WEBVTT - Tim's Tolkien Obsession & Amazon Prime's The Rings of Power

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<v Speaker 1>Pushkin. Hello and welcome to Cautionary Tales. I am Tim Harford.

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<v Speaker 1>This is one of our Cautionary Conversations episodes. We are

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<v Speaker 1>sponsored this week by Amazon Prime, the creators of the

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<v Speaker 1>Rings of Power. And I'm actually so excited i could pop.

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<v Speaker 1>I'm in the studio with Alice Fin's Cautionary Tales series producer.

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<v Speaker 1>And why am I so excited? Alis?

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<v Speaker 2>You're so excited because we're about to do a massive

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<v Speaker 2>rundown of all your favorite cautionary tales and the works

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<v Speaker 2>of your favorite author, Tolkien.

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<v Speaker 1>Yes, we're going to talk about Gerah Tolkien. We're going

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<v Speaker 1>to talk about the Rings of Power, and we're going

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<v Speaker 1>to talk about cautionary tales. It's like all my birthdays

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<v Speaker 1>and Christmas have come at the same time. I'm in

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<v Speaker 1>case you haven't guessed, I'm an absolutely massive fan of Tolkien.

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<v Speaker 1>I've been a massive fan of Tolkien for approximately forty

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<v Speaker 1>five years. And I think that Tolkien is full of

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<v Speaker 1>cautionary tales. And this new series, Rings of Power is

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<v Speaker 1>also full of cautioning tales. So that is what we're

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<v Speaker 1>going to talk about.

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<v Speaker 2>And I am this side of the glass today as

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<v Speaker 2>a non expert enthusiast who has also watched Rings of

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<v Speaker 2>Power and is also very excited to speak about it. Now,

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<v Speaker 2>if you haven't seen Rings of Power yet, there's something

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<v Speaker 2>for everyone in the mix. It's an action story, it's

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<v Speaker 2>a psychological thriller. It's a fantasy story. So make sure

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<v Speaker 2>you go and watch it.

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<v Speaker 1>My whole life has built up to this moment I've

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<v Speaker 1>been I sense that for you this is amazing. Obviously,

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<v Speaker 1>it's a fantasy about elves and orcs and all things

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<v Speaker 1>Tolkien esk, and we will get into that. But it

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<v Speaker 1>is also full of cautionary tales. It is full of

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<v Speaker 1>the kind of ideas that we explore in caution retales.

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<v Speaker 1>And as I was watching it, all kinds of things

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<v Speaker 1>sprung to mind, and I imagine they sprung to your

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<v Speaker 1>mind as well.

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<v Speaker 2>They certainly did.

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<v Speaker 1>Okay, so we should probably begin with a little bit

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<v Speaker 1>of background. The Rings of Power is a prequel to

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<v Speaker 1>the events of the Hobbit and the Lord of the Rings.

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<v Speaker 1>It is set thousands of years before those events. Tolkien

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<v Speaker 1>wrote enormous amounts of law, so this is a new

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<v Speaker 1>story set thousands of years before the Lord of the Rings.

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<v Speaker 1>We do meet some of the characters in the Lord

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<v Speaker 1>of the Rings. For example, we meet el Rond, we

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<v Speaker 1>meet Galadriel. They are elves, Elands, half Elven. They lived

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<v Speaker 1>for thousands of years, so you know you can meet

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<v Speaker 1>them as their younger selves before they became those later characters.

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<v Speaker 2>Yes, so l Rond we know later as an elf

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<v Speaker 2>ruler in Rivendell. Galadriel a very powerful royal Elf. They

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<v Speaker 2>are played by Robert Rameo and Morphind Clark rather brilliantly.

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<v Speaker 2>So Rings of Power gives us their origin stories. And

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<v Speaker 2>it's also the origin story of the Rings of Power

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<v Speaker 2>themselves and the One Ring, which there's quite a lot

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<v Speaker 2>of fuss about. So tim, what is going on with

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<v Speaker 2>those Well.

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<v Speaker 1>A lot of fuss about. This is about the Ring

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<v Speaker 1>and the quest to destroy the One Ring. The Rings

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<v Speaker 1>of Power were made under the influence of the Big

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<v Speaker 1>Baddie Saron. There were three made by and four the elves.

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<v Speaker 1>There were seven for the dwarves. There were nine immortal

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<v Speaker 1>men and wrought by himself the One Ring. And this

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<v Speaker 1>is a source of ultimate evil and corruption in the

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<v Speaker 1>Lord of the Rings. So in the Rings of Power

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<v Speaker 1>we get to see, well, why were these things made?

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<v Speaker 1>Who made them? And I imagine in season two, which

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<v Speaker 1>we haven't watched yet, we're going to see a little

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<v Speaker 1>bit more about the consequences of making them.

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<v Speaker 2>We actually see quite a few sort of mini origin

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<v Speaker 2>stories peppered throughout season one. So someone else we meet

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<v Speaker 2>is an ancestor of Aragon Izildon, who actually.

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<v Speaker 1>Sorry to correct you there, Alison Aragon is actually descended

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<v Speaker 1>from an Arian who is Isolu's brother, Thank you so,

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<v Speaker 1>But yes, Isldure, we know, from the Lord of the Rings,

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<v Speaker 1>famous tool who fails to destroy the One Ring when

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<v Speaker 1>he could have destroyed the One Ring. And he's you know,

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<v Speaker 1>a little bit of a muppet in the Rings of

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<v Speaker 1>Power as well, isn't he.

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<v Speaker 2>I was about to say, if I'm honest, it's not

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<v Speaker 2>looking good for him.

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<v Speaker 1>No, no, but there you go. I mean, the character

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<v Speaker 1>arc is consistent. You know, he makes mistakes. He's going

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<v Speaker 1>to make mistakes in the future. So we're going to

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<v Speaker 1>talk about some of the characters, and we are going

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<v Speaker 1>to talk about the cautionary tales they bring to mind

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<v Speaker 1>from the social science behind what happens in the Rings

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<v Speaker 1>of Power and some of the things that occur in

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<v Speaker 1>the Rings of Power that echo true stories that we

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<v Speaker 1>have told in cautionary tales, I should say there are

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<v Speaker 1>going to be some spoilers for season one. There are

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<v Speaker 1>not going to be any sort of spoilers for season

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<v Speaker 1>two because we haven't seen season two. It is out

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<v Speaker 1>on the twenty ninth of August on Amazon Prime. I

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<v Speaker 1>for one, am eagerly looking forward to it. So we

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<v Speaker 1>should begin with one of the key protagonists, the heroine,

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<v Speaker 1>one of the heroines of the Rings of Power, Galadriel.

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<v Speaker 1>We see her in The Lord of the Rings. Here

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<v Speaker 1>we see her as a child and then later as

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<v Speaker 1>an incredibly determined pursuer of evil. I say determined, I

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<v Speaker 1>mean maybe it's determined, Maybe it's obsessive, maybe it's irrational.

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<v Speaker 1>Everyone else seems to think that she's completely unhinged. Saron

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<v Speaker 1>has long since disappeared from the world, and yet Galadriel

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<v Speaker 1>will not give up the hunt for him.

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<v Speaker 2>So early on in the series covers a few centuries

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<v Speaker 2>of Galadriel's life. We see Gladriel and her beloved brother

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<v Speaker 2>Finrod battling Morgoth, who is a kind of evil entity

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<v Speaker 2>demonic actually who.

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<v Speaker 1>Moth Saron's boss, so he when he was defeated, Saron

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<v Speaker 1>took up the Baton and continued the pursuit of evil

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<v Speaker 1>in Middle Earth.

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<v Speaker 2>So Galadriel vows to take up her brother's mission, and

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<v Speaker 2>she spends centuries seeking out Sourn and this intangible evil

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<v Speaker 2>that she believes is there, And eventually others stop rallying

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<v Speaker 2>around the cause. She starts to seem like she might

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<v Speaker 2>just be kind of a lone zealot. And it all

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<v Speaker 2>comes to a head when she leads her company to

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<v Speaker 2>this sort of snowy wasteland.

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<v Speaker 1>It looks absolutely miserable, but because they're elves, I guess

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<v Speaker 1>they don't die of cold.

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<v Speaker 2>Absolutely. She thinks that she is seeing signs of Salon,

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<v Speaker 2>but others don't really believe that that's what she's seeing.

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<v Speaker 1>There are signs, right, but the signs are are centuries old.

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<v Speaker 1>So the fact that somebody wrote a sign hundreds of

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<v Speaker 1>years ago, what does that tell you now?

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<v Speaker 2>Right exactly? The threat is not imminent. There's this brush

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<v Speaker 2>with the snow troll. They lose faith in her, they

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<v Speaker 2>stop following her, and when they go home, she's commended

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<v Speaker 2>for her bravery. But it's all kind of a bit hollow.

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<v Speaker 1>It's very hollow. So the King of the Els, Gilgallard,

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<v Speaker 1>rewards her with a one way trip to Valenore, which.

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<v Speaker 2>Is false retirement, isn't it.

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<v Speaker 1>Yeah, it's kind of elf heaven, and I mean it's

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<v Speaker 1>supposed to be a big reward, but it doesn't feel

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<v Speaker 1>like a reward to her. Feels like she's basically being,

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<v Speaker 1>as you say, forcibly, retired and stripped of her duties,

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<v Speaker 1>and it feels like a punishment to her. It becomes

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<v Speaker 1>apparent later that Gilgalad did this deliberately. It's not just

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<v Speaker 1>that he meant to reward her, but she didn't really

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<v Speaker 1>view it as a reward. He wanted to take her

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<v Speaker 1>out of the picture. Because it becomes clear that Gilgallard,

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<v Speaker 1>the elf king, he thinks that Gladrial is actually the problem,

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<v Speaker 1>like the fact that there is still evil in the world.

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<v Speaker 1>There's evil in the world because Gladriuel is so obsessed

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<v Speaker 1>with evil. There's a line that a wind that can

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<v Speaker 1>blow out a fire can also fan the flames. One

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<v Speaker 1>of the things that really struck me here is Galadril

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<v Speaker 1>is treated a little bit like our whistle blowing hero

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<v Speaker 1>in Whistleblower on the twenty eighth Floor, which is our

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<v Speaker 1>episode about the equity finance fraud the equity finance Forward

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<v Speaker 1>was effectively the equivalent of Bernie Madoff's Ponzi scheme only

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<v Speaker 1>in the nineteen seventies. And the man who identified that

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<v Speaker 1>this fraud was taking place and delivered the evidence of

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<v Speaker 1>this fraud to the SEC cur it as an Exchange Commission,

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<v Speaker 1>the US financial regulator. He was then prosecuted by the SEC,

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<v Speaker 1>and obviously gladually is a rather more dynamic and compelling

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<v Speaker 1>and charismatic figure than Ray Dirk's. But the way that

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<v Speaker 1>we punish the people who are trying to alert us

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<v Speaker 1>to danger, I think is a is a theme in

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<v Speaker 1>certain caution detales, and very strongly a theme in the

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<v Speaker 1>early episode ser Rings of Power.

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<v Speaker 2>Yes, A key takeaway in that episode, the Whistleblower on

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<v Speaker 2>the twenty eighth Floor, is that whistleblowing is often far

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<v Speaker 2>more trouble than it's worth. You might be shunned, it

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<v Speaker 2>may be hard to find employment after. People don't like

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<v Speaker 2>bad news. Essentially, you lose your friends because your friends

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<v Speaker 2>are people from work.

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<v Speaker 1>It's difficult to survive financially and emotionally. They don't like

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<v Speaker 1>bad news, and also they often blame the messenger, not

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<v Speaker 1>because they don't just dislike the bad news, but because

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<v Speaker 1>the people who are willing to defy that social pressure

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<v Speaker 1>are often quite awkward. Whistleblower once contacted my colleagues at

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<v Speaker 1>the Financial Times. When my journalistic colleague picked up the phone,

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<v Speaker 1>the first line the whistleblower uttered was, my name is Tarantula.

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<v Speaker 1>That is not my real name. You just sound mad.

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<v Speaker 1>That's just who phone's a journalist and says my name

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<v Speaker 1>is Tarantela. Yeah.

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<v Speaker 2>You might not endear yourself to people by.

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<v Speaker 1>Doing that, really not. But it turns out, actually it

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<v Speaker 1>was a very important fraud that this person was blowing

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<v Speaker 1>the whistle on, and Ray Dirk's was a kind of

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<v Speaker 1>awkward character and glad Youel is in many ways extremely

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<v Speaker 1>obnoxious in this series. She rubs people up the wrong way.

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<v Speaker 1>She's absolutely convinced she's right. She doesn't hesitate to let

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<v Speaker 1>other people know that she thinks they're idiots, and this

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<v Speaker 1>turns out to be quite common behavior from whistleblowers.

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<v Speaker 2>She is right, but there are moments where you think, oh,

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<v Speaker 2>take a day off. We talk in that episode, particularly

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<v Speaker 2>about anti money laundering officers in banks, and there are

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<v Speaker 2>these examples of how when you blow the whistle on

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<v Speaker 2>a bank. You're blowing the whistle on regulatory failure. Yeah,

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<v Speaker 2>you're blowing the whistle on everyone not doing what they're

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<v Speaker 2>supposed to do.

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<v Speaker 1>You're telling people that they screwed up. This organization screwed up.

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<v Speaker 1>You screwed up. And my job is to tell you

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<v Speaker 1>that you screwed up. And it turns out that that's

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<v Speaker 1>your job title, but your actual job is to tick

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<v Speaker 1>some boxes, not make a fuss.

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<v Speaker 2>Don't rock the boat. And Gladriel is absolutely rocking the boat, right.

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<v Speaker 2>She's pointing to everyone's collective failure to vanquish evil and

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<v Speaker 2>to stay regilant. And it's a lot easier to dismiss

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<v Speaker 2>that lone voice that's screaming into the wind than to say, hey,

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<v Speaker 2>maybe we do actually have a problem here.

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<v Speaker 1>Yes, I mean there is another way of seeing this.

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<v Speaker 1>As anybody who's read The Lord of the Rings knows

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<v Speaker 1>Saron did not disappear. Saron comes back. We know Saron

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<v Speaker 1>comes back, and even if we haven't read The Lord

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<v Speaker 1>of the Rings, we kind of guess that Saron is

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<v Speaker 1>still out there, so we kind of narratively we know

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<v Speaker 1>Gladriel's right. And so there is such a thing as

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<v Speaker 1>as hindsight bias, and I think it's hard to avoid

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<v Speaker 1>that as a viewer of the series. So the classic

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<v Speaker 1>example of outcome bias is an experiment run by a

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<v Speaker 1>couple of psychologists in nineteen eighty eight Baron and Hershey.

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<v Speaker 1>Whether they're asking people to evaluate decisions. These might be

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<v Speaker 1>medical decisions, for example, or they might be financial decisions,

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<v Speaker 1>but they also explain how things worked out. So here's

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<v Speaker 1>a doctor, this is what the doctor did, and this

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<v Speaker 1>is in the ed what happened to the patient. And

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<v Speaker 1>people find it completely impossible to separate the decision making

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<v Speaker 1>process from the outcome. If you're told the outcome, you

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<v Speaker 1>can't neutually judge the process. And here we know the outcome.

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<v Speaker 1>We know sound's out there, so we know Gladriel's right.

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<v Speaker 1>So I think the storytellers have to work quite hard

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<v Speaker 1>in this series to make Gladriels seem irrational and seem unhinged.

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<v Speaker 2>When she's speaking about this intangible evil being out there,

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<v Speaker 2>what she keeps referencing as this inner intuition, it's not

0:11:45.290 --> 0:11:49.330
<v Speaker 2>really perceptible or measurable by her colleagues. They can only

0:11:49.410 --> 0:11:51.250
<v Speaker 2>kind of work with what's in front of them and

0:11:51.330 --> 0:11:53.410
<v Speaker 2>think about all the other things they need to balance.

0:11:53.570 --> 0:11:56.490
<v Speaker 1>Yeah, she thinks she's right. She thinks they're wrong. They

0:11:56.490 --> 0:11:58.090
<v Speaker 1>think the opposite. I mean, who's to judge?

0:11:58.170 --> 0:11:58.330
<v Speaker 3>Right?

0:11:59.170 --> 0:12:01.730
<v Speaker 2>I think there is another reading of Gladriel which is

0:12:01.770 --> 0:12:04.770
<v Speaker 2>possible here, which is that she is a grieving person

0:12:04.930 --> 0:12:09.930
<v Speaker 2>or a grieving elf. She takes on her brother's after

0:12:09.970 --> 0:12:12.010
<v Speaker 2>he dies, She takes his dagger. She says, his vow

0:12:12.090 --> 0:12:16.210
<v Speaker 2>became mine. She's grappling with her relationship with him even

0:12:16.250 --> 0:12:19.050
<v Speaker 2>though he's gone, which is sort of what grieving is.

0:12:19.530 --> 0:12:22.770
<v Speaker 2>There's a sense in which his death ignites this fire

0:12:22.850 --> 0:12:25.010
<v Speaker 2>in her. In her words, it whips up a tempest

0:12:25.050 --> 0:12:28.170
<v Speaker 2>that won't be quelled. Emotion and loss are kind of

0:12:28.210 --> 0:12:32.090
<v Speaker 2>propelling her on for l ron. For people observing her,

0:12:32.770 --> 0:12:35.410
<v Speaker 2>it seems like something's broken in her right. There's a

0:12:35.450 --> 0:12:38.490
<v Speaker 2>sense that emotion and anger are clouding her judgment rather

0:12:38.530 --> 0:12:42.650
<v Speaker 2>than helping her maybe see truths other people can't, which

0:12:42.930 --> 0:12:46.010
<v Speaker 2>reminds me of this trope of the mad woman that

0:12:46.050 --> 0:12:48.370
<v Speaker 2>we see kind of recur in history and in literature,

0:12:48.370 --> 0:12:53.210
<v Speaker 2>a powerful woman in particular whose emotion renders them overly dramatic,

0:12:53.330 --> 0:12:58.410
<v Speaker 2>overly passionate, It automatically undermines them in cautionary tails. It

0:12:58.490 --> 0:13:00.450
<v Speaker 2>reminds me of Anna Marie Jarvis.

0:13:00.970 --> 0:13:04.090
<v Speaker 1>Oh wow, Anamary Jarvis. That's that's a deep cut. I

0:13:04.210 --> 0:13:08.130
<v Speaker 1>like that. So, yes, the inventor of Mother's Day? Or

0:13:08.290 --> 0:13:10.770
<v Speaker 1>was she the inventor of Mother's Day? She certainly thought

0:13:10.930 --> 0:13:12.650
<v Speaker 1>she was the inventor of Mother's Day and then was

0:13:12.890 --> 0:13:14.210
<v Speaker 1>incredibly defensive of it.

0:13:14.610 --> 0:13:18.010
<v Speaker 2>Indeed, so her life's work, I mean, Anne Marie Jarvis

0:13:18.130 --> 0:13:21.050
<v Speaker 2>is also a grieving woman, right, Her life's work is

0:13:21.130 --> 0:13:24.970
<v Speaker 2>honoring her dad, mother, and she believes that that. Then

0:13:25.050 --> 0:13:27.490
<v Speaker 2>her day, Mother's Day gets co opted by these sort

0:13:27.530 --> 0:13:31.290
<v Speaker 2>of cynical interests, and she tries to take back what

0:13:31.370 --> 0:13:33.810
<v Speaker 2>she has created, and she's upset. I mean, of course

0:13:33.810 --> 0:13:34.410
<v Speaker 2>she's upset.

0:13:34.530 --> 0:13:38.970
<v Speaker 1>Yeah, But she starts writing very vitriolic letters and everything

0:13:39.090 --> 0:13:42.050
<v Speaker 1>is sort of painted as good and evil and sort

0:13:42.050 --> 0:13:46.330
<v Speaker 1>of the noble idea of Mother's Day. And these corrupt florists,

0:13:46.370 --> 0:13:50.250
<v Speaker 1>the evil florists who have you initially of course supported her.

0:13:50.730 --> 0:13:54.930
<v Speaker 4>Why don't you stop fraud against Mother's Day through misrepresentation

0:13:55.090 --> 0:13:58.690
<v Speaker 4>about founder. You know, no person in your town ever

0:13:58.850 --> 0:14:01.810
<v Speaker 4>gave a cent for Mother's Day, nor was its promoter.

0:14:02.610 --> 0:14:06.290
<v Speaker 4>No honest person would make such a claim. Stop the

0:14:06.330 --> 0:14:07.810
<v Speaker 4>deception and game.

0:14:09.810 --> 0:14:11.130
<v Speaker 1>It's a miserable story at the end.

0:14:11.210 --> 0:14:13.410
<v Speaker 2>I think it is so. She does write these letters,

0:14:13.410 --> 0:14:16.090
<v Speaker 2>but it is striking to me that she starts something,

0:14:16.210 --> 0:14:19.090
<v Speaker 2>or she is instrumental in starting something that is still

0:14:19.130 --> 0:14:21.690
<v Speaker 2>recognized in the US today. But in the end, Time

0:14:21.690 --> 0:14:24.850
<v Speaker 2>Magazine remembers her as just this old woman, a busy body,

0:14:24.890 --> 0:14:29.130
<v Speaker 2>a recluse, a bit of a weirdo. And there are many,

0:14:29.210 --> 0:14:32.250
<v Speaker 2>many ways. I think that Galadriel and Anna Marie Jarvis

0:14:32.290 --> 0:14:35.050
<v Speaker 2>are very different, but I do think they are both

0:14:35.330 --> 0:14:37.450
<v Speaker 2>judged very harshly by the societies they live in.

0:14:37.570 --> 0:14:40.170
<v Speaker 1>Did Galadriel ever throw a Mother's Day salad on the floor.

0:14:40.850 --> 0:14:43.970
<v Speaker 2>I wouldn't put it past her. But they're judged for

0:14:44.050 --> 0:14:46.530
<v Speaker 2>their extremes of emotion and for the fire that lights

0:14:46.530 --> 0:14:48.130
<v Speaker 2>in them and the missions that gives them.

0:14:48.730 --> 0:14:51.050
<v Speaker 1>I think Gladril is going to come out very well

0:14:51.170 --> 0:14:53.330
<v Speaker 1>in the end. Well, I think we know that she is.

0:14:53.370 --> 0:14:54.370
<v Speaker 1>But I think you're right.

0:14:54.930 --> 0:14:57.690
<v Speaker 2>I will say overall, in Rings of Power, women come

0:14:57.690 --> 0:15:01.170
<v Speaker 2>across very well. They are very powerful, very wise, very brave.

0:15:01.610 --> 0:15:04.290
<v Speaker 1>Yes, But Gladriel, she certainly has an edge to her,

0:15:04.370 --> 0:15:08.650
<v Speaker 1>so Gladriola's Radix, the equity finance whistleblower, gladriel as Anna,

0:15:08.690 --> 0:15:12.810
<v Speaker 1>Marie J. Harvest, the salad hurling creator of Mother's Day.

0:15:13.050 --> 0:15:15.370
<v Speaker 1>These are depths that I had not previously seen in

0:15:15.410 --> 0:15:18.050
<v Speaker 1>the Rings of Power. We will plumb more depths and

0:15:18.090 --> 0:15:20.970
<v Speaker 1>we will explore more parallels after the break.

0:15:32.490 --> 0:15:36.210
<v Speaker 2>Okay, Tim, picture the scene. You're at home in Oxford,

0:15:36.330 --> 0:15:40.570
<v Speaker 2>in your living room, waging a very intriguing dungeons and

0:15:40.650 --> 0:15:41.450
<v Speaker 2>Dragons campaign.

0:15:41.930 --> 0:15:45.770
<v Speaker 1>Okay, it's all too easy to picture all of us

0:15:46.130 --> 0:15:47.490
<v Speaker 1>the typical Tuesday.

0:15:48.130 --> 0:15:50.130
<v Speaker 2>Well, it's all about to change. All of a sudden,

0:15:50.690 --> 0:15:54.290
<v Speaker 2>there's an almighty crash and through the floorboards appears an

0:15:54.370 --> 0:15:57.330
<v Speaker 2>ork who has been undermining your house. What are you

0:15:57.370 --> 0:15:57.690
<v Speaker 2>gonna do?

0:15:58.090 --> 0:16:01.250
<v Speaker 1>Okay, yeah, I'm hid in the cupboard. I think would

0:16:01.290 --> 0:16:02.250
<v Speaker 1>be my reaction.

0:16:02.130 --> 0:16:03.970
<v Speaker 2>That that's fair, because they're terrifying.

0:16:04.330 --> 0:16:07.850
<v Speaker 1>They are absolutely terrifying. In the Wings of Power. We

0:16:07.890 --> 0:16:11.090
<v Speaker 1>should just remind people. I'm Tim Harford, eur Alice find

0:16:11.410 --> 0:16:13.610
<v Speaker 1>we are sponsored by Amazon Prime and the Rings of Power,

0:16:13.610 --> 0:16:16.770
<v Speaker 1>and we're talking about parallels between the Rings of Power

0:16:17.170 --> 0:16:22.890
<v Speaker 1>and cautionary tales. And yes, they are spine chilling.

0:16:23.090 --> 0:16:25.130
<v Speaker 2>Spine chilling. They spend a lot of time digging that

0:16:25.250 --> 0:16:27.690
<v Speaker 2>scene I just described in fact unfolds in the show.

0:16:28.370 --> 0:16:30.530
<v Speaker 2>I have to say I would back you more than

0:16:30.570 --> 0:16:32.890
<v Speaker 2>most to survive the Orc Apocalypse.

0:16:33.930 --> 0:16:34.930
<v Speaker 1>Any particular reason.

0:16:35.610 --> 0:16:40.850
<v Speaker 2>Your extensive knowledge the enemy, the enemy, you know that weaknesses.

0:16:40.810 --> 0:16:44.090
<v Speaker 1>Yes, well sunlight one of the weekness. Yeah, which which

0:16:44.610 --> 0:16:46.930
<v Speaker 1>indeed the Orcs are planning to do something about that

0:16:46.970 --> 0:16:51.850
<v Speaker 1>particular problem in this series. But no, there they just

0:16:52.650 --> 0:16:56.570
<v Speaker 1>are unsettling. They're like something kind of a horror movie

0:16:57.010 --> 0:17:00.970
<v Speaker 1>rather than an action film. Here, they're thoroughly chilling, which

0:17:00.970 --> 0:17:05.210
<v Speaker 1>I think is is very welcome development in the Rings

0:17:05.250 --> 0:17:07.730
<v Speaker 1>of Power. But yes, so they've got this project though,

0:17:07.770 --> 0:17:10.410
<v Speaker 1>the Orcs, they have a project not just interested in

0:17:11.170 --> 0:17:14.810
<v Speaker 1>butchering livestock and kidnapping people and shooting people full of arrows,

0:17:14.810 --> 0:17:16.250
<v Speaker 1>although they do do plenty of that.

0:17:16.250 --> 0:17:18.650
<v Speaker 2>That's also a hobby. Yeah, I mean, we'll come to

0:17:18.690 --> 0:17:21.330
<v Speaker 2>the project. But I do have a question for you. First.

0:17:22.290 --> 0:17:26.090
<v Speaker 2>Rings of Power sort of elucidates where Orcs come from.

0:17:26.330 --> 0:17:30.650
<v Speaker 2>They are these twisted, tortured elves according to Gladriel. Yes,

0:17:31.210 --> 0:17:34.050
<v Speaker 2>I've not totally got my head around it. There seems

0:17:34.050 --> 0:17:36.410
<v Speaker 2>to be a limitless supply of them. How does this work?

0:17:36.650 --> 0:17:40.090
<v Speaker 1>Yes, well, I think orcs are quite feckened. I think

0:17:39.970 --> 0:17:42.610
<v Speaker 1>orks like to get busy with other orcs, and yes,

0:17:42.810 --> 0:17:45.570
<v Speaker 1>or I mean there are certain scenes where they appear

0:17:45.610 --> 0:17:48.410
<v Speaker 1>to be almost manufactured. But yes, I think they are.

0:17:49.650 --> 0:17:53.450
<v Speaker 1>They breed quickly as a race, and yes, Galadriel says

0:17:53.450 --> 0:17:59.170
<v Speaker 1>they're twisted elves. Tolkien himself actually gave different accounts of

0:17:59.170 --> 0:18:01.610
<v Speaker 1>where orcs came from. I mean, this is almost like

0:18:01.610 --> 0:18:06.090
<v Speaker 1>a theological thing for him. Could the master of all evil,

0:18:06.210 --> 0:18:08.610
<v Speaker 1>mor Goth? Could he create life? Or could he only

0:18:09.170 --> 0:18:13.170
<v Speaker 1>twisted pervert life? And so he had different different views.

0:18:13.170 --> 0:18:15.650
<v Speaker 1>But I think the view that is most popular, that's

0:18:15.690 --> 0:18:18.450
<v Speaker 1>expressed in the Lord of the Rings is that Morgarth

0:18:18.530 --> 0:18:21.930
<v Speaker 1>took elves and then he twisted elves in mockery and

0:18:22.010 --> 0:18:25.090
<v Speaker 1>turned them into into orcs. And that was the worst

0:18:25.090 --> 0:18:27.210
<v Speaker 1>thing he ever did, was to take elves and to

0:18:27.250 --> 0:18:29.130
<v Speaker 1>turn them into too orcs. It was of all the

0:18:29.210 --> 0:18:31.810
<v Speaker 1>evil acts he commits over thousands of years, and he

0:18:31.810 --> 0:18:34.850
<v Speaker 1>gets up to all sorts of mischief, the creation of

0:18:34.890 --> 0:18:37.930
<v Speaker 1>the orcs was that was the worst, the most spiteful

0:18:37.970 --> 0:18:42.170
<v Speaker 1>thing he did. But anyway, wherever they came from, their

0:18:42.410 --> 0:18:49.370
<v Speaker 1>their back and they are undermining, literally undermining human civilization. Serious.

0:18:49.530 --> 0:18:52.690
<v Speaker 2>This sense of them as an inversion of something is

0:18:52.770 --> 0:18:55.730
<v Speaker 2>very interesting. There's something kind of corpse like about them.

0:18:55.730 --> 0:18:59.530
<v Speaker 2>They're sort of bloated, rotting sun, sunken flesh almost kind

0:18:59.530 --> 0:19:02.770
<v Speaker 2>of it's like they shouldn't exist, really, I suppose, which

0:19:02.770 --> 0:19:04.890
<v Speaker 2>is partly what makes them terrifying.

0:19:04.970 --> 0:19:07.690
<v Speaker 1>Yes, and they killed, they kill things, so they kill livestock,

0:19:07.730 --> 0:19:11.370
<v Speaker 1>and they chop down tree and for no obvious reason,

0:19:11.450 --> 0:19:15.450
<v Speaker 1>they just destruction for destruction's sake. But in the end

0:19:15.490 --> 0:19:16.170
<v Speaker 1>they do have a plan.

0:19:16.290 --> 0:19:20.250
<v Speaker 2>They have a plan. We see them in prisoning elves

0:19:20.290 --> 0:19:23.410
<v Speaker 2>in what seems to be a kind of prison camp.

0:19:23.930 --> 0:19:26.330
<v Speaker 2>I would say, yeah, and we don't know what they're

0:19:26.330 --> 0:19:29.090
<v Speaker 2>building at first. We find out later yes.

0:19:29.170 --> 0:19:32.570
<v Speaker 1>Yes, but both humans and elves are being kidnapped and

0:19:32.730 --> 0:19:35.850
<v Speaker 1>enslaved and put to work on this project. So the

0:19:35.890 --> 0:19:38.890
<v Speaker 1>leader of the Orcs, who is this character called ad.

0:19:38.650 --> 0:19:41.090
<v Speaker 2>Are played terrifyingly by Joseph Moore.

0:19:41.770 --> 0:19:43.810
<v Speaker 1>He is very unsettling and we're trying to work out

0:19:43.850 --> 0:19:45.650
<v Speaker 1>who he is and where he came from and what

0:19:45.770 --> 0:19:47.650
<v Speaker 1>his connection is to Sarah. And that's one of the

0:19:47.690 --> 0:19:51.210
<v Speaker 1>mysteries of the show, But I think you've identified him.

0:19:51.450 --> 0:19:57.210
<v Speaker 1>He's a fair enoughon Brown.

0:19:55.450 --> 0:19:56.810
<v Speaker 2>Isn't Did you want to unpack that a bit?

0:19:57.210 --> 0:19:57.530
<v Speaker 4>Well?

0:19:57.690 --> 0:20:02.370
<v Speaker 1>As listeners to our epic V two Rocket trilogy will know,

0:20:02.690 --> 0:20:05.170
<v Speaker 1>Von Brown was this not so much brilliant engineer or

0:20:05.170 --> 0:20:09.250
<v Speaker 1>brilliant scientists, but brilliant coordinator of scientists, brilliant project manager

0:20:09.450 --> 0:20:14.010
<v Speaker 1>who had this vision of going to the Moon and

0:20:14.730 --> 0:20:21.170
<v Speaker 1>didn't really care who was hurt in seeing that vision realized.

0:20:21.530 --> 0:20:24.130
<v Speaker 1>And so while it all worked out very well for him,

0:20:24.130 --> 0:20:25.890
<v Speaker 1>in the end, he ended up working for NASA and

0:20:25.890 --> 0:20:30.610
<v Speaker 1>making films with Disney and living the American dream. He

0:20:30.850 --> 0:20:33.890
<v Speaker 1>first of all, was probably the single most important person

0:20:34.130 --> 0:20:36.810
<v Speaker 1>involved in the building of the V two rocket, which

0:20:36.850 --> 0:20:39.930
<v Speaker 1>is a weapon of mass destruction and targeted I mean

0:20:39.970 --> 0:20:42.090
<v Speaker 1>we're not really targeted at all, but to the extent

0:20:42.130 --> 0:20:44.330
<v Speaker 1>that it was even vaguely aimed, it was aimed at civilians.

0:20:44.570 --> 0:20:47.490
<v Speaker 1>So you're trying to kill civilians, and they successfully did

0:20:47.610 --> 0:20:50.570
<v Speaker 1>kill civilians with this rocket, and he didn't seem to

0:20:50.570 --> 0:20:52.810
<v Speaker 1>care because hate he's got funding to build rockets, and

0:20:52.890 --> 0:20:54.410
<v Speaker 1>he wants to build rockets, and in the end he's

0:20:54.450 --> 0:20:57.130
<v Speaker 1>going to go to the Moon. And then the second thing,

0:20:57.170 --> 0:20:59.490
<v Speaker 1>and this is the even closer parallel with the rings

0:20:59.490 --> 0:21:03.810
<v Speaker 1>of power, the use of concentration camp labor in just

0:21:03.850 --> 0:21:08.370
<v Speaker 1>the most appalling conditions, thousands and thousands and thousands of

0:21:08.370 --> 0:21:13.010
<v Speaker 1>people dying Indora Middle Bow, and Von Brown basically did

0:21:13.050 --> 0:21:16.290
<v Speaker 1>not seem to care. He was indifferent because he had

0:21:16.330 --> 0:21:17.170
<v Speaker 1>his vision.

0:21:17.770 --> 0:21:22.930
<v Speaker 2>What we discover about the massive construction project that the

0:21:22.970 --> 0:21:26.010
<v Speaker 2>elves and humans are working on is that in a sense,

0:21:26.050 --> 0:21:28.330
<v Speaker 2>it's all leading up to a kind of weapon of

0:21:28.370 --> 0:21:31.890
<v Speaker 2>mass destruction as well. Right, they're digging all these tunnels.

0:21:33.490 --> 0:21:35.650
<v Speaker 2>We don't know what it's for, but they're digging away.

0:21:35.890 --> 0:21:38.850
<v Speaker 2>And eventually in the series we see a kind of

0:21:38.850 --> 0:21:42.050
<v Speaker 2>would be lackey of Souron, who's longing for Souron's return,

0:21:42.650 --> 0:21:47.890
<v Speaker 2>put this sort of like a sword into a landmark

0:21:48.210 --> 0:21:51.570
<v Speaker 2>that triggers floods that run through the tunnels they've been digging,

0:21:52.210 --> 0:21:56.650
<v Speaker 2>that trigger a kind of volcanic eruption, I suppose. And

0:21:56.690 --> 0:22:01.490
<v Speaker 2>what unfolds are these horrendous fiery scenes that are reminiscent

0:22:01.490 --> 0:22:02.250
<v Speaker 2>of a bomb going off.

0:22:02.290 --> 0:22:05.490
<v Speaker 1>Really yea, it is like somebody just dropped an atomic

0:22:05.530 --> 0:22:08.290
<v Speaker 1>bomb on Middle Earth. That's how it reads. What has

0:22:08.290 --> 0:22:11.610
<v Speaker 1>actually happened is that ad Are and his orcs and

0:22:11.650 --> 0:22:16.570
<v Speaker 1>their slave labor have reactivated Mount Doom. They have taken

0:22:16.610 --> 0:22:19.810
<v Speaker 1>this dormant volcano and they have reactivated it, and it

0:22:19.930 --> 0:22:26.170
<v Speaker 1>explodes absolutely catastrophically, the extraordinary scenes. It's an absolute disaster.

0:22:26.410 --> 0:22:29.090
<v Speaker 2>I've always wondered where Mount Doom comes from. So this

0:22:29.210 --> 0:22:29.450
<v Speaker 2>is it.

0:22:29.610 --> 0:22:32.650
<v Speaker 1>This is it according to the Rings of Power Cannon,

0:22:32.890 --> 0:22:35.530
<v Speaker 1>so it was originally Ora dro In as a mountain

0:22:36.210 --> 0:22:39.810
<v Speaker 1>at the heart of the Southlands stroke Mordor sort of

0:22:39.850 --> 0:22:44.010
<v Speaker 1>symbiotic with Saron. So when Saron is there in Mordoor

0:22:44.210 --> 0:22:47.730
<v Speaker 1>and powerful Ora dro In is active, and when Saron

0:22:48.370 --> 0:22:51.650
<v Speaker 1>is dormant, oro In is dormant. When in the Rings

0:22:51.690 --> 0:22:54.210
<v Speaker 1>of Power, it's a very deliberate plan by add Are.

0:22:54.810 --> 0:22:59.090
<v Speaker 1>He causes this massive steam explosion and that causes in

0:22:59.410 --> 0:23:02.650
<v Speaker 1>Mount Doom to erupt. And we know, having read Lord

0:23:02.650 --> 0:23:05.490
<v Speaker 1>of the Rings, that in the end Mount Doom will

0:23:05.530 --> 0:23:09.450
<v Speaker 1>be where Saron's powerful Ring. You know, the ultimate, the

0:23:09.450 --> 0:23:11.930
<v Speaker 1>one Ring is going to be forged in Mount Doom

0:23:11.970 --> 0:23:15.210
<v Speaker 1>and it can only be destroyed in Mount Doom. So,

0:23:15.410 --> 0:23:18.250
<v Speaker 1>as well as being this cataclysmic event, as far as

0:23:18.250 --> 0:23:20.890
<v Speaker 1>the Wings of Power are concerned, we also know that

0:23:20.930 --> 0:23:23.770
<v Speaker 1>this is paving the way for the return of Sarah,

0:23:23.890 --> 0:23:25.490
<v Speaker 1>and it's going to pave the way for the creation

0:23:25.690 --> 0:23:26.730
<v Speaker 1>of the evil.

0:23:26.770 --> 0:23:29.970
<v Speaker 2>That is the one ring, which brings me to another thought,

0:23:30.250 --> 0:23:33.130
<v Speaker 2>which is that there are very big questions in this

0:23:33.250 --> 0:23:36.570
<v Speaker 2>series about what evil is, where it can be found,

0:23:36.850 --> 0:23:39.690
<v Speaker 2>how do we deal with it? Is it something you choose?

0:23:40.490 --> 0:23:43.250
<v Speaker 2>Is it an act of self determination? Is it something

0:23:43.250 --> 0:23:47.930
<v Speaker 2>you inherit? For example, the Southlanders early on, they're not

0:23:47.970 --> 0:23:50.930
<v Speaker 2>to be trusted because in their veins flows the blood

0:23:50.970 --> 0:23:53.610
<v Speaker 2>of their ancestors who allied themselves with More Goth.

0:23:53.690 --> 0:23:55.930
<v Speaker 1>Right, Yes, which is very deterministic, right as a sort

0:23:55.970 --> 0:23:59.410
<v Speaker 1>of you know, it's racial determinism. Absolutely, they are the

0:23:59.450 --> 0:24:01.970
<v Speaker 1>descendants of people who serve More Goth and therefore you

0:24:01.970 --> 0:24:02.730
<v Speaker 1>can't trust them.

0:24:02.970 --> 0:24:06.290
<v Speaker 2>It's this concept of evil is something primitive within us,

0:24:06.330 --> 0:24:09.770
<v Speaker 2>I suppose, But also evil maybe something you choose or deny.

0:24:09.850 --> 0:24:12.090
<v Speaker 1>But yes, there is this sense. A lot of the

0:24:12.130 --> 0:24:17.930
<v Speaker 1>people that we see have had their choices predetermined. I mean,

0:24:17.970 --> 0:24:20.450
<v Speaker 1>add are the leader of the Orcs. Interestingly, he argues

0:24:20.490 --> 0:24:23.890
<v Speaker 1>that they have free will and they need to be

0:24:23.930 --> 0:24:25.890
<v Speaker 1>viewed as individuals with names and soone that's one of

0:24:25.890 --> 0:24:28.330
<v Speaker 1>the reasons why they love him. But I think in

0:24:28.490 --> 0:24:32.410
<v Speaker 1>the in the universe of Tolkien, the Orcs are irredeemably

0:24:32.690 --> 0:24:36.450
<v Speaker 1>evil and the elves are inherently good. But one of

0:24:36.490 --> 0:24:38.890
<v Speaker 1>the really interesting questions is, well, where does that leave

0:24:38.930 --> 0:24:42.210
<v Speaker 1>the humans? And the humans are have moral agency, the

0:24:42.290 --> 0:24:44.370
<v Speaker 1>humans get to choose. The humans have to choose, and

0:24:44.450 --> 0:24:46.090
<v Speaker 1>some of them choose well, and some of them choose

0:24:46.130 --> 0:24:46.610
<v Speaker 1>very badly.

0:24:47.330 --> 0:24:50.290
<v Speaker 2>I did have another thought actually, as I was traveling here,

0:24:50.770 --> 0:24:54.050
<v Speaker 2>Ada is in fact mistaken for Sarin at some point.

0:24:54.690 --> 0:24:57.370
<v Speaker 2>He doesn't take that well. But that points to another

0:24:57.450 --> 0:24:58.650
<v Speaker 2>issue with evil, right.

0:24:58.610 --> 0:25:03.050
<v Speaker 1>Well, absolutely so Ada looks very unsettling. He's this scarred

0:25:03.130 --> 0:25:07.370
<v Speaker 1>or corrupted elf. He's coded as a bad guy, and

0:25:07.530 --> 0:25:09.570
<v Speaker 1>he's a bad guy, you know, he he does all

0:25:09.610 --> 0:25:12.730
<v Speaker 1>kinds of terrible things. The Orcs look horrendous. We know

0:25:12.810 --> 0:25:15.810
<v Speaker 1>the Orcs are evil, and the elves look beautiful and

0:25:15.890 --> 0:25:20.170
<v Speaker 1>do good things. So there is in Tolkien's universe, and

0:25:20.210 --> 0:25:22.450
<v Speaker 1>in the universe of the Rings of Power, there is

0:25:23.250 --> 0:25:28.090
<v Speaker 1>this association of people who look beautiful also being morally beautiful.

0:25:28.130 --> 0:25:31.130
<v Speaker 1>And you know, evil is worn on the surface, so

0:25:31.290 --> 0:25:35.210
<v Speaker 1>evil creatures look evil. Except it's not always like that

0:25:35.250 --> 0:25:36.890
<v Speaker 1>it's not always like that in Tolkien, and it's not

0:25:36.890 --> 0:25:39.170
<v Speaker 1>always like that in the Rings of Power, and.

0:25:39.130 --> 0:25:41.810
<v Speaker 2>It's not always like that in real life, I think either.

0:25:42.050 --> 0:25:44.210
<v Speaker 1>I certainly agree that it's not always like that in

0:25:44.250 --> 0:25:47.970
<v Speaker 1>real life. The favorite themes of cautionary tales, which we

0:25:48.010 --> 0:25:52.690
<v Speaker 1>come to again and again is the deceiver, the plausible deceiver.

0:25:53.290 --> 0:25:56.490
<v Speaker 1>So going right back to one of our very first

0:25:56.530 --> 0:25:59.890
<v Speaker 1>cautionary tales, the Rogue dressed as a captain, where this

0:26:00.210 --> 0:26:05.290
<v Speaker 1>impoverished shoemaker and a petty criminal Wilhelm Vot got hold

0:26:05.330 --> 0:26:08.890
<v Speaker 1>of a second hand army captain's uniform. This is in

0:26:08.930 --> 0:26:12.650
<v Speaker 1>the early nineteen hundreds in Berlin, and just started bossing

0:26:12.650 --> 0:26:15.370
<v Speaker 1>around a platoon of soldiers he found on the street,

0:26:15.570 --> 0:26:18.530
<v Speaker 1>and you know, he's wearing a captain's uniform, and so

0:26:18.730 --> 0:26:21.010
<v Speaker 1>they do what he says because he looks the part.

0:26:21.090 --> 0:26:23.890
<v Speaker 1>And it's funny, but it's also it's quite dark, because

0:26:23.890 --> 0:26:27.570
<v Speaker 1>we know we understand where this unconditional obedience to people

0:26:27.610 --> 0:26:33.210
<v Speaker 1>in uniform later goes. And then of course there's Harold Shipman,

0:26:33.250 --> 0:26:37.610
<v Speaker 1>who's this kindly trusted community doctor who is one of

0:26:37.610 --> 0:26:41.570
<v Speaker 1>the worst serial killers ever in human history anywhere in

0:26:41.570 --> 0:26:43.450
<v Speaker 1>the world and he you know, he doesn't look like

0:26:43.450 --> 0:26:46.050
<v Speaker 1>a serial killer. He looks like the person who's going

0:26:46.130 --> 0:26:49.450
<v Speaker 1>to take care of your grandmother. So you would think

0:26:49.530 --> 0:26:52.370
<v Speaker 1>that's not part of the way that Tolkien views things,

0:26:52.410 --> 0:26:54.130
<v Speaker 1>that's not part of the way that The Rings of

0:26:54.170 --> 0:26:56.890
<v Speaker 1>Power portrays the world. But then you realize, oh no,

0:26:57.450 --> 0:27:01.210
<v Speaker 1>there are people in this universe who are not what

0:27:01.290 --> 0:27:04.090
<v Speaker 1>they seem. And one of the pleasures of watching this

0:27:04.130 --> 0:27:06.290
<v Speaker 1>season is trying to figure out who looks good and

0:27:06.410 --> 0:27:08.650
<v Speaker 1>is actually good and who's hard to place. And I

0:27:08.650 --> 0:27:11.410
<v Speaker 1>would say, I think, and we said they'd be spoilers

0:27:11.410 --> 0:27:13.370
<v Speaker 1>for the season one, and I don't want to spoil this.

0:27:13.970 --> 0:27:16.490
<v Speaker 1>We know Sarahon's coming back. I think there are four people,

0:27:17.250 --> 0:27:20.130
<v Speaker 1>at least four people in the Rings of Power who

0:27:20.530 --> 0:27:24.090
<v Speaker 1>who plausibly contenders contenders for being Sarah. And one of

0:27:24.130 --> 0:27:26.290
<v Speaker 1>the pleasures is to try to figure out who it

0:27:26.330 --> 0:27:29.290
<v Speaker 1>actually is or maybe it's maybe it's none of those four,

0:27:29.690 --> 0:27:33.210
<v Speaker 1>but yes, none of them well, with the exception of

0:27:33.210 --> 0:27:35.970
<v Speaker 1>ad Are. They don't look like Saron, they don't code

0:27:35.970 --> 0:27:39.370
<v Speaker 1>as Saron. What you're trying to see through is, okay,

0:27:39.690 --> 0:27:43.970
<v Speaker 1>the Orcs look evil, Ada looks evil. Mount doom looks evil,

0:27:44.290 --> 0:27:48.090
<v Speaker 1>that sword looks evil, but Saron himself is the great deceiver,

0:27:48.490 --> 0:27:51.690
<v Speaker 1>and he looks exactly how he chooses to look. And

0:27:51.730 --> 0:27:53.530
<v Speaker 1>that is one of the big challenges.

0:27:54.290 --> 0:27:57.130
<v Speaker 2>Now that you mentioned catching a Killer doctor. Our episode

0:27:57.170 --> 0:28:00.770
<v Speaker 2>about Harold Shipman, I am reminded of Karnaman and Teverski's

0:28:00.850 --> 0:28:05.530
<v Speaker 2>representativeness heuristic and this idea that certain things kind of

0:28:05.610 --> 0:28:09.410
<v Speaker 2>fit into our pre established frameworks. Yeah, and we may

0:28:09.410 --> 0:28:10.130
<v Speaker 2>not question.

0:28:09.930 --> 0:28:15.170
<v Speaker 1>Them, basically, absolutely not, absolutely so. So Shipman just fitted

0:28:15.170 --> 0:28:17.850
<v Speaker 1>into the kindly doctor shaped box that we have in

0:28:17.890 --> 0:28:19.930
<v Speaker 1>our heads. We've got this kind of stereotype of the

0:28:20.010 --> 0:28:22.170
<v Speaker 1>community doctor who goes door to door and is always

0:28:22.210 --> 0:28:24.690
<v Speaker 1>taken care of his patients and nothing's too much trouble.

0:28:24.730 --> 0:28:27.530
<v Speaker 1>And he just fit perfectly into that box, just so.

0:28:27.530 --> 0:28:30.290
<v Speaker 2>Much so that some people were actually thrilled that he

0:28:30.370 --> 0:28:33.250
<v Speaker 2>was coming to comfort their aged relatives. Yes, and the

0:28:33.530 --> 0:28:34.530
<v Speaker 2>dying hours.

0:28:34.210 --> 0:28:37.250
<v Speaker 1>Absolutely, but how how kind that he would he would

0:28:37.250 --> 0:28:39.410
<v Speaker 1>call on them where when no one else was around

0:28:39.450 --> 0:28:42.050
<v Speaker 1>in the middle of the day, and and oh and

0:28:42.370 --> 0:28:45.610
<v Speaker 1>then they died, And how wonderful it was that Shipman,

0:28:45.690 --> 0:28:48.770
<v Speaker 1>of all people, their doctor was there in that moment

0:28:49.210 --> 0:28:51.690
<v Speaker 1>to comfort them. And to be present they didn't die alone.

0:28:51.770 --> 0:28:53.730
<v Speaker 1>Of course was a reason they didn't die alone, which

0:28:53.730 --> 0:28:56.690
<v Speaker 1>because he murdered them and watched them die for reasons

0:28:56.730 --> 0:28:59.010
<v Speaker 1>that are still still unclear and I think will never

0:28:59.050 --> 0:29:03.530
<v Speaker 1>become clear. But yes, that representativeness heuristic is very, very powerful.

0:29:05.010 --> 0:29:07.610
<v Speaker 1>We should take a break, and I think we are

0:29:07.650 --> 0:29:11.450
<v Speaker 1>going to talk about one five theme in Tolkien and

0:29:11.610 --> 0:29:13.890
<v Speaker 1>how that is reflected in some of my some of

0:29:13.930 --> 0:29:16.690
<v Speaker 1>my favorite ideas from cautionary tales. We'll do that after

0:29:16.730 --> 0:29:30.570
<v Speaker 1>the break. We're back. I'm Tim Harford. I'm here in

0:29:30.570 --> 0:29:34.330
<v Speaker 1>the studio with producer Alice Fines. We are being sponsored

0:29:34.330 --> 0:29:38.730
<v Speaker 1>this week by Amazon Primes series The Rings of Power,

0:29:39.330 --> 0:29:43.570
<v Speaker 1>and we're having a cautionary conversation about what cautionary tales

0:29:43.770 --> 0:29:48.770
<v Speaker 1>spring to mind when you watch this epic series set

0:29:48.850 --> 0:29:52.570
<v Speaker 1>in Tolkien's Middle Earth. Alice, what sprung to your mind?

0:29:53.370 --> 0:29:57.650
<v Speaker 2>This isn't strictly a cautionary tale, but something we see

0:29:57.770 --> 0:30:03.010
<v Speaker 2>throughout the series is this idea that evil is somehow contagious,

0:30:03.530 --> 0:30:09.450
<v Speaker 2>so by touching darkness you will be changed. That happens

0:30:09.450 --> 0:30:11.730
<v Speaker 2>to Gladriel. There's kind of a sense in which she's

0:30:11.850 --> 0:30:15.050
<v Speaker 2>changed in wheys she can't quite convey to others, and

0:30:15.330 --> 0:30:18.570
<v Speaker 2>in that sense, knowing evil cuts you off from other people.

0:30:18.770 --> 0:30:20.570
<v Speaker 2>So she says, you have not seen what I've seen,

0:30:20.850 --> 0:30:23.410
<v Speaker 2>and she knows others believe evil infects you as well.

0:30:23.450 --> 0:30:26.130
<v Speaker 2>So you mentioned earlier this idea of the same winds

0:30:26.130 --> 0:30:28.570
<v Speaker 2>that seek to blow out a fire may also cause

0:30:28.610 --> 0:30:33.170
<v Speaker 2>it spread. Which is an interesting problem, yes, because it

0:30:33.290 --> 0:30:35.250
<v Speaker 2>raises a very practical issue, which is how do you

0:30:35.450 --> 0:30:38.810
<v Speaker 2>deal with evil? You know, it's not a single cautionary tail,

0:30:38.970 --> 0:30:42.370
<v Speaker 2>but many of our cautionary tales look at cruelty and

0:30:42.410 --> 0:30:44.770
<v Speaker 2>look at where cruelty comes from, and also how do

0:30:44.810 --> 0:30:45.570
<v Speaker 2>we respond to it?

0:30:45.850 --> 0:30:48.810
<v Speaker 1>Yes, and how the elves want to respond to it

0:30:48.850 --> 0:30:51.090
<v Speaker 1>is to bury their heads in the sand. They are

0:30:51.650 --> 0:30:56.490
<v Speaker 1>very keen at the beginning of this season to conclude

0:30:56.530 --> 0:30:59.490
<v Speaker 1>that makes it evil has been permanently banished, Saren has

0:30:59.490 --> 0:31:04.210
<v Speaker 1>gone forever. Gladual is a problem because Gladiel keeps insisting

0:31:04.290 --> 0:31:07.650
<v Speaker 1>that evil has not been vanquished and Saren has not gone,

0:31:08.130 --> 0:31:10.490
<v Speaker 1>And in the end she gets blamed not just from

0:31:10.690 --> 0:31:12.570
<v Speaker 1>causing a fuss, but maybe she is the source of

0:31:12.610 --> 0:31:14.010
<v Speaker 1>evil in making such a.

0:31:13.890 --> 0:31:16.490
<v Speaker 2>Fuss to somehow perpetuating it.

0:31:16.650 --> 0:31:19.850
<v Speaker 1>Absolutely, absolutely because of the anger that lives inside her

0:31:20.010 --> 0:31:23.010
<v Speaker 1>this denial. It reminded me of a couple of Caution

0:31:23.170 --> 0:31:27.210
<v Speaker 1>Tales episodes. So one fairly recent episode, How Britain Ignored

0:31:27.250 --> 0:31:31.170
<v Speaker 1>the Mother of All Secrets, which was this extraordinary story

0:31:31.210 --> 0:31:34.210
<v Speaker 1>about how during the Second World War and the British

0:31:34.210 --> 0:31:37.610
<v Speaker 1>were told in some detail by an incredible piece of

0:31:37.890 --> 0:31:42.410
<v Speaker 1>espionade brave intelligence leak. They were told that the Germans

0:31:42.450 --> 0:31:46.570
<v Speaker 1>had defensive radar and therefore if the British flew sorties

0:31:46.730 --> 0:31:49.690
<v Speaker 1>over Germany, the Germans would see them coming and would

0:31:49.690 --> 0:31:52.930
<v Speaker 1>shoot them down as a very very important piece of information,

0:31:53.530 --> 0:31:56.410
<v Speaker 1>and they just would not believe. They see photographs of

0:31:56.450 --> 0:31:59.890
<v Speaker 1>the radar equipment. But they're even told before the war.

0:31:59.970 --> 0:32:02.250
<v Speaker 1>They're told by a German officer. He's on a kind

0:32:02.290 --> 0:32:03.770
<v Speaker 1>of like a I don't know, it's like a student

0:32:03.770 --> 0:32:06.850
<v Speaker 1>exchange kind of thing. He shows up because they were

0:32:06.890 --> 0:32:09.090
<v Speaker 1>how are you chaps getting on with radar? We know

0:32:08.970 --> 0:32:11.810
<v Speaker 1>you are making progress and we're making progress too. In fact,

0:32:11.850 --> 0:32:14.330
<v Speaker 1>we think we're ahead of you, and that that astonishing

0:32:14.530 --> 0:32:18.810
<v Speaker 1>conversational tipbit just gets lost. So there's a there's a

0:32:18.890 --> 0:32:21.890
<v Speaker 1>huge amount of wish for thinking, I think because the

0:32:21.930 --> 0:32:25.890
<v Speaker 1>British want to believe that the Germans don't have this technology.

0:32:25.890 --> 0:32:27.730
<v Speaker 1>They want to believe they're superior. They want to believe

0:32:27.770 --> 0:32:30.050
<v Speaker 1>that their technology is superior, and they want to believe

0:32:30.050 --> 0:32:31.850
<v Speaker 1>that this it would be bad if the Germans had this,

0:32:31.890 --> 0:32:34.170
<v Speaker 1>so they don't want to believe it's true. And that

0:32:34.210 --> 0:32:37.530
<v Speaker 1>denial continues for well over a year after they should

0:32:37.530 --> 0:32:41.170
<v Speaker 1>have realized. And yeah, and the Elves are in the

0:32:41.210 --> 0:32:45.610
<v Speaker 1>same denial. They always wanting to rationalize the way indications

0:32:45.610 --> 0:32:47.170
<v Speaker 1>that Sarahn maybe has returned.

0:32:47.410 --> 0:32:50.490
<v Speaker 2>So, however, we're going to confront evil. It seems that

0:32:50.530 --> 0:32:53.450
<v Speaker 2>acknowledging it's there is the first step.

0:32:53.210 --> 0:32:56.130
<v Speaker 1>I think very very important, really helpful to know what

0:32:56.170 --> 0:32:58.450
<v Speaker 1>you're facing. And that, I mean, there's another example of this,

0:32:58.490 --> 0:33:00.810
<v Speaker 1>and this maybe gives you more sympathy for the for

0:33:00.890 --> 0:33:05.170
<v Speaker 1>the elf King's position, which is our pandemic episode that

0:33:05.210 --> 0:33:09.610
<v Speaker 1>turned to Pascagoula, which is all about deer asters that

0:33:09.650 --> 0:33:14.650
<v Speaker 1>are predictable and predicted. So we compare and contrast the

0:33:14.650 --> 0:33:19.930
<v Speaker 1>spread of COVID with Hurricane Katrina. Everyone knew that New

0:33:20.050 --> 0:33:23.170
<v Speaker 1>Orleans was vulnerable. Hurricanes would come over from time to time,

0:33:24.210 --> 0:33:26.610
<v Speaker 1>just a matter of time. People knew there were weaknesses

0:33:26.610 --> 0:33:30.570
<v Speaker 1>and levees. Over and over again, people were told something

0:33:30.610 --> 0:33:33.330
<v Speaker 1>bad could happen, and they just didn't want to believe

0:33:33.370 --> 0:33:37.410
<v Speaker 1>it because the costs of preparedness were so great And

0:33:37.450 --> 0:33:40.210
<v Speaker 1>in fact, in the Rings of Power, we see that

0:33:40.250 --> 0:33:44.170
<v Speaker 1>the elves have been prepared for centuries. They have standing

0:33:44.170 --> 0:33:47.290
<v Speaker 1>garrisons looking over the humans in case the bad guys

0:33:47.330 --> 0:33:50.890
<v Speaker 1>come back, and ironically they abandoned them just before they're needed.

0:33:51.050 --> 0:33:53.090
<v Speaker 1>But the fact that those garrisons are there and there's

0:33:53.090 --> 0:33:55.610
<v Speaker 1>a real cost to maintaining them, there's a cost to

0:33:55.650 --> 0:33:58.410
<v Speaker 1>being prepared, and so you have some sympathy with people

0:33:58.450 --> 0:34:00.170
<v Speaker 1>who go, you know what, maybe this is just a

0:34:00.210 --> 0:34:02.530
<v Speaker 1>waste of money. Maybe this bad thing is never going

0:34:02.610 --> 0:34:02.970
<v Speaker 1>to happen.

0:34:04.730 --> 0:34:09.530
<v Speaker 2>And then, as we've discussed, sometimes evil is hiding in

0:34:09.610 --> 0:34:13.450
<v Speaker 2>plain sight and is unpredictable. Yeah, it's not something we

0:34:13.490 --> 0:34:14.490
<v Speaker 2>can totally prepare for.

0:34:14.850 --> 0:34:19.090
<v Speaker 1>No, absolutely. So you know that pandemics are a risk,

0:34:19.170 --> 0:34:20.770
<v Speaker 1>but you don't know what kind of pandemic, and you

0:34:20.810 --> 0:34:23.730
<v Speaker 1>don't know when you know that hurricanes are a risk,

0:34:23.890 --> 0:34:26.410
<v Speaker 1>or earthquakes, but you don't know when you know there

0:34:26.450 --> 0:34:28.330
<v Speaker 1>are some places they might strike in some places they

0:34:28.330 --> 0:34:30.650
<v Speaker 1>are unlikely to. And then of course there are things

0:34:30.650 --> 0:34:32.210
<v Speaker 1>that we just didn't see coming at all. So some

0:34:32.250 --> 0:34:35.410
<v Speaker 1>of the genocides that the world has suffered since the

0:34:35.490 --> 0:34:37.970
<v Speaker 1>end of the Second World War, some of them have

0:34:38.010 --> 0:34:39.850
<v Speaker 1>become in from us. Some of them, I think are

0:34:39.850 --> 0:34:42.410
<v Speaker 1>barely acknowledged, very hard to see any of them coming

0:34:42.410 --> 0:34:43.010
<v Speaker 1>in advance.

0:34:43.690 --> 0:34:45.770
<v Speaker 2>So what about you, Tim what's brings to mind for you?

0:34:45.810 --> 0:34:46.570
<v Speaker 2>In Rings of Power?

0:34:47.250 --> 0:34:51.850
<v Speaker 1>I think a really important theme in this series and

0:34:51.970 --> 0:34:56.770
<v Speaker 1>in Tolkien in general, is the idea that power corrupts.

0:34:57.810 --> 0:35:02.290
<v Speaker 1>So there's this sword that is a corrupting influence. The

0:35:03.170 --> 0:35:07.290
<v Speaker 1>rings are, of course a corrupting influence. The plantity, these

0:35:07.290 --> 0:35:12.330
<v Speaker 1>seeing stones are a rupting influence, and it's always tempting

0:35:13.090 --> 0:35:15.850
<v Speaker 1>to use them. So the elves attempted to use the rings,

0:35:16.490 --> 0:35:20.450
<v Speaker 1>the humans attempted to use the sword. The Newminorians are

0:35:20.810 --> 0:35:24.490
<v Speaker 1>a human civilization, very high human civilization. They have a

0:35:24.490 --> 0:35:26.730
<v Speaker 1>polante here. They want to look at the polant here

0:35:26.810 --> 0:35:28.930
<v Speaker 1>and use it to see the future, use it to

0:35:28.970 --> 0:35:33.250
<v Speaker 1>see things far off. And everybody is always convincing themselves

0:35:33.770 --> 0:35:37.930
<v Speaker 1>that it'll be for the best, that I won't lose

0:35:37.930 --> 0:35:40.810
<v Speaker 1>control of these things. And yeah, I'm a good person,

0:35:41.210 --> 0:35:43.370
<v Speaker 1>and I'm going to use this for good ends and

0:35:43.410 --> 0:35:47.130
<v Speaker 1>with good intentions, and therefore good will result, and good

0:35:47.290 --> 0:35:51.490
<v Speaker 1>does not result. Over and over again. In Tolkien, evil results.

0:35:51.730 --> 0:35:57.650
<v Speaker 1>The inherent power of the object corrupts the user. And

0:35:57.690 --> 0:36:00.650
<v Speaker 1>this really reminded me of a cautioning tale that I

0:36:00.770 --> 0:36:03.250
<v Speaker 1>have not yet written, but I will write because I

0:36:03.290 --> 0:36:06.210
<v Speaker 1>think it's an amazing story. And that is the tale

0:36:06.290 --> 0:36:07.490
<v Speaker 1>of Herman Holloweth.

0:36:08.410 --> 0:36:11.370
<v Speaker 2>Herman Holloweth, I know nothing about Herman Holloweth, Please tell me.

0:36:11.490 --> 0:36:18.050
<v Speaker 1>Herman Hollowith was an engineer American engineer late eighteen hundreds

0:36:18.250 --> 0:36:20.930
<v Speaker 1>who designed the machine that became known for obviously since

0:36:20.930 --> 0:36:23.210
<v Speaker 1>as the hollow Earth Machine, and the hollow Earth Machine

0:36:23.650 --> 0:36:27.050
<v Speaker 1>was a kind of proto computer. He was trying to

0:36:27.050 --> 0:36:29.690
<v Speaker 1>solve the problem for the US Census, which is that

0:36:30.050 --> 0:36:32.530
<v Speaker 1>you have the census every ten years, and then you

0:36:32.730 --> 0:36:34.610
<v Speaker 1>go and you ask loads of loads of households who

0:36:34.650 --> 0:36:37.170
<v Speaker 1>ask every household in the country lots of questions, and

0:36:37.170 --> 0:36:38.970
<v Speaker 1>then you need to kind of organize all the answers

0:36:39.010 --> 0:36:42.490
<v Speaker 1>and analyze the answers. And it was taking seven or

0:36:42.530 --> 0:36:46.010
<v Speaker 1>eight years to put together the analysis of the answers.

0:36:46.210 --> 0:36:49.170
<v Speaker 1>By the time the eighteen ninety census was being conducted,

0:36:49.210 --> 0:36:52.090
<v Speaker 1>they still would not have finished analyzing the eighteen eighty census,

0:36:52.130 --> 0:36:52.970
<v Speaker 1>the previous census.

0:36:53.010 --> 0:36:54.930
<v Speaker 2>So I'm going to guess Holloth is about to make

0:36:54.970 --> 0:36:56.370
<v Speaker 2>this process much more efficient.

0:36:56.970 --> 0:37:00.410
<v Speaker 1>There's a race. There is a race between man and machine,

0:37:00.850 --> 0:37:03.330
<v Speaker 1>and there are various human teams the Census say, look,

0:37:03.330 --> 0:37:05.330
<v Speaker 1>we're going to have a competition. Somebody needs to figure

0:37:05.330 --> 0:37:07.930
<v Speaker 1>out how to analyze the census results more quickly. Because

0:37:07.930 --> 0:37:10.610
<v Speaker 1>they are also asking more complicated questions, so they're being

0:37:10.650 --> 0:37:12.530
<v Speaker 1>more and more ambitious. It gets more and more difficult,

0:37:13.370 --> 0:37:16.010
<v Speaker 1>and so there are various human teams involving you know,

0:37:16.250 --> 0:37:19.930
<v Speaker 1>colored cards and various systems and all kinds of clever

0:37:20.050 --> 0:37:23.290
<v Speaker 1>kind of organizational devices. But it's all a bit philo faxy.

0:37:23.890 --> 0:37:28.050
<v Speaker 1>And then there's Holloweth's machine. And Hollowth's machine looks like

0:37:28.210 --> 0:37:30.770
<v Speaker 1>it looks like an upright piano, and it operates using

0:37:30.770 --> 0:37:32.930
<v Speaker 1>punch cards. So you've got these stiff cards with holes

0:37:32.930 --> 0:37:36.730
<v Speaker 1>in them, and the machine has these spring loaded pins

0:37:37.210 --> 0:37:39.690
<v Speaker 1>that dip into little cups of mercury. And so you

0:37:39.730 --> 0:37:42.370
<v Speaker 1>put the punch card in and the pins come down

0:37:42.610 --> 0:37:44.890
<v Speaker 1>and those that hit a hole go through the hole

0:37:45.370 --> 0:37:47.450
<v Speaker 1>and into the cup of mercury, and they complete a

0:37:47.490 --> 0:37:50.130
<v Speaker 1>circuit and those that don't hit a hole are stopped

0:37:50.130 --> 0:37:53.810
<v Speaker 1>by the stiff cardboard. And that's fundamentally how the machine worked.

0:37:53.850 --> 0:37:55.730
<v Speaker 1>And the operator of the machine was like, this is

0:37:55.770 --> 0:37:59.290
<v Speaker 1>like the voice of God producing this amazing insight. Clearly

0:37:59.450 --> 0:38:03.010
<v Speaker 1>was just high on mercury fumes. But the Hollowth machine

0:38:03.370 --> 0:38:05.570
<v Speaker 1>just destroyed the human teams. It wasn't even close. And

0:38:05.610 --> 0:38:09.250
<v Speaker 1>so the Census Bureau adopted the Hollowth machine and they

0:38:09.250 --> 0:38:11.010
<v Speaker 1>all live happily ever after.

0:38:11.410 --> 0:38:12.890
<v Speaker 2>That sounds like a cautionary tail.

0:38:13.330 --> 0:38:19.730
<v Speaker 1>Yes, Because Hollerith retired, his company turned into IBM, and well,

0:38:19.730 --> 0:38:21.690
<v Speaker 1>a couple of things happened. One thing is that IBM

0:38:21.810 --> 0:38:25.610
<v Speaker 1>Germany became quite close with the Nazi regime, who were

0:38:25.690 --> 0:38:28.090
<v Speaker 1>very interested in buying Holloweth machines.

0:38:28.130 --> 0:38:29.130
<v Speaker 2>I see where this is going.

0:38:29.330 --> 0:38:33.250
<v Speaker 1>Well, it is disputed exactly how important the machine was

0:38:33.330 --> 0:38:36.490
<v Speaker 1>to the Nazi project of genocide, and were perfectly capable

0:38:36.490 --> 0:38:40.330
<v Speaker 1>of murdering enormous quantities of people without a machine to

0:38:40.370 --> 0:38:43.370
<v Speaker 1>count them. But I mean, the German Census Bureau was

0:38:43.570 --> 0:38:46.890
<v Speaker 1>utterly co opted by the Nazi state and they were very,

0:38:46.970 --> 0:38:49.090
<v Speaker 1>very interested in trying to identify who was Jewish who

0:38:49.170 --> 0:38:54.450
<v Speaker 1>was not, and so having these machines be so powerful

0:38:55.970 --> 0:38:56.530
<v Speaker 1>it kind of.

0:38:56.490 --> 0:38:58.730
<v Speaker 2>Helped, may have expedited the process.

0:38:58.770 --> 0:39:02.250
<v Speaker 1>It may have expedited the process. And also the US

0:39:02.250 --> 0:39:07.890
<v Speaker 1>Census Bureau for decades denied that it had helped the

0:39:08.050 --> 0:39:13.850
<v Speaker 1>administration find US citizens of Japanese descent for decades and

0:39:13.850 --> 0:39:16.370
<v Speaker 1>decades and decades, said, we know the Census Bureau is

0:39:16.970 --> 0:39:21.370
<v Speaker 1>stands alone and is separate, and is independent and does

0:39:21.410 --> 0:39:22.850
<v Speaker 1>not do this kind of thing. We're just here to

0:39:22.850 --> 0:39:25.490
<v Speaker 1>count the people. And then in two thousand and six

0:39:25.650 --> 0:39:30.170
<v Speaker 1>Margo Anderson, historian found the smoking gun that in fact,

0:39:30.210 --> 0:39:35.730
<v Speaker 1>the Census Bureau had told the Roosevelt administration exactly where

0:39:36.050 --> 0:39:38.090
<v Speaker 1>all the Japanese Americans were living, and they were all

0:39:38.170 --> 0:39:40.730
<v Speaker 1>of course chipped off to interment camps. So again, you

0:39:40.770 --> 0:39:44.450
<v Speaker 1>see this machine. It's very powerful machine, designed for good,

0:39:44.850 --> 0:39:47.290
<v Speaker 1>supposed to be used for good. But then once you

0:39:47.450 --> 0:39:51.130
<v Speaker 1>have that power, are you really going to resist the temptation.

0:39:51.890 --> 0:39:55.330
<v Speaker 2>Here's the thing, though, you can't always tell what's going

0:39:55.370 --> 0:39:58.530
<v Speaker 2>to happen to an invention. I'm thinking of our episode

0:39:58.730 --> 0:40:01.530
<v Speaker 2>the hero who wrote his segue off a cliff Jimmy

0:40:01.530 --> 0:40:05.770
<v Speaker 2>Hesselden invents the Hesko gabions, these concert tinas for shoring

0:40:05.810 --> 0:40:11.130
<v Speaker 2>up coastlines to manage flood risks. Ultimately, they're used in

0:40:11.210 --> 0:40:15.650
<v Speaker 2>places like Kosovo and Iraq filled with sand to protect

0:40:15.690 --> 0:40:19.330
<v Speaker 2>people from bomb blast. Now you could argue that they

0:40:19.370 --> 0:40:22.490
<v Speaker 2>are co opted as instruments of war, I suppose, But

0:40:23.410 --> 0:40:25.610
<v Speaker 2>you can't tell how an invention will travel once you

0:40:25.690 --> 0:40:29.250
<v Speaker 2>invent it. Maybe it can also do good, yeah, yeah, no,

0:40:29.370 --> 0:40:30.850
<v Speaker 2>not just evil. So what's the answer.

0:40:31.850 --> 0:40:34.930
<v Speaker 1>Well, I think the answer for Tolkien. Tolkien was quite

0:40:34.970 --> 0:40:38.490
<v Speaker 1>conservative in his writings, and I think the answer for

0:40:38.570 --> 0:40:42.490
<v Speaker 1>Tolkien is that you shouldn't take the risk. And in general,

0:40:42.530 --> 0:40:45.970
<v Speaker 1>technology is shown as being not a progressive force. It's

0:40:45.970 --> 0:40:49.370
<v Speaker 1>a potentially destructive force. So whenever you have new technology,

0:40:49.450 --> 0:40:52.730
<v Speaker 1>it could potentially be used for evil, and therefore people

0:40:52.730 --> 0:40:55.010
<v Speaker 1>will be tempted to use it for evil, and most

0:40:55.010 --> 0:40:58.690
<v Speaker 1>people are not strong enough to resist that temptation. There

0:40:58.690 --> 0:41:01.970
<v Speaker 1>are a couple of exceptions, but they're very, very minor exceptions.

0:41:01.970 --> 0:41:04.850
<v Speaker 1>They're the exceptions that I think serve to highlight the

0:41:04.970 --> 0:41:08.170
<v Speaker 1>rule in Tolkien. There's another interesting parallel along these lines.

0:41:08.170 --> 0:41:11.410
<v Speaker 1>I mean, Tolkien strongly rejected the idea that Lord of

0:41:11.410 --> 0:41:14.130
<v Speaker 1>the Rings was an allegory. He hated the idea that

0:41:14.170 --> 0:41:16.930
<v Speaker 1>the Wandering, for example, was really the atomic bomb. He

0:41:17.010 --> 0:41:19.130
<v Speaker 1>once wrote, if Order the Things was an allegory, that

0:41:19.170 --> 0:41:21.730
<v Speaker 1>the Elves would have used the Wandering immediately, which, of

0:41:21.730 --> 0:41:23.850
<v Speaker 1>course I guess is true, because the Allies use the

0:41:24.130 --> 0:41:24.730
<v Speaker 1>atomic bomb.

0:41:24.890 --> 0:41:27.850
<v Speaker 2>So there are allegories, and then there are drawing. There's

0:41:27.930 --> 0:41:31.250
<v Speaker 2>drawing on ideas which are in the zeitgeist at the time, right, Yeah.

0:41:31.050 --> 0:41:33.450
<v Speaker 1>I think it's I think it's As a watcher of

0:41:34.250 --> 0:41:36.970
<v Speaker 1>the Rings of Power, it is hard not to be

0:41:37.090 --> 0:41:40.690
<v Speaker 1>tempted by that parallel and in particular the character of

0:41:40.770 --> 0:41:42.850
<v Speaker 1>Keller Brimble, the Great elf Smith as a kind of

0:41:42.850 --> 0:41:46.730
<v Speaker 1>Oppenheimer figure or a von Brown figure, and Herman Hollowith.

0:41:47.010 --> 0:41:52.970
<v Speaker 1>You see these characters, these these brilliant creators who cause

0:41:53.010 --> 0:41:56.810
<v Speaker 1>all kinds of trouble for the world. They definitely have

0:41:56.890 --> 0:41:59.010
<v Speaker 1>resonances in the Rings of Power.

0:41:59.130 --> 0:42:02.570
<v Speaker 2>Tim This has been very fun and very interesting, But

0:42:02.690 --> 0:42:04.890
<v Speaker 2>if I'm honest, also a bit of a downer. Do

0:42:04.970 --> 0:42:07.330
<v Speaker 2>you think there is hope that things will get better

0:42:07.490 --> 0:42:08.930
<v Speaker 2>in series two of Rings of Power?

0:42:09.530 --> 0:42:13.370
<v Speaker 1>I'm sure there will be ups and downs in series two,

0:42:13.450 --> 0:42:16.250
<v Speaker 1>as there always are. But I was reflecting on this.

0:42:16.410 --> 0:42:22.250
<v Speaker 1>I think Tolkien is a very It is really a

0:42:22.250 --> 0:42:27.730
<v Speaker 1>soulmate of cautionary tales. And because Tolkien he was fascinated

0:42:27.730 --> 0:42:30.890
<v Speaker 1>by fairy stories, he was the person who brought really

0:42:30.930 --> 0:42:33.330
<v Speaker 1>be a Wolf to prominence. Be a Wolf is not

0:42:33.410 --> 0:42:35.530
<v Speaker 1>a story with a happy ending. A lot of fairy

0:42:35.570 --> 0:42:38.570
<v Speaker 1>tales don't actually have happy endings, a lot of cautionary

0:42:38.610 --> 0:42:40.730
<v Speaker 1>tales don't have happy endings, And a lot of Tolkien

0:42:40.850 --> 0:42:44.290
<v Speaker 1>stories are about yes, evil is defeated, but it comes

0:42:44.290 --> 0:42:47.290
<v Speaker 1>back and often comes back stronger. There is a sense

0:42:47.370 --> 0:42:52.370
<v Speaker 1>in Tolkien of often of diminishment, of loss, of death,

0:42:52.810 --> 0:42:56.610
<v Speaker 1>and he wants us to look at that and reflect

0:42:56.610 --> 0:42:59.490
<v Speaker 1>on it and learn from it. And in cautioning tales,

0:42:59.530 --> 0:43:01.930
<v Speaker 1>we want people to look at diminishment and loss and

0:43:01.970 --> 0:43:05.290
<v Speaker 1>death and to learn from it. So I want to

0:43:06.010 --> 0:43:09.890
<v Speaker 1>paint too close a parallel, But there's definitely what.

0:43:09.730 --> 0:43:11.810
<v Speaker 2>You're saying is you are basically Tolkien. Is that what

0:43:11.810 --> 0:43:12.330
<v Speaker 2>you're telling me?

0:43:13.050 --> 0:43:16.050
<v Speaker 1>Well, all I'm saying is that Toulkien died September nineteen

0:43:16.090 --> 0:43:19.770
<v Speaker 1>seventy three. I was born September nineteen seventy three. I've

0:43:19.810 --> 0:43:20.970
<v Speaker 1>often reflected on this fact.

0:43:23.170 --> 0:43:29.410
<v Speaker 3>He's speechless, absolutely speechless, the sheer gall of that there

0:43:29.450 --> 0:43:31.410
<v Speaker 3>are no words, There are no there are no words,

0:43:31.930 --> 0:43:34.570
<v Speaker 3>big fat. I love watching this. I really did love

0:43:34.610 --> 0:43:38.370
<v Speaker 3>watching this, and I'm looking forward to season two. And

0:43:38.530 --> 0:43:41.770
<v Speaker 3>just a reminder, you can watch season two of the

0:43:41.810 --> 0:43:46.210
<v Speaker 3>Rings of Power on Amazon Prime starting August the twenty ninth.

0:43:50.850 --> 0:43:54.410
<v Speaker 3>Cautionary Tales is written by me Tim Harford with Andrew Wright.

0:43:54.850 --> 0:43:58.170
<v Speaker 3>It's produced by Alice Fines with support from Marilyn Rust.

0:43:58.650 --> 0:44:01.210
<v Speaker 3>The sound design and original music is the work of

0:44:01.250 --> 0:44:02.210
<v Speaker 3>Pascal Wise.

0:44:03.010 --> 0:44:06.850
<v Speaker 1>Sarah Nix edited the scripts. It features the voice talents

0:44:06.890 --> 0:44:11.170
<v Speaker 1>of Ben Crowe, Melanie Guttridge, Tella Harford, Jammas Saunders and

0:44:11.250 --> 0:44:15.130
<v Speaker 1>Rufus Wright. The show also wouldn't have been possible without

0:44:15.170 --> 0:44:20.010
<v Speaker 1>the work of Jacob Weisberg, Ryan Dilly, Greta Cohene, Eric Handler,

0:44:20.290 --> 0:44:24.810
<v Speaker 1>Carrie Brody and Christina Sullivan. Cautionary Tales is a production

0:44:24.970 --> 0:44:29.610
<v Speaker 1>of Pushkin Industries. It's recorded at Wardoor Studios in London

0:44:29.850 --> 0:44:33.930
<v Speaker 1>by Tom Berry. If you like the show, please remember

0:44:33.970 --> 0:44:38.090
<v Speaker 1>to share, rate and review, tell your friends, and if

0:44:38.090 --> 0:44:40.490
<v Speaker 1>you want to hear the show ad free, sign up

0:44:40.530 --> 0:44:44.370
<v Speaker 1>for Pushkin plus on the show page if Apple Podcasts,

0:44:44.490 --> 0:45:11.970
<v Speaker 1>or at pushkin dot fm slash plus no