WEBVTT - Cave of Bones, with Lee Berger

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<v Speaker 1>Welcome to Stuff to Blow Your Mind, a production of iHeartRadio.

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<v Speaker 2>Hey you welcome to Stuff to Blow your Mind. My

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<v Speaker 2>name is Robert Lamb. On today's episode of Stuff to

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<v Speaker 2>Blow Your Mind, I'm going to be speaking with noted

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<v Speaker 2>paleoanthropologist Lee Berger, author of the new book Cave of Bones,

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<v Speaker 2>a true story of discovery, adventure, and human origins, and

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<v Speaker 2>he's also featured in the Netflix documentary Unknown Cave of Bones.

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<v Speaker 2>Let's get right to the interview. Hi, Lee, Thanks for

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<v Speaker 2>coming on the show.

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<v Speaker 3>It's great to be here.

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<v Speaker 2>To start off, just really generally, how should listeners understand

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<v Speaker 2>the mission and the challenges of paleoanthropology.

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<v Speaker 3>So paleoanthropology is, in its loosest definition, the search for

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<v Speaker 3>understanding human origins, but it's a little broader than that.

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<v Speaker 3>It's also hominine origins. And the reason I make that

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<v Speaker 3>distinction is that we humans tend to self center everything

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<v Speaker 3>around ourselves, and hominins are bipedal apes that are part

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<v Speaker 3>of our journey, but they're not all our direct ancestors.

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<v Speaker 3>If you will. There's been a mass and almost braided

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<v Speaker 3>stream of ancient relatives that walked on two legs that

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<v Speaker 3>are closer related to us than chimpanzees and gorillas are

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<v Speaker 3>so there if you imagine evolution of sort of coming

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<v Speaker 3>from a last common ancestor, gorilla's broke off first, then chimpanzees,

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<v Speaker 3>bona bo's breakoff, and all the rest of that story

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<v Speaker 3>between us and that moment are the hominins as we evolved,

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<v Speaker 3>bipedalism and special adaptations. We also, though, study not only

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<v Speaker 3>the physical morphology the kind of the way that evolution happens.

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<v Speaker 3>We study the culture of these ancients spies, and that's

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<v Speaker 3>going to be I think particularly important to these most

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<v Speaker 3>recent discoveries.

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<v Speaker 2>Now, you were previously the Philip Tobias Chair in Paleoanthropology

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<v Speaker 2>at the University of Atvadeschrand. I know you've taken on

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<v Speaker 2>some new titles recently. What is your role now with

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<v Speaker 2>National Geographic and how does all of this factor into

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<v Speaker 2>your other positions and your work?

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<v Speaker 3>Right, So, I am an explorer in residence is my

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<v Speaker 3>primary job at National Geographic Society. I'm also a Senior

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<v Speaker 3>Carnegie Science Fellow. That's a very recent appointment, as I've

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<v Speaker 3>joined that organization largely to push the sort of hard

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<v Speaker 3>sciences in our field and the relationship between that remarkable

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<v Speaker 3>group of scientists and organization. I still maintain a position

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<v Speaker 3>at VITZ an honorary professor, and I'm director of the

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<v Speaker 3>Center for the Exploration of the Deep Human Journey, so

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<v Speaker 3>all of those intersect with each other. I run a

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<v Speaker 3>very large science program that has a sort of collaborative

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<v Speaker 3>collegial group of scientists from around the world of over

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<v Speaker 3>one hundred and sixty at this time. It's growing almost

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<v Speaker 3>on a daily basis. That so it's a very large

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<v Speaker 3>science program. Some of those are based in the sort

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<v Speaker 3>of traditional university setting, others of them are based in

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<v Speaker 3>sort of institutional things like Carnegie or museums.

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<v Speaker 2>Now the book is Cave of Bones, a true story

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<v Speaker 2>of discovery, adventure and human origins. And then of course

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<v Speaker 2>we also have the Netflix documentary Unknown Cave of Bones.

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<v Speaker 2>They take readers and viewers to a particular cave system

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<v Speaker 2>in South Africa. Can you tell us about the Rising

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<v Speaker 2>Star Cave Complex?

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<v Speaker 3>So the Rising Star Cave complex came deeply into my

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<v Speaker 3>life in twenty thirteen. I'd known about it before then.

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<v Speaker 3>It was a very well known system of caves where

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<v Speaker 3>amateur cavers and I'd even caved in in the nineteen

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<v Speaker 3>nineties just outside of Johannesburg, South Africa, if you will,

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<v Speaker 3>a huge network of subterranean system almost four kilometers long.

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<v Speaker 3>So what is that two and a half miles or

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<v Speaker 3>so of underground passages networks, small and somewhat larger cave

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<v Speaker 3>systems that goes down maybe a two hundred feet or

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<v Speaker 3>so before you hit ground water. But it's like a

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<v Speaker 3>it's hard to describe for people who tend to think

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<v Speaker 3>of like the big mammoth cave systems. It's a latticework cave.

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<v Speaker 3>So it's like skyscrapers that are buried in the ground

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<v Speaker 3>with different floors, and you can move and traverse up

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<v Speaker 3>and down these and it can be impossibly difficult. And

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<v Speaker 3>so both the book and the Netflix documentary followed us

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<v Speaker 3>over a period of almost a year as we were

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<v Speaker 3>testing the idea of whether we had discovered burials in

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<v Speaker 3>a non human species, and that is a species called Homoletti,

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<v Speaker 3>which is a very small brained hominin. It's a a

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<v Speaker 3>brain slightly larger than a chimpanzee, but it was a

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<v Speaker 3>biped It walked on two legs and existed sort of

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<v Speaker 3>out of time and place. If we looked at a

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<v Speaker 3>hominin like that, we would normally think, oh, it's two million,

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<v Speaker 3>two and a half million years old based on its

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<v Speaker 3>entire anatomy. It turned out that homon Aletti is much

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<v Speaker 3>younger than that, something like two hundred and forty thousand

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<v Speaker 3>to three hundred and thirty thousand years before present. So

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<v Speaker 3>in finding these possible burials, and we go through that

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<v Speaker 3>sort of period of analysis and looking at in this

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<v Speaker 3>deep dark chamber almost three hundred and fifty feet back

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<v Speaker 3>into a system, we knew it was going to be

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<v Speaker 3>one of the most controversial things ever said, because until

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<v Speaker 3>that moment of seeing those the idea was that really

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<v Speaker 3>only humans and things very much like humans, like neanderthals

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<v Speaker 3>Bury their dead. It was our gg, one of the

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<v Speaker 3>last things we had that separated ourselves from the animal

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<v Speaker 3>kingdom and animal behavior. And so both the Netflix show

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<v Speaker 3>and the book carry us through that period and then

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<v Speaker 3>to what I kind of referred to as seventy two

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<v Speaker 3>hours of remarkable discovery, where I ended up losing about

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<v Speaker 3>fifty five pounds and got down into this incredibly difficult

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<v Speaker 3>to get to space where only forty six people had

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<v Speaker 3>been before almost died in the process of doing that,

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<v Speaker 3>I needed answers to some questions before we published that

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<v Speaker 3>burial paper that really I kind of only had the

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<v Speaker 3>broad experience to answer. And it was at that point

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<v Speaker 3>that I discovered etchings on the wall, engravings on the wall,

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<v Speaker 3>and evidence of fire on the roof. And then that

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<v Speaker 3>kind of broke everything free, because we suddenly realized there

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<v Speaker 3>was evidence of fire everywhere. And so now we're at

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<v Speaker 3>this kind of moment where my colleagues and I have

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<v Speaker 3>announced to the world that we believe we have discovered

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<v Speaker 3>the first non human species culture in history.

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<v Speaker 2>Yes, having watched the documentary and read the book, this

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<v Speaker 2>is all this is just really mind blowing. I'm not

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<v Speaker 2>even sure of which direction to start with first, like

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<v Speaker 2>just the sheer challenges of the cave system, or just

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<v Speaker 2>how potentially profound that the discoveries are. I guess I

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<v Speaker 2>guess maybe starting with the setting a little bit before

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<v Speaker 2>you even ventured down there to the main chamber, how

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<v Speaker 2>did you go about carrying out these explorations, like with

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<v Speaker 2>the command center and finding the right people to send

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<v Speaker 2>down there.

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<v Speaker 3>So when I was first shown where this material was,

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<v Speaker 3>I sent my then fifteen year old, very skinny son

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<v Speaker 3>down there to verify that it was real, and I

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<v Speaker 3>was shown by these two amateur cavers that I had

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<v Speaker 3>enlisted where this was. I knew I would never get

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<v Speaker 3>into that space. You know, if you imagine this vertical

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<v Speaker 3>squeeze that that moves in various directions, that squeezes down

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<v Speaker 3>to seven and a half inches in places my physic

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<v Speaker 3>I used to choke, my ego would never fit much

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<v Speaker 3>less my physique. I designed a system to work in

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<v Speaker 3>the space based on I've been very close friends with

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<v Speaker 3>both James Cameron and Bob Ballard and have been admirers

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<v Speaker 3>of the way they've handled their expeditions, which include, you know,

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<v Speaker 3>sort of deep sea work where you can't often go

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<v Speaker 3>to these places. Now James did, of course, and so

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<v Speaker 3>is Bob, but you can't often go to these places.

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<v Speaker 3>So they use remote operation. They use you know, tethered

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<v Speaker 3>operations and using remote operated vehicles, and so I designed

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<v Speaker 3>a system where I could be in that kind of

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<v Speaker 3>command center. It's also based loosely on NASA as well.

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<v Speaker 3>And then I found my own remote operated people, which

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<v Speaker 3>I put a Facebook add out, and you know, looking

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<v Speaker 3>for skinny scientists that had skills to climb and cave

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<v Speaker 3>and work in extreme environments. And I selected six just

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<v Speaker 3>remarkable scientists. It just happened to be women. That journey

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<v Speaker 3>has continued and we've constantly advanced the technology. We have

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<v Speaker 3>Wi Fi in the cave. Now it's a lot more sophisticated,

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<v Speaker 3>but we still have all that hardwiring. It goes in

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<v Speaker 3>there and I sit at the top with other scientists

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<v Speaker 3>and we monitor and watch over their shoulders and and

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<v Speaker 3>help them excavate the few people that could get into

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<v Speaker 3>that space. It's it was. It was a lot of fun,

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<v Speaker 3>very dramatic, I'll admit at times frustrating that you know,

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<v Speaker 3>I couldn't be there, and they would bring each piece

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<v Speaker 3>out after, you know, carefully excavating it, documenting it, and

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<v Speaker 3>then it would become part of a broader study it.

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<v Speaker 3>It's an extreme environment. It's an environment that can kill you,

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<v Speaker 3>and it's uh and I think it's probably pretty unique

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<v Speaker 3>amongst the world's you know, search for human origins, a

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<v Speaker 3>pretty unique environment to actually be physically working and constantly

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<v Speaker 3>constantly adapting changing, I mean the way you do it.

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<v Speaker 3>I think you can actually see that probably better in

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<v Speaker 3>the book than the documentary, where you actually feel as

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<v Speaker 3>we keep adapting things along the way, trying to improvise

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<v Speaker 3>and make it better as we hit roadblocks.

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<v Speaker 2>Yeah, I found both the documentary and the book we're

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<v Speaker 2>highly illustrated in different ways. I mean, obviously we're getting

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<v Speaker 2>some of the actual footage in the documentary, but you

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<v Speaker 2>have some some wonderful illustrations in the book that you know,

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<v Speaker 2>just lay out exactly how the cave system is oriented,

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<v Speaker 2>and then your descriptions of when you actually go down

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<v Speaker 2>and then have to ascend back up. That was some

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<v Speaker 2>of that was just very harowing to read.

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<v Speaker 3>It gives me PTSD even reading that, and I wrote it.

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<v Speaker 3>It was also tough to watch that on the Netflix

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<v Speaker 3>stock movie. You you can imagine because the for your listeners,

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<v Speaker 3>what ultimately happened was, after deciding that we couldn't go

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<v Speaker 3>forward with the Barrel publication until we sort of sorted

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<v Speaker 3>out a few critical questions, I decided to make the

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<v Speaker 3>attempt in you know, turning fifty seven. It wasn't gonna

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<v Speaker 3>be many times I was going to be able to

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<v Speaker 3>attempt an extreme journey like this, and so I lost

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<v Speaker 3>the weight got in there. I knew it was going

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<v Speaker 3>to be terrible because I've told the world how terrible

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<v Speaker 3>it is. I had no idea how awful it was.

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<v Speaker 3>And it was a very strange experience. You know. I've

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<v Speaker 3>been an explorer all my life, and I've been in

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<v Speaker 3>life and death situation several times. But this was different

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<v Speaker 3>because I was having to make conscious choices to push

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<v Speaker 3>beyond places that I really did know deep in my

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<v Speaker 3>mind I might not be able to get back out of.

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<v Speaker 3>And those are those are hard. You learn a lot

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<v Speaker 3>about yourself and in those sort of moments when you

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<v Speaker 3>make a choice like that and and pass through it.

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<v Speaker 3>Going down was awful. Coming up was the most terrible

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<v Speaker 3>and wonderful thing in my whole life, you know. And

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<v Speaker 3>I had to I had to make a decision, you know.

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<v Speaker 3>I tried to remove a body part, you know, because

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<v Speaker 3>I was stuck and and I'd never been in that

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<v Speaker 3>situation before, you know, I'd never been in the kind

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<v Speaker 3>of situation where you have to make a deeply a

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<v Speaker 3>decision to try and hurt yourself to get out of something,

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<v Speaker 3>and you learn you learn a lot about yourself in

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<v Speaker 3>that situation too. But I obviously I'm here now. I

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<v Speaker 3>obviously did get out, but it's about as close to

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<v Speaker 3>not surviving at e vent as I've ever been.

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<v Speaker 2>Like even the names of sort of the three phases

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<v Speaker 2>to get down to that main chamber, it implies this

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<v Speaker 2>kind of my journey. You have, like the Superman crawl,

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<v Speaker 2>which already sounds harrowing. You go up the dragon's back,

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<v Speaker 2>which sounds very mythic, but then the shoot, right, the

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<v Speaker 2>shoot is the real choke point here.

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<v Speaker 3>That's right. So you know, Superman's crawl, by the way,

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<v Speaker 3>is just named because you had to extend one arm

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<v Speaker 3>in the kind of flying Superman pose to fit through it.

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<v Speaker 3>Most people did. And there was this awful rock in

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<v Speaker 3>the middle of it that you had to crawl over.

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<v Speaker 3>And then you enter this giant, beautiful chamber dragons back

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<v Speaker 3>and up this jagged series of rocks. It's almost forty

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<v Speaker 3>feet tall, which if you fall off, you die, you

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<v Speaker 3>know kind of thing. And then you get to the

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<v Speaker 3>top and you stare down into this crevasse, into this

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<v Speaker 3>labyrinth of narrow squeezes and things, and you know, slide

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<v Speaker 3>in there and down you go in a place that

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<v Speaker 3>there's no point in it, that rocks aren't pressing on

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<v Speaker 3>both sides of your chest, almost no point in it

0:13:59.280 --> 0:14:03.199
<v Speaker 3>that you can move maneuver your head anywhere but down

0:14:03.240 --> 0:14:06.520
<v Speaker 3>and usually at an angle because it's just narrow enough

0:14:06.559 --> 0:14:09.120
<v Speaker 3>to just wide enough to you know, a helmet to fit.

0:14:10.200 --> 0:14:13.600
<v Speaker 3>It's tough, it's it's it's a hard space, but it is,

0:14:14.559 --> 0:14:16.560
<v Speaker 3>you know. While I was in there too, though, you

0:14:16.600 --> 0:14:19.040
<v Speaker 3>can actually see that home in the LETTI who was

0:14:19.160 --> 0:14:22.200
<v Speaker 3>thinner than we were, who had a smaller head than

0:14:22.200 --> 0:14:26.520
<v Speaker 3>we were, who had more powerful hands, grasping hands and

0:14:27.000 --> 0:14:29.960
<v Speaker 3>powerful shoulders, would have moved through their very different We're

0:14:30.040 --> 0:14:32.240
<v Speaker 3>just a bunch of big, clumsy apes in a space

0:14:32.280 --> 0:14:35.920
<v Speaker 3>we're not supposed to be, and they would have, I think,

0:14:35.960 --> 0:14:38.520
<v Speaker 3>moved through there very very differently.

0:14:38.520 --> 0:14:41.360
<v Speaker 2>We think they are. They would have been arboreal, or

0:14:41.400 --> 0:14:43.560
<v Speaker 2>more arboreal than the nuts, right, so.

0:14:43.760 --> 0:14:48.640
<v Speaker 3>Careful about ar boreal. Better climbers. Our boreal means trees.

0:14:49.520 --> 0:14:52.320
<v Speaker 3>I think they could have done very well in trees, obviously,

0:14:52.440 --> 0:14:54.600
<v Speaker 3>and almost certainly climb them. But I think they were

0:14:54.720 --> 0:14:57.920
<v Speaker 3>very good rock climbers. Took and they have these curved

0:14:57.960 --> 0:15:01.160
<v Speaker 3>fingers and these powerful joint and they're very light and

0:15:01.320 --> 0:15:03.640
<v Speaker 3>build so I think they would have been very very

0:15:03.640 --> 0:15:04.800
<v Speaker 3>good rock climbers.

0:15:05.080 --> 0:15:07.000
<v Speaker 2>Yeah. I love one of the parts in the book

0:15:07.000 --> 0:15:09.600
<v Speaker 2>where you're talking about having to navigate the Shoot and

0:15:09.640 --> 0:15:14.600
<v Speaker 2>you're imagining them moving rather effortlessly through that same space.

0:15:15.120 --> 0:15:17.360
<v Speaker 3>Yeah, you know I was. When I was I had

0:15:17.400 --> 0:15:21.040
<v Speaker 3>a lot of time in that space, a lot more

0:15:21.080 --> 0:15:23.280
<v Speaker 3>time than I'd like to think about. And you know,

0:15:23.360 --> 0:15:25.960
<v Speaker 3>part of what I was doing there was also looking

0:15:26.000 --> 0:15:28.040
<v Speaker 3>around and seeing the space in a very different way

0:15:28.320 --> 0:15:32.960
<v Speaker 3>when the first explorers had gone in there. The space

0:15:33.040 --> 0:15:35.440
<v Speaker 3>is so narrow that you really can't get cameras in

0:15:35.480 --> 0:15:38.120
<v Speaker 3>there to give any reflection about what is. We can't

0:15:38.120 --> 0:15:40.800
<v Speaker 3>get basic measuring tools, or we couldn't. We now have

0:15:40.880 --> 0:15:43.960
<v Speaker 3>done that, and so it took on this sort of

0:15:44.040 --> 0:15:47.080
<v Speaker 3>mythical thing of the Shoot that you talk about, and

0:15:47.440 --> 0:15:49.920
<v Speaker 3>actually was even drawn by some of our in our

0:15:49.960 --> 0:15:53.200
<v Speaker 3>early signific papers as a tube, you know, this vertical

0:15:53.240 --> 0:15:55.080
<v Speaker 3>tube from one place to the other, and it's not

0:15:55.280 --> 0:15:58.600
<v Speaker 3>at all. It turns out it's elabyrinth. And I'm not

0:15:58.640 --> 0:16:01.600
<v Speaker 3>sure how that sort of mythology got stuck even into

0:16:01.640 --> 0:16:05.840
<v Speaker 3>the science. We're now rewriting that. But that's why I

0:16:05.840 --> 0:16:10.200
<v Speaker 3>call it the Shoot labyrinth. Now it's not a uniform pipe.

0:16:10.760 --> 0:16:13.600
<v Speaker 3>Why is all this so important? Because this is one

0:16:13.640 --> 0:16:17.960
<v Speaker 3>of the hardest things that people have to understand why

0:16:18.000 --> 0:16:21.200
<v Speaker 3>this place especial and why wouldn't Aletti go to all

0:16:21.280 --> 0:16:24.120
<v Speaker 3>that effort just to put it's dead in there. I

0:16:24.160 --> 0:16:28.040
<v Speaker 3>ha's so many people who who It's very interesting. As

0:16:28.080 --> 0:16:29.880
<v Speaker 3>people talk to me about this, they go, but why

0:16:29.880 --> 0:16:32.000
<v Speaker 3>would they do that? And you know, I had a

0:16:32.080 --> 0:16:35.160
<v Speaker 3>very interesting experience. I was in London recently and I

0:16:35.240 --> 0:16:37.520
<v Speaker 3>was talking to someone about this and we were seeing

0:16:37.600 --> 0:16:39.800
<v Speaker 3>up on one of those high buildings in central London

0:16:39.800 --> 0:16:43.680
<v Speaker 3>and the cathedrals right right behind it, and their back

0:16:44.200 --> 0:16:46.040
<v Speaker 3>was to the cathedral, and I was looking at them,

0:16:46.080 --> 0:16:48.760
<v Speaker 3>and they said, you know, why would anyway? I just

0:16:48.840 --> 0:16:51.280
<v Speaker 3>can't understand why they would go to such effort for

0:16:51.320 --> 0:16:53.960
<v Speaker 3>their dead. And I went, you know, I just gestured

0:16:54.000 --> 0:16:56.880
<v Speaker 3>with my hand out the window to this gigantic cathedral.

0:16:57.160 --> 0:16:59.600
<v Speaker 3>The tens of thousands of people had built all this

0:16:59.840 --> 0:17:04.480
<v Speaker 3>tribute to death, and you know, we go to huge,

0:17:04.880 --> 0:17:07.840
<v Speaker 3>huge efforts to deal with that. We built awso warries,

0:17:07.880 --> 0:17:11.879
<v Speaker 3>we build catacombs under major cities, we build pyramids, we

0:17:11.920 --> 0:17:16.000
<v Speaker 3>build cathedrals, We dig holes six feet in the ground

0:17:16.040 --> 0:17:18.240
<v Speaker 3>when there's no need to and put bodies in them.

0:17:18.920 --> 0:17:20.800
<v Speaker 3>And yet here we say, as humans go. But why

0:17:20.880 --> 0:17:23.639
<v Speaker 3>would someone go to that extent for their loved ones?

0:17:23.720 --> 0:17:28.119
<v Speaker 3>And the answer is because they did. Even though they

0:17:28.119 --> 0:17:31.119
<v Speaker 3>didn't have our brain. Even though they didn't you know,

0:17:31.200 --> 0:17:36.919
<v Speaker 3>they aren't us, they clearly carried those same emotions and

0:17:37.040 --> 0:17:43.880
<v Speaker 3>feelings about death and perhaps the afterlife and things like that,

0:17:43.960 --> 0:17:47.439
<v Speaker 3>but certainly the emotions of death and love to to

0:17:47.600 --> 0:17:52.840
<v Speaker 3>make sure that their kin did not undergo the often

0:17:52.880 --> 0:17:57.800
<v Speaker 3>horrific processes that occur to things that are just left

0:17:58.119 --> 0:18:01.679
<v Speaker 3>to the decay process or an a the process of

0:18:01.720 --> 0:18:05.480
<v Speaker 3>scavengine that goes on outside, which is not particularly pleasant.

0:18:06.200 --> 0:18:09.280
<v Speaker 3>Whatever was their motivation they did that thing.

0:18:19.119 --> 0:18:21.639
<v Speaker 2>Now, as you discussed, there are of course other ways

0:18:21.640 --> 0:18:25.080
<v Speaker 2>that bones can find their way into caves and cave systems.

0:18:25.280 --> 0:18:29.119
<v Speaker 2>How do we eliminate such possibilities as predators bringing bones

0:18:29.200 --> 0:18:32.000
<v Speaker 2>down or water washing them down into the complex.

0:18:32.480 --> 0:18:36.160
<v Speaker 3>So that's just from a process of scientific analysis and

0:18:36.400 --> 0:18:41.040
<v Speaker 3>also a process of elimination. If carnivores or scavengers are

0:18:41.080 --> 0:18:44.720
<v Speaker 3>dealing with the dead, then they leave marks on them,

0:18:45.880 --> 0:18:50.000
<v Speaker 3>leave tooth marks, scratch marks, they dismember. They're doing it

0:18:50.480 --> 0:18:53.600
<v Speaker 3>almost certainly to eat the bodies, you know, because they're

0:18:53.600 --> 0:18:59.280
<v Speaker 3>not collecting. Humans are hominins and so that leaves very

0:18:59.440 --> 0:19:03.800
<v Speaker 3>character damage. So that doesn't exist on this very very

0:19:03.920 --> 0:19:08.240
<v Speaker 3>large sample of home on Letty and we're over thirty individuals, remember,

0:19:08.280 --> 0:19:12.320
<v Speaker 3>and lot thousands of bones, so there's no evidence of that.

0:19:12.480 --> 0:19:17.680
<v Speaker 3>So you can eliminate scavengers and predators. Then you get

0:19:17.680 --> 0:19:19.240
<v Speaker 3>to the point of, well, how do you know they

0:19:19.280 --> 0:19:22.320
<v Speaker 3>just all didn't go down there and die? So the

0:19:22.359 --> 0:19:25.840
<v Speaker 3>first part of that was, well, if they did, only

0:19:25.920 --> 0:19:29.399
<v Speaker 3>one species did that. That is, they went again and again,

0:19:29.520 --> 0:19:32.320
<v Speaker 3>and they did it over time. We can see that

0:19:32.640 --> 0:19:37.080
<v Speaker 3>there are events posed, imposed on events imposed on events,

0:19:37.080 --> 0:19:40.360
<v Speaker 3>so there's time involved in the accumulation, so that would

0:19:40.400 --> 0:19:44.440
<v Speaker 3>be odd, it wouldn't be impossible. But that was actually

0:19:44.640 --> 0:19:47.720
<v Speaker 3>for the first several years our initial hypothesis that they

0:19:47.720 --> 0:19:52.199
<v Speaker 3>were perhaps being brought there and just left there. It

0:19:52.240 --> 0:19:55.520
<v Speaker 3>was only when we then began to see that the

0:19:55.560 --> 0:19:59.880
<v Speaker 3>floor was actually not a bone bed, it was actually

0:20:00.160 --> 0:20:04.679
<v Speaker 3>sterile floor that then was interrupted by a pit or

0:20:04.680 --> 0:20:10.680
<v Speaker 3>a hole dug into the floor. That material was removed,

0:20:10.800 --> 0:20:14.919
<v Speaker 3>disrupting part of the sedimentary layers in the floor. A

0:20:15.160 --> 0:20:17.320
<v Speaker 3>fleshed body was put in. And the reason we know

0:20:17.400 --> 0:20:20.320
<v Speaker 3>that is that parts of bodies are articulated. And you

0:20:20.359 --> 0:20:25.159
<v Speaker 3>can see how the body dee compressed itself in the

0:20:25.200 --> 0:20:27.919
<v Speaker 3>sediments as it as it as it deteriorated, as the

0:20:28.040 --> 0:20:32.439
<v Speaker 3>spaces uh decayed within it. And then that body was

0:20:32.600 --> 0:20:35.800
<v Speaker 3>covered with dirt, the same dirt from the hole. We

0:20:35.840 --> 0:20:39.399
<v Speaker 3>can see the mixed up sedimentary layers. And then the

0:20:39.400 --> 0:20:42.359
<v Speaker 3>body went underwent natural collapse and decay and the and

0:20:42.480 --> 0:20:44.680
<v Speaker 3>the and the material sediment, and we can show all that.

0:20:44.760 --> 0:20:48.240
<v Speaker 3>You can show that through the analysis of the sedimentology

0:20:48.440 --> 0:20:51.080
<v Speaker 3>and the structure. Some people I know don't like that,

0:20:52.480 --> 0:20:55.480
<v Speaker 3>and one of the reasons is that simply we consider

0:20:56.280 --> 0:21:01.280
<v Speaker 3>calling that a grave or a burial a human thing.

0:21:02.000 --> 0:21:05.800
<v Speaker 3>And so you know, if you don't want to call

0:21:05.840 --> 0:21:08.200
<v Speaker 3>it a grave, then it is a hole dug into

0:21:08.200 --> 0:21:10.840
<v Speaker 3>the floor with a body in it, covered with dirt.

0:21:12.080 --> 0:21:14.280
<v Speaker 3>You can call that what you want, but the implication

0:21:14.400 --> 0:21:17.359
<v Speaker 3>is is that they did that. Oh oh sorry, by

0:21:17.359 --> 0:21:21.200
<v Speaker 3>the way, sorry you asked about water. Water leaves very

0:21:21.280 --> 0:21:27.760
<v Speaker 3>characteristic geological signatures when water moves sediment. Anyone who's been

0:21:27.800 --> 0:21:30.520
<v Speaker 3>to a stream can see what happens. When water moves.

0:21:30.720 --> 0:21:33.080
<v Speaker 3>You get sorting, you get different sized rocks and pebbles

0:21:33.080 --> 0:21:35.919
<v Speaker 3>and things, so there's no sign of that. There's no

0:21:36.119 --> 0:21:40.480
<v Speaker 3>significant water movement of anything in that cave system.

0:21:40.680 --> 0:21:45.160
<v Speaker 2>Now, in terms of them bringing the dead down through

0:21:45.200 --> 0:21:49.720
<v Speaker 2>the cave system to this chamber, it's thought then that

0:21:49.760 --> 0:21:52.359
<v Speaker 2>they would have had fire, they would have had some

0:21:52.400 --> 0:21:53.160
<v Speaker 2>sort of light.

0:21:53.320 --> 0:21:55.640
<v Speaker 3>So we can see evidence of fire on the roof

0:21:55.840 --> 0:22:00.399
<v Speaker 3>of that chamber, their soot blackened into the flow stones

0:22:00.440 --> 0:22:02.919
<v Speaker 3>that have grown over it. In fact, while I was

0:22:02.920 --> 0:22:06.520
<v Speaker 3>in the chamber, my colleague doctor Kenelway Mola Panne was

0:22:06.640 --> 0:22:09.680
<v Speaker 3>in dragons back doing an excavation and discovered at the

0:22:09.720 --> 0:22:13.280
<v Speaker 3>same moment I was in there a hearth. She uncovered

0:22:13.280 --> 0:22:17.639
<v Speaker 3>a hearth where they had been cooking animal remains in

0:22:17.680 --> 0:22:22.760
<v Speaker 3>the adjacent chamber. Now that's that's kind of cool, because

0:22:22.920 --> 0:22:25.399
<v Speaker 3>there are no animal remains in the dental letti chamber

0:22:25.760 --> 0:22:28.720
<v Speaker 3>where the burials are. There are animal remains in the

0:22:28.800 --> 0:22:31.640
<v Speaker 3>dragon's back chamber, but there are no dental letti remains

0:22:31.640 --> 0:22:35.040
<v Speaker 3>in the Dragon's back chamber. So you've got this this

0:22:35.320 --> 0:22:39.680
<v Speaker 3>what appears to be two differential uses of space, one

0:22:39.760 --> 0:22:43.600
<v Speaker 3>where they cooked animal remains, the other where they buried

0:22:43.600 --> 0:22:44.040
<v Speaker 3>their dead.

0:22:44.640 --> 0:22:50.040
<v Speaker 2>Wow. Now coming back to this, this cross hatch. Tell

0:22:50.119 --> 0:22:53.239
<v Speaker 2>us about this cross hatch you discovered, and I mean,

0:22:53.400 --> 0:22:55.879
<v Speaker 2>and there are so many additional follow but like the

0:22:55.920 --> 0:22:58.639
<v Speaker 2>similarities to other marks that have been discovered, Like what

0:22:58.640 --> 0:22:59.560
<v Speaker 2>are we to make of all of this?

0:23:00.280 --> 0:23:03.520
<v Speaker 3>So when I got into the cave, I had one

0:23:03.520 --> 0:23:06.240
<v Speaker 3>of these and it's worth telling that moment again because

0:23:06.280 --> 0:23:10.520
<v Speaker 3>it is. It was a really interesting moment. I decided

0:23:10.560 --> 0:23:13.399
<v Speaker 3>I was not going to take any digital images or

0:23:13.440 --> 0:23:15.520
<v Speaker 3>pictures because I've been watching this thing through a digital

0:23:15.560 --> 0:23:19.560
<v Speaker 3>screen for seven years, and so I decided to narrate it,

0:23:20.080 --> 0:23:23.280
<v Speaker 3>to just talk. And if you watch Netflix documentary, you'll

0:23:23.320 --> 0:23:27.760
<v Speaker 3>actually see me talking into a cell phone as I narrate,

0:23:27.840 --> 0:23:31.760
<v Speaker 3>because I think that sometimes you see things better when

0:23:31.760 --> 0:23:35.159
<v Speaker 3>you're forced to storytell as you as you, as you

0:23:35.240 --> 0:23:38.040
<v Speaker 3>explain things. And I was narrating the space, and it

0:23:38.080 --> 0:23:42.760
<v Speaker 3>was clear to me almost immediately that my explorers in

0:23:42.800 --> 0:23:46.639
<v Speaker 3>our team, our colleagues, had missed things, and one was

0:23:46.800 --> 0:23:50.240
<v Speaker 3>the space had been altered. You could actually see where

0:23:50.240 --> 0:23:54.080
<v Speaker 3>things like flowstones that's a layer of line like a rock,

0:23:54.160 --> 0:23:57.479
<v Speaker 3>had been broken and moved uphill. And so it was

0:23:57.600 --> 0:24:01.000
<v Speaker 3>very clear to me that we had misunderstood that they

0:24:01.000 --> 0:24:04.000
<v Speaker 3>had interacted with this space. And as I was narrating that,

0:24:04.560 --> 0:24:08.159
<v Speaker 3>there's this passageway that runs from where we land just

0:24:08.240 --> 0:24:10.760
<v Speaker 3>after the shoot labyrinth where we land called the hill

0:24:10.760 --> 0:24:14.320
<v Speaker 3>Ante Chamber, there's a like a doorway that goes between

0:24:14.359 --> 0:24:18.000
<v Speaker 3>there and the next chamber, which is Deniletti Chamber, another

0:24:18.040 --> 0:24:23.560
<v Speaker 3>burial chamber. And as I looked at that doorway, you

0:24:23.600 --> 0:24:26.240
<v Speaker 3>can hear me say, wow, it looks like a door.

0:24:27.119 --> 0:24:29.439
<v Speaker 3>It's smaller than I. And then you hear me pause.

0:24:29.600 --> 0:24:34.160
<v Speaker 3>Because I'm an archaeologist, you know, I spent my life

0:24:34.160 --> 0:24:38.760
<v Speaker 3>around doorways, and what we humans put around doorways always

0:24:38.760 --> 0:24:42.439
<v Speaker 3>it's something meaning signs. We tell you what's on the

0:24:42.480 --> 0:24:46.000
<v Speaker 3>other side of the doorway, or who's behind the doorway,

0:24:46.160 --> 0:24:49.320
<v Speaker 3>or all the or exit or a bathroom here, or

0:24:49.320 --> 0:24:54.560
<v Speaker 3>whatever the signal is. And I saw these non natural

0:24:55.240 --> 0:25:00.520
<v Speaker 3>etchings in the wall. I couldn't believe it. Squares, wreck

0:25:00.680 --> 0:25:05.560
<v Speaker 3>you know, rectangles, triangles, equal signs, crosses, right side up

0:25:05.560 --> 0:25:08.280
<v Speaker 3>and upside down. And there was even this sort of

0:25:08.560 --> 0:25:11.119
<v Speaker 3>fish shape thing that you know that may not be

0:25:11.200 --> 0:25:13.399
<v Speaker 3>what their intent of it was, but looks like a

0:25:13.400 --> 0:25:16.840
<v Speaker 3>fish shaped thing with an accent, and it appears to

0:25:16.880 --> 0:25:19.679
<v Speaker 3>have been covered with some substance, and I could not

0:25:19.880 --> 0:25:22.520
<v Speaker 3>believe what I was looking at. And my explorers had

0:25:22.560 --> 0:25:26.280
<v Speaker 3>walked right by the And that's largely because pathfinder syndrome.

0:25:26.320 --> 0:25:29.640
<v Speaker 3>You know, once people have been in a space, they

0:25:29.680 --> 0:25:32.879
<v Speaker 3>develop a sort of backyard syndrome. It becomes too familiar

0:25:32.920 --> 0:25:36.040
<v Speaker 3>and you quit looking at the space around you because

0:25:36.080 --> 0:25:37.920
<v Speaker 3>you know that it's been seen.

0:25:38.720 --> 0:25:38.840
<v Speaker 1>Uh.

0:25:39.359 --> 0:25:41.800
<v Speaker 3>You know, do that experiment at home where you've you know,

0:25:41.840 --> 0:25:45.720
<v Speaker 3>if you right now draw your own kitchen from memory

0:25:46.440 --> 0:25:49.679
<v Speaker 3>and then draw a place that you've just entered, the

0:25:49.680 --> 0:25:52.000
<v Speaker 3>place you've just entered, you'll draw better than your kitchen

0:25:52.560 --> 0:25:57.480
<v Speaker 3>because you've you've amalgamated your kitchen into a safe environment,

0:25:57.800 --> 0:26:00.359
<v Speaker 3>and you'll be surprised how poorly you you actually do

0:26:00.480 --> 0:26:02.760
<v Speaker 3>that that thing. And so I saw that, and I

0:26:02.800 --> 0:26:05.160
<v Speaker 3>turned on a black light. I always carry a UV

0:26:05.320 --> 0:26:08.520
<v Speaker 3>light with me because many minerals fluorescent caves. And I

0:26:08.560 --> 0:26:12.879
<v Speaker 3>had this hallucination. I had this un optical light shift

0:26:12.920 --> 0:26:15.400
<v Speaker 3>as they float. You've seen like Queen Scambit or something

0:26:15.400 --> 0:26:18.119
<v Speaker 3>where you see the chest pieces move and in the

0:26:18.119 --> 0:26:21.200
<v Speaker 3>air above, or a beautiful mind and the equations come.

0:26:21.280 --> 0:26:25.440
<v Speaker 3>And that happened to me, and scientifically, I know it happened,

0:26:25.480 --> 0:26:28.119
<v Speaker 3>you know, because I created an optical light shift, like

0:26:28.160 --> 0:26:29.880
<v Speaker 3>you do when you look in your rear view mirror

0:26:29.880 --> 0:26:32.840
<v Speaker 3>at night, and you've ever noticed how the headlights float

0:26:32.880 --> 0:26:35.680
<v Speaker 3>away from the the light of the headlights. That's a

0:26:35.920 --> 0:26:40.320
<v Speaker 3>that's a neural processing thing that's going on in your brain.

0:26:40.480 --> 0:26:43.080
<v Speaker 3>And so I know why it happened, but it freaked

0:26:43.080 --> 0:26:46.480
<v Speaker 3>me out completely as it happened. Had to shut the

0:26:46.560 --> 0:26:50.119
<v Speaker 3>light off, and I was embarrassed about it. And because

0:26:50.119 --> 0:26:53.480
<v Speaker 3>it it, you know, they moved and then and then

0:26:53.760 --> 0:26:57.560
<v Speaker 3>later found the hashtag on the way out, which is

0:26:57.720 --> 0:26:59.679
<v Speaker 3>it's a it's a cross hatch or that, and it

0:26:59.720 --> 0:27:02.400
<v Speaker 3>has these little pounding marks in it where it looks

0:27:02.440 --> 0:27:05.000
<v Speaker 3>like it's been pounded hundreds and hundreds of times. You

0:27:05.040 --> 0:27:06.760
<v Speaker 3>can see the little pinny and you can see those

0:27:06.760 --> 0:27:08.960
<v Speaker 3>in the illustration in the book, all these hundreds of

0:27:08.960 --> 0:27:14.080
<v Speaker 3>little pits that are done, you know. And then they

0:27:14.119 --> 0:27:17.120
<v Speaker 3>share these similarities. You know. We were having a beer

0:27:17.200 --> 0:27:20.280
<v Speaker 3>after I got out of it, and I took one

0:27:20.680 --> 0:27:22.359
<v Speaker 3>one cell phone picture while I was down there, and

0:27:22.359 --> 0:27:24.639
<v Speaker 3>that was of this cross hatch, and I showed it

0:27:24.640 --> 0:27:26.760
<v Speaker 3>to John Hawks and Augustine for winter and I just

0:27:26.800 --> 0:27:30.320
<v Speaker 3>turned it and immediately Augustine leapt up and said, I

0:27:30.440 --> 0:27:32.080
<v Speaker 3>need my car keys and he ran away, and I

0:27:32.119 --> 0:27:34.960
<v Speaker 3>was like what. And John Hawks started looking like a

0:27:35.600 --> 0:27:37.960
<v Speaker 3>teenager on his cell phone, and I'm like holding this,

0:27:38.000 --> 0:27:39.880
<v Speaker 3>and I'm like, you know, I almost died to get

0:27:39.880 --> 0:27:43.160
<v Speaker 3>this picture at least, And both of them turned around

0:27:43.200 --> 0:27:47.760
<v Speaker 3>with their phone simultaneously and showed me the Gibraltar Gorm's

0:27:47.840 --> 0:27:52.119
<v Speaker 3>Cave cross hatch etching that had been done by Neanderthal

0:27:52.240 --> 0:27:56.240
<v Speaker 3>sixty thousand years ago, and it's the same. And I

0:27:56.320 --> 0:28:00.000
<v Speaker 3>remember that moment so vividly because when John I looked

0:28:00.119 --> 0:28:03.199
<v Speaker 3>to John's I thought, why is he photo shopping the

0:28:03.280 --> 0:28:06.960
<v Speaker 3>crosshatch I just took and making it blue? And then

0:28:07.080 --> 0:28:09.760
<v Speaker 3>I realized he doesn't have the picture. I'm the only

0:28:09.840 --> 0:28:13.000
<v Speaker 3>one with the picture. And then, you know, the remarkable

0:28:13.040 --> 0:28:15.240
<v Speaker 3>thing was these are two people, two of the few

0:28:15.240 --> 0:28:19.119
<v Speaker 3>people in the entire planet who physically seen that, and

0:28:19.160 --> 0:28:22.000
<v Speaker 3>so their mind immediately went to that. And of course

0:28:22.240 --> 0:28:28.080
<v Speaker 3>there are also similarities with the oldest, the oldest geometric

0:28:28.119 --> 0:28:31.320
<v Speaker 3>engravings from places like Blumboss that are attributed to Homo

0:28:31.320 --> 0:28:35.400
<v Speaker 3>sapiens at seventy eight thousand years Why is that that's

0:28:35.400 --> 0:28:37.760
<v Speaker 3>something that we're working on right now. We've assembled a

0:28:37.800 --> 0:28:44.000
<v Speaker 3>team of neural scientists, people who study geometric rock guard artists.

0:28:45.360 --> 0:28:49.960
<v Speaker 3>I suspect it's because it's part of the shared mind

0:28:50.240 --> 0:28:54.880
<v Speaker 3>of our deep ancestry, and that I suspect that those

0:28:55.600 --> 0:28:59.280
<v Speaker 3>shared symbols, which by the way, are all very familiar

0:28:59.320 --> 0:29:03.720
<v Speaker 3>to us today, the symbols we use for mathematics, music,

0:29:04.920 --> 0:29:09.200
<v Speaker 3>these type of things, and I suspect that they may

0:29:09.240 --> 0:29:12.200
<v Speaker 3>have something to do with the way we formulate math,

0:29:13.240 --> 0:29:16.880
<v Speaker 3>the way we formulate language in sort of a symbolic

0:29:16.880 --> 0:29:18.280
<v Speaker 3>way inside of our head. And I think it comes

0:29:18.280 --> 0:29:20.400
<v Speaker 3>from very deep time. I think that's the only way

0:29:20.480 --> 0:29:27.160
<v Speaker 3>to really explain how they're shared between three species. It

0:29:27.400 --> 0:29:30.400
<v Speaker 3>really have almost no connection to each other at those

0:29:30.960 --> 0:29:35.520
<v Speaker 3>temporal periods. And also I think, you know, we kind

0:29:35.520 --> 0:29:38.800
<v Speaker 3>of knew that must be true, the way geometric rock

0:29:38.880 --> 0:29:41.760
<v Speaker 3>art around the world all looks the same, and that

0:29:41.760 --> 0:29:44.840
<v Speaker 3>they're clearly something inside of us, and there was something

0:29:44.880 --> 0:29:48.280
<v Speaker 3>in the Letti and there's something in Neanderthals. So it's

0:29:48.320 --> 0:29:50.640
<v Speaker 3>kind of cool to think, maybe, as this science goes on,

0:29:50.760 --> 0:29:55.040
<v Speaker 3>that what those panels inside of that those burial chambers

0:29:55.080 --> 0:29:57.479
<v Speaker 3>really are is the Resetta stone to the mind and

0:29:57.520 --> 0:29:59.040
<v Speaker 3>maybe we can begin to unlock that.

0:30:00.560 --> 0:30:03.320
<v Speaker 2>Yeah, I mean, just looking at like the comparison, I

0:30:03.360 --> 0:30:06.280
<v Speaker 2>guess like you can imagine that the simplest way of

0:30:06.320 --> 0:30:09.040
<v Speaker 2>looking at it would be like, Okay, I make right

0:30:09.080 --> 0:30:12.640
<v Speaker 2>angles that don't occur in nature that frequently, and this

0:30:12.720 --> 0:30:15.320
<v Speaker 2>kind of marks this as a place where I have,

0:30:15.720 --> 0:30:18.680
<v Speaker 2>you know, impressed my will. But then there's there seems

0:30:18.720 --> 0:30:20.920
<v Speaker 2>to be so much else going on with these markings

0:30:21.000 --> 0:30:21.760
<v Speaker 2>in addition to that.

0:30:22.560 --> 0:30:25.560
<v Speaker 3>Absolutely, and I think that part of the fun is that,

0:30:26.600 --> 0:30:32.520
<v Speaker 3>you know, we've never really had markings from another species

0:30:32.560 --> 0:30:36.320
<v Speaker 3>to compare to. That's always you know, even the Neanderthal ones.

0:30:36.320 --> 0:30:39.240
<v Speaker 3>One it's a singular event. And two, although there is

0:30:39.400 --> 0:30:42.040
<v Speaker 3>now begin to emerge some other rock art by Neanderthals,

0:30:43.120 --> 0:30:44.880
<v Speaker 3>but they have a big brain, you know, they have

0:30:44.960 --> 0:30:48.240
<v Speaker 3>this gigantic, huge brain, and and so they're kind of us.

0:30:49.000 --> 0:30:52.680
<v Speaker 3>This is by something that doesn't have our brain. And

0:30:52.760 --> 0:30:57.160
<v Speaker 3>so I think part of the real excitement going forward

0:30:57.240 --> 0:30:59.680
<v Speaker 3>is going to be what do they mean? Can we

0:30:59.680 --> 0:31:02.960
<v Speaker 3>ever know? Oh? What they mean? Now? I have hope

0:31:03.000 --> 0:31:05.360
<v Speaker 3>with things like neural imaging, and you know, you've seen

0:31:05.400 --> 0:31:07.760
<v Speaker 3>some of these experiments where they can actually visualize what

0:31:07.960 --> 0:31:12.560
<v Speaker 3>the brain is seen. I think that. You know, a

0:31:12.600 --> 0:31:15.720
<v Speaker 3>friend of mine, Brian Moure Rescue, who wrote The Immortality Key,

0:31:16.680 --> 0:31:18.880
<v Speaker 3>when I showed him some of the images, he was

0:31:19.120 --> 0:31:20.880
<v Speaker 3>just having to be in London. He'd just come out

0:31:20.880 --> 0:31:24.480
<v Speaker 3>of this experiment where he was watching people given psychedelics

0:31:25.200 --> 0:31:28.320
<v Speaker 3>and and then they were asked to draw what they're seeing,

0:31:28.360 --> 0:31:32.880
<v Speaker 3>and they draw those same images. You know there's something

0:31:33.000 --> 0:31:36.719
<v Speaker 3>there and maybe this will be what we need to

0:31:37.280 --> 0:31:38.160
<v Speaker 3>break through that.

0:31:48.040 --> 0:31:51.719
<v Speaker 2>Now you talk about the experience of being in in

0:31:51.800 --> 0:31:55.920
<v Speaker 2>that cave, and this is obviously like a novel environment

0:31:56.000 --> 0:32:00.120
<v Speaker 2>for you and I guess cardon the pun, but it

0:32:00.120 --> 0:32:03.520
<v Speaker 2>would have also been a novel environment for the homo

0:32:04.080 --> 0:32:07.120
<v Speaker 2>idea as well. Right, do you feel like there is

0:32:07.240 --> 0:32:09.400
<v Speaker 2>and maybe this is just stretching too far? Is there

0:32:09.400 --> 0:32:10.680
<v Speaker 2>any kind of you think there's any kind of like

0:32:10.760 --> 0:32:15.520
<v Speaker 2>kinship between like the way you interpret such an environment,

0:32:15.640 --> 0:32:17.880
<v Speaker 2>how your senses adapt to such an environment, and what

0:32:17.960 --> 0:32:19.280
<v Speaker 2>they might have experienced.

0:32:19.680 --> 0:32:22.400
<v Speaker 3>You know, I speak about I think the experience of

0:32:22.440 --> 0:32:26.480
<v Speaker 3>being in caves a lot in the book, and you

0:32:26.520 --> 0:32:31.600
<v Speaker 3>knows caves are not natural to humans. They're not our space.

0:32:32.200 --> 0:32:35.080
<v Speaker 3>Even though we use the term like caveman all the time.

0:32:35.360 --> 0:32:38.400
<v Speaker 3>The evidence that humans go deep into cave systems is

0:32:38.680 --> 0:32:41.640
<v Speaker 3>a very very recent phenomena by and large. I mean,

0:32:41.680 --> 0:32:44.720
<v Speaker 3>there are a few exceptions, but we don't like to

0:32:44.800 --> 0:32:46.960
<v Speaker 3>move beyond the twilight zone, you know, where there's still

0:32:47.040 --> 0:32:51.400
<v Speaker 3>light filtering in. We just it's just not our space. No,

0:32:51.560 --> 0:32:56.800
<v Speaker 3>Letty clearly was much more comfortable in those spaces. Having

0:32:56.960 --> 0:33:00.280
<v Speaker 3>said that, when you're in those spaces, and you know,

0:33:00.360 --> 0:33:05.680
<v Speaker 3>your whole focus narrows down to artificial lighting, and you

0:33:05.800 --> 0:33:08.880
<v Speaker 3>lose a sense of sound because sound isn't very important

0:33:08.880 --> 0:33:11.440
<v Speaker 3>to you in those spaces, and so you you lose that,

0:33:11.480 --> 0:33:14.720
<v Speaker 3>but your sense of touch is increased, and these things

0:33:14.800 --> 0:33:19.080
<v Speaker 3>and and you start seeing these spaces and things in

0:33:19.160 --> 0:33:22.800
<v Speaker 3>these artificial lights and fire, by the way, is artificial light.

0:33:22.840 --> 0:33:26.880
<v Speaker 3>Of course, they do have an effect on you. And

0:33:26.960 --> 0:33:28.920
<v Speaker 3>I think that you know, if you think about the

0:33:28.960 --> 0:33:33.000
<v Speaker 3>spaces that that humans term is symbolic or sacred or whatever,

0:33:33.360 --> 0:33:37.720
<v Speaker 3>we're often kind of replicating that the droll like ceilings,

0:33:37.800 --> 0:33:43.120
<v Speaker 3>the the idea of disassociation of places that are are

0:33:43.240 --> 0:33:45.720
<v Speaker 3>are natural to you. We tend to lower light levels,

0:33:47.160 --> 0:33:50.160
<v Speaker 3>you know, and and and change the way that that

0:33:50.280 --> 0:33:53.200
<v Speaker 3>your eye is perceiving things, and you know, and flame

0:33:53.280 --> 0:33:55.600
<v Speaker 3>is particularly good at that because it can add motion,

0:33:56.560 --> 0:34:00.440
<v Speaker 3>and it can add it can add the the pception

0:34:00.600 --> 0:34:05.320
<v Speaker 3>of movement in spaces like this, and so so you know,

0:34:05.880 --> 0:34:09.359
<v Speaker 3>I think that they are powerful spaces. I don't want,

0:34:09.400 --> 0:34:12.640
<v Speaker 3>you know, I'm a scientist. I'm trying to not go there,

0:34:12.719 --> 0:34:16.800
<v Speaker 3>but it they do affect you when you're in these spaces,

0:34:16.840 --> 0:34:20.200
<v Speaker 3>and particularly when you understand that, you know, as I

0:34:20.239 --> 0:34:23.560
<v Speaker 3>guess I did very deeply that you know, they chose

0:34:23.640 --> 0:34:27.360
<v Speaker 3>this space, and they chose this space for their dead,

0:34:28.120 --> 0:34:31.440
<v Speaker 3>and you'd have to have a pretty cold heart for

0:34:31.600 --> 0:34:33.840
<v Speaker 3>that not to affect you when you're in a space

0:34:33.960 --> 0:34:34.200
<v Speaker 3>like that.

0:34:35.120 --> 0:34:38.040
<v Speaker 2>So it's possible then that that what we're seeing, it

0:34:38.120 --> 0:34:41.239
<v Speaker 2>was certainly is a ritual behavior. But then is it

0:34:41.239 --> 0:34:44.600
<v Speaker 2>this sort of thing that, at least broadly speaking, like

0:34:44.719 --> 0:34:48.920
<v Speaker 2>over time, that ritual takes on other meanings and maybe

0:34:48.960 --> 0:34:51.560
<v Speaker 2>like religious ideas emerge out of that.

0:34:52.120 --> 0:34:54.200
<v Speaker 3>I've got to be very careful because you know, there

0:34:54.200 --> 0:34:57.839
<v Speaker 3>are thousands of colleagues with daggers on when you use

0:34:57.880 --> 0:35:00.759
<v Speaker 3>the word ritual loosely or what it has, because these

0:35:00.800 --> 0:35:05.600
<v Speaker 3>have human meaning, and you know, we're dealing with a

0:35:05.719 --> 0:35:11.000
<v Speaker 3>non human at least at the grade level of anatomy.

0:35:11.160 --> 0:35:15.160
<v Speaker 3>And you're dealing with a non human. So where this

0:35:15.400 --> 0:35:17.920
<v Speaker 3>takes you, I don't know. I think that's going to

0:35:17.960 --> 0:35:22.359
<v Speaker 3>be part of the next years and decades excitement we're

0:35:22.400 --> 0:35:25.400
<v Speaker 3>going to go there. I mean, they have used this

0:35:25.840 --> 0:35:31.480
<v Speaker 3>entire subterranean space, they have altered it. We don't have

0:35:31.520 --> 0:35:34.520
<v Speaker 3>evidence that they're living there. What they appear to be

0:35:34.560 --> 0:35:38.000
<v Speaker 3>doing is interacting at least at least the deeper spaces

0:35:38.080 --> 0:35:42.280
<v Speaker 3>in these ways. And you know, I have some colleagues

0:35:42.280 --> 0:35:45.560
<v Speaker 3>who say that must be spirituality and religion. You know,

0:35:45.640 --> 0:35:50.120
<v Speaker 3>it's a form of religion. I don't think we can

0:35:50.200 --> 0:35:53.840
<v Speaker 3>be there yet. But you know, the fact is is

0:35:53.880 --> 0:35:58.359
<v Speaker 3>that the last couple of decades have shown us the

0:35:58.480 --> 0:36:03.200
<v Speaker 3>arrogance of human exceptism. And you know, as we've begun

0:36:03.239 --> 0:36:07.040
<v Speaker 3>to actually more openly study animal behavior, we understand now,

0:36:07.080 --> 0:36:10.920
<v Speaker 3>of course, that cetaceans have culture, elephants have culture, that

0:36:11.480 --> 0:36:15.320
<v Speaker 3>other primates have cultures, that chimps and gorilla certainly have cultures.

0:36:15.800 --> 0:36:19.560
<v Speaker 3>And yet we had eliminated that from things that are

0:36:19.600 --> 0:36:23.000
<v Speaker 3>closer to us, like Homoletti. And I think we have

0:36:23.120 --> 0:36:26.239
<v Speaker 3>to start the field over in some ways, I think

0:36:26.280 --> 0:36:28.200
<v Speaker 3>we have to start again. I mean, we had approached

0:36:28.280 --> 0:36:31.880
<v Speaker 3>everything is if the null hypothesis of finding a dead

0:36:32.760 --> 0:36:36.719
<v Speaker 3>hominine body was natural, you had to explain it naturally

0:36:37.160 --> 0:36:41.359
<v Speaker 3>as opposed to the null hypothesis being cultural. And I

0:36:41.440 --> 0:36:43.920
<v Speaker 3>think that was a mistake. I think it was a mistake.

0:36:43.920 --> 0:36:46.080
<v Speaker 3>And I think a big thing that's going to come

0:36:46.080 --> 0:36:50.000
<v Speaker 3>out of this moment in history is a recognition that

0:36:50.160 --> 0:36:52.120
<v Speaker 3>we had made an air of the science. We had

0:36:52.160 --> 0:36:56.960
<v Speaker 3>deculturized things that clearly must have had culture, and in

0:36:57.120 --> 0:37:00.960
<v Speaker 3>doing that, we weren't seeing their cultures. And I will

0:37:01.000 --> 0:37:03.799
<v Speaker 3>bet you that what will flow out of this discovery

0:37:03.840 --> 0:37:11.760
<v Speaker 3>and this moment is a new acceptance of these ancient

0:37:11.840 --> 0:37:16.200
<v Speaker 3>human relatives being cultural beings. And I think that's really

0:37:16.239 --> 0:37:22.360
<v Speaker 3>exciting because that will lead us into not missing things

0:37:22.680 --> 0:37:24.760
<v Speaker 3>in the way we have missed things before.

0:37:25.320 --> 0:37:30.080
<v Speaker 2>Absolutely. Now, coming back to the book, particularly and specifically,

0:37:30.800 --> 0:37:34.919
<v Speaker 2>you've authored other books before. What really propelled this book

0:37:35.000 --> 0:37:37.520
<v Speaker 2>into being? What led you to write and what did

0:37:37.560 --> 0:37:39.440
<v Speaker 2>you really want to get out there with Cave of Bones?

0:37:39.680 --> 0:37:43.680
<v Speaker 3>So this book started as a completely different book. It

0:37:43.800 --> 0:37:46.919
<v Speaker 3>literally started as a follow up, a five year follow

0:37:47.000 --> 0:37:49.960
<v Speaker 3>up to almost human which was the first book on

0:37:50.920 --> 0:37:54.640
<v Speaker 3>the discovery of Homonoletti and what that meant. And it

0:37:54.680 --> 0:37:57.120
<v Speaker 3>was meant to take all of the research that had

0:37:57.160 --> 0:38:01.280
<v Speaker 3>been done and kind of the size it to where

0:38:01.320 --> 0:38:03.880
<v Speaker 3>we were. And we were in a very strange place

0:38:03.920 --> 0:38:07.960
<v Speaker 3>when I began developing the concept of this book with

0:38:08.000 --> 0:38:10.399
<v Speaker 3>my co author John Hawks, and that is we had

0:38:10.440 --> 0:38:13.960
<v Speaker 3>one of the best known hominine species ever discovered, but

0:38:14.080 --> 0:38:16.960
<v Speaker 3>all we had were its bones. And so it was

0:38:17.080 --> 0:38:21.560
<v Speaker 3>meant to be this kind of journey around the state

0:38:21.600 --> 0:38:24.279
<v Speaker 3>of where we were and ending with this sort of

0:38:24.920 --> 0:38:28.480
<v Speaker 3>but we need more. And then the burials were discovered,

0:38:28.800 --> 0:38:34.080
<v Speaker 3>and that became the center of the book because you know,

0:38:34.600 --> 0:38:37.560
<v Speaker 3>I literally thought when those burials, when we recognized that

0:38:37.560 --> 0:38:39.920
<v Speaker 3>those were holes in the ground, dug with bodies and

0:38:39.960 --> 0:38:42.920
<v Speaker 3>them covered by dirt from the hole, I thought that

0:38:42.960 --> 0:38:45.040
<v Speaker 3>was gonna be the biggest discovery of my life. You know,

0:38:45.280 --> 0:38:47.800
<v Speaker 3>here we were, you know, we're right into now this

0:38:48.040 --> 0:38:52.399
<v Speaker 3>sacred space of humanity, you know, burial of the dead,

0:38:52.480 --> 0:38:54.680
<v Speaker 3>and all the things you talked about that spill out

0:38:54.680 --> 0:38:59.359
<v Speaker 3>of that self recognition of mortality, possibly spirituality, all those

0:38:59.360 --> 0:39:04.360
<v Speaker 3>things fall deeply from that. And then I got in

0:39:04.400 --> 0:39:06.960
<v Speaker 3>the chamber and saw the symbols and you're like, wow,

0:39:07.400 --> 0:39:10.759
<v Speaker 3>the fire funny enough, was never surprising. Fire has been

0:39:10.800 --> 0:39:12.960
<v Speaker 3>around for millions of years. I mean, of course they

0:39:12.960 --> 0:39:16.560
<v Speaker 3>had fire, it just was I had talked our entire

0:39:16.600 --> 0:39:19.600
<v Speaker 3>team out of the evidence that the evidence for fire

0:39:19.719 --> 0:39:21.800
<v Speaker 3>was going to be easy to see when it was

0:39:21.880 --> 0:39:23.799
<v Speaker 3>right in front of us the entire time. So you

0:39:23.840 --> 0:39:28.319
<v Speaker 3>know that's my fault. But you know, the symbols are

0:39:28.400 --> 0:39:30.759
<v Speaker 3>are are are different level of stuff. But all that

0:39:30.800 --> 0:39:37.000
<v Speaker 3>in combination is the book. And it became a journey,

0:39:37.560 --> 0:39:41.560
<v Speaker 3>and the book became very We trashed the first version

0:39:41.560 --> 0:39:43.560
<v Speaker 3>of the book and then it became very easy to write,

0:39:43.560 --> 0:39:46.400
<v Speaker 3>and actually wrote it very very quickly because it was

0:39:46.440 --> 0:39:52.480
<v Speaker 3>a narrative journey of a very deeply personal experience with

0:39:53.000 --> 0:39:56.000
<v Speaker 3>the discovery of the species, discovery of the culture around

0:39:56.000 --> 0:40:00.279
<v Speaker 3>this species, and in the end it gave me the

0:40:00.400 --> 0:40:05.439
<v Speaker 3>chance to explore meaning and a very in a very

0:40:05.520 --> 0:40:09.280
<v Speaker 3>open way and discuss some of these concepts of human

0:40:09.320 --> 0:40:15.240
<v Speaker 3>exceptionalism and and where I think this field is going awesome.

0:40:15.239 --> 0:40:18.400
<v Speaker 2>Well, the documentary kicks off with with a with a

0:40:18.400 --> 0:40:20.160
<v Speaker 2>great sense of mystery and I and I also have

0:40:20.200 --> 0:40:23.520
<v Speaker 2>to say, like the book just really like literally throws

0:40:23.520 --> 0:40:26.759
<v Speaker 2>you right into the cave. There you are in the cave.

0:40:27.080 --> 0:40:29.640
<v Speaker 2>It has a very I think sometimes people might some

0:40:29.719 --> 0:40:32.560
<v Speaker 2>listeners might be hesitant to pick up a book about

0:40:32.640 --> 0:40:35.520
<v Speaker 2>this topic. But but I mean, really, this one just

0:40:35.560 --> 0:40:37.319
<v Speaker 2>throws you right into the cave. It has a very

0:40:37.400 --> 0:40:40.120
<v Speaker 2>riveting beginning and just doesn't let go for the entire length.

0:40:40.560 --> 0:40:42.759
<v Speaker 3>Thank you for saying so. I mean, it's as I said,

0:40:42.760 --> 0:40:46.160
<v Speaker 3>it's it's been a very personal journey for me. It's uh.

0:40:46.360 --> 0:40:49.680
<v Speaker 3>And and I think that that you know, there's there's

0:40:49.760 --> 0:40:53.520
<v Speaker 3>a lot of meaning in home on No Letti and

0:40:53.600 --> 0:40:56.799
<v Speaker 3>a lot of good that humans as individuals can take

0:40:56.880 --> 0:41:02.719
<v Speaker 3>out from understanding that that there have been other species

0:41:02.760 --> 0:41:06.960
<v Speaker 3>with complex cultures. This thing that we're living right now,

0:41:08.080 --> 0:41:11.880
<v Speaker 3>it's neither the first, nor is it some sort of

0:41:11.960 --> 0:41:17.200
<v Speaker 3>God given right to be because it's happened before. And

0:41:17.400 --> 0:41:20.120
<v Speaker 3>I think that's an important message, you know, the idea

0:41:20.200 --> 0:41:22.520
<v Speaker 3>that you know, because I think that anyone who looks

0:41:22.560 --> 0:41:26.560
<v Speaker 3>around the planet understands that the idea of human exceptionalism

0:41:26.640 --> 0:41:28.680
<v Speaker 3>is part of why we do so much damage to

0:41:28.719 --> 0:41:33.440
<v Speaker 3>this place. We think we own it, and we think

0:41:33.480 --> 0:41:36.080
<v Speaker 3>it was given to us, and by learning that there

0:41:36.160 --> 0:41:40.480
<v Speaker 3>have been other experiments in this you know, maybe we

0:41:40.480 --> 0:41:44.239
<v Speaker 3>should step off of that high force or stool or

0:41:44.280 --> 0:41:48.319
<v Speaker 3>whatever and step down a little bit, as we kind

0:41:48.360 --> 0:41:52.520
<v Speaker 3>of are at this critical moment in human history where

0:41:52.680 --> 0:41:55.600
<v Speaker 3>literally the balance of life on this planet is at

0:41:55.600 --> 0:41:56.919
<v Speaker 3>stake because of us.

0:41:57.280 --> 0:41:59.080
<v Speaker 2>All right, well, we have we have the book, we

0:41:59.120 --> 0:42:02.520
<v Speaker 2>have the documentary, the additional books. Where else can listeners

0:42:02.560 --> 0:42:04.560
<v Speaker 2>go to learn more and or follow your work?

0:42:04.880 --> 0:42:07.120
<v Speaker 3>Right? So, you can follow me on Twitter at Lee

0:42:07.239 --> 0:42:10.600
<v Speaker 3>or Berger. I'm also on Facebook at Prof Lee Burger,

0:42:11.760 --> 0:42:16.399
<v Speaker 3>and if you follow National Geographic. You know, we're there

0:42:16.440 --> 0:42:19.160
<v Speaker 3>a lot, a lot of presents in that space, and

0:42:19.200 --> 0:42:21.680
<v Speaker 3>there's going to be more so, you know, and there

0:42:21.680 --> 0:42:23.920
<v Speaker 3>are the older writings. You know, it's quite fun if

0:42:23.920 --> 0:42:26.280
<v Speaker 3>you go back and read Skull in the Rock, Almost Human,

0:42:26.800 --> 0:42:29.200
<v Speaker 3>and then this chapter because it's kind of a narrative

0:42:29.280 --> 0:42:32.120
<v Speaker 3>of the history of this science, and even further back

0:42:32.160 --> 0:42:35.200
<v Speaker 3>Footsteps of Eve, which was in the nineteen nineties, where

0:42:35.239 --> 0:42:38.279
<v Speaker 3>you can actually kind of understand the evolution of this

0:42:38.440 --> 0:42:43.680
<v Speaker 3>whole science over the last thirty plus years that at

0:42:43.760 --> 0:42:47.719
<v Speaker 3>least from my perspective that I've experienced it in you know,

0:42:47.760 --> 0:42:51.480
<v Speaker 3>what has got to be the greatest age of exploration

0:42:51.560 --> 0:42:52.760
<v Speaker 3>we're living through right now.

0:42:53.000 --> 0:42:55.120
<v Speaker 2>Awesome. Well, thank you once more for coming on the

0:42:55.160 --> 0:42:59.520
<v Speaker 2>show talking about your work, the book, the documentary. It's

0:42:59.520 --> 0:42:59.919
<v Speaker 2>been a play.

0:43:00.600 --> 0:43:01.600
<v Speaker 3>It's great to be here.

0:43:02.239 --> 0:43:04.360
<v Speaker 2>Thanks again to Lee Berger for coming on the show.

0:43:04.400 --> 0:43:04.600
<v Speaker 3>Here.

0:43:04.640 --> 0:43:07.320
<v Speaker 2>The book again is Cave of Bones, a true story

0:43:07.360 --> 0:43:10.879
<v Speaker 2>of discovery, adventure, and human origins, and it's out now

0:43:10.920 --> 0:43:15.480
<v Speaker 2>in physical, digital, and audio formats. The documentary Unknown Cave

0:43:15.520 --> 0:43:19.520
<v Speaker 2>of Bones is currently streaming on Netflix. Thanks as always

0:43:19.560 --> 0:43:22.480
<v Speaker 2>to the excellent JJ Possway for producing the show, and

0:43:22.520 --> 0:43:23.960
<v Speaker 2>if you want to reach out to us, you can

0:43:24.000 --> 0:43:26.799
<v Speaker 2>email us at contact at stuff to Blow your Mind

0:43:27.200 --> 0:43:34.920
<v Speaker 2>dot com.

0:43:35.520 --> 0:43:38.440
<v Speaker 1>Stuff to Blow Your Mind is production of iHeartRadio. For

0:43:38.520 --> 0:43:42.360
<v Speaker 1>more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

0:43:42.440 --> 0:44:00.360
<v Speaker 1>or wherever you're listening to your favorite shows.

0:44:00.200 --> 0:44:01.080
<v Speaker 2>Four Fox