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Speaker 1: And welcome back to How Rude, Tana Ritos. Today's guest

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Speaker 1: is a very familiar face. Not only did we all

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Speaker 1: grow up as child actors on ABC's iconic TGIF lineup,

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Speaker 1: but we just went glamping together a few weeks ago

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Speaker 1: as part of a special episode of How Rude. She

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Speaker 1: is an actress, a director, and a highly accomplished choreographer,

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Speaker 1: but you may best know her as Al Lambert on

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Speaker 1: the beloved sitcom Step by Step. Please welcome to the pod, Christine.

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Speaker 2: Laken Woo woo he she is hiday By, Hi Brad

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Speaker 2: Hi naked Lakey. Welcome back. Sorry, but that's it.

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Speaker 3: I've ruined your good name with my nickname for you.

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Speaker 4: Did I ever have a good name?

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Speaker 3: No, you didn't, So I don't.

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Speaker 2: Feel too bad, okay, And just so you know.

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Speaker 3: We jump right into the interview, so uh so welcome.

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Speaker 3: There's no yeah, you know, there's no preparation or like

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Speaker 3: lead up or like hey, let's let's get in them now,

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Speaker 3: it's just we go.

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Speaker 4: Why why why start now? Why start now?

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Speaker 3: Christine needs so good to see you. Last we saw

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Speaker 3: you was uh was on our little blamping trip.

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Speaker 4: It was yes, out in the wilderness, the hard just

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Speaker 4: the wilderness, desertness right.

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Speaker 3: With with flowers, right, yeah it was and and uh

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Speaker 3: and and branded cornhole.

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Speaker 2: Cornhole, branded corn hole. That was fun. You were really

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Speaker 2: good at that, Christine. You were rocking your corn hole.

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Speaker 4: Yeah, every you know.

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Speaker 3: That sounds inappropriate. Yeah, yeah, just.

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Speaker 4: Rocking, rocking the holes. Yeah yeah, yeah, I'm not good

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Speaker 4: at things like that, but every now and then I

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Speaker 4: have like one good shot and then I just have

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Speaker 4: to stop. And then that's the way.

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Speaker 3: And I know, I think it's really you sunk one in.

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Speaker 4: Quite well, you sink one and then and.

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Speaker 3: Then you're like that's it. That's I'm done now bye.

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Speaker 4: Right all I needed to do, really, I don't like.

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Speaker 3: People wanting more.

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Speaker 4: That's right, That's what I tried to do. That was fun.

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Speaker 4: I really had a great time with you guys. And

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Speaker 4: we laughed a lot. Oh my god, we always laugh

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Speaker 4: a lot.

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Speaker 3: We have a ridiculous amounty fun together.

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Speaker 4: Yes, it's always good.

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Speaker 3: Well, we are so happy to have you on the

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Speaker 3: podcast again. And uh, it's you know, we've talked about

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Speaker 3: how much fun it is to renit, renite renight. I'm

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Speaker 3: going tonight now, so you reunite.

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Speaker 4: There.

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Speaker 3: We go there we go. Are are you okay?

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Speaker 4: I well know, I'm trying to deal with my my

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Speaker 4: lighting schematics.

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Speaker 2: Yeah, the glare and helped.

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Speaker 4: Back light and there's front light. And I'm not a DP,

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Speaker 4: but I'm trying to be my own.

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Speaker 3: From this is usually just for social media. It's we

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Speaker 3: don't post the video anywhere, much to people's dismay, but

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Speaker 3: it's because our guests can't figure out how to operate lines.

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Speaker 3: So I mean that way, I.

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Speaker 4: Can barely figure it out. So all right, now we're now.

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Speaker 3: We're just talking about what a great director you are,

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Speaker 3: and I feel like I have to take it all back.

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Speaker 5: You should now you know what your great director is

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Speaker 5: terrible DP. That's that's a different then CO two to

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Speaker 5: completely different jobs. Yes to you know, that's why you

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Speaker 5: hire good people. That's why you hire people that know

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Speaker 5: how to work a light.

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Speaker 2: It's true.

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Speaker 4: But you know what's funny on set like and you

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Speaker 4: might remember this, but it was, and I don't know

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Speaker 4: if you've been on other sets since, Like obviously when

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Speaker 4: you're working on a TV show and like everybody has

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Speaker 4: their jobs, but it feels quite collaborative and it's like

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Speaker 4: resetting your prop every now and then, or you're responsible

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Speaker 4: for certain things or whatever. But there are some sets

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Speaker 4: you get on, and especially when you're the new person.

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Speaker 4: For instance, as a director, I've been like, because I'm

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Speaker 4: just so used to working with props as an actor,

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Speaker 4: sometimes I'd be like, oh, let me just I'm just

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Speaker 4: gonna fux with this, and someone will come up and

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Speaker 4: be like, excuse me, may I help you with that?

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Speaker 4: Because everything is radiated. Yeah, yeah, yeah, thing is a

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Speaker 4: union and you're not supposed to touch that ladder. Well,

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Speaker 4: you know, we're not supposed to move that couch, but

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Speaker 4: I keep doing it.

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Speaker 3: I am the worst at that, again, because we're actors

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Speaker 3: and we're like and and it's because we're actors and

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Speaker 3: we do it, and nobody goes, that's my job. They're

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Speaker 3: just like the actors are touching things again, you know

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Speaker 3: what I mean? Right, And then you always see him

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Speaker 3: go over and like fix it or do it, you know,

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Speaker 3: like just because they're like, that's my job and I do.

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Speaker 3: And obviously, like you said, you work with people for

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Speaker 3: a while and you just kind of get a rapport.

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Speaker 3: But yeah, it is hard. Sometimes you come in and

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Speaker 3: you're like, oh, I'm just I'm just so used to

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Speaker 3: doing this thing and I'm gonna and they're like, don't

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Speaker 3: touch that, don't touch that, right.

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Speaker 4: And you're like, I'm sorry, you're doing it wrong.

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Speaker 3: Yeah, right right, And I'm like, I'm sorry.

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Speaker 1: Well as as women too, We're like, oh, let's fix up,

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Speaker 1: let's clean up, let's do this job, let's make it

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Speaker 1: all work, multitask, and they're like, no, right, we have

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Speaker 1: a department for that.

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Speaker 2: Don't cross union lines.

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Speaker 3: Oh yeah, yes, yeah, as much my house ran like that, right,

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Speaker 3: So I can't cross department lines and that's your job

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Speaker 3: to unload the dishwasher.

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Speaker 4: I think you should start implementing that. I should.

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Speaker 3: I mean, you know, I'm gonna have a union rep

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Speaker 3: in my house and we're going to we're gonna break

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Speaker 3: into some some guilds. We're gonna have an iazzi and

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Speaker 3: membership here, and we're gonna you know what, things are

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Speaker 3: gonna happen change.

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Speaker 4: I mean, listen, I don't want our industry to go

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Speaker 4: on strike again, but I'm not opposed to implementing one

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Speaker 4: inside my house. Oh God, on the ground, why are

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Speaker 4: there somebody socks on the ground? Can I ask you

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Speaker 4: a question? Do people just come in and their tiny

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Speaker 4: little feet are just so sweaty that they just have

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Speaker 4: to shed.

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Speaker 3: Socks under the table house and then you'll never find

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Speaker 3: the mate again.

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Speaker 4: No, this is like the bane of my existence in life,

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Speaker 4: is not finding the mate to tiny socks.

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Speaker 3: Well, speaking of other dramas, no, So, Christine, I know

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Speaker 3: we've talked a lot. I mean, you and I have

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Speaker 3: talked a lot about all sorts of things. But I

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Speaker 3: would love for people to kind of hear how you

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Speaker 3: got into the business as a child actor. They haven't

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Speaker 3: heard your story before, and you know, kind of how

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Speaker 3: you became Al Lambert and now the amazing industry. You know,

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Speaker 3: wonder kid that you are. I don't know, I'm having

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Speaker 3: a bad day. I had night sweats all last night.

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Speaker 3: I'm not Yeah, it's bullshit, I'm sorry. Yeah, it's we

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Speaker 3: called this podcast HRT for a reason, and yeah.

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Speaker 4: Yeah, I'm with you. I'm right there with you. Yes.

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Speaker 4: So I moved to Atlanta when I was six, and

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Speaker 4: I was never very good at sports because I'm I

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Speaker 4: was always a tiny little person, so so.

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Speaker 3: You are pocket sized.

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Speaker 4: I'm a pocket sized person. So team sports were always

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Speaker 4: just like a little bit hard for me. But dance

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Speaker 4: be kind of became my thing, and my mom really

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Speaker 4: wanted to involve me in a new you know, new community,

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Speaker 4: new school like community, such as a dance class. So

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Speaker 4: I went to a dance studio, was starting to take

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Speaker 4: some dance classes. They had acting on Fridays. I really

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Speaker 4: was into what is drama? I want to be in it.

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Speaker 4: I was the kid who from a very early age

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Speaker 4: was putting on place for my parents. I was an

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Speaker 4: only child. I was very creative, always having to entertain

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Speaker 4: myself and literally anyone else who would watch me, so

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Speaker 4: that watching Carol Burnett was a I just loved the

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Speaker 4: movie Annie, I loved her. I love the Carol Burnett Show.

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Speaker 4: So I really wanted to do things like that, and

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Speaker 4: drama class seemed like a natural sort of fit, so

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Speaker 4: we went. The teacher was also a manager, as many

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Speaker 4: times you would find in the business that happens, and

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Speaker 4: she managed a few kids and said, hey, have you

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Speaker 4: ever thought about putting your kid commercials? And my mom

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Speaker 4: was not. This was Atlanta. This was like a regional,

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Speaker 4: you know, kind of small town at the time, because

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Speaker 4: we're talking like eighties, not the where.

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Speaker 3: Did you move from? You said, you moved to Atlanta.

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Speaker 3: Where would where were you?

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Speaker 4: Originally? I was born in Dallas, only live there until

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Speaker 4: I was six months old. We moved to Maryland, lived

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Speaker 4: there for a few years, moved to Florida, lived there

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Speaker 4: for a few years, moved to Atlanta. So yeah, my

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Speaker 4: dad was My parents would say that they were corporate gypsies.

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Speaker 4: So my dad basically would start up some companies and

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Speaker 4: then get poached by another company to work for them

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Speaker 4: for a while. On the poached by another company. He

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Speaker 4: was sort of in the beginnings of what we now

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Speaker 4: know and what we are using now, which is Zoom.

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Speaker 4: But he did not create Zoom, but he created teleconference software,

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Speaker 4: got it for like back in the eighties for large

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Speaker 4: corporations to do it exactly what we're doing right now. Anyway,

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Speaker 4: So thanks Christine's dad, we wouldn't be here. Yeah, you

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Speaker 4: probably wouldn't have several modems but made and then bought

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Speaker 4: by Motorola without my father. Yeah, So anyway, we went

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Speaker 4: on a My mom said, Okay, yeah, sure, I mean

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Speaker 4: she seems to like it. I guess we could give

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Speaker 4: it a shot. But there was no like, no one

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Speaker 4: really thought this was going to be a thing. Went

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Speaker 4: on a few auditions, booked a few regionals, booked a

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Speaker 4: few national commercials. My mom was like, maybe we need

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Speaker 4: an agent. I don't know, this seems to be going well.

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Speaker 4: She seems to like it. So I started slowly doing

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Speaker 4: some just like very kind of small town things, print

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Speaker 4: jobs and few nationals and TV movies, blah blah blah.

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Speaker 4: Was doing theater with my theater company in South Georgia,

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Speaker 4: and strangely enough, Kirk and Candice Cameron's mom was there

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Speaker 4: and we did a show for the Make a Wish

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Speaker 4: Foundation and it's like a special show just for them

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Speaker 4: and his mom at the time was becoming a manager.

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Speaker 4: Wasn't sure agent manager, She wasn't sure which way she

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Speaker 4: was going. Anyway, her assistant approached my mom after the

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Speaker 4: show and said, we would love to talk more about

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Speaker 4: maybe representing Christina, California. That seemed like such a long shot.

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Speaker 4: How is that ever going to work? This is again,

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Speaker 4: before the time of zoom, So what are you doing

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Speaker 4: sending a beta tape? It's big to somebody to.

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Speaker 3: Be like, look at my demo, real you need a

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Speaker 3: movie theater size screen, but hold on.

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Speaker 4: Yes, So it was sort of like a long you know,

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Speaker 4: it's like a slow burn nine months or something of

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Speaker 4: them just sort of randomly talking. Eventually she decided to

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Speaker 4: get her license and become a manager, I believe, And

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Speaker 4: for my spring break that following spring, my mom took

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Speaker 4: me out to California, mostly for fun, but also it

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Speaker 4: was like, like waited, you know, right off the trip,

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Speaker 4: like maybe as a manager, and like do a demo

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Speaker 4: tape and just like have that beta tape ready to go? Yes.

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Speaker 4: So we came to the set of Full House, which

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Speaker 4: is the first time I ever met Jodi Sweeten, and

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Speaker 4: I was beside myself and I still have the picture.

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Speaker 4: I am wearing a stonewashed jean jumper and a great

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Speaker 4: It was my favorite outfit and I was a fan.

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Speaker 4: I mean, I watched the show, I knew everyone. I

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Speaker 4: believe we actually also met Andrea. I may have a

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Speaker 4: picture with you, but I don't believe. So nice. I

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Speaker 4: just remember being so so nice, and I remember going

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Speaker 4: back and telling all my friends about it, and I

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Speaker 4: was just like I'm at the cast a full House,

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Speaker 4: and like Uncle Jesse put his face right next to

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Speaker 4: mine and he smelled so good, and we have a

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Speaker 4: picture together, and I was like Kimmy was so nice

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Speaker 4: and she wasn't a nerd at all. She was so sweet.

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Speaker 4: But anyway, so that was just a really fun moment

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Speaker 4: for me. And I sat down on that glad chair

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Speaker 4: and I did a scene from the movie You all

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Speaker 4: I think were on maybe a break or dinner or something,

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Speaker 4: but they worked it out to shoot my demo tape

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Speaker 4: audition my monologue right on the set. So I sat

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Speaker 4: down in that on the set, which was like so

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Speaker 4: surreal for me because of course I'm just freaking right.

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Speaker 4: And I did a scene from the movie A Reconcilable

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Speaker 4: Differences in which the character played by Drew Barrymore divorces

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Speaker 4: her parents on the stand. Oh yeah, And my special

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Speaker 4: skill as a kid is that I could cry on

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Speaker 4: a cue, So I had that That's what they wanted

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Speaker 4: to showcase. I had this ability to just you know,

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Speaker 4: turn on the water works and do this whole thing

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Speaker 4: and blah blah blah. So anyway, I'm doing the doing

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Speaker 4: the thing, and who walks by in the control booths

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Speaker 4: because at that time, they were still control booths in

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Speaker 4: sitcom where people would see all the monitors what's happening.

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Speaker 4: But Bob Boyette and he said, like, what is this,

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Speaker 4: what's happening this child? You know, she's she's why is

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Speaker 4: she crying all the stuff. And we're doing a demo

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Speaker 4: tape and it's a favor and anyway, long story, long

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Speaker 4: story long. We go back to Atlanta a couple of

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Speaker 4: months later. You know, don't think again, don't think anything

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Speaker 4: of it. Right, they've been casting.

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Speaker 3: Its usually when it happens when you're like, I forgot

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Speaker 3: about that, right.

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Speaker 4: Yeah, And they were casting step by step. They had

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Speaker 4: every role locked but the role of Lambert. They had

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Speaker 4: had an actress and she had fallen through for various reasons,

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Speaker 4: and it was they were up against it. And Bob

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Speaker 4: Boyett said, where's that girl? Where's that tape? Someone find her? Wow?

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Speaker 4: And they did, and we got a call saying can

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Speaker 4: you be in California tomorrow? And I remember being like,

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Speaker 4: this is crazy, this is really crazy, Like no bities

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Speaker 4: across the country for an audition. I mean it was.

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Speaker 4: It was also nineteen ninety one, nineteen ninety at this time, right, so,

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Speaker 4: but again only child. My father traveled all the time.

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Speaker 4: We had tons of frequent flyer miles. My dad said,

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Speaker 4: if you want to do it, I've got the miles.

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Speaker 4: If you don't want to do it, no pressure. But

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Speaker 4: it's it's don't worry about it, Like, if you want

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Speaker 4: to do it, we can make it happen and it

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Speaker 4: might be just a great story. Like no pressure, it's

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Speaker 4: just like, yeah, so we did. So I flew out

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Speaker 4: with my mom, got in that night. The next morning

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Speaker 4: I had my audition. I went in for Tom Miller

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Speaker 4: and Bob Boyette and and the casting director and did

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Speaker 4: the did the scenes and they laughed and I walked

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Speaker 4: out and they said, well, she's on a plane tomorrow.

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Speaker 4: Do you want to see her again? And they were like, yeah,

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Speaker 4: bring her back. Cans. I can't knot? Can I like

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Speaker 4: date it again? I think, just make sure it wasn't

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Speaker 4: like a fluke right right, And got to call. The

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Speaker 4: next day I booked the pilot.

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Speaker 1: Yeah, yeah, I had no idea that it all started

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Speaker 1: on the Full House set.

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Speaker 3: That's crazy, that wild, it's so yeah, so interesting, and

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Speaker 3: but I mean, you know, Bob Boyett loves finding new

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Speaker 3: talent new you know. Yeah, yeah, it's funny, that's kind

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Speaker 3: of I mean, I did Valerie and that was how

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Speaker 3: I got cast on on Full House. Was again Tom,

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Speaker 3: Bob and the producers being like and Jeff being you know, like,

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Speaker 3: oh wait, that's who we you know, it's just funny.

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Speaker 3: You never again, you never know. That's the thing about

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Speaker 3: this business is like you never know what weird little

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Speaker 3: random thing, which is why I'm always like you going

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Speaker 3: to a pitch, meaning or you go do something and

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Speaker 3: like it doesn't go the way you want, You're like, yeah,

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Speaker 3: but it might go away. I don't even have any

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Speaker 3: idea how it's going to happen. I mean absolutely so.

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Speaker 3: But what an awesome experience.

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Speaker 4: Yeah, and of course, you know, doing a pilot, I

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Speaker 4: mean it was it was wild. Like we moved basically

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Speaker 4: from the Hilton and Woodland Hills and then all of

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Speaker 4: a sudden it was like, ooh, we all knows, like

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Speaker 4: they had us in like the Century Plaza Hotel. I

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Speaker 4: was like, oh my god, where did you guys shoot?

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Speaker 3: Step by step?

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Speaker 4: We shot the first two years at Culver Studios in

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Speaker 4: Culver City, That's right. But the craziest part, and like

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Speaker 4: we've talked about this on our podcast that I have

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Speaker 4: with Stacy Keenan, but the craziest part of that was

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Speaker 4: because I think Tom and Bob and you know, Michael

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Speaker 4: Warren and Bill Bickley. They had done so many shows, right,

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Speaker 4: they had they they knew the formulas. They was happy

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Speaker 4: these Lavernon Shirley, you know, Full House, like Perfect Strangers,

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Speaker 4: all these shows. They just had the formula down, and

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Speaker 4: I feel like they knew when they were gonna push

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Speaker 4: something to make it a hit. They had Susanne Summers

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Speaker 4: and Patrick Duffy like the most of us honestly were

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Speaker 4: interchangeable at any given moment, I'm sure, especially in the beginning.

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Speaker 4: But they wanted to put a lot behind it. So

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Speaker 4: the first two days of shooting that pilot, we shot

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Speaker 4: a title sequence at Magic Mountain where they shut the

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Speaker 4: entire place down, Like can we talk about that for

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Speaker 4: a minute, the amount of money.

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Speaker 2: Yeah, that's insane, that's ambitious.

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Speaker 4: Yeah, did you guys shoot the title sequence when you

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Speaker 4: shot the pilot?

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Speaker 3: We we shot that. We did shoot the title sequence,

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Speaker 3: but because ours was in San Francisco, they did like

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Speaker 3: they took up doubles to do like the the fishing

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Speaker 3: bridge and the fishing stuff and all that that's actually

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Speaker 3: in San Francisco, Like those are doubles and our stuff,

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Speaker 3: Like as they pulled out like that's all us in

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Speaker 3: like Griffith Park or something, and then they and then

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Speaker 3: it cuts to once they're far enough away to just

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Speaker 3: the car and the bridge. Yeah, but yeah, that's crazy crazy.

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Speaker 4: They also had doubles for us. They did not let

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Speaker 4: us ride Colossus, damn insurance, god stupid. But we did

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Speaker 4: ride the boat rides, and that's the one that everybody

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Speaker 4: like remembers going down the boat and splashing.

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Speaker 3: Right right right. It's sort of like Jurassic Park at Universal, Yes,

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Speaker 3: which I take angry on in every October.

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Speaker 4: She hates.

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Speaker 2: I hate it.

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Speaker 4: I hate it.

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Speaker 2: I don't like scary rides. I don't like scary things.

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Speaker 4: Do you think that's scary now?

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Speaker 2: Yeah, well just roller coasters. Yes, I can handle the

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Speaker 2: Jurassic Park ride. Okay, she can handle it.

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Speaker 3: She can handle it. It's the it's the fact that

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Speaker 3: it's at horror nights that really.

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Speaker 4: Is the thing.

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Speaker 2: That it's the horror nights that I hate.

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Speaker 4: The monsters.

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Speaker 3: We're prepping it now, we're starting that, we're just so

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Speaker 3: you know, this is the thing we do every year

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Speaker 3: that she says she's not going to do it, and

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Speaker 3: then we do it, and then she has a great time. Yes,

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Speaker 3: you're right, Wine from Smokehouse, Yeah.

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Speaker 2: It sounds and never oh no, enough of a whole

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Speaker 2: Hollywood horror nights.

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Speaker 3: No, I mean we could keep going. My favorite does

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Speaker 3: let's not please sh.

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Speaker 2: Sh no.

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Speaker 3: I was gonna say. I was telling ab before we

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Speaker 3: started that you and I were in acting class together

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Speaker 3: and you were talking about, you know, doing class and

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Speaker 3: the fact that you could like cry on cue and stuff,

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Speaker 3: and you I was always so intimidated by you in

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Speaker 3: class that lay in a bad way where I was like,

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Speaker 3: I can't compare it, but like you were just always

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Speaker 3: you could pick up a script and like a cold read,

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Speaker 3: you'd have it almost memorized, and like you would be

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Speaker 3: so in it. And I told her, I was like, man,

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Speaker 3: I just never did that. And I was like, probably

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Speaker 3: because I was fucking around in class. But anyway, but

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Speaker 3: and Christine was serious and like I'm here, but no,

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Speaker 3: you just you're like and you're just so talented. I

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Speaker 3: love I. You know, you're one of my favorite peeps.

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Speaker 3: And I just think you're super super talented and you

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Speaker 3: have been since you were a kid. And you know,

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Speaker 3: people saw you do again, you know, they see us

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Speaker 3: do sitcoms or whatever, and they're like, Oh, you must

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Speaker 3: just be fluff, but you're actually really, really freaking talented.

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Speaker 4: Oh thank you for saying that.

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Speaker 3: And you're a bad ass director. You've been directing the Goldbergs. Yeah,

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Speaker 3: you have been directing AFRICQE a while, so I'd love

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Speaker 3: to hear.

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Speaker 4: Yeah. I took a circuitous path along many routes and

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Speaker 4: various careers in the entertainment industry. But so I after

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Speaker 4: the show ended in nineteen ninety eight, I guess I

396
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Speaker 4: was in college. I went to UCLA and kind of

397
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Speaker 4: doing college and then also doing like the Guest Stars

398
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Speaker 4: and you know, the TV, the teen movies and this

399
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Speaker 4: is like the two early two thousands, just kind of

400
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Speaker 4: doing all that kind of stuff. I went back to

401
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Speaker 4: theater because it was always and a love of mine,

402
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Speaker 4: and it just just gave me a warm, fuzzy feeling.

403
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Speaker 4: I loved acting class. I loved acting class, being around actors,

404
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Speaker 4: I loved being around, you know, a theater company. And anyway,

405
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Speaker 4: in doing so, they needed a choreographer and I'd had

406
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Speaker 4: all this dance background, and I was sort of like,

407
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Speaker 4: I guess I could do it. I think I could

408
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Speaker 4: do it. I could do it. So I just start

409
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Speaker 4: choreographing for the theater company, and one thing leads to another,

410
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Speaker 4: and I start choreographing for other people, and then I

411
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Speaker 4: got nominated a bunch of times in la and theater stuff,

412
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Speaker 4: and just like again, just like kind of a snowball

413
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Speaker 4: of this is cool. I went to go do a

414
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Speaker 4: movie called Reefer Madness in Vancouver.

415
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Speaker 3: I wanted to do that movie so bad. I remember

416
00:20:43,720 --> 00:20:46,040
Speaker 3: when it was coming out and everyone was up for it,

417
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Speaker 3: and I remember when you got it and I was like, oh,

418
00:20:47,480 --> 00:20:49,760
Speaker 3: thank god it's Cristique because I was like, but I

419
00:20:49,800 --> 00:20:52,199
Speaker 3: was too young, I think at the time. Yeah, I

420
00:20:52,240 --> 00:20:54,399
Speaker 3: was definitely like still a teenager and people were like,

421
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Speaker 3: I don't know. I was like, but their teens in

422
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Speaker 3: the movie, I know, But.

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Speaker 4: So great, great. I mean, I was such a big

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Speaker 4: fan of the stage musical.

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Speaker 3: And yeah, I remember going to see it.

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Speaker 4: It's brilliant, brilliant, and so yeah, the little tiny part

427
00:21:08,920 --> 00:21:10,280
Speaker 4: of played Joan of Arc and then I did some

428
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Speaker 4: like dancing and stuff. But I was in Vancouver, as

429
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Speaker 4: you know, for a really long time because my scenes

430
00:21:14,359 --> 00:21:17,719
Speaker 4: were all there was rehearsal, and the scenes are kind

431
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Speaker 4: of all over the place, so the choreographer Marian Pelogg,

432
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Speaker 4: who's wonderful, said hey, could you come help me out

433
00:21:25,680 --> 00:21:28,600
Speaker 4: and be part of my skeleton crew, which is basically

434
00:21:28,680 --> 00:21:31,320
Speaker 4: just helping her be bodies to try different things, try

435
00:21:31,320 --> 00:21:33,600
Speaker 4: different shapes, and figure out what she wanted to do

436
00:21:33,680 --> 00:21:36,240
Speaker 4: with some of these other numbers. And in doing so,

437
00:21:36,320 --> 00:21:40,640
Speaker 4: I basically was able to shadow her throughout that entire process.

438
00:21:40,680 --> 00:21:43,560
Speaker 4: It was really amazing. Worked again with her as one

439
00:21:43,600 --> 00:21:47,800
Speaker 4: of her assistants on a movie called You Again for Disney. Anyway,

440
00:21:47,840 --> 00:21:50,120
Speaker 4: I say all of these things because again, you don't

441
00:21:50,160 --> 00:21:52,639
Speaker 4: you never really know where a path is going to

442
00:21:52,680 --> 00:21:56,480
Speaker 4: lead you. Yep, Sunday Stevens was the first ad on

443
00:21:57,359 --> 00:22:00,359
Speaker 4: You Again. And then after the movie, when on to

444
00:22:00,520 --> 00:22:03,120
Speaker 4: work on True Blood, I got a call after You Again.

445
00:22:03,160 --> 00:22:04,879
Speaker 4: After I'd worked with her now a couple of times,

446
00:22:04,920 --> 00:22:07,200
Speaker 4: I got a call and they said, hey, they need

447
00:22:07,240 --> 00:22:10,359
Speaker 4: a choreographer to come in. They're just they need somebody

448
00:22:10,400 --> 00:22:13,520
Speaker 4: to do just some like. It was basically social media

449
00:22:14,080 --> 00:22:18,359
Speaker 4: promos for their new season coming out, and it doesn't

450
00:22:18,400 --> 00:22:20,560
Speaker 4: pay a lot, but you know we need like so

451
00:22:20,600 --> 00:22:22,320
Speaker 4: we were going to call Mary ann Ella, who as

452
00:22:22,320 --> 00:22:24,359
Speaker 4: an emmy, but she's like I know someone that might

453
00:22:24,400 --> 00:22:26,800
Speaker 4: want to do that, and so I said, yeah, sure.

454
00:22:27,080 --> 00:22:30,879
Speaker 4: So I found all these hilarious actors and it was

455
00:22:31,040 --> 00:22:34,800
Speaker 4: Alexander Scarsguard and he's sitting there in the club, you know,

456
00:22:34,960 --> 00:22:38,480
Speaker 4: watching these people who came into audition to be these

457
00:22:38,960 --> 00:22:40,480
Speaker 4: you know, the people that were going to perform, and

458
00:22:40,520 --> 00:22:42,920
Speaker 4: it's funny and it's it's anyway. So that was kind

459
00:22:42,920 --> 00:22:45,320
Speaker 4: of my first thing. And I ended up doing a

460
00:22:45,359 --> 00:22:48,600
Speaker 4: bunch of episodes of True Blood and worked with Anna

461
00:22:48,680 --> 00:22:50,760
Speaker 4: Paquin and worked with a couple other people, and then

462
00:22:50,800 --> 00:22:53,679
Speaker 4: my name just started to get passed around. So I

463
00:22:53,720 --> 00:22:57,960
Speaker 4: suddenly had this like funny career as a side job

464
00:22:58,200 --> 00:23:01,760
Speaker 4: as a choreographer in film and television because I knew

465
00:23:01,800 --> 00:23:05,520
Speaker 4: how to talk to actors, but I also understood movement.

466
00:23:05,680 --> 00:23:08,240
Speaker 4: And I also said that a lot of actors aren't dancers,

467
00:23:08,920 --> 00:23:11,480
Speaker 4: so you have there's a certain language in which you

468
00:23:11,480 --> 00:23:13,359
Speaker 4: can't just be like it's a one, two three and

469
00:23:13,480 --> 00:23:16,480
Speaker 4: pivot up down and they're like, I'm sorry, what right? Right?

470
00:23:16,960 --> 00:23:20,200
Speaker 3: I say words, I don't dance. I'm yeah, yeah, you

471
00:23:20,240 --> 00:23:21,960
Speaker 3: want to the other big one right.

472
00:23:22,240 --> 00:23:25,280
Speaker 4: And a lot of actors are not super comfortable or

473
00:23:25,320 --> 00:23:27,840
Speaker 4: they don't have the confidence to think, like, I get

474
00:23:27,880 --> 00:23:29,400
Speaker 4: a lot of you know, I'm not a dancer. I'm

475
00:23:29,400 --> 00:23:31,439
Speaker 4: not a dancer. I'm like, I'm not asking you to be.

476
00:23:31,720 --> 00:23:32,960
Speaker 4: Let's just figure out what this is.

477
00:23:33,080 --> 00:23:34,879
Speaker 3: I mean, how many times did that happen to us

478
00:23:34,880 --> 00:23:35,359
Speaker 3: on Fuller?

479
00:23:36,080 --> 00:23:37,600
Speaker 4: Oh, I'm sure we had.

480
00:23:37,640 --> 00:23:41,240
Speaker 3: We had so many ridiculous dance numbers on that show.

481
00:23:41,600 --> 00:23:41,920
Speaker 4: We did.

482
00:23:42,320 --> 00:23:45,160
Speaker 3: We did a Bollywood number, we did like a giant,

483
00:23:45,640 --> 00:23:48,160
Speaker 3: we did a like the whole ballroom dancing thing.

484
00:23:48,280 --> 00:23:50,800
Speaker 2: The Irish dancing, Irish.

485
00:23:50,400 --> 00:23:54,720
Speaker 3: Dancing, we did the the engagement, uh you know street

486
00:23:54,840 --> 00:23:55,560
Speaker 3: dancing thing.

487
00:23:55,680 --> 00:23:59,320
Speaker 2: Oh yeah, I mean yeah, Chris Chris Judd had his hands,

488
00:23:59,400 --> 00:24:03,160
Speaker 2: that's Truey. He was always like, oh.

489
00:24:03,000 --> 00:24:09,760
Speaker 4: Boy, he's like a real choreographer. Yeah. So anyway, so

490
00:24:10,560 --> 00:24:14,040
Speaker 4: that eventually somehow led me after a bunch of you know,

491
00:24:14,600 --> 00:24:18,400
Speaker 4: random jobs all over the place. Again, it's just sort

492
00:24:18,440 --> 00:24:20,520
Speaker 4: of like who you know, my name got passed to

493
00:24:20,640 --> 00:24:23,840
Speaker 4: someone over at the Goldbergs. And I think it's because

494
00:24:23,840 --> 00:24:26,160
Speaker 4: I'd done an episode of Breaking In and the same

495
00:24:26,200 --> 00:24:30,399
Speaker 4: line producer working on that, and I started on that

496
00:24:30,440 --> 00:24:33,639
Speaker 4: show in season one and I became the choreographer for

497
00:24:33,680 --> 00:24:37,880
Speaker 4: all ten seasons and then somewhere around season five, I

498
00:24:37,920 --> 00:24:42,520
Speaker 4: started to pivot my career in another direction and wanting

499
00:24:42,560 --> 00:24:45,320
Speaker 4: to be more behind the scenes, wanting to, you know,

500
00:24:46,080 --> 00:24:50,320
Speaker 4: produce and pitch content, wanting to And that's when Jody

501
00:24:50,359 --> 00:24:52,960
Speaker 4: and I were working on Hollywood Darlings, and myself and

502
00:24:53,000 --> 00:24:55,240
Speaker 4: Jody and Beverly were around. We were trying to pitch

503
00:24:55,280 --> 00:24:58,280
Speaker 4: it and get that off the ground, and and it

504
00:24:58,359 --> 00:25:00,159
Speaker 4: was kind of like I had this kind of of

505
00:25:00,200 --> 00:25:03,160
Speaker 4: aha moment one day when I was sitting on set

506
00:25:03,240 --> 00:25:06,199
Speaker 4: for god knows how many hours and watching waiting for

507
00:25:06,280 --> 00:25:08,439
Speaker 4: my choreography moment to come up well, watching the monitor

508
00:25:08,440 --> 00:25:10,400
Speaker 4: and watching the director, and I just thought to myself,

509
00:25:10,960 --> 00:25:13,359
Speaker 4: Oh my god, I think that's the job I'm supposed

510
00:25:13,359 --> 00:25:16,720
Speaker 4: to be doing. Why am I not doing that? Because

511
00:25:16,760 --> 00:25:19,000
Speaker 4: I know how to now, I know how to do

512
00:25:19,040 --> 00:25:22,000
Speaker 4: that job, and I see all the things and I've

513
00:25:22,040 --> 00:25:23,959
Speaker 4: been like, and I know how to work with an actor.

514
00:25:24,800 --> 00:25:26,320
Speaker 4: That's the job I'm supposed to do. So I have

515
00:25:26,359 --> 00:25:27,960
Speaker 4: to get my hands on a camera and I have

516
00:25:28,040 --> 00:25:30,879
Speaker 4: to just start shooting so that I have something to

517
00:25:30,920 --> 00:25:33,399
Speaker 4: show somebody if the time ever comes. And so for

518
00:25:33,440 --> 00:25:37,000
Speaker 4: the next like four or five years, I put my

519
00:25:37,080 --> 00:25:39,479
Speaker 4: intention on that and it was really hard. It was

520
00:25:39,560 --> 00:25:42,720
Speaker 4: hard to break in. It was really hard to find

521
00:25:42,800 --> 00:25:47,199
Speaker 4: whatever that that avenue was going to be. And after

522
00:25:47,800 --> 00:25:50,920
Speaker 4: many years of trying to put that foot in the door,

523
00:25:50,960 --> 00:25:53,440
Speaker 4: that hat in the ring, whatever it was, they gave

524
00:25:53,480 --> 00:25:55,880
Speaker 4: me my first shot on the Goldbergs and then I'd

525
00:25:55,920 --> 00:25:58,000
Speaker 4: been with them for five or six years at that point,

526
00:25:58,600 --> 00:26:00,680
Speaker 4: and then and then I direct did for the rest

527
00:26:00,720 --> 00:26:03,920
Speaker 4: of yeah, for the rest of their run, so next

528
00:26:03,920 --> 00:26:06,560
Speaker 4: four years, and it was so some other stuff.

529
00:26:06,320 --> 00:26:07,960
Speaker 3: So awesome to see you get to do that. It

530
00:26:08,000 --> 00:26:08,600
Speaker 3: was really fun.

531
00:26:09,119 --> 00:26:13,200
Speaker 4: Thank you. It was. Yeah. I love that job. I

532
00:26:13,240 --> 00:26:16,800
Speaker 4: love that job so much. I love putting the pieces together,

533
00:26:16,840 --> 00:26:20,280
Speaker 4: and I really love I love working with actors. I

534
00:26:20,320 --> 00:26:23,800
Speaker 4: don't I don't. People ask if I miss acting. I

535
00:26:23,840 --> 00:26:27,240
Speaker 4: still act and at times like yes, it's fun, but

536
00:26:27,280 --> 00:26:32,080
Speaker 4: there's something there's something really satisfying to me about helping,

537
00:26:32,600 --> 00:26:36,800
Speaker 4: like helping the actor find whatever the comedic moment is,

538
00:26:36,880 --> 00:26:39,840
Speaker 4: or helping it like putting it together. It's just I

539
00:26:40,080 --> 00:26:41,920
Speaker 4: get a different kind of satisfaction out of it.

540
00:26:42,560 --> 00:26:44,399
Speaker 3: Well, and when you have like such a great director

541
00:26:44,440 --> 00:26:46,720
Speaker 3: who has so much experience and like you know, on

542
00:26:46,760 --> 00:26:48,560
Speaker 3: the other side of the camera too. It really does.

543
00:26:49,280 --> 00:26:53,400
Speaker 3: Having a director who has been an actor, I think

544
00:26:53,520 --> 00:26:56,040
Speaker 3: is always so helpful because it does it gives you

545
00:26:56,040 --> 00:26:59,679
Speaker 3: a different language to like communicate. It helps you understand,

546
00:26:59,800 --> 00:27:03,760
Speaker 3: you know, the stress or the you know, neurosis of

547
00:27:03,800 --> 00:27:06,480
Speaker 3: being in front of the camera. You know, all of that.

548
00:27:15,160 --> 00:27:19,560
Speaker 3: Hollywood Darlings. I know it was the highlight of our careers,

549
00:27:20,359 --> 00:27:22,600
Speaker 3: but it really was. We had so much fun doing

550
00:27:22,640 --> 00:27:26,639
Speaker 3: Hollywood Darlings. We were doing that during Fuller House. We

551
00:27:26,680 --> 00:27:28,840
Speaker 3: did a couple of seasons of that, and that's a

552
00:27:28,880 --> 00:27:33,520
Speaker 3: cute show, so much fun. Again, it was all improv,

553
00:27:34,320 --> 00:27:40,520
Speaker 3: which is something Christine is absolutely brilliant at. Like doing

554
00:27:40,600 --> 00:27:45,120
Speaker 3: improv with Christine in those scenes was just and and

555
00:27:45,320 --> 00:27:49,200
Speaker 3: she'd come in in an a costume with an outfit.

556
00:27:49,359 --> 00:27:51,760
Speaker 3: This girl has a costume closet like you wouldn't believe. Like,

557
00:27:51,800 --> 00:27:53,320
Speaker 3: if you ever need a thing, you're like, I have

558
00:27:53,359 --> 00:27:57,480
Speaker 3: to dress like Pinocchio for an audition, call Christine and

559
00:27:57,520 --> 00:28:00,000
Speaker 3: she'll be like, I got you, I got you.

560
00:28:00,080 --> 00:28:02,400
Speaker 4: So it's the theater. You can't get me out of

561
00:28:02,440 --> 00:28:05,400
Speaker 4: the Yeah, I've got you know, I've got the box

562
00:28:05,480 --> 00:28:06,680
Speaker 4: of tricks somewhere.

563
00:28:06,840 --> 00:28:09,600
Speaker 3: Oh it's so great. But I like doing that with

564
00:28:09,640 --> 00:28:11,119
Speaker 3: you was so much fun because it was such a

565
00:28:11,119 --> 00:28:16,680
Speaker 3: great exercise also in again improv and like just sort

566
00:28:16,720 --> 00:28:19,159
Speaker 3: of writing on the fly and editing and do you

567
00:28:19,200 --> 00:28:21,680
Speaker 3: know like doing a show like that where it's all improv.

568
00:28:22,359 --> 00:28:24,159
Speaker 3: You know, we a lot of times going to be

569
00:28:24,160 --> 00:28:24,840
Speaker 3: like what are we doing?

570
00:28:25,119 --> 00:28:26,919
Speaker 4: What? What are we doing? What are we this is?

571
00:28:27,000 --> 00:28:28,920
Speaker 4: This is Jody right before we felt what are we saying?

572
00:28:29,480 --> 00:28:31,120
Speaker 4: We're saying and I'm like, I think I'm saying something

573
00:28:31,119 --> 00:28:35,320
Speaker 4: about this and you're saying something. I We'll figure it out, right.

574
00:28:35,480 --> 00:28:40,640
Speaker 1: Like anyway, with the concept of Hollywood Darlings, did was

575
00:28:40,640 --> 00:28:42,600
Speaker 1: it the three of you or one person sort of

576
00:28:42,600 --> 00:28:44,280
Speaker 1: took the reins or how did it come to be?

577
00:28:44,800 --> 00:28:49,640
Speaker 3: Well, it started with Jimmy Fox and he had been

578
00:28:49,680 --> 00:28:52,520
Speaker 3: trying to put together like a show of different He

579
00:28:52,560 --> 00:28:54,520
Speaker 3: was a huge fan of like TGIF and sort of

580
00:28:54,560 --> 00:28:56,680
Speaker 3: all of those you know, t it cooms up. Beverly

581
00:28:56,680 --> 00:28:58,920
Speaker 3: Mitchell was also on Hollywood Darlings with us who was

582
00:28:58,960 --> 00:29:07,720
Speaker 3: on seven the other number they yeah, And anyway, so

583
00:29:07,920 --> 00:29:11,080
Speaker 3: we had been talking to Jimmy originally and he wanted

584
00:29:11,120 --> 00:29:13,280
Speaker 3: to do like the idea had started as like, oh,

585
00:29:13,440 --> 00:29:15,080
Speaker 3: they want to do a reality show, and we were

586
00:29:15,120 --> 00:29:17,000
Speaker 3: all like, we don't want to do a reality show.

587
00:29:17,360 --> 00:29:20,320
Speaker 3: We were like, we'll do a heightened reality show. We

588
00:29:20,400 --> 00:29:23,400
Speaker 3: will play sort of Curb your Enthusiasm as where we

589
00:29:23,400 --> 00:29:28,680
Speaker 3: will play versions of ourself that are leaning into our

590
00:29:28,800 --> 00:29:32,920
Speaker 3: most you know, sort of extreme extreme and like what

591
00:29:33,080 --> 00:29:35,200
Speaker 3: makes the dynamic of the you know, the three of

592
00:29:35,280 --> 00:29:37,200
Speaker 3: us the funniest because we had been friends for years,

593
00:29:37,200 --> 00:29:39,240
Speaker 3: so that was really how it came about. Was like

594
00:29:39,720 --> 00:29:41,320
Speaker 3: it had gotten pitched, you know. They were like, oh,

595
00:29:41,320 --> 00:29:42,440
Speaker 3: we want to do reality and we were like, we

596
00:29:42,480 --> 00:29:46,840
Speaker 3: won't do that, but we will play ourselves as characters.

597
00:29:47,160 --> 00:29:49,360
Speaker 3: And that was so much fun because it was a

598
00:29:49,520 --> 00:29:53,200
Speaker 3: rereadom of like getting to be yourself but also lean

599
00:29:53,280 --> 00:29:58,040
Speaker 3: into the extreme you know nature of your whatever.

600
00:29:58,560 --> 00:30:01,840
Speaker 4: Yeah, the ridiculous nature. Like you know, it's like the

601
00:30:01,840 --> 00:30:04,680
Speaker 4: there're the side of me that would be hippy, dippy

602
00:30:04,720 --> 00:30:08,280
Speaker 4: and spiritual and come with me to the sound back,

603
00:30:08,440 --> 00:30:11,440
Speaker 4: you know. And then there's like Jody who's like, what

604
00:30:11,440 --> 00:30:13,520
Speaker 4: do you mean sound back? You know, and then Beverly

605
00:30:13,680 --> 00:30:18,600
Speaker 4: was like, guys, right, guys, did see my labels? You know?

606
00:30:18,800 --> 00:30:20,480
Speaker 3: By the way, Andrew Keegan was the one that was

607
00:30:20,560 --> 00:30:23,040
Speaker 3: running the sound bath. So that was that. That was

608
00:30:23,120 --> 00:30:26,920
Speaker 3: a whole something didn't It wasn't that the episode?

609
00:30:26,960 --> 00:30:27,920
Speaker 4: Where was it?

610
00:30:27,960 --> 00:30:32,960
Speaker 3: You got complete? Something happened. We dumped something all over

611
00:30:33,000 --> 00:30:35,160
Speaker 3: You didn't.

612
00:30:35,080 --> 00:30:35,800
Speaker 4: Over, Andrea?

613
00:30:36,240 --> 00:30:39,800
Speaker 3: No, no, no, you the milk, the milk. Right.

614
00:30:40,280 --> 00:30:43,840
Speaker 4: That was when I wanted to be the spokesperson.

615
00:30:43,200 --> 00:30:45,960
Speaker 3: For boob right right right? Yes.

616
00:30:47,000 --> 00:30:47,520
Speaker 1: It was like.

617
00:30:47,480 --> 00:30:50,160
Speaker 4: What what was it? It was an acronym for something.

618
00:30:50,360 --> 00:30:53,280
Speaker 4: It was like breastfeeding mothers or something something. Yeah, it

619
00:30:53,400 --> 00:30:55,600
Speaker 4: was free the boobs or whatever, right, And you were

620
00:30:55,600 --> 00:30:55,920
Speaker 4: like I.

621
00:30:55,880 --> 00:30:57,720
Speaker 3: Want to be yeah, and you were like trying to

622
00:30:57,760 --> 00:30:59,479
Speaker 3: become the spokesperson for it, and we're like what are

623
00:30:59,480 --> 00:31:02,360
Speaker 3: you doing? And then you got like, yeah, just covered

624
00:31:02,360 --> 00:31:04,840
Speaker 3: in milk. I will never forget. I think we were

625
00:31:04,880 --> 00:31:09,200
Speaker 3: shooting in like the the church basement or something of that. Yeah, yeah,

626
00:31:09,320 --> 00:31:11,440
Speaker 3: and and and it was like all right, we're doing

627
00:31:11,480 --> 00:31:13,240
Speaker 3: the milk. I was like, oh my god. And it

628
00:31:13,360 --> 00:31:17,960
Speaker 3: was what commitments it was. I mean, you know how

629
00:31:18,000 --> 00:31:20,520
Speaker 3: it is, you know how these ab you and I

630
00:31:20,520 --> 00:31:22,240
Speaker 3: have done it where you're like all right, we're just

631
00:31:22,480 --> 00:31:23,760
Speaker 3: here we go. We're gonna get slimmed.

632
00:31:23,840 --> 00:31:26,240
Speaker 2: You gotta go big or just don't do it at all.

633
00:31:26,280 --> 00:31:29,360
Speaker 4: Right, yep, right, I feel like on Step by Step

634
00:31:29,400 --> 00:31:32,160
Speaker 4: there were so many now that I'm like rewatching it.

635
00:31:32,240 --> 00:31:35,200
Speaker 4: I haven't seen these episodes in a very long time,

636
00:31:35,480 --> 00:31:41,320
Speaker 4: but I'm amazed how many food fight, food on faces,

637
00:31:41,960 --> 00:31:44,800
Speaker 4: food moments. Yeah, there were a lot in Full House too.

638
00:31:46,040 --> 00:31:50,040
Speaker 3: Yeah, we had a fit, we had we had food moments,

639
00:31:50,120 --> 00:31:55,360
Speaker 3: but ours were also like you know, cars through kitchens,

640
00:31:56,120 --> 00:31:58,640
Speaker 3: concrete mixers through kitchens.

641
00:31:59,480 --> 00:32:03,560
Speaker 1: We had a lot of musical moments too, the musical montages.

642
00:32:03,400 --> 00:32:06,640
Speaker 3: Musical montages like you wouldn't believe, particularly the first I'm

643
00:32:06,680 --> 00:32:08,600
Speaker 3: convinced now that the first season of Full House is

644
00:32:08,600 --> 00:32:13,080
Speaker 3: actually musical. I didn't know it, but we are basically

645
00:32:13,320 --> 00:32:16,120
Speaker 3: just a motown musical is what we are.

646
00:32:16,760 --> 00:32:20,720
Speaker 1: Yeah, but it's so yeah to see You're like, oh,

647
00:32:20,720 --> 00:32:23,840
Speaker 1: that's what it was like. Because after not have you

648
00:32:23,880 --> 00:32:27,200
Speaker 1: ever seen Step by Step while you were filming it

649
00:32:27,320 --> 00:32:29,040
Speaker 1: or did you were just like I'm done, I don't

650
00:32:29,040 --> 00:32:29,680
Speaker 1: want to see it again.

651
00:32:30,200 --> 00:32:33,840
Speaker 4: No, no, no, I mean, as I said earlier, I

652
00:32:34,000 --> 00:32:37,920
Speaker 4: was such a huge tgi A fan. Okay, so I

653
00:32:38,000 --> 00:32:40,920
Speaker 4: was watching all the shows on Friday, and then when

654
00:32:40,960 --> 00:32:43,600
Speaker 4: I got on a show, it was very meta, like

655
00:32:43,720 --> 00:32:46,440
Speaker 4: it was I was excited to see it. I was

656
00:32:46,440 --> 00:32:48,520
Speaker 4: a fan of all of it. I just you know,

657
00:32:48,840 --> 00:32:51,080
Speaker 4: as it went on and I got into high school

658
00:32:51,080 --> 00:32:53,040
Speaker 4: and stuff, I sort of tried to pretend like I

659
00:32:53,080 --> 00:32:55,920
Speaker 4: didn't care as much, but I always thought it was

660
00:32:55,960 --> 00:32:58,360
Speaker 4: really fun. I mean, I was always really into it.

661
00:32:58,840 --> 00:33:01,080
Speaker 4: Stacy Keenan never watched an episode.

662
00:33:01,120 --> 00:33:04,120
Speaker 3: Now, yeah, we never watched. Okay, what's now you're doing

663
00:33:04,240 --> 00:33:07,000
Speaker 3: rewatch podcast? Just so yes, people know with you and

664
00:33:07,040 --> 00:33:10,040
Speaker 3: Stacy Keenan, what is the name of your rewatch podcast

665
00:33:10,080 --> 00:33:11,880
Speaker 3: so that we can get people to go check that

666
00:33:11,920 --> 00:33:12,440
Speaker 3: one out too.

667
00:33:13,040 --> 00:33:16,000
Speaker 4: Yes, it's called Keenan and Laken give you Deja Voo.

668
00:33:17,640 --> 00:33:21,000
Speaker 4: So we are recapping season one. We're almost at the

669
00:33:21,080 --> 00:33:23,440
Speaker 4: end of season one and then we'll start season two

670
00:33:24,600 --> 00:33:28,000
Speaker 4: early September. But yeah, we kind of recap the episode,

671
00:33:28,040 --> 00:33:29,760
Speaker 4: talk about it, and then we're and then we go

672
00:33:29,840 --> 00:33:33,000
Speaker 4: on the tangent of talking about like stuff we remember

673
00:33:34,240 --> 00:33:37,360
Speaker 4: certain things in our lives. What's really interesting about her

674
00:33:37,400 --> 00:33:39,680
Speaker 4: and I is that because I was the big fan

675
00:33:39,880 --> 00:33:42,120
Speaker 4: and I was the target audience, I mean, I was

676
00:33:42,160 --> 00:33:45,800
Speaker 4: the demographic, and she was my two dads, and she

677
00:33:46,080 --> 00:33:48,560
Speaker 4: had done all these other things, and she wasn't watching

678
00:33:48,640 --> 00:33:53,040
Speaker 4: the show, and like we had completely different memories of

679
00:33:53,120 --> 00:33:56,560
Speaker 4: the show because mine are very visceral, and she a

680
00:33:56,560 --> 00:34:01,080
Speaker 4: lot of times doesn't remember anything about action filming the show,

681
00:34:01,080 --> 00:34:04,280
Speaker 4: but remembers a lot of other things for being like sixteen,

682
00:34:04,680 --> 00:34:07,800
Speaker 4: Like the stories that she tells about her life and

683
00:34:07,840 --> 00:34:10,799
Speaker 4: the people that she knew in the nineties.

684
00:34:10,960 --> 00:34:13,160
Speaker 3: At sixteen, Yeah, yeah, are very.

685
00:34:13,000 --> 00:34:15,240
Speaker 4: Different than the people I was hanging out with at twelve.

686
00:34:15,480 --> 00:34:17,560
Speaker 4: I mean, you know, I was trying just to like

687
00:34:17,600 --> 00:34:21,319
Speaker 4: get close to JTT at the like you know, Ron McDonald, like.

688
00:34:21,800 --> 00:34:26,120
Speaker 2: Bake off for yes, get in line and start.

689
00:34:25,960 --> 00:34:31,960
Speaker 4: Going yeah hello. So that's actually really interesting there. There's

690
00:34:31,960 --> 00:34:34,080
Speaker 4: been a couple of stories she's already told me that

691
00:34:34,160 --> 00:34:37,360
Speaker 4: I had no idea happened, things that you know, between

692
00:34:37,880 --> 00:34:39,960
Speaker 4: her and Brandon Call and she got him in trouble

693
00:34:40,120 --> 00:34:42,919
Speaker 4: on accident once and I had no idea about any

694
00:34:42,920 --> 00:34:43,200
Speaker 4: of that.

695
00:34:43,400 --> 00:34:45,920
Speaker 3: Hey, thanks so much for listening to part one of

696
00:34:45,960 --> 00:34:48,600
Speaker 3: our interview with Christine Laken, And we have so much

697
00:34:48,680 --> 00:34:50,880
Speaker 3: more for you, so much more fun and laughs and

698
00:34:51,120 --> 00:34:53,799
Speaker 3: great questions in chatting with our good friend Christine, So

699
00:34:53,840 --> 00:34:55,680
Speaker 3: make sure and tune in for part two of our

700
00:34:55,719 --> 00:34:58,319
Speaker 3: interview with Christine Laken. In the meantime, make sure that

701
00:34:58,320 --> 00:35:00,319
Speaker 3: you're following us on Instagram so you can get those

702
00:35:00,360 --> 00:35:03,799
Speaker 3: fun behind the scenes pics and videos and all kinds

703
00:35:03,840 --> 00:35:06,800
Speaker 3: of new stuff, and that is at how Rude Podcast.

704
00:35:06,880 --> 00:35:08,719
Speaker 3: You can follow us on Instagram or you can send

705
00:35:08,760 --> 00:35:12,160
Speaker 3: us an email at howarudpodcast at gmail dot com. Don't

706
00:35:12,160 --> 00:35:14,480
Speaker 3: forget to like and subscribe to the podcast wherever you're

707
00:35:14,520 --> 00:35:16,839
Speaker 3: listening so that you can get the newest episodes as

708
00:35:16,880 --> 00:35:21,719
Speaker 3: soon as they come out. And just remember the door

709
00:35:21,760 --> 00:35:28,720
Speaker 3: is always open and it's always t G I F perfect. See,

710
00:35:28,800 --> 00:35:29,799
Speaker 3: I don't know. There we go.

711
00:35:29,880 --> 00:35:30,640
Speaker 4: See that was it?

712
00:35:31,120 --> 00:35:33,320
Speaker 2: You just needed a little rehearsal first, and now.

713
00:35:33,520 --> 00:35:35,719
Speaker 3: Correct that one's not my best. We're gonna get a

714
00:35:35,760 --> 00:35:38,960
Speaker 3: better part two is gonna have a better, better ten line.

715
00:35:39,080 --> 00:35:42,000
Speaker 2: Sorry, okay, okay, I believe you. I believe