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Speaker 1: Speaks to the planning.

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Speaker 2: I go by the name of Charlamagne the God, and

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Speaker 2: guess what, I can't wait to see y'all at the

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Speaker 2: third annual Black Effect Podcast Festival. That's right, We're coming

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Speaker 2: back to Atlanta, Georgia, Saturday, April twenty six at Poleman

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Speaker 2: Yards and it's hosted by none other than Decisions, Decisions, Man,

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Speaker 2: d B and Weezy. Okay, we got the R and

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Speaker 2: B Money Podcast with taking Jay Valentine. We got the

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Speaker 2: Woman of All Podcasts with Saray Jake Roberts, we got

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Speaker 2: Good Mom's Bad Choices. Carrie Champion will be there with

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Speaker 2: her next sports podcast and the Trap Nerds podcast with

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Speaker 2: more to be announced. And of course it's bigger than podcasts.

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Speaker 2: We're bringing the Black Effect marketplace with black owned businesses

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Speaker 2: plus the food truck court to keep you fed while

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Speaker 2: you visit us.

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Speaker 1: All right, listen, you don't want to miss this.

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Speaker 2: Tap in and grab your tickets now at Black Effect

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Speaker 2: dot Com Flash Podcast Festival.

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Speaker 1: And welcome back today to try to self joke speaking.

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Speaker 3: He and me in here already, man King Doug, was

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Speaker 3: that what's the good wordy man?

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Speaker 1: Teeling like a villain on the ceiling. Man, I heard

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Speaker 1: I'm a star. You are a star. I'm trying to

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Speaker 1: be a bigger star. Man. Hey man, you got the

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Speaker 1: whole world saying you're gonna slap me that love trying

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Speaker 1: to be a bigger star. I want to be. I

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Speaker 1: want more money. Man. I've been told you to come

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Speaker 1: over here, man and talk to with me. Oh yeah,

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Speaker 1: i'd be somewhere else talking. Hey man, you might as

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Speaker 1: well do it over here. I'm gonna do it over

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Speaker 1: here with y'all. Hey man, Jack, what's having a man?

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Speaker 1: All lives matter? All lives?

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Speaker 4: Hey my boy Jack got a singing group, man, Jack

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Speaker 4: Thriller in the eyss.

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Speaker 1: That's right, we're gonna get the red out. We don't

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Speaker 1: want to read out.

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Speaker 4: How you feeling, man, Hey man, you know we love

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Speaker 4: to have get old legends stop through here.

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Speaker 5: Bro.

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Speaker 4: That's what we that's what we call all the legends

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Speaker 4: that represent the hoods all across America.

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Speaker 1: Man. You know the culture us.

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Speaker 4: Man, It's just our way of saying, hey man, you've

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Speaker 4: made it in America through these impossible situations.

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Speaker 1: Man.

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Speaker 4: And we got a magnificent guest in here with us today, man,

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Speaker 4: a spectacular producer who has produced some of the coldest

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Speaker 4: songs in hip hop history.

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Speaker 1: Record breaking records.

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Speaker 4: That's what I'm gonna name my company right there, record

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Speaker 4: breaking records.

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Speaker 1: Man, hit singles, some of your favorite songs.

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Speaker 4: Uh five hundred million in sales at this point, probably

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Speaker 4: half a billion or a whole.

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Speaker 1: Billion, two billions.

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Speaker 4: Don't let me math up, hey man, none other than

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Speaker 4: the legendary Welcome today anything South shows Man, welcome, been

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Speaker 4: waiting on you to stop through here and talk to

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Speaker 4: with us. Man, have a little ligor and some cigars,

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Speaker 4: you know, kickback. Yeah, definitely, what's been up man? Just working,

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Speaker 4: still still working, trying to get some.

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Speaker 1: More money, like man, Yeah, it's what everybody's trying to

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Speaker 1: especially right now. It's a lot of pandemonium in the

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Speaker 1: world going though, so people are pant expended. I wanted

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Speaker 1: to tell I want to advise.

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Speaker 3: All money to save your bread. People about to start

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Speaker 3: selling it in a minute. It's about to be some

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Speaker 3: good deals out straight up saves get some cash. Cash

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Speaker 3: is king you can get You're gonna be able to

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Speaker 3: get some good deals if you got some money saved up.

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Speaker 3: This is one of the first risons that I ever

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Speaker 3: been over house before this house is amazing.

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Speaker 1: Man. First of all, you have Jack over there.

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Speaker 4: Jack was interview with me back back then. Just get

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Speaker 4: it in man, Me and chan't go way back to.

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Speaker 1: Go way back with everybody.

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Speaker 3: Man, interview everybody in the world and cut it face

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Speaker 3: your airs on.

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Speaker 1: I don't know what they had, the ball face they

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Speaker 1: talking about the ball faces.

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Speaker 4: Lord, It's like it seemed like faces go with certain things.

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Speaker 4: You know, Hey, man, this your first time over here

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Speaker 4: to day the fast out show.

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Speaker 1: Man. Just catch yourself waiting for I've been waiting to

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Speaker 1: get on here. Man. I ain't think you knew me

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Speaker 1: over here. Man, Come on, man, stop playing like Jack said,

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Speaker 1: You've been a very long time. You're not easy to

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Speaker 1: get in touch with. Don't like that everybody said it.

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Speaker 1: I don't know why doctor Drake told me that.

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Speaker 4: Come on, man, doctor Drake can't get in You know.

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Speaker 1: What, Doctor Drake got a black phone. He could just

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Speaker 1: cook it up here. Tell them who you're the hardest

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Speaker 1: man to get ahold of him? Like what I'm being

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Speaker 1: one place?

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Speaker 3: Hey man, Before we talk about like the hip hop,

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Speaker 3: I want to talk about all that you did outside

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Speaker 3: of hip.

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Speaker 1: Hop, bro, like the pop like that.

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Speaker 4: What's what's that like when you get them kind of

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Speaker 4: phone calls calling you telling you Taylor Swift need something,

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Speaker 4: Brittney Spears.

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Speaker 1: Coming back loved me. Yeah, it's all urban though. You

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Speaker 1: know it's like they they want this, you know what

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Speaker 1: I'm saying. Like it ain't like you going and changing

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Speaker 1: the style. They want what you're doing. They want the

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Speaker 1: eight away, you know what I'm saying. Like I worked

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Speaker 1: with Kesher like she wanted a Bangladesh beat, Like I

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Speaker 1: think I'm the only producer on the album that's not

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Speaker 1: in the house. And that was three stacks went crazy Crazy,

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Speaker 1: that's the song out there. Yeah, doctor Luke the producer,

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Speaker 1: Doctor Luke, super pop producer with me, real heavy and

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Speaker 1: he always would say, man's just get a a pop

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Speaker 1: song on them beats. It's out of here.

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Speaker 4: And like he brought me in to his little his situation, man,

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Speaker 4: and like gave me the opportunity to work with Kesher.

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Speaker 4: She wanted a Bangladesh beat and in an Andre three

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Speaker 4: thousand verse, damn.

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Speaker 1: Yeah we did it.

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Speaker 4: He wasn't crazy on him. He did you know that

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Speaker 4: Brouh didn't even like his verse. Luke didn't like the verses, said, man,

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Speaker 4: what is he talking about?

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Speaker 1: What is he saying? And he paid him, He paid

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Speaker 1: him a ticket. He's like he was gonna take it off.

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Speaker 4: I was like, you know, he could be disconnected from

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Speaker 4: the coaching sometimes and you really don't know.

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Speaker 1: That's the nicest way of saying, yeah, you don't know

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Speaker 1: what he's talking about. Gave him a meal. Yeah, I

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Speaker 1: was better as the same what's a nigga honey ticket?

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Speaker 1: Honey old well? For sixteen I thought it was a

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Speaker 1: honey bun well?

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Speaker 4: Yeahey, a man, a man is a million And what

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Speaker 4: would you say was your first hit? They gave you

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Speaker 4: your first taste of success? Or What's your Fantasy? By Ludicris?

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Speaker 4: That was my first hit record. I just started making beats.

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Speaker 1: So you came out the gate with the hit. Yeah,

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Speaker 1: I bought it. I bought my beat machine in ninety

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Speaker 1: eight ninety nine. We was on the radio.

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Speaker 4: But everything with me was like manifesting, Like everything was internally.

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Speaker 4: It's an internal process. So I was not physically making beats,

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Speaker 4: but I was making beats, you know what I'm saying.

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Speaker 1: Like even like my my.

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Speaker 4: My senior year pictures, my an my auntie took us

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Speaker 4: to Texas to get these special pictures. You could list

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Speaker 4: all the things that you do, like play basketball, this shit.

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Speaker 4: I put music, I put music producer. I wasn't even producer.

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Speaker 1: So it's like all men festation. All this started when

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Speaker 1: I was young.

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Speaker 6: You know what I'm saying, Teach me go back what

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Speaker 6: happened when you was your just the thought of like

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Speaker 6: I always start ahead, Like I never was the type

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Speaker 6: to wait to get to like I wasn't waiting to

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Speaker 6: like graduate to figure out what.

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Speaker 1: I wanted to do.

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Speaker 4: I knew I wasn't going to college or like, man,

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Speaker 4: what I'm gonna do. So always stay ahead of the game,

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Speaker 4: you know what I'm saying. I always was playing the moves.

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Speaker 4: You know what I'm saying, what's the next move? Preparing

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Speaker 4: it before you get there, you know what I'm saying.

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Speaker 4: It's like when you when you wait too long, you

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Speaker 4: just you're in the moment of deciding what you want

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Speaker 4: to do. Typically don't end.

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Speaker 5: Up doing.

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Speaker 1: So after you get your first hits, right, what's your

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Speaker 1: next move?

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Speaker 4: Well, that that time was just kind of like processing

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Speaker 4: the industry and learning the game, you know what I'm saying,

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Speaker 4: Because that's like something else you got to learn and

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Speaker 4: it's like trial and error, like you ain't got nobody

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Speaker 4: showing you or teaching you, and you got you got

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Speaker 4: such a big impact, and like industry ship is like

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Speaker 4: you know, it's it's dick riding. So it's like as

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Speaker 4: soon as you have something, everybody comes out of nowhere

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Speaker 4: and they fucking with you, you know what I'm saying.

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Speaker 4: So you gotta sift out what's good and what's not

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Speaker 4: good for you, you know what I'm saying. So it's

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Speaker 4: just the learning process was the next thing. I didn't

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Speaker 4: really capitalize on, uh running it up then because I didn't.

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Speaker 4: I was I was alone, I ain't really know. I

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Speaker 4: wasn't outside and campaigning, I wasn't marketing, I wasn't doing

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Speaker 4: none of the things that I could have did with

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Speaker 4: this big hit record.

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Speaker 1: Then on top of having a big hit, it broke

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Speaker 1: an artist.

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Speaker 4: So that's a that's an addition to it, Like you're

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Speaker 4: not only made a hit for artists, like you broke,

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Speaker 4: you helped break a artists.

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Speaker 1: That's big shit, Like I could have I could have

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Speaker 1: gotten so much out of that, you know what I'm saying.

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Speaker 1: But it's just like learning processes, you know what I'm saying.

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Speaker 4: It's just like sometimes you don't you don't capitalize on

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Speaker 4: things just because you don't know.

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Speaker 1: And you didn't like put yourself in those positions or

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Speaker 1: in those places too for people to know who you are,

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Speaker 1: know you you know what I'm.

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Speaker 4: Saying, Like I'm out of side, out of mind. I

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Speaker 4: should have been in New York. I should have been

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Speaker 4: in the buildings. You know what I'm saying. I should

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Speaker 4: have been meeting these niggas and yo, I did this,

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Speaker 4: you know what I'm saying. Like I should have been

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Speaker 4: producing an artists. I should have been taking them and

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Speaker 4: getting a deal. You know what I'm saying, because I

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Speaker 4: just helped break artists. You know what I'm saying, So

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Speaker 4: I got this.

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Speaker 1: Should have been like, you know, doing the legwork a

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Speaker 1: little more.

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Speaker 4: But after the disappointment of Pep, like depending on people,

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Speaker 4: the middle the middle men, like people come around, You're

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Speaker 4: like I could do this for you, I could get

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Speaker 4: this to them. I could and you you allow that

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Speaker 4: to happen. It's like nothing's happening. So you start thinking

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Speaker 4: like this sh it ain't good or something like.

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Speaker 1: Then you meet the niggas that that person said that

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Speaker 1: they can get it to like you like I can

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Speaker 1: get it, and you meet the.

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Speaker 4: Niggas like yo, you never You're like nah, then you

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Speaker 4: play them the same being they go crazy. Like it's

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Speaker 4: like the communication with the producer and the artist is

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Speaker 4: so much easier than dealing with the middle niggas, the

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Speaker 4: middle niggas being.

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Speaker 1: The way in the way man, because like.

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Speaker 4: Artists and producers are visionaries, like like creating ship is

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Speaker 4: a vision, a middle man is strictly.

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Speaker 1: Hustling.

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Speaker 4: Financial is a benefit like money, you know what I'm saying,

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Speaker 4: I really care about what it what this invention is,

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Speaker 4: like how can I get some money?

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Speaker 1: You know what I'm saying.

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Speaker 4: So if it don't make sense for them, that ship

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Speaker 4: might not translate to the artists, you know what I'm saying.

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Speaker 1: Then it's like you not on paper with them. You're

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Speaker 1: not really like.

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Speaker 4: You're not committed to it, you know what I'm saying.

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Speaker 4: So they not really doing too much. You gotta really,

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Speaker 4: like you gotta you gotta sign paperwork for a nigga.

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Speaker 1: To really like do what they you know what I'm saying.

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Speaker 4: You gotta like give them half of something, you know

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Speaker 4: what I'm saying for them to actually go do some

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Speaker 4: legwork for you or something like that. But I never

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Speaker 4: had those things, never had a big homie like all

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Speaker 4: super producers have these things, you know what I'm saying.

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Speaker 4: All this super producers been signed to Jimmy I Ven

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Speaker 4: or some type of major dude that gives them, funnels

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Speaker 4: them work. That's why they hot. You're not hot because

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Speaker 4: you hot, you know what I'm saying. There's a lot

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Speaker 4: of dope niggas that ain't hot. But to get hot,

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Speaker 4: you have to be attached to.

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Speaker 1: These things that have the the the company and the

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Speaker 1: people that they own.

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Speaker 4: To funnel you the shit where you're relevant all the time,

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Speaker 4: because if they in your pocket, they're gonna put your

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Speaker 4: shit out there. I was never in Like, nobody was

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Speaker 4: never in my pocket. So like, wasn't nobody doing.

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Speaker 1: Nothing, you know what I'm saying.

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Speaker 4: So the way I get on albums is like taking

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Speaker 4: away from the pot a little bit. I get on

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Speaker 4: Rihanna album and it's like it's like only certain niggas.

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Speaker 1: Can get on this.

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Speaker 5: They be mad though, like they be like fuck because

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Speaker 5: after you meet the artists and they fuck with you,

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Speaker 5: it's a rap. They try to keep you from the artists.

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Speaker 5: You know what I'm saying, like like, talk to me,

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Speaker 5: talk to me. You be looking at the nigga right there,

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Speaker 5: like yeah, yeah, but uh, you know what I'm saying.

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Speaker 1: They gatekeepers, so they you know, once once we lock

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Speaker 1: in and don't let it be a female and.

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Speaker 4: You attractive nigga or something. They're gonna all, Man, she

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Speaker 4: gonna love this nigga.

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Speaker 1: You know what I'm saying. Oh man, fuck, it's over wigged.

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Speaker 1: It's op wid damn, damn damn. They're fucking up the

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Speaker 1: hits with that bully.

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Speaker 4: They fucking up the hits and like a lot of

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Speaker 4: us ain't in those positions. It's it's people that ain't

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Speaker 4: of the culture fucking it up too, because like they

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Speaker 4: don't be understanding the concepts and the creative. They don't

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Speaker 4: be understanding right, Like I had a song called I

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Speaker 4: had this song called Kickstand, Right, the concept of the

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Speaker 4: song lead riding in my shipping and I'm leaning like

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Speaker 4: a kickstand. Every nigga's gonna understand that, right. So my

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Speaker 4: nigga Lathen uh Lathen from uh what's what's DJ drummer

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Speaker 4: and them ship uh aphiliates.

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Speaker 1: Now what's the later?

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Speaker 4: Yeah, Yeah, the niggas just signed a Little Woozy Bird

283
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Speaker 4: and the White Boy, and oh, you know what I'm saying,

284
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Speaker 4: it's the Late Lathan is a part of that La

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Speaker 4: than back then he like Late Late Lake show.

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Speaker 1: Yeah, he sent my beats to Atlantic.

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Speaker 5: This this executive at Atlantic right and Kickstand was on there,

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Speaker 5: so he you know, he loved it.

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Speaker 1: He's like, oh, I love it, I love this, I

290
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Speaker 1: love this. He said this could be a Jeez hit.

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Speaker 3: This could be a jez hit.

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Speaker 1: He was like, what who rides bikes anymore?

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Speaker 7: Damn?

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Speaker 1: Like these are the niggas in the way of genius ideas,

295
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Speaker 1: you know what I'm saying. So then he goes further.

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Speaker 5: He's like he's trying to talk. He's trying to tell Lathan, like,

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Speaker 5: you know, if if I be open to change.

298
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Speaker 1: In it to what I got to hear what he said,

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Speaker 1: change it to. He just he's like it would he

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00:16:36,720 --> 00:16:39,200
Speaker 1: be open to like you know cause like Atlantic had

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Speaker 1: their own riders.

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Speaker 4: It's really they just be trying to hustle and put

303
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Speaker 4: their own riders on your ship and take the pot.

304
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Speaker 1: You know what I'm saying, keep the money.

305
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Speaker 4: So Late like, man, I don't know if you're gonna

306
00:16:51,840 --> 00:16:53,720
Speaker 4: be with it by I talked to him about it

307
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Speaker 4: so late that hit me. I ain't even know Laatean

308
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Speaker 4: sent him the beats. So he when he telling me this,

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Speaker 4: I ain't know nothing about it. So he telling me

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Speaker 4: the story.

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Speaker 1: And I was like, nah, I ain't changing that shit.

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Speaker 4: He's like, yeah, I kind of told him that, but

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Speaker 4: you know, so he went back and told that nigga.

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Speaker 1: You know, He's like, yeah, you know, everybody doesn't get it.

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Speaker 4: You know, Kanye gets it and where I am gets it,

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Speaker 4: kind of name dropping nigga's day he worked with before,

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Speaker 4: you know what I'm saying. So this guy, he calls

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Speaker 4: Lathan two of the morning, He's.

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Speaker 1: Like, I got it, I got it, I got it

320
00:17:31,960 --> 00:17:34,920
Speaker 1: writing in my shit, he and I'm breaking down a bricksman.

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Speaker 5: This is a white dude. This a white dude. Like

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Speaker 5: then it's like that's where they want us to be at.

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Speaker 5: So then on top of that, what what dope?

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Speaker 1: Nigga? What dope? What nigga that sell dope or sell

325
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Speaker 1: crack is.

326
00:17:55,480 --> 00:17:59,400
Speaker 5: Riding in the shady, breaking bust'ing it down.

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Speaker 1: These niggas don't know nothing, Like they don't be knowing

328
00:18:03,880 --> 00:18:08,200
Speaker 1: nothing they don't be knowing nothing, bro, and I would

329
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Speaker 1: have hit him with the same who sells Craig anymore?

330
00:18:15,320 --> 00:18:20,080
Speaker 1: It's not us brou like what. So it'd be disappointing that,

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Speaker 1: like creative people can't or not. I don't want to.

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Speaker 1: I like to say can't.

333
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Speaker 4: But when the labels control the ship, it's hard to

334
00:18:30,320 --> 00:18:33,240
Speaker 4: really be all you can be. So you feel like

335
00:18:33,320 --> 00:18:36,560
Speaker 4: it's too much influence from people who they're talking about

336
00:18:36,600 --> 00:18:38,200
Speaker 4: and has nothing to do with it.

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Speaker 1: Mm hmm.

338
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Speaker 4: There's executives out there that like Jimmy Ivien. I say,

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00:18:45,080 --> 00:18:49,399
Speaker 4: Jimmy Ivien. There's a lady I forgot her name. She

340
00:18:49,560 --> 00:18:52,440
Speaker 4: used to work for Electra. I forgot her.

341
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Speaker 1: Name Sylvia wrong.

342
00:18:56,520 --> 00:19:00,760
Speaker 4: When when when Jimmy Irvien met with doctor Dre, Jimmy

343
00:19:00,800 --> 00:19:03,399
Speaker 4: Yrvin didn't know what the fuck this chronic guy was.

344
00:19:03,520 --> 00:19:05,600
Speaker 4: He didn't know what the fuck it was, but he

345
00:19:05,920 --> 00:19:09,000
Speaker 4: he understood the sonics of it. You like, this is brilliant,

346
00:19:09,040 --> 00:19:12,680
Speaker 4: Who mixed this? Who did the production? And Dre was

347
00:19:12,760 --> 00:19:16,159
Speaker 4: like I did and just with like so all they

348
00:19:16,200 --> 00:19:20,200
Speaker 4: cared about what the production. But it's like the fact

349
00:19:20,240 --> 00:19:22,720
Speaker 4: that he didn't know what the fuck they talking about.

350
00:19:23,000 --> 00:19:27,240
Speaker 4: He believed in him, like he took what he thought

351
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Speaker 4: out of it, Like I don't know what this ship is,

352
00:19:29,800 --> 00:19:32,440
Speaker 4: by I believe in the person, just like still be

353
00:19:32,480 --> 00:19:33,320
Speaker 4: you're wrong with with.

354
00:19:33,560 --> 00:19:35,920
Speaker 5: Missy and bust around, Like I don't know what this

355
00:19:36,000 --> 00:19:37,800
Speaker 5: ship is, but I believe in y'all.

356
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Speaker 1: Do what you want. That's what we need. You know

357
00:19:40,880 --> 00:19:41,280
Speaker 1: what I'm saying.

358
00:19:41,320 --> 00:19:44,200
Speaker 5: He won't need no niggas trying to write the song

359
00:19:44,480 --> 00:19:46,600
Speaker 5: and tell you how to do the ship.

360
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Speaker 1: You know what I'm saying. Video, So like I think

361
00:19:58,040 --> 00:20:00,680
Speaker 1: that'd be the the problem, you know what I'm saying.

362
00:20:02,640 --> 00:20:05,200
Speaker 1: And do you have a favorite genre to work inside?

363
00:20:06,720 --> 00:20:07,480
Speaker 1: Favorite genre?

364
00:20:08,680 --> 00:20:08,840
Speaker 6: Nah?

365
00:20:08,880 --> 00:20:14,560
Speaker 4: I think I think all genres are like as long

366
00:20:14,640 --> 00:20:17,680
Speaker 4: as it's you know, it's creative, as long as you're

367
00:20:17,680 --> 00:20:21,239
Speaker 4: being creative. I don't have no certain genre. I mean,

368
00:20:22,760 --> 00:20:24,200
Speaker 4: you know, of course I like R and B and

369
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Speaker 4: hip hop the most. But like I'm a super producer.

370
00:20:27,760 --> 00:20:30,280
Speaker 4: I can do anything, Like I could produce anything, you

371
00:20:30,320 --> 00:20:30,800
Speaker 4: know what I'm saying.

372
00:20:30,840 --> 00:20:38,120
Speaker 1: I won't work with life instrumentation, programming anything.

373
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Speaker 5: So if we was in the lab right now, you

374
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Speaker 5: can cook up anything. I can come in the room

375
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Speaker 5: with nothing and make it. He produced me you know

376
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Speaker 5: what I'm saying.

377
00:20:49,359 --> 00:20:49,600
Speaker 3: You know.

378
00:20:51,080 --> 00:20:54,840
Speaker 1: We got back then you can make nineties R and B.

379
00:20:55,440 --> 00:20:57,280
Speaker 4: I can make nineties R and B. I can make

380
00:20:57,359 --> 00:20:59,680
Speaker 4: anything I can. That's the genre we want to bring

381
00:21:00,160 --> 00:21:03,080
Speaker 4: niggas sound good. Damn I can make.

382
00:21:03,000 --> 00:21:04,199
Speaker 1: That's why you work with your as.

383
00:21:04,359 --> 00:21:05,640
Speaker 3: I can make anybody.

384
00:21:06,040 --> 00:21:08,160
Speaker 1: I need you. I need you to produce my ship.

385
00:21:08,240 --> 00:21:14,920
Speaker 4: Then producing is nothing but dictating what you should be doing.

386
00:21:15,080 --> 00:21:19,240
Speaker 4: It's like the how you say your words, saying like

387
00:21:19,400 --> 00:21:26,080
Speaker 4: this just kind of just it's just controlling, controlling what

388
00:21:26,400 --> 00:21:27,320
Speaker 4: is going on all.

389
00:21:27,440 --> 00:21:29,920
Speaker 1: You know what I'm saying, Well, I'm saying, man, we

390
00:21:29,960 --> 00:21:31,200
Speaker 1: need to get in there. If you can work with

391
00:21:31,280 --> 00:21:34,639
Speaker 1: this nigga, I know I can make you hit Okay,

392
00:21:34,760 --> 00:21:39,720
Speaker 1: nothing don came up? You wanna drop them? On the

393
00:21:39,760 --> 00:21:42,200
Speaker 1: same time, my whole goal is to make niggas think

394
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Speaker 1: like when when when you hit play, they be like, man,

395
00:21:45,920 --> 00:21:58,200
Speaker 1: who is that? I'll be like that's it's just that yeah, yeah, yeah,

396
00:21:58,200 --> 00:22:02,760
Speaker 1: it's just telling nigga how to say it. Yes, when

397
00:22:02,800 --> 00:22:05,240
Speaker 1: did you start fucking with music? Period? Like using the

398
00:22:05,320 --> 00:22:08,320
Speaker 1: band and shit? Nah, I grew up in the church.

399
00:22:09,359 --> 00:22:14,320
Speaker 4: All my my whole family is like musicians or do

400
00:22:14,560 --> 00:22:20,880
Speaker 4: hair cut hair, make clothes. I feel like I tell

401
00:22:20,960 --> 00:22:24,479
Speaker 4: everybody this, like I'm the least talented nigga in my family.

402
00:22:25,440 --> 00:22:28,600
Speaker 1: Man, that's the hells and ship to say, the least

403
00:22:28,640 --> 00:22:30,000
Speaker 1: funniest person in mind.

404
00:22:30,119 --> 00:22:33,800
Speaker 4: Because like I don't play no instruments, I don't sing

405
00:22:34,000 --> 00:22:39,200
Speaker 4: like them. I just I feel like I'm just the

406
00:22:39,320 --> 00:22:45,840
Speaker 4: most creative. I'm just the more ambitious thinker, the one

407
00:22:45,920 --> 00:22:50,520
Speaker 4: that I you know, I just there's nothing I can't do,

408
00:22:50,680 --> 00:22:52,960
Speaker 4: you know what I'm saying, Like I'm doing that, I'm.

409
00:22:52,840 --> 00:22:55,000
Speaker 1: A beat this. You know what I'm saying.

410
00:22:55,600 --> 00:22:59,440
Speaker 4: People don't really believe in themselves enough or they don't

411
00:22:59,520 --> 00:23:03,159
Speaker 4: want to put themselves in a position to get somewhere.

412
00:23:03,520 --> 00:23:04,040
Speaker 1: Let me ask you.

413
00:23:04,240 --> 00:23:06,520
Speaker 4: You said this earlier, like you said you found your

414
00:23:06,600 --> 00:23:09,680
Speaker 4: sound around two thousand and what three?

415
00:23:09,880 --> 00:23:11,960
Speaker 3: Like that thing?

416
00:23:12,760 --> 00:23:14,520
Speaker 1: What was what were you like? What do you feel

417
00:23:14,560 --> 00:23:16,760
Speaker 1: like you was at before you found the sound?

418
00:23:16,960 --> 00:23:22,119
Speaker 4: I was just in my inspirations, Like whoever was it

419
00:23:22,359 --> 00:23:23,159
Speaker 4: my inspiration?

420
00:23:23,359 --> 00:23:23,920
Speaker 1: At that time?

421
00:23:24,080 --> 00:23:27,720
Speaker 4: I was like kind of like I would say, emulate.

422
00:23:29,240 --> 00:23:31,240
Speaker 4: You know what I'm saying, Like I feel like we

423
00:23:31,400 --> 00:23:37,560
Speaker 4: all like anything you doing, you have inspiration that inspired

424
00:23:37,680 --> 00:23:40,920
Speaker 4: you to do something, and you typically like even the

425
00:23:41,000 --> 00:23:43,440
Speaker 4: comedian like you might like this, then you might like

426
00:23:43,640 --> 00:23:47,119
Speaker 4: take from that like oh that niggas sound like that.

427
00:23:47,560 --> 00:23:53,320
Speaker 1: You gotta you gotta shifted to who you are. That's

428
00:23:53,359 --> 00:23:55,320
Speaker 1: what makes it important, you know what I'm saying. That's

429
00:23:55,359 --> 00:23:59,760
Speaker 1: what makes you who you are. But we all are

430
00:23:59,840 --> 00:24:00,760
Speaker 1: in inspired by.

431
00:24:00,800 --> 00:24:04,760
Speaker 4: Something that we're going to emulate in the beginning, you

432
00:24:04,800 --> 00:24:08,080
Speaker 4: know what I'm saying, to even be doing shit. So

433
00:24:08,359 --> 00:24:12,960
Speaker 4: like Timberlin organized Noise, you know, they was like probably

434
00:24:13,040 --> 00:24:17,760
Speaker 4: my biggest production influences, you know what I'm saying, So

435
00:24:18,840 --> 00:24:22,880
Speaker 4: I would probably like be in their mind, like I'll

436
00:24:22,920 --> 00:24:24,119
Speaker 4: be like thinking like.

437
00:24:24,240 --> 00:24:26,280
Speaker 1: Them, you know what I'm saying.

438
00:24:26,840 --> 00:24:30,640
Speaker 4: But Briannie about Brown two thousand and two to two

439
00:24:30,680 --> 00:24:31,919
Speaker 4: thousand and three is when.

440
00:24:31,800 --> 00:24:35,840
Speaker 1: I started to like, oh, this is my ship. You

441
00:24:35,880 --> 00:24:39,000
Speaker 1: know what I'm saying. Let me just with that, Like

442
00:24:39,440 --> 00:24:42,600
Speaker 1: to the young young up and come and producers, man,

443
00:24:42,640 --> 00:24:45,600
Speaker 1: you the big dog, Like, what's what's some advice you

444
00:24:45,640 --> 00:24:47,840
Speaker 1: would give them that they can use right now?

445
00:24:51,080 --> 00:24:54,280
Speaker 4: I Mean it's cliche advice, but it's like it's like

446
00:24:54,400 --> 00:25:00,440
Speaker 4: the most important advice is like to be yourself, Like, dude,

447
00:25:02,440 --> 00:25:06,040
Speaker 4: do you I think a lot of new niggas like

448
00:25:06,440 --> 00:25:09,240
Speaker 4: because the error we're in and the sound that's being

449
00:25:09,320 --> 00:25:12,320
Speaker 4: pushed out to the masses.

450
00:25:14,080 --> 00:25:18,240
Speaker 3: People are just doing that. They're copying each other.

451
00:25:19,520 --> 00:25:21,879
Speaker 4: Like you might have a whole album or something with

452
00:25:22,080 --> 00:25:24,600
Speaker 4: ten niggas that all to beat sound the same.

453
00:25:25,960 --> 00:25:28,560
Speaker 1: You know what I'm saying, Like one nigga could have

454
00:25:28,640 --> 00:25:30,800
Speaker 1: did this whole beat, all this whole album.

455
00:25:30,840 --> 00:25:32,639
Speaker 3: You know what I'm saying, your number nine before you

456
00:25:32,720 --> 00:25:37,080
Speaker 3: know it. It's just like everything sound the same.

457
00:25:38,000 --> 00:25:40,640
Speaker 4: The artists sound the same, the beat sound the same,

458
00:25:41,720 --> 00:25:46,360
Speaker 4: the concepts are the same. There I grew up in niggas.

459
00:25:46,960 --> 00:25:51,119
Speaker 4: Niggas will beat you up for copying the ship. Niggas

460
00:25:51,119 --> 00:25:56,440
Speaker 4: will come to your house and fight you like you

461
00:25:56,560 --> 00:25:57,439
Speaker 4: trying to sound like me.

462
00:25:57,600 --> 00:26:01,159
Speaker 1: Nigga, that's your favorite club. Nigga down the street from you.

463
00:26:01,280 --> 00:26:05,159
Speaker 4: Auntie DMX hated y'all rule when he you know they

464
00:26:05,240 --> 00:26:06,560
Speaker 4: used to they friends though.

465
00:26:06,520 --> 00:26:08,440
Speaker 3: Like Nigga trying to sound like me.

466
00:26:08,600 --> 00:26:13,359
Speaker 4: Nigga, Yo, say, it's a problem because you're kind of

467
00:26:13,440 --> 00:26:16,480
Speaker 4: taking food out of nigga mouth finishes, you know what

468
00:26:16,480 --> 00:26:19,840
Speaker 4: I'm saying. Now, you don't work with a lot of

469
00:26:19,920 --> 00:26:24,200
Speaker 4: legends too, then some of your some of your legendary

470
00:26:24,359 --> 00:26:26,600
Speaker 4: stories that you just one of the.

471
00:26:26,640 --> 00:26:28,520
Speaker 3: Moments they just had you kind of fucked up, like

472
00:26:28,600 --> 00:26:31,920
Speaker 3: I can't believe I'm doing this shit, just to go

473
00:26:32,119 --> 00:26:36,480
Speaker 3: from nineteen ninety eight buying the first beat machine to

474
00:26:36,680 --> 00:26:39,200
Speaker 3: just maybe your first time in the studio with a

475
00:26:39,280 --> 00:26:39,919
Speaker 3: real legend.

476
00:26:40,600 --> 00:26:42,920
Speaker 4: The first time in the studio with a real legend

477
00:26:43,119 --> 00:26:48,160
Speaker 4: was ugk oh Yeah, yeah, they was on. I produced

478
00:26:48,240 --> 00:26:50,720
Speaker 4: like half of Looton's first and second album, the first

479
00:26:50,800 --> 00:26:53,000
Speaker 4: album they on there, most of dem was in the

480
00:26:53,080 --> 00:26:57,520
Speaker 4: studio with them niggas, the hard like PIMPCI like the

481
00:26:57,600 --> 00:27:01,280
Speaker 4: realist nigga in the world because up to stick him

482
00:27:01,359 --> 00:27:08,360
Speaker 4: up because uh Ludcris manager was like, I don't think

483
00:27:08,400 --> 00:27:10,840
Speaker 4: he really believed in me. I don't think he really

484
00:27:10,920 --> 00:27:12,160
Speaker 4: believed in me for real.

485
00:27:12,760 --> 00:27:13,439
Speaker 1: And he was.

486
00:27:15,160 --> 00:27:17,840
Speaker 4: Although he was in the same room. He'll be over

487
00:27:17,880 --> 00:27:19,639
Speaker 4: there talking to Pimp and it'll come over to me.

488
00:27:20,600 --> 00:27:23,960
Speaker 4: He's like, yeah, you know, I think, uh Pimp want

489
00:27:24,000 --> 00:27:26,879
Speaker 4: to produce the record with you. I think he you know,

490
00:27:27,160 --> 00:27:31,480
Speaker 4: it'd be dope if he's trying to like get.

491
00:27:31,359 --> 00:27:34,280
Speaker 1: This collaboration going. And it was like the beat, the

492
00:27:34,400 --> 00:27:34,920
Speaker 1: beat done.

493
00:27:34,960 --> 00:27:38,479
Speaker 5: I wasn't tripping, but back then niggas wasn't collaborating on beats,

494
00:27:38,640 --> 00:27:40,280
Speaker 5: Like it wasn't a thing, you know what I'm saying.

495
00:27:41,280 --> 00:27:45,520
Speaker 1: So he brought me over the pimp.

496
00:27:45,640 --> 00:27:49,400
Speaker 4: He was like, man, this show beat man, that show man,

497
00:27:49,480 --> 00:27:53,840
Speaker 4: that's you man, Like I'm cool, Like it was him

498
00:27:53,960 --> 00:27:56,560
Speaker 4: trying to make this shit happen. It wasn't pimp, you

499
00:27:56,600 --> 00:27:57,200
Speaker 4: know what I'm saying.

500
00:28:00,440 --> 00:28:01,760
Speaker 1: Like he always.

501
00:28:03,119 --> 00:28:06,439
Speaker 5: Like even the stinking my part, like put your hands

502
00:28:06,520 --> 00:28:08,239
Speaker 5: up where I can see him, see him.

503
00:28:09,280 --> 00:28:12,560
Speaker 1: Lula wrote that for pimps to say, like, li, man,

504
00:28:12,680 --> 00:28:17,280
Speaker 1: you wrote that. Man, you wrote that? Man you say you.

505
00:28:17,480 --> 00:28:22,560
Speaker 4: Said, I don't want to say that like pim pim

506
00:28:22,760 --> 00:28:26,560
Speaker 4: real Like it's not it's nothing fake about that, you

507
00:28:26,600 --> 00:28:27,160
Speaker 4: know what I'm saying.

508
00:28:27,280 --> 00:28:30,479
Speaker 1: Like anything any stories you hear like it's a real story,

509
00:28:30,640 --> 00:28:34,280
Speaker 1: like you. They had one song I'm so bad, I

510
00:28:34,320 --> 00:28:36,080
Speaker 1: can suck my own. What was up with that ship?

511
00:28:38,680 --> 00:28:40,440
Speaker 1: It's on the right and there that I'm so bad

512
00:28:40,520 --> 00:28:42,040
Speaker 1: I can suck my own. I never heard that.

513
00:28:42,200 --> 00:28:45,960
Speaker 3: Oh yeah, that motherfucker that pimp all out of then

514
00:28:47,800 --> 00:28:50,200
Speaker 3: I'm so bad I can suck my own. Real bum

515
00:28:50,320 --> 00:28:51,640
Speaker 3: be so bad he just suck.

516
00:28:54,600 --> 00:28:57,960
Speaker 1: I never heard this ship ships like.

517
00:29:00,480 --> 00:29:10,960
Speaker 8: That where the good thing. Uh, hey, what's wrong with you?

518
00:29:11,080 --> 00:29:11,280
Speaker 1: Man?

519
00:29:11,400 --> 00:29:11,520
Speaker 5: Man?

520
00:29:11,560 --> 00:29:19,520
Speaker 1: What's on kemc? He's so bad? He's so bad. Yeah,

521
00:29:20,200 --> 00:29:22,600
Speaker 1: but you got a few in there with Beyonce. No, yeah,

522
00:29:23,120 --> 00:29:24,920
Speaker 1: you know the people who in the be have don't

523
00:29:24,920 --> 00:29:25,640
Speaker 1: want to know about that.

524
00:29:27,840 --> 00:29:32,840
Speaker 4: That's that's that came from a million. You know, when

525
00:29:32,880 --> 00:29:36,400
Speaker 4: you hot, they find you, you know what I'm saying.

526
00:29:36,560 --> 00:29:41,600
Speaker 4: So that was the reinsert like that was the second coming.

527
00:29:42,520 --> 00:29:42,720
Speaker 5: You know.

528
00:29:42,960 --> 00:29:46,720
Speaker 4: It's like from ninety nine to two thousand and eight,

529
00:29:47,920 --> 00:29:53,760
Speaker 4: it's it was a reinsurt thing like it was a

530
00:29:53,920 --> 00:29:57,960
Speaker 4: re uh brandy thing, you know what I'm saying.

531
00:29:58,040 --> 00:30:03,280
Speaker 3: That's when you went commercial. What what's the songs you

532
00:30:03,360 --> 00:30:04,080
Speaker 3: did with commercial?

533
00:30:06,440 --> 00:30:10,720
Speaker 4: I did Diva and uh video Phone that had a

534
00:30:11,280 --> 00:30:18,320
Speaker 4: lady gout. But that, like the last thing you did,

535
00:30:18,560 --> 00:30:25,200
Speaker 4: impactful always goes into the next thing, you know what

536
00:30:25,200 --> 00:30:28,920
Speaker 4: I'm saying. Because when you hot, like it was the

537
00:30:29,000 --> 00:30:32,200
Speaker 4: hottest thing going. So people, you know, they want that.

538
00:30:37,160 --> 00:30:39,600
Speaker 4: And when I made Diva, I made Diva before I

539
00:30:39,760 --> 00:30:43,880
Speaker 4: was working with Beyonce, Well I wasn't. I didn't look

540
00:30:43,920 --> 00:30:49,880
Speaker 4: at Diva like it was like its own composition. I

541
00:30:50,080 --> 00:30:52,560
Speaker 4: just looked I had an artist I had a female

542
00:30:52,640 --> 00:30:54,560
Speaker 4: artist at the time, then I had a male artist,

543
00:30:55,000 --> 00:30:57,560
Speaker 4: but I was making Yeah, I was making a fixed tape,

544
00:30:58,760 --> 00:31:01,120
Speaker 4: and my idea was to put Mafi on.

545
00:31:02,680 --> 00:31:06,000
Speaker 1: Uh the Diva beat. I just looked at that like

546
00:31:06,120 --> 00:31:08,360
Speaker 1: some I remake, like I didn't.

547
00:31:09,720 --> 00:31:13,000
Speaker 4: I didn't take it serious because it sounded like that,

548
00:31:13,520 --> 00:31:16,600
Speaker 4: and I wasn't really never trying to like I wasn't

549
00:31:16,640 --> 00:31:23,200
Speaker 4: a producer that capitalized off the sound like I was

550
00:31:23,320 --> 00:31:25,760
Speaker 4: supposed to, you know what I'm saying, Like because when

551
00:31:25,800 --> 00:31:28,520
Speaker 4: you got to hear record, people want that and they

552
00:31:28,680 --> 00:31:31,240
Speaker 4: just want you to do that again, and I never.

553
00:31:32,640 --> 00:31:32,880
Speaker 9: Did it.

554
00:31:34,040 --> 00:31:36,880
Speaker 1: I was really like in my own world, trying to

555
00:31:36,960 --> 00:31:38,719
Speaker 1: give you something else, trying to give you something new,

556
00:31:38,880 --> 00:31:40,320
Speaker 1: trying to go to the next thing.

557
00:31:41,520 --> 00:31:44,640
Speaker 4: So when I made Diva, I wasn't thinking about actually

558
00:31:44,840 --> 00:31:47,440
Speaker 4: selling a beat to somebody. I was just using it

559
00:31:47,520 --> 00:31:50,840
Speaker 4: for a mixtable, like I throw away shit like you

560
00:31:50,920 --> 00:31:53,960
Speaker 4: two always her sh'll be like Diva his shit or

561
00:31:54,040 --> 00:31:57,440
Speaker 4: say something else. And at a you know, a switch up,

562
00:31:58,880 --> 00:32:01,960
Speaker 4: I was in the studio playing the beat and like

563
00:32:02,120 --> 00:32:03,560
Speaker 4: some my nigga was going.

564
00:32:03,440 --> 00:32:05,160
Speaker 1: Crazy about that ship and I was like I was

565
00:32:05,360 --> 00:32:08,800
Speaker 1: like this, like I said this is just like like, nah,

566
00:32:08,920 --> 00:32:12,560
Speaker 1: Nigga is na, this is his own thing. Nigga is

567
00:32:12,600 --> 00:32:15,200
Speaker 1: a whole different. So I was.

568
00:32:15,480 --> 00:32:17,200
Speaker 4: I listened to him, you know what I'm saying. So

569
00:32:17,600 --> 00:32:22,440
Speaker 4: I started working with Sean Garrett and the mission was Beyonce.

570
00:32:22,720 --> 00:32:25,280
Speaker 4: So I was like, Damn, I got this because he

571
00:32:25,640 --> 00:32:29,560
Speaker 4: was even hit me because of the millishit. You know

572
00:32:29,600 --> 00:32:32,280
Speaker 4: what I'm saying, Like the MILLI just going crazy, everybody

573
00:32:32,360 --> 00:32:32,760
Speaker 4: calling you.

574
00:32:33,920 --> 00:32:36,880
Speaker 1: So he was. He kept saying every time he hit.

575
00:32:36,840 --> 00:32:39,000
Speaker 5: Me, like Nigga, if I had that beat, Nigga, if

576
00:32:39,040 --> 00:32:40,520
Speaker 5: I had that beat, Nigga woo.

577
00:32:41,800 --> 00:32:45,680
Speaker 4: So Devon was perfect for Beyonce because really nobody is

578
00:32:47,160 --> 00:32:51,480
Speaker 4: on a deep level. He was already fucking with the sound.

579
00:32:51,680 --> 00:32:56,760
Speaker 4: So it just made sense. Like that's how that came

580
00:32:56,800 --> 00:32:59,479
Speaker 4: about Beyonce.

581
00:33:00,080 --> 00:33:04,640
Speaker 5: Beyonce out out of out of majority of the people

582
00:33:04,720 --> 00:33:05,160
Speaker 5: I work with.

583
00:33:05,280 --> 00:33:10,520
Speaker 4: Females, Beyonce is like the most humble and the most

584
00:33:12,120 --> 00:33:19,320
Speaker 4: uh in tune with with direction and listening. You was

585
00:33:19,360 --> 00:33:20,440
Speaker 4: telling Beyonce what to do.

586
00:33:21,480 --> 00:33:22,040
Speaker 1: I wasn't.

587
00:33:22,280 --> 00:33:26,040
Speaker 4: But Sean writing a song, it's like it's it's not

588
00:33:26,400 --> 00:33:31,640
Speaker 4: it's no, it's it's received.

589
00:33:32,760 --> 00:33:35,000
Speaker 1: You know what I'm saying. It's not that I mean

590
00:33:35,120 --> 00:33:35,640
Speaker 1: she trusted.

591
00:33:35,960 --> 00:33:39,000
Speaker 4: Yeah, it's received. It ain't like you going back and forth.

592
00:33:39,040 --> 00:33:43,240
Speaker 4: I've been there with artists that ain't near beyond man.

593
00:33:43,280 --> 00:33:48,200
Speaker 5: I was just so on fucking uh Hustling Flow, argue

594
00:33:48,320 --> 00:33:53,440
Speaker 5: with the motherfucking bitch miss arguing with me, bro with

595
00:33:53,680 --> 00:33:59,560
Speaker 5: me trying to make the bro arguing with me, ain't

596
00:33:59,680 --> 00:34:02,560
Speaker 5: it's on the record at all, Bro going back and

597
00:34:02,720 --> 00:34:05,640
Speaker 5: forth with this bitch Broux show.

598
00:34:05,880 --> 00:34:08,799
Speaker 1: Yeah got you Okay. I thought you were told the chance.

599
00:34:09,000 --> 00:34:16,600
Speaker 1: Everything I'm telling not everything I'm telling her brother would

600
00:34:16,600 --> 00:34:18,719
Speaker 1: have had her. White girl.

601
00:34:18,880 --> 00:34:22,120
Speaker 5: Everything I was telling her would have worked for her.

602
00:34:23,800 --> 00:34:29,000
Speaker 5: Everything I said to her, Karli told her after she

603
00:34:29,160 --> 00:34:30,239
Speaker 5: did what she wanted to do.

604
00:34:33,600 --> 00:34:37,919
Speaker 1: She never listened to me and we kind of fell

605
00:34:38,000 --> 00:34:41,040
Speaker 1: out in the studio. She stormed out. She told the

606
00:34:41,120 --> 00:34:42,560
Speaker 1: staff I was bullying her.

607
00:34:43,239 --> 00:34:46,960
Speaker 3: Mm hmmm, typical white woman ship brought to him, put

608
00:34:47,040 --> 00:34:49,359
Speaker 3: my backwoods, get it from the front.

609
00:34:50,600 --> 00:34:53,680
Speaker 1: Jack, You's stupid, man, And I felt like I was

610
00:34:53,800 --> 00:35:00,880
Speaker 1: being bullied, like you bullying me, Like, make sure you

611
00:35:01,000 --> 00:35:03,160
Speaker 1: check that out. What's your name? Hustling Flow?

612
00:35:03,920 --> 00:35:09,440
Speaker 4: She no, she she was finalist because like the finalist

613
00:35:09,560 --> 00:35:11,799
Speaker 4: gets super producers, so that's why I was on there.

614
00:35:11,920 --> 00:35:14,080
Speaker 4: So I was paired up with a final No, she

615
00:35:14,239 --> 00:35:17,800
Speaker 4: an artist, but they paired the artists up with a

616
00:35:17,840 --> 00:35:20,800
Speaker 4: super producer. I was one of the producers that was

617
00:35:20,880 --> 00:35:25,520
Speaker 4: paired up with her, Like they picked that far. Well,

618
00:35:25,560 --> 00:35:30,080
Speaker 4: that was the finals, so there's like four finalists, four finalists.

619
00:35:30,600 --> 00:35:33,719
Speaker 4: She she performed first out of the four. She got

620
00:35:33,800 --> 00:35:35,000
Speaker 4: eliminated first.

621
00:35:37,640 --> 00:35:41,680
Speaker 1: Listen. She didn't listen bro everything I was telling her,

622
00:35:41,760 --> 00:35:44,560
Speaker 1: bro like, I'm like, no, this ain't a super producer

623
00:35:44,640 --> 00:35:48,080
Speaker 1: right here, super producer bro. And her theory was this.

624
00:35:48,239 --> 00:35:49,239
Speaker 1: Her theory was like.

625
00:35:50,800 --> 00:35:54,239
Speaker 4: She she was like, but she kept saying, but you're up,

626
00:35:54,480 --> 00:35:58,800
Speaker 4: You're up, like in the sense of like I got money,

627
00:35:58,880 --> 00:36:03,239
Speaker 4: song care I ain't hungry. So her theory is like

628
00:36:03,480 --> 00:36:06,719
Speaker 4: she rather roll the dice on herself and lose than

629
00:36:06,880 --> 00:36:08,200
Speaker 4: listen to me and lose.

630
00:36:08,760 --> 00:36:11,480
Speaker 1: Damn. That was brought to you to point by Backwoods

631
00:36:12,880 --> 00:36:14,879
Speaker 1: set on the front. You hit it from the front,

632
00:36:17,000 --> 00:36:19,880
Speaker 1: just in the mouth flishing there. Yeah, but you know,

633
00:36:20,200 --> 00:36:21,759
Speaker 1: like the more of the story is.

634
00:36:24,239 --> 00:36:30,759
Speaker 5: Study the motherfuckers that's winning, man, Study the motherfuckers that

635
00:36:30,840 --> 00:36:31,120
Speaker 5: win it.

636
00:36:31,320 --> 00:36:32,960
Speaker 1: All these bitches be like I want to be Beyonce

637
00:36:33,040 --> 00:36:34,319
Speaker 1: I want to be Beyonce.

638
00:36:36,320 --> 00:36:41,360
Speaker 5: Nigga Matthew knows will cut this neat child out and

639
00:36:41,480 --> 00:36:43,839
Speaker 5: will be nobody affected by that shit.

640
00:36:43,960 --> 00:36:48,200
Speaker 1: They still go on practice, practice practice. You can't do that.

641
00:36:48,920 --> 00:36:51,040
Speaker 4: I ain't saying I'm cussing these bitches out. What I'm

642
00:36:51,040 --> 00:36:56,640
Speaker 4: saying is like anything you say to them, they got resistance.

643
00:36:58,960 --> 00:37:01,080
Speaker 1: Then time fly time goes by.

644
00:37:01,440 --> 00:37:04,600
Speaker 4: Then they realized what they should have did or oh man,

645
00:37:04,600 --> 00:37:06,320
Speaker 4: I should have listened all you was right.

646
00:37:08,360 --> 00:37:15,440
Speaker 1: And it's too late. Go to sleep, Hope, go to sleep.

647
00:37:16,320 --> 00:37:20,440
Speaker 3: If you tie the quiet and go to sleep. Come on, man,

648
00:37:20,560 --> 00:37:23,840
Speaker 3: ask me ask question earlier. I gotta ask you now.

649
00:37:23,880 --> 00:37:25,479
Speaker 3: I gotta ask you a difficult question.

650
00:37:25,560 --> 00:37:31,680
Speaker 1: Okay. Top five Bangler Dish Beats, Top five Bank.

651
00:37:31,960 --> 00:37:34,759
Speaker 4: From the first beginning to current. If you had to

652
00:37:34,920 --> 00:37:41,520
Speaker 4: pick fab out your your fave favorites, mm hmmm. I

653
00:37:41,640 --> 00:37:46,200
Speaker 4: had to put Cockiness in there, Rihanna, Cockiness your favorite

654
00:37:46,239 --> 00:37:51,640
Speaker 4: beats I made. I had to put what's your fantasy

655
00:37:51,719 --> 00:37:53,520
Speaker 4: in there, just because it's the first one that was

656
00:37:53,520 --> 00:37:54,399
Speaker 4: the impacted one.

657
00:37:56,000 --> 00:38:00,960
Speaker 1: Uh and it still plays to today. Melli. Of course,

658
00:38:01,280 --> 00:38:03,520
Speaker 1: of course, I think this is a typical thing, like

659
00:38:03,680 --> 00:38:06,840
Speaker 1: a typical list. Uh. A million.

660
00:38:10,040 --> 00:38:13,560
Speaker 4: I kind of forget what I what I've done. Lemonade,

661
00:38:13,920 --> 00:38:15,040
Speaker 4: I'll put lemonade in there.

662
00:38:15,120 --> 00:38:21,480
Speaker 1: Okay, that was a big one, big hit. Goochie was

663
00:38:21,520 --> 00:38:22,520
Speaker 1: in his bag on the one.

664
00:38:23,520 --> 00:38:24,000
Speaker 2: Mm hmmm.

665
00:38:30,040 --> 00:38:33,480
Speaker 1: I did this be for Bussell rhymes and uh missy

666
00:38:33,560 --> 00:38:41,320
Speaker 1: Elliot called uh guiney. I put that in there. Okay,

667
00:38:43,000 --> 00:38:44,360
Speaker 1: hey bang what what like?

668
00:38:44,960 --> 00:38:47,640
Speaker 3: I always wanted to know people on your level, like,

669
00:38:47,800 --> 00:38:50,719
Speaker 3: what's the when you got to hit hit? What's the

670
00:38:50,880 --> 00:38:53,440
Speaker 3: biggest like chick you get off the rip on some

671
00:38:53,560 --> 00:38:56,200
Speaker 3: residuous ship. What's possible?

672
00:38:56,600 --> 00:39:00,200
Speaker 1: How the money you got? How you trying to get

673
00:39:00,239 --> 00:39:03,239
Speaker 1: in your pocket? Exactly? But this brought to you and

674
00:39:03,280 --> 00:39:06,560
Speaker 1: put my backward. Well it from the friend.

675
00:39:07,040 --> 00:39:11,240
Speaker 5: Well, I mean, I mean his can make you millions

676
00:39:11,320 --> 00:39:15,320
Speaker 5: of dollars. It's can make you thousands of dollars. I

677
00:39:15,440 --> 00:39:16,840
Speaker 5: mean a song can make you.

678
00:39:17,080 --> 00:39:19,120
Speaker 1: I mean it just depends how big the shit is.

679
00:39:19,200 --> 00:39:23,480
Speaker 4: But millions of dollars, hundreds of thousands of dollars, millions.

680
00:39:26,480 --> 00:39:27,360
Speaker 1: I was reading.

681
00:39:31,280 --> 00:39:34,120
Speaker 4: Jim Jones off of the Fly, how he made twenty

682
00:39:34,200 --> 00:39:36,000
Speaker 4: million dollars just off that one song?

683
00:39:36,960 --> 00:39:42,120
Speaker 1: Damn wow? And he was independent too on Cotch Right, Yeah, that's.

684
00:39:42,000 --> 00:39:45,960
Speaker 4: Probably had something to do with the amount, because when

685
00:39:45,960 --> 00:39:48,239
Speaker 4: you on the label, they you know, depending on which

686
00:39:48,239 --> 00:39:51,200
Speaker 4: your split star, like you ain't you ain't doing as

687
00:39:51,239 --> 00:39:52,480
Speaker 4: well as a dependent.

688
00:39:53,320 --> 00:39:56,040
Speaker 3: Oh so you're saying that if he had it, but

689
00:39:56,120 --> 00:39:57,960
Speaker 3: how do you even get it to get it to

690
00:39:58,040 --> 00:40:01,080
Speaker 3: twenty million dollars? If you do what a cotch as

691
00:40:01,160 --> 00:40:03,799
Speaker 3: an independent? Or is it even such a thing as

692
00:40:03,880 --> 00:40:07,480
Speaker 3: getting a twenty million dollar situation independent?

693
00:40:07,960 --> 00:40:13,360
Speaker 1: Yeah, Like he had to pull that off himself well,

694
00:40:13,600 --> 00:40:14,319
Speaker 1: being on Cotch.

695
00:40:14,440 --> 00:40:16,040
Speaker 4: I mean, I'm sure he had to do a lot

696
00:40:16,120 --> 00:40:17,879
Speaker 4: of his own lay work, a lot of his own

697
00:40:17,920 --> 00:40:20,120
Speaker 4: market and a lot of his own probably spend a

698
00:40:20,160 --> 00:40:21,400
Speaker 4: lot of distribution.

699
00:40:21,640 --> 00:40:24,080
Speaker 1: Yeah, I'm sure he did a lot of shit too.

700
00:40:25,280 --> 00:40:28,160
Speaker 1: But ahead hit the club. But a hit, though, a

701
00:40:28,320 --> 00:40:31,360
Speaker 1: hit made the money. Yeah yeah, a hit kind of

702
00:40:31,520 --> 00:40:33,399
Speaker 1: just takes off though.

703
00:40:34,560 --> 00:40:36,239
Speaker 3: So you you're saying that he made more money off

704
00:40:36,280 --> 00:40:40,320
Speaker 3: the got majority of that money off the performances.

705
00:40:41,320 --> 00:40:45,440
Speaker 1: Got you you Yeah, you're gonna perform now you had

706
00:40:45,560 --> 00:40:48,719
Speaker 1: lived that night for a hundred Nigga could be one

707
00:40:48,800 --> 00:40:51,719
Speaker 1: hundred years old and he could perform fly and all

708
00:40:51,719 --> 00:40:53,680
Speaker 1: you got to do is perform that bitch three times

709
00:40:53,719 --> 00:40:54,440
Speaker 1: at one thirty.

710
00:40:58,040 --> 00:41:01,200
Speaker 4: You out there, bitch at two ten, the city gonna

711
00:41:01,239 --> 00:41:02,840
Speaker 4: ship the club down at three o'clock.

712
00:41:03,080 --> 00:41:07,319
Speaker 1: Some you know that type of situation, like the one

713
00:41:07,440 --> 00:41:08,240
Speaker 1: hundred and fifty.

714
00:41:08,000 --> 00:41:15,480
Speaker 4: And royalties and the publishing how many albums it selves?

715
00:41:16,920 --> 00:41:20,120
Speaker 4: The royalty money is crazy? Say you did a whole project.

716
00:41:24,800 --> 00:41:27,839
Speaker 4: Eric Sermon was on a podcast. He said he got

717
00:41:29,880 --> 00:41:33,520
Speaker 4: five percent on something that Metro.

718
00:41:33,320 --> 00:41:39,120
Speaker 5: Booming sample that is a is uh what's that Canadian

719
00:41:39,239 --> 00:41:42,960
Speaker 5: singer name Ria Cafe? A weekend we are?

720
00:41:44,280 --> 00:41:48,440
Speaker 4: I know that Nigga makes two hundred and fifty thousand

721
00:41:48,680 --> 00:41:52,319
Speaker 4: every quarter just off of five percent of the song.

722
00:41:53,880 --> 00:41:56,000
Speaker 1: That's what I'm talking about that, Yeah, what the fuck

723
00:41:56,120 --> 00:41:57,360
Speaker 1: was just imagine what.

724
00:41:58,840 --> 00:42:03,759
Speaker 4: Metro made? Yeah, you know what I'm saying. Yeah, that's

725
00:42:03,800 --> 00:42:08,240
Speaker 4: what I'm saying. Like that's Eric's sermon, but a sample

726
00:42:08,520 --> 00:42:09,400
Speaker 4: for the sense.

727
00:42:09,360 --> 00:42:15,080
Speaker 1: Just from the frame. Are you fucking with the AI

728
00:42:15,239 --> 00:42:20,399
Speaker 1: at all? With the new digital technology? Man?

729
00:42:20,480 --> 00:42:23,279
Speaker 4: You know, like it's it's like a scary thing to say,

730
00:42:23,440 --> 00:42:25,120
Speaker 4: like you don't fuck with it because you don't want

731
00:42:25,160 --> 00:42:28,960
Speaker 4: to be behind on time. But like I like seeing

732
00:42:29,040 --> 00:42:31,040
Speaker 4: what things do, programs and ship.

733
00:42:31,600 --> 00:42:32,080
Speaker 1: It's like.

734
00:42:33,760 --> 00:42:39,719
Speaker 4: The the love that I have for being creative. It's

735
00:42:40,239 --> 00:42:44,839
Speaker 4: it's like, like that's my job. You know what I'm saying,

736
00:42:45,200 --> 00:42:50,320
Speaker 4: Like I want to like it's not the money with me,

737
00:42:50,400 --> 00:42:52,960
Speaker 4: It's not the actual outcome of what comes out of

738
00:42:53,040 --> 00:42:55,680
Speaker 4: this ship. It's the it's the feeling that, no, my

739
00:42:55,880 --> 00:42:56,400
Speaker 4: I did that.

740
00:42:57,600 --> 00:43:03,680
Speaker 1: I did that. Like you know, machines can just do everything.

741
00:43:03,960 --> 00:43:06,400
Speaker 4: That's why I never got into any other form of

742
00:43:06,600 --> 00:43:09,759
Speaker 4: making beats than my hardware. I haven't got into the

743
00:43:09,840 --> 00:43:13,480
Speaker 4: new program yet because a lot of programs it's just

744
00:43:13,760 --> 00:43:14,800
Speaker 4: I'll be seeing what it do.

745
00:43:14,960 --> 00:43:16,719
Speaker 5: I'm like, damn, Like you ain't have to do nothing,

746
00:43:17,440 --> 00:43:22,440
Speaker 5: Like damn, I want to do something. I'm the type

747
00:43:22,480 --> 00:43:25,160
Speaker 5: that like to do the hard thing, Like I don't want.

748
00:43:25,040 --> 00:43:28,480
Speaker 1: To do the easy thing then get the glory. You

749
00:43:28,520 --> 00:43:29,080
Speaker 1: know what I'm saying.

750
00:43:30,560 --> 00:43:33,880
Speaker 4: I like to like like deep down like yeah I

751
00:43:33,960 --> 00:43:36,239
Speaker 4: did that, Like I don't know how I did that shit,

752
00:43:36,360 --> 00:43:38,000
Speaker 4: but that shit, I did that shit.

753
00:43:38,080 --> 00:43:43,160
Speaker 1: You know what I'm saying. But you want to keep

754
00:43:43,239 --> 00:43:44,040
Speaker 1: up with the time.

755
00:43:44,400 --> 00:43:47,399
Speaker 4: You want to stay in tune because like you can't

756
00:43:47,480 --> 00:43:52,320
Speaker 4: get left behind. So you you you know you you

757
00:43:52,480 --> 00:43:54,799
Speaker 4: wanted to you want to figure out how it works

758
00:43:54,880 --> 00:44:01,320
Speaker 4: for you. Yeah, So I haven't really personally got into it.

759
00:44:01,520 --> 00:44:05,040
Speaker 4: But I have like people around me that have you

760
00:44:05,080 --> 00:44:08,560
Speaker 4: know what I'm saying. When artists call you for some

761
00:44:09,719 --> 00:44:14,120
Speaker 4: for some music, do they would have like special requests like.

762
00:44:14,200 --> 00:44:16,239
Speaker 1: I need some ship like this. I'm listening to this

763
00:44:16,320 --> 00:44:18,880
Speaker 1: ship you did right here. Can you make me something

764
00:44:19,000 --> 00:44:24,000
Speaker 1: like that? It's just hard to do. It's hard to

765
00:44:24,120 --> 00:44:28,840
Speaker 1: do that. You may make me a beat like it's that,

766
00:44:29,360 --> 00:44:32,080
Speaker 1: that'sh it hard to do. Like I think.

767
00:44:32,239 --> 00:44:35,880
Speaker 4: I think Pharrell is like a genius set that like

768
00:44:36,840 --> 00:44:41,480
Speaker 4: using the same sounds for twenty years and just different rhythms.

769
00:44:43,160 --> 00:44:46,200
Speaker 10: This shit like amazing to me because they told him

770
00:44:46,280 --> 00:44:49,680
Speaker 10: like that too. He's because they told me, Man, it'd

771
00:44:49,680 --> 00:44:52,239
Speaker 10: be different, but it just be it. It'd be the

772
00:44:52,440 --> 00:44:57,120
Speaker 10: same thing, be different, And I never it should be

773
00:44:57,200 --> 00:45:04,640
Speaker 10: hard to I always try to do something else. I've

774
00:45:04,719 --> 00:45:09,680
Speaker 10: never even saved my sounds, bro, like I make the bet.

775
00:45:11,960 --> 00:45:12,840
Speaker 1: I don't have a.

776
00:45:15,600 --> 00:45:17,080
Speaker 3: A pack of like I don't.

777
00:45:17,239 --> 00:45:18,279
Speaker 1: I'm not a I'm not a.

778
00:45:22,000 --> 00:45:25,239
Speaker 4: Organized producer, you know what I'm saying. Where I go

779
00:45:25,440 --> 00:45:29,440
Speaker 4: to my like snares, my.

780
00:45:29,600 --> 00:45:35,800
Speaker 5: Kicks, everything I put in my my MP's new sounds,

781
00:45:36,800 --> 00:45:37,239
Speaker 5: it's new.

782
00:45:38,400 --> 00:45:40,960
Speaker 1: You still earlier, like just go in and create some ship,

783
00:45:41,400 --> 00:45:44,920
Speaker 1: you know what I mean? Yeah, that's dope, just new sounds.

784
00:45:45,080 --> 00:45:47,120
Speaker 1: What's your most creative time of the day.

785
00:45:50,080 --> 00:45:52,520
Speaker 4: I'll be trying to work early in the day, feeling

786
00:45:52,560 --> 00:45:56,560
Speaker 4: like I'm gonna get done, like more shit done, but

787
00:45:58,440 --> 00:46:00,560
Speaker 4: I just be going through the motion, don't really get

788
00:46:00,800 --> 00:46:04,640
Speaker 4: created till late, so I kind of could waste the

789
00:46:04,719 --> 00:46:09,279
Speaker 4: whole day just and it's not doing nothing as soon

790
00:46:09,360 --> 00:46:11,920
Speaker 4: as like, you know that night set in yep.

791
00:46:12,360 --> 00:46:15,759
Speaker 3: I bean, you ever had to hunt somebody down for

792
00:46:15,880 --> 00:46:18,320
Speaker 3: your money as an independent and like, hey, y'all, what

793
00:46:18,719 --> 00:46:20,719
Speaker 3: y'all this ship going out and jumping out the gym?

794
00:46:23,920 --> 00:46:30,279
Speaker 4: Yeah, I think I'm I think people I'm notorious for that,

795
00:46:31,040 --> 00:46:34,640
Speaker 4: you know, but hunting people down for your money speaking

796
00:46:34,760 --> 00:46:35,759
Speaker 4: up about it, you know?

797
00:46:36,320 --> 00:46:39,120
Speaker 1: Uh yeah, they hate when you speak up about your money.

798
00:46:40,680 --> 00:46:44,640
Speaker 1: I did you, I heard about you. I know about that.

799
00:46:46,120 --> 00:46:48,719
Speaker 1: Just you know the cash money thing, the millie thing.

800
00:46:49,200 --> 00:46:54,400
Speaker 4: Uh, you had to chase them for a million royalties

801
00:46:54,800 --> 00:47:00,600
Speaker 4: and that's the royalty part. Uh, even even the production feed.

802
00:47:01,880 --> 00:47:02,319
Speaker 1: Go front.

803
00:47:03,120 --> 00:47:07,080
Speaker 4: My my mixed engineer, who who I still fuck with

804
00:47:07,760 --> 00:47:10,879
Speaker 4: till this day. He mixed the MILLI He was cash.

805
00:47:11,200 --> 00:47:14,920
Speaker 4: He was Lil Wayne's engineer. He told me the story

806
00:47:15,000 --> 00:47:18,040
Speaker 4: once we got cool. He said, because cash money. They

807
00:47:18,120 --> 00:47:21,799
Speaker 4: called me for the sounds to a MILLI to get

808
00:47:21,840 --> 00:47:24,439
Speaker 4: the track outs, but I ain't got my production fee.

809
00:47:24,880 --> 00:47:27,080
Speaker 4: So he said, I'm the first nigga that he ever

810
00:47:27,200 --> 00:47:32,640
Speaker 4: heard tell them no. I was like, nah, like nah,

811
00:47:32,719 --> 00:47:35,400
Speaker 4: I ain't saying to that. And he heard it through

812
00:47:35,440 --> 00:47:38,160
Speaker 4: the phone. He's like, man, I've never heard nobody tell

813
00:47:38,239 --> 00:47:39,200
Speaker 4: them no before.

814
00:47:40,800 --> 00:47:42,480
Speaker 1: That's great. Did they say they were gonna kill you?

815
00:47:45,040 --> 00:47:50,279
Speaker 4: I'm still alive. I'm still alive from the front stupid.

816
00:47:50,920 --> 00:47:54,920
Speaker 1: I think it's just I think it's like respect like.

817
00:47:56,680 --> 00:48:00,040
Speaker 4: Every every like if you're man, bro like, if you

818
00:48:00,160 --> 00:48:05,280
Speaker 4: a man, even if you gainst whatever it is, Niggas

819
00:48:05,320 --> 00:48:06,120
Speaker 4: want their money.

820
00:48:06,400 --> 00:48:10,000
Speaker 5: Yeah, you know what I'm saying, Like you got kids,

821
00:48:10,120 --> 00:48:13,879
Speaker 5: I got a key. Like it's not really a thing

822
00:48:14,040 --> 00:48:15,640
Speaker 5: where it gets to that level.

823
00:48:15,880 --> 00:48:18,040
Speaker 4: It's more like if you're saying like you could be

824
00:48:18,440 --> 00:48:21,800
Speaker 4: you could you could talk to against the nigga a

825
00:48:21,960 --> 00:48:25,920
Speaker 4: quote unquote gainst the nigga however you want to when

826
00:48:25,960 --> 00:48:26,800
Speaker 4: it's real.

827
00:48:27,960 --> 00:48:30,359
Speaker 3: Like this is what it is. Hey had to buy

828
00:48:30,400 --> 00:48:32,080
Speaker 3: a nigga finger off by some ship like this bro

829
00:48:40,360 --> 00:48:43,560
Speaker 3: somebodyguards for this very famous label that's going through it

830
00:48:43,680 --> 00:48:44,040
Speaker 3: right now.

831
00:48:44,360 --> 00:48:52,120
Speaker 1: The head of Okay, I know you're talking about now

832
00:48:52,239 --> 00:48:53,799
Speaker 1: when like that happened? Though?

833
00:48:53,880 --> 00:48:56,880
Speaker 4: Do do they just passed that office man that ain't us,

834
00:48:57,000 --> 00:48:59,640
Speaker 4: that's them other people? Or where's the label?

835
00:49:00,000 --> 00:49:02,960
Speaker 1: That's always excuses, But they're their own entity.

836
00:49:03,120 --> 00:49:06,520
Speaker 5: That's why they have the choice to either pay you

837
00:49:06,719 --> 00:49:11,480
Speaker 5: or not. Royalties is like the album seal of it.

838
00:49:11,920 --> 00:49:16,160
Speaker 4: So how many units is sell depending on your point,

839
00:49:16,280 --> 00:49:21,040
Speaker 4: So a producer can get it's like zero to five points.

840
00:49:22,440 --> 00:49:26,840
Speaker 4: Top producers, top tier producers gonna get five percent five points.

841
00:49:29,239 --> 00:49:31,880
Speaker 1: They're always going to come in at a two three area.

842
00:49:32,920 --> 00:49:34,520
Speaker 1: But depending on who you are.

843
00:49:36,239 --> 00:49:39,480
Speaker 4: You deserve the five you know what I'm saying, because

844
00:49:39,640 --> 00:49:43,120
Speaker 4: like it's probably your song that's selling this project, you

845
00:49:43,160 --> 00:49:51,600
Speaker 4: know what I'm saying. So cash money deal, their deal

846
00:49:51,680 --> 00:49:55,840
Speaker 4: is set up where they get the money first, and

847
00:49:55,960 --> 00:50:01,399
Speaker 4: it's their responsibility to this, you know, make sure everybody pays,

848
00:50:01,440 --> 00:50:05,520
Speaker 4: make sure everybody paid, and it's just something that they

849
00:50:05,600 --> 00:50:07,799
Speaker 4: weren't doing, you know what I'm saying.

850
00:50:08,840 --> 00:50:09,360
Speaker 1: So it's like.

851
00:50:11,360 --> 00:50:15,759
Speaker 4: Unless you said something to them and they ain't really

852
00:50:16,000 --> 00:50:18,920
Speaker 4: like and most people ain't, so they just kind of

853
00:50:19,080 --> 00:50:23,719
Speaker 4: like winning, you know what I'm saying. And if if

854
00:50:23,800 --> 00:50:27,640
Speaker 4: you take them to court, you're gonna be spending money,

855
00:50:27,719 --> 00:50:30,600
Speaker 4: then you're gonna settle. So they still win because they

856
00:50:30,800 --> 00:50:34,720
Speaker 4: they made so much, they just gonna they're gonna settle

857
00:50:34,760 --> 00:50:38,719
Speaker 4: with you, you know what I'm saying. Like that sup so,

858
00:50:39,040 --> 00:50:46,759
Speaker 4: And there's layers them niggas got layers of attorneys. So

859
00:50:46,960 --> 00:50:50,719
Speaker 4: it's like you kind of like if you were just

860
00:50:50,840 --> 00:50:54,440
Speaker 4: a nigga out here, you'll get tired of going through

861
00:50:54,520 --> 00:50:56,759
Speaker 4: the ship and you might just settle or you might

862
00:50:56,840 --> 00:50:59,920
Speaker 4: not even bother yourself with the ship. Like when I

863
00:51:00,120 --> 00:51:02,640
Speaker 4: when I spoke out about that ship, so many producers

864
00:51:03,160 --> 00:51:06,839
Speaker 4: was like, man, man, we wanted to say it too,

865
00:51:07,120 --> 00:51:08,880
Speaker 4: but man, we didn't want to.

866
00:51:09,440 --> 00:51:11,760
Speaker 1: We didn't want to ruin our relationship.

867
00:51:13,120 --> 00:51:15,120
Speaker 4: And like, my thing is like I don't know what

868
00:51:15,280 --> 00:51:18,879
Speaker 4: a relationship is, Like it's like a pimp whole relationship.

869
00:51:19,040 --> 00:51:23,360
Speaker 4: Like the relationship is it's like pimp, Like they're pimping

870
00:51:23,440 --> 00:51:25,840
Speaker 4: and you're holing, give me relationship.

871
00:51:26,000 --> 00:51:28,520
Speaker 3: And that was brought to your part by Backwood from

872
00:51:28,560 --> 00:51:28,839
Speaker 3: The Frost.

873
00:51:29,000 --> 00:51:29,960
Speaker 1: I never understood.

874
00:51:31,160 --> 00:51:34,640
Speaker 4: I don't want a relationship where I'm not you're not

875
00:51:35,120 --> 00:51:37,760
Speaker 4: paying me, so like, I don't care where.

876
00:51:37,600 --> 00:51:40,759
Speaker 1: This is going. That's not a relationship that I think

877
00:51:40,760 --> 00:51:41,080
Speaker 1: about that.

878
00:51:41,400 --> 00:51:44,360
Speaker 4: It's a pimp whole relationship. If you're cool with that,

879
00:51:44,560 --> 00:51:49,279
Speaker 4: you're cool with that, you're cool with just being cord.

880
00:51:51,040 --> 00:51:54,239
Speaker 1: You know it's cool. But I'm not. I'm not. It's

881
00:51:54,239 --> 00:52:00,520
Speaker 1: the only time like that. Some shippen tell me the

882
00:52:00,600 --> 00:52:03,320
Speaker 1: good see after that, tell me a good story.

883
00:52:03,400 --> 00:52:05,680
Speaker 4: Tell me a time about when the money was right

884
00:52:05,719 --> 00:52:08,920
Speaker 4: there you wouldn't even finish it, but just paid.

885
00:52:09,440 --> 00:52:09,759
Speaker 5: Hold on.

886
00:52:11,560 --> 00:52:16,080
Speaker 1: Beyond the heart to put.

887
00:52:15,960 --> 00:52:19,960
Speaker 5: The ha on way finished, give me two more hours.

888
00:52:20,600 --> 00:52:25,319
Speaker 1: They pay fans. Ain't even putting no keys on this bitch.

889
00:52:25,360 --> 00:52:30,040
Speaker 1: Hold on, let me get on my key. Yeah, it's

890
00:52:30,200 --> 00:52:32,520
Speaker 1: like the top tier artist.

891
00:52:32,640 --> 00:52:37,920
Speaker 4: That's like the top top tier artists are gonna get

892
00:52:37,960 --> 00:52:40,680
Speaker 4: you paid. And it's like whatever you're asking for, they're

893
00:52:40,719 --> 00:52:41,960
Speaker 4: gonna pay it.

894
00:52:44,160 --> 00:52:45,920
Speaker 1: They're gonna pay it. You know what I'm saying.

895
00:52:46,080 --> 00:52:51,040
Speaker 5: Like you could wanna, you could wanna, you want, you

896
00:52:51,120 --> 00:52:53,279
Speaker 5: could want to botter Like now I don't want to

897
00:52:53,320 --> 00:52:53,520
Speaker 5: bout it.

898
00:52:53,560 --> 00:52:58,279
Speaker 1: I just want to pay you. What's a botter? Like

899
00:52:58,360 --> 00:53:01,800
Speaker 1: a favor for a favor? Barter about it? Yeah, you

900
00:53:01,880 --> 00:53:07,680
Speaker 1: got it. You remember your first day being rich? What's rich? Though?

901
00:53:08,000 --> 00:53:11,960
Speaker 1: Like when you were straight, when you felt rich, when

902
00:53:12,000 --> 00:53:15,040
Speaker 1: you woke up and had the wrong thing. I ain't

903
00:53:15,080 --> 00:53:21,440
Speaker 1: felt like Semon from Indonesia. I ain't. I ain't. I

904
00:53:21,480 --> 00:53:25,240
Speaker 1: don't feel like I ever been straight. I've had.

905
00:53:27,200 --> 00:53:31,400
Speaker 4: I've had some money, but like the thing is, money,

906
00:53:33,160 --> 00:53:35,920
Speaker 4: money goes, so you never have enough money, Like you

907
00:53:36,160 --> 00:53:37,399
Speaker 4: never have enough money.

908
00:53:37,480 --> 00:53:41,200
Speaker 1: So I never felt like so comfortable where I'm just straight.

909
00:53:42,000 --> 00:53:44,359
Speaker 1: You got a whole shopping is a like you get

910
00:53:44,520 --> 00:53:45,880
Speaker 1: like ten years ago, you.

911
00:53:46,120 --> 00:53:49,200
Speaker 4: Run through millions of dollars and not like, damn, what

912
00:53:49,360 --> 00:53:50,439
Speaker 4: the fuck you can't?

913
00:53:51,360 --> 00:53:53,239
Speaker 1: That's what you'd be like after you run through something.

914
00:53:53,320 --> 00:53:56,400
Speaker 1: That's what you can do. That be done? What the

915
00:53:56,760 --> 00:53:57,520
Speaker 1: fuck done?

916
00:53:59,160 --> 00:53:59,560
Speaker 8: You did that?

917
00:53:59,640 --> 00:54:02,320
Speaker 1: I ain't you know how did you do that? You

918
00:54:02,440 --> 00:54:06,200
Speaker 1: know exactly how you run through some millions? I made

919
00:54:06,239 --> 00:54:10,840
Speaker 1: a million dollars. Have you spent all of it? I

920
00:54:10,920 --> 00:54:13,120
Speaker 1: think it?

921
00:54:13,200 --> 00:54:17,359
Speaker 3: I think it's all gone back hood hit it from

922
00:54:17,400 --> 00:54:17,719
Speaker 3: the front.

923
00:54:20,080 --> 00:54:23,799
Speaker 1: Financial literacy is a real thing. It's like a mental health.

924
00:54:24,040 --> 00:54:26,000
Speaker 1: You gotta get some money first. Then that first.

925
00:54:26,080 --> 00:54:27,799
Speaker 4: If you ain't never had no money and you get

926
00:54:27,880 --> 00:54:29,719
Speaker 4: some money, you're gonna fuck that up. You need something

927
00:54:30,280 --> 00:54:33,319
Speaker 4: at least two times dams some money at least two

928
00:54:33,480 --> 00:54:36,800
Speaker 4: that first piece getting sucked up. And I'm a conservative nigga,

929
00:54:37,440 --> 00:54:40,360
Speaker 4: you know what I'm saying. So that's really like damn

930
00:54:40,400 --> 00:54:41,719
Speaker 4: what I what I buy?

931
00:54:41,960 --> 00:54:42,640
Speaker 1: Like what I get.

932
00:54:44,080 --> 00:54:46,759
Speaker 4: I see people that's not conservative, and just like they

933
00:54:46,880 --> 00:54:49,640
Speaker 4: go crazy. I'm like, damn, they must have some money money.

934
00:54:49,640 --> 00:54:52,680
Speaker 4: You know what I'm saying. I'm a conservative nigga. I'll

935
00:54:52,719 --> 00:54:55,800
Speaker 4: be like, damn after the money gone, like, man, I

936
00:54:55,840 --> 00:54:57,440
Speaker 4: should have just bought I should.

937
00:54:57,200 --> 00:54:57,480
Speaker 1: Have just.

938
00:55:00,040 --> 00:55:00,080
Speaker 3: It.

939
00:55:00,200 --> 00:55:08,239
Speaker 1: Just it's like damn, because that's a mother looking another thing.

940
00:55:08,360 --> 00:55:13,160
Speaker 1: He got a lot of pretty baby mamas. That's Jack.

941
00:55:13,239 --> 00:55:18,399
Speaker 1: Be watching your life, bro, Jack is I only got them?

942
00:55:19,120 --> 00:55:23,560
Speaker 1: Got the friends only got two? He said a lot,

943
00:55:24,280 --> 00:55:25,759
Speaker 1: got a lot. There was a lot of kids.

944
00:55:25,840 --> 00:55:29,479
Speaker 4: Man, I got five kids. I always wanted more kids.

945
00:55:29,480 --> 00:55:31,880
Speaker 4: I wanted like ten kids. Though you can still do it,

946
00:55:33,400 --> 00:55:33,799
Speaker 4: mm hmm.

947
00:55:35,760 --> 00:55:36,239
Speaker 1: I don't like.

948
00:55:36,960 --> 00:55:40,080
Speaker 4: I don't like the time when you know, I feel

949
00:55:40,160 --> 00:55:42,680
Speaker 4: like bringing the kid in now, Like I think the

950
00:55:42,760 --> 00:55:44,840
Speaker 4: kids gonna be mad at you later on, Like what.

951
00:55:44,960 --> 00:55:47,640
Speaker 1: The fuck you had me for? Nigga? Shit fucked up

952
00:55:47,719 --> 00:55:50,239
Speaker 1: out here? Whether you reach.

953
00:55:51,560 --> 00:55:57,280
Speaker 4: Yeah, like I don't, you know, like raising kids with money,

954
00:55:57,480 --> 00:56:04,000
Speaker 4: like it's they developed a sense of entitlement, Like it's

955
00:56:04,800 --> 00:56:08,560
Speaker 4: it's different. Like I want my kids to come from

956
00:56:08,600 --> 00:56:11,560
Speaker 4: where I came from, Like you know, go through some ship,

957
00:56:11,680 --> 00:56:14,480
Speaker 4: you know what I'm saying. That's the world we live

958
00:56:14,560 --> 00:56:18,200
Speaker 4: in up Like, but when you get money, always your idea, Like, man,

959
00:56:18,239 --> 00:56:20,000
Speaker 4: I don't want them to go through what I went through.

960
00:56:20,080 --> 00:56:22,160
Speaker 1: Ima do this, So I'm gonna do that. You know,

961
00:56:22,360 --> 00:56:26,400
Speaker 1: you ain't even have it that fucking bad, Like we

962
00:56:26,560 --> 00:56:28,879
Speaker 1: be really thinking the stories. But nigga, we just grew

963
00:56:28,960 --> 00:56:33,320
Speaker 1: up black. Everybody was fucked up. Nigga. We all it

964
00:56:33,440 --> 00:56:35,359
Speaker 1: was fucking in the eighties. What your mama was making

965
00:56:35,440 --> 00:56:36,600
Speaker 1: thirteen thousand dollars?

966
00:56:37,719 --> 00:56:43,000
Speaker 5: Yeah, my mom made twenty She was lost, had the

967
00:56:43,080 --> 00:56:45,919
Speaker 5: big TV at y'all crib once I got some money, Like, damn,

968
00:56:45,960 --> 00:56:47,879
Speaker 5: my mom only made twenty thousand year.

969
00:56:47,920 --> 00:56:48,960
Speaker 3: It's crazy.

970
00:56:49,160 --> 00:56:53,560
Speaker 1: I'm like, raised all of y'all before Texas.

971
00:56:54,320 --> 00:56:56,840
Speaker 3: My mom may have a yall back then. She started

972
00:56:56,840 --> 00:57:00,239
Speaker 3: working by the time I turned out eighteen nineteen, Like

973
00:57:01,040 --> 00:57:04,200
Speaker 3: my time. Now I got to have a life too.

974
00:57:04,280 --> 00:57:06,480
Speaker 3: I'm getting a job. And that was brought to you

975
00:57:06,520 --> 00:57:07,440
Speaker 3: and part by Backwood.

976
00:57:08,840 --> 00:57:11,560
Speaker 1: Man, you get looking back at them childhood pictures, Man,

977
00:57:11,640 --> 00:57:14,920
Speaker 1: you get the add in that ship up Christmas, fifty

978
00:57:14,960 --> 00:57:17,360
Speaker 1: dollars of Christmas we all had every God damn man,

979
00:57:17,480 --> 00:57:22,400
Speaker 1: what a hundred dollars the little Army man, that shit go.

980
00:57:22,560 --> 00:57:25,040
Speaker 3: I don't think, man, my first hundred dollars My grandma

981
00:57:25,160 --> 00:57:29,480
Speaker 3: gave it to what when I was my grave.

982
00:57:29,960 --> 00:57:31,760
Speaker 1: That's a lot of That's a lot of, man. My

983
00:57:31,920 --> 00:57:34,280
Speaker 1: first I had a job. I had worked two weeks

984
00:57:34,320 --> 00:57:37,000
Speaker 1: from man, my mom, I had worked two weeks twenty

985
00:57:37,120 --> 00:57:41,280
Speaker 1: dollars one time, Like God damn nah, it'd be like

986
00:57:41,960 --> 00:57:47,080
Speaker 1: it'd be like probably every once in a blue payday

987
00:57:48,040 --> 00:57:51,280
Speaker 1: when I'm growing up in the little little leagues and

988
00:57:51,640 --> 00:57:55,520
Speaker 1: playing basketball, something card come out going to the the

989
00:57:55,720 --> 00:57:59,520
Speaker 1: y c A or something like twenty hours. That was

990
00:57:59,560 --> 00:58:03,800
Speaker 1: a funny this weekend. But it's like crazy, I'm like rich.

991
00:58:04,000 --> 00:58:06,400
Speaker 1: That's a lot of nhilators. It's a lot of candy.

992
00:58:06,520 --> 00:58:08,800
Speaker 5: Twenty dollars used to be the ship though. Man, the

993
00:58:08,920 --> 00:58:13,480
Speaker 5: whole twenty old twenty dollars Bill, Man, you break that motherfuckers.

994
00:58:13,520 --> 00:58:15,360
Speaker 3: They have more money than you had before you broke

995
00:58:15,400 --> 00:58:18,520
Speaker 3: the twenty you were like, ok, I got a ten three.

996
00:58:18,400 --> 00:58:22,880
Speaker 1: One, that's that's that's it was enough money to go

997
00:58:23,040 --> 00:58:26,200
Speaker 1: to the football game, get a hot dog, a drink,

998
00:58:27,440 --> 00:58:29,640
Speaker 1: and pull it out your pocket. A man, you ain't

999
00:58:29,680 --> 00:58:32,520
Speaker 1: get some McDonald's on the way home. You just kiss

1000
00:58:32,560 --> 00:58:32,920
Speaker 1: you along.

1001
00:58:34,160 --> 00:58:39,240
Speaker 3: Ty dollars bro a twenty mm hmmm, bad motherfucker. You

1002
00:58:39,280 --> 00:58:42,200
Speaker 3: ain't never had, you know, I never seen hundred dollars

1003
00:58:42,280 --> 00:58:43,880
Speaker 3: though me either.

1004
00:58:44,120 --> 00:58:47,600
Speaker 1: I had. My grandma used to gamble that somebody gave

1005
00:58:47,640 --> 00:58:50,320
Speaker 1: you an was eighty seven eighty seven. You had a

1006
00:58:50,360 --> 00:58:53,520
Speaker 1: home a whole morning with the other with the little

1007
00:58:53,560 --> 00:58:56,840
Speaker 1: honey break corner. No bullshit, bro, what was your girl?

1008
00:58:56,920 --> 00:59:01,040
Speaker 4: I used to be with my grandma gamble and play cards, right,

1009
00:59:01,160 --> 00:59:03,320
Speaker 4: and so when she winning a whole bunch of money,

1010
00:59:03,640 --> 00:59:05,520
Speaker 4: she would buy me what the other fuck I wanted.

1011
00:59:05,360 --> 00:59:07,480
Speaker 1: Because I was with her. I had. I had.

1012
00:59:07,680 --> 00:59:10,760
Speaker 4: You was a motherfucking power wheel, the three wheeler, in

1013
00:59:10,880 --> 00:59:14,400
Speaker 4: the four wheeler. I had a bike, a school, a

1014
00:59:14,440 --> 00:59:15,320
Speaker 4: big wheel, nigga.

1015
00:59:15,320 --> 00:59:15,600
Speaker 5: I was.

1016
00:59:17,320 --> 00:59:18,960
Speaker 1: Was cleaning up, bro, man, you know what.

1017
00:59:19,040 --> 00:59:21,000
Speaker 3: I used to ride in a fucking basket from the

1018
00:59:21,040 --> 00:59:24,360
Speaker 3: grocery store, pushed out of I ain't never had none

1019
00:59:24,400 --> 00:59:24,520
Speaker 3: of this.

1020
00:59:24,720 --> 00:59:27,040
Speaker 1: I grew a real privilege. Man, it was black people rich.

1021
00:59:28,480 --> 00:59:30,480
Speaker 1: You had all them toys at the same time, brou

1022
00:59:30,520 --> 00:59:32,000
Speaker 1: I got pictures to prove it. Nigga.

1023
00:59:32,120 --> 00:59:33,760
Speaker 4: I got one picture of me when I was a

1024
00:59:33,840 --> 00:59:36,400
Speaker 4: kid in my room. Nigga, it's toy stacked up to

1025
00:59:36,520 --> 00:59:37,000
Speaker 4: the window.

1026
00:59:37,280 --> 00:59:39,560
Speaker 3: I had three toy boxes full of shit about myself

1027
00:59:39,880 --> 00:59:41,720
Speaker 3: just before my mama had any more kids.

1028
00:59:42,920 --> 00:59:46,720
Speaker 1: I had a robot, Nigga, I had a robot.

1029
00:59:47,160 --> 00:59:50,560
Speaker 4: Only robot I had I made in school out of

1030
00:59:50,640 --> 00:59:52,440
Speaker 4: full paper and box in a box.

1031
00:59:53,560 --> 00:59:56,040
Speaker 1: Nah, Bro, I had a real robot with a remote control.

1032
00:59:56,200 --> 00:59:56,280
Speaker 5: Bro.

1033
00:59:56,640 --> 00:59:59,400
Speaker 1: I hear you had a nine vote in the eighties.

1034
00:59:59,680 --> 01:00:04,600
Speaker 3: Nine Yeah, Bro, Mike Tyson is better than niggas. Mike

1035
01:00:04,640 --> 01:00:05,720
Speaker 3: Tyson boxing glove.

1036
01:00:06,240 --> 01:00:09,840
Speaker 4: I had the Michael Jackson, a little little radio with

1037
01:00:09,960 --> 01:00:12,200
Speaker 4: the microphone on it that would have been worth some

1038
01:00:12,280 --> 01:00:13,200
Speaker 4: money today.

1039
01:00:14,120 --> 01:00:17,240
Speaker 1: In the in the other microphone. All the kids like man,

1040
01:00:17,720 --> 01:00:19,240
Speaker 1: they all talk about what you had.

1041
01:00:19,640 --> 01:00:19,720
Speaker 3: Bro.

1042
01:00:20,120 --> 01:00:22,600
Speaker 1: My cousins us used to come over my house and

1043
01:00:22,680 --> 01:00:26,040
Speaker 1: steal ship. Like niggas. You never had everything I had.

1044
01:00:26,160 --> 01:00:26,880
Speaker 1: We stole from you.

1045
01:00:27,160 --> 01:00:30,200
Speaker 3: Yeah, I ain't give you was the friend niggas stole

1046
01:00:30,280 --> 01:00:33,480
Speaker 3: from Oh yeah. Everybody in my whole project used to

1047
01:00:33,520 --> 01:00:34,120
Speaker 3: be waiting.

1048
01:00:33,920 --> 01:00:37,040
Speaker 1: On me to come outside because they know I'm coming,

1049
01:00:37,280 --> 01:00:40,560
Speaker 1: they don't know what I'm pulling out. Man. I got

1050
01:00:40,720 --> 01:00:43,640
Speaker 1: my first pair of Jordan's for real, for real was

1051
01:00:43,680 --> 01:00:47,560
Speaker 1: a pair of fives. How my first pair? How old

1052
01:00:47,680 --> 01:00:54,040
Speaker 1: was you? I had to meet? Maybe nine? Ten? Oh?

1053
01:00:54,120 --> 01:00:56,960
Speaker 1: I fucked him up? Oh Jack, you didn't know about.

1054
01:00:58,360 --> 01:00:58,520
Speaker 3: Jack?

1055
01:00:58,640 --> 01:01:01,439
Speaker 1: My shoe game legendary. Bro, that's crazy. And the fourth

1056
01:01:01,480 --> 01:01:04,280
Speaker 1: grade and the fourth motherfucking grade. Bro, you had my

1057
01:01:04,440 --> 01:01:06,400
Speaker 1: first pair of jay Come on.

1058
01:01:08,080 --> 01:01:08,360
Speaker 7: Girls?

1059
01:01:08,440 --> 01:01:10,520
Speaker 1: Yeah, how you am? I trying to be your friend?

1060
01:01:10,720 --> 01:01:14,000
Speaker 1: Seventh grade? I was cutting grass on something. I think

1061
01:01:14,040 --> 01:01:14,560
Speaker 1: I was twenty eight.

1062
01:01:14,600 --> 01:01:17,160
Speaker 3: I was working for the first week of school, my

1063
01:01:17,320 --> 01:01:20,840
Speaker 3: third pair a new twenty stone every day the first

1064
01:01:21,280 --> 01:01:22,240
Speaker 3: first week of school.

1065
01:01:23,360 --> 01:01:25,640
Speaker 1: Yeah, you had fine pairs of shoes, Come.

1066
01:01:25,440 --> 01:01:25,800
Speaker 3: On, bro?

1067
01:01:26,760 --> 01:01:31,760
Speaker 1: And then what I with that next following Monday, Nigga

1068
01:01:31,840 --> 01:01:34,440
Speaker 1: fucked him up with the motherfucking Nike sandals, with the

1069
01:01:34,800 --> 01:01:39,000
Speaker 1: with the Nike socks you had. You was one of

1070
01:01:39,040 --> 01:01:42,640
Speaker 1: them kids, Nigga when Nike socks was the ship to

1071
01:01:42,760 --> 01:01:47,280
Speaker 1: have you bust out some Nike socks in gym. It

1072
01:01:47,480 --> 01:01:49,720
Speaker 1: was so bad. Niggas was still in ninety sock. You

1073
01:01:49,840 --> 01:01:52,439
Speaker 1: know you rich when you got the extra ship. That's

1074
01:01:52,960 --> 01:01:54,840
Speaker 1: like a Motherfuckerike.

1075
01:01:56,240 --> 01:02:00,240
Speaker 3: To what kind of cross you had, Jack, what they

1076
01:02:00,320 --> 01:02:01,120
Speaker 3: ain't gonna go that way?

1077
01:02:01,120 --> 01:02:10,240
Speaker 1: And put out. I used to have a lot of ship.

1078
01:02:10,320 --> 01:02:13,040
Speaker 3: I had a great childhood, man, but I used to

1079
01:02:13,080 --> 01:02:14,280
Speaker 3: work a lot growing up.

1080
01:02:15,240 --> 01:02:16,960
Speaker 1: Like I had a whole lot of hustles where you

1081
01:02:17,040 --> 01:02:19,560
Speaker 1: worked at man, I used to cut grass. I used

1082
01:02:19,600 --> 01:02:22,640
Speaker 1: to find that stuff yourself for yeah, oh god, yeah,

1083
01:02:22,640 --> 01:02:23,280
Speaker 1: I used to do it.

1084
01:02:23,880 --> 01:02:27,560
Speaker 3: Yeah, but the fourth Grady wasn't working though. Nah nah, nigga,

1085
01:02:27,600 --> 01:02:30,440
Speaker 3: I used to fuck I was. He was selling breaking

1086
01:02:31,040 --> 01:02:31,920
Speaker 3: doing yards.

1087
01:02:31,720 --> 01:02:33,680
Speaker 1: And said, boy scout.

1088
01:02:33,720 --> 01:02:37,480
Speaker 3: Cutting grass, Nigga. I got my first lawnmower by myself

1089
01:02:37,560 --> 01:02:38,720
Speaker 3: when I was ten years old.

1090
01:02:38,880 --> 01:02:44,280
Speaker 1: Niggas is selling boy scouts just like you saying the age.

1091
01:02:44,360 --> 01:02:46,880
Speaker 5: Now. It sounds crazy, but you got to keep in mind, bro,

1092
01:02:47,040 --> 01:02:49,400
Speaker 5: when we was ten, eleven, twelve years old, we.

1093
01:02:49,440 --> 01:02:51,840
Speaker 3: Would leave the house and be gone all day, even

1094
01:02:51,960 --> 01:02:54,760
Speaker 3: come homely nine o'clock with a Parker full of money.

1095
01:02:54,920 --> 01:02:57,280
Speaker 1: I ain't never had to come home cutting great. I

1096
01:02:57,360 --> 01:02:58,680
Speaker 1: ain't never had to come home.

1097
01:02:58,560 --> 01:03:01,640
Speaker 3: Sh That's what I'm saying I ain't had to come home,

1098
01:03:02,200 --> 01:03:04,360
Speaker 3: had to come home. I don't remember ever having to come.

1099
01:03:04,320 --> 01:03:06,560
Speaker 1: Home, like take your mama saying you got to be home.

1100
01:03:06,640 --> 01:03:06,760
Speaker 5: Man.

1101
01:03:06,920 --> 01:03:11,120
Speaker 1: Never nothing, never you did so you were How long

1102
01:03:11,120 --> 01:03:13,040
Speaker 1: would you stay gon Well, I don't know.

1103
01:03:13,120 --> 01:03:14,520
Speaker 3: I ain't know if I wanted to stay gone, but

1104
01:03:14,600 --> 01:03:17,360
Speaker 3: when I wanted when when I got about twelve, thirteen

1105
01:03:17,520 --> 01:03:21,280
Speaker 3: or whatever, even ten in Milwaukee, Nigga, I can stay

1106
01:03:21,320 --> 01:03:22,320
Speaker 3: out till the light come up.

1107
01:03:22,360 --> 01:03:25,200
Speaker 1: If I wanted to till the light come up. You're

1108
01:03:25,200 --> 01:03:28,280
Speaker 1: trying to say sixteen o'clock in the morning. You did

1109
01:03:28,440 --> 01:03:31,800
Speaker 1: thirteen in Mississippi. I can stay out for four days

1110
01:03:31,800 --> 01:03:34,280
Speaker 1: if I want to Mississippi.

1111
01:03:34,280 --> 01:03:38,480
Speaker 3: Different, bro, you stall likes long as somebody hear from

1112
01:03:38,560 --> 01:03:42,560
Speaker 3: you somewhere you just called them in no cars, as

1113
01:03:42,600 --> 01:03:43,560
Speaker 3: long as somebody.

1114
01:03:44,040 --> 01:03:50,160
Speaker 1: Friday, you might ride the bus over your till you

1115
01:03:50,280 --> 01:03:55,440
Speaker 1: see him. You see them still over there. It was never.

1116
01:03:55,480 --> 01:03:57,240
Speaker 3: I was one of the two older kids. My Mona

1117
01:03:57,280 --> 01:03:59,360
Speaker 3: has six kids under me, so she worried about them.

1118
01:04:00,280 --> 01:04:01,640
Speaker 1: I mean she had to feed you that night.

1119
01:04:01,720 --> 01:04:03,280
Speaker 3: She ain never really had to feed me no more.

1120
01:04:03,320 --> 01:04:05,840
Speaker 3: Since I was about thirteen. Wow, I was already that

1121
01:04:06,080 --> 01:04:08,680
Speaker 3: lawnmower thing. I stole a nigga a lot more. Had

1122
01:04:08,760 --> 01:04:12,640
Speaker 3: my uncle painted damn and mold yards.

1123
01:04:13,920 --> 01:04:15,880
Speaker 1: No, but back in the day, bro, you could run

1124
01:04:16,000 --> 01:04:20,160
Speaker 1: up some some money. Couldn't got damn cut grass all

1125
01:04:20,200 --> 01:04:23,600
Speaker 1: this he's from. Yeah, it's cold as fucking you from

1126
01:04:23,720 --> 01:04:27,840
Speaker 1: our part the morn the morning. There's a lot of

1127
01:04:27,920 --> 01:04:30,600
Speaker 1: niggas up there. It's some of the baddest motherfucking women

1128
01:04:30,800 --> 01:04:34,720
Speaker 1: ever seen. I had. I went one time for it show.

1129
01:04:34,720 --> 01:04:36,440
Speaker 1: It was a bitch and my show looked like a

1130
01:04:36,480 --> 01:04:39,400
Speaker 1: couple of time with the fat booty.

1131
01:04:39,320 --> 01:04:41,840
Speaker 3: Like the cartoon went on the moment. It's some rich

1132
01:04:41,960 --> 01:04:44,000
Speaker 3: ass houses down there too. I was coming in there

1133
01:04:44,400 --> 01:04:44,960
Speaker 3: left and right.

1134
01:04:45,640 --> 01:04:48,280
Speaker 4: They look like a little slate niggas. Though ain't no

1135
01:04:48,840 --> 01:04:51,560
Speaker 4: niggas in them houses. I ain't see. I ain't really

1136
01:04:51,640 --> 01:04:58,200
Speaker 4: see wealthy or not wealthy, but people, people doing good.

1137
01:04:58,320 --> 01:05:02,680
Speaker 4: Till I moved to Atlanta, that ain't in entertainment. They

1138
01:05:02,880 --> 01:05:08,240
Speaker 4: just got jobs, doctors and going down Cascade like.

1139
01:05:08,440 --> 01:05:15,200
Speaker 1: Man, let's whole blocks. Yeah, nice houses, the whole neighbors. Different.

1140
01:05:15,520 --> 01:05:17,120
Speaker 3: They were talking about different money in Atlanta.

1141
01:05:17,200 --> 01:05:18,520
Speaker 1: Man, it's different, nigga.

1142
01:05:18,560 --> 01:05:21,880
Speaker 3: I'm from telling about a couple of thousand fifteen twenty

1143
01:05:21,960 --> 01:05:23,960
Speaker 3: thousand comeing to Atlanta. The nigga tell about one point

1144
01:05:24,000 --> 01:05:25,840
Speaker 3: two mio. I was like, damn, they got a different

1145
01:05:25,880 --> 01:05:29,000
Speaker 3: conversation for real, young nigga.

1146
01:05:29,400 --> 01:05:34,160
Speaker 4: My my uncles and grandpas though we were from Mississippi

1147
01:05:34,200 --> 01:05:36,320
Speaker 4: and Memphis. You know what I'm saying, That's what my

1148
01:05:37,000 --> 01:05:40,600
Speaker 4: uh north go to the moors just because my uncle

1149
01:05:42,240 --> 01:05:45,640
Speaker 4: started that's where his congregation grew.

1150
01:05:46,040 --> 01:05:47,120
Speaker 1: And you know what I'm saying.

1151
01:05:48,160 --> 01:05:52,000
Speaker 4: Yeah, not not a megachurch, but he's like popular, you

1152
01:05:52,080 --> 01:05:55,480
Speaker 4: know what I'm saying. So that's the only reason why

1153
01:05:55,600 --> 01:05:58,840
Speaker 4: we I was even born in Iowa, you know what

1154
01:05:58,840 --> 01:06:04,240
Speaker 4: I'm saying, because they left there in their teenage years

1155
01:06:05,560 --> 01:06:09,840
Speaker 4: and he grew his church there, you know, pastor and

1156
01:06:09,960 --> 01:06:10,320
Speaker 4: that ship.

1157
01:06:10,760 --> 01:06:13,760
Speaker 1: Do you ever go back and get back to our Yeah,

1158
01:06:14,480 --> 01:06:17,960
Speaker 1: I go back. Well, my mom my parents still there, man,

1159
01:06:18,080 --> 01:06:24,480
Speaker 1: So I always go back. I just went back a

1160
01:06:24,560 --> 01:06:25,320
Speaker 1: couple of months ago.

1161
01:06:25,360 --> 01:06:29,000
Speaker 4: It's crazy because, uh, these people hired me to host this.

1162
01:06:30,680 --> 01:06:32,520
Speaker 4: I think it was like, uh it was a mental

1163
01:06:32,600 --> 01:06:37,200
Speaker 4: health fund raiser or something. It was like local talent

1164
01:06:37,720 --> 01:06:40,080
Speaker 4: and I was just introducing the local talent.

1165
01:06:40,480 --> 01:06:45,080
Speaker 1: And one of my best friends that I wasn't really

1166
01:06:45,160 --> 01:06:50,400
Speaker 1: talking to no more. The nigga got cute like ten

1167
01:06:50,480 --> 01:06:56,000
Speaker 1: ft away from it. I didn't see that coming. Ain't

1168
01:06:56,040 --> 01:06:59,840
Speaker 1: seen nothing, Damn, bro in your home.

1169
01:07:00,800 --> 01:07:05,640
Speaker 4: I was like, I just was hosting this event. We

1170
01:07:05,840 --> 01:07:08,320
Speaker 4: hadn't spoke to each other. We fell out with each other.

1171
01:07:08,600 --> 01:07:12,160
Speaker 4: Damn the nigga. They said, the nigga came up there

1172
01:07:12,200 --> 01:07:15,920
Speaker 4: to talk to me, like to make ship right. I

1173
01:07:16,040 --> 01:07:22,800
Speaker 4: seen the nigga, you said. I seen him, crazy bra.

1174
01:07:24,960 --> 01:07:25,840
Speaker 4: I seen him walking.

1175
01:07:26,120 --> 01:07:26,880
Speaker 1: I just seen him.

1176
01:07:27,000 --> 01:07:28,840
Speaker 4: I've seen him walk because I know his I know

1177
01:07:29,000 --> 01:07:32,160
Speaker 4: his his walk, like I think that's him. I didn't

1178
01:07:32,200 --> 01:07:35,440
Speaker 4: see his face. I just seen him walking, and like

1179
01:07:35,560 --> 01:07:39,000
Speaker 4: there was like a container that was in between where

1180
01:07:39,040 --> 01:07:40,919
Speaker 4: he and me. So I ain't see nothing.

1181
01:07:40,920 --> 01:07:45,360
Speaker 1: And you just heard this. Bi just hurt by. At first,

1182
01:07:45,520 --> 01:07:49,440
Speaker 1: we thought it was like a firecracker or something. Why

1183
01:07:49,520 --> 01:07:51,160
Speaker 1: everybody always think it is a firecraft.

1184
01:07:51,240 --> 01:07:54,680
Speaker 4: That's what the crowd was saying, because when it happened, nobody,

1185
01:07:54,960 --> 01:07:57,600
Speaker 4: like you know, when when niggas shoot, niggas get out

1186
01:07:57,640 --> 01:07:59,160
Speaker 4: of there like nothing happened.

1187
01:07:59,720 --> 01:08:03,080
Speaker 1: Nigga just chilling. Nigga's just chilling.

1188
01:08:03,160 --> 01:08:06,640
Speaker 4: They're like all'so firecracker the hosts get on the mic

1189
01:08:06,920 --> 01:08:10,640
Speaker 4: and he they knew that it was a gunshot, but

1190
01:08:10,840 --> 01:08:13,360
Speaker 4: the crowd kept telling kept all.

1191
01:08:13,400 --> 01:08:15,880
Speaker 1: The fire cracker is a fire cracker, like nigga. I

1192
01:08:16,000 --> 01:08:18,080
Speaker 1: know the difference between the fire cracker and the gunshot.

1193
01:08:18,160 --> 01:08:21,280
Speaker 1: But we're still just chilling. Then all of a sudden,

1194
01:08:21,439 --> 01:08:26,400
Speaker 1: like ambulance come in and they even did the yellow

1195
01:08:26,479 --> 01:08:30,920
Speaker 1: tape and all that, and before we can get out,

1196
01:08:31,400 --> 01:08:34,599
Speaker 1: we blocked in because the wild part, like the yellow tape,

1197
01:08:34,640 --> 01:08:37,400
Speaker 1: got us blocked in. So I seen somebody.

1198
01:08:37,520 --> 01:08:37,560
Speaker 3: Know.

1199
01:08:37,680 --> 01:08:41,599
Speaker 4: We started talking, which is a mutual friend of the friend,

1200
01:08:41,800 --> 01:08:45,000
Speaker 4: were talking about him, like he's like this, they's such

1201
01:08:45,040 --> 01:08:47,200
Speaker 4: and such, comeing, come and how let you are?

1202
01:08:47,280 --> 01:08:50,040
Speaker 1: Like nah, He's like damn, he asked me where he was?

1203
01:08:50,560 --> 01:08:51,160
Speaker 1: You know what I'm saying.

1204
01:08:51,240 --> 01:08:53,320
Speaker 4: And we just talking about him, talking about him ten

1205
01:08:53,400 --> 01:08:56,400
Speaker 4: minutes and he's like, shit, what you finna do?

1206
01:08:56,479 --> 01:08:58,160
Speaker 1: It is like I can't do shit. I'm locked.

1207
01:08:58,240 --> 01:09:01,040
Speaker 4: I'm blocked in and shit, I gotta wait on until

1208
01:09:01,080 --> 01:09:04,080
Speaker 4: they moved this shit. I said, what you finna do?

1209
01:09:04,160 --> 01:09:06,160
Speaker 4: I'm finna go get something. You get a drink, and shit,

1210
01:09:06,280 --> 01:09:08,880
Speaker 4: just hit me when you leave. The niggas walking across

1211
01:09:08,960 --> 01:09:12,840
Speaker 4: the field. I just happened to ask somebody who it was.

1212
01:09:12,960 --> 01:09:15,880
Speaker 4: I didn't have no I didn't I didn't think I

1213
01:09:16,040 --> 01:09:17,840
Speaker 4: knew who this nigga was.

1214
01:09:17,920 --> 01:09:20,040
Speaker 1: That this happened to. I didn't have no clue.

1215
01:09:20,280 --> 01:09:23,439
Speaker 4: I kept hearing rumors of like, although he's over, like

1216
01:09:23,600 --> 01:09:27,719
Speaker 4: he's laid over there. I kept hearing him say he alive,

1217
01:09:27,800 --> 01:09:29,920
Speaker 4: he ain't alive, he's fighting for his life or whatever.

1218
01:09:31,640 --> 01:09:33,680
Speaker 3: I just happened to ask my cousin who was there,

1219
01:09:33,840 --> 01:09:35,240
Speaker 3: like who is that?

1220
01:09:36,640 --> 01:09:38,439
Speaker 4: And she was like, oh, I got this. I forgot

1221
01:09:38,520 --> 01:09:40,679
Speaker 4: his name. So she went over to the cop, asked.

1222
01:09:40,760 --> 01:09:44,200
Speaker 4: Cop came backs like it's such and such. I said,

1223
01:09:44,280 --> 01:09:48,600
Speaker 4: what the fuck such and such? I'm like, man, what

1224
01:09:48,800 --> 01:09:52,880
Speaker 4: the fuck? It's my best friend from there. You know

1225
01:09:52,880 --> 01:09:53,360
Speaker 4: what I'm saying.

1226
01:09:54,080 --> 01:09:56,639
Speaker 1: The whole time, like we was just talking about this nigga.

1227
01:09:56,680 --> 01:09:59,400
Speaker 1: It was crazy. So that's the last time I went there.

1228
01:09:59,720 --> 01:10:03,360
Speaker 4: Then, See, I took I took, I took my my,

1229
01:10:03,600 --> 01:10:05,960
Speaker 4: my people with me though, you know what I'm saying,

1230
01:10:06,040 --> 01:10:10,280
Speaker 4: So I had protection there but my aunt when we can't.

1231
01:10:10,320 --> 01:10:12,960
Speaker 4: When I came home, my auntie and you know, my

1232
01:10:13,120 --> 01:10:16,160
Speaker 4: moms was saying and people kept saying, man, I had

1233
01:10:16,200 --> 01:10:16,719
Speaker 4: a feeling.

1234
01:10:17,479 --> 01:10:23,040
Speaker 1: I had this feeling that something was gonna happen. What

1235
01:10:23,240 --> 01:10:27,400
Speaker 1: was buddy into and why y'all feel like, oh man,

1236
01:10:27,479 --> 01:10:31,680
Speaker 1: you know it'd be like some whole No, hell no,

1237
01:10:32,040 --> 01:10:36,040
Speaker 1: I'll never fall out of ship holes.

1238
01:10:36,280 --> 01:10:43,400
Speaker 4: Nah, I might fall out of you principle. It was

1239
01:10:43,520 --> 01:10:44,920
Speaker 4: like one of them things, like.

1240
01:10:47,400 --> 01:10:49,439
Speaker 1: You use the word friendship loosely.

1241
01:10:49,560 --> 01:10:51,200
Speaker 4: You know what I'm saying, you really know who's your

1242
01:10:51,280 --> 01:10:54,599
Speaker 4: friend for real, cause like your friends, like I notice,

1243
01:10:54,680 --> 01:10:59,599
Speaker 4: our relationship is always competing with like everything competitive, womn

1244
01:10:59,800 --> 01:11:02,719
Speaker 4: like everything everything I do can do better.

1245
01:11:03,840 --> 01:11:05,200
Speaker 1: It was like one of them things.

1246
01:11:05,320 --> 01:11:08,519
Speaker 4: Then once I started producing, he wanted to do it,

1247
01:11:09,360 --> 01:11:14,160
Speaker 4: and it's like because I'm not, I'm not like over

1248
01:11:14,240 --> 01:11:18,920
Speaker 4: there with him. He feel like he feel a way

1249
01:11:19,240 --> 01:11:22,719
Speaker 4: like because he played video game. I don't play video games.

1250
01:11:23,120 --> 01:11:26,400
Speaker 4: I'm in the studio, and I feel like, if this

1251
01:11:26,600 --> 01:11:28,880
Speaker 4: is what you want to do, you should be over here,

1252
01:11:29,760 --> 01:11:34,160
Speaker 4: like you want me to come over there. It's like

1253
01:11:34,280 --> 01:11:37,120
Speaker 4: I'm not that type of friend. Like I'm not the

1254
01:11:37,240 --> 01:11:39,559
Speaker 4: type of friend just to waste time friend played.

1255
01:11:39,680 --> 01:11:42,160
Speaker 1: I don't play video games, so like your day is

1256
01:11:42,240 --> 01:11:45,880
Speaker 1: different from mine. I'm like in here just doing this

1257
01:11:46,080 --> 01:11:48,320
Speaker 1: all day. We're still cool. I'm still I still fuck

1258
01:11:48,360 --> 01:11:48,519
Speaker 1: with you.

1259
01:11:49,880 --> 01:11:51,960
Speaker 4: So it was like one of them things like just

1260
01:11:52,080 --> 01:11:55,679
Speaker 4: to I feel like it like some jealousy envy type things.

1261
01:11:55,720 --> 01:11:57,600
Speaker 4: You just can't have them type of people around you.

1262
01:11:57,920 --> 01:12:00,439
Speaker 4: And it's like after like giving the person the chance,

1263
01:12:00,520 --> 01:12:05,000
Speaker 4: after chance, and it's like the the energy that they

1264
01:12:05,160 --> 01:12:07,519
Speaker 4: put out, it's kind of like it could get to

1265
01:12:08,280 --> 01:12:11,640
Speaker 4: a dangerous place. So I'm like, I just like I

1266
01:12:11,800 --> 01:12:14,479
Speaker 4: just left it alone after so many times, like man,

1267
01:12:14,520 --> 01:12:16,479
Speaker 4: fuck this shit. So I just stopped talking to him.

1268
01:12:17,439 --> 01:12:21,360
Speaker 4: So I guess, like, you know, he came up there

1269
01:12:21,400 --> 01:12:25,599
Speaker 4: to make it right, you know what I'm saying that question.

1270
01:12:26,000 --> 01:12:27,760
Speaker 4: You was up there for a mental health event.

1271
01:12:28,000 --> 01:12:30,400
Speaker 1: Why were you a mental health event? Why were you

1272
01:12:30,479 --> 01:12:32,200
Speaker 1: qualified to speak at this event?

1273
01:12:32,520 --> 01:12:35,679
Speaker 4: Well, it wasn't it wasn't. It wasn't a speaking event.

1274
01:12:35,840 --> 01:12:38,400
Speaker 4: It was like fund raiser. It was like local talent.

1275
01:12:38,600 --> 01:12:41,000
Speaker 4: So me being who I am from there like they

1276
01:12:41,160 --> 01:12:43,840
Speaker 4: just hired me. They just you know, reached out.

1277
01:12:43,720 --> 01:12:44,559
Speaker 1: To me through.

1278
01:12:45,880 --> 01:12:48,680
Speaker 4: Social media, you know, see if I was interested in

1279
01:12:48,840 --> 01:12:51,000
Speaker 4: hosting a party, I mean hosting the event.

1280
01:12:51,360 --> 01:12:51,679
Speaker 1: Okay.

1281
01:12:52,120 --> 01:12:53,479
Speaker 3: I was just asking because I was wondering if he

1282
01:12:53,560 --> 01:12:56,280
Speaker 3: was an advocate for it, suff mental health.

1283
01:12:56,360 --> 01:12:59,840
Speaker 4: I feel like it's like the era I come from,

1284
01:13:00,120 --> 01:13:04,200
Speaker 4: Like hearing the word mental the words mental health is

1285
01:13:04,320 --> 01:13:07,120
Speaker 4: like a new thing. Like I feel like we grew

1286
01:13:07,240 --> 01:13:10,840
Speaker 4: up like this. It's like regular shit. Yeah, definitely, you

1287
01:13:10,880 --> 01:13:12,840
Speaker 4: know what I'm saying, Like the things that people talk

1288
01:13:12,880 --> 01:13:17,439
Speaker 4: about now or advocate for or try to fix or

1289
01:13:17,640 --> 01:13:22,920
Speaker 4: things like this kind of like natural regular shit that

1290
01:13:23,400 --> 01:13:25,479
Speaker 4: we just it's real.

1291
01:13:25,640 --> 01:13:29,439
Speaker 1: Definitely. I agree with with the friend.

1292
01:13:29,880 --> 01:13:32,080
Speaker 3: And he probably was a cool dude that you probably

1293
01:13:32,200 --> 01:13:36,880
Speaker 3: rock with, but all that competition stuff, and I got

1294
01:13:36,920 --> 01:13:40,000
Speaker 3: a partner like that that I had, you know, do

1295
01:13:40,120 --> 01:13:42,639
Speaker 3: away with because of competition and I think mental health.

1296
01:13:43,479 --> 01:13:46,040
Speaker 1: I'm like, you can't say that to me at this age.

1297
01:13:46,439 --> 01:13:49,080
Speaker 3: You got to Yeah, yeah, it's like we're not really

1298
01:13:49,120 --> 01:13:52,040
Speaker 3: twenty seven no more. Absolutely, And I've been rocking with

1299
01:13:52,120 --> 01:13:54,760
Speaker 3: you for years, like you said, chances like I really

1300
01:13:54,880 --> 01:13:58,000
Speaker 3: rock with you. But the competition thing is one that

1301
01:13:58,240 --> 01:14:01,080
Speaker 3: it's dangerous and your mental health this you gotta be

1302
01:14:01,160 --> 01:14:06,080
Speaker 3: mental health talking to me like that, you know, definitely.

1303
01:14:06,400 --> 01:14:09,120
Speaker 4: He gets dangerous, Like a person like that can like

1304
01:14:09,320 --> 01:14:11,960
Speaker 4: actually cause you harm man, Like I know what you

1305
01:14:12,040 --> 01:14:12,960
Speaker 4: better get away from you.

1306
01:14:13,000 --> 01:14:19,840
Speaker 1: I get away from him, I know, and you mental health.

1307
01:14:19,880 --> 01:14:21,760
Speaker 1: I only feeling like nobody. But if I go to

1308
01:14:21,840 --> 01:14:30,400
Speaker 1: feeling like that, exactly why am I exactly? Why? Yeah? Yeah,

1309
01:14:31,280 --> 01:14:39,400
Speaker 1: more like I'm not I don't understand why we're not

1310
01:14:39,560 --> 01:14:42,800
Speaker 1: friends no more? Yeah that was brought you in part

1311
01:14:42,840 --> 01:14:44,960
Speaker 1: by back for hoods. Hit it hard from the front.

1312
01:14:45,400 --> 01:14:51,960
Speaker 1: You put hard in that this roll around to the bank.

1313
01:14:54,280 --> 01:14:57,080
Speaker 4: He never he never listened to like he's saying, be

1314
01:14:57,160 --> 01:15:00,240
Speaker 4: in the music, but he would never listen. But he

1315
01:15:00,280 --> 01:15:04,320
Speaker 4: would use you couldn't he would use me, but he

1316
01:15:04,360 --> 01:15:05,280
Speaker 4: would listen to me.

1317
01:15:05,560 --> 01:15:07,080
Speaker 1: You know what I'm saying. What's using you?

1318
01:15:07,479 --> 01:15:07,599
Speaker 3: Did?

1319
01:15:07,640 --> 01:15:09,519
Speaker 1: He not listen to nothing? You say that would never

1320
01:15:09,680 --> 01:15:13,519
Speaker 1: listen to me? Yo, would never listen. It's just.

1321
01:15:15,439 --> 01:15:17,840
Speaker 4: Trying to show or tell somebody how to do what

1322
01:15:17,920 --> 01:15:22,040
Speaker 4: they're trying to accomplish. But they have their own idea

1323
01:15:22,080 --> 01:15:23,760
Speaker 4: of what or how they want to do it.

1324
01:15:25,200 --> 01:15:27,080
Speaker 1: But they they use you.

1325
01:15:28,760 --> 01:15:35,280
Speaker 4: In campaigning themselves, which you don't agree with. Because like

1326
01:15:36,600 --> 01:15:41,400
Speaker 4: in music, like regardless if you my friend or my family,

1327
01:15:41,600 --> 01:15:44,040
Speaker 4: like I gotta like what you're doing, you know what

1328
01:15:44,040 --> 01:15:47,479
Speaker 4: I'm saying, Like if you're making music, I gotta like

1329
01:15:47,640 --> 01:15:54,000
Speaker 4: it to actually do something would to help you if

1330
01:15:54,080 --> 01:15:56,600
Speaker 4: you want me to take if you want me to

1331
01:15:56,680 --> 01:15:58,200
Speaker 4: take your project to.

1332
01:16:00,600 --> 01:16:02,360
Speaker 1: Or JD or these people.

1333
01:16:03,439 --> 01:16:07,760
Speaker 5: I gotta like it, you know what I'm saying, Like,

1334
01:16:07,960 --> 01:16:10,600
Speaker 5: I gotta, I gotta like it because they depend on

1335
01:16:10,760 --> 01:16:11,400
Speaker 5: what I think.

1336
01:16:12,479 --> 01:16:19,080
Speaker 4: This is my relationship that I created from my work

1337
01:16:19,200 --> 01:16:20,800
Speaker 4: that I put in, you know what I'm saying. So

1338
01:16:20,840 --> 01:16:23,360
Speaker 4: I'm not gonna waste their time with something that I

1339
01:16:23,439 --> 01:16:28,600
Speaker 4: don't really feel like deserves their time. But try to

1340
01:16:28,720 --> 01:16:32,040
Speaker 4: like act like you're hating on them, Like, man, just let.

1341
01:16:32,080 --> 01:16:33,160
Speaker 1: Them be the judge of it.

1342
01:16:34,240 --> 01:16:34,960
Speaker 3: Nigga, you don't know.

1343
01:16:36,680 --> 01:16:41,560
Speaker 1: Please me, so you're holding me back. You're trying to

1344
01:16:42,640 --> 01:16:45,400
Speaker 1: hating on me. Nigga hating on me. And it was

1345
01:16:45,439 --> 01:16:45,920
Speaker 1: a lot of that.

1346
01:16:46,200 --> 01:16:49,040
Speaker 4: This nigga hating on me. You don't want me to

1347
01:16:49,240 --> 01:16:50,960
Speaker 4: you don't want me to win, you don't want me

1348
01:16:51,040 --> 01:16:53,040
Speaker 4: to this, you don't want this, and you don't want that.

1349
01:16:53,479 --> 01:16:54,679
Speaker 1: I'm the best kept secret.

1350
01:16:55,520 --> 01:16:56,640
Speaker 3: So it's a lot a lot of that.

1351
01:16:56,800 --> 01:17:01,080
Speaker 1: I took him to a he did like five years

1352
01:17:01,120 --> 01:17:01,519
Speaker 1: in prison.

1353
01:17:01,680 --> 01:17:04,240
Speaker 4: Shit, we was young, though, like you know, all my

1354
01:17:04,360 --> 01:17:07,519
Speaker 4: friends so crack, you know what I'm saying. So he

1355
01:17:07,640 --> 01:17:11,000
Speaker 4: did like five years only should have did two and

1356
01:17:11,040 --> 01:17:11,360
Speaker 4: a half.

1357
01:17:11,560 --> 01:17:17,120
Speaker 1: But that is his attitude. One day we're gonna talk

1358
01:17:17,120 --> 01:17:18,600
Speaker 1: about how Cracks save the hood, but.

1359
01:17:20,840 --> 01:17:23,519
Speaker 4: He did five years he got out, he came down

1360
01:17:23,560 --> 01:17:28,439
Speaker 4: here to visit me, and that was like around Hey

1361
01:17:28,520 --> 01:17:31,080
Speaker 4: Ball and m JG video the No More Drama.

1362
01:17:33,240 --> 01:17:34,760
Speaker 1: Get to the video shoot. Pull up.

1363
01:17:36,240 --> 01:17:39,080
Speaker 4: As soon as I pull up, I see Frank Frank Nitty,

1364
01:17:39,800 --> 01:17:44,920
Speaker 4: another producer Nitty beatsn't really I didn't really know Nitty then,

1365
01:17:45,080 --> 01:17:48,439
Speaker 4: like I don't really know him, but because this is

1366
01:17:48,520 --> 01:17:52,160
Speaker 4: a product, like this is a video of some production

1367
01:17:52,320 --> 01:17:52,720
Speaker 4: I did.

1368
01:17:52,960 --> 01:17:55,639
Speaker 1: Like as soon as I got out of the car,

1369
01:17:56,080 --> 01:17:57,840
Speaker 1: he started talking to me. What kind of car you

1370
01:17:57,960 --> 01:18:02,000
Speaker 1: was in? I think I had like a BMW or something. Yeah,

1371
01:18:02,240 --> 01:18:03,439
Speaker 1: that's why you start talking to you.

1372
01:18:06,680 --> 01:18:10,280
Speaker 4: So you just start talking to me, right, So then

1373
01:18:10,320 --> 01:18:13,679
Speaker 4: he we go in this car. You're playing me shit.

1374
01:18:15,800 --> 01:18:17,800
Speaker 4: So we get out the car talking to me again.

1375
01:18:18,000 --> 01:18:20,560
Speaker 4: Then I hear something like from way over here, you

1376
01:18:20,680 --> 01:18:22,639
Speaker 4: know how you be hearing ship but she ain't really

1377
01:18:22,720 --> 01:18:23,760
Speaker 4: tune in to what it is.

1378
01:18:24,880 --> 01:18:26,000
Speaker 1: I hear something going on.

1379
01:18:26,720 --> 01:18:29,559
Speaker 4: Then I turn, I turn and look and it's him.

1380
01:18:30,320 --> 01:18:34,360
Speaker 4: He's singing to a girl, like really saying he's not even.

1381
01:18:34,200 --> 01:18:37,400
Speaker 1: From here, you don't know. Like literally, we pull up

1382
01:18:37,439 --> 01:18:39,840
Speaker 1: to the venue, brother going to I'm taking him to

1383
01:18:39,920 --> 01:18:43,120
Speaker 1: a video shit, oh you took him there. I took

1384
01:18:43,200 --> 01:18:46,120
Speaker 1: him there and you turn around. This is an experience

1385
01:18:46,320 --> 01:18:50,280
Speaker 1: that I'm trying to like Earththane. He's over there singing

1386
01:18:50,479 --> 01:18:54,360
Speaker 1: to this girl. I know the girl, will you be mine?

1387
01:18:56,120 --> 01:18:59,200
Speaker 1: I know the girl? He don't know. I know the

1388
01:18:59,320 --> 01:19:03,160
Speaker 1: girl he's just seen. He's just seen nobody and just

1389
01:19:03,240 --> 01:19:07,320
Speaker 1: started singing. Just started singing to him like I turn

1390
01:19:07,439 --> 01:19:10,720
Speaker 1: and look, and he had just finished. He had just

1391
01:19:12,560 --> 01:19:14,960
Speaker 1: then he say, he say, I see I read his

1392
01:19:15,080 --> 01:19:17,080
Speaker 1: living He said, well what you think? What you think?

1393
01:19:18,560 --> 01:19:20,840
Speaker 1: And she looking at me because we know each other,

1394
01:19:20,920 --> 01:19:21,880
Speaker 1: and she like she like.

1395
01:19:26,360 --> 01:19:31,679
Speaker 5: I'm already like man, like damn bro, So I take

1396
01:19:31,800 --> 01:19:34,080
Speaker 5: We go into the venue, We go into the h

1397
01:19:34,880 --> 01:19:35,920
Speaker 5: into the video shoot.

1398
01:19:36,439 --> 01:19:39,599
Speaker 1: Did he sit there from singing the hose a little

1399
01:19:39,600 --> 01:19:43,439
Speaker 1: bit of video shoot? Makes me look to you so.

1400
01:19:46,000 --> 01:19:48,200
Speaker 5: Because this is what he wanted to do, like he

1401
01:19:48,320 --> 01:19:50,519
Speaker 5: want to sing, rap, model all these things.

1402
01:19:50,560 --> 01:19:52,160
Speaker 1: You know what I'm saying, Produce.

1403
01:19:53,840 --> 01:19:56,120
Speaker 4: Were going to the venue, going to the video shoot.

1404
01:19:56,240 --> 01:20:01,160
Speaker 4: Did he there a couple of people there and the

1405
01:20:01,280 --> 01:20:04,400
Speaker 4: whole day. Like Diddy was kind of not like because

1406
01:20:04,400 --> 01:20:08,920
Speaker 4: I ain't signed with him, kind of like he's always

1407
01:20:08,960 --> 01:20:09,800
Speaker 4: that he.

1408
01:20:09,960 --> 01:20:11,240
Speaker 1: Wasn't just put me in the video.

1409
01:20:11,439 --> 01:20:12,920
Speaker 3: He was like, yeah, I got you, I got you,

1410
01:20:13,160 --> 01:20:14,560
Speaker 3: I got you, I got you.

1411
01:20:14,760 --> 01:20:17,160
Speaker 1: Nah, I got you. You know what I'm saying. So

1412
01:20:18,720 --> 01:20:21,880
Speaker 1: we're standing there, man, this niggas. This when uh making

1413
01:20:21,920 --> 01:20:22,640
Speaker 1: the band was on.

1414
01:20:22,760 --> 01:20:27,120
Speaker 4: TV, so the niggas knew who Harf Pierre was. He

1415
01:20:27,240 --> 01:20:29,280
Speaker 4: see Hard Pierre over there.

1416
01:20:30,040 --> 01:20:34,240
Speaker 1: The niggas like, that's Harf Pierre. I'm finna go holler

1417
01:20:34,400 --> 01:20:38,280
Speaker 1: at him. So it's like slow motion. It was like,

1418
01:20:38,680 --> 01:20:41,200
Speaker 1: I'm finna go holler at and.

1419
01:20:41,320 --> 01:20:43,320
Speaker 8: I was like his back well, I was like, no,

1420
01:20:45,560 --> 01:20:46,559
Speaker 8: you missed her shoulder.

1421
01:20:46,680 --> 01:20:50,200
Speaker 1: He turned around and he said close mouth, don't get

1422
01:20:50,360 --> 01:20:51,200
Speaker 1: fit m.

1423
01:20:54,080 --> 01:20:58,240
Speaker 5: Damn and see at that point, at that point, I

1424
01:20:58,320 --> 01:21:01,160
Speaker 5: was like, he on his own life. Fuck it, I'm

1425
01:21:01,160 --> 01:21:03,439
Speaker 5: gonna take myself out of it. What I what I

1426
01:21:03,600 --> 01:21:05,479
Speaker 5: feel about, I'm gonna take myself out of it.

1427
01:21:05,840 --> 01:21:06,760
Speaker 1: Let him do his thing.

1428
01:21:08,200 --> 01:21:10,720
Speaker 4: Man, the nigga get over the half. I see him

1429
01:21:10,720 --> 01:21:13,479
Speaker 4: over there, he's chopping it up with Harf and ship.

1430
01:21:14,800 --> 01:21:15,519
Speaker 1: Then he do it.

1431
01:21:15,680 --> 01:21:25,200
Speaker 5: I'm you hen like he put me in it when

1432
01:21:25,240 --> 01:21:28,920
Speaker 5: I said not to do it. See use me but

1433
01:21:29,160 --> 01:21:30,400
Speaker 5: not listening to me.

1434
01:21:30,600 --> 01:21:31,200
Speaker 3: You know what I'm saying.

1435
01:21:31,520 --> 01:21:34,120
Speaker 1: You can't be on at bad work sites talking to

1436
01:21:34,240 --> 01:21:37,040
Speaker 1: these niggas and pointing out the nigga that you came

1437
01:21:37,160 --> 01:21:42,840
Speaker 1: with that they know that don't make sense. That don't

1438
01:21:42,880 --> 01:21:46,080
Speaker 1: make sense. It's like talking to me. Why did you

1439
01:21:46,160 --> 01:21:48,560
Speaker 1: talk to him? He just said he liked it in

1440
01:21:48,640 --> 01:21:49,080
Speaker 1: the car.

1441
01:21:52,880 --> 01:21:55,360
Speaker 5: Hall told that nigga, like I guess he went over

1442
01:21:55,400 --> 01:21:57,959
Speaker 5: there and hollered at him about Miles Shine John.

1443
01:21:57,800 --> 01:22:01,479
Speaker 1: Clothes or some ship, and the nigga came back. He's like, yeah, man,

1444
01:22:01,479 --> 01:22:03,680
Speaker 1: he just told me to give you, give you my

1445
01:22:04,000 --> 01:22:06,479
Speaker 1: my portfolio and you send it to them. Now you're

1446
01:22:06,479 --> 01:22:11,800
Speaker 1: giving me work to do. Camera, give me work to do.

1447
01:22:13,880 --> 01:22:19,360
Speaker 4: So the time he was there, he gave me these

1448
01:22:19,439 --> 01:22:22,439
Speaker 4: pictures and this ship like this is this is ship

1449
01:22:22,520 --> 01:22:26,439
Speaker 4: that I am inspired to do too. But I don't

1450
01:22:26,640 --> 01:22:30,680
Speaker 4: do the leg work myself for it, right, So he

1451
01:22:30,840 --> 01:22:33,639
Speaker 4: left his photos and ship. The next time he came

1452
01:22:33,720 --> 01:22:36,080
Speaker 4: back to Atlanta, came to my house and the photos

1453
01:22:36,160 --> 01:22:36,759
Speaker 4: were sick.

1454
01:22:36,760 --> 01:22:40,760
Speaker 1: Right man, as you want how long was he going?

1455
01:22:41,479 --> 01:22:44,600
Speaker 1: She I don't know. I can't remember how long, but

1456
01:22:44,800 --> 01:22:51,520
Speaker 1: them photos were sitting there pissed. But you gotta understand,

1457
01:22:52,080 --> 01:22:52,640
Speaker 1: Nigga just.

1458
01:22:52,760 --> 01:22:55,240
Speaker 5: Told you that to get out their face. He didn't

1459
01:22:55,320 --> 01:22:58,519
Speaker 5: really mean that. Ship he ain't in the game.

1460
01:22:58,600 --> 01:23:01,519
Speaker 1: You don't know what that mean. Yeah, that's mean, Like

1461
01:23:01,720 --> 01:23:06,640
Speaker 1: really just holler at him. They know me, you know

1462
01:23:06,680 --> 01:23:08,360
Speaker 1: what I'm saying, Like, why did you holler at him

1463
01:23:08,479 --> 01:23:10,840
Speaker 1: when you know him? So he kind of he kind

1464
01:23:10,840 --> 01:23:12,760
Speaker 1: of thinks you kind of messed up his little shot too.

1465
01:23:13,040 --> 01:23:16,600
Speaker 1: Yeah that damn. So it be shipped like that. But

1466
01:23:16,720 --> 01:23:19,400
Speaker 1: you're not listening to me though, Like it's like my

1467
01:23:19,600 --> 01:23:23,000
Speaker 1: cousin made a rap song this and me saying, I

1468
01:23:23,040 --> 01:23:23,680
Speaker 1: ain't putting with.

1469
01:23:23,720 --> 01:23:24,080
Speaker 5: T I.

1470
01:23:25,720 --> 01:23:32,519
Speaker 1: Damn it's out. So yeah, it wasn't left something like that.

1471
01:23:33,200 --> 01:23:37,560
Speaker 1: And I had a cousin that sued me. What I

1472
01:23:37,720 --> 01:23:41,479
Speaker 1: took care of this? Nigga do it? He soothed me.

1473
01:23:44,040 --> 01:23:51,160
Speaker 4: We did this beat together that I got Sierra and Gucci.

1474
01:23:51,360 --> 01:23:53,760
Speaker 4: Gucci's gonna use it for his album. Gucci didn't use

1475
01:23:53,840 --> 01:23:57,160
Speaker 4: it for his album, and now now mine. Let me

1476
01:23:57,200 --> 01:23:57,800
Speaker 4: set it up.

1477
01:23:58,760 --> 01:24:02,519
Speaker 1: Family like blood like music business shit.

1478
01:24:02,880 --> 01:24:05,560
Speaker 4: I don't really like the business of it. You know

1479
01:24:05,600 --> 01:24:09,960
Speaker 4: what I'm saying, so like family music business is really

1480
01:24:10,120 --> 01:24:14,560
Speaker 4: like being stand up about what the business is. Like

1481
01:24:14,680 --> 01:24:16,040
Speaker 4: we can shake hands, we could be.

1482
01:24:16,120 --> 01:24:17,280
Speaker 1: Like, this is what it is.

1483
01:24:19,680 --> 01:24:20,439
Speaker 5: This is what it is.

1484
01:24:20,520 --> 01:24:22,320
Speaker 4: You know what I'm saying. It's really easy. You split

1485
01:24:22,400 --> 01:24:25,160
Speaker 4: it fifty fifty, That's what it is. Like, I don't

1486
01:24:25,200 --> 01:24:27,800
Speaker 4: need to do paperwork on you, lock you down. Like

1487
01:24:28,160 --> 01:24:31,560
Speaker 4: people don't really be knowing what they're doing. It's just

1488
01:24:31,680 --> 01:24:35,320
Speaker 4: the excitement of somebody signing you is what they be

1489
01:24:35,520 --> 01:24:41,200
Speaker 4: so thrilled about. And because I didn't actually do paperwork

1490
01:24:41,280 --> 01:24:44,599
Speaker 4: with on me, they feel like you don't fuck with them.

1491
01:24:46,200 --> 01:24:49,240
Speaker 4: But not knowing, not knowing, you in a better situation

1492
01:24:49,360 --> 01:24:51,400
Speaker 4: because you with me every day, You going to the

1493
01:24:51,479 --> 01:24:54,240
Speaker 4: studio with me with bigger like you're seeing everything. It's

1494
01:24:54,280 --> 01:24:56,640
Speaker 4: nothing high from you, you know what I'm saying. It

1495
01:24:56,720 --> 01:24:58,760
Speaker 4: ain't like you're playing that much of a role. You

1496
01:24:59,040 --> 01:25:03,719
Speaker 4: like learning too. So I never signed my cousin.

1497
01:25:05,680 --> 01:25:07,080
Speaker 1: So the the.

1498
01:25:08,760 --> 01:25:12,880
Speaker 5: Song we did the Gluccy Man is Sierra song. My

1499
01:25:13,240 --> 01:25:15,000
Speaker 5: my people got it on.

1500
01:25:17,280 --> 01:25:21,080
Speaker 1: What's that game? That poppy last game? Grant Grand THET five.

1501
01:25:23,880 --> 01:25:26,240
Speaker 4: This is a sync deal like this is this is

1502
01:25:26,320 --> 01:25:30,040
Speaker 4: different from music sink licensing is like you get paid

1503
01:25:30,600 --> 01:25:34,040
Speaker 4: up front, Like you don't get as.

1504
01:25:34,040 --> 01:25:38,439
Speaker 1: Many copies as this game stale. You don't sell them.

1505
01:25:38,560 --> 01:25:41,640
Speaker 4: You don't get all royalties from this. This is a

1506
01:25:41,840 --> 01:25:44,719
Speaker 4: sink deal, you know what I'm saying. So the sink

1507
01:25:44,800 --> 01:25:47,599
Speaker 4: deal was like for twenty five hundred dollars, twenty five

1508
01:25:47,720 --> 01:25:52,920
Speaker 4: hundred hundred. It's a sink deal. No, twenty five hundred.

1509
01:25:54,000 --> 01:25:55,160
Speaker 4: This is a one time thing.

1510
01:25:55,640 --> 01:25:58,360
Speaker 1: They don't own it. You own the ship. You just

1511
01:25:58,600 --> 01:26:00,800
Speaker 1: like listen it. You just light as to this.

1512
01:26:01,000 --> 01:26:06,040
Speaker 4: We still own the ship. Got so it's just twenty

1513
01:26:06,080 --> 01:26:10,840
Speaker 4: five hundred at that time. Like, and that's like, you know.

1514
01:26:13,360 --> 01:26:15,120
Speaker 1: Did he help you make the beat down? Here? We

1515
01:26:15,200 --> 01:26:17,599
Speaker 1: did the beat together, and you ain't. You ain't get him.

1516
01:26:18,280 --> 01:26:21,960
Speaker 1: Let me let me tell the story.

1517
01:26:22,080 --> 01:26:24,679
Speaker 4: So we made the beat together, you know what I'm saying,

1518
01:26:24,800 --> 01:26:28,479
Speaker 4: Like he he it's his meat that I heard. I

1519
01:26:28,560 --> 01:26:30,840
Speaker 4: was like, man, like, let me fuck with it because

1520
01:26:30,880 --> 01:26:33,680
Speaker 4: you can hear ship like producers can hear something and

1521
01:26:33,800 --> 01:26:35,240
Speaker 4: make it better, you know what I'm saying.

1522
01:26:35,640 --> 01:26:37,280
Speaker 1: So I did my thing. I put my drum and

1523
01:26:37,360 --> 01:26:38,639
Speaker 1: put drums on it and ship.

1524
01:26:39,120 --> 01:26:44,600
Speaker 5: So shit, he's in the studio with Sierra like he's

1525
01:26:44,720 --> 01:26:48,120
Speaker 5: not out the picture like he's there, like there's nothing

1526
01:26:48,200 --> 01:26:49,920
Speaker 5: to cheat you on, Like you know what I'm saying,

1527
01:26:50,280 --> 01:26:53,240
Speaker 5: Like you're right there. You're with me all the time

1528
01:26:53,800 --> 01:26:55,720
Speaker 5: where I go. If I go to la you're with me.

1529
01:26:56,320 --> 01:26:59,280
Speaker 5: If I go to Miami, you're with me. I pay

1530
01:26:59,360 --> 01:27:02,640
Speaker 5: for all that you are whatever eating you eat, I

1531
01:27:02,680 --> 01:27:03,840
Speaker 5: don't eat McDonald's.

1532
01:27:04,640 --> 01:27:06,080
Speaker 1: What if I eat, you eat?

1533
01:27:06,320 --> 01:27:08,320
Speaker 4: Like you're you're with me all the time, Like it's

1534
01:27:08,400 --> 01:27:11,400
Speaker 4: a bill, Like it's a bill. You're a bill, you

1535
01:27:11,439 --> 01:27:13,960
Speaker 4: know what I'm saying. A liability, You're a liability, you

1536
01:27:14,000 --> 01:27:16,320
Speaker 4: know what I'm saying. So the twenty five hundred dollars

1537
01:27:17,120 --> 01:27:18,680
Speaker 4: wasn't a lot of money to me.

1538
01:27:19,160 --> 01:27:21,120
Speaker 1: He was in the rate. That was my fault. That

1539
01:27:21,320 --> 01:27:22,320
Speaker 1: that was my fault.

1540
01:27:22,439 --> 01:27:27,400
Speaker 4: Like something could be nothing to you, but it's everything

1541
01:27:27,520 --> 01:27:28,760
Speaker 4: to somebody else's.

1542
01:27:28,479 --> 01:27:32,080
Speaker 1: Right, I'm like you just so it wasn't really a

1543
01:27:32,200 --> 01:27:33,240
Speaker 1: bit like my my.

1544
01:27:34,880 --> 01:27:37,080
Speaker 4: I was looking for it for it to be on

1545
01:27:37,439 --> 01:27:41,840
Speaker 4: Gucci hour that made more, Like that would make money,

1546
01:27:42,080 --> 01:27:45,439
Speaker 4: you know what I'm saying, especially if they released it

1547
01:27:45,520 --> 01:27:47,280
Speaker 4: as a single. You know what I'm saying, Sierra and

1548
01:27:47,320 --> 01:27:51,200
Speaker 4: Gucci and shit. So that's that was disappointing to.

1549
01:27:51,280 --> 01:27:53,160
Speaker 1: Me, like, oh we just got this thing. This is

1550
01:27:53,160 --> 01:27:55,320
Speaker 1: twenty five. Fuck it. You know what I'm saying.

1551
01:27:56,560 --> 01:27:59,599
Speaker 4: So I didn't at this time he had moved back.

1552
01:28:00,280 --> 01:28:03,960
Speaker 4: Two hour he had moved back. So all the things

1553
01:28:04,000 --> 01:28:08,439
Speaker 4: that I'm doing, I didn't. I didn't tell him what

1554
01:28:08,680 --> 01:28:11,400
Speaker 4: was going on. He heard it on the game, right,

1555
01:28:11,640 --> 01:28:18,280
Speaker 4: he was playing the game because he played game gamer. Yeah, Hey,

1556
01:28:18,520 --> 01:28:18,920
Speaker 4: here's it.

1557
01:28:20,439 --> 01:28:23,479
Speaker 1: Like he's excited with a year like, oh shit, oh

1558
01:28:23,640 --> 01:28:28,720
Speaker 1: she calls me. She is like, expectations can fuck up

1559
01:28:28,840 --> 01:28:31,280
Speaker 1: your head. So he thinking, you didn't want to got

1560
01:28:31,360 --> 01:28:35,280
Speaker 1: a bag for this. He's thinking because the game sold

1561
01:28:35,479 --> 01:28:39,639
Speaker 1: billions of copies. It's like albums that do makes sense.

1562
01:28:40,080 --> 01:28:43,960
Speaker 9: So he's thinking like he's already spending his money and

1563
01:28:44,160 --> 01:28:46,160
Speaker 9: he's being taken care.

1564
01:28:46,000 --> 01:28:49,960
Speaker 1: Of by a girl he sold. He told the girl

1565
01:28:50,080 --> 01:28:52,280
Speaker 1: not wrong, so he had to leave the girl to

1566
01:28:52,479 --> 01:28:56,560
Speaker 1: come with me. So she's already feeling away. So this

1567
01:28:56,760 --> 01:29:00,200
Speaker 1: is actually something that happened out in the situation. So

1568
01:29:00,320 --> 01:29:03,840
Speaker 1: it's like they are they're like, oh, ship, we can

1569
01:29:03,880 --> 01:29:05,760
Speaker 1: get a new house. We can oh ship.

1570
01:29:05,840 --> 01:29:07,960
Speaker 5: Didn't he get on the phone with me, He's like, yo,

1571
01:29:08,080 --> 01:29:11,439
Speaker 5: he's excited. Oh man, that's ah, that's dope.

1572
01:29:11,479 --> 01:29:12,320
Speaker 1: Man. I just heard him.

1573
01:29:12,640 --> 01:29:15,400
Speaker 5: Man, it's just sold this many records, this sold this

1574
01:29:15,560 --> 01:29:16,320
Speaker 5: many companies.

1575
01:29:17,000 --> 01:29:18,639
Speaker 1: And I had to tell him the business.

1576
01:29:18,800 --> 01:29:22,120
Speaker 3: I'm like, yeah, about how it worked at those fingers.

1577
01:29:21,960 --> 01:29:24,679
Speaker 4: I said, I said, it's just twenty five hundred. I said,

1578
01:29:24,680 --> 01:29:26,680
Speaker 4: I'm gonna send you some money. I'm gonna send you

1579
01:29:26,800 --> 01:29:27,400
Speaker 4: five hundred.

1580
01:29:28,439 --> 01:29:29,160
Speaker 1: It ain't half.

1581
01:29:29,600 --> 01:29:33,400
Speaker 9: But you're already a liability man, Like like, I gotta

1582
01:29:33,439 --> 01:29:35,360
Speaker 9: spend about ten mans on you.

1583
01:29:35,880 --> 01:29:38,000
Speaker 1: And this is how music business works.

1584
01:29:38,640 --> 01:29:42,160
Speaker 9: You gotta reach back your money that you put out, Like,

1585
01:29:42,320 --> 01:29:43,920
Speaker 9: niggas don't be knowing this ship.

1586
01:29:44,680 --> 01:29:48,360
Speaker 1: What's the opposite of an advance? That's what you gave him.

1587
01:29:49,280 --> 01:29:52,000
Speaker 1: So I'm like you, I'm gonna send you this, niggas.

1588
01:29:52,000 --> 01:29:54,720
Speaker 1: You gave him a disadvantage, deductile. I'm gonna see you

1589
01:29:54,840 --> 01:29:55,320
Speaker 1: this man.

1590
01:29:55,560 --> 01:29:59,439
Speaker 4: And when I said that, he got QUIETA no, he

1591
01:29:59,479 --> 01:29:59,920
Speaker 4: didn't snap.

1592
01:30:00,040 --> 01:30:02,800
Speaker 1: He got quiet on the phone, and I knew what

1593
01:30:02,960 --> 01:30:06,360
Speaker 1: that silence was, so we go y.

1594
01:30:06,400 --> 01:30:08,560
Speaker 4: I was like, damn, then the game hit me to

1595
01:30:08,640 --> 01:30:10,600
Speaker 4: give me an information to send them the money, and

1596
01:30:10,600 --> 01:30:15,680
Speaker 4: it never hit me. Then then my business mark, my

1597
01:30:15,840 --> 01:30:18,479
Speaker 4: business partner, come in the room, he's like, he's like, hey, man,

1598
01:30:19,000 --> 01:30:26,280
Speaker 4: you such and such suing you. I said, what, so

1599
01:30:27,000 --> 01:30:30,000
Speaker 4: what what what is going on? Like when when when

1600
01:30:30,040 --> 01:30:33,400
Speaker 4: I fucked with you? When I fuck with you, I

1601
01:30:33,520 --> 01:30:35,920
Speaker 4: give you the game. I said, you need to get

1602
01:30:35,960 --> 01:30:36,879
Speaker 4: your own attorney.

1603
01:30:37,360 --> 01:30:40,080
Speaker 1: Your attorney should work for you, not you shouldn't work

1604
01:30:40,120 --> 01:30:42,680
Speaker 1: for your attorney because they're gonna run your bill up.

1605
01:30:44,080 --> 01:30:46,240
Speaker 1: I'm giving you the game, like, get you an attorney.

1606
01:30:46,280 --> 01:30:48,559
Speaker 4: I'm not giving you payperwork to sign and like sign

1607
01:30:48,640 --> 01:30:51,800
Speaker 4: this ship like I'm actually doing right.

1608
01:30:51,920 --> 01:30:52,880
Speaker 1: I'm doing the right thing.

1609
01:30:57,479 --> 01:31:03,080
Speaker 4: So he takes this idea that I'm not telling them

1610
01:31:03,120 --> 01:31:06,000
Speaker 4: the truth about this ship. It goes find an attorney

1611
01:31:06,160 --> 01:31:08,080
Speaker 4: up there, and I will you know how that ship is.

1612
01:31:08,160 --> 01:31:11,600
Speaker 4: You know, attorney's gonna be flattered by swing somebody like me.

1613
01:31:13,280 --> 01:31:15,639
Speaker 5: Oh shit, we gotta oh yeah, we got a lawsuit.

1614
01:31:16,520 --> 01:31:20,320
Speaker 5: So the attorney's lying to him because you don't know

1615
01:31:20,520 --> 01:31:23,479
Speaker 5: the game. The attorney telling him that I made this

1616
01:31:23,640 --> 01:31:24,519
Speaker 5: amount of money.

1617
01:31:24,760 --> 01:31:30,360
Speaker 1: Here, he's made he's made thirteen thou off this.

1618
01:31:32,080 --> 01:31:36,960
Speaker 5: He's he's he's made thirteen grand off of this game.

1619
01:31:38,439 --> 01:31:43,880
Speaker 1: So in his mind he thinks that I made this money.

1620
01:31:43,960 --> 01:31:49,920
Speaker 1: With the attorney telling them. But in all all reality is.

1621
01:31:51,800 --> 01:31:55,080
Speaker 5: The attorney. That's the attorney bill that he ran up.

1622
01:31:58,040 --> 01:32:02,519
Speaker 5: So he owed the attorney this. And see, because I didn't.

1623
01:32:02,320 --> 01:32:10,040
Speaker 4: Do paperwork with him, legally, he can sue me and

1624
01:32:10,320 --> 01:32:14,440
Speaker 4: sue the gaming company. Because I didn't do the paperwork

1625
01:32:14,520 --> 01:32:17,160
Speaker 4: with him. I didn't get him on paper, so it's

1626
01:32:18,160 --> 01:32:20,800
Speaker 4: before he did all that. I just paid him what

1627
01:32:20,880 --> 01:32:24,479
Speaker 4: he wanted. He wanted to settle for four grand, so

1628
01:32:24,760 --> 01:32:27,160
Speaker 4: I came out of the pocket extra money.

1629
01:32:27,960 --> 01:32:30,479
Speaker 5: You know what I'm saying, just by not signing them,

1630
01:32:30,640 --> 01:32:32,360
Speaker 5: just trying to give him game and how to do

1631
01:32:32,479 --> 01:32:34,840
Speaker 5: ship and taking them in, showing them ship.

1632
01:32:34,960 --> 01:32:37,120
Speaker 1: You know what I'm saying. About to say a big number. No,

1633
01:32:38,120 --> 01:32:41,799
Speaker 1: so there wasn't no big number, but what the attorney

1634
01:32:41,880 --> 01:32:45,320
Speaker 1: fee was. So the next time y'all went out, did

1635
01:32:45,360 --> 01:32:52,040
Speaker 1: you pay for us? Did he no? Trying to hit me?

1636
01:32:52,240 --> 01:32:54,799
Speaker 1: He hit me. I see a five one five numbers?

1637
01:32:55,080 --> 01:33:00,320
Speaker 1: The more air car I pick up. Hey, cuz man, man,

1638
01:33:00,400 --> 01:33:05,479
Speaker 1: get on. I said, the only way we're gonna be

1639
01:33:05,600 --> 01:33:07,040
Speaker 1: cool is you give me my money.

1640
01:33:07,200 --> 01:33:15,439
Speaker 3: Give we can't be cool, and I'm taking you out

1641
01:33:15,479 --> 01:33:16,719
Speaker 3: of paying for your flights.

1642
01:33:16,840 --> 01:33:24,920
Speaker 1: We can't be cool no more. To just act like

1643
01:33:24,960 --> 01:33:28,839
Speaker 1: we never were. I'm telling you, no, we can't be friends.

1644
01:33:29,560 --> 01:33:34,160
Speaker 1: Funk out of here with that. Wasn't like that. It's

1645
01:33:34,240 --> 01:33:35,280
Speaker 1: not a cousin like that.

1646
01:33:36,880 --> 01:33:39,800
Speaker 4: With my first cousins, they like second cousin, although they

1647
01:33:40,000 --> 01:33:40,920
Speaker 4: live across the street.

1648
01:33:40,960 --> 01:33:43,360
Speaker 1: But they was like the son. They was like, that's

1649
01:33:43,520 --> 01:33:48,920
Speaker 1: my uncle's kids kids. You know what I'm saying.

1650
01:33:49,400 --> 01:33:52,160
Speaker 4: They're a little different. They're a little different from my

1651
01:33:52,320 --> 01:33:54,400
Speaker 4: grandpa's kids. You know what I'm saying.

1652
01:33:54,439 --> 01:33:55,400
Speaker 1: They're a little different.

1653
01:33:55,760 --> 01:33:58,639
Speaker 4: So we know we didn't really grow although it's small

1654
01:33:58,720 --> 01:34:02,559
Speaker 4: and we like were proximity, we never like hung out

1655
01:34:02,800 --> 01:34:04,559
Speaker 4: and kicked it like we cousin.

1656
01:34:05,000 --> 01:34:06,840
Speaker 1: So if he gave you back to four thousand and

1657
01:34:07,040 --> 01:34:08,120
Speaker 1: back straight.

1658
01:34:10,320 --> 01:34:14,400
Speaker 8: Him, tell him that I would told that money give me.

1659
01:34:15,280 --> 01:34:18,000
Speaker 1: It's not it's nothing that we don't know. If we're

1660
01:34:18,000 --> 01:34:20,400
Speaker 1: not finna be, we're not need to be on the

1661
01:34:20,479 --> 01:34:25,960
Speaker 1: phone and kicking and hanging out. But I'll forgive them answer.

1662
01:34:26,520 --> 01:34:29,040
Speaker 5: And it's not him that making these decisions. It's the

1663
01:34:29,160 --> 01:34:29,880
Speaker 5: bitch he lives.

1664
01:34:30,080 --> 01:34:32,840
Speaker 3: The bitch is always the bitch. Come on and never

1665
01:34:32,880 --> 01:34:34,160
Speaker 3: broke your backwood.

1666
01:34:34,400 --> 01:34:38,360
Speaker 1: It's the front. It's like never through business with a

1667
01:34:38,479 --> 01:34:43,120
Speaker 1: nigga that can't make his own decisions. Never do that.

1668
01:34:43,479 --> 01:34:47,120
Speaker 1: What if you want to get on the payment plan whatever.

1669
01:34:48,080 --> 01:34:50,200
Speaker 1: I just need my money. I can't.

1670
01:34:50,439 --> 01:34:54,320
Speaker 5: I can't accept your apologies and things tills, so you

1671
01:34:54,439 --> 01:34:57,160
Speaker 5: won't give my money back. It ain't even about the money.

1672
01:34:57,280 --> 01:35:03,080
Speaker 5: It's possible, bro, you see me. I was looking that's

1673
01:35:04,120 --> 01:35:08,080
Speaker 5: right here, man, I was changing your life, giving you.

1674
01:35:08,280 --> 01:35:12,120
Speaker 5: You never had such a great time with nothing else

1675
01:35:12,200 --> 01:35:17,519
Speaker 5: in your life, but with me, Miami, You've been You do.

1676
01:35:17,520 --> 01:35:19,240
Speaker 1: Ain't got pussy off my name.

1677
01:35:19,360 --> 01:35:22,280
Speaker 3: You hat good.

1678
01:35:24,640 --> 01:35:26,160
Speaker 1: Bill. I don't have to be spending.

1679
01:35:26,200 --> 01:35:29,680
Speaker 5: I could just focus on myself. I'm looking out like

1680
01:35:30,160 --> 01:35:32,439
Speaker 5: niggas look niga.

1681
01:35:32,960 --> 01:35:36,000
Speaker 4: And it was funny because my cousin, his uncle which

1682
01:35:36,120 --> 01:35:39,280
Speaker 4: is my cousin, got involved. We're sitting at the table

1683
01:35:40,120 --> 01:35:43,879
Speaker 4: at my mom's house and he I think I just brought.

1684
01:35:43,680 --> 01:35:44,400
Speaker 1: It up or something.

1685
01:35:44,520 --> 01:35:47,200
Speaker 4: He's like, he said what he said? He's threwing you

1686
01:35:47,400 --> 01:35:50,400
Speaker 4: what hell now? So he called him on his own

1687
01:35:50,479 --> 01:35:55,320
Speaker 4: time changed his mind. My cousin calls me like, man,

1688
01:35:55,520 --> 01:35:57,519
Speaker 4: He's like, man, I'm sorry, Man, I don't know what

1689
01:35:57,640 --> 01:36:01,160
Speaker 4: I was doing. Man, I'm man, I'm a just I'm

1690
01:36:01,160 --> 01:36:03,800
Speaker 4: gonna just dismiss this. Man, I ain't finna do it. Man,

1691
01:36:04,280 --> 01:36:06,320
Speaker 4: I apologize, Man, I don't know nothing.

1692
01:36:07,080 --> 01:36:09,680
Speaker 1: I go to sleep, wake up his text. Man, I'm

1693
01:36:09,840 --> 01:36:11,000
Speaker 1: continuing on with it.

1694
01:36:11,760 --> 01:36:15,160
Speaker 5: I'm going off, going through with I'm going through with

1695
01:36:15,280 --> 01:36:19,000
Speaker 5: this lawsuit and and so what happens in between time?

1696
01:36:19,240 --> 01:36:23,120
Speaker 1: Like your bitch, Yeah, your bitch is the influencer.

1697
01:36:23,400 --> 01:36:27,240
Speaker 5: Yeah, it's like, you can't be a real man, bro

1698
01:36:27,439 --> 01:36:30,080
Speaker 5: if you first of all, you live with the bitch.

1699
01:36:30,479 --> 01:36:34,800
Speaker 1: She takes. All you got is your gaming system. Damn,

1700
01:36:35,280 --> 01:36:37,599
Speaker 1: that's a lot. That's all you got is your game

1701
01:36:37,640 --> 01:36:41,240
Speaker 1: is just too much? Yeah, yeah, what what kind of

1702
01:36:41,280 --> 01:36:48,200
Speaker 1: system did he have? He went on PlayStation one. I

1703
01:36:48,280 --> 01:36:51,360
Speaker 1: don't know what he had that was. I ain't in

1704
01:36:51,479 --> 01:36:53,040
Speaker 1: the games, but I know it was.

1705
01:36:53,439 --> 01:36:55,719
Speaker 5: I know that's all he had because like I would

1706
01:36:56,080 --> 01:36:58,080
Speaker 5: when he was there, I will overhear him.

1707
01:36:58,040 --> 01:37:00,400
Speaker 1: Going back and forth with his girl, because this girl

1708
01:37:00,479 --> 01:37:02,640
Speaker 1: Lito some like you know, on.

1709
01:37:02,720 --> 01:37:06,439
Speaker 4: Them games, you be meeting people playing the games, and

1710
01:37:06,600 --> 01:37:09,680
Speaker 4: she having phone sex with a nigga doing that.

1711
01:37:09,960 --> 01:37:13,439
Speaker 1: She's seen he's seen. He's nae. He's like, he's seen.

1712
01:37:14,520 --> 01:37:16,800
Speaker 1: He's seen a new number on the bill, and he

1713
01:37:16,960 --> 01:37:19,160
Speaker 1: called the number. Man the man.

1714
01:37:19,439 --> 01:37:21,880
Speaker 5: He's like, hey man, he said, hey man, you know

1715
01:37:22,080 --> 01:37:24,439
Speaker 5: such and such. He's like, that's my girl. I'm over

1716
01:37:24,560 --> 01:37:25,600
Speaker 5: here in this conversation.

1717
01:37:26,280 --> 01:37:28,640
Speaker 1: I only hear what he says, Hey man, you know

1718
01:37:28,800 --> 01:37:32,120
Speaker 1: such that's my girls, and the nigga on the other

1719
01:37:32,240 --> 01:37:39,439
Speaker 1: lines that that's your girl having fallen. That's crazy, you

1720
01:37:39,479 --> 01:37:42,560
Speaker 1: know what I'm saying. So, so the reason why I

1721
01:37:42,680 --> 01:37:45,320
Speaker 1: know all he had is a gaming system because I'm

1722
01:37:45,360 --> 01:37:47,439
Speaker 1: finna come up here. I'm finna come get my game.

1723
01:37:47,560 --> 01:37:49,080
Speaker 3: I'm finna come get my PlayStation.

1724
01:37:51,200 --> 01:37:54,559
Speaker 1: So she havn't followed me niggas through his gaming system.

1725
01:37:54,640 --> 01:38:03,200
Speaker 1: That fucked him up. You know, mother, she sues you.

1726
01:38:03,880 --> 01:38:06,479
Speaker 1: That's what she sued me. What if he say that?

1727
01:38:07,479 --> 01:38:08,800
Speaker 1: She said, what if you break up with her?

1728
01:38:10,840 --> 01:38:13,960
Speaker 4: It's still like anytime a man is influenced by a

1729
01:38:14,040 --> 01:38:18,599
Speaker 4: woman making it has no logic to nothing goes against

1730
01:38:18,840 --> 01:38:20,720
Speaker 4: and goes against what it is like.

1731
01:38:20,880 --> 01:38:23,400
Speaker 1: You can't come back from that. Damn.

1732
01:38:24,640 --> 01:38:26,280
Speaker 4: You should be able to cut as a man, You

1733
01:38:26,280 --> 01:38:28,320
Speaker 4: should be able to control your system.

1734
01:38:28,560 --> 01:38:31,320
Speaker 1: Call where you at with that? How do you feel

1735
01:38:31,320 --> 01:38:32,080
Speaker 1: about what he's just said?

1736
01:38:32,360 --> 01:38:38,400
Speaker 3: Man, it's like fun on the fact that he cut

1737
01:38:38,479 --> 01:38:44,040
Speaker 3: his cousin off for four Rex. Hey, man, you get man? No,

1738
01:38:44,160 --> 01:38:44,920
Speaker 3: he cut hisself.

1739
01:38:45,479 --> 01:38:48,280
Speaker 1: Now, I feel a man. Ain't We were never really

1740
01:38:48,600 --> 01:38:49,600
Speaker 1: in tune like that.

1741
01:38:50,120 --> 01:38:53,439
Speaker 5: He had an interest in something I do, so I

1742
01:38:53,600 --> 01:38:56,280
Speaker 5: was like, I try to look out you tutor them.

1743
01:38:56,880 --> 01:38:58,519
Speaker 1: I was just trying to look out, like, oh, you

1744
01:38:58,600 --> 01:39:01,880
Speaker 1: want to be a producer ship And he's like, man,

1745
01:39:02,040 --> 01:39:05,080
Speaker 1: it's cool if I come down there. I'm like cool.

1746
01:39:05,880 --> 01:39:09,439
Speaker 4: It wasn't nothing like we just grew up in the

1747
01:39:09,520 --> 01:39:13,400
Speaker 4: same sad box and got our pampers changed and ship.

1748
01:39:13,240 --> 01:39:16,679
Speaker 1: And we fought together and struck. Now, it wasn't none

1749
01:39:16,720 --> 01:39:19,960
Speaker 1: of that wasn't none of that. I treated him the

1750
01:39:20,040 --> 01:39:20,519
Speaker 1: same way.

1751
01:39:20,600 --> 01:39:23,120
Speaker 4: I treated like it was the same ship, like it

1752
01:39:23,240 --> 01:39:26,439
Speaker 4: was a little couz And it was like, I ain't

1753
01:39:26,479 --> 01:39:29,400
Speaker 4: never hu hang with you like I never hung with you.

1754
01:39:31,760 --> 01:39:34,400
Speaker 1: It was another thing, you know what I'm saying. So

1755
01:39:34,600 --> 01:39:37,559
Speaker 1: the fact that I took I actually took when because

1756
01:39:37,600 --> 01:39:40,680
Speaker 1: you have an interest in this what I do? When

1757
01:39:40,760 --> 01:39:45,799
Speaker 1: you did that any of your kids showing any interest

1758
01:39:45,840 --> 01:39:51,240
Speaker 1: in music? Yeah, I hold a song like this he produced.

1759
01:39:51,280 --> 01:39:53,800
Speaker 1: He produced a couple of songs that I did.

1760
01:39:54,680 --> 01:39:57,599
Speaker 4: You know, I kind of like delegate man, like if

1761
01:39:57,840 --> 01:40:02,080
Speaker 4: if if I fuck with you, I just although I

1762
01:40:02,200 --> 01:40:04,200
Speaker 4: don't need it, like man, loot the drums.

1763
01:40:04,600 --> 01:40:05,479
Speaker 1: Do this, do that?

1764
01:40:05,600 --> 01:40:07,439
Speaker 4: You know what I'm saying, Just to tag your name

1765
01:40:07,560 --> 01:40:09,760
Speaker 4: on it so you can it can jump start some ship.

1766
01:40:10,560 --> 01:40:14,080
Speaker 4: But did he twenty seven?

1767
01:40:14,760 --> 01:40:17,320
Speaker 3: Hey, I remember this boy was like this and he

1768
01:40:17,479 --> 01:40:20,960
Speaker 3: was cutting his hair on this. He was he big,

1769
01:40:21,080 --> 01:40:24,000
Speaker 3: his heir doing his thing. Now got all the hose.

1770
01:40:23,800 --> 01:40:27,760
Speaker 1: He was on. He on hustle and flow also like he.

1771
01:40:27,960 --> 01:40:32,320
Speaker 4: Uh So when they when they get the established producers,

1772
01:40:32,400 --> 01:40:35,519
Speaker 4: they asked the established producers if they have any anybody

1773
01:40:35,640 --> 01:40:40,000
Speaker 4: under them, and they work with some of the contestants too.

1774
01:40:40,120 --> 01:40:40,400
Speaker 1: So I.

1775
01:40:41,920 --> 01:40:45,200
Speaker 4: Slid him in there in there so when you see it,

1776
01:40:45,520 --> 01:40:48,439
Speaker 4: like you'll see Nostra Domics, that's his name.

1777
01:40:49,160 --> 01:40:50,040
Speaker 1: I'm gonna go watch it.

1778
01:40:50,120 --> 01:40:50,280
Speaker 3: Man.

1779
01:40:50,360 --> 01:40:53,720
Speaker 1: It sounds like some good, some good entertainment. Yeah, yeah,

1780
01:40:54,160 --> 01:40:55,920
Speaker 1: it's cool. You didn't let that white girl on that

1781
01:40:56,040 --> 01:40:59,080
Speaker 1: chump you off, now, did you? She wasn't white? Oh?

1782
01:40:59,439 --> 01:41:03,080
Speaker 1: Well who that from Detroit? Oh that one in that

1783
01:41:03,240 --> 01:41:06,519
Speaker 1: left m hm, that one girl, the big girl in

1784
01:41:06,600 --> 01:41:10,679
Speaker 1: the lyft, she's sewing. Jack d used to suck.

1785
01:41:10,520 --> 01:41:12,559
Speaker 3: Well one nigga. I used to tell that puts it up.

1786
01:41:12,640 --> 01:41:15,320
Speaker 3: So you hear me, how you got to it? This

1787
01:41:15,439 --> 01:41:16,720
Speaker 3: s is straight up through the mill.

1788
01:41:16,840 --> 01:41:17,200
Speaker 1: You hear me.

1789
01:41:17,560 --> 01:41:19,840
Speaker 3: I used to turn her upside down and everything. Put

1790
01:41:19,880 --> 01:41:22,519
Speaker 3: in the power bomb this girl really right?

1791
01:41:22,640 --> 01:41:24,679
Speaker 1: Damn there five hundred pounds she's sewing a little.

1792
01:41:24,920 --> 01:41:26,760
Speaker 3: It's like four fifty dollars. And you know I work

1793
01:41:26,760 --> 01:41:28,280
Speaker 3: out every day. You're gonna check my Instagram.

1794
01:41:28,439 --> 01:41:30,200
Speaker 1: I think that was about I thought it was about

1795
01:41:30,240 --> 01:41:34,240
Speaker 1: full ninety five. Yeah, I'm good for it. I'm good

1796
01:41:34,320 --> 01:41:34,519
Speaker 1: for it.

1797
01:41:34,960 --> 01:41:37,439
Speaker 3: I six to nine in her face. Yeah, she be

1798
01:41:37,479 --> 01:41:41,200
Speaker 3: eating his boot cat. Yeah yeah, you squat Yeah, Qua

1799
01:41:41,280 --> 01:41:42,600
Speaker 3: squad squat's squat on it.

1800
01:41:43,560 --> 01:41:47,680
Speaker 1: Squat this nigga, I'm a squatter squad Jake, What the

1801
01:41:47,720 --> 01:41:51,760
Speaker 1: fuck grow with you? Crazy? Hey dog, I'm d I.

1802
01:41:53,000 --> 01:41:53,640
Speaker 1: I'm a d I.

1803
01:41:54,520 --> 01:41:57,960
Speaker 3: You definitely are. I mean you go out for the tunity.

1804
01:41:58,000 --> 01:41:59,400
Speaker 3: You know what I'm saying. I'm looking out for everybody.

1805
01:41:59,439 --> 01:41:59,559
Speaker 1: Bro.

1806
01:41:59,800 --> 01:42:01,760
Speaker 3: It ain't got nothing to do with me. I'm about

1807
01:42:01,800 --> 01:42:04,240
Speaker 3: community and taking all people to a whole other level.

1808
01:42:04,960 --> 01:42:06,800
Speaker 1: If they won't fuck you, we'll fuck with you. You

1809
01:42:06,880 --> 01:42:08,880
Speaker 1: got how they risk to know how heavy they are?

1810
01:42:09,200 --> 01:42:10,560
Speaker 1: Don't stomach That's it.

1811
01:42:10,880 --> 01:42:14,439
Speaker 3: I feel they stumm and once again, Yeah, I'm into

1812
01:42:14,479 --> 01:42:15,000
Speaker 3: big girl.

1813
01:42:14,960 --> 01:42:17,519
Speaker 4: Jack who This podcast sponsored by This Week This Fuss

1814
01:42:17,680 --> 01:42:20,679
Speaker 4: and part by Backwoods. Here that hard from the front

1815
01:42:21,520 --> 01:42:27,639
Speaker 4: rolled around, shout out answer their pride jail.

1816
01:42:29,120 --> 01:42:33,600
Speaker 1: It's one of your favorite you know me and this

1817
01:42:33,800 --> 01:42:38,800
Speaker 1: nigga goes Fred Work way back. You know what I'm saying.

1818
01:42:38,800 --> 01:42:41,360
Speaker 1: I was smoking with that nigga when he first came here. Right,

1819
01:42:46,840 --> 01:42:50,560
Speaker 1: get out of here now your whole legend, bro that

1820
01:42:50,680 --> 01:42:55,640
Speaker 1: nigga be outside meeting folk. Jack Threw had this one girlfriend.

1821
01:42:56,160 --> 01:42:56,720
Speaker 1: She broke up.

1822
01:42:57,280 --> 01:43:04,080
Speaker 3: Who broke hey? Meanwhile, back at to be what happened?

1823
01:43:04,200 --> 01:43:07,880
Speaker 1: Jack? Go ahead, kub what happened? Then she broke up

1824
01:43:07,920 --> 01:43:08,160
Speaker 1: with him?

1825
01:43:08,160 --> 01:43:08,360
Speaker 3: Don't know?

1826
01:43:08,560 --> 01:43:10,840
Speaker 1: Did you break up? Hood? I know you called her treating,

1827
01:43:10,920 --> 01:43:13,639
Speaker 1: but did you break up with her? He called her treating?

1828
01:43:13,760 --> 01:43:15,760
Speaker 1: Still got broke up? Yes, she broke up with him,

1829
01:43:17,000 --> 01:43:18,480
Speaker 1: so she got contact.

1830
01:43:20,960 --> 01:43:21,120
Speaker 5: Mother.

1831
01:43:22,240 --> 01:43:24,400
Speaker 1: Your lady love you for catching her cheek. Do I

1832
01:43:24,479 --> 01:43:25,880
Speaker 1: look like a nigga lady that leaves?

1833
01:43:26,040 --> 01:43:26,240
Speaker 3: Yes?

1834
01:43:27,960 --> 01:43:31,760
Speaker 1: Yeah, she looked precisely like that, bro, like you look

1835
01:43:31,880 --> 01:43:34,599
Speaker 1: exactly like a nigga. I knew how to get left

1836
01:43:34,640 --> 01:43:35,160
Speaker 1: by the lady.

1837
01:43:35,400 --> 01:43:38,200
Speaker 3: Yes, I knew it was her when he called me, dude,

1838
01:43:39,040 --> 01:43:41,640
Speaker 3: I flipping a d M all that this nigga crazy, bro,

1839
01:43:41,720 --> 01:43:43,519
Speaker 3: I do not go in a woman d M.

1840
01:43:43,920 --> 01:43:44,680
Speaker 1: Who was in a d M?

1841
01:43:44,760 --> 01:43:49,439
Speaker 3: Which one on comedians all of them, damn, but the

1842
01:43:49,520 --> 01:43:51,120
Speaker 3: one that sucked me up was the nigga.

1843
01:43:50,880 --> 01:43:55,240
Speaker 1: For so for real, damn you even give them a fuck?

1844
01:43:56,400 --> 01:43:58,080
Speaker 3: He was want to give the candy coat of rain

1845
01:43:58,200 --> 01:44:07,040
Speaker 3: dropped and that was my love, Jack.

1846
01:44:09,640 --> 01:44:11,880
Speaker 1: Chasing man.

1847
01:44:13,080 --> 01:44:16,320
Speaker 3: I don't even worry about it was you called her

1848
01:44:16,439 --> 01:44:22,400
Speaker 3: cheating and she broke with you the nerve out together.

1849
01:44:22,920 --> 01:44:24,400
Speaker 3: I should have never been in the d M s.

1850
01:44:24,479 --> 01:44:26,200
Speaker 3: I should have let her do a thing that was

1851
01:44:26,240 --> 01:44:28,280
Speaker 3: her business and that was my fault.

1852
01:44:28,600 --> 01:44:29,200
Speaker 1: If I could do it.

1853
01:44:29,200 --> 01:44:31,320
Speaker 3: All over again, I would have let her did had

1854
01:44:31,320 --> 01:44:35,920
Speaker 3: away with me. I was at some point you got

1855
01:44:36,000 --> 01:44:37,120
Speaker 3: to take accountability, right.

1856
01:44:39,479 --> 01:44:46,960
Speaker 1: Jack, that's real man ship. Absolutely no funk that you should.

1857
01:44:47,160 --> 01:44:50,679
Speaker 1: You knew that in the beginning the ls on social media.

1858
01:44:50,920 --> 01:44:53,439
Speaker 3: Hey, you know they say you can't turn a hold

1859
01:44:53,439 --> 01:44:56,240
Speaker 3: into a housewife, But maybe I don't want a housewife.

1860
01:44:56,720 --> 01:45:02,519
Speaker 1: Maybe you just want to. I just wanted to hold,

1861
01:45:03,840 --> 01:45:06,840
Speaker 1: and I just wasn't mentally ready yet to handle a hoe.

1862
01:45:06,880 --> 01:45:08,920
Speaker 4: What if you married a whole Jack, and she just

1863
01:45:09,760 --> 01:45:13,280
Speaker 4: gradually graduated into being a housewife.

1864
01:45:13,320 --> 01:45:15,320
Speaker 1: She lose all her whole ways. Are you gonna leave it?

1865
01:45:15,400 --> 01:45:17,880
Speaker 1: I was trying to do that. I was trying to

1866
01:45:17,920 --> 01:45:18,519
Speaker 1: make this happen.

1867
01:45:18,600 --> 01:45:21,479
Speaker 3: It almost did it again if it wasn't for those

1868
01:45:21,560 --> 01:45:25,759
Speaker 3: pisky kids and the name Scooby Doode, those meddling little kids.

1869
01:45:27,680 --> 01:45:30,240
Speaker 3: We were working on this show right now though, right, Jack,

1870
01:45:30,880 --> 01:45:32,000
Speaker 3: We're finna find me love.

1871
01:45:31,920 --> 01:45:34,479
Speaker 1: Though, right. I thought that you said that holes make

1872
01:45:34,560 --> 01:45:36,280
Speaker 1: some of the best housewife.

1873
01:45:36,840 --> 01:45:39,519
Speaker 3: They clean up good, they cook good. They they they're

1874
01:45:39,600 --> 01:45:45,800
Speaker 3: real good of love makers. Now homemakers, they raised kids good.

1875
01:45:46,240 --> 01:45:49,040
Speaker 1: They they're real great to talk to. Great.

1876
01:45:49,080 --> 01:45:51,840
Speaker 3: You know your skill, amazing social skills. You just got

1877
01:45:51,920 --> 01:45:54,760
Speaker 3: to find out where you are in their mind. And

1878
01:45:54,880 --> 01:45:58,120
Speaker 3: I didn't know where I was in her mind. Yeah,

1879
01:45:58,280 --> 01:46:01,240
Speaker 3: I was boyfriend numbers you know what I'm saying. When

1880
01:46:01,240 --> 01:46:04,400
Speaker 3: I was trying to be boyfriend number one. And you

1881
01:46:04,560 --> 01:46:07,679
Speaker 3: learn from this, you you you might have well stay

1882
01:46:07,680 --> 01:46:08,000
Speaker 3: at six.

1883
01:46:08,439 --> 01:46:10,240
Speaker 1: He was married to her. Yeah, I was married to her.

1884
01:46:10,360 --> 01:46:14,160
Speaker 1: He was number six. I was number six, damn number six.

1885
01:46:14,200 --> 01:46:17,120
Speaker 1: He just decided to marriage He can't have anybody, right, No,

1886
01:46:17,720 --> 01:46:24,000
Speaker 1: just you at least you ain't better better, No man,

1887
01:46:26,040 --> 01:46:32,160
Speaker 1: imagine me better man. You do look just like busses Man.

1888
01:46:32,479 --> 01:46:33,160
Speaker 1: You miss Wayne.

1889
01:46:33,200 --> 01:46:34,200
Speaker 5: You what you.

1890
01:46:38,479 --> 01:46:41,400
Speaker 3: Till the rat caused? Midy give me a ride? But

1891
01:46:41,479 --> 01:46:46,080
Speaker 3: they got open now, Yeah damn, but we got that

1892
01:46:46,120 --> 01:46:48,599
Speaker 3: show coming out though, right for the love of Jack,

1893
01:46:48,680 --> 01:46:51,120
Speaker 3: For the love of Jack, twenty holes competing for my

1894
01:46:51,160 --> 01:46:52,240
Speaker 3: fettion all in one house.

1895
01:46:52,520 --> 01:46:54,840
Speaker 1: It ain't gonna it ain't gonna all be holes. Jack.

1896
01:46:54,880 --> 01:46:57,240
Speaker 4: We're gonna throw maybe two or three, but there ain't

1897
01:46:57,240 --> 01:46:59,280
Speaker 4: nobody de finally getting no house for twenty olds.

1898
01:46:59,479 --> 01:47:02,439
Speaker 1: Okay, okay, because they gonna put a whole that's a

1899
01:47:02,520 --> 01:47:03,000
Speaker 1: lot of face.

1900
01:47:03,040 --> 01:47:05,280
Speaker 3: You got a squat on hey one percent, and I'm

1901
01:47:05,320 --> 01:47:07,120
Speaker 3: here for it. I'm here for it, and I need

1902
01:47:07,200 --> 01:47:11,439
Speaker 3: to do some more squats anyway. I figured out what

1903
01:47:11,520 --> 01:47:13,599
Speaker 3: I'm looking for to what I bring to the table.

1904
01:47:13,760 --> 01:47:21,880
Speaker 3: What dig balls, kissing I kiss real good, that make

1905
01:47:21,960 --> 01:47:22,840
Speaker 3: breakfast real good.

1906
01:47:22,880 --> 01:47:25,280
Speaker 1: That's not gonna make him interested. I'm looking for a

1907
01:47:25,360 --> 01:47:28,120
Speaker 1: protector and a provider. Jack.

1908
01:47:28,240 --> 01:47:31,519
Speaker 3: That's day that they ship, that's I'm trying to get

1909
01:47:31,560 --> 01:47:34,920
Speaker 3: like them. You look like a man, think like a woman.

1910
01:47:35,760 --> 01:47:41,800
Speaker 3: That coming soon, so your ship look like a man,

1911
01:47:42,240 --> 01:47:44,080
Speaker 3: think like a woman. You got to get inside their head.

1912
01:47:44,400 --> 01:47:45,880
Speaker 3: You know how many you got to get inside the

1913
01:47:45,960 --> 01:47:47,960
Speaker 3: head before you get inside the You know how many all.

1914
01:47:47,880 --> 01:47:48,519
Speaker 1: Of us be mad?

1915
01:47:48,600 --> 01:47:48,880
Speaker 3: Right now?

1916
01:47:49,240 --> 01:47:56,519
Speaker 1: We're talking like a woman. Why this ship? I think

1917
01:47:56,560 --> 01:48:04,120
Speaker 1: you're want to something though, talking about shot man look

1918
01:48:04,280 --> 01:48:09,800
Speaker 1: like a woman. Damn. It was right there in front

1919
01:48:09,800 --> 01:48:14,240
Speaker 1: of us the whole time, the whole fucking time. The

1920
01:48:14,479 --> 01:48:17,000
Speaker 1: problem is we ain't trying to get inside their mind.

1921
01:48:17,120 --> 01:48:18,320
Speaker 1: What about what they want?

1922
01:48:19,479 --> 01:48:19,679
Speaker 3: Huh?

1923
01:48:20,560 --> 01:48:20,760
Speaker 9: Yeah.

1924
01:48:21,000 --> 01:48:23,360
Speaker 3: If they're telling you to bring ninety percent of the

1925
01:48:23,360 --> 01:48:24,680
Speaker 3: ship to the table, and they don't want to go

1926
01:48:24,720 --> 01:48:26,639
Speaker 3: fifty fifty, what the are you supposed to be doing

1927
01:48:27,320 --> 01:48:28,639
Speaker 3: paying one hundred percent?

1928
01:48:29,479 --> 01:48:33,360
Speaker 1: Damn? Yeah, give them the sun, the moon, the stars.

1929
01:48:33,680 --> 01:48:37,000
Speaker 1: If that's what she wants, that's what she wants, damn.

1930
01:48:37,080 --> 01:48:39,240
Speaker 3: And if I want her, that's what I gotta do,

1931
01:48:39,439 --> 01:48:42,280
Speaker 3: And I gotta do what I gotta do. Jan Put

1932
01:48:42,320 --> 01:48:45,840
Speaker 3: that woman first, Put that woman first, Put that woman first, bro,

1933
01:48:46,520 --> 01:48:47,560
Speaker 3: That's what that's what we got to do.

1934
01:48:47,720 --> 01:48:52,000
Speaker 1: Man, I'm six, but I'm six. I was a six man.

1935
01:48:52,320 --> 01:48:54,040
Speaker 3: I was a six man on that because because I

1936
01:48:54,160 --> 01:48:56,519
Speaker 3: was going against the grand I was trying to be

1937
01:48:56,600 --> 01:48:57,040
Speaker 3: the only one.

1938
01:48:57,200 --> 01:49:00,400
Speaker 1: What if she don't just want me? I she lets

1939
01:49:00,400 --> 01:49:04,439
Speaker 1: her hair all the mother But y'all just like share

1940
01:49:04,520 --> 01:49:06,920
Speaker 1: the duties though, why would you? Why would you do?

1941
01:49:07,680 --> 01:49:09,840
Speaker 1: I'm going to share whatever she wants to share here

1942
01:49:09,880 --> 01:49:12,519
Speaker 1: on out. From here on out, I'm want to be

1943
01:49:12,600 --> 01:49:16,519
Speaker 1: what she needs me to be. Jack, So she's getting

1944
01:49:16,640 --> 01:49:19,840
Speaker 1: like six hundred percent, She's going to get whatever she

1945
01:49:20,120 --> 01:49:20,720
Speaker 1: wants from me.

1946
01:49:20,840 --> 01:49:23,160
Speaker 3: If she wants a nigga that's six y six by

1947
01:49:23,240 --> 01:49:24,559
Speaker 3: all means she deserves it.

1948
01:49:25,120 --> 01:49:26,800
Speaker 1: And I'm gonna help her find it. And we gonna,

1949
01:49:26,800 --> 01:49:28,559
Speaker 1: god damn go find this nigga together.

1950
01:49:29,400 --> 01:49:31,840
Speaker 3: If she looking for a nigga with six did he

1951
01:49:32,040 --> 01:49:34,160
Speaker 3: need six figures and ship? You know what we're gonna

1952
01:49:34,200 --> 01:49:36,639
Speaker 3: do that. We're gonna get online and see what type

1953
01:49:36,680 --> 01:49:39,040
Speaker 3: of professionals make that type of money. And we're going

1954
01:49:39,120 --> 01:49:41,439
Speaker 3: to find that other nigga that can help provide for us.

1955
01:49:42,280 --> 01:49:46,080
Speaker 1: You did, Jack, Lord ain't gonna sell a no copy.

1956
01:49:47,479 --> 01:49:50,360
Speaker 1: They said the same thing by Steve Harves. Shit, I'm

1957
01:49:50,400 --> 01:49:52,760
Speaker 1: trying to say it now. So I'm giving you a

1958
01:49:52,800 --> 01:49:55,519
Speaker 1: reason to say that. I told you so you you

1959
01:49:55,840 --> 01:49:58,000
Speaker 1: you I feel like that supporting me right now? When

1960
01:49:58,040 --> 01:50:00,360
Speaker 1: you go off to be extremely successful. Need you to

1961
01:50:00,479 --> 01:50:04,320
Speaker 1: use this moment. It's motivation. Oh you ain't never gonna

1962
01:50:04,320 --> 01:50:07,479
Speaker 1: be shipped that book of yours. That book ain't worth for.

1963
01:50:08,120 --> 01:50:11,800
Speaker 3: Oh yeah, you won't sell one youd damn con Oh yeah,

1964
01:50:12,600 --> 01:50:17,080
Speaker 3: I'll show you call those you just wait, I'm gonna

1965
01:50:17,120 --> 01:50:17,400
Speaker 3: come back.

1966
01:50:17,479 --> 01:50:19,360
Speaker 1: I'm gonna be really rich. I'm gonna have a woman

1967
01:50:19,400 --> 01:50:21,400
Speaker 1: that loves me. I'm gonna get a big house and

1968
01:50:21,680 --> 01:50:25,720
Speaker 1: everyone will know my names in your dreams. Pal, come

1969
01:50:26,400 --> 01:50:30,639
Speaker 1: you wish? Hey, just wait and see. Hey, man, that's

1970
01:50:30,720 --> 01:50:33,240
Speaker 1: your problem. You got all the talent in the world,

1971
01:50:33,280 --> 01:50:34,799
Speaker 1: but can't nobody tell you nothing?

1972
01:50:34,920 --> 01:50:35,080
Speaker 3: Jack?

1973
01:50:35,520 --> 01:50:36,639
Speaker 1: Huh huh.

1974
01:50:37,400 --> 01:50:37,720
Speaker 8: You know what.

1975
01:50:40,479 --> 01:50:44,120
Speaker 3: Maybe I am stop, Maybe maybe I might be blind,

1976
01:50:44,280 --> 01:50:47,280
Speaker 3: But you know what, I got a heart.

1977
01:50:51,360 --> 01:50:54,439
Speaker 1: And that's something. You may have good looks, you may

1978
01:50:54,520 --> 01:50:55,960
Speaker 1: have money, you may have.

1979
01:50:56,080 --> 01:50:59,479
Speaker 3: All the hoes in your you're your disposal and fame,

1980
01:51:01,040 --> 01:51:03,000
Speaker 3: just everything you've ever wanted in life, But you know what,

1981
01:51:03,080 --> 01:51:03,840
Speaker 3: you don't have? What?

1982
01:51:07,560 --> 01:51:08,640
Speaker 1: What? What don't you have?

1983
01:51:11,600 --> 01:51:15,280
Speaker 4: I tell you what, Jack, You go out there and

1984
01:51:15,320 --> 01:51:17,240
Speaker 4: you're gonna make a fool out of yourself.

1985
01:51:18,320 --> 01:51:22,360
Speaker 1: Like a man, look like a woman. Oh what you say,

1986
01:51:23,560 --> 01:51:27,639
Speaker 1: think like a man? Man? Look like a man. See

1987
01:51:27,800 --> 01:51:32,599
Speaker 1: it's stupid. It's just so stupid. It's Jack. It's just stupid,

1988
01:51:32,680 --> 01:51:35,400
Speaker 1: That's what it is. It's just a dumb idea. Man.

1989
01:51:35,640 --> 01:51:39,840
Speaker 3: Nobody wants to read that crap man, that psychological bush.

1990
01:51:42,320 --> 01:51:42,519
Speaker 2: Joke.

1991
01:51:42,600 --> 01:51:44,320
Speaker 1: And you were winded so I can see what my

1992
01:51:44,920 --> 01:51:51,040
Speaker 1: my book was called. Look like a man, Think like

1993
01:51:51,120 --> 01:51:54,160
Speaker 1: a lady. Look looks like a man, Think like a

1994
01:51:55,960 --> 01:51:56,760
Speaker 1: catch with me? Right?

1995
01:51:56,840 --> 01:51:57,040
Speaker 5: Hat?

1996
01:51:59,040 --> 01:52:02,599
Speaker 1: Oh he left to see. Nobody believes in that ship, Jack,

1997
01:52:03,280 --> 01:52:06,439
Speaker 1: It'll never work. Granted, what do you think?

1998
01:52:09,120 --> 01:52:09,360
Speaker 8: See?

1999
01:52:09,600 --> 01:52:11,920
Speaker 1: You know you don't even see this happening for yourself.

2000
01:52:12,600 --> 01:52:15,240
Speaker 3: This is a this is a complete polar opposite from

2001
01:52:15,320 --> 01:52:21,439
Speaker 3: the last time. What do you think, Well, that's what

2002
01:52:21,840 --> 01:52:27,000
Speaker 3: you want for your life. I'm here for it, man.

2003
01:52:27,040 --> 01:52:30,680
Speaker 1: What's what's coming next? Bangladesh? I know you keep some

2004
01:52:30,920 --> 01:52:34,720
Speaker 1: some hits in rotation. I've been working on my own thing.

2005
01:52:34,880 --> 01:52:36,800
Speaker 4: Oh, before we wrap this up, man, what was your

2006
01:52:36,880 --> 01:52:40,200
Speaker 4: thoughts on the Grammars this year? That just happened the

2007
01:52:40,240 --> 01:52:43,760
Speaker 4: other day. I ain't watched the Grammy's way. I seen

2008
01:52:43,840 --> 01:52:46,240
Speaker 4: who won. I think it's well deserved.

2009
01:52:46,880 --> 01:52:49,439
Speaker 1: Uh, you don't want a few Grammys, y'all?

2010
01:52:49,600 --> 01:52:49,840
Speaker 3: Five?

2011
01:52:55,040 --> 01:52:57,960
Speaker 4: As a matter of As a matter of fact, after Grammys.

2012
01:52:58,439 --> 01:53:02,559
Speaker 4: After after the Grammys uh aired, I had a segment

2013
01:53:02,960 --> 01:53:03,880
Speaker 4: on the news.

2014
01:53:05,240 --> 01:53:06,519
Speaker 1: About me.

2015
01:53:08,200 --> 01:53:11,560
Speaker 4: So everybody seeing the Grammys, if they continue watching it.

2016
01:53:11,800 --> 01:53:16,320
Speaker 4: It was on TV across the nation at about a

2017
01:53:16,400 --> 01:53:19,960
Speaker 4: five minute second segment about about Bangladesh.

2018
01:53:20,840 --> 01:53:24,280
Speaker 1: Man. It was yes sir, Yes sir, and that was

2019
01:53:24,320 --> 01:53:29,559
Speaker 1: brought to hit it roll around to the front. My thing.

2020
01:53:29,680 --> 01:53:32,080
Speaker 1: I think Kendrick deserved what he what he got. Uh.

2021
01:53:33,080 --> 01:53:37,679
Speaker 1: They finally gave Beyonce our mother, our mother, coach.

2022
01:53:37,520 --> 01:53:48,120
Speaker 5: Carter, motherfuckerach, cowboy, although she had to do a different

2023
01:53:48,240 --> 01:53:49,200
Speaker 5: genre of music.

2024
01:53:50,120 --> 01:53:54,280
Speaker 1: It's I don't I don't know how she feels about that.

2025
01:53:55,600 --> 01:53:57,639
Speaker 4: Me personally, I don't think it will hit the same

2026
01:53:57,920 --> 01:54:02,160
Speaker 4: like because like she didn't win for you know, R

2027
01:54:02,200 --> 01:54:04,960
Speaker 4: and B or just greatest Album.

2028
01:54:06,040 --> 01:54:09,360
Speaker 1: I feel like she had to go into this genre

2029
01:54:09,720 --> 01:54:11,000
Speaker 1: for them to give her that.

2030
01:54:11,439 --> 01:54:16,080
Speaker 3: But you never like bigger though. If she's doing doing

2031
01:54:16,160 --> 01:54:18,400
Speaker 3: a whole nother genre and she gets a Grammy in.

2032
01:54:18,439 --> 01:54:21,280
Speaker 1: That, I think it says a few things.

2033
01:54:21,320 --> 01:54:23,640
Speaker 4: It's like, well, you gotta do this to get it,

2034
01:54:24,000 --> 01:54:25,960
Speaker 4: Like you can't do what you're doing to do it,

2035
01:54:26,680 --> 01:54:30,360
Speaker 4: you know what I'm saying, you're doing the foundation of.

2036
01:54:30,439 --> 01:54:34,800
Speaker 1: Music, urban, urban culture, music, R and B music. You

2037
01:54:34,920 --> 01:54:37,040
Speaker 1: could she could win Album of the Year for that.

2038
01:54:37,600 --> 01:54:40,040
Speaker 3: She had to do country music to win an album

2039
01:54:41,200 --> 01:54:44,520
Speaker 3: at Bangladesh, we're trying to win the Grammar for the

2040
01:54:44,640 --> 01:54:45,320
Speaker 3: comedy Grammy.

2041
01:54:45,360 --> 01:54:47,600
Speaker 1: Man, can all eyes on us? What's up? Man? You're

2042
01:54:47,600 --> 01:54:50,440
Speaker 1: gonna put that together for us? Yeah? You already said

2043
01:54:50,480 --> 01:54:53,560
Speaker 1: he can make anything sound dude. Yeah what we we

2044
01:54:54,080 --> 01:54:56,400
Speaker 1: we well, we're working on that right now. Is it

2045
01:54:56,480 --> 01:55:01,440
Speaker 1: with this litter? You already got a pack for you? Good.

2046
01:55:02,440 --> 01:55:04,440
Speaker 4: We're gonna let you get the whole five points because

2047
01:55:04,480 --> 01:55:07,960
Speaker 4: we ain't no fuck niggas. Yeah, you produce the ship

2048
01:55:08,040 --> 01:55:10,280
Speaker 4: you're gonna get. We're gonna get our money on the

2049
01:55:10,360 --> 01:55:10,840
Speaker 4: other side.

2050
01:55:10,920 --> 01:55:14,200
Speaker 3: Anyway, we're gonna get that twenty million boys from Bowling

2051
01:55:15,080 --> 01:55:17,880
Speaker 3: before we recording, even Gordon the studio, I'm making sure.

2052
01:55:18,280 --> 01:55:20,960
Speaker 3: I'm just gonna be upfront with the artists, brou whoever

2053
01:55:21,080 --> 01:55:23,560
Speaker 3: work on this project. Jack, I'm making y'all saying a

2054
01:55:23,600 --> 01:55:25,640
Speaker 3: shitty record deal off the top.

2055
01:55:25,520 --> 01:55:27,560
Speaker 4: Because it's the first time work for hire. That's the

2056
01:55:27,640 --> 01:55:30,120
Speaker 4: only way you're gonna be successful if the first deal

2057
01:55:30,200 --> 01:55:32,520
Speaker 4: ain't ship. Yeah, you're gonna You're gonna make it.

2058
01:55:33,160 --> 01:55:34,280
Speaker 1: It's honest.

2059
01:55:35,280 --> 01:55:37,240
Speaker 4: Just no, you ain't nobody making no money off the

2060
01:55:37,280 --> 01:55:40,440
Speaker 4: first the first hit except me and banking the dish.

2061
01:55:41,200 --> 01:55:43,200
Speaker 1: Don't call me because I'm gonna act like I ain't

2062
01:55:43,240 --> 01:55:45,120
Speaker 1: got the invoice and ship, and.

2063
01:55:45,240 --> 01:55:47,760
Speaker 4: Then I'm not to sue you for four thousand Just

2064
01:55:48,000 --> 01:55:50,480
Speaker 4: fucking with me, because if you ask me more than

2065
01:55:50,520 --> 01:55:52,640
Speaker 4: two times about this money, I'm seeing your ass for

2066
01:55:52,720 --> 01:55:55,960
Speaker 4: four thousand dollars off the rip O found you two

2067
01:55:56,080 --> 01:55:59,000
Speaker 4: dub Hey, your name is you A?

2068
01:55:59,120 --> 01:56:05,280
Speaker 1: I'm looking at eight. But you know what, don't call over.

2069
01:56:05,440 --> 01:56:07,400
Speaker 3: I think that if we do that ship and do

2070
01:56:07,560 --> 01:56:09,560
Speaker 3: some like pour some nipish ship at the same time,

2071
01:56:09,920 --> 01:56:10,880
Speaker 3: say twenty five.

2072
01:56:10,800 --> 01:56:13,600
Speaker 1: Dollars albums go old school with it, Nigga will have

2073
01:56:13,680 --> 01:56:18,160
Speaker 1: to sell so many god damn albums to make Jack

2074
01:56:18,200 --> 01:56:22,720
Speaker 1: throw it. Then you die. Somebody gotta die.

2075
01:56:22,840 --> 01:56:23,120
Speaker 3: No you.

2076
01:56:25,040 --> 01:56:28,680
Speaker 1: You we do he producing me close to you.

2077
01:56:28,840 --> 01:56:31,960
Speaker 3: You die, go off and die. I'm telling you what's

2078
01:56:31,960 --> 01:56:32,200
Speaker 3: going on.

2079
01:56:32,760 --> 01:56:35,840
Speaker 1: How should I die? How should I die? Matter? Do

2080
01:56:35,960 --> 01:56:38,200
Speaker 1: it matter? It's gonna blow up the album. I have

2081
01:56:38,400 --> 01:56:42,800
Speaker 1: no heart attack. Squatting on the bitch face. That's really

2082
01:56:43,040 --> 01:56:45,960
Speaker 1: that's gonna go, that's gonna gona pray, it's gonna happen.

2083
01:56:46,360 --> 01:56:50,000
Speaker 1: That's gonna be a MTV news Thatt go praise hey dog.

2084
01:56:50,080 --> 01:56:52,080
Speaker 1: Anything to take my team to another level.

2085
01:56:52,160 --> 01:56:52,440
Speaker 9: I'm in.

2086
01:56:54,240 --> 01:56:57,840
Speaker 1: It's fucking crazy. I'm eating some pork tonight. Let's go

2087
01:57:00,040 --> 01:57:11,880
Speaker 1: all eyes on us. I'm wrong with you, man, Jack

2088
01:57:11,960 --> 01:57:16,520
Speaker 1: of food. But but it's incredible that a nigga one

2089
01:57:16,920 --> 01:57:22,440
Speaker 1: from making this song the damn good song though it's

2090
01:57:22,600 --> 01:57:24,360
Speaker 1: like hell of a song, like if you didn't if

2091
01:57:24,400 --> 01:57:26,960
Speaker 1: they didn't tell you. It was as like a creative

2092
01:57:27,040 --> 01:57:27,440
Speaker 1: way to.

2093
01:57:29,360 --> 01:57:33,600
Speaker 4: Like, who's made a commercialized hit record this song?

2094
01:57:33,880 --> 01:57:34,680
Speaker 1: Like ship.

2095
01:57:35,960 --> 01:57:44,720
Speaker 3: Playing everything commercial which one? Yeah, that was he was

2096
01:57:44,800 --> 01:57:47,160
Speaker 3: the man in the country when that ship came out,

2097
01:57:49,880 --> 01:57:55,120
Speaker 3: it was okay, hit them up, no vasselone No.

2098
01:57:55,280 --> 01:57:56,720
Speaker 1: But I feel what you say, like this.

2099
01:57:56,920 --> 01:58:01,240
Speaker 5: Is the biggestest, biggest song of the year. It's still

2100
01:58:01,360 --> 01:58:03,040
Speaker 5: in in the day like it did the first day

2101
01:58:03,080 --> 01:58:03,560
Speaker 5: it came out.

2102
01:58:03,720 --> 01:58:07,320
Speaker 3: What's that one the easy had with that pay your Doctor?

2103
01:58:07,480 --> 01:58:10,800
Speaker 3: Here's another popper strike in his back washing real motherfucking

2104
01:58:10,880 --> 01:58:11,880
Speaker 3: g mother.

2105
01:58:13,040 --> 01:58:17,680
Speaker 7: That one wouldn't there really there? It was released, it

2106
01:58:17,760 --> 01:58:24,480
Speaker 7: was records like this record is that the world scenes

2107
01:58:24,680 --> 01:58:27,400
Speaker 7: without the whole world in the day, the real scene,

2108
01:58:30,000 --> 01:58:33,920
Speaker 7: the whole GrimAge was like it's so bad like a

2109
01:58:34,080 --> 01:58:39,200
Speaker 7: nigga is swing. Hey, if you drinking the record label,

2110
01:58:39,880 --> 01:58:40,920
Speaker 7: that's ship raise.

2111
01:58:41,360 --> 01:58:43,440
Speaker 3: If you Kendrick, do you bring out drinking the super

2112
01:58:43,480 --> 01:58:45,560
Speaker 3: Bowl or do you bring out do you bring out lilt?

2113
01:58:45,560 --> 01:58:47,200
Speaker 1: Wayne? You don't do that.

2114
01:58:47,480 --> 01:58:52,800
Speaker 5: No, no, no, I mean little Wayne wouldn't come out

2115
01:58:53,280 --> 01:58:54,640
Speaker 5: like yes, he what he said it.

2116
01:58:55,040 --> 01:58:56,480
Speaker 1: He said, I come out of you let me get

2117
01:58:56,480 --> 01:58:59,360
Speaker 1: in there. I never heard him say.

2118
01:59:00,200 --> 01:59:03,120
Speaker 3: He said it on on a what's that show called

2119
01:59:03,200 --> 01:59:03,600
Speaker 3: first tape?

2120
01:59:03,760 --> 01:59:06,160
Speaker 1: You said it on first tape? He said, I will

2121
01:59:06,240 --> 01:59:10,200
Speaker 1: go because I just wouldn't. I just I don't know,

2122
01:59:10,400 --> 01:59:13,040
Speaker 1: like if it if it ain't mine, I'm not gonna

2123
01:59:13,120 --> 01:59:13,640
Speaker 1: come out.

2124
01:59:14,160 --> 01:59:16,720
Speaker 4: If I said if I feel like I should have

2125
01:59:16,800 --> 01:59:22,040
Speaker 4: been the one to perform, I wouldn't. I would feel

2126
01:59:22,120 --> 01:59:25,600
Speaker 4: slighted if I just come out there like I don't know,

2127
01:59:25,680 --> 01:59:26,160
Speaker 4: I wouldn't.

2128
01:59:27,040 --> 01:59:27,720
Speaker 1: I wouldn't do it.

2129
01:59:32,360 --> 01:59:36,040
Speaker 3: Calls would you come out ear because just like you

2130
01:59:36,120 --> 01:59:40,200
Speaker 3: said earlier, yeah, looks like it's my city right the

2131
01:59:40,280 --> 01:59:40,760
Speaker 3: hose one.

2132
01:59:42,680 --> 01:59:44,320
Speaker 4: If I don't do nothing, I'm gonna walk out and

2133
01:59:44,360 --> 01:59:47,800
Speaker 4: let the whole seem Jacob, you gotta do it, walk

2134
01:59:47,880 --> 01:59:49,760
Speaker 4: past a nigga real quick and dath a mugger.

2135
01:59:52,040 --> 01:59:54,360
Speaker 3: Not that he needed to do that, but I'm just

2136
01:59:54,440 --> 01:59:56,280
Speaker 3: saying visually would definitely come out, just.

2137
01:59:56,320 --> 01:59:58,600
Speaker 4: As letting motherfuckers know it ain't no hard feelings or

2138
01:59:58,640 --> 02:00:02,400
Speaker 4: nothing mean is connected to Drake.

2139
02:00:02,960 --> 02:00:07,000
Speaker 1: So it's like, yeah, but Drake fucked this girl in prison.

2140
02:00:07,200 --> 02:00:15,440
Speaker 4: Yeah, the money they still combined, real good.

2141
02:00:15,640 --> 02:00:18,200
Speaker 3: You still get the money. But I'm gonna I'm gonna

2142
02:00:20,040 --> 02:00:24,640
Speaker 3: it's not just a bit like you said, you fucking

2143
02:00:24,640 --> 02:00:27,040
Speaker 3: my bitch. I'm gonna stay with you. Which wis your enemy?

2144
02:00:27,280 --> 02:00:29,640
Speaker 1: Yeah, y'all ain't gonna fight no way I get money

2145
02:00:29,720 --> 02:00:32,880
Speaker 1: from you, though, I'm still gonna stay with Yeah. If yeah,

2146
02:00:32,920 --> 02:00:35,480
Speaker 1: if it would be disrespectful, if Drake was his boss,

2147
02:00:36,280 --> 02:00:38,560
Speaker 1: you can't tell your boss what to do this bitch,

2148
02:00:39,560 --> 02:00:40,880
Speaker 1: I'm expanding the brain.

2149
02:00:41,280 --> 02:00:43,760
Speaker 4: Yeah, you can't feel no type of way. If I

2150
02:00:43,840 --> 02:00:46,400
Speaker 4: do have to go out here right quick, he's gonna

2151
02:00:46,440 --> 02:00:51,960
Speaker 4: feel away. He can't think that's he's nothing but feeling.

2152
02:00:51,920 --> 02:00:56,800
Speaker 1: From little one. He ain't gonna get four thousand, four

2153
02:00:56,880 --> 02:01:02,200
Speaker 1: thousand dollars. I can't believe you ain't gonna let that

2154
02:01:02,240 --> 02:01:06,440
Speaker 1: ship go. Man, for your cousin need that full thousand man,

2155
02:01:08,040 --> 02:01:09,640
Speaker 1: he said, Look, it's the principle.

2156
02:01:09,680 --> 02:01:14,840
Speaker 3: I all agree to your.

2157
02:01:12,760 --> 02:01:15,200
Speaker 1: Cousin need that four thousand, man, it's cool. I need

2158
02:01:15,280 --> 02:01:19,600
Speaker 1: it to one dollar. That's how to rich day. You

2159
02:01:19,720 --> 02:01:20,640
Speaker 1: gotta count every dollar.

2160
02:01:20,760 --> 02:01:23,960
Speaker 3: Jack, listen, listen, if you let you, then will you forgiving?

2161
02:01:24,560 --> 02:01:27,880
Speaker 1: No, and if you let you, but that's not a

2162
02:01:27,960 --> 02:01:33,320
Speaker 1: relevant is not attracted. But if she was attractive. No,

2163
02:01:34,400 --> 02:01:37,200
Speaker 1: hold on, don't mean for my dog. He don't want

2164
02:01:37,240 --> 02:01:40,920
Speaker 1: to fuck bitches that cousin. I don't want to about

2165
02:01:40,920 --> 02:01:41,240
Speaker 1: the money.

2166
02:01:41,520 --> 02:01:46,400
Speaker 3: And at this point letting me bitch. Oh oh, I

2167
02:01:46,480 --> 02:01:48,720
Speaker 3: see what you just said like that, that's what you're

2168
02:01:48,760 --> 02:01:53,000
Speaker 3: gonna do it anyway? He don't don't don't don't.

2169
02:01:52,880 --> 02:01:58,160
Speaker 1: Let me do ship my family members of my friends. Bitches,

2170
02:01:58,440 --> 02:02:00,720
Speaker 1: they go against the code if they broke up with

2171
02:02:00,760 --> 02:02:01,360
Speaker 1: the man.

2172
02:02:01,880 --> 02:02:04,840
Speaker 4: Okay, think about your cousin, Jack, Your cousin ain't never

2173
02:02:04,920 --> 02:02:06,360
Speaker 4: really had no bitch that you wanted.

2174
02:02:07,000 --> 02:02:10,280
Speaker 3: No, No, my cousin got three fine as baby mama's man,

2175
02:02:10,320 --> 02:02:13,320
Speaker 3: I ain't gonna even fry three fine ass baby mama.

2176
02:02:13,480 --> 02:02:17,800
Speaker 1: He play boy, you smash he have a baby with him.

2177
02:02:18,040 --> 02:02:20,240
Speaker 3: I wouldn't try it. I wouldn't try, but I'm just

2178
02:02:20,320 --> 02:02:22,560
Speaker 3: letting him know what he got good taste. If it happened, No, ECC,

2179
02:02:23,240 --> 02:02:26,280
Speaker 3: you'll blame yourself. Wouldn't I asked him. I would ask

2180
02:02:26,400 --> 02:02:29,000
Speaker 3: him if he cool with it? No, if you if

2181
02:02:29,040 --> 02:02:29,879
Speaker 3: you don't mind.

2182
02:02:30,520 --> 02:02:33,360
Speaker 1: You ask your cousin. It's cool. If you fuck it,

2183
02:02:33,880 --> 02:02:34,360
Speaker 1: I would do it.

2184
02:02:34,480 --> 02:02:37,320
Speaker 3: If she if she like she liked me, just then

2185
02:02:37,320 --> 02:02:40,200
Speaker 3: I would like, hey, play boy, I think your baby

2186
02:02:40,240 --> 02:02:44,800
Speaker 3: mama's like me. I don't know what to do, Jamaine Jackson,

2187
02:02:45,680 --> 02:02:47,280
Speaker 3: that's why everybody love you, Jacksons.

2188
02:02:47,320 --> 02:02:50,480
Speaker 1: You they just know you. You're in a different type

2189
02:02:50,480 --> 02:02:50,880
Speaker 1: of nigga.

2190
02:02:50,960 --> 02:02:52,560
Speaker 3: And hold on, this is you just brought up some

2191
02:02:52,680 --> 02:02:54,880
Speaker 3: real good ship right now, Jamaine Jackson and Marland Right.

2192
02:02:55,080 --> 02:02:56,640
Speaker 1: No, it was Randy. It was Randy.

2193
02:02:56,720 --> 02:02:58,840
Speaker 3: He fucked his little baby brother baby mama.

2194
02:02:58,960 --> 02:03:00,760
Speaker 1: And how did that work out for the got two kids?

2195
02:03:00,960 --> 02:03:04,240
Speaker 3: He broke up with her two he broke up with Yeah,

2196
02:03:04,240 --> 02:03:04,840
Speaker 3: they broke up.

2197
02:03:05,200 --> 02:03:07,760
Speaker 1: That's just we moved in the house. She was still

2198
02:03:07,800 --> 02:03:10,280
Speaker 1: moving around the house with many bitches in the world.

2199
02:03:10,800 --> 02:03:16,160
Speaker 1: Yeah yeah, and you're the Jacksons. Yeah yeah, run around

2200
02:03:16,920 --> 02:03:20,120
Speaker 1: kid by Randy in the house. He's just letting the

2201
02:03:20,240 --> 02:03:23,040
Speaker 1: girl have a way. That's a bad example. You're kind

2202
02:03:23,080 --> 02:03:27,480
Speaker 1: of like under her influence, under a spell. I wonder

2203
02:03:27,560 --> 02:03:32,360
Speaker 1: who liked her the most. Jamaine, the nigga had a

2204
02:03:32,440 --> 02:03:33,120
Speaker 1: first or second?

2205
02:03:34,880 --> 02:03:38,840
Speaker 3: He probably maybe he was jealous of his brothers because

2206
02:03:38,880 --> 02:03:40,440
Speaker 3: he was Probably she probably would like go talk to.

2207
02:03:40,680 --> 02:03:44,680
Speaker 1: Maybe he was always in competition, always in competition, but

2208
02:03:44,800 --> 02:03:46,240
Speaker 1: he was always liked that.

2209
02:03:46,320 --> 02:03:50,160
Speaker 3: But he was way younger than him. Jamaine is fifty.

2210
02:03:50,360 --> 02:03:54,320
Speaker 1: But you like, the younger kids always get more attention

2211
02:03:54,520 --> 02:03:57,040
Speaker 1: than the older niggas, So probably growing up in the

2212
02:03:57,360 --> 02:04:00,880
Speaker 1: in the family always got one ten he was, he

2213
02:04:01,000 --> 02:04:04,080
Speaker 1: was way younger. He he was way young. Left the

2214
02:04:04,160 --> 02:04:07,880
Speaker 1: Jackson five because Michael was famous as fuck. He left

2215
02:04:07,960 --> 02:04:08,280
Speaker 1: them all.

2216
02:04:08,400 --> 02:04:12,040
Speaker 3: He left because he just married to there go to

2217
02:04:12,080 --> 02:04:12,480
Speaker 3: his daughter.

2218
02:04:12,480 --> 02:04:14,000
Speaker 1: But what they got to do with the Jackson five?

2219
02:04:14,440 --> 02:04:18,120
Speaker 1: You leaving the group Michael first though, No, he didn't know.

2220
02:04:18,240 --> 02:04:21,960
Speaker 1: He didn't you know, because he he went solo first. No.

2221
02:04:23,520 --> 02:04:27,280
Speaker 4: Seven, Jermaine left the Jermaine left first and went solo

2222
02:04:27,480 --> 02:04:28,200
Speaker 4: and win solo.

2223
02:04:28,840 --> 02:04:29,880
Speaker 1: Let's get serious.

2224
02:04:31,960 --> 02:04:38,680
Speaker 3: He left, he has Jermaine left and didn't make hardly nothing.

2225
02:04:38,920 --> 02:04:41,520
Speaker 3: They didn't make let's get serious to the eighties. Yeah, yeah,

2226
02:04:41,560 --> 02:04:43,520
Speaker 3: he had some other ship. It was seventy four daddy,

2227
02:04:43,800 --> 02:04:45,080
Speaker 3: Daddy's home, Daddy's home.

2228
02:04:45,160 --> 02:04:49,160
Speaker 1: Yeah. Yeah, Jack know that Michael Jackson ship. Yeah yeah.

2229
02:04:50,040 --> 02:04:53,160
Speaker 1: Or they went to CBS and seventy five. Yeah, and

2230
02:04:53,240 --> 02:04:54,760
Speaker 1: he didn't go. Yeah. Yeah.

2231
02:04:54,880 --> 02:04:58,040
Speaker 3: So he's fucking with Hazel. Yeah, he everywhere and he

2232
02:04:58,080 --> 02:05:00,120
Speaker 3: didn't want to leave, and she left him on the

2233
02:05:00,200 --> 02:05:01,840
Speaker 3: victory to her because he.

2234
02:05:01,880 --> 02:05:07,120
Speaker 1: Had always the girl influenced. That's a girl broke up

2235
02:05:07,120 --> 02:05:09,400
Speaker 1: the Chason five bn. She left this nigga. I don't

2236
02:05:09,480 --> 02:05:12,720
Speaker 1: blame the girl. I blame the nigga. He didn't know

2237
02:05:12,840 --> 02:05:15,400
Speaker 1: no better. He was trying to suck up the Barry daughter,

2238
02:05:16,480 --> 02:05:17,320
Speaker 1: That's all he was doing.

2239
02:05:18,640 --> 02:05:20,360
Speaker 3: He thought that was gonna get him, like on the

2240
02:05:20,400 --> 02:05:23,120
Speaker 3: same level as Michael if you if you you stick

2241
02:05:23,160 --> 02:05:25,640
Speaker 3: with me over here, I blow you up big as Michael.

2242
02:05:26,080 --> 02:05:29,320
Speaker 1: But the nigga didn't have Michael talent and all, nothing

2243
02:05:29,400 --> 02:05:33,720
Speaker 1: close to it. Damn he couldn't move on.

2244
02:05:35,360 --> 02:05:40,560
Speaker 3: I've never seen him do that. Seen I have seen

2245
02:05:40,640 --> 02:05:43,880
Speaker 3: Malin do that. That nigga look crazy, he looked retarded.

2246
02:05:44,000 --> 02:05:47,200
Speaker 1: And what was the hairstyle that that the cake on

2247
02:05:47,280 --> 02:05:48,120
Speaker 1: the head things.

2248
02:05:48,200 --> 02:05:56,080
Speaker 5: They should have had one kid, just Michael, because there's

2249
02:05:56,160 --> 02:05:58,320
Speaker 5: too much pressure on the other ones.

2250
02:05:58,560 --> 02:06:01,680
Speaker 3: But you can't have a j that's no Michael Jackson.

2251
02:06:01,760 --> 02:06:04,000
Speaker 3: Without the Jackson five, it won't happen.

2252
02:06:04,360 --> 02:06:08,680
Speaker 1: He needed them. They gave him strength. If they wouldn't

2253
02:06:08,680 --> 02:06:10,680
Speaker 1: have been up there singing, he wouldn't have tried to sing.

2254
02:06:11,080 --> 02:06:14,960
Speaker 3: And I really think Jackie Jackson is Joseph Brother's brother here.

2255
02:06:15,480 --> 02:06:18,520
Speaker 3: I know he singing on one song, Jackie saying, nigga

2256
02:06:18,520 --> 02:06:21,320
Speaker 3: were grown a ship for a long man lit.

2257
02:06:21,400 --> 02:06:27,000
Speaker 1: All his hair, your older hell out of there. Fifty

2258
02:06:27,720 --> 02:06:28,560
Speaker 1: he was twenty three.

2259
02:06:28,720 --> 02:06:34,840
Speaker 3: Mike was fine, No, he got he was born in fifty.

2260
02:06:35,120 --> 02:06:36,360
Speaker 3: Michael born in fifty eight.

2261
02:06:39,880 --> 02:06:40,120
Speaker 1: Old.

2262
02:06:40,240 --> 02:06:44,960
Speaker 3: Jackie, Yeah, Sigmundsko Yeah, he's seventy five years O. God,

2263
02:06:46,840 --> 02:06:48,400
Speaker 3: Jackie Jackson seventy five years old.

2264
02:06:50,000 --> 02:06:52,160
Speaker 1: Didn't work with Mike, and he was sleeping in the

2265
02:06:53,760 --> 02:06:55,640
Speaker 1: sleeping in the word with Mike all.

2266
02:06:56,880 --> 02:07:01,120
Speaker 4: I think I believe that I was getting I was

2267
02:07:01,240 --> 02:07:04,880
Speaker 4: going to one day work with Mike, but he, you know,

2268
02:07:05,000 --> 02:07:05,520
Speaker 4: he passed.

2269
02:07:06,400 --> 02:07:08,920
Speaker 1: I feel like I was. I was on that path

2270
02:07:09,040 --> 02:07:13,440
Speaker 1: to work with Mike. I think might like with like

2271
02:07:13,560 --> 02:07:16,560
Speaker 1: what I do I think I would get his attention

2272
02:07:16,760 --> 02:07:18,640
Speaker 1: with what I do?

2273
02:07:20,200 --> 02:07:22,320
Speaker 3: Who was the artist that you know? You feel like

2274
02:07:22,400 --> 02:07:23,800
Speaker 3: if they would have had your beats, they would have

2275
02:07:23,800 --> 02:07:25,360
Speaker 3: had a better.

2276
02:07:25,160 --> 02:07:30,400
Speaker 1: Career all over. How hard is it to get a beat? Though?

2277
02:07:32,280 --> 02:07:34,360
Speaker 1: It ain't hard to get a beat? Doctor Dre said,

2278
02:07:34,400 --> 02:07:36,000
Speaker 1: you the hardest nigga in the world to get into

2279
02:07:36,080 --> 02:07:43,200
Speaker 1: this people. You know that what that is is people

2280
02:07:43,280 --> 02:07:46,280
Speaker 1: don't want to tell you where I'm at. It's whoever

2281
02:07:46,360 --> 02:07:50,440
Speaker 1: you're talking to, whoever told you about me or brought

2282
02:07:50,520 --> 02:07:55,640
Speaker 1: you what that is like a middleman taking something to

2283
02:07:55,920 --> 02:08:02,120
Speaker 1: Dre for his own benefit and it turned into something

2284
02:08:02,160 --> 02:08:04,640
Speaker 1: else where. Now Dre wants to meet me, so.

2285
02:08:06,400 --> 02:08:11,240
Speaker 4: He's not in position to control it no more. I'm

2286
02:08:11,280 --> 02:08:15,400
Speaker 4: not signed to him, and he knows what we meet.

2287
02:08:16,640 --> 02:08:20,000
Speaker 4: He's out the picture. Yeah, because Doctor Drake kept seeing

2288
02:08:20,080 --> 02:08:23,879
Speaker 4: that nigga like what you boy, exactly, that's the problem.

2289
02:08:25,120 --> 02:08:25,800
Speaker 1: Get a hold of me.

2290
02:08:26,360 --> 02:08:30,720
Speaker 4: Niggas don't Niggas don't pass it on. They don't make

2291
02:08:30,800 --> 02:08:34,640
Speaker 4: it happen. He had to go to somebody else, not

2292
02:08:34,800 --> 02:08:36,520
Speaker 4: the nigga. And when he told me, he's like, yeah,

2293
02:08:36,640 --> 02:08:38,920
Speaker 4: May said he named the nigga.

2294
02:08:38,920 --> 02:08:44,280
Speaker 1: He's like, yeah, man, just yeah, may he never. You

2295
02:08:44,320 --> 02:08:46,400
Speaker 1: know what I'm saying, what type of nigga this nigga

2296
02:08:46,520 --> 02:08:51,240
Speaker 1: is that he's named one of them niggas in industryt

2297
02:08:51,320 --> 02:08:54,120
Speaker 1: nigga industry as fuck. So when y'all finally caught up,

2298
02:08:54,200 --> 02:08:58,000
Speaker 1: y'all got in there and this work, that's a good question.

2299
02:08:59,600 --> 02:09:00,520
Speaker 1: He so.

2300
02:09:02,200 --> 02:09:06,800
Speaker 4: He wanted this beat that I made, but actually I

2301
02:09:07,040 --> 02:09:11,040
Speaker 4: played it for this guy to get dra on the

2302
02:09:11,240 --> 02:09:13,280
Speaker 4: song because I got this song.

2303
02:09:13,600 --> 02:09:21,080
Speaker 1: I got this particular beat has ice Q, Game, Kendrick, Snoop,

2304
02:09:23,320 --> 02:09:28,440
Speaker 1: and Nipsey on it, and I wanted and I wanted

2305
02:09:28,480 --> 02:09:29,800
Speaker 1: if I wanted Dre on it.

2306
02:09:30,240 --> 02:09:36,640
Speaker 4: Yeah, he was feeling like Dre would want it the

2307
02:09:36,760 --> 02:09:40,200
Speaker 4: which would be beneficial for him because he's like A

2308
02:09:40,440 --> 02:09:43,000
Speaker 4: and Lauren, you know what I'm saying.

2309
02:09:43,560 --> 02:09:46,720
Speaker 1: So when he took it to Dre, he didn't tell

2310
02:09:46,880 --> 02:09:51,200
Speaker 1: him what I wanted. He told him what he wanted,

2311
02:09:51,760 --> 02:09:54,800
Speaker 1: and Drake took liking to the beat and now he's

2312
02:09:54,840 --> 02:09:55,560
Speaker 1: trying to find me.

2313
02:09:55,920 --> 02:09:58,760
Speaker 4: So when we did catch up, now he was like

2314
02:09:59,040 --> 02:10:04,160
Speaker 4: interested in like working with like under not under him,

2315
02:10:04,200 --> 02:10:06,080
Speaker 4: but like signing type ship.

2316
02:10:06,120 --> 02:10:11,040
Speaker 1: You know what I'm saying, Like like really presenting like shit,

2317
02:10:11,120 --> 02:10:13,240
Speaker 1: you could use me to get everything. You know what

2318
02:10:13,240 --> 02:10:15,880
Speaker 1: I'm saying is that like a production deal type thing,

2319
02:10:17,400 --> 02:10:17,760
Speaker 1: it'll be.

2320
02:10:17,920 --> 02:10:21,720
Speaker 4: Like signing to him where it probably gets like I

2321
02:10:21,800 --> 02:10:26,440
Speaker 4: see I see art, I had a producer signed to

2322
02:10:26,520 --> 02:10:29,240
Speaker 4: me that it's signed to him now, So all the

2323
02:10:29,400 --> 02:10:32,240
Speaker 4: work that he does is really him doing it.

2324
02:10:33,360 --> 02:10:38,600
Speaker 1: It's just his face. You know what I'm saying. I

2325
02:10:38,760 --> 02:10:43,960
Speaker 1: never like, I just never. I just never wanted to

2326
02:10:44,080 --> 02:10:48,640
Speaker 1: be under an f a control of something. But let

2327
02:10:48,680 --> 02:10:49,200
Speaker 1: me ask you this.

2328
02:10:49,560 --> 02:10:53,360
Speaker 3: You had his like with Ludicris, that was your first joint.

2329
02:10:53,440 --> 02:10:55,040
Speaker 3: Then to see him go on to be one of

2330
02:10:55,120 --> 02:10:58,160
Speaker 3: the biggest artists of all times like.

2331
02:10:59,680 --> 02:11:02,080
Speaker 1: I did first is Taken album. Yeah, what I'm saying

2332
02:11:02,240 --> 02:11:03,000
Speaker 1: was this shit.

2333
02:11:03,200 --> 02:11:06,400
Speaker 4: Surprising to see how big of a star he actually became,

2334
02:11:06,600 --> 02:11:08,680
Speaker 4: because you know it's this levels to this ship, this

2335
02:11:08,840 --> 02:11:11,880
Speaker 4: nigga on a whole nother planet. Well he might pop out,

2336
02:11:12,200 --> 02:11:14,600
Speaker 4: do three shows a year and just you know, make

2337
02:11:14,720 --> 02:11:20,360
Speaker 4: movies for the rest of the uh surprising. I don't

2338
02:11:20,400 --> 02:11:25,640
Speaker 4: think he was surprising, I think and I ain't saying

2339
02:11:25,680 --> 02:11:29,800
Speaker 4: I expected it, but I wasn't surprised. I feel like

2340
02:11:30,120 --> 02:11:34,600
Speaker 4: Chris got a good enough work ethic and he's smart

2341
02:11:35,360 --> 02:11:38,800
Speaker 4: and he raps good enough to like do what he did.

2342
02:11:39,120 --> 02:11:39,800
Speaker 1: You know what I'm saying.

2343
02:11:39,960 --> 02:11:42,800
Speaker 3: He don't get enough credit. He's so underrated. Well back

2344
02:11:42,840 --> 02:11:44,960
Speaker 3: when he was on Rap City and Ship, his freestyle

2345
02:11:45,440 --> 02:11:48,360
Speaker 3: the Motherfuckers was crazy as hell man all the different people.

2346
02:11:48,360 --> 02:11:51,520
Speaker 1: I think people will recognize his lyrical ability. I think

2347
02:11:51,680 --> 02:11:51,880
Speaker 1: you do.

2348
02:11:52,480 --> 02:11:57,840
Speaker 4: Yeah, I think you think disconnect is like it's it's

2349
02:11:57,960 --> 02:12:02,400
Speaker 4: just rapping though it's like how good you can put

2350
02:12:03,520 --> 02:12:07,720
Speaker 4: metaphors and words together. But in today's time of rap,

2351
02:12:08,600 --> 02:12:12,880
Speaker 4: I feel like you gotta say something. And when you're

2352
02:12:12,920 --> 02:12:16,440
Speaker 4: not connected from the right place of like growing up,

2353
02:12:16,640 --> 02:12:17,080
Speaker 4: like if.

2354
02:12:17,000 --> 02:12:23,120
Speaker 1: You didn't grow up like with content, like with like

2355
02:12:23,240 --> 02:12:27,480
Speaker 1: if you wasn't brought up in in the hood, or

2356
02:12:27,760 --> 02:12:30,880
Speaker 1: like if you like you ain't really like Lula just

2357
02:12:31,120 --> 02:12:36,840
Speaker 1: really talks about parties, money, and it just doesn't work

2358
02:12:37,200 --> 02:12:40,120
Speaker 1: right now, Like people don't people don't care about the

2359
02:12:40,240 --> 02:12:44,680
Speaker 1: metaphors they want to hear, like you say something of

2360
02:12:45,480 --> 02:12:49,560
Speaker 1: reality and real. You know what I'm saying, Like fucking

2361
02:12:50,400 --> 02:12:58,760
Speaker 1: parties money is not enough. It's just rapping. So that's

2362
02:12:58,880 --> 02:13:04,160
Speaker 1: that that's kind of where you get the Luter can

2363
02:13:04,240 --> 02:13:06,080
Speaker 1: go there. He's done that on Child of the night

2364
02:13:06,200 --> 02:13:10,240
Speaker 1: and it's there. If you're not from that, That's what

2365
02:13:10,360 --> 02:13:13,120
Speaker 1: I was going to say, somebody like, how to pull

2366
02:13:13,240 --> 02:13:13,560
Speaker 1: that out?

2367
02:13:13,720 --> 02:13:15,600
Speaker 5: That's what I'm saying, you know, how to pull that

2368
02:13:15,760 --> 02:13:20,040
Speaker 5: reality the reality rap, not metaphor rap.

2369
02:13:20,920 --> 02:13:24,120
Speaker 3: When y'all say reality, y'all, I got it, like real,

2370
02:13:24,480 --> 02:13:27,000
Speaker 3: got you even if you don't like the future see it.

2371
02:13:27,040 --> 02:13:29,240
Speaker 1: You'd be like, got it, got it.

2372
02:13:29,520 --> 02:13:31,400
Speaker 3: I thought you was saying something else, like like on

2373
02:13:31,520 --> 02:13:34,000
Speaker 3: some Kendry type ship, like Ja Coble type ship.

2374
02:13:35,240 --> 02:13:38,400
Speaker 4: That's not what you got you not necessarily that that

2375
02:13:38,600 --> 02:13:43,760
Speaker 4: works too. Yeah, if you're saying stuff that ain't just

2376
02:13:45,360 --> 02:13:48,760
Speaker 4: how many holes you got? I got holes.

2377
02:13:50,480 --> 02:13:54,960
Speaker 3: And got this much money, it's like taking one of

2378
02:13:55,000 --> 02:13:57,120
Speaker 3: them old guys right back in the little chunk get

2379
02:13:57,240 --> 02:13:57,960
Speaker 3: beat up like.

2380
02:13:58,080 --> 02:14:05,720
Speaker 1: That's yeah, I'm getting It's just not gonna work.

2381
02:14:05,880 --> 02:14:10,280
Speaker 4: It's a dated subject matter, you know, just just not

2382
02:14:11,520 --> 02:14:12,560
Speaker 4: nothing he could pull from.

2383
02:14:12,600 --> 02:14:15,080
Speaker 1: When you rich, and when you get rich, you start

2384
02:14:15,200 --> 02:14:18,040
Speaker 1: out talking about that. Then you get rich for real,

2385
02:14:18,680 --> 02:14:20,960
Speaker 1: you really have no little beat down.

2386
02:14:20,960 --> 02:14:24,440
Speaker 4: Nothing to pull from, you know what I'm saying, Like

2387
02:14:24,720 --> 02:14:30,160
Speaker 4: most artists first project is the most you're gonna get

2388
02:14:30,200 --> 02:14:30,680
Speaker 4: out of them.

2389
02:14:31,120 --> 02:14:34,680
Speaker 1: After that, they're rich. That's what that's what a little

2390
02:14:34,720 --> 02:14:35,480
Speaker 1: baby going through.

2391
02:14:36,480 --> 02:14:39,360
Speaker 4: It's like I'm not I'm not a little baby listener,

2392
02:14:39,440 --> 02:14:42,640
Speaker 4: but what I hear is like he was once in

2393
02:14:42,840 --> 02:14:47,080
Speaker 4: touch and now he's rich. So it's like the music

2394
02:14:47,200 --> 02:14:49,840
Speaker 4: is different. He's hanging with different people.

2395
02:14:50,160 --> 02:14:52,880
Speaker 1: It's like get Richard I trying to the second album

2396
02:14:52,960 --> 02:14:56,760
Speaker 1: like Candy Shop. It's like get rich and not Trying

2397
02:14:56,960 --> 02:14:57,960
Speaker 1: was a real.

2398
02:15:00,520 --> 02:15:00,760
Speaker 3: Shit.

2399
02:15:01,280 --> 02:15:05,280
Speaker 5: It's like the title get rich or die Trying. It's

2400
02:15:05,440 --> 02:15:08,000
Speaker 5: like everybody can relate to that, you know what I'm saying.

2401
02:15:08,600 --> 02:15:09,600
Speaker 1: But once you get.

2402
02:15:09,640 --> 02:15:13,000
Speaker 4: Rich, you kind of put all your best shit on

2403
02:15:13,240 --> 02:15:17,520
Speaker 4: that first out, all your emotions, all everything that you

2404
02:15:17,680 --> 02:15:18,400
Speaker 4: wanted to say.

2405
02:15:19,800 --> 02:15:20,480
Speaker 1: It's over with.

2406
02:15:21,560 --> 02:15:24,360
Speaker 4: It's you're rich, like you're you're buying thirty million dollar

2407
02:15:24,520 --> 02:15:27,360
Speaker 4: houses now like you're hanging with different people.

2408
02:15:27,480 --> 02:15:30,120
Speaker 3: It's not the same no more. You have nothing to

2409
02:15:30,240 --> 02:15:31,840
Speaker 3: pull from, you know what I'm saying.

2410
02:15:32,520 --> 02:15:34,320
Speaker 1: So you got your shit be.

2411
02:15:34,520 --> 02:15:38,320
Speaker 4: Kind of like dwindling off. It's a dwindled off because

2412
02:15:38,360 --> 02:15:42,040
Speaker 4: you're rich. It's not the next nigga, the next new nigga,

2413
02:15:42,120 --> 02:15:45,560
Speaker 4: the next new nigga. That's why rap careers don't last,

2414
02:15:47,240 --> 02:15:51,120
Speaker 4: because if you're not out casting something where you're transcending

2415
02:15:51,880 --> 02:15:59,680
Speaker 4: and changing the landscape. When you're talking about big subjects

2416
02:15:59,840 --> 02:16:05,320
Speaker 4: or like creative music, doing arena music, doing ship like that,

2417
02:16:05,600 --> 02:16:07,720
Speaker 4: You're not going to survive out here.

2418
02:16:09,840 --> 02:16:12,720
Speaker 1: You're not going to survive when you first came out popping,

2419
02:16:14,040 --> 02:16:14,280
Speaker 1: like you.

2420
02:16:14,320 --> 02:16:17,560
Speaker 4: Could survive if if it was a gradual build up,

2421
02:16:17,840 --> 02:16:21,680
Speaker 4: But when you come out like ah, niggas after that,

2422
02:16:22,040 --> 02:16:23,480
Speaker 4: niggas don't want to see it no more.

2423
02:16:25,080 --> 02:16:28,760
Speaker 1: Ain't that fucking crazy? It's only a rap that that happened. Though.

2424
02:16:30,480 --> 02:16:32,840
Speaker 1: On the other side of music, they can do that ship.

2425
02:16:33,000 --> 02:16:34,840
Speaker 1: They could pop out every year and get the same

2426
02:16:34,959 --> 02:16:38,320
Speaker 1: love for that. All you need is one because I

2427
02:16:38,360 --> 02:16:38,920
Speaker 1: think it's.

2428
02:16:38,840 --> 02:16:42,039
Speaker 3: Like a cool a coolness, a cool level.

2429
02:16:42,480 --> 02:16:46,040
Speaker 1: What that rap brings to you have to be y'all

2430
02:16:46,120 --> 02:16:47,080
Speaker 1: say that, right, y'all.

2431
02:16:48,280 --> 02:16:52,039
Speaker 5: You have to be into now like in the moment

2432
02:16:52,959 --> 02:16:57,520
Speaker 5: cool no now, y'all right, yeah, right, I tried to

2433
02:16:57,520 --> 02:16:58,160
Speaker 5: grab after that.

2434
02:16:58,280 --> 02:17:01,360
Speaker 4: It's old with like even Tip, Tip got rich and

2435
02:17:01,520 --> 02:17:07,600
Speaker 4: his he went from money and hoo, hooks with Rihanna

2436
02:17:07,680 --> 02:17:11,280
Speaker 4: and songs with M and M. Like it's cool, but

2437
02:17:11,720 --> 02:17:15,960
Speaker 4: you know, niggas, what made you? You went away from it?

2438
02:17:16,360 --> 02:17:18,520
Speaker 4: You know what I'm saying, and Tip still got that,

2439
02:17:19,480 --> 02:17:20,600
Speaker 4: but he wouldn't do it.

2440
02:17:22,240 --> 02:17:25,320
Speaker 5: He'll do it like he'll he'll get a thug on

2441
02:17:25,480 --> 02:17:27,879
Speaker 5: this song and a ship like that because he knows

2442
02:17:28,200 --> 02:17:31,640
Speaker 5: like how this ship works, he knows how to put

2443
02:17:31,680 --> 02:17:32,240
Speaker 5: it together.

2444
02:17:32,920 --> 02:17:36,959
Speaker 1: But that's not in his heart. It's not there.

2445
02:17:37,440 --> 02:17:39,720
Speaker 3: Hear some ship from me, like, damn, nigga, don't you

2446
02:17:39,879 --> 02:17:42,840
Speaker 3: quit rapping? Don't you stop rapping? I swear no, he

2447
02:17:43,000 --> 02:17:43,600
Speaker 3: can rap.

2448
02:17:43,879 --> 02:17:44,360
Speaker 1: I'm telling me.

2449
02:17:44,440 --> 02:17:47,240
Speaker 11: I tell him all the nigga can rap ever stop,

2450
02:17:47,440 --> 02:17:51,040
Speaker 11: but the heart like the the and the heart like

2451
02:17:51,760 --> 02:17:55,960
Speaker 11: like once you get rich, rapping is like little like rap.

2452
02:17:56,200 --> 02:17:59,240
Speaker 4: He ain't even rapping. I ain't doing shows no more

2453
02:17:59,360 --> 02:18:04,240
Speaker 4: nigga rich. It's like it's like the stepping stone to

2454
02:18:04,320 --> 02:18:05,400
Speaker 4: get to where you're trying to go.

2455
02:18:05,720 --> 02:18:08,000
Speaker 1: You know what I'm saying. It's nothing that you continue

2456
02:18:08,080 --> 02:18:08,520
Speaker 1: like going to.

2457
02:18:08,560 --> 02:18:11,120
Speaker 3: Courch Collos out there, cats somewhere, open mics somewhere, and

2458
02:18:11,240 --> 02:18:12,560
Speaker 3: it just cannot go to it.

2459
02:18:13,400 --> 02:18:16,000
Speaker 1: It just can't pull up exactly. It just can't do it.

2460
02:18:16,160 --> 02:18:20,240
Speaker 1: Case I'm gonna go trying to talk myself into it here,

2461
02:18:20,320 --> 02:18:27,480
Speaker 1: get it over the mic, over stage, when you got

2462
02:18:27,600 --> 02:18:28,240
Speaker 1: it going.

2463
02:18:28,080 --> 02:18:31,960
Speaker 3: Out it is like right now, though the colors were

2464
02:18:32,000 --> 02:18:35,360
Speaker 3: like that gap, that dash, but that gap between you

2465
02:18:35,480 --> 02:18:37,400
Speaker 3: and the cats right now, what does that feel like?

2466
02:18:37,920 --> 02:18:38,920
Speaker 1: I feel like I put it.

2467
02:18:39,120 --> 02:18:42,760
Speaker 3: I feel like I put in twenty thousand hours on

2468
02:18:42,920 --> 02:18:47,840
Speaker 3: stage already. I don't need to put in twenty thousand

2469
02:18:47,920 --> 02:18:49,240
Speaker 3: and one more.

2470
02:18:50,520 --> 02:18:53,080
Speaker 1: I'm good. That's why I went so hard when I

2471
02:18:53,240 --> 02:18:58,560
Speaker 1: was doing that all them nights, just hoping and wish some.

2472
02:18:58,680 --> 02:19:02,160
Speaker 4: Nice it worked out, some nice that it didn't. That's

2473
02:19:02,200 --> 02:19:04,760
Speaker 4: what if they're like, but it ain't dope. See that

2474
02:19:04,840 --> 02:19:07,480
Speaker 4: ship right there, it's just like just going to the

2475
02:19:07,560 --> 02:19:09,920
Speaker 4: open mic type shit. That's the ship that just show

2476
02:19:10,000 --> 02:19:11,840
Speaker 4: you how to how to cook this ship.

2477
02:19:12,840 --> 02:19:16,080
Speaker 1: Then you don't necessarily have to keep doing going on

2478
02:19:16,240 --> 02:19:19,280
Speaker 1: stage to work on some ship. You could just create it.

2479
02:19:19,320 --> 02:19:22,480
Speaker 3: And it be ready how you want it already, kind

2480
02:19:22,520 --> 02:19:24,480
Speaker 3: of eliminate some of the you know what I'm saying.

2481
02:19:25,200 --> 02:19:27,280
Speaker 3: Once you get on the stage and you performing and

2482
02:19:27,360 --> 02:19:29,520
Speaker 3: you see how to what's the feedback?

2483
02:19:29,680 --> 02:19:29,800
Speaker 9: You know?

2484
02:19:31,000 --> 02:19:34,160
Speaker 3: It's like me, I ain't sitting up making beats all.

2485
02:19:34,120 --> 02:19:35,039
Speaker 1: Day like I used to.

2486
02:19:36,720 --> 02:19:36,760
Speaker 3: Be.

2487
02:19:37,000 --> 02:19:39,200
Speaker 1: It is just beats, like just beats.

2488
02:19:40,240 --> 02:19:43,440
Speaker 4: Like when you're making beats, you's just thinking like you're

2489
02:19:43,520 --> 02:19:48,960
Speaker 4: just thinking like in quantity, a quantity of something, like

2490
02:19:49,280 --> 02:19:52,520
Speaker 4: something's going to happen. But now it's like, I just

2491
02:19:52,640 --> 02:19:53,920
Speaker 4: want to make songs.

2492
02:19:55,640 --> 02:19:57,480
Speaker 1: You know what I'm saying. I want I want to

2493
02:19:57,680 --> 02:20:01,199
Speaker 1: I can manipulate. Just let make a great song.

2494
02:20:01,360 --> 02:20:03,080
Speaker 4: I don't want to just set up and make twenty

2495
02:20:03,200 --> 02:20:05,320
Speaker 4: meets all day, like you know what I'm saying.

2496
02:20:05,440 --> 02:20:07,960
Speaker 5: Yeah, so it's just stepping stones, like you're just not

2497
02:20:08,120 --> 02:20:10,640
Speaker 5: doing the same thing. You don't have the heart or

2498
02:20:10,720 --> 02:20:14,640
Speaker 5: the love or a passion like that. You get you're

2499
02:20:14,640 --> 02:20:18,119
Speaker 5: trying to get somewhere else. You know too much now

2500
02:20:19,080 --> 02:20:21,720
Speaker 5: like when you didn't know nothing, that's the best time

2501
02:20:21,840 --> 02:20:27,560
Speaker 5: to create, Like because you're you're oblivious to all the bullshit.

2502
02:20:27,840 --> 02:20:30,360
Speaker 1: Yeah, you get to that level, you know exactly what

2503
02:20:30,480 --> 02:20:31,199
Speaker 1: you gotta.

2504
02:20:31,120 --> 02:20:35,440
Speaker 4: Exactly now, like I can eliminate all these hours and justice.

2505
02:20:35,920 --> 02:20:38,360
Speaker 3: You don't have to search for it, like you know

2506
02:20:38,480 --> 02:20:41,680
Speaker 3: what what machine to go grab to get that certain

2507
02:20:41,800 --> 02:20:45,120
Speaker 3: drums or that certain kick or then you got the.

2508
02:20:45,200 --> 02:20:48,200
Speaker 1: Keyboard for this. Sometimes you be doing too much. Yeah,

2509
02:20:48,560 --> 02:20:55,360
Speaker 1: less is more and he brought backward. Keep it simple. Yeah, man,

2510
02:20:55,400 --> 02:20:57,480
Speaker 1: we can sit here. We just had a five hour

2511
02:20:57,640 --> 02:21:02,160
Speaker 1: interview bro, we still ain't talking about it. Look at

2512
02:21:02,200 --> 02:21:02,720
Speaker 1: all this ship.

2513
02:21:02,800 --> 02:21:06,040
Speaker 4: I don't have my research department to research. Tell me

2514
02:21:06,080 --> 02:21:13,920
Speaker 4: about lobster mango lobster mango fruit? Uh lost the mango Bucci.

2515
02:21:14,000 --> 02:21:16,959
Speaker 4: That's my clothing line. That's that's my merch. I actually

2516
02:21:17,000 --> 02:21:21,440
Speaker 4: got shirts for y'all. You brought us up five grammy chain.

2517
02:21:22,760 --> 02:21:25,960
Speaker 1: You know that's hard. You brought me one. I got

2518
02:21:26,040 --> 02:21:29,320
Speaker 1: you one. And lobster. You know it's lobster is like

2519
02:21:29,440 --> 02:21:31,800
Speaker 1: it signifies like the bottom, but.

2520
02:21:31,920 --> 02:21:35,039
Speaker 5: It's an expensive meal now.

2521
02:21:35,600 --> 02:21:37,320
Speaker 3: It is like coming from the bottom to the top

2522
02:21:37,400 --> 02:21:37,840
Speaker 3: type ship.

2523
02:21:37,959 --> 02:21:40,360
Speaker 1: Look, we got you some ship too. Yeah, that's dope.

2524
02:21:41,360 --> 02:21:45,800
Speaker 1: I appreciate that little eighty fast South merch. Yeah, appreciate that.

2525
02:21:46,440 --> 02:21:49,600
Speaker 1: I already know. I already seen it. Are you talking

2526
02:21:49,640 --> 02:21:57,680
Speaker 1: on too? Oh? Got some medium? Sure? Give me that one?

2527
02:21:58,040 --> 02:22:02,040
Speaker 1: Which one? Give me the loss? Only got a large

2528
02:22:02,080 --> 02:22:04,400
Speaker 1: and a medium? You got a three? Hell no, Jack,

2529
02:22:04,440 --> 02:22:06,840
Speaker 1: your big back, have your size. That's okay. This is

2530
02:22:07,000 --> 02:22:10,800
Speaker 1: good for him. Let me give me a meeting now,

2531
02:22:10,879 --> 02:22:12,960
Speaker 1: you goad. We're supposed to get the medium. This is

2532
02:22:13,000 --> 02:22:15,600
Speaker 1: the medium, right, Yeah, let me get there. Jack, your

2533
02:22:15,640 --> 02:22:21,280
Speaker 1: back still big? I get you. He needed you good Yeah,

2534
02:22:21,320 --> 02:22:23,720
Speaker 1: here you go. There you go put that with good

2535
02:22:23,800 --> 02:22:24,400
Speaker 1: material to.

2536
02:22:26,400 --> 02:22:26,720
Speaker 2: This mother.

2537
02:22:28,200 --> 02:22:29,640
Speaker 1: Hey Jack, this is the only thing I know with

2538
02:22:29,760 --> 02:22:32,760
Speaker 1: two shirts on the back. We got a quote.

2539
02:22:32,840 --> 02:22:35,040
Speaker 4: We got a quote from Michael Jackson on the back.

2540
02:22:35,240 --> 02:22:40,400
Speaker 4: It's the joy of doing something phenomenal, which I'm on now.

2541
02:22:40,440 --> 02:22:42,600
Speaker 1: I feel like everybody here to like speak for that.

2542
02:22:42,760 --> 02:22:47,560
Speaker 1: You know, absolutely we're making history in black history much bro.

2543
02:22:47,680 --> 02:22:49,000
Speaker 1: This is your first tast stopping through.

2544
02:22:49,040 --> 02:22:52,240
Speaker 4: It's actually a bust down grammy like no, but his

2545
02:22:52,400 --> 02:22:56,040
Speaker 4: first time ever being done bust down grammy, a bust

2546
02:22:56,160 --> 02:22:58,320
Speaker 4: down like come on, man.

2547
02:22:58,320 --> 02:23:05,080
Speaker 1: I'm gonna put I'm winning this ship. M Jack yours you?

2548
02:23:05,280 --> 02:23:09,520
Speaker 1: Did you feel the print on that minus? Yeah, I'm sorry.

2549
02:23:10,080 --> 02:23:13,280
Speaker 1: Just not used to getting quality. Man, I gotta get

2550
02:23:13,320 --> 02:23:15,800
Speaker 1: out more. You definitely gotta get them. I got you though,

2551
02:23:16,120 --> 02:23:18,720
Speaker 1: I'm gonna get you one. We gonna meet in the studio. Yeah,

2552
02:23:19,400 --> 02:23:22,080
Speaker 1: Bangle of Dish. It's your first time stopping through here, man,

2553
02:23:22,920 --> 02:23:25,000
Speaker 1: don't let it be at last. You know exactly where

2554
02:23:25,000 --> 02:23:31,280
Speaker 1: we're a man eighty five South Show, Jack Thriller, Chang