1 00:00:00,440 --> 00:00:02,920 Speaker 1: Music Saved Me because writing is personal. It's all about 2 00:00:02,960 --> 00:00:05,480 Speaker 1: the song. You know, I can sing my face off, 3 00:00:05,519 --> 00:00:08,520 Speaker 1: but if I'm singing for no reason and like there's 4 00:00:08,560 --> 00:00:10,680 Speaker 1: no meaning behind what I'm singing, nobody's gonna feel anything. 5 00:00:10,680 --> 00:00:13,280 Speaker 1: So it doesn't matter how boring. I would get tired 6 00:00:13,320 --> 00:00:14,000 Speaker 1: of me singing like that. 7 00:00:14,240 --> 00:00:17,480 Speaker 2: Welcome to another episode of the Music Saved Me Podcast, 8 00:00:17,520 --> 00:00:20,920 Speaker 2: where we explore the profound ways that music connects art 9 00:00:21,280 --> 00:00:24,360 Speaker 2: to emotional healing and shines a light on the stories 10 00:00:24,360 --> 00:00:27,120 Speaker 2: of artists who have been personally impacted by its power. 11 00:00:27,560 --> 00:00:30,360 Speaker 2: I'm your host, Lynn Hoffman, and welcome to the show. Today, 12 00:00:30,400 --> 00:00:34,680 Speaker 2: we are so thrilled to welcome singer, songwriter and Broadway 13 00:00:34,760 --> 00:00:36,680 Speaker 2: performer Kelsey Watts. 14 00:00:37,280 --> 00:00:37,600 Speaker 1: Now. 15 00:00:37,760 --> 00:00:41,040 Speaker 2: You may know Kelsey from her viral performances on a 16 00:00:41,080 --> 00:00:45,159 Speaker 2: little show called NBC's The Voice, where her powerhouse vocals 17 00:00:45,200 --> 00:00:48,440 Speaker 2: and heartfelt artistry earned her a spot on Team Kelly 18 00:00:48,920 --> 00:00:52,760 Speaker 2: and millions of fans worldwide. But Kelsey's journey with music 19 00:00:52,800 --> 00:00:55,840 Speaker 2: goes far beyond the stage and the spotlight. She was 20 00:00:55,880 --> 00:00:58,279 Speaker 2: born into a musical family and has been using her 21 00:00:58,360 --> 00:01:02,080 Speaker 2: voice not only to entertain, but also to heal, which 22 00:01:02,120 --> 00:01:05,480 Speaker 2: is such a beautiful thing both herself and others through 23 00:01:05,520 --> 00:01:10,000 Speaker 2: original songs that tackle themes of loss, resilience. 24 00:01:09,720 --> 00:01:10,399 Speaker 1: And hope. 25 00:01:10,880 --> 00:01:15,199 Speaker 2: Kelsey's advocacy for mental health is deeply personal. After losing 26 00:01:15,200 --> 00:01:18,680 Speaker 2: her brother to depression, she channeled her grief into songwriting, 27 00:01:19,080 --> 00:01:22,720 Speaker 2: creating moving tracks like I Can't Say Goodbye that offer 28 00:01:22,840 --> 00:01:27,080 Speaker 2: comfort and solidarity to anyone struggling with loss or emotional pain. 29 00:01:27,560 --> 00:01:30,000 Speaker 2: Her story is a testament to how music can be 30 00:01:30,040 --> 00:01:33,679 Speaker 2: a lifeline in our darkest moments, a message that truly 31 00:01:33,720 --> 00:01:37,880 Speaker 2: resonates at the core of this podcast. In this episode, 32 00:01:37,959 --> 00:01:41,200 Speaker 2: Kelsey opens up about her creative process, her experiences on 33 00:01:41,280 --> 00:01:44,320 Speaker 2: Broadway and the Voice, and how music's been a source 34 00:01:44,360 --> 00:01:47,320 Speaker 2: of healing and connection throughout her life. Now, whether you're 35 00:01:47,319 --> 00:01:49,920 Speaker 2: an artist or a fan, we sure do you hope 36 00:01:49,960 --> 00:01:52,960 Speaker 2: Kelsey's journey inspires you and reminds you that you are 37 00:01:53,120 --> 00:01:57,280 Speaker 2: never alone no matter what you're facing. Let's dive into 38 00:01:57,320 --> 00:02:01,440 Speaker 2: this honest and uplifting conversation with the beautiful and incredibly 39 00:02:01,480 --> 00:02:05,080 Speaker 2: talented Kelsey Watts on Music Save Me. Kelsey, Welcome to 40 00:02:05,120 --> 00:02:07,080 Speaker 2: the show. It is wonderful to have you here. 41 00:02:07,680 --> 00:02:10,440 Speaker 1: Hi, Oh my gosh, thank you. What an intro. My word. 42 00:02:10,800 --> 00:02:14,120 Speaker 2: Well, I was so kind, very deservant of it, But 43 00:02:14,760 --> 00:02:19,200 Speaker 2: certainly I'd love to start with the beginning in your 44 00:02:19,200 --> 00:02:23,640 Speaker 2: early influences. Can you tell us about your earliest memories 45 00:02:23,760 --> 00:02:26,440 Speaker 2: of music and how it became such an important part 46 00:02:26,480 --> 00:02:27,920 Speaker 2: of your life. 47 00:02:27,960 --> 00:02:31,799 Speaker 1: Of course, I really feel so cliche every single time 48 00:02:32,440 --> 00:02:35,480 Speaker 1: I say this, because it's it's just the truth. I 49 00:02:35,520 --> 00:02:39,400 Speaker 1: don't remember learning to sing. But the first video we 50 00:02:39,480 --> 00:02:41,800 Speaker 1: have of me singing, I was two years old in 51 00:02:42,000 --> 00:02:46,040 Speaker 1: looney tune pajamas, sitting on the fireplace, singing old song 52 00:02:46,160 --> 00:02:48,520 Speaker 1: called the Basics of Life by a gospel group called 53 00:02:48,600 --> 00:02:53,840 Speaker 1: for him. And it's just I've just grown up with music. 54 00:02:53,880 --> 00:02:56,239 Speaker 1: Both of my parents sing and played piano and grew 55 00:02:56,280 --> 00:02:59,600 Speaker 1: up singing in church. So I really don't remember life 56 00:02:59,720 --> 00:03:00,000 Speaker 1: with that. 57 00:03:00,880 --> 00:03:03,959 Speaker 2: Crazy enough, that's pretty cool that you have that memory 58 00:03:04,000 --> 00:03:04,839 Speaker 2: so far back, too. 59 00:03:05,960 --> 00:03:08,920 Speaker 1: Well, I've seen the video, man, Okay. 60 00:03:08,240 --> 00:03:11,480 Speaker 2: So I'm like, I can't think beyond like ten. 61 00:03:11,639 --> 00:03:15,240 Speaker 1: Two years old. Yeah, no, I couldn't. I do not 62 00:03:15,360 --> 00:03:17,600 Speaker 1: remember that moment, but I've seen the video enough to 63 00:03:17,600 --> 00:03:20,120 Speaker 1: where I'm like, well, that was real, So I guess 64 00:03:20,120 --> 00:03:22,280 Speaker 1: it was me. It was meant to be. It was 65 00:03:22,320 --> 00:03:22,960 Speaker 1: meant meant to be. 66 00:03:23,400 --> 00:03:25,679 Speaker 2: Was there a moment or a song when you realized 67 00:03:25,720 --> 00:03:29,000 Speaker 2: that music was a source of healing and had that 68 00:03:29,080 --> 00:03:29,800 Speaker 2: kind of power. 69 00:03:30,760 --> 00:03:38,800 Speaker 1: Hmmm. I don't know if healing necessarily is the word 70 00:03:38,800 --> 00:03:40,640 Speaker 1: I would use for it. Like at the first time 71 00:03:40,680 --> 00:03:45,360 Speaker 1: I really felt like emotionally moved by music. But we 72 00:03:45,360 --> 00:03:48,200 Speaker 1: were on a vacation and we would always drive because 73 00:03:48,200 --> 00:03:50,720 Speaker 1: we had five people in our family, And so as 74 00:03:50,720 --> 00:03:54,960 Speaker 1: we're driving, I remember my parents playing Lem's rob the 75 00:03:55,080 --> 00:03:59,280 Speaker 1: musical and it was the tenth anniversary edition, and I 76 00:03:59,360 --> 00:04:04,400 Speaker 1: remember finally understanding like that Fontine was dying, and I 77 00:04:04,560 --> 00:04:09,200 Speaker 1: was distraught, like absolutely distraught, like crying in the backseat, like, 78 00:04:09,200 --> 00:04:12,480 Speaker 1: oh my gosh, there's not okay, like, and the five 79 00:04:12,600 --> 00:04:16,159 Speaker 1: finally like moved, like I was really really moved by it. 80 00:04:16,240 --> 00:04:19,919 Speaker 1: So that's the first time I actually remember having like 81 00:04:19,960 --> 00:04:23,239 Speaker 1: an emotional impact by music for sure. 82 00:04:24,360 --> 00:04:27,880 Speaker 2: Who were some of your early influences? This is I 83 00:04:27,960 --> 00:04:30,839 Speaker 2: love to ask this question because it always blows me away. 84 00:04:30,920 --> 00:04:34,480 Speaker 2: The younger the people I talked to, the more they 85 00:04:34,520 --> 00:04:37,800 Speaker 2: listen to music I listened to growing up, which blows 86 00:04:37,800 --> 00:04:38,239 Speaker 2: me away. 87 00:04:39,000 --> 00:04:41,880 Speaker 1: Oh. I really think it's because that music is iconic, 88 00:04:41,920 --> 00:04:44,279 Speaker 1: like legendary, it is. It is truly timeless. So I 89 00:04:44,279 --> 00:04:48,680 Speaker 1: mean Whitney Houston, Seline Yon, Tina Turner. But I was 90 00:04:48,720 --> 00:04:50,719 Speaker 1: also brought up on you know, def Leppard, the Rolling 91 00:04:50,720 --> 00:04:54,960 Speaker 1: Stones and Kiss and you know then Kirk Franklin and 92 00:04:55,279 --> 00:05:00,240 Speaker 1: I mean all of these like combinations, but from me 93 00:05:00,680 --> 00:05:05,839 Speaker 1: as a vocalist, Whitney Houston and Selene were really really 94 00:05:05,880 --> 00:05:08,640 Speaker 1: big influences. They just grow That's I feel like, that's 95 00:05:08,640 --> 00:05:09,680 Speaker 1: all I listen to growing up. 96 00:05:10,000 --> 00:05:12,920 Speaker 2: Wow, Well, that explains why you sound the way you do. 97 00:05:14,600 --> 00:05:17,160 Speaker 2: You give them a run for their money. Now, on 98 00:05:17,200 --> 00:05:22,080 Speaker 2: your personal journey and challenges, You've been very open about that, 99 00:05:22,640 --> 00:05:26,640 Speaker 2: especially with grief and mental health, which you know, not 100 00:05:26,800 --> 00:05:30,599 Speaker 2: normal to talk about publicly, right, I'm sure you know 101 00:05:31,160 --> 00:05:35,160 Speaker 2: how did music help you process those emotions? 102 00:05:35,800 --> 00:05:41,440 Speaker 1: Yeah? So I lost my brother in twenty thirteen. And 103 00:05:41,960 --> 00:05:44,680 Speaker 1: most of the time, whenever people say they've lost somebody 104 00:05:44,720 --> 00:05:48,520 Speaker 1: to depression or they've taken their own life like it's 105 00:05:48,600 --> 00:05:52,800 Speaker 1: not a very popular topic of conversation. But a reason 106 00:05:52,800 --> 00:05:55,320 Speaker 1: that I love to talk about it is because it 107 00:05:55,360 --> 00:05:59,359 Speaker 1: gives a little bit of insight into what happens like 108 00:05:59,400 --> 00:06:03,360 Speaker 1: and everybody story is different, obviously, but for us, you know, Jordan, 109 00:06:04,480 --> 00:06:08,120 Speaker 1: there weren't telling signs. It's not like there was a 110 00:06:08,120 --> 00:06:12,600 Speaker 1: big plan out. He didn't leave anything there was. Long 111 00:06:12,600 --> 00:06:15,039 Speaker 1: story short, Once we got the autopsy back, we found 112 00:06:15,080 --> 00:06:17,920 Speaker 1: out he had run out of his medication, went from 113 00:06:17,920 --> 00:06:19,560 Speaker 1: such a high to such a low. It really was 114 00:06:19,600 --> 00:06:24,000 Speaker 1: a chemical like just his brain literally just broke. So 115 00:06:25,400 --> 00:06:29,200 Speaker 1: I love to talk about it because it gives people 116 00:06:29,360 --> 00:06:32,719 Speaker 1: a little bit more insight into what depression is. That 117 00:06:32,800 --> 00:06:35,920 Speaker 1: it's not just being sad, it's actually a chemical imbalance 118 00:06:36,000 --> 00:06:40,720 Speaker 1: in your brain, which is every other mental struggle as well. 119 00:06:41,120 --> 00:06:45,720 Speaker 1: So you know, I love to just give a little 120 00:06:45,720 --> 00:06:47,920 Speaker 1: bit of education as best I can. I'm not an expert, 121 00:06:47,960 --> 00:06:50,120 Speaker 1: but I lived it, so I've just I'll just share 122 00:06:50,120 --> 00:06:54,479 Speaker 1: at least what I've learned. But then using music in 123 00:06:54,600 --> 00:06:57,479 Speaker 1: order to heal from that is something that I'm able 124 00:06:57,560 --> 00:06:59,600 Speaker 1: to pass on. Like not only am I able to 125 00:06:59,640 --> 00:07:01,440 Speaker 1: tell peop, well, hey you're not alone, because I have 126 00:07:01,560 --> 00:07:04,200 Speaker 1: lived it. So even if I don't know exactly how 127 00:07:04,200 --> 00:07:08,200 Speaker 1: you feel, I can relate enough and then to be 128 00:07:08,279 --> 00:07:10,960 Speaker 1: able to put it into music, to be like this 129 00:07:11,080 --> 00:07:15,880 Speaker 1: song is for anybody that's lost somebody too soon, you know, 130 00:07:16,040 --> 00:07:19,280 Speaker 1: it's I think it's important because then people don't feel alone, 131 00:07:19,960 --> 00:07:23,440 Speaker 1: because the biggest way that people like feel isolated is 132 00:07:23,440 --> 00:07:26,920 Speaker 1: because they think, oh, well, I'm weird. Oh nobody else 133 00:07:26,920 --> 00:07:29,520 Speaker 1: has ever dealt with this. Oh I'm you know, it's 134 00:07:29,760 --> 00:07:31,760 Speaker 1: just me. Everyone's going to think I'm a burden or 135 00:07:32,280 --> 00:07:34,440 Speaker 1: or that this is a weird thing to deal with 136 00:07:34,600 --> 00:07:38,120 Speaker 1: or struggle with. And the reality is it's not weird. 137 00:07:38,400 --> 00:07:42,040 Speaker 1: It's very normal, very very normal. And so I think 138 00:07:42,080 --> 00:07:46,239 Speaker 1: the more that we talk about it, the less taboo 139 00:07:46,280 --> 00:07:50,080 Speaker 1: it becomes, and the more comfortable other people begin to 140 00:07:50,120 --> 00:07:53,280 Speaker 1: talk about it. You know what, now. 141 00:07:54,840 --> 00:07:58,480 Speaker 2: It's very giving to want It's so selfless what you're doing. 142 00:07:58,920 --> 00:08:00,920 Speaker 2: You know a lot of people would turn inward and 143 00:08:00,960 --> 00:08:03,160 Speaker 2: maybe just being you know, the family or your close 144 00:08:03,200 --> 00:08:05,920 Speaker 2: friends you would talk to, or a therapist. But what 145 00:08:06,040 --> 00:08:10,040 Speaker 2: made you want to share this with people? Just just 146 00:08:10,120 --> 00:08:13,600 Speaker 2: out of wanting others to be okay? I mean, that's 147 00:08:13,360 --> 00:08:17,760 Speaker 2: a beautiful thing that you do. Thank you easy. 148 00:08:18,240 --> 00:08:24,160 Speaker 1: It's it's it's not and I I really believe it 149 00:08:24,160 --> 00:08:29,960 Speaker 1: brings purpose to the pain. One thing that my dad 150 00:08:30,040 --> 00:08:33,360 Speaker 1: has always said is, you know, we are making it. 151 00:08:33,840 --> 00:08:36,160 Speaker 1: You know, people so often say, oh, we're gonna make it. 152 00:08:36,200 --> 00:08:38,160 Speaker 1: You're gonna make it. You're gonna make it. And with 153 00:08:38,240 --> 00:08:42,360 Speaker 1: a loss of this nature and with any sudden loss, honestly, 154 00:08:43,320 --> 00:08:46,640 Speaker 1: you are making it every day. You have to learn 155 00:08:46,720 --> 00:08:49,280 Speaker 1: to live with the grief instead of in the grief. 156 00:08:49,320 --> 00:08:54,800 Speaker 1: And for me, being able to share this story allows 157 00:08:55,559 --> 00:08:59,679 Speaker 1: Jordan's story to continue to minister to other people, and 158 00:08:59,720 --> 00:09:02,440 Speaker 1: that feels like it at least brings purpose to the 159 00:09:02,480 --> 00:09:06,800 Speaker 1: pain because it keeps him alive. Well yeah, oh my gosh, 160 00:09:06,880 --> 00:09:09,600 Speaker 1: for real, the amount of people that don't have never 161 00:09:09,640 --> 00:09:12,240 Speaker 1: met my brother but feel like they know him are countless. 162 00:09:12,600 --> 00:09:13,240 Speaker 1: It's insane. 163 00:09:13,800 --> 00:09:17,760 Speaker 2: That's incredible. What was it like to channel your personal 164 00:09:17,840 --> 00:09:24,320 Speaker 2: experiences into your songwriting? I mean again very inward and 165 00:09:24,360 --> 00:09:27,480 Speaker 2: sharing personal things, which a lot of artists don't do. 166 00:09:28,480 --> 00:09:30,960 Speaker 2: You know, left to kind of figure out how does 167 00:09:31,000 --> 00:09:34,240 Speaker 2: this relate to my life? But you're like, this is 168 00:09:34,880 --> 00:09:37,360 Speaker 2: this is really your life? 169 00:09:37,440 --> 00:09:44,440 Speaker 1: Yes? You know it's there's parts of it where it's like, oh, 170 00:09:44,520 --> 00:09:46,040 Speaker 1: how fun because I can really relate to this, and 171 00:09:46,040 --> 00:09:48,199 Speaker 1: then there's other parts where it really is painful, and 172 00:09:48,559 --> 00:09:54,880 Speaker 1: you have to learn how to separate in the moment, Like, sure, 173 00:09:54,920 --> 00:09:57,240 Speaker 1: you can let yourself feel it, but it's also very 174 00:09:57,240 --> 00:10:01,679 Speaker 1: important to process deal with it so that way you 175 00:10:01,720 --> 00:10:03,840 Speaker 1: can write about it and not have like an emotional 176 00:10:03,880 --> 00:10:07,560 Speaker 1: breakdown every time you talk about it or write about it. 177 00:10:07,600 --> 00:10:11,439 Speaker 1: Which I'm so grateful for my therapist because she helped 178 00:10:11,440 --> 00:10:14,000 Speaker 1: the ton with that being able to process the grief. 179 00:10:14,000 --> 00:10:16,240 Speaker 1: So when I do put it into my music, even 180 00:10:16,280 --> 00:10:22,160 Speaker 1: though it is raw and vulnerable, I'm able to say, hey, 181 00:10:22,640 --> 00:10:25,360 Speaker 1: I'm writing a story about this. Yes it's my story, 182 00:10:25,559 --> 00:10:26,720 Speaker 1: but it's going to do a lot of good because 183 00:10:26,720 --> 00:10:27,720 Speaker 1: it's going to reach a lot of people. 184 00:10:27,960 --> 00:10:30,360 Speaker 2: Yeah, to separate that out, I mean, I know, just 185 00:10:30,400 --> 00:10:33,000 Speaker 2: when I get choked up about anything emotional, I can't 186 00:10:33,040 --> 00:10:36,040 Speaker 2: even get a word out. I don't know how you 187 00:10:36,040 --> 00:10:38,120 Speaker 2: could sing without having some type of. 188 00:10:38,200 --> 00:10:40,880 Speaker 1: The first few times it was really hard, especially if 189 00:10:40,920 --> 00:10:43,000 Speaker 1: I can't say goodbye singing that live, I was like, 190 00:10:43,120 --> 00:10:45,840 Speaker 1: oh no. And then especially if like my husband's in 191 00:10:45,840 --> 00:10:48,240 Speaker 1: the audience or if my family's at oh, then I'm 192 00:10:48,280 --> 00:10:50,520 Speaker 1: like I can't look at you. I need I need 193 00:10:50,600 --> 00:10:52,520 Speaker 1: to just sit way over there because I will not 194 00:10:52,600 --> 00:10:56,520 Speaker 1: be able to turn off the house turn around. 195 00:10:58,920 --> 00:11:02,120 Speaker 2: Yeah all right, Well let's move on to something that 196 00:11:02,160 --> 00:11:05,200 Speaker 2: I'm dying to know about the voice and Broadway, because 197 00:11:05,240 --> 00:11:08,720 Speaker 2: these are two humongous things for you. I want to 198 00:11:08,720 --> 00:11:11,400 Speaker 2: know what your experience on The Voice was like and 199 00:11:11,440 --> 00:11:14,240 Speaker 2: how it was able to shape you as an artist. 200 00:11:14,280 --> 00:11:17,120 Speaker 2: I don't really know where you were before you got 201 00:11:17,160 --> 00:11:19,360 Speaker 2: there in terms of your skills, so I'm. 202 00:11:19,480 --> 00:11:24,440 Speaker 1: Yeah, you know. I feel like I'm always surprised with 203 00:11:24,520 --> 00:11:28,679 Speaker 1: this answer because the public view is Wow, The Voice 204 00:11:28,720 --> 00:11:31,800 Speaker 1: has created so many artists and this is what they 205 00:11:31,840 --> 00:11:36,160 Speaker 1: did and how awesome. Realistically speaking, I spent maybe a 206 00:11:36,200 --> 00:11:40,079 Speaker 1: total of ten minutes with Kelly, who's a lovely human, 207 00:11:40,400 --> 00:11:43,880 Speaker 1: But as far as being shaped as an artist, I 208 00:11:43,880 --> 00:11:47,760 Speaker 1: don't think it really was. One thing that it did 209 00:11:47,840 --> 00:11:50,440 Speaker 1: really teach me, though, was to have a very thick 210 00:11:50,480 --> 00:11:54,960 Speaker 1: skin and to see this as a business. Like I'd 211 00:11:54,960 --> 00:11:57,200 Speaker 1: already seen it as a business, but going into it, 212 00:11:57,240 --> 00:11:58,959 Speaker 1: I had to understand, this show is not going to 213 00:11:59,000 --> 00:12:01,120 Speaker 1: make me famous, It is not going to be my 214 00:12:01,360 --> 00:12:03,320 Speaker 1: like I've made it. But what it is going to 215 00:12:03,360 --> 00:12:07,560 Speaker 1: do is bring so much visibility to me and bring 216 00:12:07,600 --> 00:12:09,679 Speaker 1: me a lot of eyes that I couldn't even pay for. 217 00:12:09,880 --> 00:12:14,640 Speaker 1: So it taught me how to really dig into that 218 00:12:14,760 --> 00:12:18,480 Speaker 1: part of it and then to start showing people who 219 00:12:18,520 --> 00:12:20,880 Speaker 1: I really am because I was like, that's what people 220 00:12:20,920 --> 00:12:23,080 Speaker 1: are going to get or want to, like, are going 221 00:12:23,120 --> 00:12:25,640 Speaker 1: to want to latch onto outside of his show. 222 00:12:26,000 --> 00:12:33,200 Speaker 2: Yeah, that's amazingly insightful because no. I mean example, I 223 00:12:33,240 --> 00:12:35,680 Speaker 2: was featured in a magazine early on. I was working 224 00:12:35,720 --> 00:12:40,400 Speaker 2: in a town in Boston and short story, my mom said, 225 00:12:40,720 --> 00:12:43,079 Speaker 2: oh my god, maybe someone will see the picture and 226 00:12:43,120 --> 00:12:44,840 Speaker 2: they'll offer you a job. And I said, no, it 227 00:12:44,840 --> 00:12:45,640 Speaker 2: doesn't work that way. 228 00:12:45,720 --> 00:12:47,800 Speaker 1: It doesn't work that way. No, it'd be really cool 229 00:12:47,840 --> 00:12:52,120 Speaker 1: if it did, Yeah, wouldn't it. I know. Wow, Yeah, 230 00:12:52,480 --> 00:12:53,560 Speaker 1: I'm curious your thoughts. 231 00:12:53,600 --> 00:12:57,640 Speaker 2: How does performing on Broadway compared to singing on a 232 00:12:57,679 --> 00:13:00,520 Speaker 2: televised stage, because a lot of people don't really that 233 00:13:00,559 --> 00:13:04,079 Speaker 2: the televised stage is for the audience at home. Broadways 234 00:13:04,120 --> 00:13:05,320 Speaker 2: for the audience in the house. 235 00:13:06,000 --> 00:13:09,800 Speaker 1: Yes, they're so different. It is. It is so different. 236 00:13:09,920 --> 00:13:15,320 Speaker 1: For I mean even even with six I did a 237 00:13:15,320 --> 00:13:17,600 Speaker 1: press performance and its performed like to the cameras, and 238 00:13:17,640 --> 00:13:20,960 Speaker 1: that that alone is so odd. That was confusing. I 239 00:13:21,000 --> 00:13:23,480 Speaker 1: was like, wait, this is a stage song. How am 240 00:13:23,520 --> 00:13:27,440 Speaker 1: I doing? Okay, Like my brain sort of like freaking out, 241 00:13:28,480 --> 00:13:31,720 Speaker 1: But you know on television, yes, it's live. So I 242 00:13:31,720 --> 00:13:35,240 Speaker 1: mean they're both live, right, but the sound is way different. 243 00:13:36,440 --> 00:13:39,240 Speaker 1: Audience is like, we didn't have an audience on my 244 00:13:39,280 --> 00:13:41,400 Speaker 1: season because I was during COVID, so the audience was 245 00:13:41,440 --> 00:13:41,800 Speaker 1: at home. 246 00:13:42,040 --> 00:13:44,600 Speaker 2: Oh wow, even more strange. 247 00:13:45,160 --> 00:13:46,719 Speaker 1: It was weird. Yeah, it was really really weird. So 248 00:13:46,800 --> 00:13:47,800 Speaker 1: I was like, I just feel like I'm in an 249 00:13:47,800 --> 00:13:51,280 Speaker 1: audition every day. Yeah, I bet, But it was more 250 00:13:51,320 --> 00:13:55,040 Speaker 1: of a Okay, this is going to be taped. There's 251 00:13:55,080 --> 00:13:58,160 Speaker 1: going to be multiple shots. I know, it's going to 252 00:13:58,200 --> 00:14:01,480 Speaker 1: be edited together. Nine out of ten they'll add like 253 00:14:01,520 --> 00:14:05,560 Speaker 1: an effect to the final vocal as they're taping, you know. 254 00:14:05,559 --> 00:14:07,640 Speaker 1: I mean, there's so much more that goes into it. 255 00:14:08,000 --> 00:14:13,280 Speaker 1: So with theater, which I think is a million times 256 00:14:13,280 --> 00:14:19,440 Speaker 1: more difficult, Oh my word, it's you can't like just 257 00:14:19,560 --> 00:14:22,040 Speaker 1: do it over. You'll be like, oh, hey, hold on 258 00:14:21,800 --> 00:14:25,040 Speaker 1: one sec. I'm gonna I'm gonna redo that. Like if 259 00:14:25,080 --> 00:14:27,000 Speaker 1: you miss a note, if you miss the beat, you're 260 00:14:27,160 --> 00:14:30,320 Speaker 1: you're It's obvious. And there are only six of us 261 00:14:30,360 --> 00:14:32,600 Speaker 1: on stage, so you really can't. You don't have a 262 00:14:32,640 --> 00:14:36,360 Speaker 1: lot of room for error. And you're also dealing with 263 00:14:36,840 --> 00:14:40,200 Speaker 1: a live audience's response when you're playing a character, but 264 00:14:40,280 --> 00:14:43,120 Speaker 1: you're also interacting with them, but I'm not Kelsey interacting 265 00:14:43,120 --> 00:14:46,480 Speaker 1: with them. I'm a character interacting with them. So it's 266 00:14:46,920 --> 00:14:50,000 Speaker 1: there are just a lot more layers, whereas both of 267 00:14:50,040 --> 00:14:53,080 Speaker 1: them can be really intense and a lot of work. 268 00:14:54,240 --> 00:14:58,160 Speaker 1: On the television side, I'm just Kelsey Kelsey, and I'm 269 00:14:58,200 --> 00:15:01,000 Speaker 1: doing this one song, this one performance because it's for 270 00:15:01,040 --> 00:15:03,240 Speaker 1: a TV show, and everybody knows exactly what it's for 271 00:15:03,480 --> 00:15:05,520 Speaker 1: and they already like me just because I'm on the voice. 272 00:15:06,320 --> 00:15:08,280 Speaker 1: And then you're in theater and there have been so 273 00:15:08,320 --> 00:15:11,120 Speaker 1: many different casts, They've heard so many people sing this song. 274 00:15:11,480 --> 00:15:13,480 Speaker 1: Some people don't even like theater that have come to 275 00:15:13,520 --> 00:15:16,840 Speaker 1: the show along with them, you know, and you're just like, hey, 276 00:15:16,880 --> 00:15:19,600 Speaker 1: oh my gosh, I hope to god you really like this, 277 00:15:19,640 --> 00:15:23,160 Speaker 1: and you're trying to, you know, be in this character 278 00:15:23,200 --> 00:15:25,320 Speaker 1: of it also be really entertaining at the same time, 279 00:15:26,080 --> 00:15:28,880 Speaker 1: on top of doing it eight times a week and 280 00:15:28,920 --> 00:15:30,800 Speaker 1: you're dancing for an hour and a half and heals 281 00:15:30,920 --> 00:15:34,680 Speaker 1: every single show, not leaving stage, trying to stay healthy. 282 00:15:35,320 --> 00:15:38,960 Speaker 1: There's just a lot. There's just a lot more to it. 283 00:15:39,120 --> 00:15:41,240 Speaker 1: And sometimes people, you know, even though you're not allowed 284 00:15:41,240 --> 00:15:43,920 Speaker 1: to film, sometimes people will get away with filming, and 285 00:15:43,960 --> 00:15:46,920 Speaker 1: sometimes it's not a great night, Like if you see bootlegs, 286 00:15:46,920 --> 00:15:50,040 Speaker 1: which right under it's a very controversial topic, but whenever 287 00:15:50,120 --> 00:15:52,760 Speaker 1: people you know, like take bootlegs and people that can't 288 00:15:52,800 --> 00:15:54,840 Speaker 1: don't have access to theater love them because they're like 289 00:15:54,840 --> 00:15:57,240 Speaker 1: I get to see a show. But then sometimes for 290 00:15:57,320 --> 00:16:00,520 Speaker 1: the actor it's not their best day, sometimes really tired, 291 00:16:00,560 --> 00:16:03,560 Speaker 1: and they'll get judged on one single performance where like 292 00:16:03,640 --> 00:16:06,800 Speaker 1: something messed up, and so it's just I think there's 293 00:16:06,840 --> 00:16:11,479 Speaker 1: a lot more at risk in a live Yeah. 294 00:16:10,680 --> 00:16:13,560 Speaker 2: You're right, there is. There definitely is. There's a vulnerability 295 00:16:14,000 --> 00:16:16,400 Speaker 2: and then also that vibe like you said, you know 296 00:16:16,600 --> 00:16:17,040 Speaker 2: the voice. 297 00:16:17,080 --> 00:16:20,040 Speaker 1: They're all like team but you know Kelsey, and there's 298 00:16:20,480 --> 00:16:22,360 Speaker 1: a right inside it just because I'm on it. Yeah 299 00:16:22,400 --> 00:16:24,040 Speaker 1: really yeah, it's amazing. Yeah. 300 00:16:24,080 --> 00:16:27,440 Speaker 2: And Broadway you're like, you know, people are looking at 301 00:16:27,440 --> 00:16:28,360 Speaker 2: you like let's see it. 302 00:16:29,120 --> 00:16:31,240 Speaker 1: Sometimes you be like what is this? Yeah? Yeah, I 303 00:16:31,280 --> 00:16:34,000 Speaker 1: mean now, granted, we get really awesome audiences because our 304 00:16:34,040 --> 00:16:36,800 Speaker 1: show is really fun and nine times out of ten 305 00:16:37,760 --> 00:16:41,280 Speaker 1: people are very like receptive and super fun, but man, 306 00:16:41,360 --> 00:16:44,080 Speaker 1: it is very difficult when you get the ones that 307 00:16:44,120 --> 00:16:46,720 Speaker 1: aren't and they're just on the front row. Yeah, and 308 00:16:46,760 --> 00:16:49,440 Speaker 1: you got to keep going and smiling. You're still smiling 309 00:16:49,440 --> 00:16:50,920 Speaker 1: because you're still in character and you're going to give 310 00:16:50,960 --> 00:16:53,760 Speaker 1: them the same show you give anybody else. So did 311 00:16:53,800 --> 00:16:55,720 Speaker 1: you learn It's incredible? 312 00:16:55,760 --> 00:16:58,680 Speaker 2: And what a character builder or a strength builder for 313 00:16:58,760 --> 00:16:59,440 Speaker 2: you personally? 314 00:17:00,080 --> 00:17:00,360 Speaker 1: Sure? 315 00:17:00,440 --> 00:17:02,400 Speaker 2: Is there anything that you can think of that you 316 00:17:02,560 --> 00:17:06,760 Speaker 2: learned personally or as a performer during those sort of 317 00:17:06,880 --> 00:17:10,280 Speaker 2: really high profile moments in your life? 318 00:17:10,560 --> 00:17:17,320 Speaker 1: Yes, for me, in any performance that I give, whether 319 00:17:17,400 --> 00:17:21,600 Speaker 1: it's in an arena of fifteen thousand people or on 320 00:17:21,720 --> 00:17:27,240 Speaker 1: natural television or on Broadway or at home, like I 321 00:17:27,320 --> 00:17:29,919 Speaker 1: every day, I'm like, all right, Jesus, I'm just singing 322 00:17:29,960 --> 00:17:33,960 Speaker 1: for you. That's it. And it takes away any pressure 323 00:17:34,040 --> 00:17:37,720 Speaker 1: I feel to be perfect or to be great or 324 00:17:37,760 --> 00:17:41,879 Speaker 1: to impress. So I always love. For me personally, faith 325 00:17:41,960 --> 00:17:45,040 Speaker 1: is a big part of my life, and it allows 326 00:17:45,040 --> 00:17:48,160 Speaker 1: me to refocus and resenter myself and say, all right, 327 00:17:48,240 --> 00:17:51,040 Speaker 1: I sing for an audience of one and that's all 328 00:17:51,040 --> 00:17:53,639 Speaker 1: the matters. So if these people love me, amazing. If 329 00:17:53,640 --> 00:17:55,720 Speaker 1: they hate me, that's okay. They don't have to love me. 330 00:17:56,320 --> 00:18:01,920 Speaker 1: So that's huge. Yes, And it did not happen overnight. 331 00:18:02,119 --> 00:18:05,520 Speaker 1: Let me talk like it took a while because as performers, 332 00:18:06,680 --> 00:18:10,280 Speaker 1: we like, we love performing, we love performing for people, 333 00:18:10,440 --> 00:18:13,080 Speaker 1: you know, Like we don't perform for the applause, but 334 00:18:13,080 --> 00:18:14,600 Speaker 1: if you don't get an applause, you're like, what did 335 00:18:14,600 --> 00:18:17,280 Speaker 1: I do wrong? Why don't you like me? What happened? 336 00:18:17,320 --> 00:18:21,639 Speaker 1: You know? And we're so easily influenced to buy audience's 337 00:18:21,720 --> 00:18:26,200 Speaker 1: reactions or comments online or because we're putting out craft 338 00:18:26,200 --> 00:18:28,920 Speaker 1: out there and performing. Yes, we put ourselves out there, 339 00:18:28,920 --> 00:18:32,520 Speaker 1: that's our job, but also it's just being human, like 340 00:18:32,560 --> 00:18:35,800 Speaker 1: you just want that validation. And so it took me 341 00:18:35,880 --> 00:18:39,320 Speaker 1: a while to really be able to focus in on 342 00:18:39,400 --> 00:18:42,880 Speaker 1: that and be like, well, this is why I can 343 00:18:42,920 --> 00:18:46,919 Speaker 1: be calm on national television, on a Broadway stage in 344 00:18:46,960 --> 00:18:51,280 Speaker 1: an arena, like because I'm like, I just I'm singing 345 00:18:51,280 --> 00:18:53,520 Speaker 1: for an audience of one, and that's the way that 346 00:18:53,600 --> 00:18:55,720 Speaker 1: I stay calm. That's all I can do. 347 00:18:55,960 --> 00:19:01,440 Speaker 2: It's amazing, that is no, but I really for you 348 00:19:01,520 --> 00:19:05,399 Speaker 2: to be able to figure that out even you know, Also, 349 00:19:05,520 --> 00:19:07,600 Speaker 2: I would say that most performers want to perform because 350 00:19:07,640 --> 00:19:11,200 Speaker 2: they want to make people feel good, happy. Yeah, yeah, 351 00:19:11,240 --> 00:19:14,640 Speaker 2: you know, there's so much selflessness in it. But then 352 00:19:14,680 --> 00:19:16,720 Speaker 2: there's all that personal stuff that gets in the way. 353 00:19:16,760 --> 00:19:20,000 Speaker 2: So if you're able to find that faith, as you said, 354 00:19:20,040 --> 00:19:23,479 Speaker 2: to know that there's no pressure on you really than 355 00:19:23,520 --> 00:19:24,640 Speaker 2: what you put on yourself. 356 00:19:25,440 --> 00:19:29,040 Speaker 1: It's so true. It is. It's so true. And I'm like, 357 00:19:29,080 --> 00:19:31,480 Speaker 1: as long as if I'm doing my job, I'm warming 358 00:19:31,560 --> 00:19:33,360 Speaker 1: up correctly, I know my voice is in the right 359 00:19:33,359 --> 00:19:35,800 Speaker 1: place and taking care of my body. You know, I'm 360 00:19:36,200 --> 00:19:38,480 Speaker 1: I know the steps, I know the songs, I know 361 00:19:38,520 --> 00:19:41,080 Speaker 1: where I'm supposed to be and what I'm doing. Well, 362 00:19:41,080 --> 00:19:44,600 Speaker 1: then I I don't. I already have the job. So 363 00:19:45,080 --> 00:19:47,240 Speaker 1: as long as stay good at what I'm doing, I'm fine. 364 00:19:47,280 --> 00:19:49,520 Speaker 1: So yeah, it takes away the pressure for me to 365 00:19:49,600 --> 00:19:52,840 Speaker 1: feel like I have to be something that I'm not. 366 00:19:53,600 --> 00:19:55,800 Speaker 2: It's so true to what you just said, and it 367 00:19:55,880 --> 00:19:59,800 Speaker 2: works in any profession, you know, wherever, whatever you're doing 368 00:19:59,800 --> 00:20:04,200 Speaker 2: in life. To carry that type of wisdom, it's pretty incredible. 369 00:20:04,880 --> 00:20:07,440 Speaker 2: We'll be right back with more of the Music Saved 370 00:20:07,440 --> 00:20:10,639 Speaker 2: Me podcast. And by the way, if you like this podcast, 371 00:20:10,680 --> 00:20:13,640 Speaker 2: you are going to love our companion podcast called Taken 372 00:20:13,720 --> 00:20:16,640 Speaker 2: a Walk. It's hosted by my dear friend buzz Night, 373 00:20:16,680 --> 00:20:19,240 Speaker 2: and you can find it wherever you get your podcasts. 374 00:20:23,400 --> 00:20:26,840 Speaker 2: Welcome back to the Music Saved Me podcast, the podcast 375 00:20:26,840 --> 00:20:29,760 Speaker 2: where we discuss the healing powers of music with some 376 00:20:29,840 --> 00:20:32,639 Speaker 2: of the biggest names in music as well as up 377 00:20:32,640 --> 00:20:37,520 Speaker 2: and comers. Now, speaking of putting yourself out there, there's 378 00:20:37,560 --> 00:20:39,800 Speaker 2: a creative process. I would love for you to just 379 00:20:39,840 --> 00:20:42,120 Speaker 2: walk us through a little bit of your songwriting process 380 00:20:42,200 --> 00:20:47,440 Speaker 2: and where you find your inspiration to write songs and 381 00:20:47,760 --> 00:20:50,159 Speaker 2: is are you ever what are you thinking when you're writing? 382 00:20:50,440 --> 00:20:53,359 Speaker 2: Is this I know people are going to relate to 383 00:20:53,400 --> 00:20:55,880 Speaker 2: this or is it just your story? What's your process? 384 00:20:56,000 --> 00:21:01,120 Speaker 1: Like? So I really love to write with people's That's 385 00:21:01,160 --> 00:21:04,240 Speaker 1: what I enjoy. And sometimes you're writing for sync which 386 00:21:04,600 --> 00:21:07,840 Speaker 1: is TV film, movie like things like that, where you're 387 00:21:08,160 --> 00:21:11,280 Speaker 1: you're writing a song for a prompt for something to 388 00:21:11,320 --> 00:21:15,680 Speaker 1: be placed for an advertisement, things like that. And then 389 00:21:15,920 --> 00:21:17,760 Speaker 1: sometimes you can do both at the same time and 390 00:21:17,840 --> 00:21:19,920 Speaker 1: you're writing for sinc but it's also for yourself and 391 00:21:19,920 --> 00:21:22,520 Speaker 1: it's like, well, I could totally release this as Kelsey Watts, 392 00:21:22,760 --> 00:21:24,200 Speaker 1: but then this would also do really great in a 393 00:21:24,240 --> 00:21:26,520 Speaker 1: sports ad, you know. I mean, so I like to 394 00:21:26,520 --> 00:21:29,560 Speaker 1: think that way as well. But I think the best 395 00:21:29,600 --> 00:21:32,720 Speaker 1: example is the song that I'm about to release in 396 00:21:32,720 --> 00:21:35,480 Speaker 1: a few weeks is called fit In, and I was 397 00:21:35,520 --> 00:21:38,160 Speaker 1: writing it with a guy named d Q. He's worked 398 00:21:38,200 --> 00:21:40,960 Speaker 1: with Gosh, Demulevado, Sosha Fiers. He's a great vocal producer. 399 00:21:40,960 --> 00:21:45,439 Speaker 1: He's incredible, and he's out of Nashville. And whenever we 400 00:21:45,520 --> 00:21:48,160 Speaker 1: first met, we just kind of sat down and hung 401 00:21:48,160 --> 00:21:51,720 Speaker 1: out for a bit. So anytime I'm writing with somebody new, 402 00:21:52,760 --> 00:21:55,160 Speaker 1: but first like two hours, really you're like, hey, let's 403 00:21:55,160 --> 00:21:57,040 Speaker 1: go get a coffee. You want to like just chill, 404 00:21:57,080 --> 00:21:59,280 Speaker 1: you know, let's just talk figure out what life is 405 00:21:59,320 --> 00:22:02,480 Speaker 1: about instead of you know, okay, we're here, let's write 406 00:22:02,480 --> 00:22:06,560 Speaker 1: a song. You know very Sometimes yeah, I'm sure sometimes 407 00:22:06,560 --> 00:22:08,359 Speaker 1: it's like that, but I don't. I don't like that, 408 00:22:08,560 --> 00:22:12,280 Speaker 1: so I won't work that way because writing is personal. 409 00:22:12,400 --> 00:22:14,760 Speaker 1: It's all about the song. You know, I can sing 410 00:22:14,760 --> 00:22:17,159 Speaker 1: my face off, but if I'm singing for no reason 411 00:22:17,359 --> 00:22:19,879 Speaker 1: and like there's no meaning behind what I'm singing, nobody's 412 00:22:19,880 --> 00:22:22,480 Speaker 1: gonna feel anything. So it doesn't matter how boring. Like 413 00:22:22,520 --> 00:22:24,560 Speaker 1: I would get tired of me singing like that. So 414 00:22:26,600 --> 00:22:28,359 Speaker 1: with this song, we were like, okay, well, you know, 415 00:22:28,480 --> 00:22:31,440 Speaker 1: what are some things that you've been feeling? How how's 416 00:22:31,480 --> 00:22:33,240 Speaker 1: life been, or you know, what's something that you've always 417 00:22:33,280 --> 00:22:36,760 Speaker 1: wanted to say? And we got into this topic of well, 418 00:22:36,760 --> 00:22:39,280 Speaker 1: I was never the cool kid growing up, Like I 419 00:22:39,320 --> 00:22:41,200 Speaker 1: wasn't you know, I didn't have a boyfriend. I wasn't 420 00:22:41,240 --> 00:22:43,600 Speaker 1: invited to from okay, I didn't have a date like 421 00:22:43,920 --> 00:22:47,120 Speaker 1: what you I never I never had a it from 422 00:22:47,359 --> 00:22:51,520 Speaker 1: I know, I know, I never did friend like until 423 00:22:51,520 --> 00:22:55,760 Speaker 1: gosh into college. Kind of yeah, I. 424 00:22:55,720 --> 00:22:58,040 Speaker 2: Mean, it tells me that it's not a bad thing though. 425 00:22:58,400 --> 00:23:00,840 Speaker 1: No, it's it saved me from a lot. I'm very grateful. 426 00:23:01,040 --> 00:23:04,600 Speaker 1: I'm not. I'm not upset. I wasnay in the moment, 427 00:23:04,800 --> 00:23:07,280 Speaker 1: I wasn't wasn't grateful, but down the line, I'm like, wow, 428 00:23:07,320 --> 00:23:09,760 Speaker 1: that saved me from a lot of issues. Oh come, 429 00:23:10,240 --> 00:23:12,440 Speaker 1: but you know, I like, yeah, I mean I wasn't 430 00:23:12,480 --> 00:23:15,800 Speaker 1: you know, invited to the parties. And I kind of 431 00:23:15,800 --> 00:23:17,840 Speaker 1: found my community in theater and choir and it was 432 00:23:17,840 --> 00:23:19,840 Speaker 1: a very very very small community. But I had a 433 00:23:19,840 --> 00:23:22,520 Speaker 1: couple of friends and I was always got along with everybody. 434 00:23:22,560 --> 00:23:25,080 Speaker 1: But I wasn't. I wasn't in the it proud, you know. 435 00:23:25,600 --> 00:23:28,440 Speaker 1: And so we were like, well, why don't we write 436 00:23:28,440 --> 00:23:31,359 Speaker 1: about that? And so the entire premise of the song 437 00:23:31,520 --> 00:23:33,080 Speaker 1: was like, all right, well, what if people told you, well, 438 00:23:33,080 --> 00:23:35,360 Speaker 1: I've been told them a lot, like, oh my gosh, 439 00:23:35,359 --> 00:23:38,480 Speaker 1: you're just a lot, am Well, you're not my people 440 00:23:38,800 --> 00:23:40,520 Speaker 1: ben a lot? 441 00:23:40,640 --> 00:23:43,040 Speaker 2: You mean just because you're you talk a lot or 442 00:23:43,119 --> 00:23:44,680 Speaker 2: have a lot to say or thoughts. 443 00:23:45,160 --> 00:23:48,320 Speaker 1: Thankfully, I haven't had people tell me that lately, like 444 00:23:48,400 --> 00:23:51,440 Speaker 1: but in like in high school really was like middle 445 00:23:51,440 --> 00:23:53,720 Speaker 1: school and high school were not fun for me. I 446 00:23:53,720 --> 00:23:56,919 Speaker 1: did not enjoy them at all. And you know, people 447 00:23:56,960 --> 00:23:58,760 Speaker 1: be like, oh, you're just a lot, And whether that 448 00:23:58,880 --> 00:24:03,080 Speaker 1: meant personality was a lot, they never elaborated. They were 449 00:24:03,080 --> 00:24:04,680 Speaker 1: just kind of mean, you know, So. 450 00:24:05,160 --> 00:24:06,240 Speaker 2: What did you think it was? 451 00:24:07,200 --> 00:24:10,440 Speaker 1: I thought it meant I was too loud, or I 452 00:24:10,480 --> 00:24:14,639 Speaker 1: sang too much, or I talked too much to people, 453 00:24:14,920 --> 00:24:18,040 Speaker 1: or like I needed to be more reserved, like my 454 00:24:18,119 --> 00:24:21,160 Speaker 1: personally that's what you thought? Yeah, Like my person's interested 455 00:24:21,320 --> 00:24:23,480 Speaker 1: was just like too much to handle and people didn't 456 00:24:23,560 --> 00:24:26,600 Speaker 1: like that. You did it affect you in a negative way? 457 00:24:27,080 --> 00:24:29,000 Speaker 1: Oh yeah, Oh my gosh. Absolutely. I felt like I 458 00:24:29,000 --> 00:24:31,280 Speaker 1: constantly had to change who I was in order to 459 00:24:31,280 --> 00:24:35,600 Speaker 1: be around people and to be accepted to fit in literally, 460 00:24:36,000 --> 00:24:37,399 Speaker 1: which is why I call it in I was like, 461 00:24:37,520 --> 00:24:41,000 Speaker 1: this is it? Yeah, so I mean it was. The 462 00:24:41,040 --> 00:24:46,600 Speaker 1: whole story of the song is basically a The first 463 00:24:46,640 --> 00:24:49,119 Speaker 1: line is I know that you think that you're a lot. 464 00:24:49,760 --> 00:24:52,800 Speaker 1: You love until it costs you all you've got, You 465 00:24:52,880 --> 00:24:55,320 Speaker 1: water it till you dry with everything you do, and 466 00:24:55,359 --> 00:24:57,639 Speaker 1: then say you're going to change for real this time. 467 00:24:58,480 --> 00:25:01,199 Speaker 1: But then you fall off and all in line, and 468 00:25:01,280 --> 00:25:03,320 Speaker 1: when you look up you find the dirty truth that 469 00:25:03,520 --> 00:25:06,439 Speaker 1: you're standing in your own way like it. And it's 470 00:25:06,480 --> 00:25:08,280 Speaker 1: because it's like, well, oh no, I'm totally gonna be 471 00:25:08,280 --> 00:25:10,879 Speaker 1: I'm gonna be fine, but I'm just gonna be me. 472 00:25:11,080 --> 00:25:13,439 Speaker 1: And then you find yourself going back into this cycle 473 00:25:13,480 --> 00:25:15,080 Speaker 1: of like, oh, well, what do people want me to be? 474 00:25:15,640 --> 00:25:18,159 Speaker 1: And honestly, that was something that I really felt after 475 00:25:18,400 --> 00:25:22,520 Speaker 1: leaving The Voice was I'd never released music before. I 476 00:25:22,520 --> 00:25:24,679 Speaker 1: had always wanted to be an artist and felt like 477 00:25:24,720 --> 00:25:26,680 Speaker 1: I was, but I didn't know how to get into 478 00:25:27,520 --> 00:25:29,960 Speaker 1: oh gosh, finding producers and writing and doing all of 479 00:25:30,000 --> 00:25:32,800 Speaker 1: the things, and and so I felt like I was 480 00:25:32,800 --> 00:25:35,280 Speaker 1: being pulled in multiple directions. Well you should just sing 481 00:25:35,280 --> 00:25:37,480 Speaker 1: ballads because you sing ballads really well, or well you 482 00:25:37,480 --> 00:25:39,080 Speaker 1: should do this, or well you should do this, Well, 483 00:25:39,080 --> 00:25:41,760 Speaker 1: you should just do pop because rock isn't really in 484 00:25:41,840 --> 00:25:43,320 Speaker 1: right now, so just be pop. And I was like, 485 00:25:43,680 --> 00:25:48,760 Speaker 1: just pop. So even into you know, being out of 486 00:25:48,760 --> 00:25:51,520 Speaker 1: the Voice, I felt like I had to fit into 487 00:25:51,600 --> 00:25:55,400 Speaker 1: some mold and honestly that lasted for a couple of years. Well, 488 00:25:55,440 --> 00:25:57,720 Speaker 1: I guess what am I supposed to be? Like? I mean, 489 00:25:57,760 --> 00:26:00,639 Speaker 1: I'm not supering a carpenter. I'm not around around it. 490 00:26:00,640 --> 00:26:02,560 Speaker 1: I loved them. I think they're both amazing, but that's 491 00:26:02,720 --> 00:26:04,679 Speaker 1: but that's not me, you know. So I was like, 492 00:26:04,760 --> 00:26:07,560 Speaker 1: so how do I how do I make myself fit? 493 00:26:07,600 --> 00:26:10,160 Speaker 1: And it just didn't work. It just simply didn't work. 494 00:26:10,160 --> 00:26:15,560 Speaker 1: And it wasn't until I really started pouring into social 495 00:26:15,640 --> 00:26:21,360 Speaker 1: media in twenty twenty three that something finally clicked. Because 496 00:26:21,560 --> 00:26:23,719 Speaker 1: I was so frustrated with social media I didn't want 497 00:26:23,720 --> 00:26:26,040 Speaker 1: to do it anymore. I was like, this is ridiculous. 498 00:26:26,400 --> 00:26:28,720 Speaker 1: Why is everything I do based on numbers? I can't 499 00:26:28,760 --> 00:26:30,720 Speaker 1: you know I don't have followers because I really didn't. 500 00:26:30,840 --> 00:26:33,520 Speaker 1: I mean I had like like twenty k from the 501 00:26:33,600 --> 00:26:38,560 Speaker 1: Voice on Instagram and what like seventy five k on 502 00:26:38,640 --> 00:26:41,040 Speaker 1: TikTok just from like some videos that my husband had 503 00:26:41,040 --> 00:26:43,280 Speaker 1: posted that went viral because it was a Disney video, 504 00:26:43,760 --> 00:26:47,400 Speaker 1: but for me and I didn't have any like fans 505 00:26:47,600 --> 00:26:49,399 Speaker 1: for lack of a better word, and so I just 506 00:26:49,480 --> 00:26:51,080 Speaker 1: I was like, I just I'm not gonna do this anymore. 507 00:26:51,320 --> 00:26:54,400 Speaker 1: And when I stopped trying and put forth the least 508 00:26:54,440 --> 00:26:57,040 Speaker 1: amount of effort and just stuck my phone in the 509 00:26:57,080 --> 00:26:59,680 Speaker 1: kitchen and put Brandon's phone here with a karaope track 510 00:26:59,680 --> 00:27:03,000 Speaker 1: and was making coffee, which is actually my life, Like 511 00:27:03,040 --> 00:27:05,639 Speaker 1: that's really what I do, you know, wasn't dulled up, 512 00:27:05,680 --> 00:27:07,680 Speaker 1: didn't have make it bond like walk around in sweats, 513 00:27:07,720 --> 00:27:12,679 Speaker 1: and everybody loved it. Even then, it took me a 514 00:27:12,720 --> 00:27:16,480 Speaker 1: while to understand, like, no, people just want to know you. 515 00:27:17,400 --> 00:27:20,639 Speaker 1: They just want to hear. They just want to hear using. 516 00:27:21,000 --> 00:27:23,439 Speaker 1: They don't want to see all the extra stuff, like 517 00:27:23,480 --> 00:27:25,600 Speaker 1: they want to get to know you. And so sure, 518 00:27:25,720 --> 00:27:28,360 Speaker 1: as an artist, you know, you'll continue to develop and elevate, 519 00:27:28,520 --> 00:27:30,800 Speaker 1: like the more successful that you get, and you can 520 00:27:30,880 --> 00:27:33,000 Speaker 1: create all of the things you want to create as 521 00:27:33,000 --> 00:27:34,560 Speaker 1: an artist, you know, and then you have the budget 522 00:27:34,560 --> 00:27:36,879 Speaker 1: to create it. One day, yeah, you know, from like 523 00:27:37,280 --> 00:27:40,040 Speaker 1: amazing one like one day my spectacles will be like 524 00:27:40,119 --> 00:27:43,119 Speaker 1: Lady Gagaz because I'll have a label paying for them hopefully, 525 00:27:43,240 --> 00:27:44,679 Speaker 1: or I'll be successful enough to be able to pay 526 00:27:44,680 --> 00:27:49,000 Speaker 1: for them myself, and like, you know, so you eventually 527 00:27:49,040 --> 00:27:53,159 Speaker 1: get there. But what I've loved is that people have 528 00:27:53,320 --> 00:27:56,359 Speaker 1: related to this, and I swear it's because in the song. 529 00:27:56,440 --> 00:27:59,440 Speaker 1: To bring it back around to the songwriting that I've 530 00:27:59,480 --> 00:28:02,560 Speaker 1: been doing has been more just of my story and 531 00:28:02,600 --> 00:28:05,800 Speaker 1: me just being real and while writing in a real way, 532 00:28:06,840 --> 00:28:09,239 Speaker 1: I've also been putting that in social media, being like 533 00:28:09,640 --> 00:28:12,359 Speaker 1: this is really who I am. So that way my 534 00:28:12,440 --> 00:28:15,119 Speaker 1: writing is consistent with what I present just as a 535 00:28:15,160 --> 00:28:15,680 Speaker 1: human being. 536 00:28:16,400 --> 00:28:19,280 Speaker 2: It makes total sense to me. And just real quick 537 00:28:19,480 --> 00:28:22,360 Speaker 2: back to your high school. Were you friends with all 538 00:28:22,440 --> 00:28:26,120 Speaker 2: the different groups of people, like, you know, the kids 539 00:28:26,240 --> 00:28:29,480 Speaker 2: in acting and then the kids playing sports and. 540 00:28:30,119 --> 00:28:32,080 Speaker 1: Yeah, yeah, I got along with everybody. 541 00:28:32,200 --> 00:28:36,760 Speaker 2: Yeah, because you had to, right, I had to, yeah. 542 00:28:35,760 --> 00:28:37,960 Speaker 1: For sure, and I and I wanted to. I wanted 543 00:28:37,960 --> 00:28:41,200 Speaker 1: to be everybody's friend because I really love people. But 544 00:28:41,360 --> 00:28:44,080 Speaker 1: you know, I would I remember specifically because I was 545 00:28:44,320 --> 00:28:47,400 Speaker 1: now I'm athletic. I was not athletic growing up, and 546 00:28:48,480 --> 00:28:52,360 Speaker 1: you know, I remember in eighth grade being forced to 547 00:28:52,440 --> 00:28:56,400 Speaker 1: play volleyball, and every single girl except for one and 548 00:28:56,440 --> 00:28:59,360 Speaker 1: she's still a friend of mine to this day. Every 549 00:28:59,440 --> 00:29:01,640 Speaker 1: girl like I want to be No, you can't be 550 00:29:01,680 --> 00:29:03,400 Speaker 1: on my team. You don't like you don't play like 551 00:29:03,480 --> 00:29:07,640 Speaker 1: you're not good. And they weren't literally in eighth grade, 552 00:29:08,160 --> 00:29:10,480 Speaker 1: just like passing the ball back and forth. We're not 553 00:29:10,480 --> 00:29:14,479 Speaker 1: about to go compete in a tournament. And they just 554 00:29:14,560 --> 00:29:17,520 Speaker 1: they were like, no, you suck at this. No you 555 00:29:17,560 --> 00:29:20,000 Speaker 1: can't play with me. And there was one girl that 556 00:29:20,120 --> 00:29:22,640 Speaker 1: was nice, and I was like, well, thank god, but 557 00:29:22,720 --> 00:29:25,400 Speaker 1: you were knives, you know, or I've been just awkward. 558 00:29:25,600 --> 00:29:27,320 Speaker 1: I did. So I was always like trying to be 559 00:29:27,360 --> 00:29:33,040 Speaker 1: friendly with all of the groups of people, but my 560 00:29:33,800 --> 00:29:36,520 Speaker 1: close friends, I mean I had maybe one or two maybe, 561 00:29:36,760 --> 00:29:38,239 Speaker 1: Like I think I still know what one or two 562 00:29:38,240 --> 00:29:39,800 Speaker 1: people are my school, Like. 563 00:29:40,040 --> 00:29:41,920 Speaker 2: They're the ones that keep you grounded no matter how 564 00:29:42,000 --> 00:29:46,240 Speaker 2: how you go in life. Is if you're fortunate enough 565 00:29:46,280 --> 00:29:49,800 Speaker 2: to be able to still keep those friendships from early 566 00:29:49,880 --> 00:29:53,680 Speaker 2: on that were really tight, you know, they show sure curious. 567 00:29:53,800 --> 00:29:56,400 Speaker 1: I really just became real friends with them in college. 568 00:29:56,760 --> 00:29:58,840 Speaker 1: We happened to go to those in high school, but 569 00:29:59,360 --> 00:30:01,440 Speaker 1: it wasn't until out of high school and going into 570 00:30:01,480 --> 00:30:03,400 Speaker 1: college that we were like, oh, hey. 571 00:30:03,640 --> 00:30:04,320 Speaker 2: Hey, I know you. 572 00:30:04,560 --> 00:30:08,160 Speaker 1: Hey, yeah, this is great you were nice to about Yeah 573 00:30:08,240 --> 00:30:08,560 Speaker 1: for real. 574 00:30:09,040 --> 00:30:12,120 Speaker 2: All right, So I'm I curious if there are any 575 00:30:12,200 --> 00:30:14,920 Speaker 2: rituals or routines that you do before you go on 576 00:30:15,000 --> 00:30:18,200 Speaker 2: stage to perform. I asked this question from some people. 577 00:30:18,200 --> 00:30:21,560 Speaker 2: I've got some interesting responses, Like Peter Gabriel told me 578 00:30:21,760 --> 00:30:23,360 Speaker 2: before he goes on stage, he has to go to 579 00:30:23,440 --> 00:30:23,960 Speaker 2: the bathroom. 580 00:30:25,240 --> 00:30:25,640 Speaker 1: That's it. 581 00:30:26,520 --> 00:30:28,640 Speaker 2: Yeah, he said something else a little more crass, but 582 00:30:28,680 --> 00:30:29,560 Speaker 2: I'm going to leave it at that. 583 00:30:29,760 --> 00:30:32,880 Speaker 1: I know, right, that's fair. Yeah, yeah, no, it would 584 00:30:33,440 --> 00:30:36,680 Speaker 1: That is true, especially with six because I'm the one 585 00:30:36,720 --> 00:30:39,760 Speaker 1: that gets dressed first, and we have half hours, so 586 00:30:40,200 --> 00:30:41,600 Speaker 1: we don't leave the stage for the hour and a 587 00:30:41,640 --> 00:30:45,719 Speaker 1: half and so a half hour before that, we're all scheduled, 588 00:30:46,520 --> 00:30:49,480 Speaker 1: except the show starts at seven. At six point thirty, 589 00:30:49,640 --> 00:30:53,480 Speaker 1: every queen has a specific time you get into dress 590 00:30:53,560 --> 00:30:56,280 Speaker 1: because we can't dress ourselves, like it's too complicated, So 591 00:30:56,360 --> 00:30:59,040 Speaker 1: we have dressers that put us in costume. Yeah, and 592 00:30:59,080 --> 00:31:02,280 Speaker 1: then a wig prep and so it's all holding. But yeah, 593 00:31:02,320 --> 00:31:03,720 Speaker 1: you actually have to time out when you go to 594 00:31:03,800 --> 00:31:06,560 Speaker 1: the restroom because you're drinking water. Because it's trying to 595 00:31:06,560 --> 00:31:09,160 Speaker 1: take like you're trying to say, hydrate it, but you 596 00:31:09,320 --> 00:31:10,800 Speaker 1: can't go to the bathroom in the middle of the show. 597 00:31:10,920 --> 00:31:13,520 Speaker 2: No strategic snaps anywhere in the yard, No. 598 00:31:14,080 --> 00:31:17,479 Speaker 1: None, none, You're just like, well, you are strapped in 599 00:31:17,480 --> 00:31:19,720 Speaker 1: into three pairs of tights an a leotard, and the 600 00:31:19,800 --> 00:31:23,320 Speaker 1: posters spilt push you on stage. Good luck, come on, 601 00:31:23,600 --> 00:31:27,160 Speaker 1: like all right, but I mean outside of it, so 602 00:31:27,200 --> 00:31:30,760 Speaker 1: he is right outside of that. Vocally warm up probably 603 00:31:30,760 --> 00:31:33,840 Speaker 1: like thirty forty minutes. While I'm doing my makeup, I 604 00:31:33,960 --> 00:31:35,880 Speaker 1: have to do a physical dynamic warm up because I 605 00:31:35,880 --> 00:31:40,840 Speaker 1: mean we're doing tuck jumps in heels, so it's it's 606 00:31:40,880 --> 00:31:42,440 Speaker 1: a lot, so I have to make sure my body 607 00:31:42,480 --> 00:31:46,920 Speaker 1: is physically warm as well as my voice. So those 608 00:31:46,920 --> 00:31:50,800 Speaker 1: are the two like biggest I guess rituals you would say. 609 00:31:51,120 --> 00:31:53,280 Speaker 1: But as a group, once we get on stage, all 610 00:31:53,320 --> 00:31:55,000 Speaker 1: six of us, like, we'll all stand in a circle 611 00:31:55,040 --> 00:31:57,840 Speaker 1: and hold hands and we'll all try to synchronize our 612 00:31:57,880 --> 00:32:02,680 Speaker 1: breathing and we'll say one. Someone else has to say two, three, 613 00:32:02,760 --> 00:32:04,480 Speaker 1: four or five, six until we get to six. But 614 00:32:04,520 --> 00:32:05,640 Speaker 1: if we say it at the same time, we have 615 00:32:05,680 --> 00:32:06,120 Speaker 1: to start over. 616 00:32:07,000 --> 00:32:10,000 Speaker 2: Oh that's cool, except for when the curtain goes up 617 00:32:10,040 --> 00:32:17,200 Speaker 2: and you're still back there. Well, thank you for that 618 00:32:17,400 --> 00:32:21,120 Speaker 2: insight into it. It's always interesting to hear all of 619 00:32:21,160 --> 00:32:23,840 Speaker 2: that stuff because you know, we live vicariously through you, 620 00:32:24,920 --> 00:32:27,200 Speaker 2: especially both of us who would love to do that 621 00:32:27,440 --> 00:32:33,120 Speaker 2: type of work. In terms of advocacy, let's talk about 622 00:32:33,200 --> 00:32:36,560 Speaker 2: the impact of what you do. You've used your platform 623 00:32:36,640 --> 00:32:39,840 Speaker 2: about mental health. I think I may have touched a 624 00:32:39,840 --> 00:32:42,560 Speaker 2: bit on this up front with your brother, But why 625 00:32:42,680 --> 00:32:46,160 Speaker 2: is this cause specifically so important to you? 626 00:32:47,480 --> 00:32:50,480 Speaker 1: I think it's important to me because it is so taboo, 627 00:32:51,400 --> 00:32:55,800 Speaker 1: because there's such a lack of Now there's a conversation 628 00:32:55,880 --> 00:32:59,160 Speaker 1: around it, but for a very long time there has 629 00:32:59,200 --> 00:33:02,680 Speaker 1: not been a conversation around it because it makes people uncomfortable. 630 00:33:02,920 --> 00:33:07,080 Speaker 1: And I get it. It's not a fun topic to discuss. 631 00:33:07,960 --> 00:33:10,320 Speaker 1: You know. When I went to do an event for 632 00:33:10,520 --> 00:33:15,400 Speaker 1: DDE hirsh and nine eight eight and performed and went 633 00:33:15,440 --> 00:33:17,840 Speaker 1: there and you see all these people and every person 634 00:33:17,880 --> 00:33:20,960 Speaker 1: there is either a survivor of suicide or has lost 635 00:33:20,960 --> 00:33:27,040 Speaker 1: somebody to suicide, and it's incredibly sad. It's it's very sad, 636 00:33:27,120 --> 00:33:29,720 Speaker 1: and you're you're there to create awareness and to bring 637 00:33:30,440 --> 00:33:33,080 Speaker 1: like make a change. But it's also it's a heavy topic, 638 00:33:33,560 --> 00:33:35,520 Speaker 1: you know, because there's so much more that goes into it. 639 00:33:35,800 --> 00:33:39,160 Speaker 1: And then I feel like until the last until recently, 640 00:33:39,240 --> 00:33:41,160 Speaker 1: until over the last few years, there's been a lack 641 00:33:41,160 --> 00:33:45,680 Speaker 1: of education around it. So I think the more you 642 00:33:45,880 --> 00:33:49,880 Speaker 1: educate people, it just starts more of a conversation and 643 00:33:49,920 --> 00:33:54,080 Speaker 1: then if somebody is struggling with depression, they feel more 644 00:33:54,120 --> 00:33:58,440 Speaker 1: comfortable to say something's weird, like I think I need 645 00:33:58,440 --> 00:34:01,320 Speaker 1: to talk to somebody. And the people that reach out 646 00:34:01,360 --> 00:34:07,480 Speaker 1: to me and my family is not less. Still, people 647 00:34:07,520 --> 00:34:11,240 Speaker 1: reach out all the time. My dad goes and speaks 648 00:34:11,280 --> 00:34:14,000 Speaker 1: to different youth groups. I'll get asked to do podcasts 649 00:34:14,040 --> 00:34:19,359 Speaker 1: about it. It's just a it's a conversation that didn't 650 00:34:19,400 --> 00:34:21,480 Speaker 1: happen as much as I can get needed to. And 651 00:34:21,560 --> 00:34:23,239 Speaker 1: the more people talk about it, the less people so 652 00:34:23,320 --> 00:34:24,520 Speaker 1: awkward about it. You know. 653 00:34:25,120 --> 00:34:28,160 Speaker 2: Yeah, absolutely, And he said it's a very tough thing 654 00:34:29,080 --> 00:34:32,680 Speaker 2: and it's not fun. But I think when those people 655 00:34:32,880 --> 00:34:35,279 Speaker 2: listening to you, hearing what you have to say, it 656 00:34:35,360 --> 00:34:38,719 Speaker 2: might actually turn into something that's a more positive thing 657 00:34:38,800 --> 00:34:42,160 Speaker 2: for them. The minute they know, oh that happens to you, 658 00:34:43,160 --> 00:34:48,359 Speaker 2: were you this it's amazing. What message do you hope 659 00:34:48,360 --> 00:34:51,200 Speaker 2: that listeners take away from your music and your story. 660 00:34:52,400 --> 00:34:55,200 Speaker 1: I hope listeners take away the fact that they belong, 661 00:34:56,360 --> 00:34:59,040 Speaker 1: that there is hope that they can make it. 662 00:35:00,680 --> 00:35:03,640 Speaker 2: Have you heard from fans who have been impacted by 663 00:35:03,680 --> 00:35:06,960 Speaker 2: your music and can you share a couple of those 664 00:35:07,000 --> 00:35:07,799 Speaker 2: stories with us? 665 00:35:08,560 --> 00:35:12,440 Speaker 1: Yeah, gosh, it's It's always the coolest thing to have 666 00:35:12,600 --> 00:35:16,760 Speaker 1: people tell me that they've been moved by something I've written, 667 00:35:17,239 --> 00:35:19,440 Speaker 1: something I've sung, you know, And it's one thing I 668 00:35:19,480 --> 00:35:23,400 Speaker 1: will say online people are really really kind to me. 669 00:35:24,040 --> 00:35:27,520 Speaker 1: I'm very blessed to have people be mostly kind on 670 00:35:27,560 --> 00:35:30,600 Speaker 1: Instagram and TikTok. So that's so it's always very cool 671 00:35:30,600 --> 00:35:33,560 Speaker 1: to see people's comments about the songs. Like my brother's 672 00:35:33,560 --> 00:35:36,480 Speaker 1: anniversary was in May and so that I re shared 673 00:35:36,560 --> 00:35:38,839 Speaker 1: the music video that I had done for him, and 674 00:35:39,719 --> 00:35:44,520 Speaker 1: people just concept like I lost my mom, I lost 675 00:35:44,560 --> 00:35:46,719 Speaker 1: my brother, I lost my dad, I survived, like I mean, 676 00:35:46,800 --> 00:35:49,480 Speaker 1: just tons. But what's really cool is when I meet 677 00:35:49,560 --> 00:35:52,799 Speaker 1: somebody in person and they tell me in person and 678 00:35:53,680 --> 00:35:55,799 Speaker 1: it happens a lot. Crazy enough, it happens a lot 679 00:35:55,800 --> 00:35:58,640 Speaker 1: in New York, and I get this is this still 680 00:35:58,680 --> 00:36:00,279 Speaker 1: freaks me out in the coolest way, not in a 681 00:36:00,280 --> 00:36:02,200 Speaker 1: bad way, but it freaks me out. Let's wait, because 682 00:36:02,360 --> 00:36:05,440 Speaker 1: I don't expect people to know who I am. I 683 00:36:05,800 --> 00:36:08,640 Speaker 1: just I just don't. And what's nuts is in New 684 00:36:08,719 --> 00:36:12,080 Speaker 1: York City, of all places, I get recognized more from 685 00:36:12,120 --> 00:36:14,880 Speaker 1: TikTok and Instagram than I do and like that I 686 00:36:14,920 --> 00:36:17,120 Speaker 1: ever have people will come up and they're like, oh, 687 00:36:17,160 --> 00:36:19,080 Speaker 1: I follow you and your last and oh my gosh, 688 00:36:19,160 --> 00:36:21,600 Speaker 1: I'm like, oh, bychay, you know, and so it's always 689 00:36:21,600 --> 00:36:24,200 Speaker 1: like so cool. But at the stage door, specifically, I 690 00:36:24,239 --> 00:36:26,880 Speaker 1: do my best after every show to go out to 691 00:36:26,920 --> 00:36:29,360 Speaker 1: the stage door to sign playbills. The only reason I 692 00:36:29,360 --> 00:36:30,920 Speaker 1: won't go out is if I'm actually sick or my 693 00:36:31,000 --> 00:36:32,759 Speaker 1: voice is kind of off. But I try to go 694 00:36:32,760 --> 00:36:35,520 Speaker 1: out after every show. And I had a girl tell 695 00:36:35,560 --> 00:36:41,880 Speaker 1: me one time because the interactions are typically brief, but 696 00:36:41,920 --> 00:36:44,000 Speaker 1: I took a second and she said, I just need 697 00:36:44,000 --> 00:36:45,840 Speaker 1: to say thank you for what you wrote about your brother, 698 00:36:46,160 --> 00:36:48,680 Speaker 1: because I tried to take my life and thankfully I 699 00:36:48,719 --> 00:36:51,759 Speaker 1: didn't succeed, but it helps to know I'm not the 700 00:36:51,760 --> 00:36:54,880 Speaker 1: only one. And it just like stopped me in my 701 00:36:54,960 --> 00:36:57,719 Speaker 1: tracks because I would I never thought that something I 702 00:36:57,719 --> 00:36:59,440 Speaker 1: would write or say like that would make such an 703 00:36:59,440 --> 00:37:02,319 Speaker 1: impact on somebody else. But that is the goal, you know, 704 00:37:02,360 --> 00:37:06,719 Speaker 1: That's that's the goal of what I want to be 705 00:37:06,760 --> 00:37:09,319 Speaker 1: able to tell people. And then I have another one 706 00:37:09,360 --> 00:37:12,240 Speaker 1: that's about you know, female empowerment and like finding yourself 707 00:37:12,239 --> 00:37:14,320 Speaker 1: worth again and loving yourself. It's called look What You Missed. 708 00:37:14,360 --> 00:37:16,200 Speaker 1: And I had a girl tell me the other day, 709 00:37:16,200 --> 00:37:18,440 Speaker 1: she's like, that is my favorite song I get to 710 00:37:18,480 --> 00:37:20,359 Speaker 1: be awesome And she's like, oh my gosh, she need 711 00:37:20,480 --> 00:37:24,680 Speaker 1: like twelve and I'm like, what, this is so cool? 712 00:37:24,760 --> 00:37:28,720 Speaker 1: I mean so so, I've had multiple moments where people 713 00:37:28,800 --> 00:37:32,080 Speaker 1: are talking to me at the stage door about my music, 714 00:37:33,120 --> 00:37:35,719 Speaker 1: and that is the coolest thing this is. 715 00:37:35,719 --> 00:37:38,759 Speaker 2: I feel like they're talking to someone else else. Do 716 00:37:38,920 --> 00:37:41,160 Speaker 2: you feel sort of like what you know? 717 00:37:41,480 --> 00:37:45,280 Speaker 1: Actually eat right? Twilight tone? Still yeah, I'm so serious. 718 00:37:45,320 --> 00:37:49,920 Speaker 1: I'm like, wait, really yeah cool? Oh my gosh, how amazing. 719 00:37:50,320 --> 00:37:52,560 Speaker 1: So I knows. What I'm hoping that this next song 720 00:37:52,600 --> 00:37:57,000 Speaker 1: does is that it reaches just an absurd amount of people, 721 00:37:57,760 --> 00:38:02,000 Speaker 1: so that way that message can actually scope. That's the goal. 722 00:38:02,400 --> 00:38:03,479 Speaker 1: I love. That's so much. 723 00:38:04,160 --> 00:38:08,280 Speaker 2: Are there any dream collaborations or projects that you hope 724 00:38:08,320 --> 00:38:09,280 Speaker 2: to pursue. 725 00:38:08,920 --> 00:38:13,040 Speaker 1: In the future. Oh absolutely, besides the stage like Lady 726 00:38:13,040 --> 00:38:17,360 Speaker 1: Gaga's I know, yeah, yeah, yeah, I would love to 727 00:38:17,360 --> 00:38:21,040 Speaker 1: do a collaboration with someone like Jelly Roll. I think 728 00:38:21,080 --> 00:38:25,799 Speaker 1: that would be so cool. I think he's awesome. To 729 00:38:25,880 --> 00:38:29,120 Speaker 1: work with someone like Pink or Rihanna would also be 730 00:38:29,320 --> 00:38:32,920 Speaker 1: very very cool. I know I'm dreaming big here, no 731 00:38:33,120 --> 00:38:35,280 Speaker 1: put it out there, come on, I know we're dreaming 732 00:38:35,760 --> 00:38:40,480 Speaker 1: really big here. So you know, I also am like, 733 00:38:41,400 --> 00:38:43,439 Speaker 1: there's there's just so many I mean, I'm a huge 734 00:38:43,480 --> 00:38:46,839 Speaker 1: fan of Billie Eilish, Ariana Grande like so as far 735 00:38:46,840 --> 00:38:49,680 Speaker 1: as collaborations, and even Lady Gaga would be just a 736 00:38:49,840 --> 00:38:52,680 Speaker 1: dream and such a fan of hers. So there's a 737 00:38:52,680 --> 00:38:55,960 Speaker 1: lot of artists I would love to collaborate with. But 738 00:38:56,120 --> 00:39:00,200 Speaker 1: another dream would be to originator role on Broadway. Oh so, 739 00:39:00,400 --> 00:39:03,960 Speaker 1: now that I'm in it, I've actually fallen in love 740 00:39:04,000 --> 00:39:07,000 Speaker 1: with it. You got the bug I do and so 741 00:39:07,160 --> 00:39:09,880 Speaker 1: much fun. I'm like, this is but great. So I 742 00:39:09,920 --> 00:39:13,880 Speaker 1: think it would be really cool too if the greatest 743 00:39:13,880 --> 00:39:16,879 Speaker 1: showman ever went in to Broadway and actually like came 744 00:39:16,920 --> 00:39:19,080 Speaker 1: to the States to be able to be in something 745 00:39:19,080 --> 00:39:21,680 Speaker 1: like that would be so fun, so cool. So I mean, 746 00:39:22,400 --> 00:39:25,359 Speaker 1: you know, really big dreams and you know, I want 747 00:39:25,360 --> 00:39:28,040 Speaker 1: to tour. I want to do it world tour and 748 00:39:28,120 --> 00:39:31,319 Speaker 1: be able to you know, sell out arenas and stadiums, 749 00:39:31,360 --> 00:39:34,200 Speaker 1: and you know that is that is the goal. And 750 00:39:34,239 --> 00:39:36,040 Speaker 1: not just for me. I mean like it would be 751 00:39:36,080 --> 00:39:38,240 Speaker 1: super cool to perform for that many people, but also 752 00:39:38,320 --> 00:39:40,320 Speaker 1: because I'm like, if I'm at that level, that means 753 00:39:40,719 --> 00:39:43,319 Speaker 1: that many people are hearing how much they matter. Yeah. 754 00:39:43,440 --> 00:39:49,240 Speaker 2: Yeah, Not to change the subject, I did have another 755 00:39:49,320 --> 00:39:51,759 Speaker 2: question for you about advice. Well, let me ask that 756 00:39:52,719 --> 00:39:54,239 Speaker 2: if you were going to give some advice to someone 757 00:39:54,239 --> 00:39:57,600 Speaker 2: who's struggling right now, and not just struggling, say with 758 00:39:58,160 --> 00:40:02,440 Speaker 2: the problems that sort of inspire tired you in your life, 759 00:40:02,440 --> 00:40:05,480 Speaker 2: with your brother, just any problem, what kind of advice 760 00:40:05,680 --> 00:40:06,359 Speaker 2: would you give? 761 00:40:07,719 --> 00:40:13,359 Speaker 1: I would say anytime I personally am struggling, whether that 762 00:40:13,440 --> 00:40:22,240 Speaker 1: be feeling lonely, overwhelmed, sad, distant, like finding yourself someone 763 00:40:22,280 --> 00:40:25,480 Speaker 1: to be grounded with, I think is so important. I 764 00:40:25,480 --> 00:40:29,839 Speaker 1: think community is so important. And people that are in 765 00:40:29,880 --> 00:40:32,719 Speaker 1: your same industry is it's really helpful that people in 766 00:40:32,719 --> 00:40:36,000 Speaker 1: your same industry because they get it, they understand, they understand, 767 00:40:36,000 --> 00:40:38,080 Speaker 1: So even if it's just it's just one person. You 768 00:40:38,080 --> 00:40:39,680 Speaker 1: don't have to have an army, You just need just 769 00:40:39,760 --> 00:40:44,600 Speaker 1: one that you can really hunker down with and be like, hey, 770 00:40:44,800 --> 00:40:48,400 Speaker 1: I am not okay and then be able to just 771 00:40:48,440 --> 00:40:51,480 Speaker 1: sit there with you, you know, and not just try 772 00:40:51,480 --> 00:40:54,000 Speaker 1: to fix it. But I think for me, that's that's 773 00:40:54,040 --> 00:40:56,240 Speaker 1: been the most healing is having someone like my husband 774 00:40:56,840 --> 00:41:00,799 Speaker 1: who I can just be not okay with and that 775 00:41:00,920 --> 00:41:02,960 Speaker 1: is okay. And I'm blessed enough to have quite a 776 00:41:02,960 --> 00:41:05,719 Speaker 1: few friends that are really that awesome as well. So 777 00:41:06,600 --> 00:41:09,680 Speaker 1: I would say anyone that's struggling to find a community, 778 00:41:09,800 --> 00:41:13,240 Speaker 1: you know what, mom, dad, sister, brother, I mean, just anyone, 779 00:41:13,360 --> 00:41:15,080 Speaker 1: at least just one person is all you need. 780 00:41:15,640 --> 00:41:21,520 Speaker 2: Oh that's amazing advice. Because the more successful you become, 781 00:41:22,160 --> 00:41:26,520 Speaker 2: the less you find people. It's hard to find people 782 00:41:26,600 --> 00:41:29,920 Speaker 2: who are happy for your success. 783 00:41:29,960 --> 00:41:32,680 Speaker 1: I know that sounds crazy but now, but it's it's real. 784 00:41:33,120 --> 00:41:36,759 Speaker 2: So yeah, at any mentors or or somebody that you 785 00:41:36,760 --> 00:41:39,520 Speaker 2: can just talk to me. But seriously, if it is 786 00:41:39,600 --> 00:41:43,000 Speaker 2: part of your profession, that definitely helps or in whatever 787 00:41:43,000 --> 00:41:47,160 Speaker 2: you're doing in life. But yeah, great advice. Okay, So 788 00:41:47,800 --> 00:41:50,120 Speaker 2: what song or artists have you had? 789 00:41:50,160 --> 00:41:51,040 Speaker 1: Do you have right? 790 00:41:51,080 --> 00:41:53,920 Speaker 2: Now I have I Get a Try by Michael McDonald. 791 00:41:53,960 --> 00:41:56,080 Speaker 2: I don't know if you're familiar with the song. 792 00:41:56,200 --> 00:41:57,200 Speaker 1: Sort of yacht rocky. 793 00:41:57,880 --> 00:42:00,680 Speaker 2: I love it, but it's like my favorite, even though 794 00:42:00,760 --> 00:42:02,520 Speaker 2: people say it's not a genre and it was made 795 00:42:02,560 --> 00:42:03,120 Speaker 2: up or whatever. 796 00:42:04,000 --> 00:42:07,759 Speaker 1: Never cares. What song do you have on repeat? It's 797 00:42:07,800 --> 00:42:11,560 Speaker 1: going to be a terrible answer. What nothing's terrible? Well no, no, 798 00:42:11,600 --> 00:42:13,000 Speaker 1: it's going to be a terrible answer because it's not 799 00:42:13,040 --> 00:42:17,319 Speaker 1: an answer. Okay. So as as a singer, it was 800 00:42:17,360 --> 00:42:21,680 Speaker 1: constantly surrounded by music. I rarely listen to music. 801 00:42:22,440 --> 00:42:23,920 Speaker 2: I'm not surprised by that at all. 802 00:42:24,080 --> 00:42:26,759 Speaker 1: Yeah. I listened to a lot of podcasts, I listened 803 00:42:26,760 --> 00:42:31,040 Speaker 1: to audiobooks. Sometimes I just sit in silence. But I 804 00:42:31,040 --> 00:42:35,440 Speaker 1: don't have a song that I'm constantly, like constantly listening 805 00:42:35,480 --> 00:42:37,600 Speaker 1: to like that, I'm like, oh, yeah, let's go. I 806 00:42:37,640 --> 00:42:38,880 Speaker 1: mean I have a gym playlist. 807 00:42:39,320 --> 00:42:41,759 Speaker 2: Well, if you hear something, for example, like for I 808 00:42:41,920 --> 00:42:43,520 Speaker 2: just heard that and I hadn't heard it in a 809 00:42:43,520 --> 00:42:44,759 Speaker 2: long time, so I just have it on. 810 00:42:45,120 --> 00:42:46,800 Speaker 1: I just listened to it over and over again. 811 00:42:46,960 --> 00:42:49,880 Speaker 2: Agnauseium you know, for the day or the hour or 812 00:42:49,960 --> 00:42:52,799 Speaker 2: blasted in the car doesn't have to be you know, 813 00:42:53,280 --> 00:42:56,080 Speaker 2: strict answer, like if you looked on your phone right now, 814 00:42:56,160 --> 00:42:57,000 Speaker 2: what was the last. 815 00:42:56,760 --> 00:43:00,160 Speaker 1: Song you played? Let's see, Oh, here we go, We're 816 00:43:00,160 --> 00:43:02,200 Speaker 1: going right to do to day. I love it. I 817 00:43:02,239 --> 00:43:07,640 Speaker 1: would say, let's see what is it it is? If 818 00:43:07,680 --> 00:43:11,120 Speaker 1: you want perfection from Death Becomes Her? Wow, there is 819 00:43:11,600 --> 00:43:15,120 Speaker 1: was the last thing Michelle Williams I've played on. I 820 00:43:15,160 --> 00:43:17,040 Speaker 1: had just gone to see Death Becomes Her and I 821 00:43:17,080 --> 00:43:21,480 Speaker 1: looked up the the soundtrack because, oh my gosh, was 822 00:43:21,520 --> 00:43:27,080 Speaker 1: it incredible? Absolutely phenomenal. But one of my favorites. I 823 00:43:27,080 --> 00:43:29,600 Speaker 1: think I could always listen to Forever and Always is 824 00:43:29,680 --> 00:43:30,800 Speaker 1: River by Bishop Briggs. 825 00:43:31,440 --> 00:43:34,200 Speaker 2: Oh awesome. Awesome artists too. 826 00:43:36,120 --> 00:43:39,160 Speaker 1: Like that. Just oh I'm like so good. 827 00:43:39,600 --> 00:43:42,440 Speaker 2: Yeah, my husband and I absolutely love her. We crank 828 00:43:42,520 --> 00:43:44,120 Speaker 2: that up in the car. You gotta have a good 829 00:43:44,160 --> 00:43:46,520 Speaker 2: stereo because otherwise don't even bother listening. 830 00:43:46,800 --> 00:43:50,040 Speaker 1: Yeah, yeah, I know, yeah, but I would say that 831 00:43:50,040 --> 00:43:51,680 Speaker 1: that's when I could listen to for Forever and Always 832 00:43:51,680 --> 00:43:52,840 Speaker 1: and never get tired. 833 00:43:52,600 --> 00:43:55,399 Speaker 2: Of awesome and you know, don't feel like it's weird 834 00:43:55,440 --> 00:43:57,760 Speaker 2: because I interviewed. I don't know if you know country 835 00:43:57,840 --> 00:44:02,200 Speaker 2: artists by the name of Craig Morgan, Yes, and yeah, 836 00:44:02,239 --> 00:44:05,279 Speaker 2: so he said the same thing. You know, I do 837 00:44:05,600 --> 00:44:08,680 Speaker 2: this for my job, but I don't use it for 838 00:44:08,800 --> 00:44:12,280 Speaker 2: myself personally, and I don't really have time to listen. 839 00:44:13,719 --> 00:44:16,680 Speaker 1: And it sounds odd, but it doesn't sound so odd 840 00:44:16,680 --> 00:44:18,200 Speaker 1: because people like, oh, well, you're a artist, you must 841 00:44:18,200 --> 00:44:21,719 Speaker 1: listen to music all the time, and I'm like, yeah, yeah, 842 00:44:21,760 --> 00:44:26,440 Speaker 1: but not for fun. Yeah, it's a shame because there's 843 00:44:26,480 --> 00:44:28,319 Speaker 1: so much amazing music out there. And as somebody comes 844 00:44:28,320 --> 00:44:31,520 Speaker 1: out with an album and and I'm everybody talks about it. 845 00:44:31,520 --> 00:44:34,600 Speaker 1: Of course I'm going to go listen to it. But yeah, totally, 846 00:44:34,760 --> 00:44:36,200 Speaker 1: it's just different. It's so different. 847 00:44:36,880 --> 00:44:38,160 Speaker 2: I don't want to let you go. I have one 848 00:44:38,160 --> 00:44:42,040 Speaker 2: more question. If you could perform anywhere in the world, 849 00:44:43,480 --> 00:44:45,920 Speaker 2: where would it be and why? 850 00:44:46,120 --> 00:44:50,120 Speaker 1: Hmm? I would say rock and Rio and Brazil. 851 00:44:50,320 --> 00:44:51,960 Speaker 2: Oh, great answer. 852 00:44:52,480 --> 00:44:54,880 Speaker 1: That is where I would want to perform because those 853 00:44:54,960 --> 00:45:03,200 Speaker 1: fans are incredible. They are absolutely incredible. I just have 854 00:45:03,520 --> 00:45:06,440 Speaker 1: such a love for the people in Brazil. I did 855 00:45:06,520 --> 00:45:07,000 Speaker 1: you see that. 856 00:45:07,000 --> 00:45:09,520 Speaker 2: Video on the beach where like millions of people went 857 00:45:09,560 --> 00:45:11,000 Speaker 2: to go see Gaga perform. 858 00:45:11,239 --> 00:45:15,239 Speaker 1: Yes, Holy cow, that's now. That is insane. I was like, like, 859 00:45:15,400 --> 00:45:17,879 Speaker 1: is that real? It looked almost like AI, but it wasn't. 860 00:45:17,920 --> 00:45:21,399 Speaker 1: But I was like, oh, that's crazy. But I did 861 00:45:21,440 --> 00:45:24,360 Speaker 1: get to. I toured with Josh Stone for a little 862 00:45:24,400 --> 00:45:31,960 Speaker 1: bit and we played the Town Festival in uh Stapallo 863 00:45:32,960 --> 00:45:36,040 Speaker 1: and it was it's just so cool to see how 864 00:45:36,120 --> 00:45:39,160 Speaker 1: much those fans love music. I feel like going internationally. 865 00:45:39,160 --> 00:45:41,040 Speaker 1: I would also love to go to Asia. I would 866 00:45:41,160 --> 00:45:44,640 Speaker 1: love to go perform in Asia. They just love music 867 00:45:45,120 --> 00:45:48,080 Speaker 1: and they love artists, and so I think it'd be 868 00:45:48,120 --> 00:45:50,680 Speaker 1: a lot of fun to perform for them. 869 00:45:50,760 --> 00:45:54,080 Speaker 2: Well, I know they would love They love you, and 870 00:45:54,719 --> 00:45:57,840 Speaker 2: something I don't know tells me that you will be 871 00:45:58,080 --> 00:45:58,520 Speaker 2: very soon. 872 00:45:59,680 --> 00:46:03,120 Speaker 1: It's it's going to happen. I play out there. Yeah, 873 00:46:03,160 --> 00:46:04,080 Speaker 1: And isn't that funny? 874 00:46:04,560 --> 00:46:08,279 Speaker 2: One percent of people write down their goals, But interestingly enough, 875 00:46:08,280 --> 00:46:10,759 Speaker 2: when you write them down, they have a funny way 876 00:46:10,800 --> 00:46:16,080 Speaker 2: of happening. Keep writing those songs. Kelsey Watts, thank you 877 00:46:16,160 --> 00:46:18,280 Speaker 2: so much for sharing your time with us on music. 878 00:46:18,320 --> 00:46:20,440 Speaker 2: Save me today and best of luck with everything in 879 00:46:20,480 --> 00:46:22,360 Speaker 2: the future, and please come back and see us again. 880 00:46:22,880 --> 00:46:24,440 Speaker 1: Oh my gosh, of course, thank you for having me. 881 00:46:24,600 --> 00:46:26,360 Speaker 1: I have blasts. I don't want to let you go. 882 00:46:27,080 --> 00:46:31,640 Speaker 1: It's been a wonderful conversation my soul sister. Thank you 883 00:46:31,680 --> 00:46:32,120 Speaker 1: so much,