WEBVTT - OMG: There Were Tears in the Dressing Room

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<v Speaker 1>It's nine O gene one Engine with Jenny Garth and

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<v Speaker 1>Tory spelling.

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<v Speaker 2>I'm nervous about today because, oh because it's that we

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<v Speaker 2>have some serious criticism of this episode and people are

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<v Speaker 2>not going to be happy about it.

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<v Speaker 1>Well, let's get into it.

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<v Speaker 3>Okay.

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<v Speaker 1>This is Season eight, episode seventeen, The Elephant's Father I

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<v Speaker 1>Almost Said Daughter, aired January twenty first, nineteen ninety eight.

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<v Speaker 3>Synopsis. A hot new band like David Song, A hot

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<v Speaker 3>new doctor comes along. Noah's loyalty makes Donna nervous. Valas

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<v Speaker 3>punished with community service. Brandon is begging for Kel to

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<v Speaker 3>come back, while Steve says goodbye to Carly and Zach.

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<v Speaker 1>That's fun. I liked it.

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<v Speaker 2>I have a quick question. Yes, yeah, this guy is

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<v Speaker 2>not listed on the guest starring but was the boyfriend

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<v Speaker 2>of the you know, the abusive boyfriend? Was that Ceebee

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<v Speaker 2>Barnes from the Brady Bunch movie? Can anyone confirm that?

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<v Speaker 2>But so the boyfriend that, I think that's his name,

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<v Speaker 2>and he was on a show, he was on some

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<v Speaker 2>sitcoms kind of in the nineties, and then I think

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<v Speaker 2>he was Greg Brady in the Brady Bunch movies. Just

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<v Speaker 2>a little trivia anyone wants to know. I couldn't fact

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<v Speaker 2>check it because it was like he was so minor

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<v Speaker 2>that I ran into a pickle. But I'm pretty sure

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<v Speaker 2>felt strongly about it. Also, Lindsay Price does nothing so far,

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<v Speaker 2>like they really don't give her anything to do.

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<v Speaker 3>Yet, who told you she's just there to work in

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<v Speaker 3>the office? Right now?

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<v Speaker 2>I know it's like I didn't.

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<v Speaker 3>You didn't believe it?

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<v Speaker 2>You saw it?

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<v Speaker 1>Well.

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<v Speaker 2>I just assumed she was cast to replace Hillary Swank

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<v Speaker 2>and it apparently not.

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<v Speaker 1>No.

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<v Speaker 2>Can is this when we get our Hillary Swang story?

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<v Speaker 1>This? You guys? This was Hillary's last episode.

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<v Speaker 3>This is it.

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<v Speaker 1>I was watching it and I don't know what your

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<v Speaker 1>criticisms Amy are, but I really liked this episode, and

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<v Speaker 1>I there's something going on with me. I'm not going

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<v Speaker 1>to deny that, but I cried four times watching.

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<v Speaker 2>I'm happy about it, like not happy, but I'm glad

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<v Speaker 2>you're feeling something. My criticism is just two parts. Do

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<v Speaker 2>you want me to save it or start with it?

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<v Speaker 1>Oh?

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<v Speaker 3>Because I kind of liked this episode too.

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<v Speaker 1>Well, Okay, you start with your criticisms, and then it's

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<v Speaker 1>the other end two where you can tell us that

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<v Speaker 1>Hillary swank story at the end of the episode.

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<v Speaker 2>Here are my criticisms. I'm sorry, Valerie, You're not gonna

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<v Speaker 2>get community service at Kelly's do Oh yeah, so funny.

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<v Speaker 2>I mean it's like, that's not what community service called.

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<v Speaker 3>Butterfly effect, like something happens and it triggers that and

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<v Speaker 3>it was meant to be. Oh look, Amy, you're right.

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<v Speaker 3>The guy from the Brady Bunch movie. Yeah, really happy that,

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<v Speaker 3>Christopher Daniel Barnes. I remember him, of.

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<v Speaker 1>All the clinics and all the lands exactly, Jenny, and

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<v Speaker 1>of all in the Los Angeles basin.

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<v Speaker 2>And they don't assign you community service in a doctor's office.

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<v Speaker 2>That's not right. I mean I could be wrong, but

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<v Speaker 2>I thought community service is like serving meals at the

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<v Speaker 2>homeless shelter.

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<v Speaker 1>We're cleaning up by the freeway, correct.

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<v Speaker 2>Picking up trash, Like it's not like you get an

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<v Speaker 2>office job. That was just sort of a ridiculous.

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<v Speaker 3>And also, you're not you remember when we did community

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<v Speaker 3>service in pH nine O two and.

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<v Speaker 1>Oh yeah, we got to wear the orange jumpsuits.

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<v Speaker 2>Were you on the cleaning up trash in a park?

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<v Speaker 3>Yeah?

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<v Speaker 1>It was fun.

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<v Speaker 3>That was fun.

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<v Speaker 1>I mean it was fun. We didn't really have to

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<v Speaker 1>do community though it was fun.

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<v Speaker 2>Oh and I correct myself. He was listed as a

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<v Speaker 2>guest star Christopher Daniel Barnes as Lenny. For some reason,

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<v Speaker 2>I thought his name was Cebe Barnes. So bad on me.

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<v Speaker 2>I'm dumb.

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<v Speaker 1>I forgot to mention that Michael Rhodes directed this. Yeah,

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<v Speaker 1>and L Treadman Trideman L Triedman was wrote the teleplay.

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<v Speaker 1>And now we have story credit for.

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<v Speaker 2>El me we teleplay versus story. Confusing to me?

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<v Speaker 1>Teleplay tell a play?

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<v Speaker 3>What I feel like?

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<v Speaker 1>We're in the nineteen fifties, me too, seems weird?

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<v Speaker 3>One ring ding, I mean, I guess it means she

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<v Speaker 3>wrote came to them like I I'm guessing she wrote

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<v Speaker 3>the story about the physical abuse the girl. It was

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<v Speaker 3>her story, and she pitched it to them. They were like, Okay,

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<v Speaker 3>this is great. And then with John Welpley, they put

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<v Speaker 3>together all the other characters pieces Ellen.

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<v Speaker 1>What happened with the teleplay?

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<v Speaker 2>A teleplay is a script specifically written for a television show, movie,

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<v Speaker 2>or series. But that's all I can see on the screen.

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<v Speaker 3>Right, So she wrote it and then he probably characterized

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<v Speaker 3>it because she didn't know the characters because she was.

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<v Speaker 2>New I would interpret it as she did the story

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<v Speaker 2>with John Welpley created the story, but then she wrote

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<v Speaker 2>the script.

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<v Speaker 1>I have a question tour. Yeah, do we know who

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<v Speaker 1>John Wellplea is.

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<v Speaker 3>I think he's our staff writers.

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<v Speaker 1>Oh John, Sorry, I really liked this episode, but.

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<v Speaker 3>We weren't close with him though. I don't know. He

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<v Speaker 3>wrote a lot of them, but always like more over

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<v Speaker 3>the Hill, you know, like you guys want.

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<v Speaker 1>To hear something crazy. Of course, this weekend I was

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<v Speaker 1>I watched a movie and it was called Boys Don't Cry.

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<v Speaker 2>Did you watch it? Because? Okay, so much information needed.

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<v Speaker 1>Wait a second, which one was the movie about the Boxer?

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<v Speaker 1>Because that's the one I watched?

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<v Speaker 2>Oh not Boys Don't Cry. No, that's Boys Don't Cry.

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<v Speaker 2>Was the one she won the Oscar for the Boxer

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<v Speaker 2>one she was nominated.

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<v Speaker 3>I don't know if she was that one dollar baby

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<v Speaker 3>an Eastwood movie.

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<v Speaker 1>Yes, she was really good and Boys Don't Cry.

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<v Speaker 2>Guys, she's really good. I really good in everything.

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<v Speaker 1>She was really good in this episode.

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<v Speaker 2>My TikTok has A keeps showing me a movie she

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<v Speaker 2>was in. I think she has als in the movie.

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<v Speaker 2>And Emma Emmy Emmy Ross Rossom and Josh Dammella in it,

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<v Speaker 2>and it's like always on my TikTok and she's like,

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<v Speaker 2>she's amazing.

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<v Speaker 3>She is really really good. Except there was one alien

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<v Speaker 3>movie I saw she was in and I was like,

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<v Speaker 3>I didn't love but.

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<v Speaker 2>Oh oh they go to Mars or something.

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<v Speaker 3>Is it called Mother?

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<v Speaker 1>No?

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<v Speaker 3>Wait?

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<v Speaker 2>No, I thought you were talking about the one where

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<v Speaker 2>she's sort of fighting aliens with the guy from Aaron Brockovich.

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<v Speaker 2>I might be blurring not one.

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<v Speaker 1>Wait, you guys said she didn't win an Oscar for

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<v Speaker 1>when she won an Oscar for both.

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<v Speaker 2>She's won two Oscars.

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<v Speaker 1>According to Lorraine our.

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<v Speaker 2>Producer Best Actress twice.

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<v Speaker 1>WHOA, she's doubling down on that.

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<v Speaker 2>I just know one of them. She forgot to thank

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<v Speaker 2>Chad Low and that was like infamous.

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<v Speaker 3>That was the first one.

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<v Speaker 1>Okay, well, I'm sure she was nervous. I would be nervous.

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<v Speaker 2>Can I just say my one other criticism and then

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<v Speaker 2>will be positive because I like this episode too. I'm sorry, Brandon,

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<v Speaker 2>you're mad, but Kelly didn't thank you for the flowers

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<v Speaker 2>that you scent because you cheated on her, and you're mad.

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<v Speaker 2>She's not calling you right, I'm.

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<v Speaker 1>Saye might be fully over Brandon like like that.

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<v Speaker 3>I love how they're trying to make him hostile now,

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<v Speaker 3>so I'm angry he can't even I think Brandon Jason

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<v Speaker 3>great actor, but he like almost can't even play mad

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<v Speaker 3>like him, like going to that window with the mother

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<v Speaker 3>driving and like that's, oh that was insane. That's the

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<v Speaker 3>most mad he can get.

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<v Speaker 2>Like that was also insane, Like they're they're they're ruining Brandon.

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<v Speaker 3>Ru ruining Brandon ruining.

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<v Speaker 2>It's like, what are you doing? He's not gonna do that.

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<v Speaker 2>Brandon would be like.

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<v Speaker 3>I'm a national treasure.

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<v Speaker 2>He never would have done it in the first place.

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<v Speaker 2>Maybe he would have, but he wouldn't be so ridiculous about.

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<v Speaker 1>It and then so self righteous.

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<v Speaker 2>So like the scene with the three boys drinking the

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<v Speaker 2>beer at like literally the Santa Monica Pier, which was

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<v Speaker 2>so random, I'm like, what are they doing?

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<v Speaker 1>First of all, I don't believe that Noah's friends with

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<v Speaker 1>them at all.

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<v Speaker 3>Because you like him or you don't like him, He's fine.

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<v Speaker 2>I just he's not.

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<v Speaker 1>He didn't hasn't earned his way into the.

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<v Speaker 2>I know, he's literally their best friend.

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<v Speaker 1>Yeah, now he's driving around with Brandon. I don't understand things.

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<v Speaker 3>This is how we roll.

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<v Speaker 2>They're totally trying to make Noah, Dylan.

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<v Speaker 1>Okay, let's start. Okay, let's just which one do you

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<v Speaker 1>want to talk about? Which?

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<v Speaker 2>Which episode?

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<v Speaker 1>People? I mean, which storyline?

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<v Speaker 2>What do you want?

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<v Speaker 1>Let's just get Brandon Kelly since we've already started dipping

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<v Speaker 1>a toe in there. So yeah, he's it opens on

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<v Speaker 1>him sad, but there is like that like edge of

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<v Speaker 1>He's irritated that Kelly isn't calling him back.

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<v Speaker 2>And irritated that you're not like giving him another shot

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<v Speaker 2>right away?

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<v Speaker 3>Why does he think he deserves another shot? He flum

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<v Speaker 3>blew it as he says with his eyes wide open,

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<v Speaker 3>Like what do you mean? Like he like.

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<v Speaker 2>Blew it like it's awful.

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<v Speaker 3>Yeah, Like there's no there's no really coming back from that.

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<v Speaker 1>And Donna, oh, you're so sweet. We don't I don't

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<v Speaker 1>want to jump to your storyline yet away for that,

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<v Speaker 1>but yeah, she comes back. Kelly goes back to Donna

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<v Speaker 1>get and asks for her old room back, which I loved.

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<v Speaker 2>Yeah. By the way, though, it's like Hillary Swayne just

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<v Speaker 2>like moved in.

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<v Speaker 3>There and speaking how like they have no one Every

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<v Speaker 3>scene They now have Hillary Carly in every scene like

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<v Speaker 3>it's a three of them trying to talk about what

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<v Speaker 3>happened to Kelly, and Kelly's like, oh, you can stay,

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<v Speaker 3>and then I'm like, no, you should go. She just

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<v Speaker 3>doesn't feel like one of us. No offense start.

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<v Speaker 1>Yeah, yeah, the characters, this is.

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<v Speaker 3>Like a Kelly.

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<v Speaker 2>They don't build friendships on this show. They just throw

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<v Speaker 2>them in and act like we're all supposed to be like, oh, yeah,

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<v Speaker 2>they're all best friends.

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<v Speaker 1>Do you hit the nail on the head? Amy?

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<v Speaker 3>That is it?

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<v Speaker 1>Yeah?

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<v Speaker 3>And then when it doesn't work, they just fire them yeah.

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<v Speaker 1>Or send them to Montana to never be heard from

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<v Speaker 1>the act.

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<v Speaker 2>It's like, why would it work. It's so weird.

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<v Speaker 1>It's not gonna work well because we were told to

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<v Speaker 1>make it work, so we really gave it our best shot.

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<v Speaker 2>Valeriees just awful, awful.

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<v Speaker 1>It's almost comedic now, Like I feel like she's almost

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<v Speaker 1>playing it comedic.

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<v Speaker 2>Yeah, because it's agree Did you feel that, like, yes, hey,

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<v Speaker 2>mister flower delivery man.

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<v Speaker 3>Did you realize she's funny? Like with their lines? But

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<v Speaker 3>is that a the guys or like what is she doing?

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<v Speaker 2>You know, she probably knows it's absurd. It's absurd what

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<v Speaker 2>they're doing to her. So she's like, I might as

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<v Speaker 2>well just make this a little campy.

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<v Speaker 3>You think it was a choice.

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<v Speaker 1>It seemed like she's having a really good time at work,

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<v Speaker 1>and that's kind of crossing over into the punching of

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<v Speaker 1>the jokey lines, which is great. I think it's fun,

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<v Speaker 1>and they're giving her nothing else to do, so well.

0:11:30.280 --> 0:11:33.800
<v Speaker 2>Yeah, she's just so terrible, like taking the card off

0:11:33.800 --> 0:11:38.120
<v Speaker 2>the flowers and rewriting it and telling Brandon and who

0:11:38.160 --> 0:11:40.360
<v Speaker 2>why would anyone believe anything she says?

0:11:40.679 --> 0:11:41.000
<v Speaker 1>Ever?

0:11:41.840 --> 0:11:42.120
<v Speaker 3>Ever?

0:11:42.640 --> 0:11:48.040
<v Speaker 1>Poor thing, poor thing. Yes, the writing of this character.

0:11:48.240 --> 0:11:49.560
<v Speaker 1>That's what I'm saying, poor.

0:11:49.360 --> 0:11:56.320
<v Speaker 3>Thing to that it's so bad. But again, I six seven.

0:11:56.640 --> 0:12:00.640
<v Speaker 3>She's been here four years, four seasons. She could have

0:12:00.679 --> 0:12:01.600
<v Speaker 3>said something.

0:12:02.160 --> 0:12:18.200
<v Speaker 2>Well, she should have, because it's bad. Back on everything

0:12:18.240 --> 0:12:21.840
<v Speaker 2>you've been saying, Please continue, Valerie.

0:12:22.080 --> 0:12:26.720
<v Speaker 1>Valerie. She also reports that there's I mean, wait, here

0:12:26.760 --> 0:12:28.400
<v Speaker 1>was where it was at before I got distracted by

0:12:28.440 --> 0:12:34.640
<v Speaker 1>your dryer? So the the guy that was sexually harassing

0:12:34.720 --> 0:12:38.280
<v Speaker 1>Kelly got fired and now your dad slipped in, And

0:12:38.400 --> 0:12:41.120
<v Speaker 1>is how we ever seen him in the office before?

0:12:41.200 --> 0:12:41.920
<v Speaker 1>Is this the first time?

0:12:42.160 --> 0:12:44.920
<v Speaker 2>They just hired him? That's what he's in.

0:12:45.080 --> 0:12:48.840
<v Speaker 1>Full steam ahead skip of Bee also brings in a

0:12:48.880 --> 0:12:49.320
<v Speaker 1>new guy.

0:12:50.240 --> 0:12:52.880
<v Speaker 3>I love him, a new guy. And then it all

0:12:52.960 --> 0:12:56.720
<v Speaker 3>hit me, what Kelly's getting a new doctor again?

0:12:57.080 --> 0:13:00.080
<v Speaker 2>Correct, It's like, but it was so inappropriate of the

0:13:00.120 --> 0:13:02.160
<v Speaker 2>other doctor, which I agree, he was in a position

0:13:02.200 --> 0:13:04.800
<v Speaker 2>of power and married. But this guy is also in

0:13:04.800 --> 0:13:07.560
<v Speaker 2>a position of power. But yet it's not wrong.

0:13:07.640 --> 0:13:11.320
<v Speaker 1>This tip what is going on in this workplace? No

0:13:11.360 --> 0:13:15.000
<v Speaker 1>one's safe except foul. Nobody wants to date her, but.

0:13:14.920 --> 0:13:18.040
<v Speaker 3>It's always okay, Like what what about when Kelly had

0:13:19.000 --> 0:13:21.760
<v Speaker 3>was amnesian? No, what was the time? No, she was burned.

0:13:21.840 --> 0:13:24.480
<v Speaker 3>And then there was the doctor and they dated, but

0:13:24.720 --> 0:13:31.040
<v Speaker 3>that was okay, even though it was unprofessional there correct, remember.

0:13:31.080 --> 0:13:35.880
<v Speaker 2>Patient doctor, And it's like what that was that was

0:13:35.960 --> 0:13:37.880
<v Speaker 2>worse than this? At least this guy's sort of like

0:13:37.920 --> 0:13:38.880
<v Speaker 2>the resident.

0:13:38.600 --> 0:13:43.240
<v Speaker 3>Or underlying thing, like energetically, why do you like medical men?

0:13:43.559 --> 0:13:45.120
<v Speaker 1>I don't they just tell me?

0:13:45.160 --> 0:13:49.040
<v Speaker 3>I do they just come to you? All these medical men, they're.

0:13:48.880 --> 0:13:52.760
<v Speaker 1>The only other men A in town and B in

0:13:52.880 --> 0:13:57.960
<v Speaker 1>the scene. So that's all I got, just.

0:13:57.880 --> 0:14:02.240
<v Speaker 2>Like, oh my gosh, I don't know. It's just the

0:14:02.240 --> 0:14:04.160
<v Speaker 2>same storyline. But now it's not weird.

0:14:04.800 --> 0:14:05.200
<v Speaker 1>No, it's not.

0:14:05.360 --> 0:14:07.280
<v Speaker 3>And this guy's here for a while. I remember him.

0:14:07.640 --> 0:14:09.880
<v Speaker 3>I wasn't this one.

0:14:10.480 --> 0:14:10.960
<v Speaker 1>You weren't.

0:14:11.600 --> 0:14:13.520
<v Speaker 3>I don't think so. I just feel like you guys

0:14:13.520 --> 0:14:15.920
<v Speaker 3>didn't have chemistry. I don't know. We'll wait and see.

0:14:16.280 --> 0:14:19.760
<v Speaker 1>Yeah, his characters like kind of just like clinging around.

0:14:20.520 --> 0:14:23.400
<v Speaker 2>I also, this is awful, but like the short hair

0:14:23.440 --> 0:14:31.880
<v Speaker 2>is rough, the pixie do. It's a little drastic, harsh.

0:14:31.600 --> 0:14:34.360
<v Speaker 1>Harsh because I've had it for a minute.

0:14:34.640 --> 0:14:36.560
<v Speaker 2>Yeah, well no you you went away and then it

0:14:36.600 --> 0:14:36.960
<v Speaker 2>came back.

0:14:37.240 --> 0:14:40.080
<v Speaker 3>Remember that it went away and then got shorter.

0:14:41.120 --> 0:14:44.520
<v Speaker 2>Oh, and it's I like short hair, but there's something

0:14:44.560 --> 0:14:49.240
<v Speaker 2>about it's too perfect. Kelly having the short hair is

0:14:50.240 --> 0:14:53.080
<v Speaker 2>tough because in your heart she has long hair.

0:14:53.120 --> 0:14:53.920
<v Speaker 3>She can't think.

0:14:54.080 --> 0:14:57.040
<v Speaker 2>In my mind, it's just like, wait, Kelly has long hair.

0:14:57.840 --> 0:15:02.080
<v Speaker 1>Yeah, yeah, I get that, totally get that. I feel

0:15:02.120 --> 0:15:06.160
<v Speaker 1>like it looks like one of those Polly pocket wings

0:15:06.200 --> 0:15:07.640
<v Speaker 1>you put on, like.

0:15:07.640 --> 0:15:09.160
<v Speaker 3>Snap on, snap it on.

0:15:09.400 --> 0:15:11.960
<v Speaker 2>That's I just more was thinking about Felicity, remember, like

0:15:12.000 --> 0:15:13.720
<v Speaker 2>her hair, and then she could.

0:15:13.600 --> 0:15:14.400
<v Speaker 3>Never get past that.

0:15:15.360 --> 0:15:20.480
<v Speaker 1>Well, I'm sorry I didn't like the hair, but that happens.

0:15:21.680 --> 0:15:23.560
<v Speaker 1>I didn't really like it either. To be honest, it's

0:15:23.680 --> 0:15:25.680
<v Speaker 1>like too Yeah.

0:15:25.400 --> 0:15:28.400
<v Speaker 2>I'm just surprised they also let you, not that they

0:15:28.520 --> 0:15:31.840
<v Speaker 2>control that, but like it's very I guess.

0:15:31.720 --> 0:15:36.200
<v Speaker 1>They could wear a wig, like if nobody liked it.

0:15:36.680 --> 0:15:38.280
<v Speaker 2>I think people at the time liked it. I had

0:15:38.320 --> 0:15:39.440
<v Speaker 2>short I copied.

0:15:39.120 --> 0:15:41.000
<v Speaker 1>You you had a picture.

0:15:40.720 --> 0:15:44.640
<v Speaker 2>Than I had such short hair. What I literally had

0:15:44.680 --> 0:15:46.120
<v Speaker 2>short hair like Kelly.

0:15:46.720 --> 0:15:49.080
<v Speaker 3>That short I cannot picture.

0:15:49.480 --> 0:15:53.240
<v Speaker 2>I know it's really was terrible, and that maybe is

0:15:53.240 --> 0:15:53.920
<v Speaker 2>why I'm triggered.

0:15:54.120 --> 0:15:56.320
<v Speaker 1>I'm sorry. Yeah, I'm I feeling need to send you

0:15:56.320 --> 0:15:57.280
<v Speaker 1>flowers or something.

0:15:57.480 --> 0:16:01.200
<v Speaker 2>My eyebrows are ruined because of you guys. Ever, thanks,

0:16:02.080 --> 0:16:05.840
<v Speaker 2>And I even noticed Lindsay's like everybody with a thin thing.

0:16:05.960 --> 0:16:08.000
<v Speaker 1>Oh yeah, I love that day.

0:16:08.000 --> 0:16:09.840
<v Speaker 2>I had short hair right around the same time.

0:16:10.640 --> 0:16:12.240
<v Speaker 3>I need to see that picture. I'm sorry.

0:16:12.240 --> 0:16:13.040
<v Speaker 2>I think thin.

0:16:12.960 --> 0:16:15.280
<v Speaker 1>Brows need to come back in. My daughter Lola has

0:16:15.360 --> 0:16:17.560
<v Speaker 1>thin brows right now, and I'm obsessed with them.

0:16:17.720 --> 0:16:19.240
<v Speaker 2>I'd love for them to come back in so that

0:16:19.280 --> 0:16:19.840
<v Speaker 2>I'm in.

0:16:21.360 --> 0:16:21.520
<v Speaker 3>Right.

0:16:21.960 --> 0:16:24.040
<v Speaker 2>Yeah, seen not by chore.

0:16:24.160 --> 0:16:28.200
<v Speaker 1>What does Kelly know that the woman who had a

0:16:28.200 --> 0:16:31.440
<v Speaker 1>car accident a fender bender is being abused by her husband.

0:16:31.800 --> 0:16:34.320
<v Speaker 2>I think they see the signs and that one. I'm

0:16:34.360 --> 0:16:36.520
<v Speaker 2>sort of going with because on the pit they figure

0:16:36.560 --> 0:16:37.440
<v Speaker 2>that stuff out too.

0:16:38.160 --> 0:16:40.000
<v Speaker 1>Yeah, but they take a little more time on the pit,

0:16:40.760 --> 0:16:42.960
<v Speaker 1>Like she just walks in the door and Kelly's like, oh,

0:16:43.000 --> 0:16:43.360
<v Speaker 1>oh wow.

0:16:43.480 --> 0:16:46.080
<v Speaker 3>This was nineteen ninety seven, and.

0:16:46.000 --> 0:16:49.520
<v Speaker 1>She's like the I don't know, she's really good. I

0:16:49.600 --> 0:16:52.680
<v Speaker 1>just didn't see this position, this career for her coming,

0:16:52.800 --> 0:16:56.080
<v Speaker 1>This healthcare for Kelly.

0:16:56.400 --> 0:16:59.920
<v Speaker 3>Yeah, I mean, it's what you inevitably end up doing

0:17:00.080 --> 0:17:00.680
<v Speaker 3>with your life.

0:17:01.840 --> 0:17:06.720
<v Speaker 1>More psychology, which I makes sense. We're right, and she's

0:17:06.760 --> 0:17:09.560
<v Speaker 1>kind of like, you know, help being a therapist to

0:17:09.600 --> 0:17:10.040
<v Speaker 1>this girl.

0:17:10.320 --> 0:17:14.359
<v Speaker 2>She's great at her job, Kelly at her job. She's

0:17:14.440 --> 0:17:17.639
<v Speaker 2>running that office like a tight ship. I don't mind that.

0:17:17.840 --> 0:17:19.560
<v Speaker 2>Although it's like you're twenty two.

0:17:19.400 --> 0:17:23.680
<v Speaker 3>In all the tragedies that have happened to her were

0:17:23.720 --> 0:17:26.080
<v Speaker 3>all meant to be so help others.

0:17:27.600 --> 0:17:31.600
<v Speaker 1>Learned a lot. What about that split lip? How do

0:17:31.640 --> 0:17:32.879
<v Speaker 1>you guys feel about that makeup?

0:17:33.600 --> 0:17:34.200
<v Speaker 2>The girls?

0:17:35.080 --> 0:17:36.719
<v Speaker 3>I was watching on my phone so I couldn't tell her.

0:17:36.840 --> 0:17:40.200
<v Speaker 2>I just thought, there's no way this. This boyfriend's gonna

0:17:40.240 --> 0:17:43.080
<v Speaker 2>come into the doctor's office, and while in the doctor's

0:17:43.080 --> 0:17:46.800
<v Speaker 2>office yell at her basically, why did you come here

0:17:47.040 --> 0:17:54.120
<v Speaker 2>with an earshot of every It's like and she where

0:17:54.119 --> 0:17:57.000
<v Speaker 2>did we end up with her? She's just gone and

0:17:57.040 --> 0:17:57.760
<v Speaker 2>it's all good now.

0:17:58.680 --> 0:18:01.840
<v Speaker 1>I love that her Lenny. Her name was Leah and

0:18:01.920 --> 0:18:05.480
<v Speaker 1>his name was Lenny. Oh, you're thinking in real life.

0:18:05.200 --> 0:18:07.320
<v Speaker 3>Because she looks familiar and she going to be honest,

0:18:07.640 --> 0:18:08.120
<v Speaker 3>I feel.

0:18:07.920 --> 0:18:11.320
<v Speaker 1>Like she was familiar, but he was social a Ron Miller.

0:18:12.320 --> 0:18:14.000
<v Speaker 2>He went on to many a job.

0:18:14.920 --> 0:18:17.640
<v Speaker 1>I did not expect Lenny to look like that when

0:18:17.680 --> 0:18:21.960
<v Speaker 1>he came in the door of like what okay.

0:18:20.600 --> 0:18:23.160
<v Speaker 2>He was on Day by Day or some show like that.

0:18:24.400 --> 0:18:27.920
<v Speaker 2>I just went Greg Brady just walked in? What's happening? Immediately?

0:18:28.000 --> 0:18:30.520
<v Speaker 2>I was like, Greg Brady just walked in because he

0:18:30.640 --> 0:18:33.600
<v Speaker 2>was the one played opposite Christine Taylor. He was Greg

0:18:33.640 --> 0:18:36.359
<v Speaker 2>and she was Marsha. I'm pretty sure he might have

0:18:36.359 --> 0:18:36.760
<v Speaker 2>been Peter.

0:18:37.160 --> 0:18:40.400
<v Speaker 1>You know what, I never watched it, Greg, I refused.

0:18:40.760 --> 0:18:44.560
<v Speaker 2>I agree with you, Jenny as a Brady Bunch, It's yeah,

0:18:44.600 --> 0:18:47.240
<v Speaker 2>I don't like it. It's yucky because you're like, it's

0:18:47.359 --> 0:18:50.920
<v Speaker 2>too dumb and campy and goofy. I mean, I love

0:18:50.960 --> 0:18:53.400
<v Speaker 2>the idea kind of, but then it's like it kind

0:18:53.400 --> 0:18:56.399
<v Speaker 2>of ruins the love I have for the Brady Bunch.

0:18:56.480 --> 0:18:58.760
<v Speaker 1>It was like when they did that movie where other

0:18:58.800 --> 0:19:02.880
<v Speaker 1>people played are characters or no, what was that movie? Oh?

0:19:02.880 --> 0:19:04.200
<v Speaker 2>That Lifetime thing?

0:19:04.359 --> 0:19:09.000
<v Speaker 3>The real I thought you were being funny and you

0:19:09.040 --> 0:19:11.720
<v Speaker 3>were gonna say, it's like they when they did that

0:19:11.800 --> 0:19:15.960
<v Speaker 3>other show called nine O, two and zero where they

0:19:15.960 --> 0:19:18.040
<v Speaker 3>had other people play versions.

0:19:18.480 --> 0:19:20.240
<v Speaker 1>No, they were different characters.

0:19:20.320 --> 0:19:21.840
<v Speaker 2>I didn't hate that show. I'm not gonna lie. The

0:19:21.920 --> 0:19:23.640
<v Speaker 2>CW one was actually kind of good.

0:19:24.320 --> 0:19:25.000
<v Speaker 3>It's kind of good.

0:19:25.119 --> 0:19:26.160
<v Speaker 2>It's actually kind of good.

0:19:26.600 --> 0:19:30.160
<v Speaker 3>It is good. It just was different. That's yeah, yeah,

0:19:30.320 --> 0:19:31.520
<v Speaker 3>at different shows.

0:19:31.920 --> 0:19:33.159
<v Speaker 1>How many episodes was I on?

0:19:33.200 --> 0:19:33.600
<v Speaker 2>Like three?

0:19:33.720 --> 0:19:34.199
<v Speaker 1>Right? No?

0:19:34.320 --> 0:19:34.879
<v Speaker 2>Like thirty?

0:19:35.119 --> 0:19:37.600
<v Speaker 3>So Jen was on twenty two episodes to be exact,

0:19:37.640 --> 0:19:39.680
<v Speaker 3>but she thinks she was on three, which is why

0:19:39.680 --> 0:19:40.880
<v Speaker 3>I love her so much.

0:19:40.960 --> 0:19:43.000
<v Speaker 2>My death, Bet, I remember, I feel like your bank

0:19:43.000 --> 0:19:45.240
<v Speaker 2>account would know that you were on twenty two versus

0:19:45.480 --> 0:19:50.600
<v Speaker 2>I don't really look at that, But I don't think.

0:19:50.600 --> 0:19:51.320
<v Speaker 1>I don't worry about that.

0:19:51.400 --> 0:19:53.800
<v Speaker 3>You were the glue that held the show together. You

0:19:53.880 --> 0:19:55.440
<v Speaker 3>were not just a guest star.

0:19:55.720 --> 0:19:58.360
<v Speaker 2>I always no, do you ever get residuals from that?

0:20:00.119 --> 0:20:03.280
<v Speaker 1>Amy? When I say I don't think about money, I'm

0:20:03.320 --> 0:20:05.600
<v Speaker 1>not lying, Like if I think about money, it.

0:20:05.640 --> 0:20:07.040
<v Speaker 2>Stops your panic or something.

0:20:07.440 --> 0:20:09.919
<v Speaker 1>Oh no, if I if I think about it, I

0:20:10.000 --> 0:20:12.960
<v Speaker 1>strangle the flow of it. So oh, I have to

0:20:13.080 --> 0:20:15.600
<v Speaker 1>actively say I'm not thinking about that.

0:20:16.119 --> 0:20:16.639
<v Speaker 2>Interesting.

0:20:17.080 --> 0:20:21.239
<v Speaker 3>But also, oh, I'm going to start saying that, like

0:20:22.119 --> 0:20:24.240
<v Speaker 3>just the stress is not good.

0:20:25.280 --> 0:20:28.040
<v Speaker 2>And you get nothing from Beverly Hills nine o two

0:20:28.040 --> 0:20:31.119
<v Speaker 2>and oo, like, do you ever get thirty two cents

0:20:31.200 --> 0:20:32.080
<v Speaker 2>or anything like that?

0:20:32.119 --> 0:20:35.520
<v Speaker 3>I think once in a while, Oh, that's cool, but

0:20:35.720 --> 0:20:39.879
<v Speaker 3>rarely it'd be like ten cents at this point maybe less.

0:20:39.960 --> 0:20:40.960
<v Speaker 1>Oh myank goodness me.

0:20:41.040 --> 0:20:41.959
<v Speaker 3>It's just like leader up.

0:20:42.080 --> 0:20:47.120
<v Speaker 1>It's kind of like rude. I'd be like ten cents really.

0:20:47.920 --> 0:20:50.160
<v Speaker 3>Or one cent if you're kind of one cent one

0:20:50.320 --> 0:20:52.760
<v Speaker 3>But you're not. You're supposed to wait, what is it.

0:20:52.760 --> 0:20:55.440
<v Speaker 3>You're supposed to cash them, right, and not just keep them.

0:20:55.640 --> 0:20:57.800
<v Speaker 3>You have to have like a pile of them.

0:20:58.440 --> 0:21:00.840
<v Speaker 1>No, you've got like thirty two sense in a pile

0:21:00.880 --> 0:21:01.200
<v Speaker 1>over there.

0:21:01.240 --> 0:21:04.200
<v Speaker 2>I think they like the checks like eventually don't work.

0:21:04.640 --> 0:21:07.399
<v Speaker 1>You got to deposit, right, Remember when you had to

0:21:07.440 --> 0:21:09.280
<v Speaker 1>go to the bank to deposit a check?

0:21:10.480 --> 0:21:10.680
<v Speaker 2>Sure?

0:21:10.720 --> 0:21:13.640
<v Speaker 1>Do? I mean I still do that because I don't

0:21:13.640 --> 0:21:15.120
<v Speaker 1>know how to do it on the phone.

0:21:15.200 --> 0:21:16.879
<v Speaker 2>You put it through the ATM, or you go to

0:21:16.880 --> 0:21:17.440
<v Speaker 2>the teller.

0:21:17.640 --> 0:21:21.200
<v Speaker 1>I go to the teller. But like now the kids

0:21:21.240 --> 0:21:23.480
<v Speaker 1>they just take a picture of it and somehow magically

0:21:23.480 --> 0:21:24.680
<v Speaker 1>the money goes in their account.

0:21:24.800 --> 0:21:25.920
<v Speaker 2>Yeah, I do that.

0:21:26.840 --> 0:21:27.400
<v Speaker 1>You do that?

0:21:27.880 --> 0:21:30.320
<v Speaker 2>Yeah, I'm like pretty technology, like pretty good at some

0:21:30.359 --> 0:21:32.719
<v Speaker 2>of the stuff like that. Good. All my bills are

0:21:32.720 --> 0:21:34.800
<v Speaker 2>paid online. How about you guys writing checks? Just writing?

0:21:35.680 --> 0:21:40.280
<v Speaker 2>Dear Pgy, you're so calga to the order of.

0:21:42.160 --> 0:21:44.320
<v Speaker 3>Putting. I'm like folding it.

0:21:44.720 --> 0:21:46.240
<v Speaker 2>I have to tell you, I don't know if this episode,

0:21:46.920 --> 0:21:50.240
<v Speaker 2>you guys think you forgot to pay attention to the episode.

0:21:50.280 --> 0:21:56.640
<v Speaker 2>So allry, let's bring it back Valerie dude brutal. Yeah,

0:21:56.720 --> 0:22:01.080
<v Speaker 2>and then we've got Billy David like just Trophy.

0:22:01.200 --> 0:22:02.359
<v Speaker 3>Oh that one.

0:22:04.240 --> 0:22:06.560
<v Speaker 2>He's in with the band. The guy's such a.

0:22:06.520 --> 0:22:11.480
<v Speaker 3>Jerk, Like, wait, isn't that your friend mine? Yes? Friend,

0:22:11.760 --> 0:22:13.840
<v Speaker 3>I think Johnny Whitworth.

0:22:13.960 --> 0:22:20.439
<v Speaker 2>Okay, did it not feel trophy to you guys?

0:22:20.480 --> 0:22:23.440
<v Speaker 3>Like we've know it's someone who's doing this stupid friends

0:22:23.440 --> 0:22:27.159
<v Speaker 3>with them? Yeah, and his wife? Are you thinking of Damon?

0:22:28.320 --> 0:22:30.800
<v Speaker 2>No Jasper's Law?

0:22:31.320 --> 0:22:33.600
<v Speaker 3>Who are the actors that played on them? Am I

0:22:33.640 --> 0:22:36.680
<v Speaker 3>getting his name right? Johnny Whitworth, Paul Papa Witch.

0:22:37.440 --> 0:22:41.200
<v Speaker 1>No, I don't remember. I'm sorry, that's.

0:22:41.040 --> 0:22:43.560
<v Speaker 2>Okay while you think about that terrible storyline.

0:22:43.600 --> 0:22:44.800
<v Speaker 3>Who are the other actors?

0:22:45.160 --> 0:22:48.040
<v Speaker 1>And also just like silly that the main jasper? I

0:22:48.080 --> 0:22:51.919
<v Speaker 1>guess is he so rude? Eddie Ibel?

0:22:52.359 --> 0:22:54.320
<v Speaker 2>Well and right? Do you want some drugs? What?

0:22:56.480 --> 0:22:58.200
<v Speaker 3>And I was like, oh, here we go with David again.

0:22:58.400 --> 0:22:59.320
<v Speaker 3>Is this gonna happen?

0:22:59.720 --> 0:23:01.720
<v Speaker 1>It was going to happen, but it didn't.

0:23:02.720 --> 0:23:05.040
<v Speaker 2>I'm glad it didn't, but it's still tropy. It's just

0:23:05.119 --> 0:23:08.000
<v Speaker 2>like we've seen this. Please give David something to do.

0:23:08.359 --> 0:23:11.280
<v Speaker 2>And then how about how in love David and Valerie are?

0:23:11.520 --> 0:23:16.040
<v Speaker 1>Wait, wait, wait a minute about David? Thank you? What?

0:23:16.560 --> 0:23:20.840
<v Speaker 1>Can't skip over that? So he's like, sure, I'll sing

0:23:20.880 --> 0:23:23.800
<v Speaker 1>a little bit of it for you five six seven

0:23:23.880 --> 0:23:30.480
<v Speaker 1>eight and like a full like pre recorded song of

0:23:30.560 --> 0:23:33.080
<v Speaker 1>his own voice, but like it's like studio recorded.

0:23:35.000 --> 0:23:38.800
<v Speaker 3>I and you know how I feel about David slash

0:23:38.800 --> 0:23:41.960
<v Speaker 3>Brian I cringed. I was like, no, I wanted to

0:23:42.000 --> 0:23:42.800
<v Speaker 3>be over now.

0:23:43.400 --> 0:23:47.439
<v Speaker 1>I cringed in all the good ways. So it's like, really, yes,

0:23:48.200 --> 0:23:52.000
<v Speaker 1>this is so good he's singing and it's the worst

0:23:52.119 --> 0:23:57.280
<v Speaker 1>song ever even just like the keyboards of it, like annoying,

0:23:57.400 --> 0:24:01.919
<v Speaker 1>Like I don't know, poor guy, was that one of

0:24:01.960 --> 0:24:04.359
<v Speaker 1>his songs or was that one of david songs?

0:24:04.600 --> 0:24:07.880
<v Speaker 3>He he said it was one of my old songs.

0:24:08.600 --> 0:24:10.280
<v Speaker 1>About an old girlfriend being you.

0:24:13.640 --> 0:24:16.200
<v Speaker 3>I mean he must have written it, right, yeah, and

0:24:16.240 --> 0:24:17.520
<v Speaker 3>then why is he show shady?

0:24:17.680 --> 0:24:20.840
<v Speaker 1>When he tells val She's like, what's the song about?

0:24:21.040 --> 0:24:21.560
<v Speaker 1>Is it fast?

0:24:21.600 --> 0:24:24.800
<v Speaker 2>It's right right right right? Ah?

0:24:25.359 --> 0:24:28.240
<v Speaker 1>Cute that she wants to know because his girlfriends, yeah,

0:24:28.280 --> 0:24:29.840
<v Speaker 1>they want to say she wants to support him, But

0:24:29.880 --> 0:24:31.720
<v Speaker 1>why is he so dodgy about it? Because it was

0:24:31.720 --> 0:24:32.280
<v Speaker 1>about Donna?

0:24:32.560 --> 0:24:34.439
<v Speaker 2>Yeah, that's what I think we're supposed to think, or

0:24:34.480 --> 0:24:35.280
<v Speaker 2>no vow.

0:24:35.280 --> 0:24:39.200
<v Speaker 1>Care, Like what it's an old song I wrote about

0:24:39.359 --> 0:24:39.879
<v Speaker 1>my mom?

0:24:39.920 --> 0:24:43.520
<v Speaker 2>Who cares? Tropy trophy trophy, tropey trophy.

0:24:44.359 --> 0:24:49.280
<v Speaker 1>Well, I feel as if I know you guys are

0:24:49.320 --> 0:24:53.600
<v Speaker 1>going to tell me that Kelly and Brandon get back together,

0:24:54.280 --> 0:24:56.159
<v Speaker 1>but I just don't see how that could happen.

0:24:56.720 --> 0:24:57.720
<v Speaker 2>Not yet.

0:24:58.320 --> 0:25:03.520
<v Speaker 3>No, she's gonna date this doctor. Uh no, too soon.

0:25:04.200 --> 0:25:07.160
<v Speaker 2>I don't want to like spoiler alert, but like, yeah,

0:25:07.200 --> 0:25:10.439
<v Speaker 2>you don't remember any of the like wedding episode, the

0:25:10.520 --> 0:25:11.280
<v Speaker 2>almost wedding.

0:25:11.760 --> 0:25:13.280
<v Speaker 1>I kind of do because I was wearing a big

0:25:13.320 --> 0:25:15.720
<v Speaker 1>white dress. So that's kind of like a marker in

0:25:15.800 --> 0:25:16.280
<v Speaker 1>my memory.

0:25:16.320 --> 0:25:17.400
<v Speaker 3>Banks good.

0:25:17.840 --> 0:25:20.840
<v Speaker 1>I don't know what happens. Okay, but do you know

0:25:20.840 --> 0:25:22.320
<v Speaker 1>how many wedding dresses I've worn?

0:25:22.640 --> 0:25:26.600
<v Speaker 3>Like real life? Yeah, camera.

0:25:28.080 --> 0:25:31.200
<v Speaker 2>For me. The next chunk of episodes are a bit

0:25:31.680 --> 0:25:33.679
<v Speaker 2>around the river and through the woods, like they just

0:25:33.680 --> 0:25:36.840
<v Speaker 2>are sort of like twisty turvy, like they don't make

0:25:36.840 --> 0:25:39.640
<v Speaker 2>any sense. They're kind of boring, like there's all these

0:25:39.640 --> 0:25:42.000
<v Speaker 2>things and you're like, what's happening? It doesn't. It's like

0:25:42.440 --> 0:25:44.720
<v Speaker 2>that's my take on the next I don't know, say

0:25:44.760 --> 0:25:47.280
<v Speaker 2>ten episodes. Okay, I don't know what episode we're on.

0:25:47.320 --> 0:25:47.920
<v Speaker 2>Maybe it's eight.

0:25:48.080 --> 0:25:51.159
<v Speaker 1>Well, I'll buckle up then, because I kind of enjoyed

0:25:51.160 --> 0:25:53.200
<v Speaker 1>this ride. I loved it when Donna stoock.

0:25:53.000 --> 0:25:57.080
<v Speaker 2>Up, stock up, we got it, stuck it up, took

0:25:57.160 --> 0:25:58.719
<v Speaker 2>up or stood stood up.

0:25:58.920 --> 0:26:04.520
<v Speaker 1>Sure for Donna a word she stuck up, making that

0:26:04.600 --> 0:26:07.880
<v Speaker 1>a thing, guys go with it. He stood up for

0:26:08.119 --> 0:26:11.240
<v Speaker 1>Kelly and saying like that really I could sell that

0:26:11.480 --> 0:26:15.840
<v Speaker 1>like triggered you Donna because or even you Tori. But

0:26:16.119 --> 0:26:20.480
<v Speaker 1>like about guys the cheat and then them just being

0:26:21.640 --> 0:26:25.479
<v Speaker 1>like forgiven or like our job to now be like, oh, okay,

0:26:25.480 --> 0:26:27.400
<v Speaker 1>well I'll put that behind me because I really want

0:26:27.400 --> 0:26:30.360
<v Speaker 1>to be in a relationship with someone because that's so desperate.

0:26:30.600 --> 0:26:33.679
<v Speaker 2>That was quite a good scene actually with the phone call.

0:26:34.320 --> 0:26:37.159
<v Speaker 2>That was a top scene in this episode, along with

0:26:37.200 --> 0:26:40.040
<v Speaker 2>some of the end with Carly. But that was a

0:26:40.040 --> 0:26:44.080
<v Speaker 2>good scene. Which scene when Donna's on the phone and

0:26:44.160 --> 0:26:47.440
<v Speaker 2>Brandon really wants to talk to Kelly and Donna's sort

0:26:47.480 --> 0:26:51.000
<v Speaker 2>of Kelly's there, it's sort of this three way scene

0:26:51.040 --> 0:26:52.600
<v Speaker 2>and he's a.

0:26:52.480 --> 0:26:55.119
<v Speaker 1>Friend or something, and Donna was like, yeah, I'm trying

0:26:55.160 --> 0:26:56.359
<v Speaker 1>to Yeah.

0:26:56.400 --> 0:26:58.480
<v Speaker 2>That was a really that was a well written scene

0:26:58.480 --> 0:27:00.919
<v Speaker 2>in my opinion. It was a good acted scene by

0:27:00.960 --> 0:27:02.919
<v Speaker 2>all three of you. That was a very That was

0:27:02.920 --> 0:27:05.800
<v Speaker 2>probably one of my top scenes in this episode.

0:27:06.000 --> 0:27:06.919
<v Speaker 3>That was a good scene.

0:27:07.200 --> 0:27:09.320
<v Speaker 1>Yeah, but I just like that, And then I liked

0:27:09.359 --> 0:27:12.360
<v Speaker 1>it also that that like caused a rift between you

0:27:12.520 --> 0:27:15.920
<v Speaker 1>and your boyfriend.

0:27:16.720 --> 0:27:19.679
<v Speaker 2>Uh, that was not a great scene at the dinner

0:27:20.240 --> 0:27:23.880
<v Speaker 2>dinner with Noah, Donna, Now that was just absurd. You're

0:27:23.920 --> 0:27:27.240
<v Speaker 2>having like the greatest time and then somehow this comes

0:27:27.320 --> 0:27:30.760
<v Speaker 2>up and then it's just like dramatic napkin throw down.

0:27:31.200 --> 0:27:35.200
<v Speaker 2>Why I'm like, why what are you doing Noah?

0:27:35.359 --> 0:27:36.800
<v Speaker 3>And he threw it down like in front of me

0:27:37.520 --> 0:27:38.879
<v Speaker 3>because that's where the camera was.

0:27:39.320 --> 0:27:43.320
<v Speaker 1>Like can you imagine that character of Noah when he's

0:27:43.359 --> 0:27:46.320
<v Speaker 1>like an older wealthy man. I can't. I can't.

0:27:46.359 --> 0:27:48.040
<v Speaker 2>I just feel like Noah would have been like, Brandon,

0:27:48.040 --> 0:27:49.760
<v Speaker 2>you're an idiot. Why'd you screw this up?

0:27:50.040 --> 0:27:52.399
<v Speaker 1>Yeah? And then he would have said none of my business.

0:27:52.440 --> 0:27:55.159
<v Speaker 2>Like correct, It's like they don't. That's the problem with

0:27:55.200 --> 0:27:58.119
<v Speaker 2>the writing. And again, people are gonna write mean comments

0:27:58.119 --> 0:28:02.399
<v Speaker 2>to me, but it's all all over the place, like

0:28:02.840 --> 0:28:05.480
<v Speaker 2>Noah's a good dude. You've written him as a good dude.

0:28:06.320 --> 0:28:10.000
<v Speaker 2>Make him stay that course. This is the guy that

0:28:10.080 --> 0:28:13.639
<v Speaker 2>got the boat and didn't tell anyone about his money,

0:28:13.760 --> 0:28:16.600
<v Speaker 2>and he does the right thing and he's a good boyfriend.

0:28:16.640 --> 0:28:20.280
<v Speaker 2>And Donna, Noah would have said what Brandon did is

0:28:21.320 --> 0:28:24.680
<v Speaker 2>so dumb. Now, if Kelly wants to forgive him, she can,

0:28:25.200 --> 0:28:27.880
<v Speaker 2>but I think what he did was terrible.

0:28:28.160 --> 0:28:29.600
<v Speaker 1>Well that's kind of what he did.

0:28:29.760 --> 0:28:31.800
<v Speaker 3>That's kind of He doesn't end up saying yeah, like

0:28:31.880 --> 0:28:33.280
<v Speaker 3>I'm not gonna do that to you.

0:28:33.520 --> 0:28:36.560
<v Speaker 2>Yes, but he says at the dinner, I know these

0:28:36.600 --> 0:28:38.680
<v Speaker 2>things open it's not a big deal, a good girl,

0:28:38.680 --> 0:28:39.520
<v Speaker 2>and it's like, I.

0:28:39.480 --> 0:28:41.480
<v Speaker 1>Think he was saying it in a way that we

0:28:41.480 --> 0:28:44.200
<v Speaker 1>weren't like following what he really meant. Like he was

0:28:44.280 --> 0:28:56.240
<v Speaker 1>saying it, it came out as like weird. Hi, it's

0:28:56.320 --> 0:28:59.719
<v Speaker 1>Jenny Garth from the I Choose Me podcast. You guys,

0:29:00.120 --> 0:29:03.080
<v Speaker 1>I'm thrilled to announce that the second annual I Choose

0:29:03.160 --> 0:29:07.320
<v Speaker 1>Me Live, a Women's Empowerment Summit, is coming to the

0:29:07.360 --> 0:29:11.520
<v Speaker 1>iHeart Theater in Los Angeles. It is a girls day out.

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<v Speaker 1>There will be shopping, there will be cocktails, there will

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<v Speaker 1>be goodie bags. So join me and our incredible guests,

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<v Speaker 1>from One Tree Hill. So join me for fabulous conversations

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<v Speaker 1>with these trailblazers, and I promise you this will be

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0:29:46.920 --> 0:29:51.000
<v Speaker 1>You need this, trust me. Coming April twenty fifth to

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<v Speaker 1>the iHeart Theater in Los Angeles. Tickets are on sale

0:29:54.720 --> 0:30:04.680
<v Speaker 1>now at veeps dot com. I remember now why it

0:30:04.760 --> 0:30:08.040
<v Speaker 1>was hard for me to act with Noah's character. Yes,

0:30:09.680 --> 0:30:11.120
<v Speaker 1>And I hope people don't get mad at me for

0:30:11.160 --> 0:30:15.360
<v Speaker 1>saying this. It's just my observation and my opinion, and

0:30:15.560 --> 0:30:19.560
<v Speaker 1>I'm sure I did things that were stupid. But he

0:30:19.640 --> 0:30:21.840
<v Speaker 1>was in the scene with you, and it dawned on

0:30:21.920 --> 0:30:23.880
<v Speaker 1>me because he would say a couple words, and then

0:30:23.880 --> 0:30:26.800
<v Speaker 1>he'd look to the right. Oh, then say a couple words,

0:30:26.840 --> 0:30:28.840
<v Speaker 1>and then he'd looked to the right, and then he

0:30:28.880 --> 0:30:30.600
<v Speaker 1>say a couple of words and he looked to the right.

0:30:30.760 --> 0:30:35.240
<v Speaker 1>There's something about that, like cadence of acting where they

0:30:36.560 --> 0:30:41.719
<v Speaker 1>can't make contact eye contact for the like for the

0:30:41.720 --> 0:30:43.960
<v Speaker 1>scene they have to look away in order to eat.

0:30:44.000 --> 0:30:46.680
<v Speaker 1>What is that remembering my line let me oh? Or

0:30:46.800 --> 0:30:48.640
<v Speaker 1>is that like I don't know what to do next,

0:30:48.640 --> 0:30:50.120
<v Speaker 1>so I'm just going to look away. I don't know

0:30:50.160 --> 0:30:50.520
<v Speaker 1>what that was.

0:30:50.720 --> 0:30:53.200
<v Speaker 2>That's interesting, And now I'm going to notice that all

0:30:53.280 --> 0:30:53.960
<v Speaker 2>the time.

0:30:54.520 --> 0:30:56.720
<v Speaker 1>He specifically does it. And maybe it's just because the

0:30:56.760 --> 0:30:59.160
<v Speaker 1>writing feels hard for him, or.

0:31:00.200 --> 0:31:03.000
<v Speaker 3>I feel like I know what you're talking about, and

0:31:03.080 --> 0:31:06.120
<v Speaker 3>I feel like he did do it often, and it

0:31:06.240 --> 0:31:08.480
<v Speaker 3>was like almost like a choice.

0:31:08.280 --> 0:31:11.640
<v Speaker 1>Like David did it too. David's character did it too.

0:31:11.840 --> 0:31:15.840
<v Speaker 3>Like it I'm turning to make an emotional choice.

0:31:17.280 --> 0:31:22.960
<v Speaker 1>It's always that though it's it was always I think

0:31:23.000 --> 0:31:26.400
<v Speaker 1>I did. I felt that sometimes with David's character too,

0:31:27.160 --> 0:31:30.600
<v Speaker 1>like not like it was. I remember, like in the

0:31:30.680 --> 0:31:34.720
<v Speaker 1>scene thinking, wait, what what's over there? Like what are

0:31:34.760 --> 0:31:36.760
<v Speaker 1>you talking to me? Or is it are you over there?

0:31:38.040 --> 0:31:41.360
<v Speaker 3>Because in real life that's really telling, at least for me.

0:31:41.720 --> 0:31:44.840
<v Speaker 3>I like when people talk to me and meet my

0:31:44.920 --> 0:31:49.160
<v Speaker 3>gaze the entire time, I'm often thinking if they're looking away,

0:31:49.800 --> 0:31:52.520
<v Speaker 3>something's off about what they're saying, they're thinking about what

0:31:52.600 --> 0:31:54.640
<v Speaker 3>to say, they're lying.

0:31:54.720 --> 0:31:56.400
<v Speaker 1>Or they're feeling insecure.

0:31:57.400 --> 0:32:02.600
<v Speaker 3>Right, So I know. I actually, as an actress, like

0:32:02.720 --> 0:32:05.440
<v Speaker 3>I always tried to meet everyone's gaze because that's what

0:32:05.560 --> 0:32:08.760
<v Speaker 3>I do in real life and you're the satan. But

0:32:09.800 --> 0:32:13.520
<v Speaker 3>often male actors specifically, we would see them do that,

0:32:13.760 --> 0:32:17.880
<v Speaker 3>like hmm, that's odd.

0:32:18.560 --> 0:32:20.480
<v Speaker 1>But it's just like when I was watching that scene

0:32:20.520 --> 0:32:23.280
<v Speaker 1>with the when you guys make up, it really made

0:32:23.280 --> 0:32:24.280
<v Speaker 1>me remember.

0:32:23.920 --> 0:32:26.160
<v Speaker 2>That it's interesting.

0:32:25.840 --> 0:32:27.800
<v Speaker 3>Actual I'm gonna keep looking for it now it is

0:32:27.880 --> 0:32:32.000
<v Speaker 3>distracting as the partner in the scene, the other actor. Yeah,

0:32:32.120 --> 0:32:34.280
<v Speaker 3>I know what you mean though, and not just with

0:32:34.400 --> 0:32:37.720
<v Speaker 3>fince like it would happen with other people and it's like, yeah,

0:32:37.880 --> 0:32:41.000
<v Speaker 3>you want to be like what in real life you'd

0:32:41.040 --> 0:32:42.960
<v Speaker 3>be like, what are you looking at? You're not talking

0:32:42.960 --> 0:32:43.200
<v Speaker 3>to me?

0:32:43.320 --> 0:32:45.640
<v Speaker 1>Have you been on the because I can fully relate

0:32:45.760 --> 0:32:50.640
<v Speaker 1>even just in like regular conversations now, yeah that Sometimes

0:32:50.640 --> 0:32:55.320
<v Speaker 1>people will just dodge your eyes contact completely and you're like, Okay,

0:32:55.400 --> 0:32:56.480
<v Speaker 1>I don't know what's happening here.

0:32:56.560 --> 0:33:00.000
<v Speaker 3>But and have you ever said, in a heated moment,

0:33:00.080 --> 0:33:02.840
<v Speaker 3>went like what are you looking at? Are you looking

0:33:02.840 --> 0:33:06.560
<v Speaker 3>behind me? What's going on? I have? And they're like

0:33:06.600 --> 0:33:08.800
<v Speaker 3>what do you mean I aren't? Oh?

0:33:08.880 --> 0:33:09.720
<v Speaker 4>Yeah?

0:33:10.080 --> 0:33:13.120
<v Speaker 1>But also, is constant eye contact weird?

0:33:13.720 --> 0:33:17.480
<v Speaker 2>Right? You don't want to be like, oh, like I.

0:33:17.400 --> 0:33:19.640
<v Speaker 1>Want to talk to you, tory about something very important

0:33:19.640 --> 0:33:21.240
<v Speaker 1>to me, and you have to listen to every word

0:33:21.280 --> 0:33:24.040
<v Speaker 1>I'm saying. If I'm not, I'm not freaking Yeah.

0:33:23.920 --> 0:33:29.680
<v Speaker 3>I guess not constant, but like cool, it's a tough one.

0:33:29.720 --> 0:33:31.720
<v Speaker 3>I mean, you can look down or something, but when

0:33:31.720 --> 0:33:36.360
<v Speaker 3>people just look like just away and it's almost like

0:33:36.480 --> 0:33:41.080
<v Speaker 3>behind you, You're like someone behind me? Who's here? You know?

0:33:42.440 --> 0:33:43.080
<v Speaker 3>It's so funny.

0:33:43.120 --> 0:33:44.680
<v Speaker 2>I'm now I'm gonna be now, I'm gonna have to

0:33:44.720 --> 0:33:50.720
<v Speaker 2>watch off and the whole show. But that's fine. I

0:33:50.760 --> 0:33:52.240
<v Speaker 2>want to be like paying more attention.

0:33:52.480 --> 0:33:55.600
<v Speaker 3>No With Noah, it's like he's not looking at anyone else.

0:33:55.640 --> 0:33:57.760
<v Speaker 3>He's just like, Yeah.

0:33:57.760 --> 0:33:59.560
<v Speaker 2>I think he's almost like taking a moment to be

0:33:59.560 --> 0:34:02.240
<v Speaker 2>brooty or think Brudy, like Rudy.

0:34:02.800 --> 0:34:05.400
<v Speaker 3>It's part of his makeup of his acting.

0:34:05.520 --> 0:34:09.759
<v Speaker 2>Yes, I don't mind him. I like him. Frankly, I

0:34:09.840 --> 0:34:11.799
<v Speaker 2>like him more than brand to anyone.

0:34:11.520 --> 0:34:16.520
<v Speaker 3>Else on the show, anyone else. Hey, now, what male?

0:34:16.880 --> 0:34:17.239
<v Speaker 3>You mean?

0:34:17.760 --> 0:34:18.440
<v Speaker 1>I think male?

0:34:19.080 --> 0:34:19.239
<v Speaker 3>Yeah?

0:34:19.320 --> 0:34:20.520
<v Speaker 2>Yeah, I'm totally talking about the guy.

0:34:20.800 --> 0:34:24.800
<v Speaker 1>But when I cried, okay, yeah, when'd you cry? Even

0:34:24.880 --> 0:34:28.560
<v Speaker 1>though we all have said and have felt that Steve

0:34:29.160 --> 0:34:35.120
<v Speaker 1>and Carly Carly have no chemistry, I never felt that.

0:34:35.560 --> 0:34:40.160
<v Speaker 1>I felt it in this episode, and I felt so sad.

0:34:41.000 --> 0:34:44.640
<v Speaker 1>I cried when he came into the apartment and he

0:34:44.800 --> 0:34:46.759
<v Speaker 1>was sad, and he was wearing that really tight brown

0:34:46.800 --> 0:34:51.959
<v Speaker 1>shirt and he looked really muscular. And then I cried

0:34:51.960 --> 0:34:53.640
<v Speaker 1>in that scene, and then I cried at the airport.

0:34:55.400 --> 0:34:57.439
<v Speaker 2>Yes, yeah, I agree.

0:34:57.440 --> 0:34:59.000
<v Speaker 1>It's such a good job acting.

0:35:01.560 --> 0:35:08.000
<v Speaker 2>I find it so she's just so emotional. I find

0:35:08.040 --> 0:35:12.520
<v Speaker 2>it so weird that you get fired and then you're

0:35:12.560 --> 0:35:16.360
<v Speaker 2>told but you have to do a full episode to

0:35:16.600 --> 0:35:19.719
<v Speaker 2>leave the show. That's very emotional about how sad you

0:35:19.760 --> 0:35:22.480
<v Speaker 2>are to leave when you would be like you just

0:35:23.600 --> 0:35:24.200
<v Speaker 2>fired me.

0:35:24.680 --> 0:35:28.479
<v Speaker 1>Wait, okay, so we have you told the what really

0:35:28.480 --> 0:35:30.880
<v Speaker 1>happens story? Is it time? I'm dying to know.

0:35:31.560 --> 0:35:36.279
<v Speaker 3>So from now, everyone out there, please, this is from

0:35:36.520 --> 0:35:39.799
<v Speaker 3>my perspective and my memory sake, So I'm not going

0:35:39.880 --> 0:35:42.960
<v Speaker 3>to get it for batim what she said, but from

0:35:43.320 --> 0:35:46.040
<v Speaker 3>this is how I saw it go down. We were

0:35:46.080 --> 0:35:49.160
<v Speaker 3>all in our dressing rooms. Hillary and I had become

0:35:49.280 --> 0:35:52.680
<v Speaker 3>quite close. I had gone out with her and Chad

0:35:52.840 --> 0:35:53.839
<v Speaker 3>and we had hung out.

0:35:54.360 --> 0:35:59.160
<v Speaker 2>She was married to Chad at this time. God correct, Okay.

0:35:58.080 --> 0:36:01.520
<v Speaker 3>So I was kind of safe place on set and

0:36:01.560 --> 0:36:06.040
<v Speaker 3>she would talk to me about everything. And she said,

0:36:06.800 --> 0:36:11.480
<v Speaker 3>Paul Wagner said, who was our main producer on set.

0:36:12.040 --> 0:36:13.920
<v Speaker 3>Paul Wagner wants to talk to me in his office.

0:36:13.960 --> 0:36:15.960
<v Speaker 3>Do you know what it's about? And I didn't. I

0:36:16.000 --> 0:36:19.600
<v Speaker 3>didn't know anything, and so I was like, I'll be

0:36:19.680 --> 0:36:21.600
<v Speaker 3>in my dressing room, you know, I'll wait, And she

0:36:21.640 --> 0:36:25.440
<v Speaker 3>was like, I'm so nervous. So she goes in and

0:36:25.760 --> 0:36:29.600
<v Speaker 3>she comes back and she's crying, and she comes into

0:36:29.640 --> 0:36:32.560
<v Speaker 3>my dressing room. We shut the door and she said,

0:36:33.400 --> 0:36:36.279
<v Speaker 3>I just got let go. I'm being fired from the show.

0:36:36.320 --> 0:36:38.480
<v Speaker 3>And I was like what, because I hadn't heard any

0:36:38.520 --> 0:36:43.760
<v Speaker 3>of this. We didn't know, and she was hysterically crying,

0:36:43.840 --> 0:36:45.600
<v Speaker 3>and I just remember and I'm sorry, I'm not going

0:36:45.680 --> 0:36:49.479
<v Speaker 3>to get this wording exact, but she was like, oh

0:36:49.520 --> 0:36:52.319
<v Speaker 3>my god, if I get fired off of nine oh

0:36:52.360 --> 0:36:57.520
<v Speaker 3>two and zero, I'm never gonna make it. And the

0:36:57.560 --> 0:37:01.320
<v Speaker 3>ironic thing is, if she stayed on nine on two, No,

0:37:01.520 --> 0:37:04.720
<v Speaker 3>she would not have been able to audition for Boys

0:37:04.760 --> 0:37:06.440
<v Speaker 3>Don't Cry. She would not have been able to get

0:37:06.440 --> 0:37:09.360
<v Speaker 3>that role, do that role, and then win an Academy Award.

0:37:10.040 --> 0:37:11.240
<v Speaker 1>Things always work out.

0:37:11.400 --> 0:37:15.680
<v Speaker 3>But she really felt like, and it was I'm trying

0:37:15.680 --> 0:37:17.920
<v Speaker 3>to think it wasn't in a negative, but we were

0:37:17.960 --> 0:37:20.040
<v Speaker 3>in our eighth season. It wasn't like we were in

0:37:20.040 --> 0:37:23.360
<v Speaker 3>our prime anymore. And it's like, gosh, if I can't

0:37:23.640 --> 0:37:27.200
<v Speaker 3>keep a gig on a series on TV that's popular,

0:37:27.360 --> 0:37:29.799
<v Speaker 3>I'm never making it anywhere. Like my career's over.

0:37:30.840 --> 0:37:35.240
<v Speaker 2>Wow, that must have been a terrible feeling for her

0:37:35.880 --> 0:37:37.880
<v Speaker 2>to get called into that office, and you know she

0:37:38.000 --> 0:37:41.160
<v Speaker 2>knew like, oh, I have a lump in my throat something.

0:37:41.400 --> 0:37:42.680
<v Speaker 2>Why am I getting called in here?

0:37:42.800 --> 0:37:43.120
<v Speaker 1>Oh?

0:37:43.200 --> 0:37:46.200
<v Speaker 2>Man? And then they say to you, but you gotta

0:37:46.239 --> 0:37:47.200
<v Speaker 2>do one more episode.

0:37:47.280 --> 0:37:47.480
<v Speaker 1>Yeah.

0:37:47.480 --> 0:37:49.759
<v Speaker 3>I don't know when she was told that's a thing.

0:37:49.840 --> 0:37:52.359
<v Speaker 3>I don't know how many episodes she stayed once they

0:37:52.360 --> 0:37:52.839
<v Speaker 3>told her.

0:37:53.320 --> 0:37:55.920
<v Speaker 1>Yeah, maybe they didn't tell her until it was time,

0:37:56.320 --> 0:37:58.440
<v Speaker 1>like they finished of filming.

0:37:59.160 --> 0:38:02.480
<v Speaker 3>So after that and after she left the show, just

0:38:02.520 --> 0:38:04.640
<v Speaker 3>because you know, we were always going at like Meek

0:38:04.680 --> 0:38:07.000
<v Speaker 3>speed and you hung out with whoever you were working with.

0:38:08.040 --> 0:38:10.879
<v Speaker 3>I didn't see her for years, and then she had

0:38:10.960 --> 0:38:13.759
<v Speaker 3>won the Academy Award. It was years later. It was

0:38:13.800 --> 0:38:16.000
<v Speaker 3>I believe after nine oh two and oh just a

0:38:16.080 --> 0:38:18.080
<v Speaker 3>year or two after, so it would be like two

0:38:18.080 --> 0:38:19.960
<v Speaker 3>thousand and one, two thousand and two, something like that.

0:38:20.480 --> 0:38:23.200
<v Speaker 3>And I was in New York for fashion Week at

0:38:23.400 --> 0:38:28.120
<v Speaker 3>Mark Jacob's show, and I was walking and the photographer goes, oh,

0:38:28.160 --> 0:38:31.120
<v Speaker 3>Tori a picture, and then he goes, oh my gosh, Hillary,

0:38:31.440 --> 0:38:34.200
<v Speaker 3>and she was walking and I hadn't seen her since,

0:38:34.440 --> 0:38:37.359
<v Speaker 3>and he goes, it's a nine o two and zero reunion.

0:38:38.760 --> 0:38:40.959
<v Speaker 3>I would like to give her the benefit of the doubt,

0:38:41.040 --> 0:38:43.640
<v Speaker 3>but it still lingers over me that she goes, oh,

0:38:43.680 --> 0:38:45.480
<v Speaker 3>she goes no, I'm sorry, and she kept walking.

0:38:46.160 --> 0:38:48.839
<v Speaker 2>Well, I don't blame her because it wasn't about you,

0:38:49.000 --> 0:38:51.600
<v Speaker 2>but she's like, why would I do that photo when

0:38:51.600 --> 0:38:56.160
<v Speaker 2>these people fired me and now I'm a big oscar When.

0:38:56.040 --> 0:38:57.120
<v Speaker 1>It wasn't Toris.

0:38:57.239 --> 0:39:00.680
<v Speaker 2>I don't think it was just you, Tori No, but

0:39:00.719 --> 0:39:04.160
<v Speaker 2>the guy saying a nine O two one Oho reunion. Immediately,

0:39:04.560 --> 0:39:07.080
<v Speaker 2>you would be like, every headline is going to be that.

0:39:07.239 --> 0:39:08.840
<v Speaker 2>I don't know. I'm just trying to give her the

0:39:08.840 --> 0:39:09.600
<v Speaker 2>benefit of the doubt.

0:39:09.600 --> 0:39:12.080
<v Speaker 1>I too would be like, yeah, maybe she's too you

0:39:12.480 --> 0:39:13.360
<v Speaker 1>going somewhere.

0:39:14.680 --> 0:39:17.080
<v Speaker 3>Yeah, she did say I I gotta go, and but

0:39:17.200 --> 0:39:19.359
<v Speaker 3>I did take it personally, and I was like, oh,

0:39:19.600 --> 0:39:22.080
<v Speaker 3>that's a bummer. I guess because we're just like a

0:39:22.120 --> 0:39:24.719
<v Speaker 3>TV series and she's a big like movie star, she

0:39:24.719 --> 0:39:25.920
<v Speaker 3>doesn't want to take a picture with me.

0:39:26.719 --> 0:39:28.640
<v Speaker 2>Oh I didn't look at it like that, But what

0:39:28.719 --> 0:39:29.120
<v Speaker 2>do I know?

0:39:29.520 --> 0:39:31.560
<v Speaker 3>Again, Like I said, I took them and I've never

0:39:31.760 --> 0:39:33.680
<v Speaker 3>seen her since. So that's why I give.

0:39:33.560 --> 0:39:36.920
<v Speaker 4>Her the benefit of the doubt, obviously, But Toy bothered

0:39:36.960 --> 0:39:38.920
<v Speaker 4>me all these years because I felt like when she

0:39:39.080 --> 0:39:41.440
<v Speaker 4>was going through a lot. I was there for her,

0:39:41.560 --> 0:39:44.560
<v Speaker 4>and I felt so ashamed that like, oh, it like

0:39:44.600 --> 0:39:45.319
<v Speaker 4>made me feel like.

0:39:46.600 --> 0:39:50.440
<v Speaker 1>Tory, you need to out to her or not just

0:39:50.480 --> 0:39:52.480
<v Speaker 1>be like whatever, it's not important to you now in

0:39:52.520 --> 0:39:55.200
<v Speaker 1>your life, Like I know who cares.

0:39:55.320 --> 0:39:57.319
<v Speaker 3>If Jen was there, she'd be like, what do you care?

0:39:58.600 --> 0:40:00.880
<v Speaker 3>Take your photos? Yeah?

0:40:01.000 --> 0:40:03.280
<v Speaker 2>I get it, but I also get like, you're friends

0:40:03.280 --> 0:40:04.759
<v Speaker 2>with her, why not reach out to her. I bet

0:40:04.800 --> 0:40:06.600
<v Speaker 2>she'd be so happy.

0:40:07.080 --> 0:40:09.719
<v Speaker 3>To say hi, or to say at the Mark Jacob Show,

0:40:09.719 --> 0:40:11.120
<v Speaker 3>why would you not take a picture with her?

0:40:11.239 --> 0:40:11.759
<v Speaker 2>Say hi?

0:40:12.640 --> 0:40:13.520
<v Speaker 3>Twenty years ago?

0:40:13.600 --> 0:40:14.200
<v Speaker 2>I'm dying.

0:40:14.360 --> 0:40:16.440
<v Speaker 1>I'm dying to know if she would remember.

0:40:16.800 --> 0:40:19.400
<v Speaker 2>But reach out to her so that you show the

0:40:19.480 --> 0:40:21.719
<v Speaker 2>friendship and she's going to show it back.

0:40:21.800 --> 0:40:25.359
<v Speaker 3>I bet I'll slip into her DMS. Let's see what happens, right.

0:40:25.360 --> 0:40:28.160
<v Speaker 2>Why not? I would be so happy to hear from

0:40:28.200 --> 0:40:29.800
<v Speaker 2>someone from twenty years.

0:40:29.600 --> 0:40:32.520
<v Speaker 1>Ago that would that DM say, I'm just how do

0:40:32.600 --> 0:40:32.960
<v Speaker 1>you do that?

0:40:33.320 --> 0:40:35.279
<v Speaker 2>Hillary? I wanted to reach out.

0:40:35.320 --> 0:40:39.080
<v Speaker 1>I'm not asking you, oh, no offense, I'm asking to

0:40:40.080 --> 0:40:42.640
<v Speaker 1>I want to know how Tory would slip into her.

0:40:42.719 --> 0:40:44.640
<v Speaker 3>Do you know me? I'll just be like, Hi, it's

0:40:44.680 --> 0:40:47.319
<v Speaker 3>been a long time. Hope you're well. I don't know

0:40:47.560 --> 0:40:49.279
<v Speaker 3>how are you?

0:40:49.280 --> 0:40:52.640
<v Speaker 2>Can I get my version? Okay? Say Hillary? Yeah, yeah,

0:40:52.680 --> 0:40:55.520
<v Speaker 2>I've been thinking about you a lot as we're rewatching

0:40:55.680 --> 0:40:59.040
<v Speaker 2>your episodes of nine oh two one oh on my podcast,

0:40:59.440 --> 0:41:01.640
<v Speaker 2>and it just made me think, like how much I

0:41:01.680 --> 0:41:05.799
<v Speaker 2>loved our friendship, and you know, I wanted to reconnect.

0:41:05.840 --> 0:41:08.880
<v Speaker 2>I hope you're well, Like you have those beautiful babies.

0:41:08.920 --> 0:41:11.920
<v Speaker 2>You seem so happy. Your career has been incredible. I

0:41:12.080 --> 0:41:15.040
<v Speaker 2>just wanted to tell you that I could do that.

0:41:18.360 --> 0:41:20.359
<v Speaker 2>Being nice is such a great thing.

0:41:21.120 --> 0:41:23.640
<v Speaker 1>I'm not suggesting she not be nice. Oh I know,

0:41:24.040 --> 0:41:26.640
<v Speaker 1>I know, like if it really matters to her, which

0:41:26.680 --> 0:41:29.719
<v Speaker 1>I don't really think it matters to your tour. But

0:41:29.960 --> 0:41:30.760
<v Speaker 1>maybe I'm wrong.

0:41:31.719 --> 0:41:34.799
<v Speaker 2>I don't know. I just am saying, right, why not?

0:41:36.200 --> 0:41:43.399
<v Speaker 2>Like you were friends with her? Why not? People love

0:41:43.480 --> 0:41:47.759
<v Speaker 2>that stuff? I think TVD not TBD. Do it?

0:41:48.440 --> 0:41:49.560
<v Speaker 1>Do you think about it?

0:41:49.600 --> 0:41:51.719
<v Speaker 3>And do you think I'm going to any No?

0:41:51.920 --> 0:41:54.400
<v Speaker 2>And that's what cress me, Daddy, because it's like you

0:41:54.440 --> 0:41:57.040
<v Speaker 2>will bump into her. Fate makes that happen. But like

0:41:58.000 --> 0:41:59.879
<v Speaker 2>if I were Hillary Swank, I would love to hear

0:42:00.040 --> 0:42:03.320
<v Speaker 2>from you, like I I think that that's so nice

0:42:03.360 --> 0:42:05.880
<v Speaker 2>to say, Hey, I'm rewatching it. You were great. I

0:42:05.920 --> 0:42:09.600
<v Speaker 2>loved working with you on this show. I want nothing

0:42:09.680 --> 0:42:13.600
<v Speaker 2>from you but to tell you how how much fun

0:42:13.600 --> 0:42:16.080
<v Speaker 2>it was, and I'm sorry we didn't get to work

0:42:16.080 --> 0:42:22.359
<v Speaker 2>together more. And how amazing you've become Bravo. I don't know,

0:42:22.840 --> 0:42:23.960
<v Speaker 2>I know, but that's what I do.

0:42:25.000 --> 0:42:31.960
<v Speaker 3>I love your passion though. All right, we at the end.

0:42:33.520 --> 0:42:35.160
<v Speaker 2>Well, we have to talk about how sad it was

0:42:35.239 --> 0:42:37.960
<v Speaker 2>that she left, and they make such a big to

0:42:38.040 --> 0:42:40.319
<v Speaker 2>do over it, which I was like, I think, if

0:42:40.360 --> 0:42:41.920
<v Speaker 2>you fire someone I.

0:42:41.960 --> 0:42:44.960
<v Speaker 1>Like, I like the coat we gave her, yeah and that.

0:42:45.680 --> 0:42:47.960
<v Speaker 2>But my things like, if you fire some a character,

0:42:49.080 --> 0:42:52.440
<v Speaker 2>why not just why do the whole episode?

0:42:52.719 --> 0:42:54.960
<v Speaker 1>I feel like it could be still open ended, Like

0:42:55.120 --> 0:42:59.319
<v Speaker 1>who's to say Steve doesn't go correct, he missus theres

0:42:59.360 --> 0:43:02.600
<v Speaker 1>so much and goes to see her, but it doesn't.

0:43:04.640 --> 0:43:06.560
<v Speaker 2>That's why I was like, why even do it this way?

0:43:06.640 --> 0:43:09.360
<v Speaker 2>If you're firing her because the character isn't popular and

0:43:09.400 --> 0:43:12.280
<v Speaker 2>it's not going well, why not just start the episode

0:43:12.320 --> 0:43:13.040
<v Speaker 2>and she's gone.

0:43:13.400 --> 0:43:15.160
<v Speaker 3>I mean, they didn't have a big like to go

0:43:15.239 --> 0:43:18.080
<v Speaker 3>party for Claire. It was just that scene with Steve, right.

0:43:18.080 --> 0:43:20.359
<v Speaker 2>That's why I was like, this is like more than

0:43:20.400 --> 0:43:23.600
<v Speaker 2>we did for any of these characters that were on that.

0:43:26.080 --> 0:43:28.799
<v Speaker 3>Maybe they felt so bad that they wanted to like

0:43:29.160 --> 0:43:30.840
<v Speaker 3>give her a big good bye scene.

0:43:31.040 --> 0:43:32.480
<v Speaker 2>That's the part that was weird. I mean it was

0:43:32.800 --> 0:43:36.719
<v Speaker 2>huge goodbye scene. It was a huge goodbye party a thing.

0:43:37.200 --> 0:43:39.000
<v Speaker 2>The airport scene like.

0:43:40.560 --> 0:43:42.720
<v Speaker 3>A little they went overboard.

0:43:42.840 --> 0:43:45.200
<v Speaker 2>Which I liked, made me want her to not leave.

0:43:45.239 --> 0:43:46.399
<v Speaker 2>I was like, don't leave.

0:43:46.840 --> 0:43:49.040
<v Speaker 3>Stay mm hmm.

0:43:49.520 --> 0:43:51.880
<v Speaker 2>So I just was befuddled because I'm like, if you're

0:43:51.920 --> 0:43:53.359
<v Speaker 2>firing or why are you doing this whole thing?

0:43:54.640 --> 0:43:56.440
<v Speaker 1>I really liked her in that episode.

0:43:57.040 --> 0:43:59.920
<v Speaker 2>She's freaking awesome. I like the character.

0:44:00.160 --> 0:44:03.720
<v Speaker 1>Frankly, you didn't though, correct.

0:44:04.040 --> 0:44:06.759
<v Speaker 2>No, because I felt like they made her so annoying

0:44:06.920 --> 0:44:09.520
<v Speaker 2>in the first couple episodes. Because what you're forgetting is

0:44:09.840 --> 0:44:12.200
<v Speaker 2>remember in the first couple of episodes, she was snarky.

0:44:12.920 --> 0:44:17.719
<v Speaker 2>She was like rude to Steve, blowing him like the

0:44:17.760 --> 0:44:20.600
<v Speaker 2>whole thing. She was very snarky and like no, I'm

0:44:20.640 --> 0:44:23.799
<v Speaker 2>not gonna go out with you, and you're terrible, Like

0:44:24.000 --> 0:44:26.439
<v Speaker 2>what are you doing? You know? Because remember he met

0:44:26.480 --> 0:44:31.680
<v Speaker 2>her through your sister at the soccer field. Yeah, took

0:44:31.719 --> 0:44:33.320
<v Speaker 2>Aaron to the soccer field.

0:44:33.480 --> 0:44:34.520
<v Speaker 1>Oh oh that sister.

0:44:34.880 --> 0:44:39.120
<v Speaker 2>Yeah sorry, And so I was like the half sister,

0:44:40.160 --> 0:44:43.960
<v Speaker 2>no Aaron, And so they made her unlikable in the

0:44:44.000 --> 0:44:47.520
<v Speaker 2>first like three episodes, and that was what I had forgotten.

0:44:47.960 --> 0:44:50.399
<v Speaker 2>But what But I just remember her being like, eh,

0:44:50.600 --> 0:44:52.640
<v Speaker 2>I don't care about her, and I am convinced the

0:44:52.680 --> 0:44:54.359
<v Speaker 2>reason I didn't care about her is because they did

0:44:54.360 --> 0:44:56.919
<v Speaker 2>her dirty in the beginning. Then they make her kind

0:44:56.920 --> 0:44:59.920
<v Speaker 2>of great, but it was like too late, and they

0:45:00.280 --> 0:45:03.880
<v Speaker 2>they still had the people's you know, voices in their

0:45:03.920 --> 0:45:06.960
<v Speaker 2>ear being like this character's annoying from way before when

0:45:07.000 --> 0:45:09.520
<v Speaker 2>she was annoying. Now she's not annoying and you're getting

0:45:09.560 --> 0:45:10.040
<v Speaker 2>rid of her.

0:45:10.760 --> 0:45:15.320
<v Speaker 1>Yeah sorry, Wow, makes no sense exact.

0:45:15.480 --> 0:45:18.000
<v Speaker 2>It's like you fixed it, unlike what you did to

0:45:18.080 --> 0:45:22.640
<v Speaker 2>Jamie Walters, where you made him terrible. We wanted him

0:45:22.680 --> 0:45:25.680
<v Speaker 2>to go. You made her great, and now you're getting

0:45:25.760 --> 0:45:27.280
<v Speaker 2>rid of her. Why.

0:45:27.520 --> 0:45:28.920
<v Speaker 1>I don't know the answer to that.

0:45:29.000 --> 0:45:30.080
<v Speaker 2>I'm tired by this.

0:45:32.040 --> 0:45:32.799
<v Speaker 3>You exhausted.

0:45:33.239 --> 0:45:36.560
<v Speaker 1>Lucky for her, she left.

0:45:36.320 --> 0:45:40.880
<v Speaker 2>Correct like that. She's probably like devastated and then she's like, whoa,

0:45:40.960 --> 0:45:41.800
<v Speaker 2>I want an Oscar?

0:45:42.400 --> 0:45:45.120
<v Speaker 1>Yeah, I mean I can relate, not the oscar part,

0:45:45.200 --> 0:45:48.120
<v Speaker 1>but like, have you ever been fired like that? I

0:45:48.200 --> 0:45:52.000
<v Speaker 1>called in known office or and told or been put

0:45:52.000 --> 0:45:53.840
<v Speaker 1>on a phone call with somebody who fires you?

0:45:54.280 --> 0:45:56.239
<v Speaker 2>Just makes me think of something that I don't even

0:45:56.239 --> 0:45:58.319
<v Speaker 2>want to say. But like, say you were on a

0:45:58.360 --> 0:46:00.960
<v Speaker 2>show that fired you. Wouldn't you want that shot? Like Tank?

0:46:02.480 --> 0:46:04.400
<v Speaker 3>Oh my god, you're.

0:46:04.200 --> 0:46:07.160
<v Speaker 2>Telling me you were on a show. Say you're on

0:46:07.200 --> 0:46:09.959
<v Speaker 2>a show I don't know and they fire you, would

0:46:10.000 --> 0:46:12.680
<v Speaker 2>you not want that show to like do worse without you?

0:46:13.480 --> 0:46:17.359
<v Speaker 2>That's just like human nature? Is that terrible? I try

0:46:17.400 --> 0:46:19.680
<v Speaker 2>to be Michelle Obama about it, but I'd still be like.

0:46:20.760 --> 0:46:23.240
<v Speaker 1>Yeah, I think in the back of your mind maybe.

0:46:23.080 --> 0:46:25.839
<v Speaker 3>Yeah, maybe not Tank, Or you're like I hope they

0:46:25.840 --> 0:46:29.360
<v Speaker 3>missed me, or hope, yeah, I hope.

0:46:29.160 --> 0:46:30.040
<v Speaker 1>They get canceled.

0:46:32.920 --> 0:46:36.400
<v Speaker 2>I don't know. It's hard to be like rise.

0:46:36.200 --> 0:46:41.640
<v Speaker 1>Above, Yes, it is, it's hard. But have have you

0:46:41.719 --> 0:46:44.600
<v Speaker 1>ever been fired from a job tour?

0:46:45.120 --> 0:46:45.239
<v Speaker 3>No?

0:46:45.600 --> 0:46:49.120
<v Speaker 2>Amy, No, I've had some lumps. I'm not gonna lie,

0:46:49.160 --> 0:46:50.880
<v Speaker 2>but I've never been like called into an office and

0:46:50.880 --> 0:46:55.239
<v Speaker 2>be like you don't work here anymore. I've had things

0:46:55.239 --> 0:46:57.280
<v Speaker 2>that I want that I didn't get or whatever.

0:46:58.400 --> 0:47:02.560
<v Speaker 1>Jen, I've been fired from what? Oh uh? It was

0:47:02.600 --> 0:47:06.200
<v Speaker 1>a pilot pilot episode and then they recast me, oh

0:47:06.719 --> 0:47:09.239
<v Speaker 1>to who I don't know who the girl was. I

0:47:09.440 --> 0:47:11.760
<v Speaker 1>And did the show even get picked up? Nope?

0:47:12.000 --> 0:47:13.040
<v Speaker 2>And aren't you happy about that?

0:47:14.200 --> 0:47:15.279
<v Speaker 1>Well, I don't really care.

0:47:15.440 --> 0:47:19.080
<v Speaker 3>But tell them the reason, because it's yeah, this.

0:47:19.080 --> 0:47:21.520
<v Speaker 1>Doesn't matter the reason. I'm just saying I got fired

0:47:21.520 --> 0:47:23.320
<v Speaker 1>and I had those feelings.

0:47:22.840 --> 0:47:25.960
<v Speaker 2>Of but you didn't have any part of you that

0:47:26.080 --> 0:47:27.920
<v Speaker 2>was like the show didn't go.

0:47:28.280 --> 0:47:31.320
<v Speaker 1>At that time. No, I was not harboring Oh.

0:47:31.160 --> 0:47:33.480
<v Speaker 2>Wow, see you're a better person than me. I'd be like, ha,

0:47:34.040 --> 0:47:36.040
<v Speaker 2>the show didn't get picked up, you should have kept me.

0:47:37.360 --> 0:47:37.839
<v Speaker 2>I didn't think.

0:47:37.880 --> 0:47:40.640
<v Speaker 1>I don't think I even really liked the show. Oh okay,

0:47:40.800 --> 0:47:41.960
<v Speaker 1>so I didn't really care.

0:47:42.560 --> 0:47:43.560
<v Speaker 2>So you're like, thank you.

0:47:44.600 --> 0:47:46.480
<v Speaker 1>I guess yeah, but I didn't go on to win

0:47:46.520 --> 0:47:47.880
<v Speaker 1>an oscar, but I did go on to get a

0:47:47.960 --> 0:47:51.040
<v Speaker 1>different show, which was exactly what better.

0:47:51.280 --> 0:47:53.080
<v Speaker 2>But now I want to know what the show was.

0:47:53.200 --> 0:47:54.239
<v Speaker 2>Can you tell my god?

0:47:54.280 --> 0:47:55.799
<v Speaker 1>I don't know the name of it. It was about

0:47:55.840 --> 0:47:59.800
<v Speaker 1>a bike shop, I think, and it didn't even happen.

0:48:00.680 --> 0:48:02.759
<v Speaker 1>It was like one of those what was that show

0:48:02.760 --> 0:48:04.360
<v Speaker 1>about the pizza and the two guys in the pizza.

0:48:04.360 --> 0:48:05.719
<v Speaker 2>Oh, two guys a girl in a pizza place.

0:48:06.200 --> 0:48:07.239
<v Speaker 1>It was kind of like that, but this.

0:48:07.320 --> 0:48:09.359
<v Speaker 2>Was two guys a girl in a bike shop. Yeah,

0:48:09.480 --> 0:48:12.919
<v Speaker 2>I was the girl, Ryan Reynolds the guy.

0:48:13.600 --> 0:48:17.759
<v Speaker 1>No, don't remember, but it didn't feel good. So I

0:48:17.840 --> 0:48:20.280
<v Speaker 1>have a lot of empathy how she must have felt.

0:48:20.480 --> 0:48:25.520
<v Speaker 2>Yeah, for sure, this is like so I feel awful

0:48:25.560 --> 0:48:28.719
<v Speaker 2>for her, and then they make her they obviously fired her,

0:48:28.760 --> 0:48:31.520
<v Speaker 2>and then they make her do this whole episode.

0:48:31.560 --> 0:48:35.200
<v Speaker 1>I'm really dying to know, like, did that conversation with

0:48:35.239 --> 0:48:38.680
<v Speaker 1>Paul come after the last scene or was it.

0:48:38.600 --> 0:48:40.280
<v Speaker 2>Like no, because she knows.

0:48:41.360 --> 0:48:45.480
<v Speaker 1>The episode No, but I'm saying they left it open ended,

0:48:46.000 --> 0:48:49.680
<v Speaker 1>like it didn't feel like they'll never see each other again.

0:48:49.719 --> 0:48:53.319
<v Speaker 1>It felt like, well, she's just going to Montana to but.

0:48:53.320 --> 0:48:56.160
<v Speaker 2>She says in the episode, but if I can't keep

0:48:56.200 --> 0:48:59.240
<v Speaker 2>moving Zach, if I find a school, we're gonna stay.

0:48:59.400 --> 0:49:01.120
<v Speaker 1>He was so oh cute in this episode.

0:49:01.320 --> 0:49:02.640
<v Speaker 2>I know that GE's sdorable.

0:49:03.200 --> 0:49:06.800
<v Speaker 3>I feel like they told her like one episode or

0:49:06.840 --> 0:49:07.840
<v Speaker 3>two episodes before this.

0:49:08.000 --> 0:49:09.439
<v Speaker 2>Oh yeah, that's what I think too.

0:49:11.000 --> 0:49:11.680
<v Speaker 1>That sucks.

0:49:12.080 --> 0:49:14.719
<v Speaker 2>That's what's the worst. That's the craziest part of how

0:49:14.760 --> 0:49:16.839
<v Speaker 2>your jobs are? You get fired, but you have to

0:49:16.880 --> 0:49:19.560
<v Speaker 2>come back to work. It's like, oh, you're fired, but

0:49:19.680 --> 0:49:24.960
<v Speaker 2>you'll be working for another month. Oh okay, whoa. It's

0:49:24.960 --> 0:49:27.360
<v Speaker 2>like those poor people at Access Hollywood. Right now, the

0:49:27.440 --> 0:49:29.000
<v Speaker 2>show's done, but they have to work all the way

0:49:29.040 --> 0:49:30.520
<v Speaker 2>till September brutal.

0:49:31.600 --> 0:49:36.640
<v Speaker 1>My friend Mishka, Yeah yeah, but they're all excited. They're

0:49:36.719 --> 0:49:38.200
<v Speaker 1>all already onto their next thing.

0:49:39.120 --> 0:49:39.759
<v Speaker 2>Well that's good.

0:49:41.760 --> 0:49:47.080
<v Speaker 3>Clap on. Wait what's the next episode?

0:49:47.400 --> 0:49:51.440
<v Speaker 1>Oh my god, it doesn't matter what the title is,

0:49:51.640 --> 0:49:56.000
<v Speaker 1>it will mean nothing. It's called Rebound, Season eight, episode eighteen.

0:49:56.120 --> 0:50:00.319
<v Speaker 2>Steve's rebounding, maybe Brandon's rebounding. You're rebounding everyone?

0:50:00.360 --> 0:50:01.799
<v Speaker 1>Oh, everybody's rebounding.

0:50:02.000 --> 0:50:02.400
<v Speaker 2>Wow.

0:50:02.800 --> 0:50:05.560
<v Speaker 3>Oh wow. See that one means something, I guess. So

0:50:06.360 --> 0:50:08.399
<v Speaker 3>don't tell me there's any basketball in it or I'll

0:50:08.440 --> 0:50:08.960
<v Speaker 3>freak out.

0:50:09.000 --> 0:50:11.640
<v Speaker 2>Oh that's funny, that's funny. That's actually funny.

0:50:11.680 --> 0:50:12.400
<v Speaker 3>I'm not kidding it.

0:50:12.560 --> 0:50:14.840
<v Speaker 1>You love the sports show, you know I don't.

0:50:15.800 --> 0:50:18.640
<v Speaker 2>That's hilarious. Whatever happened to that cutie that played basketball?

0:50:18.640 --> 0:50:19.680
<v Speaker 2>That Tory should have dated?

0:50:19.719 --> 0:50:22.280
<v Speaker 3>But whatever? Oh was it? DeShawn?

0:50:22.800 --> 0:50:24.759
<v Speaker 2>Yeah that was a mess up.

0:50:26.239 --> 0:50:29.160
<v Speaker 1>Well you never know, honestly, at this point, what's gonna

0:50:29.160 --> 0:50:31.800
<v Speaker 1>happen next week, so I'm gotting to find out I

0:50:31.960 --> 0:50:34.319
<v Speaker 1>might be watching it. How about you?

0:50:34.360 --> 0:50:35.319
<v Speaker 2>Wait, what are we giving it?

0:50:35.440 --> 0:50:39.480
<v Speaker 1>I'm I give it an eight and a half seven,

0:50:39.719 --> 0:50:40.520
<v Speaker 1>sorry seven.

0:50:40.640 --> 0:50:42.240
<v Speaker 3>I'm gonna give it a seven point five.

0:50:43.960 --> 0:50:46.239
<v Speaker 1>Good scores that'll keep you around for another week.

0:50:46.680 --> 0:50:47.839
<v Speaker 3>Yeah, let's do it.