1 00:00:01,280 --> 00:00:02,400 Speaker 1: The Volume. 2 00:00:05,160 --> 00:00:07,840 Speaker 2: Jenkins and Jones is brought to you by FanDuel. It's 3 00:00:07,880 --> 00:00:11,719 Speaker 2: never been easier to play fantasy on FanDuel. Whether you 4 00:00:11,800 --> 00:00:15,239 Speaker 2: love basketball, golf, soccer, or any other fantasy sport. There's 5 00:00:15,240 --> 00:00:18,840 Speaker 2: a contest for every fan fan duel more ways to win. 6 00:00:26,200 --> 00:00:30,000 Speaker 2: Welcome to Jenkins and Jones on the Volume podcast Network. 7 00:00:30,040 --> 00:00:33,879 Speaker 2: It is Thursday October twenty eighth, or it's Wednesday, October 8 00:00:33,920 --> 00:00:36,320 Speaker 2: twenty seventh. You know, it's a little it's a little 9 00:00:36,440 --> 00:00:38,599 Speaker 2: read option. We'll see, we'll see what date it is 10 00:00:38,640 --> 00:00:40,199 Speaker 2: when you get this podcast. 11 00:00:41,320 --> 00:00:42,080 Speaker 3: Big episode. 12 00:00:42,120 --> 00:00:45,319 Speaker 2: We've got Shay Serano on, uh, you know, obviously one 13 00:00:45,320 --> 00:00:49,239 Speaker 2: of our favorite people out there, so definitely you want 14 00:00:49,240 --> 00:00:51,680 Speaker 2: to stick around check that out. As always, Jenkinson Jones 15 00:00:51,720 --> 00:00:54,680 Speaker 2: is hosted by my good buddies Dragonfly Jones aka Tyler. 16 00:00:55,360 --> 00:00:56,800 Speaker 4: Hey, everybody off a gun. 17 00:01:01,120 --> 00:01:01,640 Speaker 3: Jenkins. 18 00:01:02,160 --> 00:01:06,640 Speaker 2: John was that Bubba's GUARDI b a k A Mike 19 00:01:07,560 --> 00:01:11,120 Speaker 2: And uh, first of all, just right up top, we 20 00:01:11,160 --> 00:01:13,240 Speaker 2: are bringing back Booker boy of the week and he 21 00:01:13,319 --> 00:01:16,440 Speaker 2: is going to mister white collar on the Twitter who 22 00:01:16,600 --> 00:01:21,560 Speaker 2: was like talking about Tyler's trajectory chefter. 23 00:01:21,800 --> 00:01:29,200 Speaker 1: Twitter space Jones prajectory of Dragonfly Space Jones. Jesus Christ, 24 00:01:29,680 --> 00:01:30,680 Speaker 1: that guy. 25 00:01:31,720 --> 00:01:34,000 Speaker 5: I will telling y'all, I've never looked at a mouth 26 00:01:34,040 --> 00:01:37,639 Speaker 5: and hated a mouth like I hate every little piece 27 00:01:37,680 --> 00:01:39,160 Speaker 5: of that motherfucking dog. 28 00:01:39,560 --> 00:01:41,319 Speaker 1: The fucking Linclin. 29 00:01:41,040 --> 00:01:46,120 Speaker 5: Fucking picture he has for fucking Twitter, the trajectory of Dragonfly. 30 00:01:46,319 --> 00:01:49,960 Speaker 5: First name, Jones, last name, Fuck that nigga. 31 00:01:50,040 --> 00:01:51,200 Speaker 1: Man. 32 00:01:52,120 --> 00:01:55,960 Speaker 2: All right, let's talk some biggest NBA surprises before we 33 00:01:56,000 --> 00:01:59,320 Speaker 2: hop on with Shay. What what's jumped out to you 34 00:01:59,360 --> 00:02:01,639 Speaker 2: guys so far this season? You know, over the first 35 00:02:01,920 --> 00:02:04,200 Speaker 2: first week of the NBA season. 36 00:02:04,880 --> 00:02:07,600 Speaker 1: Uh, Bulls four. Oh, I think that's a big shock. 37 00:02:07,720 --> 00:02:11,120 Speaker 1: I think we all saw the Bulls. Yeah, I think, 38 00:02:11,160 --> 00:02:14,280 Speaker 1: well you got it. 39 00:02:14,280 --> 00:02:17,359 Speaker 3: You know, Michael Jordan was playing for the Bulls. 40 00:02:18,760 --> 00:02:20,720 Speaker 1: Yeah, you know, I think we all saw that the 41 00:02:20,720 --> 00:02:21,480 Speaker 1: Bulls were gonna. 42 00:02:21,280 --> 00:02:27,760 Speaker 5: Ben But you know, you go, you go, I hear. 43 00:02:27,800 --> 00:02:29,800 Speaker 3: You know, it's the first time, the first time it is. 44 00:02:29,840 --> 00:02:33,040 Speaker 1: It is a fact. It's a fact, it's a fact. Yeah. Yeah, 45 00:02:33,160 --> 00:02:34,480 Speaker 1: I think we all saw that the Bulls. You know, 46 00:02:34,840 --> 00:02:36,960 Speaker 1: we're going to be coming this season. But I mean 47 00:02:37,000 --> 00:02:40,120 Speaker 1: they've been ridiculously good so far, you know what I'm saying, 48 00:02:40,120 --> 00:02:42,000 Speaker 1: which kind of gives me hesitancy because I feel like 49 00:02:42,240 --> 00:02:43,600 Speaker 1: when you think a team is going to be a 50 00:02:43,639 --> 00:02:45,359 Speaker 1: sneak team and then they hop out the gate hot, 51 00:02:45,400 --> 00:02:48,000 Speaker 1: it's like, Okay, the fucking averages are going to average 52 00:02:48,040 --> 00:02:49,560 Speaker 1: out sooner or later here, you know what I'm saying. 53 00:02:49,560 --> 00:02:51,840 Speaker 1: So we'll see what this season has the stores for Chicago. 54 00:02:52,240 --> 00:02:53,120 Speaker 3: I don't I mean, what. 55 00:02:52,960 --> 00:02:55,079 Speaker 1: What they've been doing. I mean, Lonzo looked great. He 56 00:02:55,120 --> 00:02:58,120 Speaker 1: looked great last year. You know what I'm saying. I 57 00:02:58,160 --> 00:02:58,799 Speaker 1: think I think. 58 00:02:58,840 --> 00:03:02,120 Speaker 5: I don't know, man, I don't see why it wouldn't 59 00:03:02,120 --> 00:03:04,600 Speaker 5: have been what it is now based on the teams 60 00:03:04,600 --> 00:03:05,720 Speaker 5: they're playing, you know what I mean. 61 00:03:06,040 --> 00:03:08,160 Speaker 1: I knew it was gonna be fun. We knew that 62 00:03:08,760 --> 00:03:11,040 Speaker 1: it's just better before we thought it was better. 63 00:03:11,080 --> 00:03:13,400 Speaker 5: But I don't think it's any different than what we 64 00:03:13,440 --> 00:03:15,440 Speaker 5: thought it could be right now, you know what I'm saying. 65 00:03:16,840 --> 00:03:19,519 Speaker 3: I just I think Zach is so much better. 66 00:03:20,280 --> 00:03:23,320 Speaker 2: The gamble of bringing some pieces, the gamble of bringing 67 00:03:23,320 --> 00:03:25,600 Speaker 2: in some pieces was that Zach would be able to 68 00:03:25,600 --> 00:03:28,799 Speaker 2: take a leap without everything being on his shoulders. And 69 00:03:28,840 --> 00:03:31,640 Speaker 2: I think that has absolutely they've been proven right on 70 00:03:31,680 --> 00:03:33,959 Speaker 2: that gamble already, which is good news. 71 00:03:34,720 --> 00:03:36,000 Speaker 1: Levine had to focus on. 72 00:03:36,080 --> 00:03:39,360 Speaker 5: All this focus on is getting buckets, nothing else, Lavigne, 73 00:03:39,600 --> 00:03:42,160 Speaker 5: just getting buckets. Is we know that's gonna be good, 74 00:03:42,360 --> 00:03:44,120 Speaker 5: you know what I mean, we know it's gonna better 75 00:03:44,160 --> 00:03:45,160 Speaker 5: than good, you know what I'm saying. 76 00:03:45,200 --> 00:03:48,760 Speaker 3: So, John, what's your What's what's your biggest surprise so 77 00:03:48,800 --> 00:03:49,440 Speaker 3: far this season? 78 00:03:49,600 --> 00:03:52,120 Speaker 5: I got a couple of them, guys, Okay, I got 79 00:03:52,160 --> 00:03:53,080 Speaker 5: a couple of surprises. 80 00:03:54,640 --> 00:03:54,920 Speaker 3: I know. 81 00:03:55,000 --> 00:03:57,400 Speaker 5: We knew John was gonna like take a step after 82 00:03:57,440 --> 00:03:59,480 Speaker 5: the fucking playoffs, you know what I mean. We knew 83 00:03:59,480 --> 00:04:00,960 Speaker 5: he's gonna get that was gonna give him a boost 84 00:04:01,000 --> 00:04:03,840 Speaker 5: for this year. But like, holy fucking shit, you know 85 00:04:03,880 --> 00:04:06,200 Speaker 5: what I mean. We're talking about like there's conversations of 86 00:04:07,520 --> 00:04:08,640 Speaker 5: job or Zion. 87 00:04:09,040 --> 00:04:10,800 Speaker 1: If we had to pick today who were taken. 88 00:04:11,160 --> 00:04:13,360 Speaker 5: I know, Tyler, you said you're going with the dude 89 00:04:13,400 --> 00:04:15,440 Speaker 5: that you know, going, you know, shoot a six percent 90 00:04:15,440 --> 00:04:16,440 Speaker 5: and going for twenty seven game. 91 00:04:16,480 --> 00:04:18,280 Speaker 1: I get that, you know what I mean. He's just 92 00:04:18,360 --> 00:04:19,040 Speaker 1: never healthy. 93 00:04:19,160 --> 00:04:22,000 Speaker 5: I don't know if him being healthy is gonna change 94 00:04:22,040 --> 00:04:24,599 Speaker 5: as he ages, you know what I mean, Maybe he'll 95 00:04:24,640 --> 00:04:27,120 Speaker 5: figure out, you know, his health better, I guess, but 96 00:04:27,160 --> 00:04:30,320 Speaker 5: I don't know. That doesn't quite make sense. But Joah 97 00:04:30,720 --> 00:04:32,240 Speaker 5: I mean, we just had a conversation the Top one 98 00:04:32,320 --> 00:04:34,040 Speaker 5: hundred and twenty five years from now, and we were 99 00:04:34,040 --> 00:04:37,080 Speaker 5: talking about John Moran, not Zion, you know what I mean, Like, 100 00:04:37,320 --> 00:04:39,880 Speaker 5: I think that's crazy so and I think, like the 101 00:04:40,000 --> 00:04:41,760 Speaker 5: Hounds aren't just fun anymore. 102 00:04:42,040 --> 00:04:44,839 Speaker 1: They're good, you know what I mean? 103 00:04:45,279 --> 00:04:49,680 Speaker 5: Like and LaMelo is that wasn't like hey were just 104 00:04:49,720 --> 00:04:52,719 Speaker 5: having fun my first, you know, I think Lamello like he's. 105 00:04:52,560 --> 00:04:53,520 Speaker 1: A fucking hooper. 106 00:04:53,560 --> 00:04:55,480 Speaker 5: He says this is his six year being pro basically 107 00:04:55,600 --> 00:04:57,479 Speaker 5: or some shit like that, like at least his fourth 108 00:04:57,560 --> 00:04:59,000 Speaker 5: year being pro being honest, you know what I mean. 109 00:04:59,040 --> 00:05:01,520 Speaker 5: He was overseas, but I mean that shocked the ship 110 00:05:01,520 --> 00:05:03,800 Speaker 5: out of me. And I think, like Jayleen Brown, bro, 111 00:05:04,880 --> 00:05:08,159 Speaker 5: like I was surprised he got to the step he 112 00:05:08,240 --> 00:05:10,640 Speaker 5: made last year, you know what I mean, Like I know, 113 00:05:10,640 --> 00:05:12,160 Speaker 5: everybody was talking about he's going to be this and 114 00:05:12,200 --> 00:05:13,840 Speaker 5: I was like, I we'll see the year before that 115 00:05:14,000 --> 00:05:16,440 Speaker 5: was he was good. Last year, he was an All star, 116 00:05:17,000 --> 00:05:18,160 Speaker 5: you know, this year is like. 117 00:05:19,760 --> 00:05:21,760 Speaker 1: You know what I mean, what the you know what? 118 00:05:22,440 --> 00:05:24,320 Speaker 5: And he's and he's exciting to watch, you know what 119 00:05:24,360 --> 00:05:26,400 Speaker 5: I'm saying, Like a fishing as fuck. 120 00:05:27,120 --> 00:05:29,000 Speaker 1: That shocked the ship out of me so far. You know. 121 00:05:29,160 --> 00:05:32,000 Speaker 5: So those are my three things that shocked me at 122 00:05:32,040 --> 00:05:33,000 Speaker 5: the beginning of the season. 123 00:05:34,880 --> 00:05:39,080 Speaker 2: You're such a fucking asshole. You're You're such a fucking dickhead. 124 00:05:39,120 --> 00:05:43,040 Speaker 2: I have to come up with segments, John, No. 125 00:05:43,040 --> 00:05:43,919 Speaker 1: I'm making fun of me. 126 00:05:44,600 --> 00:05:45,279 Speaker 4: Three things. 127 00:05:45,520 --> 00:05:47,839 Speaker 5: I have three things, guys, you know what I mean, Like, 128 00:05:48,920 --> 00:05:49,640 Speaker 5: you know what I'm saying. 129 00:05:49,839 --> 00:05:50,120 Speaker 2: You know. 130 00:05:51,920 --> 00:05:55,520 Speaker 1: That motherfucking Jayleen dunk on Bridges. Oh my god, Oh 131 00:05:55,560 --> 00:05:58,320 Speaker 1: my god. What I loved about that was the was 132 00:05:58,360 --> 00:06:01,360 Speaker 1: the ship talking that Jaylen did after that, because he's 133 00:06:01,360 --> 00:06:05,200 Speaker 1: such a measured, calculating, you know, smart guy. And it's 134 00:06:05,240 --> 00:06:07,479 Speaker 1: like he said, you know, he tells us the whole 135 00:06:07,520 --> 00:06:10,800 Speaker 1: you know, his his hypothesizing, and then he detoes the 136 00:06:10,800 --> 00:06:12,760 Speaker 1: ship talking over in right, he goes, you know, I 137 00:06:12,839 --> 00:06:14,640 Speaker 1: knew that if I if I went up with a layup, 138 00:06:14,720 --> 00:06:16,600 Speaker 1: you know, my bridge is gonna send my shit back 139 00:06:16,640 --> 00:06:20,599 Speaker 1: to Boston. So I went up with the worst intentions, right, 140 00:06:22,040 --> 00:06:24,919 Speaker 1: Like he tells us, you know, the fucking risk reward 141 00:06:25,040 --> 00:06:27,159 Speaker 1: aspect of this equation, and then he talks his ship 142 00:06:27,200 --> 00:06:29,200 Speaker 1: at the end. And I love that, man, but I 143 00:06:29,200 --> 00:06:30,120 Speaker 1: mean that's a fact though. 144 00:06:30,160 --> 00:06:32,040 Speaker 5: You go to shot blocker. You gotta go at the 145 00:06:32,200 --> 00:06:33,919 Speaker 5: ass right at him. You try to avoid him, he 146 00:06:33,920 --> 00:06:35,960 Speaker 5: would have pushed that shit, you know what I mean, 147 00:06:36,120 --> 00:06:39,200 Speaker 5: And in fact, he dunked on Miles Bridges that it's 148 00:06:39,279 --> 00:06:40,039 Speaker 5: usually the other way. 149 00:06:40,080 --> 00:06:42,120 Speaker 1: Miles is the one embarrassing niggas, you know what I mean. 150 00:06:42,360 --> 00:06:44,120 Speaker 5: And I respect the fuck out of Miles for jumper 151 00:06:44,200 --> 00:06:45,800 Speaker 5: right there. You had to jump, you know what I mean. 152 00:06:46,240 --> 00:06:48,080 Speaker 5: I mean his head almost fucking hit the rim when 153 00:06:48,080 --> 00:06:50,920 Speaker 5: he tried to block that shit. But you gotta talk 154 00:06:50,920 --> 00:06:52,800 Speaker 5: a little shit as you dunk on Miles Bridges, you 155 00:06:52,800 --> 00:06:56,039 Speaker 5: know what I mean. Come on now, best rapper in 156 00:06:56,160 --> 00:06:59,400 Speaker 5: NBA history, not the best rap song, best rapper, she 157 00:06:59,440 --> 00:07:00,520 Speaker 5: actually has a best song. 158 00:07:00,880 --> 00:07:05,160 Speaker 2: Yeah, okay, stick around. We'll be back in a second 159 00:07:05,200 --> 00:07:08,719 Speaker 2: with Shay. The NFL season is approaching the halfway point, 160 00:07:08,760 --> 00:07:12,000 Speaker 2: and FanDuel Sportsbook has a little something different to offer 161 00:07:12,080 --> 00:07:15,160 Speaker 2: for the Sunday night matchup between Dallas and Minnesota because 162 00:07:15,200 --> 00:07:18,560 Speaker 2: FanDuel is giving new customers twenty five to one odds 163 00:07:18,600 --> 00:07:21,560 Speaker 2: on any touchdown score in the games. 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Sure. 203 00:09:17,440 --> 00:09:18,560 Speaker 3: So, Shaye, how are you doing. 204 00:09:20,360 --> 00:09:23,520 Speaker 6: I'm feeling all right. I'm feeling okay right now, feeling 205 00:09:23,520 --> 00:09:28,440 Speaker 6: as of today as a Wednesday. Let's see what happens 206 00:09:28,640 --> 00:09:31,920 Speaker 6: this afternoon. But right now feeling pretty good. 207 00:09:33,000 --> 00:09:35,520 Speaker 1: I mean, so, how is the is the whole you know, 208 00:09:35,679 --> 00:09:38,800 Speaker 1: book launch grind like it? Is it exhausting? Is it fulfilling? 209 00:09:38,880 --> 00:09:40,199 Speaker 1: Is it all of that shit or what? Like? Like 210 00:09:40,240 --> 00:09:42,120 Speaker 1: what's the emotional rollercoaster in you're on right now? 211 00:09:42,360 --> 00:09:44,520 Speaker 4: It's a it's a little bit of everything. 212 00:09:44,679 --> 00:09:49,480 Speaker 6: Like it's I'm certainly busier than I am normally most days. 213 00:09:50,000 --> 00:09:52,840 Speaker 6: Might I just show up in my office, type some 214 00:09:52,880 --> 00:09:54,920 Speaker 6: stuff into my computer, send some tweets, and then I 215 00:09:54,920 --> 00:10:00,000 Speaker 6: go home. That's it from like eight am to five pm. 216 00:10:00,040 --> 00:10:02,240 Speaker 6: When it's you know, the week before and the week 217 00:10:02,480 --> 00:10:06,679 Speaker 6: of book release. Every day I've got interviews from eight 218 00:10:06,720 --> 00:10:09,000 Speaker 6: am to five pm. 219 00:10:08,600 --> 00:10:09,679 Speaker 4: Different whatever whatever. 220 00:10:09,800 --> 00:10:13,280 Speaker 6: So it's it's tiring a little bit, but also it's 221 00:10:13,559 --> 00:10:15,200 Speaker 6: I mean, it's always fun to talk about a thing 222 00:10:15,240 --> 00:10:17,360 Speaker 6: that you just spend a year and a half working 223 00:10:17,440 --> 00:10:20,280 Speaker 6: on and you're excited to get it out there, and 224 00:10:21,240 --> 00:10:24,000 Speaker 6: but you're also terrified what if everybody hates this shit? 225 00:10:24,080 --> 00:10:27,000 Speaker 6: What if like somebody says something bad about it, which 226 00:10:27,040 --> 00:10:29,800 Speaker 6: inevitably always happens. What if you know you got a 227 00:10:29,960 --> 00:10:32,040 Speaker 6: thousand things going on in your head all at the 228 00:10:32,120 --> 00:10:36,199 Speaker 6: same time. But right now on this show, I'm feeling 229 00:10:36,240 --> 00:10:36,680 Speaker 6: a okay. 230 00:10:37,920 --> 00:10:39,880 Speaker 1: How do you balance all that out? You know what 231 00:10:39,920 --> 00:10:40,160 Speaker 1: I mean? 232 00:10:40,200 --> 00:10:43,920 Speaker 5: Because like being public facing, having half a million fucking followers, 233 00:10:43,960 --> 00:10:45,720 Speaker 5: you see a lot of the good and the bad, 234 00:10:45,800 --> 00:10:46,319 Speaker 5: you know what I mean? 235 00:10:46,880 --> 00:10:48,079 Speaker 1: How do you balance that out? 236 00:10:48,160 --> 00:10:50,000 Speaker 5: You know? I know, mental that must be a struggle, 237 00:10:50,040 --> 00:10:51,959 Speaker 5: you know what I'm saying, Even like I know a 238 00:10:52,080 --> 00:10:54,679 Speaker 5: hundred people can say something good, one person says something bad. 239 00:10:54,720 --> 00:10:56,160 Speaker 5: You want to pull up at the house and slap 240 00:10:56,200 --> 00:10:57,719 Speaker 5: the shit out they ass you know what I mean? Like, 241 00:10:58,480 --> 00:10:59,880 Speaker 5: how do you not slap the shit. 242 00:10:59,760 --> 00:11:01,839 Speaker 1: Out a human? That is? 243 00:11:02,040 --> 00:11:05,280 Speaker 6: That is exactly how it feels, you know. What happened recently? 244 00:11:05,720 --> 00:11:08,760 Speaker 6: So Bunby did the forward for the book for the 245 00:11:08,880 --> 00:11:10,839 Speaker 6: Hip Hop and other things. And Bunby is one of 246 00:11:10,880 --> 00:11:14,000 Speaker 6: my favorite rappers ever, like of all time, one of 247 00:11:14,080 --> 00:11:16,560 Speaker 6: the smartest, most insightful people I've ever met, just even 248 00:11:17,400 --> 00:11:19,720 Speaker 6: outside of rap, just like in my life just getting 249 00:11:19,800 --> 00:11:22,600 Speaker 6: to talk to him. And I was at an event 250 00:11:22,720 --> 00:11:27,120 Speaker 6: one time and he was rapping, he was performing up 251 00:11:27,160 --> 00:11:29,080 Speaker 6: on stage, and these two guys got into a fight 252 00:11:29,520 --> 00:11:31,600 Speaker 6: right in front of him, like at in the front 253 00:11:31,679 --> 00:11:33,840 Speaker 6: row of the concert. He was performing this song Murder, 254 00:11:34,160 --> 00:11:36,719 Speaker 6: which fucking rules. And so these two guys get into 255 00:11:36,760 --> 00:11:42,320 Speaker 6: a fight while he's rapping to Murder, and you would assume, 256 00:11:42,400 --> 00:11:45,800 Speaker 6: and like mostly everybody else in that situation just they 257 00:11:45,840 --> 00:11:47,840 Speaker 6: would have stopped rapping and they've been like, hey, security, 258 00:11:47,920 --> 00:11:48,800 Speaker 6: get these guys out of here. 259 00:11:48,840 --> 00:11:51,600 Speaker 4: We got to keep this room safe for whatever, bullshit 260 00:11:51,679 --> 00:11:52,880 Speaker 4: like that. But he didn't do that. 261 00:11:53,000 --> 00:11:55,280 Speaker 6: He just kept on rapping. He like looked right at 262 00:11:55,360 --> 00:11:58,800 Speaker 6: him and then just kept going. And the two guys. 263 00:11:58,960 --> 00:12:00,800 Speaker 6: You know, there's like a cadence to a fight. If 264 00:12:00,800 --> 00:12:04,559 Speaker 6: you get into a fistfight with someone, you bump into them, 265 00:12:05,000 --> 00:12:06,800 Speaker 6: they get mad, You get mad, they shove you, You 266 00:12:06,880 --> 00:12:10,079 Speaker 6: shove them, somebody swings, You fight for fifteen seconds, and 267 00:12:10,160 --> 00:12:11,240 Speaker 6: then people pull you apart. 268 00:12:11,280 --> 00:12:12,199 Speaker 4: That's how it's supposed to go. 269 00:12:12,480 --> 00:12:16,959 Speaker 6: That's the cadence of the fight. That didn't happen here. 270 00:12:17,559 --> 00:12:21,360 Speaker 6: They started fighting, he kept wrapping. They were like, what 271 00:12:21,480 --> 00:12:23,160 Speaker 6: the fuck is going on? And they just sort of 272 00:12:23,240 --> 00:12:23,960 Speaker 6: stopped fighting. 273 00:12:24,720 --> 00:12:25,280 Speaker 1: They just quit. 274 00:12:26,240 --> 00:12:28,080 Speaker 6: It was just like, I guess we're gonna we're done. 275 00:12:28,600 --> 00:12:31,400 Speaker 6: And then the so, you know, the crowd like gathers 276 00:12:31,480 --> 00:12:34,080 Speaker 6: back in and we just continue on with the show. 277 00:12:34,640 --> 00:12:37,079 Speaker 6: And I asked Bun about it, like, do you remember 278 00:12:37,120 --> 00:12:39,880 Speaker 6: when this happened? Why did you not Why did you 279 00:12:40,000 --> 00:12:42,160 Speaker 6: not stop or say something? And he told me, like 280 00:12:42,240 --> 00:12:44,400 Speaker 6: he learned some lesson early on in his career, too 281 00:12:44,440 --> 00:12:46,280 Speaker 6: Short had told him, when you're up on stage and 282 00:12:46,360 --> 00:12:49,800 Speaker 6: you have the microphone, wherever you direct your energy, that's 283 00:12:49,800 --> 00:12:51,679 Speaker 6: where the crowd would direct their energy. So if you 284 00:12:51,800 --> 00:12:54,120 Speaker 6: focus on the bad shit, everybody else will focus on 285 00:12:54,200 --> 00:12:57,079 Speaker 6: the bad shit. So if I had stopped, tried to 286 00:12:57,080 --> 00:12:59,079 Speaker 6: stop the fight, it might have spilled over, and then 287 00:12:59,520 --> 00:13:01,640 Speaker 6: instead of two people fighting, we now have eight people fighting, 288 00:13:01,679 --> 00:13:03,760 Speaker 6: and then seventeen people fighting, and then it's a fucking 289 00:13:04,040 --> 00:13:07,520 Speaker 6: very dangerous situation. So if I just don't address it, 290 00:13:07,880 --> 00:13:10,559 Speaker 6: if I just focus on y'all, y'all will focus on 291 00:13:10,679 --> 00:13:13,719 Speaker 6: me and they'll it'll settle itself out. And it's like 292 00:13:13,800 --> 00:13:15,720 Speaker 6: the same sort of thing on the internet, like if 293 00:13:15,760 --> 00:13:19,480 Speaker 6: I focus my energy on all the bad shit, that 294 00:13:19,720 --> 00:13:20,400 Speaker 6: energy grows. 295 00:13:20,559 --> 00:13:21,400 Speaker 4: It is what it feels like. 296 00:13:21,679 --> 00:13:23,920 Speaker 6: But if I only worry about the good stuff, or 297 00:13:24,000 --> 00:13:27,559 Speaker 6: at least like only yeah, project the good stuff or 298 00:13:27,679 --> 00:13:30,720 Speaker 6: you know, amplify the good stuff, then it's better energy. 299 00:13:30,800 --> 00:13:31,280 Speaker 4: So there you go. 300 00:13:32,120 --> 00:13:34,840 Speaker 1: Leave it to Bunbe to teach lessons while rapping about murder. 301 00:13:35,120 --> 00:13:39,800 Speaker 1: You know what I mean? Guy finger licking. 302 00:13:40,040 --> 00:13:44,360 Speaker 4: Yeah, it's the best, the best verse in Southern rap history. 303 00:13:44,840 --> 00:13:46,520 Speaker 1: I think it's for sure the best bump Be verse. 304 00:13:46,720 --> 00:13:50,040 Speaker 6: For sure, it's the best overall. It's best verse in 305 00:13:50,120 --> 00:13:52,559 Speaker 6: Southern rap. Find a better one, find a better one, 306 00:13:53,080 --> 00:13:53,480 Speaker 6: you can't. 307 00:13:54,920 --> 00:13:57,839 Speaker 1: I'm a big fan of Mjg's versus on Bezel on 308 00:13:58,000 --> 00:13:59,720 Speaker 1: t on on on trap music. 309 00:14:00,240 --> 00:14:02,119 Speaker 4: I put that in the same conversation. 310 00:14:03,400 --> 00:14:03,520 Speaker 2: Come. 311 00:14:07,920 --> 00:14:10,160 Speaker 1: He was just very, very problematic if you listen to 312 00:14:10,240 --> 00:14:11,599 Speaker 1: it now. But you know what I mean. But like 313 00:14:12,040 --> 00:14:14,000 Speaker 1: a Ball was fucking rapping too, man. 314 00:14:14,760 --> 00:14:17,880 Speaker 6: He was, but he wasn't doing what Bunby is. Fucking 315 00:14:18,160 --> 00:14:21,240 Speaker 6: game six Michael Jordan on that song, like you just 316 00:14:21,720 --> 00:14:22,280 Speaker 6: what can you do? 317 00:14:23,400 --> 00:14:25,080 Speaker 1: You we're talking about a god? Yeah, that makes sense. 318 00:14:26,040 --> 00:14:29,400 Speaker 2: Say, I want to ask you about a book release 319 00:14:29,560 --> 00:14:32,320 Speaker 2: you've written, you know obviously written a lot online. 320 00:14:32,520 --> 00:14:35,280 Speaker 3: I know you started out writing for you know, a newspaper. 321 00:14:36,640 --> 00:14:39,440 Speaker 2: Books are fucking weird because, like you said, you worked 322 00:14:39,480 --> 00:14:41,080 Speaker 2: on it for a year and a half with no 323 00:14:42,080 --> 00:14:43,600 Speaker 2: outside feedback. 324 00:14:43,920 --> 00:14:46,480 Speaker 3: No, Hey, I love this or this was really funny? 325 00:14:47,200 --> 00:14:47,800 Speaker 3: Is that hard? 326 00:14:47,880 --> 00:14:52,120 Speaker 2: I mean I I personally have found that about writing, 327 00:14:52,160 --> 00:14:53,560 Speaker 2: but I don't like it, you know what I mean. 328 00:14:53,640 --> 00:14:56,160 Speaker 2: It's like you're in your office working, You're working by 329 00:14:56,200 --> 00:14:58,440 Speaker 2: yourself for a long time before you get that that 330 00:14:58,600 --> 00:14:59,640 Speaker 2: connection with the reader. 331 00:15:00,440 --> 00:15:01,560 Speaker 3: Is that difficult for you? 332 00:15:01,800 --> 00:15:03,920 Speaker 2: And does that make this week sort of, you know, 333 00:15:04,600 --> 00:15:06,400 Speaker 2: more fun than when you have a big article or 334 00:15:06,440 --> 00:15:06,960 Speaker 2: something drop. 335 00:15:07,640 --> 00:15:10,840 Speaker 6: It was definitely more difficult the first time that I 336 00:15:10,920 --> 00:15:13,280 Speaker 6: did it, because I wasn't used to it. At this point, 337 00:15:13,360 --> 00:15:16,120 Speaker 6: this is my fourth one. I know what that process 338 00:15:16,200 --> 00:15:19,160 Speaker 6: looks like. So I just sort of lean into it 339 00:15:19,320 --> 00:15:21,320 Speaker 6: and it becomes like cool that I get to work 340 00:15:21,360 --> 00:15:24,880 Speaker 6: on this one big project for eighteen months that nobody 341 00:15:24,920 --> 00:15:27,760 Speaker 6: else gets to see. The only other person who read anything, 342 00:15:29,200 --> 00:15:31,360 Speaker 6: the editor, of course, has to read it. But even 343 00:15:31,440 --> 00:15:34,000 Speaker 6: then I don't send him one chapter at a time. 344 00:15:34,280 --> 00:15:37,320 Speaker 6: I write like eighteen chapters before I turn them into them, 345 00:15:37,760 --> 00:15:39,200 Speaker 6: and then I send them all at once, you know 346 00:15:39,240 --> 00:15:41,480 Speaker 6: what I'm saying. So the only person who really got 347 00:15:41,520 --> 00:15:45,240 Speaker 6: to see anything beforehand was this guy named Dart Adams. 348 00:15:48,200 --> 00:15:51,080 Speaker 6: He was a fact checker and the researcher for the book. 349 00:15:51,480 --> 00:15:56,160 Speaker 6: He's a fucking rap historian genius. He was the only 350 00:15:56,240 --> 00:16:00,120 Speaker 6: one who saw anything ahead of time, and that was it. 351 00:16:00,200 --> 00:16:02,040 Speaker 6: I are through the illustrator every once in a while 352 00:16:02,040 --> 00:16:04,120 Speaker 6: I would ask to to really think as well. But 353 00:16:04,280 --> 00:16:06,840 Speaker 6: I get to like get in my little bunker and 354 00:16:06,960 --> 00:16:09,720 Speaker 6: only work on this thing, and it's just like it 355 00:16:09,840 --> 00:16:11,760 Speaker 6: just it just becomes like a fun little like a 356 00:16:11,920 --> 00:16:15,160 Speaker 6: secret that I'm doing. I don't even tell like anybody 357 00:16:15,240 --> 00:16:17,960 Speaker 6: what the chapters are about. I didn't realize it until 358 00:16:18,000 --> 00:16:20,120 Speaker 6: yesterday when the book came out, that I never one 359 00:16:20,200 --> 00:16:22,880 Speaker 6: time like put a chapter list out there or anything. 360 00:16:22,880 --> 00:16:24,440 Speaker 4: I was just like, here's the whole fucking book. 361 00:16:24,520 --> 00:16:28,520 Speaker 6: By it or don't but it's it's it's fun now 362 00:16:28,640 --> 00:16:32,400 Speaker 6: because there are just so few other avenues where you 363 00:16:32,560 --> 00:16:34,880 Speaker 6: get to just only be the voice and this one 364 00:16:35,000 --> 00:16:37,840 Speaker 6: thing without any outside interference, you know what I'm saying. 365 00:16:38,480 --> 00:16:42,800 Speaker 1: Yeah, sure, So you know the format of your Whole 366 00:16:42,920 --> 00:16:45,640 Speaker 1: and Other Things trilogy that you've got, it's it's always 367 00:16:45,680 --> 00:16:48,240 Speaker 1: the chapters are kind of formed as questions, right, and 368 00:16:48,360 --> 00:16:50,240 Speaker 1: so you know, on the hip hop and other things, 369 00:16:50,960 --> 00:16:53,040 Speaker 1: you know, you know, I'm looking at the chapter listing 370 00:16:53,280 --> 00:16:56,480 Speaker 1: and it's got some really interesting questions as do all 371 00:16:56,520 --> 00:16:58,360 Speaker 1: of your books, which I love. They always come from 372 00:16:58,440 --> 00:17:00,800 Speaker 1: left pill, but they're always so fucking entertaining to read. 373 00:17:00,920 --> 00:17:03,520 Speaker 1: Like one chapter is, what did the chickens have to 374 00:17:03,560 --> 00:17:08,240 Speaker 1: say about Projects Pat's chicken Head? Oh yeah, yeah yeah? 375 00:17:08,960 --> 00:17:11,520 Speaker 1: And you know when when does Young Jeezy the most 376 00:17:11,640 --> 00:17:14,119 Speaker 1: motivating on Doug Motivation one on one? And you know 377 00:17:14,440 --> 00:17:18,000 Speaker 1: what's your favorite ninja rap moment? And I'm just curious 378 00:17:18,040 --> 00:17:20,600 Speaker 1: where do you get the I like, how do these 379 00:17:20,760 --> 00:17:22,879 Speaker 1: questions and these premises for these chapters come to you? 380 00:17:24,359 --> 00:17:26,600 Speaker 4: Well, usually they're reverse engineered. 381 00:17:26,920 --> 00:17:28,840 Speaker 6: So I have a thing that I know I want 382 00:17:28,960 --> 00:17:32,159 Speaker 6: to write about in the book, like with like I 383 00:17:32,200 --> 00:17:34,720 Speaker 6: knew I wanted to write about Doug Motivation one O 384 00:17:34,840 --> 00:17:36,800 Speaker 6: one number one because one of my favorite albums of 385 00:17:36,840 --> 00:17:39,480 Speaker 6: all time number two because it was like a flag 386 00:17:39,600 --> 00:17:43,160 Speaker 6: planting moment in rap, So let's write about Let's write 387 00:17:43,200 --> 00:17:45,639 Speaker 6: about that. And then it just becomes like, Okay, well, 388 00:17:45,680 --> 00:17:47,520 Speaker 6: if I know I want to write about that, how 389 00:17:47,600 --> 00:17:50,080 Speaker 6: do I write about it in a way that hasn't 390 00:17:50,160 --> 00:17:53,800 Speaker 6: already been written. That's the hardest part is figuring out 391 00:17:53,880 --> 00:17:55,880 Speaker 6: how to do a thing that hasn't been done yet, 392 00:17:56,160 --> 00:17:59,320 Speaker 6: because essentially everybody who writes about rap is writing about 393 00:17:59,400 --> 00:18:00,879 Speaker 6: like the same fifteen things. 394 00:18:01,359 --> 00:18:03,480 Speaker 4: We're all gonna write it. We're all gonna write about. 395 00:18:04,760 --> 00:18:07,480 Speaker 6: Tupac and Biggie, We're all gonna write about Illmatic, We're 396 00:18:07,480 --> 00:18:10,600 Speaker 6: all gonna whatever. Like they're the moments everybody's gonna write about. 397 00:18:10,920 --> 00:18:12,760 Speaker 6: You have to figure out how to do it without 398 00:18:13,920 --> 00:18:15,959 Speaker 6: doing the same thing someone has already done. So then 399 00:18:15,960 --> 00:18:18,520 Speaker 6: you just sit there for fucking a few hours and 400 00:18:18,600 --> 00:18:20,920 Speaker 6: you read every interview you can, and you read every 401 00:18:21,000 --> 00:18:24,760 Speaker 6: review that you can, and you read every profile or 402 00:18:25,359 --> 00:18:27,680 Speaker 6: that's been written, and then you just are trying to 403 00:18:27,760 --> 00:18:31,480 Speaker 6: like find a way in and eventually, you you know, 404 00:18:31,920 --> 00:18:32,719 Speaker 6: figure something out. 405 00:18:32,800 --> 00:18:34,160 Speaker 4: And sometimes it's like pretty easy. 406 00:18:34,240 --> 00:18:36,399 Speaker 6: With the Thug Motivation one on one, the album is 407 00:18:36,480 --> 00:18:39,560 Speaker 6: literally called Thug Motivation one on one. The first thing 408 00:18:39,680 --> 00:18:43,280 Speaker 6: you hear on the album is Young Jeezy yelling let's 409 00:18:43,320 --> 00:18:45,560 Speaker 6: get it, like that's the point of the album. 410 00:18:45,640 --> 00:18:47,320 Speaker 4: He's being motivational. 411 00:18:47,680 --> 00:18:48,200 Speaker 6: Well, there you go. 412 00:18:48,320 --> 00:18:49,960 Speaker 4: That's an easy one to fill and that one took 413 00:18:50,040 --> 00:18:50,800 Speaker 4: like ten seconds. 414 00:18:51,400 --> 00:18:53,920 Speaker 6: But the Chickens one that you mentioned, what did the 415 00:18:54,040 --> 00:18:56,680 Speaker 6: Chickens have to say about Project Pat's Chickenhead? 416 00:18:57,320 --> 00:18:58,520 Speaker 4: When you read the chapter, it's not. 417 00:18:58,600 --> 00:19:02,080 Speaker 6: Really about the chickens, and it's not really about Project 418 00:19:02,200 --> 00:19:04,800 Speaker 6: Pat's chicken Head song, Like that's the entry point. But 419 00:19:04,920 --> 00:19:07,359 Speaker 6: really what it's about is like what's the single most 420 00:19:07,480 --> 00:19:12,320 Speaker 6: identifiable opening second of a rap song? Yeah, and then 421 00:19:12,440 --> 00:19:14,920 Speaker 6: and then it becomes about about that. But then you 422 00:19:15,080 --> 00:19:17,159 Speaker 6: just you know, you work backwards, you figure out the 423 00:19:17,240 --> 00:19:19,680 Speaker 6: thing you want to write about, and then you just 424 00:19:20,080 --> 00:19:22,119 Speaker 6: try some shit until you get to a good spot. 425 00:19:22,440 --> 00:19:24,879 Speaker 1: For sure, and the and the bass drop on back 426 00:19:24,920 --> 00:19:26,560 Speaker 1: that ass up gets my vote for that, by the way. 427 00:19:28,160 --> 00:19:29,280 Speaker 4: Yeah, it's a great one. 428 00:19:29,840 --> 00:19:30,080 Speaker 1: Yeah. 429 00:19:31,320 --> 00:19:34,280 Speaker 5: There's a chapter that debates like the best album of 430 00:19:34,520 --> 00:19:38,560 Speaker 5: like I think twenty nineteen, Yeah, like Good Kid, Mass 431 00:19:38,560 --> 00:19:40,840 Speaker 5: City or like my beautiful twisted dark Fantasy. I want 432 00:19:40,880 --> 00:19:43,840 Speaker 5: to know what if, like aliens came to this planet 433 00:19:44,200 --> 00:19:46,680 Speaker 5: and you had to present an album from like the 434 00:19:46,800 --> 00:19:49,159 Speaker 5: last three decades. I don't give a fuck about eighties rap. 435 00:19:49,200 --> 00:19:52,080 Speaker 5: I'm gonna be honest with you, it's like the nineties. 436 00:19:54,480 --> 00:19:55,800 Speaker 4: A lot of people feel like that. 437 00:19:55,920 --> 00:20:00,480 Speaker 3: That's a that's George Mike and Rap to John the Pivots, 438 00:20:00,480 --> 00:20:02,000 Speaker 3: big vibes, you know. 439 00:20:02,200 --> 00:20:05,760 Speaker 6: Yeah, I mean I dribbling left to be I think 440 00:20:05,840 --> 00:20:07,879 Speaker 6: that's a mistake, but I understand. 441 00:20:08,320 --> 00:20:09,440 Speaker 1: I respect I respect it. 442 00:20:09,600 --> 00:20:12,159 Speaker 5: If you had to present a rap album to the aliens, 443 00:20:12,160 --> 00:20:14,920 Speaker 5: since I, you know, prove our worth from the last 444 00:20:15,040 --> 00:20:16,879 Speaker 5: three decades, which albums. 445 00:20:16,600 --> 00:20:17,200 Speaker 1: Would you choose? 446 00:20:17,840 --> 00:20:19,800 Speaker 4: I just get I get one album like. 447 00:20:19,840 --> 00:20:23,800 Speaker 1: He decade because I'm mean saying thirty decades. 448 00:20:23,560 --> 00:20:26,560 Speaker 4: Oh okay, years, Yeah, I got you. Okay. 449 00:20:26,680 --> 00:20:29,880 Speaker 6: So then if if we're doing well, if we're let's 450 00:20:30,080 --> 00:20:31,960 Speaker 6: include the eighties because it's gonna take five seconds. If 451 00:20:32,000 --> 00:20:35,120 Speaker 6: we go from nineteen eighty to nineteen eighty nine, give 452 00:20:35,200 --> 00:20:37,560 Speaker 6: me Eric being Rockham paid in for Yeah. 453 00:20:37,880 --> 00:20:39,719 Speaker 7: I tried to get John on that, and that's the one. 454 00:20:39,760 --> 00:20:41,160 Speaker 7: I was like, Bro, if you don't like eighties rap, 455 00:20:41,200 --> 00:20:44,400 Speaker 7: you like He's like, nah, I still don't, bro, because 456 00:20:44,400 --> 00:20:46,480 Speaker 7: that was bro. I just I don't know if I 457 00:20:46,560 --> 00:20:47,840 Speaker 7: listened to it, I might not listen to it, bro, 458 00:20:47,960 --> 00:20:51,360 Speaker 7: but I just I'll try it. I guess that one's good. 459 00:20:52,000 --> 00:20:54,320 Speaker 1: I feel like, even if you don't like eighties rap, 460 00:20:54,359 --> 00:20:56,840 Speaker 1: you'll like rock him because he's so fucking futuristic. Bro. 461 00:20:57,320 --> 00:20:58,000 Speaker 1: You know what I'm saying. 462 00:20:58,600 --> 00:21:02,359 Speaker 6: He was the first guy who who like understood he 463 00:21:02,520 --> 00:21:05,280 Speaker 6: was rapping in a in a recording booth. And not 464 00:21:05,440 --> 00:21:08,960 Speaker 6: on stage. He wasn't doing what everybody else was doing. 465 00:21:09,040 --> 00:21:10,679 Speaker 6: He was sucking right right. 466 00:21:10,760 --> 00:21:13,000 Speaker 4: He changed everything, He changed every single thing. 467 00:21:13,240 --> 00:21:15,920 Speaker 1: Jumped his jump shot. You're saying he was jumping Joe, 468 00:21:16,000 --> 00:21:16,720 Speaker 1: That's what you're telling me. 469 00:21:19,160 --> 00:21:20,639 Speaker 4: He brought the ball up to the top of his 470 00:21:20,720 --> 00:21:21,040 Speaker 4: head and. 471 00:21:22,520 --> 00:21:26,919 Speaker 1: Ship do that. But that's exactly the point. Like all 472 00:21:26,960 --> 00:21:28,960 Speaker 1: the rappers before Rock Him, they were rapping for the party, 473 00:21:29,080 --> 00:21:31,080 Speaker 1: Rock Kim was rapping for your headphones. You know what 474 00:21:31,119 --> 00:21:33,520 Speaker 1: I'm saying, Like, like I always say, you know, Rock Kim, 475 00:21:33,760 --> 00:21:35,600 Speaker 1: he was the media that killed the dinosaurs, you know 476 00:21:35,600 --> 00:21:37,040 Speaker 1: what I'm saying. Like, even if you don't like eighties 477 00:21:37,040 --> 00:21:39,720 Speaker 1: wrapped Rock Him is the definitive marker on where you 478 00:21:39,800 --> 00:21:44,480 Speaker 1: know he the fucking game shifted next, But I'll tap 479 00:21:44,560 --> 00:21:46,800 Speaker 1: in next time it rains, I'll tap in. I'm a 480 00:21:46,920 --> 00:21:49,560 Speaker 1: hold one of my favorites. 481 00:21:50,840 --> 00:21:52,200 Speaker 4: It's also a really good album. 482 00:21:52,359 --> 00:21:54,320 Speaker 6: If you have kids and you like still want to 483 00:21:54,400 --> 00:21:58,120 Speaker 6: listen to rap, you could put that one on your Yeah, 484 00:21:58,359 --> 00:21:58,880 Speaker 6: that's a good. 485 00:21:59,080 --> 00:22:01,240 Speaker 2: That's a that's a good. That's a great recommendation. Actually, 486 00:22:01,280 --> 00:22:02,560 Speaker 2: I appreciate that. That's good. 487 00:22:02,600 --> 00:22:04,280 Speaker 3: I just sort of gave it up with my son 488 00:22:04,600 --> 00:22:06,600 Speaker 3: who's in third grade. Now, we're just like, you know what. 489 00:22:08,080 --> 00:22:08,320 Speaker 1: It is? 490 00:22:08,400 --> 00:22:08,879 Speaker 3: What it is. 491 00:22:10,400 --> 00:22:12,680 Speaker 1: A big moochie gray being played in my car. She goes, 492 00:22:12,680 --> 00:22:13,480 Speaker 1: I'm to get used to it. 493 00:22:17,080 --> 00:22:20,640 Speaker 6: Okay, album, So from nineteen eighty to nineteen eighty nine, 494 00:22:20,680 --> 00:22:23,680 Speaker 6: we're going Eric B and Rockham paid in full. Ninety 495 00:22:24,240 --> 00:22:27,600 Speaker 6: to ninety nine is the most difficult decision to make there, 496 00:22:28,119 --> 00:22:31,200 Speaker 6: because that's the that's when rap exploded, That's when everybody 497 00:22:31,320 --> 00:22:32,359 Speaker 6: did all of the new shit. 498 00:22:32,880 --> 00:22:34,320 Speaker 4: Every year there was. 499 00:22:34,680 --> 00:22:36,480 Speaker 6: You had a tribe called Quest in ninety one, you 500 00:22:36,560 --> 00:22:38,920 Speaker 6: had Doctor Dre. In ninety two, you had Snoop and 501 00:22:38,960 --> 00:22:42,480 Speaker 6: Wu Tang. In ninety three, you had Nas in ninety four, Tupac, 502 00:22:42,680 --> 00:22:46,400 Speaker 6: Biggie jay Z, Little Kim, Missy Elliott, DMX like motherfucker, 503 00:22:46,880 --> 00:22:47,480 Speaker 6: you can pick it. 504 00:22:48,040 --> 00:22:49,760 Speaker 4: You can pick any one of those. 505 00:22:50,280 --> 00:22:53,760 Speaker 6: But I think if it's aliens we're talking about, you 506 00:22:53,880 --> 00:22:57,440 Speaker 6: needed to sound a certain what you needed to sound welcoming. 507 00:22:58,000 --> 00:23:01,560 Speaker 6: You needed to sound like excess both to alien ears. 508 00:23:02,320 --> 00:23:04,640 Speaker 6: I think it has I think I think it has 509 00:23:04,720 --> 00:23:07,640 Speaker 6: to be. You can't play DMX. If you play DMX, 510 00:23:07,680 --> 00:23:14,160 Speaker 6: they're fucking shooting bombed ass immediately. So it's either it's 511 00:23:14,200 --> 00:23:15,800 Speaker 6: one of two things. It's one of two things, the 512 00:23:15,800 --> 00:23:17,920 Speaker 6: same reason you can't play Wu Tang. If you play 513 00:23:18,000 --> 00:23:21,200 Speaker 6: Wu Tang, if they hear fucking protect your neck, your 514 00:23:21,240 --> 00:23:25,439 Speaker 6: fucking just slit your throat immediately. So it's either nineteen 515 00:23:25,520 --> 00:23:28,720 Speaker 6: ninety seven Super Dupi Fly Missy Elliott because I'm almost 516 00:23:28,760 --> 00:23:35,399 Speaker 6: certain aliens have heard that, or or doggy style Snoop 517 00:23:35,640 --> 00:23:36,480 Speaker 6: nineteen ninety three. 518 00:23:37,400 --> 00:23:38,280 Speaker 4: Nineteen ninety three. 519 00:23:38,560 --> 00:23:42,480 Speaker 6: The g funk is maybe my favorite subgenre of rap. 520 00:23:42,560 --> 00:23:47,280 Speaker 6: They took all of the like harsh, sharp edge heaviness 521 00:23:47,320 --> 00:23:49,400 Speaker 6: of gangster rap from the eighties and they just turned 522 00:23:49,400 --> 00:23:52,639 Speaker 6: it into fun. It went from crack to weed and 523 00:23:52,760 --> 00:23:55,480 Speaker 6: it was like, let's put this on. They would like, 524 00:23:55,720 --> 00:23:57,800 Speaker 6: I feel like they would like Nate Dogg. A whole 525 00:23:57,880 --> 00:24:00,960 Speaker 6: bunch who doesn't fucking love Nate Dogg. So there you go, 526 00:24:01,080 --> 00:24:01,640 Speaker 6: there's your pick. 527 00:24:01,760 --> 00:24:05,000 Speaker 1: There. My genis is fucking floating right now. 528 00:24:10,400 --> 00:24:14,440 Speaker 3: Ten sizes the longat shout outs from Shay. Absolutely. 529 00:24:15,560 --> 00:24:18,760 Speaker 2: G funk is like absolutely a genre of music where 530 00:24:18,800 --> 00:24:23,159 Speaker 2: you're like, if the aliens are a micro bacterial virus, 531 00:24:23,840 --> 00:24:27,240 Speaker 2: or if they are like bigger than the sun, no 532 00:24:27,520 --> 00:24:29,400 Speaker 2: living thing would not like G funk. 533 00:24:31,320 --> 00:24:34,280 Speaker 3: Anything that would love g funk. I'm with you all that. 534 00:24:34,480 --> 00:24:36,520 Speaker 1: You might say Outcast too, I thought you might have. 535 00:24:37,920 --> 00:24:43,199 Speaker 6: If we have to pick one single song, only one song, ever, 536 00:24:43,280 --> 00:24:46,399 Speaker 6: then it's Outcast. It's Elevators by Outcast, That's what it is. 537 00:24:46,720 --> 00:24:49,200 Speaker 6: But a whole album, a whole if you get that 538 00:24:49,359 --> 00:24:52,760 Speaker 6: much real estate. I think Missy's super Duper Flyers a 539 00:24:52,840 --> 00:24:56,520 Speaker 6: safe bet there because it just it's twenty four years 540 00:24:56,560 --> 00:24:59,000 Speaker 6: old and we still haven't gotten to it yet, you 541 00:24:59,080 --> 00:25:02,320 Speaker 6: know what I'm saying. Yeah, nope, just we're so far behind. Okay, 542 00:25:02,400 --> 00:25:05,960 Speaker 6: So there's nineteen and ninety nine, two thousand to two 543 00:25:06,000 --> 00:25:09,280 Speaker 6: thousand and nine. You got a couple of good ones 544 00:25:09,320 --> 00:25:11,600 Speaker 6: in there. The first one that comes to mind is 545 00:25:11,880 --> 00:25:15,880 Speaker 6: is is Lord Willing by Clips? I think that's in then. 546 00:25:16,119 --> 00:25:25,680 Speaker 6: I think that's a contender. Now tatloke up in the morning. 547 00:25:25,520 --> 00:25:32,680 Speaker 3: For sensual rap recommendations with it man, Yeah, I think 548 00:25:32,840 --> 00:25:33,400 Speaker 3: I think. 549 00:25:38,520 --> 00:25:41,159 Speaker 4: So that's that's one of the options. I would love 550 00:25:41,359 --> 00:25:41,879 Speaker 4: for them to hear. 551 00:25:41,960 --> 00:25:46,160 Speaker 6: Push a t in Malice you probably would consider get 552 00:25:46,240 --> 00:25:50,680 Speaker 6: Rich or Die trying a pivotal moment of one of 553 00:25:50,760 --> 00:25:53,639 Speaker 6: the I think still that came out in two thousand 554 00:25:53,640 --> 00:25:55,840 Speaker 6: and two, two thousand and three. Still no rap album 555 00:25:55,880 --> 00:25:57,680 Speaker 6: has ever sold more copies than that one since that 556 00:25:57,760 --> 00:25:58,360 Speaker 6: one came out. 557 00:25:59,119 --> 00:26:00,840 Speaker 4: Like that's the top right there. 558 00:26:01,600 --> 00:26:06,560 Speaker 6: Yeah, that's a crazy, crazy rap stat The Outcast, get Outcasts? 559 00:26:08,119 --> 00:26:09,920 Speaker 4: What was it when they did the double album? 560 00:26:11,400 --> 00:26:13,679 Speaker 6: When you sell, when you sell that, when you get 561 00:26:13,720 --> 00:26:16,920 Speaker 6: double credit, so like they technically they had more sold, 562 00:26:16,960 --> 00:26:17,920 Speaker 6: but really they didn't. 563 00:26:19,240 --> 00:26:21,400 Speaker 4: So you so so those are the I don't. 564 00:26:21,200 --> 00:26:24,000 Speaker 1: Know, I don't know if I've ever seen a rapper 565 00:26:24,040 --> 00:26:27,879 Speaker 1: have a higher peak than No, No, you did it, 566 00:26:28,119 --> 00:26:28,399 Speaker 1: you did it. 567 00:26:28,560 --> 00:26:31,840 Speaker 5: I mean doing the same thing he beats with another 568 00:26:32,000 --> 00:26:35,120 Speaker 5: rapper about, which is like singing on fucking songs. 569 00:26:34,760 --> 00:26:37,119 Speaker 4: You know, Yeah, yeah, yeah it was. 570 00:26:37,359 --> 00:26:40,040 Speaker 6: It was the perfect rapper at the perfect moment because 571 00:26:40,040 --> 00:26:43,760 Speaker 6: the gangster rap had been dead since Tupac and Biggie 572 00:26:43,800 --> 00:26:45,879 Speaker 6: past and since they were murdered. Everybody was like, well, 573 00:26:45,920 --> 00:26:47,920 Speaker 6: I don't know if we feel like that anymore. And 574 00:26:48,000 --> 00:26:49,960 Speaker 6: then Puff shows up and they're like, yeah, this is 575 00:26:50,280 --> 00:26:53,280 Speaker 6: this is more fun. Let's do that, and then Eminem 576 00:26:53,359 --> 00:26:56,920 Speaker 6: and you know, DMX was probably like the beginning of 577 00:26:57,000 --> 00:26:59,040 Speaker 6: it again, but fifty cent was like, here's how you 578 00:26:59,119 --> 00:27:03,600 Speaker 6: make it fun right anyway? Lord will and get Richard, 579 00:27:03,640 --> 00:27:06,640 Speaker 6: I tryan. We talked about Doug Motivation one on one. 580 00:27:07,440 --> 00:27:09,320 Speaker 6: I think that I think that might be my pick. 581 00:27:09,480 --> 00:27:13,280 Speaker 6: I think Doug Motivation one on one. I like the South. 582 00:27:13,359 --> 00:27:17,080 Speaker 6: I'm a I'm a Southern guy. I'm a Texas boy. Yeah, 583 00:27:17,600 --> 00:27:19,399 Speaker 6: I think feel good about that. 584 00:27:20,200 --> 00:27:22,600 Speaker 1: That that that's summer five. When seeing one on one drive, 585 00:27:23,440 --> 00:27:26,680 Speaker 1: I'll forget about it for about all the space it took, 586 00:27:26,760 --> 00:27:30,080 Speaker 1: all the lanes, you know what I mean. That incredible dog, 587 00:27:30,160 --> 00:27:32,120 Speaker 1: you know what I mean, no room for nothing else. 588 00:27:32,240 --> 00:27:35,880 Speaker 6: It was yeah, shock and me And then I guess 589 00:27:35,920 --> 00:27:39,840 Speaker 6: twenty ten to two thousand and nineteen, I would I 590 00:27:39,880 --> 00:27:43,680 Speaker 6: would probably go I would probably go, good Kid, Mad City. 591 00:27:44,240 --> 00:27:47,879 Speaker 6: I think it's just it's just beautiful. It's a beautiful album. 592 00:27:48,400 --> 00:27:50,840 Speaker 6: It has so many parts and pieces to it. It 593 00:27:51,000 --> 00:27:53,879 Speaker 6: does all of this stuff you need an album to do. 594 00:27:54,080 --> 00:27:57,359 Speaker 6: You have number one, the starring the starring role in it, 595 00:27:57,440 --> 00:27:59,040 Speaker 6: And I think this is why you picked this over 596 00:27:59,400 --> 00:28:02,160 Speaker 6: My Beautiful Fantasy. Because Kanye was late in his career, 597 00:28:02,480 --> 00:28:05,080 Speaker 6: he was doing his Like Redemption Tour for the Taylor 598 00:28:05,119 --> 00:28:08,520 Speaker 6: Swift debacle. He was like the master of the symphony. 599 00:28:09,200 --> 00:28:11,080 Speaker 6: He had a thousand pieces in there, and he's showing 600 00:28:11,119 --> 00:28:13,680 Speaker 6: you he can control all of them all at once. Meanwhile, 601 00:28:14,160 --> 00:28:16,280 Speaker 6: good kid mess It is the opposite. It's just one 602 00:28:16,400 --> 00:28:19,199 Speaker 6: kid at the beginning of his career and he's at 603 00:28:19,200 --> 00:28:21,760 Speaker 6: the center of everything, and you've just got a few 604 00:28:21,800 --> 00:28:25,760 Speaker 6: people orbiting around him. You got the Jay Rock verse 605 00:28:25,840 --> 00:28:28,000 Speaker 6: that's on there. Come on, get the fuck out of here. 606 00:28:28,280 --> 00:28:28,640 Speaker 3: You got. 607 00:28:29,160 --> 00:28:32,080 Speaker 6: It's like one long story that's told from the middle 608 00:28:32,680 --> 00:28:34,760 Speaker 6: back to the end, and then the beginning in the 609 00:28:34,800 --> 00:28:37,760 Speaker 6: middle again. It all fucking ties together. I think there 610 00:28:37,800 --> 00:28:40,120 Speaker 6: you go. There's there's the four albums to play for 611 00:28:40,240 --> 00:28:42,000 Speaker 6: the Aliens. Thanks for listening. 612 00:28:42,040 --> 00:28:42,520 Speaker 4: Aliens. 613 00:28:45,920 --> 00:28:48,480 Speaker 2: It's such a It's such a funny question, John, because 614 00:28:49,440 --> 00:28:51,840 Speaker 2: for whatever reason, that's like a question we ask is 615 00:28:51,920 --> 00:28:53,840 Speaker 2: like what movie would you show the aliens? 616 00:28:54,040 --> 00:28:55,520 Speaker 3: Like what TV show? 617 00:28:55,560 --> 00:28:58,000 Speaker 2: But we never think about like if we find life 618 00:28:58,040 --> 00:29:01,080 Speaker 2: on Mars, the first thing we're doing is like, what's 619 00:29:01,120 --> 00:29:02,000 Speaker 2: your best album? 620 00:29:02,560 --> 00:29:07,400 Speaker 3: Like we only think about it when people coming here 621 00:29:07,560 --> 00:29:09,320 Speaker 3: and the Aliens are like, it's a new world. 622 00:29:09,440 --> 00:29:11,479 Speaker 2: They have these things called trees, and the first thing 623 00:29:11,560 --> 00:29:13,560 Speaker 2: are is like, you got any good TV shows? Yeah? 624 00:29:13,640 --> 00:29:16,760 Speaker 4: Yeah, yeah, that's that's just how dumb humans are. 625 00:29:17,040 --> 00:29:20,840 Speaker 6: They show up with lasers and proton blasters, and we're like, hey, 626 00:29:21,200 --> 00:29:23,520 Speaker 6: you want to listen to you want to listen to nas, 627 00:29:23,680 --> 00:29:25,120 Speaker 6: you want to heart. 628 00:29:24,920 --> 00:29:27,600 Speaker 3: Check this out? So stupid we are. 629 00:29:28,160 --> 00:29:31,640 Speaker 1: I think aliens would actually appreciate music, because I do 630 00:29:31,880 --> 00:29:34,280 Speaker 1: like this, because if you're in a if you're advanced 631 00:29:34,360 --> 00:29:37,320 Speaker 1: enough to fucking master interstellar travel, right, math is the 632 00:29:37,480 --> 00:29:39,720 Speaker 1: core of your whole ship. You know what I'm saying, 633 00:29:40,000 --> 00:29:42,240 Speaker 1: Like you, you are a species that is devoted to 634 00:29:42,360 --> 00:29:44,680 Speaker 1: math and music at its core is a fucking algorithm. 635 00:29:45,040 --> 00:29:47,200 Speaker 1: You know what I'm saying. It's a it's a fucking pattern. 636 00:29:47,400 --> 00:29:50,360 Speaker 1: It's this, it's repetitive, it's an algorithm. And I think 637 00:29:50,400 --> 00:29:52,560 Speaker 1: that if you appreciate math, even if you've never even 638 00:29:52,560 --> 00:29:54,480 Speaker 1: heard music before, you're like, holy shit, what is this? 639 00:29:54,800 --> 00:29:55,040 Speaker 3: This is? 640 00:29:55,200 --> 00:29:57,200 Speaker 1: This is sounding the same on the same cycle. You know, 641 00:29:57,240 --> 00:29:59,800 Speaker 1: I hear the fucking the formula and this. I think 642 00:29:59,840 --> 00:30:03,960 Speaker 1: that and would appreciate music. I really you're alien, bro. 643 00:30:04,280 --> 00:30:07,000 Speaker 5: I think you're alien for saying that because I think 644 00:30:07,080 --> 00:30:09,040 Speaker 5: alien music would sound like bleep blore. 645 00:30:09,120 --> 00:30:11,080 Speaker 1: But I think that's what I was thinking to you 646 00:30:11,160 --> 00:30:12,560 Speaker 1: know what I mean, it would. 647 00:30:12,320 --> 00:30:15,040 Speaker 5: Sound like when you signed on a computer like fucking 648 00:30:15,200 --> 00:30:16,640 Speaker 5: in the nineties and ship you know what I. 649 00:30:16,640 --> 00:30:19,480 Speaker 6: Mean, Yeah, it would be that one. It would be 650 00:30:19,560 --> 00:30:21,600 Speaker 6: that one sound. Did y'all ever see War of the 651 00:30:21,640 --> 00:30:25,000 Speaker 6: World with Tom Cruise, Yes, and there's like a there's 652 00:30:25,040 --> 00:30:29,200 Speaker 6: that giant it just goes w That was probably them 653 00:30:29,240 --> 00:30:31,480 Speaker 6: playing their best song. They're like, hey, check this out. 654 00:30:32,200 --> 00:30:39,920 Speaker 1: This music to me. That's maybe music to me, you 655 00:30:39,960 --> 00:30:40,320 Speaker 1: know what I mean? 656 00:30:40,480 --> 00:30:42,360 Speaker 6: That might be that might be a better that might 657 00:30:42,400 --> 00:30:44,520 Speaker 6: be a better play. We're thinking about it from humans, 658 00:30:44,560 --> 00:30:46,840 Speaker 6: we should maybe think about it from like alien we 659 00:30:46,840 --> 00:30:49,920 Speaker 6: shoul probably playing Tech nine and they're they're fucking probably 660 00:30:50,000 --> 00:30:50,760 Speaker 6: love Tech nine. 661 00:30:51,320 --> 00:30:52,280 Speaker 4: Jesus would be. 662 00:30:52,400 --> 00:30:52,800 Speaker 2: So in. 663 00:30:55,800 --> 00:30:57,720 Speaker 1: Kansas City's Finest. 664 00:31:03,040 --> 00:31:03,240 Speaker 3: Shay. 665 00:31:03,400 --> 00:31:05,960 Speaker 2: So you know we mentioned obviously a big week is 666 00:31:06,160 --> 00:31:08,480 Speaker 2: you know, you're pushing the book definitely. Everyone make sure 667 00:31:08,520 --> 00:31:11,120 Speaker 2: you go get hip hop and other things. We're trying 668 00:31:11,160 --> 00:31:14,320 Speaker 2: to close out the trilogy with another New York Times 669 00:31:14,400 --> 00:31:18,240 Speaker 2: best selling uh Lie Tyler's showing the book off. I'm 670 00:31:18,240 --> 00:31:20,480 Speaker 2: gonna go get it on Friday. We're under the deadline 671 00:31:20,520 --> 00:31:23,440 Speaker 2: for the best seller on Friday. Right Saturday is the 672 00:31:23,520 --> 00:31:24,560 Speaker 2: last day. That's how it works. 673 00:31:24,600 --> 00:31:27,320 Speaker 4: Books come out to buy the book. Till Saturday. 674 00:31:27,480 --> 00:31:32,800 Speaker 3: You have to Saturday. Yes, I was just gonna say so. 675 00:31:32,960 --> 00:31:35,280 Speaker 2: But the other big news is we mentioned up top, 676 00:31:35,480 --> 00:31:38,160 Speaker 2: is you know you have a show in development, which 677 00:31:38,280 --> 00:31:40,360 Speaker 2: is you were just talking about the book being the 678 00:31:40,440 --> 00:31:42,560 Speaker 2: one person focused on it for eighteen months. I know, 679 00:31:42,680 --> 00:31:46,480 Speaker 2: TV is the exact opposite. There's seventy people focused. 680 00:31:46,160 --> 00:31:49,080 Speaker 3: On it for however long. What's that experience been like 681 00:31:49,200 --> 00:31:49,360 Speaker 3: for you. 682 00:31:49,680 --> 00:31:52,760 Speaker 2: Is that kind of the direction you're looking to push 683 00:31:52,840 --> 00:31:55,480 Speaker 2: from now on or are you still just kind of trying, 684 00:31:55,760 --> 00:31:57,920 Speaker 2: you know, everything that comes to you that you can 685 00:31:57,960 --> 00:31:59,120 Speaker 2: get your your hands into. 686 00:32:00,120 --> 00:32:02,040 Speaker 6: Yeah, I'm just trying to do as much shit as 687 00:32:02,080 --> 00:32:04,280 Speaker 6: I can. You just you don't know if you like 688 00:32:04,320 --> 00:32:05,760 Speaker 6: a thing. You don't like a thing until you try 689 00:32:05,800 --> 00:32:08,520 Speaker 6: to do the thing. And so with the TV show stuff, 690 00:32:09,560 --> 00:32:13,520 Speaker 6: we actually pitched that show in twenty and seventeen for 691 00:32:13,600 --> 00:32:15,520 Speaker 6: the first time, me and this guy named Mike Sure. 692 00:32:15,720 --> 00:32:20,960 Speaker 6: Mike is like a TV mastermind. The Good Place, The Office, 693 00:32:21,080 --> 00:32:24,880 Speaker 6: Parks and rec Brooklyn nine nine, every good TV show 694 00:32:24,920 --> 00:32:27,640 Speaker 6: you can think of the last ten years. He like 695 00:32:27,720 --> 00:32:29,320 Speaker 6: he was in it, he was a part of it, 696 00:32:29,400 --> 00:32:32,400 Speaker 6: he created it or whatever. So Mike and I we 697 00:32:32,800 --> 00:32:34,920 Speaker 6: went and pitched this show in twenty and seventeen. We 698 00:32:35,000 --> 00:32:39,160 Speaker 6: pitched it to the four major networks, ABCNBCCBS, and Fox, 699 00:32:39,840 --> 00:32:42,240 Speaker 6: and then luckily we got offers from all four of them, 700 00:32:42,480 --> 00:32:46,320 Speaker 6: so we started developing it then for ABC. And you 701 00:32:46,440 --> 00:32:48,040 Speaker 6: go through like a process where you write a script, 702 00:32:48,080 --> 00:32:49,800 Speaker 6: they give you some notes, you touch it up, you 703 00:32:49,920 --> 00:32:51,960 Speaker 6: turn it in, and then you cross your fingers and 704 00:32:52,040 --> 00:32:56,000 Speaker 6: hope TV stations like once a year they will just 705 00:32:56,040 --> 00:32:58,840 Speaker 6: buy up like fifty scripts and then they pick up 706 00:32:58,840 --> 00:33:01,400 Speaker 6: those fifty like three or for to make a pilot of, 707 00:33:01,960 --> 00:33:04,560 Speaker 6: and then of those three or four they pick like 708 00:33:04,680 --> 00:33:07,440 Speaker 6: one to turn into like a full on TV show. 709 00:33:09,040 --> 00:33:10,640 Speaker 6: I think that's how it works. This is my first 710 00:33:10,680 --> 00:33:13,600 Speaker 6: time through all of this. I could have just made 711 00:33:13,680 --> 00:33:17,160 Speaker 6: all of that shit up. But so we worked on 712 00:33:17,240 --> 00:33:20,040 Speaker 6: it for ABC. We got to the pilot part and 713 00:33:20,080 --> 00:33:21,320 Speaker 6: then that was the end of it and they were like, 714 00:33:21,440 --> 00:33:24,280 Speaker 6: you know, great tribe, thanks a lot, see you later. 715 00:33:24,600 --> 00:33:25,760 Speaker 6: And then that was the end, and I was like, 716 00:33:25,760 --> 00:33:28,760 Speaker 6: all right, cool. And then during the pandemic, I got 717 00:33:28,800 --> 00:33:32,440 Speaker 6: a fucking email from this guy named David, who is 718 00:33:32,560 --> 00:33:34,760 Speaker 6: like one of those guys who moves in the shadows 719 00:33:35,160 --> 00:33:37,160 Speaker 6: and you find out like, this is the guy who 720 00:33:37,200 --> 00:33:37,720 Speaker 6: does everything. 721 00:33:37,920 --> 00:33:39,400 Speaker 3: He's one of the tvampires. 722 00:33:39,440 --> 00:33:43,880 Speaker 6: Yeah, David is like a genius. Everybody loves and respects David. 723 00:33:44,160 --> 00:33:45,960 Speaker 6: And he just showed up in my inbox and he's like, hey, 724 00:33:46,000 --> 00:33:47,600 Speaker 6: do you still want to do that show that we 725 00:33:47,680 --> 00:33:49,680 Speaker 6: were working on? And I said, well, if you and 726 00:33:49,840 --> 00:33:52,160 Speaker 6: Mike are involved, like, yeah, I definitely want to do it. 727 00:33:52,760 --> 00:33:55,200 Speaker 6: Because everybody kept telling me like how horrible Hollywood was, 728 00:33:55,520 --> 00:33:57,000 Speaker 6: and then I got to work with those two guys 729 00:33:57,720 --> 00:34:02,680 Speaker 6: and they're like the nicest, most sincere, most like collaborative people. 730 00:34:03,360 --> 00:34:04,520 Speaker 6: So I said, yeah, if y'all want to do it, 731 00:34:04,560 --> 00:34:06,400 Speaker 6: I want to do it. And he said, okay, cool, 732 00:34:06,440 --> 00:34:07,800 Speaker 6: I think I'm going to try to work on it. 733 00:34:08,400 --> 00:34:10,720 Speaker 6: And then shortly thereafter they're like, all right, we're gonna 734 00:34:10,760 --> 00:34:13,560 Speaker 6: do a mini room ten weeks. We're gonna work on it. 735 00:34:13,600 --> 00:34:16,160 Speaker 6: We're gonna hire nine writers, we're gonna write four scripts 736 00:34:16,200 --> 00:34:17,960 Speaker 6: in a show bible, and we're going to turn it 737 00:34:18,239 --> 00:34:22,600 Speaker 6: in to this place called IMDbTV, which is Amazon Like 738 00:34:22,640 --> 00:34:26,160 Speaker 6: if you go on Amazon Prime, that's where it is. Yeah, 739 00:34:26,200 --> 00:34:28,800 Speaker 6: it's just Amazon Prime, but it has commercials in it 740 00:34:28,960 --> 00:34:31,759 Speaker 6: or something. And I was like, yeah, that sounds great. 741 00:34:31,880 --> 00:34:32,440 Speaker 3: So we did that. 742 00:34:32,600 --> 00:34:34,440 Speaker 4: We worked on it for the ten weeks. 743 00:34:34,520 --> 00:34:36,920 Speaker 6: We hired our nine writers, and then we turned in 744 00:34:37,000 --> 00:34:40,680 Speaker 6: those four scripts to the to the bosses, and then 745 00:34:40,719 --> 00:34:42,880 Speaker 6: we waited, and then you know, we waited like a 746 00:34:43,000 --> 00:34:44,680 Speaker 6: month or so, and then finally I. 747 00:34:44,719 --> 00:34:46,560 Speaker 4: Got a phone. I got an email. 748 00:34:47,000 --> 00:34:50,000 Speaker 6: My sons and I were at this anime tokyo shop 749 00:34:50,040 --> 00:34:53,040 Speaker 6: in San Antonio because they're super in anime. So we're 750 00:34:53,080 --> 00:34:56,320 Speaker 6: down there, We're we're looking at fucking naw Ruto and 751 00:34:56,640 --> 00:35:00,440 Speaker 6: Hunter Hunter and whatever, all of the ship One Man, 752 00:35:01,239 --> 00:35:03,920 Speaker 6: Dragon ball Z. Were just like shopping and I get 753 00:35:03,960 --> 00:35:05,360 Speaker 6: an email and it says, hey, can you be on 754 00:35:05,400 --> 00:35:07,919 Speaker 6: the phone in like twenty minutes because the network wants 755 00:35:07,960 --> 00:35:10,480 Speaker 6: to talk. And this was at seven forty five at night, 756 00:35:11,040 --> 00:35:12,520 Speaker 6: and I was like, well, there's no way this is 757 00:35:12,600 --> 00:35:16,239 Speaker 6: good news, because they're just like this is what you 758 00:35:16,360 --> 00:35:19,040 Speaker 6: said a meeting early on in the day, in the 759 00:35:19,160 --> 00:35:21,680 Speaker 6: in the week for like good news, and then late 760 00:35:21,719 --> 00:35:23,480 Speaker 6: in the weekend, late in the day for bad news. 761 00:35:23,840 --> 00:35:25,560 Speaker 6: And I was like, all right, cool, and I like 762 00:35:25,680 --> 00:35:28,200 Speaker 6: got all prepared to be devastated, and then I got 763 00:35:28,239 --> 00:35:30,200 Speaker 6: on the phone and they were like, hey, great news. 764 00:35:30,280 --> 00:35:33,439 Speaker 6: We're gonna make this show, and I fucking lost my mind. 765 00:35:33,560 --> 00:35:33,839 Speaker 3: I could. 766 00:35:34,280 --> 00:35:36,720 Speaker 6: I was like going crazy. They're like, we're actually gonna 767 00:35:36,760 --> 00:35:39,239 Speaker 6: like make it, like we're gonna shoot it. We're gonna hi, 768 00:35:39,400 --> 00:35:42,160 Speaker 6: We're going to cast actors and make the thing. And 769 00:35:42,200 --> 00:35:44,480 Speaker 6: they were like yes, ro I said, let's fucking go. 770 00:35:45,000 --> 00:35:45,279 Speaker 3: This is. 771 00:35:47,400 --> 00:35:48,439 Speaker 4: And all that's what we're doing. 772 00:35:49,040 --> 00:35:52,040 Speaker 1: What's what's the premise if you don't mind sharing or 773 00:35:52,040 --> 00:35:53,680 Speaker 1: if you keep you shit under wraps like at that too, but. 774 00:35:54,200 --> 00:35:56,480 Speaker 6: No, the so the premise is the show is called 775 00:35:56,520 --> 00:36:01,560 Speaker 6: Primo and it's about a high school junior. He's the 776 00:36:01,719 --> 00:36:04,520 Speaker 6: first one in his family who has like the chance 777 00:36:04,560 --> 00:36:07,520 Speaker 6: to graduate high school. Like that's the That's how the 778 00:36:07,560 --> 00:36:10,200 Speaker 6: pilot starts with him just finding this news out, Hey 779 00:36:10,280 --> 00:36:11,160 Speaker 6: you got a chance here. 780 00:36:12,320 --> 00:36:14,360 Speaker 4: He lives with his mom. His dad is out of 781 00:36:14,400 --> 00:36:14,720 Speaker 4: the picture. 782 00:36:14,760 --> 00:36:17,239 Speaker 6: He lives his mom. She didn't she didn't graduate. His 783 00:36:17,320 --> 00:36:21,640 Speaker 6: dad didn't graduate. But the mom has five brothers, these 784 00:36:21,719 --> 00:36:25,200 Speaker 6: five uncles who have been like surrogate father figures to 785 00:36:25,320 --> 00:36:27,640 Speaker 6: this kid since he was born, and each one of 786 00:36:27,680 --> 00:36:30,839 Speaker 6: them has a different kind of personality and so they 787 00:36:30,880 --> 00:36:33,200 Speaker 6: all like have ideas about what his life should look 788 00:36:33,280 --> 00:36:36,399 Speaker 6: like as he grows into adulthood, and so now he's 789 00:36:36,440 --> 00:36:39,120 Speaker 6: trying to figure out how to like what do I 790 00:36:39,160 --> 00:36:39,800 Speaker 6: do about college? 791 00:36:39,840 --> 00:36:41,120 Speaker 4: What do I do about this girl that I like? 792 00:36:41,400 --> 00:36:41,560 Speaker 3: Well? 793 00:36:41,800 --> 00:36:43,759 Speaker 6: And all of the uncles are like all giving him 794 00:36:43,760 --> 00:36:47,240 Speaker 6: advice from these different It's like if you were driving 795 00:36:47,640 --> 00:36:49,840 Speaker 6: and five other guys are like trying to grab the 796 00:36:49,880 --> 00:36:50,840 Speaker 6: steering wheel and get you. 797 00:36:51,040 --> 00:36:53,120 Speaker 4: You know what I'm saying, And that's the and that's 798 00:36:53,400 --> 00:36:54,480 Speaker 4: that's the show. There you go. 799 00:36:56,120 --> 00:36:57,879 Speaker 1: I can't fucking wait to watch that ship. 800 00:36:57,960 --> 00:37:02,200 Speaker 4: Honestly, it's gonna be good. It's gonna be so it's 801 00:37:02,280 --> 00:37:03,840 Speaker 4: going to be really really good. Listen. 802 00:37:04,360 --> 00:37:07,160 Speaker 6: So what I did this is like my strategy anytime 803 00:37:07,239 --> 00:37:08,600 Speaker 6: I work on a thing, I'm like, well, let me 804 00:37:08,760 --> 00:37:10,920 Speaker 6: just let me get some people who are smarter and 805 00:37:11,000 --> 00:37:13,480 Speaker 6: more talented than I am, and then just get the 806 00:37:13,560 --> 00:37:15,839 Speaker 6: fuck out of the way. So we when we were 807 00:37:15,920 --> 00:37:18,560 Speaker 6: hiring the writers, I was just looking for people who 808 00:37:18,600 --> 00:37:21,160 Speaker 6: were smarter and funnier than me. And then we got 809 00:37:21,200 --> 00:37:23,400 Speaker 6: in the room and you're all just pitching jokes and 810 00:37:23,480 --> 00:37:26,040 Speaker 6: ideas and writing scripts, and I was like, let me 811 00:37:26,160 --> 00:37:28,160 Speaker 6: just stand in the back and like not mess this up. 812 00:37:28,680 --> 00:37:31,239 Speaker 6: You know what I'm saying, let me, let me, let me, 813 00:37:31,480 --> 00:37:33,800 Speaker 6: let me be, Let me be James Jones on the 814 00:37:33,920 --> 00:37:36,520 Speaker 6: Miami Heat. Let me like, They'll go do all the 815 00:37:36,560 --> 00:37:38,319 Speaker 6: work and then I'll come in and hit like two 816 00:37:38,360 --> 00:37:41,840 Speaker 6: shots and I get a championship. Or Yeah, I'm a 817 00:37:41,880 --> 00:37:44,880 Speaker 6: glue guy. But this has been my my like ethos 818 00:37:44,920 --> 00:37:47,080 Speaker 6: for my entire life. I never wanted to ever be 819 00:37:47,320 --> 00:37:49,920 Speaker 6: like the star of the team. I just wanted to 820 00:37:49,960 --> 00:37:52,239 Speaker 6: be on the back of the bus after the game, 821 00:37:52,400 --> 00:37:54,560 Speaker 6: on the way back home, like making jokes with everybody. 822 00:37:54,640 --> 00:37:57,560 Speaker 4: That's that's my role. That's my role on the team. 823 00:38:01,200 --> 00:38:03,520 Speaker 1: You have designs your life, you know what I mean. 824 00:38:03,719 --> 00:38:07,200 Speaker 6: Yeah, that's what that's that's my that's where I'm aiming 825 00:38:07,640 --> 00:38:09,759 Speaker 6: always for sure. 826 00:38:09,920 --> 00:38:13,319 Speaker 1: So you know, a big part of Your and Other 827 00:38:13,360 --> 00:38:15,840 Speaker 1: Things trilogy, of course, it's the illustration. You know, our 828 00:38:15,960 --> 00:38:19,440 Speaker 1: Cheral Torres is fucking amazing. You know, I love his art. 829 00:38:19,600 --> 00:38:21,680 Speaker 1: So how did that that that partnership come about? You know, 830 00:38:21,760 --> 00:38:24,080 Speaker 1: that's the that's the pips to your bunbee, you know, 831 00:38:24,160 --> 00:38:25,280 Speaker 1: the temple into your message. 832 00:38:25,360 --> 00:38:27,000 Speaker 4: Yeah, in this trilogy, that's my guy. 833 00:38:27,200 --> 00:38:29,279 Speaker 1: So so how did that partnership friendship come about? 834 00:38:30,440 --> 00:38:32,560 Speaker 6: So the very first book that I did the wrap 835 00:38:32,680 --> 00:38:35,200 Speaker 6: your book when I pitched it. Originally, this was in 836 00:38:35,280 --> 00:38:37,920 Speaker 6: two thousand and I pitched in twenty thirteen. I think 837 00:38:38,920 --> 00:38:40,759 Speaker 6: I told them, hey, I'm going to write everything, and 838 00:38:40,800 --> 00:38:42,520 Speaker 6: I'm going to draw everything because I like to draw, 839 00:38:42,560 --> 00:38:44,880 Speaker 6: and I had just done the coloring book, like I know, 840 00:38:45,000 --> 00:38:47,200 Speaker 6: I know how to do the thing. And they said, okay, cool, 841 00:38:47,239 --> 00:38:49,359 Speaker 6: We're going to give you a year to write the book. 842 00:38:49,440 --> 00:38:51,560 Speaker 6: And I said, all right, that works for me. But 843 00:38:51,680 --> 00:38:53,680 Speaker 6: when you pitch a book, like you have to already 844 00:38:53,719 --> 00:38:57,040 Speaker 6: write like two chapters, like sample chapters. And when I 845 00:38:57,120 --> 00:38:59,160 Speaker 6: did those, those took me two days to do because 846 00:38:59,160 --> 00:39:00,960 Speaker 6: I had already I just about songs that I knew, 847 00:39:01,400 --> 00:39:03,960 Speaker 6: songs I had already researched and written about previously. So 848 00:39:04,000 --> 00:39:06,960 Speaker 6: it took me two days to write those chapters. And 849 00:39:07,239 --> 00:39:08,920 Speaker 6: they're like, all right, well we need you know, we're 850 00:39:08,960 --> 00:39:09,880 Speaker 6: going to give you a year. I was like, I 851 00:39:09,920 --> 00:39:12,120 Speaker 6: don't know fucking need a year. I need like three weeks. 852 00:39:12,520 --> 00:39:15,080 Speaker 6: So I didn't do any work at all for like 853 00:39:16,080 --> 00:39:18,840 Speaker 6: eight months, nine months, ten months, I didn't even start it. 854 00:39:19,520 --> 00:39:22,480 Speaker 6: And then the you know, nine months come around and 855 00:39:22,560 --> 00:39:25,200 Speaker 6: I sit down to write the DMX chapter and then 856 00:39:25,200 --> 00:39:27,040 Speaker 6: It ended up taking me like a week because I 857 00:39:27,120 --> 00:39:31,480 Speaker 6: had to read his biography, his autobiography, I had to 858 00:39:31,520 --> 00:39:34,200 Speaker 6: watch all the documentaries. Suddenly I was like in book 859 00:39:34,239 --> 00:39:37,200 Speaker 6: research mode. I'd never done it before, and I'm like, well, fuck, 860 00:39:37,239 --> 00:39:39,759 Speaker 6: there's no way that I can write this and illustrate it. 861 00:39:39,840 --> 00:39:42,359 Speaker 6: So I had to find an illustrator. I was looking 862 00:39:42,360 --> 00:39:44,279 Speaker 6: everywhere I could on the internet, and I just so 863 00:39:44,480 --> 00:39:48,040 Speaker 6: happened to come across a flyer that this group out 864 00:39:48,080 --> 00:39:51,719 Speaker 6: of Dallas called the Outfit, Texas very great rap group. 865 00:39:52,280 --> 00:39:53,960 Speaker 6: They had put a flyer out for a show and 866 00:39:54,040 --> 00:39:55,799 Speaker 6: it had some art on there. And when I saw 867 00:39:55,840 --> 00:39:58,160 Speaker 6: the art, I was like, oh, yeah, this is exactly 868 00:39:58,320 --> 00:40:01,400 Speaker 6: like what I'm looking for. Or who is this person? 869 00:40:01,480 --> 00:40:04,560 Speaker 6: There's no name on the flyer, So I hit up them. 870 00:40:04,600 --> 00:40:06,480 Speaker 6: I asked them, Hey, who did this? They said, oh, 871 00:40:06,560 --> 00:40:09,240 Speaker 6: you don't know. Ask the manager. I hit up the manager. 872 00:40:09,280 --> 00:40:10,880 Speaker 6: I said, hey, who did this? She was like, oh, 873 00:40:10,920 --> 00:40:14,840 Speaker 6: it's this guy named Artudo Torres in Dallas, Texas. And 874 00:40:14,960 --> 00:40:16,960 Speaker 6: I was like when I heard the name, I was like, 875 00:40:17,040 --> 00:40:19,760 Speaker 6: that's a fucking Mexican. Asked name right there, that's a Mexican. 876 00:40:19,840 --> 00:40:21,520 Speaker 3: I know it, I know it. 877 00:40:22,360 --> 00:40:25,920 Speaker 6: I know it seventeen ar tudo torres is and so 878 00:40:26,040 --> 00:40:28,839 Speaker 6: I got she connected me to him. I got him 879 00:40:28,840 --> 00:40:30,800 Speaker 6: on the phone. I said, hey, this is what I 880 00:40:30,840 --> 00:40:32,560 Speaker 6: want to do. I think you should draw these pictures 881 00:40:32,600 --> 00:40:33,840 Speaker 6: for me. I'm to give you a little bit of 882 00:40:33,880 --> 00:40:35,439 Speaker 6: money and then we're going to go make a book. 883 00:40:35,840 --> 00:40:37,239 Speaker 6: And it took me a while to talk him into it, 884 00:40:37,280 --> 00:40:38,680 Speaker 6: but after a bit he was like, all right, cool, 885 00:40:38,760 --> 00:40:40,360 Speaker 6: let's give it a shot. Because he was at the 886 00:40:40,600 --> 00:40:43,000 Speaker 6: very very start of his career too. He was like 887 00:40:43,120 --> 00:40:45,560 Speaker 6: still working at urban outfitters. He was doing flyers on 888 00:40:45,640 --> 00:40:47,839 Speaker 6: the side, just for a little bit of extra money. 889 00:40:47,920 --> 00:40:50,400 Speaker 6: He was not like an official artist. This was the 890 00:40:50,440 --> 00:40:52,000 Speaker 6: first big thing he did. It was the first big 891 00:40:52,080 --> 00:40:55,200 Speaker 6: thing I did. But that's how it started. And then 892 00:40:55,600 --> 00:40:57,120 Speaker 6: you know, when it was time to do another book, 893 00:40:57,280 --> 00:40:59,520 Speaker 6: he was the first call I make, and he just 894 00:40:59,560 --> 00:41:01,759 Speaker 6: kept getting better and better and better. If you look 895 00:41:01,800 --> 00:41:04,040 Speaker 6: at the art and the wrap your book, he'll be 896 00:41:04,080 --> 00:41:06,560 Speaker 6: the first one to tell you it's fucking terrible. I 897 00:41:06,640 --> 00:41:08,600 Speaker 6: feel the same way about the writing. If you read it, 898 00:41:08,719 --> 00:41:12,440 Speaker 6: it's fucking awful. This is what we were growing together, 899 00:41:12,920 --> 00:41:15,640 Speaker 6: and now he's one of the best artists in the country. 900 00:41:15,960 --> 00:41:21,160 Speaker 6: He's doing like gigantic basketball court sized murals for Nike. 901 00:41:21,640 --> 00:41:24,800 Speaker 6: He's like all over the world. He's drawn for Google, 902 00:41:25,040 --> 00:41:27,439 Speaker 6: like every big place you could think of. He's fucking 903 00:41:27,520 --> 00:41:29,839 Speaker 6: running shit now. It's been great to watch. I can't 904 00:41:29,880 --> 00:41:33,240 Speaker 6: wait to have the conversation where I can't afford him anymore, 905 00:41:33,280 --> 00:41:36,000 Speaker 6: because it's coming. It's gonna be. It's gonna get there eventually. 906 00:41:36,080 --> 00:41:38,399 Speaker 6: We're not there yet, but we'll get there. 907 00:41:39,480 --> 00:41:41,040 Speaker 3: I just I love the fire story. 908 00:41:41,120 --> 00:41:43,080 Speaker 2: It's like a band in the nineties looking for a 909 00:41:43,160 --> 00:41:45,360 Speaker 2: drummer or something, you know what I mean. Like that 910 00:41:45,560 --> 00:41:48,880 Speaker 2: might be the last business connection made be a physical 911 00:41:49,000 --> 00:41:50,960 Speaker 2: paper in the history of the country. 912 00:41:50,920 --> 00:41:51,640 Speaker 3: Like that might. 913 00:41:55,239 --> 00:41:57,919 Speaker 4: It's great. He has a copy of it too, somewhere still. 914 00:41:58,080 --> 00:42:01,279 Speaker 4: He saved it. It's awesome when you look at it. 915 00:42:01,840 --> 00:42:04,839 Speaker 1: Yeah, I actually have our tural piece. That's a piece 916 00:42:04,920 --> 00:42:07,040 Speaker 1: right there. That's our troll piece, you know what I mean. 917 00:42:07,160 --> 00:42:09,040 Speaker 4: Yeah, very talented. 918 00:42:09,560 --> 00:42:10,880 Speaker 1: You posted a picture of like. 919 00:42:11,280 --> 00:42:14,759 Speaker 5: Him and Buster like Buster rhymes pushing Michael Myers, and 920 00:42:14,800 --> 00:42:17,520 Speaker 5: I'm like, this makes no sense, but of course it 921 00:42:17,640 --> 00:42:20,120 Speaker 5: makes sense with them too, you know, y'all do such 922 00:42:20,160 --> 00:42:21,920 Speaker 5: a such a fire ass collaboration. 923 00:42:22,360 --> 00:42:22,799 Speaker 1: Yeah, yeah. 924 00:42:22,880 --> 00:42:24,960 Speaker 4: Yeah, that's what I really like about about him. 925 00:42:25,000 --> 00:42:27,520 Speaker 6: He's such a like a movie nerd, a comic book 926 00:42:27,640 --> 00:42:31,239 Speaker 6: nerd that he just is always trying to do some 927 00:42:31,400 --> 00:42:34,839 Speaker 6: weird ship and it fits with the stuff that I'm writing, right, 928 00:42:35,560 --> 00:42:36,560 Speaker 6: you know, we'll do this. 929 00:42:37,160 --> 00:42:40,520 Speaker 4: Yeah, let's do that. I got a question about the Spurs, 930 00:42:41,320 --> 00:42:41,880 Speaker 4: all right. 931 00:42:42,880 --> 00:42:48,640 Speaker 3: Great last night last night, I want to. 932 00:42:48,680 --> 00:42:53,480 Speaker 5: Say this man, bron So Pop is basically running the 933 00:42:53,560 --> 00:42:55,440 Speaker 5: Spurs organization, you know what I mean? 934 00:42:56,080 --> 00:42:56,279 Speaker 3: Yeah? 935 00:42:56,640 --> 00:43:03,800 Speaker 1: And you guys, Steak, is it finally time? Is it 936 00:43:03,960 --> 00:43:04,719 Speaker 1: finally time? 937 00:43:05,080 --> 00:43:05,120 Speaker 5: Like? 938 00:43:06,200 --> 00:43:08,400 Speaker 1: Well, Pop, so you know, give up the rains a 939 00:43:08,440 --> 00:43:10,680 Speaker 1: little bit. What we're thinking as. 940 00:43:12,400 --> 00:43:16,520 Speaker 6: I think the guy who won you five championships, you 941 00:43:16,640 --> 00:43:18,400 Speaker 6: trust him until he says I don't want to be 942 00:43:18,440 --> 00:43:19,200 Speaker 6: trusted anymore. 943 00:43:19,719 --> 00:43:22,560 Speaker 4: That's all that. It is the roster that we have now. 944 00:43:22,680 --> 00:43:24,600 Speaker 6: This is not a roster that you put together to 945 00:43:24,680 --> 00:43:27,120 Speaker 6: go make it to the second or third round of 946 00:43:27,160 --> 00:43:29,759 Speaker 6: the playoffs. This is a roster you put together so 947 00:43:29,920 --> 00:43:34,759 Speaker 6: that in three years you're contending again for seven years straight. Like, 948 00:43:34,840 --> 00:43:38,120 Speaker 6: that's what's happening. That's what's happening right now. He's I 949 00:43:38,200 --> 00:43:40,160 Speaker 6: feel like, do I watch Succession? 950 00:43:40,880 --> 00:43:43,040 Speaker 1: Yeah, I'll tapped in this week. 951 00:43:43,120 --> 00:43:47,080 Speaker 6: Actually, Okay, So always in the beginning of the season, 952 00:43:47,120 --> 00:43:49,200 Speaker 6: they spend like the first two or three episodes setting 953 00:43:49,320 --> 00:43:51,480 Speaker 6: up all of the pieces, and then they pay it 954 00:43:51,520 --> 00:43:54,400 Speaker 6: all off that like the last few it's like a 955 00:43:54,480 --> 00:43:58,319 Speaker 6: fucking sprint. It's incredible. That's how the first season worked, 956 00:43:58,360 --> 00:44:00,799 Speaker 6: the second season work. That's how this one is working too. 957 00:44:01,560 --> 00:44:03,840 Speaker 6: I think the same thing is happening here with the Spurs. 958 00:44:04,160 --> 00:44:06,960 Speaker 6: Papa is setting everything up so that when he's like, 959 00:44:06,960 --> 00:44:09,840 Speaker 6: all right, I'm done, here comes whoever he brings in 960 00:44:09,920 --> 00:44:10,839 Speaker 6: to be the new head coach. 961 00:44:11,640 --> 00:44:12,200 Speaker 4: We're set up. 962 00:44:12,320 --> 00:44:15,719 Speaker 6: We're set up, hopefully, Becky, we're set up for the 963 00:44:15,840 --> 00:44:17,959 Speaker 6: next ten years or whatever. 964 00:44:18,080 --> 00:44:21,120 Speaker 4: It's going to be great. You'll see, You'll. 965 00:44:20,960 --> 00:44:24,759 Speaker 1: See very positive. I love it, man, I love it. 966 00:44:24,920 --> 00:44:25,480 Speaker 4: I love it too. 967 00:44:26,040 --> 00:44:30,040 Speaker 3: It's well, that's a that's another question you had, was it, 968 00:44:30,120 --> 00:44:32,520 Speaker 3: Shae serround on night? What did you do with the Spurs? 969 00:44:33,120 --> 00:44:36,040 Speaker 3: I know, I just went to a game, man, I 970 00:44:36,200 --> 00:44:37,040 Speaker 3: just went to a game. 971 00:44:39,320 --> 00:44:41,120 Speaker 4: I just went to a game and took a picture. 972 00:44:43,040 --> 00:44:45,239 Speaker 3: They gave out, Well, didn't they have you filmed something too? 973 00:44:46,000 --> 00:44:49,080 Speaker 6: Yeah, so they asked me to do the like beginning 974 00:44:49,120 --> 00:44:51,080 Speaker 6: of the season, sort of hype up video that they 975 00:44:51,120 --> 00:44:54,359 Speaker 6: play to start everything off and then it's on it's 976 00:44:54,400 --> 00:44:56,600 Speaker 6: like a commercial in the city or whatever for a while. 977 00:44:56,760 --> 00:44:59,120 Speaker 6: So I got to be the voiceover for that, which 978 00:44:59,200 --> 00:45:02,520 Speaker 6: was really neat, and so that's what that's what it was. 979 00:45:02,640 --> 00:45:04,240 Speaker 6: They did that for the first game of the season. 980 00:45:04,320 --> 00:45:06,440 Speaker 6: They played that at the start, and then I went 981 00:45:06,480 --> 00:45:09,520 Speaker 6: to the second game when they played the Bucks, or 982 00:45:09,520 --> 00:45:11,160 Speaker 6: maybe it was a third game. I don't quite remember, 983 00:45:11,520 --> 00:45:13,839 Speaker 6: but I wanted to go see Yannis and I was like, hey, 984 00:45:13,920 --> 00:45:16,000 Speaker 6: let's you know, I want to take the It's just 985 00:45:16,640 --> 00:45:18,759 Speaker 6: fun to go with your family to the basketball game. 986 00:45:19,239 --> 00:45:21,319 Speaker 6: My kids are super into basketball right now as well, 987 00:45:21,360 --> 00:45:25,480 Speaker 6: which is great. My sister's kids, the nieces, one of 988 00:45:25,560 --> 00:45:27,680 Speaker 6: them plays basketball as well. She was really into it. 989 00:45:27,920 --> 00:45:30,279 Speaker 6: We fucking met Arci Beauford. Here's how much of a 990 00:45:30,320 --> 00:45:33,560 Speaker 6: basketball nerd she already is. She's only like eleven, ten 991 00:45:33,680 --> 00:45:37,480 Speaker 6: or eleven, No, she's ten. She knew who Arci Buford 992 00:45:37,640 --> 00:45:41,880 Speaker 6: was when he came in. Laramie didn't. Laramie didn't know, 993 00:45:41,960 --> 00:45:44,800 Speaker 6: My sister didn't know. I knew, my dad knew, and 994 00:45:45,000 --> 00:45:47,160 Speaker 6: my fucking niece, my niece, Jada. 995 00:45:48,239 --> 00:45:50,160 Speaker 1: I cannot pick that dude out about. He's a guy 996 00:45:50,200 --> 00:45:51,800 Speaker 1: who I know who he is by his name, but 997 00:45:51,840 --> 00:45:52,600 Speaker 1: I have no idea what. 998 00:45:52,640 --> 00:45:53,279 Speaker 3: He looks like. 999 00:45:53,920 --> 00:45:55,560 Speaker 4: Oh yeah, yeah, I know what it looks like. 1000 00:45:55,600 --> 00:45:57,759 Speaker 6: And he walked in and I was like, holy fucking shit, 1001 00:45:58,280 --> 00:46:00,600 Speaker 6: what up, Arci Buford, This is trading. 1002 00:46:02,320 --> 00:46:05,120 Speaker 3: I just have to imagine though, that for for a 1003 00:46:05,239 --> 00:46:06,560 Speaker 3: dude like you, who's like a. 1004 00:46:08,040 --> 00:46:11,040 Speaker 2: Regular person in a good way, that like the Spurs 1005 00:46:11,080 --> 00:46:13,200 Speaker 2: asking you to do a voiceover has to be cooler for. 1006 00:46:13,280 --> 00:46:16,520 Speaker 3: You than the New York Times bestseller list, right, it's. 1007 00:46:16,440 --> 00:46:19,760 Speaker 4: Like one hundred percent, one hundred percent. 1008 00:46:20,800 --> 00:46:22,560 Speaker 6: Well, I would have traded all I trade it all 1009 00:46:22,640 --> 00:46:24,759 Speaker 6: in just to be up on the jumbo tron one time. 1010 00:46:25,000 --> 00:46:32,120 Speaker 6: The Spurs do the San Antonio is a very Latino 1011 00:46:32,239 --> 00:46:37,400 Speaker 6: town and so, like you know, you'd go to different arenas. 1012 00:46:37,440 --> 00:46:40,359 Speaker 6: They have different like they have the Kiss Cam. They 1013 00:46:40,480 --> 00:46:44,200 Speaker 6: have the Lion King baby cam, which is one of 1014 00:46:44,280 --> 00:46:46,239 Speaker 6: my favorite ones where you hold the baby up while 1015 00:46:46,280 --> 00:46:49,920 Speaker 6: they play the theme song from The Lion King. But 1016 00:46:50,080 --> 00:46:53,160 Speaker 6: the Spurs have Kumbia camp. Kumbia is like a dance 1017 00:46:53,640 --> 00:46:56,759 Speaker 6: that you do, like this Mexican dance is fucking great. 1018 00:46:56,880 --> 00:46:58,080 Speaker 6: And that's when I got to be up on the 1019 00:46:58,160 --> 00:46:59,680 Speaker 6: jumbo Tron and it was the best thing that ever 1020 00:46:59,719 --> 00:47:02,000 Speaker 6: happened in my life, Like the number one thing. 1021 00:47:06,800 --> 00:47:10,160 Speaker 2: That's awesome. I think that's the time we've got Shaye. 1022 00:47:10,280 --> 00:47:12,640 Speaker 2: Thank you so much for hopping on, man, we really 1023 00:47:12,680 --> 00:47:15,839 Speaker 2: appreciate it. Everyone go get hip hop and other things 1024 00:47:15,880 --> 00:47:18,920 Speaker 2: you have until Saturday or Jenkins and Jones is coming 1025 00:47:18,960 --> 00:47:21,840 Speaker 2: to your house to fight you. Uh, we're sending the 1026 00:47:22,000 --> 00:47:25,160 Speaker 2: AOT trilogy off with another New York Times bestseller, so 1027 00:47:25,280 --> 00:47:28,000 Speaker 2: go get it now, Shaby hopping on all right? Our 1028 00:47:28,040 --> 00:47:30,680 Speaker 2: thanks to Shae for hopping on with us. Always great 1029 00:47:30,760 --> 00:47:34,480 Speaker 2: when when he stops by and uh, what how crazy 1030 00:47:34,560 --> 00:47:38,680 Speaker 2: to drop a book in a fucking TV development you 1031 00:47:38,719 --> 00:47:41,960 Speaker 2: know TV green Light deal on back to back days. 1032 00:47:42,000 --> 00:47:43,879 Speaker 3: That's the fucking biggest testicle drop. 1033 00:47:45,200 --> 00:47:48,920 Speaker 1: I can imagine what a week good to see good 1034 00:47:48,960 --> 00:47:51,040 Speaker 1: things happening to good people. Man, Yes, for sure. 1035 00:47:51,280 --> 00:47:53,560 Speaker 5: S you remember that fucking name of that kid waking 1036 00:47:53,640 --> 00:47:56,480 Speaker 5: up looking surprise and they're like, all your surprise, you're Beyonce. 1037 00:47:56,600 --> 00:47:57,719 Speaker 1: Shot is Beyonce? Shout? 1038 00:47:57,960 --> 00:48:00,080 Speaker 5: I think like this is him, that's him when he 1039 00:48:00,120 --> 00:48:04,000 Speaker 5: wakes up like, oh shit, I'm Shay. Every morning like 1040 00:48:04,120 --> 00:48:07,080 Speaker 5: shock my own ship that you know, I'm the nigga. 1041 00:48:06,800 --> 00:48:08,319 Speaker 1: They talking about you feel me and good for him? 1042 00:48:08,360 --> 00:48:09,040 Speaker 1: I love that nigga. 1043 00:48:09,680 --> 00:48:12,879 Speaker 3: Yeah, one hundred percent. Okay, So definitely go get Shay's book. 1044 00:48:13,040 --> 00:48:16,200 Speaker 2: One last plug for that and we will see you 1045 00:48:16,719 --> 00:48:21,120 Speaker 2: on Monday or Sunday night, depending on how. 1046 00:48:21,080 --> 00:48:21,600 Speaker 1: It all goes. 1047 00:48:21,719 --> 00:48:27,360 Speaker 3: Bye bye, post buy. I love this. Someone tweeted at 1048 00:48:27,440 --> 00:48:30,400 Speaker 3: us that they say bye with us and then they 1049 00:48:30,480 --> 00:48:32,000 Speaker 3: go right back to working. It's like. 1050 00:48:34,800 --> 00:48:37,320 Speaker 1: The best people that fuck with us. G. They're funniest 1051 00:48:37,440 --> 00:48:39,040 Speaker 1: fun you know what I mean, the coolest hell. 1052 00:48:39,680 --> 00:48:42,400 Speaker 3: All right, so what this is your second bite to 1053 00:48:42,480 --> 00:48:44,839 Speaker 3: brighten your work day up? Bye bye