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Speaker 1: Dan Dank, everybody come to the breakfast Club. I called

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Speaker 1: this the high Sea. You're alive, You're gonna live. You control,

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Speaker 1: I'm not even doing you. I'm so peggy yo are

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Speaker 1: yo so pagny the world's most dangerous morning Jo Djin

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Speaker 1: his pitch, ANGELI. I stay in everybody's business, but in

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Speaker 1: a good way. Charlomagne, the gout, the ruler, rubbing you

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Speaker 1: the wrong way, the breakfast club to me for everybody,

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Speaker 1: Good morning Usa yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo. Good morning Angela Ye,

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Speaker 1: good money, he's damny, Charlomagne, the gut piece to the planet.

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Speaker 1: Is Friday, Yes, it's Friday. Why am I his so early?

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Speaker 1: It's not six o five? Well you are here on time, sir, No,

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Speaker 1: my contracts has six so five technical claim early, okay,

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Speaker 1: six o five. Well today it's gonna be a great

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Speaker 1: day because we got two special guests joining us. Yes,

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Speaker 1: we got the og Mike Epps. You know, Mike EPs

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Speaker 1: is our guy. He's got a stand up special on

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Speaker 1: Netflix called It's Only One Mike and it truly is

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Speaker 1: only one Mike, isn't that right? Ending shut up? And

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Speaker 1: also he Mike just got married, by the way, black

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Speaker 1: men no cheat. And also Raffaelsa Dick will be joining

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Speaker 1: the legend. Okay, ask your aunts, ask your uncles, ask

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Speaker 1: your mommy and your daddy about Tony Tony Tony, ask

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Speaker 1: him about Lucy Pearl. You may not even recognize the

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Speaker 1: name Rafaelson Dick. It may not be top of the

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Speaker 1: mind awareness to you like it is to us. But boy,

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Speaker 1: when you hear songs like feels good, when you hear

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Speaker 1: songs like whatever you like, when you hear songs like um,

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Speaker 1: if I ain't hand no looke anniversary, come on now,

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Speaker 1: we're gonna get a mix on two so well, if

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Speaker 1: you've never heard none of that music or you're not familiar,

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Speaker 1: we're gonna put you on to up this morning. Raffaelsa

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Speaker 1: diec man. The legend is flash because just consider it

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Speaker 1: a flashback Friday. Absolutely, I keep a lock of course.

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Speaker 1: If you want to get things off your chest eight

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Speaker 1: hundred five eight one oh five one. If you need

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Speaker 1: to vent whatever you need to do, call us up

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Speaker 1: right now phone lines or wide open. Get it off

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Speaker 1: your chest. It's the breakfast club. Good morning. This is

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Speaker 1: your time to get it off your chests, whether you're

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Speaker 1: man or blast, so you better have the same industry.

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Speaker 1: We want to hear from you on the breakfast club. Hello.

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Speaker 1: Who's this angel? Angel? Good morning? Yes, me and my

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Speaker 1: daughter listen to you guys. Every morning we delivered new papers. Okay,

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Speaker 1: I want to thank you and your daughter for having

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Speaker 1: no taste. We really appreciate you stopping where you are

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Speaker 1: you calling from. I'm best to the beach right now.

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Speaker 1: What's on the cover of the paper today, dellawa? Yeah, cellaware,

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Speaker 1: what's on the cover of the paper today? Working? Well?

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Speaker 1: How old is your daughter? Why is she? Why is

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Speaker 1: she working with your so early? My daughter is wanted

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Speaker 1: a half and that girls, back to the whole child thing.

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Speaker 1: I'm trust to inbode you with her and can't quite

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Speaker 1: afford the city yet, no husband both works. We out

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Speaker 1: four k yo. You must be amazing. I try to

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Speaker 1: throw a paper one time across the street. I couldn't

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Speaker 1: do it. You could throw the papers from the car

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Speaker 1: and hit the front stoop. Yeah, you gotta have a

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Speaker 1: good arms, especially they're able to throw across the storkay

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Speaker 1: nice clicking the rest. There you go. Well, thank you

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Speaker 1: for listening to Mama. Yeah, I just wanted to say,

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Speaker 1: you know, everybody has bad days, but you gotta think

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Speaker 1: somebody else has it worse than you, so always be positive.

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Speaker 1: Here you go, Thank you, Mama. Have a good day,

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Speaker 1: you too. Joey, what's up? Joey? All right? What's going on? DJ?

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Speaker 1: Broke off the chest? What up? King? Hey? Man? And Angela?

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Speaker 1: All right? Well the arth damn Hello, I was doing

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Speaker 1: a call. Man. You're doing y'all the best radio and

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Speaker 1: Detroit right now. Man, Well, thank you, sir, appreciate that.

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Speaker 1: Broth welcome man. Ye hey, I know you're doing your

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Speaker 1: you and and you're doing your your house same and

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Speaker 1: y'all need to do some stuff from the small city

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Speaker 1: in Highland park Man, okay, Hailand Park We got you

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Speaker 1: all right, a shay hey, getting off your chests. Mama

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Speaker 1: all right, so I had some right, that's what we

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Speaker 1: staying with me. And looks like last week or talking

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Speaker 1: the last time my teas there or two weeks ago,

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Speaker 1: and they just have the stuff in my own house

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Speaker 1: and I was wondering them, like, what are they coming

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Speaker 1: to get this stuff. She's saying, they're coming together. The

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Speaker 1: stuffing like all over the place. Oh, man, I don't

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Speaker 1: know what to do. Is it a guy, it's a female.

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Speaker 1: I guess some boxes and pack all that stuff up

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Speaker 1: and have it right by the door. That's what I

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Speaker 1: wanted to do. You should school or something. And it's

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Speaker 1: like and also that I've missed it something my house

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Speaker 1: short And I'm like, hell now boy me? Or is

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Speaker 1: she trying to because what are you missing? What are

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Speaker 1: you missing? My little daughter's book back? It's a look

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Speaker 1: cute many while I go back and I haven't seen

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Speaker 1: it sause she would see it. Maybe it's just a

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Speaker 1: mess and it's somewhere in the house. I tried. I tried, lucky,

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Speaker 1: I looked everywhere and so and I don't know, and

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Speaker 1: I'll try. I don't know what to do. Like help me.

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Speaker 1: I watched that told you put the stuff in the bottom.

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Speaker 1: I would pack all the stuff up. I can't stand

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Speaker 1: having clutter everywhere. I would pack everything up in some

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Speaker 1: boxes and be like you step is hearing some boxes.

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Speaker 1: Let me know what you want me to do? You

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Speaker 1: got you got? I would give a two weeks, two

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Speaker 1: weeks to get this this show. No, I give him

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Speaker 1: one week there. What's your name? Bro Yo, y'all from

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Speaker 1: Palmdale right now, from Pindale. Did you try to make

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Speaker 1: that rhyme? Nah? Didn't, Hey, uncle Starling man, I'm probably

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Speaker 1: poppy your books. By the way, listen, it's bookstores all

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Speaker 1: through the world. This guy just got Bonds and Nobles.

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Speaker 1: You got books and millions, you got Amazon. All right, Well,

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Speaker 1: when I get my first check, I'm gonna definitely go copy.

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Speaker 1: Which one? Which book you want? I want the first one, man,

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Speaker 1: I want the first. I want to um Black Frivile,

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Speaker 1: you want Black Privilege. I'm gonna send you Black Prile.

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Speaker 1: I send you a copy of Ship Going too. But

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Speaker 1: then I heard you homeless, and way I'm gonna send

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Speaker 1: it to He was homeless. He just got his first job. Yeah, yeah, yeah,

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Speaker 1: I was up holding the streets, you know what I'm saying,

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Speaker 1: and all the term my whole life around and feel

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Speaker 1: me sobered up. My job relocated from Cali to Texas.

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Speaker 1: So I'm just blood. I'm gonna put you on hold.

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Speaker 1: I'm gonna mail you a copy of both books. You

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Speaker 1: know what I mean? Okay? Um, Hey, one more question

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Speaker 1: right here? Hey, um, look, I know it's been a

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Speaker 1: minute artist that that happened, but congratulations on your little Gracie.

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Speaker 1: You know all that. You know I said little Gracie

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Speaker 1: Grace is a huge compliment like that, you know, Okay,

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Speaker 1: I didn't mean that. I didn't mean the downplayer, but yeah,

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Speaker 1: you know you's doing your thing. And I listened to

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Speaker 1: all y'all, all y'all other podcast brilliant idiots, Lift Service

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Speaker 1: and Kathy Crew. Thank you, we appreciate you, and shout

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Speaker 1: out to THEA Mitchell. She's our boss up here at

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Speaker 1: I hear she's on the cover of the Radio Inc.

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Speaker 1: The most influential women in a radio magazine, one of

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Speaker 1: the biggest issues for them of the year. Congratulations for

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Speaker 1: coach there. Y'all may not know what Radio ain't Ge is,

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Speaker 1: but it's a big radio industry magazine, so that is

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Speaker 1: a great look for THEA. And I made it in

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Speaker 1: here for most influential on their hosts and personality. We

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Speaker 1: made it in the too congrass and she went to

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Speaker 1: the real h you by it by the way, Hampton,

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Speaker 1: they called the what they called the on the front

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Speaker 1: of that the fireball. Yeah, fireball. Jesus Christ all right,

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Speaker 1: get it if your chests eight hundred five eight five

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Speaker 1: one oh five one. If you need to vent, hit

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Speaker 1: us up now? Was the breakfast club? Good morning, the

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Speaker 1: breakfast club? Wake up, wake up, Wake y'all. This is

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Speaker 1: your time to get it off your chest. Whether you're

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Speaker 1: a man or bless, we want to hear from you

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Speaker 1: on a breakfast block. Hello, who's this big chocolates? A

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Speaker 1: toast on toad time? How's everybody toime? You don't know

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Speaker 1: if you'r chess man, so listen. My thinking is if

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Speaker 1: Angela Eat had a sitcom, she did a theme song,

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Speaker 1: and it would sound like it does sound like this.

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Speaker 1: Look at me. I'm Angela Eat. I couldn't find a

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Speaker 1: good man. If you won't pay me. Maybe it's because

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Speaker 1: my hair is a mess. Or Charlottagne, where's my only dress?

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Speaker 1: It's me, angel my dear, I was kind of you know,

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Speaker 1: my hair is a mess, charlot me with my that's

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Speaker 1: the only point, like Jallo Mayne, where's my only dress? Hello?

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Speaker 1: With this? That's all it takes. Hello. Hello, it's Rachel. Hey, Rachel,

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Speaker 1: get it off your chests. I was calling and say

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Speaker 1: I'm so blessed this morning My new interactive children's book

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Speaker 1: is climbing a chart for Amazon. Okay, congratulation. What's your name?

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Speaker 1: What's the name of the book. It's called Amber's Magical

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Speaker 1: Savings Box. It teaches kids about earning the saving money,

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Speaker 1: giving those millionaires a headstart on their road to financial freedom.

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Speaker 1: How is it interactive? But that's dope. Well, the kids

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Speaker 1: have to write their financial dreams and goals inside the

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Speaker 1: back of the book. They follow Amber as she earns

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Speaker 1: money for this magical toy she wants to buy, and

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Speaker 1: they have to kind of like walk along with her

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Speaker 1: in this journey, all right, fand teaching kids the value

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Speaker 1: of how to save and spend. What's the name of

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Speaker 1: the book again, I'm gonna look it up, Amber's Magical

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Speaker 1: Savings Box. It's an honor of my niece Amber, we

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Speaker 1: lost at the age of three. So it's for ages

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Speaker 1: three to eight year olds, just to get them started.

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Speaker 1: It's a few that can do savings journals in the

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Speaker 1: back of it and everything. Okay, thank you mama, all right,

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Speaker 1: I like that, alrighty, you know. And the other day

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Speaker 1: a lady called them was like her son was addicted

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Speaker 1: to Fortnite and she couldn't get her son on fortnite.

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Speaker 1: You know, these kids are making money off a Fortnite.

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Speaker 1: I don't know if that lady knows, but she should

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Speaker 1: guide her son into making money off of it. My

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Speaker 1: son is into twitching. He does tutorials on Fortnite, and

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Speaker 1: they pay him to do it. I still think it's

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Speaker 1: some type of social engineering that's intellectually making these kids stupid.

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Speaker 1: Though they can't spend all the time on video games,

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Speaker 1: all the game, all the time on video game, of

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Speaker 1: course not, but some of these kids are only like

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Speaker 1: my son does it about what an hour day or

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Speaker 1: hour and a half a day. Be able to make

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Speaker 1: a living off that when he's thirty or forty though

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Speaker 1: a lot of kids off. Actually, you know what it's

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Speaker 1: great is that a lot of kids are learning how

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Speaker 1: to do things in the tech world just because you

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Speaker 1: know how to use these games. But you just have

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Speaker 1: to help them take it a step further, whether it's

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Speaker 1: learning how get their own apps right. If you can

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Speaker 1: help guide them to how that can help them make

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Speaker 1: money and they're interested in something, you got to figure

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Speaker 1: out how to call. Don't let them be hypnotized by

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Speaker 1: that video game all day and just spend time twiddling

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Speaker 1: their thumbs. Literally, there's a kid named Ninja who's making

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Speaker 1: like three four hundred thousand dollars a month off for Twitter.

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Speaker 1: I've heard in Ninja, and I'd like to know how

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Speaker 1: many other Ninjas out there is because a bunch of them,

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Speaker 1: there's there's a lot of them kids out there. It

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Speaker 1: might not be making that much, but they definitely gets

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Speaker 1: out there making money. Absolutely. I know when I was

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Speaker 1: that age, I wasn't making money doing anything. So if

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Speaker 1: you can figure it out and help now, the problem

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Speaker 1: is I think that as the older generation, we don't

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Speaker 1: understand some of the things that these kids are doing,

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Speaker 1: and we got to be more involved in like figuring

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Speaker 1: it out. Yes, and can you make a career out

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Speaker 1: of that? That's what I want. You can, Yeah, you

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Speaker 1: absolutely can. I don't know. Let's see, I got to

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Speaker 1: talk to somebody forty years old. This is something doing it.

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Speaker 1: When when I when I was doing the mixtapes, it

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Speaker 1: was like, well you can't, you can't make money off mixtapes. Well,

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Speaker 1: they don't do mixtapes no more. But but I mean,

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Speaker 1: see what I'm saying transcended to what's going But when

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Speaker 1: you say it's right. It is to that. It got

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Speaker 1: to elevate the something melt and I'm sure well because

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Speaker 1: these kids are doing it, they don't win from YouTube

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Speaker 1: to to this, but it's a paring for you to

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Speaker 1: watch what's happening because of the whole world at tech

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Speaker 1: right now. That's what's going to be the money for

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Speaker 1: the future. It's happening right now because we gotta figure

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Speaker 1: out you probably can help guide them and even put

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Speaker 1: them in programs and teach them how to do things

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Speaker 1: that can actually make them be economically viable with it. Hello,

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Speaker 1: who's this. I'm Steven Chiller. Say Steven, get it off

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Speaker 1: your chests. Um, I want to bless Fay. Okay, well

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Speaker 1: you blessed brother. He is my birthday and I'm on

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Speaker 1: my way to the Bahammad right now. Alright, happy, I

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Speaker 1: hope you got a girl in no condom? All right,

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Speaker 1: get it off your chest. Eight hundred five eight five

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Speaker 1: one oh five one. If you need to vent, hit

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Speaker 1: this up now. It's the Breakfast Club. Good morning, the

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Speaker 1: Breakfast Club. Keep the Breakfast Club humble with slams to

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Speaker 1: the Breakfast Club. Hate me if you want to love

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Speaker 1: me if you want, but just use your comments morning.

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Speaker 1: Everybody is DJ Envy, Angela Yee, Charlomagne the guy. We

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Speaker 1: are the breakfast club. It's time for slam to the

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Speaker 1: breakfast club. All right, we have Michael a lot, Michael's up.

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Speaker 1: What's up? What's up? Is Mike from from from Florida?

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Speaker 1: You know I ain't gonna take where I just know

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Speaker 1: I'm from Florida. That's my first slander. All right, you're

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Speaker 1: writing Carler man. Now I'm coming at the man whose

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Speaker 1: head looked like the last milk Doug at the bottom

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Speaker 1: of the box. You know what I'm saying. I'm coming

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Speaker 1: that dollar name first man with them rat cool. I

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Speaker 1: don't get sleep eye. Well. I love the fact that

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Speaker 1: you compared me to a milk Doug because that means

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Speaker 1: you want to put my head in your mouth. Whoa, Yeah,

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Speaker 1: you can't just hang up on him when I say

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Speaker 1: something like I needed to hit it, I need to

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Speaker 1: hit a shocking art in his voice. I mean he

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Speaker 1: hears me say things like that anyway. Good, Okay, let

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Speaker 1: me get that Collins. What's going on? Hey? Who you

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Speaker 1: want to slam the bro I don't want to stand

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Speaker 1: them as asway? Okay, Hey, I want to tell you

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Speaker 1: that you're very pretty for they're very smart. However, you're

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Speaker 1: given opinions on movies and shows. It is knowing boys

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Speaker 1: until you're going to see the Lion Game. I try to.

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Speaker 1: I put on The Lion King and I fell asleep

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Speaker 1: immediately as soon as it started on the plane. What's

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Speaker 1: that is wrong with you? But I'm gonna go watch

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Speaker 1: the remake? No, you gotta see. I don't think nobody

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Speaker 1: should be able to fee the remake of They've never

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Speaker 1: seen your rig I agree with You're not slaying with me.

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Speaker 1: This is like con slaying thank you color yeah yeah,

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Speaker 1: Joelian finally started. They hang up for me every time

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Speaker 1: I called fast. Okay, but see the baby, I'm calling

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Speaker 1: some slander you. You're a sensitive. You have to stop

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Speaker 1: being sensitive. Always says you're a centil face colored nigro

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Speaker 1: stomp being that sounded awful. You hurt my feelings right now.

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Speaker 1: And also I want to stop shut out my life

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Speaker 1: being placed because hesitivity. Wow, that's so centive. She can't

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Speaker 1: shout out her LinkedIn seeing me, I'll be tweeted for you. Hello, Hello, Hey,

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Speaker 1: what's your name? Mama? Hey Angela. It's almost like Angela. Ye,

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Speaker 1: that's how people always mess up my name Angela year.

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Speaker 1: I don't play that, I don't play. That's four syllables.

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Speaker 1: Angelieah uh yeah, that's it. It's like Angela, okay, Angela

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Speaker 1: or whatever. Now who do you want to stand up? Uh?

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Speaker 1: Salo man. So he'd be acting like aunty man like

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Speaker 1: old like like in our mid forties. You know, I'm

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Speaker 1: saying somebody still got their sex dry nasty or he's

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Speaker 1: got something to say, was like well mustache. All I

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Speaker 1: starting stuff with a duster, felt like lovers a baby

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Speaker 1: breaching something. Because all he starts stuff like stop smoke

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Speaker 1: a cigarette. He'd be looking like an auntie sometimes too.

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Speaker 1: That's I can't. I can't smoke no cigarettes till you

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Speaker 1: run into the store and get your auntie your pack.

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Speaker 1: Now bring me. Ain't got them auntie hips? Okay, man,

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Speaker 1: listen like he got the justice and everything though, Like

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Speaker 1: you gotta watch him be sitting over there making the

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Speaker 1: faces with his hands. What this is he be doing

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Speaker 1: with this stuff? Very judgmental man, all right, very judgmental

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Speaker 1: auntie status. All right, thank you, all right? Slanting the

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Speaker 1: breakfas this club eight hundred five A five one oh

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Speaker 1: five one. If you want to slam to the breakfast club,

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Speaker 1: hit is now? Is the breakfast Club the Morning, the

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Speaker 1: breakfast Club, the breakfast Club Humble which slams to the

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Speaker 1: breakfast class Morning. Everybody is DJ Envy, Angela Yee, Charlomagne

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Speaker 1: the guy. We are the breakfast Club. It's time for

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Speaker 1: slam to the breakfast Club. All right, we have Michael

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Speaker 1: the line, Michael's up, what's up? What's up? Is Mike

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Speaker 1: from from from Florida. You know, I ain't gonna say

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Speaker 1: where I'm just know I'm from Florida. That's my first slamder.

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Speaker 1: All right, we're writing Carla Maine. I'm coming at the

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Speaker 1: man whose head looked like the last milk Doug at

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Speaker 1: the bottom of the box. You know what I'm saying.

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Speaker 1: I'm coming at Carling Maine. First man with them rat cool,

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Speaker 1: I don't get sleep y. Well, I love the fact

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Speaker 1: that you compared me to a milk Doug, because that

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Speaker 1: means you want to put my head in your mouth. WHOA,

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Speaker 1: y'all getting kin? Just hang up on him. When I

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Speaker 1: say something like I need to hit it, I need

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Speaker 1: to hit a shocking art in his voice, I mean

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Speaker 1: he gets me say things like that, anybody. Okay, let

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Speaker 1: me get that. Hello, who's this real neo slander the

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Speaker 1: breakfast Club? Yo? Charlo Man? Why are you calling every

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Speaker 1: Dominican man? We're going with Dominican. Those are a Dominicans

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Speaker 1: vas Dominican. He won't claim his heritage. I'm not Dominican.

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Speaker 1: See what I'm saying. What's going with? Shout to all

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Speaker 1: my Dominicans out there? Man? Oh now they're your Dominicans,

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Speaker 1: I said, shout to all my Dominicans. Yeah, I'm not Dominican,

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Speaker 1: but I envy Dominican after them. Where's daddy from? Where

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Speaker 1: your death? Not dom Dominica? Oh my god, y'all said Molica. Yo,

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Speaker 1: shout out to y'all now, pure shuffle y'all do man,

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Speaker 1: this is slant of the break cub. We ain't got

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Speaker 1: time for his appreciation, Sir Matt, What up? Matt? Yo?

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Speaker 1: What up? Man? I just think it's crazy how I've

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Speaker 1: listened to y'all for years, can never get through until

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Speaker 1: the slander. Child. I'm gonna be honest with you. I'm

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Speaker 1: gonna be honest with you because that's right here. You're

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Speaker 1: Dominican and don't be calling up his sounding like somebody's

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Speaker 1: corn girlfriend. You didn't hear Sharlow? Man, are dominic you

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Speaker 1: are Dominican? I'm not Dominican. Come on, dude, why won't

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Speaker 1: you claim your heritage? I'm telling about Dominicans in my

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Speaker 1: last Now are your Dominicans? Y'a'm not Dominican? Noo yo,

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Speaker 1: Charloman Angela? I really love all y'all. Man got slander

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Speaker 1: the Breakfast Club, But I'm not Dominican. All right, all right,

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Speaker 1: I'm anna slanting. I'm a slander. You too, You're too

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Speaker 1: much and me too light skin, Dominicans too everything Now

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Speaker 1: I'm too light skin. You know what, man? You are Dominican.

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Speaker 1: Why won't you claim it? We need brown representation on

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Speaker 1: this show. We need brown and gay representation. You checked

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Speaker 1: both boxes and shut up? Man? Do you check with

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Speaker 1: those boxes? And you far from Dominican? King? Hey? What's

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Speaker 1: going on? Aby man? How you doing? Brother? What's up? Bro?

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Speaker 1: You are slander man? I gotta have Sloman the gard Angelie?

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Speaker 1: How are you doing this morning? I'm doing great? How

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Speaker 1: are you? Honey? Man? I can't play. I can't playing,

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Speaker 1: but Sean domain the Guard? How are you doing? Brother?

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Speaker 1: I'm blessed black and Holly favored. How are you doing, King,

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Speaker 1: That's what I'm talking about. Man. Listen, man, I'm a

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Speaker 1: Florida boil. I love film from floor and I just

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Speaker 1: got to have you for a second. Man, of this

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Speaker 1: seem like you always have something to see about us

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Speaker 1: down here in Florida. In regards to the crazy things

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Speaker 1: that's associated what happened at the Higher he was just

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Speaker 1: in Florida. He was just in Florida. That's stood probably

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Speaker 1: for rold A Loud and everything, and definitely not. I

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Speaker 1: was in Orlando for my daughter's Chilian competition, and I

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Speaker 1: was at Disney and an animal came in the past

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Speaker 1: five days. Would you like to know some of the

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Speaker 1: things I saw while I was down there. I saw

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Speaker 1: a grandmother get arrested at Disney for having CBD oil.

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Speaker 1: CBD oil is good for your joints and your muscles.

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Speaker 1: They took this old lady to jail put her in

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Speaker 1: handcuffs for having CBD oil. I also saw somebody try

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Speaker 1: to get into Disney with a nine millimeter pistol with

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Speaker 1: two cartridges, and he goes, oh, I forgot, so don't

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Speaker 1: tell me about Florida being crazy. Now I'm gonna tell

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Speaker 1: the other crazy thing I saw in Florida was visited

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Speaker 1: for South Carolina too, And salute to the young lady

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00:18:55,000 --> 00:18:57,399
Speaker 1: who walked up to me and said it's your Charlottagne

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Speaker 1: the God and I said no, and then she yelled

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Speaker 1: at her friend. I told you that wasn't him and

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00:19:01,560 --> 00:19:06,560
Speaker 1: walked off. What she believes you? Thank you, brother. Tell

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Speaker 1: me about Florida being crazy. I love Florida, but it's

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Speaker 1: crazy down there. Sat the Breakfast Club eight hundred five

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Speaker 1: eight five one on five one. It's the Breakfast Club.

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Speaker 1: Good Morning. Everybody's DJ Envy Angela Yee, Charlomagne the guy.

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Speaker 1: We are the Breakfast Club. Now when we come back,

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Speaker 1: Rafael sa Dick will be joining us. He's done soundtracks

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Speaker 1: for many of people's lives, from Anniversary to Ask of You.

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Speaker 1: It's a flashback Friday, so we're gonna get that on.

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Speaker 1: Next to Don't Move, It's to Breakfast Club. Good Morning,

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Speaker 1: Breakfast Club. We got a whole legend of the whole legend,

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Speaker 1: a whole legend. Raffaelsa Dick, what's up? What's up? My

397
00:19:38,400 --> 00:19:40,640
Speaker 1: brother out? Skip bro? How are you sir man? I'm

398
00:19:40,640 --> 00:19:44,280
Speaker 1: an excellent new album out after eight years. It comes

399
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Speaker 1: out of August twenty third, a couple of weeks ago.

400
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Speaker 1: Who made you want to put out out? After h

401
00:19:50,240 --> 00:19:54,639
Speaker 1: I got a studio other stuff in that stud You

402
00:19:54,720 --> 00:19:57,120
Speaker 1: was right, yeah, yeah, you know I love music. Brother.

403
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Speaker 1: You know, after a while, you when you work for

404
00:19:58,880 --> 00:20:01,040
Speaker 1: other people, and then you you know, people keep asking

405
00:20:01,240 --> 00:20:03,960
Speaker 1: are you doing another record or and I keep saying yeah,

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00:20:03,960 --> 00:20:06,000
Speaker 1: it's almost done, and it's never almost done. And then

407
00:20:06,080 --> 00:20:08,600
Speaker 1: one day I just got tired of saying it's almost done.

408
00:20:09,240 --> 00:20:10,879
Speaker 1: I said, you put out a record. Who did you

409
00:20:10,920 --> 00:20:12,639
Speaker 1: work with on this album? Or did you do everything yourself?

410
00:20:13,400 --> 00:20:14,800
Speaker 1: I did a lot of him myself, but I work

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Speaker 1: with Brooke dealu. Um he's from Jay Davey back in

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Speaker 1: the day. Um. Daniel Watts still like a little spoken

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Speaker 1: word piece. He was in Hamilton and uh the Nat

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Speaker 1: King cold piece. He's a dope artist. Mostly it was me, man, music,

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Speaker 1: It's just me playing everything and singing and just what

416
00:20:34,800 --> 00:20:39,119
Speaker 1: inspires you? Now? This music inspire you? Now, man, I

417
00:20:39,280 --> 00:20:42,520
Speaker 1: love traveling. You know what I'm saying. Talk that that's

418
00:20:42,520 --> 00:20:43,920
Speaker 1: when you just got money just to go around the

419
00:20:43,960 --> 00:20:46,080
Speaker 1: world and see it. No, not really my tour taking

420
00:20:46,119 --> 00:20:48,000
Speaker 1: me there. You know, so if you do a record,

421
00:20:48,040 --> 00:20:49,359
Speaker 1: you get to go out and you don't play for

422
00:20:49,440 --> 00:20:53,360
Speaker 1: these different countries. Tastes rightfull you get paid to work.

423
00:20:53,520 --> 00:20:54,760
Speaker 1: You could just go to a city like you know,

424
00:20:54,800 --> 00:20:57,640
Speaker 1: I'm gonna play today and then I take my dream

425
00:20:57,720 --> 00:20:59,520
Speaker 1: is this goos where I want to play some certain place.

426
00:20:59,560 --> 00:21:01,719
Speaker 1: I go play one day in our vacation for three days. Right,

427
00:21:01,800 --> 00:21:03,760
Speaker 1: that makes sense. So Jimmy Lee is the name of

428
00:21:03,800 --> 00:21:05,640
Speaker 1: the album. Jimmie Lee is the name of the records

429
00:21:05,640 --> 00:21:08,919
Speaker 1: about my brother. My brother, Uh was like my one

430
00:21:08,960 --> 00:21:11,320
Speaker 1: of my my best friend actually was. I was sort

431
00:21:11,320 --> 00:21:13,080
Speaker 1: of like the mistake child. My mother said. My dad

432
00:21:13,119 --> 00:21:15,879
Speaker 1: said mistake. Yeah, my dad, my dad and mom was

433
00:21:15,920 --> 00:21:18,120
Speaker 1: real hard. He's like my dad always told me, boy.

434
00:21:18,200 --> 00:21:20,520
Speaker 1: You know my dad always to me boy, we're smiling,

435
00:21:20,600 --> 00:21:24,159
Speaker 1: said though you know he's a mistake, right, you mistake.

436
00:21:24,280 --> 00:21:26,359
Speaker 1: I gave your mom a three hundred dollars to go

437
00:21:26,440 --> 00:21:27,760
Speaker 1: get rid of you, and then she was the safe

438
00:21:27,800 --> 00:21:29,320
Speaker 1: way and spend the money. That's a true story. Did

439
00:21:29,359 --> 00:21:32,600
Speaker 1: he really say that? Yeah, that's true. It's true. You

440
00:21:32,680 --> 00:21:36,560
Speaker 1: know different the world will be. Oh, I'm being honest,

441
00:21:36,600 --> 00:21:38,680
Speaker 1: Like at least even just for those of us who

442
00:21:38,720 --> 00:21:43,159
Speaker 1: listen to music that da No. My dad is like

443
00:21:43,240 --> 00:21:47,800
Speaker 1: the funniest sh He's passed away two years ago. Never

444
00:21:47,880 --> 00:21:49,840
Speaker 1: made you feel away though. Now he was smile. You

445
00:21:50,000 --> 00:21:52,240
Speaker 1: see my dad smile. You don't give a Why would

446
00:21:52,240 --> 00:21:58,240
Speaker 1: he tell you he already had eight kids? You know,

447
00:21:58,320 --> 00:22:00,800
Speaker 1: I was like even Dwayne, my brother Tony's he's from

448
00:22:00,840 --> 00:22:03,119
Speaker 1: another mother. We don't have the same mother. But he

449
00:22:03,200 --> 00:22:06,680
Speaker 1: didn't write the anniversary, na, he really he wrote whatever

450
00:22:06,760 --> 00:22:12,200
Speaker 1: you want? Okay. He's a beast. Duanne's a beast. He

451
00:22:12,240 --> 00:22:13,840
Speaker 1: was my teacher, you know. He was like my Michael

452
00:22:13,880 --> 00:22:16,440
Speaker 1: Jordan growing up, so like I'm in it because of him.

453
00:22:16,440 --> 00:22:19,159
Speaker 1: He sort of taught me how to play instruments. Now,

454
00:22:19,200 --> 00:22:21,640
Speaker 1: somebody I was told that this new album is inspired

455
00:22:21,680 --> 00:22:25,000
Speaker 1: by your brother's journey of struggling with addiction. My brother

456
00:22:25,119 --> 00:22:27,480
Speaker 1: was a heroine. Act had a sort of like since

457
00:22:27,520 --> 00:22:29,520
Speaker 1: I knew my mother was from, you know, from Louisiana.

458
00:22:30,480 --> 00:22:33,159
Speaker 1: They came to U to on Chicago, and then a

459
00:22:33,520 --> 00:22:36,680
Speaker 1: half month in Chicago and the rest there in the bank.

460
00:22:36,800 --> 00:22:39,159
Speaker 1: But and my brother was on heroin as soon as

461
00:22:39,160 --> 00:22:41,399
Speaker 1: he got from Louisa. Came from Louisiana and made it

462
00:22:41,480 --> 00:22:45,040
Speaker 1: to Oakland, so he was struggling. He actually odd in

463
00:22:45,119 --> 00:22:49,040
Speaker 1: them in a garage my other brother, between me and Duayne,

464
00:22:49,119 --> 00:22:52,040
Speaker 1: I think he might have been like nineteen. I was seventeen.

465
00:22:53,240 --> 00:22:55,639
Speaker 1: He murdered himself. He shot himself in the head of

466
00:22:55,720 --> 00:22:58,679
Speaker 1: my dad's house because he couldn't quit. And we had

467
00:22:58,720 --> 00:23:01,199
Speaker 1: a pretty prideful type of family. You know. I'd call

468
00:23:01,280 --> 00:23:02,840
Speaker 1: him to black Kennedy because they just thought it was

469
00:23:02,880 --> 00:23:05,800
Speaker 1: better than everybody else sometime. But wasn't really like that.

470
00:23:06,440 --> 00:23:08,040
Speaker 1: But I just think he felt bad and he just

471
00:23:08,440 --> 00:23:13,600
Speaker 1: took himself out and then ums, right three and one sister. Wow,

472
00:23:13,800 --> 00:23:15,560
Speaker 1: And you know, so a lot of a lot of

473
00:23:15,640 --> 00:23:19,440
Speaker 1: drug abuse. I've seen a lot, you know, um, and

474
00:23:19,520 --> 00:23:21,000
Speaker 1: it just it just dawned on me. This dude with

475
00:23:21,119 --> 00:23:23,720
Speaker 1: like you know, dropped me off like like pit bulls

476
00:23:23,800 --> 00:23:25,920
Speaker 1: and you know, put in my backyard. Wake up, I

477
00:23:25,960 --> 00:23:27,800
Speaker 1: got a pit bull. And then you know, like, oh man,

478
00:23:28,000 --> 00:23:30,840
Speaker 1: I got a dog. But he's like everybody. You know,

479
00:23:30,880 --> 00:23:33,480
Speaker 1: when you when you become a smoker in a hood,

480
00:23:33,520 --> 00:23:35,600
Speaker 1: you have a different name. You could be a respectful man.

481
00:23:35,640 --> 00:23:37,800
Speaker 1: But then they started, you know, you'd be like, what's

482
00:23:37,880 --> 00:23:41,800
Speaker 1: up smoky. Yeah, you know, like you know, so I didn't.

483
00:23:41,800 --> 00:23:43,359
Speaker 1: I never looked down on my brother like that. So

484
00:23:43,480 --> 00:23:45,480
Speaker 1: he was always in my life. He was in and

485
00:23:45,560 --> 00:23:48,800
Speaker 1: out of prison. Um, and you never you never dibbled

486
00:23:48,840 --> 00:23:50,879
Speaker 1: dabble the drugs at all. No. I didn't have a

487
00:23:50,920 --> 00:23:54,000
Speaker 1: smoke a joint till I was thirty two. Really yeah, No,

488
00:23:54,280 --> 00:23:55,959
Speaker 1: I like that lunch money man, I was. I had

489
00:23:56,000 --> 00:23:59,480
Speaker 1: to have my French fries. And because you saw the

490
00:23:59,520 --> 00:24:01,719
Speaker 1: effects on other people. Yeah, and when you see her

491
00:24:01,720 --> 00:24:03,240
Speaker 1: sister coming to house and she's going to get a

492
00:24:03,280 --> 00:24:05,359
Speaker 1: love for bread at twelve o'clock at nine and we

493
00:24:05,440 --> 00:24:07,480
Speaker 1: got like four loaves of bread on top of the refrigerator.

494
00:24:08,680 --> 00:24:11,119
Speaker 1: You know, I've seen so many examples that I just

495
00:24:11,200 --> 00:24:12,760
Speaker 1: didn't want to be a part of it. So why

496
00:24:12,800 --> 00:24:16,280
Speaker 1: did your brother specifically inspired the fish record? Because um,

497
00:24:16,880 --> 00:24:19,360
Speaker 1: I was making records. I made this song Calls already,

498
00:24:20,160 --> 00:24:23,600
Speaker 1: and it's about a guy that's uh, the whole neighborhood

499
00:24:23,760 --> 00:24:25,840
Speaker 1: loves him, but he goes off he benches and he

500
00:24:25,920 --> 00:24:29,080
Speaker 1: comes back, you know, four days later, and everybody loving

501
00:24:29,200 --> 00:24:31,800
Speaker 1: his wife, stands behind him no matter what. And I

502
00:24:32,320 --> 00:24:34,520
Speaker 1: saw this character and his brother reminded me of my

503
00:24:34,600 --> 00:24:37,080
Speaker 1: brother who was just who people look down on him,

504
00:24:37,080 --> 00:24:39,520
Speaker 1: but I just always revered him as this. You know,

505
00:24:39,680 --> 00:24:41,800
Speaker 1: my brother he in prison. You know your your brother

506
00:24:41,880 --> 00:24:43,840
Speaker 1: in prison when your kid. You think he's celebrity till

507
00:24:43,880 --> 00:24:45,159
Speaker 1: you go there and he can't come home with you.

508
00:24:45,880 --> 00:24:47,200
Speaker 1: You know, you're like, oh, you're not a celebrit you

509
00:24:47,280 --> 00:24:49,280
Speaker 1: in jail. But I always looked up to him because

510
00:24:49,280 --> 00:24:52,439
Speaker 1: he will seeing these uh these what sculptures he were

511
00:24:52,480 --> 00:24:55,120
Speaker 1: do in prison. So and when I just thought about

512
00:24:55,119 --> 00:24:57,280
Speaker 1: I would love to have all of my brothers and

513
00:24:57,359 --> 00:24:59,680
Speaker 1: sisters sitting like in some bar, have happy. I'll drinking

514
00:24:59,720 --> 00:25:02,439
Speaker 1: a beer and he's just talking and I'll sink dam.

515
00:25:02,480 --> 00:25:04,959
Speaker 1: I don't really had that. You know, he can't really um,

516
00:25:05,440 --> 00:25:08,240
Speaker 1: he can't really watch this. And his son and my

517
00:25:08,400 --> 00:25:10,200
Speaker 1: uncle took care of his son. He played him, he

518
00:25:10,240 --> 00:25:13,520
Speaker 1: played football in basketball Virginia and then he came to

519
00:25:13,600 --> 00:25:15,040
Speaker 1: the Bay and then we took care of him. So

520
00:25:15,320 --> 00:25:17,040
Speaker 1: I took care of his son, helped him out, you know,

521
00:25:17,160 --> 00:25:19,600
Speaker 1: put his son and a good school so he could

522
00:25:19,600 --> 00:25:21,159
Speaker 1: play basketball. Of course he didn't want to go to

523
00:25:21,200 --> 00:25:22,760
Speaker 1: that school. It was like judge with he was like,

524
00:25:22,760 --> 00:25:24,240
Speaker 1: I don't want to go there and or ain't know girls,

525
00:25:24,280 --> 00:25:26,359
Speaker 1: and then I'm like, bro, the girls across the streets

526
00:25:26,359 --> 00:25:30,000
Speaker 1: to other school. But anyway, that's j Jack. His son

527
00:25:30,160 --> 00:25:32,360
Speaker 1: is like one of my one of my I called

528
00:25:32,440 --> 00:25:33,840
Speaker 1: him my best friend because you know, I had to

529
00:25:33,920 --> 00:25:36,520
Speaker 1: like watch him from a kid. He lost his mom

530
00:25:36,640 --> 00:25:39,520
Speaker 1: and his father to the same thing. So just did

531
00:25:39,600 --> 00:25:41,440
Speaker 1: you ever think that you could do anything to help

532
00:25:41,520 --> 00:25:44,200
Speaker 1: him or try to, because I know it's hard on

533
00:25:44,359 --> 00:25:46,800
Speaker 1: YouTube when you're trying to help somebody and it's like

534
00:25:47,400 --> 00:25:49,960
Speaker 1: you're my brother didn't want to help. I usually want

535
00:25:49,960 --> 00:25:53,000
Speaker 1: the money. My brother would told me one day he

536
00:25:53,160 --> 00:25:54,680
Speaker 1: was funny. He came up. He would always you know,

537
00:25:55,640 --> 00:25:58,480
Speaker 1: whenever you're somebody your families on drugs, there's always a

538
00:25:58,520 --> 00:26:00,360
Speaker 1: guy to come in a car and you My brother

539
00:26:00,480 --> 00:26:03,600
Speaker 1: was always the passenger. Either he needed to get the

540
00:26:03,640 --> 00:26:06,080
Speaker 1: corporator fix he hadn't had a license ever in his life,

541
00:26:06,280 --> 00:26:08,440
Speaker 1: or he saved some ladies. She gave him a car.

542
00:26:08,560 --> 00:26:10,960
Speaker 1: And then the biggest wound was like one day I said,

543
00:26:10,960 --> 00:26:13,919
Speaker 1: I come back in about thirty minutes and I'll give

544
00:26:13,920 --> 00:26:16,639
Speaker 1: you the money, and he said he started crying. That

545
00:26:16,760 --> 00:26:18,760
Speaker 1: was weird. Nervou seen that before and I'm like, well,

546
00:26:18,800 --> 00:26:21,639
Speaker 1: what's wrong. He's like, the doctor said, you know, he

547
00:26:21,760 --> 00:26:24,120
Speaker 1: gave me a week or a week or two to live,

548
00:26:24,200 --> 00:26:27,120
Speaker 1: and yeah he was. He had aged right from Needles,

549
00:26:27,640 --> 00:26:30,119
Speaker 1: your brother, my brother and Jimmy and he said, um,

550
00:26:30,480 --> 00:26:33,639
Speaker 1: the doctor gave me a week to live. And I

551
00:26:33,720 --> 00:26:35,119
Speaker 1: just looked at him like, wow, you would take it

552
00:26:35,240 --> 00:26:41,680
Speaker 1: that far. He lived about fourteen fifteen years after that. Yeah,

553
00:26:42,000 --> 00:26:43,800
Speaker 1: my brother just won him money. He was funny. We

554
00:26:43,920 --> 00:26:45,960
Speaker 1: all know him like that. Dude. He was crying already,

555
00:26:46,040 --> 00:26:49,320
Speaker 1: knew it was like Sally, I've just said I'm going

556
00:26:49,440 --> 00:26:51,520
Speaker 1: to the bank in five minutes and I'll be right back.

557
00:26:52,280 --> 00:26:57,399
Speaker 1: He was. But but you know, giving him money that

558
00:26:57,600 --> 00:26:59,199
Speaker 1: was kind of like helping him in a way, right,

559
00:26:59,240 --> 00:27:02,640
Speaker 1: So that had to be struggle. The rehab was if

560
00:27:02,680 --> 00:27:04,280
Speaker 1: he met you, if he if he was living and

561
00:27:04,359 --> 00:27:05,800
Speaker 1: he saw me talking to you right now, if he

562
00:27:05,920 --> 00:27:09,280
Speaker 1: ran into you somewhere using Oakland he was like, charlom man, God,

563
00:27:09,600 --> 00:27:12,560
Speaker 1: you know my brother, right, hey, let me hold twenty dollars.

564
00:27:12,560 --> 00:27:17,240
Speaker 1: He'll get back to you. That's Jimmy Lee and everybody

565
00:27:17,359 --> 00:27:20,000
Speaker 1: loved him. So the song I wrote so Ready, I

566
00:27:20,119 --> 00:27:22,600
Speaker 1: wrote it this couple in Brooklyn was dancing to a

567
00:27:22,680 --> 00:27:25,760
Speaker 1: song I have called on Instaventage called on Scott can

568
00:27:25,840 --> 00:27:27,600
Speaker 1: You Feel Me? So they were dancing to this song

569
00:27:28,359 --> 00:27:31,600
Speaker 1: and I was like, I'm gonna write a song about

570
00:27:31,880 --> 00:27:34,639
Speaker 1: these people dancing and it's called so Ready, and it's

571
00:27:34,680 --> 00:27:37,159
Speaker 1: about the lady just hanging whatever. Man almost like I

572
00:27:37,240 --> 00:27:40,119
Speaker 1: don't know Samuel Jackson's story, you know verbatim, but I

573
00:27:40,240 --> 00:27:42,080
Speaker 1: heard he has some issues when he was younger, and

574
00:27:42,200 --> 00:27:45,440
Speaker 1: his wife still by him. Yeah. My record is more

575
00:27:45,760 --> 00:27:49,879
Speaker 1: forgiving the person dad accidentally stepped into a chemical that

576
00:27:49,960 --> 00:27:51,440
Speaker 1: they didn't know it was gonna take over the rest

577
00:27:51,480 --> 00:27:53,359
Speaker 1: of their life. We got both with rad Fields and

578
00:27:53,560 --> 00:27:55,160
Speaker 1: when we come back, Don't Move. Is the Breakfast Club

579
00:27:55,200 --> 00:27:59,159
Speaker 1: Good Morning? Everybody is DJ Envy, Angela Yee, Charlomagne the

580
00:27:59,200 --> 00:28:00,840
Speaker 1: guy we are the break His club was still kicking

581
00:28:00,880 --> 00:28:03,200
Speaker 1: it with Rafael sa Deep. Now the group Tony Tony Tony.

582
00:28:03,480 --> 00:28:06,119
Speaker 1: Yeah yeah, none of y'all a name Tony, none of us.

583
00:28:06,359 --> 00:28:07,800
Speaker 1: So how did you get the name of the group?

584
00:28:08,240 --> 00:28:11,760
Speaker 1: Um Dwayne Um Dwayne used to put this permanence hair

585
00:28:11,840 --> 00:28:15,119
Speaker 1: called a curly kid. It's a relaxer and he already

586
00:28:15,160 --> 00:28:17,119
Speaker 1: had really like fine here Duyanne was a pretty boy

587
00:28:17,160 --> 00:28:19,240
Speaker 1: in the band. Always had like you know, always had

588
00:28:19,280 --> 00:28:21,560
Speaker 1: a lot of women around him. Hit party guy. So

589
00:28:21,640 --> 00:28:24,000
Speaker 1: he used to slick his hair down parted have it

590
00:28:24,080 --> 00:28:26,040
Speaker 1: coming this way. Where everybody had like these Jerry purls,

591
00:28:26,080 --> 00:28:28,440
Speaker 1: he didn't. He was just like like a Billy d type,

592
00:28:28,520 --> 00:28:31,080
Speaker 1: pretty don pretty Tony. So he Duwayne said, if he

593
00:28:31,119 --> 00:28:33,320
Speaker 1: would go to school on the first day, his name

594
00:28:33,400 --> 00:28:35,800
Speaker 1: is Duayanne, but his teacher will call him Tony. And

595
00:28:36,640 --> 00:28:39,360
Speaker 1: his hair was so so done that they would sell

596
00:28:39,400 --> 00:28:42,800
Speaker 1: it three times like he was Italian, like Tony. That's

597
00:28:42,840 --> 00:28:45,480
Speaker 1: how he came up the name. So it was a

598
00:28:45,600 --> 00:28:47,680
Speaker 1: joke he was. We were laughing about it. And then

599
00:28:47,680 --> 00:28:49,640
Speaker 1: we played at the wedding reception because in the beginning

600
00:28:49,680 --> 00:28:50,920
Speaker 1: we weren't like an R and B band. We were

601
00:28:50,920 --> 00:28:52,320
Speaker 1: like trying to be trying to be the police, the

602
00:28:52,400 --> 00:28:54,760
Speaker 1: black police, but you know the black in issue, like

603
00:28:54,800 --> 00:28:56,400
Speaker 1: the hell that we don't want that, and so we

604
00:28:56,480 --> 00:28:59,160
Speaker 1: splented this wedding reception. Who didn't have his name was

605
00:28:59,200 --> 00:29:01,280
Speaker 1: a man, a man manager and his brother turned around

606
00:29:01,280 --> 00:29:02,640
Speaker 1: like what's name in the group, and we didn't have

607
00:29:02,680 --> 00:29:04,400
Speaker 1: a name in the group, and we just laughed and

608
00:29:04,440 --> 00:29:06,600
Speaker 1: said Tony, Tony, tony, and then then when he said

609
00:29:06,920 --> 00:29:10,000
Speaker 1: ladies and gentlemen, tony, Tony, Tony, we looked at it.

610
00:29:10,960 --> 00:29:14,280
Speaker 1: That's whatever that is sounded right, And that was probably

611
00:29:14,320 --> 00:29:17,520
Speaker 1: in Englewood. Did y'all know that y'all was making such

612
00:29:17,640 --> 00:29:22,880
Speaker 1: timeless music? Well, um, Charlie Mane, we we just we

613
00:29:23,040 --> 00:29:25,960
Speaker 1: just knew classic people. We grew up listening to earth

614
00:29:26,000 --> 00:29:29,280
Speaker 1: Win and Fire. We we the Osley Brothers. We loved

615
00:29:29,360 --> 00:29:31,040
Speaker 1: them like you know, like you guys love Eric being

616
00:29:31,120 --> 00:29:34,040
Speaker 1: rock him. That's how we saw. That's how I saw,

617
00:29:34,120 --> 00:29:38,200
Speaker 1: like you know, Philip Biley and del Phonics and the stylistics,

618
00:29:38,920 --> 00:29:40,840
Speaker 1: and so that was the bar. That was the bar,

619
00:29:40,960 --> 00:29:42,960
Speaker 1: the bar really high. We really shouldn't even be in

620
00:29:43,000 --> 00:29:45,680
Speaker 1: the business, um unquote to who we really loved. I mean,

621
00:29:45,720 --> 00:29:48,040
Speaker 1: we never made that's the way of the world. That's

622
00:29:48,160 --> 00:29:51,440
Speaker 1: my goal to make a song like that. That's tough

623
00:29:51,520 --> 00:29:56,080
Speaker 1: to say, though, because anniversary is that whatever you wanted

624
00:29:58,040 --> 00:30:02,880
Speaker 1: just me you that, I mean, you say, that's in

625
00:30:03,000 --> 00:30:05,280
Speaker 1: the same vein to me know, it's definitely in the

626
00:30:05,360 --> 00:30:07,480
Speaker 1: same vein. But I'm glad my bar is I'm glad.

627
00:30:07,480 --> 00:30:09,440
Speaker 1: I think I haven't done it. You know what I mean?

628
00:30:09,880 --> 00:30:11,640
Speaker 1: Someone said, just me and you. You were on tour

629
00:30:11,680 --> 00:30:14,920
Speaker 1: a new Addition, Yeah, and that song. You actually were

630
00:30:14,960 --> 00:30:18,040
Speaker 1: talking about new Addition. No, I'm just talking. I'm actually

631
00:30:18,240 --> 00:30:20,920
Speaker 1: I wasn't. I'm a huge new Addition fan. But what

632
00:30:21,000 --> 00:30:23,360
Speaker 1: do you mean talk about addition? I don't worry about

633
00:30:23,640 --> 00:30:25,160
Speaker 1: She's talking about just me and you. When I say,

634
00:30:25,240 --> 00:30:28,640
Speaker 1: don't worry about you know, don't worry about Ricky do Oh. Yeah,

635
00:30:29,480 --> 00:30:32,640
Speaker 1: they said that. Actually they thought that when they was here. No,

636
00:30:32,800 --> 00:30:35,440
Speaker 1: it wasn't it. They thought it was No, No, it

637
00:30:35,560 --> 00:30:38,720
Speaker 1: was it was just still making that up. Remember that.

638
00:30:38,960 --> 00:30:41,080
Speaker 1: But you can easily think that. But what happened was

639
00:30:41,640 --> 00:30:44,520
Speaker 1: I'm just sometimes a lazy lyric lyric writer, and I

640
00:30:44,640 --> 00:30:50,000
Speaker 1: just I knew all their name in front of you. Yeah,

641
00:30:50,120 --> 00:30:52,000
Speaker 1: said their name. And whoever caught onto it, you know,

642
00:30:52,080 --> 00:30:54,560
Speaker 1: New Additional I'm a huge fan of. Who was the

643
00:30:54,600 --> 00:30:56,720
Speaker 1: person that you got that from me? You was like, man,

644
00:30:57,360 --> 00:31:00,240
Speaker 1: I might be onto something, and the beginning it was, well,

645
00:31:00,680 --> 00:31:02,600
Speaker 1: once you staw making records, it was definitely an earth

646
00:31:02,680 --> 00:31:05,520
Speaker 1: win of five. Um. Definitely Prince. You know I played

647
00:31:05,560 --> 00:31:07,560
Speaker 1: with Prince when I was like nineteen years old, so

648
00:31:07,880 --> 00:31:10,320
Speaker 1: that's my first ever, you know, gig on the road,

649
00:31:11,200 --> 00:31:14,840
Speaker 1: and that's a great first gig on the road. Yeah,

650
00:31:14,920 --> 00:31:17,120
Speaker 1: right out of high school. It's amazing that these beautiful

651
00:31:17,160 --> 00:31:22,200
Speaker 1: Solum John you know what I mean, Nick Jagger, you know,

652
00:31:22,320 --> 00:31:24,360
Speaker 1: just people you play with that play with people that

653
00:31:24,440 --> 00:31:26,200
Speaker 1: you love, like I like, I love Nick Jagger, but

654
00:31:26,320 --> 00:31:30,040
Speaker 1: also love Holland Wolf. And that's that's how they got

655
00:31:30,080 --> 00:31:32,840
Speaker 1: started because of you know, Muddy Waters. You know. So

656
00:31:33,360 --> 00:31:35,880
Speaker 1: so you said this album was therapeutic right for you? Yes?

657
00:31:36,200 --> 00:31:39,000
Speaker 1: So what was that other music he was making back

658
00:31:39,000 --> 00:31:40,720
Speaker 1: in there? Because you've been had the pain, you've been

659
00:31:40,760 --> 00:31:43,640
Speaker 1: seeing struggles. So was it always music? Always an outlet

660
00:31:43,720 --> 00:31:45,600
Speaker 1: for you? Yeah? I think I was. I guess I

661
00:31:45,720 --> 00:31:47,720
Speaker 1: was running from all the like, you know, my sister,

662
00:31:48,160 --> 00:31:50,240
Speaker 1: all the death. When my sister was a my sister

663
00:31:50,360 --> 00:31:52,920
Speaker 1: was the smartest girl in our family, you know, graduated

664
00:31:53,240 --> 00:31:56,160
Speaker 1: on a ton of property, just doing it. And she sing,

665
00:31:56,640 --> 00:31:58,680
Speaker 1: she's sing blues. So one day she's talking to my mom,

666
00:31:58,760 --> 00:32:00,360
Speaker 1: My mom, get off the phone. She gets in the car,

667
00:32:00,640 --> 00:32:03,600
Speaker 1: she's about to roll out the driveway. Cops chase a kid,

668
00:32:04,760 --> 00:32:07,600
Speaker 1: gives her permanent brain damage. We have to pull her

669
00:32:07,640 --> 00:32:10,760
Speaker 1: off the machine, and I'm in the studios seeing they

670
00:32:10,840 --> 00:32:15,440
Speaker 1: never end the southern California. Wow. Right, So I came

671
00:32:15,520 --> 00:32:17,840
Speaker 1: back and watched my mom and my dad just they're

672
00:32:17,880 --> 00:32:21,600
Speaker 1: just shaking me in the in the hospital and she's

673
00:32:21,600 --> 00:32:25,000
Speaker 1: in the chapel. So they pull in the plug. I

674
00:32:25,080 --> 00:32:27,040
Speaker 1: could talk to my mom. I can't. She's just I

675
00:32:27,080 --> 00:32:29,760
Speaker 1: can't even really talk. I'll leave and go back and

676
00:32:30,160 --> 00:32:32,680
Speaker 1: finished recording the vocals to whatever end the other California.

677
00:32:32,800 --> 00:32:35,560
Speaker 1: So I guess it was therapy. I just started looking

678
00:32:35,600 --> 00:32:37,800
Speaker 1: at music like that's why I'm I'm gonna hear all

679
00:32:37,840 --> 00:32:40,040
Speaker 1: these beefs with people like rap groups and everybody, and

680
00:32:40,120 --> 00:32:42,120
Speaker 1: everybody being all hard. I'm like I was seeing the

681
00:32:42,200 --> 00:32:45,680
Speaker 1: most beautiful love songs and all this stuff would happen

682
00:32:45,680 --> 00:32:46,880
Speaker 1: to me, but I wouldn't be out like you know,

683
00:32:47,400 --> 00:32:49,840
Speaker 1: my mama, God Mom. I'm like, bro, there adn't nobody

684
00:32:50,560 --> 00:32:54,200
Speaker 1: like yo, you can still be you through all this,

685
00:32:54,480 --> 00:32:57,240
Speaker 1: you know. Tragic. I mean my first funerals. My my

686
00:32:57,400 --> 00:33:01,000
Speaker 1: sister boy friend killed my brother when I was seven.

687
00:33:01,560 --> 00:33:04,360
Speaker 1: In the first funeral, everyone to you know, they call

688
00:33:04,440 --> 00:33:06,280
Speaker 1: my name and how to get into limousine. I hated

689
00:33:06,320 --> 00:33:08,239
Speaker 1: limousines forever. And when we made it, I'll just never

690
00:33:08,440 --> 00:33:09,960
Speaker 1: they said you want a limousine or a van, I'll

691
00:33:09,960 --> 00:33:12,680
Speaker 1: be a van. You know, because you're seven years old

692
00:33:12,720 --> 00:33:14,960
Speaker 1: and you've only seen your brother for a certain amount

693
00:33:15,000 --> 00:33:18,280
Speaker 1: of years. And my brother was was a straight up

694
00:33:18,320 --> 00:33:23,040
Speaker 1: gangster though you know, hop bad, quarterly black, black, burning,

695
00:33:23,120 --> 00:33:26,680
Speaker 1: sixty seven cooler, just a straight you know, Doug, but

696
00:33:26,880 --> 00:33:31,840
Speaker 1: just a singer, a showman. My brother same country music,

697
00:33:32,680 --> 00:33:34,080
Speaker 1: so he be in the hood, but then he was

698
00:33:34,120 --> 00:33:36,320
Speaker 1: go across the bridge and go watch Charlie Bride sing.

699
00:33:36,640 --> 00:33:38,320
Speaker 1: That makes a lot of sense though, because people don't

700
00:33:38,360 --> 00:33:40,760
Speaker 1: realize the dope as stories that are in country music.

701
00:33:41,360 --> 00:33:44,040
Speaker 1: So you probably got that storytelling the building. Yeah, from

702
00:33:44,080 --> 00:33:46,080
Speaker 1: listening to that, maybe I want my records so I'll

703
00:33:46,120 --> 00:33:48,320
Speaker 1: live me. Do you ever try to will yourself like

704
00:33:48,400 --> 00:33:50,600
Speaker 1: out do those those classic records that you just say,

705
00:33:50,600 --> 00:33:53,000
Speaker 1: you know what, I'm just gonna make records, because with

706
00:33:53,120 --> 00:33:55,200
Speaker 1: the amount of hits that you have and the amount

707
00:33:55,200 --> 00:33:57,360
Speaker 1: of records that you can still play right now in

708
00:33:57,480 --> 00:34:00,080
Speaker 1: the club that people still dance, star still love, do

709
00:34:00,080 --> 00:34:04,040
Speaker 1: you ever try to outdo that? Yeah? Sometimes the way

710
00:34:04,080 --> 00:34:06,440
Speaker 1: I do I call myself a point guard, right because

711
00:34:06,480 --> 00:34:08,200
Speaker 1: I know when to dish the ball. So like if I,

712
00:34:08,360 --> 00:34:10,919
Speaker 1: if I really want to pass it up, maybe I could,

713
00:34:11,280 --> 00:34:13,120
Speaker 1: you know, pass the ball to D'Angelo and didn't do

714
00:34:13,239 --> 00:34:15,759
Speaker 1: Lady and Untitled for him, and then he could take

715
00:34:15,800 --> 00:34:17,359
Speaker 1: it a little bit further, you know what I mean.

716
00:34:17,440 --> 00:34:18,759
Speaker 1: So that's how that's what I like to do. I

717
00:34:18,920 --> 00:34:20,880
Speaker 1: like to work with other artists. Oh so lines you

718
00:34:20,960 --> 00:34:23,520
Speaker 1: did Cranes in the Sky, right, that's a phenomenal song

719
00:34:23,719 --> 00:34:26,880
Speaker 1: Erica bad dude. Yeah, And that's a different route you knows,

720
00:34:26,920 --> 00:34:28,719
Speaker 1: go around this way and that's songs that you know.

721
00:34:29,520 --> 00:34:32,160
Speaker 1: Cranes in the Sky is just sitting in mind, sitting

722
00:34:32,160 --> 00:34:35,399
Speaker 1: in mind. The music was just sitting around for eight years.

723
00:34:35,440 --> 00:34:40,200
Speaker 1: I did that like, okay, you're showing off now, that though,

724
00:34:40,239 --> 00:34:41,800
Speaker 1: because it was sitting there eight years. So it was

725
00:34:41,840 --> 00:34:43,200
Speaker 1: one of those things like I got some eight years

726
00:34:43,239 --> 00:34:45,959
Speaker 1: ago that I didn't. She came by and I pulled

727
00:34:46,000 --> 00:34:47,880
Speaker 1: a song off for her to write to it. For me,

728
00:34:49,040 --> 00:34:51,719
Speaker 1: I'd already sing a different melody was similar to that one,

729
00:34:52,280 --> 00:34:55,120
Speaker 1: and I gave it to her and she, um, she said,

730
00:34:55,160 --> 00:34:56,839
Speaker 1: I'm gonna righte to it. I hadn't heard from her,

731
00:34:56,960 --> 00:35:00,439
Speaker 1: like two three years whatever. She called back, I can, said,

732
00:35:00,440 --> 00:35:04,200
Speaker 1: and I can I get get it without the vocal

733
00:35:04,280 --> 00:35:06,960
Speaker 1: on it. I didn't really, I didn't even I couldn't

734
00:35:06,960 --> 00:35:09,000
Speaker 1: even find it the files. I couldn't find the files.

735
00:35:09,040 --> 00:35:11,920
Speaker 1: And a friend of mine had a copy of it.

736
00:35:12,040 --> 00:35:14,759
Speaker 1: But it was just an instrumental. So what she has

737
00:35:15,320 --> 00:35:17,680
Speaker 1: is just off of a CD. It was all the CDCD.

738
00:35:17,920 --> 00:35:20,080
Speaker 1: That's the CD. So it's wasn't no way to separate it.

739
00:35:20,239 --> 00:35:22,480
Speaker 1: She just sang over the top of it. So when

740
00:35:22,520 --> 00:35:24,239
Speaker 1: you make something from the heart, like I said, I've

741
00:35:24,239 --> 00:35:27,160
Speaker 1: been making music for myself. I never made music to

742
00:35:27,280 --> 00:35:29,560
Speaker 1: be like I want to get this radio station. This

743
00:35:29,719 --> 00:35:34,160
Speaker 1: that I just followed, those those blockers, those White's baby

744
00:35:34,200 --> 00:35:37,120
Speaker 1: Faced and Jimmy tent Jam and all these people, and

745
00:35:37,239 --> 00:35:39,560
Speaker 1: I just let them block them. When I see a hole,

746
00:35:39,560 --> 00:35:41,920
Speaker 1: I run through it. You gotta have that, all right?

747
00:35:42,000 --> 00:35:43,839
Speaker 1: We got more with Raffiol Sadik. When we come back,

748
00:35:43,920 --> 00:35:46,320
Speaker 1: let's get into a Rafiel sad Mini mix. It's the

749
00:35:46,400 --> 00:35:50,600
Speaker 1: Breakfast Club, Good morning morning. Everybody is DJ Envy Angela Yee,

750
00:35:50,719 --> 00:35:52,759
Speaker 1: Charlemagne the guy. We are the Breakfast Club. We're still

751
00:35:52,800 --> 00:35:55,400
Speaker 1: kicking it with Raffael Sadiq Yee. Well you hesitant to

752
00:35:55,440 --> 00:35:58,239
Speaker 1: go solo because after leaving Tony Tony Tony, and then

753
00:35:58,239 --> 00:36:00,759
Speaker 1: you started Lucy Pearl, and was it like and you

754
00:36:00,840 --> 00:36:02,840
Speaker 1: did of course you did your solo stuff, but was

755
00:36:02,880 --> 00:36:04,920
Speaker 1: it something that you wanted to do or were you like,

756
00:36:05,800 --> 00:36:09,439
Speaker 1: I'd rather be in a group. I'm a band guy.

757
00:36:10,000 --> 00:36:12,719
Speaker 1: I like bands. Um, that's why when I left the

758
00:36:12,800 --> 00:36:16,200
Speaker 1: Tony's I immediately called, you know, Shahid from you know,

759
00:36:16,320 --> 00:36:19,160
Speaker 1: Holli Shahid and and I grabbed on It's just fun.

760
00:36:19,480 --> 00:36:21,479
Speaker 1: It's just to me, it's fun or being in the band.

761
00:36:21,560 --> 00:36:24,520
Speaker 1: But after that didn't work? Why didn't that work? It's

762
00:36:24,520 --> 00:36:32,040
Speaker 1: like three years Lucy Pearl? No, just why did Lucy

763
00:36:32,080 --> 00:36:38,640
Speaker 1: Pearl work? Well? Don was sort of yeah, sort of

764
00:36:38,800 --> 00:36:41,880
Speaker 1: a devil. Well that's what they called themselves. But I

765
00:36:41,960 --> 00:36:44,320
Speaker 1: mean she she wasn't involved, and she wanted to do

766
00:36:44,400 --> 00:36:46,120
Speaker 1: a solo act. She wanted to be a solo She

767
00:36:46,280 --> 00:36:48,400
Speaker 1: left them to do a solo act. And then we

768
00:36:48,520 --> 00:36:50,719
Speaker 1: sort of came along and said can we usually for

769
00:36:50,800 --> 00:36:53,000
Speaker 1: a minute, and then she sort of lend us her talent.

770
00:36:53,480 --> 00:36:55,320
Speaker 1: But then she said, now it was time for me

771
00:36:55,360 --> 00:36:57,160
Speaker 1: to go solo. But it was like six months into

772
00:36:57,280 --> 00:36:59,400
Speaker 1: like I want to dance tonight. That was quick. Have

773
00:36:59,480 --> 00:37:02,040
Speaker 1: you forgiven for that? Yes, I've grown up to be

774
00:37:02,120 --> 00:37:06,160
Speaker 1: a great adult, and you know I forgive everybody these days.

775
00:37:06,280 --> 00:37:09,520
Speaker 1: Maybe now you can't. I'm on into that. Like you know,

776
00:37:09,960 --> 00:37:11,919
Speaker 1: I wanted to be what it was all the time.

777
00:37:12,320 --> 00:37:14,520
Speaker 1: You know, I heard that you guys can't do Tony

778
00:37:14,560 --> 00:37:16,960
Speaker 1: Tony Tony because someone else owns the name. My brother

779
00:37:17,040 --> 00:37:19,200
Speaker 1: owns the name, Dwayne. That's no, that's not why we

780
00:37:19,239 --> 00:37:20,600
Speaker 1: didn't do it. I just I didn't want to be

781
00:37:20,640 --> 00:37:22,440
Speaker 1: looked at like a temptation, like I can only do

782
00:37:22,520 --> 00:37:24,200
Speaker 1: one thing, you know what I mean? So I was

783
00:37:24,520 --> 00:37:26,799
Speaker 1: and nobody looks at you like that. Oh no, you don't, now,

784
00:37:27,280 --> 00:37:28,759
Speaker 1: I just said. I felt like it was more I

785
00:37:28,840 --> 00:37:31,239
Speaker 1: had to do, you know. Um As an artist, I

786
00:37:31,320 --> 00:37:33,160
Speaker 1: saw it was so much building in me and I

787
00:37:33,320 --> 00:37:35,120
Speaker 1: was learning myself at the same time that I can

788
00:37:35,200 --> 00:37:38,279
Speaker 1: make records that people actually actually listen to me sing.

789
00:37:38,360 --> 00:37:39,680
Speaker 1: Because I didn't want to be a singer. I was

790
00:37:39,760 --> 00:37:41,400
Speaker 1: a bass player. I didn't want to. I had never

791
00:37:41,480 --> 00:37:44,040
Speaker 1: wanted to be a friend guy and sing. But once

792
00:37:44,120 --> 00:37:47,160
Speaker 1: I started writing producing, UM, I just felt like I

793
00:37:47,280 --> 00:37:48,839
Speaker 1: needed to go out and grow a little bit work

794
00:37:48,880 --> 00:37:51,800
Speaker 1: with some different people, and we just grew differently. You

795
00:37:51,880 --> 00:37:54,120
Speaker 1: mean my brother. I love my brother to death. We

796
00:37:54,280 --> 00:37:56,719
Speaker 1: had we had issues a little bit, but we a

797
00:37:56,800 --> 00:37:58,239
Speaker 1: little bit of money, and you get little bit of money.

798
00:37:58,280 --> 00:38:00,799
Speaker 1: People just have different friends and you have your set

799
00:38:00,840 --> 00:38:03,680
Speaker 1: of five friends. I have my set of two, and

800
00:38:04,760 --> 00:38:07,320
Speaker 1: and other people people get married to him got married,

801
00:38:07,400 --> 00:38:09,640
Speaker 1: and then you know, people have different ideas. And my

802
00:38:09,680 --> 00:38:12,919
Speaker 1: whole thing was at the time, I wasn't smart enough

803
00:38:13,000 --> 00:38:16,960
Speaker 1: to like deal with to corrowding together and say like, look, bam,

804
00:38:17,040 --> 00:38:20,680
Speaker 1: let's let's stay together and let's make the Scragords. I

805
00:38:20,760 --> 00:38:22,839
Speaker 1: know y'all think that I'm I'm the singer, I can

806
00:38:22,880 --> 00:38:25,480
Speaker 1: go solo any day, and I didn't know how to

807
00:38:25,520 --> 00:38:27,480
Speaker 1: do that, so I just that's what they believe. So

808
00:38:27,560 --> 00:38:30,440
Speaker 1: I just I just went home and after we did

809
00:38:30,480 --> 00:38:33,359
Speaker 1: this VH one show, I just came home and sat

810
00:38:33,440 --> 00:38:35,080
Speaker 1: my suitcase down on the piano and I just never

811
00:38:35,120 --> 00:38:37,279
Speaker 1: called nobody back ever again. But see, I think that

812
00:38:37,360 --> 00:38:39,680
Speaker 1: they probably knew that was gonna happen eventually, and they

813
00:38:39,719 --> 00:38:41,839
Speaker 1: probably was dreading that day. So it's like you did

814
00:38:41,880 --> 00:38:44,520
Speaker 1: it and just confirmed all of their suspicions and anxiety

815
00:38:44,560 --> 00:38:46,920
Speaker 1: to beginning. Yeah, no, but I had a lot of reasons.

816
00:38:47,680 --> 00:38:49,440
Speaker 1: You know, Like I said, we all grew different than

817
00:38:49,480 --> 00:38:52,840
Speaker 1: money got funny. The executives got weird, and you know,

818
00:38:52,880 --> 00:38:54,239
Speaker 1: if people were telling me I'm gonna kill you and

819
00:38:54,280 --> 00:38:58,040
Speaker 1: put a horsehead in your bed, it got really at Extein.

820
00:38:58,880 --> 00:39:01,680
Speaker 1: At Extein, they was the president of PolyGram at the time.

821
00:39:02,680 --> 00:39:04,560
Speaker 1: You put a horse head in your bad yeah, he was.

822
00:39:04,880 --> 00:39:08,640
Speaker 1: But we're friends. Now we're friends. Yeah, we're friends. He

823
00:39:08,800 --> 00:39:10,600
Speaker 1: I think he just watched a couple of Mafia movies

824
00:39:10,600 --> 00:39:12,200
Speaker 1: and he didn't know off something he didn't know off

825
00:39:12,280 --> 00:39:14,040
Speaker 1: from the East Bay, and I was like, boy, is

826
00:39:14,080 --> 00:39:16,359
Speaker 1: you serious? You better tell me you serious? And now

827
00:39:16,360 --> 00:39:18,720
Speaker 1: I called him lefting on his machine. If you're serious,

828
00:39:18,760 --> 00:39:22,600
Speaker 1: now let me know. But why why do you want

829
00:39:22,640 --> 00:39:25,000
Speaker 1: to do that to you? I think because he felt

830
00:39:25,040 --> 00:39:26,759
Speaker 1: like he was breaking the group up. He thought I

831
00:39:26,840 --> 00:39:28,520
Speaker 1: was gonna break I was never. I never wanted to

832
00:39:28,640 --> 00:39:31,640
Speaker 1: leave never never ever. That put them on my eyes.

833
00:39:31,719 --> 00:39:34,600
Speaker 1: I never wanted to leave um. But they started. You know,

834
00:39:35,040 --> 00:39:38,120
Speaker 1: they actually called Stokely for men Condition and asked him

835
00:39:38,160 --> 00:39:40,759
Speaker 1: to be the new lead singer to Tony. Who did that?

836
00:39:41,600 --> 00:39:44,279
Speaker 1: Ed did? He also took the guitar player that we had,

837
00:39:44,840 --> 00:39:46,400
Speaker 1: who was a friend of mine who I put in

838
00:39:46,480 --> 00:39:49,640
Speaker 1: the group just to play. He called him and they

839
00:39:49,719 --> 00:39:52,279
Speaker 1: told the other guys, won't you just take him? And

840
00:39:53,400 --> 00:39:57,480
Speaker 1: and then called Mint Stokely. Stokely called me and said, Bro,

841
00:39:57,920 --> 00:40:01,320
Speaker 1: what's going on? Bro? I was like, Bro, whatever going on?

842
00:40:01,520 --> 00:40:05,800
Speaker 1: What whatever's going on with your situation? And meant, trust me,

843
00:40:05,920 --> 00:40:08,440
Speaker 1: it can't be. It can't be. Nowhere nearest about is

844
00:40:08,480 --> 00:40:11,240
Speaker 1: this now? I was that so that just never happened.

845
00:40:11,280 --> 00:40:13,240
Speaker 1: What would make him think that he could just remove

846
00:40:13,320 --> 00:40:15,560
Speaker 1: you and plug somebody else in and the public was

847
00:40:15,600 --> 00:40:17,880
Speaker 1: gonna be accepting in that? Man, I have the slightest

848
00:40:18,000 --> 00:40:20,839
Speaker 1: idea anniversary and just meing you, what was the mind

849
00:40:20,920 --> 00:40:22,799
Speaker 1: frame with? What were you thinking when you wrote those?

850
00:40:23,040 --> 00:40:25,480
Speaker 1: It was the lady that had you open. I don't

851
00:40:25,480 --> 00:40:31,680
Speaker 1: even I wasn't writing about a person anniversary without having

852
00:40:31,719 --> 00:40:34,960
Speaker 1: somebody's problems. I don't believe you. I refuse to believe

853
00:40:35,400 --> 00:40:41,560
Speaker 1: that somebody you wanted y'all always wanted something. But like

854
00:40:41,719 --> 00:40:43,719
Speaker 1: as like I said, I have a vivid imagination, so

855
00:40:44,360 --> 00:40:47,040
Speaker 1: I can look at anybody's situation. It's almost like a freestyle,

856
00:40:47,160 --> 00:40:50,080
Speaker 1: you know, like an mc you can just know everybody's situation,

857
00:40:51,080 --> 00:40:53,160
Speaker 1: just me and you. John Singleton came to me and said,

858
00:40:53,440 --> 00:40:57,040
Speaker 1: what a justice no boys in the hood. He came

859
00:40:57,080 --> 00:41:00,840
Speaker 1: to me and said, uh, there's a kneel long and

860
00:41:01,040 --> 00:41:03,000
Speaker 1: this kid are gonna be in the locker room making out.

861
00:41:03,040 --> 00:41:05,799
Speaker 1: I need a song for it. I never saw the clip.

862
00:41:06,000 --> 00:41:07,719
Speaker 1: He just told me what it was, and then I

863
00:41:07,800 --> 00:41:09,959
Speaker 1: wrote just Me and you. So that was my first solo.

864
00:41:10,160 --> 00:41:13,319
Speaker 1: Just disrespect Cuba Gooden. I guess he deserves it right now. Cuba, Yeah,

865
00:41:13,680 --> 00:41:19,640
Speaker 1: my bad, my bad. I mean I'm speaking how John,

866
00:41:19,800 --> 00:41:22,400
Speaker 1: That's what John said, John Card John called him just

867
00:41:22,560 --> 00:41:24,759
Speaker 1: the kid. Damn people, just the kid. At the time,

868
00:41:25,400 --> 00:41:32,040
Speaker 1: we no, no, yeah, yeah, so yeah. So I wrote

869
00:41:32,080 --> 00:41:35,000
Speaker 1: this song at my mom's house and in m in

870
00:41:35,120 --> 00:41:38,879
Speaker 1: my room and I forgot the hook to the song

871
00:41:39,080 --> 00:41:41,799
Speaker 1: just so I changed it all and this girl came over.

872
00:41:42,080 --> 00:41:43,759
Speaker 1: I let her hear the song. She heard it back then,

873
00:41:43,840 --> 00:41:45,640
Speaker 1: she said, what happened you? You changed it? I said,

874
00:41:45,640 --> 00:41:48,000
Speaker 1: I forgot it and she sang me the hook. That's

875
00:41:48,040 --> 00:41:49,880
Speaker 1: how I remember that. And when I put the record

876
00:41:49,920 --> 00:41:53,560
Speaker 1: out at X time told John Singleton that it couldn't

877
00:41:53,560 --> 00:41:56,040
Speaker 1: say Raphael Wiggins My name was Wiggins at the time,

878
00:41:56,200 --> 00:41:58,080
Speaker 1: and I said why not. He just said it has

879
00:41:58,120 --> 00:42:00,200
Speaker 1: to say Tony, Tony Tony. So that was my first

880
00:42:00,239 --> 00:42:03,680
Speaker 1: solo record, didn't he didn't ask of you. Ed said

881
00:42:03,719 --> 00:42:06,040
Speaker 1: the same thing, And I told you that's I changed

882
00:42:06,080 --> 00:42:09,560
Speaker 1: my name to Sadik at that time. And um wow,

883
00:42:09,719 --> 00:42:12,480
Speaker 1: I told I told John that I couldn't. You couldn't

884
00:42:12,520 --> 00:42:14,560
Speaker 1: put in a movie if it doesn't say rod Fiel Sadik.

885
00:42:14,640 --> 00:42:17,319
Speaker 1: And he called ED, He called Business Affairs and said, hey,

886
00:42:17,440 --> 00:42:19,719
Speaker 1: this this record is gonna say rod Fiel Sadik. So

887
00:42:20,280 --> 00:42:23,480
Speaker 1: did y'all make money? Yeah, we have a new addition. No, no, no, no, no,

888
00:42:23,800 --> 00:42:25,680
Speaker 1: well our first situation, no, we didn't make money. Now

889
00:42:25,719 --> 00:42:28,800
Speaker 1: we were driving all our honey scards you know. Um no,

890
00:42:28,920 --> 00:42:30,560
Speaker 1: we didn't have We didn't have money now, not in

891
00:42:30,640 --> 00:42:33,359
Speaker 1: the beginning out the first album, the second album. First

892
00:42:33,400 --> 00:42:35,640
Speaker 1: album had what feels feels good? No, no, no, no, no,

893
00:42:35,880 --> 00:42:37,719
Speaker 1: what the first album had little Walter on it. That

894
00:42:37,840 --> 00:42:48,120
Speaker 1: was there, you go. What was the first thing? Wow,

895
00:42:48,840 --> 00:42:51,080
Speaker 1: my record has always been talking about somebody getting murdered,

896
00:42:51,120 --> 00:42:52,640
Speaker 1: you know what I mean? Yeah, you don't ever feel

897
00:42:52,680 --> 00:42:54,759
Speaker 1: bad for the other Tonies though, Well, they toured, they've

898
00:42:54,760 --> 00:42:57,840
Speaker 1: been touring for the band's been going strung. It's I

899
00:42:57,920 --> 00:42:59,920
Speaker 1: left at ninety seven, right, they still going. They've been

900
00:43:00,040 --> 00:43:02,239
Speaker 1: touring for the least singer that was in the group

901
00:43:02,320 --> 00:43:04,160
Speaker 1: was in there longer than I was. But anyway, no,

902
00:43:04,280 --> 00:43:06,680
Speaker 1: don't nobody remember. No disrespect to him. But people don't

903
00:43:06,760 --> 00:43:09,200
Speaker 1: They don't that sign that your voice with Tony Tony

904
00:43:09,200 --> 00:43:11,120
Speaker 1: Tony belongs to you. Oh yeah, he was a nobody

905
00:43:11,160 --> 00:43:16,439
Speaker 1: for sure. But I'm saying what I'm saying, what i mean, yeah,

906
00:43:17,200 --> 00:43:20,719
Speaker 1: fancy yancy, But yeah, I'm saying when it comes to me,

907
00:43:21,120 --> 00:43:24,600
Speaker 1: this radio personality told me on radio that he went

908
00:43:24,640 --> 00:43:27,240
Speaker 1: to see the Tony's and he was to his surprise.

909
00:43:27,600 --> 00:43:30,640
Speaker 1: He didn't miss me. Really, that's disrespect, he said. He

910
00:43:30,719 --> 00:43:33,000
Speaker 1: said a few times that person out the radio, Yeah,

911
00:43:33,080 --> 00:43:36,719
Speaker 1: still on the radio. Who was it? This definitely was

912
00:43:37,000 --> 00:43:42,160
Speaker 1: opening Okay, Yeah, he said it like like a lot,

913
00:43:42,239 --> 00:43:45,680
Speaker 1: say that he's heating. I don't think so that's I

914
00:43:45,719 --> 00:43:47,600
Speaker 1: think he's huge Tony's fan. He just loves the music,

915
00:43:49,239 --> 00:43:53,160
Speaker 1: he said. Yeah, okay, he said he said it about

916
00:43:53,239 --> 00:43:55,480
Speaker 1: like three times on already I'm on the phone, like damns.

917
00:43:55,520 --> 00:43:57,120
Speaker 1: He like I thought he was kind of going on

918
00:43:57,280 --> 00:43:59,160
Speaker 1: me too, so I just said, what time the reason

919
00:43:59,160 --> 00:44:01,080
Speaker 1: why you didn't miss becau? I wrote all of it.

920
00:44:01,280 --> 00:44:03,360
Speaker 1: You're never gonna miss me. I'm always there. That's a

921
00:44:03,360 --> 00:44:05,400
Speaker 1: good stat what's the importance of the other two, because

922
00:44:05,400 --> 00:44:08,160
Speaker 1: I think people will see them and think that there's

923
00:44:08,200 --> 00:44:10,279
Speaker 1: no importance. What's the importance of it? I'll tell you

924
00:44:10,320 --> 00:44:13,040
Speaker 1: like each one. Okay, Tim a little lazy, but he

925
00:44:13,160 --> 00:44:15,680
Speaker 1: was the most talented one in the group. He wrote

926
00:44:15,719 --> 00:44:17,839
Speaker 1: it never ends to Southern California. He put the music

927
00:44:17,880 --> 00:44:20,960
Speaker 1: on the cassette, took off with some girl, dropped it

928
00:44:21,040 --> 00:44:23,000
Speaker 1: off to the room and I played it and it

929
00:44:23,160 --> 00:44:34,879
Speaker 1: was bold, dunna the whole thing that rangs and yeah yeah,

930
00:44:35,200 --> 00:44:38,279
Speaker 1: and I'm sitting there listening to it like it just

931
00:44:38,440 --> 00:44:41,279
Speaker 1: kept going for a long time. Didn't it change it? No? No,

932
00:44:41,440 --> 00:44:44,239
Speaker 1: no no. So it was a way too long before

933
00:44:44,320 --> 00:44:45,919
Speaker 1: once the other part. And then that's when I found

934
00:44:45,920 --> 00:44:48,520
Speaker 1: out I could produce. I shorten it and made it

935
00:44:48,600 --> 00:44:52,440
Speaker 1: go happen fast. But really that's what I did. He

936
00:44:52,520 --> 00:44:55,319
Speaker 1: brought the whole entire song, So that's Tim and um

937
00:44:55,600 --> 00:44:59,239
Speaker 1: and then I wrote, you know the verses, and then

938
00:44:59,360 --> 00:45:03,239
Speaker 1: Dwayne wrote, now but maybe on the East Coast. And

939
00:45:03,320 --> 00:45:05,239
Speaker 1: he didn't get no credit for it either way. He

940
00:45:05,360 --> 00:45:10,080
Speaker 1: got me back on um, whatever you Want, So he

941
00:45:10,200 --> 00:45:12,960
Speaker 1: wrote it, him and Tim and Carl wrote it, but

942
00:45:13,080 --> 00:45:16,800
Speaker 1: I wrote, you know, I can't feel vine. Whatever you

943
00:45:16,920 --> 00:45:19,960
Speaker 1: Need called sixty two twenty one. So we had a

944
00:45:20,000 --> 00:45:22,000
Speaker 1: meeting and him and Tim came in the meeting and

945
00:45:22,080 --> 00:45:24,560
Speaker 1: tell me, yeah, you didn't write it on Whatever you Want.

946
00:45:24,760 --> 00:45:38,480
Speaker 1: I'm like, that's my phone number calling me time I

947
00:45:38,560 --> 00:45:42,439
Speaker 1: wrote it. That's my phone number. That's the first phone

948
00:45:42,520 --> 00:45:45,200
Speaker 1: that I had, And that's me singing it. I produced.

949
00:45:45,320 --> 00:45:47,960
Speaker 1: They never ever gave me nothing to sing in life

950
00:45:48,080 --> 00:45:51,120
Speaker 1: on the No Tony's album. Nobody never told me what

951
00:45:51,239 --> 00:45:54,800
Speaker 1: to sing. They watched this right Oh they no, no, no, no, no,

952
00:45:55,120 --> 00:45:58,120
Speaker 1: they know. But but I that's me singing about him,

953
00:45:58,440 --> 00:46:05,120
Speaker 1: just as Shure's my name is, Oh, Dwayne, Dwayne. This

954
00:46:05,320 --> 00:46:07,680
Speaker 1: whole time I thought he say, just as my name is.

955
00:46:08,400 --> 00:46:12,160
Speaker 1: That's Dwayne's favorite part. I love to lights up when

956
00:46:12,239 --> 00:46:14,799
Speaker 1: you say that. I'm want to make Duwayne light up.

957
00:46:14,800 --> 00:46:17,239
Speaker 1: All you got to say just as shows my name

958
00:46:17,360 --> 00:46:21,800
Speaker 1: is Joe. He'll be like this already, y'all know. He

959
00:46:21,880 --> 00:46:26,000
Speaker 1: was saying Dwayne. I thought he was saying, Tony, that's Dwayne,

960
00:46:27,080 --> 00:46:30,640
Speaker 1: that's d w Payne Wiggins. So in order to get

961
00:46:30,680 --> 00:46:32,560
Speaker 1: that energy, y'all do have to be together to get that.

962
00:46:32,680 --> 00:46:34,320
Speaker 1: In order for us to get that, I mean, you

963
00:46:34,360 --> 00:46:35,879
Speaker 1: can't go back in time, but to get that Tony

964
00:46:35,920 --> 00:46:38,560
Speaker 1: Tony Tony energy, y'all have to be together. Kind of Now,

965
00:46:38,600 --> 00:46:41,160
Speaker 1: I saw my new album Energy said, I'm excited here.

966
00:46:41,920 --> 00:46:45,400
Speaker 1: It's like bio people be fire. Yeah. I feel like

967
00:46:45,440 --> 00:46:49,040
Speaker 1: it's a lot we don't know really, that whole journey.

968
00:46:49,200 --> 00:46:50,960
Speaker 1: Oh no, I still the story is still going. I

969
00:46:51,040 --> 00:46:52,960
Speaker 1: definitely want to I definitely want to do something. It's

970
00:46:52,960 --> 00:46:54,520
Speaker 1: a lot of it's a lot of stories you need

971
00:46:54,600 --> 00:46:56,800
Speaker 1: to be told, you know what I mean. But I

972
00:46:56,880 --> 00:46:58,759
Speaker 1: want everybody to really like even though I say this

973
00:46:58,840 --> 00:47:01,480
Speaker 1: record Jimmy Lee is about my brother, it's not a downer.

974
00:47:01,560 --> 00:47:05,160
Speaker 1: It's like it's sort of like an uplifting record. And uh, now,

975
00:47:05,239 --> 00:47:07,280
Speaker 1: you know, you might be dancing and your two staff

976
00:47:07,360 --> 00:47:09,600
Speaker 1: and be like damn, you know, and you hear something

977
00:47:09,600 --> 00:47:13,600
Speaker 1: a little like wow, But I'm really excited about the record.

978
00:47:13,880 --> 00:47:16,520
Speaker 1: All right. Well, Rafaelsa, did we appreciate you for joining us?

979
00:47:16,680 --> 00:47:20,320
Speaker 1: Death it's the breakfast Club. Good morning. Let's don't be

980
00:47:20,360 --> 00:47:24,600
Speaker 1: a dusty because right now you want some red. It's

981
00:47:24,680 --> 00:47:26,680
Speaker 1: time for Donkey of the Day. So if we ever

982
00:47:26,760 --> 00:47:29,200
Speaker 1: feel I need to be a donk man with the heat,

983
00:47:30,480 --> 00:47:34,480
Speaker 1: did she get please me? I had become Donkey of

984
00:47:34,640 --> 00:47:39,759
Speaker 1: the day, thereat Club. Bitch, Yeah, donkey. They've go to

985
00:47:39,800 --> 00:47:41,759
Speaker 1: a group of middle school students in Ohio. Okay. The

986
00:47:41,800 --> 00:47:44,920
Speaker 1: school is called Hi It's middle school. It's located in Powell.

987
00:47:45,000 --> 00:47:48,520
Speaker 1: I think I pronounced that right, Powell. Of course, no

988
00:47:48,680 --> 00:47:50,799
Speaker 1: names have been released in regards to this situation because

989
00:47:50,800 --> 00:47:52,719
Speaker 1: these middle school kids are just that kids, all right.

990
00:47:52,719 --> 00:47:55,239
Speaker 1: And let the record show I was a badass little

991
00:47:55,280 --> 00:47:57,239
Speaker 1: kid around seven. For eighth grade is when I really

992
00:47:57,280 --> 00:48:00,200
Speaker 1: started being disruptive. Most of my disruptions came in form

993
00:48:00,239 --> 00:48:01,839
Speaker 1: of pranks. I was all about the joke. I wanted

994
00:48:01,840 --> 00:48:03,600
Speaker 1: to laugh, okay, and I wanted you know, I would

995
00:48:03,600 --> 00:48:05,560
Speaker 1: get that laugh, regardless of who I had to embarrass

996
00:48:05,640 --> 00:48:07,160
Speaker 1: to get it. Now, my teachers used to be on

997
00:48:07,239 --> 00:48:09,720
Speaker 1: the receiving end of a lot of this disruptive energy

998
00:48:10,000 --> 00:48:12,760
Speaker 1: I was giving out all we used to terrorize teachers.

999
00:48:12,800 --> 00:48:14,400
Speaker 1: I want to tell you some stories but y'all soo

1000
00:48:14,480 --> 00:48:16,719
Speaker 1: sensitive nowadays, y'all might try to get me punished for

1001
00:48:16,800 --> 00:48:18,839
Speaker 1: things I did in seventh for the eighth grade. Okay,

1002
00:48:18,840 --> 00:48:20,239
Speaker 1: that's why I write books, though, And you can go

1003
00:48:20,320 --> 00:48:22,759
Speaker 1: get my New York Times bestseller Black Privilege to read

1004
00:48:22,760 --> 00:48:25,080
Speaker 1: all about my old wild out days. Now, I will say,

1005
00:48:25,320 --> 00:48:28,040
Speaker 1: I'll tell you one. And you know I have seen

1006
00:48:29,120 --> 00:48:31,800
Speaker 1: bodily secretions. You used just props in the prank. Okay,

1007
00:48:31,880 --> 00:48:33,440
Speaker 1: I have a cousin who wants told to teach it.

1008
00:48:33,880 --> 00:48:36,680
Speaker 1: You have something on your nose. The teacher said what,

1009
00:48:36,880 --> 00:48:39,200
Speaker 1: and he said it's right there. And she said where,

1010
00:48:39,280 --> 00:48:43,000
Speaker 1: And he, with suffocation on his finger, proceeded to say

1011
00:48:43,080 --> 00:48:45,440
Speaker 1: right there and smear a little poop patte under her

1012
00:48:45,480 --> 00:48:48,919
Speaker 1: nose where her mustache would be. Listen. In seventh grade,

1013
00:48:48,920 --> 00:48:50,839
Speaker 1: I thought that was hilarious. At forty, I do think

1014
00:48:50,880 --> 00:48:52,920
Speaker 1: it's disgusting all right now. I often ask myself what

1015
00:48:53,000 --> 00:48:54,440
Speaker 1: the hell was wrong with us? And I'm bringing that

1016
00:48:54,560 --> 00:48:56,440
Speaker 1: up because when I saw this story this morning in

1017
00:48:56,480 --> 00:48:58,239
Speaker 1: the New York Post, I had to think, in seven

1018
00:48:58,320 --> 00:49:00,960
Speaker 1: for eighth grade, what I have done something like this?

1019
00:49:01,680 --> 00:49:03,560
Speaker 1: The answer for me would be no, would my friends

1020
00:49:03,600 --> 00:49:05,520
Speaker 1: of family have done something like this. Wow, I just

1021
00:49:05,600 --> 00:49:07,240
Speaker 1: told you what he did with a little diaper gravy

1022
00:49:07,280 --> 00:49:09,880
Speaker 1: to a teacher. So it's possible. But I want you

1023
00:49:09,960 --> 00:49:12,000
Speaker 1: all to think back to seven for eighth grade. Put

1024
00:49:12,080 --> 00:49:14,400
Speaker 1: yourself in this mindset and ask yourself, would you have

1025
00:49:14,560 --> 00:49:16,520
Speaker 1: done with these kids at a Hyatt middle school in

1026
00:49:16,560 --> 00:49:20,600
Speaker 1: Ohio allegedly did Let's go to WBN STBs ten for

1027
00:49:20,680 --> 00:49:25,120
Speaker 1: the report. Police a disturbing allegation against middle school students tonight,

1028
00:49:25,239 --> 00:49:29,000
Speaker 1: and investigation is underway into whether they put bodily fluids

1029
00:49:29,200 --> 00:49:32,800
Speaker 1: on food fed to their teachers. The alleged assaults happened

1030
00:49:32,880 --> 00:49:36,560
Speaker 1: Thursday in a global gourmet class at Hyatt's Middle School.

1031
00:49:36,920 --> 00:49:39,800
Speaker 1: Olin Tangee School says it was during a student cooking

1032
00:49:39,880 --> 00:49:44,040
Speaker 1: competition that students allegedly contaminated food they were serving to

1033
00:49:44,200 --> 00:49:48,680
Speaker 1: teachers who were judging the contest. More specifically, students are

1034
00:49:48,719 --> 00:49:52,280
Speaker 1: alleged to have put urine and or seamen onto creeps

1035
00:49:52,520 --> 00:49:56,000
Speaker 1: fed to teachers. According to information received by the Delaware

1036
00:49:56,080 --> 00:49:59,120
Speaker 1: County Sheriff's Office, a video of some portion of the

1037
00:49:59,200 --> 00:50:02,840
Speaker 1: acts was sir sculating Thursday. School administrators learned of the

1038
00:50:02,880 --> 00:50:06,600
Speaker 1: alleged act and contacted police tonight. The Sheriff's office is

1039
00:50:06,640 --> 00:50:10,600
Speaker 1: actively investigating, but has not yet filed charges. The charge

1040
00:50:10,680 --> 00:50:14,080
Speaker 1: that could apply is felony assault because it was committed

1041
00:50:14,160 --> 00:50:18,320
Speaker 1: at school and against a teacher. That's right, you heard correctly.

1042
00:50:18,640 --> 00:50:20,719
Speaker 1: These kids put a little two ball throat cream into

1043
00:50:20,760 --> 00:50:23,680
Speaker 1: some crapes. All right. First of all, I wouldn't have

1044
00:50:23,760 --> 00:50:26,200
Speaker 1: done this in middle school because I didn't ejaculate until

1045
00:50:26,200 --> 00:50:27,879
Speaker 1: at least tenth crepe, all right. I didn't have sex

1046
00:50:27,920 --> 00:50:29,759
Speaker 1: and mathbad until high school, so I wouldn't have known

1047
00:50:29,960 --> 00:50:32,520
Speaker 1: how to produce that man shot around command if I tried.

1048
00:50:32,760 --> 00:50:35,279
Speaker 1: All right, Number one, kids, if you did this, why

1049
00:50:35,320 --> 00:50:38,040
Speaker 1: would you record it? All right? Nobody? Nobody would have

1050
00:50:38,120 --> 00:50:39,920
Speaker 1: known it was any nut button in the crapes if

1051
00:50:39,960 --> 00:50:42,239
Speaker 1: you didn't record it. Now the authorities are working with

1052
00:50:42,280 --> 00:50:44,480
Speaker 1: school officials and conducting lab tests see if it was

1053
00:50:44,520 --> 00:50:46,720
Speaker 1: indeed the cream of some young guy in the crapes.

1054
00:50:46,920 --> 00:50:50,040
Speaker 1: All right, Okay, I have nothing else to say about

1055
00:50:50,160 --> 00:50:52,640
Speaker 1: this Donkey of the day, okay, because Donkey of the

1056
00:50:52,719 --> 00:50:55,040
Speaker 1: Day is all about giving people the credit they deserve

1057
00:50:55,080 --> 00:50:57,520
Speaker 1: for being stupid. And I think we can all agree

1058
00:50:57,719 --> 00:51:01,160
Speaker 1: putting a little penis putting in the teacher's arapes. It's

1059
00:51:01,200 --> 00:51:04,800
Speaker 1: indeed stupid, all right, Please give these kids at the

1060
00:51:04,880 --> 00:51:10,400
Speaker 1: Heights Middle School the biggest hea hall. Also keep in

1061
00:51:10,480 --> 00:51:12,320
Speaker 1: mind the lawyer from one of the students said to

1062
00:51:12,560 --> 00:51:18,600
Speaker 1: use caution before reaching any conclusions, and I agree with that,

1063
00:51:18,800 --> 00:51:21,000
Speaker 1: all right. This could be a misunderstanding or there might

1064
00:51:21,040 --> 00:51:24,120
Speaker 1: be a lotion called caution, and reaching a conclusion is

1065
00:51:24,239 --> 00:51:28,760
Speaker 1: sling for letting off that pecker snot all right, your kids,

1066
00:51:29,800 --> 00:51:32,239
Speaker 1: You guys are disgusting, bro listen, and kids know how

1067
00:51:32,320 --> 00:51:34,360
Speaker 1: betterf be lucky they're not in Alabama, all right, pool

1068
00:51:34,360 --> 00:51:35,879
Speaker 1: around to go to jail for dumping all those babies

1069
00:51:35,920 --> 00:51:39,520
Speaker 1: down to drink. All right, Okay, so you would put

1070
00:51:39,600 --> 00:51:42,000
Speaker 1: your finger in your poop to put it on your teacher,

1071
00:51:42,320 --> 00:51:44,560
Speaker 1: you know? All right? Well, Matt, you should spit on

1072
00:51:44,640 --> 00:51:48,520
Speaker 1: a toilet paper and wipe your button. And according to doctors,

1073
00:51:48,560 --> 00:51:51,200
Speaker 1: those crapes are perfectly fine because the back t the

1074
00:51:51,320 --> 00:51:54,279
Speaker 1: back tear from cooking the crapes. The heat kills all

1075
00:51:54,320 --> 00:51:57,720
Speaker 1: the sea from the back tear in the seam. According

1076
00:51:57,719 --> 00:52:00,479
Speaker 1: to doctor os Charlamune, thank you for that. Don Today.

1077
00:52:00,520 --> 00:52:03,040
Speaker 1: When we come back, Mike Epps will be joining us

1078
00:52:03,120 --> 00:52:05,560
Speaker 1: Mike Epps has a new Specialists coming out. Also, he

1079
00:52:05,640 --> 00:52:07,520
Speaker 1: just got married. So we're kicking with Mike Epps when

1080
00:52:07,560 --> 00:52:09,160
Speaker 1: we come back. Don't move as the Breakfast Club. Good

1081
00:52:09,160 --> 00:52:14,600
Speaker 1: morning the Breakfast Club. Yeah, it's one of the most dangers.

1082
00:52:14,600 --> 00:52:17,000
Speaker 1: Want to show to Breakfast Club. Charlomagne and God Angelie. Ye,

1083
00:52:17,280 --> 00:52:20,960
Speaker 1: I don't know where. Okay, we got my man in here,

1084
00:52:21,040 --> 00:52:23,799
Speaker 1: Mike Epps. Mike Epps, what's happening, brother man? You got

1085
00:52:24,120 --> 00:52:27,719
Speaker 1: what's up? Charlemagne? What's up? Man? White man? On your honeymoon? Yeah,

1086
00:52:27,840 --> 00:52:30,279
Speaker 1: first before let's say congratulations, before you even do that,

1087
00:52:30,400 --> 00:52:32,799
Speaker 1: congratulations to you, Mike app that's big jail. You got

1088
00:52:32,920 --> 00:52:35,040
Speaker 1: married and you had to stand up, come out all

1089
00:52:35,080 --> 00:52:37,239
Speaker 1: like in the same way. Yeah. Yeah, that was a

1090
00:52:37,560 --> 00:52:40,800
Speaker 1: devil devil. Yeah, I'm a happy man. I'm proud I

1091
00:52:40,920 --> 00:52:44,279
Speaker 1: met me a beautiful young lady man. And uh, you know,

1092
00:52:44,400 --> 00:52:46,560
Speaker 1: we're happy. Man. We're doing our thing. We you know,

1093
00:52:46,719 --> 00:52:50,000
Speaker 1: we work together. And I tell everybody they gotta get

1094
00:52:50,040 --> 00:52:51,800
Speaker 1: him to find him a good partner to make this

1095
00:52:51,960 --> 00:52:54,400
Speaker 1: life work. There you go, some Kevin laws to me

1096
00:52:54,440 --> 00:52:55,799
Speaker 1: that a long time ago. He said, I'm not gonna

1097
00:52:55,800 --> 00:52:57,200
Speaker 1: tell you to get married. But I'm gonna tell you

1098
00:52:57,200 --> 00:52:59,520
Speaker 1: to find somebody to share your life experiences. That's right,

1099
00:53:00,440 --> 00:53:03,160
Speaker 1: you can do it with. Yeah, well you know anymore

1100
00:53:03,400 --> 00:53:05,680
Speaker 1: I'm going, I'm going. I had to work a little bit.

1101
00:53:05,719 --> 00:53:08,080
Speaker 1: I got some you know, my my special came out, yeah,

1102
00:53:08,320 --> 00:53:11,359
Speaker 1: right after, right after the wedding, So I gotta put

1103
00:53:11,400 --> 00:53:15,920
Speaker 1: the money back until you had to BT awards and

1104
00:53:16,000 --> 00:53:19,040
Speaker 1: you had to special come out and you got married. Yeah. Yeah, yeah, Well,

1105
00:53:19,120 --> 00:53:20,680
Speaker 1: I mean, you know, I got a couple of things

1106
00:53:20,760 --> 00:53:23,400
Speaker 1: going on, so you know, I'm always trying to promote

1107
00:53:23,480 --> 00:53:25,520
Speaker 1: and keep myself out there as much as I can.

1108
00:53:26,040 --> 00:53:28,839
Speaker 1: I got plenty of time to honeymoon. We've been honeymooning

1109
00:53:28,960 --> 00:53:31,840
Speaker 1: the whole time. Yeah, we been on a million trips.

1110
00:53:32,160 --> 00:53:34,160
Speaker 1: Tell us about the wedding because I saw some pictures

1111
00:53:34,239 --> 00:53:36,799
Speaker 1: from there, and so we saw a snoop dog was there?

1112
00:53:38,200 --> 00:53:42,040
Speaker 1: Such the entertainer was there? No, suh not Cedric uh

1113
00:53:42,760 --> 00:53:47,680
Speaker 1: t I and uh A couple other people you don't

1114
00:53:47,719 --> 00:53:50,920
Speaker 1: know who's there. I mean, you know I know them

1115
00:53:51,080 --> 00:53:54,839
Speaker 1: them to Tommy Davidsson was there, h and a couple

1116
00:53:54,840 --> 00:53:56,719
Speaker 1: of my comedian friends, one of your cousins. Look like

1117
00:53:59,160 --> 00:54:01,279
Speaker 1: I saw that. I started reading somewhere because then you

1118
00:54:01,320 --> 00:54:05,960
Speaker 1: guys haven't released official picture. That was that was? That

1119
00:54:06,120 --> 00:54:13,520
Speaker 1: was this one guy named Silkie. Okay he was there. Yeah,

1120
00:54:13,760 --> 00:54:15,920
Speaker 1: so let's talk about the wedding. So did you have

1121
00:54:16,000 --> 00:54:18,840
Speaker 1: a big wedding We haven't seen like official official. I

1122
00:54:18,920 --> 00:54:21,080
Speaker 1: had a nice wedding. We had a wedding. We got

1123
00:54:21,200 --> 00:54:26,600
Speaker 1: married in Newport Beach in LA at this hotel. It

1124
00:54:26,719 --> 00:54:29,480
Speaker 1: was actually your hotel that Chance of Rapper got married at.

1125
00:54:29,640 --> 00:54:31,839
Speaker 1: And it was beautiful. It overlooked the water. I had

1126
00:54:31,920 --> 00:54:35,360
Speaker 1: my mama there and a hunted cousins from Indiana and

1127
00:54:35,880 --> 00:54:38,120
Speaker 1: she's from Chicago. She had the whole West side of

1128
00:54:38,239 --> 00:54:41,120
Speaker 1: Chicago there. So it was just fun. Man, it was

1129
00:54:41,200 --> 00:54:43,719
Speaker 1: a real event. I like doing stuff like that because

1130
00:54:44,040 --> 00:54:46,279
Speaker 1: people usually wait till you die and all want to

1131
00:54:46,360 --> 00:54:48,759
Speaker 1: pile up. So, you know, weddings are kind of like

1132
00:54:49,360 --> 00:54:52,839
Speaker 1: fun ceremonies that you get to have white both. Were

1133
00:54:52,840 --> 00:54:54,120
Speaker 1: you in the planning because I know a lot of

1134
00:54:54,200 --> 00:54:56,759
Speaker 1: times I've heard from my friends that are married, the

1135
00:54:56,880 --> 00:54:59,160
Speaker 1: guys usually just be like, you handle everything. I'm gonna

1136
00:54:59,160 --> 00:55:01,880
Speaker 1: show up. How for you not involved at all? Just

1137
00:55:02,000 --> 00:55:05,600
Speaker 1: cut the check man, that that's it. I was sitting

1138
00:55:05,640 --> 00:55:09,040
Speaker 1: there watching her going stressing out, and I'm like, oh man,

1139
00:55:09,239 --> 00:55:13,200
Speaker 1: that's what man. The house was full of glitter because

1140
00:55:13,239 --> 00:55:16,000
Speaker 1: you know, I got four or five girls, man, and

1141
00:55:16,120 --> 00:55:19,360
Speaker 1: they just hey, man, they do women when they get together,

1142
00:55:19,480 --> 00:55:22,719
Speaker 1: it's it's a real production. You got five girls make yeah, yeah,

1143
00:55:22,920 --> 00:55:27,640
Speaker 1: or you was a whole I got three, you know man,

1144
00:55:28,040 --> 00:55:35,040
Speaker 1: a junior. Yeah, five baby holls. Ain't got no sons

1145
00:55:35,080 --> 00:55:38,000
Speaker 1: at all, man, My mother, that's what was crazy. When

1146
00:55:38,040 --> 00:55:41,520
Speaker 1: we was at our wedding, I had all my bribesmen

1147
00:55:41,600 --> 00:55:43,880
Speaker 1: together and they were all my brothers I got. I

1148
00:55:43,960 --> 00:55:47,359
Speaker 1: got groomsman. I got eight brothers. Yeah, yeah, I got

1149
00:55:47,440 --> 00:55:50,120
Speaker 1: eight brothers. So people was like, damn when you get

1150
00:55:50,160 --> 00:55:52,120
Speaker 1: all them brothers. I was sitting there looking at my

1151
00:55:52,200 --> 00:55:54,920
Speaker 1: poor mama. She was so mad she had all them sons.

1152
00:55:56,120 --> 00:55:59,520
Speaker 1: So now I got all girls and flipped four. You know, girls,

1153
00:55:59,600 --> 00:56:00,840
Speaker 1: take care you for the rest of your life. You

1154
00:56:00,840 --> 00:56:02,600
Speaker 1: ain't gonna be end up in the home. Boy. I'm

1155
00:56:02,680 --> 00:56:05,040
Speaker 1: telling you, that's why I tell brothers. With you, I'll

1156
00:56:05,040 --> 00:56:07,480
Speaker 1: be seeing all the brothers taking pictures with their matching

1157
00:56:07,520 --> 00:56:09,960
Speaker 1: clothes with their sons. I'm like, that little dude ain't

1158
00:56:09,960 --> 00:56:13,160
Speaker 1: gonna take care of you. When you get grown cream. Yeah,

1159
00:56:13,880 --> 00:56:16,520
Speaker 1: you get butter peca. What made you want to get

1160
00:56:16,560 --> 00:56:19,600
Speaker 1: married again? So fast? So fast? That wasn't fast. I

1161
00:56:19,680 --> 00:56:22,719
Speaker 1: thought you just got the boys five years ago. Oh

1162
00:56:24,000 --> 00:56:28,400
Speaker 1: you gotta keep up with me a little bit more. No, no,

1163
00:56:28,600 --> 00:56:31,799
Speaker 1: it's a little fast, though it did look fast. Yeah,

1164
00:56:31,840 --> 00:56:34,840
Speaker 1: a little fast. But you know, I like to be married.

1165
00:56:34,880 --> 00:56:37,480
Speaker 1: I don't like being single. I like to come home

1166
00:56:37,600 --> 00:56:41,520
Speaker 1: to some structure, I mean, some food or something, somebody

1167
00:56:41,560 --> 00:56:45,200
Speaker 1: to share my you know, my day with. I can't.

1168
00:56:45,400 --> 00:56:47,239
Speaker 1: I can't day. The whole bunch of women, all my

1169
00:56:47,360 --> 00:56:49,719
Speaker 1: single friends scratched up. I look at them, and I'll

1170
00:56:49,760 --> 00:56:52,080
Speaker 1: be like, man, you ain't got nothing to go home to. Boy,

1171
00:56:52,160 --> 00:56:54,160
Speaker 1: I'm telling you, end and out of different girls houses,

1172
00:56:54,200 --> 00:56:57,360
Speaker 1: staying on town life, discretchful man, and about theotics and

1173
00:56:57,480 --> 00:57:01,840
Speaker 1: all that. That's enough. Man, You're lucky. You got a

1174
00:57:01,880 --> 00:57:09,480
Speaker 1: good hairline too. I said, look a little I got

1175
00:57:09,520 --> 00:57:12,640
Speaker 1: a lot of jokes about feeling, but you still have

1176
00:57:12,920 --> 00:57:16,320
Speaker 1: you don't look at a man. I'm fifty years old.

1177
00:57:16,640 --> 00:57:21,959
Speaker 1: God damn for real. Yea congratulations man, A little little

1178
00:57:22,040 --> 00:57:24,400
Speaker 1: sum that you can't have Beijing jokes now and didn't

1179
00:57:24,400 --> 00:57:26,800
Speaker 1: have baby, You know, I don't put Beijing on. I

1180
00:57:26,880 --> 00:57:29,080
Speaker 1: got a little I got a little marker that I'm

1181
00:57:29,200 --> 00:57:32,840
Speaker 1: I'm really gonna brand for me and for real, because

1182
00:57:33,360 --> 00:57:36,440
Speaker 1: when I put the Beijing, it blows me up, my

1183
00:57:36,600 --> 00:57:39,400
Speaker 1: skin up, or I see that, I see that community

1184
00:57:39,400 --> 00:57:44,680
Speaker 1: from the try like to burn his head. I put

1185
00:57:44,760 --> 00:57:47,160
Speaker 1: it on my chin one time and my chin swelled

1186
00:57:47,280 --> 00:57:51,040
Speaker 1: up and it got pussy. Oh man, So you tried

1187
00:57:51,080 --> 00:57:53,240
Speaker 1: to Beijing once, Try to Beijing. So now I got

1188
00:57:53,400 --> 00:57:55,720
Speaker 1: like a little creon that I just take them put

1189
00:57:55,800 --> 00:57:58,120
Speaker 1: on there, but I can go wipe it off. I

1190
00:57:58,120 --> 00:57:59,720
Speaker 1: think I'm gonna use that in a minute. Does that

1191
00:57:59,800 --> 00:58:02,480
Speaker 1: get on the white pillowcases? No? No, No, let's draw up.

1192
00:58:02,520 --> 00:58:04,000
Speaker 1: That's why I'm telling you. I'm about to sell this.

1193
00:58:04,360 --> 00:58:06,880
Speaker 1: The old players gonna love this little mark rock guy.

1194
00:58:07,480 --> 00:58:10,040
Speaker 1: And you just draw it on yourself. Just just just

1195
00:58:10,200 --> 00:58:13,080
Speaker 1: put a little do a little tap on it. But

1196
00:58:13,240 --> 00:58:14,920
Speaker 1: it don't wear off. All right. We got more with

1197
00:58:15,040 --> 00:58:16,840
Speaker 1: Mike Epps when we come back, don't move. It's to

1198
00:58:16,840 --> 00:58:21,400
Speaker 1: Breakfast Club, Good morning tuning. Everybody is DJ Envy Angela

1199
00:58:21,520 --> 00:58:23,760
Speaker 1: Yee Chalomagne the guy. We are the Breakfast Club with

1200
00:58:23,920 --> 00:58:26,720
Speaker 1: kicking it with Mike Epps, Charalomagne. So who who who

1201
00:58:26,800 --> 00:58:30,880
Speaker 1: had to think that you that? Yeah? And you and

1202
00:58:31,000 --> 00:58:32,400
Speaker 1: made you come up with that joke. I don't want

1203
00:58:32,400 --> 00:58:36,840
Speaker 1: to tell the joke. Oh man. You know, back in

1204
00:58:36,920 --> 00:58:39,640
Speaker 1: the day when I just was living in the hood,

1205
00:58:39,960 --> 00:58:41,920
Speaker 1: sometimes I didn't wake up any more. I mean I

1206
00:58:42,000 --> 00:58:44,320
Speaker 1: didn't brush my teeth any more. And I wake up

1207
00:58:44,720 --> 00:58:46,600
Speaker 1: and get in the car and go straight over girls

1208
00:58:46,720 --> 00:58:49,120
Speaker 1: house and wake her up. She'd be sleep and sucker.

1209
00:58:49,800 --> 00:58:57,120
Speaker 1: So yeah, if you give it advice to the young

1210
00:58:57,200 --> 00:59:00,480
Speaker 1: guys like little brush your teeth man too, though, we

1211
00:59:00,520 --> 00:59:02,000
Speaker 1: don't like to wake up in the morning and roll

1212
00:59:02,120 --> 00:59:04,840
Speaker 1: over and then you want us to perform or old

1213
00:59:04,880 --> 00:59:07,040
Speaker 1: sex and we haven't brushed out. I don't tell that

1214
00:59:07,160 --> 00:59:14,920
Speaker 1: fun ain't good. But they say, you really lest somebody

1215
00:59:14,960 --> 00:59:16,720
Speaker 1: when you can have sex before you brush your teeth.

1216
00:59:17,160 --> 00:59:19,760
Speaker 1: Yeah you do, you don't. I mean, it depends on

1217
00:59:19,840 --> 00:59:21,560
Speaker 1: who you're in the bed with. Now. Have you in

1218
00:59:21,640 --> 00:59:26,880
Speaker 1: the bid with a girl that got an undone rutal? Now, Lord, lord, Lord,

1219
00:59:27,000 --> 00:59:31,160
Speaker 1: have mercy juice? How do you tell a woman that man,

1220
00:59:31,600 --> 00:59:34,000
Speaker 1: it's set up the appointment and tell her I'm going

1221
00:59:34,080 --> 00:59:35,800
Speaker 1: to the dentist, But I ain't gonna make it that day.

1222
00:59:35,840 --> 00:59:38,720
Speaker 1: But I set you one up. You gotta say it like, yeah,

1223
00:59:38,840 --> 00:59:41,000
Speaker 1: you involved in it too. You gotta be like, when's

1224
00:59:41,000 --> 00:59:45,440
Speaker 1: the last time you've been to the dentist. Let my

1225
00:59:45,520 --> 00:59:47,360
Speaker 1: uncle the dentist, so I could do that. I don't

1226
00:59:47,400 --> 00:59:49,000
Speaker 1: think they've never done with a woman doing that to

1227
00:59:49,080 --> 00:59:52,520
Speaker 1: a man though. Yeah, I'm a little to tell you. Yeah, man,

1228
00:59:52,600 --> 00:59:54,640
Speaker 1: I didn't see a lot of people get fixed up, man,

1229
00:59:55,960 --> 00:59:58,720
Speaker 1: never been fixed up. No, I've used somebody to fix

1230
00:59:58,880 --> 01:00:02,440
Speaker 1: me up? What you mean, Like, you know, back in

1231
01:00:02,520 --> 01:00:05,120
Speaker 1: the day when I was young man, and I you know,

1232
01:00:05,200 --> 01:00:08,040
Speaker 1: when I was seventeen eighteen years old, a lot of

1233
01:00:08,120 --> 01:00:11,320
Speaker 1: older women liked me, like my aunties friends and stuff

1234
01:00:11,360 --> 01:00:14,360
Speaker 1: that had good jobs. We had secret relationships, you know

1235
01:00:14,400 --> 01:00:16,040
Speaker 1: what I mean. But they would buy me me stuff

1236
01:00:16,120 --> 01:00:18,360
Speaker 1: like that, and people didn't know where I was getting it,

1237
01:00:18,480 --> 01:00:22,240
Speaker 1: but I knew, you know, like what kind of stuff sweaters?

1238
01:00:23,360 --> 01:00:30,640
Speaker 1: You mean like that one of my aunts friends. Yeah,

1239
01:00:30,720 --> 01:00:34,040
Speaker 1: I was depends what kind of car was it. It

1240
01:00:34,200 --> 01:00:36,440
Speaker 1: was a Delta eighty eight. You know, I'm from the Midwest,

1241
01:00:36,520 --> 01:00:39,680
Speaker 1: so that's like a Cadillac and you know Park Avenues

1242
01:00:39,800 --> 01:00:47,760
Speaker 1: ninety eight. That the hustling about telling you slanging it.

1243
01:00:51,360 --> 01:00:53,920
Speaker 1: Slanging it, man, That happened in the hood all the time.

1244
01:00:54,000 --> 01:00:56,720
Speaker 1: There was always an older woman messing with a younger man. Yeah,

1245
01:00:56,920 --> 01:00:59,400
Speaker 1: most guys in the hood first sexual experiences with an

1246
01:00:59,400 --> 01:01:02,280
Speaker 1: older woman. Straight up. I was eight and the woman

1247
01:01:02,320 --> 01:01:06,840
Speaker 1: was twenty something. What now that's illegal? I mean lying

1248
01:01:06,960 --> 01:01:10,040
Speaker 1: like here eight, I was eight years old. Man. My

1249
01:01:10,120 --> 01:01:13,040
Speaker 1: cousin's ex wife. Where's she had now? She's still around

1250
01:01:13,280 --> 01:01:14,720
Speaker 1: the only reason I made her stop because she got

1251
01:01:14,800 --> 01:01:18,760
Speaker 1: a jericho and I ain't like, I'm dead serious, stop

1252
01:01:18,920 --> 01:01:21,760
Speaker 1: laughing at my molestation. Man. He's been in therapy though,

1253
01:01:21,840 --> 01:01:24,439
Speaker 1: to find out how it's affected him. Is that right? Yeah,

1254
01:01:25,400 --> 01:01:35,360
Speaker 1: that's what you ain't got to go to if I

1255
01:01:35,480 --> 01:01:41,080
Speaker 1: try to talk a cern because that sounds crazy. Man,

1256
01:01:41,440 --> 01:01:45,440
Speaker 1: you're still going through that, man, something I talk about.

1257
01:01:45,560 --> 01:01:49,080
Speaker 1: That's why I looking at I'll be looking at tea.

1258
01:01:49,160 --> 01:01:51,280
Speaker 1: I look at the news sometime and they'd be showing

1259
01:01:51,360 --> 01:01:54,000
Speaker 1: some of them teachers to touch them kids, and the

1260
01:01:54,120 --> 01:01:57,960
Speaker 1: teachers be cute, yeah, and I'd be like, man, they

1261
01:01:58,080 --> 01:02:00,480
Speaker 1: wasn't doing that when I was a kid, not at all,

1262
01:02:00,880 --> 01:02:05,360
Speaker 1: because I wouldn't have told nobody. Well to me, that's

1263
01:02:05,400 --> 01:02:06,920
Speaker 1: what they tell you, they tell you. Don't say nothing.

1264
01:02:07,000 --> 01:02:08,560
Speaker 1: Don't say nothing. I won't do it no more. That's

1265
01:02:08,600 --> 01:02:11,000
Speaker 1: confusion to it confusing to a young man. I mean,

1266
01:02:11,080 --> 01:02:13,600
Speaker 1: if you you know, if you're a young teenager thirteen,

1267
01:02:13,640 --> 01:02:17,480
Speaker 1: fourteen years old, you know you it's going down. You

1268
01:02:17,600 --> 01:02:21,360
Speaker 1: know it's different for girls, you know, but a little

1269
01:02:21,400 --> 01:02:24,640
Speaker 1: boy's fast anyway. That's what we think though. First of all,

1270
01:02:24,680 --> 01:02:26,600
Speaker 1: you're a sick individual, as a woman, as a grown

1271
01:02:26,640 --> 01:02:29,600
Speaker 1: up team and look at a thirteen and be like,

1272
01:02:30,000 --> 01:02:31,600
Speaker 1: well what if I get what I'm saying. You don't

1273
01:02:31,640 --> 01:02:33,240
Speaker 1: think you don't think like that when you're a little boy.

1274
01:02:33,640 --> 01:02:37,760
Speaker 1: Was fourteen A cigarettes hit hit a little powder right

1275
01:02:37,880 --> 01:02:40,320
Speaker 1: now on me. I was wild at fourteen, So come

1276
01:02:40,360 --> 01:02:44,120
Speaker 1: on then you're smoking into black? Are you sniffed? Put

1277
01:02:44,160 --> 01:02:46,600
Speaker 1: it on the tip of a cigarette, and we call

1278
01:02:46,680 --> 01:02:50,080
Speaker 1: them woodies. I hitt and get on a bike and

1279
01:02:50,160 --> 01:02:52,680
Speaker 1: jump out of the bike. Everybody. I'll be funny, every

1280
01:02:52,800 --> 01:02:57,920
Speaker 1: like what I did an the corn the garage, My

1281
01:02:58,040 --> 01:03:02,640
Speaker 1: buddy fast rest in peace. So they thought you was normal.

1282
01:03:02,720 --> 01:03:06,000
Speaker 1: You are the high the hey fourteen fifteen, you know

1283
01:03:06,040 --> 01:03:08,360
Speaker 1: what I mean? But hey, I love it. That was

1284
01:03:08,360 --> 01:03:11,600
Speaker 1: a good hide I smoked up for real cooking and

1285
01:03:11,640 --> 01:03:18,960
Speaker 1: blood by acting it like man waiting for somebody that

1286
01:03:19,200 --> 01:03:21,880
Speaker 1: was a good hide been a different Charlot Maine man.

1287
01:03:22,280 --> 01:03:25,120
Speaker 1: He was only eight when it happened. No, I was

1288
01:03:25,200 --> 01:03:29,160
Speaker 1: like sixteen seventeen. Blood that wood we should call it Woody.

1289
01:03:29,200 --> 01:03:31,440
Speaker 1: I'll call it Wooty, the wooties man. We called him

1290
01:03:31,520 --> 01:03:35,360
Speaker 1: up Uh premos, they called him all kind of crazy.

1291
01:03:35,880 --> 01:03:38,480
Speaker 1: Are you paying attention to what's going on? Like when

1292
01:03:38,520 --> 01:03:40,800
Speaker 1: all these people running for one of them for president

1293
01:03:40,840 --> 01:03:42,800
Speaker 1: in twenty twenty, do you care about any of that?

1294
01:03:42,840 --> 01:03:45,760
Speaker 1: Are you looking? Yeah? I don't care about all this.

1295
01:03:46,520 --> 01:03:50,680
Speaker 1: I stopped keeping over politics after Ron Reagan was gone.

1296
01:03:53,680 --> 01:03:56,520
Speaker 1: You missed the whole Obama, that whole Obama, he said,

1297
01:03:56,560 --> 01:03:58,800
Speaker 1: you missed him on your special Man. Yeah, yeah, I

1298
01:03:58,880 --> 01:04:01,160
Speaker 1: did miss some fum i of Obama. But I still

1299
01:04:01,280 --> 01:04:03,880
Speaker 1: think Obama was a that was that was the one

1300
01:04:03,960 --> 01:04:06,959
Speaker 1: American treat that that that they wanted to give black

1301
01:04:07,000 --> 01:04:09,600
Speaker 1: people because they got tired of us screaming about it

1302
01:04:09,680 --> 01:04:12,760
Speaker 1: will never be a black president. So they gave us

1303
01:04:12,800 --> 01:04:14,840
Speaker 1: one for a couple of years while they figured out

1304
01:04:15,160 --> 01:04:17,400
Speaker 1: who they was gonna use next. And you see who's

1305
01:04:17,400 --> 01:04:19,400
Speaker 1: in office now. So you think they rocked this to

1306
01:04:19,440 --> 01:04:22,000
Speaker 1: sleep feat. Yes they did, they did. And now the

1307
01:04:22,120 --> 01:04:25,720
Speaker 1: older I'm getting I'm realizing ain't none of them worth shit? Yeah?

1308
01:04:25,800 --> 01:04:29,040
Speaker 1: The Democrats is dirtier than they. All of them as dirty,

1309
01:04:29,920 --> 01:04:31,760
Speaker 1: you know what I mean. So I'm like, kid, I

1310
01:04:31,800 --> 01:04:34,480
Speaker 1: don't know who to vote for. Nobody can be voting

1311
01:04:34,520 --> 01:04:37,000
Speaker 1: off character when it comes to a politician of them

1312
01:04:37,560 --> 01:04:40,600
Speaker 1: and they street dudes too. They they be cutting each

1313
01:04:40,600 --> 01:04:43,200
Speaker 1: other's tires and shooting at each other and off kind

1314
01:04:43,240 --> 01:04:47,360
Speaker 1: of yeah, they do, the real politicians and to get

1315
01:04:47,440 --> 01:04:50,120
Speaker 1: all to be running for Senate and all that. Yeah,

1316
01:04:50,160 --> 01:04:52,400
Speaker 1: they will set you up and put a candy bar

1317
01:04:52,520 --> 01:04:55,640
Speaker 1: in your gas tank, all kind of weird candy bart

1318
01:04:55,760 --> 01:04:59,720
Speaker 1: the gas thank somebody's car straight up? Yeah you don't

1319
01:04:59,720 --> 01:05:03,600
Speaker 1: did that a honey time? Yo? Man? Hell yeah what

1320
01:05:03,800 --> 01:05:10,400
Speaker 1: sniggers twixts heyday? Yeah, peanuts a car and getting caught

1321
01:05:10,480 --> 01:05:15,200
Speaker 1: up in that gas line. It's a rap, man, No

1322
01:05:16,080 --> 01:05:20,080
Speaker 1: a rap for a minute, but bore you start smoke,

1323
01:05:20,400 --> 01:05:24,040
Speaker 1: come out the back to what's the point of doing that?

1324
01:05:24,320 --> 01:05:30,800
Speaker 1: Just le's somebody call up? I got about twenty cars

1325
01:05:31,720 --> 01:05:35,000
Speaker 1: nobody ever up? Oh yeah I didn't had all kinds

1326
01:05:35,000 --> 01:05:39,400
Speaker 1: of brickstone through the window and scratched. Man, got five girls. Man,

1327
01:05:39,920 --> 01:05:42,760
Speaker 1: you know you didn't gotta call hell. Yeah, that's how

1328
01:05:42,800 --> 01:05:44,200
Speaker 1: it is when you when you got it, when you

1329
01:05:44,240 --> 01:05:45,720
Speaker 1: didn't mess with a lot of girls, you got a

1330
01:05:45,800 --> 01:05:48,560
Speaker 1: lot of experiences. I woke up with a girl sitting

1331
01:05:48,600 --> 01:05:51,400
Speaker 1: on the side of the bed taking medica. I'm like, well,

1332
01:05:51,440 --> 01:05:55,040
Speaker 1: I don't know what kind of medication is that keep

1333
01:05:55,120 --> 01:06:02,840
Speaker 1: me calm? I'm like, oh, lord, his own proSP What

1334
01:06:03,000 --> 01:06:04,800
Speaker 1: advice you gonna give to your daughters, man, when they

1335
01:06:04,880 --> 01:06:07,080
Speaker 1: get older? Because I would you want your daughter to

1336
01:06:07,160 --> 01:06:10,680
Speaker 1: day the man like you? Depending on what age, right, yeah,

1337
01:06:10,920 --> 01:06:14,400
Speaker 1: depending on what who the mic I ain't? Yeah, yeah,

1338
01:06:14,440 --> 01:06:20,600
Speaker 1: this mighty what a young mic? Hell No? And that's

1339
01:06:20,640 --> 01:06:22,320
Speaker 1: why I tell him. If you bring somebody in the

1340
01:06:22,400 --> 01:06:25,560
Speaker 1: house like me, I'm gonna kick his ass. You know

1341
01:06:25,640 --> 01:06:27,440
Speaker 1: the type. You can look at him. Yeah, you're bringing

1342
01:06:27,520 --> 01:06:30,560
Speaker 1: me in the house. But that's usually what daughters gonna

1343
01:06:30,560 --> 01:06:32,880
Speaker 1: look for their daddy. I think about that though, Like Graf,

1344
01:06:33,000 --> 01:06:35,040
Speaker 1: she says, she brings somebody like you home, brings somebody

1345
01:06:35,080 --> 01:06:38,240
Speaker 1: like be home young us. Yeah, we evolved though, you

1346
01:06:38,280 --> 01:06:41,400
Speaker 1: know what I'm saying. Do you let mun let him

1347
01:06:41,400 --> 01:06:46,200
Speaker 1: stick around with that guy, right right, right, right right right? No, No,

1348
01:06:48,560 --> 01:06:50,640
Speaker 1: I mean it's all about the character. You know, you

1349
01:06:50,720 --> 01:06:53,000
Speaker 1: can meet a person. I know he a knucklehead, but

1350
01:06:53,080 --> 01:06:55,400
Speaker 1: I like him. You know, he got some potential. And

1351
01:06:55,520 --> 01:06:58,320
Speaker 1: then some of them you're like, oh god, it's a

1352
01:06:58,320 --> 01:07:00,520
Speaker 1: little boy. Don't like you and you can't tell him

1353
01:07:00,520 --> 01:07:02,880
Speaker 1: don't hang out with him because my wife dad did

1354
01:07:02,960 --> 01:07:04,280
Speaker 1: that to me. Don't. I don't want you run that

1355
01:07:04,920 --> 01:07:08,320
Speaker 1: of you. Boy twenty two years later, Yeah, what he's

1356
01:07:08,320 --> 01:07:11,560
Speaker 1: saying now, Oh he good. That's my man conjac together

1357
01:07:11,560 --> 01:07:13,760
Speaker 1: and everything. He can't do nothing about it. Now, Wow,

1358
01:07:14,360 --> 01:07:16,200
Speaker 1: I want to come on the show on everything. No,

1359
01:07:18,600 --> 01:07:22,600
Speaker 1: bring me on your show. I don't move. We got

1360
01:07:22,640 --> 01:07:24,040
Speaker 1: more with Mike Gaps when we come back. It's the

1361
01:07:24,080 --> 01:07:30,160
Speaker 1: Breakfast Club. Good morning, the Breakfast Club owning everybody is

1362
01:07:30,240 --> 01:07:33,880
Speaker 1: DJ Envy Angela Yee, Charlemagne the guy. We are the

1363
01:07:33,920 --> 01:07:36,640
Speaker 1: Breakfast Club. We're kicking it with Mike Epps Charlemagne. Now,

1364
01:07:36,800 --> 01:07:38,760
Speaker 1: salute to Snoop Snoop skipped to be a tiar Wards

1365
01:07:38,760 --> 01:07:42,560
Speaker 1: to come to your way. I love it. Did you

1366
01:07:42,640 --> 01:07:48,040
Speaker 1: think about that before? Boy too? Best Gospel of Best

1367
01:07:48,120 --> 01:07:56,960
Speaker 1: Gospel Kurt Franklin Mary Mary. He said, yeah, this is

1368
01:07:57,000 --> 01:07:59,160
Speaker 1: a perfect time to skip up out of there. I'm

1369
01:07:59,200 --> 01:08:05,800
Speaker 1: watching that, like franklinly beat. Did you think about that

1370
01:08:05,840 --> 01:08:07,280
Speaker 1: when you're playing the wedding? No, you're like, Man, it's

1371
01:08:07,320 --> 01:08:10,320
Speaker 1: BT Awards, I know something. My friends got to go

1372
01:08:10,360 --> 01:08:12,880
Speaker 1: to the awards. No, we're playing the wedding. We wasn't

1373
01:08:12,920 --> 01:08:16,479
Speaker 1: thinking about BT and being honest with you, and it

1374
01:08:16,640 --> 01:08:18,720
Speaker 1: just happened to fall on the same day, you know,

1375
01:08:19,360 --> 01:08:22,120
Speaker 1: which was cool, man. But I had my mother there,

1376
01:08:22,240 --> 01:08:24,960
Speaker 1: which was man. My mother seventy five, seventy six. She

1377
01:08:25,080 --> 01:08:27,360
Speaker 1: never come to see me, you know. And that's the thing.

1378
01:08:27,640 --> 01:08:29,880
Speaker 1: That's another thing too. When you meet a good woman,

1379
01:08:30,520 --> 01:08:33,200
Speaker 1: it brings all the people out your family that I've

1380
01:08:33,240 --> 01:08:36,040
Speaker 1: been looking at you crazy. It'd be like, oh you

1381
01:08:36,200 --> 01:08:38,479
Speaker 1: are all right. I'm like, oh, I had to go

1382
01:08:38,560 --> 01:08:42,160
Speaker 1: get this beautiful woman for y'all to think it's a

1383
01:08:42,240 --> 01:08:45,479
Speaker 1: good representation though it is. It is. Yeah, y'all loved

1384
01:08:45,479 --> 01:08:48,559
Speaker 1: the award to come to your wedding too. In a helicopter. Damn,

1385
01:08:48,720 --> 01:08:52,240
Speaker 1: that's a friend. That's a fly right there. Man. Man,

1386
01:08:52,479 --> 01:08:54,880
Speaker 1: that's my partners. I love them, man, I love them

1387
01:08:54,920 --> 01:08:57,040
Speaker 1: for that, you know, because I I don't really have

1388
01:08:57,120 --> 01:08:59,920
Speaker 1: a lot of industry friends. The ones that I do,

1389
01:09:00,000 --> 01:09:03,280
Speaker 1: you have, they real guys, you know, and we just

1390
01:09:03,479 --> 01:09:06,280
Speaker 1: have real relationships like that we don't have. We ain't

1391
01:09:06,280 --> 01:09:09,080
Speaker 1: out here proving everybody with friends either. Yeah, did you

1392
01:09:09,120 --> 01:09:12,720
Speaker 1: do it? That's so fake? You know. We had a

1393
01:09:12,760 --> 01:09:14,800
Speaker 1: bachelor part. Well, we just went to a strip club

1394
01:09:14,840 --> 01:09:18,000
Speaker 1: when set up nothing. Couple older guys who never get

1395
01:09:18,040 --> 01:09:19,840
Speaker 1: to go to the strip club, my uncles and stuff.

1396
01:09:19,880 --> 01:09:33,639
Speaker 1: They were so yeah, nephew, and they fall in love

1397
01:09:33,720 --> 01:09:36,320
Speaker 1: with them girls. I'm like, hey, man, that girl said

1398
01:09:36,400 --> 01:09:39,519
Speaker 1: that to everybody. Mouncle told man, she told me to

1399
01:09:39,600 --> 01:09:43,759
Speaker 1: how she felt. I said, man, that's her line. Yeah,

1400
01:09:45,720 --> 01:09:47,800
Speaker 1: the girls are man, yeah, you being fell in love

1401
01:09:47,880 --> 01:09:49,559
Speaker 1: with her. I didn't see some dudes being a strip

1402
01:09:49,640 --> 01:09:51,679
Speaker 1: club with a girl and get a girl the money

1403
01:09:51,720 --> 01:09:54,040
Speaker 1: and stuff and get up and go to the restaurom

1404
01:09:54,120 --> 01:09:56,320
Speaker 1: and come back and the girl sitting with somebody else

1405
01:09:56,360 --> 01:09:59,960
Speaker 1: and the dude look more more. It's like, that's her job.

1406
01:10:00,640 --> 01:10:03,720
Speaker 1: She did a good job. She in love with your ass, man, No,

1407
01:10:03,920 --> 01:10:08,720
Speaker 1: she just keeping you occupied. So what's your next passion project? Well,

1408
01:10:08,760 --> 01:10:10,400
Speaker 1: I got a movie coming out with Eddie Murphy. I

1409
01:10:10,439 --> 01:10:11,920
Speaker 1: got a chance to work with the king, you know

1410
01:10:11,920 --> 01:10:16,479
Speaker 1: what I mean, called Dollar Miite August and he did

1411
01:10:16,520 --> 01:10:18,800
Speaker 1: The Last Black Man in San Francisco too, right, Last

1412
01:10:18,880 --> 01:10:21,320
Speaker 1: Black Man in San Francisco, which I think is gonna

1413
01:10:21,320 --> 01:10:25,600
Speaker 1: win some awards. Really really good movie about gentrification, and

1414
01:10:25,760 --> 01:10:29,360
Speaker 1: that's what the movie is about. It's about like damn yeah,

1415
01:10:29,520 --> 01:10:32,360
Speaker 1: which is something that we are already knew, you know

1416
01:10:32,439 --> 01:10:35,360
Speaker 1: if you were black, especially growing up in the crack era,

1417
01:10:35,960 --> 01:10:38,120
Speaker 1: you know, and you see all these guys selling drugs

1418
01:10:38,160 --> 01:10:40,920
Speaker 1: in these neighborhoods and not realizing that some houses was

1419
01:10:41,000 --> 01:10:44,080
Speaker 1: five dollars a piece that you were selling crack out

1420
01:10:44,120 --> 01:10:46,920
Speaker 1: of costs half a million dollars. Now some of them

1421
01:10:47,000 --> 01:10:49,040
Speaker 1: houses had better. Joke, I was like, some of them

1422
01:10:49,160 --> 01:10:53,240
Speaker 1: houses or are haunted and the white people don't know it.

1423
01:10:53,360 --> 01:10:56,320
Speaker 1: They moved in these houses and some drug dealing thing

1424
01:10:56,400 --> 01:10:58,880
Speaker 1: got killed in the one of them bad rooms, and

1425
01:10:59,000 --> 01:11:01,439
Speaker 1: the kid can't eat because it's a dude with a

1426
01:11:01,520 --> 01:11:05,400
Speaker 1: troop jacket on and a cane floating. There's a ghost.

1427
01:11:08,200 --> 01:11:14,559
Speaker 1: To write that down. That's a movie. The Hunted Traffic

1428
01:11:15,000 --> 01:11:21,720
Speaker 1: trap man. He got a nineties clothes That's where the

1429
01:11:21,800 --> 01:11:24,840
Speaker 1: nigga died and on the white people. That's gentrifying. These

1430
01:11:24,840 --> 01:11:27,519
Speaker 1: neighborhood y'alln't know what y'all on. They really don't, man,

1431
01:11:27,800 --> 01:11:34,080
Speaker 1: they don't know what God. They go to due construction

1432
01:11:34,600 --> 01:11:37,519
Speaker 1: and tear the wall down. It's fifty thousands of brown

1433
01:11:37,640 --> 01:11:41,479
Speaker 1: old money in there, cocaine money in the wall. And

1434
01:11:41,600 --> 01:11:43,160
Speaker 1: the ghost come back and he wanted back, and the

1435
01:11:43,200 --> 01:11:45,400
Speaker 1: ghost come out. Look at my new clothing line. It's

1436
01:11:45,439 --> 01:11:48,040
Speaker 1: called Renegade. I don't know if that's a joker nut,

1437
01:11:48,080 --> 01:11:51,800
Speaker 1: that's real. That's the hell of a sage. You just said,

1438
01:11:54,479 --> 01:11:57,080
Speaker 1: you take me about this trap house, and then you said,

1439
01:11:57,080 --> 01:11:59,160
Speaker 1: look at my new clothing line talking what the ghost

1440
01:11:59,240 --> 01:12:03,520
Speaker 1: was saying? Where you going to renegade that? Well, Renegade

1441
01:12:03,680 --> 01:12:06,200
Speaker 1: is a clothing line that I started with a partner

1442
01:12:06,320 --> 01:12:09,200
Speaker 1: my named London Renegade. Okay, you know it's a clothing

1443
01:12:09,240 --> 01:12:15,920
Speaker 1: line that I want to start this you know this. Yeah,

1444
01:12:16,040 --> 01:12:17,920
Speaker 1: people that just do what they're gonna do how they

1445
01:12:17,960 --> 01:12:20,200
Speaker 1: want to do that, I'm a renegade. Yeah. What made

1446
01:12:20,240 --> 01:12:22,720
Speaker 1: you that way though, like to really just not want

1447
01:12:22,720 --> 01:12:25,080
Speaker 1: to be this industry person? You know a lot of

1448
01:12:25,080 --> 01:12:27,920
Speaker 1: people have relationships in the industry and people that they

1449
01:12:28,040 --> 01:12:30,320
Speaker 1: might not necessary associates, and they hang out and they

1450
01:12:30,360 --> 01:12:33,200
Speaker 1: do things. But you've never been that way. The industry

1451
01:12:33,360 --> 01:12:37,040
Speaker 1: is high school, and I was not good in high school.

1452
01:12:37,479 --> 01:12:40,240
Speaker 1: The Hollywood remind me of a lunch room. Man. You

1453
01:12:40,320 --> 01:12:42,559
Speaker 1: remember how you walk in the lunch room and they

1454
01:12:42,640 --> 01:12:45,759
Speaker 1: got a popular table over there. They got a table

1455
01:12:45,840 --> 01:12:49,479
Speaker 1: with some bad ass that don't nobody lightly dirty, and

1456
01:12:50,080 --> 01:12:52,880
Speaker 1: then they got another table of kids that don't talk

1457
01:12:52,960 --> 01:12:57,320
Speaker 1: to nobody, that's quiet nerds. That's what Hollywood is. Yeah,

1458
01:12:57,520 --> 01:12:59,160
Speaker 1: and I ain't never said it. Then in one of

1459
01:12:59,240 --> 01:13:01,600
Speaker 1: the table I might set it's a dirty top and

1460
01:13:01,680 --> 01:13:04,040
Speaker 1: send it the dirty boy table forever. That's what all

1461
01:13:04,040 --> 01:13:07,000
Speaker 1: the good jokes aid. That's what's fun at this fun. Yeah,

1462
01:13:07,560 --> 01:13:10,280
Speaker 1: but it hurts because you know when when it's time

1463
01:13:10,360 --> 01:13:14,920
Speaker 1: for the ceremonies and spelling bees. And that's how I

1464
01:13:15,000 --> 01:13:17,439
Speaker 1: been in the seeds and a group of kids to

1465
01:13:17,560 --> 01:13:21,720
Speaker 1: get I don't roll people that went on the row.

1466
01:13:22,280 --> 01:13:26,560
Speaker 1: They look at kids that say special lad liked so

1467
01:13:26,680 --> 01:13:29,920
Speaker 1: the special lad kids like, okay, I'm robbing you after

1468
01:13:30,000 --> 01:13:32,880
Speaker 1: school because you acting better than me. I didn't did both.

1469
01:13:32,920 --> 01:13:34,479
Speaker 1: I hadn't been on both sides. I don't mean on

1470
01:13:34,600 --> 01:13:37,760
Speaker 1: a roll. And when I started getting bad feeling them

1471
01:13:37,800 --> 01:13:44,280
Speaker 1: standardize testing, they put me righting them special right there. Yeah,

1472
01:13:44,360 --> 01:13:46,720
Speaker 1: So that's that's that's what that's what renegade is. I'm

1473
01:13:46,760 --> 01:13:48,880
Speaker 1: a renegade. Well listen, the only one Mike is on

1474
01:13:49,000 --> 01:13:52,599
Speaker 1: Netflix right now, My man, Mike. I appreciate what laughing

1475
01:13:52,640 --> 01:13:55,040
Speaker 1: because I hadn't planning it here. Everybody was cracking them.

1476
01:13:55,040 --> 01:13:56,640
Speaker 1: He wasn't even doing work. Now. I was mad. I

1477
01:13:56,720 --> 01:13:58,920
Speaker 1: had to search it last night though. Well, I wanted

1478
01:13:58,960 --> 01:14:01,120
Speaker 1: to stand up the first they they had twenty fifteen

1479
01:14:01,200 --> 01:14:03,439
Speaker 1: one on. That's some high school kid. That's we're in

1480
01:14:03,560 --> 01:14:06,200
Speaker 1: high school and I ain't one of the I ain't

1481
01:14:06,280 --> 01:14:09,519
Speaker 1: one of the honor roll students in Hollywood. But the

1482
01:14:09,680 --> 01:14:11,920
Speaker 1: people like me. There you go, And I'll tell kids

1483
01:14:11,960 --> 01:14:15,960
Speaker 1: all the time, it's okay if you just got two dollars. Kim,

1484
01:14:16,120 --> 01:14:18,720
Speaker 1: he got one hundred dollars. But he they pinched him

1485
01:14:18,760 --> 01:14:22,280
Speaker 1: on his ass for the hunted, licked his neck, they

1486
01:14:22,360 --> 01:14:25,200
Speaker 1: did all kind of for that hunted. He guy, you

1487
01:14:25,320 --> 01:14:27,760
Speaker 1: got the two in your pocket, wrapped in front of

1488
01:14:27,800 --> 01:14:30,479
Speaker 1: his wife. They did all kind of shaking his ass

1489
01:14:30,600 --> 01:14:33,200
Speaker 1: on Instagram. They did all kind of weird. They sold

1490
01:14:33,280 --> 01:14:37,840
Speaker 1: everything for that hunted You know what I'm saying. I'm

1491
01:14:37,880 --> 01:14:41,439
Speaker 1: still hanging out. What the dude was the hundred dollars? Yeah, yeah, yeah,

1492
01:14:41,600 --> 01:14:44,880
Speaker 1: my man epste Micaps is the breakfast club. It's not

1493
01:14:44,960 --> 01:14:52,960
Speaker 1: officially Friday until you hear it's Friday. It's it's Friday.

1494
01:14:53,960 --> 01:14:56,200
Speaker 1: That's a stranger in my bad Keep out. Dad's a

1495
01:14:56,360 --> 01:14:59,200
Speaker 1: pounding in my head. Hey, glared up all over the room.

1496
01:14:59,320 --> 01:15:01,600
Speaker 1: Keep up PI the mingos in the pool. He I

1497
01:15:01,720 --> 01:15:04,680
Speaker 1: smell like a mini bar DJ's passed out in the

1498
01:15:04,760 --> 01:15:07,880
Speaker 1: yard at Barbie's on the barbecue is it's a hit

1499
01:15:07,960 --> 01:15:10,920
Speaker 1: key hola bruise pictures off? Hey, last het night, he

1500
01:15:11,080 --> 01:15:14,080
Speaker 1: can't hit up? Hey a hate night. I'm true what

1501
01:15:14,280 --> 01:15:18,680
Speaker 1: you say? Oh wow, it's a blacked out blood but

1502
01:15:19,120 --> 01:15:25,479
Speaker 1: bread he shot it rude damn Last Friday night. Yeah,

1503
01:15:25,520 --> 01:15:28,800
Speaker 1: we deshed on table time saying we took too many shot.

1504
01:15:28,880 --> 01:15:33,040
Speaker 1: He think we kiss bud out for god. Last Friday night. Yeah,

1505
01:15:33,120 --> 01:15:35,840
Speaker 1: we mixed our trading card then got kicked out of

1506
01:15:36,000 --> 01:15:39,920
Speaker 1: the bar, so we hit the bullet bar. Last Friday night,

1507
01:15:40,479 --> 01:15:44,040
Speaker 1: we were streaching in the bar. See dipping in the dark.

1508
01:15:44,280 --> 01:15:48,280
Speaker 1: Can't add on a nage wa. Last Friday night, Yeah,

1509
01:15:48,320 --> 01:15:51,240
Speaker 1: I think we fo the light. Always say we're gonna

1510
01:15:51,320 --> 01:15:59,200
Speaker 1: stop for a whoa, Hey what we do? Look? Listen

1511
01:15:59,200 --> 01:16:01,439
Speaker 1: to myself. I look, I got you, I got you

1512
01:16:01,560 --> 01:16:06,920
Speaker 1: right here we go? Way you went? Oh again the

1513
01:16:07,000 --> 01:16:11,040
Speaker 1: whole no direction? It's back, baby, Yes, trying to connect

1514
01:16:11,080 --> 01:16:13,360
Speaker 1: the dot come up. Don't know what to tell my boss?

1515
01:16:13,439 --> 01:16:16,519
Speaker 1: Hate think the city told my car het Chander lyrics

1516
01:16:16,600 --> 01:16:19,200
Speaker 1: on the floor. Hate with my favorite party dress I

1517
01:16:19,360 --> 01:16:21,920
Speaker 1: wore in sout for my arrest. Hey think God need

1518
01:16:22,000 --> 01:16:25,760
Speaker 1: to change your raft? That was such your epic failures off.

1519
01:16:25,840 --> 01:16:28,479
Speaker 1: Hey last night he get hit up? Hey, Hey my

1520
01:16:28,880 --> 01:16:33,639
Speaker 1: I'm screwed. What you say? Oh wow, it's some blacked

1521
01:16:33,680 --> 01:16:39,639
Speaker 1: out blurt bart. I'm frad shure and grow damn. Last

1522
01:16:39,760 --> 01:16:43,760
Speaker 1: Friday night, Yelly dance on table time and we took

1523
01:16:43,800 --> 01:16:46,679
Speaker 1: too many shot. He think we chick burn out for God.

1524
01:16:46,920 --> 01:16:51,080
Speaker 1: Last Friday night, we we steat being called ain't got

1525
01:16:51,200 --> 01:16:54,240
Speaker 1: kicked out of the boy. So we hit the bullet bar.

1526
01:16:54,520 --> 01:16:58,480
Speaker 1: Last Friday at night, we went streaking in the bote

1527
01:16:58,560 --> 01:17:01,960
Speaker 1: me dipping in this dar. Hey can't add m N twine?

1528
01:17:02,160 --> 01:17:05,639
Speaker 1: Last Friday night, Yeah, I think we both the low

1529
01:17:05,920 --> 01:17:08,960
Speaker 1: always say we're gona this time or wo or WHOA?

1530
01:17:11,280 --> 01:17:16,000
Speaker 1: Do it? White dude? We all again? You hit that harmony?

1531
01:17:16,080 --> 01:17:20,160
Speaker 1: Did you hit that harmony? Watch this one? Do we

1532
01:17:20,439 --> 01:17:25,800
Speaker 1: all again? No direction? Greatest boyfriend ever. I'm get it

1533
01:17:25,880 --> 01:17:31,080
Speaker 1: low G I ft G I f t g I

1534
01:17:31,520 --> 01:17:35,760
Speaker 1: f t G I f t g I f t

1535
01:17:36,200 --> 01:17:42,879
Speaker 1: g I f t g I f t in Friday.

1536
01:17:44,040 --> 01:17:52,440
Speaker 1: It's Friday, Friday. It's Friday, Friday, Friday, Friday, Friday. Good Fridays,

1537
01:17:52,600 --> 01:17:57,400
Speaker 1: It's Fridays, It's Fridays. It's Friday, Friday, Friday, Friday, Friday. Now,

1538
01:17:57,400 --> 01:17:59,040
Speaker 1: I'm gonna be honest with you. Well, I didn't sing

1539
01:17:59,120 --> 01:18:01,080
Speaker 1: that with too much covivig. And the reason I didn't

1540
01:18:01,080 --> 01:18:03,480
Speaker 1: sing it with too much conviction because I'm still disappointed

1541
01:18:03,560 --> 01:18:05,640
Speaker 1: that Katy Perry fronted on us and gave us that

1542
01:18:05,680 --> 01:18:08,080
Speaker 1: little petty ass phone call. She told us that she

1543
01:18:08,160 --> 01:18:09,880
Speaker 1: was gonna come to the Breakfast Club, but then when

1544
01:18:09,880 --> 01:18:12,040
Speaker 1: she came to I Heart, she went to Elvis Durrand,

1545
01:18:12,160 --> 01:18:14,360
Speaker 1: and she went to Kattu. My people's Cutty, Cutty and

1546
01:18:14,560 --> 01:18:17,880
Speaker 1: Cutty and Carolina, but they didn't come to the breakfast club. Okay,

1547
01:18:17,960 --> 01:18:19,559
Speaker 1: even though she had the me goals on a single

1548
01:18:19,800 --> 01:18:21,800
Speaker 1: and Katie Perry on a single. So you want to

1549
01:18:21,880 --> 01:18:24,240
Speaker 1: lose hip hop culture to look cool but not actually

1550
01:18:24,320 --> 01:18:27,720
Speaker 1: coming best some time into the actual culture. So you know,

1551
01:18:27,840 --> 01:18:29,920
Speaker 1: I didn't really sing that with too much conviction. Now

1552
01:18:29,960 --> 01:18:32,639
Speaker 1: I'm gonna kid you got seventeen, I got five five kids,

1553
01:18:32,680 --> 01:18:34,720
Speaker 1: five kids, Okay, I got to So you got some

1554
01:18:34,840 --> 01:18:36,519
Speaker 1: kids bob CD. I got kids, but I got a

1555
01:18:36,560 --> 01:18:38,439
Speaker 1: bunch of kids bob CDs. Now it's a record on

1556
01:18:38,479 --> 01:18:40,559
Speaker 1: the kids bob CD. That's an old deep with goodie.

1557
01:18:40,800 --> 01:18:43,559
Speaker 1: It always makes me feel really good. And I would

1558
01:18:43,680 --> 01:18:46,280
Speaker 1: love to sing that song and here with you this morning.

1559
01:18:46,400 --> 01:18:48,120
Speaker 1: And I would love for the people out there listening.

1560
01:18:48,160 --> 01:18:50,400
Speaker 1: If you got kids and you know this record, I

1561
01:18:50,479 --> 01:18:52,160
Speaker 1: would like to sing. I would like for you to

1562
01:18:52,240 --> 01:18:57,200
Speaker 1: sing along with us. Okay, you're ready? Are you ready? Hey? No? No, no,

1563
01:18:57,320 --> 01:18:59,160
Speaker 1: you gotta start it over. Let the let the let

1564
01:18:59,360 --> 01:19:02,080
Speaker 1: let it build up, alright, alright, and you come you

1565
01:19:02,200 --> 01:19:04,800
Speaker 1: like build up a right man load. This song just

1566
01:19:04,920 --> 01:19:08,479
Speaker 1: makes me feel good on a Friday. It's an oldieput goodie. Yes,

1567
01:19:08,800 --> 01:19:10,719
Speaker 1: if you know this record, I want you to sing along.

1568
01:19:11,160 --> 01:19:13,160
Speaker 1: I go by name of Charlomagne. They card I'm a

1569
01:19:13,240 --> 01:19:16,360
Speaker 1: DJ and me together we are no direction, but this

1570
01:19:16,560 --> 01:19:19,400
Speaker 1: is one direction. And if you know the worst, I

1571
01:19:19,560 --> 01:19:22,080
Speaker 1: want you to sing out. Maybe it's the way why

1572
01:19:22,280 --> 01:19:26,640
Speaker 1: she was, come on straight into my heart, and so

1573
01:19:26,880 --> 01:19:31,800
Speaker 1: lad come on to the dozen pass the cards come

1574
01:19:31,880 --> 01:19:36,639
Speaker 1: on just like she already day no boppy head, I said,

1575
01:19:36,960 --> 01:19:39,800
Speaker 1: can you give it back to me? I'm getting this?

1576
01:19:40,000 --> 01:19:43,600
Speaker 1: She said, it's never been your wildest dreams and what

1577
01:19:43,800 --> 01:19:47,400
Speaker 1: we do and we dance all night to the best

1578
01:19:47,479 --> 01:19:51,400
Speaker 1: song ever. We do it every time. Now. I can't

1579
01:19:51,600 --> 01:19:55,439
Speaker 1: remember how we go, but I don't that I won't

1580
01:19:55,560 --> 01:20:00,200
Speaker 1: forgetner because we dance all night to the best song ever.

1581
01:20:00,479 --> 01:20:02,920
Speaker 1: I think they went oh oh oh. I think it

1582
01:20:02,960 --> 01:20:06,640
Speaker 1: went yea, yeah, yeah, I think it goes oh. I

1583
01:20:06,800 --> 01:20:09,960
Speaker 1: hope it's not over. It's not over. Share. Her name

1584
01:20:10,080 --> 01:20:15,560
Speaker 1: was Georgia Rose, who and her daddy was a dandist.

1585
01:20:16,120 --> 01:20:20,360
Speaker 1: PRESTI said, I had a dirty mouth fifty two times.

1586
01:20:20,400 --> 01:20:23,439
Speaker 1: It's cold, but she kicks me like she meant it.

1587
01:20:24,439 --> 01:20:27,200
Speaker 1: I say, I can't I take you home with me?

1588
01:20:28,320 --> 01:20:33,240
Speaker 1: She saying, never in your wildest dreams. Bounce and we

1589
01:20:33,520 --> 01:20:37,280
Speaker 1: dance all night to the best song ever in you

1590
01:20:37,479 --> 01:20:42,040
Speaker 1: Ya every mine. Now, I can't remember we go, but

1591
01:20:42,320 --> 01:20:45,920
Speaker 1: I know Dad, I won't forget her because we dance

1592
01:20:46,080 --> 01:20:49,280
Speaker 1: all night to the best so never. I think it

1593
01:20:49,360 --> 01:20:52,519
Speaker 1: went Oh oh oh, I think it went yeah, yeah, yeah,

1594
01:20:52,920 --> 01:20:57,679
Speaker 1: I think it goes. Oh everybody whis for everybody? Whip took.

1595
01:20:58,439 --> 01:21:02,000
Speaker 1: I know you know I remember you, and I know

1596
01:21:02,439 --> 01:21:06,800
Speaker 1: you know. I know you remember paying I don't know

1597
01:21:07,200 --> 01:21:11,560
Speaker 1: you know we remember you, and you know I know

1598
01:21:12,040 --> 01:21:16,280
Speaker 1: you remember how we dance? Well, what, how we went

1599
01:21:16,360 --> 01:21:19,120
Speaker 1: on a Friday? How we dance, How we did what

1600
01:21:19,280 --> 01:21:23,000
Speaker 1: with the breakfast club on Pelp Drop, dance all night

1601
01:21:23,280 --> 01:21:27,559
Speaker 1: till the best song ever? We do every life. Now,

1602
01:21:27,720 --> 01:21:31,439
Speaker 1: I can't remember how it goes, but I know that

1603
01:21:31,680 --> 01:21:35,080
Speaker 1: I won't for yet her. So we danced all night

1604
01:21:35,360 --> 01:21:40,960
Speaker 1: send the best song ever, I think, oh yeah, yeah, yeah,

1605
01:21:41,320 --> 01:21:46,360
Speaker 1: I think it goes. Oh who that Mord's bast to

1606
01:21:46,439 --> 01:21:48,720
Speaker 1: all the fathers with kids and kids bop CD's God

1607
01:21:48,800 --> 01:21:50,760
Speaker 1: damn it all right positive note Up next is the

1608
01:21:50,760 --> 01:21:56,839
Speaker 1: Breakfast Club. Good Morning, I said morning. Everybody is DJ

1609
01:21:57,360 --> 01:22:00,519
Speaker 1: Envy Angela Yee, Charlomagne the guy. We are the Breakfast

1610
01:22:00,720 --> 01:22:03,479
Speaker 1: Club all right, Now you guys have a great weekend.

1611
01:22:03,520 --> 01:22:05,240
Speaker 1: Shout to everybody that picked up tickets to My car

1612
01:22:05,320 --> 01:22:08,760
Speaker 1: show again are so appreciated. September seventh is the date.

1613
01:22:09,120 --> 01:22:11,800
Speaker 1: And also Charlomagne, you got a positive note. Yeah, man,

1614
01:22:11,840 --> 01:22:13,840
Speaker 1: I just want to say it doesn't matter where you are.

1615
01:22:14,720 --> 01:22:18,400
Speaker 1: You are nowhere compared to where you can go. You

1616
01:22:18,520 --> 01:22:21,080
Speaker 1: just gotta believe that you can get there and understand

1617
01:22:21,120 --> 01:22:23,479
Speaker 1: that your life does not get better by chance, it

1618
01:22:23,600 --> 01:22:26,040
Speaker 1: gets better by change. Breakfast Club