1 00:00:02,279 --> 00:00:08,799 Speaker 1: Brand new, fantastic, Hi fine, exciting. Rapaport's Reality is coming 2 00:00:09,119 --> 00:00:10,480 Speaker 1: up right now. 3 00:00:10,600 --> 00:00:12,720 Speaker 2: I say this is our first emergency. 4 00:00:13,320 --> 00:00:14,160 Speaker 3: This is exciting. 5 00:00:14,560 --> 00:00:18,720 Speaker 1: Rap a Ports Reality podcast is up right now. Traders 6 00:00:19,200 --> 00:00:23,400 Speaker 1: Season four three episodes are in the books. We're breaking 7 00:00:23,440 --> 00:00:27,680 Speaker 1: it all down. What happened, what didn't happen? In the 8 00:00:27,760 --> 00:00:32,240 Speaker 1: castle on a high flying, hard hitting, super exciting, super 9 00:00:32,280 --> 00:00:34,879 Speaker 1: exciting new episode of rapper Ports Reality. If you never 10 00:00:34,920 --> 00:00:37,600 Speaker 1: listen to rap Ports Reality, take a moment to subscribe, 11 00:00:37,640 --> 00:00:40,879 Speaker 1: rate and review. If you never followed us on Instagram, 12 00:00:40,880 --> 00:00:44,200 Speaker 1: you could follow me and Kibi at raper Ports Reality 13 00:00:44,240 --> 00:00:49,760 Speaker 1: on Instagram. 14 00:00:53,840 --> 00:00:59,520 Speaker 3: Oh yes, oh here we are. Whoa Mama's got some 15 00:00:59,640 --> 00:01:04,240 Speaker 3: bone to pick. Welcome to Rapaport's Reality Slash. 16 00:01:04,319 --> 00:01:10,319 Speaker 1: I am Rappaport Stereo podcast collab Slash first response to 17 00:01:10,520 --> 00:01:16,160 Speaker 1: the first three episodes of Traders. I will say this 18 00:01:16,240 --> 00:01:19,120 Speaker 1: is Rapaport's Reality, Yes Slash, I am Rapport mashup. 19 00:01:19,160 --> 00:01:20,720 Speaker 2: I don't know. We're putting it out everywhere. 20 00:01:20,760 --> 00:01:21,760 Speaker 3: I'm Kiev Rapaport. 21 00:01:21,840 --> 00:01:24,400 Speaker 2: That is my wife, keepy rapper. My name is Michael Rapaport. 22 00:01:24,560 --> 00:01:27,200 Speaker 1: This is our podcast that we've been doing for about 23 00:01:27,200 --> 00:01:31,920 Speaker 1: a year where we discuss all things reality TV, a 24 00:01:31,959 --> 00:01:37,440 Speaker 1: few things popular culture, and some little important comings and 25 00:01:37,480 --> 00:01:45,160 Speaker 1: goings from our relationship, hence the name Rapaport's Reality. The 26 00:01:45,200 --> 00:01:48,920 Speaker 1: premiere of season four of Traders has just dropped. 27 00:01:49,480 --> 00:01:51,240 Speaker 2: Can I can I go on a little tangent here? Babe? 28 00:01:51,280 --> 00:01:51,760 Speaker 3: Go for it? 29 00:01:52,680 --> 00:01:53,320 Speaker 2: You look good too? 30 00:01:53,320 --> 00:01:55,800 Speaker 3: Bye Babe. By the way, Babe, thank you, I got next? 31 00:01:57,680 --> 00:02:00,480 Speaker 2: You got next. I want to say that because I 32 00:02:00,720 --> 00:02:01,400 Speaker 2: just realizing this. 33 00:02:02,640 --> 00:02:06,840 Speaker 1: I recorded, I shot the show was like six months ago, yes, 34 00:02:07,080 --> 00:02:09,840 Speaker 1: seven months, I don't know, six or seven months ago. 35 00:02:10,200 --> 00:02:11,320 Speaker 2: Shot the show months ago. 36 00:02:12,440 --> 00:02:15,720 Speaker 1: And the fact that it finally aired and I can 37 00:02:15,800 --> 00:02:18,880 Speaker 1: speak at least about these three episodes so far is 38 00:02:18,919 --> 00:02:21,519 Speaker 1: such a relief because I haven't told you anything. I 39 00:02:21,560 --> 00:02:23,760 Speaker 1: haven't told my mom anything. I haven't told friends, any 40 00:02:24,000 --> 00:02:25,920 Speaker 1: people on the street. There was two girls at the 41 00:02:25,919 --> 00:02:28,720 Speaker 1: coffee shop yesterday before they're like, you could tell us 42 00:02:28,760 --> 00:02:30,280 Speaker 1: it's going to air it, and I was like, I can't. 43 00:02:30,440 --> 00:02:33,760 Speaker 1: I get dms. There's so many sort of a sense 44 00:02:33,760 --> 00:02:37,480 Speaker 1: of relief of being able to discuss it openly because 45 00:02:37,480 --> 00:02:39,440 Speaker 1: it's been like, well, I can't say this, and there's 46 00:02:39,440 --> 00:02:42,360 Speaker 1: still things I can't say because it's only three episodes. 47 00:02:42,400 --> 00:02:45,679 Speaker 1: But I just realized that we've been talking about Traders 48 00:02:45,680 --> 00:02:48,680 Speaker 1: for months and not being able to say anything, and 49 00:02:48,720 --> 00:02:50,799 Speaker 1: you've asked me questions. I'm like, babe, I'm not telling 50 00:02:50,800 --> 00:02:51,600 Speaker 1: you anything. 51 00:02:51,520 --> 00:02:53,480 Speaker 3: That's not true. I haven't asked very many questions because 52 00:02:53,480 --> 00:02:55,000 Speaker 3: I don't want to get sick. But even when we're 53 00:02:55,040 --> 00:03:01,040 Speaker 3: doing the show, liked, yes, what we're in topating what 54 00:03:01,160 --> 00:03:04,720 Speaker 3: my hopes and dreams and goals for us. For your 55 00:03:04,760 --> 00:03:08,080 Speaker 3: appearance on this my favorite show, which I did not 56 00:03:08,200 --> 00:03:10,880 Speaker 3: want you to do, but you did. You made a 57 00:03:10,919 --> 00:03:14,080 Speaker 3: wise choice for yourself, and you go on your rant. 58 00:03:14,080 --> 00:03:15,600 Speaker 3: Because I have so much to say, I have so 59 00:03:15,600 --> 00:03:16,200 Speaker 3: many thoughts. 60 00:03:16,360 --> 00:03:20,600 Speaker 1: Okay, well, I will say this, the first three episodes 61 00:03:20,800 --> 00:03:24,680 Speaker 1: of season four of Traders went off pretty much like 62 00:03:24,760 --> 00:03:28,520 Speaker 1: I remembered them. Again, There's certain things I can't say 63 00:03:28,639 --> 00:03:31,640 Speaker 1: and we're not allowed to share about going forward, but 64 00:03:32,360 --> 00:03:34,960 Speaker 1: for the most part, they went off the way I 65 00:03:35,000 --> 00:03:35,640 Speaker 1: remembered them. 66 00:03:35,640 --> 00:03:36,560 Speaker 2: There's some moments. 67 00:03:36,640 --> 00:03:38,880 Speaker 1: I will say My favorite moment so far is when 68 00:03:38,920 --> 00:03:40,720 Speaker 1: I sang at the roundtable. 69 00:03:41,280 --> 00:03:43,119 Speaker 2: If you're a Trader and you know it, clap your hands. 70 00:03:43,120 --> 00:03:43,640 Speaker 2: As a matter of fact. 71 00:03:43,680 --> 00:03:46,240 Speaker 1: Miles Jordan aka the Bleach Brothers aka the Dust brothers 72 00:03:46,720 --> 00:03:49,760 Speaker 1: play that clip of me singing. I think they're going 73 00:03:49,800 --> 00:03:51,600 Speaker 1: to actually put this song on that they think it 74 00:03:51,640 --> 00:03:53,400 Speaker 1: gets to be a number one song. If you're a 75 00:03:53,520 --> 00:03:56,040 Speaker 1: trader and you know it, Claper has play that. 76 00:03:56,600 --> 00:03:58,880 Speaker 2: If you're a trader and you know it, clapped your hands. 77 00:04:00,440 --> 00:04:02,920 Speaker 2: If you're a trader and you know it, clap your hands. 78 00:04:03,240 --> 00:04:05,120 Speaker 2: Is that what you're seeing the turret? If you're a 79 00:04:05,360 --> 00:04:08,320 Speaker 2: trader and you know it, if you really. 80 00:04:08,160 --> 00:04:13,880 Speaker 1: Want to show it, you're a gaming lying champion trader 81 00:04:13,960 --> 00:04:17,960 Speaker 1: and you know it, clap your hands. So this was 82 00:04:18,279 --> 00:04:21,720 Speaker 1: at a very tense round table. If you've never watched Traders, 83 00:04:21,880 --> 00:04:24,320 Speaker 1: I suggest you do. Also, I'm gonna say this, there's 84 00:04:24,360 --> 00:04:27,679 Speaker 1: gonna be spoiler alerts. But that was my favorite moment 85 00:04:28,800 --> 00:04:33,480 Speaker 1: thus far that roundtable, that entire roundtable. I felt like 86 00:04:33,880 --> 00:04:37,919 Speaker 1: Keanu Reeves in the matrix. I felt like a dragon slayer. 87 00:04:38,600 --> 00:04:41,960 Speaker 1: And it's interesting because for me when it gets to 88 00:04:42,240 --> 00:04:45,320 Speaker 1: shit talking and you know this very well about me, 89 00:04:45,400 --> 00:04:47,960 Speaker 1: but a lot of people don't know this about me. 90 00:04:48,240 --> 00:04:51,280 Speaker 1: But like if I get one or more people coming 91 00:04:51,320 --> 00:04:54,880 Speaker 1: at me verbally, I go into a different mode, Like 92 00:04:54,960 --> 00:04:57,960 Speaker 1: I go into wu tang shot. But if I get 93 00:04:58,000 --> 00:04:59,800 Speaker 1: like a few like it's like I go into like 94 00:04:59,839 --> 00:05:03,680 Speaker 1: a heightened things. Growing up snapping was, and I said 95 00:05:03,720 --> 00:05:06,680 Speaker 1: on the show, growing up people had superpowers, some cold fight, 96 00:05:06,800 --> 00:05:07,560 Speaker 1: some could play ball. 97 00:05:07,920 --> 00:05:08,640 Speaker 2: I could talk shit. 98 00:05:08,800 --> 00:05:10,120 Speaker 3: We grew up on the streets in New York. 99 00:05:10,160 --> 00:05:11,960 Speaker 2: I have no problem talking shit New York. 100 00:05:12,320 --> 00:05:16,120 Speaker 1: And they cut out some things because obviously it's not 101 00:05:16,200 --> 00:05:18,680 Speaker 1: the Michael Rappaport show. There's twenty three cast members that 102 00:05:18,839 --> 00:05:21,400 Speaker 1: need to be served and have been served fantastic. But 103 00:05:21,520 --> 00:05:24,440 Speaker 1: I'm just here to discuss my first impressions because we 104 00:05:24,560 --> 00:05:28,000 Speaker 1: literally just finished watching the first three episodes. So if 105 00:05:28,040 --> 00:05:30,200 Speaker 1: I sound hyped up, it's because I'm hyped up. If 106 00:05:30,320 --> 00:05:32,920 Speaker 1: Kibi sounds like she's chomping at the bit and pissed, 107 00:05:33,760 --> 00:05:36,760 Speaker 1: she's a little bit pissed. She's been a little bit concerned. 108 00:05:37,680 --> 00:05:40,080 Speaker 3: Okay, how do you feel, babe, No, you didn't go 109 00:05:40,160 --> 00:05:40,640 Speaker 3: on your rant. 110 00:05:40,880 --> 00:05:43,640 Speaker 2: I'm rant, Babe. I just talked for like four that's 111 00:05:43,680 --> 00:05:44,320 Speaker 2: a minie rant. 112 00:05:44,400 --> 00:05:47,800 Speaker 3: Okay, Okay, here's the thing, So everybody should know that 113 00:05:48,160 --> 00:05:52,920 Speaker 3: Traders really and truly, outside of the Real Housewives franchise, 114 00:05:53,120 --> 00:05:57,240 Speaker 3: is my favorite reality show. Coming in second to a 115 00:05:57,440 --> 00:06:03,360 Speaker 3: game type show would be forces. Now that's ext It's 116 00:06:03,360 --> 00:06:05,719 Speaker 3: a damn shout out to the champ. Yes that being 117 00:06:05,880 --> 00:06:10,200 Speaker 3: said Jia jewd Dice. Yeah, almost with the other champs, 118 00:06:10,200 --> 00:06:14,960 Speaker 3: but ga Judice Champ. Listen. I love the show just 119 00:06:15,120 --> 00:06:18,800 Speaker 3: like I love the Housewives. It's very appropriate for my 120 00:06:19,000 --> 00:06:21,720 Speaker 3: husband to start to like something I like and then 121 00:06:21,960 --> 00:06:24,560 Speaker 3: drill that shit into the ground. So it's like, now 122 00:06:24,600 --> 00:06:27,560 Speaker 3: we have a podcast about the Housewives, and as if 123 00:06:27,600 --> 00:06:31,080 Speaker 3: at anything, when you make it a hobby or something 124 00:06:31,160 --> 00:06:33,760 Speaker 3: that you like and now it's a job, it becomes different. 125 00:06:34,160 --> 00:06:36,559 Speaker 3: This is how I feel about The Traders. I didn't 126 00:06:36,600 --> 00:06:38,440 Speaker 3: want you to go on it because I love the show. 127 00:06:38,720 --> 00:06:42,080 Speaker 3: I'm looking at it differently when my husband's on the 128 00:06:42,160 --> 00:06:44,520 Speaker 3: show and motherfuckers are rolling their eyes at you and 129 00:06:44,680 --> 00:06:47,560 Speaker 3: talking shit, and I'm like, who the fuck is this 130 00:06:47,960 --> 00:06:50,600 Speaker 3: iris bitch that seems like she has a personal vendata. 131 00:06:50,839 --> 00:06:53,680 Speaker 3: I'm protective. I got my own bones to pick with 132 00:06:53,800 --> 00:06:57,279 Speaker 3: you this week in our relationship TMI. But I fucking 133 00:06:57,360 --> 00:06:59,120 Speaker 3: love the shit out of you, and nobody can talk 134 00:06:59,160 --> 00:07:01,839 Speaker 3: shit about you but me and maybe my best friend 135 00:07:01,880 --> 00:07:03,719 Speaker 3: and my mother. Okay, thanks base So, but I'm saying 136 00:07:03,960 --> 00:07:08,680 Speaker 3: I just feel like I'm questioning why they had you 137 00:07:08,800 --> 00:07:11,640 Speaker 3: on the show. You're an iconic actor. I'm sorry, yet 138 00:07:11,720 --> 00:07:15,200 Speaker 3: I can say this, yes, and you're an unusual human 139 00:07:15,280 --> 00:07:20,160 Speaker 3: being that can write a book and do sports podcasts. 140 00:07:20,200 --> 00:07:23,280 Speaker 3: And then you're an iconic actor since the nineties, and 141 00:07:23,360 --> 00:07:26,160 Speaker 3: you've managed to make it through, and then you've become 142 00:07:26,320 --> 00:07:29,640 Speaker 3: a beloved activist for our people, our Jewish people, and 143 00:07:29,840 --> 00:07:32,560 Speaker 3: then who knows, one day you could be mayor of 144 00:07:32,640 --> 00:07:33,040 Speaker 3: New York. 145 00:07:33,680 --> 00:07:36,720 Speaker 1: Hashtag that is real that on the I Rapport Cereal podcast, 146 00:07:36,800 --> 00:07:39,160 Speaker 1: I did announce that I'm running for mayor in twenty 147 00:07:39,240 --> 00:07:39,720 Speaker 1: twenty nine. 148 00:07:39,960 --> 00:07:41,640 Speaker 3: I'll move on and it's kind of not a joke, 149 00:07:41,720 --> 00:07:46,920 Speaker 3: and pray for me, but so for you to get 150 00:07:46,960 --> 00:07:49,680 Speaker 3: on here and do this like campy show that we 151 00:07:49,840 --> 00:07:53,600 Speaker 3: really love because you're just a You're a no guy 152 00:07:53,800 --> 00:07:55,720 Speaker 3: and then a yes guy, but mostly a yes guy 153 00:07:55,760 --> 00:07:57,800 Speaker 3: when it comes to being in front of a camera. 154 00:07:58,280 --> 00:08:01,400 Speaker 3: So that being sad, and I'll wrap it up, is 155 00:08:01,440 --> 00:08:05,280 Speaker 3: that I'm having a hard time with some of these 156 00:08:05,440 --> 00:08:08,040 Speaker 3: people who I don't know, the yam yams of it all, 157 00:08:08,200 --> 00:08:11,360 Speaker 3: and the who cares fuck these people. 158 00:08:11,680 --> 00:08:14,480 Speaker 2: That I feel like people are like, oh, that's really 159 00:08:14,520 --> 00:08:15,360 Speaker 2: Michael's wife. 160 00:08:15,200 --> 00:08:18,520 Speaker 3: There, No, I feel like some of it. It's my 161 00:08:18,760 --> 00:08:22,040 Speaker 3: gut instinct, and I will refuse to back down that 162 00:08:22,280 --> 00:08:25,400 Speaker 3: some of the roles the one Irish bitch. At one point, 163 00:08:25,480 --> 00:08:28,240 Speaker 3: she says, be quiet, or you could shut up now 164 00:08:28,360 --> 00:08:31,560 Speaker 3: or whatever, Soto under her breast right, be brave, bitch 165 00:08:31,560 --> 00:08:33,400 Speaker 3: if you're going to say that to my husband, and 166 00:08:33,520 --> 00:08:35,960 Speaker 3: the other guy's rolling the eyes and he's going directly 167 00:08:36,040 --> 00:08:39,760 Speaker 3: after you. I've seen some other people's post about how 168 00:08:39,840 --> 00:08:43,920 Speaker 3: they feel about geopolitics, uh huh, and I feel like 169 00:08:44,080 --> 00:08:47,079 Speaker 3: that shit is seeping through. I agree, fuck that and 170 00:08:47,280 --> 00:08:51,920 Speaker 3: so okay, but also that's fine, Okay, I'll say saying 171 00:08:51,960 --> 00:08:56,280 Speaker 3: that that's fine if you have opinions about said country 172 00:08:56,400 --> 00:09:00,040 Speaker 3: with a fucking bits blue and white flag. By the 173 00:09:00,160 --> 00:09:05,520 Speaker 3: problem that I'm having is that that's okay. We're the rapperparts, 174 00:09:05,559 --> 00:09:09,360 Speaker 3: love everybody right. What we were doing was just specifically 175 00:09:09,559 --> 00:09:12,320 Speaker 3: to free our people period, like we would do if 176 00:09:12,360 --> 00:09:14,480 Speaker 3: it was a bunch of little black girls in Nigeria. 177 00:09:14,559 --> 00:09:18,160 Speaker 3: Because I'm black Jewish woman, So I feel like something's 178 00:09:18,240 --> 00:09:20,280 Speaker 3: bleeding through here. I've watched the show a lot. I 179 00:09:20,360 --> 00:09:23,880 Speaker 3: watch it with civilians and celebrities like and I feel 180 00:09:23,960 --> 00:09:29,560 Speaker 3: like a few people three four like, don't they don't 181 00:09:29,600 --> 00:09:31,520 Speaker 3: fuck with you and they weren't already and as soon 182 00:09:31,559 --> 00:09:33,959 Speaker 3: as they saw you, and God bless you from wearing 183 00:09:34,320 --> 00:09:37,240 Speaker 3: you know, a mag and David every single scene scene, 184 00:09:37,360 --> 00:09:39,680 Speaker 3: every scene, which I'm very proud of, but I don't 185 00:09:39,679 --> 00:09:43,000 Speaker 3: think it helped. The eye rolls and the there was 186 00:09:43,120 --> 00:09:45,439 Speaker 3: just like this tinge of something that's not show. It's 187 00:09:45,440 --> 00:09:48,679 Speaker 3: a very little show. It's very personal. That wait, one 188 00:09:48,720 --> 00:09:50,679 Speaker 3: more thing I will The last thing I'll say is 189 00:09:50,720 --> 00:09:54,600 Speaker 3: that I'm finding that in our society nowadays, people especially 190 00:09:54,640 --> 00:09:58,199 Speaker 3: people who dress up in certain outfits, or people who 191 00:09:58,600 --> 00:10:01,640 Speaker 3: are on reality TV show to make money, or celebrities, 192 00:10:01,679 --> 00:10:05,600 Speaker 3: it's they're hungry. They're lacking sense of humor. And people 193 00:10:05,640 --> 00:10:08,120 Speaker 3: don't understand your sense of humor because I'm watching it. 194 00:10:08,200 --> 00:10:10,840 Speaker 3: It's a performance. It's brilliant. They should thank you because 195 00:10:11,040 --> 00:10:13,040 Speaker 3: you made the show better, because it's funny. 196 00:10:13,080 --> 00:10:15,120 Speaker 1: I mean the song at the table, you mean when 197 00:10:15,160 --> 00:10:18,520 Speaker 1: I said, if you're a trader and you know day again, 198 00:10:18,720 --> 00:10:21,040 Speaker 1: if you're a trader and you know what clapped your hands, 199 00:10:22,120 --> 00:10:24,520 Speaker 1: maybe Miles Jordan, if you can, maybe you play that 200 00:10:24,559 --> 00:10:27,679 Speaker 1: with a beat under it, and you know, it. 201 00:10:28,000 --> 00:10:29,640 Speaker 3: Clap your hand, do a little do a little beat 202 00:10:29,640 --> 00:10:31,920 Speaker 3: box for me. If you a trader and you know what, 203 00:10:32,000 --> 00:10:37,400 Speaker 3: clap your hands trader and you know it. Yeah, something 204 00:10:37,440 --> 00:10:39,800 Speaker 3: like that. Anyway, that's my aunt. That's what I gotta say. 205 00:10:40,120 --> 00:10:41,760 Speaker 3: And you know, I'm getting so mad. A hat to 206 00:10:41,800 --> 00:10:43,280 Speaker 3: get up, I said, I got to turn it off. 207 00:10:43,640 --> 00:10:46,640 Speaker 3: I well. The one thing also, the girl that I 208 00:10:46,800 --> 00:10:49,040 Speaker 3: think you believed it, Like in the first episode, she's like, 209 00:10:49,200 --> 00:10:51,760 Speaker 3: she's really nice. She had my back at Tiffany, and 210 00:10:51,800 --> 00:10:54,440 Speaker 3: then she like, I like her too. I respect her. 211 00:10:54,480 --> 00:10:56,320 Speaker 3: I don't know she thought I was a trader's saying 212 00:10:56,320 --> 00:10:59,440 Speaker 3: you're a trade the whole thing. Here's the thing, here's 213 00:10:59,440 --> 00:11:03,080 Speaker 3: the thing, and how I feel. No, no, no, it's 214 00:11:03,160 --> 00:11:03,920 Speaker 3: just am mad now. 215 00:11:04,240 --> 00:11:10,360 Speaker 2: I for me, I know that I'm aware of how 216 00:11:10,559 --> 00:11:11,520 Speaker 2: I could come off. 217 00:11:12,679 --> 00:11:16,920 Speaker 1: However, and they could scroll through the probably fifty hours 218 00:11:16,960 --> 00:11:18,199 Speaker 1: of footage just on me. 219 00:11:18,360 --> 00:11:20,719 Speaker 2: Each person probably has like twenty five hours. 220 00:11:20,480 --> 00:11:24,440 Speaker 1: Of footage literally, yes, because there's cameras everywhere, and then 221 00:11:24,480 --> 00:11:27,439 Speaker 1: you go into these interviews and you know they use 222 00:11:28,120 --> 00:11:30,600 Speaker 1: ten seconds, fifteen texts and you're in there for sometimes 223 00:11:30,720 --> 00:11:32,160 Speaker 1: twenty thirty minutes. 224 00:11:32,160 --> 00:11:34,360 Speaker 2: I was in there talking for there's a lot of footage. 225 00:11:34,960 --> 00:11:39,840 Speaker 1: I did not disrespect or mention anything about anybody personally 226 00:11:40,400 --> 00:11:43,560 Speaker 1: on camera to their face or behind their backs. There's 227 00:11:43,600 --> 00:11:46,760 Speaker 1: no footage of me saying anything. It was only about traders. 228 00:11:47,080 --> 00:11:49,320 Speaker 1: I trust them, I don't trust them. You're a trader. 229 00:11:49,679 --> 00:11:53,880 Speaker 1: To see people say things about you personally behind your back, 230 00:11:54,400 --> 00:11:57,480 Speaker 1: and that it's aired for those first three episodes is 231 00:11:57,559 --> 00:11:59,920 Speaker 1: disappointing and it's hurtful totally. 232 00:12:01,040 --> 00:12:01,640 Speaker 2: I didn't do that. 233 00:12:01,800 --> 00:12:04,360 Speaker 1: No, I don't see them doing it with anybody else where. 234 00:12:04,360 --> 00:12:06,240 Speaker 1: It becomes you want to say, he's a trader. Cool, 235 00:12:06,280 --> 00:12:09,679 Speaker 1: what Tiffany's doing game planing? Candace game planing. They're like, 236 00:12:09,880 --> 00:12:11,800 Speaker 1: we don't know if he's a trader or not, or 237 00:12:12,040 --> 00:12:12,920 Speaker 1: he's just performing. 238 00:12:13,240 --> 00:12:17,359 Speaker 2: That's all fine. But for them to air footage of people. 239 00:12:18,880 --> 00:12:23,800 Speaker 1: Saying things in a way that is a little bit personal, 240 00:12:24,160 --> 00:12:25,280 Speaker 1: I think that's unfair. 241 00:12:25,640 --> 00:12:28,040 Speaker 2: And I'm a little bit surprised that the sexualization. 242 00:12:28,480 --> 00:12:32,040 Speaker 3: Oh the gay dudes could talk about little asses. And 243 00:12:32,120 --> 00:12:33,960 Speaker 3: I want this one to carry me. If you said 244 00:12:34,000 --> 00:12:36,400 Speaker 3: that to one of the women, you know, if you 245 00:12:36,440 --> 00:12:38,800 Speaker 3: even said, Candace, let me help you with your makeup, 246 00:12:38,880 --> 00:12:40,920 Speaker 3: as a straight man, you'd be in trouble, but let 247 00:12:41,000 --> 00:12:44,120 Speaker 3: alone something sexual. I'm over this world. I'm over this 248 00:12:44,679 --> 00:12:48,120 Speaker 3: this new generation of bullshit and this softy shit. But 249 00:12:48,240 --> 00:12:51,240 Speaker 3: yet they're so sensitive. I don't like it, babe, I 250 00:12:51,360 --> 00:12:53,360 Speaker 3: really don't like it. I'm having a hard time with 251 00:12:53,520 --> 00:12:54,880 Speaker 3: watching it. And this is why I didn't want you 252 00:12:54,920 --> 00:12:58,360 Speaker 3: to do TV because the world you know, I know 253 00:12:58,520 --> 00:13:01,320 Speaker 3: you so well, and I know you're perform whenever there's 254 00:13:01,320 --> 00:13:04,079 Speaker 3: a camera. My husband is a performer, he's an actor. He's, 255 00:13:04,360 --> 00:13:06,559 Speaker 3: in my opinion, what is the best we have of 256 00:13:06,679 --> 00:13:07,280 Speaker 3: our generation? 257 00:13:07,600 --> 00:13:07,880 Speaker 2: Baby? 258 00:13:07,960 --> 00:13:09,880 Speaker 3: And you want to do fun and you're always pushing 259 00:13:09,920 --> 00:13:12,160 Speaker 3: yourself and you're always doing something different. You're not guy. 260 00:13:12,559 --> 00:13:14,280 Speaker 3: It's annoying to me, but that's who you are and 261 00:13:14,320 --> 00:13:17,520 Speaker 3: I support it. Like when they saw you eating, Yes 262 00:13:17,600 --> 00:13:19,520 Speaker 3: you eat like a pig. Yes he eats with his 263 00:13:19,640 --> 00:13:21,880 Speaker 3: left hand and he holds it like a Neanderthal. But 264 00:13:22,040 --> 00:13:24,520 Speaker 3: you don't scoop food into your mouth like that. It's funny, 265 00:13:24,640 --> 00:13:26,880 Speaker 3: like you you knew that there was a room full 266 00:13:26,920 --> 00:13:29,199 Speaker 3: of cameras in the wall, and you're being silly and whatever. 267 00:13:29,559 --> 00:13:33,040 Speaker 1: That's the one time during that moment where I was 268 00:13:34,400 --> 00:13:36,600 Speaker 1: in there eating, there's a cutaway of me eating while. 269 00:13:36,480 --> 00:13:39,559 Speaker 3: I was in a room and nobody else was with that, 270 00:13:39,800 --> 00:13:40,880 Speaker 3: just me like I was. 271 00:13:41,040 --> 00:13:43,920 Speaker 1: I was actually very hungry, and there was me and 272 00:13:44,160 --> 00:13:46,640 Speaker 1: cameraman and the remote cameras which are all over in 273 00:13:46,640 --> 00:13:49,480 Speaker 1: the place. And I did break the fourth wall because 274 00:13:49,480 --> 00:13:50,760 Speaker 1: I knew they wouldn't use it. I said to the 275 00:13:50,840 --> 00:13:53,120 Speaker 1: fourth cameraman, I said, I bet you guys, when you 276 00:13:53,200 --> 00:13:57,400 Speaker 1: went to film school, your hopes aspirations were never to 277 00:13:57,480 --> 00:14:00,719 Speaker 1: be filming. Michael Rapports stuffing his face with passa. I 278 00:14:00,880 --> 00:14:03,400 Speaker 1: know that wasn't what you imagine when you spend four 279 00:14:03,520 --> 00:14:06,679 Speaker 1: years in film school and you know they all like 280 00:14:06,840 --> 00:14:07,480 Speaker 1: duck their hands. 281 00:14:07,520 --> 00:14:09,880 Speaker 3: That's funny. I thought that was really funny. My mom's 282 00:14:09,880 --> 00:14:11,280 Speaker 3: gonna see and think you're in the end and like 283 00:14:11,400 --> 00:14:13,920 Speaker 3: go oh, Michael. But I think it's cute and funny. 284 00:14:14,160 --> 00:14:16,160 Speaker 3: But that's how I feel about the show. I just said, 285 00:14:16,200 --> 00:14:18,920 Speaker 3: you after this is over done with Traders not my 286 00:14:18,960 --> 00:14:21,480 Speaker 3: favorite show. I think it's honestly looking at him like 287 00:14:21,520 --> 00:14:23,680 Speaker 3: you're the best thing. I think Lisa Renna is doing 288 00:14:23,760 --> 00:14:26,280 Speaker 3: great on the show. I think she's interesting and fun. 289 00:14:26,520 --> 00:14:29,440 Speaker 3: I think Candice is killing it. She's always She's just 290 00:14:29,520 --> 00:14:32,080 Speaker 3: great to watch. But other than that, I gotta be honest, 291 00:14:32,560 --> 00:14:34,760 Speaker 3: like there's a whole mafia. 292 00:14:35,080 --> 00:14:35,840 Speaker 2: What do you mean mafia? 293 00:14:35,960 --> 00:14:39,600 Speaker 3: Like a click? A click? It seems clickish, yes, whether 294 00:14:39,640 --> 00:14:41,280 Speaker 3: they're game clickie or whatever. 295 00:14:41,360 --> 00:14:43,200 Speaker 2: It just no, it wasn't just gamers. It was just 296 00:14:43,280 --> 00:14:45,080 Speaker 2: a click. There was a certain click of people. 297 00:14:45,160 --> 00:14:46,360 Speaker 3: There's a certain type of click. 298 00:14:46,840 --> 00:14:47,440 Speaker 2: There's a click. 299 00:14:47,920 --> 00:14:51,520 Speaker 3: See is hard for me. This is where I'm not professional. 300 00:14:52,520 --> 00:14:55,640 Speaker 3: I want to say so much more because I'm you're 301 00:14:55,680 --> 00:14:57,200 Speaker 3: kiss me in a bad time. We're doing it right 302 00:14:57,280 --> 00:14:59,800 Speaker 3: after we literally just want I'm really hot because I'm like, 303 00:15:00,240 --> 00:15:02,800 Speaker 3: I'm very protective. I just I know. And I'm also 304 00:15:02,920 --> 00:15:04,840 Speaker 3: like I want to talk shit back, like I want 305 00:15:04,880 --> 00:15:07,160 Speaker 3: to DM that the Irish girl and be like, yo, 306 00:15:07,200 --> 00:15:10,360 Speaker 3: you got a problem, so silly. I'm fifty six year 307 00:15:10,360 --> 00:15:12,360 Speaker 3: old girln woman, and I literally have the urge to 308 00:15:12,400 --> 00:15:13,800 Speaker 3: me and I'm not I don't even like the internet. 309 00:15:13,800 --> 00:15:15,520 Speaker 3: And I want to be like, yo, what what's your 310 00:15:15,560 --> 00:15:18,240 Speaker 3: real problem? Because you said you don't know anybody? Right, 311 00:15:18,280 --> 00:15:21,000 Speaker 3: so you're talking to him and acting so annoyed quick 312 00:15:21,040 --> 00:15:23,040 Speaker 3: and I know how long this shoot was. You aren't 313 00:15:23,080 --> 00:15:24,960 Speaker 3: with him that long to be that annoyed with him 314 00:15:25,000 --> 00:15:27,440 Speaker 3: and for him to shut up right, so like something 315 00:15:27,480 --> 00:15:30,360 Speaker 3: else is going on right with you? And jam jam yam, yeam, 316 00:15:30,400 --> 00:15:32,840 Speaker 3: what a stupid ass name yam, whatever your name is. 317 00:15:33,200 --> 00:15:37,480 Speaker 3: You're eye rolling, You're giving hater aide. Yes is what 318 00:15:37,560 --> 00:15:38,040 Speaker 3: he's giving. 319 00:15:38,240 --> 00:15:38,440 Speaker 2: Yes. 320 00:15:38,720 --> 00:15:42,720 Speaker 1: Well, I will say that I think that your instinct 321 00:15:42,840 --> 00:15:46,280 Speaker 1: about that is correct. I felt a little bit of 322 00:15:46,560 --> 00:15:51,560 Speaker 1: that from two or three people. That being said, I 323 00:15:51,720 --> 00:15:57,160 Speaker 1: will say that the majority of the first of all, Candice, Derinda, Lisa, 324 00:15:57,240 --> 00:16:00,560 Speaker 1: Rinna and even Porsche who spoiler it's bumped. 325 00:16:01,160 --> 00:16:04,920 Speaker 2: That was everything that I hope they imagine them. They 326 00:16:04,920 --> 00:16:08,880 Speaker 2: were awesome, they were fun, they were cool. Donna Kels 327 00:16:09,040 --> 00:16:11,240 Speaker 2: was awesome, fun, cool, and uh, you. 328 00:16:11,320 --> 00:16:12,680 Speaker 3: Know, she's great. 329 00:16:12,720 --> 00:16:14,440 Speaker 1: They took out they took out one of the things 330 00:16:14,520 --> 00:16:17,640 Speaker 1: she said when she got banished because she said, because 331 00:16:17,680 --> 00:16:19,160 Speaker 1: I see wait when she. 332 00:16:19,240 --> 00:16:21,720 Speaker 3: Stan banished, when she was standing on Sandy after. 333 00:16:21,600 --> 00:16:24,360 Speaker 1: They voted her off, they made sure she made comment 334 00:16:24,400 --> 00:16:28,200 Speaker 1: about somebody here is getting Chiefs tickets. And that was 335 00:16:28,280 --> 00:16:31,200 Speaker 1: me because like I was in privy to the whole 336 00:16:31,640 --> 00:16:34,440 Speaker 1: the whole conversation like yeah, that's what I'm saying. There 337 00:16:34,560 --> 00:16:36,320 Speaker 1: was clicks and they're like, well, you're not helping. I'm like, 338 00:16:37,000 --> 00:16:38,200 Speaker 1: you guys, ain't telling me shit. 339 00:16:38,640 --> 00:16:40,800 Speaker 3: However, that hit her up for some tickets. 340 00:16:41,000 --> 00:16:43,000 Speaker 2: Oh no, we'll hit her. We're gonna hit it. I 341 00:16:43,360 --> 00:16:47,120 Speaker 2: enjoyed her. I enjoyed Love Island Rob. He was chill. 342 00:16:47,640 --> 00:16:51,280 Speaker 2: I enjoyed ron Fus. You know it, Am. 343 00:16:51,680 --> 00:16:52,320 Speaker 3: He made me laugh. 344 00:16:52,360 --> 00:16:54,000 Speaker 2: I thought he played. He comes up very good. 345 00:16:54,000 --> 00:16:56,080 Speaker 1: He's funny, sort of like you don't know what the 346 00:16:56,120 --> 00:16:59,600 Speaker 1: fuck is gonna come completely Like you know, he goes 347 00:17:00,280 --> 00:17:04,879 Speaker 1: my investigations or like he's like baby Blue or something like. 348 00:17:04,960 --> 00:17:07,280 Speaker 1: It's like a you know, some kind of cop show. 349 00:17:08,040 --> 00:17:11,359 Speaker 1: So he's been very funny. That being said, Uh, you know, 350 00:17:11,560 --> 00:17:14,960 Speaker 1: it's the first three episodes. I don't know how the 351 00:17:15,040 --> 00:17:16,639 Speaker 1: rest of the season is going to play out. If 352 00:17:16,680 --> 00:17:18,119 Speaker 1: I did know, I wouldn't be able to share it 353 00:17:18,200 --> 00:17:19,520 Speaker 1: because I have signed my life away. 354 00:17:19,640 --> 00:17:22,480 Speaker 3: Wait so you can talk about what we saw what 355 00:17:22,640 --> 00:17:26,440 Speaker 3: we saw? Yes, right, because you're it's spoiling alert. But 356 00:17:26,800 --> 00:17:29,000 Speaker 3: like how in depth, like the problem. 357 00:17:28,720 --> 00:17:29,640 Speaker 2: Is asked any questions? 358 00:17:29,720 --> 00:17:32,119 Speaker 3: Well, the fact that I was there while watching it. 359 00:17:32,560 --> 00:17:34,840 Speaker 3: This is one of the other reasons. Like I always say, 360 00:17:34,880 --> 00:17:37,400 Speaker 3: I think one time we almost saw a housewife being 361 00:17:37,520 --> 00:17:39,240 Speaker 3: shot in the street. Where were we Beverly? As we 362 00:17:39,280 --> 00:17:41,240 Speaker 3: saw cameras and I freaked out. I didn't want to 363 00:17:41,359 --> 00:17:43,040 Speaker 3: see it. I don't want to know. I get so 364 00:17:43,160 --> 00:17:45,920 Speaker 3: much joy out of it. I don't care how so isolated, 365 00:17:45,960 --> 00:17:48,000 Speaker 3: how the sausage is made, and so with same with 366 00:17:48,119 --> 00:17:50,560 Speaker 3: this show. When you're out when the first when you 367 00:17:50,600 --> 00:17:54,280 Speaker 3: guys are kind of collecting the coffins, I'm like, was 368 00:17:54,320 --> 00:17:56,240 Speaker 3: it cold? It looked like you could get see said like, 369 00:17:56,280 --> 00:17:59,520 Speaker 3: I'm asking a lot of questions that I normally wouldn't ask, 370 00:17:59,680 --> 00:18:01,199 Speaker 3: or like, how many cameras were out there? 371 00:18:01,240 --> 00:18:04,720 Speaker 1: And there's so many, baby, there's so many. There's there's cameras, 372 00:18:04,760 --> 00:18:07,479 Speaker 1: there's remote cameras. When you're in the woods, it's camera men. 373 00:18:07,640 --> 00:18:10,439 Speaker 1: But you know there'll be stationary camera crews. 374 00:18:10,960 --> 00:18:12,320 Speaker 2: Uh you know, I mean you see how. 375 00:18:12,320 --> 00:18:14,679 Speaker 3: Much right in the beginning, and when you guys get 376 00:18:14,720 --> 00:18:16,560 Speaker 3: out of the arms and you first get there, it's 377 00:18:16,560 --> 00:18:19,840 Speaker 3: a big production, it's exactly, but it's also a game show. 378 00:18:19,880 --> 00:18:21,840 Speaker 3: And they're hidden cameras. But I said to you, when 379 00:18:22,160 --> 00:18:25,000 Speaker 3: everybody first gets there, it's really like they're just meeting 380 00:18:25,160 --> 00:18:28,440 Speaker 3: for the first time. And then you said yes, And 381 00:18:28,520 --> 00:18:32,119 Speaker 3: then I asked everybody makes the same facial reactions, and 382 00:18:32,240 --> 00:18:34,840 Speaker 3: these are like reality people, not all of them are actors. 383 00:18:35,320 --> 00:18:37,840 Speaker 3: And I'm like, at one point everybody reared their head 384 00:18:37,880 --> 00:18:39,760 Speaker 3: at the same time. Do you have a director, like 385 00:18:39,960 --> 00:18:41,719 Speaker 3: no telling you what's just happening? 386 00:18:41,760 --> 00:18:44,119 Speaker 1: And you're sitting there so much and because there's like 387 00:18:44,359 --> 00:18:47,760 Speaker 1: fire and Alan comes out and there's those ghouls, I 388 00:18:47,800 --> 00:18:51,040 Speaker 1: forgot what the drones are his crew, he's got his henchmen. 389 00:18:51,640 --> 00:18:54,040 Speaker 3: You know, no, you're the reactions are natural. 390 00:18:54,160 --> 00:18:54,919 Speaker 2: Yeah, it's just happening. 391 00:18:55,000 --> 00:18:58,480 Speaker 1: And I mean me, the one thing I realized because 392 00:18:58,600 --> 00:19:01,800 Speaker 1: Kibi had said to me, she had suggested which my 393 00:19:01,920 --> 00:19:04,680 Speaker 1: game plan was to shut up, don't say anything, sort 394 00:19:04,720 --> 00:19:05,879 Speaker 1: of be under the radar. 395 00:19:06,440 --> 00:19:08,639 Speaker 3: And once we. 396 00:19:08,840 --> 00:19:12,960 Speaker 1: Started, like for me, it's like literally like throwing me 397 00:19:13,040 --> 00:19:14,480 Speaker 1: in water that it's like it's a show. 398 00:19:15,440 --> 00:19:17,280 Speaker 3: I understand that, but it's a game show. That's why 399 00:19:17,280 --> 00:19:18,800 Speaker 3: I didn't want you to do it. You have impulse 400 00:19:18,840 --> 00:19:22,920 Speaker 3: control problems. I'm like, shut the fuck up because I'm 401 00:19:23,000 --> 00:19:24,840 Speaker 3: not your manager, and I don't want to be, but 402 00:19:24,880 --> 00:19:26,760 Speaker 3: I'm your wife and I love you and I want 403 00:19:26,800 --> 00:19:28,560 Speaker 3: to see you do well in life. And I'm like, 404 00:19:28,880 --> 00:19:30,760 Speaker 3: you know, the world thinks a certain thing right now, 405 00:19:30,960 --> 00:19:33,960 Speaker 3: I'd liked you to go on and show a different side, 406 00:19:34,040 --> 00:19:37,320 Speaker 3: and honestly, so far you have not. And if you did, 407 00:19:38,000 --> 00:19:41,480 Speaker 3: they cut it out. Well no, so mission not accomplished. Yes, 408 00:19:41,760 --> 00:19:43,760 Speaker 3: and also now we got motherfuckers that I don't know 409 00:19:43,880 --> 00:19:46,760 Speaker 3: rolling their eyes. You know when you're not looking. It's 410 00:19:46,880 --> 00:19:58,280 Speaker 3: I don't, this isn't. What does this bring? Well, I 411 00:19:58,320 --> 00:19:59,960 Speaker 3: don't know what's gonna happen because you can't tell me 412 00:20:00,040 --> 00:20:02,119 Speaker 3: the rest of the episodes. I'm just saying those are 413 00:20:02,200 --> 00:20:05,399 Speaker 3: my fears. It's not necessarily true. This is me the 414 00:20:05,480 --> 00:20:07,600 Speaker 3: show's enjoy I think you're gonna make a lot of 415 00:20:07,680 --> 00:20:10,240 Speaker 3: new fans. You do so many funny things on it. 416 00:20:10,680 --> 00:20:13,480 Speaker 3: I like, I said, am a protective wife? 417 00:20:13,600 --> 00:20:13,760 Speaker 1: Yes. 418 00:20:13,880 --> 00:20:16,240 Speaker 3: No, if you're in a scene in a movie that's 419 00:20:16,240 --> 00:20:17,879 Speaker 3: scripted and so many punches in the face, I know 420 00:20:17,920 --> 00:20:20,320 Speaker 3: it's scripted. This is kind of real life. Yes, so 421 00:20:20,400 --> 00:20:21,080 Speaker 3: it's hard for me. 422 00:20:21,760 --> 00:20:24,440 Speaker 2: I like the tight wire rope aspect of it. You 423 00:20:24,640 --> 00:20:27,359 Speaker 2: like that, I like it. I was when I was 424 00:20:27,400 --> 00:20:30,520 Speaker 2: watching it, like there's something about like for me. 425 00:20:30,640 --> 00:20:34,240 Speaker 1: It's a performance like this is probably the most genuine, 426 00:20:34,400 --> 00:20:37,840 Speaker 1: honest thing that I could say about when I got 427 00:20:37,880 --> 00:20:39,600 Speaker 1: to Scotland, and I mean this from the bottom of 428 00:20:39,680 --> 00:20:44,119 Speaker 1: my heart. I would say, about a few days into it, 429 00:20:44,440 --> 00:20:48,600 Speaker 1: did it click that I could actually win money. But 430 00:20:48,720 --> 00:20:51,560 Speaker 1: because I wasn't thinking about winning, I wasn't thinking about 431 00:20:52,080 --> 00:20:54,879 Speaker 1: winning money. I wasn't thinking about the two hundred and 432 00:20:54,880 --> 00:20:57,359 Speaker 1: fifty thousand dollars prize. I was thinking about the honey. 433 00:20:57,800 --> 00:20:59,320 Speaker 1: And that's who I am. 434 00:20:59,560 --> 00:21:03,320 Speaker 3: And you never think about money. I never motivated. 435 00:21:03,400 --> 00:21:05,639 Speaker 1: But but I literally at one point while we were 436 00:21:05,680 --> 00:21:08,320 Speaker 1: doing the interviews, like the myves, they call them the 437 00:21:08,359 --> 00:21:10,800 Speaker 1: one on ones, they said something about the prizes and 438 00:21:10,840 --> 00:21:13,200 Speaker 1: all that shit, and I was like, and I said. 439 00:21:13,560 --> 00:21:15,359 Speaker 2: I ain't here for the money. I'm here for the honey. 440 00:21:15,920 --> 00:21:19,159 Speaker 3: Yeah, you're not motive, you're competitive, and you're you want 441 00:21:19,240 --> 00:21:21,560 Speaker 3: to honey. I mean when you play ping pop, what's 442 00:21:21,600 --> 00:21:24,960 Speaker 3: the table thing with with our friends? You guys play 443 00:21:25,080 --> 00:21:27,280 Speaker 3: to win like it's weird like. So that's how you 444 00:21:27,400 --> 00:21:28,159 Speaker 3: are approaching it. 445 00:21:28,560 --> 00:21:31,800 Speaker 1: And in my fantasy football league, that's a good money 446 00:21:31,840 --> 00:21:32,840 Speaker 1: fantasy football league. 447 00:21:33,320 --> 00:21:35,160 Speaker 2: I happened to win it. There's a there's a little. 448 00:21:34,960 --> 00:21:38,119 Speaker 1: Pot, but it's not about secondary I know. For me, 449 00:21:38,200 --> 00:21:42,040 Speaker 1: it's the text change where I go hey, guys, Champ 450 00:21:42,359 --> 00:21:42,680 Speaker 1: is here. 451 00:21:42,800 --> 00:21:45,119 Speaker 3: Well, then I wish you would have taken my advice 452 00:21:45,160 --> 00:21:46,800 Speaker 3: a little bit and and shut up. 453 00:21:46,800 --> 00:21:49,720 Speaker 2: I could have probably I just played it. I could 454 00:21:49,720 --> 00:21:50,960 Speaker 2: have probably played a little different. 455 00:21:50,960 --> 00:21:52,720 Speaker 1: But the one thing that I will say that I 456 00:21:52,840 --> 00:21:56,040 Speaker 1: I feel good about the first three episodes is I 457 00:21:56,440 --> 00:22:01,159 Speaker 1: am exactly who I present myself elf to be. Like 458 00:22:01,320 --> 00:22:04,560 Speaker 1: I did a performance. I was honest within that performance. 459 00:22:05,119 --> 00:22:07,960 Speaker 1: And like when you're doing a performance, you set a 460 00:22:08,000 --> 00:22:10,639 Speaker 1: goal and I go. I was being genuine, I was 461 00:22:10,720 --> 00:22:12,680 Speaker 1: being vulnerable. I was being honest. 462 00:22:14,480 --> 00:22:16,560 Speaker 2: You know, some people don't have sense of humor, and 463 00:22:16,640 --> 00:22:17,240 Speaker 2: that's on them. 464 00:22:17,440 --> 00:22:18,200 Speaker 3: They really don't. 465 00:22:18,560 --> 00:22:20,680 Speaker 1: And you know some people do, and and you know 466 00:22:20,800 --> 00:22:22,720 Speaker 1: some people this is a you know that's fine, but 467 00:22:23,200 --> 00:22:26,000 Speaker 1: you know I I know that my intentions are never 468 00:22:26,160 --> 00:22:27,720 Speaker 1: to ruffle feathers. 469 00:22:28,080 --> 00:22:30,520 Speaker 2: I mean, listen, this is not a normal crowd for 470 00:22:30,640 --> 00:22:31,440 Speaker 2: me to chill with. 471 00:22:31,840 --> 00:22:35,080 Speaker 3: No, these are not. Yeah, theives are your people, like 472 00:22:35,160 --> 00:22:37,119 Speaker 3: I can run with the housewise the rest are like, 473 00:22:37,280 --> 00:22:39,320 Speaker 3: we don't know what this is. I think that you're 474 00:22:39,359 --> 00:22:41,560 Speaker 3: doing a great job. We'll see what happens. I have 475 00:22:41,680 --> 00:22:45,040 Speaker 3: no idea, and it's enjoyable to see you have a 476 00:22:45,119 --> 00:22:47,159 Speaker 3: good time. It's just not a good time for me. 477 00:22:47,240 --> 00:22:48,960 Speaker 3: I'm just being honest and I'm not trying to be 478 00:22:49,119 --> 00:22:52,240 Speaker 3: dark or whatever. I'm like, I don't like it. I'm 479 00:22:52,320 --> 00:22:55,680 Speaker 3: very I'm like, huh, what's the rolling of the eyes 480 00:22:56,800 --> 00:22:59,480 Speaker 3: are you don't happen? Don't like shut up? And you 481 00:22:59,640 --> 00:23:02,680 Speaker 3: just told grow man, don't you somebody I said, don't 482 00:23:02,760 --> 00:23:07,000 Speaker 3: talk and like I was like, this seems anyway, It's okay. 483 00:23:08,000 --> 00:23:11,159 Speaker 3: We're still gonna wrap on the wrap reports. Don't you 484 00:23:11,240 --> 00:23:15,240 Speaker 3: can't stop, won't stop us ever so and you keep 485 00:23:15,280 --> 00:23:17,320 Speaker 3: doing your thing. I really enjoy watching you have a 486 00:23:17,359 --> 00:23:19,760 Speaker 3: good time. Yes, and you made me laugh several times 487 00:23:19,880 --> 00:23:20,240 Speaker 3: very much. 488 00:23:20,280 --> 00:23:22,760 Speaker 2: So do you think your favorite moment was when I said, 489 00:23:22,920 --> 00:23:25,359 Speaker 2: if you're a trader and you know it, I. 490 00:23:25,400 --> 00:23:28,720 Speaker 3: Mean derindaz face of like rearing back. I think even 491 00:23:28,760 --> 00:23:32,320 Speaker 3: though she knows you somewhat that she reactions from the 492 00:23:32,359 --> 00:23:34,760 Speaker 3: rest of them it was amazing. 493 00:23:35,080 --> 00:23:36,879 Speaker 2: One of them said this is crazy. 494 00:23:37,040 --> 00:23:40,040 Speaker 3: This is crazy, really and they're crazy, right, and are 495 00:23:40,080 --> 00:23:43,600 Speaker 3: you crazy? Calling him crazy? Okay, crazy, And then one 496 00:23:43,640 --> 00:23:45,840 Speaker 3: of the one of the things guys says, this is 497 00:23:45,960 --> 00:23:49,560 Speaker 3: so distracting. I wish you would have said disrupt him 498 00:23:49,560 --> 00:23:50,840 Speaker 3: because I would have been like that would have been 499 00:23:50,920 --> 00:23:51,680 Speaker 3: totally on brand. 500 00:23:51,960 --> 00:23:55,000 Speaker 2: Distracting, he said, distract distracting traders. 501 00:23:55,080 --> 00:23:59,720 Speaker 3: You can't speak show like you guys. That's what I mean. Files. 502 00:24:00,040 --> 00:24:02,040 Speaker 3: But you know the people that I think are you know, 503 00:24:02,240 --> 00:24:05,240 Speaker 3: are smart and wise and witty. Lack chuckled, but like 504 00:24:05,359 --> 00:24:08,440 Speaker 3: this is funny. But that's what it was like. It's 505 00:24:08,440 --> 00:24:09,320 Speaker 3: a show, guys. 506 00:24:09,600 --> 00:24:10,160 Speaker 2: It's a show. 507 00:24:10,480 --> 00:24:12,680 Speaker 3: Like I know, there's money at stake and people want 508 00:24:12,720 --> 00:24:14,560 Speaker 3: to show. It is a show. 509 00:24:14,720 --> 00:24:16,640 Speaker 2: People don't walk around wearing those outfits. 510 00:24:16,720 --> 00:24:18,680 Speaker 3: I mean, honestly, if you weren't on it, I gotta 511 00:24:18,720 --> 00:24:21,520 Speaker 3: be honest, I think it would be boring. But you 512 00:24:21,560 --> 00:24:23,720 Speaker 3: know what people are mad at I think is that 513 00:24:23,840 --> 00:24:27,679 Speaker 3: they're saying Once said, do you say too much? They 514 00:24:27,720 --> 00:24:29,959 Speaker 3: didn't say this, but it was almost if they were 515 00:24:30,080 --> 00:24:33,320 Speaker 3: inferring that you suck all the air out of the room. 516 00:24:33,960 --> 00:24:36,119 Speaker 3: I'm like, yeah, may the best man one when you 517 00:24:36,240 --> 00:24:38,119 Speaker 3: walk in, you're gonna. 518 00:24:37,840 --> 00:24:39,800 Speaker 1: Be There's no suck the air out of the room. 519 00:24:40,000 --> 00:24:42,960 Speaker 1: Some people talked a little bit less, but like I said, 520 00:24:43,240 --> 00:24:44,080 Speaker 1: there's hours. 521 00:24:44,320 --> 00:24:45,200 Speaker 3: I know, it's an hour. 522 00:24:45,760 --> 00:24:50,160 Speaker 1: They can make anybody interesting or not not necessarily interesting 523 00:24:50,240 --> 00:24:50,399 Speaker 1: or not. 524 00:24:50,520 --> 00:24:52,639 Speaker 2: But they can give more airtime. 525 00:24:52,720 --> 00:24:55,720 Speaker 1: And as we've known in the past three seasons, you know, 526 00:24:55,960 --> 00:25:00,600 Speaker 1: as a season unfolds, Joe Schmoe will become more prominent 527 00:25:00,640 --> 00:25:03,800 Speaker 1: than Joe Shmo might not have been really talked about 528 00:25:04,000 --> 00:25:06,440 Speaker 1: or talked much in episode one, two and three, and 529 00:25:06,480 --> 00:25:08,240 Speaker 1: then by episode six Joe Schmoe. 530 00:25:08,240 --> 00:25:10,720 Speaker 2: I'm just thinking that to be you know, So that's 531 00:25:10,760 --> 00:25:13,840 Speaker 2: the way it works, So you know, and don't you 532 00:25:13,920 --> 00:25:14,320 Speaker 2: find do. 533 00:25:14,359 --> 00:25:16,080 Speaker 3: You find this? I don't know because you were doing 534 00:25:16,160 --> 00:25:18,879 Speaker 3: it and the cameras around, but like take last season 535 00:25:18,920 --> 00:25:22,480 Speaker 3: for instance, like Dolores was one of the winners, Yes, 536 00:25:22,600 --> 00:25:26,080 Speaker 3: but they focused on her a lot more and she's 537 00:25:26,200 --> 00:25:28,359 Speaker 3: a quiet person. Yes, it was like a lot of 538 00:25:28,440 --> 00:25:30,840 Speaker 3: camera time. I feel like it was later in the season, 539 00:25:31,160 --> 00:25:34,240 Speaker 3: later because they know she's winning, right, And that's why 540 00:25:34,280 --> 00:25:36,399 Speaker 3: they I don't know they because they don't know how 541 00:25:36,440 --> 00:25:36,800 Speaker 3: that works. 542 00:25:37,200 --> 00:25:39,040 Speaker 1: They do such a good job with the music and 543 00:25:39,119 --> 00:25:41,400 Speaker 1: the puncheons, like you know, to go from a watch 544 00:25:41,440 --> 00:25:44,000 Speaker 1: chat to a tight shot and the cutaways, and they 545 00:25:44,080 --> 00:25:46,359 Speaker 1: do so much. The thing about the show, and we 546 00:25:46,440 --> 00:25:49,480 Speaker 1: talked about this last season, is the is the storytelling. Yes, 547 00:25:49,640 --> 00:25:50,280 Speaker 1: it's brilliant. 548 00:25:50,400 --> 00:25:52,840 Speaker 3: And if you also pointed out at one point in 549 00:25:52,960 --> 00:25:57,000 Speaker 3: these recent three episodes that you were like, that's interesting 550 00:25:57,080 --> 00:26:00,360 Speaker 3: because I said that, and that happened at the top 551 00:26:00,440 --> 00:26:03,480 Speaker 3: of this Yes, tie, and they move things around, things around. 552 00:26:04,560 --> 00:26:10,680 Speaker 1: I'm fascinated by the storytelling editing process because, like I said, 553 00:26:10,760 --> 00:26:12,960 Speaker 1: there's so many hours of footage and they move it around. 554 00:26:13,000 --> 00:26:14,720 Speaker 2: I'm sure they try this cut and that cut, and 555 00:26:14,800 --> 00:26:16,639 Speaker 2: we move this. Oh and if we take this, we'll. 556 00:26:16,520 --> 00:26:18,520 Speaker 1: Put this here because he's gonna get the hot shot 557 00:26:18,840 --> 00:26:20,000 Speaker 1: here and she's doing this here. 558 00:26:20,080 --> 00:26:21,960 Speaker 2: So that stuff and this is what we were talking 559 00:26:21,960 --> 00:26:22,840 Speaker 2: about in season three. 560 00:26:22,880 --> 00:26:25,159 Speaker 1: And I think when we were talking about it in 561 00:26:25,240 --> 00:26:28,600 Speaker 1: season three and the passion that we were talking about 562 00:26:28,600 --> 00:26:29,960 Speaker 1: it is why they came to me in the first 563 00:26:30,000 --> 00:26:31,439 Speaker 1: place about being on it, because we like, we. 564 00:26:31,560 --> 00:26:32,280 Speaker 2: Love the show. 565 00:26:32,440 --> 00:26:35,640 Speaker 3: Yes, we love it. Now then let me not retract, 566 00:26:35,800 --> 00:26:40,719 Speaker 3: but let me add on to or maybe nuance how 567 00:26:40,760 --> 00:26:42,600 Speaker 3: I'm feeling about the show, because I want to ask 568 00:26:42,640 --> 00:26:45,240 Speaker 3: you a question. Okay, some of the instincts I have 569 00:26:45,600 --> 00:26:49,040 Speaker 3: of the like being personal and maybe some people have 570 00:26:49,160 --> 00:26:51,600 Speaker 3: some biases they can't let go or they're looking at 571 00:26:51,680 --> 00:26:55,240 Speaker 3: your jewelry. Do you think that was in real time? 572 00:26:55,400 --> 00:26:57,800 Speaker 3: Are my instincts correct or do you think editors were 573 00:26:57,880 --> 00:27:00,720 Speaker 3: finding story in it what they can see with cameras? 574 00:27:01,119 --> 00:27:04,160 Speaker 3: Oh that snappy comment. He is a little like look 575 00:27:04,200 --> 00:27:06,159 Speaker 3: at him when he runs. He's a funny guy, not 576 00:27:06,400 --> 00:27:09,600 Speaker 3: making you don't get mad at the word, not buffoony, 577 00:27:09,680 --> 00:27:12,280 Speaker 3: but like the dad in the sitcoment like a little 578 00:27:12,720 --> 00:27:15,240 Speaker 3: eating a little way. Do you think that's editing or 579 00:27:15,320 --> 00:27:17,040 Speaker 3: did you really feel that while you were there for. 580 00:27:17,119 --> 00:27:20,680 Speaker 1: No, I mean I was aware, Like listen, I know 581 00:27:20,800 --> 00:27:23,800 Speaker 1: when I'm running, whether it's on Traders, in True Romance, 582 00:27:23,920 --> 00:27:26,520 Speaker 1: in higher learning, if it's in Central Park this week, 583 00:27:26,720 --> 00:27:29,359 Speaker 1: central Park thirty years ago, I know when I'm running, 584 00:27:29,400 --> 00:27:33,440 Speaker 1: people will raise an eyebrow, right, So I know going 585 00:27:33,560 --> 00:27:36,159 Speaker 1: into it with the challenges or I think they call 586 00:27:36,320 --> 00:27:39,480 Speaker 1: mission missions, my number one goal is don't get hurt. 587 00:27:39,640 --> 00:27:39,840 Speaker 3: Yeah. 588 00:27:39,880 --> 00:27:43,439 Speaker 1: My number two goal was do not stop moving your 589 00:27:43,480 --> 00:27:46,520 Speaker 1: hot don't like just and I stuck to that. Those 590 00:27:46,600 --> 00:27:48,520 Speaker 1: three challenges. I was because you were like and I 591 00:27:48,640 --> 00:27:51,000 Speaker 1: was like, babe, that shit was hard. 592 00:27:50,880 --> 00:27:53,520 Speaker 3: Carrying the people in those cars, the carts. 593 00:27:53,680 --> 00:27:57,080 Speaker 1: The running, the pushing the carts, the rowboating in the 594 00:27:57,160 --> 00:27:58,240 Speaker 1: water with the coffins. 595 00:27:58,280 --> 00:28:03,920 Speaker 3: That shit was chal jing It was hard. But yes, they. 596 00:28:03,960 --> 00:28:06,880 Speaker 1: Figure out personality, they figure out storylines, they figure out 597 00:28:06,920 --> 00:28:10,600 Speaker 1: who's talking about, who who getting along, and they build it. 598 00:28:10,680 --> 00:28:12,840 Speaker 1: But like I said, I will say, based on what 599 00:28:13,240 --> 00:28:17,240 Speaker 1: I was exposed to, everything that came across was what 600 00:28:17,480 --> 00:28:20,440 Speaker 1: I was expecting. Do I think, Oh yeah, there was 601 00:28:20,640 --> 00:28:23,080 Speaker 1: a few moments that were taken away from it. Like 602 00:28:23,160 --> 00:28:25,000 Speaker 1: I'll say this the scene. I see a lot of 603 00:28:25,040 --> 00:28:27,600 Speaker 1: people talking about it. When I said about the housewives, 604 00:28:28,520 --> 00:28:30,920 Speaker 1: you know, and it was misconstrued because Candice did the 605 00:28:31,000 --> 00:28:35,840 Speaker 1: okie doke on Porsche and then Porsha asked me about it, 606 00:28:36,040 --> 00:28:38,280 Speaker 1: and then they confronted me in the kitchen, which I. 607 00:28:38,360 --> 00:28:40,840 Speaker 3: Will say, and they didn't show that, No, they showed it, 608 00:28:41,440 --> 00:28:42,160 Speaker 3: but like. 609 00:28:42,280 --> 00:28:44,080 Speaker 2: There was a lead up to it, there was a 610 00:28:44,120 --> 00:28:44,680 Speaker 2: build up to it. 611 00:28:45,040 --> 00:28:48,400 Speaker 1: And also I said to Rob love Island, I was like, 612 00:28:48,840 --> 00:28:52,240 Speaker 1: you were your quiet disposition and your good looks. That 613 00:28:52,800 --> 00:28:55,600 Speaker 1: was a people responded to that a little bit more. 614 00:28:56,200 --> 00:28:58,320 Speaker 1: I remember people responding to it a little bit more. 615 00:28:58,400 --> 00:28:59,920 Speaker 1: So they got to do what they gotta do. They 616 00:29:00,040 --> 00:29:02,360 Speaker 1: go to serve twenty three people. They also got an 617 00:29:02,440 --> 00:29:04,600 Speaker 1: hour of Like if they did well, every episode is 618 00:29:04,680 --> 00:29:06,360 Speaker 1: three hours, you could do a whole different thing. 619 00:29:06,400 --> 00:29:08,880 Speaker 3: But who wants to watch that eight seasons? I understand that, 620 00:29:08,960 --> 00:29:10,640 Speaker 3: but they know what they're doing. You were folks on 621 00:29:10,680 --> 00:29:13,480 Speaker 3: the running. I'm saying, listen to what I asked you. 622 00:29:13,560 --> 00:29:17,280 Speaker 3: I said, did you feel what my instincts are seeing there? 623 00:29:17,480 --> 00:29:18,360 Speaker 3: Or is it the editing? 624 00:29:18,480 --> 00:29:19,560 Speaker 2: I was doing that on purpose. 625 00:29:19,720 --> 00:29:22,200 Speaker 3: I knew when I was doing the people, the rolling 626 00:29:22,280 --> 00:29:23,840 Speaker 3: of the eyes and the oh no, no, no no, 627 00:29:24,040 --> 00:29:26,360 Speaker 3: the rolling of the eyes is real. You I didn't 628 00:29:26,360 --> 00:29:28,240 Speaker 3: know this was happening. I didn't see, but you felt 629 00:29:28,240 --> 00:29:30,440 Speaker 3: their attitudes toward you in a little way where like, 630 00:29:30,560 --> 00:29:33,880 Speaker 3: huh do they just note like me? Or yes, yeah, yeah? 631 00:29:34,320 --> 00:29:37,040 Speaker 1: Or is that I wasn't aware of in the the 632 00:29:37,120 --> 00:29:40,480 Speaker 1: early in it, the girl Mora, I wasn't aware of 633 00:29:40,840 --> 00:29:44,360 Speaker 1: her sort of yeah problem. But the yam yam stuff 634 00:29:44,800 --> 00:29:46,760 Speaker 1: it played out on camera, so that was there, and 635 00:29:46,800 --> 00:29:49,360 Speaker 1: there was more of that than obviously. 636 00:29:49,440 --> 00:29:52,480 Speaker 3: Again, there's more of every scene because it's the way 637 00:29:52,560 --> 00:29:53,040 Speaker 3: more time. 638 00:29:53,600 --> 00:29:57,200 Speaker 1: And again there's more of for Coulton storyline, for Johnny 639 00:29:57,280 --> 00:30:00,920 Speaker 1: and Taryllepinsky story and there's you know, everybody's doing things. 640 00:30:01,040 --> 00:30:02,960 Speaker 3: You can't imagine how much is on the cutting room 641 00:30:03,000 --> 00:30:04,440 Speaker 3: floor hours People. 642 00:30:04,400 --> 00:30:06,479 Speaker 2: Hours and hours and hours and hours of footage. 643 00:30:06,520 --> 00:30:09,520 Speaker 1: That's why I think that, like I said, the storytelling, 644 00:30:09,520 --> 00:30:11,800 Speaker 1: I would say the filmmaking, but these storytelling and the 645 00:30:11,960 --> 00:30:16,440 Speaker 1: editing process, Like those editors are awesome editors. They know 646 00:30:16,520 --> 00:30:18,480 Speaker 1: what they're doing and like in all the music, and 647 00:30:19,080 --> 00:30:21,280 Speaker 1: they're just the vibe that it creates, the little stingers 648 00:30:21,320 --> 00:30:24,120 Speaker 1: of room, you know, the cutaways of the fire and 649 00:30:24,200 --> 00:30:26,240 Speaker 1: the you know, the haunted house kind of vibe and 650 00:30:26,280 --> 00:30:30,200 Speaker 1: a lots of it. It's all fantastic. Anyway, three episodes 651 00:30:30,440 --> 00:30:34,440 Speaker 1: of Traders are up. Make sure you follow us on 652 00:30:34,680 --> 00:30:39,680 Speaker 1: Instagram at Rapports Reality and if you've never listened, subscribe, rate, review, 653 00:30:40,000 --> 00:30:41,920 Speaker 1: leave a question, let us know what you want to 654 00:30:41,920 --> 00:30:44,920 Speaker 1: talk about. You have any other questions about Traders. Shaws 655 00:30:45,320 --> 00:30:48,120 Speaker 1: are back, you can't talk about them. Salt Lake City 656 00:30:48,200 --> 00:30:52,240 Speaker 1: is going into its reunion. Mary Cosby is under fire 657 00:30:52,280 --> 00:30:54,360 Speaker 1: because of her documentary. There's so much going on in 658 00:30:54,440 --> 00:30:57,360 Speaker 1: the world of reality TV, but we had to focus 659 00:30:57,440 --> 00:31:02,080 Speaker 1: on these first three episodes of Traders, and uh, you know, 660 00:31:02,160 --> 00:31:03,440 Speaker 1: make sure you tell a friend to tell a friend 661 00:31:03,440 --> 00:31:04,480 Speaker 1: about rapper Ports Reality. 662 00:31:04,520 --> 00:31:05,320 Speaker 2: Love you, baby, I Love you. 663 00:31:11,680 --> 00:31:16,560 Speaker 3: M mm hmmmmmmmm