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Speaker 1: First of all, you don't know.

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Speaker 2: All about that high school drama girl, Drama girl, all

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Speaker 2: about them high school queens. We'll take you for a ride.

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Speaker 2: And our comic girl cheering for the right teams, Drama Queens,

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Speaker 2: Girl of Girl Fashion, which your tough girl.

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Speaker 1: You could sit with us Girl Drama Queens, Drama Queens

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Speaker 1: Drama Queens Drama, Drama, Queens Drama Queens.

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Speaker 2: Oh hi, o, Hi, you have us. You have made

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Speaker 2: rob friends. Uh oh wow. We're finding our way through.

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Speaker 2: We're feeling very kind of introverted in cozy today, I

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Speaker 2: would say, in our in our hoodies and just snuggle

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Speaker 2: at the very end of the holidays, trying to save

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Speaker 2: every last moment that we can. How are you it's

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Speaker 2: all the all the sickness passed through the house. I

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Speaker 2: know so many people that got sick over the holidays.

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Speaker 3: We got destroyed so well. We had dodged COVID since

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Speaker 3: the whole time, and at the start of December we

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Speaker 3: all got COVID, everyone in the family. And then right

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Speaker 3: as we were getting over it, we had family fly

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Speaker 3: in from New Zealand and one of them caught something

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Speaker 3: on the plane. No, and then I got so then

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Speaker 3: we got sick again. And then right as I was

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Speaker 3: getting over that, like three days ago, I got sick again. Sorry.

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Speaker 3: I don't know what I did to rack up so

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Speaker 3: much bad karma, but I gotta, I gotta fix it

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Speaker 3: because I am so tired of being sick. How about you?

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Speaker 3: How are your holidays?

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Speaker 2: They were great and I haven't been sick. I actually

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Speaker 2: this is not a plug for our sponsor, SymbioticA, but

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Speaker 2: I will tell you they sent us a package once

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Speaker 2: when they were sponsoring an episode, and I used it

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Speaker 2: and I loved it, and then I bought a subscription,

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Speaker 2: and now I take these little packets because like vitamin

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Speaker 2: C and elderberry and all these other little thingies from them.

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Speaker 2: I take them every day and I usually will get sick,

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Speaker 2: like I'll get a cold like three times a year,

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Speaker 2: and I've I've had a full thirteen fourteen months with

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Speaker 2: no sickness at all, no cold, no nothing since I've

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Speaker 2: been taking these. Well done, So I'm hoping I'm like

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Speaker 2: knock on wood that it doesn't like, it doesn't pop,

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Speaker 2: it's rear rear, its head. But yeah, I was good,

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Speaker 2: and I've We're healthy over here and feeling cozy but

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Speaker 2: I'm ready. I'm ready for a new year. I'm ready

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Speaker 2: to launch into it. This one is season eight, episode two.

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Speaker 2: I can't see you, but I know you're there. Air

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Speaker 2: date September twenty first, twenty ten, Rob, you want to

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Speaker 2: read the synapsis.

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Speaker 3: I'd love to. Clay and Quinn discover they've been shot

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Speaker 3: and as they fight to live, Nathan and Haley struggle

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Speaker 3: with the situation. Meanwhile, Julian tries to preoccupy Jamie and

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Speaker 3: Brooks legal troubles mount Ooh.

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Speaker 2: Yeah, this is a there was There was a lot

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Speaker 2: in this that was a lot of bouncing back and

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Speaker 2: forth between incredible tragedy, huge this financial situation with Brooke is.

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Speaker 2: Haley goes, how bad can it get? And Brooks like

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Speaker 2: I could lose a company. I'm like, can't you go

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Speaker 2: to jail? I feel like that's how bad it gets,

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Speaker 2: not losing the company, but anyway, that's whole thing. And

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Speaker 2: then Clay and Quinn just trying to come back to life,

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Speaker 2: and then we're bouncing back and forth between that and

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Speaker 2: the buddy comedy with Jamie and Julian, which is really

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Speaker 2: fun too. So anyway, we were kind of all over

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Speaker 2: the place, but mainly Clay and Quinn. Let's get into it.

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Speaker 3: Let's so peak behind the curtain. I was about five

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Speaker 3: minutes into the episode when there was discussions of us

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Speaker 3: not recording this today, and I thought, oh, okay, cool.

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Speaker 3: Now I'm just going to watch it for myself. I'm

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Speaker 3: not going to do like thorough note taking, which is

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Speaker 3: me stopping the episode every thirty seconds to write something down.

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Speaker 3: And I just got to watch it as a viewer,

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Speaker 3: and man, I had the same experience that I did

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Speaker 3: the last time I watched this. I was like, the

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Speaker 3: show's good. I didn't remember any of clayin Quinn's of

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Speaker 3: this part of the story.

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Speaker 2: Really.

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Speaker 3: I knew we were in a coma. Yeah, I knew

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Speaker 3: we were in a coma, and I remember the stuff

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Speaker 3: from eight oh one where we're like, just it's idyllic

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Speaker 3: and then we realize we've been shot. I didn't realize

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Speaker 3: there was this whole like dream world segment where we

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Speaker 3: are yeah, oh yeah, what's going on? But I also

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Speaker 3: thought it was very effective. I thought Chantell was so good.

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Speaker 2: Yeah I agree, but I.

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Speaker 3: It made me sad. I was I got it worked

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Speaker 3: for me.

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Speaker 2: It was really well done. This whole bit of you

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Speaker 2: guys opening doors and it's and it's a green field,

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Speaker 2: and then you turn a corner and it's a hospital,

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Speaker 2: or you know, you peek around a tree and suddenly

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Speaker 2: it's like there's the hospital hallway, or you being in

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Speaker 2: the room with yourself looking at yourself and having to

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Speaker 2: react to what that would feel like. You know, you

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Speaker 2: hear about people who have these out of body experiences,

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Speaker 2: and I can't even imagine did you rese search any

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Speaker 2: of that for any reason to be able to feel

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Speaker 2: what that would feel?

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Speaker 3: I don't know, like no, because I think my thinking

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Speaker 3: was he's never gone through this before, so I think

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Speaker 3: he should be every bit is sort of confused and

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Speaker 3: fish out of water, as I would be. Yeah, So

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Speaker 3: that was just I think that's what I remember playing.

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Speaker 3: I did laugh at the start of it because I

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Speaker 3: had the same thing this episode where I went, how

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Speaker 3: long have they been on the floor bleeding?

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Speaker 2: Oh my gosh, I know, and will you hear the

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Speaker 2: medic go yes, twelve plus hours?

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Speaker 3: Oh yeah, yeah, how long did he get shot? Twelve hours?

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Speaker 3: And he's like, I don't know how he's still alive.

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Speaker 3: But I thought, okay, glad you guys addressed it. But

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Speaker 3: it sure feels like a lot more than twelve hours.

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Speaker 2: I feel like it was three days.

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Speaker 3: I could not believe you guys be the slowest bleed

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Speaker 3: of all time and.

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Speaker 2: It was right in your chest. They were doing open

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Speaker 2: heart surgery on you or open cab.

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Speaker 3: Yeah, it was. It was quite full on. But yeah,

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Speaker 3: when the medics said that, I was like, all right,

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Speaker 3: I appreciate you clearing that up for me, but also storytelling,

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Speaker 3: why is it sure feels like a lot more than

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Speaker 3: half a day has passed?

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Speaker 2: That for sure was dropped in later that was like

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Speaker 2: somebody in the edit room went, how long have these

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Speaker 2: two been laying on the floor And they were like,

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Speaker 2: throw somebody into adr to say twelve hours. And they

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Speaker 2: put it in the medics scene.

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Speaker 3: Because Nathan was working out with Jamie and then he

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Speaker 3: left to camp. That's when he stopped by Clay in

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Speaker 3: Quinn's place. Yeah, so I thought he'd at least been

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Speaker 3: at camp for a day.

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Speaker 2: Yeah, I agree, it definitely feels like longer than twelve hours.

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Speaker 2: I don't remember finding you guys.

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Speaker 3: I didn't either, Joy.

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Speaker 2: And no idea that I was the one that walked in. No,

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Speaker 2: no idea.

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Speaker 3: I didn't recall that at all.

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Speaker 2: Your eyes would were closed, like you guys wouldn't. Maybe

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Speaker 2: they shot that sequence of you laying there and then

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Speaker 2: you guys went to go get cleaned up, and they

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Speaker 2: just shot my individual reaction or something. But that was

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Speaker 2: also that's a lot of cleanup for you guys. Yeah,

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Speaker 2: I feel like those kinds of episodes are hard to

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Speaker 2: shoot when you're back and forth between being bloody and

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Speaker 2: not bloody, and your shirt would be totally crisp and

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Speaker 2: white at one moment and then totally bloody in another moment,

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Speaker 2: and then you have to be in the hospital bed

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Speaker 2: and with so many actors in a scene, trying to

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Speaker 2: coordinate the schedule of all of that, like who's gonna

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Speaker 2: wait while you guys go get cleaned up? And what

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Speaker 2: part of the scene are we gonna shoot while you're

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Speaker 2: get rebloodied? And yeah, that was I feel like there

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Speaker 2: were a lot of moving pieces with this episode.

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Speaker 3: That's that's also kind of like though with women's hair,

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Speaker 3: don't you don't you feel like when you're like you're

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Speaker 3: shooting something and it's like over the course of different

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Speaker 3: days and it's like, wait, was her hair up or down?

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Speaker 3: For this, yeah, and there's a lot of it's a

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Speaker 3: thirty minute transformation, so it's like, Okay, what are we

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Speaker 3: gonna do for thirty minutes?

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Speaker 2: Yeah, yeah, that's right, because we go from day one

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Speaker 2: to day three, tonight two to one, yeah, day four. Yeah.

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Speaker 2: I Also, what I do remember is that moment where

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Speaker 2: I was talking to Sophia, well Haley and Brooker talking

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Speaker 2: and Chantelle's standing right there and talking to us. I

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Speaker 2: remember that being really hard to just completely ignore her

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Speaker 2: and time out the things that we were saying to

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Speaker 2: each other so that we didn't all talk over each other,

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Speaker 2: but without looking at her, so I couldn't tell when

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Speaker 2: her mouth was gonna move. It was hard. It was

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Speaker 2: harder that I thought it was gonna be.

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Speaker 3: I laughed watching that scene just thinking about what that

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Speaker 3: was like for you guys on the day. Ye. It's

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Speaker 3: so First of all, it's hilarious that none of you

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Speaker 3: guys step on each other's lines, because in real life,

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Speaker 3: why would you and the ghost be synced up and

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Speaker 3: never interrupting? It's right, but it's also just the reality

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Speaker 3: of like your friend having to be like, can't you

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Speaker 3: hear me? I'm right here, and you're like I can't

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Speaker 3: hear you, pal.

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Speaker 2: I wonder if we rehearsed that, we had to have

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Speaker 2: not traversed it a couple of times.

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Speaker 3: How about at the end, or closer to the end,

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Speaker 3: when Nathan has that sweet, sweet speech to Coma Clay.

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Speaker 2: Oh my gosh, that was so beautiful.

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Speaker 3: Come back and see Clay listening to all of it,

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Speaker 3: but the speech lovely.

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Speaker 2: What a great moment of friendship. It was really nice

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Speaker 2: to see Nathan be opened up like that. He's been

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Speaker 2: doing so much more of that lately. It's really nice.

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Speaker 3: It was great. I just thought, yeah, like I I know,

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Speaker 3: the whole Katie storyline is so bonkers, and even like

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Speaker 3: this is is, it's out there, but I was invested.

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Speaker 3: I was I was on board, you know, and worried

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Speaker 3: for Clay and Quinn and and how there was that

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Speaker 3: moment where when Clay's like, you gotta go, you got

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Speaker 3: to open your eyes, and there's the last shot of

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Speaker 3: when he was like, we're good, I promise, and then

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Speaker 3: she closes her eyes and there's a quick cut back

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Speaker 3: to Clay and you can see that he's he's not

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Speaker 3: confident in what he just said. A moment of sadness

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Speaker 3: and you're like, oh.

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Speaker 2: Yeah, they're really holding it all together. And I was

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Speaker 2: wondering that too. Watching Clay, I was like you, I

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Speaker 2: could see you making the choice to be stronger and

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Speaker 2: stronger and have more energy and be in the dream world,

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Speaker 2: and seeing chantale be it seemed like more frail and

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Speaker 2: the dichotomy, I guess, of the two of you, that's

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Speaker 2: not the right word, the contrast of the two of

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Speaker 2: you in different places and her coming back that scene

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Speaker 2: broke my heart. And she's digging in the sand and

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Speaker 2: like you're she doesn't want to leave you. God, it's

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Speaker 2: really so sad. It makes me wonder because you know,

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Speaker 2: there are so many people who have those experiences where

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Speaker 2: they it's like an out of body experience and they

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Speaker 2: are looking down at the doctors working on their own body,

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Speaker 2: and then they live to talk about it. It's so interesting.

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Speaker 2: I wonder how much of that we captured. I wonder

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Speaker 2: if our director or anybody, anither writers or anybody didn't

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Speaker 2: research on that too. I don't know.

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Speaker 3: That was also great that the two of them got

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Speaker 3: to be in that in between world together.

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Speaker 2: Yes, that's what I love.

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Speaker 3: How fun I mean, obviously it's terrible that you're there,

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Speaker 3: considering you're on the verge of death, but like, you

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Speaker 3: get to be there with your buddy. At least, that's

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Speaker 3: why I know.

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Speaker 2: That would be really fun. Yeah, at least you're there together. Yeah,

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Speaker 2: waiting in the wings.

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Speaker 3: Cuddling on a beach top list Like we were just

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Speaker 3: having a good old time for the most part until

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Speaker 3: the whole death thing came back in.

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Speaker 2: Oh my god, you guys, the realization of think about

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Speaker 2: what happened in the quick cuts and oh, it was

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Speaker 2: all really very effective. So I'm grateful that you're alive

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Speaker 2: so far. Still, obviously Clay comes back and Quinn's back sooner.

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Speaker 2: But this is a good one, And I wonder if

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Speaker 2: does Katie come back more or is that it? Yes,

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Speaker 2: we have to deal with her still.

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Speaker 3: Yes, I don't recall. The only thing I know is,

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Speaker 3: if you haven't watched the show listener, maybe just like

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Speaker 3: fast forward ten seconds, is that because Sean Tell and

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Speaker 3: her excuse me, Quinn and her have that knockdown, drag

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Speaker 3: out fight at Clay's house.

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Speaker 2: Oh that's rare.

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Speaker 3: We spoke with her, So that's that's the only thing

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Speaker 3: I know. I don't know how that comes about. I

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Speaker 3: don't know if it's Quinn hunting down Katie or if

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Speaker 3: Katie tries to come back, but I do I think

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Speaker 3: it actually happens while Clay's still in a coma, maybe

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Speaker 3: because I'm not there for it. Why else wouldn't I

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Speaker 3: be at my house?

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Speaker 2: Oh you weren't.

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Speaker 3: No, that was entirely and Amanda Chantelle night interesting watch

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Speaker 3: me end up actually being there, and I forgot about that.

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Speaker 3: I'm pretty certain it was just the two of them.

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Speaker 3: So no, we're not quite out of the woods with

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Speaker 3: Katie yet. But yeah, also, I will say I did.

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Speaker 3: I didn't realize it because this whole time I've been saying, like,

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Speaker 3: how is she suddenly a cat burglar? And scaling to

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Speaker 3: the second story to get to Play's balcony. And I realized,

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Speaker 3: as I'm sure several annoyed listeners have already known, Clay's

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Speaker 3: sliding door to his bedroom isn't on the second store

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Speaker 3: the second story. It's on the main level. Because you, Hayley,

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Speaker 3: that is you walk up onto the deck in the back,

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Speaker 3: just up the pool stairs.

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Speaker 2: Oh yeah, and go.

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Speaker 3: Walk around and go right into the room. So now

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Speaker 3: it suddenly makes sense why she was why Katie has

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Speaker 3: just been going in and out through there.

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Speaker 2: Yeah. Also weird though that when Nathan went over to

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Speaker 2: the house to knock on the door and you didn't answer, Like,

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Speaker 2: it's just so easy to just take a few steps

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Speaker 2: to the back and poke around the corner. It's like

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Speaker 2: his best friend's house. I don't know, wouldn't you just

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Speaker 2: go check, like to make sure that he's hearing you

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Speaker 2: knock on the door.

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Speaker 3: The pushback I would give on that is maybe he

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Speaker 3: didn't want to walk around the back and see like

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Speaker 3: Clay and Quinn fooling couch or something.

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Speaker 2: Okay, right right, yeah, fair enough, fair enough, that's.

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Speaker 3: The out I'll give him. He was, he was just

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Speaker 3: being respectful. Sidebar, Is your hoodie a troop Beverly Hills?

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Speaker 2: I think I think it is. I just found this

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Speaker 2: in Kentucky. I drove up to Louisville this a couple

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Speaker 2: of weekends ago to visit family and found this in

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Speaker 2: some random little store in Louisville and just but it

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Speaker 2: feels like it's a true Beverly Hills.

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Speaker 3: It does. Shelley Long, I loved that movie so good. Okay,

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Speaker 3: One Tree Hill.

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Speaker 2: Okay, speaking of fooling around, who here's who is fooling around?

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Speaker 2: Is Alex and Chase right in front of me. I

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Speaker 2: don't I do not understand Alex's deal, Like can she

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Speaker 2: not just leave well enough alone and she's got him,

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Speaker 2: just enjoy it. Why does she have to just keep

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Speaker 2: rubbing everything in MIA's face? What is going on?

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Speaker 3: I don't know, man. There was a there's the moment

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Speaker 3: when Mia towards the end, when Mia comes back to

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Speaker 3: Alex and she's like, hey, you're right. I pushed him away.

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Speaker 3: I blew it. You're still a but you're right. It

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Speaker 3: was my fault. There was a moment where I thought, oh,

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Speaker 3: because there's this like a like a a sincere smile

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Speaker 3: comes across Alex's face, and I thought, oh, is she

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Speaker 3: about to have a moment of going good, I'm out

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Speaker 3: my work, here's done, you know, like she was there

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Speaker 3: just to sort of like teach a lesson, right, but

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Speaker 3: that yeah, no, of course not. And it's like, ah, okay, okay,

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Speaker 3: I don't know, you know, and I forget. There was

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Speaker 3: also one shot in this episode that was a very

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Speaker 3: like gratuitous close up. It was you're like an inso

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Speaker 3: or outro of a scene where it was like close

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Speaker 3: up on like a girl's butt. It was something. There

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Speaker 3: was one of those moments from like uh, but then

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Speaker 3: like Alex having the shots between in her cleavage.

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Speaker 2: It's just so dumb.

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Speaker 3: It's just I don't it's just odd, you know it is.

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Speaker 2: It's odd. I don't know what her problem is. I

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Speaker 2: did like MIA's move of being like, oh, look you

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Speaker 2: have to drive me now I've been drinking and I'm

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Speaker 2: gonna go get this kid just taking them out of

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Speaker 2: the way. I was like, that's that's pretty good. It's

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Speaker 2: pretty smart.

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Speaker 3: That was very smart. I just with Alex, it's just odd, right,

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Speaker 3: because she's an internationally known movie star. Yes, there is

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Speaker 3: already dudes lining up at the door. The guy in

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Speaker 3: the front of that line, by the way, was our

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Speaker 3: very own beloved crew member. Saber was the one who

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Speaker 3: was Scotty Safer. No was Alex du prei bart Is

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Speaker 3: this the bar Alex du praise bartending? Yet that was

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Speaker 3: our own uh, Scottie Saber.

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Speaker 2: Saber was, by the way, guys, he was a professional

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Speaker 2: wrestler and we used to go watch him wrestle in Wilmington.

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Speaker 2: He had a whole costume and a persona and it was.

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Speaker 2: It was the whole deal, real deal. Hillary could probably

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Speaker 2: tell you a lot more. And I think maybe she's

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Speaker 2: talked about him before on this podcast a couple of

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Speaker 2: years ago. Yeah, but he was just one of our

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Speaker 2: dearly dearly beloved. So it's really fun to I love

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Speaker 2: what our crew members do cameos and they pop up

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Speaker 2: so fun, you know.

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Speaker 3: When Okay, So for the listeners, the story Hillary told

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Speaker 3: about Austin joining the show and them going getting going

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Speaker 3: to a wrestling match and painting their faces together, I think,

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Speaker 3: oh yes, And because she was like, is this is

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Speaker 3: this a thing? Here is this guy flirting with me?

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Speaker 3: And then they got there and like he clearly like

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Speaker 3: only had eyes for Sophia or something happened, you know,

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Speaker 3: but that they were going to watch Scotty Saber wrestle.

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Speaker 3: So he has been discussed before. It was on the

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Speaker 3: paint of their faces, that's it.

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Speaker 2: So they threw him in the front said hey, here's

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Speaker 2: a line, say it. And so he was the perfect

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Speaker 2: one to look for. Alex Duprey. But yeah, she's she's

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Speaker 2: an international star, superstar tending bar.

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Speaker 3: And guys are already lining up at the door pounding

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Speaker 3: on it. I don't think you need to put a

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Speaker 3: shot in your cleavage.

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Speaker 2: Like, yeah, they're in. They're lucky enough just to sit there.

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Speaker 3: Yeah, you could wear a turtleneck and just read a

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Speaker 3: book and they would still out and be all for

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Speaker 3: itting and get drunk. But you know, Alex doing the

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Speaker 3: most Oh Alex at the start of the episode, when

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Speaker 3: you're writing the letter, which I thought it's always an

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Speaker 3: effective tool for like reminding the audience like what's been

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Speaker 3: going on? But you, uh, you're like, hey, Luke, And

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Speaker 3: I had about maybe this is just my brain fog

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Speaker 3: from being sick three times in last month, but I

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Speaker 3: spent about ten seconds going who's Luke? No, holy cow,

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Speaker 3: who's Luke? And I was like, oh, freaking Bracket's Lucas.

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Speaker 3: It's Lucas. That's funny because I've never heard him called

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Speaker 3: Luke ever. It's always yes.

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Speaker 2: But also, he is so not a part of the

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Speaker 2: storyline anymore almost anybody's storyline. It's certainly not yours. He's

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Speaker 2: just not somebody that's talked about a lot. So that

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Speaker 2: makes And it wasn't there when you were there filming.

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Speaker 2: It's not like he was. His character was in your

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Speaker 2: line of vision on a daily basis. That makes total sense.

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Speaker 3: Did Haley call him Luke?

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Speaker 2: Yeah?

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Speaker 3: Okay, Se, That's why I figured, because you guys were

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Speaker 3: close to every but I just like, what, who's Luke?

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Speaker 2: Oh yeah, okay, yeah, I'm sure we did a lot Luke, Lucas, Lucas.

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Speaker 2: I think she did both. It was sort of like

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Speaker 2: when your mother calls you by your full name and

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Speaker 2: you you get that. She would do the Lucas and

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Speaker 2: then otherwise it was just Luke. That's really funny. Now,

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Speaker 2: I did like the letter. I'm glad that that. I'm

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Speaker 2: glad that that worked out. It's really sweet seeing Haley pregnant.

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Speaker 2: And you know what's crazy is I got pregnant. I

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Speaker 2: think like three episodes after this. I actually got pregnant

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Speaker 2: in real life, and so they didn't have to write

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Speaker 2: in the pregnancy, but they did have to extend it

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Speaker 2: because I think I was supposed to give birth like

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Speaker 2: three months in the shooting schedule, like three month, three

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Speaker 2: or four months earlier than Joy in real life was

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Speaker 2: going to have Maria. So we probably really screwed up

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Speaker 2: their board in the writer's room.

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Speaker 3: Hey, but listen, I mean, at least your character was

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Speaker 3: going to get pregnant because more often than not, like

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Speaker 3: ninety nine percent of the time, it's having to hide

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Speaker 3: a pregnancy with pillows lever blocking. In your case, they

400
00:20:55,520 --> 00:20:57,399
Speaker 3: just had to stretch the storyline.

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Speaker 2: A bit exactly. They were like, Oh, she's already pregnant. Perfect,

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Speaker 2: that's great.

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Speaker 3: I thought the bit with Hailey like telling Quinn that

404
00:21:16,720 --> 00:21:18,320
Speaker 3: she was going to she is going to ask her

405
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Speaker 3: to be the godmother, that was really sweet.

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Speaker 2: Okay, I have a question about this. Yeah, godparents who

407
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Speaker 2: are already close family members.

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Speaker 3: This is a thing that's interesting.

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Speaker 2: She's already auntie aunt Quinn. So I thought a godparent

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Speaker 2: was somebody who's not a family member and they sort

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Speaker 2: of get inducted into your family through the godparenting.

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Speaker 3: Yeah, I've never heard of it before, but I don't

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Speaker 3: know of any rules that would prevent it.

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Speaker 2: We need where's the godparent playbook? We need we need the.

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Speaker 3: Rules because you're right, it's it's typically not of the

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Speaker 3: biological family. It's usually like the best friend.

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Speaker 2: Right, That's what I thought. It's the best friend. Then

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Speaker 2: you're you're now the godfather, so you're like kind of

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Speaker 2: part of the family.

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Speaker 3: Maybe Haley was just desperate and grasping its straws, and

421
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Speaker 3: she was like, I need you to come back. You

422
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Speaker 3: were going to be the godmother.

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Speaker 2: Yeah, now she's really roped into it, she's really stuck. Well,

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Speaker 2: she's also already passed out godparent, right, Like I think

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Speaker 2: Brooke was godmother for Jamie. I think, Oh, fans, I'm

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00:22:29,840 --> 00:22:37,200
Speaker 2: sorry if I'm getting this wrong. Our producer says, yes, okay,

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Speaker 2: so Brooke is Jamie's godmother. Lydia is coming. Okay, So

428
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Speaker 2: Quinn's going to be Lydia's godmother, which is just going

429
00:22:45,119 --> 00:22:47,399
Speaker 2: to be strange because it's already aunt Quinn. But does

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Speaker 2: a godmother what does a godparent do? Do you guys

431
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Speaker 2: have godparents for your kids?

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Speaker 3: No, but typically because we are the godparents to a child.

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Speaker 3: And at least in our case, what that meant was

434
00:22:58,680 --> 00:23:01,240
Speaker 3: they said, if God forbid something ever happened to both

435
00:23:01,280 --> 00:23:03,920
Speaker 3: of us, we would like you to take her. Yeah.

436
00:23:04,000 --> 00:23:04,760
Speaker 2: Yeah, that's right.

437
00:23:05,240 --> 00:23:06,800
Speaker 3: But I think that there's a lot of people who

438
00:23:06,840 --> 00:23:09,120
Speaker 3: just do it more casually where it's just like we

439
00:23:09,160 --> 00:23:12,600
Speaker 3: want you to be I mean, in religious families, it's

440
00:23:12,640 --> 00:23:13,960
Speaker 3: we would like you to be the one to sort

441
00:23:13,960 --> 00:23:17,320
Speaker 3: of like the spiritual elder to like, you know, help

442
00:23:17,359 --> 00:23:18,240
Speaker 3: this person grow.

443
00:23:18,080 --> 00:23:19,640
Speaker 2: Spiritually, like a mentor.

444
00:23:19,880 --> 00:23:21,560
Speaker 3: Yeah, yeah, like a mentor. But I think it's also

445
00:23:21,640 --> 00:23:24,520
Speaker 3: just sort of like casually like love our kid, be

446
00:23:24,600 --> 00:23:25,360
Speaker 3: close with our kid.

447
00:23:26,040 --> 00:23:29,879
Speaker 2: Yeah. It's really beautiful, but also kind of defeats the

448
00:23:29,920 --> 00:23:33,920
Speaker 2: purpose because an aunt or uncle, I imagine, would already

449
00:23:33,960 --> 00:23:39,000
Speaker 2: be invested. So all right, let us know friends, let

450
00:23:39,080 --> 00:23:40,800
Speaker 2: us know if you if anybody out there has a

451
00:23:40,800 --> 00:23:44,480
Speaker 2: godparent who is also already a close member of the family,

452
00:23:45,320 --> 00:23:48,520
Speaker 2: how does that work or change? Does it change anything?

453
00:23:49,480 --> 00:23:49,760
Speaker 1: Hmm?

454
00:23:51,480 --> 00:23:54,119
Speaker 2: Anyway, that's that's my two cents.

455
00:23:54,520 --> 00:23:58,919
Speaker 3: Is I feel like Skills has to be at least honorary?

456
00:23:59,400 --> 00:24:04,600
Speaker 2: Oh, yes, yes, he has to be. Is there a

457
00:24:04,640 --> 00:24:08,240
Speaker 2: godfather for Jamie or is it just Brooke is the godmother?

458
00:24:09,160 --> 00:24:11,560
Speaker 2: Lucas I would imagine would be the god Yeah, okay,

459
00:24:11,560 --> 00:24:14,480
Speaker 2: so Luke is the godfather and Brooke is the godmother.

460
00:24:14,920 --> 00:24:17,080
Speaker 2: But Luke is certainly not holding up his end of

461
00:24:17,119 --> 00:24:20,320
Speaker 2: the bargain. He bailed the godfather.

462
00:24:20,840 --> 00:24:24,840
Speaker 3: My send the card once every couple of years, the

463
00:24:24,880 --> 00:24:30,119
Speaker 3: five dollars bill in it. Meanwhile, Skills, that's right, taking

464
00:24:30,200 --> 00:24:31,280
Speaker 3: him to lunch.

465
00:24:31,640 --> 00:24:35,480
Speaker 2: Well, it's Julian in this episode. Because this was so fun.

466
00:24:35,640 --> 00:24:40,120
Speaker 2: I loved this. This we do buddy comedy really well

467
00:24:40,160 --> 00:24:43,639
Speaker 2: on this show. I loved watching the two of them together,

468
00:24:44,720 --> 00:24:47,480
Speaker 2: Chas and Mia showing up at the park, and Jackson's

469
00:24:47,480 --> 00:24:51,400
Speaker 2: whole comedy bit with them, his ability to oh, oh

470
00:24:51,480 --> 00:24:53,520
Speaker 2: yeah sure, and then the face drop of like I

471
00:24:53,560 --> 00:24:59,200
Speaker 2: don't know these friggin people, his comic timing with Austin.

472
00:25:00,240 --> 00:25:03,439
Speaker 2: I was on board. I wanted more and more and more, like,

473
00:25:03,560 --> 00:25:05,080
Speaker 2: way more of this in the episode.

474
00:25:05,359 --> 00:25:09,120
Speaker 3: They were great. And I love that line Jamie had

475
00:25:09,160 --> 00:25:13,679
Speaker 3: where I think he said something the effective Yeah, given

476
00:25:13,840 --> 00:25:16,960
Speaker 3: my history or given my track record, I think I'm gonna.

477
00:25:16,640 --> 00:25:21,880
Speaker 2: Pass kidnapping record. Yeah, like my track record of being kidnapped,

478
00:25:21,880 --> 00:25:24,359
Speaker 2: I'm going to pass. You want me to go to

479
00:25:24,400 --> 00:25:26,400
Speaker 2: your car and get candy from a stranger?

480
00:25:27,320 --> 00:25:27,560
Speaker 3: Pass?

481
00:25:27,960 --> 00:25:30,399
Speaker 2: And then Julian shows up. He just walks in and

482
00:25:30,400 --> 00:25:32,639
Speaker 2: he's like, hey, your mom called me to pick you up.

483
00:25:32,880 --> 00:25:34,360
Speaker 2: He's like all right, bye.

484
00:25:35,280 --> 00:25:37,440
Speaker 3: Yes. It was so good and I like how he

485
00:25:37,840 --> 00:25:43,280
Speaker 3: didn't remember Chase, Poor Chase. Who are you? Victoria Davis?

486
00:25:46,080 --> 00:25:48,480
Speaker 3: I like that we had that, we had Steven back.

487
00:25:48,520 --> 00:25:51,760
Speaker 3: It's always fun to have Stephen in an episode.

488
00:25:52,359 --> 00:25:53,480
Speaker 2: Yeah, I agree.

489
00:25:54,000 --> 00:25:56,600
Speaker 3: I like that. There was some clarification with the breakup

490
00:25:58,240 --> 00:26:00,720
Speaker 3: that we actually got to hear me and chasing.

491
00:26:00,520 --> 00:26:04,400
Speaker 2: Oh yeah, have they not had a conversation yet?

492
00:26:04,920 --> 00:26:08,760
Speaker 3: It had like one outside trick. Remember, Yeah, they went

493
00:26:09,240 --> 00:26:12,520
Speaker 3: rested on like a like a walkway outside. Oh.

494
00:26:12,520 --> 00:26:14,880
Speaker 2: But she really goes into it in this episode where

495
00:26:15,000 --> 00:26:17,320
Speaker 2: she and the road and the night all made a

496
00:26:17,320 --> 00:26:22,000
Speaker 2: decision together that she was a bad girlfriend. Yes, and

497
00:26:22,080 --> 00:26:26,280
Speaker 2: he deserves better and better to her is clearly not

498
00:26:26,480 --> 00:26:31,119
Speaker 2: Alex Duprey, but we shall see what happens. But anyway,

499
00:26:31,200 --> 00:26:36,040
Speaker 2: I love Okay, So Julian taking Jamie to the batting

500
00:26:36,080 --> 00:26:41,800
Speaker 2: cages so fun. More of their dialogue so great comic relief.

501
00:26:42,240 --> 00:26:46,240
Speaker 2: And I love this part when they're sitting in the

502
00:26:46,640 --> 00:26:51,159
Speaker 2: in this arcade and Julian's making up a storyline about

503
00:26:51,400 --> 00:26:56,240
Speaker 2: random strangers and they're just sitting there watching, Oh my god,

504
00:26:56,320 --> 00:26:59,679
Speaker 2: the line about He says, oh, yeah, this guy's an

505
00:26:59,680 --> 00:27:05,119
Speaker 2: alcohol and Jamie goes, Chuck's mom's an alcoholic. It's like

506
00:27:05,240 --> 00:27:07,439
Speaker 2: I know somebody who went to college there, just throwing

507
00:27:07,440 --> 00:27:13,639
Speaker 2: it out there, so offensive, and Jamie calling him on

508
00:27:13,680 --> 00:27:16,960
Speaker 2: it and just saying, hey, man, uh yeah, this lady's

509
00:27:17,320 --> 00:27:19,160
Speaker 2: hanging out with the kid that's not her own because

510
00:27:19,160 --> 00:27:22,000
Speaker 2: something is going on that she doesn't have the guts

511
00:27:22,000 --> 00:27:23,480
Speaker 2: to tell him what's actually happening.

512
00:27:24,800 --> 00:27:31,320
Speaker 3: Smart, Smart, I it was great to see Lee. Yes,

513
00:27:31,680 --> 00:27:34,240
Speaker 3: I love me some Lee Norris. When he walked into

514
00:27:34,240 --> 00:27:36,439
Speaker 3: Close Over Bros. At the start of it, and it

515
00:27:36,480 --> 00:27:39,960
Speaker 3: was just Julian in an empty store, and he went on,

516
00:27:40,840 --> 00:27:43,080
Speaker 3: I guess I picked a bad day to come asking

517
00:27:43,119 --> 00:27:43,720
Speaker 3: for a job.

518
00:27:44,320 --> 00:27:46,360
Speaker 2: That's right, But also does he in need of a job?

519
00:27:46,400 --> 00:27:48,800
Speaker 3: I forgot guts. That was where I was confused. Right

520
00:27:48,880 --> 00:27:51,359
Speaker 3: at first, I thought that's a funny line and because

521
00:27:51,400 --> 00:27:53,560
Speaker 3: given a situation. But then when he goes to trick

522
00:27:53,600 --> 00:27:57,600
Speaker 3: and he's like, I asked you for a job, and I'm like, oh, oh,

523
00:27:57,640 --> 00:27:59,359
Speaker 3: so this is a new this is like gonna be

524
00:27:59,359 --> 00:28:01,600
Speaker 3: a story. Okay. Wait.

525
00:28:02,080 --> 00:28:05,120
Speaker 2: Also, why was Julian so chill when he walked into

526
00:28:05,119 --> 00:28:08,560
Speaker 2: the store. Did you notice that he just like walked

527
00:28:08,600 --> 00:28:11,359
Speaker 2: in and looked around at everything, like all the merchandise

528
00:28:11,400 --> 00:28:17,199
Speaker 2: emptied out, the entire store is cleared, and he just

529
00:28:17,240 --> 00:28:21,960
Speaker 2: looks around with no there's like almost no expression, like

530
00:28:22,000 --> 00:28:25,359
Speaker 2: he wasn't surprised. He was just kind of and I

531
00:28:25,359 --> 00:28:28,640
Speaker 2: thought maybe I missed something. Does he already know what's

532
00:28:28,680 --> 00:28:32,960
Speaker 2: going on? I don't remember them having a conversation. I

533
00:28:32,960 --> 00:28:35,399
Speaker 2: guess I just was expecting a bigger reaction. As somebody

534
00:28:35,400 --> 00:28:40,000
Speaker 2: walks into a shop that's completely cleared out, you'd be like, uh,

535
00:28:40,000 --> 00:28:41,680
Speaker 2: what the what? What's going on?

536
00:28:42,040 --> 00:28:44,840
Speaker 3: Yeah? You know, he's just a cool cucumber, that guy.

537
00:28:45,160 --> 00:28:47,440
Speaker 2: I guess, so, yeah, he just likes to keep it

538
00:28:47,480 --> 00:28:48,760
Speaker 2: all real close to the vest.

539
00:28:51,480 --> 00:28:54,320
Speaker 3: I didn't notice that. But then yeah, so then Lee,

540
00:28:54,760 --> 00:28:59,200
Speaker 3: excuse me, mouth goes to trick and you know, he's like, hey,

541
00:29:00,360 --> 00:29:03,120
Speaker 3: I asked you for a job. And then as soon

542
00:29:03,160 --> 00:29:06,080
Speaker 3: as and Chase is like the Alex goes. You know,

543
00:29:06,360 --> 00:29:10,240
Speaker 3: I tied a cherry stem into a knot with and

544
00:29:10,280 --> 00:29:12,240
Speaker 3: as soon as I saw Lee reach for a cherry

545
00:29:12,280 --> 00:29:15,400
Speaker 3: halfway into that scene, I was like, all right, oh yeah,

546
00:29:15,480 --> 00:29:17,480
Speaker 3: is this gonna be the button? And sure it was.

547
00:29:18,640 --> 00:29:20,720
Speaker 3: He pulls out the knotted cherry stem and goes I'm

548
00:29:20,760 --> 00:29:21,440
Speaker 3: just saying.

549
00:29:22,200 --> 00:29:25,720
Speaker 2: Looks, how often in middle school did you try and

550
00:29:25,800 --> 00:29:28,200
Speaker 2: do that? Or high school? Can you do that?

551
00:29:29,840 --> 00:29:33,040
Speaker 3: I have pulled it off before, but it.

552
00:29:33,040 --> 00:29:35,520
Speaker 2: Takes like an hour and your tongue is all worn out.

553
00:29:35,800 --> 00:29:38,200
Speaker 2: Oh yeah, it's so hard to do.

554
00:29:38,760 --> 00:29:43,280
Speaker 3: It's also it's just it's so funny that that became

555
00:29:43,360 --> 00:29:46,800
Speaker 3: something that was the benchmark. Yeah, the benchmark for like

556
00:29:46,960 --> 00:29:51,160
Speaker 3: sexual prowess was like tongue agility.

557
00:29:52,680 --> 00:29:55,720
Speaker 2: To turn it into to take a cherry stem and

558
00:29:55,720 --> 00:29:59,320
Speaker 2: twist it into a knot yeah who I don't understand,

559
00:29:59,360 --> 00:30:01,760
Speaker 2: but I remember hearing that in high school and being like,

560
00:30:01,840 --> 00:30:03,640
Speaker 2: oh oh no, I got to figure out how to

561
00:30:03,680 --> 00:30:09,080
Speaker 2: do this sit around cherry stemps. Like I wasn't even

562
00:30:09,120 --> 00:30:11,000
Speaker 2: having sex in high school. I just thought, I guess

563
00:30:11,000 --> 00:30:13,840
Speaker 2: I better know how to do this. That's that seems

564
00:30:13,840 --> 00:30:15,640
Speaker 2: like probably what I should do.

565
00:30:16,600 --> 00:30:20,200
Speaker 3: Same I was, you know, virgin high school, are probably

566
00:30:20,200 --> 00:30:24,160
Speaker 3: going maybe this will be what changes the tide. I

567
00:30:24,200 --> 00:30:26,800
Speaker 3: should learn how to tie a cherry stemino not. Yeah,

568
00:30:26,920 --> 00:30:29,120
Speaker 3: well I got news for you, folks. I learned and

569
00:30:29,160 --> 00:30:36,280
Speaker 3: it changed nothing. I went college a virgin. In case

570
00:30:36,320 --> 00:30:38,080
Speaker 3: there is any listeners out there going like, maybe this

571
00:30:38,120 --> 00:30:40,280
Speaker 3: will be what changes things for me, maybe I should

572
00:30:40,320 --> 00:30:42,160
Speaker 3: do No, it won't don't change nothing.

573
00:30:42,320 --> 00:30:47,400
Speaker 2: Nothing nothing. It's a fun party trick. But yeah, is it?

574
00:30:48,640 --> 00:30:51,360
Speaker 3: If we were at a party joy and I did that,

575
00:30:52,240 --> 00:30:54,320
Speaker 3: would you just would you? Would you be impressed or

576
00:30:54,360 --> 00:30:56,240
Speaker 3: would you just look around to see how everyone else

577
00:30:56,280 --> 00:30:56,840
Speaker 3: was reacting.

578
00:30:57,440 --> 00:30:58,960
Speaker 2: It depends on how bored we were.

579
00:31:01,480 --> 00:31:03,880
Speaker 3: I mean, I guess maybe my reaction it would be

580
00:31:04,000 --> 00:31:07,520
Speaker 3: maybe what's important is like the the delivery on the

581
00:31:07,560 --> 00:31:10,000
Speaker 3: face of the person who ties it. Yes, yes, Like

582
00:31:10,040 --> 00:31:14,360
Speaker 3: if I pulled it out very self satisfied or like

583
00:31:14,560 --> 00:31:17,400
Speaker 3: look what I did, then maybe it's like h. But

584
00:31:17,520 --> 00:31:19,760
Speaker 3: if it was just like, h what do you think

585
00:31:19,800 --> 00:31:20,480
Speaker 3: of that? You know?

586
00:31:21,120 --> 00:31:22,800
Speaker 2: Yeah, you know. If I'm like, hey, do you have

587
00:31:22,800 --> 00:31:25,440
Speaker 2: any trash? I'm gonna go throw out this drink and napkins,

588
00:31:25,480 --> 00:31:27,480
Speaker 2: and you just like pull the cherry stem out of

589
00:31:27,560 --> 00:31:29,000
Speaker 2: your mouth that was in a knot and just set

590
00:31:29,000 --> 00:31:33,160
Speaker 2: it on my cocktail. I'm kidding, then I might laugh.

591
00:31:33,200 --> 00:31:34,120
Speaker 2: That'd be entertaining.

592
00:31:34,680 --> 00:31:37,320
Speaker 3: It would be the funniest, weirdest moment of the night.

593
00:31:38,440 --> 00:31:41,800
Speaker 3: Would be You're like, oh, is that was this a flirt?

594
00:31:41,880 --> 00:31:44,880
Speaker 3: What's happening? There's on it? I don't know whether it'd

595
00:31:44,880 --> 00:31:46,160
Speaker 3: be grossed out or intrigued.

596
00:31:46,680 --> 00:31:48,840
Speaker 2: He's just bored this like it would be like this

597
00:31:48,920 --> 00:31:50,960
Speaker 2: is what Rob does when he's bored and doesn't want

598
00:31:50,960 --> 00:31:53,400
Speaker 2: to talk to anybody at a party. He's just he's

599
00:31:53,440 --> 00:31:56,400
Speaker 2: just twisting cherry stems in his mouth, and I just

600
00:31:56,440 --> 00:31:58,640
Speaker 2: got a little glimpse into that because now I'm throwing

601
00:31:58,640 --> 00:32:00,239
Speaker 2: it away and it would just make me love you

602
00:32:00,280 --> 00:32:00,800
Speaker 2: all the more.

603
00:32:00,920 --> 00:32:03,080
Speaker 3: Cut to a year from now, I'm me at one

604
00:32:03,120 --> 00:32:06,440
Speaker 3: of your dinner parties and I'm just like off, being

605
00:32:06,640 --> 00:32:09,040
Speaker 3: weird and isolated, and you come over and You're like, hey, man,

606
00:32:09,080 --> 00:32:11,120
Speaker 3: are you do You're not liking the vibe? Is this

607
00:32:11,240 --> 00:32:13,760
Speaker 3: not fun? And I'm like, not now, joy, I am

608
00:32:13,800 --> 00:32:17,800
Speaker 3: just fantically trying to tie this cherry stem with my tongue. Okay,

609
00:32:18,640 --> 00:32:22,200
Speaker 3: give me some space. I love the people here, I

610
00:32:22,240 --> 00:32:24,480
Speaker 3: love the vibe, the food's great, but I'm really focused

611
00:32:24,520 --> 00:32:25,880
Speaker 3: on the cherry stemnot okay.

612
00:32:26,440 --> 00:32:29,280
Speaker 2: Yeah, what other things did we do in high school

613
00:32:29,320 --> 00:32:34,040
Speaker 2: that we thought were super super important and then never

614
00:32:34,200 --> 00:32:37,760
Speaker 2: used again other than half of the education we received?

615
00:32:38,920 --> 00:32:42,280
Speaker 3: Oh, geometry? Yeah, I don't know.

616
00:32:42,920 --> 00:32:45,320
Speaker 2: I don't know either. I'm trying to think of like

617
00:32:45,480 --> 00:32:47,760
Speaker 2: movies or pop culture things that we just thought, Man,

618
00:32:47,800 --> 00:32:51,160
Speaker 2: this is really gonna I mean, driving a stick it's

619
00:32:51,200 --> 00:32:53,360
Speaker 2: fun to know how to do, but are you ever

620
00:32:53,400 --> 00:32:54,000
Speaker 2: going to use it?

621
00:32:54,640 --> 00:32:59,240
Speaker 3: I haven't since I learned I had this Cringey recall

622
00:32:59,280 --> 00:33:01,360
Speaker 3: the other day that in high school we used to

623
00:33:01,400 --> 00:33:05,840
Speaker 3: call like when you made out with someone scamming scamming?

624
00:33:06,080 --> 00:33:09,200
Speaker 3: Did you hear like, you know, like Alex and Chase

625
00:33:09,360 --> 00:33:13,760
Speaker 3: totally scammed last night? Ye whoa she wants to sam

626
00:33:13,800 --> 00:33:15,680
Speaker 3: with you? And now I don't. I hear that and

627
00:33:15,680 --> 00:33:19,680
Speaker 3: I go, what, that's the dumbest thing? What does that

628
00:33:19,760 --> 00:33:20,520
Speaker 3: even all.

629
00:33:20,360 --> 00:33:23,239
Speaker 2: Of our lingo? My little my little six year old

630
00:33:23,280 --> 00:33:25,040
Speaker 2: niece was hanging out of the holidays and her brother

631
00:33:25,080 --> 00:33:31,080
Speaker 2: said something and she goes, that's so cap I and

632
00:33:31,160 --> 00:33:32,920
Speaker 2: my six year old niece had to explain it to

633
00:33:33,000 --> 00:33:37,040
Speaker 2: me because I had no idea where that even came from.

634
00:33:37,200 --> 00:33:38,960
Speaker 3: Listen, I feel cool right now because I do know

635
00:33:39,000 --> 00:33:41,120
Speaker 3: what that means. But I hear you that. When I

636
00:33:41,160 --> 00:33:43,120
Speaker 3: hear the lingo, I'm like, oh, I already feel like

637
00:33:43,360 --> 00:33:46,000
Speaker 3: the seventy year old man who's like shaking his fist

638
00:33:46,080 --> 00:33:49,520
Speaker 3: going get off my lawn because I hear like, what's

639
00:33:49,520 --> 00:33:52,280
Speaker 3: the skibbity? And you know, yeah, I'm just like you

640
00:33:52,280 --> 00:33:57,640
Speaker 3: guys sound like freaking titons. Stop the normal words.

641
00:33:58,080 --> 00:33:59,080
Speaker 2: Will it ever come back?

642
00:33:59,120 --> 00:33:59,160
Speaker 3: We?

643
00:33:59,480 --> 00:34:01,680
Speaker 2: Will it ever come full circle? Like we're not using

644
00:34:02,040 --> 00:34:05,840
Speaker 2: swell or we still use cool, but I guess cool

645
00:34:05,920 --> 00:34:10,480
Speaker 2: is out. No, I think I think once the lingo

646
00:34:10,600 --> 00:34:12,680
Speaker 2: is in, it's in, and then once it goes out,

647
00:34:12,760 --> 00:34:14,400
Speaker 2: it's out. I don't think it ever it makes a

648
00:34:14,440 --> 00:34:15,080
Speaker 2: circle back.

649
00:34:27,600 --> 00:34:31,200
Speaker 3: Okay, So there's a great scene with Brooke and Victoria

650
00:34:31,480 --> 00:34:31,960
Speaker 3: at the end.

651
00:34:32,120 --> 00:34:35,120
Speaker 2: Oh, Victoria, we have to talk about this, Okay.

652
00:34:35,440 --> 00:34:39,160
Speaker 3: Brooke is red hot at Victoria and Millie rightfully so,

653
00:34:39,880 --> 00:34:42,359
Speaker 3: and then she comes out and she's like, like, were

654
00:34:42,360 --> 00:34:45,239
Speaker 3: you never proud of me? Do you believe in me?

655
00:34:45,400 --> 00:34:49,440
Speaker 3: And Brook and Victoria has that wonderful retort where she's like,

656
00:34:49,760 --> 00:34:54,000
Speaker 3: you pay me to gamble, and I've been gambling on

657
00:34:54,040 --> 00:34:57,320
Speaker 3: you succeeding because of how much I believe in you. Yes,

658
00:34:57,400 --> 00:34:59,600
Speaker 3: And the thing you don't pay me for is being

659
00:34:59,600 --> 00:35:01,759
Speaker 3: proud of you. You, and I've always been proud of you.

660
00:35:01,960 --> 00:35:09,759
Speaker 3: It's really sweet. And you know, Daphne just killed it.

661
00:35:10,200 --> 00:35:11,800
Speaker 3: Her delivery was just awesome.

662
00:35:11,840 --> 00:35:17,320
Speaker 2: And so since here, this one is hard because she's saying,

663
00:35:17,719 --> 00:35:20,839
Speaker 2: you pay me to take risks and to do what

664
00:35:20,880 --> 00:35:23,239
Speaker 2: I think is best for the company. But I love

665
00:35:23,280 --> 00:35:26,239
Speaker 2: you and I have your best interest at heart, and

666
00:35:26,280 --> 00:35:31,359
Speaker 2: I'm proud of you. But she's also cheating and not

667
00:35:31,840 --> 00:35:34,319
Speaker 2: doing what's supposed to be done. So it's like, you know,

668
00:35:34,440 --> 00:35:37,520
Speaker 2: to have someone tell you they love you, they have

669
00:35:37,600 --> 00:35:39,360
Speaker 2: your best interest at heart, they're proud of you, but

670
00:35:39,520 --> 00:35:44,440
Speaker 2: also what their actions are very opposite. I mean, I

671
00:35:44,440 --> 00:35:49,560
Speaker 2: guess in Victoria's mind it's not opposite. But I really

672
00:35:49,640 --> 00:35:52,319
Speaker 2: struggled with that because I see her sincerity.

673
00:35:53,360 --> 00:35:56,960
Speaker 3: But come on, but I agree with you because it's

674
00:35:57,960 --> 00:36:03,400
Speaker 3: it's she's sort of she's not telling the whole story, right, Yeause,

675
00:36:03,840 --> 00:36:06,520
Speaker 3: if you love someone and you believe in someone, mostly,

676
00:36:06,560 --> 00:36:09,920
Speaker 3: if you just care about someone and you are making

677
00:36:09,920 --> 00:36:12,880
Speaker 3: a decision that is going to expose them to risk,

678
00:36:13,640 --> 00:36:16,520
Speaker 3: if you care about them then and you respect them,

679
00:36:16,640 --> 00:36:18,960
Speaker 3: then you should you should tell that to them before

680
00:36:19,000 --> 00:36:21,680
Speaker 3: you make that decision. Yes, and you should give them

681
00:36:21,680 --> 00:36:22,480
Speaker 3: an opportunity.

682
00:36:23,280 --> 00:36:26,120
Speaker 2: She signed things that she didn't know that she had

683
00:36:26,239 --> 00:36:30,360
Speaker 2: what she was signing. That's so it's beyond deceptive. It

684
00:36:30,360 --> 00:36:39,359
Speaker 2: is deceptive, but it's so manipulative. It's so disrespectful, unloving, uncaring, coercive.

685
00:36:39,560 --> 00:36:41,080
Speaker 2: It's not that's not loving.

686
00:36:42,120 --> 00:36:46,759
Speaker 3: Yeah, no, it's it's not. And it's a little I

687
00:36:46,800 --> 00:36:48,880
Speaker 3: don't want to say, like gas light you but like

688
00:36:48,920 --> 00:36:51,520
Speaker 3: I said, she's not telling the whole story. Just keep

689
00:36:51,600 --> 00:36:53,880
Speaker 3: going like it's because I believe in you and I

690
00:36:53,920 --> 00:36:57,719
Speaker 3: love you. It's like, eh, yes, but but you now

691
00:36:57,760 --> 00:36:59,680
Speaker 3: look with the consequences are like, if you loved me,

692
00:36:59,680 --> 00:37:03,200
Speaker 3: I feel like you would try to prevent me from

693
00:37:03,239 --> 00:37:04,960
Speaker 3: being in this spot, or at least to me and

694
00:37:05,040 --> 00:37:07,960
Speaker 3: be like, hey, we're in a pickle. Here's what I'm

695
00:37:08,000 --> 00:37:11,520
Speaker 3: thinking about doing, but it exposes us to some risk.

696
00:37:11,880 --> 00:37:15,200
Speaker 3: How do you feel about it? But when you just

697
00:37:15,360 --> 00:37:20,000
Speaker 3: make a unilateral decision that's going to have such huge

698
00:37:20,520 --> 00:37:24,920
Speaker 3: implications if it doesn't work out, that just seems irresponsible

699
00:37:25,040 --> 00:37:27,600
Speaker 3: in brash.

700
00:37:26,560 --> 00:37:31,000
Speaker 2: I think, So I I want to leave room for

701
00:37:31,600 --> 00:37:37,279
Speaker 2: grace and growing, Like Victoria is rapidly changing as a person.

702
00:37:37,440 --> 00:37:42,120
Speaker 2: We've seen all of her emotional growth and maturity and

703
00:37:42,160 --> 00:37:46,480
Speaker 2: it's exciting. And so I struggle with this because it's

704
00:37:46,960 --> 00:37:53,360
Speaker 2: I wonder where the line is between acknowledging that someone

705
00:37:53,480 --> 00:37:59,600
Speaker 2: has done something that is unacceptable and also acknowledging that

706
00:38:00,200 --> 00:38:04,480
Speaker 2: in their mind it was from a good place. Because

707
00:38:04,760 --> 00:38:10,680
Speaker 2: their level of emotional intelligence or behavioral intelligence has not

708
00:38:14,760 --> 00:38:18,040
Speaker 2: has not advanced past what they grew up as and

709
00:38:18,040 --> 00:38:20,680
Speaker 2: how they function and the best that they know how

710
00:38:20,760 --> 00:38:23,000
Speaker 2: to how to do in life. You know, it's like,

711
00:38:23,040 --> 00:38:26,600
Speaker 2: how do you how do you hold someone to a

712
00:38:27,200 --> 00:38:35,239
Speaker 2: quality standard? But also understand that Victoria is not just

713
00:38:35,280 --> 00:38:38,839
Speaker 2: going to change overnight to know what I'm saying. Does

714
00:38:38,880 --> 00:38:39,439
Speaker 2: that make sense?

715
00:38:39,600 --> 00:38:42,560
Speaker 3: Yes? It does, right, because it's she made a big mistake.

716
00:38:43,920 --> 00:38:45,319
Speaker 3: It's not a relationship ender.

717
00:38:45,960 --> 00:38:48,080
Speaker 2: I mean, it might be for some people, but in

718
00:38:48,120 --> 00:38:51,399
Speaker 2: this case, between the two of them, they're sorting through it.

719
00:38:51,800 --> 00:38:53,279
Speaker 2: I didn't mean to cut you off. I'm sorry, Rob, go.

720
00:38:53,239 --> 00:38:56,200
Speaker 3: Ahead, No, No, it's okay. I'm just thinking like it

721
00:38:56,200 --> 00:38:58,520
Speaker 3: it's easy for it not to be, you know. I like,

722
00:38:58,719 --> 00:39:02,520
Speaker 3: it's because she may have been doing these kind of

723
00:39:02,600 --> 00:39:06,400
Speaker 3: things for like the last ten years. Yeah, you know,

724
00:39:06,719 --> 00:39:10,040
Speaker 3: so it again, she didn't make the right decision, but

725
00:39:10,080 --> 00:39:14,200
Speaker 3: there may be a pretty compelling story behind why she

726
00:39:14,280 --> 00:39:18,880
Speaker 3: did it. That's not just she was flying fast and

727
00:39:18,960 --> 00:39:22,919
Speaker 3: loose and like, yeah, like letting her ego run the show.

728
00:39:22,960 --> 00:39:25,920
Speaker 3: Like there may have been, like I said, a decade

729
00:39:26,000 --> 00:39:29,880
Speaker 3: of experience that told her we're okay, we do this

730
00:39:29,960 --> 00:39:33,239
Speaker 3: a lot. She comes through, We're all right. You know,

731
00:39:33,520 --> 00:39:35,799
Speaker 3: I've done this ten times before and it's never bid

732
00:39:35,880 --> 00:39:39,600
Speaker 3: us once. It's a calculated risk. It. Like I said,

733
00:39:39,600 --> 00:39:43,680
Speaker 3: it's unfortunate that it's gonna it could have huge, huge

734
00:39:43,680 --> 00:39:47,040
Speaker 3: fallout because you're right, by the way, the worst case

735
00:39:47,080 --> 00:39:49,680
Speaker 3: scenario isn't she loses close over bros. That's close to

736
00:39:49,719 --> 00:39:52,759
Speaker 3: the best case scenario. Yeah, the worst case scenario is

737
00:39:53,040 --> 00:39:57,000
Speaker 3: you're going to white collar prison for a while. Yeah,

738
00:39:57,040 --> 00:39:57,880
Speaker 3: it's bad.

739
00:39:58,120 --> 00:40:01,560
Speaker 2: That's really I'm surprised that didn't come up in the

740
00:40:01,600 --> 00:40:04,680
Speaker 2: writer's room, or maybe it did and it was just

741
00:40:05,400 --> 00:40:09,480
Speaker 2: I guess decided that wasn't an option. But yeah, that's

742
00:40:09,520 --> 00:40:12,680
Speaker 2: all I was thinking of watching this storyline, going oh

743
00:40:12,719 --> 00:40:16,160
Speaker 2: my god, these people could go to prison, all three

744
00:40:16,200 --> 00:40:19,600
Speaker 2: of these characters. This is not just losing the company.

745
00:40:19,640 --> 00:40:23,359
Speaker 2: Losing the company is bad, but but then never being

746
00:40:23,360 --> 00:40:26,440
Speaker 2: able to open another company or find new investors and

747
00:40:26,480 --> 00:40:30,000
Speaker 2: then yes, going to prison. Oh I don't know what's

748
00:40:30,040 --> 00:40:33,000
Speaker 2: going to happen. I have no idea. I completely forgot

749
00:40:33,040 --> 00:40:34,560
Speaker 2: that this storyline existed.

750
00:40:35,600 --> 00:40:39,400
Speaker 3: Yeah, just about everything that happened in this episode I

751
00:40:39,520 --> 00:40:43,000
Speaker 3: was basically watching for the first time, which is fun though,

752
00:40:43,320 --> 00:40:45,239
Speaker 3: because I don't know what's coming. Like I told you,

753
00:40:45,280 --> 00:40:47,400
Speaker 3: I was shocked when you said you were when Haley

754
00:40:47,400 --> 00:40:48,360
Speaker 3: says she's pregnant.

755
00:40:48,760 --> 00:40:49,000
Speaker 2: Yeah.

756
00:40:49,239 --> 00:40:53,319
Speaker 3: I was like, whoa. And the only thing that I

757
00:40:53,680 --> 00:40:56,880
Speaker 3: that made sense to me was I remembered the scene

758
00:40:57,000 --> 00:41:01,680
Speaker 3: being in a hospital with so excuse me, Brooke, Jamie,

759
00:41:01,800 --> 00:41:06,160
Speaker 3: Clay and Quinn and we're doing the saltine challenge and

760
00:41:06,200 --> 00:41:08,520
Speaker 3: I remember so. Then once I was seeing with that today,

761
00:41:08,520 --> 00:41:12,560
Speaker 3: I said, oh, maybe that's when Hayley's in labor, were

762
00:41:12,600 --> 00:41:14,440
Speaker 3: all at the hospital. Maybe that's when we did the

763
00:41:14,480 --> 00:41:15,160
Speaker 3: saltine changing.

764
00:41:15,200 --> 00:41:17,799
Speaker 2: Oh yes, I remember this.

765
00:41:19,360 --> 00:41:22,320
Speaker 3: Yeah, Because like I said, I I had zero recollection

766
00:41:22,360 --> 00:41:24,000
Speaker 3: of that, but I just I put that together tas

767
00:41:24,000 --> 00:41:25,399
Speaker 3: I was watching the episode, and I was like, oh,

768
00:41:25,400 --> 00:41:27,840
Speaker 3: maybe that's why we were all in the hospital together.

769
00:41:29,560 --> 00:41:31,279
Speaker 2: Yeah, that we had. That was one thing thought I

770
00:41:31,320 --> 00:41:33,640
Speaker 2: had watching this episode was we spent a lot of

771
00:41:33,680 --> 00:41:37,200
Speaker 2: time in the hospital as a cast. At least once

772
00:41:37,239 --> 00:41:43,320
Speaker 2: a season there was some lengthy storyline that included a hospital.

773
00:41:44,160 --> 00:41:46,759
Speaker 2: We eventually just bought out a fact or maybe we

774
00:41:46,800 --> 00:41:51,719
Speaker 2: rented out a factory and old factory in Wilmington and

775
00:41:52,960 --> 00:41:56,520
Speaker 2: gutted the whole bottom floor and turned it into a

776
00:41:56,560 --> 00:42:00,959
Speaker 2: fake hospital wing because the hallways load in a way

777
00:42:01,000 --> 00:42:08,520
Speaker 2: that made sense for our shots. And for cameras. So

778
00:42:08,640 --> 00:42:11,440
Speaker 2: instead of using our stages that we actually had to

779
00:42:11,600 --> 00:42:14,080
Speaker 2: go film that, we just started to build at a

780
00:42:14,160 --> 00:42:18,400
Speaker 2: completely different location, this old factory it was. Did you

781
00:42:18,400 --> 00:42:20,719
Speaker 2: ever go wander around there when you like kind of

782
00:42:20,760 --> 00:42:23,400
Speaker 2: went off of what sets we built and found yourself

783
00:42:23,480 --> 00:42:28,600
Speaker 2: in just random old abandoned factory machines and.

784
00:42:28,440 --> 00:42:31,320
Speaker 3: No recollection of it that it was in an old factory.

785
00:42:31,360 --> 00:42:31,880
Speaker 3: That's crazy.

786
00:42:31,880 --> 00:42:35,880
Speaker 2: Oh no, really, yeah, I wish I remember what it made.

787
00:42:36,760 --> 00:42:38,640
Speaker 2: I don't know if it was like telephones or if

788
00:42:38,640 --> 00:42:41,959
Speaker 2: it was baked goods, but I definitely remember wandering off

789
00:42:42,000 --> 00:42:46,040
Speaker 2: and wandering into rooms that were full conveyor belts.

790
00:42:46,200 --> 00:42:48,719
Speaker 3: It is like, did you just say it's a factory

791
00:42:48,719 --> 00:42:53,360
Speaker 3: that either made telephones or baked goods. Could you explain

792
00:42:53,400 --> 00:42:56,399
Speaker 3: to me what machinery you saw that made you think

793
00:42:56,520 --> 00:43:01,080
Speaker 3: that specifically either makes a telephone or croissant.

794
00:43:03,480 --> 00:43:07,279
Speaker 2: I don't remember. I just remember feeling like when we

795
00:43:07,280 --> 00:43:09,840
Speaker 2: were there. The memory I have in my brain is

796
00:43:09,880 --> 00:43:14,239
Speaker 2: somebody told me they make either telephones or something yummy.

797
00:43:15,440 --> 00:43:31,400
Speaker 3: Incredible. We have a fan question, Yes, would you like

798
00:43:31,440 --> 00:43:32,439
Speaker 3: to read it? Sure?

799
00:43:32,440 --> 00:43:36,680
Speaker 2: It's from Brinicole and she's asking She says, if somebody

800
00:43:36,680 --> 00:43:39,400
Speaker 2: asked you what the show was about. How would you

801
00:43:39,520 --> 00:43:43,440
Speaker 2: describe it from season one to season nine and what

802
00:43:43,480 --> 00:43:45,560
Speaker 2: are some key points you would talk about to get

803
00:43:45,680 --> 00:43:46,600
Speaker 2: someone interested.

804
00:43:47,320 --> 00:43:49,120
Speaker 3: I feel like this is a question for you.

805
00:43:49,640 --> 00:43:56,760
Speaker 2: It's teenagers in a small southern town going through average

806
00:43:56,840 --> 00:44:00,760
Speaker 2: everyday life before the age of cell phones and feeling

807
00:44:00,800 --> 00:44:07,920
Speaker 2: their feelings. They grow up together, they have lots of

808
00:44:08,480 --> 00:44:13,520
Speaker 2: drama together, and uh, there's this constant through line of

809
00:44:14,760 --> 00:44:20,560
Speaker 2: hope and redemption and uh there's a constant arc of

810
00:44:23,760 --> 00:44:27,680
Speaker 2: struggle and how you how you use lean on each

811
00:44:27,680 --> 00:44:31,000
Speaker 2: other to uh to overcome it. I would say that's

812
00:44:31,040 --> 00:44:33,719
Speaker 2: sort of the long through line. But key points to

813
00:44:33,760 --> 00:44:35,520
Speaker 2: tell people about to get them interested.

814
00:44:38,160 --> 00:44:43,680
Speaker 3: Tape sings, car crashes, dogs eating hard, dog sitting cards,

815
00:44:44,600 --> 00:44:46,320
Speaker 3: doppelganger psychopaths.

816
00:44:47,200 --> 00:44:52,000
Speaker 2: Yeah, motivational speak here a hero villain, villain becomes a

817
00:44:52,000 --> 00:44:57,360
Speaker 2: motivational speaker. Russian mafia, which we get to eventually.

818
00:44:57,760 --> 00:45:03,560
Speaker 3: Oh my gosh, you've forgotten about that.

819
00:45:03,760 --> 00:45:12,279
Speaker 2: Yeah, yeah, all that, all that plus just regular old emotions.

820
00:45:13,520 --> 00:45:16,200
Speaker 3: You have an honorable mention from this episode.

821
00:45:16,480 --> 00:45:18,560
Speaker 2: I thought Austin was great in the episode. It was

822
00:45:18,600 --> 00:45:21,239
Speaker 2: he was really fun to watch interact with Jamie, his

823
00:45:21,360 --> 00:45:25,840
Speaker 2: comic timing, his flat dry sense of humor that really

824
00:45:25,840 --> 00:45:30,600
Speaker 2: comes out and plays very well off of Jackson, was

825
00:45:30,680 --> 00:45:33,440
Speaker 2: just super fun to watch. What about you?

826
00:45:34,040 --> 00:45:37,280
Speaker 3: The honorable mention I want to say, is you saying

827
00:45:37,640 --> 00:45:40,759
Speaker 3: that we shot at a factory that either made telephones

828
00:45:40,880 --> 00:45:45,279
Speaker 3: or baked goods. But to give proper credit where it's due,

829
00:45:45,280 --> 00:45:50,360
Speaker 3: my honorable mention I will give to Jackson because I

830
00:45:50,400 --> 00:45:53,719
Speaker 3: thought he was so funny in this episode. Yeah, he

831
00:45:53,800 --> 00:45:57,320
Speaker 3: didn't push it, he wasn't reaching for like there was

832
00:45:57,360 --> 00:46:01,480
Speaker 3: a there was a very good, subtle tea and kind

833
00:46:01,520 --> 00:46:03,480
Speaker 3: of confidence to it where he was, like I said,

834
00:46:03,480 --> 00:46:05,960
Speaker 3: he wasn't putting anything on it, which is crazy for

835
00:46:06,040 --> 00:46:11,560
Speaker 3: a young person to have sort of that comfort and

836
00:46:11,640 --> 00:46:13,560
Speaker 3: confidence and like this is just gonna be funny, like

837
00:46:13,600 --> 00:46:17,000
Speaker 3: typically can like punch. It isn't that funny, you know,

838
00:46:17,040 --> 00:46:19,399
Speaker 3: And he was just like you gotta let that go man,

839
00:46:21,000 --> 00:46:23,279
Speaker 3: the Ben Brian Fernandez thing or you know. He was

840
00:46:23,360 --> 00:46:26,120
Speaker 3: just great. So yeah, Jackson, he's my honorable mention.

841
00:46:26,360 --> 00:46:31,360
Speaker 2: I'm on board. Hey, let's spin a wheel. Thanks for

842
00:46:31,400 --> 00:46:35,560
Speaker 2: hanging out with us today, friends, Okay, go ahead. I

843
00:46:35,600 --> 00:46:37,080
Speaker 2: did the question.

844
00:46:37,600 --> 00:46:40,920
Speaker 3: Most likely to order dessert before dinner.

845
00:46:41,600 --> 00:46:43,600
Speaker 2: I kind of feel like Sophia, but I don't know

846
00:46:43,600 --> 00:46:45,040
Speaker 2: why do you think that's true?

847
00:46:45,680 --> 00:46:50,200
Speaker 3: Interesting? I feel like they could also be Hillary.

848
00:46:50,880 --> 00:46:54,120
Speaker 2: Yeah, yeah, both of them, I think for I think

849
00:46:54,120 --> 00:47:00,879
Speaker 2: for different reasons. I think Hillary's always been very nonchalant.

850
00:47:00,920 --> 00:47:03,320
Speaker 2: But I don't think she's a foodie. She wasn't raised

851
00:47:03,320 --> 00:47:05,600
Speaker 2: with this sort of like passion around food, so I

852
00:47:05,600 --> 00:47:07,360
Speaker 2: think she'd just be like, yeah, whatever, just put in

853
00:47:07,400 --> 00:47:11,280
Speaker 2: front of me, ill eat it. Sophie, I could see

854
00:47:11,719 --> 00:47:14,200
Speaker 2: ordering dessert before dinner out of a sense of adventure

855
00:47:14,360 --> 00:47:16,520
Speaker 2: and like, especially if she was hanging out with one

856
00:47:16,520 --> 00:47:19,120
Speaker 2: of her god children or something, and maybe being like, yeah,

857
00:47:19,200 --> 00:47:21,160
Speaker 2: let's do it. Why not let's just have a whole

858
00:47:21,160 --> 00:47:24,480
Speaker 2: bunch of pie or ice cream or whatever.

859
00:47:25,840 --> 00:47:29,520
Speaker 3: Would you bump on that someone was like, hey, let's

860
00:47:29,520 --> 00:47:31,160
Speaker 3: eat dessert before our entree.

861
00:47:32,080 --> 00:47:34,600
Speaker 2: That depends on the day and how much if you.

862
00:47:34,600 --> 00:47:37,440
Speaker 3: Run a date a first date, oh first date, and

863
00:47:37,520 --> 00:47:40,200
Speaker 3: the guy was like, hey, do you want to get crazy?

864
00:47:40,239 --> 00:47:42,759
Speaker 3: And you're like, oh my god, yeah, and he's like,

865
00:47:43,480 --> 00:47:46,280
Speaker 3: I want to order us dessert before we have our entrees.

866
00:47:47,239 --> 00:47:48,040
Speaker 3: What are you feeling?

867
00:47:48,680 --> 00:47:53,719
Speaker 2: Be like, yes, sign me up, let's do it. Let's

868
00:47:53,719 --> 00:47:58,040
Speaker 2: see what happens. It might be a whole digestive adventure.

869
00:47:58,080 --> 00:48:03,440
Speaker 2: I never knew possible. Yep, are you a dessert before

870
00:48:03,440 --> 00:48:04,480
Speaker 2: dinner kind of a person?

871
00:48:05,040 --> 00:48:09,240
Speaker 3: Not true, like not historically, but I am not opposed

872
00:48:09,280 --> 00:48:11,799
Speaker 3: to it. Like if we if we order in like

873
00:48:11,840 --> 00:48:13,759
Speaker 3: we did this few times with the holidays, like ordered

874
00:48:13,760 --> 00:48:17,319
Speaker 3: Mexican and the place serves churos, I'm absolutely orderings. Oh

875
00:48:17,400 --> 00:48:19,880
Speaker 3: yes I will. I will take a chiro out of

876
00:48:19,920 --> 00:48:22,200
Speaker 3: the bag and snack on that first.

877
00:48:22,320 --> 00:48:24,400
Speaker 2: Yes, okay, all right, we're on the same page.

878
00:48:24,600 --> 00:48:30,120
Speaker 3: Yeah, all right, next episode, Season eight, episode three, the

879
00:48:30,280 --> 00:48:31,800
Speaker 3: space in between.

880
00:48:32,520 --> 00:48:35,200
Speaker 2: Well, see you guys. Then, thanks for hanging out, Hey,

881
00:48:35,239 --> 00:48:37,600
Speaker 2: thanks for listening. Don't forget to leave us a review.

882
00:48:37,840 --> 00:48:40,920
Speaker 2: You can also follow us on Instagram at Drama Queen's

883
00:48:41,040 --> 00:48:45,400
Speaker 2: ot h or email us at Drama Queens at iHeartRadio

884
00:48:45,560 --> 00:48:47,600
Speaker 2: dot com. See you next time.

885
00:48:48,800 --> 00:48:52,200
Speaker 1: We all about that high school drama Girl, Drama Girl,

886
00:48:52,280 --> 00:48:53,960
Speaker 1: all about them high school queens.

887
00:48:54,760 --> 00:48:56,960
Speaker 2: We'll take you for a ride and our comic girl

888
00:48:57,680 --> 00:49:01,000
Speaker 2: shared for the right teams. Drama Queens, please my girl,

889
00:49:01,120 --> 00:49:03,080
Speaker 2: rough girl fashion with your tough girl.

890
00:49:03,160 --> 00:49:05,800
Speaker 1: You could sit with us Girl Drama Queens, Drama Quease

891
00:49:05,880 --> 00:49:09,879
Speaker 1: drama queens, Drama, drama queens, Drama queens