WEBVTT - Art Imitates Life • EP 802

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<v Speaker 1>First of all, you don't know.

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<v Speaker 2>All about that high school drama girl, Drama girl, all

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<v Speaker 2>about them high school queens. We'll take you for a ride.

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<v Speaker 2>And our comic girl cheering for the right teams, Drama Queens,

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<v Speaker 2>Girl of Girl Fashion, which your tough girl.

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<v Speaker 1>You could sit with us Girl Drama Queens, Drama Queens

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<v Speaker 1>Drama Queens Drama, Drama, Queens Drama Queens.

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<v Speaker 2>Oh hi, o, Hi, you have us. You have made

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<v Speaker 2>rob friends. Uh oh wow. We're finding our way through.

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<v Speaker 2>We're feeling very kind of introverted in cozy today, I

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<v Speaker 2>would say, in our in our hoodies and just snuggle

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<v Speaker 2>at the very end of the holidays, trying to save

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<v Speaker 2>every last moment that we can. How are you it's

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<v Speaker 2>all the all the sickness passed through the house. I

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<v Speaker 2>know so many people that got sick over the holidays.

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<v Speaker 3>We got destroyed so well. We had dodged COVID since

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<v Speaker 3>the whole time, and at the start of December we

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<v Speaker 3>all got COVID, everyone in the family. And then right

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<v Speaker 3>as we were getting over it, we had family fly

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<v Speaker 3>in from New Zealand and one of them caught something

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<v Speaker 3>on the plane. No, and then I got so then

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<v Speaker 3>we got sick again. And then right as I was

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<v Speaker 3>getting over that, like three days ago, I got sick again. Sorry.

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<v Speaker 3>I don't know what I did to rack up so

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<v Speaker 3>much bad karma, but I gotta, I gotta fix it

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<v Speaker 3>because I am so tired of being sick. How about you?

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<v Speaker 3>How are your holidays?

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<v Speaker 2>They were great and I haven't been sick. I actually

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<v Speaker 2>this is not a plug for our sponsor, SymbioticA, but

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<v Speaker 2>I will tell you they sent us a package once

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<v Speaker 2>when they were sponsoring an episode, and I used it

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<v Speaker 2>and I loved it, and then I bought a subscription,

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<v Speaker 2>and now I take these little packets because like vitamin

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<v Speaker 2>C and elderberry and all these other little thingies from them.

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<v Speaker 2>I take them every day and I usually will get sick,

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<v Speaker 2>like I'll get a cold like three times a year,

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<v Speaker 2>and I've I've had a full thirteen fourteen months with

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<v Speaker 2>no sickness at all, no cold, no nothing since I've

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<v Speaker 2>been taking these. Well done, So I'm hoping I'm like

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<v Speaker 2>knock on wood that it doesn't like, it doesn't pop,

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<v Speaker 2>it's rear rear, its head. But yeah, I was good,

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<v Speaker 2>and I've We're healthy over here and feeling cozy but

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<v Speaker 2>I'm ready. I'm ready for a new year. I'm ready

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<v Speaker 2>to launch into it. This one is season eight, episode two.

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<v Speaker 2>I can't see you, but I know you're there. Air

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<v Speaker 2>date September twenty first, twenty ten, Rob, you want to

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<v Speaker 2>read the synapsis.

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<v Speaker 3>I'd love to. Clay and Quinn discover they've been shot

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<v Speaker 3>and as they fight to live, Nathan and Haley struggle

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<v Speaker 3>with the situation. Meanwhile, Julian tries to preoccupy Jamie and

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<v Speaker 3>Brooks legal troubles mount Ooh.

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<v Speaker 2>Yeah, this is a there was There was a lot

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<v Speaker 2>in this that was a lot of bouncing back and

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<v Speaker 2>forth between incredible tragedy, huge this financial situation with Brooke is.

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<v Speaker 2>Haley goes, how bad can it get? And Brooks like

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<v Speaker 2>I could lose a company. I'm like, can't you go

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<v Speaker 2>to jail? I feel like that's how bad it gets,

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<v Speaker 2>not losing the company, but anyway, that's whole thing. And

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<v Speaker 2>then Clay and Quinn just trying to come back to life,

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<v Speaker 2>and then we're bouncing back and forth between that and

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<v Speaker 2>the buddy comedy with Jamie and Julian, which is really

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<v Speaker 2>fun too. So anyway, we were kind of all over

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<v Speaker 2>the place, but mainly Clay and Quinn. Let's get into it.

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<v Speaker 3>Let's so peak behind the curtain. I was about five

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<v Speaker 3>minutes into the episode when there was discussions of us

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<v Speaker 3>not recording this today, and I thought, oh, okay, cool.

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<v Speaker 3>Now I'm just going to watch it for myself. I'm

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<v Speaker 3>not going to do like thorough note taking, which is

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<v Speaker 3>me stopping the episode every thirty seconds to write something down.

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<v Speaker 3>And I just got to watch it as a viewer,

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<v Speaker 3>and man, I had the same experience that I did

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<v Speaker 3>the last time I watched this. I was like, the

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<v Speaker 3>show's good. I didn't remember any of clayin Quinn's of

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<v Speaker 3>this part of the story.

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<v Speaker 2>Really.

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<v Speaker 3>I knew we were in a coma. Yeah, I knew

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<v Speaker 3>we were in a coma, and I remember the stuff

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<v Speaker 3>from eight oh one where we're like, just it's idyllic

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<v Speaker 3>and then we realize we've been shot. I didn't realize

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<v Speaker 3>there was this whole like dream world segment where we

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<v Speaker 3>are yeah, oh yeah, what's going on? But I also

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<v Speaker 3>thought it was very effective. I thought Chantell was so good.

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<v Speaker 2>Yeah I agree, but I.

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<v Speaker 3>It made me sad. I was I got it worked

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<v Speaker 3>for me.

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<v Speaker 2>It was really well done. This whole bit of you

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<v Speaker 2>guys opening doors and it's and it's a green field,

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<v Speaker 2>and then you turn a corner and it's a hospital,

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<v Speaker 2>or you know, you peek around a tree and suddenly

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<v Speaker 2>it's like there's the hospital hallway, or you being in

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<v Speaker 2>the room with yourself looking at yourself and having to

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<v Speaker 2>react to what that would feel like. You know, you

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<v Speaker 2>hear about people who have these out of body experiences,

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<v Speaker 2>and I can't even imagine did you rese search any

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<v Speaker 2>of that for any reason to be able to feel

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<v Speaker 2>what that would feel?

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<v Speaker 3>I don't know, like no, because I think my thinking

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<v Speaker 3>was he's never gone through this before, so I think

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<v Speaker 3>he should be every bit is sort of confused and

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<v Speaker 3>fish out of water, as I would be. Yeah, So

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<v Speaker 3>that was just I think that's what I remember playing.

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<v Speaker 3>I did laugh at the start of it because I

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<v Speaker 3>had the same thing this episode where I went, how

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<v Speaker 3>long have they been on the floor bleeding?

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<v Speaker 2>Oh my gosh, I know, and will you hear the

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<v Speaker 2>medic go yes, twelve plus hours?

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<v Speaker 3>Oh yeah, yeah, how long did he get shot? Twelve hours?

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<v Speaker 3>And he's like, I don't know how he's still alive.

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<v Speaker 3>But I thought, okay, glad you guys addressed it. But

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<v Speaker 3>it sure feels like a lot more than twelve hours.

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<v Speaker 2>I feel like it was three days.

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<v Speaker 3>I could not believe you guys be the slowest bleed

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<v Speaker 3>of all time and.

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<v Speaker 2>It was right in your chest. They were doing open

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<v Speaker 2>heart surgery on you or open cab.

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<v Speaker 3>Yeah, it was. It was quite full on. But yeah,

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<v Speaker 3>when the medics said that, I was like, all right,

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<v Speaker 3>I appreciate you clearing that up for me, but also storytelling,

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<v Speaker 3>why is it sure feels like a lot more than

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<v Speaker 3>half a day has passed?

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<v Speaker 2>That for sure was dropped in later that was like

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<v Speaker 2>somebody in the edit room went, how long have these

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<v Speaker 2>two been laying on the floor And they were like,

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<v Speaker 2>throw somebody into adr to say twelve hours. And they

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<v Speaker 2>put it in the medics scene.

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<v Speaker 3>Because Nathan was working out with Jamie and then he

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<v Speaker 3>left to camp. That's when he stopped by Clay in

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<v Speaker 3>Quinn's place. Yeah, so I thought he'd at least been

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<v Speaker 3>at camp for a day.

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<v Speaker 2>Yeah, I agree, it definitely feels like longer than twelve hours.

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<v Speaker 2>I don't remember finding you guys.

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<v Speaker 3>I didn't either, Joy.

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<v Speaker 2>And no idea that I was the one that walked in. No,

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<v Speaker 2>no idea.

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<v Speaker 3>I didn't recall that at all.

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<v Speaker 2>Your eyes would were closed, like you guys wouldn't. Maybe

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<v Speaker 2>they shot that sequence of you laying there and then

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<v Speaker 2>you guys went to go get cleaned up, and they

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<v Speaker 2>just shot my individual reaction or something. But that was

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<v Speaker 2>also that's a lot of cleanup for you guys. Yeah,

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<v Speaker 2>I feel like those kinds of episodes are hard to

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<v Speaker 2>shoot when you're back and forth between being bloody and

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<v Speaker 2>not bloody, and your shirt would be totally crisp and

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<v Speaker 2>white at one moment and then totally bloody in another moment,

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<v Speaker 2>and then you have to be in the hospital bed

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<v Speaker 2>and with so many actors in a scene, trying to

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<v Speaker 2>coordinate the schedule of all of that, like who's gonna

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<v Speaker 2>wait while you guys go get cleaned up? And what

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<v Speaker 2>part of the scene are we gonna shoot while you're

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<v Speaker 2>get rebloodied? And yeah, that was I feel like there

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<v Speaker 2>were a lot of moving pieces with this episode.

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<v Speaker 3>That's that's also kind of like though with women's hair,

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<v Speaker 3>don't you don't you feel like when you're like you're

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<v Speaker 3>shooting something and it's like over the course of different

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<v Speaker 3>days and it's like, wait, was her hair up or down?

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<v Speaker 3>For this, yeah, and there's a lot of it's a

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<v Speaker 3>thirty minute transformation, so it's like, Okay, what are we

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<v Speaker 3>gonna do for thirty minutes?

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<v Speaker 2>Yeah, yeah, that's right, because we go from day one

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<v Speaker 2>to day three, tonight two to one, yeah, day four. Yeah.

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<v Speaker 2>I Also, what I do remember is that moment where

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<v Speaker 2>I was talking to Sophia, well Haley and Brooker talking

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<v Speaker 2>and Chantelle's standing right there and talking to us. I

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<v Speaker 2>remember that being really hard to just completely ignore her

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<v Speaker 2>and time out the things that we were saying to

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<v Speaker 2>each other so that we didn't all talk over each other,

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<v Speaker 2>but without looking at her, so I couldn't tell when

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<v Speaker 2>her mouth was gonna move. It was hard. It was

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<v Speaker 2>harder that I thought it was gonna be.

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<v Speaker 3>I laughed watching that scene just thinking about what that

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<v Speaker 3>was like for you guys on the day. Ye. It's

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<v Speaker 3>so First of all, it's hilarious that none of you

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<v Speaker 3>guys step on each other's lines, because in real life,

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<v Speaker 3>why would you and the ghost be synced up and

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<v Speaker 3>never interrupting? It's right, but it's also just the reality

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<v Speaker 3>of like your friend having to be like, can't you

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<v Speaker 3>hear me? I'm right here, and you're like I can't

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<v Speaker 3>hear you, pal.

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<v Speaker 2>I wonder if we rehearsed that, we had to have

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<v Speaker 2>not traversed it a couple of times.

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<v Speaker 3>How about at the end, or closer to the end,

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<v Speaker 3>when Nathan has that sweet, sweet speech to Coma Clay.

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<v Speaker 2>Oh my gosh, that was so beautiful.

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<v Speaker 3>Come back and see Clay listening to all of it,

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<v Speaker 3>but the speech lovely.

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<v Speaker 2>What a great moment of friendship. It was really nice

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<v Speaker 2>to see Nathan be opened up like that. He's been

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<v Speaker 2>doing so much more of that lately. It's really nice.

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<v Speaker 3>It was great. I just thought, yeah, like I I know,

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<v Speaker 3>the whole Katie storyline is so bonkers, and even like

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<v Speaker 3>this is is, it's out there, but I was invested.

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<v Speaker 3>I was I was on board, you know, and worried

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<v Speaker 3>for Clay and Quinn and and how there was that

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<v Speaker 3>moment where when Clay's like, you gotta go, you got

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<v Speaker 3>to open your eyes, and there's the last shot of

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<v Speaker 3>when he was like, we're good, I promise, and then

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<v Speaker 3>she closes her eyes and there's a quick cut back

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<v Speaker 3>to Clay and you can see that he's he's not

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<v Speaker 3>confident in what he just said. A moment of sadness

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<v Speaker 3>and you're like, oh.

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<v Speaker 2>Yeah, they're really holding it all together. And I was

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<v Speaker 2>wondering that too. Watching Clay, I was like you, I

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<v Speaker 2>could see you making the choice to be stronger and

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<v Speaker 2>stronger and have more energy and be in the dream world,

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<v Speaker 2>and seeing chantale be it seemed like more frail and

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<v Speaker 2>the dichotomy, I guess, of the two of you, that's

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<v Speaker 2>not the right word, the contrast of the two of

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<v Speaker 2>you in different places and her coming back that scene

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<v Speaker 2>broke my heart. And she's digging in the sand and

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<v Speaker 2>like you're she doesn't want to leave you. God, it's

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<v Speaker 2>really so sad. It makes me wonder because you know,

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<v Speaker 2>there are so many people who have those experiences where

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<v Speaker 2>they it's like an out of body experience and they

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<v Speaker 2>are looking down at the doctors working on their own body,

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<v Speaker 2>and then they live to talk about it. It's so interesting.

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<v Speaker 2>I wonder how much of that we captured. I wonder

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<v Speaker 2>if our director or anybody, anither writers or anybody didn't

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<v Speaker 2>research on that too. I don't know.

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<v Speaker 3>That was also great that the two of them got

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<v Speaker 3>to be in that in between world together.

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<v Speaker 2>Yes, that's what I love.

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<v Speaker 3>How fun I mean, obviously it's terrible that you're there,

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<v Speaker 3>considering you're on the verge of death, but like, you

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<v Speaker 3>get to be there with your buddy. At least, that's

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<v Speaker 3>why I know.

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<v Speaker 2>That would be really fun. Yeah, at least you're there together. Yeah,

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<v Speaker 2>waiting in the wings.

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<v Speaker 3>Cuddling on a beach top list Like we were just

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<v Speaker 3>having a good old time for the most part until

0:11:53.840 --> 0:11:55.440
<v Speaker 3>the whole death thing came back in.

0:11:56.080 --> 0:11:59.120
<v Speaker 2>Oh my god, you guys, the realization of think about

0:11:59.120 --> 0:12:02.480
<v Speaker 2>what happened in the quick cuts and oh, it was

0:12:02.520 --> 0:12:07.080
<v Speaker 2>all really very effective. So I'm grateful that you're alive

0:12:07.559 --> 0:12:12.200
<v Speaker 2>so far. Still, obviously Clay comes back and Quinn's back sooner.

0:12:12.280 --> 0:12:15.520
<v Speaker 2>But this is a good one, And I wonder if

0:12:15.559 --> 0:12:19.080
<v Speaker 2>does Katie come back more or is that it? Yes,

0:12:19.920 --> 0:12:22.200
<v Speaker 2>we have to deal with her still.

0:12:22.760 --> 0:12:25.960
<v Speaker 3>Yes, I don't recall. The only thing I know is,

0:12:26.160 --> 0:12:29.000
<v Speaker 3>if you haven't watched the show listener, maybe just like

0:12:29.040 --> 0:12:32.840
<v Speaker 3>fast forward ten seconds, is that because Sean Tell and

0:12:32.880 --> 0:12:36.439
<v Speaker 3>her excuse me, Quinn and her have that knockdown, drag

0:12:36.480 --> 0:12:38.160
<v Speaker 3>out fight at Clay's house.

0:12:38.400 --> 0:12:39.400
<v Speaker 2>Oh that's rare.

0:12:39.600 --> 0:12:42.160
<v Speaker 3>We spoke with her, So that's that's the only thing

0:12:42.200 --> 0:12:45.120
<v Speaker 3>I know. I don't know how that comes about. I

0:12:45.120 --> 0:12:47.960
<v Speaker 3>don't know if it's Quinn hunting down Katie or if

0:12:48.000 --> 0:12:51.160
<v Speaker 3>Katie tries to come back, but I do I think

0:12:51.200 --> 0:12:54.200
<v Speaker 3>it actually happens while Clay's still in a coma, maybe

0:12:54.280 --> 0:12:56.280
<v Speaker 3>because I'm not there for it. Why else wouldn't I

0:12:56.320 --> 0:12:57.080
<v Speaker 3>be at my house?

0:12:57.240 --> 0:12:58.120
<v Speaker 2>Oh you weren't.

0:12:58.880 --> 0:13:04.400
<v Speaker 3>No, that was entirely and Amanda Chantelle night interesting watch

0:13:04.440 --> 0:13:06.400
<v Speaker 3>me end up actually being there, and I forgot about that.

0:13:07.480 --> 0:13:10.000
<v Speaker 3>I'm pretty certain it was just the two of them.

0:13:11.400 --> 0:13:13.560
<v Speaker 3>So no, we're not quite out of the woods with

0:13:13.640 --> 0:13:17.120
<v Speaker 3>Katie yet. But yeah, also, I will say I did.

0:13:17.200 --> 0:13:20.679
<v Speaker 3>I didn't realize it because this whole time I've been saying, like,

0:13:20.920 --> 0:13:23.240
<v Speaker 3>how is she suddenly a cat burglar? And scaling to

0:13:23.280 --> 0:13:26.800
<v Speaker 3>the second story to get to Play's balcony. And I realized,

0:13:27.000 --> 0:13:31.720
<v Speaker 3>as I'm sure several annoyed listeners have already known, Clay's

0:13:32.000 --> 0:13:35.520
<v Speaker 3>sliding door to his bedroom isn't on the second store

0:13:35.960 --> 0:13:40.440
<v Speaker 3>the second story. It's on the main level. Because you, Hayley,

0:13:40.520 --> 0:13:43.560
<v Speaker 3>that is you walk up onto the deck in the back,

0:13:43.760 --> 0:13:44.960
<v Speaker 3>just up the pool stairs.

0:13:45.240 --> 0:13:46.200
<v Speaker 2>Oh yeah, and go.

0:13:46.679 --> 0:13:49.559
<v Speaker 3>Walk around and go right into the room. So now

0:13:49.600 --> 0:13:52.320
<v Speaker 3>it suddenly makes sense why she was why Katie has

0:13:52.360 --> 0:13:54.040
<v Speaker 3>just been going in and out through there.

0:13:54.240 --> 0:13:57.680
<v Speaker 2>Yeah. Also weird though that when Nathan went over to

0:13:57.760 --> 0:14:01.840
<v Speaker 2>the house to knock on the door and you didn't answer, Like,

0:14:02.040 --> 0:14:04.160
<v Speaker 2>it's just so easy to just take a few steps

0:14:04.200 --> 0:14:06.720
<v Speaker 2>to the back and poke around the corner. It's like

0:14:06.800 --> 0:14:10.000
<v Speaker 2>his best friend's house. I don't know, wouldn't you just

0:14:10.040 --> 0:14:13.319
<v Speaker 2>go check, like to make sure that he's hearing you

0:14:13.400 --> 0:14:14.240
<v Speaker 2>knock on the door.

0:14:14.880 --> 0:14:17.480
<v Speaker 3>The pushback I would give on that is maybe he

0:14:17.520 --> 0:14:19.680
<v Speaker 3>didn't want to walk around the back and see like

0:14:19.920 --> 0:14:22.920
<v Speaker 3>Clay and Quinn fooling couch or something.

0:14:23.160 --> 0:14:26.800
<v Speaker 2>Okay, right right, yeah, fair enough, fair enough, that's.

0:14:26.640 --> 0:14:28.800
<v Speaker 3>The out I'll give him. He was, he was just

0:14:28.840 --> 0:14:33.320
<v Speaker 3>being respectful. Sidebar, Is your hoodie a troop Beverly Hills?

0:14:35.040 --> 0:14:37.920
<v Speaker 2>I think I think it is. I just found this

0:14:37.960 --> 0:14:42.000
<v Speaker 2>in Kentucky. I drove up to Louisville this a couple

0:14:41.960 --> 0:14:44.840
<v Speaker 2>of weekends ago to visit family and found this in

0:14:44.880 --> 0:14:47.800
<v Speaker 2>some random little store in Louisville and just but it

0:14:47.840 --> 0:14:49.400
<v Speaker 2>feels like it's a true Beverly Hills.

0:14:49.440 --> 0:14:55.760
<v Speaker 3>It does. Shelley Long, I loved that movie so good. Okay,

0:14:55.840 --> 0:14:56.480
<v Speaker 3>One Tree Hill.

0:14:56.480 --> 0:15:00.920
<v Speaker 2>Okay, speaking of fooling around, who here's who is fooling around?

0:15:01.120 --> 0:15:05.920
<v Speaker 2>Is Alex and Chase right in front of me. I

0:15:05.960 --> 0:15:10.240
<v Speaker 2>don't I do not understand Alex's deal, Like can she

0:15:10.360 --> 0:15:12.760
<v Speaker 2>not just leave well enough alone and she's got him,

0:15:12.880 --> 0:15:14.600
<v Speaker 2>just enjoy it. Why does she have to just keep

0:15:14.680 --> 0:15:18.320
<v Speaker 2>rubbing everything in MIA's face? What is going on?

0:15:19.640 --> 0:15:23.080
<v Speaker 3>I don't know, man. There was a there's the moment

0:15:23.120 --> 0:15:25.440
<v Speaker 3>when Mia towards the end, when Mia comes back to

0:15:25.520 --> 0:15:29.680
<v Speaker 3>Alex and she's like, hey, you're right. I pushed him away.

0:15:30.120 --> 0:15:34.520
<v Speaker 3>I blew it. You're still a but you're right. It

0:15:34.640 --> 0:15:37.360
<v Speaker 3>was my fault. There was a moment where I thought, oh,

0:15:37.480 --> 0:15:40.840
<v Speaker 3>because there's this like a like a a sincere smile

0:15:41.200 --> 0:15:44.000
<v Speaker 3>comes across Alex's face, and I thought, oh, is she

0:15:44.040 --> 0:15:46.840
<v Speaker 3>about to have a moment of going good, I'm out

0:15:46.880 --> 0:15:49.360
<v Speaker 3>my work, here's done, you know, like she was there

0:15:49.440 --> 0:15:52.160
<v Speaker 3>just to sort of like teach a lesson, right, but

0:15:52.320 --> 0:15:58.600
<v Speaker 3>that yeah, no, of course not. And it's like, ah, okay, okay,

0:15:59.120 --> 0:16:02.280
<v Speaker 3>I don't know, you know, and I forget. There was

0:16:02.320 --> 0:16:05.720
<v Speaker 3>also one shot in this episode that was a very

0:16:05.840 --> 0:16:09.640
<v Speaker 3>like gratuitous close up. It was you're like an inso

0:16:09.720 --> 0:16:11.560
<v Speaker 3>or outro of a scene where it was like close

0:16:11.640 --> 0:16:13.360
<v Speaker 3>up on like a girl's butt. It was something. There

0:16:13.400 --> 0:16:16.400
<v Speaker 3>was one of those moments from like uh, but then

0:16:16.480 --> 0:16:19.840
<v Speaker 3>like Alex having the shots between in her cleavage.

0:16:20.440 --> 0:16:21.960
<v Speaker 2>It's just so dumb.

0:16:22.560 --> 0:16:29.480
<v Speaker 3>It's just I don't it's just odd, you know it is.

0:16:29.560 --> 0:16:31.360
<v Speaker 2>It's odd. I don't know what her problem is. I

0:16:31.400 --> 0:16:33.880
<v Speaker 2>did like MIA's move of being like, oh, look you

0:16:33.880 --> 0:16:35.880
<v Speaker 2>have to drive me now I've been drinking and I'm

0:16:35.960 --> 0:16:37.920
<v Speaker 2>gonna go get this kid just taking them out of

0:16:37.920 --> 0:16:40.120
<v Speaker 2>the way. I was like, that's that's pretty good. It's

0:16:40.160 --> 0:16:40.840
<v Speaker 2>pretty smart.

0:16:41.240 --> 0:16:44.560
<v Speaker 3>That was very smart. I just with Alex, it's just odd, right,

0:16:44.600 --> 0:16:50.600
<v Speaker 3>because she's an internationally known movie star. Yes, there is

0:16:50.920 --> 0:16:54.240
<v Speaker 3>already dudes lining up at the door. The guy in

0:16:54.240 --> 0:16:56.160
<v Speaker 3>the front of that line, by the way, was our

0:16:56.360 --> 0:17:00.120
<v Speaker 3>very own beloved crew member. Saber was the one who

0:17:00.160 --> 0:17:02.600
<v Speaker 3>was Scotty Safer. No was Alex du prei bart Is

0:17:02.640 --> 0:17:05.800
<v Speaker 3>this the bar Alex du praise bartending? Yet that was

0:17:05.840 --> 0:17:07.960
<v Speaker 3>our own uh, Scottie Saber.

0:17:08.320 --> 0:17:11.240
<v Speaker 2>Saber was, by the way, guys, he was a professional

0:17:11.280 --> 0:17:15.119
<v Speaker 2>wrestler and we used to go watch him wrestle in Wilmington.

0:17:15.720 --> 0:17:19.199
<v Speaker 2>He had a whole costume and a persona and it was.

0:17:19.240 --> 0:17:22.639
<v Speaker 2>It was the whole deal, real deal. Hillary could probably

0:17:22.640 --> 0:17:24.200
<v Speaker 2>tell you a lot more. And I think maybe she's

0:17:24.240 --> 0:17:26.960
<v Speaker 2>talked about him before on this podcast a couple of

0:17:27.040 --> 0:17:30.360
<v Speaker 2>years ago. Yeah, but he was just one of our

0:17:30.480 --> 0:17:34.280
<v Speaker 2>dearly dearly beloved. So it's really fun to I love

0:17:34.320 --> 0:17:37.520
<v Speaker 2>what our crew members do cameos and they pop up

0:17:37.880 --> 0:17:39.360
<v Speaker 2>so fun, you know.

0:17:39.440 --> 0:17:44.480
<v Speaker 3>When Okay, So for the listeners, the story Hillary told

0:17:44.840 --> 0:17:48.800
<v Speaker 3>about Austin joining the show and them going getting going

0:17:48.880 --> 0:17:51.840
<v Speaker 3>to a wrestling match and painting their faces together, I think,

0:17:52.240 --> 0:17:55.119
<v Speaker 3>oh yes, And because she was like, is this is

0:17:55.160 --> 0:17:56.879
<v Speaker 3>this a thing? Here is this guy flirting with me?

0:17:57.000 --> 0:17:58.720
<v Speaker 3>And then they got there and like he clearly like

0:17:58.800 --> 0:18:00.919
<v Speaker 3>only had eyes for Sophia or something happened, you know,

0:18:01.359 --> 0:18:03.919
<v Speaker 3>but that they were going to watch Scotty Saber wrestle.

0:18:04.960 --> 0:18:07.439
<v Speaker 3>So he has been discussed before. It was on the

0:18:07.560 --> 0:18:09.280
<v Speaker 3>paint of their faces, that's it.

0:18:10.080 --> 0:18:13.280
<v Speaker 2>So they threw him in the front said hey, here's

0:18:13.320 --> 0:18:16.240
<v Speaker 2>a line, say it. And so he was the perfect

0:18:16.280 --> 0:18:19.120
<v Speaker 2>one to look for. Alex Duprey. But yeah, she's she's

0:18:19.160 --> 0:18:22.280
<v Speaker 2>an international star, superstar tending bar.

0:18:22.600 --> 0:18:25.240
<v Speaker 3>And guys are already lining up at the door pounding

0:18:25.280 --> 0:18:27.040
<v Speaker 3>on it. I don't think you need to put a

0:18:27.080 --> 0:18:28.520
<v Speaker 3>shot in your cleavage.

0:18:28.080 --> 0:18:31.960
<v Speaker 2>Like, yeah, they're in. They're lucky enough just to sit there.

0:18:32.200 --> 0:18:35.320
<v Speaker 3>Yeah, you could wear a turtleneck and just read a

0:18:35.359 --> 0:18:38.200
<v Speaker 3>book and they would still out and be all for

0:18:38.280 --> 0:18:43.439
<v Speaker 3>itting and get drunk. But you know, Alex doing the

0:18:43.480 --> 0:18:46.520
<v Speaker 3>most Oh Alex at the start of the episode, when

0:18:46.600 --> 0:18:49.840
<v Speaker 3>you're writing the letter, which I thought it's always an

0:18:49.840 --> 0:18:52.320
<v Speaker 3>effective tool for like reminding the audience like what's been

0:18:52.359 --> 0:18:56.399
<v Speaker 3>going on? But you, uh, you're like, hey, Luke, And

0:18:56.440 --> 0:18:59.800
<v Speaker 3>I had about maybe this is just my brain fog

0:18:59.800 --> 0:19:02.000
<v Speaker 3>from being sick three times in last month, but I

0:19:02.080 --> 0:19:08.320
<v Speaker 3>spent about ten seconds going who's Luke? No, holy cow,

0:19:09.359 --> 0:19:13.080
<v Speaker 3>who's Luke? And I was like, oh, freaking Bracket's Lucas.

0:19:13.080 --> 0:19:16.640
<v Speaker 3>It's Lucas. That's funny because I've never heard him called

0:19:16.720 --> 0:19:18.360
<v Speaker 3>Luke ever. It's always yes.

0:19:18.800 --> 0:19:21.359
<v Speaker 2>But also, he is so not a part of the

0:19:21.359 --> 0:19:25.880
<v Speaker 2>storyline anymore almost anybody's storyline. It's certainly not yours. He's

0:19:25.920 --> 0:19:27.840
<v Speaker 2>just not somebody that's talked about a lot. So that

0:19:27.920 --> 0:19:30.080
<v Speaker 2>makes And it wasn't there when you were there filming.

0:19:30.160 --> 0:19:33.359
<v Speaker 2>It's not like he was. His character was in your

0:19:34.200 --> 0:19:37.560
<v Speaker 2>line of vision on a daily basis. That makes total sense.

0:19:37.640 --> 0:19:38.960
<v Speaker 3>Did Haley call him Luke?

0:19:39.359 --> 0:19:39.919
<v Speaker 2>Yeah?

0:19:40.119 --> 0:19:41.919
<v Speaker 3>Okay, Se, That's why I figured, because you guys were

0:19:41.960 --> 0:19:45.640
<v Speaker 3>close to every but I just like, what, who's Luke?

0:19:46.200 --> 0:19:53.120
<v Speaker 2>Oh yeah, okay, yeah, I'm sure we did a lot Luke, Lucas, Lucas.

0:19:53.240 --> 0:19:55.159
<v Speaker 2>I think she did both. It was sort of like

0:19:55.359 --> 0:19:58.080
<v Speaker 2>when your mother calls you by your full name and

0:19:58.119 --> 0:20:00.960
<v Speaker 2>you you get that. She would do the Lucas and

0:20:01.000 --> 0:20:05.520
<v Speaker 2>then otherwise it was just Luke. That's really funny. Now,

0:20:07.440 --> 0:20:10.040
<v Speaker 2>I did like the letter. I'm glad that that. I'm

0:20:10.080 --> 0:20:14.840
<v Speaker 2>glad that that worked out. It's really sweet seeing Haley pregnant.

0:20:14.960 --> 0:20:17.720
<v Speaker 2>And you know what's crazy is I got pregnant. I

0:20:17.760 --> 0:20:20.760
<v Speaker 2>think like three episodes after this. I actually got pregnant

0:20:20.800 --> 0:20:23.200
<v Speaker 2>in real life, and so they didn't have to write

0:20:23.200 --> 0:20:25.439
<v Speaker 2>in the pregnancy, but they did have to extend it

0:20:26.119 --> 0:20:29.399
<v Speaker 2>because I think I was supposed to give birth like

0:20:29.960 --> 0:20:32.760
<v Speaker 2>three months in the shooting schedule, like three month, three

0:20:32.800 --> 0:20:36.080
<v Speaker 2>or four months earlier than Joy in real life was

0:20:36.080 --> 0:20:40.119
<v Speaker 2>going to have Maria. So we probably really screwed up

0:20:40.160 --> 0:20:41.920
<v Speaker 2>their board in the writer's room.

0:20:43.480 --> 0:20:46.199
<v Speaker 3>Hey, but listen, I mean, at least your character was

0:20:46.200 --> 0:20:48.240
<v Speaker 3>going to get pregnant because more often than not, like

0:20:48.400 --> 0:20:51.360
<v Speaker 3>ninety nine percent of the time, it's having to hide

0:20:51.359 --> 0:20:55.440
<v Speaker 3>a pregnancy with pillows lever blocking. In your case, they

0:20:55.520 --> 0:20:57.399
<v Speaker 3>just had to stretch the storyline.

0:20:56.880 --> 0:20:59.880
<v Speaker 2>A bit exactly. They were like, Oh, she's already pregnant. Perfect,

0:21:00.080 --> 0:21:09.840
<v Speaker 2>that's great.

0:21:13.200 --> 0:21:16.560
<v Speaker 3>I thought the bit with Hailey like telling Quinn that

0:21:16.720 --> 0:21:18.320
<v Speaker 3>she was going to she is going to ask her

0:21:18.320 --> 0:21:21.040
<v Speaker 3>to be the godmother, that was really sweet.

0:21:21.840 --> 0:21:26.800
<v Speaker 2>Okay, I have a question about this. Yeah, godparents who

0:21:26.840 --> 0:21:28.800
<v Speaker 2>are already close family members.

0:21:29.880 --> 0:21:32.040
<v Speaker 3>This is a thing that's interesting.

0:21:32.880 --> 0:21:37.639
<v Speaker 2>She's already auntie aunt Quinn. So I thought a godparent

0:21:37.680 --> 0:21:39.720
<v Speaker 2>was somebody who's not a family member and they sort

0:21:39.720 --> 0:21:42.280
<v Speaker 2>of get inducted into your family through the godparenting.

0:21:42.920 --> 0:21:46.800
<v Speaker 3>Yeah, I've never heard of it before, but I don't

0:21:46.840 --> 0:21:50.120
<v Speaker 3>know of any rules that would prevent it.

0:21:51.280 --> 0:21:54.680
<v Speaker 2>We need where's the godparent playbook? We need we need the.

0:21:54.680 --> 0:21:59.239
<v Speaker 3>Rules because you're right, it's it's typically not of the

0:21:59.280 --> 0:22:02.440
<v Speaker 3>biological family. It's usually like the best friend.

0:22:02.880 --> 0:22:05.639
<v Speaker 2>Right, That's what I thought. It's the best friend. Then

0:22:05.280 --> 0:22:08.280
<v Speaker 2>you're you're now the godfather, so you're like kind of

0:22:08.320 --> 0:22:09.119
<v Speaker 2>part of the family.

0:22:09.560 --> 0:22:12.359
<v Speaker 3>Maybe Haley was just desperate and grasping its straws, and

0:22:12.400 --> 0:22:14.359
<v Speaker 3>she was like, I need you to come back. You

0:22:14.400 --> 0:22:15.480
<v Speaker 3>were going to be the godmother.

0:22:17.080 --> 0:22:21.280
<v Speaker 2>Yeah, now she's really roped into it, she's really stuck. Well,

0:22:21.320 --> 0:22:24.800
<v Speaker 2>she's also already passed out godparent, right, Like I think

0:22:25.000 --> 0:22:29.760
<v Speaker 2>Brooke was godmother for Jamie. I think, Oh, fans, I'm

0:22:29.840 --> 0:22:37.200
<v Speaker 2>sorry if I'm getting this wrong. Our producer says, yes, okay,

0:22:37.240 --> 0:22:42.960
<v Speaker 2>so Brooke is Jamie's godmother. Lydia is coming. Okay, So

0:22:43.040 --> 0:22:45.080
<v Speaker 2>Quinn's going to be Lydia's godmother, which is just going

0:22:45.119 --> 0:22:47.399
<v Speaker 2>to be strange because it's already aunt Quinn. But does

0:22:47.400 --> 0:22:49.520
<v Speaker 2>a godmother what does a godparent do? Do you guys

0:22:49.560 --> 0:22:51.800
<v Speaker 2>have godparents for your kids?

0:22:52.280 --> 0:22:56.040
<v Speaker 3>No, but typically because we are the godparents to a child.

0:22:56.200 --> 0:22:58.639
<v Speaker 3>And at least in our case, what that meant was

0:22:58.680 --> 0:23:01.240
<v Speaker 3>they said, if God forbid something ever happened to both

0:23:01.280 --> 0:23:03.920
<v Speaker 3>of us, we would like you to take her. Yeah.

0:23:04.000 --> 0:23:04.760
<v Speaker 2>Yeah, that's right.

0:23:05.240 --> 0:23:06.800
<v Speaker 3>But I think that there's a lot of people who

0:23:06.840 --> 0:23:09.120
<v Speaker 3>just do it more casually where it's just like we

0:23:09.160 --> 0:23:12.600
<v Speaker 3>want you to be I mean, in religious families, it's

0:23:12.640 --> 0:23:13.960
<v Speaker 3>we would like you to be the one to sort

0:23:13.960 --> 0:23:17.320
<v Speaker 3>of like the spiritual elder to like, you know, help

0:23:17.359 --> 0:23:18.240
<v Speaker 3>this person grow.

0:23:18.080 --> 0:23:19.640
<v Speaker 2>Spiritually, like a mentor.

0:23:19.880 --> 0:23:21.560
<v Speaker 3>Yeah, yeah, like a mentor. But I think it's also

0:23:21.640 --> 0:23:24.520
<v Speaker 3>just sort of like casually like love our kid, be

0:23:24.600 --> 0:23:25.360
<v Speaker 3>close with our kid.

0:23:26.040 --> 0:23:29.879
<v Speaker 2>Yeah. It's really beautiful, but also kind of defeats the

0:23:29.920 --> 0:23:33.920
<v Speaker 2>purpose because an aunt or uncle, I imagine, would already

0:23:33.960 --> 0:23:39.000
<v Speaker 2>be invested. So all right, let us know friends, let

0:23:39.080 --> 0:23:40.800
<v Speaker 2>us know if you if anybody out there has a

0:23:40.800 --> 0:23:44.480
<v Speaker 2>godparent who is also already a close member of the family,

0:23:45.320 --> 0:23:48.520
<v Speaker 2>how does that work or change? Does it change anything?

0:23:49.480 --> 0:23:49.760
<v Speaker 1>Hmm?

0:23:51.480 --> 0:23:54.119
<v Speaker 2>Anyway, that's that's my two cents.

0:23:54.520 --> 0:23:58.919
<v Speaker 3>Is I feel like Skills has to be at least honorary?

0:23:59.400 --> 0:24:04.600
<v Speaker 2>Oh, yes, yes, he has to be. Is there a

0:24:04.640 --> 0:24:08.240
<v Speaker 2>godfather for Jamie or is it just Brooke is the godmother?

0:24:09.160 --> 0:24:11.560
<v Speaker 2>Lucas I would imagine would be the god Yeah, okay,

0:24:11.560 --> 0:24:14.480
<v Speaker 2>so Luke is the godfather and Brooke is the godmother.

0:24:14.920 --> 0:24:17.080
<v Speaker 2>But Luke is certainly not holding up his end of

0:24:17.119 --> 0:24:20.320
<v Speaker 2>the bargain. He bailed the godfather.

0:24:20.840 --> 0:24:24.840
<v Speaker 3>My send the card once every couple of years, the

0:24:24.880 --> 0:24:30.119
<v Speaker 3>five dollars bill in it. Meanwhile, Skills, that's right, taking

0:24:30.200 --> 0:24:31.280
<v Speaker 3>him to lunch.

0:24:31.640 --> 0:24:35.480
<v Speaker 2>Well, it's Julian in this episode. Because this was so fun.

0:24:35.640 --> 0:24:40.120
<v Speaker 2>I loved this. This we do buddy comedy really well

0:24:40.160 --> 0:24:43.639
<v Speaker 2>on this show. I loved watching the two of them together,

0:24:44.720 --> 0:24:47.480
<v Speaker 2>Chas and Mia showing up at the park, and Jackson's

0:24:47.480 --> 0:24:51.400
<v Speaker 2>whole comedy bit with them, his ability to oh, oh

0:24:51.480 --> 0:24:53.520
<v Speaker 2>yeah sure, and then the face drop of like I

0:24:53.560 --> 0:24:59.200
<v Speaker 2>don't know these friggin people, his comic timing with Austin.

0:25:00.240 --> 0:25:03.439
<v Speaker 2>I was on board. I wanted more and more and more, like,

0:25:03.560 --> 0:25:05.080
<v Speaker 2>way more of this in the episode.

0:25:05.359 --> 0:25:09.120
<v Speaker 3>They were great. And I love that line Jamie had

0:25:09.160 --> 0:25:13.679
<v Speaker 3>where I think he said something the effective Yeah, given

0:25:13.840 --> 0:25:16.960
<v Speaker 3>my history or given my track record, I think I'm gonna.

0:25:16.640 --> 0:25:21.880
<v Speaker 2>Pass kidnapping record. Yeah, like my track record of being kidnapped,

0:25:21.880 --> 0:25:24.359
<v Speaker 2>I'm going to pass. You want me to go to

0:25:24.400 --> 0:25:26.400
<v Speaker 2>your car and get candy from a stranger?

0:25:27.320 --> 0:25:27.560
<v Speaker 3>Pass?

0:25:27.960 --> 0:25:30.399
<v Speaker 2>And then Julian shows up. He just walks in and

0:25:30.400 --> 0:25:32.639
<v Speaker 2>he's like, hey, your mom called me to pick you up.

0:25:32.880 --> 0:25:34.360
<v Speaker 2>He's like all right, bye.

0:25:35.280 --> 0:25:37.440
<v Speaker 3>Yes. It was so good and I like how he

0:25:37.840 --> 0:25:43.280
<v Speaker 3>didn't remember Chase, Poor Chase. Who are you? Victoria Davis?

0:25:46.080 --> 0:25:48.480
<v Speaker 3>I like that we had that, we had Steven back.

0:25:48.520 --> 0:25:51.760
<v Speaker 3>It's always fun to have Stephen in an episode.

0:25:52.359 --> 0:25:53.480
<v Speaker 2>Yeah, I agree.

0:25:54.000 --> 0:25:56.600
<v Speaker 3>I like that. There was some clarification with the breakup

0:25:58.240 --> 0:26:00.720
<v Speaker 3>that we actually got to hear me and chasing.

0:26:00.520 --> 0:26:04.400
<v Speaker 2>Oh yeah, have they not had a conversation yet?

0:26:04.920 --> 0:26:08.760
<v Speaker 3>It had like one outside trick. Remember, Yeah, they went

0:26:09.240 --> 0:26:12.520
<v Speaker 3>rested on like a like a walkway outside. Oh.

0:26:12.520 --> 0:26:14.880
<v Speaker 2>But she really goes into it in this episode where

0:26:15.000 --> 0:26:17.320
<v Speaker 2>she and the road and the night all made a

0:26:17.320 --> 0:26:22.000
<v Speaker 2>decision together that she was a bad girlfriend. Yes, and

0:26:22.080 --> 0:26:26.280
<v Speaker 2>he deserves better and better to her is clearly not

0:26:26.480 --> 0:26:31.119
<v Speaker 2>Alex Duprey, but we shall see what happens. But anyway,

0:26:31.200 --> 0:26:36.040
<v Speaker 2>I love Okay, So Julian taking Jamie to the batting

0:26:36.080 --> 0:26:41.800
<v Speaker 2>cages so fun. More of their dialogue so great comic relief.

0:26:42.240 --> 0:26:46.240
<v Speaker 2>And I love this part when they're sitting in the

0:26:46.640 --> 0:26:51.159
<v Speaker 2>in this arcade and Julian's making up a storyline about

0:26:51.400 --> 0:26:56.240
<v Speaker 2>random strangers and they're just sitting there watching, Oh my god,

0:26:56.320 --> 0:26:59.679
<v Speaker 2>the line about He says, oh, yeah, this guy's an

0:26:59.680 --> 0:27:05.119
<v Speaker 2>alcohol and Jamie goes, Chuck's mom's an alcoholic. It's like

0:27:05.240 --> 0:27:07.439
<v Speaker 2>I know somebody who went to college there, just throwing

0:27:07.440 --> 0:27:13.639
<v Speaker 2>it out there, so offensive, and Jamie calling him on

0:27:13.680 --> 0:27:16.960
<v Speaker 2>it and just saying, hey, man, uh yeah, this lady's

0:27:17.320 --> 0:27:19.160
<v Speaker 2>hanging out with the kid that's not her own because

0:27:19.160 --> 0:27:22.000
<v Speaker 2>something is going on that she doesn't have the guts

0:27:22.000 --> 0:27:23.480
<v Speaker 2>to tell him what's actually happening.

0:27:24.800 --> 0:27:31.320
<v Speaker 3>Smart, Smart, I it was great to see Lee. Yes,

0:27:31.680 --> 0:27:34.240
<v Speaker 3>I love me some Lee Norris. When he walked into

0:27:34.240 --> 0:27:36.439
<v Speaker 3>Close Over Bros. At the start of it, and it

0:27:36.480 --> 0:27:39.960
<v Speaker 3>was just Julian in an empty store, and he went on,

0:27:40.840 --> 0:27:43.080
<v Speaker 3>I guess I picked a bad day to come asking

0:27:43.119 --> 0:27:43.720
<v Speaker 3>for a job.

0:27:44.320 --> 0:27:46.360
<v Speaker 2>That's right, But also does he in need of a job?

0:27:46.400 --> 0:27:48.800
<v Speaker 3>I forgot guts. That was where I was confused. Right

0:27:48.880 --> 0:27:51.359
<v Speaker 3>at first, I thought that's a funny line and because

0:27:51.400 --> 0:27:53.560
<v Speaker 3>given a situation. But then when he goes to trick

0:27:53.600 --> 0:27:57.600
<v Speaker 3>and he's like, I asked you for a job, and I'm like, oh, oh,

0:27:57.640 --> 0:27:59.359
<v Speaker 3>so this is a new this is like gonna be

0:27:59.359 --> 0:28:01.600
<v Speaker 3>a story. Okay. Wait.

0:28:02.080 --> 0:28:05.120
<v Speaker 2>Also, why was Julian so chill when he walked into

0:28:05.119 --> 0:28:08.560
<v Speaker 2>the store. Did you notice that he just like walked

0:28:08.600 --> 0:28:11.359
<v Speaker 2>in and looked around at everything, like all the merchandise

0:28:11.400 --> 0:28:17.199
<v Speaker 2>emptied out, the entire store is cleared, and he just

0:28:17.240 --> 0:28:21.960
<v Speaker 2>looks around with no there's like almost no expression, like

0:28:22.000 --> 0:28:25.359
<v Speaker 2>he wasn't surprised. He was just kind of and I

0:28:25.359 --> 0:28:28.640
<v Speaker 2>thought maybe I missed something. Does he already know what's

0:28:28.680 --> 0:28:32.960
<v Speaker 2>going on? I don't remember them having a conversation. I

0:28:32.960 --> 0:28:35.399
<v Speaker 2>guess I just was expecting a bigger reaction. As somebody

0:28:35.400 --> 0:28:40.000
<v Speaker 2>walks into a shop that's completely cleared out, you'd be like, uh,

0:28:40.000 --> 0:28:41.680
<v Speaker 2>what the what? What's going on?

0:28:42.040 --> 0:28:44.840
<v Speaker 3>Yeah? You know, he's just a cool cucumber, that guy.

0:28:45.160 --> 0:28:47.440
<v Speaker 2>I guess, so, yeah, he just likes to keep it

0:28:47.480 --> 0:28:48.760
<v Speaker 2>all real close to the vest.

0:28:51.480 --> 0:28:54.320
<v Speaker 3>I didn't notice that. But then yeah, so then Lee,

0:28:54.760 --> 0:28:59.200
<v Speaker 3>excuse me, mouth goes to trick and you know, he's like, hey,

0:29:00.360 --> 0:29:03.120
<v Speaker 3>I asked you for a job. And then as soon

0:29:03.160 --> 0:29:06.080
<v Speaker 3>as and Chase is like the Alex goes. You know,

0:29:06.360 --> 0:29:10.240
<v Speaker 3>I tied a cherry stem into a knot with and

0:29:10.280 --> 0:29:12.240
<v Speaker 3>as soon as I saw Lee reach for a cherry

0:29:12.280 --> 0:29:15.400
<v Speaker 3>halfway into that scene, I was like, all right, oh yeah,

0:29:15.480 --> 0:29:17.480
<v Speaker 3>is this gonna be the button? And sure it was.

0:29:18.640 --> 0:29:20.720
<v Speaker 3>He pulls out the knotted cherry stem and goes I'm

0:29:20.760 --> 0:29:21.440
<v Speaker 3>just saying.

0:29:22.200 --> 0:29:25.720
<v Speaker 2>Looks, how often in middle school did you try and

0:29:25.800 --> 0:29:28.200
<v Speaker 2>do that? Or high school? Can you do that?

0:29:29.840 --> 0:29:33.040
<v Speaker 3>I have pulled it off before, but it.

0:29:33.040 --> 0:29:35.520
<v Speaker 2>Takes like an hour and your tongue is all worn out.

0:29:35.800 --> 0:29:38.200
<v Speaker 2>Oh yeah, it's so hard to do.

0:29:38.760 --> 0:29:43.280
<v Speaker 3>It's also it's just it's so funny that that became

0:29:43.360 --> 0:29:46.800
<v Speaker 3>something that was the benchmark. Yeah, the benchmark for like

0:29:46.960 --> 0:29:51.160
<v Speaker 3>sexual prowess was like tongue agility.

0:29:52.680 --> 0:29:55.720
<v Speaker 2>To turn it into to take a cherry stem and

0:29:55.720 --> 0:29:59.320
<v Speaker 2>twist it into a knot yeah who I don't understand,

0:29:59.360 --> 0:30:01.760
<v Speaker 2>but I remember hearing that in high school and being like,

0:30:01.840 --> 0:30:03.640
<v Speaker 2>oh oh no, I got to figure out how to

0:30:03.680 --> 0:30:09.080
<v Speaker 2>do this sit around cherry stemps. Like I wasn't even

0:30:09.120 --> 0:30:11.000
<v Speaker 2>having sex in high school. I just thought, I guess

0:30:11.000 --> 0:30:13.840
<v Speaker 2>I better know how to do this. That's that seems

0:30:13.840 --> 0:30:15.640
<v Speaker 2>like probably what I should do.

0:30:16.600 --> 0:30:20.200
<v Speaker 3>Same I was, you know, virgin high school, are probably

0:30:20.200 --> 0:30:24.160
<v Speaker 3>going maybe this will be what changes the tide. I

0:30:24.200 --> 0:30:26.800
<v Speaker 3>should learn how to tie a cherry stemino not. Yeah,

0:30:26.920 --> 0:30:29.120
<v Speaker 3>well I got news for you, folks. I learned and

0:30:29.160 --> 0:30:36.280
<v Speaker 3>it changed nothing. I went college a virgin. In case

0:30:36.320 --> 0:30:38.080
<v Speaker 3>there is any listeners out there going like, maybe this

0:30:38.120 --> 0:30:40.280
<v Speaker 3>will be what changes things for me, maybe I should

0:30:40.320 --> 0:30:42.160
<v Speaker 3>do No, it won't don't change nothing.

0:30:42.320 --> 0:30:47.400
<v Speaker 2>Nothing nothing. It's a fun party trick. But yeah, is it?

0:30:48.640 --> 0:30:51.360
<v Speaker 3>If we were at a party joy and I did that,

0:30:52.240 --> 0:30:54.320
<v Speaker 3>would you just would you? Would you be impressed or

0:30:54.360 --> 0:30:56.240
<v Speaker 3>would you just look around to see how everyone else

0:30:56.280 --> 0:30:56.840
<v Speaker 3>was reacting.

0:30:57.440 --> 0:30:58.960
<v Speaker 2>It depends on how bored we were.

0:31:01.480 --> 0:31:03.880
<v Speaker 3>I mean, I guess maybe my reaction it would be

0:31:04.000 --> 0:31:07.520
<v Speaker 3>maybe what's important is like the the delivery on the

0:31:07.560 --> 0:31:10.000
<v Speaker 3>face of the person who ties it. Yes, yes, Like

0:31:10.040 --> 0:31:14.360
<v Speaker 3>if I pulled it out very self satisfied or like

0:31:14.560 --> 0:31:17.400
<v Speaker 3>look what I did, then maybe it's like h. But

0:31:17.520 --> 0:31:19.760
<v Speaker 3>if it was just like, h what do you think

0:31:19.800 --> 0:31:20.480
<v Speaker 3>of that? You know?

0:31:21.120 --> 0:31:22.800
<v Speaker 2>Yeah, you know. If I'm like, hey, do you have

0:31:22.800 --> 0:31:25.440
<v Speaker 2>any trash? I'm gonna go throw out this drink and napkins,

0:31:25.480 --> 0:31:27.480
<v Speaker 2>and you just like pull the cherry stem out of

0:31:27.560 --> 0:31:29.000
<v Speaker 2>your mouth that was in a knot and just set

0:31:29.000 --> 0:31:33.160
<v Speaker 2>it on my cocktail. I'm kidding, then I might laugh.

0:31:33.200 --> 0:31:34.120
<v Speaker 2>That'd be entertaining.

0:31:34.680 --> 0:31:37.320
<v Speaker 3>It would be the funniest, weirdest moment of the night.

0:31:38.440 --> 0:31:41.800
<v Speaker 3>Would be You're like, oh, is that was this a flirt?

0:31:41.880 --> 0:31:44.880
<v Speaker 3>What's happening? There's on it? I don't know whether it'd

0:31:44.880 --> 0:31:46.160
<v Speaker 3>be grossed out or intrigued.

0:31:46.680 --> 0:31:48.840
<v Speaker 2>He's just bored this like it would be like this

0:31:48.920 --> 0:31:50.960
<v Speaker 2>is what Rob does when he's bored and doesn't want

0:31:50.960 --> 0:31:53.400
<v Speaker 2>to talk to anybody at a party. He's just he's

0:31:53.440 --> 0:31:56.400
<v Speaker 2>just twisting cherry stems in his mouth, and I just

0:31:56.440 --> 0:31:58.640
<v Speaker 2>got a little glimpse into that because now I'm throwing

0:31:58.640 --> 0:32:00.239
<v Speaker 2>it away and it would just make me love you

0:32:00.280 --> 0:32:00.800
<v Speaker 2>all the more.

0:32:00.920 --> 0:32:03.080
<v Speaker 3>Cut to a year from now, I'm me at one

0:32:03.120 --> 0:32:06.440
<v Speaker 3>of your dinner parties and I'm just like off, being

0:32:06.640 --> 0:32:09.040
<v Speaker 3>weird and isolated, and you come over and You're like, hey, man,

0:32:09.080 --> 0:32:11.120
<v Speaker 3>are you do You're not liking the vibe? Is this

0:32:11.240 --> 0:32:13.760
<v Speaker 3>not fun? And I'm like, not now, joy, I am

0:32:13.800 --> 0:32:17.800
<v Speaker 3>just fantically trying to tie this cherry stem with my tongue. Okay,

0:32:18.640 --> 0:32:22.200
<v Speaker 3>give me some space. I love the people here, I

0:32:22.240 --> 0:32:24.480
<v Speaker 3>love the vibe, the food's great, but I'm really focused

0:32:24.520 --> 0:32:25.880
<v Speaker 3>on the cherry stemnot okay.

0:32:26.440 --> 0:32:29.280
<v Speaker 2>Yeah, what other things did we do in high school

0:32:29.320 --> 0:32:34.040
<v Speaker 2>that we thought were super super important and then never

0:32:34.200 --> 0:32:37.760
<v Speaker 2>used again other than half of the education we received?

0:32:38.920 --> 0:32:42.280
<v Speaker 3>Oh, geometry? Yeah, I don't know.

0:32:42.920 --> 0:32:45.320
<v Speaker 2>I don't know either. I'm trying to think of like

0:32:45.480 --> 0:32:47.760
<v Speaker 2>movies or pop culture things that we just thought, Man,

0:32:47.800 --> 0:32:51.160
<v Speaker 2>this is really gonna I mean, driving a stick it's

0:32:51.200 --> 0:32:53.360
<v Speaker 2>fun to know how to do, but are you ever

0:32:53.400 --> 0:32:54.000
<v Speaker 2>going to use it?

0:32:54.640 --> 0:32:59.240
<v Speaker 3>I haven't since I learned I had this Cringey recall

0:32:59.280 --> 0:33:01.360
<v Speaker 3>the other day that in high school we used to

0:33:01.400 --> 0:33:05.840
<v Speaker 3>call like when you made out with someone scamming scamming?

0:33:06.080 --> 0:33:09.200
<v Speaker 3>Did you hear like, you know, like Alex and Chase

0:33:09.360 --> 0:33:13.760
<v Speaker 3>totally scammed last night? Ye whoa she wants to sam

0:33:13.800 --> 0:33:15.680
<v Speaker 3>with you? And now I don't. I hear that and

0:33:15.680 --> 0:33:19.680
<v Speaker 3>I go, what, that's the dumbest thing? What does that

0:33:19.760 --> 0:33:20.520
<v Speaker 3>even all.

0:33:20.360 --> 0:33:23.239
<v Speaker 2>Of our lingo? My little my little six year old

0:33:23.280 --> 0:33:25.040
<v Speaker 2>niece was hanging out of the holidays and her brother

0:33:25.080 --> 0:33:31.080
<v Speaker 2>said something and she goes, that's so cap I and

0:33:31.160 --> 0:33:32.920
<v Speaker 2>my six year old niece had to explain it to

0:33:33.000 --> 0:33:37.040
<v Speaker 2>me because I had no idea where that even came from.

0:33:37.200 --> 0:33:38.960
<v Speaker 3>Listen, I feel cool right now because I do know

0:33:39.000 --> 0:33:41.120
<v Speaker 3>what that means. But I hear you that. When I

0:33:41.160 --> 0:33:43.120
<v Speaker 3>hear the lingo, I'm like, oh, I already feel like

0:33:43.360 --> 0:33:46.000
<v Speaker 3>the seventy year old man who's like shaking his fist

0:33:46.080 --> 0:33:49.520
<v Speaker 3>going get off my lawn because I hear like, what's

0:33:49.520 --> 0:33:52.280
<v Speaker 3>the skibbity? And you know, yeah, I'm just like you

0:33:52.280 --> 0:33:57.640
<v Speaker 3>guys sound like freaking titons. Stop the normal words.

0:33:58.080 --> 0:33:59.080
<v Speaker 2>Will it ever come back?

0:33:59.120 --> 0:33:59.160
<v Speaker 3>We?

0:33:59.480 --> 0:34:01.680
<v Speaker 2>Will it ever come full circle? Like we're not using

0:34:02.040 --> 0:34:05.840
<v Speaker 2>swell or we still use cool, but I guess cool

0:34:05.920 --> 0:34:10.480
<v Speaker 2>is out. No, I think I think once the lingo

0:34:10.600 --> 0:34:12.680
<v Speaker 2>is in, it's in, and then once it goes out,

0:34:12.760 --> 0:34:14.400
<v Speaker 2>it's out. I don't think it ever it makes a

0:34:14.440 --> 0:34:15.080
<v Speaker 2>circle back.

0:34:27.600 --> 0:34:31.200
<v Speaker 3>Okay, So there's a great scene with Brooke and Victoria

0:34:31.480 --> 0:34:31.960
<v Speaker 3>at the end.

0:34:32.120 --> 0:34:35.120
<v Speaker 2>Oh, Victoria, we have to talk about this, Okay.

0:34:35.440 --> 0:34:39.160
<v Speaker 3>Brooke is red hot at Victoria and Millie rightfully so,

0:34:39.880 --> 0:34:42.359
<v Speaker 3>and then she comes out and she's like, like, were

0:34:42.360 --> 0:34:45.239
<v Speaker 3>you never proud of me? Do you believe in me?

0:34:45.400 --> 0:34:49.440
<v Speaker 3>And Brook and Victoria has that wonderful retort where she's like,

0:34:49.760 --> 0:34:54.000
<v Speaker 3>you pay me to gamble, and I've been gambling on

0:34:54.040 --> 0:34:57.320
<v Speaker 3>you succeeding because of how much I believe in you. Yes,

0:34:57.400 --> 0:34:59.600
<v Speaker 3>And the thing you don't pay me for is being

0:34:59.600 --> 0:35:01.759
<v Speaker 3>proud of you. You, and I've always been proud of you.

0:35:01.960 --> 0:35:09.759
<v Speaker 3>It's really sweet. And you know, Daphne just killed it.

0:35:10.200 --> 0:35:11.800
<v Speaker 3>Her delivery was just awesome.

0:35:11.840 --> 0:35:17.320
<v Speaker 2>And so since here, this one is hard because she's saying,

0:35:17.719 --> 0:35:20.839
<v Speaker 2>you pay me to take risks and to do what

0:35:20.880 --> 0:35:23.239
<v Speaker 2>I think is best for the company. But I love

0:35:23.280 --> 0:35:26.239
<v Speaker 2>you and I have your best interest at heart, and

0:35:26.280 --> 0:35:31.359
<v Speaker 2>I'm proud of you. But she's also cheating and not

0:35:31.840 --> 0:35:34.319
<v Speaker 2>doing what's supposed to be done. So it's like, you know,

0:35:34.440 --> 0:35:37.520
<v Speaker 2>to have someone tell you they love you, they have

0:35:37.600 --> 0:35:39.360
<v Speaker 2>your best interest at heart, they're proud of you, but

0:35:39.520 --> 0:35:44.440
<v Speaker 2>also what their actions are very opposite. I mean, I

0:35:44.440 --> 0:35:49.560
<v Speaker 2>guess in Victoria's mind it's not opposite. But I really

0:35:49.640 --> 0:35:52.319
<v Speaker 2>struggled with that because I see her sincerity.

0:35:53.360 --> 0:35:56.960
<v Speaker 3>But come on, but I agree with you because it's

0:35:57.960 --> 0:36:03.400
<v Speaker 3>it's she's sort of she's not telling the whole story, right, Yeause,

0:36:03.840 --> 0:36:06.520
<v Speaker 3>if you love someone and you believe in someone, mostly,

0:36:06.560 --> 0:36:09.920
<v Speaker 3>if you just care about someone and you are making

0:36:09.920 --> 0:36:12.880
<v Speaker 3>a decision that is going to expose them to risk,

0:36:13.640 --> 0:36:16.520
<v Speaker 3>if you care about them then and you respect them,

0:36:16.640 --> 0:36:18.960
<v Speaker 3>then you should you should tell that to them before

0:36:19.000 --> 0:36:21.680
<v Speaker 3>you make that decision. Yes, and you should give them

0:36:21.680 --> 0:36:22.480
<v Speaker 3>an opportunity.

0:36:23.280 --> 0:36:26.120
<v Speaker 2>She signed things that she didn't know that she had

0:36:26.239 --> 0:36:30.360
<v Speaker 2>what she was signing. That's so it's beyond deceptive. It

0:36:30.360 --> 0:36:39.359
<v Speaker 2>is deceptive, but it's so manipulative. It's so disrespectful, unloving, uncaring, coercive.

0:36:39.560 --> 0:36:41.080
<v Speaker 2>It's not that's not loving.

0:36:42.120 --> 0:36:46.759
<v Speaker 3>Yeah, no, it's it's not. And it's a little I

0:36:46.800 --> 0:36:48.880
<v Speaker 3>don't want to say, like gas light you but like

0:36:48.920 --> 0:36:51.520
<v Speaker 3>I said, she's not telling the whole story. Just keep

0:36:51.600 --> 0:36:53.880
<v Speaker 3>going like it's because I believe in you and I

0:36:53.920 --> 0:36:57.719
<v Speaker 3>love you. It's like, eh, yes, but but you now

0:36:57.760 --> 0:36:59.680
<v Speaker 3>look with the consequences are like, if you loved me,

0:36:59.680 --> 0:37:03.200
<v Speaker 3>I feel like you would try to prevent me from

0:37:03.239 --> 0:37:04.960
<v Speaker 3>being in this spot, or at least to me and

0:37:05.040 --> 0:37:07.960
<v Speaker 3>be like, hey, we're in a pickle. Here's what I'm

0:37:08.000 --> 0:37:11.520
<v Speaker 3>thinking about doing, but it exposes us to some risk.

0:37:11.880 --> 0:37:15.200
<v Speaker 3>How do you feel about it? But when you just

0:37:15.360 --> 0:37:20.000
<v Speaker 3>make a unilateral decision that's going to have such huge

0:37:20.520 --> 0:37:24.920
<v Speaker 3>implications if it doesn't work out, that just seems irresponsible

0:37:25.040 --> 0:37:27.600
<v Speaker 3>in brash.

0:37:26.560 --> 0:37:31.000
<v Speaker 2>I think, So I I want to leave room for

0:37:31.600 --> 0:37:37.279
<v Speaker 2>grace and growing, Like Victoria is rapidly changing as a person.

0:37:37.440 --> 0:37:42.120
<v Speaker 2>We've seen all of her emotional growth and maturity and

0:37:42.160 --> 0:37:46.480
<v Speaker 2>it's exciting. And so I struggle with this because it's

0:37:46.960 --> 0:37:53.360
<v Speaker 2>I wonder where the line is between acknowledging that someone

0:37:53.480 --> 0:37:59.600
<v Speaker 2>has done something that is unacceptable and also acknowledging that

0:38:00.200 --> 0:38:04.480
<v Speaker 2>in their mind it was from a good place. Because

0:38:04.760 --> 0:38:10.680
<v Speaker 2>their level of emotional intelligence or behavioral intelligence has not

0:38:14.760 --> 0:38:18.040
<v Speaker 2>has not advanced past what they grew up as and

0:38:18.040 --> 0:38:20.680
<v Speaker 2>how they function and the best that they know how

0:38:20.760 --> 0:38:23.000
<v Speaker 2>to how to do in life. You know, it's like,

0:38:23.040 --> 0:38:26.600
<v Speaker 2>how do you how do you hold someone to a

0:38:27.200 --> 0:38:35.239
<v Speaker 2>quality standard? But also understand that Victoria is not just

0:38:35.280 --> 0:38:38.839
<v Speaker 2>going to change overnight to know what I'm saying. Does

0:38:38.880 --> 0:38:39.439
<v Speaker 2>that make sense?

0:38:39.600 --> 0:38:42.560
<v Speaker 3>Yes? It does, right, because it's she made a big mistake.

0:38:43.920 --> 0:38:45.319
<v Speaker 3>It's not a relationship ender.

0:38:45.960 --> 0:38:48.080
<v Speaker 2>I mean, it might be for some people, but in

0:38:48.120 --> 0:38:51.399
<v Speaker 2>this case, between the two of them, they're sorting through it.

0:38:51.800 --> 0:38:53.279
<v Speaker 2>I didn't mean to cut you off. I'm sorry, Rob, go.

0:38:53.239 --> 0:38:56.200
<v Speaker 3>Ahead, No, No, it's okay. I'm just thinking like it

0:38:56.200 --> 0:38:58.520
<v Speaker 3>it's easy for it not to be, you know. I like,

0:38:58.719 --> 0:39:02.520
<v Speaker 3>it's because she may have been doing these kind of

0:39:02.600 --> 0:39:06.400
<v Speaker 3>things for like the last ten years. Yeah, you know,

0:39:06.719 --> 0:39:10.040
<v Speaker 3>so it again, she didn't make the right decision, but

0:39:10.080 --> 0:39:14.200
<v Speaker 3>there may be a pretty compelling story behind why she

0:39:14.280 --> 0:39:18.880
<v Speaker 3>did it. That's not just she was flying fast and

0:39:18.960 --> 0:39:22.919
<v Speaker 3>loose and like, yeah, like letting her ego run the show.

0:39:22.960 --> 0:39:25.920
<v Speaker 3>Like there may have been, like I said, a decade

0:39:26.000 --> 0:39:29.880
<v Speaker 3>of experience that told her we're okay, we do this

0:39:29.960 --> 0:39:33.239
<v Speaker 3>a lot. She comes through, We're all right. You know,

0:39:33.520 --> 0:39:35.799
<v Speaker 3>I've done this ten times before and it's never bid

0:39:35.880 --> 0:39:39.600
<v Speaker 3>us once. It's a calculated risk. It. Like I said,

0:39:39.600 --> 0:39:43.680
<v Speaker 3>it's unfortunate that it's gonna it could have huge, huge

0:39:43.680 --> 0:39:47.040
<v Speaker 3>fallout because you're right, by the way, the worst case

0:39:47.080 --> 0:39:49.680
<v Speaker 3>scenario isn't she loses close over bros. That's close to

0:39:49.719 --> 0:39:52.759
<v Speaker 3>the best case scenario. Yeah, the worst case scenario is

0:39:53.040 --> 0:39:57.000
<v Speaker 3>you're going to white collar prison for a while. Yeah,

0:39:57.040 --> 0:39:57.880
<v Speaker 3>it's bad.

0:39:58.120 --> 0:40:01.560
<v Speaker 2>That's really I'm surprised that didn't come up in the

0:40:01.600 --> 0:40:04.680
<v Speaker 2>writer's room, or maybe it did and it was just

0:40:05.400 --> 0:40:09.480
<v Speaker 2>I guess decided that wasn't an option. But yeah, that's

0:40:09.520 --> 0:40:12.680
<v Speaker 2>all I was thinking of watching this storyline, going oh

0:40:12.719 --> 0:40:16.160
<v Speaker 2>my god, these people could go to prison, all three

0:40:16.200 --> 0:40:19.600
<v Speaker 2>of these characters. This is not just losing the company.

0:40:19.640 --> 0:40:23.359
<v Speaker 2>Losing the company is bad, but but then never being

0:40:23.360 --> 0:40:26.440
<v Speaker 2>able to open another company or find new investors and

0:40:26.480 --> 0:40:30.000
<v Speaker 2>then yes, going to prison. Oh I don't know what's

0:40:30.040 --> 0:40:33.000
<v Speaker 2>going to happen. I have no idea. I completely forgot

0:40:33.040 --> 0:40:34.560
<v Speaker 2>that this storyline existed.

0:40:35.600 --> 0:40:39.400
<v Speaker 3>Yeah, just about everything that happened in this episode I

0:40:39.520 --> 0:40:43.000
<v Speaker 3>was basically watching for the first time, which is fun though,

0:40:43.320 --> 0:40:45.239
<v Speaker 3>because I don't know what's coming. Like I told you,

0:40:45.280 --> 0:40:47.400
<v Speaker 3>I was shocked when you said you were when Haley

0:40:47.400 --> 0:40:48.360
<v Speaker 3>says she's pregnant.

0:40:48.760 --> 0:40:49.000
<v Speaker 2>Yeah.

0:40:49.239 --> 0:40:53.319
<v Speaker 3>I was like, whoa. And the only thing that I

0:40:53.680 --> 0:40:56.880
<v Speaker 3>that made sense to me was I remembered the scene

0:40:57.000 --> 0:41:01.680
<v Speaker 3>being in a hospital with so excuse me, Brooke, Jamie,

0:41:01.800 --> 0:41:06.160
<v Speaker 3>Clay and Quinn and we're doing the saltine challenge and

0:41:06.200 --> 0:41:08.520
<v Speaker 3>I remember so. Then once I was seeing with that today,

0:41:08.520 --> 0:41:12.560
<v Speaker 3>I said, oh, maybe that's when Hayley's in labor, were

0:41:12.600 --> 0:41:14.440
<v Speaker 3>all at the hospital. Maybe that's when we did the

0:41:14.480 --> 0:41:15.160
<v Speaker 3>saltine changing.

0:41:15.200 --> 0:41:17.799
<v Speaker 2>Oh yes, I remember this.

0:41:19.360 --> 0:41:22.320
<v Speaker 3>Yeah, Because like I said, I I had zero recollection

0:41:22.360 --> 0:41:24.000
<v Speaker 3>of that, but I just I put that together tas

0:41:24.000 --> 0:41:25.399
<v Speaker 3>I was watching the episode, and I was like, oh,

0:41:25.400 --> 0:41:27.840
<v Speaker 3>maybe that's why we were all in the hospital together.

0:41:29.560 --> 0:41:31.279
<v Speaker 2>Yeah, that we had. That was one thing thought I

0:41:31.320 --> 0:41:33.640
<v Speaker 2>had watching this episode was we spent a lot of

0:41:33.680 --> 0:41:37.200
<v Speaker 2>time in the hospital as a cast. At least once

0:41:37.239 --> 0:41:43.320
<v Speaker 2>a season there was some lengthy storyline that included a hospital.

0:41:44.160 --> 0:41:46.759
<v Speaker 2>We eventually just bought out a fact or maybe we

0:41:46.800 --> 0:41:51.719
<v Speaker 2>rented out a factory and old factory in Wilmington and

0:41:52.960 --> 0:41:56.520
<v Speaker 2>gutted the whole bottom floor and turned it into a

0:41:56.560 --> 0:42:00.959
<v Speaker 2>fake hospital wing because the hallways load in a way

0:42:01.000 --> 0:42:08.520
<v Speaker 2>that made sense for our shots. And for cameras. So

0:42:08.640 --> 0:42:11.440
<v Speaker 2>instead of using our stages that we actually had to

0:42:11.600 --> 0:42:14.080
<v Speaker 2>go film that, we just started to build at a

0:42:14.160 --> 0:42:18.400
<v Speaker 2>completely different location, this old factory it was. Did you

0:42:18.400 --> 0:42:20.719
<v Speaker 2>ever go wander around there when you like kind of

0:42:20.760 --> 0:42:23.400
<v Speaker 2>went off of what sets we built and found yourself

0:42:23.480 --> 0:42:28.600
<v Speaker 2>in just random old abandoned factory machines and.

0:42:28.440 --> 0:42:31.320
<v Speaker 3>No recollection of it that it was in an old factory.

0:42:31.360 --> 0:42:31.880
<v Speaker 3>That's crazy.

0:42:31.880 --> 0:42:35.880
<v Speaker 2>Oh no, really, yeah, I wish I remember what it made.

0:42:36.760 --> 0:42:38.640
<v Speaker 2>I don't know if it was like telephones or if

0:42:38.640 --> 0:42:41.959
<v Speaker 2>it was baked goods, but I definitely remember wandering off

0:42:42.000 --> 0:42:46.040
<v Speaker 2>and wandering into rooms that were full conveyor belts.

0:42:46.200 --> 0:42:48.719
<v Speaker 3>It is like, did you just say it's a factory

0:42:48.719 --> 0:42:53.360
<v Speaker 3>that either made telephones or baked goods. Could you explain

0:42:53.400 --> 0:42:56.399
<v Speaker 3>to me what machinery you saw that made you think

0:42:56.520 --> 0:43:01.080
<v Speaker 3>that specifically either makes a telephone or croissant.

0:43:03.480 --> 0:43:07.279
<v Speaker 2>I don't remember. I just remember feeling like when we

0:43:07.280 --> 0:43:09.840
<v Speaker 2>were there. The memory I have in my brain is

0:43:09.880 --> 0:43:14.239
<v Speaker 2>somebody told me they make either telephones or something yummy.

0:43:15.440 --> 0:43:31.400
<v Speaker 3>Incredible. We have a fan question, Yes, would you like

0:43:31.440 --> 0:43:32.439
<v Speaker 3>to read it? Sure?

0:43:32.440 --> 0:43:36.680
<v Speaker 2>It's from Brinicole and she's asking She says, if somebody

0:43:36.680 --> 0:43:39.400
<v Speaker 2>asked you what the show was about. How would you

0:43:39.520 --> 0:43:43.440
<v Speaker 2>describe it from season one to season nine and what

0:43:43.480 --> 0:43:45.560
<v Speaker 2>are some key points you would talk about to get

0:43:45.680 --> 0:43:46.600
<v Speaker 2>someone interested.

0:43:47.320 --> 0:43:49.120
<v Speaker 3>I feel like this is a question for you.

0:43:49.640 --> 0:43:56.760
<v Speaker 2>It's teenagers in a small southern town going through average

0:43:56.840 --> 0:44:00.760
<v Speaker 2>everyday life before the age of cell phones and feeling

0:44:00.800 --> 0:44:07.920
<v Speaker 2>their feelings. They grow up together, they have lots of

0:44:08.480 --> 0:44:13.520
<v Speaker 2>drama together, and uh, there's this constant through line of

0:44:14.760 --> 0:44:20.560
<v Speaker 2>hope and redemption and uh there's a constant arc of

0:44:23.760 --> 0:44:27.680
<v Speaker 2>struggle and how you how you use lean on each

0:44:27.680 --> 0:44:31.000
<v Speaker 2>other to uh to overcome it. I would say that's

0:44:31.040 --> 0:44:33.719
<v Speaker 2>sort of the long through line. But key points to

0:44:33.760 --> 0:44:35.520
<v Speaker 2>tell people about to get them interested.

0:44:38.160 --> 0:44:43.680
<v Speaker 3>Tape sings, car crashes, dogs eating hard, dog sitting cards,

0:44:44.600 --> 0:44:46.320
<v Speaker 3>doppelganger psychopaths.

0:44:47.200 --> 0:44:52.000
<v Speaker 2>Yeah, motivational speak here a hero villain, villain becomes a

0:44:52.000 --> 0:44:57.360
<v Speaker 2>motivational speaker. Russian mafia, which we get to eventually.

0:44:57.760 --> 0:45:03.560
<v Speaker 3>Oh my gosh, you've forgotten about that.

0:45:03.760 --> 0:45:12.279
<v Speaker 2>Yeah, yeah, all that, all that plus just regular old emotions.

0:45:13.520 --> 0:45:16.200
<v Speaker 3>You have an honorable mention from this episode.

0:45:16.480 --> 0:45:18.560
<v Speaker 2>I thought Austin was great in the episode. It was

0:45:18.600 --> 0:45:21.239
<v Speaker 2>he was really fun to watch interact with Jamie, his

0:45:21.360 --> 0:45:25.840
<v Speaker 2>comic timing, his flat dry sense of humor that really

0:45:25.840 --> 0:45:30.600
<v Speaker 2>comes out and plays very well off of Jackson, was

0:45:30.680 --> 0:45:33.440
<v Speaker 2>just super fun to watch. What about you?

0:45:34.040 --> 0:45:37.280
<v Speaker 3>The honorable mention I want to say, is you saying

0:45:37.640 --> 0:45:40.759
<v Speaker 3>that we shot at a factory that either made telephones

0:45:40.880 --> 0:45:45.279
<v Speaker 3>or baked goods. But to give proper credit where it's due,

0:45:45.280 --> 0:45:50.360
<v Speaker 3>my honorable mention I will give to Jackson because I

0:45:50.400 --> 0:45:53.719
<v Speaker 3>thought he was so funny in this episode. Yeah, he

0:45:53.800 --> 0:45:57.320
<v Speaker 3>didn't push it, he wasn't reaching for like there was

0:45:57.360 --> 0:46:01.480
<v Speaker 3>a there was a very good, subtle tea and kind

0:46:01.520 --> 0:46:03.480
<v Speaker 3>of confidence to it where he was, like I said,

0:46:03.480 --> 0:46:05.960
<v Speaker 3>he wasn't putting anything on it, which is crazy for

0:46:06.040 --> 0:46:11.560
<v Speaker 3>a young person to have sort of that comfort and

0:46:11.640 --> 0:46:13.560
<v Speaker 3>confidence and like this is just gonna be funny, like

0:46:13.600 --> 0:46:17.000
<v Speaker 3>typically can like punch. It isn't that funny, you know,

0:46:17.040 --> 0:46:19.399
<v Speaker 3>And he was just like you gotta let that go man,

0:46:21.000 --> 0:46:23.279
<v Speaker 3>the Ben Brian Fernandez thing or you know. He was

0:46:23.360 --> 0:46:26.120
<v Speaker 3>just great. So yeah, Jackson, he's my honorable mention.

0:46:26.360 --> 0:46:31.360
<v Speaker 2>I'm on board. Hey, let's spin a wheel. Thanks for

0:46:31.400 --> 0:46:35.560
<v Speaker 2>hanging out with us today, friends, Okay, go ahead. I

0:46:35.600 --> 0:46:37.080
<v Speaker 2>did the question.

0:46:37.600 --> 0:46:40.920
<v Speaker 3>Most likely to order dessert before dinner.

0:46:41.600 --> 0:46:43.600
<v Speaker 2>I kind of feel like Sophia, but I don't know

0:46:43.600 --> 0:46:45.040
<v Speaker 2>why do you think that's true?

0:46:45.680 --> 0:46:50.200
<v Speaker 3>Interesting? I feel like they could also be Hillary.

0:46:50.880 --> 0:46:54.120
<v Speaker 2>Yeah, yeah, both of them, I think for I think

0:46:54.120 --> 0:47:00.879
<v Speaker 2>for different reasons. I think Hillary's always been very nonchalant.

0:47:00.920 --> 0:47:03.320
<v Speaker 2>But I don't think she's a foodie. She wasn't raised

0:47:03.320 --> 0:47:05.600
<v Speaker 2>with this sort of like passion around food, so I

0:47:05.600 --> 0:47:07.360
<v Speaker 2>think she'd just be like, yeah, whatever, just put in

0:47:07.400 --> 0:47:11.280
<v Speaker 2>front of me, ill eat it. Sophie, I could see

0:47:11.719 --> 0:47:14.200
<v Speaker 2>ordering dessert before dinner out of a sense of adventure

0:47:14.360 --> 0:47:16.520
<v Speaker 2>and like, especially if she was hanging out with one

0:47:16.520 --> 0:47:19.120
<v Speaker 2>of her god children or something, and maybe being like, yeah,

0:47:19.200 --> 0:47:21.160
<v Speaker 2>let's do it. Why not let's just have a whole

0:47:21.160 --> 0:47:24.480
<v Speaker 2>bunch of pie or ice cream or whatever.

0:47:25.840 --> 0:47:29.520
<v Speaker 3>Would you bump on that someone was like, hey, let's

0:47:29.520 --> 0:47:31.160
<v Speaker 3>eat dessert before our entree.

0:47:32.080 --> 0:47:34.600
<v Speaker 2>That depends on the day and how much if you.

0:47:34.600 --> 0:47:37.440
<v Speaker 3>Run a date a first date, oh first date, and

0:47:37.520 --> 0:47:40.200
<v Speaker 3>the guy was like, hey, do you want to get crazy?

0:47:40.239 --> 0:47:42.759
<v Speaker 3>And you're like, oh my god, yeah, and he's like,

0:47:43.480 --> 0:47:46.280
<v Speaker 3>I want to order us dessert before we have our entrees.

0:47:47.239 --> 0:47:48.040
<v Speaker 3>What are you feeling?

0:47:48.680 --> 0:47:53.719
<v Speaker 2>Be like, yes, sign me up, let's do it. Let's

0:47:53.719 --> 0:47:58.040
<v Speaker 2>see what happens. It might be a whole digestive adventure.

0:47:58.080 --> 0:48:03.440
<v Speaker 2>I never knew possible. Yep, are you a dessert before

0:48:03.440 --> 0:48:04.480
<v Speaker 2>dinner kind of a person?

0:48:05.040 --> 0:48:09.240
<v Speaker 3>Not true, like not historically, but I am not opposed

0:48:09.280 --> 0:48:11.799
<v Speaker 3>to it. Like if we if we order in like

0:48:11.840 --> 0:48:13.759
<v Speaker 3>we did this few times with the holidays, like ordered

0:48:13.760 --> 0:48:17.319
<v Speaker 3>Mexican and the place serves churos, I'm absolutely orderings. Oh

0:48:17.400 --> 0:48:19.880
<v Speaker 3>yes I will. I will take a chiro out of

0:48:19.920 --> 0:48:22.200
<v Speaker 3>the bag and snack on that first.

0:48:22.320 --> 0:48:24.400
<v Speaker 2>Yes, okay, all right, we're on the same page.

0:48:24.600 --> 0:48:30.120
<v Speaker 3>Yeah, all right, next episode, Season eight, episode three, the

0:48:30.280 --> 0:48:31.800
<v Speaker 3>space in between.

0:48:32.520 --> 0:48:35.200
<v Speaker 2>Well, see you guys. Then, thanks for hanging out, Hey,

0:48:35.239 --> 0:48:37.600
<v Speaker 2>thanks for listening. Don't forget to leave us a review.

0:48:37.840 --> 0:48:40.920
<v Speaker 2>You can also follow us on Instagram at Drama Queen's

0:48:41.040 --> 0:48:45.400
<v Speaker 2>ot h or email us at Drama Queens at iHeartRadio

0:48:45.560 --> 0:48:47.600
<v Speaker 2>dot com. See you next time.

0:48:48.800 --> 0:48:52.200
<v Speaker 1>We all about that high school drama Girl, Drama Girl,

0:48:52.280 --> 0:48:53.960
<v Speaker 1>all about them high school queens.

0:48:54.760 --> 0:48:56.960
<v Speaker 2>We'll take you for a ride and our comic girl

0:48:57.680 --> 0:49:01.000
<v Speaker 2>shared for the right teams. Drama Queens, please my girl,

0:49:01.120 --> 0:49:03.080
<v Speaker 2>rough girl fashion with your tough girl.

0:49:03.160 --> 0:49:05.800
<v Speaker 1>You could sit with us Girl Drama Queens, Drama Quease

0:49:05.880 --> 0:49:09.879
<v Speaker 1>drama queens, Drama, drama queens, Drama queens