WEBVTT - Weirdhouse Cinema: The Devil Rides Out

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<v Speaker 1>Welcome to Stuff to Blow Your Mind production of My

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<v Speaker 1>Heart Radio. Hey, welcome to Weird House Cinema. This is

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<v Speaker 1>Rob Lamb and this is Joe McCormick. And today on

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<v Speaker 1>the show, we're gonna be talking about The Devil Rides Out,

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<v Speaker 1>a nineteen hammer horror film about the perverted terrors of

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<v Speaker 1>the Satanic cults operating throughout Interwar Britain. This movie stars

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<v Speaker 1>Christopher Lee and Charles Gray and is based on a

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<v Speaker 1>novel from the nineteen thirties by Dennis Wheatley. And I

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<v Speaker 1>will say all of the Satanic themes aside. If I

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<v Speaker 1>could only make one comment about this film, it's that

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<v Speaker 1>it is a jackpot for anybody who likes listening to

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<v Speaker 1>Christopher Lee telling people not to do things and ordering

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<v Speaker 1>them to go to bed. Yes, and not children, mind you,

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<v Speaker 1>grown adults. Yes, this is one of the most paternalistic

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<v Speaker 1>movies I've ever seen. It has. It has an authority

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<v Speaker 1>figure that's Christopher Lee. He represents order, the Sign of

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<v Speaker 1>the Cross, uh conservative values, and he's just boss and

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<v Speaker 1>everybody around constantly everyone stand back. The proper British adults

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<v Speaker 1>are here. And it's funny because I, of course I

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<v Speaker 1>love Christopher Lee, but his character in this movie is

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<v Speaker 1>so pompously self serious and bossy and paternalistic. I feel

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<v Speaker 1>like it's going to be nearly impossible for modern audiences

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<v Speaker 1>to avoid regarding this character with anything other than like

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<v Speaker 1>amusement or contempt, which I think can be extrapolated to

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<v Speaker 1>feelings about the movie in general. Because this is a

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<v Speaker 1>very competently made horror movie. But if you were to

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<v Speaker 1>just give me the pitch, like you know, read me

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<v Speaker 1>a description of what this is going to be. It's

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<v Speaker 1>a hammer horror movie made in nineteen sixty eight about

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<v Speaker 1>satanic cults, starring Christopher Lee as Maximum Order Daddy and

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<v Speaker 1>Charles Gray as a psychic Alistair Crowley who likes to

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<v Speaker 1>make people garrot themselves with necklaces. I would assume this

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<v Speaker 1>was going to be a jolly, campy frolic charged up

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<v Speaker 1>with like gratuitous sex and fangs and orange blood, but no. Uncharacteristically,

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<v Speaker 1>for its provenance, this movie is culturally conservative and deadly serious,

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<v Speaker 1>which in this context means it is pretty much just

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<v Speaker 1>inviting us to laugh at it rather than with it. Absolutely,

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<v Speaker 1>I mean not that there are a lot of built

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<v Speaker 1>in laughs in this film. Anyway. But yeah, you know,

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<v Speaker 1>it's it's very much one where you have you have

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<v Speaker 1>to find some fun in a character like Christopher Lee's character.

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<v Speaker 1>Really most of the adult characters in this film, because

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<v Speaker 1>they're they're very hard to root for, impossible to laugh.

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<v Speaker 1>Another thing I would say is that looking at the

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<v Speaker 1>film's marketing material would also lead the average person, I think,

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<v Speaker 1>to the wrong conclusion about its tone and content. Oh, absolutely,

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<v Speaker 1>especially concerning the poster art. Now, this was originally released

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<v Speaker 1>under the title we're discussing it as The Devil Rides Out. Uh,

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<v Speaker 1>this is the British title. This was the title of

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<v Speaker 1>the book upon which it was based. And so the

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<v Speaker 1>British poster had like a devil riding a horse and

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<v Speaker 1>it looks it looks pretty cool. I wouldn't shy away

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<v Speaker 1>from putting this on the wall. But then it's released

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<v Speaker 1>in the United States as The Devil's Bride, supposedly because

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<v Speaker 1>they thought The Devil Rides Out sounds too much like

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<v Speaker 1>a Western or or And I don't know, maybe this

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<v Speaker 1>is just me, but I'm thinking maybe they thought it

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<v Speaker 1>sounds like a motorcycle film. It does sound motorcyclely to me,

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<v Speaker 1>and they're like no, no, no no, let's call it the

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<v Speaker 1>Devil's Bride. But the poster for this one, oh, it's

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<v Speaker 1>one of the finest nineteen seven, nineteen sixties, nineteen seventies

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<v Speaker 1>horror posters you could possibly go for. Right, So it

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<v Speaker 1>has our our goath head demon or our goat of Mendez,

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<v Speaker 1>which does appear in the movie. The funny thing about

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<v Speaker 1>him is he has the goat horns, but then he

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<v Speaker 1>also has floppy ears, and you would think, oh, the

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<v Speaker 1>floppy ears. That makes him look funny and cute, but

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<v Speaker 1>they add to the horror that it works. He's got

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<v Speaker 1>a big eye in his belly and then in his

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<v Speaker 1>room and then he's like holding um uh, one of

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<v Speaker 1>the main actresses in this movie in his arms, presumably

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<v Speaker 1>you know, to take her to hell with him. And

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<v Speaker 1>then in his robes you see reflected a lot of

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<v Speaker 1>the monsters and horrors that appear throughout the film. Yeah,

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<v Speaker 1>beautiful yellow background that also kind of works, and it's

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<v Speaker 1>just it's a beautiful poster. Also, I would say that

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<v Speaker 1>the the just the image of the monster man carrying

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<v Speaker 1>the woman, the unconscious woman. This is, of course, uh

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<v Speaker 1>an iconic theme you find in various poster art from

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<v Speaker 1>Yester Year not entirely unproblematic, but still very iconic. So

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<v Speaker 1>this one, this post is really hitting a number of buttons,

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<v Speaker 1>really coming out with guns of blazing and makes you

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<v Speaker 1>think this is going to be the the psychedelic satanic

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<v Speaker 1>film par excellence. And uh, I have to say, if

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<v Speaker 1>that what you're expecting, be prepared to be maybe a

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<v Speaker 1>little bit disappointed and find yourself going in a slightly

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<v Speaker 1>different direction. Is still this film is still a lot

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<v Speaker 1>of fun. It has some great satanic stuff in it,

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<v Speaker 1>some great black masts and magic sequences. But this is

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<v Speaker 1>a scene depicted on the poster that does not actually

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<v Speaker 1>occur in the film. It's kind of constructed from elements

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<v Speaker 1>of the film. Yeah. Yeah. Another thing that we must

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<v Speaker 1>stress is that this is a film that that has

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<v Speaker 1>not just one, but two Bond villain actors in it.

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<v Speaker 1>So of course chrispher Lee, uh you know, we we

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<v Speaker 1>know chrispher Lee on this show. He plays the assassin

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<v Speaker 1>Scaramonga in The Man with the Golden Gun, a Roger

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<v Speaker 1>Moore Bond movie from the seventies I think widely regarded

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<v Speaker 1>as one of the worst spawned movies. Um. And then

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<v Speaker 1>you have Charles Gray as the villain in this movie,

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<v Speaker 1>who plays Blowfeld and Diamonds Are Forever, the ladder of

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<v Speaker 1>which is, without a doubt, the funniest Bond villain portrayal

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<v Speaker 1>in the entire history of the franchise. Have you seen

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<v Speaker 1>Diamonds Are Forever? Okay, I've seen both of these, but

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<v Speaker 1>both of them I last saw them when I was

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<v Speaker 1>a child. So the man with the Golden Gun I

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<v Speaker 1>remember is being amazing because he had that golden gun. Yeah,

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<v Speaker 1>that's the only thing I remember, though. The golden gun

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<v Speaker 1>is very cool, and Christopher Lee is very cool. But

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<v Speaker 1>Charles Gray and Diamonds Are Forever. He he plays Blowfeld

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<v Speaker 1>with this I don't know what you you called the

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<v Speaker 1>style of vocal delivery, but it's the Charles Grays And yes, yes,

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<v Speaker 1>Is that the one that takes place in Vegas a

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<v Speaker 1>little bit? Yeah? Yeah, they go to Last veg. That

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<v Speaker 1>one's not good either. Okay, yeah, I barely remember that one,

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<v Speaker 1>but you know, you you you brought up blow Feld.

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<v Speaker 1>This reminds me of something. So one of the things

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<v Speaker 1>I kept thinking about in this film was like, oh,

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<v Speaker 1>we got to two Bond villains. We got a Bond

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<v Speaker 1>villain actor, famous Bond villain actor playing the the hero

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<v Speaker 1>and a famous Bond villain actor playing the villain, and

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<v Speaker 1>um though this movie was before both of those, right, right,

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<v Speaker 1>But it made me wonder, especially with Christopher Lee's Christopher

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<v Speaker 1>Lee just not good at playing like how much of

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<v Speaker 1>it is is like he just needs to play villains.

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<v Speaker 1>This is an actor who excels at playing villains, and

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<v Speaker 1>maybe he shouldn't play the heroes. And then how much

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<v Speaker 1>of it is just like this is kind of a

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<v Speaker 1>crummy hero role. I don't know. Yeah, I think it

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<v Speaker 1>might be more the latter because Okay, so he's a

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<v Speaker 1>villain in this other movie, but you might think, well,

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<v Speaker 1>maybe the problem is he's just too imperious and he

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<v Speaker 1>can't be a a kind of he can't have that likable,

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<v Speaker 1>jolly protagonist energy that you would need to really get

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<v Speaker 1>people on your side. But I would say he has

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<v Speaker 1>that as the villain in The Wickerman when I should

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<v Speaker 1>So when Rachel and I watched The Devil Rides Out,

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<v Speaker 1>Rachel observed that this movie is kind of inverse Wickerman.

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<v Speaker 1>It's with Christopher Lee playing the Sergeant Howie character in

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<v Speaker 1>The Wickerman just like a very uptight conservative person in

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<v Speaker 1>the face of all of this depravity and devil worship.

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<v Speaker 1>That's a good point, I guess in the Wickerman it's

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<v Speaker 1>not explicitly devil it's you know, just pay Anism. Though

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<v Speaker 1>of course, I would say the mindset that makes a

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<v Speaker 1>lot of these Satanism movies and uh and stuff like

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<v Speaker 1>Dennis Wheatley's novel would probably mostly conflate the two. Right.

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<v Speaker 1>If it is not Christian, then there's a good chance

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<v Speaker 1>that it is devil worship according to this mindset. Yes,

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<v Speaker 1>And and that's the other thing is that this movie,

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<v Speaker 1>I would say is Satanic Panic before the Satanic Panic.

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<v Speaker 1>It's like a progenitor of Satanic Panic. Even going back

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<v Speaker 1>to the novel which came out it did come out

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<v Speaker 1>in the nineteen thirties, right, Yeah, this was a nineteen

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<v Speaker 1>thirties novel. And I've actually read that like this the

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<v Speaker 1>books of Dennis Wheatley, because there's more than one that

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<v Speaker 1>that ends up concerning the ac cult. And we'll get

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<v Speaker 1>into that in a bed um. I've read that like

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<v Speaker 1>that these helped sort of influence the uh, you know

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<v Speaker 1>that what would become proper Satanic Panic in the decades

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<v Speaker 1>to follow believe. Historian Philip but Jenkins has has particularly

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<v Speaker 1>pointed to a N seven novel by Herbert Gorman titled

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<v Speaker 1>The Place Called Dagon and pointed this is a key

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<v Speaker 1>influence on the Satanic Panic themes to come, and the

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<v Speaker 1>book apparently influenced such occult authors as din As Sweetly

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<v Speaker 1>as HP Lovecraft and Robert Block. Now, I noticed that

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<v Speaker 1>right before you picked this movie for Weirdhouse, you sent

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<v Speaker 1>me a you sent me a link to a news

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<v Speaker 1>segment produced sometime in the eighties that was pure Satanic panic.

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<v Speaker 1>It was just it's unreal the kind of stuff that

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<v Speaker 1>used to run on like mainstream media in the American

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<v Speaker 1>press and on TV in the eighties. I think was

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<v Speaker 1>what was this or the Satanic panic um making just

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<v Speaker 1>like on on its face, absolutely absurd claims about devil

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<v Speaker 1>ritual you know, Satanic rituals and stuff like that going

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<v Speaker 1>on in America, but presented completely seriously as if this

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<v Speaker 1>is one fact interviewing these experts who are obviously like

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<v Speaker 1>have no idea what they're talking about. Uh, you know,

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<v Speaker 1>finding devil worship in everything every movie and music. One

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<v Speaker 1>thing that was weird is it even singled out a

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<v Speaker 1>movie like The Exorcist, which I would say is a

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<v Speaker 1>movie that is about as faithfully Catholic as a movie

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<v Speaker 1>could be. Oh yeah, yeah, I mean it's it's it's

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<v Speaker 1>ultimately the demons are there, but God is there. Maybe

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<v Speaker 1>it's i mean, the Exorcist, especially at the time, was

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<v Speaker 1>regarded as a pretty extreme film and you know, very

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<v Speaker 1>shocking and was very much the talk of the town.

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<v Speaker 1>Maybe part of that is, like it is not necessarily

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<v Speaker 1>about having watched The Exorcists, is about the idea that

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<v Speaker 1>the Exorcist exists. You know, it's popularizing satanic themes, I guess.

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<v Speaker 1>But so anyway, so so you got interested, I guess,

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<v Speaker 1>in in these like satanic panic movies through that or

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<v Speaker 1>is that a coincidence? Oh, I mean I'm always interested

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<v Speaker 1>in satanic themes and things. You know. Um, it's you know,

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<v Speaker 1>it's it's part of it's become such a part of

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<v Speaker 1>our pop culture, so many that there are in so

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<v Speaker 1>many movies on our our list of potential episodes that

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<v Speaker 1>concern Satan worshippers in one way or another. The Weirdly enough,

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<v Speaker 1>I think the first Satan worship movie that I saw

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<v Speaker 1>as a child was the Dragnet movie that Dana Kroyd did.

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<v Speaker 1>Do you remember this one? Yeah, Tom Hanks, Yeah, well

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<v Speaker 1>d yeah, Dan Akroyd and Tom Hanks and I forget

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<v Speaker 1>who plays like the high priest of Satan. But it's

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<v Speaker 1>like Hollywood and Jackie Wallens. Maybe Jack Palance is in there.

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<v Speaker 1>There's some older actor, but yeah, it's that's I don't

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<v Speaker 1>really remember that movie is good or not, but it

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<v Speaker 1>has a lot of Satanic cult in Hollywood of kind

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<v Speaker 1>of imagery, you know, the robes, the goats, um drugs,

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<v Speaker 1>every kind of filth. Yeah. So, I mean, yeah, if

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<v Speaker 1>you're into if you're into horror films, if you're into

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<v Speaker 1>into like metal music or anything like that, you know,

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<v Speaker 1>the various themes of like movie Satanism are kind of unavoidable. Okay, well,

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<v Speaker 1>should we hear some trailer audio, let's do it. Do

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<v Speaker 1>you believe in evil? That's an idea. Do you believe

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<v Speaker 1>in the power of darkness? That's a perstition? Are there?

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<v Speaker 1>You were wrong? The power of darkness is more than

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<v Speaker 1>justice superstition. It is a living force which can be

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<v Speaker 1>tapped at any given moment of the night. Why on

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<v Speaker 1>one night, but one year, should these people live in

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<v Speaker 1>mortal fear, my God. The goat of mentis the devil himself.

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<v Speaker 1>Christopher Lee as Doritia, who knows he must fight the

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<v Speaker 1>devil's power to the death. O, my God, don't look

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<v Speaker 1>at the eyes Rex eyes, eyes once filled with love,

0:12:53.520 --> 0:12:57.559
<v Speaker 1>are consumed with fear. What Tanneth is now promised to

0:12:57.720 --> 0:13:04.720
<v Speaker 1>the double Catholic of this is Makata, the Devil's chief disciple.

0:13:05.240 --> 0:13:14.600
<v Speaker 1>You're real is leaving you, slipping away. The Double rides

0:13:14.640 --> 0:13:17.800
<v Speaker 1>out from best seller or to Dennis Weekly's famous novel,

0:13:17.960 --> 0:13:21.120
<v Speaker 1>fills the screen with a special kind of visual terror.

0:13:21.240 --> 0:13:31.280
<v Speaker 1>Wire me quickly. You will hear his evil, you will

0:13:31.400 --> 0:13:44.520
<v Speaker 1>feel his evil, you will see his evil. All right,

0:13:44.720 --> 0:13:47.000
<v Speaker 1>So before we get into the people here, we should

0:13:47.000 --> 0:13:48.480
<v Speaker 1>probably I don't know if we stressed. Yeah, I think

0:13:48.480 --> 0:13:50.679
<v Speaker 1>you mentioned it briefly. But this is, of course a

0:13:50.800 --> 0:13:54.520
<v Speaker 1>Hammer horror film. Have we discussed a Hammer film on

0:13:54.559 --> 0:13:56.920
<v Speaker 1>the show before? Oh, I mean, I know it's come

0:13:57.000 --> 0:13:59.280
<v Speaker 1>up in passing. I don't know if we've featured one.

0:14:00.040 --> 0:14:02.439
<v Speaker 1>We we've talked about them with Seth a lot are

0:14:02.480 --> 0:14:05.679
<v Speaker 1>regular producer Seth Nicholas Johnson. I think sometime in the

0:14:05.720 --> 0:14:08.200
<v Speaker 1>past couple of years got like the Ultimate Box set

0:14:08.240 --> 0:14:10.520
<v Speaker 1>of Hammer films and was just going through them and

0:14:10.520 --> 0:14:13.680
<v Speaker 1>we were talking about them. So if you're not familiar,

0:14:13.760 --> 0:14:16.960
<v Speaker 1>Hammer put out a lot of British horror films and

0:14:17.000 --> 0:14:19.240
<v Speaker 1>the I don't know when their their full run was.

0:14:19.280 --> 0:14:22.440
<v Speaker 1>I associate them with the sixties and the seventies, and

0:14:22.760 --> 0:14:24.840
<v Speaker 1>you know a lot of films starring Peter Cushing and

0:14:24.920 --> 0:14:29.920
<v Speaker 1>Christopher Lee and various Dracula van Helsing Mummy kinds of roles.

0:14:30.520 --> 0:14:33.720
<v Speaker 1>But then also they branched out into just more general

0:14:33.800 --> 0:14:37.800
<v Speaker 1>kind of sexy vampire movies, right right, Yeah, definitely there's

0:14:37.840 --> 0:14:40.360
<v Speaker 1>a shift that occurs as things get more into the

0:14:40.920 --> 0:14:44.200
<v Speaker 1>late sixties seventies vibe. And one of the interesting things

0:14:44.240 --> 0:14:46.840
<v Speaker 1>about this film that that has been pointed out in

0:14:46.880 --> 0:14:50.480
<v Speaker 1>particular horror historian Kim Newman discusses this a little bit

0:14:50.520 --> 0:14:53.400
<v Speaker 1>in a in a little short extra on the Splendid

0:14:53.440 --> 0:14:56.720
<v Speaker 1>Blu Ray for this movie that this is ultimately more

0:14:56.760 --> 0:14:59.560
<v Speaker 1>of a nineteen thirties movie. It has nineteen thirties horror

0:14:59.560 --> 0:15:02.160
<v Speaker 1>since the bill at ease or at least nineteen fifties,

0:15:02.160 --> 0:15:04.040
<v Speaker 1>I believe, and more and more like a nineteen fifties

0:15:04.040 --> 0:15:07.360
<v Speaker 1>horror movie as opposed to a nineteen eighth, you know,

0:15:07.400 --> 0:15:09.800
<v Speaker 1>early seventies film, which would have been you know, more

0:15:09.800 --> 0:15:12.880
<v Speaker 1>in line with the cultural changes that are happening. This

0:15:12.960 --> 0:15:16.359
<v Speaker 1>is a film, but it's more for the older generation

0:15:16.600 --> 0:15:19.040
<v Speaker 1>that's terrified by what's occurring, but it's not ready to

0:15:19.120 --> 0:15:22.360
<v Speaker 1>quite embrace it or exploited. Right, it came out in

0:15:22.440 --> 0:15:24.840
<v Speaker 1>nineteen sixty eight, but it is it seems to be

0:15:24.880 --> 0:15:28.040
<v Speaker 1>wagging a finger at the audience and cautioning them against

0:15:28.120 --> 0:15:33.080
<v Speaker 1>any stranger or unorthodox beliefs or practices. Alright, well, let's

0:15:33.160 --> 0:15:35.360
<v Speaker 1>let's start at the top. The director on this baby

0:15:35.640 --> 0:15:39.040
<v Speaker 1>was Terence Fisher, who of nineteen o four through nineteen

0:15:39.120 --> 0:15:43.760
<v Speaker 1>eighty um British film director best remembered for his Hammer films.

0:15:43.760 --> 0:15:46.520
<v Speaker 1>Either directed a slew of them, beginning in I Believe

0:15:46.600 --> 0:15:50.160
<v Speaker 1>nineteen fifty one with The Last Page, but really kicking

0:15:50.200 --> 0:15:53.600
<v Speaker 1>into high horror gear in nineteen fifty seven with the

0:15:53.640 --> 0:15:57.600
<v Speaker 1>Curse of Frankenstein starring Christopher Lee and Peter Cushing. He

0:15:57.680 --> 0:16:00.000
<v Speaker 1>was already an established TV and film director by the

0:16:00.080 --> 0:16:02.160
<v Speaker 1>is time, though, but he ended up directing a lot

0:16:02.200 --> 0:16:04.800
<v Speaker 1>of the big Hammer films, including but not limited to,

0:16:05.360 --> 0:16:09.200
<v Speaker 1>Horror of Dracula, Frankenstein, and the Monster from Hell, Frankenstein

0:16:09.280 --> 0:16:13.560
<v Speaker 1>must be Destroyed, Dracula, Prince of Darkness and others. I

0:16:13.680 --> 0:16:17.600
<v Speaker 1>have a big poster for Terence Fisher's production of the

0:16:17.720 --> 0:16:19.800
<v Speaker 1>Mummy right next to me on the wall here is

0:16:19.840 --> 0:16:24.320
<v Speaker 1>from nine and uh, I have the Belgian poster for it.

0:16:24.320 --> 0:16:27.760
<v Speaker 1>I believe because the title on it isla Maledicttion de

0:16:27.920 --> 0:16:32.320
<v Speaker 1>Ferran and the Curse of the Pharaohs. I guess. But

0:16:32.440 --> 0:16:34.960
<v Speaker 1>the poster is great because there's like the Mummy which

0:16:35.000 --> 0:16:37.280
<v Speaker 1>is played by Christopher Lee in the Terence Fisher movie,

0:16:37.840 --> 0:16:40.920
<v Speaker 1>but like it's approaching and then there's a lady screaming

0:16:40.920 --> 0:16:43.560
<v Speaker 1>in the foreground, and then behind the mummy people are

0:16:43.640 --> 0:16:46.320
<v Speaker 1>shining a flashlight and the beam of light is just

0:16:46.400 --> 0:16:49.000
<v Speaker 1>like piercing right through it. Oh yes, yeah, I have

0:16:49.080 --> 0:16:51.080
<v Speaker 1>seen this poster. This is a beauty because there's kind

0:16:51.080 --> 0:16:54.200
<v Speaker 1>of like a cosmic sense to the Mummy in it. Alright,

0:16:54.240 --> 0:16:57.440
<v Speaker 1>we minute we mentioned Dennis Wheatley already. Dennis Wheetlely wrote

0:16:57.480 --> 0:16:59.880
<v Speaker 1>the novel The Devil Rides Out upon which this is base.

0:17:00.400 --> 0:17:04.840
<v Speaker 1>Wheatly lived seven through nineteen seventy seven, British author of

0:17:04.880 --> 0:17:08.159
<v Speaker 1>popular thriller novels, often with the cult themes. And one

0:17:08.200 --> 0:17:10.840
<v Speaker 1>of the things that uh the Kim Newman points out

0:17:10.920 --> 0:17:13.359
<v Speaker 1>is like this guy was a very popular author at

0:17:13.359 --> 0:17:14.800
<v Speaker 1>the time. He says, like, if you went to the

0:17:14.800 --> 0:17:18.080
<v Speaker 1>horror section of your British bookstore, half the books would

0:17:18.080 --> 0:17:20.400
<v Speaker 1>be Dennis Wheetly novels. So he was a big deal.

0:17:20.440 --> 0:17:23.320
<v Speaker 1>He was a popular author. He's said to have influenced

0:17:23.320 --> 0:17:25.879
<v Speaker 1>the likes of Ian Fleming because a lot of his

0:17:25.880 --> 0:17:28.640
<v Speaker 1>his books were, especially his earlier stuff. You know, it's

0:17:28.680 --> 0:17:33.480
<v Speaker 1>it's sleuth centered, uh you know, it's about espionage and spies,

0:17:33.520 --> 0:17:36.000
<v Speaker 1>but also very much around based around the sort of

0:17:36.320 --> 0:17:40.720
<v Speaker 1>you know, classic British machismo, you know, heroes going out

0:17:40.880 --> 0:17:43.679
<v Speaker 1>and risking their lives, punching somebody in the face and

0:17:43.760 --> 0:17:47.000
<v Speaker 1>saving a woman, that sort of thing. But then things

0:17:47.040 --> 0:17:49.880
<v Speaker 1>begin to get a little more. He ends up throwing

0:17:49.880 --> 0:17:52.919
<v Speaker 1>in more occult themes as he goes. Now, I'm certainly

0:17:52.960 --> 0:17:56.280
<v Speaker 1>no Whekly expert. I tried reading one of his books

0:17:56.480 --> 0:18:00.240
<v Speaker 1>once and it didn't grab me. But my understanding is that, yeah,

0:18:00.240 --> 0:18:02.560
<v Speaker 1>a lot of his series, and he has multiple series

0:18:02.560 --> 0:18:05.359
<v Speaker 1>with recurring characters, start out more traditional and then end

0:18:05.440 --> 0:18:08.680
<v Speaker 1>up latching onto occult themes, and we definitely see this

0:18:09.200 --> 0:18:13.960
<v Speaker 1>in his Duke de Richelieu series, which of of which

0:18:14.080 --> 0:18:17.520
<v Speaker 1>this book is a part right. Christopher Lee's character in

0:18:17.560 --> 0:18:19.879
<v Speaker 1>the movie is the Duke de Richelo. I think his

0:18:19.920 --> 0:18:22.679
<v Speaker 1>actual given name is Nicholas. They only say that like

0:18:22.720 --> 0:18:24.800
<v Speaker 1>once or twice in the movie. Usually he's just Duke

0:18:24.920 --> 0:18:30.919
<v Speaker 1>or the Duke. Yeah. So the first book in that series, however,

0:18:31.080 --> 0:18:34.280
<v Speaker 1>is just pure espionage adventure. Um. And then the second

0:18:34.359 --> 0:18:36.960
<v Speaker 1>book that comes later is The Devil's Right. The Devil

0:18:37.040 --> 0:18:39.680
<v Speaker 1>rides out full of not only a cultist in satanist,

0:18:39.760 --> 0:18:43.160
<v Speaker 1>but actual supernatural forces. So it's like, imagine you had

0:18:43.480 --> 0:18:45.760
<v Speaker 1>like a couple of James Bond movies and yeah, they've

0:18:45.760 --> 0:18:48.840
<v Speaker 1>got giant squids and whatnot. But then um, in super

0:18:48.840 --> 0:18:50.560
<v Speaker 1>science a little bit. But then you get to the

0:18:50.560 --> 0:18:53.520
<v Speaker 1>point where it's like, oh, yes, the Devil has shown up. Okay,

0:18:53.520 --> 0:18:57.159
<v Speaker 1>so it's James Bond versus Baha met Yeah, sort of

0:18:57.240 --> 0:18:59.159
<v Speaker 1>or a kind of like a proto James Bond, you know,

0:18:59.560 --> 0:19:02.560
<v Speaker 1>because very much came first. But he has another series,

0:19:02.600 --> 0:19:05.040
<v Speaker 1>the Gregory Salas series, that I think does much the

0:19:05.080 --> 0:19:09.000
<v Speaker 1>same thing. The first book in that Black August from

0:19:09.080 --> 0:19:13.000
<v Speaker 1>nineteen thirty four imagines a few futuristic nineteen sixty and

0:19:13.080 --> 0:19:15.919
<v Speaker 1>economic collapse so very much, you know, a different beast.

0:19:16.200 --> 0:19:18.560
<v Speaker 1>But then by nineteen sixty four he returns to that

0:19:18.640 --> 0:19:22.400
<v Speaker 1>character in They Use Dark Forces, which has the hero

0:19:22.560 --> 0:19:26.160
<v Speaker 1>battling Nazi occultists and I think teaming up with another

0:19:26.200 --> 0:19:28.399
<v Speaker 1>occultists to take them on. This is the one that

0:19:28.440 --> 0:19:30.800
<v Speaker 1>I actually tried to read once and just could not

0:19:30.880 --> 0:19:33.760
<v Speaker 1>get into it. Um your mileage may vary, but I

0:19:33.760 --> 0:19:36.639
<v Speaker 1>I could not get into Wheely. When you paste it

0:19:36.720 --> 0:19:40.400
<v Speaker 1>in a paragraph from the opening page of The Devil

0:19:40.560 --> 0:19:43.520
<v Speaker 1>Rides Out, I gotta say I was not attracted to

0:19:43.560 --> 0:19:47.159
<v Speaker 1>the prose style. No, I don't think. I don't think.

0:19:47.200 --> 0:19:49.320
<v Speaker 1>There are a lot of certainly modern critics that are

0:19:49.520 --> 0:19:52.640
<v Speaker 1>praising his prose. Now, one of the interesting things, since

0:19:52.680 --> 0:19:55.800
<v Speaker 1>this is the this is not the first book to

0:19:55.880 --> 0:19:58.520
<v Speaker 1>have these characters in it, you could consider this movie

0:19:58.520 --> 0:20:02.720
<v Speaker 1>a sequel to the nineteenth four all Spy Zero Satan's

0:20:02.840 --> 0:20:07.359
<v Speaker 1>thriller Forbidden Territory, directed by Phil Rosen and based on

0:20:07.440 --> 0:20:10.840
<v Speaker 1>the first Duke novel. Uh though the protagonist name and

0:20:10.880 --> 0:20:12.679
<v Speaker 1>I think all the main characters names are changed for

0:20:12.720 --> 0:20:16.800
<v Speaker 1>some reason. Alfred Hitchcock originally optioned the book. Speaking of

0:20:16.800 --> 0:20:20.199
<v Speaker 1>film adaptation, so Wheatley's occult novel to the Devil A

0:20:20.280 --> 0:20:23.600
<v Speaker 1>Daughter was adopted in nineteen seventy six, starring Christopher Lee,

0:20:24.240 --> 0:20:28.600
<v Speaker 1>Richard Winmark Denholm, Elliott, and Natasha Kinsky, and other films

0:20:28.600 --> 0:20:32.040
<v Speaker 1>based on his work include The Secret of Stambol and

0:20:32.119 --> 0:20:36.320
<v Speaker 1>The Lost Continent. He allegedly invited Alistair Crawley to dinner

0:20:36.400 --> 0:20:39.480
<v Speaker 1>to research The Devil Rides out ran across that tidbit.

0:20:39.520 --> 0:20:41.879
<v Speaker 1>I don't know if actually had dinner, maybe just invited him.

0:20:41.920 --> 0:20:45.199
<v Speaker 1>But anybody, anybody could invite Alistair Crawley to dinner, So

0:20:45.200 --> 0:20:47.679
<v Speaker 1>I don't know, well I would. I would say again,

0:20:47.800 --> 0:20:51.439
<v Speaker 1>one thing to stress about this is that this is

0:20:51.560 --> 0:20:54.320
<v Speaker 1>different than a lot of the other devil worship movies

0:20:54.600 --> 0:20:57.879
<v Speaker 1>horror movies that you might see from the early seventies,

0:20:57.920 --> 0:21:02.120
<v Speaker 1>because I would say this is it is in itself

0:21:02.200 --> 0:21:06.800
<v Speaker 1>and is based on material that is genuinely contemptuous of

0:21:07.520 --> 0:21:11.919
<v Speaker 1>any alternative religious practice or devil worship or anything perceived

0:21:12.000 --> 0:21:15.200
<v Speaker 1>as devil worship. It's it's like believes that is real,

0:21:15.720 --> 0:21:18.439
<v Speaker 1>that people actually do it, and it is evil and

0:21:18.480 --> 0:21:22.159
<v Speaker 1>will destroy you. So it this is I think that

0:21:22.240 --> 0:21:24.959
<v Speaker 1>the author here is not It's not just like exploitation.

0:21:25.080 --> 0:21:29.080
<v Speaker 1>It is genuine belief in the danger of the Satanic

0:21:29.160 --> 0:21:33.920
<v Speaker 1>forces massing against good society, right, yeah. They The original

0:21:33.960 --> 0:21:36.399
<v Speaker 1>intro by the author is is kind of funny to

0:21:36.440 --> 0:21:39.800
<v Speaker 1>read because he's like, uh, this is all fiction, but

0:21:40.000 --> 0:21:42.439
<v Speaker 1>I did research it, and I am convinced Satanists are

0:21:42.480 --> 0:21:45.160
<v Speaker 1>in London doing their thing. Don't try this at home,

0:21:45.200 --> 0:21:47.760
<v Speaker 1>because your soul is in danger, which is a weird

0:21:47.800 --> 0:21:51.480
<v Speaker 1>line to walk. It's like, I'm gonna exploit this. I'm

0:21:51.520 --> 0:21:54.720
<v Speaker 1>comfortable exploiting this, but don't look into this any further

0:21:54.800 --> 0:21:57.880
<v Speaker 1>than what I have presented here. It kind of reminds

0:21:57.880 --> 0:22:00.280
<v Speaker 1>me of like the Da Vinci Code, you know Dan

0:22:00.400 --> 0:22:02.520
<v Speaker 1>Brown books, where he's like, Okay, so this is a

0:22:02.560 --> 0:22:05.720
<v Speaker 1>work of fiction, but all of the historical claims and

0:22:05.840 --> 0:22:10.440
<v Speaker 1>the the situation of this story are one real and true,

0:22:10.520 --> 0:22:15.200
<v Speaker 1>which in the Dan Brown's case, they are not right alright,

0:22:15.240 --> 0:22:18.840
<v Speaker 1>so yes to my taste. Uh. Wheatley's work is kind

0:22:18.880 --> 0:22:21.320
<v Speaker 1>of insufferable and there are a lot of problems with it,

0:22:21.680 --> 0:22:26.440
<v Speaker 1>But the gentleman who adapted the screenplay is a writer

0:22:26.640 --> 0:22:29.119
<v Speaker 1>that I think holds up exceptionally well, and that is

0:22:29.200 --> 0:22:33.720
<v Speaker 1>the American novelist and screenwriter Richard Matheson, who lived nineteen

0:22:34.119 --> 0:22:37.920
<v Speaker 1>six through two thousand. American writer who is best remembered

0:22:37.960 --> 0:22:40.359
<v Speaker 1>as the author of the excellent nineteen fifty four novel

0:22:40.440 --> 0:22:43.359
<v Speaker 1>I Am a Legend, upon which three films have been based.

0:22:43.840 --> 0:22:46.399
<v Speaker 1>Sixty four is The Last Man on Earth starring Vincent Price,

0:22:47.560 --> 0:22:50.679
<v Speaker 1>The Omega Man starring Chuck Heston, and two thousand sevens

0:22:50.720 --> 0:22:53.520
<v Speaker 1>I Am Legend starring Will Smith. He also wrote the

0:22:53.520 --> 0:22:57.359
<v Speaker 1>excellent Haunted House novel Hell House, the Thriller Duel, and

0:22:57.400 --> 0:23:00.600
<v Speaker 1>The Shrinking Man. All these were adapted into films Duel

0:23:00.760 --> 0:23:04.640
<v Speaker 1>by a young Steven Spielberg as well as such. Other

0:23:04.720 --> 0:23:08.320
<v Speaker 1>adaptations include What Dreams May Come, A Stir of Echoes,

0:23:08.359 --> 0:23:11.760
<v Speaker 1>and others. He also wrote a lot of TV, including

0:23:11.800 --> 0:23:15.160
<v Speaker 1>sixteen episodes of the original Twilight Zone, including the iconic

0:23:15.320 --> 0:23:18.560
<v Speaker 1>Nightmare at twenty Thousand Feet episode, and he also wrote

0:23:18.560 --> 0:23:22.159
<v Speaker 1>for such shows as Night Gallery, Original Star Trek, The

0:23:22.200 --> 0:23:26.480
<v Speaker 1>Alfred Hitchcock Our Thriller Um and as far as films go,

0:23:26.600 --> 0:23:30.760
<v Speaker 1>his screenplays include Trilogy of Terror, uh Corman's House of Usher,

0:23:31.000 --> 0:23:34.280
<v Speaker 1>and of course Jaws three D Jaws three D. That

0:23:34.359 --> 0:23:38.960
<v Speaker 1>was Matheson. Yeah. I mean. One of the things about Matheson,

0:23:39.040 --> 0:23:41.399
<v Speaker 1>and this is something that Kim Newman points out, is

0:23:41.400 --> 0:23:44.560
<v Speaker 1>like Matheson was great. Matheson's we know work certainly holds

0:23:44.600 --> 0:23:47.320
<v Speaker 1>up to a modern readers so much better than Wheatley.

0:23:47.400 --> 0:23:49.840
<v Speaker 1>But also he worked with Corman a bit, so he

0:23:49.840 --> 0:23:53.760
<v Speaker 1>could also work very fast and and presumably he says,

0:23:53.800 --> 0:23:56.399
<v Speaker 1>you could probably work at a on a reasonable budget

0:23:56.440 --> 0:23:59.480
<v Speaker 1>if you were working for Corman. So okaye, so is

0:23:59.520 --> 0:24:02.440
<v Speaker 1>the Corman principle. It's like, you know, coming to Charles B.

0:24:02.560 --> 0:24:04.879
<v Speaker 1>Griffith and saying, I need a movie called Attack of

0:24:04.880 --> 0:24:09.119
<v Speaker 1>the Giant Crabs. It needs to be done in four days. Yeah, presumably.

0:24:09.920 --> 0:24:12.080
<v Speaker 1>But anyway, I mean written mathis is great and and

0:24:12.240 --> 0:24:15.000
<v Speaker 1>has has created so much wonderful work over the years.

0:24:15.000 --> 0:24:17.879
<v Speaker 1>So it's interesting though that in a very British film

0:24:17.920 --> 0:24:21.240
<v Speaker 1>we have this very American writing force that is adapting

0:24:21.280 --> 0:24:23.680
<v Speaker 1>it and tweaking it a little bit, and and also

0:24:23.800 --> 0:24:26.840
<v Speaker 1>and ultimately removing many things that probably didn't work all

0:24:26.880 --> 0:24:29.240
<v Speaker 1>that well in the Wheely novel. One last thing, I

0:24:29.280 --> 0:24:31.960
<v Speaker 1>didn't know that Matheson had written one of the Corman

0:24:32.119 --> 0:24:34.280
<v Speaker 1>Poe movies, and I've been thinking we need to do

0:24:34.359 --> 0:24:38.760
<v Speaker 1>one of the Corman Poe movies. Oh well, stay tuned,

0:24:39.200 --> 0:24:49.919
<v Speaker 1>we may just do that, all right. No, let's get

0:24:49.960 --> 0:24:52.919
<v Speaker 1>into the cast here. Uh so kind of like last

0:24:53.080 --> 0:24:56.280
<v Speaker 1>last episode last the last new episode we did. I mean,

0:24:57.119 --> 0:24:59.280
<v Speaker 1>what can you say about Christopher Lee who played the

0:24:59.359 --> 0:25:02.600
<v Speaker 1>duke here? Uh you know, we we He's been in

0:25:02.640 --> 0:25:06.760
<v Speaker 1>so many things I lived nineteen through. He has one

0:25:06.760 --> 0:25:09.399
<v Speaker 1>of those careers that had like multiple you know, you

0:25:09.480 --> 0:25:11.560
<v Speaker 1>had some sort of dips here and there, but also

0:25:12.359 --> 0:25:14.479
<v Speaker 1>you know, especially later in life, he was in so

0:25:14.520 --> 0:25:17.560
<v Speaker 1>many great films and you know, memorable films at least.

0:25:18.160 --> 0:25:24.919
<v Speaker 1>Uh you know, he's known for playing so many villains. Dracula, Sorrowman, Uh, Scottamana,

0:25:25.720 --> 0:25:31.439
<v Speaker 1>Count Dooku, Lord Uh, Summer Isle, Frankenstein's Monster, Carris The Mummy.

0:25:31.840 --> 0:25:35.159
<v Speaker 1>He also voiced the villain King Hadrid in two is

0:25:35.200 --> 0:25:39.080
<v Speaker 1>the Last Unicorn, which I just watched more than half

0:25:39.119 --> 0:25:42.000
<v Speaker 1>of with um with my family last night, and I

0:25:42.080 --> 0:25:45.879
<v Speaker 1>was really enjoying that so and that also reminded I

0:25:45.920 --> 0:25:48.280
<v Speaker 1>was looking up some stuff about Last Unicorn on Last

0:25:48.359 --> 0:25:51.479
<v Speaker 1>Unicorn is one of these where they hired Christopher Lee

0:25:51.560 --> 0:25:53.920
<v Speaker 1>for it, and he was very enthusiastic about it, apparently

0:25:53.920 --> 0:25:57.040
<v Speaker 1>a big reader, and he showed up with the original

0:25:57.080 --> 0:26:01.439
<v Speaker 1>novel with things that earmarked, uh, saying these absolutely cannot

0:26:01.440 --> 0:26:03.520
<v Speaker 1>be cut. These lines have to stay in the in

0:26:03.600 --> 0:26:06.520
<v Speaker 1>the picture. And he apparently did this with Lord of

0:26:06.560 --> 0:26:09.680
<v Speaker 1>the Rings as well, and and probably with this film,

0:26:09.720 --> 0:26:11.880
<v Speaker 1>because I understand that The Devil Rides Out was also

0:26:11.960 --> 0:26:13.320
<v Speaker 1>a film where he liked the book, and he was

0:26:13.359 --> 0:26:16.399
<v Speaker 1>really excited for the film and probably showed up with

0:26:16.440 --> 0:26:19.080
<v Speaker 1>the book and was like, no, Sorr, I'm sorry, Matheson,

0:26:19.160 --> 0:26:21.760
<v Speaker 1>this goes in, This stays in the picture. That's funny

0:26:21.800 --> 0:26:24.639
<v Speaker 1>because I actually watched part of an interview or I

0:26:24.680 --> 0:26:26.840
<v Speaker 1>think it was an audience Q and A with some

0:26:26.920 --> 0:26:30.480
<v Speaker 1>event that that he was doing, and a member of

0:26:30.480 --> 0:26:32.919
<v Speaker 1>the audience asks him, you know, it's been rumored that

0:26:32.960 --> 0:26:36.080
<v Speaker 1>you have a large occult library. Is that true? And

0:26:36.119 --> 0:26:38.119
<v Speaker 1>how did you get interested in that? And he says, no,

0:26:38.240 --> 0:26:40.320
<v Speaker 1>it is not true. I have maybe four or five

0:26:40.400 --> 0:26:42.960
<v Speaker 1>books on the occult and one of them, he says,

0:26:43.080 --> 0:26:45.960
<v Speaker 1>is an original copy of The Devil Rides Out, signed

0:26:46.000 --> 0:26:49.000
<v Speaker 1>by the author. So he's clearly a fan. But then

0:26:49.040 --> 0:26:52.600
<v Speaker 1>he also cautions the audience not to experiment with devil worship.

0:26:54.080 --> 0:26:57.399
<v Speaker 1>He's basically the dick Um. But I mean, yeah, I

0:26:57.400 --> 0:27:00.800
<v Speaker 1>gotta love Christopher Lee. Um, it's hard pick a favorite role.

0:27:00.920 --> 0:27:03.639
<v Speaker 1>I'm tempted to go. I mean, he he is saw Rouman.

0:27:03.720 --> 0:27:06.600
<v Speaker 1>To me, it's one of those performances that is so

0:27:06.680 --> 0:27:10.400
<v Speaker 1>thoroughly the character that it replaces whatever imagination you might

0:27:10.400 --> 0:27:12.720
<v Speaker 1>have had from the book before you saw the movie.

0:27:12.760 --> 0:27:15.800
<v Speaker 1>He just embodies it perfectly. But then the other thing

0:27:15.800 --> 0:27:18.160
<v Speaker 1>I would say, maybe even more than that, is Lord Sumerle.

0:27:18.200 --> 0:27:20.719
<v Speaker 1>I mean he is he is the gentleman pagan from

0:27:20.760 --> 0:27:25.160
<v Speaker 1>The wicker Man. It's it's it just can't be beat. Yeah, yeah,

0:27:25.200 --> 0:27:27.800
<v Speaker 1>these these are all great roles. I love all the

0:27:27.880 --> 0:27:30.480
<v Speaker 1>roles that I mentioned already, And and there are plenty

0:27:30.480 --> 0:27:33.720
<v Speaker 1>of Christopher Rely performances out there I haven't seen, so

0:27:33.760 --> 0:27:35.840
<v Speaker 1>I'm sure there's some other gems. I know. One thing

0:27:35.880 --> 0:27:37.960
<v Speaker 1>I've said on the show before, I'm I'm not a

0:27:38.040 --> 0:27:41.520
<v Speaker 1>huge fan of the the Star Wars prequels, but there's

0:27:41.520 --> 0:27:44.760
<v Speaker 1>always that moment when Christopher Lee shows up in them

0:27:44.800 --> 0:27:47.520
<v Speaker 1>where I think, the way I've put it before, and

0:27:47.800 --> 0:27:50.359
<v Speaker 1>I would stand by this is that it's like in

0:27:50.359 --> 0:27:54.160
<v Speaker 1>a movie that is kind of stuffy and suffocating, Christopher

0:27:54.240 --> 0:27:56.359
<v Speaker 1>Lee walks on screen and suddenly it's like someone has

0:27:56.400 --> 0:27:58.920
<v Speaker 1>opened a window and let fresh air in and now

0:27:58.960 --> 0:28:02.920
<v Speaker 1>everything's oh, oh, things feel great now. Yeah. Yeah. I

0:28:03.280 --> 0:28:07.120
<v Speaker 1>love his betrayal of Douku in in those two Star

0:28:07.119 --> 0:28:09.280
<v Speaker 1>Wars films, and I especially love in the opening of

0:28:09.280 --> 0:28:10.880
<v Speaker 1>the Revenge of the Seth where you have that that's

0:28:10.920 --> 0:28:13.760
<v Speaker 1>that duel between Anakin and Douku, and then of course

0:28:13.760 --> 0:28:19.160
<v Speaker 1>you have Palpatine watching on and ultimately deciding its fate. Yeah,

0:28:19.320 --> 0:28:21.280
<v Speaker 1>that's it's a great sequence, and and Lee's great in

0:28:21.320 --> 0:28:24.240
<v Speaker 1>it because he's you know, he's he's very much. He's great.

0:28:24.280 --> 0:28:26.120
<v Speaker 1>He was always great at playing this kind of grandiose

0:28:26.160 --> 0:28:29.280
<v Speaker 1>and egotistical villain. And then we get to see like

0:28:29.320 --> 0:28:34.360
<v Speaker 1>the vulnerability briefly as he's betrayed by his master. So yeah,

0:28:34.400 --> 0:28:37.560
<v Speaker 1>literally always brought brought something great to the to the table.

0:28:37.720 --> 0:28:40.840
<v Speaker 1>But anyway, it's an interesting casting choice for this character

0:28:40.960 --> 0:28:43.680
<v Speaker 1>of the Duke de Richelow that the protagonist of the movie,

0:28:43.760 --> 0:28:47.600
<v Speaker 1>who who represents order in the side of good against

0:28:47.840 --> 0:28:50.640
<v Speaker 1>against the chaos and evil of of Charles Gray. As

0:28:50.880 --> 0:28:55.680
<v Speaker 1>as Mr Mocatta. But yeah, it's I'm kind of wondering, like,

0:28:56.040 --> 0:28:58.240
<v Speaker 1>could you have cast somebody else in this role and

0:28:58.280 --> 0:29:00.960
<v Speaker 1>how would the movie be different if you have? Yeah,

0:29:01.080 --> 0:29:04.000
<v Speaker 1>Like part of me was thinking, well, maybe, like maybe Lee,

0:29:04.240 --> 0:29:07.040
<v Speaker 1>especially at this point, wasn't as good at like portraying

0:29:07.120 --> 0:29:11.560
<v Speaker 1>like likable and vulnerable characteristics, like whereas someone like Peter

0:29:11.640 --> 0:29:15.360
<v Speaker 1>Cushing his close friend and you know in Frequent co Star,

0:29:15.560 --> 0:29:18.080
<v Speaker 1>maybe he would have been able to deliver that better.

0:29:18.520 --> 0:29:20.320
<v Speaker 1>But then again, I come back to the way this

0:29:20.480 --> 0:29:23.440
<v Speaker 1>characters are written, and maybe anybody would have been stuffy

0:29:23.480 --> 0:29:26.640
<v Speaker 1>and unlikable in this role. One thing I gotta say

0:29:26.760 --> 0:29:30.320
<v Speaker 1>is the the bizarre choice and and maybe this reflects

0:29:30.320 --> 0:29:34.720
<v Speaker 1>how the esthetics of of Satanism have changed over time.

0:29:35.320 --> 0:29:39.000
<v Speaker 1>But they give Christopher Lee devil worship or facial here.

0:29:39.360 --> 0:29:43.920
<v Speaker 1>They give him the classic Satanist goatee when he's when

0:29:43.920 --> 0:29:47.320
<v Speaker 1>he's playing the guy who's against the Satanists. Yeah, and

0:29:47.360 --> 0:29:49.760
<v Speaker 1>then it is interesting when we look at who's playing

0:29:49.840 --> 0:29:53.600
<v Speaker 1>his adversary, Mokata, the the the high priest of the

0:29:53.920 --> 0:29:57.440
<v Speaker 1>like the London chapter of the Church, it's not actually

0:29:57.480 --> 0:29:59.640
<v Speaker 1>the Church of Satan but this whatever the satanic cult

0:29:59.760 --> 0:30:02.840
<v Speaker 1>is called in itself. Um, this is played by Charles Gray,

0:30:03.120 --> 0:30:06.080
<v Speaker 1>who lived through the year two thousand. I think they're

0:30:06.080 --> 0:30:09.680
<v Speaker 1>called the Friends of the Goat Friends of the Goat. Okay,

0:30:09.720 --> 0:30:13.280
<v Speaker 1>So Gray not as legendary as Christopher Lee perhaps, but

0:30:13.320 --> 0:30:16.040
<v Speaker 1>certainly I celebrated British character actor in his own right,

0:30:16.400 --> 0:30:19.800
<v Speaker 1>often remembered for playing aristocratic and villainous roles, you know,

0:30:20.640 --> 0:30:23.640
<v Speaker 1>very sort of tight lip to the clinch Jarard villains,

0:30:24.400 --> 0:30:27.400
<v Speaker 1>very British. Uh. But he played some big ones. We

0:30:27.440 --> 0:30:31.240
<v Speaker 1>already mentioned his his run as Blowfeld and Diamonds Are Forever.

0:30:31.840 --> 0:30:34.000
<v Speaker 1>But he also he also played a good guy in

0:30:34.360 --> 0:30:37.000
<v Speaker 1>sixty seven's You Only Live Twice. So he's actually in

0:30:37.000 --> 0:30:40.240
<v Speaker 1>two Bond films. Oh that's right. He's like another spy

0:30:40.560 --> 0:30:45.160
<v Speaker 1>who Bond meets somewhere. And I remember he gets a

0:30:45.240 --> 0:30:48.320
<v Speaker 1>knife in the back through a paper wall, don't I

0:30:48.320 --> 0:30:52.160
<v Speaker 1>don't remember that. But um, he isn't fun. He played

0:30:52.360 --> 0:30:56.760
<v Speaker 1>Microft Holmes. This is Sherlock Holmes brother, both in the

0:30:56.840 --> 0:31:00.520
<v Speaker 1>nineteen seventies six film The Seven Percent Solution and also

0:31:00.680 --> 0:31:05.000
<v Speaker 1>in the Jeremy Brett Excellent Jeremy Brett Granada television series

0:31:05.000 --> 0:31:08.560
<v Speaker 1>of Sherlock Holmes. Oh, I've got to see those. Oh yeah, yeah,

0:31:08.560 --> 0:31:10.520
<v Speaker 1>he's he's a lot of fun. And wait was the

0:31:10.520 --> 0:31:15.600
<v Speaker 1>seven percent solution? Is that? Um? Nicholas Meyer? It is, yes,

0:31:15.920 --> 0:31:18.360
<v Speaker 1>that this was his novel. Yes, I bet that's great.

0:31:18.440 --> 0:31:20.240
<v Speaker 1>But of course, for many of you out there, Charles

0:31:20.240 --> 0:31:23.760
<v Speaker 1>Gray is best remembered as the criminologist, an expert in

0:31:24.960 --> 0:31:27.640
<v Speaker 1>the Rocky Horror Picture Show It's just to jump to

0:31:27.680 --> 0:31:30.960
<v Speaker 1>the left, yeah, but even a lot of other things too.

0:31:31.000 --> 0:31:33.440
<v Speaker 1>For instance, he was in Richard O'Brien's follow up musical

0:31:33.480 --> 0:31:36.880
<v Speaker 1>film Shock Treatment, which I have not been able to

0:31:36.960 --> 0:31:39.600
<v Speaker 1>get into yet. Um. I keep thinking, oh, I love

0:31:39.720 --> 0:31:42.240
<v Speaker 1>Rocky Horror. I'll give Shock Treatment to try, and I'll

0:31:42.280 --> 0:31:44.040
<v Speaker 1>listen to the music a little bit. And it just

0:31:44.200 --> 0:31:47.440
<v Speaker 1>hasn't happened. He's also in the The Wonderful, really Fun

0:31:47.560 --> 0:31:50.680
<v Speaker 1>nineteen seventy four Werewolf Who Done It? The Beast Must Die?

0:31:50.920 --> 0:31:52.800
<v Speaker 1>This is the film that has a werewolf break. As

0:31:52.800 --> 0:31:56.080
<v Speaker 1>you'll remember, Jeremy, so you can collect your thoughts about

0:31:56.120 --> 0:32:00.680
<v Speaker 1>who the werewolf is. He also dubbed for Ac Hawkins

0:32:00.680 --> 0:32:03.440
<v Speaker 1>in the film Theater of Blood and others. After Hawkins

0:32:03.640 --> 0:32:06.480
<v Speaker 1>learn X was removed to combat throat cancer. Theater of

0:32:06.480 --> 0:32:08.760
<v Speaker 1>Blood is the other movie we talked about in the

0:32:08.760 --> 0:32:13.200
<v Speaker 1>episode with about Dr Fibes. It was the other movie

0:32:13.480 --> 0:32:18.600
<v Speaker 1>where Vincent Price must return from the grave or after

0:32:18.680 --> 0:32:21.760
<v Speaker 1>being assumed dead, to get revenge on nine specific people

0:32:21.800 --> 0:32:26.800
<v Speaker 1>who he believed wronged him. So Gray, it's fun in this,

0:32:27.160 --> 0:32:29.479
<v Speaker 1>but he's he's very much playing a kind of stern

0:32:29.560 --> 0:32:34.239
<v Speaker 1>and serious Alistair Crowley with hair, but also as uh,

0:32:34.440 --> 0:32:36.680
<v Speaker 1>this is I thought. Another fun tid that that Kim

0:32:36.720 --> 0:32:41.800
<v Speaker 1>Newman points out is he's kind of playing Alistair Crowley's

0:32:42.040 --> 0:32:45.240
<v Speaker 1>idea of what Alistair Crowley seemed like to everybody else,

0:32:45.320 --> 0:32:49.000
<v Speaker 1>you know, like like Crowley himself was you know, you know,

0:32:49.640 --> 0:32:51.760
<v Speaker 1>a bit of a con man in his own right,

0:32:51.840 --> 0:32:54.840
<v Speaker 1>you know, and was many other things. But but he

0:32:54.880 --> 0:32:56.680
<v Speaker 1>may have thought that he came off like this to

0:32:56.760 --> 0:33:01.800
<v Speaker 1>other people, this highly charismatic British occultist with hypnotic eyes

0:33:01.920 --> 0:33:05.440
<v Speaker 1>that just instantly has power over everyone when he walks

0:33:05.480 --> 0:33:07.840
<v Speaker 1>into a room. And then the other interesting thing is

0:33:07.880 --> 0:33:10.240
<v Speaker 1>that you have this character that this is a film

0:33:10.280 --> 0:33:13.840
<v Speaker 1>again where Satan evert anything that's not British and Christian

0:33:14.200 --> 0:33:19.480
<v Speaker 1>is potentially Satan. Satanist in nature, um is potentially Satanism.

0:33:19.520 --> 0:33:22.239
<v Speaker 1>And you have his character with his name Mokata that

0:33:22.280 --> 0:33:25.960
<v Speaker 1>I'm to understand maybe has more of an international flair

0:33:26.000 --> 0:33:28.080
<v Speaker 1>in the novel, but here we have him played by

0:33:28.320 --> 0:33:31.600
<v Speaker 1>a very British actor with a very British performance. Yeah.

0:33:31.640 --> 0:33:34.560
<v Speaker 1>I don't know how much we've emphasized that the xenophobic

0:33:34.680 --> 0:33:37.440
<v Speaker 1>themes of this movie already, but yeah, there is very

0:33:37.520 --> 0:33:41.040
<v Speaker 1>much a sense that like that which is foreign is

0:33:41.200 --> 0:33:45.959
<v Speaker 1>very likely associated with the devil. Uh, though, I'm I'm

0:33:46.000 --> 0:33:48.120
<v Speaker 1>a little confused. I don't know. I know there's a

0:33:48.920 --> 0:33:52.440
<v Speaker 1>always some cultural crossover between between Britain and France. But

0:33:52.480 --> 0:33:56.520
<v Speaker 1>as Richelow supposed to be British or French, his name

0:33:56.640 --> 0:34:01.720
<v Speaker 1>is French, and he mentions, um, I think he mentions

0:34:01.840 --> 0:34:05.360
<v Speaker 1>that he and another character that their fathers had worked

0:34:05.400 --> 0:34:08.680
<v Speaker 1>together in some kind of French organization. But he also

0:34:08.800 --> 0:34:11.759
<v Speaker 1>just in every other way, appears to be British. Yeah,

0:34:11.800 --> 0:34:14.600
<v Speaker 1>it's very confusing because it's a very French name, but

0:34:14.880 --> 0:34:19.080
<v Speaker 1>in the film at least, it's a very British portrayal. Likewise, um,

0:34:19.120 --> 0:34:21.319
<v Speaker 1>you know, Makata seems to have been played up in

0:34:21.360 --> 0:34:25.080
<v Speaker 1>the novel for being something kind of you know, international

0:34:25.280 --> 0:34:27.600
<v Speaker 1>and and the foreign and threatening. But of course, uh

0:34:28.600 --> 0:34:32.120
<v Speaker 1>Mokatta's The name Okada has been has been very British

0:34:32.160 --> 0:34:33.759
<v Speaker 1>for a long time. I mean, I believe it's tied

0:34:33.800 --> 0:34:37.319
<v Speaker 1>to some important banking families and so forth. So I'm

0:34:37.360 --> 0:34:39.560
<v Speaker 1>a little confused on that. All right, should we go

0:34:39.560 --> 0:34:42.319
<v Speaker 1>to the next actor? Um yeah. I was trying to

0:34:42.320 --> 0:34:44.480
<v Speaker 1>find how to pronounce her name, and I was sorry

0:34:44.480 --> 0:34:46.680
<v Speaker 1>that I could not find a good example of it

0:34:46.719 --> 0:34:49.400
<v Speaker 1>being said out loud. But it is. Her name is

0:34:49.480 --> 0:34:52.840
<v Speaker 1>I think nick A Regie. Her first name is spelled

0:34:52.840 --> 0:34:55.840
<v Speaker 1>like the brand Nike in I K E. But I

0:34:55.880 --> 0:35:00.520
<v Speaker 1>guess that's Nika. Yeah. She plays Tenneth carlyle Um in

0:35:00.560 --> 0:35:04.560
<v Speaker 1>this film, which is probably one of the more likable characters.

0:35:05.120 --> 0:35:07.280
<v Speaker 1>It's a it's a very low bar in this film,

0:35:07.360 --> 0:35:12.000
<v Speaker 1>but um yeah. She's born seven French visual artist and

0:35:12.080 --> 0:35:14.920
<v Speaker 1>former actor. As an actor, she was only actor from

0:35:14.960 --> 0:35:17.840
<v Speaker 1>I believe nineteen sixties six through nineteen seventy four, appearing

0:35:17.840 --> 0:35:21.319
<v Speaker 1>in various European horror and art house films. She had

0:35:21.320 --> 0:35:24.399
<v Speaker 1>a small part in Kin Russell's nineteen sixty nine film

0:35:24.440 --> 0:35:29.000
<v Speaker 1>Women in Love. Nineteen seventy one's Countess Dracula. Other films

0:35:29.000 --> 0:35:32.840
<v Speaker 1>include parts in Sunday Bloody Sunday playing a nun and

0:35:32.960 --> 0:35:37.320
<v Speaker 1>Kin Russell's The Devil's Uh Season in Hell The Perfume

0:35:37.360 --> 0:35:39.680
<v Speaker 1>of the Lady in Black. That was her last picture,

0:35:40.400 --> 0:35:42.839
<v Speaker 1>but then she went on to focus on her art,

0:35:43.200 --> 0:35:45.319
<v Speaker 1>and she has a website and you can look at

0:35:45.360 --> 0:35:47.520
<v Speaker 1>examples of her art there. Some of these look like

0:35:47.560 --> 0:35:51.560
<v Speaker 1>surrealistic oil and watercolor pieces. Yeah. I was looking through

0:35:51.560 --> 0:35:54.080
<v Speaker 1>her paintings and I really like some of them. They're

0:35:54.120 --> 0:35:59.200
<v Speaker 1>they're interesting. So some are just like like watercolor landscapes

0:35:59.320 --> 0:36:02.399
<v Speaker 1>showing on a waterfall or a city skyline or something,

0:36:02.440 --> 0:36:05.880
<v Speaker 1>and then others are really surreal. There's one of these

0:36:07.040 --> 0:36:10.319
<v Speaker 1>women in I don't know, having like a big it

0:36:10.400 --> 0:36:12.120
<v Speaker 1>might be one of those like things they put on

0:36:12.120 --> 0:36:13.560
<v Speaker 1>your I don't know what these are called, these things

0:36:13.560 --> 0:36:15.360
<v Speaker 1>they put on your head at the hairdresser that like

0:36:15.440 --> 0:36:18.360
<v Speaker 1>do a perm on you or something. Um, it's like

0:36:18.400 --> 0:36:22.560
<v Speaker 1>a big glass helmet, but it's absurdly large in the painting,

0:36:22.680 --> 0:36:25.200
<v Speaker 1>making it look more like a science fiction device, like

0:36:25.280 --> 0:36:28.319
<v Speaker 1>it's scanning this this lady's brain while she's sitting there

0:36:28.320 --> 0:36:30.360
<v Speaker 1>with rollers in her hair, holding a baby it's a

0:36:30.480 --> 0:36:33.080
<v Speaker 1>very i don't know, weird interesting painting, and I like

0:36:33.160 --> 0:36:36.040
<v Speaker 1>it at any rate. She's good in this. She's acting

0:36:36.040 --> 0:36:40.319
<v Speaker 1>opposite a whole lot of stiff, unlikable male characters. Uh so,

0:36:40.400 --> 0:36:43.120
<v Speaker 1>but it's easily the character that seems to have like

0:36:43.160 --> 0:36:46.480
<v Speaker 1>the most inner conflict. Uh you know, she's she's not

0:36:46.560 --> 0:36:49.000
<v Speaker 1>ultimately not given a tremendous amount of agency in this,

0:36:49.160 --> 0:36:51.239
<v Speaker 1>So it's not you know, it's not one of like,

0:36:51.440 --> 0:36:54.439
<v Speaker 1>you know, the great roles one might hope for, but

0:36:55.000 --> 0:36:57.800
<v Speaker 1>you know, she she breathes a lot of life into it. Yeah,

0:36:58.000 --> 0:37:00.520
<v Speaker 1>there are several parts where she just has to gaze

0:37:00.560 --> 0:37:04.320
<v Speaker 1>into the camera with like with hypnotized or possessed eyes,

0:37:04.400 --> 0:37:07.480
<v Speaker 1>and her eyelids go super wide, and she she has

0:37:07.520 --> 0:37:10.000
<v Speaker 1>some kind of quality to her irises that makes them

0:37:10.080 --> 0:37:15.600
<v Speaker 1>really good for this kind of shot. That looks intense alright.

0:37:15.960 --> 0:37:19.560
<v Speaker 1>The next actor of note is Leon Green playing Rex

0:37:19.640 --> 0:37:22.960
<v Speaker 1>Van Ryan, though the character is dubbed by Patrick Allen.

0:37:23.480 --> 0:37:28.319
<v Speaker 1>Green live British actor who appeared in such films as

0:37:28.320 --> 0:37:30.200
<v Speaker 1>a Funny Thing Happened on the Way to the Forum

0:37:30.280 --> 0:37:33.600
<v Speaker 1>and Flash Gordon. In this he is the ultimate square

0:37:33.680 --> 0:37:37.640
<v Speaker 1>jaw British man who is ready to punch Satanists, punch windshields,

0:37:37.960 --> 0:37:40.360
<v Speaker 1>whatever it takes, if you mean saving a pretty lady

0:37:40.560 --> 0:37:43.759
<v Speaker 1>from non British ideas. He is our turbo lug. You

0:37:44.400 --> 0:37:46.360
<v Speaker 1>I think you mentioned when we were chatting about it,

0:37:46.400 --> 0:37:50.360
<v Speaker 1>you said Rex is ready to punch and kiss, and

0:37:51.200 --> 0:37:54.200
<v Speaker 1>that that's about it. Yeah. Somehow I kept thinking, well,

0:37:54.880 --> 0:37:58.239
<v Speaker 1>this doesn't quite communicate his physical genre, which is sort

0:37:58.280 --> 0:38:01.160
<v Speaker 1>of hunky lug. But he reminded me of a cross

0:38:01.200 --> 0:38:05.359
<v Speaker 1>between Chris Cooper and Buddy Hackett. Yeah, I can see

0:38:05.400 --> 0:38:09.640
<v Speaker 1>that he's also our our skeptic for like three minutes

0:38:09.760 --> 0:38:12.560
<v Speaker 1>anyway in the film, because he's because the Duke is like,

0:38:12.920 --> 0:38:15.960
<v Speaker 1>Satanism is real and it's a major threat to everything

0:38:15.960 --> 0:38:19.640
<v Speaker 1>we know and love and that at all. But then

0:38:19.680 --> 0:38:21.400
<v Speaker 1>but then the Duke is like look at this, and

0:38:21.400 --> 0:38:25.640
<v Speaker 1>then Rex is like, I'm convinced the famous the power

0:38:25.680 --> 0:38:28.880
<v Speaker 1>of Darkness is a living force. Speech. Yeah. So a

0:38:28.880 --> 0:38:31.400
<v Speaker 1>lot of this film is going to concern another character

0:38:31.800 --> 0:38:34.960
<v Speaker 1>who they're very concerned about um, and that is the

0:38:35.080 --> 0:38:40.160
<v Speaker 1>character Simon Aaron played by Patrick mower Bor, still active

0:38:40.200 --> 0:38:44.040
<v Speaker 1>as he was just on a British series called Emmerdale Farm.

0:38:44.040 --> 0:38:46.239
<v Speaker 1>He's done a bunch of TV work, as well as

0:38:46.280 --> 0:38:50.080
<v Speaker 1>such films as the nineteen seventy vincent Price movie Cry

0:38:50.160 --> 0:38:55.120
<v Speaker 1>of the Banshee and es in Since for the Damned. Uh.

0:38:55.200 --> 0:38:57.680
<v Speaker 1>He's pretty good in this in part because again his

0:38:57.840 --> 0:38:59.840
<v Speaker 1>character is one of the few that seems to be

0:38:59.880 --> 0:39:02.799
<v Speaker 1>in genuine conflict and gets to act a little bit

0:39:02.880 --> 0:39:05.400
<v Speaker 1>more and ultimately, ultimately maybe it's a little more relatable.

0:39:05.840 --> 0:39:08.680
<v Speaker 1>I kept thinking he looks like Toby maguire. He kind

0:39:08.680 --> 0:39:12.080
<v Speaker 1>of does. Yeah, he does. Quick note that we have

0:39:12.440 --> 0:39:14.719
<v Speaker 1>we have we have that goat monster, the Goat of

0:39:14.960 --> 0:39:18.560
<v Speaker 1>Mendies that shows up later on. Uh. This is uncredited

0:39:18.560 --> 0:39:21.239
<v Speaker 1>played by Eddie Powell, who of seven through the year

0:39:21.280 --> 0:39:24.760
<v Speaker 1>two thousand and six five British stunt man who also

0:39:24.880 --> 0:39:28.200
<v Speaker 1>wound up in costumes such creatures as the Zena morph

0:39:28.600 --> 0:39:32.560
<v Speaker 1>in Alien for stunt purposes, The Mummy and the Mummy

0:39:32.640 --> 0:39:35.960
<v Speaker 1>Shroud and Yeah, and this film he plays the goat himself.

0:39:36.520 --> 0:39:40.040
<v Speaker 1>Powell also did stunts on such films as Willow Legend, Batman,

0:39:40.160 --> 0:39:44.640
<v Speaker 1>Indiana Jones and The Last Crusade, Krull and various Bond movies.

0:39:45.480 --> 0:39:48.240
<v Speaker 1>On that note, speaking of monsters, I'm just gonna briefly

0:39:48.280 --> 0:39:51.480
<v Speaker 1>mention the makeup effects artists responsible for many of Hammer's

0:39:51.640 --> 0:39:55.239
<v Speaker 1>best monsters. Roy Ashton was the monster maker on this

0:39:58.040 --> 0:40:03.440
<v Speaker 1>and then the music U This is James Bernard two

0:40:03.480 --> 0:40:06.400
<v Speaker 1>thousand and one, a classmate of Christopher Lee's at Wellington College.

0:40:06.640 --> 0:40:08.560
<v Speaker 1>He composed the scores of a whole bunch of Hammer

0:40:08.560 --> 0:40:11.600
<v Speaker 1>horror films, and later in life he wrote an original

0:40:11.640 --> 0:40:25.200
<v Speaker 1>score for Nosferatu. Alright, are you ready to talk about

0:40:25.200 --> 0:40:27.279
<v Speaker 1>the plot a little bit? Let's do it. Okay, So

0:40:27.320 --> 0:40:30.360
<v Speaker 1>the movie starts with a reunion of old friends. We

0:40:30.400 --> 0:40:34.120
<v Speaker 1>get Rex van Wren again. This is played by Leon Green,

0:40:34.680 --> 0:40:38.960
<v Speaker 1>arriving by aeroplane which he pilots himself and landing in

0:40:39.040 --> 0:40:41.400
<v Speaker 1>some kind of I don't know field. It's just like

0:40:41.440 --> 0:40:45.080
<v Speaker 1>a landing strip in somewhere in rural England, it looks like.

0:40:45.200 --> 0:40:48.160
<v Speaker 1>And he meets with Christopher Lee, playing the Duke de Richlow,

0:40:48.440 --> 0:40:51.120
<v Speaker 1>who is watching with binoculars as he lands. And I

0:40:51.160 --> 0:40:55.239
<v Speaker 1>assume Rex is arriving from overseas, but I'm not positive. Yeah,

0:40:55.360 --> 0:40:57.879
<v Speaker 1>I think in the books he's actually American, even which

0:40:57.920 --> 0:41:03.280
<v Speaker 1>is interesting. Just englished him right up. Anyway, they appear

0:41:03.360 --> 0:41:07.720
<v Speaker 1>to be old friends reunited after some time apart, and uh,

0:41:07.800 --> 0:41:10.640
<v Speaker 1>and so we learned that they have a mutual friend

0:41:10.719 --> 0:41:13.879
<v Speaker 1>named Simon. And Rex is curious, where is he? Why

0:41:13.920 --> 0:41:15.960
<v Speaker 1>is it he here to greet me at the airfield

0:41:16.040 --> 0:41:18.879
<v Speaker 1>like you, And the Duke says, well, he hasn't heard

0:41:18.920 --> 0:41:21.759
<v Speaker 1>from Simon in three months. He doesn't go to his

0:41:21.920 --> 0:41:25.480
<v Speaker 1>club in London anymore, which that's a horrible sign. And

0:41:25.560 --> 0:41:28.440
<v Speaker 1>he's moved into a large house in the country. And

0:41:28.520 --> 0:41:30.839
<v Speaker 1>Rex is worried that Simon might be in some kind

0:41:30.880 --> 0:41:33.600
<v Speaker 1>of trouble. But I immediately that this should be an

0:41:33.600 --> 0:41:35.920
<v Speaker 1>alarm belve or how this character is going to go.

0:41:36.280 --> 0:41:38.640
<v Speaker 1>The Duke is like, now, that's preposterous. He would have

0:41:38.680 --> 0:41:42.360
<v Speaker 1>told me if he was in trouble. But they decided

0:41:42.400 --> 0:41:45.160
<v Speaker 1>to go pay him a visit. Oh and when they do,

0:41:45.400 --> 0:41:47.120
<v Speaker 1>I don't know if you notice the same detail. It

0:41:47.200 --> 0:41:49.880
<v Speaker 1>involves the duke. They get into the back of a

0:41:49.960 --> 0:41:52.600
<v Speaker 1>car and the Duke talks through some kind of hose

0:41:52.880 --> 0:41:56.879
<v Speaker 1>lined with red velvet to tell the driver where to go. Yeah,

0:41:57.040 --> 0:41:59.319
<v Speaker 1>I don't. I don't think I remember seeing this in

0:41:59.320 --> 0:42:01.000
<v Speaker 1>a film before, but I guess this must have been

0:42:01.000 --> 0:42:04.600
<v Speaker 1>a thing because it's supposed to take place in the thirties,

0:42:04.640 --> 0:42:07.360
<v Speaker 1>I believe. Yeah, So he talks into the velvet hose

0:42:07.600 --> 0:42:09.879
<v Speaker 1>and then yeah, they get there. So they head out

0:42:09.880 --> 0:42:12.840
<v Speaker 1>to Simon's mansion, and as soon as they're at his

0:42:12.920 --> 0:42:17.560
<v Speaker 1>doorstep ringing the bell, twilight has fallen. There's creepy music playing.

0:42:17.960 --> 0:42:21.720
<v Speaker 1>A butler answers the door, and Christopher Lee is immediately

0:42:21.800 --> 0:42:25.040
<v Speaker 1>highly suspicious. You see him squinting and furrowing his brows

0:42:25.080 --> 0:42:26.920
<v Speaker 1>at everything in the house. He just like looks at

0:42:26.920 --> 0:42:32.960
<v Speaker 1>a vase suspiciously, and he gazes into an open doorway

0:42:33.080 --> 0:42:36.560
<v Speaker 1>like that's trouble. And then they get led into the

0:42:36.600 --> 0:42:39.560
<v Speaker 1>next room, where it looks like Simon must be hosting

0:42:39.560 --> 0:42:42.680
<v Speaker 1>a nice party. And again it's one of those things

0:42:42.680 --> 0:42:44.680
<v Speaker 1>where you look at the party, it looks like there's

0:42:44.719 --> 0:42:47.040
<v Speaker 1>nothing wrong with it at all. It looks nice. But

0:42:47.120 --> 0:42:49.800
<v Speaker 1>the Duke immediately appears to have some kind of internal

0:42:49.840 --> 0:42:53.600
<v Speaker 1>alarm sirens screaming in his brain. But I would say

0:42:53.640 --> 0:42:56.120
<v Speaker 1>the only thing that looks unusual about the party is

0:42:56.120 --> 0:42:58.560
<v Speaker 1>that like you walk through and you like hear people talking,

0:42:58.600 --> 0:43:01.440
<v Speaker 1>and you see people's clothes and stuff, and it appears

0:43:01.440 --> 0:43:04.320
<v Speaker 1>that not everyone here is from England, Like there appear

0:43:04.400 --> 0:43:07.520
<v Speaker 1>to be people from all throughout continental Europe and West

0:43:07.560 --> 0:43:12.280
<v Speaker 1>Africa and South Asia, and then they're like, dear God. Yeah,

0:43:12.320 --> 0:43:15.680
<v Speaker 1>I mean there's nothing in this saying that would make

0:43:15.680 --> 0:43:18.400
<v Speaker 1>you think it's anything other than maybe a you know,

0:43:18.680 --> 0:43:22.680
<v Speaker 1>various academics from around the world have gathered to discuss uh,

0:43:22.719 --> 0:43:26.360
<v Speaker 1>you know, policy or something. Yeah, you know, un meeting

0:43:26.440 --> 0:43:29.000
<v Speaker 1>or something. But yeah, but they're just they're just immediately horrified.

0:43:29.040 --> 0:43:32.319
<v Speaker 1>This is no good. Simon is in the deep so yeah, again,

0:43:32.360 --> 0:43:35.160
<v Speaker 1>I think this is showing these weird xenophobic assumptions of

0:43:35.200 --> 0:43:37.280
<v Speaker 1>the movie. Is just like, oh, there's tons of people

0:43:37.280 --> 0:43:40.520
<v Speaker 1>from other countries here. This must be devil worship. So

0:43:40.600 --> 0:43:42.480
<v Speaker 1>they see Simon, they come up and talk to him.

0:43:43.360 --> 0:43:46.720
<v Speaker 1>Rex is like, sorry for interrupting your party, and Simon

0:43:46.840 --> 0:43:49.080
<v Speaker 1>is like, oh, it's just a meeting of a little

0:43:49.320 --> 0:43:54.040
<v Speaker 1>astronomical society I've joined. So because they looked outside when

0:43:54.080 --> 0:43:56.400
<v Speaker 1>they were when they were outside earlier, they looked up

0:43:56.400 --> 0:43:58.560
<v Speaker 1>and there appears to be some kind of like observatory

0:43:58.640 --> 0:44:01.680
<v Speaker 1>dome at the top of his new house. And then

0:44:01.719 --> 0:44:05.400
<v Speaker 1>we meet some major characters. We meet Mr Mokatta played

0:44:05.400 --> 0:44:07.840
<v Speaker 1>by Charles Gray. He's not scary yet in this scene.

0:44:07.880 --> 0:44:10.920
<v Speaker 1>In this scene, he's more in Blowfeld mode. He just

0:44:11.160 --> 0:44:13.240
<v Speaker 1>has to say, you know, well, well, excuse me, gentlemen,

0:44:13.239 --> 0:44:15.359
<v Speaker 1>there's something I must say to Simon and he takes

0:44:15.400 --> 0:44:17.479
<v Speaker 1>him aside, and then they get a moment to speak

0:44:17.520 --> 0:44:22.280
<v Speaker 1>with Tanneth played by Nika Rigi, and she's confused about

0:44:22.280 --> 0:44:25.120
<v Speaker 1>their presence. I think she assumes that they are part

0:44:25.160 --> 0:44:27.880
<v Speaker 1>of the coven. But then she says, surely we're not

0:44:27.960 --> 0:44:30.680
<v Speaker 1>meant to be more than thirteen. And as soon as

0:44:30.719 --> 0:44:33.560
<v Speaker 1>she says thirteen, this gets a dramatic wheel about from

0:44:33.640 --> 0:44:36.000
<v Speaker 1>Christopher Lee. You know, he whips his head with his

0:44:36.040 --> 0:44:40.160
<v Speaker 1>eyes wide and you know that like he's really sure

0:44:40.200 --> 0:44:43.120
<v Speaker 1>that there's trouble now. So they're asked to leave, but

0:44:43.239 --> 0:44:46.480
<v Speaker 1>first the Duke asks, uh, you know, before we depart,

0:44:46.520 --> 0:44:49.200
<v Speaker 1>may I see your observatory because he says he's recently

0:44:49.239 --> 0:44:52.239
<v Speaker 1>become interested in astronomy. He would like a peek through

0:44:52.280 --> 0:44:55.920
<v Speaker 1>the telescope and Simon tries to object, but as always

0:44:55.920 --> 0:44:58.160
<v Speaker 1>in this movie, Christopher Lee just gives him the do

0:44:58.400 --> 0:45:01.399
<v Speaker 1>as I command, you I and then they head on up.

0:45:01.880 --> 0:45:04.600
<v Speaker 1>Now we'll see this observatory room in a couple of scenes,

0:45:04.640 --> 0:45:08.160
<v Speaker 1>but there there is a giant goathead baff mat on

0:45:08.239 --> 0:45:11.560
<v Speaker 1>the floor tiles, and another one I think on the wall.

0:45:11.640 --> 0:45:13.520
<v Speaker 1>And when they come in there like this is interesting

0:45:13.600 --> 0:45:17.480
<v Speaker 1>or these astronomical charts, Simon's just like, oh, it's just

0:45:17.520 --> 0:45:22.279
<v Speaker 1>a decoration. But then the real, the real thing that

0:45:22.280 --> 0:45:24.719
<v Speaker 1>that seals the deal is there's some noises in the

0:45:24.719 --> 0:45:27.040
<v Speaker 1>closet and we get the chicken reveal. Rob, do you

0:45:27.040 --> 0:45:29.520
<v Speaker 1>want to describe this moment? Oh? Well, this is this

0:45:29.600 --> 0:45:33.480
<v Speaker 1>is great. So in just like pure inquisitor mode um,

0:45:33.520 --> 0:45:36.320
<v Speaker 1>the duke goes over to the closet, pulls it open,

0:45:36.680 --> 0:45:38.839
<v Speaker 1>and you know, we we see this, you know, view

0:45:39.120 --> 0:45:41.759
<v Speaker 1>the shot. It's shot from the closet, horrified look on

0:45:41.840 --> 0:45:45.319
<v Speaker 1>his face because he opens his basket and there are

0:45:45.320 --> 0:45:48.319
<v Speaker 1>a couple of chickens in there. Uh, and these are

0:45:48.320 --> 0:45:51.800
<v Speaker 1>the hallmarks of black magic. You can't practice black magic

0:45:52.120 --> 0:45:56.160
<v Speaker 1>unless you've got some chickens around to sacrifice. I guess, yeah,

0:45:56.239 --> 0:45:58.960
<v Speaker 1>But it was the pair of chickens that that clinched

0:45:58.960 --> 0:46:01.719
<v Speaker 1>it that this is definitely black magic, and not the

0:46:01.719 --> 0:46:04.960
<v Speaker 1>Bafomet circle on the floor right right. The Bafomet circle

0:46:05.080 --> 0:46:08.399
<v Speaker 1>is certainly like there are other reasons to have chickens around. Uh,

0:46:08.440 --> 0:46:10.040
<v Speaker 1>there would even be other reasons to have, say, a

0:46:10.120 --> 0:46:13.640
<v Speaker 1>black cat and a chicken around, but to have the

0:46:13.719 --> 0:46:18.040
<v Speaker 1>like the full baffo met floor. Yeah, that's that suggests

0:46:18.080 --> 0:46:20.600
<v Speaker 1>something else. Oh but then we get the so he

0:46:20.640 --> 0:46:23.920
<v Speaker 1>sees the chickens and Lee knows for sure what's going on,

0:46:24.680 --> 0:46:27.440
<v Speaker 1>And then we get I would say the line of

0:46:27.480 --> 0:46:29.600
<v Speaker 1>the film that stands out more than any other, which

0:46:29.640 --> 0:46:32.439
<v Speaker 1>is he turns to Simon, he says, you fool, I'd

0:46:32.520 --> 0:46:36.279
<v Speaker 1>rather see you dead than practicing black magic. It's such

0:46:36.320 --> 0:46:38.920
<v Speaker 1>a it's such a great in telling line like this.

0:46:39.640 --> 0:46:43.720
<v Speaker 1>It maybe it just adds extra unlikeability to this character,

0:46:44.000 --> 0:46:46.920
<v Speaker 1>you know, um, like I would I would rather you

0:46:47.000 --> 0:46:51.200
<v Speaker 1>be dead than adhere to some ideology that doesn't perfectly

0:46:51.239 --> 0:46:54.400
<v Speaker 1>line up with Bion. So the Duke exhorts Simon to

0:46:54.480 --> 0:46:56.120
<v Speaker 1>leave the house. He's like, come with us, you know,

0:46:56.160 --> 0:46:58.280
<v Speaker 1>we we will get you out of this, and Simon

0:46:58.320 --> 0:47:00.160
<v Speaker 1>doesn't want to go, so he just punches him out,

0:47:00.239 --> 0:47:03.000
<v Speaker 1>just knocks him out. They repeatedly do this to Simon.

0:47:03.040 --> 0:47:04.880
<v Speaker 1>By the way, by the end of this movie, he

0:47:04.960 --> 0:47:08.080
<v Speaker 1>will have had major head trauma. Yeah, you know, I

0:47:08.120 --> 0:47:10.040
<v Speaker 1>have to admit, I mean, I know that you're not

0:47:10.040 --> 0:47:12.560
<v Speaker 1>supposed to punch people in the face and try and

0:47:12.640 --> 0:47:14.120
<v Speaker 1>knock them out. You're not supposed to hit people over

0:47:14.160 --> 0:47:16.319
<v Speaker 1>the head with with bottles and so forth, which these

0:47:16.320 --> 0:47:19.040
<v Speaker 1>things happen in films all the time. But a few

0:47:19.040 --> 0:47:22.719
<v Speaker 1>weeks ago I I sustained a very mild concussion and

0:47:22.800 --> 0:47:26.040
<v Speaker 1>it was not fun. And ever since I've been maybe

0:47:26.080 --> 0:47:29.280
<v Speaker 1>a little like heightened sensitivity to these moments in films.

0:47:29.320 --> 0:47:30.960
<v Speaker 1>So like something like this happens and I'm like, oh,

0:47:31.000 --> 0:47:33.239
<v Speaker 1>that's a concussion for sure, And then I'm like, oh,

0:47:33.320 --> 0:47:36.040
<v Speaker 1>he just had a concussion earlier in the picture. This

0:47:36.120 --> 0:47:39.840
<v Speaker 1>is so dangerous. Stop punching, Simon. Yeah, I love it.

0:47:39.880 --> 0:47:42.200
<v Speaker 1>In movies they just treat hitting people on the head

0:47:42.239 --> 0:47:45.960
<v Speaker 1>as like general anesthesia. Well, it just renders the harmlessly,

0:47:46.000 --> 0:47:49.040
<v Speaker 1>renders them unconscious for some short period of time. How

0:47:49.120 --> 0:47:51.480
<v Speaker 1>are you supposed to end a scene and have somebody

0:47:51.840 --> 0:47:53.719
<v Speaker 1>you need to get them to another location and have

0:47:53.840 --> 0:47:56.600
<v Speaker 1>them wake up and observe things, so you need you

0:47:56.640 --> 0:48:00.279
<v Speaker 1>need some head trauma in between. So anyway, they go

0:48:00.320 --> 0:48:02.120
<v Speaker 1>back to the Duke's house and there is a great

0:48:02.200 --> 0:48:05.880
<v Speaker 1>hypnotism scene. This is one of the first scenes indicating

0:48:06.000 --> 0:48:10.880
<v Speaker 1>that Christopher Lee's character not only knows what the the

0:48:12.400 --> 0:48:16.239
<v Speaker 1>rituals of darkness are, but he can practice them himself. Apparently.

0:48:17.080 --> 0:48:20.320
<v Speaker 1>Oh yeah, this, this of course ties in so perfectly

0:48:20.360 --> 0:48:22.680
<v Speaker 1>with a lot of the satanic panic energies that the

0:48:22.719 --> 0:48:25.359
<v Speaker 1>decades to come, and even some of the you know,

0:48:25.400 --> 0:48:28.080
<v Speaker 1>the scare tactics you see in other social panics, and

0:48:28.480 --> 0:48:33.960
<v Speaker 1>you know, fundamentalist and conservative mindsets where the individual's warning

0:48:34.000 --> 0:48:36.840
<v Speaker 1>you about the evil. Whatever the evil happens to be,

0:48:37.160 --> 0:48:40.200
<v Speaker 1>they know all about it. They've got all the grizzly details,

0:48:40.200 --> 0:48:41.880
<v Speaker 1>and they will list it for you. They know all

0:48:41.880 --> 0:48:46.440
<v Speaker 1>the terminology, they have seen the stuff. Um. But but

0:48:46.520 --> 0:48:49.879
<v Speaker 1>they're safe. They're concerned about your safety. And so, like

0:48:49.920 --> 0:48:53.640
<v Speaker 1>the Duke is already coming off. It's such a hypocrite here. Yeah,

0:48:54.040 --> 0:48:56.759
<v Speaker 1>so he there's this hypnotism scene where he like puts

0:48:56.760 --> 0:48:59.440
<v Speaker 1>a mirror in front of Simon and he's he's like

0:48:59.560 --> 0:49:03.040
<v Speaker 1>looking to the mirror Simon and he brainwashed it, like

0:49:03.080 --> 0:49:05.759
<v Speaker 1>he sees is his mind somehow, and he's like, you

0:49:05.840 --> 0:49:09.560
<v Speaker 1>must go to bed now. Is one of the many

0:49:09.600 --> 0:49:11.920
<v Speaker 1>greats sending people to bed scenes. He sends him up

0:49:11.920 --> 0:49:14.600
<v Speaker 1>to his bedroom, he puts a crucifix necklace on him.

0:49:14.640 --> 0:49:17.319
<v Speaker 1>He says it's a symbol of protection. And then they

0:49:17.360 --> 0:49:19.520
<v Speaker 1>break out the sniff rs of brown liquor. I love

0:49:19.600 --> 0:49:23.720
<v Speaker 1>that they're just like numerous unlabeled jars of brown liquor

0:49:23.800 --> 0:49:26.920
<v Speaker 1>for them to drink from. And Christopher Lee and Rex

0:49:26.960 --> 0:49:29.920
<v Speaker 1>they sit down and to have the talk about devil worship,

0:49:30.600 --> 0:49:34.479
<v Speaker 1>and he asks Rex, do you believe in evil? And

0:49:34.560 --> 0:49:36.960
<v Speaker 1>you know, Rex is like magic and all that. I

0:49:37.000 --> 0:49:39.759
<v Speaker 1>think it's hocus pocus. But then the Duke gives a

0:49:39.840 --> 0:49:42.399
<v Speaker 1>speech about how the power of darkness is not just

0:49:42.480 --> 0:49:46.880
<v Speaker 1>an idea but a living, breathing thing. And it's clear

0:49:46.960 --> 0:49:49.440
<v Speaker 1>now that they're up against something big and they may

0:49:49.480 --> 0:49:51.560
<v Speaker 1>have to do battle with it throughout the rest of

0:49:51.600 --> 0:49:55.040
<v Speaker 1>the film. Meanwhile, Simon upstairs in the Duke's bed, his

0:49:55.120 --> 0:49:58.319
<v Speaker 1>eyes snap open. Uh. He seems to be under the

0:49:58.400 --> 0:50:02.240
<v Speaker 1>influence of something, and he starts gathering up the chain

0:50:02.640 --> 0:50:06.680
<v Speaker 1>of his crucifix necklace and starts garrotting himself with it,

0:50:07.120 --> 0:50:08.680
<v Speaker 1>and it seemed for a minute like he was going

0:50:08.760 --> 0:50:11.399
<v Speaker 1>to die. I assume this character he's goner. But then

0:50:11.440 --> 0:50:14.640
<v Speaker 1>the butler comes in and helpfully removes the crucifix from

0:50:14.680 --> 0:50:16.960
<v Speaker 1>his neck and then Simon just bolts out the window.

0:50:17.600 --> 0:50:19.560
<v Speaker 1>So at this point the caper is on. For the

0:50:19.560 --> 0:50:21.920
<v Speaker 1>rest of the movie, the Duke and Rex will be

0:50:22.000 --> 0:50:25.440
<v Speaker 1>in pursuit of their friends Simon and eventually also of

0:50:25.640 --> 0:50:28.680
<v Speaker 1>Tannith to free them from the cult and from the

0:50:28.760 --> 0:50:32.479
<v Speaker 1>jaws of Satan himself. And so maybe at this point

0:50:32.520 --> 0:50:35.080
<v Speaker 1>we can just sort of zero in on several scenes

0:50:35.080 --> 0:50:37.800
<v Speaker 1>and sequences throughout the rest of the movie that that

0:50:37.960 --> 0:50:39.719
<v Speaker 1>struck us. One of which I think we've got to

0:50:39.760 --> 0:50:42.680
<v Speaker 1>talk about is the return to the house, because the

0:50:42.719 --> 0:50:45.520
<v Speaker 1>first thing the Duke and Rex do when Simon gets

0:50:45.520 --> 0:50:47.880
<v Speaker 1>out of the Duke's place is like, well, maybe he

0:50:47.920 --> 0:50:49.600
<v Speaker 1>went back home. So they go break in through a

0:50:49.600 --> 0:50:52.439
<v Speaker 1>window and uh, and look around to see if he's

0:50:52.520 --> 0:50:55.680
<v Speaker 1>there or if Mocatta's coven is still there. That's right.

0:50:55.680 --> 0:50:59.840
<v Speaker 1>They go up to the observatory and then what starts

0:51:00.000 --> 0:51:02.839
<v Speaker 1>happening to the floor, Well, out of that goat head

0:51:02.880 --> 0:51:06.280
<v Speaker 1>on the floor, Um, you have this sinister smoke begins

0:51:06.280 --> 0:51:10.680
<v Speaker 1>to rise, and we essentially have our first proper summoning

0:51:10.920 --> 0:51:13.480
<v Speaker 1>of the film. They're like, I think three different summonings

0:51:13.480 --> 0:51:16.200
<v Speaker 1>of note, and uh, it seems to summon you know,

0:51:16.239 --> 0:51:18.439
<v Speaker 1>it's like smokes bringing in some sort of form. What's

0:51:18.440 --> 0:51:21.440
<v Speaker 1>it gonna be. It's gonna be a monster, a monster,

0:51:22.040 --> 0:51:23.960
<v Speaker 1>you know, the demon. Maybe it'll be the goat guy

0:51:24.000 --> 0:51:26.480
<v Speaker 1>from the poster, but no, it's just a dude that

0:51:26.520 --> 0:51:29.640
<v Speaker 1>looks slightly stoned. Yeah, when we first saw him. So

0:51:29.719 --> 0:51:31.759
<v Speaker 1>there are some good monsters later on, but I was

0:51:31.800 --> 0:51:33.839
<v Speaker 1>just like, this is just a guy. But he's got

0:51:33.840 --> 0:51:38.680
<v Speaker 1>bloodshot eyes. But it's just a dude. I've seen that this,

0:51:38.680 --> 0:51:42.239
<v Speaker 1>this uh, this summoned being described as a gin or

0:51:42.280 --> 0:51:46.440
<v Speaker 1>a demon, but it's just Nigerian born actor Willie Payne

0:51:46.520 --> 0:51:49.480
<v Speaker 1>in red pants with a with a legitimately kind of

0:51:49.480 --> 0:51:54.040
<v Speaker 1>creepy smile and very stoned looking eyes. Um, they're able

0:51:54.080 --> 0:51:55.359
<v Speaker 1>to play it up a bit. So it's not like

0:51:55.400 --> 0:51:59.560
<v Speaker 1>it doesn't work. But it also seems to lean really

0:51:59.600 --> 0:52:05.040
<v Speaker 1>hard that this idea of non white equals possibly satanic thing. Yeah,

0:52:05.400 --> 0:52:08.160
<v Speaker 1>because this scene didn't feel great it was. It seems

0:52:08.200 --> 0:52:11.080
<v Speaker 1>to lean more on those kind of xenophobic assumptions that

0:52:11.120 --> 0:52:13.919
<v Speaker 1>the movie has. Yeah, because the only other non white

0:52:13.920 --> 0:52:17.800
<v Speaker 1>act characters in the film, including Nigerian born actor playwright

0:52:17.920 --> 0:52:22.360
<v Speaker 1>Jimmy Goodman, um A Jibati are all seen as members

0:52:22.360 --> 0:52:26.040
<v Speaker 1>of the cult. None of our cult. The cult is international.

0:52:26.160 --> 0:52:29.759
<v Speaker 1>It's got rubbers from all over, right, So yeah, this

0:52:29.760 --> 0:52:31.880
<v Speaker 1>this feels a little it's a little weird to watch this,

0:52:31.960 --> 0:52:34.040
<v Speaker 1>and it's also a little weird that Hammer picked this

0:52:34.120 --> 0:52:36.920
<v Speaker 1>scene out put it on their YouTube like it is.

0:52:38.000 --> 0:52:40.040
<v Speaker 1>But if you lean into the sort of like here's

0:52:40.040 --> 0:52:44.680
<v Speaker 1>a really stone dude um summoned to combat your heroes,

0:52:44.719 --> 0:52:46.120
<v Speaker 1>and I kind of like that, it's kind of like,

0:52:46.160 --> 0:52:49.160
<v Speaker 1>don't look at his eyes. He's really stoned. Yeah, yeah,

0:52:49.440 --> 0:52:52.000
<v Speaker 1>and and he's like hypnotizing them, I guess with his

0:52:52.080 --> 0:52:54.600
<v Speaker 1>eyes to like get them to come into the circle

0:52:55.080 --> 0:52:57.040
<v Speaker 1>of beff Matt. But I think they defeat him by

0:52:57.040 --> 0:53:00.759
<v Speaker 1>throwing a crucifix. Yeah, the first of severn All crucifix

0:53:00.840 --> 0:53:03.799
<v Speaker 1>lobbings in the film. Yeah. The goosefix are like the

0:53:03.800 --> 0:53:07.719
<v Speaker 1>Holy hand grenade. They make demons just explode ye one

0:53:07.800 --> 0:53:10.359
<v Speaker 1>to five and then they blow him up and then

0:53:10.360 --> 0:53:12.600
<v Speaker 1>they run out of the house. Now, I think the

0:53:12.640 --> 0:53:15.920
<v Speaker 1>next big thing is that the Duke is like, you

0:53:16.040 --> 0:53:19.360
<v Speaker 1>must you must find Tannith because I must go to

0:53:19.400 --> 0:53:22.360
<v Speaker 1>the British Library. And what's he gonna He's like gonna

0:53:23.080 --> 0:53:26.439
<v Speaker 1>look into several occult tomes that are kept under lock

0:53:26.520 --> 0:53:29.720
<v Speaker 1>and key. Fortunately, the person who runs the Occult Tomes

0:53:29.760 --> 0:53:34.200
<v Speaker 1>section is a friend of his. Yes, again, it's safe

0:53:34.280 --> 0:53:36.600
<v Speaker 1>for the Duke to be interested in these things and

0:53:36.640 --> 0:53:39.880
<v Speaker 1>be knowledgeable these things. But but not not you, Simon. Simon.

0:53:39.880 --> 0:53:41.960
<v Speaker 1>I'd rather you be dead than read some of the

0:53:42.000 --> 0:53:47.840
<v Speaker 1>books that I've read. So Rex. Uh. The next thing

0:53:47.960 --> 0:53:50.279
<v Speaker 1>we see with Rex, he's just got Tannith in the

0:53:50.320 --> 0:53:53.720
<v Speaker 1>car and they're out driving in the country somewhere, and

0:53:54.560 --> 0:53:57.000
<v Speaker 1>it's one of those weird scenes where somebody's already in

0:53:57.040 --> 0:53:59.960
<v Speaker 1>the car with somebody and then she's like, so why

0:54:00.040 --> 0:54:02.640
<v Speaker 1>am I here? Where are we going? And then I'm like, well,

0:54:02.640 --> 0:54:04.200
<v Speaker 1>why did she get in the car? What did they

0:54:04.239 --> 0:54:06.680
<v Speaker 1>say before she got in the car? I don't know.

0:54:07.280 --> 0:54:09.000
<v Speaker 1>But then it becomes clear. He's like, I'm here to

0:54:09.080 --> 0:54:12.359
<v Speaker 1>rescue you from Satanism, and she's like, I don't want

0:54:12.360 --> 0:54:15.880
<v Speaker 1>to be rescued, and uh, and then yeah, it ultimately

0:54:16.000 --> 0:54:18.480
<v Speaker 1>ends up being a whole chase sequence. Yes. Well, but

0:54:18.600 --> 0:54:20.640
<v Speaker 1>also before that, he's like, I'm here to rescue you

0:54:20.680 --> 0:54:22.840
<v Speaker 1>from satan and take you out to lunch. Do you

0:54:22.840 --> 0:54:26.160
<v Speaker 1>want to go on a date? Yeah? And Uh, so

0:54:26.239 --> 0:54:29.480
<v Speaker 1>they're they're planning on going to lunch at a friend's house.

0:54:29.520 --> 0:54:31.520
<v Speaker 1>This is the house of Richard and Marie and their

0:54:31.600 --> 0:54:34.799
<v Speaker 1>daughter Peggy, who will become bigger characters in the third act.

0:54:34.960 --> 0:54:36.520
<v Speaker 1>A lot of the second half of the movie takes

0:54:36.520 --> 0:54:40.520
<v Speaker 1>place at their house. But I was also wondering about

0:54:40.800 --> 0:54:43.520
<v Speaker 1>they're not sure who he's bringing. So it's like, hello,

0:54:43.560 --> 0:54:45.640
<v Speaker 1>old friend, I brought a bride of Satan to your

0:54:45.640 --> 0:54:49.359
<v Speaker 1>house for lunch. I've kidnapped somebody. This is the other thing.

0:54:49.400 --> 0:54:51.680
<v Speaker 1>This film has a lot of kidnappings, and Simon has

0:54:51.719 --> 0:54:55.880
<v Speaker 1>already been kidnapped, and now Tanneth has been kidnapped, and

0:54:55.920 --> 0:54:58.520
<v Speaker 1>there'll be more kidnappings to come. Yeah, she lured away

0:54:58.520 --> 0:55:00.919
<v Speaker 1>on false pretenses, all right, And we don't know what

0:55:01.000 --> 0:55:03.239
<v Speaker 1>they said before she got in the car, but at

0:55:03.280 --> 0:55:05.920
<v Speaker 1>least continuing along the journey after she has said no,

0:55:05.960 --> 0:55:08.240
<v Speaker 1>I would rather go back to my Sitan worship please,

0:55:08.960 --> 0:55:11.520
<v Speaker 1>and uh. Then this leads to a complex series of

0:55:11.600 --> 0:55:15.240
<v Speaker 1>chases where she steals a car from somewhere and drives

0:55:15.280 --> 0:55:18.000
<v Speaker 1>away and then Rex has to chase after her, and

0:55:18.040 --> 0:55:20.600
<v Speaker 1>there's you didn't expect a car chase in this movie,

0:55:20.600 --> 0:55:23.400
<v Speaker 1>did you? But the car chase does involve Rex punching

0:55:23.440 --> 0:55:28.560
<v Speaker 1>through his own windshield and uh they eventually, oh, they

0:55:28.640 --> 0:55:31.759
<v Speaker 1>use magic to make him wreck his car, but he

0:55:31.840 --> 0:55:35.879
<v Speaker 1>stuck unconscious. Another another concussion and right, yes, and then

0:55:35.960 --> 0:55:39.320
<v Speaker 1>she so she eventually makes her way back to Moccata

0:55:39.440 --> 0:55:43.600
<v Speaker 1>because Macada was like hypnotizing her through the rear view

0:55:43.600 --> 0:55:46.680
<v Speaker 1>mirror in the car. Well. Mirrors are magic, we know that. Oh,

0:55:46.719 --> 0:55:50.720
<v Speaker 1>that's right. So eventually Rex stumbles upon a satanic mass

0:55:50.760 --> 0:55:54.560
<v Speaker 1>that Macada is conducting in the woods. Actually it looks

0:55:54.560 --> 0:55:56.799
<v Speaker 1>pretty tame. It's just a lot of people in like

0:55:56.840 --> 0:56:01.240
<v Speaker 1>white robes, the bosses like Macada. He's wearing a purple robe,

0:56:01.760 --> 0:56:03.960
<v Speaker 1>but a lot of people in white robes just drinking

0:56:03.960 --> 0:56:07.000
<v Speaker 1>wine and dancing like it is not as debauched as

0:56:07.040 --> 0:56:10.080
<v Speaker 1>some of the the devil worship scenes in later movies

0:56:10.120 --> 0:56:12.880
<v Speaker 1>would be, right, but it does have the ultimate. They

0:56:12.880 --> 0:56:17.640
<v Speaker 1>sacrifice a goat and then uh, here comes the goat himself.

0:56:18.280 --> 0:56:21.360
<v Speaker 1>Um uh, we we have this, this wonderful appearance by

0:56:21.400 --> 0:56:25.200
<v Speaker 1>the goat of of of Mendes. Uh it's the goat

0:56:25.239 --> 0:56:28.439
<v Speaker 1>headed humanoid form and it looks very good. Uh, it's

0:56:28.520 --> 0:56:30.880
<v Speaker 1>legitimately creepy. I think this was a scene that they

0:56:30.920 --> 0:56:33.720
<v Speaker 1>pulled off rather well because he just kind of appears,

0:56:34.200 --> 0:56:36.200
<v Speaker 1>uh you know, it's like he's come out of the woods.

0:56:36.280 --> 0:56:40.120
<v Speaker 1>You've thrown a Satanic party that is fun enough that

0:56:40.160 --> 0:56:43.320
<v Speaker 1>he is making an appearance, and everyone gets very excited. Yeah,

0:56:43.360 --> 0:56:46.520
<v Speaker 1>and one thing I noted was like when they when

0:56:46.560 --> 0:56:50.160
<v Speaker 1>they cut the goat's throat in the sacrifice, it's like

0:56:50.239 --> 0:56:54.319
<v Speaker 1>dropping the beat in the club. I think everybody goes wild. Yeah,

0:56:54.360 --> 0:56:56.640
<v Speaker 1>we have. They get very excited about it, and yeah,

0:56:56.680 --> 0:56:59.520
<v Speaker 1>this the goat looks great. It's not I should stress

0:56:59.560 --> 0:57:01.160
<v Speaker 1>it's not the ago you see on the poster. They

0:57:01.160 --> 0:57:03.799
<v Speaker 1>took the head of the goat creature here and they

0:57:03.840 --> 0:57:06.080
<v Speaker 1>put it on one of the like probably the Charles

0:57:06.080 --> 0:57:10.200
<v Speaker 1>Gray character Mocata's robed body, and sort of built themselves

0:57:10.200 --> 0:57:14.080
<v Speaker 1>a poster out of an images from the film. Well, anyway,

0:57:14.360 --> 0:57:17.720
<v Speaker 1>this mass it's worse. Simon and Tanneth are going to

0:57:17.720 --> 0:57:20.600
<v Speaker 1>be baptized in the name of Satan. So Rex goes

0:57:20.640 --> 0:57:24.320
<v Speaker 1>to a nearby pay phone and summons the Duke, and

0:57:24.360 --> 0:57:27.520
<v Speaker 1>so the Duke comes and joins him, and then they're like, oh,

0:57:27.560 --> 0:57:29.280
<v Speaker 1>we've got to stop this. We've got to stop this

0:57:29.320 --> 0:57:32.120
<v Speaker 1>before they are baptized to the evil One. So they

0:57:32.160 --> 0:57:36.120
<v Speaker 1>decide they're going to how do they The duke is like,

0:57:36.400 --> 0:57:38.600
<v Speaker 1>I wish there were some light, and then he's like,

0:57:38.680 --> 0:57:41.640
<v Speaker 1>what has light? The headlights of a car. So they're like,

0:57:41.680 --> 0:57:44.840
<v Speaker 1>we can defeat them with car. So they get into

0:57:44.840 --> 0:57:47.760
<v Speaker 1>a car and then they drive up on the on

0:57:47.840 --> 0:57:50.720
<v Speaker 1>the ceremony, blasting the headlights. I guess they turned the

0:57:50.720 --> 0:57:54.120
<v Speaker 1>brights on, and that seems to I don't know, it

0:57:54.160 --> 0:57:56.720
<v Speaker 1>does something. Everybody's like, oh. And then they lob a

0:57:56.760 --> 0:57:59.240
<v Speaker 1>second holy hand grenade. They throw a crucifix at the

0:57:59.280 --> 0:58:02.680
<v Speaker 1>goat and the explodes. Yeah. Yeah, And then Rex is

0:58:02.720 --> 0:58:06.080
<v Speaker 1>in there punch and Satanists grabbing Tanneth, carrying her off,

0:58:06.080 --> 0:58:08.520
<v Speaker 1>And I was struck by the It's kind of ironic

0:58:08.640 --> 0:58:11.439
<v Speaker 1>that we don't see the goat creature. We don't see

0:58:11.480 --> 0:58:15.800
<v Speaker 1>the Great Goat, the Devil himself carrying an unconscious woman,

0:58:15.920 --> 0:58:19.000
<v Speaker 1>but we do see Rex grabbing our female character and

0:58:19.080 --> 0:58:21.800
<v Speaker 1>running off into the night with her. Yes, And they

0:58:21.840 --> 0:58:24.840
<v Speaker 1>also they rescue Tanneth and Simon and they take them

0:58:24.880 --> 0:58:28.160
<v Speaker 1>back to Richard and Marie's house, where where Christopher Lee

0:58:28.160 --> 0:58:31.960
<v Speaker 1>promptly starts managing everybody's sleeping arrangements. He's like, you will

0:58:32.000 --> 0:58:34.760
<v Speaker 1>go to bed, and you will sit beside the person

0:58:34.800 --> 0:58:38.600
<v Speaker 1>who goes to bed, and commanding, So commanding people what

0:58:38.680 --> 0:58:41.600
<v Speaker 1>to do, I think. So he gives them all these

0:58:41.640 --> 0:58:44.680
<v Speaker 1>instructions while he goes out to fetch some magical implements.

0:58:46.040 --> 0:58:48.440
<v Speaker 1>And then there's another big set piece, which is and

0:58:48.640 --> 0:58:52.400
<v Speaker 1>this scene I actually thought was pretty effective in the

0:58:52.440 --> 0:58:55.720
<v Speaker 1>way it was meant to be, uh, the visit by Mocada.

0:58:56.160 --> 0:58:58.440
<v Speaker 1>So like Charles Gray just shows up at the door.

0:58:58.520 --> 0:59:01.760
<v Speaker 1>Mocada arrives at the house and he, I guess it's

0:59:01.920 --> 0:59:04.440
<v Speaker 1>proper courtesy to invite someone in, even if they are

0:59:04.600 --> 0:59:07.720
<v Speaker 1>the priest of the High Priest of Satan. So you

0:59:07.720 --> 0:59:10.640
<v Speaker 1>know he's invited him by by Marie. And then Mokatta

0:59:10.680 --> 0:59:12.920
<v Speaker 1>and Marie sit down in the study to have a

0:59:12.960 --> 0:59:16.200
<v Speaker 1>conversation where he will ask her to hand Simon and

0:59:16.240 --> 0:59:18.640
<v Speaker 1>Tanneth over to him. He says, I'm not actually evil

0:59:18.800 --> 0:59:21.320
<v Speaker 1>in magic, there is no good or evil, and then

0:59:21.360 --> 0:59:23.960
<v Speaker 1>he tries to hypnotize her and bind her will to

0:59:24.080 --> 0:59:27.360
<v Speaker 1>his by the power of darkness. And I gotta say

0:59:27.440 --> 0:59:30.360
<v Speaker 1>props to Charles Gray in this scene, while he is

0:59:30.400 --> 0:59:33.760
<v Speaker 1>often funny in this movie. In this scene, he is

0:59:33.920 --> 0:59:38.360
<v Speaker 1>extremely good, I think, actually rather scary. Yeah, yeah, he's

0:59:38.400 --> 0:59:41.320
<v Speaker 1>great in this scene. There's also another sequence where it's

0:59:41.400 --> 0:59:44.760
<v Speaker 1>just the cult is marching out of the observatory house

0:59:45.160 --> 0:59:47.479
<v Speaker 1>with some kind of thunderous music and he's up front

0:59:47.520 --> 0:59:49.240
<v Speaker 1>with a very stern look on his face, where he

0:59:49.280 --> 0:59:53.480
<v Speaker 1>also feels very powerful and a little bit scary. Yeah,

0:59:53.560 --> 0:59:57.720
<v Speaker 1>and he so he's hypnotized Marie and he's like, where

0:59:57.760 --> 1:00:00.680
<v Speaker 1>is Simon and she says upstairs, which I mean he

1:00:00.720 --> 1:00:04.200
<v Speaker 1>probably could have guessed that. But anyway, so he's trying to,

1:00:04.240 --> 1:00:06.080
<v Speaker 1>I guess, get get them out of the house. But

1:00:06.240 --> 1:00:10.200
<v Speaker 1>then he fails because the kid living in the house, Peggy,

1:00:10.240 --> 1:00:12.320
<v Speaker 1>she runs in asking for a snack or something or

1:00:12.400 --> 1:00:15.040
<v Speaker 1>she's like, where's my ball? And then Maria is snapped

1:00:15.040 --> 1:00:19.000
<v Speaker 1>out of her trance and asks Macada to leave. And

1:00:19.520 --> 1:00:22.000
<v Speaker 1>I thought that was funny, especially because Rachel was like,

1:00:22.360 --> 1:00:24.880
<v Speaker 1>it's the kid that's going to defeat the devil. Oh yeah,

1:00:24.880 --> 1:00:26.640
<v Speaker 1>it's also kind of it reminded me, of course, of

1:00:26.640 --> 1:00:29.560
<v Speaker 1>Indiana Jones, like next time, Dr Jones, It'll take more

1:00:29.560 --> 1:00:32.600
<v Speaker 1>than children to save you. Oh yeah, yeah. But so

1:00:32.760 --> 1:00:35.040
<v Speaker 1>Makata has asked to leave. He does, but then there's

1:00:35.080 --> 1:00:37.320
<v Speaker 1>a great line he says, I will not be back,

1:00:37.600 --> 1:00:41.680
<v Speaker 1>but something will. Oh and that's that's something. Should we

1:00:41.960 --> 1:00:43.800
<v Speaker 1>talk about that something? Well? Yeah, I mean, I guess

1:00:43.840 --> 1:00:46.000
<v Speaker 1>this leads into the main thing that's left in the movie,

1:00:46.040 --> 1:00:49.040
<v Speaker 1>which is the siege of the magic Circle. So the

1:00:49.120 --> 1:00:52.360
<v Speaker 1>Duke returns with his magical implements and he draws a

1:00:52.440 --> 1:00:55.800
<v Speaker 1>protective circle on the floor of the library in the house. Uh,

1:00:55.840 --> 1:00:58.840
<v Speaker 1>It's got symbols all around it, and inside the circle,

1:00:59.720 --> 1:01:02.880
<v Speaker 1>the Uke, Simon, Marie, and Richard have to wait out

1:01:02.920 --> 1:01:06.440
<v Speaker 1>the night while being besieged by the forces of evil

1:01:06.560 --> 1:01:10.160
<v Speaker 1>that are sent by Mocada and I think conjured through

1:01:10.280 --> 1:01:12.800
<v Speaker 1>the medium of Tanneth. This got kind of complicated, but

1:01:12.800 --> 1:01:17.280
<v Speaker 1>I think the idea is that Mokata somehow uses Tanneth

1:01:17.440 --> 1:01:21.760
<v Speaker 1>to like make himself more powerful. He like manifests power

1:01:21.880 --> 1:01:25.280
<v Speaker 1>through her, and for that reason, Tanneth is like, I

1:01:25.320 --> 1:01:28.200
<v Speaker 1>can't be in the house. So meanwhile, while they're in

1:01:28.280 --> 1:01:31.480
<v Speaker 1>the library, Rex and Tanneth run off to a barn somewhere.

1:01:32.440 --> 1:01:34.560
<v Speaker 1>I don't know exactly how all that works, but that's

1:01:34.560 --> 1:01:37.200
<v Speaker 1>where they go. Uh. And the other thing. I was wondering,

1:01:37.240 --> 1:01:39.440
<v Speaker 1>why don't Peggy and the butler have to be inside

1:01:39.480 --> 1:01:41.480
<v Speaker 1>the magic circle. The other four people in the house

1:01:41.480 --> 1:01:43.720
<v Speaker 1>are in the circle. Peggy and Butler just up in

1:01:43.720 --> 1:01:46.280
<v Speaker 1>a room somewhere. Yeah, I would. I mean, I wouldn't

1:01:46.280 --> 1:01:49.160
<v Speaker 1>want my child to see the forces of darkness that

1:01:49.200 --> 1:01:52.040
<v Speaker 1>have been marshal against me. But if they're going to

1:01:52.120 --> 1:01:53.760
<v Speaker 1>be in the house with the forces of darkness, I

1:01:53.760 --> 1:01:55.920
<v Speaker 1>think I would rather than be like in the circle.

1:01:56.240 --> 1:01:59.160
<v Speaker 1>I guess today, if this were to happen, I could

1:01:59.200 --> 1:02:02.000
<v Speaker 1>give my son an iPad and he would be fine.

1:02:02.040 --> 1:02:04.400
<v Speaker 1>He just watched Pokemon, and you could have the forces

1:02:04.440 --> 1:02:06.880
<v Speaker 1>of darkness doing their thing outside the circle and he

1:02:06.880 --> 1:02:08.800
<v Speaker 1>wouldn't even look up. But how are you going to

1:02:08.920 --> 1:02:12.120
<v Speaker 1>keep a kid this age distracted during the thirties, I

1:02:12.200 --> 1:02:14.000
<v Speaker 1>don't know. Well anyway, So we get the siege here

1:02:14.080 --> 1:02:16.200
<v Speaker 1>and Rob, do you want to describe the attacks that

1:02:16.280 --> 1:02:18.400
<v Speaker 1>befalled them while they're they're waiting out the night in

1:02:18.440 --> 1:02:21.680
<v Speaker 1>the circle? Alright? So? Uh yeah? So the first attack

1:02:21.880 --> 1:02:25.400
<v Speaker 1>was stone dude, second attack was the great he Goat,

1:02:25.840 --> 1:02:29.040
<v Speaker 1>third attack here, third summoning is going to be none

1:02:29.040 --> 1:02:31.280
<v Speaker 1>other than the Angel of Death and It is pretty

1:02:31.280 --> 1:02:34.000
<v Speaker 1>alarming when this one summoned, because suddenly the door opens,

1:02:34.360 --> 1:02:39.000
<v Speaker 1>white light spilling out, and a perhaps semi transparent it

1:02:39.040 --> 1:02:43.200
<v Speaker 1>is hard to hard to see. Winged horse rides in,

1:02:43.840 --> 1:02:46.600
<v Speaker 1>and the rider on the horses this individual and armor.

1:02:46.680 --> 1:02:49.520
<v Speaker 1>You can't see his face. But then eventually he rides

1:02:49.600 --> 1:02:52.680
<v Speaker 1>up close enough and we get this close up like

1:02:52.760 --> 1:02:56.080
<v Speaker 1>blue flames behind his head. The mask opens and it's

1:02:56.120 --> 1:02:58.760
<v Speaker 1>a skull. Yeah, the Angel of Death is here to

1:02:58.840 --> 1:03:02.040
<v Speaker 1>claim a human soul. Robert. One thing. I agree with

1:03:02.080 --> 1:03:03.919
<v Speaker 1>everything you said, but I think we're out of order

1:03:03.960 --> 1:03:08.560
<v Speaker 1>here because I think the spider attacks before the angels death. Okay, well, okay,

1:03:08.560 --> 1:03:11.800
<v Speaker 1>in that case, we get a lackluster giant spider attack, right,

1:03:11.840 --> 1:03:15.240
<v Speaker 1>So that comes tricks them with all these illusions like

1:03:15.280 --> 1:03:19.560
<v Speaker 1>the the the devil keeps simulating people they know, asking

1:03:19.600 --> 1:03:21.440
<v Speaker 1>for help or trying to get them to step outside

1:03:21.440 --> 1:03:24.480
<v Speaker 1>the circle. That pretends to be Peggy being attacked by

1:03:24.480 --> 1:03:26.760
<v Speaker 1>the spider, but it's not really her. And of course

1:03:26.800 --> 1:03:31.320
<v Speaker 1>the Duke is like, control yourself, man, stand there and

1:03:31.480 --> 1:03:33.520
<v Speaker 1>uh yeah, and then but then we get the Angel

1:03:33.560 --> 1:03:35.600
<v Speaker 1>of Death. I have to say the spider again. The

1:03:35.640 --> 1:03:38.000
<v Speaker 1>spider does not look very good. No, it's just a

1:03:38.080 --> 1:03:43.440
<v Speaker 1>tarantulo with force, perspective and stuff. But then, so how

1:03:43.480 --> 1:03:46.520
<v Speaker 1>do they defeat the Angel of Death? Christopher Lee has

1:03:46.560 --> 1:03:49.040
<v Speaker 1>introduced this idea earlier that the only thing he can

1:03:49.080 --> 1:03:52.720
<v Speaker 1>do to to fight back against these forces is to

1:03:52.920 --> 1:03:56.160
<v Speaker 1>say this spell the most dangerous magic spell in the world,

1:03:56.200 --> 1:03:58.640
<v Speaker 1>and he's like, I I dare not say it unless

1:03:58.640 --> 1:04:01.400
<v Speaker 1>our very souls are at pair role because it could

1:04:01.520 --> 1:04:05.640
<v Speaker 1>destroy the entire universe. But I did memorize it just

1:04:05.720 --> 1:04:08.439
<v Speaker 1>in case. Yeah, but he does say it. He says

1:04:08.440 --> 1:04:10.880
<v Speaker 1>it at the Angel of Death and that that banishes it.

1:04:11.560 --> 1:04:14.080
<v Speaker 1>But at the end of the night, so they've made

1:04:14.080 --> 1:04:16.400
<v Speaker 1>it through, but things look bad because Rex comes back

1:04:16.440 --> 1:04:19.000
<v Speaker 1>and he's holding the body of Tanneth. Tanneth has died

1:04:19.080 --> 1:04:23.120
<v Speaker 1>and also Peggy has disappeared, so so they're in dire

1:04:23.200 --> 1:04:26.320
<v Speaker 1>straits now. But where have they gone? Well, the Duke

1:04:26.440 --> 1:04:29.560
<v Speaker 1>has to figure this out by conjuring the ghost of

1:04:29.680 --> 1:04:34.040
<v Speaker 1>Tanneth in the body of Marie and then again commanding

1:04:34.040 --> 1:04:36.560
<v Speaker 1>and yelling at her, saying tell me where have they gone?

1:04:36.600 --> 1:04:40.040
<v Speaker 1>I command you? But this leads to a final confrontation

1:04:40.080 --> 1:04:42.720
<v Speaker 1>at the Mansion Moccada, where he has an on site

1:04:42.760 --> 1:04:45.320
<v Speaker 1>temple for human sacrifice. I think he's going to sacrifice

1:04:45.360 --> 1:04:48.520
<v Speaker 1>Peggy for some reason. What was it? He says, it's

1:04:48.520 --> 1:04:51.160
<v Speaker 1>the transference of souls. I think it's like, if he

1:04:51.720 --> 1:04:55.120
<v Speaker 1>sacrifices Peggy, then Tanneth will be brought back to him.

1:04:55.160 --> 1:04:59.480
<v Speaker 1>Maybe Yeah. And they need Tanneth for satanic reasons for

1:04:59.600 --> 1:05:02.880
<v Speaker 1>something yeah. And then in the end, the ghost of Tanneth,

1:05:02.960 --> 1:05:06.920
<v Speaker 1>speaking through Marie, says the same dangerous spell that Christopher

1:05:06.960 --> 1:05:10.439
<v Speaker 1>Lee said earlier, gets the child to say it, and

1:05:10.520 --> 1:05:15.360
<v Speaker 1>this destroys the cult, destroys Mokada, and then we get oh,

1:05:15.440 --> 1:05:18.840
<v Speaker 1>this ending, it's it is a causally justified. It was

1:05:18.880 --> 1:05:21.840
<v Speaker 1>all a dream ending where they wake up back at

1:05:21.920 --> 1:05:25.040
<v Speaker 1>Richard and Marie's house in the Magic Circle. Everyone who

1:05:25.160 --> 1:05:28.000
<v Speaker 1>is dead is now alive except Mokata, who has been

1:05:28.080 --> 1:05:31.760
<v Speaker 1>killed in the in exchange, and uh, and the Duke

1:05:31.840 --> 1:05:35.800
<v Speaker 1>explains time has been reversed. Everything that happened happened, but

1:05:36.000 --> 1:05:39.480
<v Speaker 1>now it has not happened. And then the movie just

1:05:39.640 --> 1:05:43.760
<v Speaker 1>ends with a very stern insistence that God is in charge. Yeah.

1:05:43.960 --> 1:05:47.960
<v Speaker 1>Nothing like a time travel out of nowhere, ending with

1:05:48.080 --> 1:05:50.920
<v Speaker 1>the off screen death of the villain, which also seems

1:05:50.920 --> 1:05:53.360
<v Speaker 1>an awful lot like speculation on the Duke's part. He's

1:05:53.400 --> 1:05:55.760
<v Speaker 1>just like, what happened to Okada? He's like, oh, well

1:05:55.760 --> 1:05:58.280
<v Speaker 1>he died. Now in this new version of things that happened.

1:05:58.800 --> 1:06:00.200
<v Speaker 1>I'm not gonna show it to you or tell you

1:06:00.240 --> 1:06:03.480
<v Speaker 1>what would it looked like, but trust me, it happened. Uh.

1:06:03.520 --> 1:06:05.320
<v Speaker 1>And then and then one of the characters, maybe it's

1:06:05.360 --> 1:06:08.600
<v Speaker 1>Rex or Simon's like thank God and uh. And the

1:06:08.640 --> 1:06:11.760
<v Speaker 1>Duke is like, yes, all thanks to God. So they

1:06:11.880 --> 1:06:16.320
<v Speaker 1>it is he we must thank yes, yes, so all

1:06:16.400 --> 1:06:21.800
<v Speaker 1>thanks go to God for intervening wiping out all the villains. Um.

1:06:21.920 --> 1:06:24.240
<v Speaker 1>But unlike say Raiders of the Lost Arc, we're pretty

1:06:24.280 --> 1:06:26.600
<v Speaker 1>much a similar thing happens like God enters the picture

1:06:26.640 --> 1:06:29.600
<v Speaker 1>and just and fixes everything. Uh. And we get to

1:06:29.600 --> 1:06:33.200
<v Speaker 1>see it and Nazis explode and melt and so forth. Uh.

1:06:33.320 --> 1:06:36.040
<v Speaker 1>Instead we're just told it happened, don't worry about it.

1:06:36.080 --> 1:06:38.040
<v Speaker 1>Everybody can go to bed. Yeah. It's kind of a

1:06:38.120 --> 1:06:41.600
<v Speaker 1>Dais x marchia. Uh. And for some reason, why does

1:06:41.640 --> 1:06:44.120
<v Speaker 1>the Dais x machina work in Raiders of the Lost

1:06:44.240 --> 1:06:47.000
<v Speaker 1>Ark where it almost never works otherwise because we get

1:06:47.000 --> 1:06:49.360
<v Speaker 1>to watch the daist that's the thing, Like, we we

1:06:49.440 --> 1:06:53.840
<v Speaker 1>get to see the forces of heaven come down from above. Uh.

1:06:54.120 --> 1:06:58.840
<v Speaker 1>We get to see the Hebrew God avenge himself and

1:06:58.920 --> 1:07:02.840
<v Speaker 1>his people against the Nazis and just utterly destonate them

1:07:03.440 --> 1:07:07.280
<v Speaker 1>with splendid special effects. Uh. You know. So obviously this

1:07:07.320 --> 1:07:09.200
<v Speaker 1>film didn't have the budget for that sort of thing,

1:07:10.000 --> 1:07:11.720
<v Speaker 1>But I think that's one of the reasons it works

1:07:11.720 --> 1:07:14.040
<v Speaker 1>so well in uh, in the in Raiders of the

1:07:14.080 --> 1:07:16.920
<v Speaker 1>Lost Arc. Yeah, I guess it's also the fact that

1:07:16.960 --> 1:07:20.959
<v Speaker 1>at the end of Raiders that the that Indian Marian there,

1:07:21.040 --> 1:07:24.120
<v Speaker 1>their insight that they have to survive at the end

1:07:24.200 --> 1:07:27.080
<v Speaker 1>is humility, and that they must humble themselves and close

1:07:27.120 --> 1:07:30.000
<v Speaker 1>their eyes. Yeah. But I could imagine something like that

1:07:30.040 --> 1:07:31.640
<v Speaker 1>happening in this film, and I wouldn't have bought it

1:07:31.680 --> 1:07:33.280
<v Speaker 1>with the Duke, because the Duke would be like, I

1:07:33.360 --> 1:07:36.200
<v Speaker 1>know exactly what's happening. Everyone close your eyes, Simon, shut

1:07:36.240 --> 1:07:40.520
<v Speaker 1>your eyes. Shut your eyes. I will keep my eyes

1:07:40.560 --> 1:07:43.640
<v Speaker 1>open for the rest of you. I can peak. It's okay,

1:07:43.680 --> 1:07:46.240
<v Speaker 1>I know what I'm doing. Well. That brings up a

1:07:46.280 --> 1:07:50.560
<v Speaker 1>really good question about I'm curious about the religious sensibilities

1:07:50.680 --> 1:07:53.480
<v Speaker 1>of this movie, which are clearly mostly you know, their

1:07:53.560 --> 1:07:58.080
<v Speaker 1>anti devil and their conservative But what exactly is the

1:07:58.120 --> 1:08:02.240
<v Speaker 1>religious affiliation of the Duke's supposed to be? He he

1:08:02.280 --> 1:08:06.520
<v Speaker 1>seems to be nominally Christian, at least insofar as Christianity

1:08:06.680 --> 1:08:09.560
<v Speaker 1>is opposed to the devil, which is the bad guy.

1:08:09.600 --> 1:08:13.000
<v Speaker 1>And there is one line where Christopher Lee like grills

1:08:13.080 --> 1:08:15.840
<v Speaker 1>the ghost of Tanneth with that question. He says, like,

1:08:15.920 --> 1:08:19.559
<v Speaker 1>do you acknowledge Jesus Christ? But then Lee is just

1:08:19.640 --> 1:08:22.599
<v Speaker 1>straight up doing occult magic and defeating the enemy with

1:08:22.720 --> 1:08:26.920
<v Speaker 1>esoteric spells. So is he supposed to be a down

1:08:26.960 --> 1:08:29.560
<v Speaker 1>the line conservative Christian or is he supposed to be

1:08:29.600 --> 1:08:32.439
<v Speaker 1>an occult wizard? And at least all the environments I'm

1:08:32.439 --> 1:08:36.599
<v Speaker 1>familiar with these things are supposed to be mutually exclusive. Yeah,

1:08:36.760 --> 1:08:38.800
<v Speaker 1>Like I mean, they don't really play up the idea

1:08:38.840 --> 1:08:41.040
<v Speaker 1>that there's like good magic and bad magic like that

1:08:41.080 --> 1:08:42.639
<v Speaker 1>would have I think that would have been kind of

1:08:43.040 --> 1:08:45.800
<v Speaker 1>ultimately maybe a more modern telling of this, and maybe

1:08:45.800 --> 1:08:47.320
<v Speaker 1>it would have been more fun if it was like

1:08:47.560 --> 1:08:52.320
<v Speaker 1>we have just dueling occultists here. Uh. One occultist is

1:08:52.400 --> 1:08:54.559
<v Speaker 1>leaning hard into the black magic and the other one

1:08:54.960 --> 1:08:57.160
<v Speaker 1>is a little more sensible about how he's using everything.

1:08:57.479 --> 1:08:59.679
<v Speaker 1>But yeah, ultimately I think we get more of that.

1:09:00.200 --> 1:09:02.759
<v Speaker 1>It's it's more like them, it's more of the satanic

1:09:02.800 --> 1:09:05.479
<v Speaker 1>panic energy. It's ultimately kind of more like the like

1:09:05.520 --> 1:09:08.400
<v Speaker 1>the Hinrich Kramer or Hammer the Witches kind of energy

1:09:08.439 --> 1:09:11.439
<v Speaker 1>where it's like, I'm I can be super knowledgeable about

1:09:11.439 --> 1:09:14.840
<v Speaker 1>all of this stuff and like weirdly super into it.

1:09:15.200 --> 1:09:18.200
<v Speaker 1>But it's okay because I'm here to stamp it out,

1:09:18.640 --> 1:09:21.120
<v Speaker 1>you know. But yeah, we don't see Christopher Lee's character

1:09:21.200 --> 1:09:24.599
<v Speaker 1>the Duke go into church or anything. Uh. He just

1:09:24.800 --> 1:09:27.719
<v Speaker 1>name drives Jesus and uh and God, you know twice

1:09:27.760 --> 1:09:31.439
<v Speaker 1>in the whole picture, and throws the crucifix grenades. Yeah

1:09:31.479 --> 1:09:33.960
<v Speaker 1>he'll throw He'll heave some some crosses around for sure.

1:09:34.479 --> 1:09:37.479
<v Speaker 1>So yeah, ultimately, uh, it's it's a very fun picture.

1:09:37.520 --> 1:09:39.320
<v Speaker 1>There's a lot lot to think about if you approach

1:09:39.360 --> 1:09:42.559
<v Speaker 1>it from the right direction. Um, so I recommend it.

1:09:42.640 --> 1:09:44.000
<v Speaker 1>You can. You can pick this one up in a

1:09:44.000 --> 1:09:48.040
<v Speaker 1>few different places. There are some different Hammer like DVD

1:09:48.160 --> 1:09:52.160
<v Speaker 1>packs and so forth. But in twenty nineteen, Shout Factory

1:09:52.200 --> 1:09:55.280
<v Speaker 1>put out an absolutely amazing Blu Ray edition. Uh, this

1:09:55.320 --> 1:09:57.240
<v Speaker 1>is the one that we rented from Video Drone for

1:09:57.280 --> 1:09:59.720
<v Speaker 1>this episode. And yeah, this one would make the great

1:09:59.760 --> 1:10:04.920
<v Speaker 1>Heat proud lots of extras, wonderful bright yellow he goat

1:10:05.520 --> 1:10:08.880
<v Speaker 1>um menu screen that I was very impressed with, and

1:10:08.960 --> 1:10:11.720
<v Speaker 1>just more more extras and special features then you could

1:10:11.760 --> 1:10:16.640
<v Speaker 1>conceivably even want. Like Christopher Lee has his own commentary

1:10:16.640 --> 1:10:19.880
<v Speaker 1>track on this one, so um, I recommend picking that

1:10:19.960 --> 1:10:21.720
<v Speaker 1>up or renting it if you have the opportunity to

1:10:21.760 --> 1:10:24.400
<v Speaker 1>do so. You might find it streaming somewhere as well.

1:10:24.439 --> 1:10:26.640
<v Speaker 1>I'm not sure what the exact streaming options might be

1:10:26.720 --> 1:10:28.720
<v Speaker 1>for this picture. We'd love to hear from everyone out

1:10:28.720 --> 1:10:31.280
<v Speaker 1>there though, if you have thoughts on this picture or others,

1:10:31.520 --> 1:10:33.719
<v Speaker 1>you know, what, what are your favorite Hammer horror films?

1:10:33.720 --> 1:10:36.000
<v Speaker 1>We know we have some some Hammer fans out there

1:10:36.880 --> 1:10:39.880
<v Speaker 1>right in let us know. We'd love to hear from you. Uh.

1:10:40.000 --> 1:10:42.320
<v Speaker 1>Weird House Cinema comes out every Friday and the Stuff

1:10:42.360 --> 1:10:45.439
<v Speaker 1>to Blow Your Mind podcast feed were primarily a science podcast,

1:10:45.520 --> 1:10:48.120
<v Speaker 1>but on Fridays we set most of the serious matters

1:10:48.120 --> 1:10:50.519
<v Speaker 1>aside and we just talked about a weird film such

1:10:50.600 --> 1:10:53.840
<v Speaker 1>as this one. UM. I also go ahead mentioned that

1:10:54.280 --> 1:10:58.800
<v Speaker 1>I maintain a blog Samuda Music dot com s E

1:10:59.000 --> 1:11:01.960
<v Speaker 1>M U T A M U S I C. And

1:11:02.320 --> 1:11:05.240
<v Speaker 1>that's just a blog where I'll list the episodes that

1:11:05.280 --> 1:11:07.400
<v Speaker 1>we have done on Weirdhouse Cinema. So if you want

1:11:07.439 --> 1:11:09.920
<v Speaker 1>a complete list of the films we've looked at, as

1:11:09.960 --> 1:11:12.400
<v Speaker 1>well as some embedded media here and there with you know,

1:11:12.720 --> 1:11:15.559
<v Speaker 1>trailers that we discuss, bits of music that we discuss,

1:11:15.880 --> 1:11:18.200
<v Speaker 1>I will host them there. Big thanks as always to

1:11:18.280 --> 1:11:22.080
<v Speaker 1>our excellent audio producer Seth Nicholas Johnson, but he is

1:11:22.120 --> 1:11:24.559
<v Speaker 1>out this week, so huge thanks as well to our

1:11:24.640 --> 1:11:28.400
<v Speaker 1>guest producer Paul Decant. Really appreciate you stepping in. Paul.

1:11:29.120 --> 1:11:30.960
<v Speaker 1>If you would like to get in touch with us

1:11:30.960 --> 1:11:34.000
<v Speaker 1>with feedback on this episode or any other, to suggest

1:11:34.040 --> 1:11:36.479
<v Speaker 1>a topic for the future, or just to say hello,

1:11:36.600 --> 1:11:39.360
<v Speaker 1>you can email us at contact at stuff to Blow

1:11:39.400 --> 1:11:48.880
<v Speaker 1>your Mind dot com. Stuff to Blow Your Mind is

1:11:48.920 --> 1:11:51.560
<v Speaker 1>production of I Heart Radio. For more podcasts for My

1:11:51.640 --> 1:11:54.600
<v Speaker 1>Heart Radio, visit the I Heart Radio app, Apple Podcasts,

1:11:54.680 --> 1:11:56.439
<v Speaker 1>or wherever you listen to your favorite shows.