WEBVTT - Finding Her Voice : How Music Saved Kelsie Watts

0:00:00.440 --> 0:00:02.920
<v Speaker 1>Music Saved Me because writing is personal. It's all about

0:00:02.960 --> 0:00:05.480
<v Speaker 1>the song. You know, I can sing my face off,

0:00:05.519 --> 0:00:08.520
<v Speaker 1>but if I'm singing for no reason and like there's

0:00:08.560 --> 0:00:10.680
<v Speaker 1>no meaning behind what I'm singing, nobody's gonna feel anything.

0:00:10.680 --> 0:00:13.280
<v Speaker 1>So it doesn't matter how boring. I would get tired

0:00:13.320 --> 0:00:14.000
<v Speaker 1>of me singing like that.

0:00:14.240 --> 0:00:17.480
<v Speaker 2>Welcome to another episode of the Music Saved Me Podcast,

0:00:17.520 --> 0:00:20.920
<v Speaker 2>where we explore the profound ways that music connects art

0:00:21.280 --> 0:00:24.360
<v Speaker 2>to emotional healing and shines a light on the stories

0:00:24.360 --> 0:00:27.120
<v Speaker 2>of artists who have been personally impacted by its power.

0:00:27.560 --> 0:00:30.360
<v Speaker 2>I'm your host, Lynn Hoffman, and welcome to the show. Today,

0:00:30.400 --> 0:00:34.680
<v Speaker 2>we are so thrilled to welcome singer, songwriter and Broadway

0:00:34.760 --> 0:00:36.680
<v Speaker 2>performer Kelsey Watts.

0:00:37.280 --> 0:00:37.600
<v Speaker 1>Now.

0:00:37.760 --> 0:00:41.040
<v Speaker 2>You may know Kelsey from her viral performances on a

0:00:41.080 --> 0:00:45.159
<v Speaker 2>little show called NBC's The Voice, where her powerhouse vocals

0:00:45.200 --> 0:00:48.440
<v Speaker 2>and heartfelt artistry earned her a spot on Team Kelly

0:00:48.920 --> 0:00:52.760
<v Speaker 2>and millions of fans worldwide. But Kelsey's journey with music

0:00:52.800 --> 0:00:55.840
<v Speaker 2>goes far beyond the stage and the spotlight. She was

0:00:55.880 --> 0:00:58.279
<v Speaker 2>born into a musical family and has been using her

0:00:58.360 --> 0:01:02.080
<v Speaker 2>voice not only to entertain, but also to heal, which

0:01:02.120 --> 0:01:05.480
<v Speaker 2>is such a beautiful thing both herself and others through

0:01:05.520 --> 0:01:10.000
<v Speaker 2>original songs that tackle themes of loss, resilience.

0:01:09.720 --> 0:01:10.399
<v Speaker 1>And hope.

0:01:10.880 --> 0:01:15.199
<v Speaker 2>Kelsey's advocacy for mental health is deeply personal. After losing

0:01:15.200 --> 0:01:18.680
<v Speaker 2>her brother to depression, she channeled her grief into songwriting,

0:01:19.080 --> 0:01:22.720
<v Speaker 2>creating moving tracks like I Can't Say Goodbye that offer

0:01:22.840 --> 0:01:27.080
<v Speaker 2>comfort and solidarity to anyone struggling with loss or emotional pain.

0:01:27.560 --> 0:01:30.000
<v Speaker 2>Her story is a testament to how music can be

0:01:30.040 --> 0:01:33.679
<v Speaker 2>a lifeline in our darkest moments, a message that truly

0:01:33.720 --> 0:01:37.880
<v Speaker 2>resonates at the core of this podcast. In this episode,

0:01:37.959 --> 0:01:41.200
<v Speaker 2>Kelsey opens up about her creative process, her experiences on

0:01:41.280 --> 0:01:44.320
<v Speaker 2>Broadway and the Voice, and how music's been a source

0:01:44.360 --> 0:01:47.320
<v Speaker 2>of healing and connection throughout her life. Now, whether you're

0:01:47.319 --> 0:01:49.920
<v Speaker 2>an artist or a fan, we sure do you hope

0:01:49.960 --> 0:01:52.960
<v Speaker 2>Kelsey's journey inspires you and reminds you that you are

0:01:53.120 --> 0:01:57.280
<v Speaker 2>never alone no matter what you're facing. Let's dive into

0:01:57.320 --> 0:02:01.440
<v Speaker 2>this honest and uplifting conversation with the beautiful and incredibly

0:02:01.480 --> 0:02:05.080
<v Speaker 2>talented Kelsey Watts on Music Save Me. Kelsey, Welcome to

0:02:05.120 --> 0:02:07.080
<v Speaker 2>the show. It is wonderful to have you here.

0:02:07.680 --> 0:02:10.440
<v Speaker 1>Hi, Oh my gosh, thank you. What an intro. My word.

0:02:10.800 --> 0:02:14.120
<v Speaker 2>Well, I was so kind, very deservant of it, But

0:02:14.760 --> 0:02:19.200
<v Speaker 2>certainly I'd love to start with the beginning in your

0:02:19.200 --> 0:02:23.640
<v Speaker 2>early influences. Can you tell us about your earliest memories

0:02:23.760 --> 0:02:26.440
<v Speaker 2>of music and how it became such an important part

0:02:26.480 --> 0:02:27.920
<v Speaker 2>of your life.

0:02:27.960 --> 0:02:31.799
<v Speaker 1>Of course, I really feel so cliche every single time

0:02:32.440 --> 0:02:35.480
<v Speaker 1>I say this, because it's it's just the truth. I

0:02:35.520 --> 0:02:39.400
<v Speaker 1>don't remember learning to sing. But the first video we

0:02:39.480 --> 0:02:41.800
<v Speaker 1>have of me singing, I was two years old in

0:02:42.000 --> 0:02:46.040
<v Speaker 1>looney tune pajamas, sitting on the fireplace, singing old song

0:02:46.160 --> 0:02:48.520
<v Speaker 1>called the Basics of Life by a gospel group called

0:02:48.600 --> 0:02:53.840
<v Speaker 1>for him. And it's just I've just grown up with music.

0:02:53.880 --> 0:02:56.239
<v Speaker 1>Both of my parents sing and played piano and grew

0:02:56.280 --> 0:02:59.600
<v Speaker 1>up singing in church. So I really don't remember life

0:02:59.720 --> 0:03:00.000
<v Speaker 1>with that.

0:03:00.880 --> 0:03:03.959
<v Speaker 2>Crazy enough, that's pretty cool that you have that memory

0:03:04.000 --> 0:03:04.839
<v Speaker 2>so far back, too.

0:03:05.960 --> 0:03:08.920
<v Speaker 1>Well, I've seen the video, man, Okay.

0:03:08.240 --> 0:03:11.480
<v Speaker 2>So I'm like, I can't think beyond like ten.

0:03:11.639 --> 0:03:15.240
<v Speaker 1>Two years old. Yeah, no, I couldn't. I do not

0:03:15.360 --> 0:03:17.600
<v Speaker 1>remember that moment, but I've seen the video enough to

0:03:17.600 --> 0:03:20.120
<v Speaker 1>where I'm like, well, that was real, So I guess

0:03:20.120 --> 0:03:22.280
<v Speaker 1>it was me. It was meant to be. It was

0:03:22.320 --> 0:03:22.960
<v Speaker 1>meant meant to be.

0:03:23.400 --> 0:03:25.679
<v Speaker 2>Was there a moment or a song when you realized

0:03:25.720 --> 0:03:29.000
<v Speaker 2>that music was a source of healing and had that

0:03:29.080 --> 0:03:29.800
<v Speaker 2>kind of power.

0:03:30.760 --> 0:03:38.800
<v Speaker 1>Hmmm. I don't know if healing necessarily is the word

0:03:38.800 --> 0:03:40.640
<v Speaker 1>I would use for it. Like at the first time

0:03:40.680 --> 0:03:45.360
<v Speaker 1>I really felt like emotionally moved by music. But we

0:03:45.360 --> 0:03:48.200
<v Speaker 1>were on a vacation and we would always drive because

0:03:48.200 --> 0:03:50.720
<v Speaker 1>we had five people in our family, And so as

0:03:50.720 --> 0:03:54.960
<v Speaker 1>we're driving, I remember my parents playing Lem's rob the

0:03:55.080 --> 0:03:59.280
<v Speaker 1>musical and it was the tenth anniversary edition, and I

0:03:59.360 --> 0:04:04.400
<v Speaker 1>remember finally understanding like that Fontine was dying, and I

0:04:04.560 --> 0:04:09.200
<v Speaker 1>was distraught, like absolutely distraught, like crying in the backseat, like,

0:04:09.200 --> 0:04:12.480
<v Speaker 1>oh my gosh, there's not okay, like, and the five

0:04:12.600 --> 0:04:16.159
<v Speaker 1>finally like moved, like I was really really moved by it.

0:04:16.240 --> 0:04:19.919
<v Speaker 1>So that's the first time I actually remember having like

0:04:19.960 --> 0:04:23.239
<v Speaker 1>an emotional impact by music for sure.

0:04:24.360 --> 0:04:27.880
<v Speaker 2>Who were some of your early influences? This is I

0:04:27.960 --> 0:04:30.839
<v Speaker 2>love to ask this question because it always blows me away.

0:04:30.920 --> 0:04:34.480
<v Speaker 2>The younger the people I talked to, the more they

0:04:34.520 --> 0:04:37.800
<v Speaker 2>listen to music I listened to growing up, which blows

0:04:37.800 --> 0:04:38.239
<v Speaker 2>me away.

0:04:39.000 --> 0:04:41.880
<v Speaker 1>Oh. I really think it's because that music is iconic,

0:04:41.920 --> 0:04:44.279
<v Speaker 1>like legendary, it is. It is truly timeless. So I

0:04:44.279 --> 0:04:48.680
<v Speaker 1>mean Whitney Houston, Seline Yon, Tina Turner. But I was

0:04:48.720 --> 0:04:50.719
<v Speaker 1>also brought up on you know, def Leppard, the Rolling

0:04:50.720 --> 0:04:54.960
<v Speaker 1>Stones and Kiss and you know then Kirk Franklin and

0:04:55.279 --> 0:05:00.240
<v Speaker 1>I mean all of these like combinations, but from me

0:05:00.680 --> 0:05:05.839
<v Speaker 1>as a vocalist, Whitney Houston and Selene were really really

0:05:05.880 --> 0:05:08.640
<v Speaker 1>big influences. They just grow That's I feel like, that's

0:05:08.640 --> 0:05:09.680
<v Speaker 1>all I listen to growing up.

0:05:10.000 --> 0:05:12.920
<v Speaker 2>Wow, Well, that explains why you sound the way you do.

0:05:14.600 --> 0:05:17.160
<v Speaker 2>You give them a run for their money. Now, on

0:05:17.200 --> 0:05:22.080
<v Speaker 2>your personal journey and challenges, You've been very open about that,

0:05:22.640 --> 0:05:26.640
<v Speaker 2>especially with grief and mental health, which you know, not

0:05:26.800 --> 0:05:30.599
<v Speaker 2>normal to talk about publicly, right, I'm sure you know

0:05:31.160 --> 0:05:35.160
<v Speaker 2>how did music help you process those emotions?

0:05:35.800 --> 0:05:41.440
<v Speaker 1>Yeah? So I lost my brother in twenty thirteen. And

0:05:41.960 --> 0:05:44.680
<v Speaker 1>most of the time, whenever people say they've lost somebody

0:05:44.720 --> 0:05:48.520
<v Speaker 1>to depression or they've taken their own life like it's

0:05:48.600 --> 0:05:52.800
<v Speaker 1>not a very popular topic of conversation. But a reason

0:05:52.800 --> 0:05:55.320
<v Speaker 1>that I love to talk about it is because it

0:05:55.360 --> 0:05:59.359
<v Speaker 1>gives a little bit of insight into what happens like

0:05:59.400 --> 0:06:03.360
<v Speaker 1>and everybody story is different, obviously, but for us, you know, Jordan,

0:06:04.480 --> 0:06:08.120
<v Speaker 1>there weren't telling signs. It's not like there was a

0:06:08.120 --> 0:06:12.600
<v Speaker 1>big plan out. He didn't leave anything there was. Long

0:06:12.600 --> 0:06:15.039
<v Speaker 1>story short, Once we got the autopsy back, we found

0:06:15.080 --> 0:06:17.920
<v Speaker 1>out he had run out of his medication, went from

0:06:17.920 --> 0:06:19.560
<v Speaker 1>such a high to such a low. It really was

0:06:19.600 --> 0:06:24.000
<v Speaker 1>a chemical like just his brain literally just broke. So

0:06:25.400 --> 0:06:29.200
<v Speaker 1>I love to talk about it because it gives people

0:06:29.360 --> 0:06:32.719
<v Speaker 1>a little bit more insight into what depression is. That

0:06:32.800 --> 0:06:35.920
<v Speaker 1>it's not just being sad, it's actually a chemical imbalance

0:06:36.000 --> 0:06:40.720
<v Speaker 1>in your brain, which is every other mental struggle as well.

0:06:41.120 --> 0:06:45.720
<v Speaker 1>So you know, I love to just give a little

0:06:45.720 --> 0:06:47.920
<v Speaker 1>bit of education as best I can. I'm not an expert,

0:06:47.960 --> 0:06:50.120
<v Speaker 1>but I lived it, so I've just I'll just share

0:06:50.120 --> 0:06:54.479
<v Speaker 1>at least what I've learned. But then using music in

0:06:54.600 --> 0:06:57.479
<v Speaker 1>order to heal from that is something that I'm able

0:06:57.560 --> 0:06:59.600
<v Speaker 1>to pass on. Like not only am I able to

0:06:59.640 --> 0:07:01.440
<v Speaker 1>tell peop, well, hey you're not alone, because I have

0:07:01.560 --> 0:07:04.200
<v Speaker 1>lived it. So even if I don't know exactly how

0:07:04.200 --> 0:07:08.200
<v Speaker 1>you feel, I can relate enough and then to be

0:07:08.279 --> 0:07:10.960
<v Speaker 1>able to put it into music, to be like this

0:07:11.080 --> 0:07:15.880
<v Speaker 1>song is for anybody that's lost somebody too soon, you know,

0:07:16.040 --> 0:07:19.280
<v Speaker 1>it's I think it's important because then people don't feel alone,

0:07:19.960 --> 0:07:23.440
<v Speaker 1>because the biggest way that people like feel isolated is

0:07:23.440 --> 0:07:26.920
<v Speaker 1>because they think, oh, well, I'm weird. Oh nobody else

0:07:26.920 --> 0:07:29.520
<v Speaker 1>has ever dealt with this. Oh I'm you know, it's

0:07:29.760 --> 0:07:31.760
<v Speaker 1>just me. Everyone's going to think I'm a burden or

0:07:32.280 --> 0:07:34.440
<v Speaker 1>or that this is a weird thing to deal with

0:07:34.600 --> 0:07:38.120
<v Speaker 1>or struggle with. And the reality is it's not weird.

0:07:38.400 --> 0:07:42.040
<v Speaker 1>It's very normal, very very normal. And so I think

0:07:42.080 --> 0:07:46.239
<v Speaker 1>the more that we talk about it, the less taboo

0:07:46.280 --> 0:07:50.080
<v Speaker 1>it becomes, and the more comfortable other people begin to

0:07:50.120 --> 0:07:53.280
<v Speaker 1>talk about it. You know what, now.

0:07:54.840 --> 0:07:58.480
<v Speaker 2>It's very giving to want It's so selfless what you're doing.

0:07:58.920 --> 0:08:00.920
<v Speaker 2>You know a lot of people would turn inward and

0:08:00.960 --> 0:08:03.160
<v Speaker 2>maybe just being you know, the family or your close

0:08:03.200 --> 0:08:05.920
<v Speaker 2>friends you would talk to, or a therapist. But what

0:08:06.040 --> 0:08:10.040
<v Speaker 2>made you want to share this with people? Just just

0:08:10.120 --> 0:08:13.600
<v Speaker 2>out of wanting others to be okay? I mean, that's

0:08:13.360 --> 0:08:17.760
<v Speaker 2>a beautiful thing that you do. Thank you easy.

0:08:18.240 --> 0:08:24.160
<v Speaker 1>It's it's it's not and I I really believe it

0:08:24.160 --> 0:08:29.960
<v Speaker 1>brings purpose to the pain. One thing that my dad

0:08:30.040 --> 0:08:33.360
<v Speaker 1>has always said is, you know, we are making it.

0:08:33.840 --> 0:08:36.160
<v Speaker 1>You know, people so often say, oh, we're gonna make it.

0:08:36.200 --> 0:08:38.160
<v Speaker 1>You're gonna make it. You're gonna make it. And with

0:08:38.240 --> 0:08:42.360
<v Speaker 1>a loss of this nature and with any sudden loss, honestly,

0:08:43.320 --> 0:08:46.640
<v Speaker 1>you are making it every day. You have to learn

0:08:46.720 --> 0:08:49.280
<v Speaker 1>to live with the grief instead of in the grief.

0:08:49.320 --> 0:08:54.800
<v Speaker 1>And for me, being able to share this story allows

0:08:55.559 --> 0:08:59.679
<v Speaker 1>Jordan's story to continue to minister to other people, and

0:08:59.720 --> 0:09:02.440
<v Speaker 1>that feels like it at least brings purpose to the

0:09:02.480 --> 0:09:06.800
<v Speaker 1>pain because it keeps him alive. Well yeah, oh my gosh,

0:09:06.880 --> 0:09:09.600
<v Speaker 1>for real, the amount of people that don't have never

0:09:09.640 --> 0:09:12.240
<v Speaker 1>met my brother but feel like they know him are countless.

0:09:12.600 --> 0:09:13.240
<v Speaker 1>It's insane.

0:09:13.800 --> 0:09:17.760
<v Speaker 2>That's incredible. What was it like to channel your personal

0:09:17.840 --> 0:09:24.320
<v Speaker 2>experiences into your songwriting? I mean again very inward and

0:09:24.360 --> 0:09:27.480
<v Speaker 2>sharing personal things, which a lot of artists don't do.

0:09:28.480 --> 0:09:30.960
<v Speaker 2>You know, left to kind of figure out how does

0:09:31.000 --> 0:09:34.240
<v Speaker 2>this relate to my life? But you're like, this is

0:09:34.880 --> 0:09:37.360
<v Speaker 2>this is really your life?

0:09:37.440 --> 0:09:44.440
<v Speaker 1>Yes? You know it's there's parts of it where it's like, oh,

0:09:44.520 --> 0:09:46.040
<v Speaker 1>how fun because I can really relate to this, and

0:09:46.040 --> 0:09:48.199
<v Speaker 1>then there's other parts where it really is painful, and

0:09:48.559 --> 0:09:54.880
<v Speaker 1>you have to learn how to separate in the moment, Like, sure,

0:09:54.920 --> 0:09:57.240
<v Speaker 1>you can let yourself feel it, but it's also very

0:09:57.240 --> 0:10:01.679
<v Speaker 1>important to process deal with it so that way you

0:10:01.720 --> 0:10:03.840
<v Speaker 1>can write about it and not have like an emotional

0:10:03.880 --> 0:10:07.560
<v Speaker 1>breakdown every time you talk about it or write about it.

0:10:07.600 --> 0:10:11.439
<v Speaker 1>Which I'm so grateful for my therapist because she helped

0:10:11.440 --> 0:10:14.000
<v Speaker 1>the ton with that being able to process the grief.

0:10:14.000 --> 0:10:16.240
<v Speaker 1>So when I do put it into my music, even

0:10:16.280 --> 0:10:22.160
<v Speaker 1>though it is raw and vulnerable, I'm able to say, hey,

0:10:22.640 --> 0:10:25.360
<v Speaker 1>I'm writing a story about this. Yes it's my story,

0:10:25.559 --> 0:10:26.720
<v Speaker 1>but it's going to do a lot of good because

0:10:26.720 --> 0:10:27.720
<v Speaker 1>it's going to reach a lot of people.

0:10:27.960 --> 0:10:30.360
<v Speaker 2>Yeah, to separate that out, I mean, I know, just

0:10:30.400 --> 0:10:33.000
<v Speaker 2>when I get choked up about anything emotional, I can't

0:10:33.040 --> 0:10:36.040
<v Speaker 2>even get a word out. I don't know how you

0:10:36.040 --> 0:10:38.120
<v Speaker 2>could sing without having some type of.

0:10:38.200 --> 0:10:40.880
<v Speaker 1>The first few times it was really hard, especially if

0:10:40.920 --> 0:10:43.000
<v Speaker 1>I can't say goodbye singing that live, I was like,

0:10:43.120 --> 0:10:45.840
<v Speaker 1>oh no. And then especially if like my husband's in

0:10:45.840 --> 0:10:48.240
<v Speaker 1>the audience or if my family's at oh, then I'm

0:10:48.280 --> 0:10:50.520
<v Speaker 1>like I can't look at you. I need I need

0:10:50.600 --> 0:10:52.520
<v Speaker 1>to just sit way over there because I will not

0:10:52.600 --> 0:10:56.520
<v Speaker 1>be able to turn off the house turn around.

0:10:58.920 --> 0:11:02.120
<v Speaker 2>Yeah all right, Well let's move on to something that

0:11:02.160 --> 0:11:05.200
<v Speaker 2>I'm dying to know about the voice and Broadway, because

0:11:05.240 --> 0:11:08.720
<v Speaker 2>these are two humongous things for you. I want to

0:11:08.720 --> 0:11:11.400
<v Speaker 2>know what your experience on The Voice was like and

0:11:11.440 --> 0:11:14.240
<v Speaker 2>how it was able to shape you as an artist.

0:11:14.280 --> 0:11:17.120
<v Speaker 2>I don't really know where you were before you got

0:11:17.160 --> 0:11:19.360
<v Speaker 2>there in terms of your skills, so I'm.

0:11:19.480 --> 0:11:24.440
<v Speaker 1>Yeah, you know. I feel like I'm always surprised with

0:11:24.520 --> 0:11:28.679
<v Speaker 1>this answer because the public view is Wow, The Voice

0:11:28.720 --> 0:11:31.800
<v Speaker 1>has created so many artists and this is what they

0:11:31.840 --> 0:11:36.160
<v Speaker 1>did and how awesome. Realistically speaking, I spent maybe a

0:11:36.200 --> 0:11:40.079
<v Speaker 1>total of ten minutes with Kelly, who's a lovely human,

0:11:40.400 --> 0:11:43.880
<v Speaker 1>But as far as being shaped as an artist, I

0:11:43.880 --> 0:11:47.760
<v Speaker 1>don't think it really was. One thing that it did

0:11:47.840 --> 0:11:50.440
<v Speaker 1>really teach me, though, was to have a very thick

0:11:50.480 --> 0:11:54.960
<v Speaker 1>skin and to see this as a business. Like I'd

0:11:54.960 --> 0:11:57.200
<v Speaker 1>already seen it as a business, but going into it,

0:11:57.240 --> 0:11:58.959
<v Speaker 1>I had to understand, this show is not going to

0:11:59.000 --> 0:12:01.120
<v Speaker 1>make me famous, It is not going to be my

0:12:01.360 --> 0:12:03.320
<v Speaker 1>like I've made it. But what it is going to

0:12:03.360 --> 0:12:07.560
<v Speaker 1>do is bring so much visibility to me and bring

0:12:07.600 --> 0:12:09.679
<v Speaker 1>me a lot of eyes that I couldn't even pay for.

0:12:09.880 --> 0:12:14.640
<v Speaker 1>So it taught me how to really dig into that

0:12:14.760 --> 0:12:18.480
<v Speaker 1>part of it and then to start showing people who

0:12:18.520 --> 0:12:20.880
<v Speaker 1>I really am because I was like, that's what people

0:12:20.920 --> 0:12:23.080
<v Speaker 1>are going to get or want to, like, are going

0:12:23.120 --> 0:12:25.640
<v Speaker 1>to want to latch onto outside of his show.

0:12:26.000 --> 0:12:33.200
<v Speaker 2>Yeah, that's amazingly insightful because no. I mean example, I

0:12:33.240 --> 0:12:35.680
<v Speaker 2>was featured in a magazine early on. I was working

0:12:35.720 --> 0:12:40.400
<v Speaker 2>in a town in Boston and short story, my mom said,

0:12:40.720 --> 0:12:43.079
<v Speaker 2>oh my god, maybe someone will see the picture and

0:12:43.120 --> 0:12:44.840
<v Speaker 2>they'll offer you a job. And I said, no, it

0:12:44.840 --> 0:12:45.640
<v Speaker 2>doesn't work that way.

0:12:45.720 --> 0:12:47.800
<v Speaker 1>It doesn't work that way. No, it'd be really cool

0:12:47.840 --> 0:12:52.120
<v Speaker 1>if it did, Yeah, wouldn't it. I know. Wow, Yeah,

0:12:52.480 --> 0:12:53.560
<v Speaker 1>I'm curious your thoughts.

0:12:53.600 --> 0:12:57.640
<v Speaker 2>How does performing on Broadway compared to singing on a

0:12:57.679 --> 0:13:00.520
<v Speaker 2>televised stage, because a lot of people don't really that

0:13:00.559 --> 0:13:04.079
<v Speaker 2>the televised stage is for the audience at home. Broadways

0:13:04.120 --> 0:13:05.320
<v Speaker 2>for the audience in the house.

0:13:06.000 --> 0:13:09.800
<v Speaker 1>Yes, they're so different. It is. It is so different.

0:13:09.920 --> 0:13:15.320
<v Speaker 1>For I mean even even with six I did a

0:13:15.320 --> 0:13:17.600
<v Speaker 1>press performance and its performed like to the cameras, and

0:13:17.640 --> 0:13:20.960
<v Speaker 1>that that alone is so odd. That was confusing. I

0:13:21.000 --> 0:13:23.480
<v Speaker 1>was like, wait, this is a stage song. How am

0:13:23.520 --> 0:13:27.440
<v Speaker 1>I doing? Okay, Like my brain sort of like freaking out,

0:13:28.480 --> 0:13:31.720
<v Speaker 1>But you know on television, yes, it's live. So I

0:13:31.720 --> 0:13:35.240
<v Speaker 1>mean they're both live, right, but the sound is way different.

0:13:36.440 --> 0:13:39.240
<v Speaker 1>Audience is like, we didn't have an audience on my

0:13:39.280 --> 0:13:41.400
<v Speaker 1>season because I was during COVID, so the audience was

0:13:41.440 --> 0:13:41.800
<v Speaker 1>at home.

0:13:42.040 --> 0:13:44.600
<v Speaker 2>Oh wow, even more strange.

0:13:45.160 --> 0:13:46.719
<v Speaker 1>It was weird. Yeah, it was really really weird. So

0:13:46.800 --> 0:13:47.800
<v Speaker 1>I was like, I just feel like I'm in an

0:13:47.800 --> 0:13:51.280
<v Speaker 1>audition every day. Yeah, I bet, But it was more

0:13:51.320 --> 0:13:55.040
<v Speaker 1>of a Okay, this is going to be taped. There's

0:13:55.080 --> 0:13:58.160
<v Speaker 1>going to be multiple shots. I know, it's going to

0:13:58.200 --> 0:14:01.480
<v Speaker 1>be edited together. Nine out of ten they'll add like

0:14:01.520 --> 0:14:05.560
<v Speaker 1>an effect to the final vocal as they're taping, you know.

0:14:05.559 --> 0:14:07.640
<v Speaker 1>I mean, there's so much more that goes into it.

0:14:08.000 --> 0:14:13.280
<v Speaker 1>So with theater, which I think is a million times

0:14:13.280 --> 0:14:19.440
<v Speaker 1>more difficult, Oh my word, it's you can't like just

0:14:19.560 --> 0:14:22.040
<v Speaker 1>do it over. You'll be like, oh, hey, hold on

0:14:21.800 --> 0:14:25.040
<v Speaker 1>one sec. I'm gonna I'm gonna redo that. Like if

0:14:25.080 --> 0:14:27.000
<v Speaker 1>you miss a note, if you miss the beat, you're

0:14:27.160 --> 0:14:30.320
<v Speaker 1>you're It's obvious. And there are only six of us

0:14:30.360 --> 0:14:32.600
<v Speaker 1>on stage, so you really can't. You don't have a

0:14:32.640 --> 0:14:36.360
<v Speaker 1>lot of room for error. And you're also dealing with

0:14:36.840 --> 0:14:40.200
<v Speaker 1>a live audience's response when you're playing a character, but

0:14:40.280 --> 0:14:43.120
<v Speaker 1>you're also interacting with them, but I'm not Kelsey interacting

0:14:43.120 --> 0:14:46.480
<v Speaker 1>with them. I'm a character interacting with them. So it's

0:14:46.920 --> 0:14:50.000
<v Speaker 1>there are just a lot more layers, whereas both of

0:14:50.040 --> 0:14:53.080
<v Speaker 1>them can be really intense and a lot of work.

0:14:54.240 --> 0:14:58.160
<v Speaker 1>On the television side, I'm just Kelsey Kelsey, and I'm

0:14:58.200 --> 0:15:01.000
<v Speaker 1>doing this one song, this one performance because it's for

0:15:01.040 --> 0:15:03.240
<v Speaker 1>a TV show, and everybody knows exactly what it's for

0:15:03.480 --> 0:15:05.520
<v Speaker 1>and they already like me just because I'm on the voice.

0:15:06.320 --> 0:15:08.280
<v Speaker 1>And then you're in theater and there have been so

0:15:08.320 --> 0:15:11.120
<v Speaker 1>many different casts, They've heard so many people sing this song.

0:15:11.480 --> 0:15:13.480
<v Speaker 1>Some people don't even like theater that have come to

0:15:13.520 --> 0:15:16.840
<v Speaker 1>the show along with them, you know, and you're just like, hey,

0:15:16.880 --> 0:15:19.600
<v Speaker 1>oh my gosh, I hope to god you really like this,

0:15:19.640 --> 0:15:23.160
<v Speaker 1>and you're trying to, you know, be in this character

0:15:23.200 --> 0:15:25.320
<v Speaker 1>of it also be really entertaining at the same time,

0:15:26.080 --> 0:15:28.880
<v Speaker 1>on top of doing it eight times a week and

0:15:28.920 --> 0:15:30.800
<v Speaker 1>you're dancing for an hour and a half and heals

0:15:30.920 --> 0:15:34.680
<v Speaker 1>every single show, not leaving stage, trying to stay healthy.

0:15:35.320 --> 0:15:38.960
<v Speaker 1>There's just a lot. There's just a lot more to it.

0:15:39.120 --> 0:15:41.240
<v Speaker 1>And sometimes people, you know, even though you're not allowed

0:15:41.240 --> 0:15:43.920
<v Speaker 1>to film, sometimes people will get away with filming, and

0:15:43.960 --> 0:15:46.920
<v Speaker 1>sometimes it's not a great night, Like if you see bootlegs,

0:15:46.920 --> 0:15:50.040
<v Speaker 1>which right under it's a very controversial topic, but whenever

0:15:50.120 --> 0:15:52.760
<v Speaker 1>people you know, like take bootlegs and people that can't

0:15:52.800 --> 0:15:54.840
<v Speaker 1>don't have access to theater love them because they're like

0:15:54.840 --> 0:15:57.240
<v Speaker 1>I get to see a show. But then sometimes for

0:15:57.320 --> 0:16:00.520
<v Speaker 1>the actor it's not their best day, sometimes really tired,

0:16:00.560 --> 0:16:03.560
<v Speaker 1>and they'll get judged on one single performance where like

0:16:03.640 --> 0:16:06.800
<v Speaker 1>something messed up, and so it's just I think there's

0:16:06.840 --> 0:16:11.479
<v Speaker 1>a lot more at risk in a live Yeah.

0:16:10.680 --> 0:16:13.560
<v Speaker 2>You're right, there is. There definitely is. There's a vulnerability

0:16:14.000 --> 0:16:16.400
<v Speaker 2>and then also that vibe like you said, you know

0:16:16.600 --> 0:16:17.040
<v Speaker 2>the voice.

0:16:17.080 --> 0:16:20.040
<v Speaker 1>They're all like team but you know Kelsey, and there's

0:16:20.480 --> 0:16:22.360
<v Speaker 1>a right inside it just because I'm on it. Yeah

0:16:22.400 --> 0:16:24.040
<v Speaker 1>really yeah, it's amazing. Yeah.

0:16:24.080 --> 0:16:27.440
<v Speaker 2>And Broadway you're like, you know, people are looking at

0:16:27.440 --> 0:16:28.360
<v Speaker 2>you like let's see it.

0:16:29.120 --> 0:16:31.240
<v Speaker 1>Sometimes you be like what is this? Yeah? Yeah, I

0:16:31.280 --> 0:16:34.000
<v Speaker 1>mean now, granted, we get really awesome audiences because our

0:16:34.040 --> 0:16:36.800
<v Speaker 1>show is really fun and nine times out of ten

0:16:37.760 --> 0:16:41.280
<v Speaker 1>people are very like receptive and super fun, but man,

0:16:41.360 --> 0:16:44.080
<v Speaker 1>it is very difficult when you get the ones that

0:16:44.120 --> 0:16:46.720
<v Speaker 1>aren't and they're just on the front row. Yeah, and

0:16:46.760 --> 0:16:49.440
<v Speaker 1>you got to keep going and smiling. You're still smiling

0:16:49.440 --> 0:16:50.920
<v Speaker 1>because you're still in character and you're going to give

0:16:50.960 --> 0:16:53.760
<v Speaker 1>them the same show you give anybody else. So did

0:16:53.800 --> 0:16:55.720
<v Speaker 1>you learn It's incredible?

0:16:55.760 --> 0:16:58.680
<v Speaker 2>And what a character builder or a strength builder for

0:16:58.760 --> 0:16:59.440
<v Speaker 2>you personally?

0:17:00.080 --> 0:17:00.360
<v Speaker 1>Sure?

0:17:00.440 --> 0:17:02.400
<v Speaker 2>Is there anything that you can think of that you

0:17:02.560 --> 0:17:06.760
<v Speaker 2>learned personally or as a performer during those sort of

0:17:06.880 --> 0:17:10.280
<v Speaker 2>really high profile moments in your life?

0:17:10.560 --> 0:17:17.320
<v Speaker 1>Yes, for me, in any performance that I give, whether

0:17:17.400 --> 0:17:21.600
<v Speaker 1>it's in an arena of fifteen thousand people or on

0:17:21.720 --> 0:17:27.240
<v Speaker 1>natural television or on Broadway or at home, like I

0:17:27.320 --> 0:17:29.919
<v Speaker 1>every day, I'm like, all right, Jesus, I'm just singing

0:17:29.960 --> 0:17:33.960
<v Speaker 1>for you. That's it. And it takes away any pressure

0:17:34.040 --> 0:17:37.720
<v Speaker 1>I feel to be perfect or to be great or

0:17:37.760 --> 0:17:41.879
<v Speaker 1>to impress. So I always love. For me personally, faith

0:17:41.960 --> 0:17:45.040
<v Speaker 1>is a big part of my life, and it allows

0:17:45.040 --> 0:17:48.160
<v Speaker 1>me to refocus and resenter myself and say, all right,

0:17:48.240 --> 0:17:51.040
<v Speaker 1>I sing for an audience of one and that's all

0:17:51.040 --> 0:17:53.639
<v Speaker 1>the matters. So if these people love me, amazing. If

0:17:53.640 --> 0:17:55.720
<v Speaker 1>they hate me, that's okay. They don't have to love me.

0:17:56.320 --> 0:18:01.920
<v Speaker 1>So that's huge. Yes, And it did not happen overnight.

0:18:02.119 --> 0:18:05.520
<v Speaker 1>Let me talk like it took a while because as performers,

0:18:06.680 --> 0:18:10.280
<v Speaker 1>we like, we love performing, we love performing for people,

0:18:10.440 --> 0:18:13.080
<v Speaker 1>you know, Like we don't perform for the applause, but

0:18:13.080 --> 0:18:14.600
<v Speaker 1>if you don't get an applause, you're like, what did

0:18:14.600 --> 0:18:17.280
<v Speaker 1>I do wrong? Why don't you like me? What happened?

0:18:17.320 --> 0:18:21.639
<v Speaker 1>You know? And we're so easily influenced to buy audience's

0:18:21.720 --> 0:18:26.200
<v Speaker 1>reactions or comments online or because we're putting out craft

0:18:26.200 --> 0:18:28.920
<v Speaker 1>out there and performing. Yes, we put ourselves out there,

0:18:28.920 --> 0:18:32.520
<v Speaker 1>that's our job, but also it's just being human, like

0:18:32.560 --> 0:18:35.800
<v Speaker 1>you just want that validation. And so it took me

0:18:35.880 --> 0:18:39.320
<v Speaker 1>a while to really be able to focus in on

0:18:39.400 --> 0:18:42.880
<v Speaker 1>that and be like, well, this is why I can

0:18:42.920 --> 0:18:46.919
<v Speaker 1>be calm on national television, on a Broadway stage in

0:18:46.960 --> 0:18:51.280
<v Speaker 1>an arena, like because I'm like, I just I'm singing

0:18:51.280 --> 0:18:53.520
<v Speaker 1>for an audience of one, and that's the way that

0:18:53.600 --> 0:18:55.720
<v Speaker 1>I stay calm. That's all I can do.

0:18:55.960 --> 0:19:01.440
<v Speaker 2>It's amazing, that is no, but I really for you

0:19:01.520 --> 0:19:05.399
<v Speaker 2>to be able to figure that out even you know, Also,

0:19:05.520 --> 0:19:07.600
<v Speaker 2>I would say that most performers want to perform because

0:19:07.640 --> 0:19:11.200
<v Speaker 2>they want to make people feel good, happy. Yeah, yeah,

0:19:11.240 --> 0:19:14.640
<v Speaker 2>you know, there's so much selflessness in it. But then

0:19:14.680 --> 0:19:16.720
<v Speaker 2>there's all that personal stuff that gets in the way.

0:19:16.760 --> 0:19:20.000
<v Speaker 2>So if you're able to find that faith, as you said,

0:19:20.040 --> 0:19:23.479
<v Speaker 2>to know that there's no pressure on you really than

0:19:23.520 --> 0:19:24.640
<v Speaker 2>what you put on yourself.

0:19:25.440 --> 0:19:29.040
<v Speaker 1>It's so true. It is. It's so true. And I'm like,

0:19:29.080 --> 0:19:31.480
<v Speaker 1>as long as if I'm doing my job, I'm warming

0:19:31.560 --> 0:19:33.360
<v Speaker 1>up correctly, I know my voice is in the right

0:19:33.359 --> 0:19:35.800
<v Speaker 1>place and taking care of my body. You know, I'm

0:19:36.200 --> 0:19:38.480
<v Speaker 1>I know the steps, I know the songs, I know

0:19:38.520 --> 0:19:41.080
<v Speaker 1>where I'm supposed to be and what I'm doing. Well,

0:19:41.080 --> 0:19:44.600
<v Speaker 1>then I I don't. I already have the job. So

0:19:45.080 --> 0:19:47.240
<v Speaker 1>as long as stay good at what I'm doing, I'm fine.

0:19:47.280 --> 0:19:49.520
<v Speaker 1>So yeah, it takes away the pressure for me to

0:19:49.600 --> 0:19:52.840
<v Speaker 1>feel like I have to be something that I'm not.

0:19:53.600 --> 0:19:55.800
<v Speaker 2>It's so true to what you just said, and it

0:19:55.880 --> 0:19:59.800
<v Speaker 2>works in any profession, you know, wherever, whatever you're doing

0:19:59.800 --> 0:20:04.200
<v Speaker 2>in life. To carry that type of wisdom, it's pretty incredible.

0:20:04.880 --> 0:20:07.440
<v Speaker 2>We'll be right back with more of the Music Saved

0:20:07.440 --> 0:20:10.639
<v Speaker 2>Me podcast. And by the way, if you like this podcast,

0:20:10.680 --> 0:20:13.640
<v Speaker 2>you are going to love our companion podcast called Taken

0:20:13.720 --> 0:20:16.640
<v Speaker 2>a Walk. It's hosted by my dear friend buzz Night,

0:20:16.680 --> 0:20:19.240
<v Speaker 2>and you can find it wherever you get your podcasts.

0:20:23.400 --> 0:20:26.840
<v Speaker 2>Welcome back to the Music Saved Me podcast, the podcast

0:20:26.840 --> 0:20:29.760
<v Speaker 2>where we discuss the healing powers of music with some

0:20:29.840 --> 0:20:32.639
<v Speaker 2>of the biggest names in music as well as up

0:20:32.640 --> 0:20:37.520
<v Speaker 2>and comers. Now, speaking of putting yourself out there, there's

0:20:37.560 --> 0:20:39.800
<v Speaker 2>a creative process. I would love for you to just

0:20:39.840 --> 0:20:42.120
<v Speaker 2>walk us through a little bit of your songwriting process

0:20:42.200 --> 0:20:47.440
<v Speaker 2>and where you find your inspiration to write songs and

0:20:47.760 --> 0:20:50.159
<v Speaker 2>is are you ever what are you thinking when you're writing?

0:20:50.440 --> 0:20:53.359
<v Speaker 2>Is this I know people are going to relate to

0:20:53.400 --> 0:20:55.880
<v Speaker 2>this or is it just your story? What's your process?

0:20:56.000 --> 0:21:01.120
<v Speaker 1>Like? So I really love to write with people's That's

0:21:01.160 --> 0:21:04.240
<v Speaker 1>what I enjoy. And sometimes you're writing for sync which

0:21:04.600 --> 0:21:07.840
<v Speaker 1>is TV film, movie like things like that, where you're

0:21:08.160 --> 0:21:11.280
<v Speaker 1>you're writing a song for a prompt for something to

0:21:11.320 --> 0:21:15.680
<v Speaker 1>be placed for an advertisement, things like that. And then

0:21:15.920 --> 0:21:17.760
<v Speaker 1>sometimes you can do both at the same time and

0:21:17.840 --> 0:21:19.920
<v Speaker 1>you're writing for sinc but it's also for yourself and

0:21:19.920 --> 0:21:22.520
<v Speaker 1>it's like, well, I could totally release this as Kelsey Watts,

0:21:22.760 --> 0:21:24.200
<v Speaker 1>but then this would also do really great in a

0:21:24.240 --> 0:21:26.520
<v Speaker 1>sports ad, you know. I mean, so I like to

0:21:26.520 --> 0:21:29.560
<v Speaker 1>think that way as well. But I think the best

0:21:29.600 --> 0:21:32.720
<v Speaker 1>example is the song that I'm about to release in

0:21:32.720 --> 0:21:35.480
<v Speaker 1>a few weeks is called fit In, and I was

0:21:35.520 --> 0:21:38.160
<v Speaker 1>writing it with a guy named d Q. He's worked

0:21:38.200 --> 0:21:40.960
<v Speaker 1>with Gosh, Demulevado, Sosha Fiers. He's a great vocal producer.

0:21:40.960 --> 0:21:45.439
<v Speaker 1>He's incredible, and he's out of Nashville. And whenever we

0:21:45.520 --> 0:21:48.160
<v Speaker 1>first met, we just kind of sat down and hung

0:21:48.160 --> 0:21:51.720
<v Speaker 1>out for a bit. So anytime I'm writing with somebody new,

0:21:52.760 --> 0:21:55.160
<v Speaker 1>but first like two hours, really you're like, hey, let's

0:21:55.160 --> 0:21:57.040
<v Speaker 1>go get a coffee. You want to like just chill,

0:21:57.080 --> 0:21:59.280
<v Speaker 1>you know, let's just talk figure out what life is

0:21:59.320 --> 0:22:02.480
<v Speaker 1>about instead of you know, okay, we're here, let's write

0:22:02.480 --> 0:22:06.560
<v Speaker 1>a song. You know very Sometimes yeah, I'm sure sometimes

0:22:06.560 --> 0:22:08.359
<v Speaker 1>it's like that, but I don't. I don't like that,

0:22:08.560 --> 0:22:12.280
<v Speaker 1>so I won't work that way because writing is personal.

0:22:12.400 --> 0:22:14.760
<v Speaker 1>It's all about the song. You know, I can sing

0:22:14.760 --> 0:22:17.159
<v Speaker 1>my face off, but if I'm singing for no reason

0:22:17.359 --> 0:22:19.879
<v Speaker 1>and like there's no meaning behind what I'm singing, nobody's

0:22:19.880 --> 0:22:22.480
<v Speaker 1>gonna feel anything. So it doesn't matter how boring. Like

0:22:22.520 --> 0:22:24.560
<v Speaker 1>I would get tired of me singing like that. So

0:22:26.600 --> 0:22:28.359
<v Speaker 1>with this song, we were like, okay, well, you know,

0:22:28.480 --> 0:22:31.440
<v Speaker 1>what are some things that you've been feeling? How how's

0:22:31.480 --> 0:22:33.240
<v Speaker 1>life been, or you know, what's something that you've always

0:22:33.280 --> 0:22:36.760
<v Speaker 1>wanted to say? And we got into this topic of well,

0:22:36.760 --> 0:22:39.280
<v Speaker 1>I was never the cool kid growing up, Like I

0:22:39.320 --> 0:22:41.200
<v Speaker 1>wasn't you know, I didn't have a boyfriend. I wasn't

0:22:41.240 --> 0:22:43.600
<v Speaker 1>invited to from okay, I didn't have a date like

0:22:43.920 --> 0:22:47.120
<v Speaker 1>what you I never I never had a it from

0:22:47.359 --> 0:22:51.520
<v Speaker 1>I know, I know, I never did friend like until

0:22:51.520 --> 0:22:55.760
<v Speaker 1>gosh into college. Kind of yeah, I.

0:22:55.720 --> 0:22:58.040
<v Speaker 2>Mean, it tells me that it's not a bad thing though.

0:22:58.400 --> 0:23:00.840
<v Speaker 1>No, it's it saved me from a lot. I'm very grateful.

0:23:01.040 --> 0:23:04.600
<v Speaker 1>I'm not. I'm not upset. I wasnay in the moment,

0:23:04.800 --> 0:23:07.280
<v Speaker 1>I wasn't wasn't grateful, but down the line, I'm like, wow,

0:23:07.320 --> 0:23:09.760
<v Speaker 1>that saved me from a lot of issues. Oh come,

0:23:10.240 --> 0:23:12.440
<v Speaker 1>but you know, I like, yeah, I mean I wasn't

0:23:12.480 --> 0:23:15.800
<v Speaker 1>you know, invited to the parties. And I kind of

0:23:15.800 --> 0:23:17.840
<v Speaker 1>found my community in theater and choir and it was

0:23:17.840 --> 0:23:19.840
<v Speaker 1>a very very very small community. But I had a

0:23:19.840 --> 0:23:22.520
<v Speaker 1>couple of friends and I was always got along with everybody.

0:23:22.560 --> 0:23:25.080
<v Speaker 1>But I wasn't. I wasn't in the it proud, you know.

0:23:25.600 --> 0:23:28.440
<v Speaker 1>And so we were like, well, why don't we write

0:23:28.440 --> 0:23:31.359
<v Speaker 1>about that? And so the entire premise of the song

0:23:31.520 --> 0:23:33.080
<v Speaker 1>was like, all right, well, what if people told you, well,

0:23:33.080 --> 0:23:35.360
<v Speaker 1>I've been told them a lot, like, oh my gosh,

0:23:35.359 --> 0:23:38.480
<v Speaker 1>you're just a lot, am Well, you're not my people

0:23:38.800 --> 0:23:40.520
<v Speaker 1>ben a lot?

0:23:40.640 --> 0:23:43.040
<v Speaker 2>You mean just because you're you talk a lot or

0:23:43.119 --> 0:23:44.680
<v Speaker 2>have a lot to say or thoughts.

0:23:45.160 --> 0:23:48.320
<v Speaker 1>Thankfully, I haven't had people tell me that lately, like

0:23:48.400 --> 0:23:51.440
<v Speaker 1>but in like in high school really was like middle

0:23:51.440 --> 0:23:53.720
<v Speaker 1>school and high school were not fun for me. I

0:23:53.720 --> 0:23:56.919
<v Speaker 1>did not enjoy them at all. And you know, people

0:23:56.960 --> 0:23:58.760
<v Speaker 1>be like, oh, you're just a lot, And whether that

0:23:58.880 --> 0:24:03.080
<v Speaker 1>meant personality was a lot, they never elaborated. They were

0:24:03.080 --> 0:24:04.680
<v Speaker 1>just kind of mean, you know, So.

0:24:05.160 --> 0:24:06.240
<v Speaker 2>What did you think it was?

0:24:07.200 --> 0:24:10.440
<v Speaker 1>I thought it meant I was too loud, or I

0:24:10.480 --> 0:24:14.639
<v Speaker 1>sang too much, or I talked too much to people,

0:24:14.920 --> 0:24:18.040
<v Speaker 1>or like I needed to be more reserved, like my

0:24:18.119 --> 0:24:21.160
<v Speaker 1>personally that's what you thought? Yeah, Like my person's interested

0:24:21.320 --> 0:24:23.480
<v Speaker 1>was just like too much to handle and people didn't

0:24:23.560 --> 0:24:26.600
<v Speaker 1>like that. You did it affect you in a negative way?

0:24:27.080 --> 0:24:29.000
<v Speaker 1>Oh yeah, Oh my gosh. Absolutely. I felt like I

0:24:29.000 --> 0:24:31.280
<v Speaker 1>constantly had to change who I was in order to

0:24:31.280 --> 0:24:35.600
<v Speaker 1>be around people and to be accepted to fit in literally,

0:24:36.000 --> 0:24:37.399
<v Speaker 1>which is why I call it in I was like,

0:24:37.520 --> 0:24:41.000
<v Speaker 1>this is it? Yeah, so I mean it was. The

0:24:41.040 --> 0:24:46.600
<v Speaker 1>whole story of the song is basically a The first

0:24:46.640 --> 0:24:49.119
<v Speaker 1>line is I know that you think that you're a lot.

0:24:49.760 --> 0:24:52.800
<v Speaker 1>You love until it costs you all you've got, You

0:24:52.880 --> 0:24:55.320
<v Speaker 1>water it till you dry with everything you do, and

0:24:55.359 --> 0:24:57.639
<v Speaker 1>then say you're going to change for real this time.

0:24:58.480 --> 0:25:01.199
<v Speaker 1>But then you fall off and all in line, and

0:25:01.280 --> 0:25:03.320
<v Speaker 1>when you look up you find the dirty truth that

0:25:03.520 --> 0:25:06.439
<v Speaker 1>you're standing in your own way like it. And it's

0:25:06.480 --> 0:25:08.280
<v Speaker 1>because it's like, well, oh no, I'm totally gonna be

0:25:08.280 --> 0:25:10.879
<v Speaker 1>I'm gonna be fine, but I'm just gonna be me.

0:25:11.080 --> 0:25:13.439
<v Speaker 1>And then you find yourself going back into this cycle

0:25:13.480 --> 0:25:15.080
<v Speaker 1>of like, oh, well, what do people want me to be?

0:25:15.640 --> 0:25:18.159
<v Speaker 1>And honestly, that was something that I really felt after

0:25:18.400 --> 0:25:22.520
<v Speaker 1>leaving The Voice was I'd never released music before. I

0:25:22.520 --> 0:25:24.679
<v Speaker 1>had always wanted to be an artist and felt like

0:25:24.720 --> 0:25:26.680
<v Speaker 1>I was, but I didn't know how to get into

0:25:27.520 --> 0:25:29.960
<v Speaker 1>oh gosh, finding producers and writing and doing all of

0:25:30.000 --> 0:25:32.800
<v Speaker 1>the things, and and so I felt like I was

0:25:32.800 --> 0:25:35.280
<v Speaker 1>being pulled in multiple directions. Well you should just sing

0:25:35.280 --> 0:25:37.480
<v Speaker 1>ballads because you sing ballads really well, or well you

0:25:37.480 --> 0:25:39.080
<v Speaker 1>should do this, or well you should do this, Well,

0:25:39.080 --> 0:25:41.760
<v Speaker 1>you should just do pop because rock isn't really in

0:25:41.840 --> 0:25:43.320
<v Speaker 1>right now, so just be pop. And I was like,

0:25:43.680 --> 0:25:48.760
<v Speaker 1>just pop. So even into you know, being out of

0:25:48.760 --> 0:25:51.520
<v Speaker 1>the Voice, I felt like I had to fit into

0:25:51.600 --> 0:25:55.400
<v Speaker 1>some mold and honestly that lasted for a couple of years. Well,

0:25:55.440 --> 0:25:57.720
<v Speaker 1>I guess what am I supposed to be? Like? I mean,

0:25:57.760 --> 0:26:00.639
<v Speaker 1>I'm not supering a carpenter. I'm not around around it.

0:26:00.640 --> 0:26:02.560
<v Speaker 1>I loved them. I think they're both amazing, but that's

0:26:02.720 --> 0:26:04.679
<v Speaker 1>but that's not me, you know. So I was like,

0:26:04.760 --> 0:26:07.560
<v Speaker 1>so how do I how do I make myself fit?

0:26:07.600 --> 0:26:10.160
<v Speaker 1>And it just didn't work. It just simply didn't work.

0:26:10.160 --> 0:26:15.560
<v Speaker 1>And it wasn't until I really started pouring into social

0:26:15.640 --> 0:26:21.360
<v Speaker 1>media in twenty twenty three that something finally clicked. Because

0:26:21.560 --> 0:26:23.719
<v Speaker 1>I was so frustrated with social media I didn't want

0:26:23.720 --> 0:26:26.040
<v Speaker 1>to do it anymore. I was like, this is ridiculous.

0:26:26.400 --> 0:26:28.720
<v Speaker 1>Why is everything I do based on numbers? I can't

0:26:28.760 --> 0:26:30.720
<v Speaker 1>you know I don't have followers because I really didn't.

0:26:30.840 --> 0:26:33.520
<v Speaker 1>I mean I had like like twenty k from the

0:26:33.600 --> 0:26:38.560
<v Speaker 1>Voice on Instagram and what like seventy five k on

0:26:38.640 --> 0:26:41.040
<v Speaker 1>TikTok just from like some videos that my husband had

0:26:41.040 --> 0:26:43.280
<v Speaker 1>posted that went viral because it was a Disney video,

0:26:43.760 --> 0:26:47.400
<v Speaker 1>but for me and I didn't have any like fans

0:26:47.600 --> 0:26:49.399
<v Speaker 1>for lack of a better word, and so I just

0:26:49.480 --> 0:26:51.080
<v Speaker 1>I was like, I just I'm not gonna do this anymore.

0:26:51.320 --> 0:26:54.400
<v Speaker 1>And when I stopped trying and put forth the least

0:26:54.440 --> 0:26:57.040
<v Speaker 1>amount of effort and just stuck my phone in the

0:26:57.080 --> 0:26:59.680
<v Speaker 1>kitchen and put Brandon's phone here with a karaope track

0:26:59.680 --> 0:27:03.000
<v Speaker 1>and was making coffee, which is actually my life, Like

0:27:03.040 --> 0:27:05.639
<v Speaker 1>that's really what I do, you know, wasn't dulled up,

0:27:05.680 --> 0:27:07.680
<v Speaker 1>didn't have make it bond like walk around in sweats,

0:27:07.720 --> 0:27:12.679
<v Speaker 1>and everybody loved it. Even then, it took me a

0:27:12.720 --> 0:27:16.480
<v Speaker 1>while to understand, like, no, people just want to know you.

0:27:17.400 --> 0:27:20.639
<v Speaker 1>They just want to hear. They just want to hear using.

0:27:21.000 --> 0:27:23.439
<v Speaker 1>They don't want to see all the extra stuff, like

0:27:23.480 --> 0:27:25.600
<v Speaker 1>they want to get to know you. And so sure,

0:27:25.720 --> 0:27:28.360
<v Speaker 1>as an artist, you know, you'll continue to develop and elevate,

0:27:28.520 --> 0:27:30.800
<v Speaker 1>like the more successful that you get, and you can

0:27:30.880 --> 0:27:33.000
<v Speaker 1>create all of the things you want to create as

0:27:33.000 --> 0:27:34.560
<v Speaker 1>an artist, you know, and then you have the budget

0:27:34.560 --> 0:27:36.879
<v Speaker 1>to create it. One day, yeah, you know, from like

0:27:37.280 --> 0:27:40.040
<v Speaker 1>amazing one like one day my spectacles will be like

0:27:40.119 --> 0:27:43.119
<v Speaker 1>Lady Gagaz because I'll have a label paying for them hopefully,

0:27:43.240 --> 0:27:44.679
<v Speaker 1>or I'll be successful enough to be able to pay

0:27:44.680 --> 0:27:49.000
<v Speaker 1>for them myself, and like, you know, so you eventually

0:27:49.040 --> 0:27:53.159
<v Speaker 1>get there. But what I've loved is that people have

0:27:53.320 --> 0:27:56.359
<v Speaker 1>related to this, and I swear it's because in the song.

0:27:56.440 --> 0:27:59.440
<v Speaker 1>To bring it back around to the songwriting that I've

0:27:59.480 --> 0:28:02.560
<v Speaker 1>been doing has been more just of my story and

0:28:02.600 --> 0:28:05.800
<v Speaker 1>me just being real and while writing in a real way,

0:28:06.840 --> 0:28:09.239
<v Speaker 1>I've also been putting that in social media, being like

0:28:09.640 --> 0:28:12.359
<v Speaker 1>this is really who I am. So that way my

0:28:12.440 --> 0:28:15.119
<v Speaker 1>writing is consistent with what I present just as a

0:28:15.160 --> 0:28:15.680
<v Speaker 1>human being.

0:28:16.400 --> 0:28:19.280
<v Speaker 2>It makes total sense to me. And just real quick

0:28:19.480 --> 0:28:22.360
<v Speaker 2>back to your high school. Were you friends with all

0:28:22.440 --> 0:28:26.120
<v Speaker 2>the different groups of people, like, you know, the kids

0:28:26.240 --> 0:28:29.480
<v Speaker 2>in acting and then the kids playing sports and.

0:28:30.119 --> 0:28:32.080
<v Speaker 1>Yeah, yeah, I got along with everybody.

0:28:32.200 --> 0:28:36.760
<v Speaker 2>Yeah, because you had to, right, I had to, yeah.

0:28:35.760 --> 0:28:37.960
<v Speaker 1>For sure, and I and I wanted to. I wanted

0:28:37.960 --> 0:28:41.200
<v Speaker 1>to be everybody's friend because I really love people. But

0:28:41.360 --> 0:28:44.080
<v Speaker 1>you know, I would I remember specifically because I was

0:28:44.320 --> 0:28:47.400
<v Speaker 1>now I'm athletic. I was not athletic growing up, and

0:28:48.480 --> 0:28:52.360
<v Speaker 1>you know, I remember in eighth grade being forced to

0:28:52.440 --> 0:28:56.400
<v Speaker 1>play volleyball, and every single girl except for one and

0:28:56.440 --> 0:28:59.360
<v Speaker 1>she's still a friend of mine to this day. Every

0:28:59.440 --> 0:29:01.640
<v Speaker 1>girl like I want to be No, you can't be

0:29:01.680 --> 0:29:03.400
<v Speaker 1>on my team. You don't like you don't play like

0:29:03.480 --> 0:29:07.640
<v Speaker 1>you're not good. And they weren't literally in eighth grade,

0:29:08.160 --> 0:29:10.480
<v Speaker 1>just like passing the ball back and forth. We're not

0:29:10.480 --> 0:29:14.479
<v Speaker 1>about to go compete in a tournament. And they just

0:29:14.560 --> 0:29:17.520
<v Speaker 1>they were like, no, you suck at this. No you

0:29:17.560 --> 0:29:20.000
<v Speaker 1>can't play with me. And there was one girl that

0:29:20.120 --> 0:29:22.640
<v Speaker 1>was nice, and I was like, well, thank god, but

0:29:22.720 --> 0:29:25.400
<v Speaker 1>you were knives, you know, or I've been just awkward.

0:29:25.600 --> 0:29:27.320
<v Speaker 1>I did. So I was always like trying to be

0:29:27.360 --> 0:29:33.040
<v Speaker 1>friendly with all of the groups of people, but my

0:29:33.800 --> 0:29:36.520
<v Speaker 1>close friends, I mean I had maybe one or two maybe,

0:29:36.760 --> 0:29:38.239
<v Speaker 1>Like I think I still know what one or two

0:29:38.240 --> 0:29:39.800
<v Speaker 1>people are my school, Like.

0:29:40.040 --> 0:29:41.920
<v Speaker 2>They're the ones that keep you grounded no matter how

0:29:42.000 --> 0:29:46.240
<v Speaker 2>how you go in life. Is if you're fortunate enough

0:29:46.280 --> 0:29:49.800
<v Speaker 2>to be able to still keep those friendships from early

0:29:49.880 --> 0:29:53.680
<v Speaker 2>on that were really tight, you know, they show sure curious.

0:29:53.800 --> 0:29:56.400
<v Speaker 1>I really just became real friends with them in college.

0:29:56.760 --> 0:29:58.840
<v Speaker 1>We happened to go to those in high school, but

0:29:59.360 --> 0:30:01.440
<v Speaker 1>it wasn't until out of high school and going into

0:30:01.480 --> 0:30:03.400
<v Speaker 1>college that we were like, oh, hey.

0:30:03.640 --> 0:30:04.320
<v Speaker 2>Hey, I know you.

0:30:04.560 --> 0:30:08.160
<v Speaker 1>Hey, yeah, this is great you were nice to about Yeah

0:30:08.240 --> 0:30:08.560
<v Speaker 1>for real.

0:30:09.040 --> 0:30:12.120
<v Speaker 2>All right, So I'm I curious if there are any

0:30:12.200 --> 0:30:14.920
<v Speaker 2>rituals or routines that you do before you go on

0:30:15.000 --> 0:30:18.200
<v Speaker 2>stage to perform. I asked this question from some people.

0:30:18.200 --> 0:30:21.560
<v Speaker 2>I've got some interesting responses, Like Peter Gabriel told me

0:30:21.760 --> 0:30:23.360
<v Speaker 2>before he goes on stage, he has to go to

0:30:23.440 --> 0:30:23.960
<v Speaker 2>the bathroom.

0:30:25.240 --> 0:30:25.640
<v Speaker 1>That's it.

0:30:26.520 --> 0:30:28.640
<v Speaker 2>Yeah, he said something else a little more crass, but

0:30:28.680 --> 0:30:29.560
<v Speaker 2>I'm going to leave it at that.

0:30:29.760 --> 0:30:32.880
<v Speaker 1>I know, right, that's fair. Yeah, yeah, no, it would

0:30:33.440 --> 0:30:36.680
<v Speaker 1>That is true, especially with six because I'm the one

0:30:36.720 --> 0:30:39.760
<v Speaker 1>that gets dressed first, and we have half hours, so

0:30:40.200 --> 0:30:41.600
<v Speaker 1>we don't leave the stage for the hour and a

0:30:41.640 --> 0:30:45.719
<v Speaker 1>half and so a half hour before that, we're all scheduled,

0:30:46.520 --> 0:30:49.480
<v Speaker 1>except the show starts at seven. At six point thirty,

0:30:49.640 --> 0:30:53.480
<v Speaker 1>every queen has a specific time you get into dress

0:30:53.560 --> 0:30:56.280
<v Speaker 1>because we can't dress ourselves, like it's too complicated, So

0:30:56.360 --> 0:30:59.040
<v Speaker 1>we have dressers that put us in costume. Yeah, and

0:30:59.080 --> 0:31:02.280
<v Speaker 1>then a wig prep and so it's all holding. But yeah,

0:31:02.320 --> 0:31:03.720
<v Speaker 1>you actually have to time out when you go to

0:31:03.800 --> 0:31:06.560
<v Speaker 1>the restroom because you're drinking water. Because it's trying to

0:31:06.560 --> 0:31:09.160
<v Speaker 1>take like you're trying to say, hydrate it, but you

0:31:09.320 --> 0:31:10.800
<v Speaker 1>can't go to the bathroom in the middle of the show.

0:31:10.920 --> 0:31:13.520
<v Speaker 2>No strategic snaps anywhere in the yard, No.

0:31:14.080 --> 0:31:17.479
<v Speaker 1>None, none, You're just like, well, you are strapped in

0:31:17.480 --> 0:31:19.720
<v Speaker 1>into three pairs of tights an a leotard, and the

0:31:19.800 --> 0:31:23.320
<v Speaker 1>posters spilt push you on stage. Good luck, come on,

0:31:23.600 --> 0:31:27.160
<v Speaker 1>like all right, but I mean outside of it, so

0:31:27.200 --> 0:31:30.760
<v Speaker 1>he is right outside of that. Vocally warm up probably

0:31:30.760 --> 0:31:33.840
<v Speaker 1>like thirty forty minutes. While I'm doing my makeup, I

0:31:33.960 --> 0:31:35.880
<v Speaker 1>have to do a physical dynamic warm up because I

0:31:35.880 --> 0:31:40.840
<v Speaker 1>mean we're doing tuck jumps in heels, so it's it's

0:31:40.880 --> 0:31:42.440
<v Speaker 1>a lot, so I have to make sure my body

0:31:42.480 --> 0:31:46.920
<v Speaker 1>is physically warm as well as my voice. So those

0:31:46.920 --> 0:31:50.800
<v Speaker 1>are the two like biggest I guess rituals you would say.

0:31:51.120 --> 0:31:53.280
<v Speaker 1>But as a group, once we get on stage, all

0:31:53.320 --> 0:31:55.000
<v Speaker 1>six of us, like, we'll all stand in a circle

0:31:55.040 --> 0:31:57.840
<v Speaker 1>and hold hands and we'll all try to synchronize our

0:31:57.880 --> 0:32:02.680
<v Speaker 1>breathing and we'll say one. Someone else has to say two, three,

0:32:02.760 --> 0:32:04.480
<v Speaker 1>four or five, six until we get to six. But

0:32:04.520 --> 0:32:05.640
<v Speaker 1>if we say it at the same time, we have

0:32:05.680 --> 0:32:06.120
<v Speaker 1>to start over.

0:32:07.000 --> 0:32:10.000
<v Speaker 2>Oh that's cool, except for when the curtain goes up

0:32:10.040 --> 0:32:17.200
<v Speaker 2>and you're still back there. Well, thank you for that

0:32:17.400 --> 0:32:21.120
<v Speaker 2>insight into it. It's always interesting to hear all of

0:32:21.160 --> 0:32:23.840
<v Speaker 2>that stuff because you know, we live vicariously through you,

0:32:24.920 --> 0:32:27.200
<v Speaker 2>especially both of us who would love to do that

0:32:27.440 --> 0:32:33.120
<v Speaker 2>type of work. In terms of advocacy, let's talk about

0:32:33.200 --> 0:32:36.560
<v Speaker 2>the impact of what you do. You've used your platform

0:32:36.640 --> 0:32:39.840
<v Speaker 2>about mental health. I think I may have touched a

0:32:39.840 --> 0:32:42.560
<v Speaker 2>bit on this up front with your brother, But why

0:32:42.680 --> 0:32:46.160
<v Speaker 2>is this cause specifically so important to you?

0:32:47.480 --> 0:32:50.480
<v Speaker 1>I think it's important to me because it is so taboo,

0:32:51.400 --> 0:32:55.800
<v Speaker 1>because there's such a lack of Now there's a conversation

0:32:55.880 --> 0:32:59.160
<v Speaker 1>around it, but for a very long time there has

0:32:59.200 --> 0:33:02.680
<v Speaker 1>not been a conversation around it because it makes people uncomfortable.

0:33:02.920 --> 0:33:07.080
<v Speaker 1>And I get it. It's not a fun topic to discuss.

0:33:07.960 --> 0:33:10.320
<v Speaker 1>You know. When I went to do an event for

0:33:10.520 --> 0:33:15.400
<v Speaker 1>DDE hirsh and nine eight eight and performed and went

0:33:15.440 --> 0:33:17.840
<v Speaker 1>there and you see all these people and every person

0:33:17.880 --> 0:33:20.960
<v Speaker 1>there is either a survivor of suicide or has lost

0:33:20.960 --> 0:33:27.040
<v Speaker 1>somebody to suicide, and it's incredibly sad. It's it's very sad,

0:33:27.120 --> 0:33:29.720
<v Speaker 1>and you're you're there to create awareness and to bring

0:33:30.440 --> 0:33:33.080
<v Speaker 1>like make a change. But it's also it's a heavy topic,

0:33:33.560 --> 0:33:35.520
<v Speaker 1>you know, because there's so much more that goes into it.

0:33:35.800 --> 0:33:39.160
<v Speaker 1>And then I feel like until the last until recently,

0:33:39.240 --> 0:33:41.160
<v Speaker 1>until over the last few years, there's been a lack

0:33:41.160 --> 0:33:45.680
<v Speaker 1>of education around it. So I think the more you

0:33:45.880 --> 0:33:49.880
<v Speaker 1>educate people, it just starts more of a conversation and

0:33:49.920 --> 0:33:54.080
<v Speaker 1>then if somebody is struggling with depression, they feel more

0:33:54.120 --> 0:33:58.440
<v Speaker 1>comfortable to say something's weird, like I think I need

0:33:58.440 --> 0:34:01.320
<v Speaker 1>to talk to somebody. And the people that reach out

0:34:01.360 --> 0:34:07.480
<v Speaker 1>to me and my family is not less. Still, people

0:34:07.520 --> 0:34:11.240
<v Speaker 1>reach out all the time. My dad goes and speaks

0:34:11.280 --> 0:34:14.000
<v Speaker 1>to different youth groups. I'll get asked to do podcasts

0:34:14.040 --> 0:34:19.359
<v Speaker 1>about it. It's just a it's a conversation that didn't

0:34:19.400 --> 0:34:21.480
<v Speaker 1>happen as much as I can get needed to. And

0:34:21.560 --> 0:34:23.239
<v Speaker 1>the more people talk about it, the less people so

0:34:23.320 --> 0:34:24.520
<v Speaker 1>awkward about it. You know.

0:34:25.120 --> 0:34:28.160
<v Speaker 2>Yeah, absolutely, And he said it's a very tough thing

0:34:29.080 --> 0:34:32.680
<v Speaker 2>and it's not fun. But I think when those people

0:34:32.880 --> 0:34:35.279
<v Speaker 2>listening to you, hearing what you have to say, it

0:34:35.360 --> 0:34:38.719
<v Speaker 2>might actually turn into something that's a more positive thing

0:34:38.800 --> 0:34:42.160
<v Speaker 2>for them. The minute they know, oh that happens to you,

0:34:43.160 --> 0:34:48.359
<v Speaker 2>were you this it's amazing. What message do you hope

0:34:48.360 --> 0:34:51.200
<v Speaker 2>that listeners take away from your music and your story.

0:34:52.400 --> 0:34:55.200
<v Speaker 1>I hope listeners take away the fact that they belong,

0:34:56.360 --> 0:34:59.040
<v Speaker 1>that there is hope that they can make it.

0:35:00.680 --> 0:35:03.640
<v Speaker 2>Have you heard from fans who have been impacted by

0:35:03.680 --> 0:35:06.960
<v Speaker 2>your music and can you share a couple of those

0:35:07.000 --> 0:35:07.799
<v Speaker 2>stories with us?

0:35:08.560 --> 0:35:12.440
<v Speaker 1>Yeah, gosh, it's It's always the coolest thing to have

0:35:12.600 --> 0:35:16.760
<v Speaker 1>people tell me that they've been moved by something I've written,

0:35:17.239 --> 0:35:19.440
<v Speaker 1>something I've sung, you know, And it's one thing I

0:35:19.480 --> 0:35:23.400
<v Speaker 1>will say online people are really really kind to me.

0:35:24.040 --> 0:35:27.520
<v Speaker 1>I'm very blessed to have people be mostly kind on

0:35:27.560 --> 0:35:30.600
<v Speaker 1>Instagram and TikTok. So that's so it's always very cool

0:35:30.600 --> 0:35:33.560
<v Speaker 1>to see people's comments about the songs. Like my brother's

0:35:33.560 --> 0:35:36.480
<v Speaker 1>anniversary was in May and so that I re shared

0:35:36.560 --> 0:35:38.839
<v Speaker 1>the music video that I had done for him, and

0:35:39.719 --> 0:35:44.520
<v Speaker 1>people just concept like I lost my mom, I lost

0:35:44.560 --> 0:35:46.719
<v Speaker 1>my brother, I lost my dad, I survived, like I mean,

0:35:46.800 --> 0:35:49.480
<v Speaker 1>just tons. But what's really cool is when I meet

0:35:49.560 --> 0:35:52.799
<v Speaker 1>somebody in person and they tell me in person and

0:35:53.680 --> 0:35:55.799
<v Speaker 1>it happens a lot. Crazy enough, it happens a lot

0:35:55.800 --> 0:35:58.640
<v Speaker 1>in New York, and I get this is this still

0:35:58.680 --> 0:36:00.279
<v Speaker 1>freaks me out in the coolest way, not in a

0:36:00.280 --> 0:36:02.200
<v Speaker 1>bad way, but it freaks me out. Let's wait, because

0:36:02.360 --> 0:36:05.440
<v Speaker 1>I don't expect people to know who I am. I

0:36:05.800 --> 0:36:08.640
<v Speaker 1>just I just don't. And what's nuts is in New

0:36:08.719 --> 0:36:12.080
<v Speaker 1>York City, of all places, I get recognized more from

0:36:12.120 --> 0:36:14.880
<v Speaker 1>TikTok and Instagram than I do and like that I

0:36:14.920 --> 0:36:17.120
<v Speaker 1>ever have people will come up and they're like, oh,

0:36:17.160 --> 0:36:19.080
<v Speaker 1>I follow you and your last and oh my gosh,

0:36:19.160 --> 0:36:21.600
<v Speaker 1>I'm like, oh, bychay, you know, and so it's always

0:36:21.600 --> 0:36:24.200
<v Speaker 1>like so cool. But at the stage door, specifically, I

0:36:24.239 --> 0:36:26.880
<v Speaker 1>do my best after every show to go out to

0:36:26.920 --> 0:36:29.360
<v Speaker 1>the stage door to sign playbills. The only reason I

0:36:29.360 --> 0:36:30.920
<v Speaker 1>won't go out is if I'm actually sick or my

0:36:31.000 --> 0:36:32.759
<v Speaker 1>voice is kind of off. But I try to go

0:36:32.760 --> 0:36:35.520
<v Speaker 1>out after every show. And I had a girl tell

0:36:35.560 --> 0:36:41.880
<v Speaker 1>me one time because the interactions are typically brief, but

0:36:41.920 --> 0:36:44.000
<v Speaker 1>I took a second and she said, I just need

0:36:44.000 --> 0:36:45.840
<v Speaker 1>to say thank you for what you wrote about your brother,

0:36:46.160 --> 0:36:48.680
<v Speaker 1>because I tried to take my life and thankfully I

0:36:48.719 --> 0:36:51.759
<v Speaker 1>didn't succeed, but it helps to know I'm not the

0:36:51.760 --> 0:36:54.880
<v Speaker 1>only one. And it just like stopped me in my

0:36:54.960 --> 0:36:57.719
<v Speaker 1>tracks because I would I never thought that something I

0:36:57.719 --> 0:36:59.440
<v Speaker 1>would write or say like that would make such an

0:36:59.440 --> 0:37:02.319
<v Speaker 1>impact on somebody else. But that is the goal, you know,

0:37:02.360 --> 0:37:06.719
<v Speaker 1>That's that's the goal of what I want to be

0:37:06.760 --> 0:37:09.319
<v Speaker 1>able to tell people. And then I have another one

0:37:09.360 --> 0:37:12.240
<v Speaker 1>that's about you know, female empowerment and like finding yourself

0:37:12.239 --> 0:37:14.320
<v Speaker 1>worth again and loving yourself. It's called look What You Missed.

0:37:14.360 --> 0:37:16.200
<v Speaker 1>And I had a girl tell me the other day,

0:37:16.200 --> 0:37:18.440
<v Speaker 1>she's like, that is my favorite song I get to

0:37:18.480 --> 0:37:20.359
<v Speaker 1>be awesome And she's like, oh my gosh, she need

0:37:20.480 --> 0:37:24.680
<v Speaker 1>like twelve and I'm like, what, this is so cool?

0:37:24.760 --> 0:37:28.720
<v Speaker 1>I mean so so, I've had multiple moments where people

0:37:28.800 --> 0:37:32.080
<v Speaker 1>are talking to me at the stage door about my music,

0:37:33.120 --> 0:37:35.719
<v Speaker 1>and that is the coolest thing this is.

0:37:35.719 --> 0:37:38.759
<v Speaker 2>I feel like they're talking to someone else else. Do

0:37:38.920 --> 0:37:41.160
<v Speaker 2>you feel sort of like what you know?

0:37:41.480 --> 0:37:45.280
<v Speaker 1>Actually eat right? Twilight tone? Still yeah, I'm so serious.

0:37:45.320 --> 0:37:49.920
<v Speaker 1>I'm like, wait, really yeah cool? Oh my gosh, how amazing.

0:37:50.320 --> 0:37:52.560
<v Speaker 1>So I knows. What I'm hoping that this next song

0:37:52.600 --> 0:37:57.000
<v Speaker 1>does is that it reaches just an absurd amount of people,

0:37:57.760 --> 0:38:02.000
<v Speaker 1>so that way that message can actually scope. That's the goal.

0:38:02.400 --> 0:38:03.479
<v Speaker 1>I love. That's so much.

0:38:04.160 --> 0:38:08.280
<v Speaker 2>Are there any dream collaborations or projects that you hope

0:38:08.320 --> 0:38:09.280
<v Speaker 2>to pursue.

0:38:08.920 --> 0:38:13.040
<v Speaker 1>In the future. Oh absolutely, besides the stage like Lady

0:38:13.040 --> 0:38:17.360
<v Speaker 1>Gaga's I know, yeah, yeah, yeah, I would love to

0:38:17.360 --> 0:38:21.040
<v Speaker 1>do a collaboration with someone like Jelly Roll. I think

0:38:21.080 --> 0:38:25.799
<v Speaker 1>that would be so cool. I think he's awesome. To

0:38:25.880 --> 0:38:29.120
<v Speaker 1>work with someone like Pink or Rihanna would also be

0:38:29.320 --> 0:38:32.920
<v Speaker 1>very very cool. I know I'm dreaming big here, no

0:38:33.120 --> 0:38:35.280
<v Speaker 1>put it out there, come on, I know we're dreaming

0:38:35.760 --> 0:38:40.480
<v Speaker 1>really big here. So you know, I also am like,

0:38:41.400 --> 0:38:43.439
<v Speaker 1>there's there's just so many I mean, I'm a huge

0:38:43.480 --> 0:38:46.839
<v Speaker 1>fan of Billie Eilish, Ariana Grande like so as far

0:38:46.840 --> 0:38:49.680
<v Speaker 1>as collaborations, and even Lady Gaga would be just a

0:38:49.840 --> 0:38:52.680
<v Speaker 1>dream and such a fan of hers. So there's a

0:38:52.680 --> 0:38:55.960
<v Speaker 1>lot of artists I would love to collaborate with. But

0:38:56.120 --> 0:39:00.200
<v Speaker 1>another dream would be to originator role on Broadway. Oh so,

0:39:00.400 --> 0:39:03.960
<v Speaker 1>now that I'm in it, I've actually fallen in love

0:39:04.000 --> 0:39:07.000
<v Speaker 1>with it. You got the bug I do and so

0:39:07.160 --> 0:39:09.880
<v Speaker 1>much fun. I'm like, this is but great. So I

0:39:09.920 --> 0:39:13.880
<v Speaker 1>think it would be really cool too if the greatest

0:39:13.880 --> 0:39:16.879
<v Speaker 1>showman ever went in to Broadway and actually like came

0:39:16.920 --> 0:39:19.080
<v Speaker 1>to the States to be able to be in something

0:39:19.080 --> 0:39:21.680
<v Speaker 1>like that would be so fun, so cool. So I mean,

0:39:22.400 --> 0:39:25.359
<v Speaker 1>you know, really big dreams and you know, I want

0:39:25.360 --> 0:39:28.040
<v Speaker 1>to tour. I want to do it world tour and

0:39:28.120 --> 0:39:31.319
<v Speaker 1>be able to you know, sell out arenas and stadiums,

0:39:31.360 --> 0:39:34.200
<v Speaker 1>and you know that is that is the goal. And

0:39:34.239 --> 0:39:36.040
<v Speaker 1>not just for me. I mean like it would be

0:39:36.080 --> 0:39:38.240
<v Speaker 1>super cool to perform for that many people, but also

0:39:38.320 --> 0:39:40.320
<v Speaker 1>because I'm like, if I'm at that level, that means

0:39:40.719 --> 0:39:43.319
<v Speaker 1>that many people are hearing how much they matter. Yeah.

0:39:43.440 --> 0:39:49.240
<v Speaker 2>Yeah, Not to change the subject, I did have another

0:39:49.320 --> 0:39:51.759
<v Speaker 2>question for you about advice. Well, let me ask that

0:39:52.719 --> 0:39:54.239
<v Speaker 2>if you were going to give some advice to someone

0:39:54.239 --> 0:39:57.600
<v Speaker 2>who's struggling right now, and not just struggling, say with

0:39:58.160 --> 0:40:02.440
<v Speaker 2>the problems that sort of inspire tired you in your life,

0:40:02.440 --> 0:40:05.480
<v Speaker 2>with your brother, just any problem, what kind of advice

0:40:05.680 --> 0:40:06.359
<v Speaker 2>would you give?

0:40:07.719 --> 0:40:13.359
<v Speaker 1>I would say anytime I personally am struggling, whether that

0:40:13.440 --> 0:40:22.240
<v Speaker 1>be feeling lonely, overwhelmed, sad, distant, like finding yourself someone

0:40:22.280 --> 0:40:25.480
<v Speaker 1>to be grounded with, I think is so important. I

0:40:25.480 --> 0:40:29.839
<v Speaker 1>think community is so important. And people that are in

0:40:29.880 --> 0:40:32.719
<v Speaker 1>your same industry is it's really helpful that people in

0:40:32.719 --> 0:40:36.000
<v Speaker 1>your same industry because they get it, they understand, they understand,

0:40:36.000 --> 0:40:38.080
<v Speaker 1>So even if it's just it's just one person. You

0:40:38.080 --> 0:40:39.680
<v Speaker 1>don't have to have an army, You just need just

0:40:39.760 --> 0:40:44.600
<v Speaker 1>one that you can really hunker down with and be like, hey,

0:40:44.800 --> 0:40:48.400
<v Speaker 1>I am not okay and then be able to just

0:40:48.440 --> 0:40:51.480
<v Speaker 1>sit there with you, you know, and not just try

0:40:51.480 --> 0:40:54.000
<v Speaker 1>to fix it. But I think for me, that's that's

0:40:54.040 --> 0:40:56.240
<v Speaker 1>been the most healing is having someone like my husband

0:40:56.840 --> 0:41:00.799
<v Speaker 1>who I can just be not okay with and that

0:41:00.920 --> 0:41:02.960
<v Speaker 1>is okay. And I'm blessed enough to have quite a

0:41:02.960 --> 0:41:05.719
<v Speaker 1>few friends that are really that awesome as well. So

0:41:06.600 --> 0:41:09.680
<v Speaker 1>I would say anyone that's struggling to find a community,

0:41:09.800 --> 0:41:13.240
<v Speaker 1>you know what, mom, dad, sister, brother, I mean, just anyone,

0:41:13.360 --> 0:41:15.080
<v Speaker 1>at least just one person is all you need.

0:41:15.640 --> 0:41:21.520
<v Speaker 2>Oh that's amazing advice. Because the more successful you become,

0:41:22.160 --> 0:41:26.520
<v Speaker 2>the less you find people. It's hard to find people

0:41:26.600 --> 0:41:29.920
<v Speaker 2>who are happy for your success.

0:41:29.960 --> 0:41:32.680
<v Speaker 1>I know that sounds crazy but now, but it's it's real.

0:41:33.120 --> 0:41:36.759
<v Speaker 2>So yeah, at any mentors or or somebody that you

0:41:36.760 --> 0:41:39.520
<v Speaker 2>can just talk to me. But seriously, if it is

0:41:39.600 --> 0:41:43.000
<v Speaker 2>part of your profession, that definitely helps or in whatever

0:41:43.000 --> 0:41:47.160
<v Speaker 2>you're doing in life. But yeah, great advice. Okay, So

0:41:47.800 --> 0:41:50.120
<v Speaker 2>what song or artists have you had?

0:41:50.160 --> 0:41:51.040
<v Speaker 1>Do you have right?

0:41:51.080 --> 0:41:53.920
<v Speaker 2>Now I have I Get a Try by Michael McDonald.

0:41:53.960 --> 0:41:56.080
<v Speaker 2>I don't know if you're familiar with the song.

0:41:56.200 --> 0:41:57.200
<v Speaker 1>Sort of yacht rocky.

0:41:57.880 --> 0:42:00.680
<v Speaker 2>I love it, but it's like my favorite, even though

0:42:00.760 --> 0:42:02.520
<v Speaker 2>people say it's not a genre and it was made

0:42:02.560 --> 0:42:03.120
<v Speaker 2>up or whatever.

0:42:04.000 --> 0:42:07.759
<v Speaker 1>Never cares. What song do you have on repeat? It's

0:42:07.800 --> 0:42:11.560
<v Speaker 1>going to be a terrible answer. What nothing's terrible? Well no, no,

0:42:11.600 --> 0:42:13.000
<v Speaker 1>it's going to be a terrible answer because it's not

0:42:13.040 --> 0:42:17.319
<v Speaker 1>an answer. Okay. So as as a singer, it was

0:42:17.360 --> 0:42:21.680
<v Speaker 1>constantly surrounded by music. I rarely listen to music.

0:42:22.440 --> 0:42:23.920
<v Speaker 2>I'm not surprised by that at all.

0:42:24.080 --> 0:42:26.759
<v Speaker 1>Yeah. I listened to a lot of podcasts, I listened

0:42:26.760 --> 0:42:31.040
<v Speaker 1>to audiobooks. Sometimes I just sit in silence. But I

0:42:31.040 --> 0:42:35.440
<v Speaker 1>don't have a song that I'm constantly, like constantly listening

0:42:35.480 --> 0:42:37.600
<v Speaker 1>to like that, I'm like, oh, yeah, let's go. I

0:42:37.640 --> 0:42:38.880
<v Speaker 1>mean I have a gym playlist.

0:42:39.320 --> 0:42:41.759
<v Speaker 2>Well, if you hear something, for example, like for I

0:42:41.920 --> 0:42:43.520
<v Speaker 2>just heard that and I hadn't heard it in a

0:42:43.520 --> 0:42:44.759
<v Speaker 2>long time, so I just have it on.

0:42:45.120 --> 0:42:46.800
<v Speaker 1>I just listened to it over and over again.

0:42:46.960 --> 0:42:49.880
<v Speaker 2>Agnauseium you know, for the day or the hour or

0:42:49.960 --> 0:42:52.799
<v Speaker 2>blasted in the car doesn't have to be you know,

0:42:53.280 --> 0:42:56.080
<v Speaker 2>strict answer, like if you looked on your phone right now,

0:42:56.160 --> 0:42:57.000
<v Speaker 2>what was the last.

0:42:56.760 --> 0:43:00.160
<v Speaker 1>Song you played? Let's see, Oh, here we go, We're

0:43:00.160 --> 0:43:02.200
<v Speaker 1>going right to do to day. I love it. I

0:43:02.239 --> 0:43:07.640
<v Speaker 1>would say, let's see what is it it is? If

0:43:07.680 --> 0:43:11.120
<v Speaker 1>you want perfection from Death Becomes Her? Wow, there is

0:43:11.600 --> 0:43:15.120
<v Speaker 1>was the last thing Michelle Williams I've played on. I

0:43:15.160 --> 0:43:17.040
<v Speaker 1>had just gone to see Death Becomes Her and I

0:43:17.080 --> 0:43:21.480
<v Speaker 1>looked up the the soundtrack because, oh my gosh, was

0:43:21.520 --> 0:43:27.080
<v Speaker 1>it incredible? Absolutely phenomenal. But one of my favorites. I

0:43:27.080 --> 0:43:29.600
<v Speaker 1>think I could always listen to Forever and Always is

0:43:29.680 --> 0:43:30.800
<v Speaker 1>River by Bishop Briggs.

0:43:31.440 --> 0:43:34.200
<v Speaker 2>Oh awesome. Awesome artists too.

0:43:36.120 --> 0:43:39.160
<v Speaker 1>Like that. Just oh I'm like so good.

0:43:39.600 --> 0:43:42.440
<v Speaker 2>Yeah, my husband and I absolutely love her. We crank

0:43:42.520 --> 0:43:44.120
<v Speaker 2>that up in the car. You gotta have a good

0:43:44.160 --> 0:43:46.520
<v Speaker 2>stereo because otherwise don't even bother listening.

0:43:46.800 --> 0:43:50.040
<v Speaker 1>Yeah, yeah, I know, yeah, but I would say that

0:43:50.040 --> 0:43:51.680
<v Speaker 1>that's when I could listen to for Forever and Always

0:43:51.680 --> 0:43:52.840
<v Speaker 1>and never get tired.

0:43:52.600 --> 0:43:55.399
<v Speaker 2>Of awesome and you know, don't feel like it's weird

0:43:55.440 --> 0:43:57.760
<v Speaker 2>because I interviewed. I don't know if you know country

0:43:57.840 --> 0:44:02.200
<v Speaker 2>artists by the name of Craig Morgan, Yes, and yeah,

0:44:02.239 --> 0:44:05.279
<v Speaker 2>so he said the same thing. You know, I do

0:44:05.600 --> 0:44:08.680
<v Speaker 2>this for my job, but I don't use it for

0:44:08.800 --> 0:44:12.280
<v Speaker 2>myself personally, and I don't really have time to listen.

0:44:13.719 --> 0:44:16.680
<v Speaker 1>And it sounds odd, but it doesn't sound so odd

0:44:16.680 --> 0:44:18.200
<v Speaker 1>because people like, oh, well, you're a artist, you must

0:44:18.200 --> 0:44:21.719
<v Speaker 1>listen to music all the time, and I'm like, yeah, yeah,

0:44:21.760 --> 0:44:26.440
<v Speaker 1>but not for fun. Yeah, it's a shame because there's

0:44:26.480 --> 0:44:28.319
<v Speaker 1>so much amazing music out there. And as somebody comes

0:44:28.320 --> 0:44:31.520
<v Speaker 1>out with an album and and I'm everybody talks about it.

0:44:31.520 --> 0:44:34.600
<v Speaker 1>Of course I'm going to go listen to it. But yeah, totally,

0:44:34.760 --> 0:44:36.200
<v Speaker 1>it's just different. It's so different.

0:44:36.880 --> 0:44:38.160
<v Speaker 2>I don't want to let you go. I have one

0:44:38.160 --> 0:44:42.040
<v Speaker 2>more question. If you could perform anywhere in the world,

0:44:43.480 --> 0:44:45.920
<v Speaker 2>where would it be and why?

0:44:46.120 --> 0:44:50.120
<v Speaker 1>Hmm? I would say rock and Rio and Brazil.

0:44:50.320 --> 0:44:51.960
<v Speaker 2>Oh, great answer.

0:44:52.480 --> 0:44:54.880
<v Speaker 1>That is where I would want to perform because those

0:44:54.960 --> 0:45:03.200
<v Speaker 1>fans are incredible. They are absolutely incredible. I just have

0:45:03.520 --> 0:45:06.440
<v Speaker 1>such a love for the people in Brazil. I did

0:45:06.520 --> 0:45:07.000
<v Speaker 1>you see that.

0:45:07.000 --> 0:45:09.520
<v Speaker 2>Video on the beach where like millions of people went

0:45:09.560 --> 0:45:11.000
<v Speaker 2>to go see Gaga perform.

0:45:11.239 --> 0:45:15.239
<v Speaker 1>Yes, Holy cow, that's now. That is insane. I was like, like,

0:45:15.400 --> 0:45:17.879
<v Speaker 1>is that real? It looked almost like AI, but it wasn't.

0:45:17.920 --> 0:45:21.399
<v Speaker 1>But I was like, oh, that's crazy. But I did

0:45:21.440 --> 0:45:24.360
<v Speaker 1>get to. I toured with Josh Stone for a little

0:45:24.400 --> 0:45:31.960
<v Speaker 1>bit and we played the Town Festival in uh Stapallo

0:45:32.960 --> 0:45:36.040
<v Speaker 1>and it was it's just so cool to see how

0:45:36.120 --> 0:45:39.160
<v Speaker 1>much those fans love music. I feel like going internationally.

0:45:39.160 --> 0:45:41.040
<v Speaker 1>I would also love to go to Asia. I would

0:45:41.160 --> 0:45:44.640
<v Speaker 1>love to go perform in Asia. They just love music

0:45:45.120 --> 0:45:48.080
<v Speaker 1>and they love artists, and so I think it'd be

0:45:48.120 --> 0:45:50.680
<v Speaker 1>a lot of fun to perform for them.

0:45:50.760 --> 0:45:54.080
<v Speaker 2>Well, I know they would love They love you, and

0:45:54.719 --> 0:45:57.840
<v Speaker 2>something I don't know tells me that you will be

0:45:58.080 --> 0:45:58.520
<v Speaker 2>very soon.

0:45:59.680 --> 0:46:03.120
<v Speaker 1>It's it's going to happen. I play out there. Yeah,

0:46:03.160 --> 0:46:04.080
<v Speaker 1>And isn't that funny?

0:46:04.560 --> 0:46:08.279
<v Speaker 2>One percent of people write down their goals, But interestingly enough,

0:46:08.280 --> 0:46:10.759
<v Speaker 2>when you write them down, they have a funny way

0:46:10.800 --> 0:46:16.080
<v Speaker 2>of happening. Keep writing those songs. Kelsey Watts, thank you

0:46:16.160 --> 0:46:18.280
<v Speaker 2>so much for sharing your time with us on music.

0:46:18.320 --> 0:46:20.440
<v Speaker 2>Save me today and best of luck with everything in

0:46:20.480 --> 0:46:22.360
<v Speaker 2>the future, and please come back and see us again.

0:46:22.880 --> 0:46:24.440
<v Speaker 1>Oh my gosh, of course, thank you for having me.

0:46:24.600 --> 0:46:26.360
<v Speaker 1>I have blasts. I don't want to let you go.

0:46:27.080 --> 0:46:31.640
<v Speaker 1>It's been a wonderful conversation my soul sister. Thank you

0:46:31.680 --> 0:46:32.120
<v Speaker 1>so much,