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Speaker 1: R and B money.

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Speaker 2: We are.

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Speaker 1: Thanks, take out the child. We are the authority on.

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Speaker 3: R and D.

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Speaker 1: Ladies and gentlemen. My name is Tank and this tell

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Speaker 1: him what it is. Ship.

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Speaker 4: Yeah, hold on, hold on, yeah, motherfuckers, Oh, motherfucking yeah.

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Speaker 1: I'm not gonna do long intro. Do you know why? Why?

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Speaker 1: Because the people have been asking, not asking for two interview,

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Speaker 1: demanding interviews, two interviews. One was Jesus and the other

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Speaker 1: one christ Yeah. Yeah, yeah, ship ship, I'm gonna round

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Speaker 1: right now, y'all can't funk with us? Go ahead. I remember,

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Speaker 1: I remember I remember walking into the studio on your

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Speaker 1: second album and you're saying, big brot, I want you

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Speaker 1: to get on. I'm like, okay, cool, you know, come

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Speaker 1: up there. You know, probably gonna help you, right, help you,

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Speaker 1: help you really put the ship together. You know what

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Speaker 1: I'm saying, because that's what I do, help you put

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Speaker 1: your ship together. You know what I'm saying. I'm on

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Speaker 1: a high level. You know, I'm a high level producer,

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Speaker 1: writing and singer. You know you probably need me. I'm

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Speaker 1: on the way and I get in there and you

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Speaker 1: play this song called take My Time, and you said, yeah,

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Speaker 1: big brother, got I got I kind of modeled it

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Speaker 1: off after Sexual Pain and it's already good. You just

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Speaker 1: you just sing your verse, right, this is your verse.

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Speaker 1: And I was like, so he doesn't need it, and bro,

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Speaker 1: it was like the craziest I'd never seen a learning

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Speaker 1: curve that small to where first album it was like

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Speaker 1: people were giving you things, yeah, to learn that was

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Speaker 1: like school. And by your second album you had already

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Speaker 1: figured it out and it was scary to see. I

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Speaker 1: was like, where's he gonna be on his third album?

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Speaker 1: Where's he gonna be? And now too many years later,

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Speaker 1: now it's just records being broken. Now you're just breaking

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Speaker 1: your own records, trying to set againness world records and

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Speaker 1: it's not even it's not even close, you know what

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Speaker 1: I'm saying. We like to start to begin. I just

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Speaker 1: had to start there because I just I just when

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Speaker 1: I felt like I wasn't needed anymore musically, I just

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Speaker 1: kind of myself.

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Speaker 5: But I called him I was like being broken on

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Speaker 5: the record. So it was like I didn't feel the

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Speaker 5: record at that time. It would be like me stealing

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Speaker 5: a record from you. Like what I'm saying that I

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Speaker 5: didn't involve you in the record because I'm like I

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Speaker 5: was inspired by your song to do the song. So

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Speaker 5: I was like, let me now get on the record

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Speaker 5: with me, bro Like, and I can talk. I can

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Speaker 5: talk a little bit more adult now on the song

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Speaker 5: because I'm older, you know.

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Speaker 6: Before I had to learn and be like, oh, I

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Speaker 6: can't say that, I can't say this.

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Speaker 5: And then by the time, like even working with you

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Speaker 5: from Kerry Hillson A Donnis, you know, like working with

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Speaker 5: all these different writers, Dre and Medal all them, like

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Speaker 5: back in the day, I was fifteen fourteen doing that

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Speaker 5: album for my first album.

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Speaker 1: Man, that's that was like learning.

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Speaker 5: So like I said, I was in school, like, Okay,

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Speaker 5: this is how you do it. This is how you

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Speaker 5: make a song. There's a verse a pre course and

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Speaker 5: I didn't know none of that.

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Speaker 1: So you learned that over a summer, bro. Man, that's

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Speaker 1: what it felt like. That's what it felt like. I

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Speaker 1: felt like that, and it took me to the place

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Speaker 1: of being where I was the teacher. It took me

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Speaker 1: to a place of being reverting back to a student. Damn.

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Speaker 1: Like watching him work like that, I was like, okay,

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Speaker 1: he different. No, we literally and I.

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Speaker 2: Don't know if we've ever told you this, but We've

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Speaker 2: literally worked with you, got in a car and then

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Speaker 2: implement it some of the ship you do.

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Speaker 1: Bro, You may look at us like the big brother.

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Speaker 2: No, Nigga, we've literally worked with you and been like, nigga,

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Speaker 2: did you watch out?

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Speaker 1: He and then he did his vocal this way. Oh yeah,

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Speaker 1: like no, we're paying attention.

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Speaker 5: Yeah, that's sporadic. How how we record? Like I learned

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Speaker 5: remember how everybody used to have to record like we

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Speaker 5: have to punch.

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Speaker 1: No, it was really no punching.

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Speaker 5: You had to sing that whole work, right, So once

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Speaker 5: technology got faster, I was like, we can still do

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Speaker 5: the same amount of effort as far as you remember.

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Speaker 5: How how how do my stack? So how's it's it's

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Speaker 5: faster to me because it's like in section and I

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Speaker 5: can just put them all together and then it looks

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Speaker 5: like a painting.

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Speaker 1: So that's what I was kind of learning.

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Speaker 5: So if y'all, if y'all implemented certain ship, I'm like, damn,

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Speaker 5: y'all was looking at what I was doing.

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Speaker 1: I'm stealing. I used to word, it's a great word.

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Speaker 1: You know what I'm saying, Thank you stealing. I'm at

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Speaker 1: the house like Jesus Christ. How we get that. How

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Speaker 1: do we get that? I ain't gonna do the dance

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Speaker 1: move to go over and slow it down a little bit.

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Speaker 1: I ain't make it do that.

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Speaker 2: He's here now, Chris is here, So Chris Brown, that's

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Speaker 2: Nigga Brown. Just so you know, that's Nigga Brown over there.

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Speaker 2: And he always mentions you when he mentions his dance

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Speaker 2: move for some.

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Speaker 1: Odd reason, because you have to understand, I'm the older

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Speaker 1: version of Chris Brown. Since this genuine won't do the dances.

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Speaker 1: You know what I'm saying, I tell the nigga. The

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Speaker 1: nigga first of all, come on, do to the fucking

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Speaker 1: pony dance. He won't do the fucking pony dance. So

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Speaker 1: it ubsess me. So now I got to pick up

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Speaker 1: the mantle. I gotta go back to my freaky days.

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Speaker 1: You know what I'm saying. Video I'm doing summersaults. You

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Speaker 1: know what I'm saying. I'm blowing up fucking buildings. You

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Speaker 1: know what I'm saying, Like, I got to go back

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Speaker 1: to those days just to show people I'm really that. Yeah,

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Speaker 1: So what are you telling you is he was yusie

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Speaker 1: for you? No, I'm not saying that. What I'm saying

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Speaker 1: is don't don't think I ain't got feet. Y'all got

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Speaker 1: I got feet. They don't all work the same. No, Brown,

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Speaker 1: the two left feet, it's the left them. Let's talk

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Speaker 1: to the beginning then of when when did somebody identify

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Speaker 1: that you had something special?

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Speaker 5: Or when did you I mean, as you know, like

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Speaker 5: I think I was like probably about nine when I

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Speaker 5: was like, Okay, I actually can sing. I was in

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Speaker 5: the choir and I was like oo, they gave me

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Speaker 5: the leads and I was like, I'm seeing people like

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Speaker 5: yeah baby when I sing church Yeah, And I'm like, yeah, oh,

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Speaker 5: I really sound good to these people because you know,

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Speaker 5: your family members always hate man, shut up, you don't

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Speaker 5: sound like So I really took a series like nine

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Speaker 5: to ten, and then my mom was we were in

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Speaker 5: Tapper handing, and I was like, look I met these people.

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Speaker 5: We just got to drive like an hour and a

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Speaker 5: half away, Like you met the people, Yeah, I met him.

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Speaker 5: I met the people through through through like one guy.

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Speaker 5: I met him through like three different people. So I

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Speaker 5: maintained a close relationship with a guy that was around

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Speaker 5: my age and we and we always did music, but

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Speaker 5: he would he would always dance, so he'll take me

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Speaker 5: to like the radio shows, like, look, let's go up

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Speaker 5: to the radio station while they doing like they knew

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Speaker 5: artist stuff. Let's let's see if we can slide in

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Speaker 5: there and we just play our stuff and we just dance.

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Speaker 1: So I hung with him, and then he got.

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Speaker 5: Noticed by like Troy Taylor's people and a group of

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Speaker 5: different different uh like guys that they knew around the

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Speaker 5: Virginia area. So from there we started working and then

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Speaker 5: I met the people I met in New York and

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Speaker 5: so now that was like all in like a three

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Speaker 5: to four year process. But it was like as soon

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Speaker 5: as I said, Mom, want to do this, it was

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Speaker 5: like basketball practice. Okay, drive, I don't know what You're

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Speaker 5: in the studio till six in the morning, Drive back nine.

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Speaker 1: To eight and what age? And shit ten eleven? Oh man, yeah,

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Speaker 1: ten yeah, Mama. Mama.

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Speaker 5: Mama was son the vision and she and she made

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Speaker 5: sure I still went took my ass to school. But

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Speaker 5: at the same time, she was like, all right, if

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Speaker 5: you want to do this, you're gonna have to have

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Speaker 5: the same discipline and you can't be slacking off on

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Speaker 5: certain shit.

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Speaker 1: So I got too.

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Speaker 5: Much energy as it is, so I was like shit,

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Speaker 5: I'm not feeling I'm finna do this.

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Speaker 1: Sorry. People writing songs for y'all, like producing songs. Yeah,

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Speaker 1: a group, like what's going on? Uh?

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Speaker 5: Well, I was never I was never in a group.

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Speaker 5: The only group I was in was with my boy TJ.

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Speaker 5: Shout out to TJ.

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Speaker 6: Free him.

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Speaker 5: Uh but for him, yeah, yeah, yeah he yeah, he'd

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Speaker 5: be out in the buy the some time. But back

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Speaker 5: in the day, he was the rapper, you know what

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Speaker 5: I'm saying. And I would get on the songs with

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Speaker 5: him and just be on the courses like you know,

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Speaker 5: do hooks and stuff, and we would write little stuff

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Speaker 5: and it really won't like good at the time when

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Speaker 5: we was young, but it was for our age.

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Speaker 6: It was like exceptional, Like okay.

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Speaker 1: Y'all got your potention. Remember he was man my fans,

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Speaker 1: my my rap name.

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Speaker 5: So he was TJ nice and see sizzle, so you

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Speaker 5: was you was a sizzle man. It was I was

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Speaker 5: playing basketball, so sizzle was a word you can say.

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Speaker 1: Back then, I wouldn't be Hurricane and these.

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Speaker 5: He niggas would have never made it the hell out.

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Speaker 5: We wouldn't have made it get him out of here.

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Speaker 2: I would have been the punk ass executive, y'all come

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Speaker 2: sing like, man, if you don't get sizzled and hurricane.

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Speaker 1: The funk out of here. Man again, bro, look at

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Speaker 1: R and B. Look what R and B is down

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Speaker 1: for y'all too? Man, what was the next level up?

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Speaker 1: When it was like when was it like, Okay, this

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Speaker 1: ship is getting serious or we found a record or

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Speaker 1: we found a moment where so when I started, pros

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Speaker 1: are starting now.

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Speaker 5: So I had my first I think it got serious

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Speaker 5: to me when I booked my and this had nothing

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Speaker 5: to do with music at the time, but because we

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Speaker 5: showcased our musical talent, we booked the job. It was

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Speaker 5: for a g unit campaign, right, and so like I

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Speaker 5: was like, you know what, fifty.

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Speaker 1: C Hes gonna be able to see this. He gonna

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Speaker 1: be at the folk at the shoot.

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Speaker 5: We can give my demo, we can sing, you know,

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Speaker 5: the typical like y'all want to get signs ship. So

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Speaker 5: we actually did that audition. They was like, man, you

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Speaker 5: kids are phenomenal, and they booked us. Boom, we got there.

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Speaker 5: We were backstage with all of them, like, but I

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Speaker 5: never really hung with Fifty at that time. He just

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Speaker 5: was always respectful, like what's up y'all boom. But we

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Speaker 5: was around Lloyd Banks a couple of different guys. But

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Speaker 5: we were bad little kids, like you know what I'm saying.

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Speaker 5: We already had weed and ship like, so we was

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Speaker 5: like we're trying to smoke our weed on the side.

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Speaker 6: They're like, man, what y'all doing? And so like nah,

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Speaker 6: we wrapped and we see.

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Speaker 5: So we started performing with them and then they was like,

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Speaker 5: you know what, man, y'all niggas is dope.

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Speaker 6: And then I remember.

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Speaker 5: One niggas like man, but we don't know how to

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Speaker 5: fuck markt No, damn kids, we some gangsters. So I

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Speaker 5: was like, so I was like, damn, Like I understood it.

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Speaker 5: But it was just like, Okay, this ship is about

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Speaker 5: to be real for us because other artists actually looking

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Speaker 5: and that not saying the typical art that's cool, you

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Speaker 5: know what I'm saying.

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Speaker 1: So like real real artists and people.

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Speaker 6: Was looking up.

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Speaker 1: There was the hottest group at the time, you know

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Speaker 1: what I'm saying.

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Speaker 5: So like for us, that was like seeing seeing gods,

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Speaker 5: like okay, cool, we get to see all our all

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Speaker 5: our idols in one and they like our stuff. And

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Speaker 5: then from there our demo tapes started going out like

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Speaker 5: we had a but I was only how I I

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Speaker 5: discovered I had a solo song that I did.

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Speaker 6: It's called Who's Girl Is that? You can go look

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Speaker 6: at her YouTube.

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Speaker 5: I was like, I think I was twelve or thirteen

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Speaker 5: when I shot it, So this was yeah, so so,

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Speaker 5: but it was like back then, you know, that was that.

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Speaker 5: It was like the bootleg videos, you know how man,

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Speaker 5: it's got to be two thousand and what three two?

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Speaker 1: Might it might have been on DVD? I thought I

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Speaker 1: thought it might have been on VHS.

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Speaker 6: No, no, no, we had we had it on the debut.

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Speaker 1: Yeah, yeah, yeah.

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Speaker 6: If it was VHS, I would be like, oh you

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Speaker 6: heard that the popping up for.

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Speaker 1: The video stuff. Yeah.

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Speaker 5: But when we did we did the video like it

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Speaker 5: wasn't It wasn't really expensive, but you know, because it

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Speaker 5: was independent, we was like, okay, cool, we're gonna we're

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Speaker 5: gonna shoot it like this and the demo tape. Actually

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Speaker 5: the video didn't even go out because we didn't have

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Speaker 5: no platform to put it on.

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Speaker 6: We would just ship ship it or shop it with

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Speaker 6: our demos.

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Speaker 5: So the demo I was number seven out of a

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Speaker 5: song of maybe like twenty eight, but with seven different

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Speaker 5: or seven or eight different artists.

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Speaker 6: It was like a damn mixtape mixed up.

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Speaker 1: Yeah.

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Speaker 5: So but basically they were shopping it out to other

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Speaker 5: labels to see and I remember Tina Davis to this

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Speaker 5: day shout out to Teena Davis. She she listened to

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Speaker 5: the songs like who's this kid? And then I want

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Speaker 5: to meet this kid? And that's when I went to

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Speaker 5: death Jam and she had to meeting with us, and

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Speaker 5: then from there they wanted to sign us, and then

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Speaker 5: you know, a merger happened. She left and I was like,

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Speaker 5: hold on, but Tina, you listened to me first, so

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Speaker 5: could you you want to manage me? I don't got

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Speaker 5: no manage You're like, She's like cool, but you want

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Speaker 5: to stay here?

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Speaker 1: Or I can get you some other deals? I said you,

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Speaker 1: So does the company get the deal and you're part

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Speaker 1: of that deal.

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Speaker 5: So what it was was the company did a deal

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Speaker 5: with me when I ended up signing with with job

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Speaker 5: at the time, the company, we we just paid them

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Speaker 5: out for the work that they already did, and then

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Speaker 5: we gave them points on the album and they would away. Yeah,

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Speaker 5: so they always get credited, so that that that classic album.

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Speaker 5: They're always going to eat from it, you know what

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Speaker 5: I'm saying. So the way I looked at it was

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Speaker 5: it was cool because they didn't hold me into a nah,

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Speaker 5: you gotta.

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Speaker 6: Be like this, we get we taking your publishing, they

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Speaker 6: need all this.

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Speaker 1: They didn't. They didn't strong arm at all because and

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Speaker 1: they believed in the dream. You get what I'm saying

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Speaker 1: to this day.

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Speaker 5: TJ's father was the guy who who really put it together.

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Speaker 5: So me and TJ are brothers, even with his kids

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Speaker 5: with everything. So it's like, how how I looked at

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Speaker 5: it was like.

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Speaker 6: Damn, they gave me a shot and they let me.

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Speaker 6: They let me do what I needed to do.

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Speaker 2: Because there have been labels that have held artists and

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Speaker 2: you never get a chance to see if an artist

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Speaker 2: is going to become a star because they're just trying

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Speaker 2: to do what they consider to be business instead of

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Speaker 2: actually caring about the artists.

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Speaker 1: Yeah. Yeah.

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Speaker 5: And then Mark Pitts how they did it with us.

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Speaker 5: With Mark Pitts, uh, the actual production company I was

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Speaker 5: working with. They they brought me right to Mark Pits

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Speaker 5: with Tina. So when we went to a job, they

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Speaker 5: was like, you know what, we don't want to let

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Speaker 5: y'all leave the building, like and I built a bigger

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Speaker 5: rapport with Mark out of any other A and R

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Speaker 5: that I would meet, Like, you know, Kevin Lowles was

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Speaker 5: cool as hell, but like Mark Pitts was like more young.

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Speaker 5: He was energetic, like he was like, hey man, let's

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Speaker 5: and you know job had everybody too. They had Britney Spears,

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Speaker 5: Aaron Carter at the time, recipes, uh r, Kelly, they

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Speaker 5: had everybody.

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Speaker 1: You know what I'm saying.

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Speaker 5: So I'm looking like who who's going to be the

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Speaker 5: best for the genre that I'm doing.

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Speaker 1: Who's going to be the best R and B genre?

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Speaker 1: You're already thinking about that fourteen?

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Speaker 6: Yeah, because I needed.

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Speaker 1: I needed.

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Speaker 5: I always always wanted to execute a plan and know

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Speaker 5: that it comes with a lot of shit, Like you

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Speaker 5: know what I'm saying, Like I'm not okay, I'm not

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Speaker 5: gonna just do this right now to get some girls

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Speaker 5: and then go back home. Anything I could do to

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Speaker 5: not go back home, like you know what I'm saying,

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Speaker 5: to elevate my life, I think I planned. I'm very imaginative,

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Speaker 5: so my.

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Speaker 1: My, what is it called?

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Speaker 6: My manifestations were already like years in advance.

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Speaker 1: Like I want to do this, so you know, so

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Speaker 1: you said, Tina Davis shout out to Tena Davis shout

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Speaker 1: out to the area. Yeah, yeah, what's your when you

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Speaker 1: get with Tina Davis? What is what is? First of all,

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Speaker 1: you spoke on it just like a little bit in

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Speaker 1: terms of you saying like something was something about her

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Speaker 1: made sense for you, in terms of saying, you know,

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Speaker 1: I want to roll with you. Yeah, what was that

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Speaker 1: thing that you just connected with that just made you

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Speaker 1: like because that's a different type of because you already

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Speaker 1: in a building. Yeah, I feel like, well she did.

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Speaker 5: She really kind of like showed me the first the

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Speaker 5: first ten minutes of me being in the office because

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Speaker 5: we came in there, Me and TJ came in there

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Speaker 5: red rags on beads like.

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Speaker 1: I had to get it.

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Speaker 5: We came we came on some gangs, trying to look tough.

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Speaker 5: She's like, take that ship off, take all that off.

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Speaker 6: Boom boom.

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Speaker 5: And when we when I started performing, she would be like,

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Speaker 5: stop do this when you perform, act like that.

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Speaker 6: This person the only person.

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Speaker 5: So she gave me direction that i've that I've never experienced,

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Speaker 5: and I was like, this is the sharpening that I

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Speaker 5: need in order.

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Speaker 1: To be big. You gee what I'm saying.

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Speaker 5: So once once she did that, I was like, damn,

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Speaker 5: she believed in me and gave me a chance with

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Speaker 5: somebody could have they could have just let me go

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Speaker 5: out how I thought it was gonna be.

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Speaker 1: And then it was like, we don't want this.

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Speaker 6: You know what I'm saying.

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Speaker 1: We don't want this kid.

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Speaker 6: She shaped it.

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Speaker 5: So I was like, you know what, I don't want

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Speaker 5: to I don't want to traverse through this whole kind

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Speaker 5: of thing and not know where the fuck.

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Speaker 6: I'm going that right there.

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Speaker 5: I want to see if she wants to manage me

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Speaker 5: or be a part of it, because she she kind

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Speaker 5: of like open the spark up in my in my

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Speaker 5: creative brain or seeing what I really needed to be.

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Speaker 1: And I think I'm the reason I was asking you

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Speaker 1: that is because as as like just as new artists emerged,

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Speaker 1: I think, you know, we see we see new artists

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Speaker 1: with this we definitely a great level of confidence. But

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Speaker 1: I want artists to make sure they' putting themselves in

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Speaker 1: a position with people that challenge them. Yeah, challenge them

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Speaker 1: to be better.

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Speaker 5: What is it called what we conditioning? Not conditioning like

386
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Speaker 5: when we were younger, you have to go through artists,

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Speaker 5: developments development.

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Speaker 1: That's what it was.

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Speaker 5: So so as far as what we have to do

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Speaker 5: is like you got to go through media training.

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Speaker 6: You gotta go.

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Speaker 5: You got to know how to answer a question, like

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Speaker 5: you got to know how to think about lost art.

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Speaker 1: You got to lead the interview. Yeah, like there they

395
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Speaker 1: have a goal. But I have a fucking call, right, fact,

396
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Speaker 1: I got ship that I'm selling. Yeah exactly, Okay, what

397
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Speaker 1: question you asked me? We don't get back to this

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Speaker 1: fucking I promise you. That takes preparation, though. That takes preparation.

399
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Speaker 1: And I remember my first time meeting you in New York.

400
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Speaker 2: I think he was like fourteen, maybe about to be fifteen,

401
00:17:20,160 --> 00:17:23,280
Speaker 2: at Ethiopia's office when she was in publishing at the

402
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Speaker 2: time at the Universal Music Publishing Company. And I was

403
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Speaker 2: there on the writing trip and I never forget he

404
00:17:29,160 --> 00:17:32,120
Speaker 2: walked in there. She said, it's a kid you got

405
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Speaker 2: to meet. She's like, you have to meet him. She's like,

406
00:17:34,960 --> 00:17:36,320
Speaker 2: he only in here for minute, but you got to

407
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Speaker 2: meet him. And she brought you to that room, and

408
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Speaker 2: I literally, like you said, within five ten minutes, I

409
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Speaker 2: was like, oh, he about to be the biggest on

410
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Speaker 2: the road.

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Speaker 1: He was in the writing room. I was in the

412
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Speaker 1: little writing room. I was in the little writing room.

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Speaker 2: I was like, Yo, whoever the fuck that is that nigga?

414
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Speaker 1: Everybody in trouble. She's like, you know how that is

415
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Speaker 1: because she was signing you from a publishing seat.

416
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Speaker 2: She was working with you on that, so you know,

417
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Speaker 2: of course it's it's kind of one of those and

418
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Speaker 2: you know the stage where everybody everywhere you're going before

419
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Speaker 2: you crack off, your auditioning everywhere pretty much just in

420
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Speaker 2: your personality whatever it is.

421
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Speaker 1: So when I tell her, she's like, yeah, I think

422
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Speaker 1: you start. I'm like, yo, he got it.

423
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Speaker 2: It's like he has it, And I hadn't seen anything

424
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Speaker 2: like that because to me, you were already even at

425
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Speaker 2: fourteen fifteen, in my opinion, you were already in the

426
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Speaker 2: space of, oh, he's going to be able to transition

427
00:18:33,000 --> 00:18:36,719
Speaker 2: into an adult artist too, even though you hadn't put

428
00:18:36,760 --> 00:18:39,719
Speaker 2: out none of your kid record. I saw it with

429
00:18:39,760 --> 00:18:41,760
Speaker 2: you and just from your personality back, you know, but

430
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Speaker 2: what they used to call call it managed nigga, he

431
00:18:45,760 --> 00:18:46,320
Speaker 2: was managed.

432
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Speaker 1: Yeah.

433
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Speaker 6: I was looking at everything.

434
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Speaker 1: With a skirt.

435
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Speaker 7: Who that what's the name? I'm like, that's the country.

436
00:19:00,520 --> 00:19:03,960
Speaker 7: It starts early in the country. Yeah, you grow fast

437
00:19:04,000 --> 00:19:05,359
Speaker 7: and fastest, so.

438
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Speaker 1: You're making when you get with you now you start

439
00:19:07,800 --> 00:19:11,280
Speaker 1: making rounds. Yeah right, because you you made you made

440
00:19:11,359 --> 00:19:14,680
Speaker 1: heavy rounds very early that most most new artists don't

441
00:19:14,680 --> 00:19:17,520
Speaker 1: get to make. You know what I'm saying. And you

442
00:19:17,560 --> 00:19:21,040
Speaker 1: made a stop at the underdogs. Oh yeah, facts, oh yeah,

443
00:19:21,240 --> 00:19:25,320
Speaker 1: And I'm looking at this little nigga, I'm like, okay,

444
00:19:26,119 --> 00:19:26,320
Speaker 1: I was.

445
00:19:26,800 --> 00:19:28,440
Speaker 5: I was nervous to though, I ain't a lot going

446
00:19:28,440 --> 00:19:30,680
Speaker 5: in there with y'all because you gotta think I'm still

447
00:19:30,800 --> 00:19:34,520
Speaker 5: learning singing, like it's still I had a natural talent,

448
00:19:34,600 --> 00:19:36,720
Speaker 5: but like to be in there and and here y'all

449
00:19:36,840 --> 00:19:38,560
Speaker 5: running scales all that.

450
00:19:38,640 --> 00:19:39,840
Speaker 6: I'm in there sweating.

451
00:19:40,160 --> 00:19:42,440
Speaker 1: But I'm not going to let you. You were scared

452
00:19:43,000 --> 00:19:46,320
Speaker 1: you was going back with us though, he was like

453
00:19:49,680 --> 00:19:55,320
Speaker 1: devil at him. I'm like, can you dance? He said, yeah, nigga.

454
00:19:55,560 --> 00:20:01,119
Speaker 1: I was like you then. I think it was a

455
00:20:01,200 --> 00:20:04,080
Speaker 1: DVD or tape of something, and I said.

456
00:20:03,920 --> 00:20:05,520
Speaker 5: That showed you the whole I say, that's when we

457
00:20:05,520 --> 00:20:07,560
Speaker 5: did the little school runs and I was showing you

458
00:20:07,800 --> 00:20:10,159
Speaker 5: like the performance, said, oh you you can.

459
00:20:11,720 --> 00:20:14,800
Speaker 1: Yeah. I'm just I'm just trying to find a win.

460
00:20:14,880 --> 00:20:17,640
Speaker 1: I'm like, can you hoop niggas? Yeah, niggas, I can hoop. Yeah,

461
00:20:18,359 --> 00:20:24,159
Speaker 1: let's And it was like at every turn it was

462
00:20:24,200 --> 00:20:30,280
Speaker 1: like this nigga is different. This nigga do everything we sing,

463
00:20:31,119 --> 00:20:38,080
Speaker 1: he danced, he hoop, he managed. I love this nigga

464
00:20:38,880 --> 00:20:45,160
Speaker 1: and not to speed forward. But there was a point

465
00:20:45,200 --> 00:20:48,680
Speaker 1: where I was like, Okay, first you get a here record,

466
00:20:48,720 --> 00:20:54,080
Speaker 1: let's start there. Out the gate, out the gate. There

467
00:20:54,119 --> 00:20:56,280
Speaker 1: was no sputter for you at all. I was. I

468
00:20:56,320 --> 00:20:57,959
Speaker 1: was just surprised though I was.

469
00:20:58,080 --> 00:21:00,720
Speaker 5: I was like, I didn't even realize how big the

470
00:21:00,760 --> 00:21:03,320
Speaker 5: record was gonna be, Like not to kill it now.

471
00:21:03,440 --> 00:21:06,159
Speaker 5: But I hated the record because I was doing R

472
00:21:06,200 --> 00:21:08,960
Speaker 5: and B R and B songs, so like Scott Stories,

473
00:21:08,960 --> 00:21:11,280
Speaker 5: I was like, man, I don't know what a hit is,

474
00:21:11,320 --> 00:21:12,800
Speaker 5: so I'm not gonna tell him that this is.

475
00:21:12,760 --> 00:21:14,920
Speaker 1: Not a hit, right, And he got a gang of hits. Yeah.

476
00:21:14,960 --> 00:21:17,040
Speaker 1: So I sat in there like, man, I don't really

477
00:21:17,080 --> 00:21:18,360
Speaker 1: like this song me in Miami.

478
00:21:18,920 --> 00:21:20,560
Speaker 5: I'm trying to tell teen and all them, like, I

479
00:21:20,560 --> 00:21:22,639
Speaker 5: don't think this is fun me this song ain't. We

480
00:21:22,720 --> 00:21:25,080
Speaker 5: got so many other songs like the your song.

481
00:21:25,119 --> 00:21:28,080
Speaker 1: The your song. I'm like, so.

482
00:21:28,240 --> 00:21:30,119
Speaker 5: I'm thinking all of that type because I wanted to

483
00:21:30,119 --> 00:21:33,480
Speaker 5: be more, more vulnerable or not, but I also wanted

484
00:21:33,480 --> 00:21:34,960
Speaker 5: to kick ass on the dance and I wanted to

485
00:21:35,000 --> 00:21:37,040
Speaker 5: show off that. So they was like, nah, trust me,

486
00:21:37,400 --> 00:21:39,920
Speaker 5: this is it put it out and I didn't. When

487
00:21:39,920 --> 00:21:42,760
Speaker 5: it blew up, I said, what the It's like, I'm

488
00:21:42,800 --> 00:21:45,120
Speaker 5: still in like, what is it called imposter syndrome?

489
00:21:45,440 --> 00:21:46,240
Speaker 1: To this day, I.

490
00:21:46,160 --> 00:21:48,000
Speaker 5: Still know the feeling of how I felt when that

491
00:21:48,040 --> 00:21:57,400
Speaker 5: shit went crazy.

492
00:22:01,000 --> 00:22:02,399
Speaker 2: So when you do your difference, we went by that

493
00:22:02,440 --> 00:22:05,040
Speaker 2: because I always asked this question, and at this point

494
00:22:05,080 --> 00:22:07,000
Speaker 2: you're like fourteen fifty fifteen, when first you get to

495
00:22:07,040 --> 00:22:10,359
Speaker 2: do did they let you touch the money?

496
00:22:11,440 --> 00:22:13,160
Speaker 5: So how I did it? See a lot of people

497
00:22:13,160 --> 00:22:14,840
Speaker 5: don't know. I didn't get signed for like you know

498
00:22:14,840 --> 00:22:16,320
Speaker 5: how people get signed for. Oh I got signed for

499
00:22:16,400 --> 00:22:17,040
Speaker 5: me and eight men.

500
00:22:17,160 --> 00:22:17,920
Speaker 6: Back then it.

501
00:22:17,880 --> 00:22:21,080
Speaker 5: Won't So I got signed for like one hundred and

502
00:22:21,080 --> 00:22:24,320
Speaker 5: fifty kay, right and so and then from there, because

503
00:22:24,359 --> 00:22:27,679
Speaker 5: I was under age, my mom was in control of it.

504
00:22:27,760 --> 00:22:29,000
Speaker 1: But most of it would be like in.

505
00:22:29,040 --> 00:22:32,280
Speaker 5: A trust yeah yeah, the Coogan account, yeah, cooglandcount so

506
00:22:32,280 --> 00:22:34,400
Speaker 5: I wouldn't be able to touch it. So obviously we could

507
00:22:34,520 --> 00:22:36,280
Speaker 5: she could go and withdraw stuff if I wanted to

508
00:22:36,320 --> 00:22:38,639
Speaker 5: make purchases or I wanted to do stuff. But nah,

509
00:22:38,680 --> 00:22:41,800
Speaker 5: I still was every bit of a teenager that they

510
00:22:41,840 --> 00:22:42,199
Speaker 5: made me.

511
00:22:42,320 --> 00:22:44,680
Speaker 1: So as a teenager's the what's the first thing you buy?

512
00:22:45,320 --> 00:22:46,439
Speaker 6: Oh?

513
00:22:46,600 --> 00:22:50,640
Speaker 1: Do you escalate? Bro? Off? The deal that what you got?

514
00:22:50,840 --> 00:22:51,720
Speaker 6: No, you know what it was?

515
00:22:51,720 --> 00:22:54,200
Speaker 5: Was it an escalator? And it was like an, I

516
00:22:54,240 --> 00:22:56,399
Speaker 5: don't know if it's not. It might have been escalator

517
00:22:56,560 --> 00:22:58,879
Speaker 5: or for Ford something. I remember it's a big truck.

518
00:22:59,000 --> 00:22:59,720
Speaker 1: It's been a while.

519
00:23:00,520 --> 00:23:02,960
Speaker 5: I had the Lamborghina doors on it, and like I

520
00:23:03,040 --> 00:23:06,240
Speaker 5: put the doors that come up, like your first car,

521
00:23:06,600 --> 00:23:07,399
Speaker 5: your first car.

522
00:23:07,320 --> 00:23:11,880
Speaker 1: Had Lamborghina doors. This is getting I was about to get.

523
00:23:12,080 --> 00:23:14,199
Speaker 6: I swear I was about to get a Honda Civic.

524
00:23:14,240 --> 00:23:18,840
Speaker 1: Bro, I was about to get a Putt that was

525
00:23:19,080 --> 00:23:19,960
Speaker 1: gonna be my first car.

526
00:23:20,040 --> 00:23:24,800
Speaker 2: But it was like it's definitely your uncle God, you

527
00:23:24,960 --> 00:23:26,679
Speaker 2: definitely gotta be real related.

528
00:23:26,720 --> 00:23:29,800
Speaker 1: So sure, because I was gonna do with the suicide

529
00:23:30,320 --> 00:23:32,080
Speaker 1: man the butterfly doors.

530
00:23:32,320 --> 00:23:36,879
Speaker 5: Yeah, bro, Like I'm from I'm from partial South, like

531
00:23:36,960 --> 00:23:37,840
Speaker 5: Virginia is the South.

532
00:23:38,119 --> 00:23:40,119
Speaker 1: But you know what I'm saying, So you don't just

533
00:23:40,200 --> 00:23:49,359
Speaker 1: listen to what DC Maryland, Like what d C and Maryland?

534
00:23:49,600 --> 00:23:55,160
Speaker 1: They mirror the South, Yeah, period, like we mirror everything South,

535
00:23:55,440 --> 00:23:57,280
Speaker 1: like we went through East Coast phase with Big Ee,

536
00:23:58,400 --> 00:23:59,920
Speaker 1: but we mirror the fast money.

537
00:24:00,160 --> 00:24:01,080
Speaker 6: Was it Tappahannock?

538
00:24:01,119 --> 00:24:05,120
Speaker 1: Definitely just cash money? Was you you?

539
00:24:05,240 --> 00:24:05,440
Speaker 2: Yeah?

540
00:24:06,680 --> 00:24:07,120
Speaker 6: Everybody?

541
00:24:07,160 --> 00:24:09,920
Speaker 2: You know, your purchase is the best one that we've had.

542
00:24:10,480 --> 00:24:13,040
Speaker 2: What nigga, that's sixteen you bought?

543
00:24:13,119 --> 00:24:14,959
Speaker 5: But I had the amps in the back too. I

544
00:24:14,960 --> 00:24:16,520
Speaker 5: had like I ain't gonna lie. I took out the

545
00:24:16,520 --> 00:24:20,400
Speaker 5: whole back seat. It's like it was like six six sixteen.

546
00:24:20,040 --> 00:24:25,120
Speaker 2: And knocking locking, He's full nigga.

547
00:24:26,240 --> 00:24:28,399
Speaker 5: I was in Virginia thinking, I was, you know, you.

548
00:24:30,280 --> 00:24:32,520
Speaker 1: Pull up on that skating ring with that Oh god,

549
00:24:32,560 --> 00:24:37,400
Speaker 1: it it's lik first hit record. What changes for you

550
00:24:37,720 --> 00:24:40,480
Speaker 1: in your mind? Now? I mean now it's not now.

551
00:24:40,640 --> 00:24:42,879
Speaker 1: Now it's not guesswork. Now things are like this is

552
00:24:42,880 --> 00:24:45,280
Speaker 1: what I do. Now, things are automatic. Now, things are

553
00:24:45,320 --> 00:24:48,200
Speaker 1: like it's more so what I need I can get.

554
00:24:49,760 --> 00:24:51,120
Speaker 5: It kind of was like you know, when the kid,

555
00:24:51,160 --> 00:24:52,840
Speaker 5: when I could just go to the movies with my

556
00:24:52,840 --> 00:24:53,800
Speaker 5: homeboys walking.

557
00:24:53,680 --> 00:24:56,200
Speaker 6: Because I did everything as a as a regular kid.

558
00:24:56,320 --> 00:24:56,920
Speaker 1: You know what I'm saying.

559
00:24:57,000 --> 00:24:59,400
Speaker 5: Even being in Harlem, to be in Virginia like I did,

560
00:24:59,440 --> 00:25:02,040
Speaker 5: like regular shit, So I was used to being around

561
00:25:02,040 --> 00:25:04,159
Speaker 5: people and being in an environment. As soon as that

562
00:25:04,320 --> 00:25:06,879
Speaker 5: song went crazy, I couldn't go nowhere. I couldn't go

563
00:25:06,880 --> 00:25:09,280
Speaker 5: to the mall. Like if I walked outside of the

564
00:25:09,320 --> 00:25:11,320
Speaker 5: neighborhood that I was in, it would be people running

565
00:25:11,320 --> 00:25:13,800
Speaker 5: down the street like, so I.

566
00:25:13,800 --> 00:25:15,080
Speaker 1: Was still in Virginia. No.

567
00:25:15,240 --> 00:25:16,760
Speaker 5: Well, and but Jay took me out of Virginia as

568
00:25:16,800 --> 00:25:18,840
Speaker 5: soon as as soon as I shot the deal, like

569
00:25:18,920 --> 00:25:20,680
Speaker 5: I think my record came on. I was in tenth

570
00:25:20,760 --> 00:25:22,399
Speaker 5: grade when my song came out when I got my

571
00:25:22,440 --> 00:25:25,359
Speaker 5: record deal, so and I didn't leave school until after

572
00:25:25,440 --> 00:25:27,760
Speaker 5: my song had already hit the radio. So they's like,

573
00:25:27,800 --> 00:25:29,600
Speaker 5: we got to pull them, we gotta, we gotta get

574
00:25:29,640 --> 00:25:31,679
Speaker 5: them out of there. So then from there, I went

575
00:25:31,720 --> 00:25:35,240
Speaker 5: from Virginia to Jersey, so so I could be closer

576
00:25:35,280 --> 00:25:37,080
Speaker 5: to uh, New York. But I couldn't even walk down

577
00:25:37,080 --> 00:25:39,159
Speaker 5: the street there like I was. We would literally have

578
00:25:39,200 --> 00:25:41,680
Speaker 5: to drive in the garage every time we come home

579
00:25:41,920 --> 00:25:44,080
Speaker 5: and shut the door. So nobody knows what's.

580
00:25:43,920 --> 00:25:46,280
Speaker 1: The what's the mindset of that for you?

581
00:25:46,960 --> 00:25:49,800
Speaker 2: As this sixteen year old fifteen sixteen year old kid, like,

582
00:25:50,000 --> 00:25:52,440
Speaker 2: how does it? Because that's the one thing it's bro,

583
00:25:53,720 --> 00:25:55,440
Speaker 2: And I know, I know he can attest to this

584
00:25:56,200 --> 00:25:59,000
Speaker 2: because we are all so close and we've all known

585
00:25:59,000 --> 00:26:00,000
Speaker 2: each other for so long.

586
00:26:01,440 --> 00:26:04,160
Speaker 1: We have so many conversations that come to.

587
00:26:04,160 --> 00:26:10,760
Speaker 2: Us about you, right, and my things always been. I

588
00:26:11,240 --> 00:26:13,400
Speaker 2: can't tell him. I can only tell him so much

589
00:26:13,520 --> 00:26:17,440
Speaker 2: because I haven't had that experience. And that's a very

590
00:26:17,480 --> 00:26:19,920
Speaker 2: real thing that I think people have never truly taken

591
00:26:19,920 --> 00:26:24,560
Speaker 2: into account that, Bro, this has been your life since

592
00:26:24,680 --> 00:26:28,879
Speaker 2: fifteen years old, Like, just tell me if you can

593
00:26:28,960 --> 00:26:31,199
Speaker 2: remember that as being like a fifteen year old, Like, yo,

594
00:26:31,200 --> 00:26:33,720
Speaker 2: they're pulling me out of school. I can't go outside,

595
00:26:33,760 --> 00:26:35,320
Speaker 2: I can't go to the movies.

596
00:26:35,720 --> 00:26:37,800
Speaker 1: You know, a lot of kid no more because of

597
00:26:37,880 --> 00:26:41,119
Speaker 1: my challenging spirit. I like challenges.

598
00:26:41,320 --> 00:26:44,480
Speaker 6: It was amazing thing because could I be real?

599
00:26:44,800 --> 00:26:47,679
Speaker 5: Because guess what if? Well, now I'm gonna look at

600
00:26:47,680 --> 00:26:49,320
Speaker 5: the bright side. I ain't got to be in school.

601
00:26:50,680 --> 00:26:52,280
Speaker 5: I ain't got to be I could do my I

602
00:26:52,280 --> 00:26:52,760
Speaker 5: got a two do.

603
00:26:53,359 --> 00:26:54,520
Speaker 1: I don't got to be there. I could do.

604
00:26:54,600 --> 00:26:55,240
Speaker 6: I can go out.

605
00:26:55,400 --> 00:26:57,360
Speaker 1: Did you finish? I'm going yeah I did, if you did.

606
00:26:57,520 --> 00:26:59,240
Speaker 6: But I ain't gonna lie. I took the first two

607
00:26:59,320 --> 00:27:00,000
Speaker 6: years off.

608
00:27:00,560 --> 00:27:03,320
Speaker 1: Of high school though college.

609
00:27:04,040 --> 00:27:07,600
Speaker 5: Yeah, so I was originally supposed to be the seven.

610
00:27:07,680 --> 00:27:11,520
Speaker 5: I'm kind of yeah, so.

611
00:27:10,960 --> 00:27:13,120
Speaker 1: So technically your two years younger to Yeah, I'll take

612
00:27:13,119 --> 00:27:13,959
Speaker 1: it ship.

613
00:27:15,119 --> 00:27:17,760
Speaker 5: But yeah, man, it was so for you you adjusted

614
00:27:17,840 --> 00:27:19,600
Speaker 5: to it. Yeah, it wasn't and it would be fun.

615
00:27:19,600 --> 00:27:21,280
Speaker 5: I would still do regular ship. I would just make

616
00:27:21,320 --> 00:27:24,119
Speaker 5: sure I have my niggas around, like my homeboys, some

617
00:27:24,119 --> 00:27:24,760
Speaker 5: of them be in school.

618
00:27:24,720 --> 00:27:25,560
Speaker 6: I'd go to their school.

619
00:27:25,760 --> 00:27:29,399
Speaker 5: So my cousin just on a Friday, Hey, y'all.

620
00:27:29,280 --> 00:27:32,200
Speaker 6: Come outside, the girls out saw the window screaming.

621
00:27:32,240 --> 00:27:36,160
Speaker 5: Then after that they come back to school on Monday.

622
00:27:36,200 --> 00:27:37,439
Speaker 1: They the man in school, you know.

623
00:27:38,520 --> 00:27:40,160
Speaker 5: So I used to go to the mall ship bow

624
00:27:40,359 --> 00:27:42,320
Speaker 5: Bo did this ship too, like shout out to bow

625
00:27:42,640 --> 00:27:45,040
Speaker 5: But we used to go to the mall, and I

626
00:27:45,040 --> 00:27:47,080
Speaker 5: did it by myself, just to see what it was.

627
00:27:47,119 --> 00:27:48,760
Speaker 5: I used to go to the mall and just go

628
00:27:48,800 --> 00:27:51,320
Speaker 5: to one store it's popping in Virginia and like, hey

629
00:27:51,320 --> 00:27:53,960
Speaker 5: that's and then take off running and wait.

630
00:27:54,160 --> 00:27:57,880
Speaker 1: You would run before it even gets started take off.

631
00:27:59,720 --> 00:28:03,760
Speaker 1: We did this all the time, man, and it worked.

632
00:28:03,760 --> 00:28:06,199
Speaker 1: I'm talking about they would chase you was running out

633
00:28:06,200 --> 00:28:11,520
Speaker 1: of Men's Land. I was run out. I was at

634
00:28:11,760 --> 00:28:15,160
Speaker 1: I think Virginia Center. Comments. That's what it was we.

635
00:28:15,119 --> 00:28:16,240
Speaker 5: Used to go to. And then I used to be

636
00:28:16,240 --> 00:28:17,919
Speaker 5: at I used to go with what it was it

637
00:28:18,600 --> 00:28:22,280
Speaker 5: up against the wall. It was another dt L A detailer. Yeah, said,

638
00:28:22,880 --> 00:28:25,200
Speaker 5: I'll be right there. They had to ship there, man,

639
00:28:25,240 --> 00:28:27,359
Speaker 5: what all the girls being there? So and then I

640
00:28:27,440 --> 00:28:29,280
Speaker 5: go in there and start with my homeboys to come

641
00:28:29,320 --> 00:28:31,680
Speaker 5: with me, and then I sing just so they notice

642
00:28:31,680 --> 00:28:33,679
Speaker 5: who I am, like just on some young ship. Then

643
00:28:33,680 --> 00:28:36,159
Speaker 5: they'll be like, hold on that, there's some R and

644
00:28:36,240 --> 00:28:38,560
Speaker 5: V ship, R n V ship.

645
00:28:39,600 --> 00:28:48,000
Speaker 1: Nigga can't just bust out rapping. Yeah, you look around

646
00:28:48,000 --> 00:28:57,520
Speaker 1: and facts it worked, absolutely worked. Okay here here, here's

647
00:28:57,560 --> 00:28:59,840
Speaker 1: what I want from you. Right when did you meet him?

648
00:29:00,000 --> 00:29:02,640
Speaker 1: When it was the Scream tour that first album, that

649
00:29:02,760 --> 00:29:05,400
Speaker 1: first album, right, I think it was. It had to be.

650
00:29:05,480 --> 00:29:07,320
Speaker 1: It had to be like first album and the first

651
00:29:07,360 --> 00:29:14,840
Speaker 1: album fatigues, yes, first album, yep. Okay, So so I'm

652
00:29:14,880 --> 00:29:17,840
Speaker 1: watching I used to watch you in the Marion Battle. Yeah,

653
00:29:18,600 --> 00:29:21,240
Speaker 1: and I used to I used to watch oh get you. Yeah,

654
00:29:21,320 --> 00:29:25,760
Speaker 1: you would you would be like fuck, you would be angry.

655
00:29:26,280 --> 00:29:30,080
Speaker 1: Nigga was nigga all right, and I'll be back.

656
00:29:30,960 --> 00:29:33,880
Speaker 5: But I always say this to his day at that time,

657
00:29:34,360 --> 00:29:36,640
Speaker 5: his discipline and what he learned and how he gets

658
00:29:36,640 --> 00:29:37,680
Speaker 5: that niggas was.

659
00:29:37,640 --> 00:29:40,040
Speaker 1: Not fucking with that boy. He's a monster.

660
00:29:40,480 --> 00:29:42,360
Speaker 5: I don't know about now because I get off now,

661
00:29:44,000 --> 00:29:48,120
Speaker 5: but at that time, that boy was a monster.

662
00:29:48,280 --> 00:29:51,240
Speaker 1: He was a monster. But I want to go to

663
00:29:51,280 --> 00:29:53,320
Speaker 1: the Scream tour. I was using that to set up

664
00:29:53,360 --> 00:29:57,920
Speaker 1: set up the Scream tour, and my cousin, my cousin

665
00:29:58,040 --> 00:29:59,640
Speaker 1: and my people wanted to go to the tour, so

666
00:29:59,680 --> 00:30:01,280
Speaker 1: we can't. We came to see you, and we came

667
00:30:01,280 --> 00:30:04,720
Speaker 1: backstage and everything, and I'm watching you on stage and

668
00:30:04,760 --> 00:30:08,640
Speaker 1: I had I hadn't seen you perform since the album

669
00:30:08,760 --> 00:30:11,480
Speaker 1: was out, since everything was going crazy, I hadn't seen

670
00:30:11,520 --> 00:30:15,440
Speaker 1: you perform yet, and you know, all had the records

671
00:30:15,440 --> 00:30:16,760
Speaker 1: and he was, you know, of course he was headlined.

672
00:30:18,800 --> 00:30:22,800
Speaker 1: But I watched you come out in those black fatigues

673
00:30:24,080 --> 00:30:29,720
Speaker 1: and I watched I can't do the move. I watched

674
00:30:30,240 --> 00:30:34,840
Speaker 1: like you was the crumping up and you were like

675
00:30:35,560 --> 00:30:38,640
Speaker 1: paulse you was. Your arms were out this wide you was,

676
00:30:38,880 --> 00:30:41,760
Speaker 1: you was. It was the like the whole fucking stage

677
00:30:41,880 --> 00:30:46,440
Speaker 1: was in between y'all, and I'm looking. I'm like, he's

678
00:30:46,440 --> 00:30:49,080
Speaker 1: getting ready to pass the guy. He's getting ready to

679
00:30:49,080 --> 00:30:52,440
Speaker 1: pass him because I didn't see a kid on stage.

680
00:30:52,840 --> 00:30:55,960
Speaker 1: I saw a grown ass man on stage at the

681
00:30:55,960 --> 00:30:59,320
Speaker 1: screen tour. He's getting ready and I'm looking at my

682
00:30:59,360 --> 00:31:05,000
Speaker 1: little cousin. She's like, oh my god, you all right?

683
00:31:05,040 --> 00:31:06,480
Speaker 1: You know, we go to church on Sunday, you know,

684
00:31:06,520 --> 00:31:13,720
Speaker 1: we have today's fri listen, and we go backstage to

685
00:31:14,040 --> 00:31:17,160
Speaker 1: to take her to meet him and she sees, she

686
00:31:17,280 --> 00:31:19,240
Speaker 1: sees this nigga Chris in the flesh and she goes,

687
00:31:19,840 --> 00:31:25,080
Speaker 1: mm hmm, see you are little? Did you ask that

688
00:31:25,760 --> 00:31:31,160
Speaker 1: you are little? That night I saw you, there was

689
00:31:31,400 --> 00:31:35,240
Speaker 1: for me the beginning of the separation of you going

690
00:31:35,280 --> 00:31:38,120
Speaker 1: to another place because I felt like you were I

691
00:31:38,120 --> 00:31:41,120
Speaker 1: felt like you were angrier, you were more aggressive, and

692
00:31:41,160 --> 00:31:44,080
Speaker 1: you had something in your mind that you were aiming.

693
00:31:44,240 --> 00:31:44,880
Speaker 1: You know what it was?

694
00:31:44,920 --> 00:31:47,040
Speaker 5: Though, even being on that tour, like what I learned,

695
00:31:47,080 --> 00:31:48,320
Speaker 5: and I learned from Bio a lot.

696
00:31:48,680 --> 00:31:50,479
Speaker 1: You know, he's like one of the greatest showmen as

697
00:31:50,480 --> 00:31:56,760
Speaker 1: far as so the lack of discipline that I had.

698
00:31:56,840 --> 00:31:59,760
Speaker 5: I had a great amount of training, meaning like Okay,

699
00:32:00,320 --> 00:32:02,560
Speaker 5: Sam's you know, everybody, they gonna they're gonna get us

700
00:32:02,640 --> 00:32:04,760
Speaker 5: right with the moves, were gonna have fun. And I

701
00:32:04,800 --> 00:32:07,480
Speaker 5: was able to be also creative too. They didn't just

702
00:32:07,480 --> 00:32:09,600
Speaker 5: say we're gonna do this. They let me come up

703
00:32:09,600 --> 00:32:11,440
Speaker 5: with some things. But the thing that I felt that

704
00:32:11,520 --> 00:32:15,240
Speaker 5: I lacked was the experienced one and and just the

705
00:32:15,920 --> 00:32:19,200
Speaker 5: discipline that everybody else had, you know, we it was

706
00:32:19,280 --> 00:32:20,920
Speaker 5: B two K bow uh.

707
00:32:20,960 --> 00:32:23,920
Speaker 1: It was so many other artists all polished here. Yeah,

708
00:32:24,040 --> 00:32:24,720
Speaker 1: so when you.

709
00:32:24,720 --> 00:32:26,480
Speaker 5: Would see their shows, you would see the glitz and

710
00:32:26,480 --> 00:32:28,880
Speaker 5: the glamour. Like me, I had a DJ booth, just

711
00:32:28,920 --> 00:32:30,800
Speaker 5: a little DJ booth that I was slide from under

712
00:32:31,160 --> 00:32:33,400
Speaker 5: with the dancers with the little smoke, and then I

713
00:32:33,440 --> 00:32:36,200
Speaker 5: had a graffiti background, you know what I'm saying. And

714
00:32:36,640 --> 00:32:39,640
Speaker 5: they maybe maybe gave me like twelve minutes. I probably

715
00:32:39,680 --> 00:32:41,840
Speaker 5: had like not even that, it might have been eight minutes.

716
00:32:42,120 --> 00:32:43,840
Speaker 5: So I had to, you know, figure it out. But

717
00:32:45,000 --> 00:32:47,920
Speaker 5: seeing these other performers, it kind of like grew my

718
00:32:48,000 --> 00:32:50,720
Speaker 5: hunger for what I needed to be doing in order

719
00:32:50,720 --> 00:32:53,280
Speaker 5: to in order to be the person headlining, in order

720
00:32:53,320 --> 00:32:55,040
Speaker 5: to be the person that I think I can be,

721
00:32:55,200 --> 00:32:56,880
Speaker 5: you know what I'm saying. So a lot of them,

722
00:32:56,960 --> 00:32:58,920
Speaker 5: a lot of those guys and seeing their performers, seeing

723
00:32:58,960 --> 00:33:01,600
Speaker 5: their their quality and how out long they're dancing and

724
00:33:01,640 --> 00:33:03,640
Speaker 5: then they're just getting off and all the screens like

725
00:33:03,760 --> 00:33:07,040
Speaker 5: it was really the Scream Tour, Like you, it was

726
00:33:07,920 --> 00:33:10,560
Speaker 5: no other There's no other experience that I can tell you.

727
00:33:10,600 --> 00:33:13,880
Speaker 5: At that time, was like forget all the festivals and

728
00:33:13,920 --> 00:33:14,480
Speaker 5: stuff that they.

729
00:33:14,440 --> 00:33:15,280
Speaker 6: Got going on right now.

730
00:33:15,440 --> 00:33:18,400
Speaker 1: Back then your ears were literally you would really go.

731
00:33:18,520 --> 00:33:21,960
Speaker 2: Definitely shout out to Michael Martin. I saw him during

732
00:33:21,960 --> 00:33:24,400
Speaker 2: the Grammy week. I never met him before, and I

733
00:33:24,440 --> 00:33:26,880
Speaker 2: just told him, I'm like, listen, man, what you did

734
00:33:27,520 --> 00:33:29,160
Speaker 2: just what I mean obviously what you've.

735
00:33:29,000 --> 00:33:32,480
Speaker 1: Done in the business, pier, but that Scream Tour, Jesus.

736
00:33:32,240 --> 00:33:37,080
Speaker 2: With giving that type of spotlight to young artists and

737
00:33:37,120 --> 00:33:41,360
Speaker 2: putting him on that type of platform. I don't know

738
00:33:41,400 --> 00:33:42,200
Speaker 2: anyone that's done that.

739
00:33:42,520 --> 00:33:44,640
Speaker 5: I don't, I don't. I don't think it can be

740
00:33:44,680 --> 00:33:47,680
Speaker 5: done right now. It's not like with you, I think

741
00:33:47,720 --> 00:33:50,040
Speaker 5: that's sounds I can't even recreate. Like I was just

742
00:33:50,040 --> 00:33:51,080
Speaker 5: happy to be a part.

743
00:33:50,880 --> 00:33:53,160
Speaker 1: Of it, Like I was like, that's a legendary to

744
00:33:53,200 --> 00:33:56,720
Speaker 1: recreate with these phones. Man, that's the other part. Yeah, yeah,

745
00:33:56,760 --> 00:34:01,800
Speaker 1: because because because like that stay was like still in

746
00:34:01,840 --> 00:34:05,560
Speaker 1: that moment, it still was a place where you still

747
00:34:05,640 --> 00:34:08,680
Speaker 1: felt like this is the only place I'm gonna get

748
00:34:08,680 --> 00:34:09,080
Speaker 1: to see that.

749
00:34:09,239 --> 00:34:11,359
Speaker 6: Yeah, I'm only gonna see this type of shit here.

750
00:34:12,080 --> 00:34:14,440
Speaker 1: It was still that we hadn't gotten to the phone

751
00:34:14,520 --> 00:34:17,319
Speaker 1: yet to where you could get used to seeing that

752
00:34:17,520 --> 00:34:20,200
Speaker 1: type of shit all the time. It just runs all day.

753
00:34:20,239 --> 00:34:24,120
Speaker 1: That's them scream to it. It was really screams, yeah,

754
00:34:24,640 --> 00:34:27,279
Speaker 1: facts like motherfuckers. When you came on stage, it was

755
00:34:27,920 --> 00:34:31,120
Speaker 1: they was glued from from from from top to bottom.

756
00:34:31,160 --> 00:34:32,680
Speaker 5: And I was nervous because that's like, you know, we

757
00:34:32,719 --> 00:34:35,680
Speaker 5: would performed before, Like I've performed at different places I

758
00:34:35,719 --> 00:34:38,920
Speaker 5: had to perform what is it playing in Hollywood?

759
00:34:38,960 --> 00:34:39,840
Speaker 6: Different different places?

760
00:34:39,840 --> 00:34:42,000
Speaker 5: But there's a little venues when you I'm in an

761
00:34:42,040 --> 00:34:45,880
Speaker 5: arena now, and it's even though are going first. The

762
00:34:45,960 --> 00:34:47,799
Speaker 5: parents back then they trying to get their kids into

763
00:34:47,840 --> 00:34:50,799
Speaker 5: the building early. So now if the show starts at

764
00:34:50,880 --> 00:34:53,959
Speaker 5: let's say nine, some people might not leave their house

765
00:34:54,000 --> 00:34:57,040
Speaker 5: to eight thirty, you know what I'm saying. So, but

766
00:34:57,160 --> 00:35:01,000
Speaker 5: back then, everybody's in there, sitting there waiting. So whoever

767
00:35:01,040 --> 00:35:04,040
Speaker 5: the first artist is, they either standing up or booing ship.

768
00:35:04,280 --> 00:35:08,359
Speaker 2: Did you like, speaking of booing, did you ever experience

769
00:35:08,960 --> 00:35:11,560
Speaker 2: a fucked up show early on?

770
00:35:11,680 --> 00:35:12,319
Speaker 1: Like early on?

771
00:35:12,520 --> 00:35:17,160
Speaker 5: No, No, I'm gonna be real, like I've never got

772
00:35:17,200 --> 00:35:19,760
Speaker 5: like a Boo, like a bad boot.

773
00:35:19,760 --> 00:35:21,560
Speaker 1: I don't want to jinx myself, but but I've never

774
00:35:21,560 --> 00:35:21,960
Speaker 1: got like.

775
00:35:22,200 --> 00:35:25,000
Speaker 2: He's not your nigga, but I've never I never got

776
00:35:25,040 --> 00:35:26,440
Speaker 2: Boo on a thousand hit records.

777
00:35:26,440 --> 00:35:29,640
Speaker 1: But you're not getting don't worry about that. I almost

778
00:35:30,760 --> 00:35:35,440
Speaker 1: you said, you almost got Boo. It started off with

779
00:35:35,480 --> 00:35:36,680
Speaker 1: this money. That's my fault.

780
00:35:38,160 --> 00:35:42,040
Speaker 2: His playlist was song wasn't working yeah radio so and

781
00:35:42,080 --> 00:35:43,160
Speaker 2: he still wanted to sing.

782
00:35:43,560 --> 00:35:48,240
Speaker 1: Yeah, which we're working. It was was spent seven thousand.

783
00:35:52,120 --> 00:35:54,200
Speaker 1: I started singing the songs little girls in the front

784
00:35:54,239 --> 00:35:57,920
Speaker 1: row looking at her friends.

785
00:35:55,080 --> 00:35:55,160
Speaker 3: And.

786
00:36:00,320 --> 00:36:04,680
Speaker 7: Oh god, I still got two minutes and it's a tape,

787
00:36:05,200 --> 00:36:08,640
Speaker 7: so that you you just gotta.

788
00:36:08,760 --> 00:36:11,759
Speaker 5: Live that motherfucking out you started. That's when you start

789
00:36:11,800 --> 00:36:12,400
Speaker 5: thinking the most.

790
00:36:12,760 --> 00:36:15,359
Speaker 1: That's when I started sweating. That's when you get caught

791
00:36:15,400 --> 00:36:16,120
Speaker 1: the mouth man.

792
00:36:16,360 --> 00:36:19,080
Speaker 5: Now I sucked up myself on stage, like did the

793
00:36:19,120 --> 00:36:22,040
Speaker 5: back flip slipped? But I play it off or like

794
00:36:22,080 --> 00:36:23,840
Speaker 5: you know what I'm saying. Then stepped off the stage

795
00:36:23,880 --> 00:36:25,560
Speaker 5: before and fell in the crowd.

796
00:36:27,000 --> 00:36:32,640
Speaker 2: But yeah, they still feel bad for because you're just

797
00:36:32,640 --> 00:36:33,120
Speaker 2: being great.

798
00:36:33,320 --> 00:36:36,520
Speaker 1: Yeah they still screamed.

799
00:36:37,120 --> 00:36:42,040
Speaker 2: Okay, oh my god, Okay, So off the first off,

800
00:36:42,040 --> 00:36:45,480
Speaker 2: the first album, you start to you start to see

801
00:36:45,480 --> 00:36:47,319
Speaker 2: what this thing is like. You start to see, you know,

802
00:36:47,400 --> 00:36:50,320
Speaker 2: what fame is like, and how how you're gonna adjust.

803
00:36:50,719 --> 00:36:54,880
Speaker 1: Did you ever have like the can I do it again?

804
00:36:55,680 --> 00:36:59,080
Speaker 1: Because you know, people talk about the sophomore sophomore.

805
00:36:59,040 --> 00:37:00,440
Speaker 5: I had that in my in the back of my

806
00:37:00,480 --> 00:37:03,200
Speaker 5: head probably every day, you know what I'm saying. So like,

807
00:37:04,400 --> 00:37:06,839
Speaker 5: for me, it was because the first album was like

808
00:37:06,920 --> 00:37:07,840
Speaker 5: a learning experience.

809
00:37:07,880 --> 00:37:08,880
Speaker 1: I wrote with writers.

810
00:37:08,880 --> 00:37:11,440
Speaker 5: I didn't really write, you know, it was really how

811
00:37:11,480 --> 00:37:14,239
Speaker 5: they kind of shaped what I what my ideas would be.

812
00:37:14,560 --> 00:37:17,000
Speaker 5: The second album was like, okay, cool, well you've been

813
00:37:17,440 --> 00:37:21,160
Speaker 5: You've been right at the song selections. You're picking the choices,

814
00:37:21,200 --> 00:37:23,239
Speaker 5: you know what you're doing. So but I feel like

815
00:37:23,880 --> 00:37:25,920
Speaker 5: it's like the challenge thing again. I was like, you

816
00:37:25,960 --> 00:37:28,919
Speaker 5: know what, I'm gonna try to prove them wrong.

817
00:37:29,360 --> 00:37:29,920
Speaker 1: You fought for that.

818
00:37:30,120 --> 00:37:32,640
Speaker 5: Yeah, like I said, I proved myself wrong with the

819
00:37:32,719 --> 00:37:34,600
Speaker 5: with the first album. So it's like now now I'm

820
00:37:34,600 --> 00:37:36,120
Speaker 5: gonna prove them wrong. I could do this ship.

821
00:37:36,680 --> 00:37:37,279
Speaker 1: So I was.

822
00:37:37,400 --> 00:37:39,279
Speaker 6: I had that sophomore JINX in the back of my head.

823
00:37:39,520 --> 00:37:42,360
Speaker 1: What's the first first record from the second.

824
00:37:42,280 --> 00:37:43,960
Speaker 5: The second album Damn Let Me You Make Me Go?

825
00:37:44,160 --> 00:37:45,680
Speaker 5: You know, I got a lot of Damn albums, man, I.

826
00:37:47,320 --> 00:37:48,640
Speaker 1: Know. I think that's the album.

827
00:37:49,239 --> 00:37:54,400
Speaker 2: Records from the first from the first album?

828
00:37:54,680 --> 00:37:57,439
Speaker 1: Was it kids, Kiss? Yeah?

829
00:37:57,680 --> 00:37:59,840
Speaker 6: It was was that it had to it had to

830
00:38:00,080 --> 00:38:01,239
Speaker 6: Oh no Wall to Wall?

831
00:38:01,960 --> 00:38:05,840
Speaker 1: Oh yeah, well I think it was Wall. It was

832
00:38:05,880 --> 00:38:12,319
Speaker 1: absolutely absolutely Wall then Kiss Kiss. I imagine you're putting

833
00:38:12,360 --> 00:38:13,480
Speaker 1: together your show set.

834
00:38:13,760 --> 00:38:16,000
Speaker 6: You know, look for tour now.

835
00:38:16,360 --> 00:38:18,400
Speaker 1: Bro, It's crazy.

836
00:38:18,280 --> 00:38:20,479
Speaker 5: Because I'm trying to because you know, people are still

837
00:38:20,520 --> 00:38:22,480
Speaker 5: in love with the older songs, so it's.

838
00:38:22,320 --> 00:38:24,120
Speaker 6: Like, I have no problem doing that.

839
00:38:24,160 --> 00:38:26,440
Speaker 5: But the only difference is when people come to my shows,

840
00:38:26,440 --> 00:38:29,759
Speaker 5: I want them to see something like evolution.

841
00:38:29,920 --> 00:38:30,560
Speaker 1: Like you know what I'm saying.

842
00:38:30,560 --> 00:38:32,680
Speaker 5: They're not seeing the last tour that they saw then

843
00:38:32,719 --> 00:38:35,440
Speaker 5: I seen the one before that. Every tour is completely

844
00:38:35,440 --> 00:38:38,080
Speaker 5: different and it gives them, you know, the same nostalgia.

845
00:38:38,160 --> 00:38:41,040
Speaker 5: But also with this with the new music. So it's

846
00:38:41,120 --> 00:38:43,160
Speaker 5: so hard for us right now. I even I even

847
00:38:43,200 --> 00:38:45,799
Speaker 5: put on my Instagram and Twitter, like, look what songs

848
00:38:45,840 --> 00:38:48,840
Speaker 5: y'all want me to perform? There was like all of

849
00:38:48,880 --> 00:38:51,400
Speaker 5: them bitches. I said, we're gonna be there for three days.

850
00:38:51,440 --> 00:38:53,200
Speaker 1: I'm not got to think you got to think of

851
00:38:53,239 --> 00:38:55,839
Speaker 1: it like this though, right, I always equated back to

852
00:38:55,920 --> 00:39:01,400
Speaker 1: like Frankie Beverly and May. Yeah, Frankie Beverly and the

853
00:39:01,480 --> 00:39:07,839
Speaker 1: same show in arenas for twenty years.

854
00:39:08,800 --> 00:39:13,680
Speaker 2: With all due respect, they don't have a hundred.

855
00:39:13,480 --> 00:39:15,960
Speaker 1: No, no, no, let me get into. What I'm getting

856
00:39:16,000 --> 00:39:20,799
Speaker 1: to is the variations of those songs that make it

857
00:39:20,880 --> 00:39:24,000
Speaker 1: old to you. Don't get don't get old to them.

858
00:39:24,000 --> 00:39:26,239
Speaker 1: Don't get old to them. But at least how you

859
00:39:26,320 --> 00:39:29,200
Speaker 1: how how they will see it? Yeah, they remember that.

860
00:39:29,360 --> 00:39:33,279
Speaker 1: They're telling that friends watch when he do this, he

861
00:39:33,400 --> 00:39:37,840
Speaker 1: do this thing when he sings, Watch when they're you're waiting.

862
00:39:37,920 --> 00:39:39,960
Speaker 5: You got a point too, that's the point. But I

863
00:39:40,000 --> 00:39:41,799
Speaker 5: always want to how I look. I'll be like, you

864
00:39:41,800 --> 00:39:44,200
Speaker 5: know what. I want to always give them more.

865
00:39:44,200 --> 00:39:44,799
Speaker 1: It's not like.

866
00:39:44,880 --> 00:39:47,480
Speaker 5: Because you can see Chris Brown on YouTube, but you

867
00:39:47,520 --> 00:39:49,040
Speaker 5: can go see it and be like all right, and

868
00:39:49,080 --> 00:39:50,600
Speaker 5: then they're like, man, even fell off.

869
00:39:50,840 --> 00:39:52,919
Speaker 6: I never want to hear that ship until I'm ready

870
00:39:52,960 --> 00:39:53,680
Speaker 6: to be like, look.

871
00:39:53,520 --> 00:39:57,440
Speaker 1: I'm tired, I think because new material. I'm not.

872
00:39:57,480 --> 00:39:59,440
Speaker 6: You're not gonna be tired. But that was just hypothetic.

873
00:39:59,520 --> 00:40:01,840
Speaker 1: You have like eight thousand songs and the what's the

874
00:40:02,000 --> 00:40:03,879
Speaker 1: longest show you've done? Ship?

875
00:40:03,960 --> 00:40:06,040
Speaker 5: The last one we just did. We just came from

876
00:40:06,120 --> 00:40:08,440
Speaker 5: towards overseas. You came to it like two hours and

877
00:40:08,440 --> 00:40:09,080
Speaker 5: fifteen minutes.

878
00:40:09,120 --> 00:40:11,319
Speaker 1: Hold on, let's just why was it, Nigga, that's let's

879
00:40:11,320 --> 00:40:14,120
Speaker 1: go Let's go there. That's let's go there movie, that's

880
00:40:14,760 --> 00:40:18,719
Speaker 1: let's go overs ship. I was like, babe, we're going

881
00:40:18,719 --> 00:40:20,400
Speaker 1: over seas to Chris Brown. What the fuck are you

882
00:40:20,440 --> 00:40:24,799
Speaker 1: talking about? We're going to Paris. Pack your ship. We're

883
00:40:24,800 --> 00:40:28,080
Speaker 1: going to see Chris Brown. Told you now, so made

884
00:40:28,080 --> 00:40:28,799
Speaker 1: me tell you again.

885
00:40:28,960 --> 00:40:31,200
Speaker 2: Nigga, act like you have enough room in his bag

886
00:40:31,440 --> 00:40:33,000
Speaker 2: to bring me back a hoodie or nothing.

887
00:40:33,040 --> 00:40:36,319
Speaker 1: No, no, Merchy don't like to travel like that? First,

888
00:40:36,320 --> 00:40:42,120
Speaker 1: Why you should can't? Okay, okay, march here now, merchant here,

889
00:40:42,520 --> 00:40:47,400
Speaker 1: march here. We were in Paris and we put up

890
00:40:47,400 --> 00:40:49,799
Speaker 1: to the venue I'm hitting and we're here. He's like,

891
00:40:49,880 --> 00:40:53,799
Speaker 1: all right, come to the back. And as we're at

892
00:40:53,800 --> 00:40:59,040
Speaker 1: the venue, it's quiet outside of the venue. So the show.

893
00:40:59,239 --> 00:41:04,440
Speaker 1: The show starts in like maybe like an hour. It's quiet,

894
00:41:04,719 --> 00:41:09,239
Speaker 1: there's no traffic, there's there's there's nothing. And I'm like,

895
00:41:10,680 --> 00:41:12,439
Speaker 1: this is weird. This is Chris Brown show.

896
00:41:12,440 --> 00:41:15,640
Speaker 5: This is this is supposed to be It's supposed.

897
00:41:15,280 --> 00:41:17,000
Speaker 1: To be off the chain, house side, motherfucker is supposed

898
00:41:17,000 --> 00:41:20,839
Speaker 1: to be bootlegging shit, all of shit. Right, we walk

899
00:41:20,880 --> 00:41:29,760
Speaker 1: into that Building's twenty thousand people already in there, probably

900
00:41:29,800 --> 00:41:33,120
Speaker 1: two hours. They are in their seats like this.

901
00:41:35,040 --> 00:41:40,799
Speaker 8: Ready but everything Risponni's coming out Soon's just stating when

902
00:41:41,000 --> 00:41:45,600
Speaker 8: Crispan It's going to be so good and and you know,

903
00:41:45,760 --> 00:41:48,120
Speaker 8: we're so used to seeing shows, you know, in the

904
00:41:48,160 --> 00:41:52,200
Speaker 8: States and how people react in the States, but I

905
00:41:52,239 --> 00:41:54,480
Speaker 8: wanted to go to Paris because I wanted to see

906
00:41:54,600 --> 00:41:56,960
Speaker 8: people with a different mindset.

907
00:41:57,040 --> 00:42:01,439
Speaker 1: I wanted to see people completely free of what this

908
00:42:01,960 --> 00:42:05,800
Speaker 1: the state stigma is. You gotta be cool when people

909
00:42:05,880 --> 00:42:08,120
Speaker 1: supposed to ask how the dudes, I mean, I fuck

910
00:42:08,160 --> 00:42:10,320
Speaker 1: with the know what I'm saying, I rock with It

911
00:42:10,480 --> 00:42:16,799
Speaker 1: wasn't none of that. I'm watching grown men go ape

912
00:42:16,840 --> 00:42:21,040
Speaker 1: shoes these themselves in the music. When these songs come on,

913
00:42:21,160 --> 00:42:24,759
Speaker 1: I got a videotape of the entire arena jumping up

914
00:42:24,800 --> 00:42:30,359
Speaker 1: and die. I'm like Jesus, Rice and we had talked

915
00:42:30,400 --> 00:42:33,360
Speaker 1: about it before before you got the overseas tour, and

916
00:42:33,400 --> 00:42:35,360
Speaker 1: I said, Bro, I said, look, bro, the world is

917
00:42:35,360 --> 00:42:37,120
Speaker 1: getting ready to open up to you in such a

918
00:42:37,160 --> 00:42:39,359
Speaker 1: way that I don't even think you could you even

919
00:42:39,480 --> 00:42:41,680
Speaker 1: understand it. And you was like, he was like, bro,

920
00:42:41,800 --> 00:42:44,320
Speaker 1: I hear you, but I'm I'm I'm not gonna believe

921
00:42:44,320 --> 00:42:46,200
Speaker 1: it until I see it. Yeah, facts, I remember I

922
00:42:46,239 --> 00:42:48,400
Speaker 1: told you that. Yeah, And we and we were sitting

923
00:42:48,560 --> 00:42:51,520
Speaker 1: in your dress room backstage. I said, do you see this?

924
00:42:51,880 --> 00:42:54,680
Speaker 1: I said it, And I watched you for two nights

925
00:42:54,680 --> 00:42:56,120
Speaker 1: in a row. I don't know how the fuck you

926
00:42:56,200 --> 00:43:02,000
Speaker 1: did it for two and a half hours dance and

927
00:43:02,120 --> 00:43:04,120
Speaker 1: sing NonStop.

928
00:43:03,719 --> 00:43:05,640
Speaker 5: Because I haven't been over there in a minute too,

929
00:43:05,719 --> 00:43:08,280
Speaker 5: so by me having a tour out there, I was like, damn,

930
00:43:08,640 --> 00:43:10,880
Speaker 5: this is I haven't toured over there in twelve years

931
00:43:10,920 --> 00:43:13,840
Speaker 5: in certain places twelve like like London, certain places it

932
00:43:14,200 --> 00:43:17,759
Speaker 5: has been twelve years. So I'm like, damn. So that

933
00:43:17,920 --> 00:43:20,839
Speaker 5: they got a whole chunk of history that they ain't

934
00:43:20,840 --> 00:43:23,880
Speaker 5: even sing. So I'm like, I can't be lazy and

935
00:43:24,200 --> 00:43:27,160
Speaker 5: go on stage and do sixty minutes ninety minutes and

936
00:43:27,320 --> 00:43:28,520
Speaker 5: be like, all right, cool, we just give me out

937
00:43:28,560 --> 00:43:29,880
Speaker 5: of new shit and getting out of the.

938
00:43:30,080 --> 00:43:32,680
Speaker 1: Sixty ninety minutes is the that's the regular show. And

939
00:43:32,680 --> 00:43:33,040
Speaker 1: he's like, I.

940
00:43:35,680 --> 00:43:39,759
Speaker 5: Can't be that because of the chunk of yeah, because beause,

941
00:43:39,840 --> 00:43:41,839
Speaker 5: because think about it, it's it's people that's my age

942
00:43:41,880 --> 00:43:44,040
Speaker 5: bringing their kids to the show, you know what I'm saying.

943
00:43:44,080 --> 00:43:45,799
Speaker 1: So they're like, now this is the person I like.

944
00:43:45,880 --> 00:43:50,520
Speaker 5: So it's almost like teaching a class again, like okay, cool,

945
00:43:51,120 --> 00:43:51,600
Speaker 5: the kid.

946
00:43:51,520 --> 00:43:53,400
Speaker 6: Might not know this song, but they mama know the

947
00:43:53,440 --> 00:43:54,880
Speaker 6: song and they gonna pray, you know.

948
00:43:55,080 --> 00:43:55,239
Speaker 1: So.

949
00:43:55,719 --> 00:43:58,400
Speaker 5: But in that in that space, it's like it's like

950
00:43:58,440 --> 00:44:01,239
Speaker 5: a different appreciation. Remember I was like, it's like not

951
00:44:01,320 --> 00:44:03,520
Speaker 5: the discredit, you know, the US, But at the end

952
00:44:03,520 --> 00:44:04,359
Speaker 5: of the day when you go.

953
00:44:04,320 --> 00:44:05,560
Speaker 1: Over there, it's like different.

954
00:44:05,960 --> 00:44:07,920
Speaker 6: You're really appreciated for the music.

955
00:44:08,480 --> 00:44:10,799
Speaker 1: All the time. Either like you said, they miss you,

956
00:44:11,000 --> 00:44:13,000
Speaker 1: they miss you. But R and B is still a thing.

957
00:44:13,080 --> 00:44:15,960
Speaker 1: Listen and I and I gotta say it like we're

958
00:44:15,960 --> 00:44:17,799
Speaker 1: not we're not slighting in the US, but the US

959
00:44:17,880 --> 00:44:21,799
Speaker 1: is spoiled. They see us walking down the street they see.

960
00:44:22,719 --> 00:44:25,680
Speaker 1: It's very to see. It's in Miami moving already, they

961
00:44:25,760 --> 00:44:30,000
Speaker 1: see us and so overseas like even just just even

962
00:44:30,040 --> 00:44:33,880
Speaker 1: outside of the presence, their their thirst and desire for

963
00:44:34,120 --> 00:44:38,680
Speaker 1: real music is just it's just different. It's still old

964
00:44:38,680 --> 00:44:42,000
Speaker 1: school over there. It's it's it's they know the words

965
00:44:42,040 --> 00:44:45,160
Speaker 1: her songs and don't speak English. That's gotta be graazy.

966
00:44:45,239 --> 00:44:48,719
Speaker 5: That's that's that's phenom. I never I could never understand that.

967
00:44:48,760 --> 00:44:51,320
Speaker 5: It still makes me. I think I get more excited

968
00:44:51,440 --> 00:44:52,880
Speaker 5: when I when I when I see that because I'm like,

969
00:44:52,920 --> 00:44:54,680
Speaker 5: you know what, that that type of energy. They don't

970
00:44:54,680 --> 00:44:56,960
Speaker 5: know what the fuck I'm saying, or they might now,

971
00:44:57,080 --> 00:44:59,959
Speaker 5: but it's for them to like something that that bad

972
00:45:00,719 --> 00:45:02,240
Speaker 5: and you know what I'm saying, that takes dedication.

973
00:45:13,640 --> 00:45:16,000
Speaker 1: Yeah, but you know the States give me my love too,

974
00:45:16,160 --> 00:45:17,359
Speaker 1: because I can't. I can't lie.

975
00:45:17,560 --> 00:45:20,520
Speaker 6: Fuck the media aspect we talk about, like we talk.

976
00:45:20,400 --> 00:45:22,600
Speaker 5: About when I when I, when we geah them asses

977
00:45:22,640 --> 00:45:24,799
Speaker 5: in them seats, you know what I'm saying, and so

978
00:45:24,880 --> 00:45:27,120
Speaker 5: and they real fans like my fan base. I can say,

979
00:45:27,719 --> 00:45:30,160
Speaker 5: you know, you got Nikki's fan base, Beyonce these fan base.

980
00:45:31,480 --> 00:45:32,799
Speaker 1: Yeah, but the.

981
00:45:32,840 --> 00:45:35,120
Speaker 5: Fans I feel like everybody there in their family, they

982
00:45:35,120 --> 00:45:37,279
Speaker 5: got they always you know, I always a comment. I'll

983
00:45:37,280 --> 00:45:39,480
Speaker 5: get on somebody, ask if they go crazy in the comments,

984
00:45:39,480 --> 00:45:43,520
Speaker 5: but I always listen and kind of like let them

985
00:45:43,560 --> 00:45:45,640
Speaker 5: dictate certain aspects of Okay, y'all want to hear this.

986
00:45:45,719 --> 00:45:47,880
Speaker 5: Y'all like this, like I like to be engaged with

987
00:45:47,920 --> 00:45:50,359
Speaker 5: them so they so they know that this ain't just

988
00:45:50,400 --> 00:45:52,160
Speaker 5: like oh all right, shut up and listen, and then

989
00:45:52,160 --> 00:45:53,880
Speaker 5: I'm gonna make y'all follow me this way.

990
00:45:54,040 --> 00:45:54,600
Speaker 1: You know what I'm saying.

991
00:45:54,680 --> 00:45:56,279
Speaker 5: I feel like as a family and the people that

992
00:45:56,320 --> 00:45:58,439
Speaker 5: support me there, I love this person. You know, it'd

993
00:45:58,440 --> 00:46:00,840
Speaker 5: be people's mama's kids younger, they be like, you know

994
00:46:00,880 --> 00:46:03,040
Speaker 5: where I let that boy like so, and I can

995
00:46:03,160 --> 00:46:05,239
Speaker 5: I can feel that energy. So when I get into

996
00:46:05,239 --> 00:46:08,400
Speaker 5: an arena, you know, the fans is the really one

997
00:46:08,520 --> 00:46:08,960
Speaker 5: to keep me in.

998
00:46:09,239 --> 00:46:10,719
Speaker 1: Bro, you change the meet and greet.

999
00:46:12,280 --> 00:46:14,840
Speaker 2: Oh yeah, you got some flat all that too, Like nigga,

1000
00:46:15,160 --> 00:46:16,399
Speaker 2: you literally change the.

1001
00:46:16,360 --> 00:46:20,000
Speaker 1: Meet and Greek. I'm gonna I want to say this, okay,

1002
00:46:20,680 --> 00:46:24,399
Speaker 1: all right, they got on his ass like I'm not

1003
00:46:24,520 --> 00:46:32,319
Speaker 1: doing okay, I might have to do something, Yeah you

1004
00:46:32,360 --> 00:46:34,760
Speaker 1: got you gotta at least I might have to do something,

1005
00:46:34,880 --> 00:46:36,919
Speaker 1: you know what I'm saying. But the Chris Brown meet

1006
00:46:36,960 --> 00:46:39,840
Speaker 1: and Greek, it's out of control. You might need to

1007
00:46:40,200 --> 00:46:41,799
Speaker 1: press that.

1008
00:46:41,840 --> 00:46:47,200
Speaker 9: Ship fun like I bet it's.

1009
00:46:45,680 --> 00:46:48,920
Speaker 5: Because look where else in the time, Like everybody usually

1010
00:46:48,920 --> 00:46:50,439
Speaker 5: like you get your pictures back in the day.

1011
00:46:51,080 --> 00:46:53,520
Speaker 6: All the artists like, yeah, you like.

1012
00:46:55,320 --> 00:46:57,319
Speaker 5: Like and I don't do I'm not doing like one

1013
00:46:57,360 --> 00:46:59,040
Speaker 5: hundred and fifty people a night, like you know what

1014
00:46:59,080 --> 00:47:01,200
Speaker 5: I'm saying. So might be a small intimate group of

1015
00:47:01,200 --> 00:47:03,880
Speaker 5: people that actually spent that money that they might not

1016
00:47:03,920 --> 00:47:05,840
Speaker 5: even have to come and meet me. So I'm not

1017
00:47:05,880 --> 00:47:08,320
Speaker 5: gonna make their moment, you know, I don't want to

1018
00:47:08,320 --> 00:47:09,880
Speaker 5: make their moment, just something, Hey, what's up?

1019
00:47:09,920 --> 00:47:10,440
Speaker 1: Let me sign this?

1020
00:47:10,520 --> 00:47:11,160
Speaker 6: Get the fuck out.

1021
00:47:11,440 --> 00:47:13,520
Speaker 5: Like that's weak to me because I feel like these

1022
00:47:13,560 --> 00:47:15,360
Speaker 5: are the same people, no matter how big of that

1023
00:47:15,400 --> 00:47:17,440
Speaker 5: group or smaller that group, I feel like they're the

1024
00:47:17,440 --> 00:47:20,760
Speaker 5: same people. That's a part of the family aspect. So

1025
00:47:20,760 --> 00:47:22,640
Speaker 5: so and some of these girls, I mean that's the

1026
00:47:22,719 --> 00:47:24,799
Speaker 5: bucket list. Some of them they like, Look, all I

1027
00:47:24,840 --> 00:47:26,759
Speaker 5: want to do is just be able to be on him.

1028
00:47:27,239 --> 00:47:27,560
Speaker 1: Cool.

1029
00:47:27,760 --> 00:47:29,319
Speaker 6: As long as you ain't got COVID.

1030
00:47:29,080 --> 00:47:32,920
Speaker 1: We're good. I should tell my wife she should loosen

1031
00:47:33,000 --> 00:47:36,799
Speaker 1: up and let me. Yeah. Yeah, but you.

1032
00:47:36,719 --> 00:47:39,319
Speaker 5: Can't do no motherfucking pictures with your shirt off because

1033
00:47:39,320 --> 00:47:40,080
Speaker 5: then you can't.

1034
00:47:40,120 --> 00:47:45,880
Speaker 1: You can't. You can't gauge the person. You lick your

1035
00:47:45,920 --> 00:47:47,280
Speaker 1: stomach and something you're gonna be like hold.

1036
00:47:47,160 --> 00:47:53,520
Speaker 10: On you that you get off now, But you do

1037
00:47:53,719 --> 00:47:57,279
Speaker 10: got you also, in my opinion, bro, like I've met

1038
00:47:57,320 --> 00:47:59,480
Speaker 10: a lot of people, I'm friends with a lot of people.

1039
00:48:00,040 --> 00:48:02,440
Speaker 2: We've been in this industry a long time, and I

1040
00:48:02,480 --> 00:48:05,920
Speaker 2: really believe that you are the most.

1041
00:48:06,920 --> 00:48:08,160
Speaker 1: How can I say you're.

1042
00:48:08,640 --> 00:48:15,960
Speaker 2: The your cares bro cook absolutely care, but the most accessible.

1043
00:48:16,920 --> 00:48:21,120
Speaker 1: Yeah, superstar I've ever seen literally, bro.

1044
00:48:21,560 --> 00:48:24,520
Speaker 5: Yeah, Like I feel like I feel like Jill probably

1045
00:48:24,600 --> 00:48:25,600
Speaker 5: humbled me on that one.

1046
00:48:27,040 --> 00:48:28,080
Speaker 6: That Yeah, there's that.

1047
00:48:28,160 --> 00:48:30,480
Speaker 5: But being able to like go through shit and not

1048
00:48:31,520 --> 00:48:33,680
Speaker 5: have to be, you know, walk a thin line because

1049
00:48:33,680 --> 00:48:35,000
Speaker 5: a lot of artists have to walk in thin line

1050
00:48:35,040 --> 00:48:37,600
Speaker 5: unless you're independent. If you're like the mainstream, you can't

1051
00:48:37,640 --> 00:48:39,960
Speaker 5: do this. You can't be associated with somebody, You can't

1052
00:48:40,000 --> 00:48:42,799
Speaker 5: do a song because of how it looks. Once that shit,

1053
00:48:43,120 --> 00:48:46,080
Speaker 5: like once I was able to still do music and

1054
00:48:46,120 --> 00:48:48,120
Speaker 5: they was and I got to be my regular nigga,

1055
00:48:48,160 --> 00:48:50,560
Speaker 5: Like I got to be myself. Man, funk all this

1056
00:48:50,640 --> 00:48:52,719
Speaker 5: extra shit. I can look if somebody come up to me,

1057
00:48:52,800 --> 00:48:53,680
Speaker 5: what's up you like with music?

1058
00:48:53,719 --> 00:48:53,960
Speaker 1: All right?

1059
00:48:54,000 --> 00:48:54,040
Speaker 11: What?

1060
00:48:54,239 --> 00:48:54,800
Speaker 6: I appreciate it?

1061
00:48:54,840 --> 00:48:55,000
Speaker 1: Cool?

1062
00:48:55,040 --> 00:48:56,560
Speaker 5: Can I get a picture if I'm in a go

1063
00:48:57,080 --> 00:48:59,200
Speaker 5: Sorry not right now, but I appreciate you boom.

1064
00:48:59,480 --> 00:49:01,320
Speaker 1: If I'm not, it's miss a million pictures.

1065
00:49:01,360 --> 00:49:03,320
Speaker 5: Whether I'm drunk, whatever it is, I'm gonna take a

1066
00:49:03,360 --> 00:49:05,880
Speaker 5: picture with somebody like because I've been able, I've been

1067
00:49:05,960 --> 00:49:09,680
Speaker 5: humbled through whatever my experiences are. Like, so I done

1068
00:49:09,680 --> 00:49:11,640
Speaker 5: went through bullshit. I and went through you know, normal

1069
00:49:11,719 --> 00:49:15,080
Speaker 5: nigga shit. So it's like, you know what, let me uh,

1070
00:49:15,280 --> 00:49:17,160
Speaker 5: let me not take this ship for granted and be

1071
00:49:17,280 --> 00:49:21,000
Speaker 5: appreciative every single second, every single time I get to

1072
00:49:21,040 --> 00:49:23,640
Speaker 5: get a chance to like do anything or be around somebody.

1073
00:49:23,800 --> 00:49:25,880
Speaker 1: This is a flowers pod, right, and so this is

1074
00:49:26,080 --> 00:49:32,680
Speaker 1: for you, your flowers. Take a second to to to

1075
00:49:32,800 --> 00:49:37,719
Speaker 1: speak on team Breezy and and staying down with you

1076
00:49:37,840 --> 00:49:40,799
Speaker 1: through thick and thin. What is that feeling like to you?

1077
00:49:41,640 --> 00:49:44,480
Speaker 5: It's the it's the imposter syndrome again, like you know,

1078
00:49:44,600 --> 00:49:47,200
Speaker 5: because it's it's it's unbelievable. Like sometimes I wake up

1079
00:49:47,239 --> 00:49:50,120
Speaker 5: I'm like, damn people go by, like whether I'm promoting,

1080
00:49:50,160 --> 00:49:52,080
Speaker 5: I don't care if it's some shoes I'm promoting, or

1081
00:49:52,600 --> 00:49:54,879
Speaker 5: there's a there's a following of people.

1082
00:49:55,040 --> 00:49:57,839
Speaker 1: A big following of people who who support me, you.

1083
00:49:57,800 --> 00:49:58,440
Speaker 6: Know what I'm saying.

1084
00:49:58,480 --> 00:50:02,319
Speaker 5: So that also makes me, uh like cherish where I'm at,

1085
00:50:02,360 --> 00:50:05,680
Speaker 5: bro a team breezy, Like even to have a name

1086
00:50:05,760 --> 00:50:06,879
Speaker 5: for people.

1087
00:50:06,760 --> 00:50:09,320
Speaker 6: To follow you is kind of crazy, you know what

1088
00:50:09,360 --> 00:50:09,799
Speaker 6: I'm saying.

1089
00:50:09,800 --> 00:50:13,120
Speaker 5: So I feel like I'm appreciative, like my fans know

1090
00:50:13,160 --> 00:50:14,799
Speaker 5: how much, and I try to let them in on

1091
00:50:14,800 --> 00:50:17,040
Speaker 5: stuff I talked to them, like I remember because somebody

1092
00:50:17,080 --> 00:50:18,080
Speaker 5: dates for the tours will come.

1093
00:50:18,160 --> 00:50:20,160
Speaker 6: I say, look, y'all, get on my damn nerves.

1094
00:50:20,160 --> 00:50:22,160
Speaker 5: If y'all ain't got the damn you sit, ain't only

1095
00:50:22,239 --> 00:50:24,000
Speaker 5: got this, shut up the puck up and.

1096
00:50:24,040 --> 00:50:25,160
Speaker 1: Go to the next city.

1097
00:50:25,400 --> 00:50:29,040
Speaker 5: So so so like but but I'm able to I

1098
00:50:29,080 --> 00:50:31,360
Speaker 5: wouldn't even be in this chair right now, like but

1099
00:50:31,440 --> 00:50:33,160
Speaker 5: y'all my brother, so I probably would be in the chair.

1100
00:50:33,520 --> 00:50:37,600
Speaker 5: But any success or anything that that's further that these

1101
00:50:37,600 --> 00:50:39,960
Speaker 5: songs that I'm putting out like that, ain't that ain't

1102
00:50:40,239 --> 00:50:43,160
Speaker 5: us paying somebody off and trying to like please, like

1103
00:50:43,200 --> 00:50:45,360
Speaker 5: you know, what I'm saying, that's that's really the fans,

1104
00:50:45,480 --> 00:50:47,279
Speaker 5: you know what I'm saying, and they and they kept

1105
00:50:47,280 --> 00:50:50,200
Speaker 5: me here twenty almost twenty years now, so it's like

1106
00:50:50,880 --> 00:50:53,760
Speaker 5: for me to have that connection with them, it's probably

1107
00:50:53,760 --> 00:50:56,279
Speaker 5: the biggest thing ever, you know. So so I'm maybe

1108
00:50:56,320 --> 00:50:58,440
Speaker 5: that's why I'm always thirsty and still doing me is

1109
00:50:58,440 --> 00:51:00,760
Speaker 5: why he's still doing this? Why it because of y'all?

1110
00:51:01,000 --> 00:51:06,440
Speaker 1: Like that's the reason real talk shout out to team Yeah,

1111
00:51:07,719 --> 00:51:11,000
Speaker 1: I talked the Team Breezy oft. I talked the Team Breezy,

1112
00:51:11,680 --> 00:51:14,160
Speaker 1: you know, as as as as as a Team Breezer.

1113
00:51:14,400 --> 00:51:17,359
Speaker 1: You know what I'm saying. Whatever with you shout out

1114
00:51:19,239 --> 00:51:21,280
Speaker 1: what's your favorite album?

1115
00:51:21,640 --> 00:51:21,839
Speaker 3: Uh?

1116
00:51:22,440 --> 00:51:27,440
Speaker 1: Out of mind? Damn it's you know what it is?

1117
00:51:28,160 --> 00:51:28,759
Speaker 6: Can I have two?

1118
00:51:29,239 --> 00:51:32,000
Speaker 1: You can all? I got Eleven of the Motherfuckers?

1119
00:51:32,239 --> 00:51:32,439
Speaker 3: Uh?

1120
00:51:33,680 --> 00:51:35,520
Speaker 5: My two will be my first one because of the

1121
00:51:35,560 --> 00:51:39,040
Speaker 5: experience that what we talked about earlier, like how it

1122
00:51:39,120 --> 00:51:42,239
Speaker 5: felt everything was was was amazing. So I think the

1123
00:51:42,239 --> 00:51:47,000
Speaker 5: first one and then my fame album. Yeah, I got

1124
00:51:47,000 --> 00:51:50,120
Speaker 5: the Grammy Grammy album. And the reason why I say

1125
00:51:50,120 --> 00:51:53,120
Speaker 5: that is because of the ship I had to go

1126
00:51:53,200 --> 00:51:57,480
Speaker 5: through around that time and still make music and people

1127
00:51:57,600 --> 00:52:00,480
Speaker 5: still listening to me despite maybe not for tking with me.

1128
00:52:00,520 --> 00:52:01,319
Speaker 1: For real, I'm not.

1129
00:52:01,239 --> 00:52:03,280
Speaker 5: Liking New York, you know what I'm saying. The first

1130
00:52:03,320 --> 00:52:07,759
Speaker 5: canceled Nigga, So you know, so those two albums kind

1131
00:52:07,760 --> 00:52:10,640
Speaker 5: of like were milestones in my career, Like the first

1132
00:52:10,680 --> 00:52:12,600
Speaker 5: one has shown me that I'm I'm able to do it,

1133
00:52:12,640 --> 00:52:13,160
Speaker 5: and then.

1134
00:52:13,680 --> 00:52:15,719
Speaker 1: That album like, Okay, you can do it. Yeah, I

1135
00:52:15,719 --> 00:52:21,160
Speaker 1: can do it again. I'm gonna go. The first album,

1136
00:52:21,280 --> 00:52:27,200
Speaker 1: first album as a classic exclusive is special to me.

1137
00:52:28,680 --> 00:52:33,520
Speaker 1: What's your favorite Chris song? In the goal is what's

1138
00:52:33,560 --> 00:52:37,120
Speaker 1: your favorite Chris song? Okay, I know mine off the

1139
00:52:37,120 --> 00:52:37,719
Speaker 1: top of my head.

1140
00:52:38,320 --> 00:52:44,120
Speaker 2: It changes, he just plays I still got my favorite,

1141
00:52:44,160 --> 00:52:45,400
Speaker 2: though you don't have your favorite.

1142
00:52:46,480 --> 00:52:49,200
Speaker 1: It changes every time he plays me.

1143
00:52:49,160 --> 00:52:53,120
Speaker 2: Something he just to this day, yeah, to this day.

1144
00:52:53,320 --> 00:52:55,440
Speaker 2: The Nigga played it for me a record plan, and

1145
00:52:55,520 --> 00:52:58,280
Speaker 2: I said, Nigga director tomorrow.

1146
00:52:58,320 --> 00:53:01,400
Speaker 1: The record the record that the record that haunts me,

1147
00:53:02,560 --> 00:53:06,120
Speaker 1: like a record that when I hear it, it takes

1148
00:53:06,160 --> 00:53:08,839
Speaker 1: me to where I was, like, it takes me back

1149
00:53:08,880 --> 00:53:13,640
Speaker 1: to Paris and watching on stage. It's indigo. Yeah, It's

1150
00:53:13,640 --> 00:53:18,120
Speaker 1: something about the feeling, It's something about the conversation. It's

1151
00:53:18,200 --> 00:53:23,799
Speaker 1: something about Indigo, Bro, that is so special to me.

1152
00:53:23,880 --> 00:53:27,160
Speaker 1: I don't know what it is. It's the melodies, it's

1153
00:53:27,239 --> 00:53:33,800
Speaker 1: the trust, the production, it's the words, it's like my life.

1154
00:53:34,800 --> 00:53:43,440
Speaker 1: I'm like, it's special to me, super special. And Heat.

1155
00:53:45,800 --> 00:53:48,400
Speaker 1: And the reason Heat just got so embedded was because

1156
00:53:48,480 --> 00:53:53,480
Speaker 1: everybody thinks I'm singing on it. Everybody thinks I'm singing

1157
00:53:53,520 --> 00:53:56,680
Speaker 1: on Heat, and I never said I wasn't singing on Heat.

1158
00:53:57,400 --> 00:53:59,160
Speaker 1: You know what I'm saying. I don't think he knows

1159
00:53:59,200 --> 00:54:03,480
Speaker 1: what songs he's on one of yours, since Chris I

1160
00:54:03,480 --> 00:54:07,160
Speaker 1: think I'm singing backgrounds. I was just I was just

1161
00:54:07,200 --> 00:54:09,200
Speaker 1: in a sensation on the other day and I was like,

1162
00:54:09,640 --> 00:54:12,279
Speaker 1: I was like, why does he sound like me on

1163
00:54:12,360 --> 00:54:14,280
Speaker 1: the end of this song? Why is his ad libs?

1164
00:54:14,560 --> 00:54:17,319
Speaker 1: I said, funk, I did the ad libs? Got it?

1165
00:54:17,600 --> 00:54:19,879
Speaker 1: Got it? Because Chris will be like, get the boof

1166
00:54:20,080 --> 00:54:21,080
Speaker 1: and just sing something this ship.

1167
00:54:21,400 --> 00:54:24,400
Speaker 5: Yeah be because I just need his voice and backgrounds

1168
00:54:24,400 --> 00:54:26,840
Speaker 5: and he knows where to put the pockets at. So

1169
00:54:26,920 --> 00:54:30,520
Speaker 5: I'd be like, it'd been damn it, eight to nine

1170
00:54:30,520 --> 00:54:35,240
Speaker 5: songs already.

1171
00:54:35,520 --> 00:54:38,759
Speaker 1: He never remembers though, we'd be doing so much of it,

1172
00:54:39,320 --> 00:54:41,759
Speaker 1: and for me, it's just like in your space, I

1173
00:54:41,840 --> 00:54:44,080
Speaker 1: just try to make myself available for whatever it is

1174
00:54:44,120 --> 00:54:45,600
Speaker 1: you need. You know what I'm saying, whether it be

1175
00:54:45,800 --> 00:54:50,040
Speaker 1: whether it be musical conversation. Another question I wanted to

1176
00:54:50,080 --> 00:54:56,000
Speaker 1: ask you is probably a deeper question in and now

1177
00:54:56,160 --> 00:55:00,279
Speaker 1: in your stages of being a father. We we have

1178
00:55:00,400 --> 00:55:04,560
Speaker 1: so many loves, right, and love changes in terms of

1179
00:55:04,560 --> 00:55:07,160
Speaker 1: what it means as we grow. What does love mean

1180
00:55:07,200 --> 00:55:11,839
Speaker 1: to you? Now, that's a deep question. What does love

1181
00:55:11,920 --> 00:55:13,480
Speaker 1: mean to me? Uh?

1182
00:55:14,560 --> 00:55:16,919
Speaker 5: Love is scary to me, but at the same time,

1183
00:55:17,080 --> 00:55:20,960
Speaker 5: like it's too I'm full of it, you know what

1184
00:55:21,000 --> 00:55:22,120
Speaker 5: I'm saying, I'm full of love.

1185
00:55:22,200 --> 00:55:23,080
Speaker 1: Like so I feel like.

1186
00:55:23,000 --> 00:55:26,080
Speaker 5: My kids kind of like made me appreciate what that

1187
00:55:26,120 --> 00:55:28,760
Speaker 5: word mean, what the word meant like to love something

1188
00:55:28,800 --> 00:55:30,680
Speaker 5: outside of yourself, outside of anything.

1189
00:55:30,719 --> 00:55:34,759
Speaker 1: That's like, that's that's great segue. Are they are? Are

1190
00:55:34,800 --> 00:55:39,799
Speaker 1: they making you more free to love, more open to love? Yes?

1191
00:55:39,920 --> 00:55:42,960
Speaker 6: And no, they're they're making me more open to loving them.

1192
00:55:43,000 --> 00:55:43,759
Speaker 6: Then like I'm just.

1193
00:55:45,719 --> 00:55:48,600
Speaker 1: I'm pouring all my love into them, but you're also

1194
00:55:48,719 --> 00:55:52,759
Speaker 1: very protective. Yeah, but you yeah, not let more people in.

1195
00:55:52,960 --> 00:55:55,760
Speaker 5: Uh yeah, But at the same time, like it's making

1196
00:55:55,960 --> 00:55:59,400
Speaker 5: me learn patience and making me learn just life skills

1197
00:55:59,400 --> 00:56:01,520
Speaker 5: that I that I made. It might have been too

1198
00:56:01,640 --> 00:56:04,319
Speaker 5: too antsy for too busy for So I think love

1199
00:56:04,360 --> 00:56:07,520
Speaker 5: for me now is like it's expanding. It's like me,

1200
00:56:07,880 --> 00:56:10,040
Speaker 5: you saying you have to have a favorite color, right, No,

1201
00:56:10,239 --> 00:56:10,879
Speaker 5: I really don't.

1202
00:56:11,120 --> 00:56:14,040
Speaker 1: I can actually find beauty in every all of the colors.

1203
00:56:14,040 --> 00:56:18,399
Speaker 5: So my, uh, my thought process on love isn't as

1204
00:56:19,000 --> 00:56:20,799
Speaker 5: controlled as I thought it should be. It should be

1205
00:56:20,800 --> 00:56:23,239
Speaker 5: like this, It should be like no, like love is

1206
00:56:23,520 --> 00:56:25,319
Speaker 5: an abundance to me. So I feel like it's like,

1207
00:56:25,960 --> 00:56:28,160
Speaker 5: all right, cool, I don't got Yeah I could, I

1208
00:56:28,160 --> 00:56:28,600
Speaker 5: could do this.

1209
00:56:31,680 --> 00:56:35,000
Speaker 1: Out. Yeah, I can smile a lot more. Yeah yeah.

1210
00:56:35,320 --> 00:56:39,560
Speaker 2: Now look look that's that's what you're for, what you've

1211
00:56:39,560 --> 00:56:41,120
Speaker 2: been through and what you've accomplished.

1212
00:56:41,320 --> 00:56:44,040
Speaker 1: Yeah, you should smile more. Yeah, you know what I mean.

1213
00:56:44,080 --> 00:56:47,600
Speaker 2: You should continue to have a good time because this

1214
00:56:47,600 --> 00:56:50,080
Speaker 2: this isn't given to everyone. Yeah, you know what I mean.

1215
00:56:50,239 --> 00:56:51,799
Speaker 2: It's especially your life.

1216
00:56:51,800 --> 00:56:52,480
Speaker 1: And what you know.

1217
00:56:52,719 --> 00:56:57,600
Speaker 2: And but the thing that would make me angry when

1218
00:56:57,640 --> 00:57:01,160
Speaker 2: it came to you was that people didn't realize this

1219
00:57:01,239 --> 00:57:04,080
Speaker 2: was your life, you know what I mean. Everybody had

1220
00:57:04,120 --> 00:57:06,960
Speaker 2: an opinion or has an opinion of how you should

1221
00:57:07,000 --> 00:57:10,120
Speaker 2: live your life. And for me, as your brother, I've

1222
00:57:10,120 --> 00:57:12,200
Speaker 2: never had an opinion about how you should live your life.

1223
00:57:12,200 --> 00:57:13,840
Speaker 2: And you know we've had many a talk to you

1224
00:57:14,200 --> 00:57:17,200
Speaker 2: in many cities and many long nights, and I've never

1225
00:57:17,280 --> 00:57:21,240
Speaker 2: said you should do No, you should do what you

1226
00:57:21,280 --> 00:57:23,280
Speaker 2: want to do and live how you want to live

1227
00:57:23,760 --> 00:57:26,200
Speaker 2: and experience the things you want to because it's what

1228
00:57:26,400 --> 00:57:27,320
Speaker 2: makes you who you are.

1229
00:57:28,160 --> 00:57:28,760
Speaker 1: You know what I mean.

1230
00:57:28,840 --> 00:57:32,520
Speaker 2: And you've been able to, like you said, average mofucker

1231
00:57:32,560 --> 00:57:34,400
Speaker 2: can't go sit down and go and be in a

1232
00:57:34,400 --> 00:57:35,880
Speaker 2: whole tank and go to jail.

1233
00:57:36,800 --> 00:57:37,800
Speaker 1: That's your experience.

1234
00:57:38,720 --> 00:57:41,320
Speaker 2: So whatever that put you there, you were able to

1235
00:57:41,600 --> 00:57:45,040
Speaker 2: man up. Except that even though you did lose me

1236
00:57:45,040 --> 00:57:47,600
Speaker 2: a championship in the NBA E League, Yeah, because we was.

1237
00:57:47,760 --> 00:57:49,800
Speaker 1: Undefeated and then you went you had to do too

1238
00:57:49,840 --> 00:57:51,400
Speaker 1: much to see you had.

1239
00:57:52,360 --> 00:57:55,680
Speaker 5: Yeah, I was like and then by the time I

1240
00:57:55,680 --> 00:57:57,280
Speaker 5: got out, I was not about to play no.

1241
00:57:57,360 --> 00:57:59,320
Speaker 1: Basketball and over the.

1242
00:58:00,880 --> 00:58:04,280
Speaker 2: Bad see you and you was like, going in two weeks,

1243
00:58:04,280 --> 00:58:07,160
Speaker 2: you have to have a froe and the stomach.

1244
00:58:07,280 --> 00:58:09,400
Speaker 1: You said, it's gonna be gone. It's gonna be going

1245
00:58:09,440 --> 00:58:11,240
Speaker 1: in two weeks. Two weeks, and then two weeks and

1246
00:58:11,360 --> 00:58:12,520
Speaker 1: I said, Okay, he's back.

1247
00:58:12,680 --> 00:58:14,560
Speaker 5: Yeah, I was, because they call me in them pictures.

1248
00:58:14,600 --> 00:58:17,000
Speaker 5: I think we went to like now I went to

1249
00:58:17,120 --> 00:58:18,720
Speaker 5: I went to South to France or something.

1250
00:58:19,360 --> 00:58:19,480
Speaker 1: Bro.

1251
00:58:19,560 --> 00:58:21,200
Speaker 5: They took the pictures and I was just seeing that

1252
00:58:21,200 --> 00:58:25,800
Speaker 5: that jelly roll. I said, what hell no, and then

1253
00:58:25,800 --> 00:58:27,680
Speaker 5: from there just dancing, dancing, dancing.

1254
00:58:28,360 --> 00:58:29,800
Speaker 1: I was even big on when I got out of

1255
00:58:29,840 --> 00:58:30,200
Speaker 1: jail for.

1256
00:58:30,200 --> 00:58:33,720
Speaker 5: The for the BT Awards, when I had to when

1257
00:58:33,720 --> 00:58:35,960
Speaker 5: I when we came, I did loyal and I had to. Uh,

1258
00:58:36,440 --> 00:58:39,320
Speaker 5: this was when everybody's wearing for real hats. Yeah, like

1259
00:58:39,400 --> 00:58:46,200
Speaker 5: you know, the smoky the beer hat. But I remember

1260
00:58:46,360 --> 00:58:48,040
Speaker 5: having this outfit. I had to put the outfit on

1261
00:58:48,080 --> 00:58:51,200
Speaker 5: and it was like too small. The pants wouldn't fit.

1262
00:58:51,440 --> 00:58:53,760
Speaker 5: Like I was, I'm like a thirty four, thirty six.

1263
00:58:54,240 --> 00:58:56,680
Speaker 1: I was like a few thirty thirty.

1264
00:58:57,320 --> 00:58:59,920
Speaker 5: Yeah, for sure, I was like a forty or some

1265
00:59:01,640 --> 00:59:04,880
Speaker 5: fordy I'm talking about big boy big. I said, hold on,

1266
00:59:05,480 --> 00:59:07,960
Speaker 5: you know what, I can't do this no more.

1267
00:59:08,320 --> 00:59:09,120
Speaker 1: But I was. I was.

1268
00:59:09,480 --> 00:59:11,320
Speaker 5: I had to go through a lot of boot camp,

1269
00:59:11,400 --> 00:59:12,960
Speaker 5: dancing and everything else to get back.

1270
00:59:13,000 --> 00:59:20,120
Speaker 1: But Nigga ship back though, yeah, because you was all right.

1271
00:59:20,280 --> 00:59:23,640
Speaker 6: It was terrible I'm telling you that's depressing time of

1272
00:59:23,680 --> 00:59:24,120
Speaker 6: my life.

1273
00:59:24,120 --> 00:59:33,520
Speaker 1: Bro. I Chris Brown, it was a Brown Brown. When

1274
00:59:33,560 --> 00:59:36,480
Speaker 1: did you really get into the business, like start owning

1275
00:59:36,520 --> 00:59:38,560
Speaker 1: the business of all of that, because that's what people

1276
00:59:38,600 --> 00:59:40,640
Speaker 1: really don't know about you. I think.

1277
00:59:45,480 --> 00:59:46,200
Speaker 6: I did that first.

1278
00:59:46,280 --> 00:59:48,400
Speaker 5: And I would be like I was seventeen when I

1279
00:59:48,400 --> 00:59:51,480
Speaker 5: started trying to invest in certain things just because I knew, like,

1280
00:59:51,880 --> 00:59:54,000
Speaker 5: you know, unless you torn, unless you like, you don't

1281
00:59:54,040 --> 00:59:55,920
Speaker 5: know how how long you're gonna be successful.

1282
00:59:55,920 --> 00:59:58,680
Speaker 6: And it's not like every artist can make it look.

1283
00:59:58,560 --> 01:00:00,320
Speaker 5: Like they getting money, getting money, getting my If you're

1284
01:00:00,320 --> 01:00:02,520
Speaker 5: not a touring act, if you're not doing stuff, you're

1285
01:00:02,520 --> 01:00:05,480
Speaker 5: not gonna you need an exit strategy. So I would have, like,

1286
01:00:05,600 --> 01:00:07,240
Speaker 5: you know, the business people around me at the time,

1287
01:00:07,840 --> 01:00:09,560
Speaker 5: I can't say they were good at the time, but

1288
01:00:10,000 --> 01:00:12,040
Speaker 5: you know, my investments were like into burger kings and

1289
01:00:12,080 --> 01:00:14,000
Speaker 5: stuff like that, just so I could have a portfolio

1290
01:00:14,040 --> 01:00:16,760
Speaker 5: of and you know, constant income.

1291
01:00:17,120 --> 01:00:17,320
Speaker 1: You know.

1292
01:00:17,440 --> 01:00:19,320
Speaker 5: So that was my first step. But when I really

1293
01:00:19,400 --> 01:00:22,520
Speaker 5: started getting into like the music side, like the executive side,

1294
01:00:22,760 --> 01:00:27,480
Speaker 5: it was like I was twenty five, and what happened was, uh,

1295
01:00:27,640 --> 01:00:29,800
Speaker 5: Loyal and all these other records had already been been

1296
01:00:29,840 --> 01:00:32,160
Speaker 5: blowing up, so and I was out of my almost

1297
01:00:32,200 --> 01:00:34,640
Speaker 5: out of my contract, so I was able to negotiate.

1298
01:00:34,640 --> 01:00:35,840
Speaker 1: I was like, well, cool, well.

1299
01:00:35,760 --> 01:00:38,800
Speaker 5: Now that I have leverage as an actual not an artist,

1300
01:00:39,080 --> 01:00:40,200
Speaker 5: I don't want to be an artist.

1301
01:00:40,200 --> 01:00:42,080
Speaker 1: I want to be fifty to fifty profits shared with

1302
01:00:42,120 --> 01:00:42,520
Speaker 1: you guys.

1303
01:00:42,600 --> 01:00:44,120
Speaker 6: I want to have the same deal birdman.

1304
01:00:44,160 --> 01:00:46,400
Speaker 5: I got universal, like you know, you know, I asked

1305
01:00:46,400 --> 01:00:47,920
Speaker 5: around trying to figure it out so I don't have

1306
01:00:48,000 --> 01:00:51,360
Speaker 5: to be getting you know, cents on the.

1307
01:00:51,320 --> 01:00:53,640
Speaker 1: Dollar, right, you know, just living off advances. You get

1308
01:00:53,680 --> 01:00:54,160
Speaker 1: what I'm saying.

1309
01:00:54,200 --> 01:00:57,160
Speaker 5: So from there that was my first step boom, and

1310
01:00:57,160 --> 01:00:59,240
Speaker 5: then I think they were like oh and then they

1311
01:00:59,400 --> 01:01:01,000
Speaker 5: kind of like, you know what, fuck it, we'll do it.

1312
01:01:01,080 --> 01:01:03,760
Speaker 5: I'm like, shit, damn, I'm like the youngest nigga with this,

1313
01:01:03,880 --> 01:01:05,760
Speaker 5: with this deal right here. I don't think nobody knows,

1314
01:01:05,840 --> 01:01:07,800
Speaker 5: you know. So that was my first step. Then after

1315
01:01:07,840 --> 01:01:10,480
Speaker 5: that was me trying to own my masters. So I

1316
01:01:10,480 --> 01:01:12,400
Speaker 5: think when I was like twenty seven or twenty eight,

1317
01:01:12,680 --> 01:01:15,520
Speaker 5: like by that time, it was a renegotiation time, and

1318
01:01:15,560 --> 01:01:18,160
Speaker 5: I was like, hey, cool, I still want this, but

1319
01:01:18,320 --> 01:01:21,280
Speaker 5: let me get my masters from here. From from I

1320
01:01:21,320 --> 01:01:24,280
Speaker 5: think from my fame albuming up, I said, let me

1321
01:01:24,280 --> 01:01:26,080
Speaker 5: get the Masters from there, and then I'm able to

1322
01:01:26,160 --> 01:01:28,800
Speaker 5: come back and negotiate, you know, in six years for

1323
01:01:29,280 --> 01:01:32,479
Speaker 5: the first album and all of my shit. So being

1324
01:01:32,480 --> 01:01:34,920
Speaker 5: able to have that type of structure deal like shout

1325
01:01:34,920 --> 01:01:36,720
Speaker 5: out the Mark Pits again, you know what I'm saying,

1326
01:01:37,160 --> 01:01:39,959
Speaker 5: Peter Edge, everybody that was you know, everybody that really

1327
01:01:40,000 --> 01:01:41,360
Speaker 5: kind of like looked and say, you know, we'll give

1328
01:01:41,400 --> 01:01:41,880
Speaker 5: them this deal.

1329
01:01:42,200 --> 01:01:44,440
Speaker 6: And Barry Rice, Barry Rice.

1330
01:01:44,280 --> 01:01:47,240
Speaker 5: Is like he put the shit down, like he really

1331
01:01:47,240 --> 01:01:49,880
Speaker 5: he the one that kind of allowed me to be like,

1332
01:01:49,920 --> 01:01:52,440
Speaker 5: you know what, here a fucking kid, take it.

1333
01:01:53,000 --> 01:01:53,560
Speaker 6: You got it?

1334
01:01:53,720 --> 01:01:57,000
Speaker 1: I mean, you had made them so much. Yeah, but

1335
01:01:57,680 --> 01:01:59,640
Speaker 1: let's let's also speak on it. Let's not let's not

1336
01:01:59,760 --> 01:02:02,880
Speaker 1: just breeze over that the fact that.

1337
01:02:04,280 --> 01:02:08,840
Speaker 2: You understood though, I got to prove myself first, because

1338
01:02:08,880 --> 01:02:11,640
Speaker 2: now we have these we have these new artists who

1339
01:02:12,000 --> 01:02:14,360
Speaker 2: come into the game thinking they can own the Masters,

1340
01:02:14,880 --> 01:02:17,640
Speaker 2: Like why would I let you have the Masters or

1341
01:02:17,920 --> 01:02:20,680
Speaker 2: why would you deserve your masters? In the beginning, if

1342
01:02:20,680 --> 01:02:27,000
Speaker 2: someone is actually making the initial investment and they're not worthing.

1343
01:02:27,000 --> 01:02:29,240
Speaker 2: So somebody walking into the door saying why I owe

1344
01:02:29,280 --> 01:02:30,760
Speaker 2: my masters. Okay, well what are you going to do

1345
01:02:30,800 --> 01:02:32,760
Speaker 2: with it? Do you know how to license it? Is

1346
01:02:32,760 --> 01:02:36,200
Speaker 2: there any distribution for it? And is it worth anything

1347
01:02:36,680 --> 01:02:39,880
Speaker 2: in the beginning? Right, so you were able to say, hey, listen,

1348
01:02:40,720 --> 01:02:45,760
Speaker 2: now I want from fame ongoing, and now I'll put

1349
01:02:45,760 --> 01:02:47,960
Speaker 2: myself in a position because I'll continue to be successful

1350
01:02:48,760 --> 01:02:52,840
Speaker 2: to come back again, renegotiate and get those initial albums

1351
01:02:52,920 --> 01:02:53,360
Speaker 2: as well.

1352
01:02:54,280 --> 01:02:59,280
Speaker 1: That's just smart business. And I think embedding on yourself.

1353
01:02:59,520 --> 01:03:02,479
Speaker 2: But I think people want to skip the steps and say,

1354
01:03:02,520 --> 01:03:05,120
Speaker 2: oh well this labeled like listen, labors are going to

1355
01:03:05,160 --> 01:03:05,680
Speaker 2: be what they are.

1356
01:03:05,760 --> 01:03:08,520
Speaker 1: Labors are going to be in their banks and that's

1357
01:03:08,520 --> 01:03:09,040
Speaker 1: what they do.

1358
01:03:09,080 --> 01:03:12,080
Speaker 2: But they also have infrastructure to put you in a

1359
01:03:12,160 --> 01:03:14,720
Speaker 2: place that's unimaginable.

1360
01:03:14,880 --> 01:03:15,520
Speaker 1: Yeah.

1361
01:03:15,600 --> 01:03:18,520
Speaker 6: Yeah, absolutely, I don't disagree with that at all, you.

1362
01:03:18,480 --> 01:03:18,960
Speaker 1: Know what I mean.

1363
01:03:19,320 --> 01:03:22,040
Speaker 2: And so I think you should be, for lack of

1364
01:03:22,040 --> 01:03:24,360
Speaker 2: a better term, a poster boy of like listen, just

1365
01:03:24,480 --> 01:03:28,320
Speaker 2: be successful, Just be great, You be great. You get

1366
01:03:28,480 --> 01:03:30,160
Speaker 2: everything you're supposed.

1367
01:03:29,720 --> 01:03:30,439
Speaker 1: To out of this ship.

1368
01:03:30,600 --> 01:03:33,480
Speaker 5: Yeah, and get the right lawyers. Make sure your lawyers

1369
01:03:33,520 --> 01:03:36,320
Speaker 5: is looking over your country. Yeah, and so you got

1370
01:03:36,360 --> 01:03:38,880
Speaker 5: to make sure everybody you know, when I was young,

1371
01:03:38,920 --> 01:03:42,520
Speaker 5: I was. I was fortunate enough to be saved on

1372
01:03:42,600 --> 01:03:45,240
Speaker 5: certain things, but I was my deals weren't always great.

1373
01:03:45,400 --> 01:03:47,720
Speaker 5: So once I was able to be able to be

1374
01:03:47,720 --> 01:03:49,360
Speaker 5: more independence, like, look, I got a little bit more

1375
01:03:49,440 --> 01:03:51,840
Speaker 5: leverage now, and they then, you know, they made all

1376
01:03:51,840 --> 01:03:52,840
Speaker 5: this money and all that.

1377
01:03:53,160 --> 01:03:54,720
Speaker 1: So I'm more like, you know, I'm.

1378
01:03:54,560 --> 01:03:58,560
Speaker 5: Able to now see real money or see something from

1379
01:03:58,640 --> 01:04:00,880
Speaker 5: what I've created because I know I created it. So

1380
01:04:00,920 --> 01:04:02,480
Speaker 5: now you know I can go and do this. Now

1381
01:04:02,600 --> 01:04:04,640
Speaker 5: I can create some more. Wait till you'll see what

1382
01:04:04,680 --> 01:04:06,760
Speaker 5: I'm about to create. So now I get to own

1383
01:04:06,800 --> 01:04:09,320
Speaker 5: all of that, you know. And and it's like like

1384
01:04:09,360 --> 01:04:11,200
Speaker 5: you said, I'm like a testament to that to hey,

1385
01:04:12,440 --> 01:04:14,240
Speaker 5: not saying put your head down, just be the best

1386
01:04:14,280 --> 01:04:15,280
Speaker 5: you right.

1387
01:04:15,720 --> 01:04:17,560
Speaker 1: I feel like the way I go to the gym

1388
01:04:17,680 --> 01:04:19,040
Speaker 1: is the way you go to the studio.

1389
01:04:20,160 --> 01:04:22,600
Speaker 2: Yeah, It's like that's what I said. Your me and

1390
01:04:22,600 --> 01:04:25,720
Speaker 2: green you should bench pressed. It's like, is there no

1391
01:04:25,720 --> 01:04:26,560
Speaker 2: no way limit though?

1392
01:04:31,360 --> 01:04:31,840
Speaker 6: Something?

1393
01:04:32,000 --> 01:04:33,840
Speaker 1: Get a good fifty off now.

1394
01:04:34,400 --> 01:04:36,840
Speaker 5: But even in my my meet and gree pictures, like

1395
01:04:37,240 --> 01:04:39,680
Speaker 5: there's some some joints and like sometimes you know what

1396
01:04:39,720 --> 01:04:40,080
Speaker 5: come on?

1397
01:04:43,560 --> 01:04:44,280
Speaker 1: Yeah, because you know.

1398
01:04:46,480 --> 01:04:47,840
Speaker 6: It's like we can't do.

1399
01:04:47,800 --> 01:04:51,480
Speaker 1: Certain things try something else, I ain't get the same back.

1400
01:04:55,400 --> 01:04:58,480
Speaker 1: I got the picture.

1401
01:04:59,200 --> 01:05:02,960
Speaker 2: Listen already waiting for what these pictures are gonna look like. Man,

1402
01:05:03,080 --> 01:05:05,160
Speaker 2: you know shit is gonna be insane.

1403
01:05:05,400 --> 01:05:09,920
Speaker 1: Oh shit, here's a last question, bro, How do you

1404
01:05:10,000 --> 01:05:14,200
Speaker 1: do like eight thousand songs in one night? Bro? Like you,

1405
01:05:13,720 --> 01:05:17,240
Speaker 1: how is that even possible that you I come to

1406
01:05:17,320 --> 01:05:20,320
Speaker 1: your house and there are I just left your house

1407
01:05:20,840 --> 01:05:22,760
Speaker 1: two days ago and I come back and there are

1408
01:05:22,840 --> 01:05:24,800
Speaker 1: twenty new songs. How?

1409
01:05:26,080 --> 01:05:27,920
Speaker 5: I just feel like a lot of the times, you know,

1410
01:05:27,920 --> 01:05:29,240
Speaker 5: how I used to be in the studio back in

1411
01:05:29,240 --> 01:05:30,320
Speaker 5: the day. Even I'm like, yo, come.

1412
01:05:30,240 --> 01:05:33,480
Speaker 1: To the studio, Like, I just think you what did

1413
01:05:33,480 --> 01:05:34,160
Speaker 1: you call you? Master?

1414
01:05:34,240 --> 01:05:36,720
Speaker 5: Something that you spend more than one hundred hours on

1415
01:05:36,840 --> 01:05:40,280
Speaker 5: or something? So I think I've just tried to overly, overly,

1416
01:05:40,400 --> 01:05:42,880
Speaker 5: overly overly master it. So me being in the studio,

1417
01:05:42,960 --> 01:05:44,560
Speaker 5: like I might have an idea in my head, or

1418
01:05:44,600 --> 01:05:46,560
Speaker 5: I might just hear some songs like, man, I need

1419
01:05:46,560 --> 01:05:47,280
Speaker 5: to get on my game.

1420
01:05:47,320 --> 01:05:47,960
Speaker 1: I need to steal.

1421
01:05:48,160 --> 01:05:50,400
Speaker 5: It's like shooting jump shots, like you know, you gotta

1422
01:05:50,440 --> 01:05:52,400
Speaker 5: make sure if you don't, if you don't shop at

1423
01:05:52,400 --> 01:05:53,960
Speaker 5: the tube, it ain't gonna work. So I feel like

1424
01:05:54,720 --> 01:05:56,960
Speaker 5: me being in the studio is where I kind of live.

1425
01:05:57,000 --> 01:05:58,560
Speaker 5: I got two studios, you see the house. I got

1426
01:05:58,560 --> 01:06:01,280
Speaker 5: two studios in the house, so so I can change scene,

1427
01:06:01,360 --> 01:06:04,280
Speaker 5: real change, like you know, mental states when I'm in

1428
01:06:04,400 --> 01:06:05,200
Speaker 5: different studios.

1429
01:06:05,840 --> 01:06:10,400
Speaker 1: I've never seen that you're making the amount of songs

1430
01:06:10,440 --> 01:06:13,680
Speaker 1: that the underdogs, all of us in different rooms, used

1431
01:06:13,720 --> 01:06:15,440
Speaker 1: to make. It was it was six of us, and

1432
01:06:15,480 --> 01:06:17,919
Speaker 1: he's still making more than just wanting. We were making

1433
01:06:17,960 --> 01:06:18,560
Speaker 1: money at night.

1434
01:06:18,760 --> 01:06:21,840
Speaker 2: We weren't writing twenty songs at night.

1435
01:06:31,280 --> 01:06:33,640
Speaker 1: You got it. You gotta how many times you have?

1436
01:06:35,240 --> 01:06:38,000
Speaker 1: I said before like fifteen thousands.

1437
01:06:38,000 --> 01:06:41,160
Speaker 5: But then but then I think I miscalculated, you know,

1438
01:06:41,280 --> 01:06:42,840
Speaker 5: So it's it's a world champlainship.

1439
01:06:42,920 --> 01:06:45,040
Speaker 6: Yeah, that was that was I think I was thinking

1440
01:06:45,080 --> 01:06:45,240
Speaker 6: of it.

1441
01:06:45,320 --> 01:06:47,960
Speaker 5: I'm like, okay, I got this, yeah a lot of

1442
01:06:49,200 --> 01:06:51,880
Speaker 5: so I'm gonna be realistic and it's it's in the

1443
01:06:52,000 --> 01:06:56,520
Speaker 5: eight thousands to nine thousands, though it's a lot, like like.

1444
01:06:56,680 --> 01:07:00,560
Speaker 1: It's finished or just pieces.

1445
01:07:00,560 --> 01:07:02,200
Speaker 6: I can say pieces, it won't it won't be.

1446
01:07:02,480 --> 01:07:04,040
Speaker 5: It might be first verse, cause you know how I

1447
01:07:04,120 --> 01:07:06,240
Speaker 5: used to send demos out to be first verse or

1448
01:07:06,280 --> 01:07:08,920
Speaker 5: chorse and then no second verse. So it'll be stuff

1449
01:07:08,960 --> 01:07:12,800
Speaker 5: like that, So it's like, yeah, collectively, is that a.

1450
01:07:12,800 --> 01:07:17,160
Speaker 1: Lot of that's insane? Bro mm hmmm, what you got

1451
01:07:17,200 --> 01:07:17,880
Speaker 1: for him Champion?

1452
01:07:20,560 --> 01:07:24,480
Speaker 2: H m hm.

1453
01:07:25,520 --> 01:07:27,640
Speaker 1: Come on, comfy Tea, say what you got? You see

1454
01:07:27,760 --> 01:07:31,160
Speaker 1: you see his fitty comfy shout out exclusive game. Come on,

1455
01:07:31,240 --> 01:07:36,120
Speaker 1: comfy Tea, turn these towels into an outfit. It's the

1456
01:07:36,160 --> 01:07:40,440
Speaker 1: Superman music. No, it's not. We don't want to be

1457
01:07:40,560 --> 01:07:50,280
Speaker 1: to the remix team Breezy want to know what they

1458
01:07:50,320 --> 01:07:53,560
Speaker 1: want to know what we want to know. You've listened

1459
01:07:53,560 --> 01:07:55,840
Speaker 1: to a lot of music in your days, young man. Yeah,

1460
01:07:57,440 --> 01:08:02,720
Speaker 1: some of this music you've made your favorite. The world

1461
01:08:02,800 --> 01:08:03,320
Speaker 1: wants to know.

1462
01:08:03,320 --> 01:08:16,920
Speaker 3: Your top five, your top five, top five.

1463
01:08:19,640 --> 01:08:26,759
Speaker 1: Your top five? RB saying what else you already song?

1464
01:08:29,240 --> 01:08:34,280
Speaker 1: We allna know you gotta show. I'm dancing to go.

1465
01:08:34,960 --> 01:08:46,320
Speaker 1: I'm really want to know your heyes, top.

1466
01:08:52,280 --> 01:08:56,160
Speaker 2: You top five?

1467
01:08:58,520 --> 01:09:10,519
Speaker 9: Yeah, y'all gonna put me on the spot.

1468
01:09:10,600 --> 01:09:14,639
Speaker 6: Yah, it's so damn all to pick five, but look,

1469
01:09:14,680 --> 01:09:17,640
Speaker 6: I'll give you now. My ship might change in a

1470
01:09:17,680 --> 01:09:21,280
Speaker 6: couple of days. Come on, Top five R and B singers.

1471
01:09:21,000 --> 01:09:23,720
Speaker 1: Right right now. Today you're saying today, No, No, I'm

1472
01:09:23,720 --> 01:09:29,080
Speaker 1: saying how you feel today? Your world. So this is

1473
01:09:29,160 --> 01:09:31,040
Speaker 1: not biased because my brother in the room. You know,

1474
01:09:31,120 --> 01:09:31,920
Speaker 1: I say it all the time.

1475
01:09:33,120 --> 01:09:43,639
Speaker 5: Tank Usher, Yes, Brandy Yeah, Tevin Campbell ye, Sam Cook Ship.

1476
01:09:44,439 --> 01:09:45,800
Speaker 1: So that's my top five I.

1477
01:09:45,800 --> 01:09:46,640
Speaker 6: Can think of right now.

1478
01:09:46,680 --> 01:09:54,719
Speaker 2: Okay, alright, Vin was really cold. Listen tomorrow, whatever better?

1479
01:09:54,760 --> 01:10:00,360
Speaker 1: Are you better than me? He was? He was killing

1480
01:10:00,479 --> 01:10:05,040
Speaker 1: grown men. Prodigy, he's a prodigy, his rangers, he was

1481
01:10:05,320 --> 01:10:14,519
Speaker 1: gifted chess boys. Oh my god, nigga, how do you

1482
01:10:14,640 --> 01:10:17,560
Speaker 1: still sing that high? I'll get my nerves he'd be

1483
01:10:17,600 --> 01:10:18,760
Speaker 1: giving me. So I was like, bro, you can sing

1484
01:10:18,800 --> 01:10:19,080
Speaker 1: this one.

1485
01:10:20,120 --> 01:10:20,519
Speaker 6: I don't know.

1486
01:10:20,640 --> 01:10:22,920
Speaker 1: I think it's it's just like the adrenaline when you

1487
01:10:22,960 --> 01:10:26,040
Speaker 1: get on stage. It's like but talking voices not My

1488
01:10:26,160 --> 01:10:28,439
Speaker 1: talking voice is raspy, like I gotta, I gotta. But

1489
01:10:28,520 --> 01:10:31,360
Speaker 1: you're clear on records. Yeah, So I don't know.

1490
01:10:31,479 --> 01:10:34,120
Speaker 5: I'm just always I guess we sing from different parts

1491
01:10:34,160 --> 01:10:36,080
Speaker 5: when we When I talk, I don't think I'm talking

1492
01:10:36,160 --> 01:10:40,000
Speaker 5: from the same diaphragm is when I'm singing, So I'm

1493
01:10:40,000 --> 01:10:41,040
Speaker 5: pushing the air differently.

1494
01:10:41,560 --> 01:10:41,760
Speaker 1: Yeah.

1495
01:10:41,880 --> 01:10:43,840
Speaker 5: So I feel like that's why I'm able to still

1496
01:10:43,920 --> 01:10:47,280
Speaker 5: sound young and still sound like the old met but

1497
01:10:47,360 --> 01:10:49,320
Speaker 5: not the super young me, not the fifteen. But at

1498
01:10:49,400 --> 01:10:52,960
Speaker 5: least I said, my voice hasn't like changed dramatics.

1499
01:10:52,600 --> 01:10:56,040
Speaker 1: Like Nigga You and Ralph treast Man. Yeah, I do

1500
01:10:56,160 --> 01:10:58,479
Speaker 1: not sound figured it out now. I listened to the

1501
01:10:58,520 --> 01:11:00,320
Speaker 1: Young Thing. I was like this, who is this? Was

1502
01:11:00,439 --> 01:11:07,120
Speaker 1: this singing three five song? Crazy? They like sing that

1503
01:11:07,200 --> 01:11:12,800
Speaker 1: old song. I will not breezy your top five R

1504
01:11:12,880 --> 01:11:13,719
Speaker 1: and B songs.

1505
01:11:14,920 --> 01:11:18,360
Speaker 5: Oh, this is gonna be difficult, brother, Break My Hair

1506
01:11:18,439 --> 01:11:25,000
Speaker 5: by Mario Ship, Heirl, Lily Girl, Lily, Somebody Sleeping.

1507
01:11:25,479 --> 01:11:29,000
Speaker 6: Yeah, the remix them so so differently.

1508
01:11:29,120 --> 01:11:39,080
Speaker 5: Okay, Damn Oh, Sex Love and Pain that's you know, yes,

1509
01:11:39,240 --> 01:11:43,280
Speaker 5: the beginning, the intro, the intro from Yes that.

1510
01:11:43,400 --> 01:11:48,400
Speaker 1: He never does live, He's do it live. You don't

1511
01:11:48,400 --> 01:11:50,840
Speaker 1: give don't give him the ship though, Bro.

1512
01:11:51,080 --> 01:11:53,200
Speaker 5: I listened to that, but when I was on tour,

1513
01:11:53,320 --> 01:11:54,760
Speaker 5: any any tour I was on, I would listen to

1514
01:11:54,840 --> 01:11:56,000
Speaker 5: that as my warm up songs.

1515
01:11:56,040 --> 01:11:58,720
Speaker 2: But seeing you, I need you right now. I need

1516
01:11:58,800 --> 01:12:01,000
Speaker 2: you right now, my brother. I need you on my

1517
01:12:01,080 --> 01:12:03,760
Speaker 2: team to tell him to do the damn sound even

1518
01:12:03,800 --> 01:12:06,960
Speaker 2: the song. I need him to do the Sex Love

1519
01:12:07,000 --> 01:12:09,599
Speaker 2: and Pain album one Night Only.

1520
01:12:10,080 --> 01:12:11,720
Speaker 5: Yeah, you got at least you gotta give him that

1521
01:12:11,720 --> 01:12:12,719
Speaker 5: because that's my favorite album.

1522
01:12:12,840 --> 01:12:16,679
Speaker 6: One Night Only, don't be scared.

1523
01:12:17,280 --> 01:12:19,800
Speaker 1: Let's do that. Let's do that, one of those, one

1524
01:12:19,840 --> 01:12:22,400
Speaker 1: of them type of inn you fact a right, One

1525
01:12:22,479 --> 01:12:22,920
Speaker 1: night Only.

1526
01:12:24,120 --> 01:12:27,200
Speaker 5: I'm trying to think that's three songs. I gotta think

1527
01:12:27,240 --> 01:12:29,479
Speaker 5: it two more now, this is all this subject to

1528
01:12:29,600 --> 01:12:34,240
Speaker 5: change now, sup?

1529
01:12:34,479 --> 01:12:34,640
Speaker 1: Is it?

1530
01:12:34,760 --> 01:12:38,559
Speaker 6: Superstar US Superstar right?

1531
01:12:39,040 --> 01:12:42,080
Speaker 1: And and Candy Rain so.

1532
01:12:42,240 --> 01:12:49,800
Speaker 11: For yeah, so yeah, shout out to Soul for real. God,

1533
01:12:50,160 --> 01:12:52,920
Speaker 11: you know, I'm like, we need so for real.

1534
01:12:53,680 --> 01:12:55,800
Speaker 5: But it's so difficult for me to come up with

1535
01:12:55,840 --> 01:12:58,400
Speaker 5: those five songs. And I had like ten other songs.

1536
01:12:58,479 --> 01:13:02,160
Speaker 1: Like a combo of so many are like four thousands,

1537
01:13:02,520 --> 01:13:04,240
Speaker 1: eight thousands. Yeah, and I didn't want to add my

1538
01:13:04,360 --> 01:13:06,640
Speaker 1: songs in it. I wanted to get everybody to do that.

1539
01:13:06,840 --> 01:13:08,840
Speaker 1: You know, how do you have a favorite Chris Brown song?

1540
01:13:10,360 --> 01:13:13,960
Speaker 6: SHP No, I have errors, I have, I have I

1541
01:13:14,040 --> 01:13:15,840
Speaker 6: have times of when I when I like songs.

1542
01:13:15,880 --> 01:13:17,400
Speaker 1: Man, this niggas is poor in Champagne.

1543
01:13:19,160 --> 01:13:23,200
Speaker 2: You got some Champagne, I told you, yeah, breaking Eras

1544
01:13:23,280 --> 01:13:24,400
Speaker 2: niggas breaking his own rest.

1545
01:13:24,640 --> 01:13:26,960
Speaker 5: I think Eras is like certain songs that I what

1546
01:13:27,080 --> 01:13:29,760
Speaker 5: I was going through at certain times, like damn, like

1547
01:13:29,960 --> 01:13:31,120
Speaker 5: like how you like no bullshit.

1548
01:13:31,520 --> 01:13:34,320
Speaker 6: For example, that era of no Bullshit and and Deuces

1549
01:13:35,479 --> 01:13:36,160
Speaker 6: those songs.

1550
01:13:36,240 --> 01:13:37,880
Speaker 5: When we did those songs, that was like when I

1551
01:13:38,000 --> 01:13:40,920
Speaker 5: was at my lowest, Like I was like with the

1552
01:13:41,000 --> 01:13:44,240
Speaker 5: back back against the wall, like no no support from

1553
01:13:44,280 --> 01:13:45,719
Speaker 5: the label, no support from radio.

1554
01:13:46,000 --> 01:13:48,080
Speaker 1: They was like, you know what, we ain't fucking with you, mixtape,

1555
01:13:48,160 --> 01:13:48,919
Speaker 1: You're canceled.

1556
01:13:49,080 --> 01:13:51,280
Speaker 5: Yeah, so these songs are mixtape songs that out ten

1557
01:13:51,400 --> 01:13:53,599
Speaker 5: months before we put them on on that album.

1558
01:13:54,040 --> 01:13:55,840
Speaker 1: You know what I'm saying. So and I'm I'm shot

1559
01:13:55,920 --> 01:13:57,879
Speaker 1: the video for like twenty five hundred.

1560
01:13:57,680 --> 01:13:59,759
Speaker 6: Each video Deduces video and no bullshit.

1561
01:13:59,800 --> 01:14:02,840
Speaker 5: But it was it was like being an independent artist

1562
01:14:03,120 --> 01:14:05,400
Speaker 5: and grinding your motherfucker yourself being like, you know what,

1563
01:14:05,439 --> 01:14:07,880
Speaker 5: I'm gonna prove them wrong. So I could say those

1564
01:14:07,960 --> 01:14:10,040
Speaker 5: songs would be an error, and then then it could

1565
01:14:10,080 --> 01:14:13,240
Speaker 5: be the next songs that I'm doing. So it switches

1566
01:14:13,280 --> 01:14:15,720
Speaker 5: all the time. Yeah, you know, I feel like I

1567
01:14:15,800 --> 01:14:18,879
Speaker 5: can always go back to different songs and then relive

1568
01:14:18,960 --> 01:14:20,960
Speaker 5: those moments in my head and be like damn that happened,

1569
01:14:21,520 --> 01:14:23,760
Speaker 5: and also remind myself like damn, I do remember that,

1570
01:14:24,360 --> 01:14:24,560
Speaker 5: you know.

1571
01:14:25,080 --> 01:14:30,120
Speaker 1: So it's spilled your voltron you're super R and B artists,

1572
01:14:30,680 --> 01:14:32,000
Speaker 1: we want to know who you're going to get the

1573
01:14:32,120 --> 01:14:37,479
Speaker 1: vocal from, the performance style, the styling, from the heart

1574
01:14:37,560 --> 01:14:40,679
Speaker 1: of the artist, the passion of the artists. And since

1575
01:14:40,760 --> 01:14:43,280
Speaker 1: you know, since you're a songwriter, who's gonna write for

1576
01:14:43,400 --> 01:14:46,519
Speaker 1: that artist, Let's start with the vocal. Who you're getting

1577
01:14:46,560 --> 01:14:48,880
Speaker 1: the vocal from for your super R and B artists?

1578
01:14:49,920 --> 01:14:50,439
Speaker 1: The vocal.

1579
01:14:51,479 --> 01:14:56,320
Speaker 6: Damn, I'm gonna go with Tavin Campbell.

1580
01:14:57,200 --> 01:14:59,240
Speaker 5: I'm gonna just put as far as the as far

1581
01:14:59,320 --> 01:15:02,639
Speaker 5: as the vocal, yeah, like the range or what you Yeah,

1582
01:15:02,640 --> 01:15:03,439
Speaker 5: I'm going with Tevan.

1583
01:15:04,479 --> 01:15:08,639
Speaker 1: Your voice his voice is different. His voice was just cold.

1584
01:15:08,800 --> 01:15:12,200
Speaker 1: Wasn't supposed to be like that? No, So I'm gonna

1585
01:15:12,200 --> 01:15:14,559
Speaker 1: go I'm gonna go with the voice wise. Yeah, yeah,

1586
01:15:14,760 --> 01:15:18,960
Speaker 1: between him and Mike, because Mike, just pick one or

1587
01:15:19,000 --> 01:15:19,519
Speaker 1: you can mix it.

1588
01:15:20,520 --> 01:15:22,280
Speaker 6: Yes, it's gonna be like a hybrid. It's gonna be

1589
01:15:22,320 --> 01:15:23,559
Speaker 6: Mike and Tevan Jackson.

1590
01:15:25,280 --> 01:15:32,240
Speaker 1: Okay, uh, performing style on stage Michael Jackson. I could

1591
01:15:32,280 --> 01:15:36,719
Speaker 1: have guessed down. Yeah, that was easy. Yeah, Okay, styling,

1592
01:15:37,000 --> 01:15:37,880
Speaker 1: who's gonna put this ship?

1593
01:15:42,160 --> 01:15:50,360
Speaker 5: Damn Uh, It's gonna be a hybrid, another hybrid. It's

1594
01:15:50,400 --> 01:15:53,280
Speaker 5: gonna be like a trifecta hybrid Michael me and and

1595
01:15:53,400 --> 01:15:57,280
Speaker 5: usher mm hmm. As far as styling, and I gotta

1596
01:15:57,280 --> 01:16:00,720
Speaker 5: say in this in this category because like and through

1597
01:16:00,800 --> 01:16:03,240
Speaker 5: his erarors, from the my Ways to the you know,

1598
01:16:03,560 --> 01:16:08,560
Speaker 5: everything he'd done has has been visually like stamped in

1599
01:16:08,640 --> 01:16:09,679
Speaker 5: your head to where.

1600
01:16:09,479 --> 01:16:12,360
Speaker 6: It's picnic iconic, you know what I'm saying.

1601
01:16:13,600 --> 01:16:15,799
Speaker 5: He made niggas wear coofies and ship like you remember,

1602
01:16:18,120 --> 01:16:21,640
Speaker 5: So it's like certain things will always be embedded in

1603
01:16:21,800 --> 01:16:24,760
Speaker 5: style and fragments to me. So it's like Michael was

1604
01:16:25,080 --> 01:16:30,240
Speaker 5: the definition of that, Like he could wear wrestling looking yeah,

1605
01:16:30,360 --> 01:16:31,760
Speaker 5: like being his own icon.

1606
01:16:33,120 --> 01:16:35,640
Speaker 1: I think when we talk about styling, not even to

1607
01:16:35,680 --> 01:16:37,880
Speaker 1: stop you here, but I think you're the first person,

1608
01:16:38,520 --> 01:16:41,080
Speaker 1: the first artist that I've ever walked into the room

1609
01:16:41,640 --> 01:16:45,479
Speaker 1: to the dressing room and they were like the racks.

1610
01:16:45,640 --> 01:16:48,880
Speaker 1: There were racks on racks on racks of clothes and

1611
01:16:49,000 --> 01:16:50,840
Speaker 1: you had no idea what you were going to put

1612
01:16:50,880 --> 01:16:53,000
Speaker 1: on like that night. You don't you don't have a

1613
01:16:53,240 --> 01:16:56,680
Speaker 1: uniform where you're like, Okay, this is the tour fit

1614
01:16:57,160 --> 01:17:00,160
Speaker 1: and these are the combinations of the tour fit. That's

1615
01:17:00,200 --> 01:17:02,640
Speaker 1: just where this I was like, what are you gonna wear.

1616
01:17:02,680 --> 01:17:03,920
Speaker 1: He's like, oh no, I'm about to look through it

1617
01:17:04,000 --> 01:17:08,040
Speaker 1: right now, like he getting dressed in school, like like

1618
01:17:08,120 --> 01:17:10,719
Speaker 1: he getting dressed in markets. Let me just grab somebody.

1619
01:17:12,800 --> 01:17:15,080
Speaker 1: I've never seen anything like that in my life.

1620
01:17:15,320 --> 01:17:17,160
Speaker 6: So what I've done the last couple of tours and

1621
01:17:17,400 --> 01:17:18,759
Speaker 6: this tour is gonna be a little different.

1622
01:17:19,000 --> 01:17:21,120
Speaker 5: So we have a set to where because I don't

1623
01:17:21,120 --> 01:17:22,400
Speaker 5: want to give too much, I want you to come

1624
01:17:22,400 --> 01:17:25,519
Speaker 5: and see it, but I'm going to have changes in

1625
01:17:25,600 --> 01:17:27,960
Speaker 5: the outfice. But the outfits is going to be more customized,

1626
01:17:27,960 --> 01:17:30,639
Speaker 5: like a lot of like designers are making specific stuff

1627
01:17:30,680 --> 01:17:33,360
Speaker 5: for me, so it'll be more So it goes along

1628
01:17:33,439 --> 01:17:35,320
Speaker 5: with the with the actual show of what I'm trying

1629
01:17:35,360 --> 01:17:37,439
Speaker 5: to show, like the Broadway style of what I'm trying

1630
01:17:37,439 --> 01:17:39,680
Speaker 5: to show, but before like the last toy you were

1631
01:17:39,720 --> 01:17:40,200
Speaker 5: at and.

1632
01:17:40,240 --> 01:17:40,920
Speaker 6: The different ones.

1633
01:17:41,920 --> 01:17:45,439
Speaker 1: The stage that I built is you can change your

1634
01:17:45,479 --> 01:17:46,160
Speaker 1: outfit every night.

1635
01:17:46,200 --> 01:17:48,880
Speaker 5: You could be something different because the stage doesn't it

1636
01:17:48,960 --> 01:17:52,479
Speaker 5: doesn't have a certain Yeah, it has a freedom about it.

1637
01:17:52,960 --> 01:17:55,760
Speaker 5: So we just have a rack of clothes and long

1638
01:17:55,840 --> 01:17:58,160
Speaker 5: as long as I can dance in them and it's

1639
01:17:58,240 --> 01:18:00,360
Speaker 5: not not too tight or the shirts is like you know,

1640
01:18:00,560 --> 01:18:02,120
Speaker 5: I'm putting on something different every night.

1641
01:18:02,120 --> 01:18:03,800
Speaker 1: I always think of behind the things. I'll be thinking

1642
01:18:03,800 --> 01:18:04,880
Speaker 1: about the nigga that has.

1643
01:18:04,840 --> 01:18:08,760
Speaker 2: To put all that out and put off, and he

1644
01:18:08,840 --> 01:18:10,559
Speaker 2: be trying to figure out a way to steal some ship.

1645
01:18:11,320 --> 01:18:17,880
Speaker 1: Of course I'm ahead that fits. Yeah, always comes back

1646
01:18:17,920 --> 01:18:18,519
Speaker 1: with something.

1647
01:18:21,200 --> 01:18:23,840
Speaker 6: Because this is not afraid to ask, because look that's you.

1648
01:18:24,080 --> 01:18:28,160
Speaker 1: Like, look, little bro, you already want to you can

1649
01:18:28,200 --> 01:18:30,160
Speaker 1: take you can take it. I'm like shot a hole

1650
01:18:30,720 --> 01:18:37,600
Speaker 1: that jacket. Like ship, the passion of the artist, passionate.

1651
01:18:37,200 --> 01:18:45,360
Speaker 5: The artist, prince I would say prince cold passion because

1652
01:18:45,439 --> 01:18:48,320
Speaker 5: you can play every instrument right and mean it?

1653
01:18:48,800 --> 01:18:52,639
Speaker 1: Man, what mean it? They come, get this hit? Get

1654
01:18:52,800 --> 01:18:54,760
Speaker 1: this hit? Who who says that?

1655
01:18:55,000 --> 01:18:57,120
Speaker 5: Like I would have been like that, I'm keeping this record.

1656
01:18:57,479 --> 01:19:00,160
Speaker 5: You don't want this record? No, he he he he

1657
01:19:00,439 --> 01:19:03,719
Speaker 5: s is the ship threasion.

1658
01:19:05,760 --> 01:19:08,160
Speaker 1: You start doing that. You got a gang here, regulars

1659
01:19:08,439 --> 01:19:13,120
Speaker 1: telling niggas that get this song. Who's gonna write for

1660
01:19:13,200 --> 01:19:17,839
Speaker 1: that artist? Damn, there's so many damn good writers.

1661
01:19:18,640 --> 01:19:19,360
Speaker 6: Who's gonna write?

1662
01:19:19,360 --> 01:19:21,920
Speaker 5: I would I couldn't say Phil Collins because it wouldn't

1663
01:19:21,960 --> 01:19:23,760
Speaker 5: be cool because Phil Collins is one of my like,

1664
01:19:23,880 --> 01:19:25,439
Speaker 5: he's one of the dope writers out.

1665
01:19:25,760 --> 01:19:30,080
Speaker 1: Of all time. Why can't Phield Collins write the records? Yeah?

1666
01:19:30,120 --> 01:19:31,760
Speaker 1: I think Phil could do it, but I would say

1667
01:19:31,840 --> 01:19:32,559
Speaker 1: Quincy Jones.

1668
01:19:33,240 --> 01:19:39,840
Speaker 2: I mean, there's no argument. Yeah, I was just I'm

1669
01:19:39,840 --> 01:19:43,280
Speaker 2: gonna thay curveball though. Yeah, who's gonna do the choreography?

1670
01:19:44,479 --> 01:19:44,799
Speaker 6: Damn?

1671
01:19:45,120 --> 01:19:47,559
Speaker 1: Come on, man, use a stepper, Use a real deal stepper.

1672
01:19:47,680 --> 01:19:50,920
Speaker 1: You know what it would have to be. It would

1673
01:19:51,080 --> 01:19:53,680
Speaker 1: have to be a collective because in that dancing ships, so.

1674
01:19:53,880 --> 01:19:56,960
Speaker 5: Many Come on, come on, so many people who made

1675
01:19:57,080 --> 01:20:01,240
Speaker 5: you know, I'm talking about fly fly styles, SAMs, Josh Smith.

1676
01:20:01,880 --> 01:20:03,360
Speaker 6: We got Lavel?

1677
01:20:03,560 --> 01:20:03,640
Speaker 2: Uh?

1678
01:20:03,920 --> 01:20:06,839
Speaker 5: Is it label Franklin who he taught me a thriller?

1679
01:20:07,680 --> 01:20:11,639
Speaker 5: His name is Lavel, but he takes that. Yeah, world

1680
01:20:11,720 --> 01:20:13,920
Speaker 5: music wars when I was young. Sorry I'm forgetting his

1681
01:20:14,280 --> 01:20:18,160
Speaker 5: last name. But you got super Damn you got man.

1682
01:20:18,160 --> 01:20:18,720
Speaker 5: I'm trying to think.

1683
01:20:19,280 --> 01:20:26,080
Speaker 1: I don't did this on purpose to give me. I'm

1684
01:20:26,120 --> 01:20:28,840
Speaker 1: not even trying to get you. This is what our

1685
01:20:28,880 --> 01:20:31,800
Speaker 1: podcast is about. Podcast is about Jamaica. I'm thinking to

1686
01:20:31,920 --> 01:20:33,600
Speaker 1: him still, It's about celebrating.

1687
01:20:33,640 --> 01:20:36,599
Speaker 2: It's about celebrating people that aren't always celebrated publicly.

1688
01:20:36,680 --> 01:20:39,360
Speaker 1: Absolutely absolutely, who means so much to what we do

1689
01:20:40,160 --> 01:20:42,080
Speaker 1: and has have meant so much to what you do

1690
01:20:42,240 --> 01:20:46,400
Speaker 1: because they go they shaped and that ship.

1691
01:20:47,000 --> 01:20:50,200
Speaker 5: Yeah, one hundred percent. So I mean there's so many

1692
01:20:50,240 --> 01:20:52,400
Speaker 5: different people that that I'm leaving out too. So I

1693
01:20:52,479 --> 01:20:54,160
Speaker 5: know they're like, man, he didn't say my name.

1694
01:20:54,800 --> 01:20:55,200
Speaker 1: My bad.

1695
01:20:56,680 --> 01:20:56,840
Speaker 4: You know.

1696
01:20:57,520 --> 01:21:00,400
Speaker 5: At the same time, it would be with that damn ship.

1697
01:21:00,640 --> 01:21:03,240
Speaker 5: It would have to be a collective group. It still

1698
01:21:03,280 --> 01:21:04,519
Speaker 5: makes It's a village that make.

1699
01:21:04,479 --> 01:21:14,040
Speaker 1: It, you know, take a village to crazy. Yeah. So yeah, yeah,

1700
01:21:14,080 --> 01:21:18,360
Speaker 1: we've come to the point. I ain't saying no names. Hey,

1701
01:21:18,520 --> 01:21:21,680
Speaker 1: I ain't saying no names. Thanks saying no names. I

1702
01:21:21,720 --> 01:21:27,760
Speaker 1: ain't saying no niggs. Weird know what you did? Don't

1703
01:21:27,840 --> 01:21:40,240
Speaker 1: say she ain't saying no name, no name?

1704
01:21:40,640 --> 01:21:40,960
Speaker 6: All right?

1705
01:21:41,040 --> 01:21:45,559
Speaker 1: Cool? Hold hold on, I got to listen to like, okay,

1706
01:21:45,840 --> 01:21:47,760
Speaker 1: this sounds like I got to say some funny she

1707
01:21:48,240 --> 01:21:48,720
Speaker 1: to give you.

1708
01:21:48,840 --> 01:21:52,439
Speaker 2: Exactly right now, you are at a very important part

1709
01:21:52,439 --> 01:21:54,880
Speaker 2: of the show. Yeah, it's called I ain't saying no names.

1710
01:21:55,160 --> 01:21:57,920
Speaker 2: Will you tell us a story funny or funked up?

1711
01:21:58,600 --> 01:21:59,240
Speaker 2: Are funny?

1712
01:21:59,520 --> 01:22:03,799
Speaker 1: And fuck? The only rule to the game. The rules

1713
01:22:04,000 --> 01:22:07,479
Speaker 1: is you can't say no names. All right?

1714
01:22:07,560 --> 01:22:08,840
Speaker 6: Cool? Well, I ain't saying no names.

1715
01:22:09,000 --> 01:22:10,200
Speaker 1: Yeah, come on, come on.

1716
01:22:10,680 --> 01:22:16,120
Speaker 5: But yeah, So there was this artist, and this artist

1717
01:22:16,240 --> 01:22:18,680
Speaker 5: wanted to go out to the club with us, so,

1718
01:22:18,880 --> 01:22:22,240
Speaker 5: you know, huge artists. So I'm like, all right, cool, me,

1719
01:22:22,320 --> 01:22:24,040
Speaker 5: me and my crib, We're gonna go to the club.

1720
01:22:24,920 --> 01:22:28,200
Speaker 5: It's it's nigga night, it's turn up night. You know

1721
01:22:28,280 --> 01:22:30,800
Speaker 5: it's gonna be another artist in their performing. And that

1722
01:22:30,960 --> 01:22:33,040
Speaker 5: artist song was the number one song in the country.

1723
01:22:33,040 --> 01:22:34,320
Speaker 5: I'm talking about going crazy.

1724
01:22:34,760 --> 01:22:37,519
Speaker 6: We get in the club, I make sure we got

1725
01:22:37,560 --> 01:22:41,120
Speaker 6: the whole section full of women. So the person in

1726
01:22:41,160 --> 01:22:42,200
Speaker 6: there looking around.

1727
01:22:44,200 --> 01:22:44,599
Speaker 1: The song.

1728
01:22:44,720 --> 01:22:48,880
Speaker 5: Come on, the other artist is on stage, start singing

1729
01:22:48,920 --> 01:22:53,439
Speaker 5: a song. The whole building erupts. I'm talking about it, erupts,

1730
01:22:53,640 --> 01:22:57,040
Speaker 5: like everybody. Girls in our section, Girl, they going crazy.

1731
01:22:57,640 --> 01:23:01,400
Speaker 1: I look over to this person. He ain't feeling it.

1732
01:23:03,560 --> 01:23:06,800
Speaker 5: I'm talking about, not a smirk, not a head nod, nothing.

1733
01:23:07,479 --> 01:23:10,320
Speaker 5: I turned back to look at the artists. But the

1734
01:23:10,439 --> 01:23:12,559
Speaker 5: next time I turned back to look at the person

1735
01:23:12,640 --> 01:23:15,200
Speaker 5: in my section, they gone, I don't see him.

1736
01:23:15,280 --> 01:23:17,240
Speaker 1: I'm like, what that? What is nigga? Went?

1737
01:23:18,880 --> 01:23:19,400
Speaker 6: I look up.

1738
01:23:19,479 --> 01:23:23,080
Speaker 5: The nigga is on the DJ booth right next to

1739
01:23:23,160 --> 01:23:26,280
Speaker 5: the artist that's doing the song, and he just like this.

1740
01:23:28,600 --> 01:23:29,040
Speaker 1: The nigga.

1741
01:23:29,160 --> 01:23:31,240
Speaker 5: When the song goes off, the nigga takes the mic,

1742
01:23:32,960 --> 01:23:35,960
Speaker 5: takes the mic. So I'm thinking this artist is about

1743
01:23:36,000 --> 01:23:38,680
Speaker 5: to do some songs. I'm like, okay, he got he

1744
01:23:38,720 --> 01:23:40,720
Speaker 5: got the itch like man, you know, you know some

1745
01:23:40,960 --> 01:23:42,479
Speaker 5: artists can't take it.

1746
01:23:42,760 --> 01:23:44,960
Speaker 6: You know, they self centered though they you know, they

1747
01:23:44,960 --> 01:23:48,760
Speaker 6: gotta syndrome. Like I'm not one of those. I know

1748
01:23:48,800 --> 01:23:51,040
Speaker 6: how to be like, oh this is lit here, but

1749
01:23:51,160 --> 01:23:53,920
Speaker 6: I can read it all over this person's face. Get

1750
01:23:53,920 --> 01:23:54,240
Speaker 6: the mic.

1751
01:23:54,320 --> 01:23:57,000
Speaker 1: I'm thinking he about to do it songs or do something.

1752
01:23:57,080 --> 01:23:59,680
Speaker 1: I'm like, oh, this is crazy about to go crazy here.

1753
01:23:59,760 --> 01:24:03,439
Speaker 5: Yeah, the nigga goes on a forty five minute rent

1754
01:24:05,120 --> 01:24:07,720
Speaker 5: I'm talking about talking. I'm talking about saying all of

1755
01:24:08,000 --> 01:24:09,439
Speaker 5: everything that about nothing.

1756
01:24:09,800 --> 01:24:13,600
Speaker 6: It's like it's it's so just like disappointing.

1757
01:24:13,720 --> 01:24:15,479
Speaker 5: Like when I was in there, I started looking around

1758
01:24:15,520 --> 01:24:19,559
Speaker 5: and then from the club being a yeah, everybody turning up,

1759
01:24:19,640 --> 01:24:22,000
Speaker 5: maybe hollers some girls, what's up, it went from that

1760
01:24:22,160 --> 01:24:24,360
Speaker 5: to looking like the waiting room in Hell.

1761
01:24:24,840 --> 01:24:25,560
Speaker 1: That's what I felt like.

1762
01:24:25,640 --> 01:24:29,719
Speaker 6: It was like, yeah, like everybody turned into psychopath people.

1763
01:24:30,280 --> 01:24:32,479
Speaker 5: And he was not saying you know what I'm saying

1764
01:24:32,520 --> 01:24:35,680
Speaker 5: the topic of what his rent was about was was like,

1765
01:24:35,840 --> 01:24:39,120
Speaker 5: what the fuck put the music back on? Like that's

1766
01:24:39,240 --> 01:24:42,360
Speaker 5: you know, that's how I feel. So in that club,

1767
01:24:43,200 --> 01:24:45,679
Speaker 5: there's a there's a secret area that's like a resting area.

1768
01:24:45,680 --> 01:24:48,040
Speaker 5: You can go down at the club, so I said,

1769
01:24:48,479 --> 01:24:50,320
Speaker 5: I told one of the hummies, I can't. I don't

1770
01:24:50,360 --> 01:24:52,360
Speaker 5: want to sit up here and hear this shit all night.

1771
01:24:52,439 --> 01:24:55,800
Speaker 5: So I'm going downstairs. I'ma cheer. I'm gonna smoke this

1772
01:24:55,840 --> 01:24:58,640
Speaker 5: blunt downstairs. Whatever we doing, boom boom, and by this

1773
01:24:58,760 --> 01:25:01,479
Speaker 5: nigga gonna stop talking too later, so you know, I'm

1774
01:25:01,479 --> 01:25:04,839
Speaker 5: gonna go back up there afterwards. I'm down that motherfucker

1775
01:25:04,840 --> 01:25:08,160
Speaker 5: for about twenty to thirty minutes and are you still here?

1776
01:25:08,479 --> 01:25:08,519
Speaker 11: No?

1777
01:25:08,760 --> 01:25:10,960
Speaker 5: Right right right right right over the over the this

1778
01:25:11,160 --> 01:25:14,680
Speaker 5: last hit, it took over the club. This is how

1779
01:25:14,720 --> 01:25:18,599
Speaker 5: it ended for me, anyway. So I get up back

1780
01:25:18,680 --> 01:25:22,599
Speaker 5: into the section. Half of the girls is gone, most

1781
01:25:22,600 --> 01:25:25,840
Speaker 5: of most of the most of the fine girl.

1782
01:25:26,040 --> 01:25:29,360
Speaker 1: They yeah, I'm like, man, what the fuck is going on?

1783
01:25:30,240 --> 01:25:33,240
Speaker 6: The last thing I hear such and such ain't stick.

1784
01:25:33,320 --> 01:25:35,519
Speaker 1: They figure in my booty. I don't even play that.

1785
01:25:35,600 --> 01:25:43,320
Speaker 5: Way, I said, Yeah, I'm out this motherfucker. Look and

1786
01:25:43,880 --> 01:25:46,720
Speaker 5: I look to our mutual friend that was there, was there.

1787
01:25:47,080 --> 01:25:49,320
Speaker 5: I said, you gotta be a nigga and stop letting

1788
01:25:49,320 --> 01:25:51,680
Speaker 5: this niggas be like this. Your ays need to be

1789
01:25:51,720 --> 01:25:53,680
Speaker 5: able to tell your friends. Stop being a yes man.

1790
01:25:53,720 --> 01:25:55,240
Speaker 5: You need to be like, look, nigga, this ain't it.

1791
01:25:55,439 --> 01:25:57,400
Speaker 5: You don't say this type of shit. And I left

1792
01:25:57,439 --> 01:25:57,720
Speaker 5: the club.

1793
01:25:57,840 --> 01:25:58,439
Speaker 6: I ain't even.

1794
01:25:58,479 --> 01:26:01,840
Speaker 1: Answer no phone calls. I ain't going home.

1795
01:26:03,760 --> 01:26:04,760
Speaker 6: I ain't gonna say no names.

1796
01:26:05,400 --> 01:26:08,760
Speaker 1: Yeah uk whoever was in that club though they like

1797
01:26:09,320 --> 01:26:09,840
Speaker 1: I was there.

1798
01:26:10,000 --> 01:26:13,879
Speaker 3: I was there in the come, I was there.

1799
01:26:15,439 --> 01:26:23,120
Speaker 1: The finger No no, not each other.

1800
01:26:23,479 --> 01:26:29,080
Speaker 2: Love brother, Chris brown Man. When I say we you

1801
01:26:29,160 --> 01:26:33,479
Speaker 2: even it's another thank you. I got to give you

1802
01:26:34,720 --> 01:26:38,000
Speaker 2: one for always keeping your word. Something you've always done

1803
01:26:38,120 --> 01:26:40,800
Speaker 2: from the day I've met you. If you say you're

1804
01:26:40,800 --> 01:26:41,840
Speaker 2: gonna do something.

1805
01:26:41,840 --> 01:26:44,280
Speaker 1: You're gonna do it. Yeah. You might be late, yeah

1806
01:26:44,280 --> 01:26:49,960
Speaker 1: a little late, but you know, oh shit happens.

1807
01:26:50,160 --> 01:26:52,479
Speaker 2: But you always do what you say you're gonna do.

1808
01:26:52,640 --> 01:26:55,120
Speaker 2: And I want to thank you for. At the time,

1809
01:26:55,240 --> 01:26:58,400
Speaker 2: I was managing the artist named Love Rants and there

1810
01:26:58,520 --> 01:27:01,160
Speaker 2: was this record that we had and I had this

1811
01:27:01,280 --> 01:27:03,840
Speaker 2: crazy idea to turn this rap record into an R

1812
01:27:03,880 --> 01:27:07,000
Speaker 2: and B song. You heard it and you was like, Nigga,

1813
01:27:07,000 --> 01:27:10,920
Speaker 2: I'm coming to do it tomorrow. Yeah, and you put

1814
01:27:11,000 --> 01:27:14,960
Speaker 2: up in your fast car, you knock the shit out,

1815
01:27:15,280 --> 01:27:21,600
Speaker 2: and this record has lived on to this day. I

1816
01:27:21,760 --> 01:27:25,240
Speaker 2: cannot go to a club. It's still I'm going to

1817
01:27:25,400 --> 01:27:29,160
Speaker 2: hear the R and B version of up to this day.

1818
01:27:29,479 --> 01:27:32,719
Speaker 2: Nigga sending me videos from France, sending me video on Japan,

1819
01:27:33,760 --> 01:27:37,320
Speaker 2: anywhere in the world, and the fact that you obviously

1820
01:27:37,360 --> 01:27:39,120
Speaker 2: you did that for me because we're brothers, but the

1821
01:27:39,240 --> 01:27:42,800
Speaker 2: fact that you were able to help me make this

1822
01:27:43,080 --> 01:27:45,599
Speaker 2: record that came from the bed area and my young

1823
01:27:45,720 --> 01:27:48,160
Speaker 2: boys had had this song and it was blown up

1824
01:27:48,720 --> 01:27:49,000
Speaker 2: and you.

1825
01:27:49,439 --> 01:27:51,960
Speaker 1: Helped them take the record worldwide. Yeah, I just want

1826
01:27:51,960 --> 01:27:53,800
Speaker 1: to say thank you, No, thank you. I appreciate you

1827
01:27:54,080 --> 01:27:54,240
Speaker 1: for that.

1828
01:27:54,520 --> 01:27:55,240
Speaker 6: No, I appreciate you.

1829
01:27:55,880 --> 01:27:58,640
Speaker 5: See I'm bad with thank you. Like when people think

1830
01:27:58,720 --> 01:28:01,720
Speaker 5: me become like bro ship you help me all the

1831
01:28:01,840 --> 01:28:03,479
Speaker 5: same in the same token. I look at it like

1832
01:28:04,200 --> 01:28:05,800
Speaker 5: like if you would have called and if it was

1833
01:28:05,840 --> 01:28:06,400
Speaker 5: a Wax.

1834
01:28:06,240 --> 01:28:08,479
Speaker 6: Song, we would be like, let's try a different record.

1835
01:28:09,200 --> 01:28:12,080
Speaker 5: But it's like, you know what what a song gonna do,

1836
01:28:12,160 --> 01:28:14,000
Speaker 5: And then at the same time, it's even easier when

1837
01:28:14,040 --> 01:28:15,960
Speaker 5: it's when it's like family. When you got people that's

1838
01:28:16,120 --> 01:28:17,960
Speaker 5: around you that are musically gifted and they do the

1839
01:28:18,000 --> 01:28:20,960
Speaker 5: same thing you do. It's not a conversation like nah,

1840
01:28:21,000 --> 01:28:23,320
Speaker 5: I can't really do it, or no, I'm here whatever

1841
01:28:23,360 --> 01:28:23,799
Speaker 5: you need.

1842
01:28:24,040 --> 01:28:28,040
Speaker 1: You know, So I appreciate y'all. Bro. I am upset

1843
01:28:28,160 --> 01:28:34,320
Speaker 1: that this song was was on fire, super flames, right,

1844
01:28:34,720 --> 01:28:36,560
Speaker 1: and this nigga wouldn't go nowhere.

1845
01:28:36,320 --> 01:28:40,160
Speaker 2: And performance, or I was becoming your manager. I don't

1846
01:28:40,439 --> 01:28:42,400
Speaker 2: that ship he was. He was he was behind the

1847
01:28:42,479 --> 01:28:45,880
Speaker 2: scenes and it was promoters offering him the best.

1848
01:28:47,200 --> 01:28:48,840
Speaker 1: We had some other ship we had to do though. Man,

1849
01:28:48,880 --> 01:28:53,000
Speaker 1: I don't know. Look at us now, Look at us now?

1850
01:28:53,280 --> 01:28:54,240
Speaker 1: You got records now?

1851
01:28:57,120 --> 01:29:01,240
Speaker 5: Yeah, yeah, they be lonely? What the fuck is we doing?

1852
01:29:02,920 --> 01:29:04,640
Speaker 5: I under saying, y'all know me and this nigga got

1853
01:29:04,680 --> 01:29:05,880
Speaker 5: a record again.

1854
01:29:06,439 --> 01:29:09,720
Speaker 1: It's all right, it's so way. Let y'all know that

1855
01:29:09,800 --> 01:29:14,439
Speaker 1: we got a record. Thank you again. Listen, brother to

1856
01:29:14,479 --> 01:29:18,080
Speaker 1: say we love you would be an understatement. You already

1857
01:29:18,120 --> 01:29:21,360
Speaker 1: know what that means. My brothers. We don't play no

1858
01:29:21,479 --> 01:29:23,360
Speaker 1: games about Breezy. You know what I'm saying. And that's

1859
01:29:23,439 --> 01:29:26,719
Speaker 1: in real life. That's not that's not music, that's not entertainment.

1860
01:29:26,840 --> 01:29:29,960
Speaker 1: That's that's real life, in real life. And so I

1861
01:29:30,040 --> 01:29:33,479
Speaker 1: think people have known by you know, all the times

1862
01:29:33,520 --> 01:29:36,040
Speaker 1: I've jumped in the in the comments to make sure

1863
01:29:37,120 --> 01:29:40,720
Speaker 1: fuck you niggas up you fuck around with the fuck

1864
01:29:40,760 --> 01:29:45,760
Speaker 1: around yeah alone. But my congratulations to you man for

1865
01:29:47,360 --> 01:29:50,280
Speaker 1: continuing to work hard, bro. And I think that that's

1866
01:29:50,360 --> 01:29:54,840
Speaker 1: the separation between you and everybody that you've probably seen

1867
01:29:55,000 --> 01:29:58,120
Speaker 1: from the last twenty something years come and go. You

1868
01:29:58,320 --> 01:30:02,720
Speaker 1: just won't stop working. And and that is commendable with

1869
01:30:02,840 --> 01:30:06,080
Speaker 1: the success that you've had, that you are still aspiring

1870
01:30:06,800 --> 01:30:09,679
Speaker 1: and still pushing to do more and to be greater.

1871
01:30:10,520 --> 01:30:13,479
Speaker 1: Like if if if I'm telling my son to chase

1872
01:30:13,520 --> 01:30:17,920
Speaker 1: anything saying you watch Chris Brown, you watch that journey

1873
01:30:17,920 --> 01:30:19,880
Speaker 1: and you watch him work, and that's how you work,

1874
01:30:20,680 --> 01:30:25,320
Speaker 1: and that's how you find it. We appreciate you man. Listen, man,

1875
01:30:26,760 --> 01:30:30,960
Speaker 1: my name is Tank Man and this is the R

1876
01:30:31,000 --> 01:30:38,840
Speaker 1: and Money podcast. Yeah them on all Things R and B.

1877
01:30:42,200 --> 01:30:54,360
Speaker 1: One of the greatest to ever do it, Yeah, R

1878
01:30:54,400 --> 01:30:55,360
Speaker 1: and B Money.

1879
01:30:56,520 --> 01:30:58,280
Speaker 2: R and B Money is a production of the Black

1880
01:30:58,320 --> 01:31:03,080
Speaker 2: Effect Podcast Network. For more podcasts from iHeartRadio, visit the

1881
01:31:03,240 --> 01:31:07,040
Speaker 2: iHeartRadio app, Apple podcasts, or wherever you listen to your

1882
01:31:07,080 --> 01:31:10,960
Speaker 2: favorite shows. Don't forget to subscribe to and rate our show,

1883
01:31:11,280 --> 01:31:13,880
Speaker 2: and you can connect with us on social media at

1884
01:31:14,000 --> 01:31:18,200
Speaker 2: Jyvalentine and at the Real Tank. For the extended episode,

1885
01:31:18,360 --> 01:31:22,519
Speaker 2: subscribe to YouTube dot com, Forward, slash r, and b

1886
01:31:22,640 --> 01:31:22,920
Speaker 2: Money