WEBVTT - Selects: Cockney Rhyming Slang: Beautiful Gibberish

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<v Speaker 1>Hey, everybody, it's your old pal Josh. And for this

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<v Speaker 1>week's select, I've chosen our episode from November of twenty

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<v Speaker 1>nineteen on Cockney rhyming slang. This is one of those

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<v Speaker 1>silly episodes that's also packed with a lot of interesting information.

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<v Speaker 1>And I remember Chuck and I having fun making yet

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<v Speaker 1>so I hope you'll enjoy listening to it too.

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<v Speaker 2>Enjoy Welcome to Stuff you Should Know, a production of iHeartRadio.

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<v Speaker 1>Hey, and welcome to the podcast. I'm Josh Clark, and

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<v Speaker 1>there's Charles w Chuck Bryant right there. There's Jerry Rowland

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<v Speaker 1>right there. So that makes this stuff you should know

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<v Speaker 1>right in. That's it for me. Can't top that.

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<v Speaker 3>I was trying to think a way to say welcome

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<v Speaker 3>to the podcast and cockney rhyming slang. Can you make

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<v Speaker 3>an intense My brain is are broken right now. I

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<v Speaker 3>can't even try.

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<v Speaker 1>Okay, good, good, well, welcome.

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<v Speaker 3>It's a good good time to record a show, right exactly.

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<v Speaker 1>You're gonna do some cocknye in here, right. We want

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<v Speaker 1>to offend as many Londoners as we can.

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<v Speaker 3>I don't know, just just channel a little Dick Van Dyke.

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<v Speaker 3>Oh you know, Yeah, the American.

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<v Speaker 1>Doing a bad Cockney accent.

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<v Speaker 3>Well, I did recently rewatch The Limey.

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<v Speaker 1>Yes, for Casey's Benefits.

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<v Speaker 3>Yeah, the great, great movie from Steven Soderberg.

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<v Speaker 1>Never seen it.

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<v Speaker 3>It's awesome, is it really? Yeah?

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<v Speaker 1>I mean I know it's like a classic and everybody

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<v Speaker 1>loves it, but I mean it's really that good? Huh Yeah,

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<v Speaker 1>because a lot of people liked I don't know, The Hangover.

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<v Speaker 3>I like the Hangover?

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<v Speaker 1>Well, how would you? How would you like The Linemy

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<v Speaker 1>and the Hangover? Same level?

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<v Speaker 3>Yeah, they're the same movie almost all right, it's weird.

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<v Speaker 1>Well, then I've seen The Hangover, so I don't need

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<v Speaker 1>to see the Limy.

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<v Speaker 3>No, the Lemmy's great and Terrence Stamp is awesome, and

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<v Speaker 3>it and uses some Cockney rhymings in one great scene.

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<v Speaker 1>My big exposure to Cockney rhyming slang is Lockstock in

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<v Speaker 1>Two Smoking Barrels Snatch, Yeah, which I think are both

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<v Speaker 1>directed by Guy Ritchie. Right, wasn't Lockstock like his first

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<v Speaker 1>attempt in Snatch was the one that like got him

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<v Speaker 1>married to Madonna?

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<v Speaker 3>You a fan of Hits?

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<v Speaker 1>Yeah? I mean as much as I like his movies,

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<v Speaker 1>I don't like him personally necessarily because he like hunts,

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<v Speaker 1>bore like a jackass.

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<v Speaker 3>And stuff like that.

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<v Speaker 1>Yeah, like drunk with his friends in the most like

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<v Speaker 1>disrespectful way of murdering a pig.

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<v Speaker 3>I've meant his movies, but yeah, I do like his

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<v Speaker 3>movie sounds like he's a creep too.

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<v Speaker 1>I'm not going to go on record saying that, but

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<v Speaker 1>you know.

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<v Speaker 3>Uh, yeah, those movies are okay. And then I guess, uh,

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<v Speaker 3>what's his name? Don Cheatle a little bit in Ocean's eleven. Sure,

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<v Speaker 3>he did a little bit of.

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<v Speaker 1>That, right, And I mean like it's code to Americans,

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<v Speaker 1>it's oh, there's like a criminal, a British criminal, right,

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<v Speaker 1>that's all that means these days?

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<v Speaker 3>Yeah, I think so. In movies, it's definitely like all

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<v Speaker 3>of those are criminal, criminal people in the movie.

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<v Speaker 1>But they're like, you know, kind of slick, cool criminals

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<v Speaker 1>that like boil leather coats and stuff like that, not

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<v Speaker 1>dumb criminals that were like football jerseys or anything like that.

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<v Speaker 1>They're like, you know, smooth criminals. That's I think what

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<v Speaker 1>I was looking for. Yeah, but this idea of associating

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<v Speaker 1>it with Cockney is not necessarily associating it with criminals.

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<v Speaker 1>It's more associated with like lower class, working class, less educated, definitely,

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<v Speaker 1>not the aristocracy over in Britain.

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<v Speaker 3>Yeah, or the upper class.

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<v Speaker 1>Sure, And that by speaking with a Cockney accent, or

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<v Speaker 1>more to the point, using Cockney rhyming slang, you could

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<v Speaker 1>really differentiate yourself to it as a point of pride,

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<v Speaker 1>like you were speaking like your group. You're in group,

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<v Speaker 1>which was at the time Cockney. But the big surprise

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<v Speaker 1>to all this is it's really possible and even probable

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<v Speaker 1>that it wasn't the Cockney that came up with this

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<v Speaker 1>rhyming slang, that it was somebody else altogether.

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<v Speaker 3>Maybe who knows? Should we say what it is?

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<v Speaker 1>No, not for the rest of the podcast.

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<v Speaker 3>Cockney rhyming slang. It wasn't even very clearly defined in

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<v Speaker 3>this piece. Okay, did do you think it was? It's

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<v Speaker 3>in there, Okay. You got to just kind of separate

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<v Speaker 3>the wheat from the chaff. So it is a two

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<v Speaker 3>word phrase. It is a slang phrase consisting of two

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<v Speaker 3>words or the last word of that phrase rhymes with

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<v Speaker 3>the original word. And it can be and I think

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<v Speaker 3>the best way to do this is just to throw

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<v Speaker 3>out a few no, no, keep describing well, the two

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<v Speaker 3>word phrase. It can be. It can be a lot

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<v Speaker 3>of things. It can be a person's name, it can

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<v Speaker 3>be just something random. It can be a place, could

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<v Speaker 3>be a place, It could be a lot of things.

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<v Speaker 1>It can be anything.

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<v Speaker 3>Yeah, sure, I guess it can be m But shall

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<v Speaker 3>we illustrate it through.

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<v Speaker 1>Well, there's a second part to it too, Ok, the

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<v Speaker 1>second part, and this is very important. The two word

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<v Speaker 1>phrase that you're using to that where the second word

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<v Speaker 1>rhymes with the word you're actually saying.

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<v Speaker 3>Yeah, the original word, the original word thank.

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<v Speaker 1>You, usually has nothing to do with it. There's no metaphor,

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<v Speaker 1>there's no connection, there's no nothing, there's no there's no

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<v Speaker 1>context to it. It's supposed to just be random or

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<v Speaker 1>in most cases it is just random words, right, one

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<v Speaker 1>of which rhymes with the word you're replacing.

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<v Speaker 3>And to further complicate things, Sure, in a lot of cases,

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<v Speaker 3>and no one knows why. Sometimes this happens, and sometimes

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<v Speaker 3>it doesn't a lot of times that one of the

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<v Speaker 3>words of the two word phrase is dropped yep, and

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<v Speaker 3>then you're just left with the one word which doesn't

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<v Speaker 3>even rhyme with the original word anymore. Right.

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<v Speaker 1>That's I mean, that's probably the best description of cockney

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<v Speaker 1>rhyming slaying anyone's ever given.

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<v Speaker 3>So I think we should illustrate it with a couple

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<v Speaker 3>of examples. I pulled some from from some thing called

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<v Speaker 3>the Internet.

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<v Speaker 1>Here here's one, the the tip and tet. That's how

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<v Speaker 1>long it took me to come up.

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<v Speaker 3>With that tip and tet for the Internet.

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<v Speaker 1>But in ten years it'll just be called the tip.

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<v Speaker 1>I'm going to log onto the tip Governor.

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<v Speaker 3>So let's say your word was, and this was in

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<v Speaker 3>Ocean's eleven, specifically, trouble is the word that you're trying

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<v Speaker 3>to say. Cockney rhyming slang for trouble is Barney rubble awesome,

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<v Speaker 3>And so you would say you're making a bit of

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<v Speaker 3>the Bonnie rubbled again.

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<v Speaker 1>Right when somebody that was kind of who was.

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<v Speaker 3>That making a bit of Bonnie rubble? Not the see

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<v Speaker 3>I already did it wrong.

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<v Speaker 1>No, but I think that like a real person to

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<v Speaker 1>an American for sure. Oh yeah, I can't, I can't.

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<v Speaker 1>I'll shout it out later.

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<v Speaker 3>Man, I finally did a good one. We just I

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<v Speaker 3>just don't know who.

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<v Speaker 1>But it wasn't a Cockney person, is okay.

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<v Speaker 3>Another example for Queen, they would use the term baked bean.

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<v Speaker 3>Look it is on TV, it's the baked bean, right,

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<v Speaker 3>and that's the queen. Or in the case of one

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<v Speaker 3>that's been dropped, what does ed use here? Bees and honey?

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<v Speaker 1>That one is not dropped for money?

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<v Speaker 3>Oh okay? But which one was apples and pears for stairs? Right?

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<v Speaker 1>So you would say I'm going to go up the

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<v Speaker 1>apple and stairs apples and pears? Oh man, let me

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<v Speaker 1>retake this. Everybody. You would say, I'm going to go

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<v Speaker 1>up the apples and pears to go get my wallet

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<v Speaker 1>to pay for this pizza, or something to that effect.

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<v Speaker 1>But then over time people drop the pears, and so

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<v Speaker 1>now the word for stairs in Cockney rhyming slang is

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<v Speaker 1>just apples, which, if you're just standing there on the

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<v Speaker 1>outside like a normal American bloke, sure, by the way,

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<v Speaker 1>it means person. You have no idea why this person

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<v Speaker 1>just called stairs apples. You got what they were saying,

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<v Speaker 1>because the context is there, you're going up the apples

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<v Speaker 1>to get your wallet to pay for the pizza. But

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<v Speaker 1>why would you just say that? Did you did you

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<v Speaker 1>hit your head? Is there something wrong with you? What's

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<v Speaker 1>the problem? Why would you just call that apples? Yeah,

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<v Speaker 1>that's why it's so confounding. But the great thing about

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<v Speaker 1>cockney rhyming slang, and in particular the great thing about

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<v Speaker 1>researching cockney rhyming slang, is you learn how you get

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<v Speaker 1>from apples to stairs, and then it makes sense. Sometimes yeah,

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<v Speaker 1>it's true, it's not always.

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<v Speaker 3>Yeah, sometimes there's uh, it's it's not documented, which Ed

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<v Speaker 3>points out as one of the problems. Sometimes you can

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<v Speaker 3>draw the line the through line, but because it's not documented,

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<v Speaker 3>and sometimes these things take years and years to morph

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<v Speaker 3>into its final version. Right unless you unless you're you know,

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<v Speaker 3>on the uh, what would you call streets on the door?

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<v Speaker 3>Now on the streets, then you wouldn't know. But I

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<v Speaker 3>don't know what streets is. You can it just makes

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<v Speaker 3>stuff up, Like there's real words.

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<v Speaker 1>On the drums and beats, so got the drums.

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<v Speaker 3>Right, but they probably have a word for streets. Like

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<v Speaker 3>that's the whole point. You can't just make anything up

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<v Speaker 3>but the but you could if it hasn't been taken yet.

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<v Speaker 1>Sure. But also that's the other thing about cockney rhyming

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<v Speaker 1>slang is it evolves, right, so old celebrities that no

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<v Speaker 1>one even knows about anymore fall away to new celebrities

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<v Speaker 1>whose name also rhyme with you know whatever word you're saying.

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<v Speaker 3>Right, I thought you meant old celebrities who maybe used

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<v Speaker 3>to talk this way like Michael Kaine.

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<v Speaker 1>No, he's never said any rhyming slang in his life.

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<v Speaker 3>Of course, you got to see the movie Alfie.

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<v Speaker 1>Maybe that's who it was. It might have been Michael Kane.

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<v Speaker 3>I don't take that Michael Kaine. I think it was.

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<v Speaker 1>As a matter of fact, Yeah, thank you, I'm glad

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<v Speaker 1>you did it.

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<v Speaker 3>Noel always says a good joke is to say Michael

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<v Speaker 3>Kain in the correct accent, say the words my cocaine.

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<v Speaker 1>And it sounds like Michael Kaine saying it.

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<v Speaker 3>Then it sounds like the correct accent for Michael Kaine.

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<v Speaker 1>Right, my cocaine.

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<v Speaker 3>Well, you just blew that one out.

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<v Speaker 1>You gotta set me up in the future. Now you

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<v Speaker 1>haven't recorded seeing my cocaine.

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<v Speaker 3>Well there's I've got it two ways now.

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<v Speaker 1>Man cocaine.

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<v Speaker 3>Here's the thing, my cocaine. That's my cocaine. That's pretty good,

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<v Speaker 3>Michael Caine. It is good. You're right, Noel, you just

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<v Speaker 3>got to say it the right way and not like

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<v Speaker 3>a robot Josh. So here's one of the things that

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<v Speaker 3>sort of confounding if you want to look up a

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<v Speaker 3>like a glossary and say, well, here's what I'm gonna do.

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<v Speaker 3>I'm gonna learn Cockney rhyming slang. So for my trip

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<v Speaker 3>to England, I'm really you know, I'm really in with everybody.

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<v Speaker 1>Really.

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<v Speaker 3>First of all, bad idea. Second of all, it's it

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<v Speaker 3>can be very localized and the accents are all different.

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<v Speaker 1>Yeah, so even people in London who who all use well,

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<v Speaker 1>people in London don't really do. But the people who

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<v Speaker 1>use Cockney rhyming slang in London might not even agree

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<v Speaker 1>on what word means.

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<v Speaker 3>What. I'm just picturing all the people walking around England

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<v Speaker 3>laughing their arses off.

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<v Speaker 1>Oh, I can't wait to get to that one.

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<v Speaker 3>As we stumble through this. Yeah.

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<v Speaker 1>Ed had a really good example of why there's no

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<v Speaker 1>codification of the Cockney rhyming slang. He said that when

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<v Speaker 1>people are creating a language, especially informal ones like slang,

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<v Speaker 1>they don't write it all down. Quote, dear Diary referred

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<v Speaker 1>to my house as a cat and mouse today because

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<v Speaker 1>it rhymed. We all had a good laugh.

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<v Speaker 3>Might try just calling it cat tomorrow and see how

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<v Speaker 3>it goes. It is it sounds funny, but that's that's

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<v Speaker 3>how it works. Can you stumbling across a diary that

0:11:49.880 --> 0:11:53.360
<v Speaker 3>said that? And here's the other thing too, is there

0:11:53.360 --> 0:11:57.360
<v Speaker 3>are cases where there is a little bit of a

0:11:57.400 --> 0:12:01.480
<v Speaker 3>reflection of the original word. And the example that it

0:12:01.520 --> 0:12:05.559
<v Speaker 3>gives here is twist. Yeah, like to call a woman

0:12:05.600 --> 0:12:08.520
<v Speaker 3>a twist, which I don't know if that's a derogatory

0:12:08.600 --> 0:12:10.280
<v Speaker 3>or not, or just some weird slang that no one

0:12:10.360 --> 0:12:11.040
<v Speaker 3>uses anymore.

0:12:11.080 --> 0:12:13.800
<v Speaker 1>I don't think so, although I don't know. So yeah,

0:12:13.960 --> 0:12:16.040
<v Speaker 1>these are also the people who use the C word

0:12:16.120 --> 0:12:16.800
<v Speaker 1>like it's nothing.

0:12:18.000 --> 0:12:23.800
<v Speaker 4>Well, I can say fanny, oh man, I can't wait

0:12:23.800 --> 0:12:26.520
<v Speaker 4>to go back there, which we're gonna do soonest right,

0:12:26.559 --> 0:12:29.200
<v Speaker 4>I'd love to do in twenty twenty maybe yeah, all right.

0:12:29.800 --> 0:12:34.480
<v Speaker 3>Uh so twist came from twist and twirl, which meant girl,

0:12:34.600 --> 0:12:37.520
<v Speaker 3>which is uh they were talking about like dancing with

0:12:37.559 --> 0:12:39.320
<v Speaker 3>a girl twisting and twirling in a nightclub.

0:12:39.360 --> 0:12:41.720
<v Speaker 1>Let's say, so there is some connection in that one.

0:12:41.840 --> 0:12:45.960
<v Speaker 3>Yeah, so girl ended up becoming twist, so that sort

0:12:45.960 --> 0:12:46.560
<v Speaker 3>of makes sense.

0:12:47.000 --> 0:12:49.920
<v Speaker 1>There's another one called on your Todd after a guy

0:12:50.000 --> 0:12:53.520
<v Speaker 1>named Todd Sloane, and it means on your own right

0:12:54.000 --> 0:12:56.680
<v Speaker 1>and The thing is is like On your Todd, it

0:12:56.720 --> 0:12:59.160
<v Speaker 1>makes sense Sloan rhymes with own. It doesn't have to

0:12:59.559 --> 0:13:02.120
<v Speaker 1>have any connection, but that one actually does. Yeah, because

0:13:02.120 --> 0:13:05.199
<v Speaker 1>Todd Sloan was a famous jockey in the nineteenth century.

0:13:05.000 --> 0:13:07.880
<v Speaker 3>Like horse jockey, yes, okay, what other kind is there?

0:13:08.000 --> 0:13:08.800
<v Speaker 3>Disc jockeys?

0:13:08.960 --> 0:13:12.400
<v Speaker 1>Oh yeah, sure. So his book, his memoir, was called

0:13:12.440 --> 0:13:15.840
<v Speaker 1>Todd Sloane by himself, which is weird to refer to

0:13:15.840 --> 0:13:19.880
<v Speaker 1>yourself in third person for your memoir, But there was

0:13:19.920 --> 0:13:23.880
<v Speaker 1>a line in it that apparently east Enders in London

0:13:24.080 --> 0:13:27.080
<v Speaker 1>like really picked up, I was left alone by those

0:13:27.120 --> 0:13:30.440
<v Speaker 1>I never ceased to grieve for, And so like the

0:13:30.480 --> 0:13:33.880
<v Speaker 1>idea of being alone or on your own became synonymous

0:13:33.880 --> 0:13:36.360
<v Speaker 1>with Todd Sloane. His name just happened to rhyme with that.

0:13:36.520 --> 0:13:38.200
<v Speaker 1>So it's one of those rare ones where there is

0:13:38.240 --> 0:13:41.839
<v Speaker 1>a connection to it, and also rare chuck in that

0:13:42.480 --> 0:13:46.080
<v Speaker 1>this is a nineteenth century horse jockey and still today

0:13:46.160 --> 0:13:48.440
<v Speaker 1>On Your Todd is recognized as on your.

0:13:48.280 --> 0:13:51.160
<v Speaker 3>Own, whereas a lot of people probably have no idea.

0:13:50.720 --> 0:13:54.480
<v Speaker 1>Exactly from who he is. And when that happens that

0:13:54.640 --> 0:13:58.640
<v Speaker 1>frequently that person gets moved out for potentially another celebrity

0:13:58.679 --> 0:14:01.839
<v Speaker 1>or another word that's a little more understandable. Recognized another

0:14:01.880 --> 0:14:05.200
<v Speaker 1>new jockey to people today, Right, yeah, exactly.

0:14:04.960 --> 0:14:06.079
<v Speaker 3>Which can you name one?

0:14:06.200 --> 0:14:06.480
<v Speaker 1>Nope?

0:14:06.520 --> 0:14:09.600
<v Speaker 3>Nope, all right, maybe we should take a break and

0:14:09.679 --> 0:14:12.880
<v Speaker 3>we'll talk about some of the other some other examples

0:14:12.920 --> 0:14:14.720
<v Speaker 3>after this message.

0:14:18.000 --> 0:14:25.000
<v Speaker 5>Salvation, no sevision, no.

0:14:32.480 --> 0:14:36.000
<v Speaker 3>Okay, we're back. Jerry just opened the loudest sandwich in

0:14:36.040 --> 0:14:38.600
<v Speaker 3>the history of the world. Really, she's like, hold on

0:14:38.640 --> 0:14:40.000
<v Speaker 3>a minute, and it's sounded like it was in a

0:14:40.120 --> 0:14:40.880
<v Speaker 3>space blanket.

0:14:41.120 --> 0:14:43.560
<v Speaker 1>It was like Ernest opens a sandwich over here.

0:14:44.200 --> 0:14:46.960
<v Speaker 3>That was a good one. Not as good as part two.

0:14:48.080 --> 0:14:50.640
<v Speaker 1>No, I saw that first one in the theater.

0:14:51.360 --> 0:14:56.240
<v Speaker 3>Yeah. So here's some other examples that have Some of

0:14:56.280 --> 0:14:59.760
<v Speaker 3>them have sort of stayed over in England and some

0:14:59.800 --> 0:15:02.720
<v Speaker 3>of have found their way, Like apparently the term put

0:15:02.760 --> 0:15:05.720
<v Speaker 3>up your dukes. Oh, I didn't know the cockney rhyming slang,

0:15:05.840 --> 0:15:07.960
<v Speaker 3>so and I didn't write down where dukes came from.

0:15:07.960 --> 0:15:12.320
<v Speaker 3>But that's where it was originally a Cockney rhyming slang term. Yeah,

0:15:12.400 --> 0:15:15.120
<v Speaker 3>because so you would think it had to do with

0:15:15.200 --> 0:15:18.960
<v Speaker 3>fists or something. Duke's for fists. Why didn't I write

0:15:18.960 --> 0:15:19.320
<v Speaker 3>that down?

0:15:19.440 --> 0:15:22.720
<v Speaker 1>Okay, But so That's another really important point to say

0:15:22.720 --> 0:15:27.800
<v Speaker 1>about Cockney rhyming slang. It's frequently rhyming slang based on slang,

0:15:27.880 --> 0:15:30.160
<v Speaker 1>so the word it's replacing is the slang word to

0:15:30.200 --> 0:15:33.000
<v Speaker 1>begin with. So who knows what the dukes actually rhymed

0:15:33.000 --> 0:15:33.840
<v Speaker 1>with at any point?

0:15:34.160 --> 0:15:37.880
<v Speaker 3>Yeah, that's a good point. So first of all, I've

0:15:37.880 --> 0:15:41.160
<v Speaker 3>never heard this blowing a raspberry. What have you heard

0:15:41.160 --> 0:15:45.560
<v Speaker 3>of that? Yeah? That's tooting out of your that what.

0:15:45.600 --> 0:15:48.280
<v Speaker 1>I just did is as much blowing a raspberry as

0:15:48.280 --> 0:15:49.040
<v Speaker 1>actually farting.

0:15:49.360 --> 0:15:53.680
<v Speaker 3>Oh really? Yeah? Okay, well I've heard of giving someone

0:15:53.720 --> 0:15:57.400
<v Speaker 3>a raspberry, like, okay, that's the same thing. Yeah, okay,

0:15:57.680 --> 0:16:03.280
<v Speaker 3>Well apparently that's derived from raspberry tart slang for fart.

0:16:03.480 --> 0:16:04.280
<v Speaker 1>Isn't that amazing?

0:16:04.440 --> 0:16:05.120
<v Speaker 3>It's pretty great?

0:16:05.280 --> 0:16:08.320
<v Speaker 1>Yeah, So that one is one of the rare ones

0:16:08.360 --> 0:16:10.160
<v Speaker 1>I love talking about exceptions. Do you know that?

0:16:10.560 --> 0:16:10.760
<v Speaker 3>Oh?

0:16:10.840 --> 0:16:13.720
<v Speaker 1>Sure, that's one of the rare ones that made its

0:16:13.720 --> 0:16:16.520
<v Speaker 1>way to America because of right, everyone but you knows

0:16:16.600 --> 0:16:18.200
<v Speaker 1>what blowing a raspberry is?

0:16:18.680 --> 0:16:20.760
<v Speaker 3>I guess I've never heard of the term blowing, but

0:16:21.080 --> 0:16:22.640
<v Speaker 3>giving someone a raspberry same thing.

0:16:22.800 --> 0:16:26.960
<v Speaker 1>I found two more. One is controversial. It's not set

0:16:27.000 --> 0:16:29.600
<v Speaker 1>in stone, but it's as good an explanation as any

0:16:29.840 --> 0:16:31.080
<v Speaker 1>get down to brass tacks.

0:16:31.600 --> 0:16:32.360
<v Speaker 3>I saw that one too.

0:16:33.040 --> 0:16:34.960
<v Speaker 1>That's a stand in for facts. Let's get down to

0:16:34.960 --> 0:16:35.600
<v Speaker 1>the bear facts.

0:16:35.760 --> 0:16:36.640
<v Speaker 3>Huh.

0:16:36.800 --> 0:16:42.000
<v Speaker 1>Possibly it's not right done. One that is one hundred percent,

0:16:42.080 --> 0:16:44.160
<v Speaker 1>as far as I can tell, is bread.

0:16:44.680 --> 0:16:46.560
<v Speaker 3>I saw that too. For money. Yeah.

0:16:46.640 --> 0:16:51.520
<v Speaker 1>In America, bread and honey became just bread, right, and

0:16:51.520 --> 0:16:54.320
<v Speaker 1>it caught on here and caught on again just now.

0:16:54.600 --> 0:16:58.200
<v Speaker 3>Well, bees and honey though, was also for money, right.

0:16:58.280 --> 0:17:00.840
<v Speaker 3>Is that just one of the local depends on where

0:17:00.880 --> 0:17:01.640
<v Speaker 3>you are things.

0:17:01.560 --> 0:17:04.240
<v Speaker 1>Yeah, okay, yeah, but in America, I mean, you know,

0:17:04.320 --> 0:17:06.399
<v Speaker 1>we use bread. Everybody calls it bread.

0:17:06.560 --> 0:17:08.080
<v Speaker 3>Yeah. I didn't know that that'd come back.

0:17:08.840 --> 0:17:11.320
<v Speaker 1>Yeah, somebody wrote in to say it had come back.

0:17:11.400 --> 0:17:13.880
<v Speaker 1>Let's get this bread right.

0:17:13.840 --> 0:17:15.360
<v Speaker 3>I guess. So that's over familiar.

0:17:15.680 --> 0:17:17.399
<v Speaker 1>You need to spend more time on Reddit.

0:17:18.280 --> 0:17:21.320
<v Speaker 3>Here's another one. Dog and bone stands in for phone,

0:17:21.880 --> 0:17:25.719
<v Speaker 3>call me on the dog and bone. Sure, And then

0:17:26.000 --> 0:17:28.399
<v Speaker 3>Ed says there may be some kind of correlation between

0:17:28.480 --> 0:17:34.919
<v Speaker 3>one silver words that lead off that phrase staying in

0:17:34.920 --> 0:17:37.320
<v Speaker 3>the phrase, But I don't There are so many exceptions.

0:17:37.320 --> 0:17:39.760
<v Speaker 3>I don't know if there is a rule exactly.

0:17:39.800 --> 0:17:42.280
<v Speaker 1>And I think that's really, this is worth saying. We

0:17:42.320 --> 0:17:44.360
<v Speaker 1>looked all over the place I know ed did too,

0:17:45.000 --> 0:17:51.399
<v Speaker 1>for straight up linguistic dissertations and papers on cockney rhyming slange. Right,

0:17:51.480 --> 0:17:54.720
<v Speaker 1>it's not there. No, it's just treated as fun and hilarious,

0:17:54.760 --> 0:17:58.120
<v Speaker 1>even though it is its own made up language that's

0:17:58.160 --> 0:18:01.199
<v Speaker 1>ever evolving. Still live is around. We'll talk about the

0:18:01.240 --> 0:18:04.080
<v Speaker 1>history in a minute for one hundred and fifty plus years.

0:18:04.320 --> 0:18:06.760
<v Speaker 1>But apparently no linguist has ever thought enough of it

0:18:06.800 --> 0:18:10.320
<v Speaker 1>to sit down and write a genuine paper about it.

0:18:10.800 --> 0:18:13.080
<v Speaker 1>So we couldn't find that. But the one thing that

0:18:13.119 --> 0:18:18.240
<v Speaker 1>really occurred to me was in looking into it. I

0:18:18.280 --> 0:18:20.880
<v Speaker 1>don't know if it could ever be explained. I think

0:18:20.960 --> 0:18:24.760
<v Speaker 1>it's the result of so many individual decisions and then

0:18:24.760 --> 0:18:28.240
<v Speaker 1>collective agreements to take up and go along with those decisions.

0:18:28.320 --> 0:18:30.240
<v Speaker 3>Yeah, and those.

0:18:30.240 --> 0:18:33.320
<v Speaker 1>Agreements can be totally undermined by a new individual decision

0:18:33.320 --> 0:18:37.280
<v Speaker 1>that catches on how could you possibly map and even

0:18:37.359 --> 0:18:41.439
<v Speaker 1>understand all or explain all of that different stuff. But

0:18:41.520 --> 0:18:43.679
<v Speaker 1>even though we can't explain it, once you start to

0:18:43.800 --> 0:18:47.560
<v Speaker 1>learn how it works, it's understandable. So you can't explain,

0:18:48.160 --> 0:18:49.359
<v Speaker 1>but you can't understand it.

0:18:49.920 --> 0:18:52.640
<v Speaker 3>Yeah, and it's like I always wonder with any kind

0:18:52.680 --> 0:18:55.560
<v Speaker 3>of slang or like who makes the stuff up, who

0:18:55.600 --> 0:18:59.120
<v Speaker 3>sets the rules. It's probably just the kind of thing

0:18:59.160 --> 0:19:03.320
<v Speaker 3>that just starts on a playground and spreads from there

0:19:04.160 --> 0:19:09.320
<v Speaker 3>and gets codified unofficially. Yep. Then everyone's using it, sure,

0:19:09.480 --> 0:19:12.160
<v Speaker 3>but I wonder if they're I don't know. You can't

0:19:12.160 --> 0:19:14.760
<v Speaker 3>trace this stuff, which is sort of frustrating as researchers,

0:19:15.400 --> 0:19:17.080
<v Speaker 3>because I think we like to pinpoint things.

0:19:17.240 --> 0:19:20.000
<v Speaker 1>Yeah, but it I mean people have tried to trace

0:19:20.040 --> 0:19:21.439
<v Speaker 1>it and they've come awfully close.

0:19:21.640 --> 0:19:23.439
<v Speaker 3>Well, we'll get to that in a minute. Okay, I

0:19:23.480 --> 0:19:25.040
<v Speaker 3>want to go over some more of these. All right,

0:19:25.119 --> 0:19:27.760
<v Speaker 3>I want to get up on my plates and get out.

0:19:27.600 --> 0:19:30.480
<v Speaker 1>Of here your meat, your plates of meat.

0:19:30.920 --> 0:19:35.359
<v Speaker 3>Plates of meat, which is feet or between podcasts, you

0:19:35.480 --> 0:19:39.560
<v Speaker 3>probably have to go take a rattle. Yep, rattle and hiss,

0:19:39.640 --> 0:19:42.639
<v Speaker 3>rattle and hiss like a snake. You got it, And

0:19:42.720 --> 0:19:46.879
<v Speaker 3>that's means peep, right exactly. And then I guess we

0:19:46.880 --> 0:19:50.159
<v Speaker 3>should talk about ars. Yeah, sure, that's the one you

0:19:50.160 --> 0:19:51.400
<v Speaker 3>were pretty excited about.

0:19:51.600 --> 0:19:54.280
<v Speaker 1>Yes, because it goes even so much farther than urs

0:19:54.359 --> 0:19:57.040
<v Speaker 1>even Yeah, it's pretty convoluted. Okay, you want to take

0:19:57.080 --> 0:19:59.960
<v Speaker 1>it no, go ahead, Okay, so ours the very famous

0:20:00.160 --> 0:20:05.320
<v Speaker 1>named for ass in the UK. Everybody knows that. Sure,

0:20:05.680 --> 0:20:10.119
<v Speaker 1>it's actually it comes from Aristotle, which you're like, well,

0:20:10.160 --> 0:20:11.680
<v Speaker 1>what does that have to do with ass? Well, let

0:20:11.680 --> 0:20:16.840
<v Speaker 1>me tell you. Aristotle is Cockney rhyming slang for bottle. Again,

0:20:16.880 --> 0:20:19.840
<v Speaker 1>the question is what does that have to do with ass? Well.

0:20:19.880 --> 0:20:24.159
<v Speaker 1>Originally the Cockney rhyming slang word for ass was bottle

0:20:24.200 --> 0:20:28.399
<v Speaker 1>and glass, right, became shortened to bottle. Somebody came along

0:20:28.440 --> 0:20:31.800
<v Speaker 1>and rhymed Aristotle with it. That got shortened to aris

0:20:32.080 --> 0:20:36.240
<v Speaker 1>and then to Arsey goes even further than that. Oh yeah,

0:20:36.359 --> 0:20:43.880
<v Speaker 1>I saw one plaster for ars plaster of Paris, Aris, Aristotle, bottle,

0:20:44.000 --> 0:20:48.040
<v Speaker 1>bottle and glass ass. That's how deep that Cockney rhyming

0:20:48.080 --> 0:20:51.160
<v Speaker 1>slang has covered up the collective ass of the UK.

0:20:51.640 --> 0:20:56.160
<v Speaker 3>Yeah, and again it's like, why you can't You can't

0:20:56.240 --> 0:20:58.440
<v Speaker 3>put that in a book and explain it in any

0:20:58.520 --> 0:20:59.919
<v Speaker 3>kind of way that makes sense. You got to do

0:20:59.920 --> 0:21:02.199
<v Speaker 3>it on a podcast or a paper. You just have

0:21:02.240 --> 0:21:04.000
<v Speaker 3>to accept it. It's like, that's how it happened on

0:21:04.040 --> 0:21:05.760
<v Speaker 3>the street. I think that's a really good way on

0:21:05.800 --> 0:21:10.720
<v Speaker 3>the streets to the east end. Right, right in your cocaine. No,

0:21:10.920 --> 0:21:15.760
<v Speaker 3>not your cocaine. They do have. For all that we're

0:21:15.760 --> 0:21:18.240
<v Speaker 3>saying about how don't look at glossaries and stuff like that,

0:21:18.280 --> 0:21:22.080
<v Speaker 3>they do have dictionaries that you can buy. If you're

0:21:22.080 --> 0:21:24.919
<v Speaker 3>a total square, I would guess it's probably not a

0:21:24.920 --> 0:21:28.000
<v Speaker 3>cool thing to do. That's like saying, you know, I

0:21:28.040 --> 0:21:29.800
<v Speaker 3>want to become a rapper, so let me get a

0:21:29.840 --> 0:21:32.879
<v Speaker 3>rhyming dictionary. Although I did have a rhyming dictionary at

0:21:32.880 --> 0:21:33.640
<v Speaker 3>one point.

0:21:34.000 --> 0:21:36.439
<v Speaker 1>Well, rhyming it's not, you know, just limited to kochne.

0:21:36.600 --> 0:21:40.720
<v Speaker 1>We know rhyme, Yeah, which is one assertion ed makes

0:21:40.720 --> 0:21:44.040
<v Speaker 1>for why it's popular or so long lasting.

0:21:44.880 --> 0:21:46.800
<v Speaker 3>Well, should we talk about some of the theories on

0:21:46.960 --> 0:21:50.440
<v Speaker 3>where it originated, because I looked in a bunch of

0:21:50.480 --> 0:21:55.000
<v Speaker 3>places and I don't think I mean, I think calling

0:21:55.040 --> 0:21:59.240
<v Speaker 3>it theory is a little I think they kind of

0:21:59.240 --> 0:22:01.800
<v Speaker 3>know where it came from. They just don't know exactly

0:22:01.840 --> 0:22:04.920
<v Speaker 3>why the campaign point it to like on this day,

0:22:05.080 --> 0:22:06.639
<v Speaker 3>on this in this place.

0:22:07.240 --> 0:22:07.440
<v Speaker 1>Right.

0:22:07.560 --> 0:22:09.240
<v Speaker 3>But it's not a complete mystery though.

0:22:09.359 --> 0:22:12.720
<v Speaker 1>No, they've got it basically localized to about a one

0:22:12.720 --> 0:22:17.240
<v Speaker 1>and a half mile area of London and basically down

0:22:17.280 --> 0:22:20.680
<v Speaker 1>to the year. It's just exactly where and exactly who's

0:22:20.840 --> 0:22:24.040
<v Speaker 1>in exactly why are the real outstanding questions, which is

0:22:24.080 --> 0:22:25.240
<v Speaker 1>actually a lot of questions.

0:22:25.359 --> 0:22:28.920
<v Speaker 3>Yeah, one of the one of the whys was that

0:22:30.080 --> 0:22:32.679
<v Speaker 3>in this one I think doesn't have as much credence now.

0:22:32.560 --> 0:22:34.760
<v Speaker 1>But no, but it's like the most common one.

0:22:34.560 --> 0:22:37.159
<v Speaker 3>Right is that you will hear that it was coded

0:22:37.240 --> 0:22:41.439
<v Speaker 3>language created by criminals to keep the cops confused as

0:22:41.480 --> 0:22:44.080
<v Speaker 3>to what was going on, right, which makes sense in

0:22:44.119 --> 0:22:47.800
<v Speaker 3>one way because it certainly could cause confusion, But it

0:22:47.920 --> 0:22:50.879
<v Speaker 3>also and I think ed makes a pretty good point

0:22:50.880 --> 0:22:53.760
<v Speaker 3>that like, were they, like, were cops just hanging around

0:22:53.840 --> 0:22:56.960
<v Speaker 3>overhearing things like why did they feel like they needed

0:22:56.960 --> 0:23:00.320
<v Speaker 3>to create this whole language? And cops, if they were

0:23:00.760 --> 0:23:03.760
<v Speaker 3>street cops would have figured this stuff out as well,

0:23:04.280 --> 0:23:05.679
<v Speaker 3>you know, because it wouldn't have been that big of

0:23:05.680 --> 0:23:06.480
<v Speaker 3>a secret. Yeah.

0:23:06.520 --> 0:23:08.679
<v Speaker 1>There's this guy named Dick Sullivan who wrote an essay

0:23:08.720 --> 0:23:12.280
<v Speaker 1>on the Victorian Web which is actually kind of cool, huh,

0:23:12.840 --> 0:23:15.920
<v Speaker 1>And he said the street cops would have come from

0:23:15.920 --> 0:23:19.240
<v Speaker 1>the same areas and families and neighborhoods that the criminals

0:23:19.240 --> 0:23:21.040
<v Speaker 1>would have, so they would have been raised on this

0:23:21.160 --> 0:23:23.760
<v Speaker 1>rhyming slang anyway. Sure, So it doesn't really hold up

0:23:23.800 --> 0:23:26.879
<v Speaker 1>to scrutiny when you look at it like that. It

0:23:27.000 --> 0:23:32.720
<v Speaker 1>was a intentionally created coded language meant to confuse the cops.

0:23:32.920 --> 0:23:36.200
<v Speaker 3>Right then. That's not to say it nevertheless wasn't associated

0:23:36.280 --> 0:23:40.800
<v Speaker 3>with some kind of criminal underworld East London types.

0:23:40.920 --> 0:23:43.960
<v Speaker 1>Yeah, and it almost certainly was taken up by the Cockneys,

0:23:44.000 --> 0:23:47.400
<v Speaker 1>but it wasn't necessarily cock news or criminals who came

0:23:47.480 --> 0:23:49.399
<v Speaker 1>up with this rhyming slang. To begin with.

0:23:49.880 --> 0:23:54.359
<v Speaker 3>There's this guy named John Camden Hotton, and he wrote

0:23:54.400 --> 0:23:57.160
<v Speaker 3>one of the better titled, or at least most directly

0:23:57.200 --> 0:24:01.520
<v Speaker 3>titled books I've ever heard of, Colon No, there's not.

0:24:01.560 --> 0:24:05.560
<v Speaker 1>There are a couple commas though a dictionary of modern slang,

0:24:05.800 --> 0:24:08.879
<v Speaker 1>Can't and vulgar words used at the present day in

0:24:08.920 --> 0:24:12.119
<v Speaker 1>the streets of London, And he has a chapter on

0:24:12.280 --> 0:24:16.680
<v Speaker 1>rhyming slang, and he basically says that it was two

0:24:16.720 --> 0:24:22.120
<v Speaker 1>groups shaunters and patterers, basically traveling salesmen who would stand

0:24:22.119 --> 0:24:24.719
<v Speaker 1>on street corners and hawk their wares and you know,

0:24:24.760 --> 0:24:26.840
<v Speaker 1>maybe pick your pocket while you were trying to buy

0:24:26.840 --> 0:24:29.560
<v Speaker 1>something from them, and that they came up with Cockney

0:24:29.640 --> 0:24:30.359
<v Speaker 1>rhyming slang.

0:24:30.600 --> 0:24:32.960
<v Speaker 3>Yeah, and I saw that enough to think that that's

0:24:33.080 --> 0:24:33.920
<v Speaker 3>probably true.

0:24:34.240 --> 0:24:38.800
<v Speaker 1>Yeah. The Schaunters in particular spoken like singing rhyming language,

0:24:38.840 --> 0:24:39.480
<v Speaker 1>so it would.

0:24:39.320 --> 0:24:41.840
<v Speaker 3>Have been a pretty quick evolution. Yeah, I think this

0:24:41.880 --> 0:24:44.520
<v Speaker 3>one makes a lot of sense. Street criers, I mean,

0:24:45.160 --> 0:24:48.840
<v Speaker 3>England and London especially has a long tradition of street

0:24:48.880 --> 0:24:51.359
<v Speaker 3>corner barkers and things like this, right. I remember seeing

0:24:51.359 --> 0:24:55.080
<v Speaker 3>one myself when I traveled there in the nineties and

0:24:55.119 --> 0:24:56.760
<v Speaker 3>I was like, they're still doing this stuff.

0:24:56.880 --> 0:24:57.120
<v Speaker 1>Yeah.

0:24:57.200 --> 0:24:59.000
<v Speaker 3>It was like a box in the park where you

0:24:59.000 --> 0:25:03.199
<v Speaker 3>can go stand on it, soapbox maybe, I mean that's

0:25:03.200 --> 0:25:07.040
<v Speaker 3>where that came from, right, probably, and just you know,

0:25:07.640 --> 0:25:10.320
<v Speaker 3>shout your piece. Sure, And then I saw guy doing it

0:25:10.359 --> 0:25:12.640
<v Speaker 3>and I thought, what year is this? This is wonderful, right,

0:25:12.760 --> 0:25:13.560
<v Speaker 3>it's fantastic.

0:25:13.880 --> 0:25:18.040
<v Speaker 1>But in particular the Chaunters, they sang and then sold

0:25:18.600 --> 0:25:22.680
<v Speaker 1>penny ballads, sheet music of penny ballads that they would

0:25:22.680 --> 0:25:24.840
<v Speaker 1>write real quick. After somebody famous died or there was

0:25:24.840 --> 0:25:26.840
<v Speaker 1>a train wreck or something, they'd write a ballad about

0:25:26.840 --> 0:25:29.160
<v Speaker 1>it and then be out in the corners selling these things.

0:25:29.480 --> 0:25:31.840
<v Speaker 1>But because they were singing in rhymes and sing song,

0:25:32.359 --> 0:25:34.639
<v Speaker 1>it's a really good bet that these guys were the

0:25:34.640 --> 0:25:39.720
<v Speaker 1>ones who originated rhyming slang, but not necessarily for any

0:25:39.800 --> 0:25:46.119
<v Speaker 1>kind of intentionally coded language, because that same guy, Dick Sullivan, says,

0:25:46.920 --> 0:25:50.119
<v Speaker 1>there's no reason for patterers who sold their you know,

0:25:50.160 --> 0:25:53.320
<v Speaker 1>little gigaws or trinkets or whatever. I love that word,

0:25:54.320 --> 0:25:57.719
<v Speaker 1>or shaunters who were selling these penny ballads. They worked alone.

0:25:57.840 --> 0:25:59.320
<v Speaker 1>There was no need for them to come up with

0:25:59.320 --> 0:26:00.000
<v Speaker 1>a coded.

0:25:59.760 --> 0:26:01.560
<v Speaker 3>Lange would communicate with one another.

0:26:01.359 --> 0:26:03.360
<v Speaker 1>Yeah, in front of a customer who they were ripping off,

0:26:03.400 --> 0:26:06.040
<v Speaker 1>because they didn't need to communicate with one another in

0:26:06.040 --> 0:26:06.959
<v Speaker 1>front of customers.

0:26:07.320 --> 0:26:10.280
<v Speaker 3>Well, I saw that maybe they, you know, could communicate

0:26:10.320 --> 0:26:12.720
<v Speaker 3>with each other when customers were around or something.

0:26:12.760 --> 0:26:16.239
<v Speaker 1>I don't know, right, But the other part of that

0:26:16.400 --> 0:26:18.760
<v Speaker 1>is that it supposedly flies in the face of how

0:26:18.800 --> 0:26:22.480
<v Speaker 1>slang develops, that it's unintentional, right, Like you don't say,

0:26:22.560 --> 0:26:24.440
<v Speaker 1>let's come up with a coded language and here's how

0:26:24.440 --> 0:26:25.280
<v Speaker 1>it works.

0:26:25.600 --> 0:26:29.240
<v Speaker 3>Yeah, even like American teenagers when they have slang that

0:26:29.280 --> 0:26:32.840
<v Speaker 3>their parents don't understand, Like you remember how that stuff went.

0:26:32.920 --> 0:26:35.600
<v Speaker 3>It was something you just heard. You never sat around. Sure,

0:26:35.640 --> 0:26:38.760
<v Speaker 3>I'm hip to that and said, you know, like, hey,

0:26:38.880 --> 0:26:41.639
<v Speaker 3>let's use this other word that our parents won't know

0:26:41.680 --> 0:26:42.560
<v Speaker 3>what it means.

0:26:42.359 --> 0:26:44.480
<v Speaker 1>Right, you know, we'll call it pepsi when we're on

0:26:44.520 --> 0:26:44.840
<v Speaker 1>the phone.

0:26:44.840 --> 0:26:52.199
<v Speaker 3>Okay. There was also the Victorian backslang, which that was

0:26:52.600 --> 0:26:58.880
<v Speaker 3>not cocky rhyming slang. That was just pronouncing words backwards,

0:26:58.880 --> 0:27:01.960
<v Speaker 3>sort of simple yob for boy. Yes.

0:27:02.240 --> 0:27:04.520
<v Speaker 1>But something interesting about that is that it's based on

0:27:04.600 --> 0:27:09.240
<v Speaker 1>the spelling, not the pronunciation, right, which suggests a strong

0:27:09.280 --> 0:27:12.280
<v Speaker 1>degree of literacy, which you would probably not have found

0:27:12.400 --> 0:27:16.840
<v Speaker 1>among at least the powderers, right, probably among the chanters

0:27:16.880 --> 0:27:20.120
<v Speaker 1>because they were writing songs and ballads, so it's possible

0:27:20.160 --> 0:27:22.800
<v Speaker 1>they came up with that too, But they think maybe

0:27:22.800 --> 0:27:25.800
<v Speaker 1>it was Butcher's and Butcher's assistants who came up with backslang.

0:27:26.200 --> 0:27:30.520
<v Speaker 1>Oh really yeah, and actually two confused customers or to

0:27:30.560 --> 0:27:32.560
<v Speaker 1>be able to talk about what price they should charge

0:27:32.560 --> 0:27:34.240
<v Speaker 1>a customer in front of the customer.

0:27:34.440 --> 0:27:34.720
<v Speaker 3>Right.

0:27:34.800 --> 0:27:37.119
<v Speaker 1>So there is like you take all these different pieces

0:27:37.560 --> 0:27:40.879
<v Speaker 1>and you get the current idea and story for cockney

0:27:40.920 --> 0:27:43.880
<v Speaker 1>rhyming slang, but it's actually a bunch of different stuff. Yeah,

0:27:43.920 --> 0:27:46.479
<v Speaker 1>that wasn't really all connected until later on.

0:27:46.960 --> 0:27:51.120
<v Speaker 3>Yeah, what it probably also was not was Irish stock workers.

0:27:51.880 --> 0:27:54.920
<v Speaker 3>There was one theory being bandied about that Irish stock

0:27:54.960 --> 0:27:57.480
<v Speaker 3>workers would come over and they would speak in this

0:27:57.680 --> 0:28:01.119
<v Speaker 3>made up rhyming slang, so you know, they could just

0:28:01.160 --> 0:28:04.159
<v Speaker 3>talk among their Irish peers and the people of London

0:28:04.160 --> 0:28:06.840
<v Speaker 3>wouldn't understand them. Not much of this makes any sense

0:28:06.880 --> 0:28:10.359
<v Speaker 3>at all, No, because they don't. I think. Now you

0:28:10.400 --> 0:28:13.760
<v Speaker 3>see it some in Ireland, but for all those years

0:28:13.760 --> 0:28:16.160
<v Speaker 3>that it was prevalent in London, it was not in Ireland.

0:28:17.600 --> 0:28:19.639
<v Speaker 3>Right unless they literally just made it up when they

0:28:19.760 --> 0:28:21.560
<v Speaker 3>came over from Ireland.

0:28:21.280 --> 0:28:23.600
<v Speaker 1>Right, Plus, why would they not just speak Irish in

0:28:23.600 --> 0:28:26.000
<v Speaker 1>front of the English who might not speak it?

0:28:26.240 --> 0:28:26.800
<v Speaker 3>Yeah?

0:28:27.240 --> 0:28:28.320
<v Speaker 1>Or what would that be Gaelic?

0:28:29.680 --> 0:28:32.119
<v Speaker 3>Sure? I think So we're getting so much of this wrong.

0:28:32.359 --> 0:28:34.440
<v Speaker 1>Do you want to take a break in fact check

0:28:34.480 --> 0:28:37.320
<v Speaker 1>everything and maybe just rewind and start over.

0:28:37.720 --> 0:28:40.520
<v Speaker 3>Yeah, let's let's get our Wait, what was facts?

0:28:40.800 --> 0:28:43.280
<v Speaker 1>Our brass tacks? That's right, So we got to go

0:28:43.280 --> 0:28:44.200
<v Speaker 1>get our brass straight.

0:28:44.520 --> 0:28:44.960
<v Speaker 3>That's right.

0:28:49.160 --> 0:29:05.160
<v Speaker 5>Salvation no selevsion, No, Okay, we're back.

0:29:05.880 --> 0:29:08.480
<v Speaker 1>It's been about thirty minutes since we left you guys.

0:29:08.960 --> 0:29:12.480
<v Speaker 3>We fact checked everything and so far, so good. Yeah,

0:29:12.560 --> 0:29:16.160
<v Speaker 3>this is a perfect podcast. So you said at the beginning,

0:29:16.160 --> 0:29:18.480
<v Speaker 3>you teased out that it might not even have been

0:29:18.560 --> 0:29:23.040
<v Speaker 3>Cockney to begin with. Everything I saw kind of placed

0:29:23.040 --> 0:29:27.240
<v Speaker 3>it in that east. I think they call it Cheapside,

0:29:27.560 --> 0:29:32.320
<v Speaker 3>really area wow, where the cockneys were, but Cockney was also,

0:29:33.000 --> 0:29:36.720
<v Speaker 3>I mean it's also not necessarily specifically one place, right.

0:29:36.960 --> 0:29:40.760
<v Speaker 1>No, But if you're talking about Cockney people, supposedly the

0:29:40.800 --> 0:29:43.480
<v Speaker 1>definition of a Cockney person is someone who was born

0:29:43.560 --> 0:29:46.480
<v Speaker 1>within hearing distance of the bells of Saint Mary Lebaux

0:29:46.960 --> 0:29:52.000
<v Speaker 1>in Cheapside, which was in London. With this guy, John

0:29:52.080 --> 0:29:56.000
<v Speaker 1>Camden Houghton, who was writing in eighteen sixty and placed

0:29:56.000 --> 0:30:00.719
<v Speaker 1>the place the origin of rhyming slang well the fifteen

0:30:00.800 --> 0:30:03.240
<v Speaker 1>years before. So this guy was like on top of

0:30:03.280 --> 0:30:06.719
<v Speaker 1>it as it was happening. Yeah, he placed it at

0:30:06.720 --> 0:30:09.080
<v Speaker 1>a place called Seven Dials, which is like a big

0:30:09.080 --> 0:30:11.800
<v Speaker 1>market place and I think still is, which is a

0:30:11.840 --> 0:30:14.600
<v Speaker 1>mile and a half away from Cheapside, which at the

0:30:14.680 --> 0:30:18.480
<v Speaker 1>time was in Westminster at the time a different town, right,

0:30:18.640 --> 0:30:20.840
<v Speaker 1>So you had City of London and then Westminster, which

0:30:20.880 --> 0:30:24.400
<v Speaker 1>is where seven Dials was. So if if you believe Hoton,

0:30:24.760 --> 0:30:26.840
<v Speaker 1>then it wasn't the Cockney at all who came up

0:30:26.880 --> 0:30:32.680
<v Speaker 1>with that. It was just powders and Shaan tours. That's

0:30:32.720 --> 0:30:35.320
<v Speaker 1>a different word than I said, No, Shawn Tours.

0:30:35.600 --> 0:30:39.080
<v Speaker 3>Well, Cockney has. What that is though, is just sort

0:30:39.120 --> 0:30:42.160
<v Speaker 3>of the working class. I think used to be viewed

0:30:42.200 --> 0:30:47.280
<v Speaker 3>as uneducated, sort of lower class. That may be a

0:30:47.280 --> 0:30:50.240
<v Speaker 3>bit harsh, but if anything, it was not the upper

0:30:50.280 --> 0:30:54.600
<v Speaker 3>crust of British society. You know, the pub the hard

0:30:54.720 --> 0:30:58.680
<v Speaker 3>drinking pubgoers, rub a dub dub goers. Is that pubs?

0:30:58.800 --> 0:31:01.200
<v Speaker 1>Yeah, which is another extent because you go from one

0:31:01.440 --> 0:31:05.080
<v Speaker 1>one syllable pub to rub a dub dub and it

0:31:05.120 --> 0:31:07.520
<v Speaker 1>actually has three rhymes in there. Oh interesting, But that

0:31:07.600 --> 0:31:09.080
<v Speaker 1>is Cockney rhyming slang for pub.

0:31:09.520 --> 0:31:11.600
<v Speaker 3>Well, but the Cockneys were also known for a bit

0:31:11.640 --> 0:31:17.080
<v Speaker 3>more progressive politics, and I think nowadays there can be

0:31:17.120 --> 0:31:19.920
<v Speaker 3>a bit more of a of a pride of like

0:31:19.960 --> 0:31:22.000
<v Speaker 3>a working class pride associated with it.

0:31:22.120 --> 0:31:24.960
<v Speaker 1>I think there was back then too, was there? But

0:31:25.040 --> 0:31:28.719
<v Speaker 1>I think that's one reason also why the Cockney accent

0:31:29.200 --> 0:31:34.640
<v Speaker 1>and Cockney rhyming slang in particular was just treated shabbily

0:31:34.680 --> 0:31:38.080
<v Speaker 1>and looked down on, you know, by the rest of England,

0:31:38.440 --> 0:31:41.320
<v Speaker 1>right because it was supposedly, you know, associated with the

0:31:41.360 --> 0:31:42.280
<v Speaker 1>lower classes.

0:31:42.640 --> 0:31:45.960
<v Speaker 3>Yeah, it also found its way to Australia, isn't that right?

0:31:46.080 --> 0:31:51.160
<v Speaker 3>And then somehow on the West Coast of America where

0:31:51.200 --> 0:31:52.720
<v Speaker 3>the Australian version came in.

0:31:53.040 --> 0:31:56.040
<v Speaker 1>Yeah, in the prisons of the West Coast in the US,

0:31:56.400 --> 0:31:59.480
<v Speaker 1>it was called Australian rhyming slang. So I guess some

0:31:59.600 --> 0:32:03.880
<v Speaker 1>cool guy from Australia showed up and was speaking in Gibberish.

0:32:03.920 --> 0:32:06.960
<v Speaker 1>That just made everyone think I want to do this too, right.

0:32:07.840 --> 0:32:09.320
<v Speaker 3>It's kind of fun to go on YouTube though and

0:32:09.360 --> 0:32:11.360
<v Speaker 3>see some of these, you know, because it's such a

0:32:11.360 --> 0:32:13.240
<v Speaker 3>big thing in England. It's been all over the BBC.

0:32:14.160 --> 0:32:17.360
<v Speaker 3>I watched one episode of the Two Ronnies where this

0:32:17.960 --> 0:32:21.280
<v Speaker 3>priest did a sermon and Cockney rhyming slang. It's very

0:32:21.280 --> 0:32:24.080
<v Speaker 3>funny and one of those sort of you know, eighties

0:32:24.160 --> 0:32:27.280
<v Speaker 3>I guess it was eighties, early eighties. BBC comedies are

0:32:27.280 --> 0:32:30.280
<v Speaker 3>always fun, you know. The production value is not all there.

0:32:31.040 --> 0:32:32.960
<v Speaker 3>The laugh track is it had to have been a

0:32:33.040 --> 0:32:34.720
<v Speaker 3>laugh track. I don't think it was a studio audience,

0:32:35.520 --> 0:32:36.360
<v Speaker 3>although it may have been.

0:32:36.680 --> 0:32:37.200
<v Speaker 1>I don't know.

0:32:37.600 --> 0:32:40.880
<v Speaker 3>It was hard to tell. That's during the transition. But

0:32:40.920 --> 0:32:44.640
<v Speaker 3>there were other shows not on Your Nelly and The

0:32:44.720 --> 0:32:48.160
<v Speaker 3>Sweeney and the titles of both of those shows come

0:32:48.200 --> 0:32:50.200
<v Speaker 3>from actual Cockney rhyming slang as well.

0:32:50.640 --> 0:32:55.440
<v Speaker 1>Yeah, the Sweeney is particularly dense. It's short for Sweeney Todd,

0:32:55.960 --> 0:32:58.840
<v Speaker 1>which was rhyming slang for flying Squad, which is a

0:32:58.880 --> 0:33:02.160
<v Speaker 1>particular branch of the Metapolitan Police, kind of like Major Case.

0:33:03.240 --> 0:33:05.800
<v Speaker 1>So the Sweeney was like the Major Case division of

0:33:05.880 --> 0:33:06.920
<v Speaker 1>Metropolitan Police.

0:33:07.240 --> 0:33:10.200
<v Speaker 3>So Nelly comes from the word Nelly Duff, the name

0:33:10.320 --> 0:33:13.960
<v Speaker 3>Nelly Duff, which is apparently just a nonsense name, and

0:33:14.000 --> 0:33:17.680
<v Speaker 3>that rhymes with puff, which means life. So not on

0:33:17.720 --> 0:33:22.760
<v Speaker 3>your Nelly means not on your life. Yeah, clearly it's

0:33:22.800 --> 0:33:25.000
<v Speaker 3>so dense. And then of course things like you mentioned

0:33:25.040 --> 0:33:28.480
<v Speaker 3>the guy Ritchie really brought it into the American consciousness

0:33:29.240 --> 0:33:32.680
<v Speaker 3>in the nineties when he made those two movies, and.

0:33:32.680 --> 0:33:34.640
<v Speaker 1>He brought it into my consciousness. I'll tell you that.

0:33:34.960 --> 0:33:36.000
<v Speaker 3>Yeah. Sure.

0:33:37.840 --> 0:33:40.840
<v Speaker 1>So there's a really good question, Chuck, that I think

0:33:40.880 --> 0:33:43.640
<v Speaker 1>we need to ask. How is it that in twenty

0:33:43.720 --> 0:33:51.720
<v Speaker 1>nineteen you and I are analyzing a hyper local slang

0:33:52.280 --> 0:33:56.440
<v Speaker 1>that came out of the eighteen forties in some very

0:33:56.440 --> 0:34:00.560
<v Speaker 1>specific part of London, Like, how is Cogney rhyming slang

0:34:00.720 --> 0:34:03.440
<v Speaker 1>still around after all this year? All these years, when

0:34:03.600 --> 0:34:05.520
<v Speaker 1>so much other slang has come and gone over the

0:34:05.600 --> 0:34:08.799
<v Speaker 1>years that we have no idea ever even existed. What's

0:34:08.840 --> 0:34:10.680
<v Speaker 1>the same power of Cockney rhyming slang?

0:34:11.320 --> 0:34:13.880
<v Speaker 3>Do you expect me to have an answer? Yeap, I

0:34:13.920 --> 0:34:17.120
<v Speaker 3>don't have one about why it's stuck around other than people.

0:34:17.600 --> 0:34:19.640
<v Speaker 3>You know, if people don't still use it, then it

0:34:19.640 --> 0:34:23.319
<v Speaker 3>would have fallen by the wayside. So clearly it's popular. Yeah,

0:34:23.360 --> 0:34:25.279
<v Speaker 3>it seems to have gotten and maybe this is just

0:34:25.400 --> 0:34:27.560
<v Speaker 3>my recognition of it, but it seems to have gotten

0:34:27.560 --> 0:34:29.160
<v Speaker 3>more popular in the last twenty years.

0:34:29.239 --> 0:34:31.680
<v Speaker 1>What I was reading is that, especially in the UK,

0:34:31.800 --> 0:34:35.799
<v Speaker 1>it's popularity is based on kitchiness. Yeah, you know, kind

0:34:35.800 --> 0:34:39.640
<v Speaker 1>of like hipster irony. Like the Cockney rhyming word for

0:34:40.040 --> 0:34:43.640
<v Speaker 1>wife is trouble and strife. So I imagine that probably doesn't

0:34:43.680 --> 0:34:46.440
<v Speaker 1>go over very well if you don't call your wife

0:34:46.480 --> 0:34:49.319
<v Speaker 1>that with a smile like you're joking, right, kind of thing.

0:34:49.680 --> 0:34:53.759
<v Speaker 1>So I think that's the that's the current use of it.

0:34:54.400 --> 0:34:56.319
<v Speaker 1>But I mean it's it was used and it's still

0:34:56.320 --> 0:34:59.320
<v Speaker 1>in use, and there's still new words like passen becks

0:34:59.880 --> 0:35:01.520
<v Speaker 1>is is the word for sex?

0:35:01.880 --> 0:35:06.920
<v Speaker 3>Oh? Really, that's pretty new. Apparently Britney spears can be

0:35:07.000 --> 0:35:09.759
<v Speaker 3>used for beers, which is great. And I saw one

0:35:10.640 --> 0:35:14.759
<v Speaker 3>Nelson mandela. If you're getting a Stella artois, yeah, this

0:35:14.840 --> 0:35:16.600
<v Speaker 3>is a Nelson Mandela for stella.

0:35:16.640 --> 0:35:20.279
<v Speaker 1>So the fact that it's still evolving, yeah, still being

0:35:20.360 --> 0:35:24.400
<v Speaker 1>contributed to new like these existing words are being replaced

0:35:24.400 --> 0:35:28.120
<v Speaker 1>with new ones. And the fact that it's one hundred

0:35:28.120 --> 0:35:30.000
<v Speaker 1>and fifty years old. I mean, there's got to be

0:35:30.080 --> 0:35:34.360
<v Speaker 1>some thing to it that makes it more more. I

0:35:34.440 --> 0:35:38.760
<v Speaker 1>think it's that it's just so hard to understand until

0:35:38.760 --> 0:35:39.960
<v Speaker 1>someone explains it to you.

0:35:40.080 --> 0:35:42.279
<v Speaker 3>I think it's fun. I think it's a few fold.

0:35:42.400 --> 0:35:47.520
<v Speaker 3>It's fun. It's fun. It's fun. It's there is a

0:35:47.560 --> 0:35:50.080
<v Speaker 3>code to it, and part of the fun is it

0:35:50.120 --> 0:35:52.120
<v Speaker 3>I think his friends maybe trying to make something up

0:35:52.120 --> 0:35:55.440
<v Speaker 3>and having it catch on. Sure, it's almost like a game,

0:35:55.920 --> 0:35:56.680
<v Speaker 3>like a word game.

0:35:57.000 --> 0:35:57.480
<v Speaker 1>Yeah a bit?

0:35:59.440 --> 0:36:06.520
<v Speaker 3>Did you just go a bit? And then the the

0:36:06.520 --> 0:36:10.719
<v Speaker 3>the unique britishness of it all, Yeah, has a lot

0:36:10.719 --> 0:36:11.560
<v Speaker 3>to do with it. I think.

0:36:11.640 --> 0:36:14.319
<v Speaker 1>Yeah, because even though it got exported to Australia, no

0:36:14.360 --> 0:36:16.719
<v Speaker 1>one associates it with Australia. Sorry Australia.

0:36:16.760 --> 0:36:18.640
<v Speaker 3>But if we like if it really took off in

0:36:18.680 --> 0:36:21.920
<v Speaker 3>America with hipsters. People in Britain would probably be like,

0:36:22.280 --> 0:36:24.960
<v Speaker 3>forget it, it's flown the it's flat. Well, what is

0:36:24.960 --> 0:36:26.640
<v Speaker 3>flown the coop? What could you say for coop?

0:36:26.719 --> 0:36:33.040
<v Speaker 1>It's it's uh on the Gwyneth and the goop. So

0:36:33.160 --> 0:36:37.520
<v Speaker 1>the Gwyneth, it's flown the Gwyneth. Okay, we'll see that.

0:36:37.520 --> 0:36:38.200
<v Speaker 3>One might catch on.

0:36:38.280 --> 0:36:41.520
<v Speaker 1>I can do this all day. Some of them aren't

0:36:41.520 --> 0:36:43.400
<v Speaker 1>so good, but other ones are gems.

0:36:43.680 --> 0:36:45.719
<v Speaker 3>The why of it all though, to begin with, I

0:36:45.719 --> 0:36:48.799
<v Speaker 3>thought was interesting. I asked you why, and you said

0:36:48.840 --> 0:36:50.680
<v Speaker 3>you don't know. You said, why is it sticking around?

0:36:50.680 --> 0:36:52.120
<v Speaker 3>I mean, why did it start to begin with?

0:36:52.239 --> 0:36:52.399
<v Speaker 1>Oh?

0:36:52.440 --> 0:36:55.000
<v Speaker 3>Okay, and I think you know. Ed makes a pretty

0:36:55.040 --> 0:36:58.279
<v Speaker 3>good point that they're just rhyming. Period has always been

0:36:58.320 --> 0:37:02.280
<v Speaker 3>a thing, even in the state, and he uses examples

0:37:02.320 --> 0:37:05.160
<v Speaker 3>like see you later, alligator after a whild Crocodisle, Like

0:37:05.200 --> 0:37:06.920
<v Speaker 3>I remember saying that when I was a kid. I

0:37:07.080 --> 0:37:10.359
<v Speaker 3>just said that yesterday, did you really? Yeah, see you later, alligator. Yeah.

0:37:11.120 --> 0:37:13.560
<v Speaker 3>There's just something about it. Maybe it's the childlike nature

0:37:13.560 --> 0:37:16.439
<v Speaker 3>of it that's fun. It makes old people feel young again.

0:37:16.880 --> 0:37:19.040
<v Speaker 1>Yeah, it's I mean, like it takes something boring and

0:37:19.080 --> 0:37:21.399
<v Speaker 1>adds a little flair to it, you know.

0:37:21.880 --> 0:37:24.799
<v Speaker 3>Or like Yiddish, like fancy shmancy. I love that people

0:37:24.840 --> 0:37:26.640
<v Speaker 3>say that kind of stuff all the time. I never

0:37:26.680 --> 0:37:30.040
<v Speaker 3>associated it with Yiddish, but it absolutely is, isn't it.

0:37:30.200 --> 0:37:35.840
<v Speaker 3>I think so. I mean, not outright Yiddish, but Yiddish culture.

0:37:35.960 --> 0:37:40.239
<v Speaker 3>I think so. But yeah, it is strange. It is

0:37:40.280 --> 0:37:43.840
<v Speaker 3>strange that it started to begin with, and like I

0:37:43.880 --> 0:37:48.400
<v Speaker 3>wish there was a definite like person zero that we

0:37:48.440 --> 0:37:51.440
<v Speaker 3>could point to. Yeah, and you know, on the streets

0:37:51.440 --> 0:37:54.239
<v Speaker 3>of London and someone thought it was funny and then

0:37:54.280 --> 0:37:56.440
<v Speaker 3>they told two friends and so on and so on.

0:37:56.600 --> 0:38:00.799
<v Speaker 1>Yep, really it's not. Richie started it and Patsy and

0:38:00.880 --> 0:38:02.759
<v Speaker 1>Ralph Mouth took it from there and it just kept

0:38:02.760 --> 0:38:04.040
<v Speaker 1>spreading like wildfire.

0:38:04.239 --> 0:38:05.959
<v Speaker 3>You got anything else? Yes?

0:38:06.080 --> 0:38:09.960
<v Speaker 1>I found a twenty twelve survey by the Museum of

0:38:10.000 --> 0:38:14.640
<v Speaker 1>London and it set off a bunch of articles about

0:38:14.640 --> 0:38:18.359
<v Speaker 1>how Cockney Ryeman's slang is dying. But if you read

0:38:18.400 --> 0:38:21.400
<v Speaker 1>the article, it says that forty percent of respondents believe

0:38:21.480 --> 0:38:25.719
<v Speaker 1>it was dying, which means sixty percent don't believe it's dying. Yeah,

0:38:25.880 --> 0:38:28.600
<v Speaker 1>so yeah, And then they go on to talk about

0:38:28.640 --> 0:38:31.720
<v Speaker 1>how there's all these new words that are being replaced

0:38:31.719 --> 0:38:34.120
<v Speaker 1>and added, so I don't think it's going anywhere. I

0:38:34.120 --> 0:38:37.000
<v Speaker 1>think it's usage just become more ironic and everything. But

0:38:37.080 --> 0:38:42.400
<v Speaker 1>it's still like most most Britains still understand porky pies

0:38:42.560 --> 0:38:46.200
<v Speaker 1>means lies. Yeah, like don't tell me any porky's, give

0:38:46.200 --> 0:38:46.920
<v Speaker 1>it to me straight.

0:38:47.440 --> 0:38:48.920
<v Speaker 3>Well, I think it was good we were able to

0:38:49.040 --> 0:38:51.800
<v Speaker 3>sit here and have a good rabbit in pork sure

0:38:52.280 --> 0:38:56.280
<v Speaker 3>or torque. Apparently rabbit and pork is talk.

0:38:57.360 --> 0:39:00.279
<v Speaker 1>But oh, that was one other thing the studying this.

0:39:00.480 --> 0:39:02.840
<v Speaker 1>There's reasons people study this. It gives you a window

0:39:02.880 --> 0:39:03.600
<v Speaker 1>into the past.

0:39:04.320 --> 0:39:06.960
<v Speaker 3>For example, like pronunciations yes, uh huh.

0:39:06.760 --> 0:39:12.200
<v Speaker 1>So farthing used to be a Camden well farthings like

0:39:12.200 --> 0:39:14.759
<v Speaker 1>a quarter penny that they don't use anymore, but it

0:39:14.880 --> 0:39:17.399
<v Speaker 1>used to be called a Camden after Camden gardens, which

0:39:17.480 --> 0:39:20.000
<v Speaker 1>tells linguists if they would get off their dusts and

0:39:20.040 --> 0:39:26.520
<v Speaker 1>study this thing that they used to pronounce farthings as fardins. Oh, interesting,

0:39:26.680 --> 0:39:30.200
<v Speaker 1>or at least it's something that rhyme closely to gardens.

0:39:30.960 --> 0:39:34.560
<v Speaker 1>But that's why people study this allegedly amazing. Well, if

0:39:34.600 --> 0:39:36.919
<v Speaker 1>you want to know more about Cockney rhyming slang. Get

0:39:36.960 --> 0:39:39.840
<v Speaker 1>yourself a great Cockney rhyming dictionary and go to England

0:39:39.880 --> 0:39:41.400
<v Speaker 1>and just start talking up a storm.

0:39:41.520 --> 0:39:43.640
<v Speaker 3>They love that stuff. They love they can't get enough.

0:39:43.640 --> 0:39:45.399
<v Speaker 3>They'll treat you like one of their own. That's right.

0:39:45.920 --> 0:39:48.440
<v Speaker 1>And since we said that it's time for listener mate.

0:39:50.840 --> 0:39:53.360
<v Speaker 3>Satanic Panic, can we just re release that as a

0:39:53.360 --> 0:39:56.400
<v Speaker 3>Saturday select? I think that was Was that one of

0:39:56.400 --> 0:39:59.319
<v Speaker 3>your picture one of mine? I don't know, I'm not sure,

0:39:59.360 --> 0:40:01.120
<v Speaker 3>but it was. It was a good pick for October.

0:40:01.200 --> 0:40:03.759
<v Speaker 3>One of our favorite episodes. Yeah, I think of all time.

0:40:04.320 --> 0:40:06.960
<v Speaker 3>And we got a lot of people emailing again about

0:40:07.000 --> 0:40:10.760
<v Speaker 3>it after listening to it for the first time. Hey, guys,

0:40:11.280 --> 0:40:13.279
<v Speaker 3>listened to Satan and Panic and realized had a story

0:40:13.280 --> 0:40:15.239
<v Speaker 3>about that. I grew up in a suburb of California.

0:40:15.760 --> 0:40:18.040
<v Speaker 3>By the teenageers, i'd become what you might call goth.

0:40:18.520 --> 0:40:21.839
<v Speaker 3>Wore black spike, jewelry, dark makeup and all that stuff.

0:40:22.080 --> 0:40:23.880
<v Speaker 3>My town had a ten pm curfew, and one night

0:40:23.880 --> 0:40:25.560
<v Speaker 3>when I was fourteen, my friends and I were walking

0:40:25.600 --> 0:40:28.640
<v Speaker 3>home after curfew got pulled over by the cops. They

0:40:28.719 --> 0:40:31.120
<v Speaker 3>questioned and searched us, then called the parents. Except for

0:40:31.239 --> 0:40:34.200
<v Speaker 3>mine I'm not sure why, but the officer insisted on

0:40:34.320 --> 0:40:37.279
<v Speaker 3>driving me home. Once there, he also demanded to come

0:40:37.320 --> 0:40:40.160
<v Speaker 3>inside my home. I was too scared to argue, so

0:40:40.200 --> 0:40:43.000
<v Speaker 3>I let him in. He went to my bedroom. This

0:40:43.040 --> 0:40:45.920
<v Speaker 3>is getting creepy. I was really worried about where this

0:40:46.040 --> 0:40:48.160
<v Speaker 3>was headed. He went to my bedroom, which was full

0:40:48.200 --> 0:40:51.280
<v Speaker 3>of posters of Marilyn Manson and the Crow and stuff

0:40:51.280 --> 0:40:53.520
<v Speaker 3>like that, and he started going through my things. What

0:40:53.760 --> 0:40:56.120
<v Speaker 3>he told me he was concerned because Satanists are out

0:40:56.160 --> 0:40:59.160
<v Speaker 3>there and that if I wasn't careful, I'd find myself sacrificed.

0:40:59.600 --> 0:41:02.320
<v Speaker 3>He told me there were rituals and barns that require virgins,

0:41:02.719 --> 0:41:05.440
<v Speaker 3>and I should rethink my lifestyle before I got raped

0:41:05.520 --> 0:41:08.880
<v Speaker 3>or hurt. I thanked him for his concern, and I

0:41:08.960 --> 0:41:11.920
<v Speaker 3>quietly said everything nice that I could to get him

0:41:11.920 --> 0:41:15.160
<v Speaker 3>out of my house before he woke up my father situation.

0:41:15.640 --> 0:41:18.919
<v Speaker 3>This happened in two thousand. After hearing your episode today,

0:41:18.960 --> 0:41:21.680
<v Speaker 3>it's hard to believe that the residue of the Satanic

0:41:21.800 --> 0:41:25.000
<v Speaker 3>panic would still be around then, especially in the police force.

0:41:25.760 --> 0:41:27.400
<v Speaker 3>Just to be clear, the suburb I lived in had

0:41:27.480 --> 0:41:30.520
<v Speaker 3>very little crime, so the officer was very surprising. Indeed,

0:41:31.320 --> 0:41:33.160
<v Speaker 3>my boys and I love your show. I recommend it

0:41:33.160 --> 0:41:38.880
<v Speaker 3>to everyone. Nice. That is from Lisa G. There's really something, Lisa,

0:41:39.000 --> 0:41:41.960
<v Speaker 3>I know, kind of disturbing. Yeah, Like I don't know

0:41:41.960 --> 0:41:44.319
<v Speaker 3>if that cop was a good guy. I don't know.

0:41:44.360 --> 0:41:46.239
<v Speaker 3>It started to go down a pretty creepy road there,

0:41:46.280 --> 0:41:46.879
<v Speaker 3>it really did.

0:41:47.040 --> 0:41:49.840
<v Speaker 1>Yeah, maybe he was just looking for some pod or something.

0:41:50.200 --> 0:41:53.200
<v Speaker 1>He was just coming up with a cover story.

0:41:53.280 --> 0:41:54.359
<v Speaker 3>I got to get in your room and go through

0:41:54.360 --> 0:41:59.040
<v Speaker 3>your stuff. You got any weed? Yeah? Really? I was

0:41:59.080 --> 0:42:01.920
<v Speaker 3>relieved to know that it just ended in the cop leaving.

0:42:01.960 --> 0:42:04.680
<v Speaker 3>But yeah, agreed, he went above and beyond and not

0:42:04.760 --> 0:42:06.000
<v Speaker 3>in a good way.

0:42:06.120 --> 0:42:08.480
<v Speaker 1>Right. Well, thanks a lot, Lisa, and glad that you

0:42:08.560 --> 0:42:10.520
<v Speaker 1>made it through that and that you and your boys

0:42:10.520 --> 0:42:12.520
<v Speaker 1>are listening to Stuff you Should Know. Could you get

0:42:12.520 --> 0:42:15.600
<v Speaker 1>any cooler? I don't think so. Well, if you want

0:42:15.600 --> 0:42:17.560
<v Speaker 1>to be cool like Lisa Ander boys, you can get

0:42:17.600 --> 0:42:19.400
<v Speaker 1>in touch with this by going on to Stuff you

0:42:19.440 --> 0:42:23.000
<v Speaker 1>Should Know, checking out our social links there, and as always,

0:42:23.160 --> 0:42:27.920
<v Speaker 1>send us an email to Stuff podcast at iHeartRadio dot com.

0:42:29.719 --> 0:42:32.600
<v Speaker 2>Stuff you Should Know is a production of iHeartRadio. For

0:42:32.680 --> 0:42:36.200
<v Speaker 2>more podcasts my Heart Radio, visit the iHeartRadio app, Apple

0:42:36.239 --> 0:42:38.800
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