all love it, don't you. We've got to move

1015
00:55:58,520 --> 00:56:00,920
Speaker 1: on because this is almost an hour in and we

1016
00:56:00,960 --> 00:56:04,279
Speaker 1: are nowhere near getting to the top love the list.

1017
00:56:04,640 --> 00:56:08,160
Speaker 1: So Number one hard for these seven is share disappearance

1018
00:56:08,400 --> 00:56:11,200
Speaker 1: on Will and Grace. What chemistry with Sean Hayes. She

1019
00:56:11,239 --> 00:56:15,720
Speaker 1: has chemistry with Sean Grace. You know that was thirty

1020
00:56:15,719 --> 00:56:20,520
Speaker 1: minutes of work door to door and she was incredible

1021
00:56:20,560 --> 00:56:22,640
Speaker 1: And that was that was famously where we developed a

1022
00:56:22,680 --> 00:56:27,359
Speaker 1: vocabulary around a good term term and also she said

1023
00:56:27,400 --> 00:56:29,920
Speaker 1: snap out of it and earned a check. Number one

1024
00:56:30,960 --> 00:56:36,040
Speaker 1: is Simon and Randy. Remember these three, these were the

1025
00:56:36,080 --> 00:56:38,439
Speaker 1: three in a lot of ways the original three yes,

1026
00:56:38,520 --> 00:56:42,920
Speaker 1: and they are really the three yes. Now going forward,

1027
00:56:43,000 --> 00:56:48,239
Speaker 1: we have one when Keen and ll did the orange

1028
00:56:50,000 --> 00:56:52,600
Speaker 1: tell us why it's so important? Well, this was so

1029
00:56:52,680 --> 00:56:55,640
Speaker 1: good because it was a reliable bit in the show

1030
00:56:55,719 --> 00:56:59,719
Speaker 1: Keenan and Kelly that happened I think every episode, I

1031
00:56:59,760 --> 00:57:03,200
Speaker 1: think was every episode then very close to and really

1032
00:57:03,280 --> 00:57:07,080
Speaker 1: what Kel was asking was who loves orange soda? And

1033
00:57:07,200 --> 00:57:09,400
Speaker 1: by the time the bit was over, you knew what

1034
00:57:09,520 --> 00:57:13,480
Speaker 1: the answer was, Kell, Kell loves soda? Is it true?

1035
00:57:13,840 --> 00:57:17,240
Speaker 1: He do? He? Do? He? Do you? And this actually

1036
00:57:17,320 --> 00:57:21,120
Speaker 1: really did enforce upon us in a young communic age

1037
00:57:21,400 --> 00:57:26,120
Speaker 1: that really comedy is commitment and its repetition. It's commitment,

1038
00:57:26,120 --> 00:57:30,720
Speaker 1: it's repetition, it's volume, volume, and it's saying things in

1039
00:57:30,760 --> 00:57:33,200
Speaker 1: a voice. And we should just say that keenan Kel

1040
00:57:33,280 --> 00:57:37,200
Speaker 1: are sketch comedy legends and icons. They are the legendary

1041
00:57:37,320 --> 00:57:40,800
Speaker 1: to the legendary too. Let's keep going. Speaking of legendary too,

1042
00:57:41,400 --> 00:57:47,480
Speaker 1: Number one is Mr and Mrs Smith. Oh they met

1043
00:57:47,520 --> 00:57:49,080
Speaker 1: on the side of that film. And boy, let me

1044
00:57:49,120 --> 00:57:51,840
Speaker 1: tell you it was caputz for Brad Pitt and Jennifer

1045
00:57:51,880 --> 00:57:55,120
Speaker 1: Anison at that point because brand Jelina stepped out to

1046
00:57:55,160 --> 00:57:56,960
Speaker 1: the scene and they were the power couple for a

1047
00:57:57,040 --> 00:57:59,880
Speaker 1: little while there. Don't you love that this huge Hollywood

1048
00:58:00,000 --> 00:58:01,960
Speaker 1: are a couple of ment on the set of a

1049
00:58:02,040 --> 00:58:04,920
Speaker 1: fine movie. I think it's a good movie, and I

1050
00:58:04,960 --> 00:58:07,520
Speaker 1: think if you saw it again you would actually agree

1051
00:58:07,560 --> 00:58:12,240
Speaker 1: with me. And it is hashtag and early Carrie Washington vehicle.

1052
00:58:12,400 --> 00:58:14,680
Speaker 1: You're right, it's an early Carry Washington vehicle. If you

1053
00:58:14,720 --> 00:58:18,080
Speaker 1: look up any sort of screenwriting, like treatment examples Mr

1054
00:58:18,080 --> 00:58:20,600
Speaker 1: and Mrs Smith. For some reason, the treatment is available

1055
00:58:21,000 --> 00:58:23,000
Speaker 1: and everyone sort of gets to read that and model

1056
00:58:23,040 --> 00:58:26,040
Speaker 1: their treatments in their outlines. Number one of the three

1057
00:58:26,240 --> 00:58:32,280
Speaker 1: is the great book, not the movie. The book. The book.

1058
00:58:32,760 --> 00:58:35,440
Speaker 1: This is a very important book. If you're in high school,

1059
00:58:35,480 --> 00:58:37,640
Speaker 1: you probably read it. Yes, you're in high school. You

1060
00:58:37,720 --> 00:58:39,440
Speaker 1: don't need to see the movie. No one needs to

1061
00:58:39,440 --> 00:58:41,960
Speaker 1: see the movie. It's not Bosslerman's finest work. I don't

1062
00:58:42,000 --> 00:58:43,720
Speaker 1: think that would be Mulan Rouge. I would say that

1063
00:58:43,760 --> 00:58:46,880
Speaker 1: would be Mulan Rouge. I think the book is great.

1064
00:58:47,200 --> 00:58:49,480
Speaker 1: I think the book is short. It's you can read

1065
00:58:49,480 --> 00:58:52,800
Speaker 1: it in one night when sitting. Um. We love that

1066
00:58:52,840 --> 00:58:55,960
Speaker 1: cover with the eyes, Oh, the cover with the eyes.

1067
00:58:56,080 --> 00:59:01,400
Speaker 1: Now one fifty two is Jamila Jamal's multiple slash con

1068
00:59:01,480 --> 00:59:07,160
Speaker 1: conflicting stories about chased by bees. Now, can you elaborate

1069
00:59:07,160 --> 00:59:11,360
Speaker 1: on this? She has multiple accounts where she talks about

1070
00:59:11,480 --> 00:59:17,760
Speaker 1: the kind of very uh distressing experience of being chased

1071
00:59:17,800 --> 00:59:22,040
Speaker 1: by bees out onto a street with moving cars. The

1072
00:59:23,240 --> 00:59:27,880
Speaker 1: setting is vary from um like temporally and um geographically

1073
00:59:27,880 --> 00:59:30,360
Speaker 1: that she was in England and she was young and teenager,

1074
00:59:30,480 --> 00:59:33,080
Speaker 1: or that she was or that this happened two weeks

1075
00:59:33,080 --> 00:59:37,120
Speaker 1: ago outside the u N when the Pakistani delegation was visiting,

1076
00:59:37,400 --> 00:59:38,840
Speaker 1: or or something like that. I mean, there's just a

1077
00:59:38,840 --> 00:59:42,680
Speaker 1: lot of stories of Jamie and jamil firsthand accounts of

1078
00:59:42,720 --> 00:59:45,240
Speaker 1: her being chased by bees onto a street, and you know,

1079
00:59:45,480 --> 00:59:47,160
Speaker 1: it's I think it's iconic culture. I think it's moving

1080
00:59:47,200 --> 00:59:49,400
Speaker 1: the culture forward. We get to sort of talk about

1081
00:59:49,440 --> 00:59:54,280
Speaker 1: bees and their place in our celebrities lives. Well, yeah,

1082
00:59:54,360 --> 00:59:56,480
Speaker 1: I would agree, but I also I'm concerned for her,

1083
00:59:56,520 --> 00:59:59,040
Speaker 1: and I wish that Jamilla would stay inside. You know,

1084
00:59:59,080 --> 01:00:01,240
Speaker 1: I'm concerned for her if every time she leaves her

1085
01:00:01,240 --> 01:00:03,320
Speaker 1: home that she has a be encounter. I hope that

1086
01:00:03,400 --> 01:00:05,320
Speaker 1: she finds a way, you know, to really do a

1087
01:00:05,360 --> 01:00:07,320
Speaker 1: lot of work from inside. I bet quarantine has actually

1088
01:00:07,360 --> 01:00:08,919
Speaker 1: been kind of good for her because you can sort

1089
01:00:08,920 --> 01:00:11,160
Speaker 1: of sit at the computer and not worry about bees,

1090
01:00:11,560 --> 01:00:13,840
Speaker 1: unless you know they're so obtested with her that they're

1091
01:00:13,840 --> 01:00:15,960
Speaker 1: making a weight into her home, which I really hope

1092
01:00:16,080 --> 01:00:18,800
Speaker 1: is not the case. And we're wishing, wishing the best

1093
01:00:18,800 --> 01:00:20,920
Speaker 1: for your Jamilia, and we're thinking of we love you, Jamila,

1094
01:00:20,920 --> 01:00:27,680
Speaker 1: And this is number is speaking of bees. Honeys keep Jamila,

1095
01:00:27,680 --> 01:00:30,560
Speaker 1: You're not gonna want to eat any honey cheos because

1096
01:00:30,600 --> 01:00:34,760
Speaker 1: these are famously honey nuts cherios. I mean their cheerios

1097
01:00:34,800 --> 01:00:39,360
Speaker 1: that are covered in honey nut. What do you think

1098
01:00:39,360 --> 01:00:42,160
Speaker 1: honey nut is um? I think it's when bees come.

1099
01:00:42,760 --> 01:00:45,360
Speaker 1: Now we're going to move on to one D fifty Witches.

1100
01:00:45,920 --> 01:00:51,920
Speaker 1: Natalie and Meals relationship in Black Swan. Wow, who could

1101
01:00:51,960 --> 01:00:54,560
Speaker 1: forget the film Black Swan and the relationship they're in

1102
01:00:54,960 --> 01:00:58,160
Speaker 1: between Natalie and Milia. Natalie really kind of playing the

1103
01:00:58,200 --> 01:01:00,400
Speaker 1: role of the white swan here and then mel playing

1104
01:01:00,400 --> 01:01:03,120
Speaker 1: the role of the titular black Swan, and the question

1105
01:01:03,200 --> 01:01:05,479
Speaker 1: loving in the air, will Natalie have what it takes

1106
01:01:05,560 --> 01:01:07,720
Speaker 1: to sort of become the black Swan and what does

1107
01:01:07,760 --> 01:01:11,000
Speaker 1: that mean for Mela. Now, do you think Mila is

1108
01:01:11,080 --> 01:01:14,120
Speaker 1: dead by the end of the movie. I would say

1109
01:01:14,200 --> 01:01:19,840
Speaker 1: that she's a lie. Natalie has sort of envisioned the

1110
01:01:20,800 --> 01:01:24,000
Speaker 1: Black Swan and the Mila that comes to her later

1111
01:01:24,040 --> 01:01:26,840
Speaker 1: on in the movie spoiler alert, who she stabs and

1112
01:01:26,960 --> 01:01:30,080
Speaker 1: puts in the closet. Do you remember this part? No,

1113
01:01:30,160 --> 01:01:31,760
Speaker 1: because you remember at the end of the movie, Mila

1114
01:01:31,840 --> 01:01:36,440
Speaker 1: appears and it's we're to assume as the audience that

1115
01:01:36,760 --> 01:01:39,600
Speaker 1: Mila was never really there antagonizing Natalie was all in

1116
01:01:39,600 --> 01:01:44,240
Speaker 1: her head. But Natalie is definitively dead by the end

1117
01:01:44,280 --> 01:01:46,160
Speaker 1: of the movie. I would say, I think that's what

1118
01:01:46,280 --> 01:01:50,320
Speaker 1: the director, Darren Aronofsky and Natalie would want to get across.

1119
01:01:50,360 --> 01:01:52,400
Speaker 1: But you know it's open to insterpretation, like a lot

1120
01:01:52,440 --> 01:01:54,360
Speaker 1: of film. And you know, all of our readers watch

1121
01:01:54,400 --> 01:01:56,080
Speaker 1: Black Swan and let us know what you think about

1122
01:01:56,080 --> 01:02:05,920
Speaker 1: the ending we want to hear. Let's move on to

1123
01:02:06,000 --> 01:02:11,880
Speaker 1: one nine, which is Michelle Kwan never winning gold medal. No,

1124
01:02:12,160 --> 01:02:15,520
Speaker 1: she never was that gold medalist. She's the Amy Adams

1125
01:02:15,520 --> 01:02:18,880
Speaker 1: glen Close of the Olympic, Susan Lucci of the Olympics. Well,

1126
01:02:18,880 --> 01:02:20,840
Speaker 1: you know, Susan Luci ended up winning her at me.

1127
01:02:21,000 --> 01:02:23,200
Speaker 1: Then you can't even say she's this. You can't even say,

1128
01:02:23,200 --> 01:02:25,560
Speaker 1: like Jackie Cox can't even say she's the Susan Lucci

1129
01:02:25,600 --> 01:02:29,000
Speaker 1: of drag No. So so Michelle, you know, we all

1130
01:02:29,000 --> 01:02:31,360
Speaker 1: thought Salt Lake City was her year, and it wasn't.

1131
01:02:32,280 --> 01:02:34,440
Speaker 1: It really was that. The fact that was Sarah Hughes

1132
01:02:34,480 --> 01:02:39,840
Speaker 1: is year. We end You're the Serra Hughes and I'm

1133
01:02:39,880 --> 01:02:43,160
Speaker 1: the Michelle Kwan of podcasting. Yeah yeah, I guess that

1134
01:02:43,200 --> 01:02:45,040
Speaker 1: makes me a gold medal winner while you're just in

1135
01:02:45,080 --> 01:02:48,480
Speaker 1: squaw absolutely with my with my Mani Silvers. This is

1136
01:02:48,560 --> 01:02:53,400
Speaker 1: she endorsed Biden too early. Alright, So number one hundred

1137
01:02:53,880 --> 01:02:59,840
Speaker 1: eight is Meryl Streets acting. She is an amazing act

1138
01:03:00,240 --> 01:03:02,439
Speaker 1: I think she's one of the better actors. I think

1139
01:03:02,440 --> 01:03:04,480
Speaker 1: that she's up there amongst the best actors that we have.

1140
01:03:04,560 --> 01:03:07,080
Speaker 1: What's her favorite Meryl Street performance? I got to say,

1141
01:03:07,120 --> 01:03:13,480
Speaker 1: I love Meryl Streep in The Iron Lady, and she

1142
01:03:13,520 --> 01:03:15,440
Speaker 1: won an Oscar for it, you know, and it deserved

1143
01:03:15,480 --> 01:03:19,479
Speaker 1: Oscar and it wasn't at all batty or it wasn't.

1144
01:03:19,480 --> 01:03:21,920
Speaker 1: It was one of my favorite films. One of those

1145
01:03:22,000 --> 01:03:24,640
Speaker 1: dynamic films I've ever seen is the Iron Lady, the

1146
01:03:24,680 --> 01:03:27,000
Speaker 1: most exciting films where so much happens and you get

1147
01:03:27,040 --> 01:03:30,960
Speaker 1: to see such a thrilling portrayal of dementia. That's amazing.

1148
01:03:31,120 --> 01:03:35,520
Speaker 1: I don't know mine. Um Okay, So one is the

1149
01:03:35,800 --> 01:03:41,760
Speaker 1: upside Down in the Rain and Spider Man. Wow, remember this,

1150
01:03:41,840 --> 01:03:44,200
Speaker 1: it was happening in the rain. It was upside down.

1151
01:03:44,360 --> 01:03:46,720
Speaker 1: Kirsten Dunch told me, why are with a secret? Good body?

1152
01:03:47,040 --> 01:03:48,720
Speaker 1: She was writing that like tank Top, you can see

1153
01:03:48,760 --> 01:03:52,560
Speaker 1: her in n applause. They were absolutely just two people

1154
01:03:52,600 --> 01:03:56,560
Speaker 1: in love and they were really dating, kissing in an alleyway. Yeah,

1155
01:03:56,600 --> 01:03:58,960
Speaker 1: and you know has come out and said that it

1156
01:03:58,960 --> 01:04:00,960
Speaker 1: was actually was very hard too because the water kept

1157
01:04:00,960 --> 01:04:04,960
Speaker 1: going up his nose. Hashtag comedic moment. Hashtag comedic moment.

1158
01:04:05,320 --> 01:04:08,440
Speaker 1: Oh my gosh. And that's such a fun moment. Okay. So,

1159
01:04:08,440 --> 01:04:11,600
Speaker 1: so the next two moments in history are a tie.

1160
01:04:11,680 --> 01:04:15,840
Speaker 1: It's a tie, so tied for one and one six

1161
01:04:16,000 --> 01:04:23,320
Speaker 1: are Michelle Yo in Crazy Rich Asians crowding Tiger in

1162
01:04:23,400 --> 01:04:25,840
Speaker 1: a Dragon. I guess we should just talk about MICHELLEO

1163
01:04:25,880 --> 01:04:29,080
Speaker 1: as a whole because these two performances are very different,

1164
01:04:29,160 --> 01:04:32,880
Speaker 1: very different, very dynamic, and we have to we have

1165
01:04:33,000 --> 01:04:36,240
Speaker 1: to remind the reader in case they don't know already

1166
01:04:36,680 --> 01:04:38,640
Speaker 1: that we met her one time. We met her when

1167
01:04:38,680 --> 01:04:40,480
Speaker 1: she was doing press first Star Trek when we were

1168
01:04:40,480 --> 01:04:43,960
Speaker 1: interviewing her at Vulture Fest, and she was very cool,

1169
01:04:44,680 --> 01:04:46,360
Speaker 1: very cool, and she had a lot of reverence from

1170
01:04:46,360 --> 01:04:48,960
Speaker 1: her castmates, and we and I even slept in a

1171
01:04:49,040 --> 01:04:51,120
Speaker 1: quick thing. And this was before Crazy Rotations came out.

1172
01:04:51,120 --> 01:04:53,000
Speaker 1: But I was like, I'm so excited for Crazy rot Asians.

1173
01:04:53,040 --> 01:04:54,640
Speaker 1: I like, I kind of crossed the boundary and I

1174
01:04:54,840 --> 01:04:56,680
Speaker 1: feel weird about it. I don't feel you did, but

1175
01:04:56,720 --> 01:04:58,720
Speaker 1: I was like, I was like, it's all I said

1176
01:04:58,760 --> 01:05:00,600
Speaker 1: was it's very inspiring to me. And I looked during

1177
01:05:00,600 --> 01:05:03,720
Speaker 1: her eye and she and she her facial expression changed

1178
01:05:03,760 --> 01:05:05,480
Speaker 1: in a way that was like she registered what I

1179
01:05:05,520 --> 01:05:08,200
Speaker 1: was saying to her as an Asian person and she

1180
01:05:08,280 --> 01:05:11,360
Speaker 1: was like thank you. And I really felt it. She

1181
01:05:11,480 --> 01:05:13,200
Speaker 1: is a dream. You saw that movement, right, Oh? I

1182
01:05:13,240 --> 01:05:15,000
Speaker 1: saw it. I mean we were both there. I mean

1183
01:05:15,040 --> 01:05:18,640
Speaker 1: it was very obvious that she was the international star

1184
01:05:19,080 --> 01:05:22,040
Speaker 1: in the room and she was treated as such, which

1185
01:05:22,080 --> 01:05:27,000
Speaker 1: we love. Number one hundred is Kale's designation as a

1186
01:05:27,160 --> 01:05:30,400
Speaker 1: super food. Kale has really had a moment. I would

1187
01:05:30,400 --> 01:05:33,000
Speaker 1: say Kle as soon as they said it's a super food.

1188
01:05:33,240 --> 01:05:35,200
Speaker 1: I mean that was like the Debbie tump ball and

1189
01:05:35,240 --> 01:05:38,120
Speaker 1: he saw Kale everywhere. Oh, and I think that you

1190
01:05:38,160 --> 01:05:46,000
Speaker 1: know what song sounded different after that cut in, Oh,

1191
01:05:46,200 --> 01:05:48,880
Speaker 1: I think that became about Kale and you were like,

1192
01:05:48,960 --> 01:05:51,200
Speaker 1: this is about Klee. But I said seven eleven because

1193
01:05:51,200 --> 01:05:54,080
Speaker 1: Beyonce wore that famous sweatshirt that said Kale on it.

1194
01:05:54,680 --> 01:05:57,080
Speaker 1: She was iconic a mats and that sweatshirt, and then

1195
01:05:57,120 --> 01:05:59,320
Speaker 1: you all of a sudden you saw people wearing it,

1196
01:05:59,440 --> 01:06:02,120
Speaker 1: people like you, people like me. I don't think that's

1197
01:06:02,160 --> 01:06:05,439
Speaker 1: much right, I have different Beyonce. You have a Kale.

1198
01:06:05,440 --> 01:06:06,800
Speaker 1: I'll have a kick by have a kick by the

1199
01:06:06,800 --> 01:06:09,880
Speaker 1: pound one. Sorry, you know me better. Number onety three

1200
01:06:10,000 --> 01:06:15,200
Speaker 1: is let me blow your mind by even Stefan, do

1201
01:06:15,480 --> 01:06:21,200
Speaker 1: do do drop your asses shake? No, drop your glasses shake.

1202
01:06:21,840 --> 01:06:26,200
Speaker 1: They screwed up like you and Stefani. This was like

1203
01:06:26,240 --> 01:06:31,520
Speaker 1: the first solo venture man iconic. Her first solo venture

1204
01:06:31,520 --> 01:06:34,360
Speaker 1: at Side of Your Doubt was a feature on something

1205
01:06:34,440 --> 01:06:36,000
Speaker 1: like that. Yeah, that was one of the first times

1206
01:06:36,000 --> 01:06:38,200
Speaker 1: we saw and just went Stefani in a way that

1207
01:06:38,280 --> 01:06:40,160
Speaker 1: was like, Okay, maybe there's going to be a moment

1208
01:06:40,200 --> 01:06:43,480
Speaker 1: here and and there was indeed a moment. There wasn't

1209
01:06:43,520 --> 01:06:45,360
Speaker 1: in a moment it because it hasn't held up, it

1210
01:06:45,440 --> 01:06:48,760
Speaker 1: does not make our cultural list. But Halliback Girl, despite

1211
01:06:48,760 --> 01:06:51,600
Speaker 1: being a moment, the album L A M B. Unfortunately

1212
01:06:51,600 --> 01:06:54,200
Speaker 1: we cannot condone the horror Juku girls of it all,

1213
01:06:54,760 --> 01:06:56,800
Speaker 1: and it does not even make it into the top

1214
01:06:56,880 --> 01:07:00,680
Speaker 1: four on our list. Although I will say the closest

1215
01:07:01,600 --> 01:07:03,680
Speaker 1: sort of candidate that win Stefani would have had on

1216
01:07:03,720 --> 01:07:07,800
Speaker 1: this list was on the song make Me Like You,

1217
01:07:08,120 --> 01:07:12,400
Speaker 1: which came out, Um, she just has a hook in

1218
01:07:12,440 --> 01:07:14,120
Speaker 1: there or like a motif I would say, where she

1219
01:07:14,200 --> 01:07:17,960
Speaker 1: keeps going, oh god, remember that. I actually have to

1220
01:07:17,960 --> 01:07:20,400
Speaker 1: say something, Yes, I remember that, and I take it back.

1221
01:07:20,560 --> 01:07:22,760
Speaker 1: She is on the list. Well we'll we'll find out

1222
01:07:22,760 --> 01:07:26,600
Speaker 1: why she's on the list, but for now, Number one two,

1223
01:07:27,120 --> 01:07:33,000
Speaker 1: Ryan Philipps. But it cruel intention. This is a great as.

1224
01:07:33,160 --> 01:07:35,240
Speaker 1: It's an amazing ass. We saw it in the pool

1225
01:07:35,360 --> 01:07:38,280
Speaker 1: light and you know who else saw it, Weatherspoon. And

1226
01:07:38,360 --> 01:07:41,840
Speaker 1: she had to marry she mary that she married that ass.

1227
01:07:42,040 --> 01:07:44,200
Speaker 1: You're gonna have to marry that as. You're gonna have

1228
01:07:44,240 --> 01:07:47,080
Speaker 1: to marry that ass. Okay, so then a number hundred

1229
01:07:47,240 --> 01:07:53,520
Speaker 1: forty one is the blank that that has monologue. Can

1230
01:07:53,560 --> 01:07:58,160
Speaker 1: you do it? The clearance, that that has the international occasions,

1231
01:07:58,200 --> 01:08:03,000
Speaker 1: that that has the profile, that that has a huge moment,

1232
01:08:03,280 --> 01:08:05,640
Speaker 1: and it can apply to so much. Thank you in Navarro,

1233
01:08:05,720 --> 01:08:09,240
Speaker 1: Thank you. One of the only top Republicans, one of

1234
01:08:09,280 --> 01:08:11,800
Speaker 1: the only acceptable Republicans. No, she's the only one. I mean,

1235
01:08:11,800 --> 01:08:14,000
Speaker 1: I don't even know she's identifying as a Republican anymore.

1236
01:08:14,080 --> 01:08:17,320
Speaker 1: I mean, she might identify as conservative, but she's certainly

1237
01:08:17,360 --> 01:08:19,920
Speaker 1: not going along. She's a trump pater. She's voting red.

1238
01:08:21,040 --> 01:08:24,280
Speaker 1: What she's voting red, she's like voting for like red

1239
01:08:24,360 --> 01:08:27,680
Speaker 1: cannon like Republican. We'll see about that, okay. Number one

1240
01:08:27,760 --> 01:08:32,439
Speaker 1: hundred forty is disco. An amazing movement in music, a

1241
01:08:32,520 --> 01:08:35,280
Speaker 1: huge movement in music. Thank you, Disco, Thank you so much.

1242
01:08:35,400 --> 01:08:41,120
Speaker 1: Number one nine is Terry Hatcheris and Clark. Really it

1243
01:08:41,240 --> 01:08:43,720
Speaker 1: was her first emergence on the scene. Was her incredible

1244
01:08:43,920 --> 01:08:46,439
Speaker 1: sort of performance as Lewis Lane and Lewis and Clark.

1245
01:08:46,479 --> 01:08:49,160
Speaker 1: This is before Desperate Housewives, this is before Desperate Housewives.

1246
01:08:49,439 --> 01:08:51,120
Speaker 1: I remember watching Lewis and Clark as a child and

1247
01:08:51,160 --> 01:08:52,720
Speaker 1: being like, this is the most beautiful woman I've ever

1248
01:08:52,760 --> 01:08:55,639
Speaker 1: seen in my life. She's certainly that. She's certainly that

1249
01:08:55,920 --> 01:08:59,720
Speaker 1: number one. Dty eight is the World of Pandora, A

1250
01:09:00,080 --> 01:09:03,400
Speaker 1: Disney's Animal Kingdom. I mean, we've gotten our life here.

1251
01:09:03,640 --> 01:09:06,559
Speaker 1: We've eaten at what was that beautiful steakhouse that we've

1252
01:09:06,560 --> 01:09:12,040
Speaker 1: even see that wasn't in Animal Kingdom. It was called Tiffins.

1253
01:09:12,040 --> 01:09:13,959
Speaker 1: But I mean is that wasn't at the World of Pandora.

1254
01:09:14,160 --> 01:09:15,960
Speaker 1: It's right when you it's on the way to World

1255
01:09:16,000 --> 01:09:18,680
Speaker 1: of pandas well. This is this I'm looking you in

1256
01:09:18,720 --> 01:09:21,599
Speaker 1: the eyes and telling you Tiffins is in a different

1257
01:09:21,640 --> 01:09:24,640
Speaker 1: area of the park, but it's the closest. It's the

1258
01:09:24,720 --> 01:09:29,519
Speaker 1: closest three dollar sign restaurant and eating eatery in Animal Kingdom.

1259
01:09:29,520 --> 01:09:32,519
Speaker 1: That's closest to Pandora. It is the nicest restaurant there,

1260
01:09:33,120 --> 01:09:35,479
Speaker 1: but it is not in the World of Pandora. And

1261
01:09:35,560 --> 01:09:37,920
Speaker 1: we are talking about the World of Pandora, right, Let's

1262
01:09:37,920 --> 01:09:40,400
Speaker 1: talk about the World of Pandora. It's got the beautiful plans,

1263
01:09:40,400 --> 01:09:44,000
Speaker 1: the bioluminescent plans. I'm happy that you enjoyed Tiffins. I

1264
01:09:44,120 --> 01:09:46,640
Speaker 1: love because I have booked that for us and I

1265
01:09:46,640 --> 01:09:49,000
Speaker 1: want to say I went to Tiffins with Michael Hartney

1266
01:09:49,120 --> 01:09:52,120
Speaker 1: with Wow, You've been to Tiffins multiple times. I've been

1267
01:09:52,160 --> 01:09:54,519
Speaker 1: to Tiffins with Michael Hartney, I've been to Tiffins with

1268
01:09:55,720 --> 01:10:00,760
Speaker 1: um people, with Charlie Hankin of the probably everywhere we

1269
01:10:00,800 --> 01:10:04,400
Speaker 1: went for a job in Orlando, and then this was

1270
01:10:04,479 --> 01:10:06,639
Speaker 1: right when Pandora opened and we went to Animal Kingdom

1271
01:10:06,680 --> 01:10:08,880
Speaker 1: and we got our life at Tiffins. And we should

1272
01:10:08,920 --> 01:10:10,880
Speaker 1: say that Tiffins is great, but it is not on

1273
01:10:10,920 --> 01:10:13,320
Speaker 1: the list top two hundred things in culture. The world

1274
01:10:13,320 --> 01:10:15,200
Speaker 1: of Pandora is, and we don't have time to talk

1275
01:10:15,240 --> 01:10:21,440
Speaker 1: about it, don't unfortunately. Number one seven is Patty Harrison

1276
01:10:21,800 --> 01:10:29,000
Speaker 1: reveals Feud with Ellen podcast. Now, this was an incredible

1277
01:10:29,000 --> 01:10:32,840
Speaker 1: moment where we've had really a first celebrity feud unveiled

1278
01:10:32,880 --> 01:10:36,640
Speaker 1: on our podcast. This was a big deal and it

1279
01:10:36,760 --> 01:10:41,240
Speaker 1: kind of developed over Patties appearances on the podcast, where

1280
01:10:41,320 --> 01:10:45,720
Speaker 1: at first it was Ellen just being generally transphobic and

1281
01:10:45,760 --> 01:10:48,400
Speaker 1: Patty taking a shoe with that, and then on Patty's

1282
01:10:48,400 --> 01:10:51,040
Speaker 1: second appearance on the show, she talked about a specific

1283
01:10:51,040 --> 01:10:55,040
Speaker 1: incident where Ellen um murdered a lot of concert which

1284
01:10:55,040 --> 01:10:57,800
Speaker 1: is Patti's first her first night in her tour at

1285
01:10:57,840 --> 01:11:02,960
Speaker 1: Stockholm and flipped onto the stage and called Patty mini slurs.

1286
01:11:03,320 --> 01:11:06,120
Speaker 1: And we should all say, this is all quote unquote alleged.

1287
01:11:06,680 --> 01:11:09,519
Speaker 1: So this is an alleged feud, but that happened between

1288
01:11:09,520 --> 01:11:12,719
Speaker 1: pop stars Patty Harrison and now the generous and only

1289
01:11:12,840 --> 01:11:16,240
Speaker 1: she can confirm. But um, thank you Patty for being

1290
01:11:16,280 --> 01:11:18,080
Speaker 1: brave and thank you to share your story here on

1291
01:11:18,160 --> 01:11:21,960
Speaker 1: the podcast. UM. And number one hundred thirty six is

1292
01:11:22,360 --> 01:11:27,880
Speaker 1: Michelle Fiver as a cat woman and Batman returns. Who

1293
01:11:27,880 --> 01:11:29,679
Speaker 1: could forget what she got pushed out of that window

1294
01:11:29,680 --> 01:11:32,680
Speaker 1: by Christopher Walking and then she was licked alive by

1295
01:11:32,760 --> 01:11:37,280
Speaker 1: cats and became a supervillain really and and put together

1296
01:11:37,320 --> 01:11:41,439
Speaker 1: the most formfitting sort of costume that we've ever seen

1297
01:11:41,439 --> 01:11:44,439
Speaker 1: in supervillain history. Oh, unbelievable. She had to be sewn

1298
01:11:44,479 --> 01:11:46,439
Speaker 1: into the costume in real life. Just a little culture

1299
01:11:46,439 --> 01:11:49,439
Speaker 1: of fact there. So Number one d thirty five on

1300
01:11:49,439 --> 01:11:55,559
Speaker 1: the list is Marilyn Monroe and by extension, Smash, So

1301
01:11:55,760 --> 01:11:58,800
Speaker 1: we wouldn't have Smash the show the musical they're in

1302
01:11:59,320 --> 01:12:04,280
Speaker 1: without really Marilyn Monroe, who was a bombshell to the Bombshell,

1303
01:12:04,880 --> 01:12:08,800
Speaker 1: the namesake Bombshell and Smash with the musical television show

1304
01:12:08,840 --> 01:12:10,439
Speaker 1: that we would not have had had it not been

1305
01:12:10,479 --> 01:12:13,760
Speaker 1: for Marilyn Monrose existence. Some like it hot, more like

1306
01:12:13,960 --> 01:12:18,160
Speaker 1: we like it Maryland, We like it, Norma Jean. Let's

1307
01:12:18,200 --> 01:12:24,479
Speaker 1: keep going on. The motor roll Raiser, Now, the motor

1308
01:12:24,560 --> 01:12:26,720
Speaker 1: roll Eraser was a huge phone back in the day,

1309
01:12:27,680 --> 01:12:30,720
Speaker 1: the aspirational phone, in fact, the iPhone before they were iPhones.

1310
01:12:31,479 --> 01:12:33,600
Speaker 1: I mean it was the motor ill Eraser, the Sidekick,

1311
01:12:33,640 --> 01:12:35,960
Speaker 1: and BlackBerry all sort of swirling in the same pool.

1312
01:12:35,960 --> 01:12:39,280
Speaker 1: But as you know, in our lives and our sort

1313
01:12:39,280 --> 01:12:44,559
Speaker 1: of developments as non solvent financial, non financially solvent high

1314
01:12:44,560 --> 01:12:47,439
Speaker 1: school students, I mean, the motor role E Razor was

1315
01:12:47,439 --> 01:12:49,679
Speaker 1: the closest thing we could get to like status phone.

1316
01:12:49,800 --> 01:12:51,840
Speaker 1: When you say, was that the one that went pretty

1317
01:12:52,120 --> 01:12:55,320
Speaker 1: when you texted someone? It was like, I'm not sure. Okay,

1318
01:12:55,360 --> 01:12:57,960
Speaker 1: well we can move on a number one thirty three?

1319
01:12:58,200 --> 01:13:02,760
Speaker 1: Is Were you ever a kid? No, I was more

1320
01:13:02,840 --> 01:13:06,600
Speaker 1: like a tamagotchi girl. Okay, I respect that. What is

1321
01:13:06,680 --> 01:13:08,960
Speaker 1: neo pets to you? Neopets to me was kind of

1322
01:13:08,960 --> 01:13:13,040
Speaker 1: the first I understood that the internet could be a

1323
01:13:13,120 --> 01:13:15,960
Speaker 1: vessel for capitalism, where you know, if you had to stay,

1324
01:13:16,080 --> 01:13:17,320
Speaker 1: if you wanted your neo pet to stay at the

1325
01:13:17,400 --> 01:13:20,519
Speaker 1: nice hotel, you had to pay a huge amount of

1326
01:13:20,560 --> 01:13:23,400
Speaker 1: neo coins wherever the currency was. And I was like, oh,

1327
01:13:23,520 --> 01:13:25,439
Speaker 1: this is how the world works in real life, but

1328
01:13:25,439 --> 01:13:28,280
Speaker 1: it's on the internet and this made up world of animals.

1329
01:13:28,439 --> 01:13:31,440
Speaker 1: So it was an intro to capitalism for you, absolutely,

1330
01:13:31,520 --> 01:13:33,439
Speaker 1: and then therefore it makes it onto the list. It

1331
01:13:33,439 --> 01:13:34,960
Speaker 1: makes it on the list because you had to earn

1332
01:13:35,040 --> 01:13:37,559
Speaker 1: money by playing games with your pets to make them

1333
01:13:37,560 --> 01:13:39,280
Speaker 1: happy and to feed them, and if they weren't fed,

1334
01:13:39,320 --> 01:13:40,960
Speaker 1: then they would die and you would feel bad. It

1335
01:13:41,000 --> 01:13:44,040
Speaker 1: was just similar to Toma, similar to Tamagtcha, but with

1336
01:13:44,080 --> 01:13:47,840
Speaker 1: Tamagotchi there wasn't this whole economy around do you want

1337
01:13:47,840 --> 01:13:49,599
Speaker 1: to give your pet a massage, it has to make

1338
01:13:49,640 --> 01:13:52,960
Speaker 1: the nice massage place. Like the social status and the

1339
01:13:53,080 --> 01:13:56,880
Speaker 1: cast system of society as it were, was sort of

1340
01:13:56,920 --> 01:13:59,080
Speaker 1: grabbed onto the world of neopets, and you learned a

1341
01:13:59,080 --> 01:14:01,559
Speaker 1: lot as a kid. I so so really um Toma

1342
01:14:01,560 --> 01:14:04,120
Speaker 1: got you with more about life or death, and Pats

1343
01:14:04,200 --> 01:14:08,080
Speaker 1: was more about like a commercial society totally understand. Number

1344
01:14:08,080 --> 01:14:16,200
Speaker 1: one two is when people started saying slash typing l L.

1345
01:14:17,280 --> 01:14:19,600
Speaker 1: Now this has really taken ahold of the culture in

1346
01:14:19,600 --> 01:14:21,360
Speaker 1: a way that I don't think we could have anticipated

1347
01:14:21,439 --> 01:14:24,280
Speaker 1: in the beginnings of a O L instag messenger. L

1348
01:14:24,400 --> 01:14:27,719
Speaker 1: O L not only did it arrive in the scene

1349
01:14:27,760 --> 01:14:29,200
Speaker 1: in a big way, but it is here to stay.

1350
01:14:29,280 --> 01:14:30,920
Speaker 1: I mean, you've got people saying l O L in

1351
01:14:30,960 --> 01:14:35,240
Speaker 1: real life. L O L has really lasted far beyond

1352
01:14:35,360 --> 01:14:38,680
Speaker 1: B R B or G two G T T y L.

1353
01:14:38,800 --> 01:14:40,760
Speaker 1: I mean, who says these thing? Cares about T T

1354
01:14:40,960 --> 01:14:43,559
Speaker 1: y L. We say L L all the time. It

1355
01:14:43,880 --> 01:14:48,799
Speaker 1: transcends demographics, that transcends age groups, that transcends race. What

1356
01:14:48,800 --> 01:14:51,559
Speaker 1: what can we say that transcends race? Not much? But

1357
01:14:51,720 --> 01:14:54,320
Speaker 1: l O L definitely does. L O L is used

1358
01:14:54,360 --> 01:14:58,640
Speaker 1: the world over. No. Number one one, speaking of you

1359
01:14:58,680 --> 01:15:02,080
Speaker 1: know sort of things technologically took the world of flame.

1360
01:15:02,600 --> 01:15:07,720
Speaker 1: This is the invention of gone all the days when

1361
01:15:07,720 --> 01:15:10,559
Speaker 1: you had to call someone later and be like, hey,

1362
01:15:10,640 --> 01:15:12,879
Speaker 1: I'll get you this money later. No, no, no, Now

1363
01:15:12,960 --> 01:15:16,559
Speaker 1: you can just text the girl the cash over the

1364
01:15:16,600 --> 01:15:20,720
Speaker 1: internet and there was no excuse. It's like, hey, you

1365
01:15:20,760 --> 01:15:23,160
Speaker 1: haven't venmoed me. You haven't fulfilled my venmo in a while.

1366
01:15:23,520 --> 01:15:26,760
Speaker 1: Oh yeah. Now you know when someone is troublesome in

1367
01:15:26,800 --> 01:15:29,680
Speaker 1: your life if they have not fulfilled your venmo. And

1368
01:15:29,680 --> 01:15:32,320
Speaker 1: I'm thinking actually of Bow and Yang for many years

1369
01:15:32,439 --> 01:15:36,400
Speaker 1: was a vanmo bandit you you still really take a

1370
01:15:36,400 --> 01:15:40,880
Speaker 1: long time to fulfill venmos. Okay, I'll cop to that now.

1371
01:15:40,960 --> 01:15:46,320
Speaker 1: Not not so rich rich woman. Number one hundred and

1372
01:15:46,360 --> 01:15:55,679
Speaker 1: thirty is Sandra Wine winning Survivor Pearl Islands. A huge win.

1373
01:15:55,920 --> 01:15:58,600
Speaker 1: I mean a win that she could have won, she

1374
01:15:58,640 --> 01:16:01,719
Speaker 1: could have easily lost, but um, what's her face? Litl

1375
01:16:01,920 --> 01:16:06,800
Speaker 1: litl eliminated, eliminated once during the game, came back as

1376
01:16:06,800 --> 01:16:09,080
Speaker 1: an outcast that made it to the end. Really one

1377
01:16:09,120 --> 01:16:11,960
Speaker 1: of the first goats, if you will, really easy for

1378
01:16:12,000 --> 01:16:14,040
Speaker 1: Sandra to win, and she was a smart player, smart

1379
01:16:14,080 --> 01:16:17,240
Speaker 1: tratetic player. She's your girl, Sassy Sandra, and she won

1380
01:16:17,320 --> 01:16:20,479
Speaker 1: again herees versus villains. And this we really include on

1381
01:16:20,479 --> 01:16:23,200
Speaker 1: the list because it was the introduction of Sandra Dias

1382
01:16:23,200 --> 01:16:25,559
Speaker 1: Twine into the franchise up Survivor. But it was that

1383
01:16:25,680 --> 01:16:28,519
Speaker 1: Lil eliminated. It was that Little chose Santa to go

1384
01:16:28,560 --> 01:16:32,599
Speaker 1: to the top two and little eliminated fair play Johnny

1385
01:16:32,600 --> 01:16:34,800
Speaker 1: fair Play. And so at that point Sandra was like,

1386
01:16:34,840 --> 01:16:37,840
Speaker 1: I've got this. She really took her moment there. Number

1387
01:16:37,840 --> 01:16:43,839
Speaker 1: one is the actress Regina King and everything and everything

1388
01:16:43,840 --> 01:16:47,519
Speaker 1: she's in Watchman. If Bill Street could talk, never forget

1389
01:16:47,520 --> 01:16:52,840
Speaker 1: Miss Congeniality, to never forget Blonde, to a sequel Queen

1390
01:16:53,080 --> 01:16:56,640
Speaker 1: two to seven, never forget all the American crimes, I

1391
01:16:56,640 --> 01:17:01,000
Speaker 1: ever forget any of it. Jerry mc wire, Jerry McGuire,

1392
01:17:01,040 --> 01:17:03,720
Speaker 1: and we got to say we also met Regina King one, Yes,

1393
01:17:03,760 --> 01:17:08,080
Speaker 1: we did. Wasn't she the coolest person, coolest, best dressed person,

1394
01:17:08,760 --> 01:17:11,840
Speaker 1: best energy. Yes? And you this is before I Feel

1395
01:17:11,880 --> 01:17:14,600
Speaker 1: Streak talk came out. You brought it up and she

1396
01:17:14,760 --> 01:17:16,439
Speaker 1: I remember the look on her face when you said

1397
01:17:16,439 --> 01:17:18,479
Speaker 1: the words, and we're so excited that if fiel Stree

1398
01:17:18,520 --> 01:17:20,519
Speaker 1: could talk would come for that to come out. And

1399
01:17:20,560 --> 01:17:22,280
Speaker 1: she lit up and she was like thank you. She

1400
01:17:22,840 --> 01:17:24,600
Speaker 1: the look in her and her eyes was thank you

1401
01:17:24,640 --> 01:17:26,720
Speaker 1: for bringing this up. She was thankful for you. I

1402
01:17:26,720 --> 01:17:28,720
Speaker 1: don't have to reveal that I can remember clear as

1403
01:17:28,800 --> 01:17:30,840
Speaker 1: day that it was you who brought up if Bill

1404
01:17:30,880 --> 01:17:34,160
Speaker 1: Streak and I brought up seven seconds. I did not

1405
01:17:34,160 --> 01:17:36,680
Speaker 1: bring up a Filtre. Did you brought up both? No,

1406
01:17:36,800 --> 01:17:38,599
Speaker 1: I didn't know what it feel streeld Talk was at

1407
01:17:38,600 --> 01:17:41,200
Speaker 1: that time. You said that she had a new piece

1408
01:17:41,240 --> 01:17:43,280
Speaker 1: by James Baldwin that she was working. I gave you.

1409
01:17:44,240 --> 01:17:45,880
Speaker 1: I said, you have a new a movie based on

1410
01:17:45,920 --> 01:17:48,479
Speaker 1: a James Baldwin book, James Baldwin story. And then you

1411
01:17:48,520 --> 01:17:51,240
Speaker 1: said if fiel Street could talk, that is I probably

1412
01:17:51,240 --> 01:17:53,400
Speaker 1: did say that, but I want to give you credit

1413
01:17:53,439 --> 01:17:56,240
Speaker 1: to it because you did bring up that. But the

1414
01:17:56,280 --> 01:17:58,800
Speaker 1: thing is we actually recalled both things that she had

1415
01:17:58,840 --> 01:18:01,439
Speaker 1: won an award for because I said seven seconds and

1416
01:18:01,479 --> 01:18:03,719
Speaker 1: I said, we are putting into the atmosphere that Regina

1417
01:18:03,720 --> 01:18:06,920
Speaker 1: people will win another enmy day. She did, and we

1418
01:18:06,960 --> 01:18:08,920
Speaker 1: talked about if Bill Streak Top when she would later

1419
01:18:08,960 --> 01:18:11,519
Speaker 1: win an Oscar. So we did not know we were

1420
01:18:11,560 --> 01:18:15,360
Speaker 1: sitting in the midst of an Oscar winner and she

1421
01:18:15,360 --> 01:18:17,439
Speaker 1: had already won to I mean before that, we're you're

1422
01:18:17,439 --> 01:18:20,360
Speaker 1: going to be winning another Emmy, young girl, And she

1423
01:18:20,560 --> 01:18:22,400
Speaker 1: was like, well, thank you, I hope so, and then

1424
01:18:22,439 --> 01:18:25,519
Speaker 1: those hopes turned to reality. We stand, Regina King have

1425
01:18:25,640 --> 01:18:28,320
Speaker 1: from the very beginning. Thank you, Regina. Let's move on

1426
01:18:28,120 --> 01:18:34,919
Speaker 1: to number one. Another actress Alison Williams eating the cereal

1427
01:18:35,040 --> 01:18:39,240
Speaker 1: and get Out a huge scene. This scene really kind

1428
01:18:39,240 --> 01:18:42,280
Speaker 1: of shot her forward in my eyes as you know,

1429
01:18:42,400 --> 01:18:44,639
Speaker 1: someone to watch. Because we only knew her from Girls

1430
01:18:44,640 --> 01:18:46,320
Speaker 1: playing More any we were like, what's she all about?

1431
01:18:46,360 --> 01:18:48,080
Speaker 1: That she wasn't get out and the movie get Out

1432
01:18:48,120 --> 01:18:51,200
Speaker 1: does not work without that performance. We should say it

1433
01:18:51,320 --> 01:18:53,640
Speaker 1: was fun the way she ate that cereal and the

1434
01:18:53,720 --> 01:18:56,040
Speaker 1: cereal coming right after. You think the moment up until

1435
01:18:56,080 --> 01:18:59,240
Speaker 1: that point is when she's freaking out and then she

1436
01:19:00,040 --> 01:19:01,760
Speaker 1: has the car keys. She can't find the car keys,

1437
01:19:01,800 --> 01:19:03,960
Speaker 1: and then she has them and then her expression changes.

1438
01:19:04,160 --> 01:19:07,000
Speaker 1: But the moment is actually seeing the pictures of her

1439
01:19:07,040 --> 01:19:10,640
Speaker 1: with her former boyfriends who have been killed, eating the

1440
01:19:10,720 --> 01:19:14,400
Speaker 1: cheerio separately from the milk. Yes, an absolute queen of

1441
01:19:14,400 --> 01:19:21,200
Speaker 1: a scene. Queen of number is our interview and as

1442
01:19:21,320 --> 01:19:27,400
Speaker 1: subsequent feud. This was a low moment for us when

1443
01:19:27,400 --> 01:19:29,240
Speaker 1: we had what we thought was a really good interview

1444
01:19:29,280 --> 01:19:31,639
Speaker 1: with Tracy Morgan at Vulture Press and it went viral

1445
01:19:31,720 --> 01:19:34,840
Speaker 1: because he made some mess out of the Tiffany Hattrish

1446
01:19:34,880 --> 01:19:37,080
Speaker 1: of it all. You can go back and watch the

1447
01:19:37,160 --> 01:19:40,599
Speaker 1: video um And then based on that interview, Julie Chen

1448
01:19:40,720 --> 01:19:43,559
Speaker 1: said that we were rude for asking him about Tiffany Hattrich,

1449
01:19:43,960 --> 01:19:46,800
Speaker 1: which is almost like her saying that every time she's

1450
01:19:46,840 --> 01:19:49,720
Speaker 1: interviewed someone that she's never asked about a code star,

1451
01:19:49,800 --> 01:19:52,479
Speaker 1: which I defy Trulie Chen, and I say that is

1452
01:19:52,479 --> 01:19:54,880
Speaker 1: not true. And Julie Chen, when you lost your job

1453
01:19:54,920 --> 01:19:57,880
Speaker 1: in disgrace, we did not feel bad about it because

1454
01:19:57,920 --> 01:19:59,800
Speaker 1: you came for us in a moment a very bad

1455
01:20:00,040 --> 01:20:03,320
Speaker 1: sting in journalism, and we don't we don't feel bad.

1456
01:20:03,520 --> 01:20:07,439
Speaker 1: And Julie Chen, I mean, you're you're an apologist for

1457
01:20:07,439 --> 01:20:09,640
Speaker 1: a lot of terrible people. Let's just say that on

1458
01:20:09,640 --> 01:20:13,960
Speaker 1: the record. Let's just say that on the record. Honey.

1459
01:20:14,400 --> 01:20:16,920
Speaker 1: Let's keep going. Those big brother checks are keeping you

1460
01:20:16,960 --> 01:20:24,240
Speaker 1: warm anyway one is. And doubt saying Hulu, who could

1461
01:20:24,240 --> 01:20:26,519
Speaker 1: forget when and Down won an Emmy and said, Hulu,

1462
01:20:26,560 --> 01:20:31,200
Speaker 1: I haven't forgotten. Let's move on. When Game of Thrones

1463
01:20:31,360 --> 01:20:36,040
Speaker 1: could make dragons but not photoshop out a Starbucks cup,

1464
01:20:36,960 --> 01:20:39,160
Speaker 1: I mean there's not there's nothing that hasn't been said

1465
01:20:39,200 --> 01:20:42,120
Speaker 1: about the Starbucks cup. No Game of Thrones references are

1466
01:20:42,160 --> 01:20:43,880
Speaker 1: on this list. Just the fact that a Game of

1467
01:20:43,920 --> 01:20:47,919
Speaker 1: Thrones let a Starbucks cup sneak in there. I famously

1468
01:20:47,960 --> 01:20:50,920
Speaker 1: think it was on purpose because I have sat in

1469
01:20:51,120 --> 01:20:55,000
Speaker 1: editing rooms and to think that no one would catch

1470
01:20:55,120 --> 01:21:00,760
Speaker 1: that cup from shooting to editing to pop bushing is

1471
01:21:00,880 --> 01:21:03,080
Speaker 1: literally insane. I don't believe it, and I think they

1472
01:21:03,120 --> 01:21:06,400
Speaker 1: were trifling with us. That's that's a conspiracy. MAT's a truther.

1473
01:21:07,080 --> 01:21:17,439
Speaker 1: Let's keep going American America for in Sisterhood of the Traveling. This,

1474
01:21:17,560 --> 01:21:19,439
Speaker 1: of course, is when she threw the first brick at

1475
01:21:19,439 --> 01:21:22,800
Speaker 1: Bradley Wufford's house, which is something that we've covered before her.

1476
01:21:23,680 --> 01:21:29,200
Speaker 1: We love it, number one, Matt and on the View,

1477
01:21:29,600 --> 01:21:31,360
Speaker 1: we were famously on the View. We went to the

1478
01:21:31,400 --> 01:21:33,280
Speaker 1: View to go see Kelly Clarkson be on the View,

1479
01:21:33,880 --> 01:21:36,479
Speaker 1: and then they producers came out of to the audience

1480
01:21:36,520 --> 01:21:39,200
Speaker 1: and said, we're going to be surprising Kelly's number one fan.

1481
01:21:39,560 --> 01:21:41,680
Speaker 1: People who had given us tickets were well aware of that.

1482
01:21:41,720 --> 01:21:43,519
Speaker 1: I was in the audience. I thought they met me.

1483
01:21:43,840 --> 01:21:46,760
Speaker 1: Turns out they met someone else who allegedly Land who

1484
01:21:46,800 --> 01:21:49,360
Speaker 1: had lost like ninety pounds while listening to Kelly's music,

1485
01:21:49,360 --> 01:21:53,479
Speaker 1: and then he got free tickets to Kelly Clarkson's concert,

1486
01:21:53,640 --> 01:21:58,920
Speaker 1: which was devastating to hear about However, the real gag

1487
01:21:59,000 --> 01:22:02,120
Speaker 1: was when we were on Screw Yes, and you saw

1488
01:22:02,439 --> 01:22:05,400
Speaker 1: me being a little overcorrecting in my support for this

1489
01:22:05,479 --> 01:22:08,599
Speaker 1: boy who would just want tickets to this Kelly Clarkson show,

1490
01:22:09,200 --> 01:22:12,519
Speaker 1: and that Matt had this abject horror on his face

1491
01:22:12,600 --> 01:22:15,040
Speaker 1: that he had to watch someone else get there Kelly

1492
01:22:15,040 --> 01:22:18,639
Speaker 1: Clarkson fantasy fulfilled, And um, let's just say it didn't

1493
01:22:18,640 --> 01:22:20,680
Speaker 1: say well with me. I'm sorry, it did not say

1494
01:22:20,720 --> 01:22:26,719
Speaker 1: well with me. Number One Sutton Foster tap dancing and

1495
01:22:26,720 --> 01:22:30,120
Speaker 1: Anything Goes. She is an amazing talent, that Sutton, an

1496
01:22:30,120 --> 01:22:32,559
Speaker 1: amazing talent, that Sutton who has sung at so many

1497
01:22:32,640 --> 01:22:36,240
Speaker 1: Kennedy Center honors. We love her something. I mean when

1498
01:22:36,280 --> 01:22:39,759
Speaker 1: she tap danced and Anything Goes. On the Tony Awards,

1499
01:22:39,840 --> 01:22:41,599
Speaker 1: you said, how could you give it to anyone else?

1500
01:22:42,400 --> 01:22:46,080
Speaker 1: And we did and we didn't. She won that one.

1501
01:22:46,600 --> 01:22:48,720
Speaker 1: But I will say that I did see her in

1502
01:22:48,800 --> 01:22:52,120
Speaker 1: the musical Drowsy Chaperone, and she has a number called

1503
01:22:52,120 --> 01:22:54,360
Speaker 1: show Off and Then and I watched that at a

1504
01:22:54,400 --> 01:22:56,080
Speaker 1: young age and I said, she cannot lose the Tony

1505
01:22:56,120 --> 01:22:57,960
Speaker 1: and she did. So these Tony Awards are not a

1506
01:22:58,000 --> 01:23:01,479
Speaker 1: sure thing, no matter how well turn a performance that's true.

1507
01:23:01,720 --> 01:23:06,800
Speaker 1: That's true. Let's keep going to number one, KFC releasing

1508
01:23:07,040 --> 01:23:11,080
Speaker 1: the double Down. What is this poem? This is this

1509
01:23:11,120 --> 01:23:14,320
Speaker 1: is the KFC sand which where the two buns were

1510
01:23:14,520 --> 01:23:17,599
Speaker 1: chicken patties fried chicken patties, and it caused a big

1511
01:23:17,640 --> 01:23:21,040
Speaker 1: stir And I think we're still dealing with ramifications today

1512
01:23:21,240 --> 01:23:23,599
Speaker 1: fast food culture that we have to say, and honestly

1513
01:23:23,640 --> 01:23:26,600
Speaker 1: that McDonald's released them. Griddle did not make it, but

1514
01:23:26,760 --> 01:23:29,080
Speaker 1: KFC releasing the double Down did make it and make

1515
01:23:29,080 --> 01:23:30,920
Speaker 1: you understand. We're going to get a lot of sort

1516
01:23:30,960 --> 01:23:34,599
Speaker 1: of hate mail about this from our McDonald's queens and kings,

1517
01:23:34,640 --> 01:23:36,880
Speaker 1: but you know, please sit down. We are the culture

1518
01:23:36,880 --> 01:23:40,160
Speaker 1: where the culture now. The next is one and twenty

1519
01:23:40,640 --> 01:23:45,439
Speaker 1: Sherry Shepherd not knowing if the Earth is flat, you know,

1520
01:23:45,720 --> 01:23:48,840
Speaker 1: famously she was confronted on the view by saying, do

1521
01:23:48,880 --> 01:23:52,120
Speaker 1: you think the earth is flat? Will She said, I

1522
01:23:52,160 --> 01:23:54,559
Speaker 1: don't know. I wouldn't I would want to know how

1523
01:23:54,600 --> 01:23:57,320
Speaker 1: to feed my children. She said that something to that effect.

1524
01:23:57,479 --> 01:24:00,680
Speaker 1: She definitely redirected and she said, I may not know

1525
01:24:00,760 --> 01:24:02,880
Speaker 1: if the Earth is flat, but I am a good person,

1526
01:24:03,479 --> 01:24:05,800
Speaker 1: which is, you know, certainly a way to get her

1527
01:24:05,840 --> 01:24:08,240
Speaker 1: I actually respect that it's fire that Roger's school. If

1528
01:24:08,240 --> 01:24:09,960
Speaker 1: I don't know my words, but I do know my heart.

1529
01:24:10,400 --> 01:24:12,760
Speaker 1: I actually have a picture of Sherry Shepherd up in

1530
01:24:12,840 --> 01:24:16,400
Speaker 1: my personal museum. That's great. Saint Sherry. We call her

1531
01:24:16,960 --> 01:24:20,120
Speaker 1: especially a rule of culture. Number ninety s Sherry. We

1532
01:24:20,520 --> 01:24:27,120
Speaker 1: call her. Number is Jennifer Lawrence gay rights. No. Jennifer

1533
01:24:27,200 --> 01:24:28,720
Speaker 1: Lawrence has said a lot of things in her day,

1534
01:24:28,720 --> 01:24:31,000
Speaker 1: but when she said gay rights, that was culture. And

1535
01:24:31,040 --> 01:24:32,960
Speaker 1: now all the girls are trying to say gay rights

1536
01:24:32,960 --> 01:24:39,840
Speaker 1: with her right. Number one D eighteen Pon wasted accepting

1537
01:24:39,880 --> 01:24:42,759
Speaker 1: a Golden Globe. This is when she brought the cookies

1538
01:24:43,000 --> 01:24:44,800
Speaker 1: up off the table and handed out cookies on her

1539
01:24:44,800 --> 01:24:46,320
Speaker 1: way up to the Golden Globe. She could tell she

1540
01:24:46,360 --> 01:24:49,280
Speaker 1: was absolutely black out. But she won for her performance

1541
01:24:49,320 --> 01:24:52,800
Speaker 1: as cookie Lion, and she deserved that one absolutely. Number

1542
01:24:52,800 --> 01:24:57,680
Speaker 1: one seventeen is half the dress. Who could forget us

1543
01:24:57,760 --> 01:25:00,280
Speaker 1: arguing all about the dress. I was with you Times

1544
01:25:00,280 --> 01:25:03,320
Speaker 1: Square at a at a like a bodega buffet, and

1545
01:25:03,400 --> 01:25:05,320
Speaker 1: you thought it was black and blue, and I thought

1546
01:25:05,320 --> 01:25:06,880
Speaker 1: it was white and golden. I thought it was white

1547
01:25:06,920 --> 01:25:08,479
Speaker 1: and gold You were right, I was wrong, And it

1548
01:25:08,600 --> 01:25:11,240
Speaker 1: was really crazy to have an argument about that and

1549
01:25:11,280 --> 01:25:14,280
Speaker 1: it was and for me to be right. Number one

1550
01:25:14,360 --> 01:25:16,920
Speaker 1: hundred sixteen on our rule of top two hundred moments

1551
01:25:16,960 --> 01:25:21,760
Speaker 1: in culture history is the passing of the men. This

1552
01:25:21,800 --> 01:25:24,200
Speaker 1: gave women the right to vote and think it was

1553
01:25:24,240 --> 01:25:26,840
Speaker 1: about time and it was the beginning of us a

1554
01:25:26,960 --> 01:25:30,000
Speaker 1: voting rights reform. And thank you Susan B. Anthony for

1555
01:25:30,280 --> 01:25:35,080
Speaker 1: making this happen, and all the suffragets really thank you,

1556
01:25:36,120 --> 01:25:40,439
Speaker 1: which is Rosie and Elizabeth on the view. This beats

1557
01:25:40,439 --> 01:25:43,280
Speaker 1: out the passing of the nineteenth Amendment. When Rosie and

1558
01:25:43,320 --> 01:25:45,960
Speaker 1: Elizabeth fought on the view, this was a moment a culture.

1559
01:25:46,000 --> 01:25:49,080
Speaker 1: They went to that fabulous split screen and really they

1560
01:25:49,120 --> 01:25:51,640
Speaker 1: have not reconciled over this poem. And when they went

1561
01:25:51,680 --> 01:25:53,120
Speaker 1: to the split screen, you get see and you come

1562
01:25:53,120 --> 01:25:55,920
Speaker 1: into on this when Rosie, like Rosie, saw that they

1563
01:25:55,920 --> 01:25:57,599
Speaker 1: were going to the split screen, or was it Elizabeth

1564
01:25:57,600 --> 01:25:59,160
Speaker 1: who thought that they were going to It was Rosie

1565
01:25:59,200 --> 01:26:02,400
Speaker 1: who saw it and called it out wow, And that's

1566
01:26:02,400 --> 01:26:04,519
Speaker 1: when she quit. She said, I can't be having this.

1567
01:26:05,720 --> 01:26:08,599
Speaker 1: Someone who has moral clarity and and and and decisions

1568
01:26:08,600 --> 01:26:11,240
Speaker 1: based on that clarity. Huge. Yeah, Now we have number

1569
01:26:11,320 --> 01:26:17,200
Speaker 1: one hundred fourteen carry voiceover, and I had to wonder,

1570
01:26:17,640 --> 01:26:22,439
Speaker 1: is there more of an influential voiceover performance than this?

1571
01:26:22,600 --> 01:26:24,439
Speaker 1: I had to wonder that I had to wonder. I

1572
01:26:24,439 --> 01:26:27,160
Speaker 1: don't think there is. I would say this brought back

1573
01:26:27,160 --> 01:26:31,360
Speaker 1: to the voiceover as a worthy method of narration. Do

1574
01:26:31,400 --> 01:26:33,840
Speaker 1: you think that there would be an a Meredith Gray

1575
01:26:33,920 --> 01:26:36,680
Speaker 1: voice of were convention in Gray's Anatomy without sex in

1576
01:26:36,680 --> 01:26:39,920
Speaker 1: the City, Carry Bradshaw. I think that that's a really

1577
01:26:39,960 --> 01:26:44,800
Speaker 1: interesting question, and I would say no. I would say

1578
01:26:45,080 --> 01:26:50,840
Speaker 1: Carry Bradshaw and Sara Jessica Parker's performance as Carrie Bradshaw revolutionized, revitalized,

1579
01:26:50,880 --> 01:26:55,320
Speaker 1: and resurrected the voice over as a narrative device that

1580
01:26:55,400 --> 01:26:59,000
Speaker 1: we now have in Gray's Anatomy, which has a lead

1581
01:26:59,120 --> 01:27:02,559
Speaker 1: character named Meredith Gray. Let's keep going. This is number one.

1582
01:27:03,920 --> 01:27:10,120
Speaker 1: Lisa Lisa Coudro invented post It's monologue and Roman Michelle Wow.

1583
01:27:10,160 --> 01:27:12,120
Speaker 1: I mean when she talks about how she like used

1584
01:27:12,120 --> 01:27:15,800
Speaker 1: a specific kind of glue epoxy, you have to wonder

1585
01:27:15,840 --> 01:27:20,360
Speaker 1: did Lisa Coudo draw on her experience as a chemistry

1586
01:27:20,400 --> 01:27:24,160
Speaker 1: major at Vassar at Vassar and working for her father

1587
01:27:24,320 --> 01:27:27,839
Speaker 1: in some biotech company. Have you ever met Lisa Kudro.

1588
01:27:28,160 --> 01:27:30,160
Speaker 1: I have not met Have you met Lissa Coudro Never?

1589
01:27:30,280 --> 01:27:32,160
Speaker 1: When you do meet her, though, you should tell her

1590
01:27:32,160 --> 01:27:34,200
Speaker 1: that you majored in chemistry like her. I would love to.

1591
01:27:34,439 --> 01:27:36,840
Speaker 1: I mean, she's she's the best there is. I mean,

1592
01:27:36,960 --> 01:27:39,439
Speaker 1: we watched the Comeback season two the other the other day,

1593
01:27:39,439 --> 01:27:41,160
Speaker 1: like we watched the whole series, and it was just

1594
01:27:41,200 --> 01:27:46,960
Speaker 1: so unbelievable. Started all started all oh, you know, Sex

1595
01:27:47,000 --> 01:27:50,360
Speaker 1: in the City started it all in a different way,

1596
01:27:51,240 --> 01:27:56,040
Speaker 1: of course. Lea Lela Durham. I think it's Lena Dunham.

1597
01:27:56,160 --> 01:28:02,479
Speaker 1: That's what I said, Lena number one t when Thelma

1598
01:28:02,680 --> 01:28:10,000
Speaker 1: and Louise drove over the cliff huge, This was so huge,

1599
01:28:10,040 --> 01:28:12,719
Speaker 1: and that thunderbird went over that cliff, and that iconic

1600
01:28:12,800 --> 01:28:16,280
Speaker 1: soundtrack and those incredible performances of those two women Gina

1601
01:28:16,360 --> 01:28:19,960
Speaker 1: Davis and Susan Sarandon both nominated for Oscars in that film.

1602
01:28:20,000 --> 01:28:23,400
Speaker 1: A film that should be watched, watched absolutely, and a

1603
01:28:23,479 --> 01:28:27,000
Speaker 1: polarizing ending, but one that we stand by that it's

1604
01:28:27,000 --> 01:28:29,760
Speaker 1: an iconic ending because if this world couldn't handle them,

1605
01:28:29,760 --> 01:28:34,200
Speaker 1: this world didn't deserve them on that freeze frame ic iconic,

1606
01:28:34,280 --> 01:28:39,360
Speaker 1: Let's keep going one Dred eleven. Julia Roberts is huge mouth.

1607
01:28:39,680 --> 01:28:42,240
Speaker 1: You can hang a coat hanger in that mouth. Mouth,

1608
01:28:42,400 --> 01:28:46,120
Speaker 1: and that mouth was a hundred million wattage of smile

1609
01:28:46,680 --> 01:28:49,439
Speaker 1: and it got her all the roles in the early nineties,

1610
01:28:49,479 --> 01:28:55,760
Speaker 1: Mystic Pizza on Pretty Woman still Magnolia's woolf. The we're

1611
01:28:55,800 --> 01:28:58,920
Speaker 1: just saying the mouth was a big part of the

1612
01:28:59,040 --> 01:29:02,760
Speaker 1: appeal because that smile was amazing and you saw, you

1613
01:29:02,800 --> 01:29:04,479
Speaker 1: saw it all, and she could a moute through that

1614
01:29:04,520 --> 01:29:07,880
Speaker 1: math like no other. She's a star. I see, let's

1615
01:29:07,880 --> 01:29:10,400
Speaker 1: blast through these next ten and and cut to a break.

1616
01:29:10,680 --> 01:29:12,519
Speaker 1: What what do you say? I think that we are

1617
01:29:12,520 --> 01:29:14,679
Speaker 1: going to have to just have this be one episode

1618
01:29:14,680 --> 01:29:16,280
Speaker 1: and we're going to have to do a second episode,

1619
01:29:16,280 --> 01:29:19,920
Speaker 1: which is part two, I think, because there's just there's

1620
01:29:20,000 --> 01:29:23,040
Speaker 1: just no way this is gonna be too long. And

1621
01:29:23,080 --> 01:29:25,400
Speaker 1: I'm actually saying it on the mic to our producers

1622
01:29:25,439 --> 01:29:27,439
Speaker 1: that this is gonna have to be a two partner

1623
01:29:27,840 --> 01:29:29,240
Speaker 1: because I don't know how we thought we were going

1624
01:29:29,280 --> 01:29:32,040
Speaker 1: to get through two hundred moments of culture. It's it's

1625
01:29:32,080 --> 01:29:34,400
Speaker 1: the only it was the only option when it was

1626
01:29:34,479 --> 01:29:38,719
Speaker 1: the only option we had. It had to be two hundred,

1627
01:29:39,160 --> 01:29:42,160
Speaker 1: had we had it. We couldn't gloss over these moments. No,

1628
01:29:42,320 --> 01:29:45,360
Speaker 1: but we're gonna get through these next ten or next

1629
01:29:45,560 --> 01:29:47,800
Speaker 1: what is it next? Next ten, and then we're going

1630
01:29:47,840 --> 01:29:49,880
Speaker 1: to take a break, um, and we're gonna come back

1631
01:29:49,880 --> 01:29:52,519
Speaker 1: with another whole episode, which is the top one hundred

1632
01:29:53,000 --> 01:29:56,599
Speaker 1: moments of culture because we have done two hundred episodes

1633
01:29:56,600 --> 01:29:58,519
Speaker 1: of Last Cultures this, I mean, the only way to

1634
01:29:58,560 --> 01:30:01,599
Speaker 1: honor that sort of back hat aologue is with two moments.

1635
01:30:01,720 --> 01:30:03,760
Speaker 1: And I'm so happy we stopped everything to say that

1636
01:30:04,040 --> 01:30:06,599
Speaker 1: discovering in this moment, like we have discovered so much

1637
01:30:07,080 --> 01:30:08,960
Speaker 1: that will be doing two episodes of this because it's

1638
01:30:08,960 --> 01:30:12,960
Speaker 1: not logistically feasible to continue. Number one D ten lou

1639
01:30:13,080 --> 01:30:19,719
Speaker 1: Post light blue oscars dress a k A. The moment

1640
01:30:20,760 --> 01:30:23,040
Speaker 1: when she won her oscar firsts a slave and she

1641
01:30:23,080 --> 01:30:26,320
Speaker 1: had that light periwinkle blue dress. Zach Posing. I want

1642
01:30:26,320 --> 01:30:29,800
Speaker 1: to say, honestly, I want to say Zach Posing all

1643
01:30:29,840 --> 01:30:31,439
Speaker 1: the time, because you know that Zach Poson is my

1644
01:30:31,479 --> 01:30:36,639
Speaker 1: celebrity crush and he's DM you made that up. I

1645
01:30:36,720 --> 01:30:38,720
Speaker 1: kind of, for some reason thought that he that you

1646
01:30:38,720 --> 01:30:42,840
Speaker 1: would correspondence. Oh my god, I love Zach pos and

1647
01:30:42,880 --> 01:30:45,439
Speaker 1: I think he's so hot. But anyway, um, if it

1648
01:30:45,479 --> 01:30:47,439
Speaker 1: wasn't him that made this dress, and then god bless

1649
01:30:47,479 --> 01:30:49,960
Speaker 1: who did? God bless who did at this moment the

1650
01:30:50,000 --> 01:30:53,320
Speaker 1: way it moved as she hit center stage, Oh my god,

1651
01:30:53,360 --> 01:30:55,880
Speaker 1: I mean just like Cinderella, that like a fairy tale.

1652
01:30:56,080 --> 01:30:58,000
Speaker 1: It looked so incredible on her, and she is a

1653
01:30:58,000 --> 01:31:00,799
Speaker 1: fashion icon and we need to say it loud and proud.

1654
01:31:01,200 --> 01:31:03,599
Speaker 1: Let's keep going. Let's keep going. One or nine the

1655
01:31:03,680 --> 01:31:09,479
Speaker 1: o C Season one. Oh my gosh, who could forget Ryan,

1656
01:31:09,680 --> 01:31:14,080
Speaker 1: Marissa Summer and Seth Yes, thank you for naming the four?

1657
01:31:14,360 --> 01:31:17,200
Speaker 1: Who could forget the four? And also never forget Miss

1658
01:31:17,280 --> 01:31:24,160
Speaker 1: Julie Cooper iconic milth Ms Kirston iconic alcoholic and Mr

1659
01:31:24,280 --> 01:31:29,360
Speaker 1: Sandy iconic eyebrows. He's sexy sex You ever watched the

1660
01:31:29,400 --> 01:31:31,599
Speaker 1: sex scene Front American Beauty when he foxs in net

1661
01:31:31,640 --> 01:31:34,320
Speaker 1: Benning and he goes, you're like getting fucked by the king.

1662
01:31:34,760 --> 01:31:37,439
Speaker 1: You like getting funned by the king. Oh my god?

1663
01:31:37,479 --> 01:31:40,639
Speaker 1: Do you identify with with um with with Mr Gallagher

1664
01:31:40,840 --> 01:31:45,120
Speaker 1: as an eyebrows person? Yes? Yes, I would be interested

1665
01:31:45,160 --> 01:31:47,840
Speaker 1: to see if he was got any Greek in him.

1666
01:31:47,920 --> 01:31:52,200
Speaker 1: I think he's the Greek. Okay's Greek there alright, Greek

1667
01:31:52,280 --> 01:31:56,519
Speaker 1: going um yeah, though he was amazing. Number one eight

1668
01:31:56,880 --> 01:32:01,840
Speaker 1: Elizabeth Banks and Power Rain. She went for it with

1669
01:32:01,880 --> 01:32:06,559
Speaker 1: this one, a true villain Krispy Kream. You loved all

1670
01:32:06,560 --> 01:32:09,800
Speaker 1: the Crispy Cream line readings, and let's do it one too.

1671
01:32:09,960 --> 01:32:17,000
Speaker 1: Three How you could tell? The line in the script

1672
01:32:17,040 --> 01:32:19,160
Speaker 1: was how, and it came out as just like a

1673
01:32:19,200 --> 01:32:22,920
Speaker 1: sort of exasperated howel Yes, she was going for the

1674
01:32:23,000 --> 01:32:24,880
Speaker 1: Razzie with this one. I think she wanted to show

1675
01:32:24,960 --> 01:32:27,280
Speaker 1: up at the Razzy stage winning. But really she should

1676
01:32:27,280 --> 01:32:29,400
Speaker 1: have been nominated for an Oscar for a no holds

1677
01:32:29,439 --> 01:32:33,559
Speaker 1: barred performance as Rita Repulsa, who is, of course I

1678
01:32:33,600 --> 01:32:38,240
Speaker 1: think canonically Filipino, well, Japanese in the way that all

1679
01:32:38,280 --> 01:32:41,599
Speaker 1: of them were. I mean maybe Philippine, maybe some Pacific islander,

1680
01:32:41,800 --> 01:32:47,360
Speaker 1: Southeast Asian. Well, she's Elizabeth Banks. Now, she's Elizabeth Banks.

1681
01:32:47,479 --> 01:32:49,960
Speaker 1: Now let's keep going. Okay, this is number one hundred

1682
01:32:50,000 --> 01:32:53,720
Speaker 1: and seven. This is Whitney Houston when she went and

1683
01:32:56,479 --> 01:33:00,880
Speaker 1: who could forget when the drum made that sound and

1684
01:33:00,960 --> 01:33:05,040
Speaker 1: she unleashed the note, you will never forget where you

1685
01:33:05,080 --> 01:33:06,840
Speaker 1: were when you saw that. I'll never forget that, and

1686
01:33:06,880 --> 01:33:09,599
Speaker 1: you know famously this was a song written and first

1687
01:33:09,640 --> 01:33:12,280
Speaker 1: performed by Dolly Parton, who could have known that it

1688
01:33:12,320 --> 01:33:15,200
Speaker 1: would be done? So I kindly by Whitney, the Houston,

1689
01:33:15,360 --> 01:33:20,680
Speaker 1: the Voice, the Voice, Let's keep going to the drums

1690
01:33:20,800 --> 01:33:30,720
Speaker 1: and Lose my Breath by Destiny's Child of course, But wow, percussion, fish,

1691
01:33:31,120 --> 01:33:34,680
Speaker 1: Oh my god, percussion for your absolute nerves and it

1692
01:33:34,800 --> 01:33:37,439
Speaker 1: just lights up a spark in you, doesn't it? It

1693
01:33:37,520 --> 01:33:39,120
Speaker 1: really does. And I knew this was going to be

1694
01:33:39,120 --> 01:33:41,120
Speaker 1: a huge hit when I first heard it. I had

1695
01:33:41,120 --> 01:33:43,479
Speaker 1: a moment of hope when Lose my Breath came out

1696
01:33:43,479 --> 01:33:46,719
Speaker 1: and was like, they're back together. Well they they've never

1697
01:33:46,760 --> 01:33:50,439
Speaker 1: broken up, I know, but like you know, dangerously in love.

1698
01:33:50,600 --> 01:33:53,960
Speaker 1: It was the moment and everyone's like, Beyonce, that's the moment,

1699
01:33:54,000 --> 01:33:56,439
Speaker 1: and I remember loving that damn album. But then kind

1700
01:33:56,439 --> 01:33:59,920
Speaker 1: of secretly morning Destiny's Child does mean? Does this mean

1701
01:34:00,000 --> 01:34:01,720
Speaker 1: Siny's Child is over? But then Lose my Breath came

1702
01:34:01,720 --> 01:34:03,400
Speaker 1: out and Destiny Fulfield came out, and I was like,

1703
01:34:03,920 --> 01:34:06,560
Speaker 1: all hope is not lost. Not only did Destiny of

1704
01:34:06,560 --> 01:34:09,800
Speaker 1: the Field come out, I believe it is their best work.

1705
01:34:10,080 --> 01:34:13,040
Speaker 1: I believe it's their best album as a trio. Kelly

1706
01:34:13,160 --> 01:34:15,360
Speaker 1: Roland has gone on record to say that it is

1707
01:34:15,560 --> 01:34:19,160
Speaker 1: her favorite. It's like like like they asked you, like,

1708
01:34:19,160 --> 01:34:21,080
Speaker 1: what's your favorite Destiny's Child song? And she says, every

1709
01:34:21,080 --> 01:34:24,719
Speaker 1: song off of Destiny's Destiny I mean, never forget, Girl, Girl,

1710
01:34:25,240 --> 01:34:29,920
Speaker 1: never forget, If never forget, I mean cater to you,

1711
01:34:30,240 --> 01:34:36,960
Speaker 1: to you, t shirt sleep, Yes, come on, I mean

1712
01:34:37,040 --> 01:34:39,920
Speaker 1: and also their iconic Bolt which was not on the album,

1713
01:34:39,960 --> 01:34:42,000
Speaker 1: but was stand Up for Love, Stand Up for Love.

1714
01:34:42,040 --> 01:34:44,439
Speaker 1: And then they did a cover of Emotions by the

1715
01:34:44,479 --> 01:34:47,240
Speaker 1: Beg's Well that was on an earlier album, but yes,

1716
01:34:47,640 --> 01:34:52,000
Speaker 1: all Emotions was on Survivor. Yes, it was I Accept

1717
01:34:52,000 --> 01:34:57,719
Speaker 1: Your Apology. UM number one. The baby boom after World

1718
01:34:57,760 --> 01:35:01,920
Speaker 1: War Two. Okay, so, okay boomer. We wouldn't have the

1719
01:35:02,160 --> 01:35:05,040
Speaker 1: phrase okay boomer without, of course, the baby boom. Now,

1720
01:35:05,080 --> 01:35:08,519
Speaker 1: this is a period of time before and after and

1721
01:35:08,720 --> 01:35:11,760
Speaker 1: during the war when men were not spending a lot

1722
01:35:11,760 --> 01:35:13,880
Speaker 1: of time with their wives and someone they did, they

1723
01:35:13,880 --> 01:35:17,080
Speaker 1: got them absolutely pregnant. This you led to a huge

1724
01:35:17,080 --> 01:35:24,560
Speaker 1: surge in births during the time period of fifties. Yes, absolutely,

1725
01:35:24,640 --> 01:35:30,160
Speaker 1: and it led to it coincided with um. You know,

1726
01:35:30,280 --> 01:35:33,200
Speaker 1: a lot of social programs being put into affecting the

1727
01:35:33,280 --> 01:35:35,920
Speaker 1: United States and economic prosperity, so it all could have

1728
01:35:35,960 --> 01:35:40,599
Speaker 1: worked out when it helped assert the US's global dominance. Yes,

1729
01:35:40,760 --> 01:35:44,360
Speaker 1: and um, we should say, um, I am ya teacher,

1730
01:35:45,080 --> 01:35:49,160
Speaker 1: and I knew this knowledge of um World War two,

1731
01:35:49,160 --> 01:35:52,760
Speaker 1: and I should be celebrated. I not put this in,

1732
01:35:52,800 --> 01:35:54,800
Speaker 1: and I think that should be celebrated for putting this in.

1733
01:35:55,360 --> 01:36:02,200
Speaker 1: Number one is the longevity of hang. Talk about longevity.

1734
01:36:02,600 --> 01:36:04,479
Speaker 1: I think Pank has had one of the most enviable

1735
01:36:04,520 --> 01:36:07,080
Speaker 1: careers in music. I mean once she burst onto the

1736
01:36:07,120 --> 01:36:10,640
Speaker 1: scene with there you Go, look in Pizza Foe just

1737
01:36:10,680 --> 01:36:13,880
Speaker 1: because I lets you go, There you Go, talking about

1738
01:36:13,880 --> 01:36:19,040
Speaker 1: she want me back? Oh my god, I mean so

1739
01:36:19,120 --> 01:36:23,840
Speaker 1: much versatility and what is powerful voice? I mean misunderstood

1740
01:36:23,840 --> 01:36:28,720
Speaker 1: the album, misunderstood the album. I mean raise your glass,

1741
01:36:29,360 --> 01:36:33,320
Speaker 1: So raise your glass if you are wrong, and all

1742
01:36:33,640 --> 01:36:39,280
Speaker 1: the ways iconic freak, pink, iconic freak, iconic absolute freak.

1743
01:36:39,360 --> 01:36:43,040
Speaker 1: We will never never be anything but loud and nitty gritty,

1744
01:36:43,280 --> 01:36:47,879
Speaker 1: dirty gritty, dirty little freak little freaks, So raise your glass.

1745
01:36:48,320 --> 01:36:53,240
Speaker 1: And also iconic ballad in a family potcher. We look

1746
01:36:53,320 --> 01:36:59,599
Speaker 1: pretty happy. Let's play perdun not like I go Natty. Yes,

1747
01:37:00,080 --> 01:37:07,640
Speaker 1: never forget, never forget number one hundred and three. And

1748
01:37:07,680 --> 01:37:10,240
Speaker 1: you better believe that I watched every single one of

1749
01:37:10,240 --> 01:37:13,280
Speaker 1: her confirmation hearings in the Senate. I mean, she is

1750
01:37:13,640 --> 01:37:17,839
Speaker 1: the Supreme Court justice. Do you know this story? AOC

1751
01:37:18,000 --> 01:37:21,639
Speaker 1: tells this story. But so during her Senate hearings when

1752
01:37:21,640 --> 01:37:24,720
Speaker 1: she was nominated by Barack Obama, one of our presidents,

1753
01:37:24,920 --> 01:37:30,000
Speaker 1: remember her? Remember her? Some publicists or some like media

1754
01:37:30,120 --> 01:37:32,760
Speaker 1: consultants or media consults are like, you should wear a

1755
01:37:32,920 --> 01:37:36,559
Speaker 1: nude neil polish so that you come off more neutral

1756
01:37:36,720 --> 01:37:40,040
Speaker 1: and more sort of not as like loud and vibrant

1757
01:37:40,240 --> 01:37:42,680
Speaker 1: and sort of like you're not making this impression that

1758
01:37:42,680 --> 01:37:45,120
Speaker 1: you can control. She said, no, she said fuck that.

1759
01:37:45,320 --> 01:37:49,080
Speaker 1: And you see her wearing bright red nail pology. Isn't that?

1760
01:37:49,240 --> 01:37:51,680
Speaker 1: I love that story iconic. Also, have you seen Knock

1761
01:37:51,720 --> 01:37:53,519
Speaker 1: Down the House? No, I need to see it. Oh

1762
01:37:53,560 --> 01:37:56,680
Speaker 1: my god, there's such that it. Knocked Down the House

1763
01:37:56,760 --> 01:38:01,160
Speaker 1: is amazing. And also it's like, there's so much great

1764
01:38:01,200 --> 01:38:04,320
Speaker 1: stuff going on. Netflix has amazing documentaries. You guys, come on,

1765
01:38:04,800 --> 01:38:10,800
Speaker 1: you gotta give it up. Rule of Culture number nine documentaries, guys. Um.

1766
01:38:10,800 --> 01:38:12,800
Speaker 1: But she in her very first scene talks about she's

1767
01:38:12,800 --> 01:38:15,679
Speaker 1: getting ready, and this is before she's even filed to run,

1768
01:38:15,800 --> 01:38:19,560
Speaker 1: Like this camera crew followed her from the beginning. It's unbelievable.

1769
01:38:19,920 --> 01:38:22,920
Speaker 1: And she's getting ready and she's like, there's no way

1770
01:38:23,040 --> 01:38:25,160
Speaker 1: to know how you should get ready as a female

1771
01:38:25,240 --> 01:38:27,719
Speaker 1: running for president, because either you're in a full suit

1772
01:38:28,160 --> 01:38:31,960
Speaker 1: or you're in that like drag of light colored shirt

1773
01:38:32,000 --> 01:38:34,080
Speaker 1: with the sleeves rolled up to the elbow. But there's

1774
01:38:34,120 --> 01:38:37,519
Speaker 1: no prototype of how a woman who is a politician

1775
01:38:37,600 --> 01:38:39,360
Speaker 1: running for office looks, and so you have to think

1776
01:38:39,400 --> 01:38:41,599
Speaker 1: about the way you present yourself. And it was just

1777
01:38:41,640 --> 01:38:47,439
Speaker 1: like she also talks about in the yeah, in the

1778
01:38:47,520 --> 01:38:51,880
Speaker 1: documentary and it's really moving. So and she was our speaker,

1779
01:38:52,920 --> 01:38:55,280
Speaker 1: our speaker at graduation. Yes she was. She spoke in

1780
01:38:55,320 --> 01:38:57,120
Speaker 1: our graduation and was amazing. In the first word she

1781
01:38:57,200 --> 01:39:02,080
Speaker 1: said was this is awesome. Do you remember that? I

1782
01:39:02,120 --> 01:39:04,599
Speaker 1: remember that. And she was like a girl like me

1783
01:39:05,320 --> 01:39:07,840
Speaker 1: from the Bronx speaking to you at Yankees. I mean

1784
01:39:08,040 --> 01:39:09,880
Speaker 1: they made a whole big deal about being at Yankee Stadium.

1785
01:39:10,840 --> 01:39:14,160
Speaker 1: Our graduation was at Yankee Stadium. Um, okay. So the

1786
01:39:14,280 --> 01:39:24,000
Speaker 1: next one is number one D and two Beanie Baby Culture. Wow. Wow, Um,

1787
01:39:24,640 --> 01:39:27,120
Speaker 1: I mean beanie babies are still going strong. I saw

1788
01:39:27,160 --> 01:39:28,840
Speaker 1: one at the airport on my way into l A.

1789
01:39:28,880 --> 01:39:31,719
Speaker 1: It was a very perilous environment, but the beanie babies

1790
01:39:31,720 --> 01:39:34,519
Speaker 1: were a grounding force. And also, you know what you

1791
01:39:34,560 --> 01:39:39,960
Speaker 1: can never forget is the fact that, you know, beanie

1792
01:39:40,000 --> 01:39:44,760
Speaker 1: baby culture also was Princess Diana culture because it sort

1793
01:39:44,800 --> 01:39:49,320
Speaker 1: of gave us, you know, the um beanie baby that

1794
01:39:49,400 --> 01:39:52,479
Speaker 1: was most famous, which is the Diana baby, which was

1795
01:39:52,520 --> 01:39:55,519
Speaker 1: the Diana baby. And also never forget we had our

1796
01:39:55,640 --> 01:40:00,880
Speaker 1: peace Bear, yes, and we also had um the dolphins,

1797
01:40:01,280 --> 01:40:06,519
Speaker 1: the dolphins. Many different things contributed to um beanie baby

1798
01:40:06,560 --> 01:40:09,519
Speaker 1: culture and ultimately we were told they would come to

1799
01:40:09,600 --> 01:40:12,040
Speaker 1: be worth a lot of money and that remains to

1800
01:40:12,080 --> 01:40:14,920
Speaker 1: be seen. But speaking of toys that were good for

1801
01:40:15,000 --> 01:40:21,679
Speaker 1: Christmas time, number one and one is Furby a big comeback,

1802
01:40:21,720 --> 01:40:24,280
Speaker 1: I would say, in the meme culture, I'm seeing a

1803
01:40:24,320 --> 01:40:26,920
Speaker 1: lot of furbies. Not surprised to hear that. I mean,

1804
01:40:27,040 --> 01:40:30,160
Speaker 1: there's such crazy, crazy animals. I'll never forget what My

1805
01:40:30,240 --> 01:40:33,080
Speaker 1: uncle got me a Furbye three or four years too late.

1806
01:40:33,640 --> 01:40:35,080
Speaker 1: And it was like three or four years after the

1807
01:40:35,120 --> 01:40:36,840
Speaker 1: Furby craze, and I was like, oh my God, and

1808
01:40:36,840 --> 01:40:39,000
Speaker 1: then I just had this white furby acting a fool

1809
01:40:39,000 --> 01:40:41,760
Speaker 1: in my closet. I feel actually very bad because even

1810
01:40:41,800 --> 01:40:44,719
Speaker 1: though it was a toy with no soul, it really

1811
01:40:44,760 --> 01:40:46,840
Speaker 1: did a good job of making you feel it did

1812
01:40:46,880 --> 01:40:50,880
Speaker 1: have a soul and feelings because they would be crying, hysteric,

1813
01:40:51,080 --> 01:40:54,639
Speaker 1: randomly begging for attention in the middle of the night.

1814
01:40:54,840 --> 01:40:59,160
Speaker 1: Oh honey, terrible. So fur actually may have been scarring culture.

1815
01:40:59,560 --> 01:41:02,439
Speaker 1: I think the scarring culture. Matt. We're one hundred and one,

1816
01:41:02,479 --> 01:41:04,200
Speaker 1: We're halfway through the list. What do you think we

1817
01:41:04,200 --> 01:41:09,160
Speaker 1: should so number one hundred? Oh okay, so maybe you're

1818
01:41:09,200 --> 01:41:11,160
Speaker 1: saying maybe we should start with a hundred. I think

1819
01:41:11,160 --> 01:41:13,840
Speaker 1: we start with that, alright. So then literally, I think

1820
01:41:13,840 --> 01:41:16,840
Speaker 1: we've gone through the first one hundred of our We've

1821
01:41:16,880 --> 01:41:19,479
Speaker 1: been two hundred to one hundred and one of our

1822
01:41:19,880 --> 01:41:23,120
Speaker 1: top two hundred moments of culture, and I think that

1823
01:41:23,160 --> 01:41:25,519
Speaker 1: we've done an incredibly We've done an incredible job. We

1824
01:41:25,720 --> 01:41:27,519
Speaker 1: hope that you agree with this list. You have to

1825
01:41:27,560 --> 01:41:31,000
Speaker 1: agree with the list because it's definitively empirically the list. Um,

1826
01:41:31,160 --> 01:41:32,759
Speaker 1: we're not going to do and I don't think so, honey,

1827
01:41:32,920 --> 01:41:35,719
Speaker 1: Because this this episode is an hour and forty five minutes.

1828
01:41:36,240 --> 01:41:39,240
Speaker 1: But we are going to say we will see you later,

1829
01:41:39,439 --> 01:41:42,000
Speaker 1: and maybe the episode that follow us will be coming

1830
01:41:42,000 --> 01:41:44,479
Speaker 1: a little bit sooner than you think. Yes, we'll have

1831
01:41:44,520 --> 01:41:46,120
Speaker 1: to talk to the producers. We're gonna have to talk

1832
01:41:46,160 --> 01:41:48,320
Speaker 1: to the producers because we've made a lot of decisions

1833
01:41:48,320 --> 01:41:52,520
Speaker 1: without them and they are very We appreciate their flexibility

1834
01:41:52,560 --> 01:41:55,360
Speaker 1: and their adaptability in this process. That we're doing something

1835
01:41:55,360 --> 01:41:57,400
Speaker 1: that no one's ever done before, which is catalog the

1836
01:41:57,439 --> 01:41:59,519
Speaker 1: top two hundred moments in culture history. No one has

1837
01:41:59,520 --> 01:42:02,080
Speaker 1: ever done this before. And also it's our two hundredth

1838
01:42:02,120 --> 01:42:05,599
Speaker 1: episode and we're very excited. Also, please remember that we're

1839
01:42:05,640 --> 01:42:08,960
Speaker 1: saying it's our two hundred episode based on my count,

1840
01:42:09,479 --> 01:42:13,000
Speaker 1: which could be wrong. I will accept it as right.

1841
01:42:13,040 --> 01:42:14,600
Speaker 1: I I told you, I looked in your eyes and

1842
01:42:14,640 --> 01:42:18,320
Speaker 1: I said, I trust you. And remember that Bowen has

1843
01:42:18,400 --> 01:42:21,599
Speaker 1: not done account of the episodes, even though I told him,

1844
01:42:21,640 --> 01:42:23,040
Speaker 1: do you want to double check me? And he said,

1845
01:42:23,080 --> 01:42:25,559
Speaker 1: I trust you? So I really I I put it

1846
01:42:25,600 --> 01:42:28,120
Speaker 1: to the viewers to count the episodes and tell me

1847
01:42:28,160 --> 01:42:30,840
Speaker 1: if I'm wrong, but also deeply no that I don't care.

1848
01:42:30,840 --> 01:42:33,360
Speaker 1: And that's not the point. The point is to celebrate

1849
01:42:33,600 --> 01:42:38,760
Speaker 1: this landmark achievement for the pod and recount the episodes

1850
01:42:39,000 --> 01:42:43,160
Speaker 1: and moments of culture that are really meaningful. We're so

1851
01:42:43,560 --> 01:42:47,519
Speaker 1: drunk um and I mean, this is the most time

1852
01:42:47,560 --> 01:42:51,200
Speaker 1: I've had in months. But stay tuned for the remaining

1853
01:42:51,240 --> 01:42:54,360
Speaker 1: one hundred top moments in culture history. You're not gonna

1854
01:42:54,360 --> 01:42:57,759
Speaker 1: want to miss any of these. There's plenty to cover.

1855
01:42:57,960 --> 01:43:02,479
Speaker 1: And number one, I'd want to say, definitively, you can

1856
01:43:02,560 --> 01:43:04,720
Speaker 1: you can? You can? You know push back on the

1857
01:43:04,800 --> 01:43:08,080
Speaker 1: order of the list. Number one is in the exact

1858
01:43:08,280 --> 01:43:11,920
Speaker 1: deserving spot. Oh, number one is the number one moment

1859
01:43:12,000 --> 01:43:14,120
Speaker 1: in culture history. You will not dispute it with that,

1860
01:43:14,280 --> 01:43:17,920
Speaker 1: I would say that really everything is in its right place,

1861
01:43:17,960 --> 01:43:21,280
Speaker 1: there is no dispute. But before you think we've not

1862
01:43:22,200 --> 01:43:26,120
Speaker 1: counted something in, understand that there are a hundred more

1863
01:43:26,160 --> 01:43:30,360
Speaker 1: moments coming. So and we end every episode with a song.

1864
01:43:31,640 --> 01:43:36,120
Speaker 1: If the said no one your body now, if would

1865
01:43:36,160 --> 01:43:38,000
Speaker 1: you want it against me?