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Speaker 1: Heyyboddy, thanks for watching this week's episode. We want to

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Speaker 1: promote where you can see us. For tickets, go to

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Speaker 1: Joe gattoofficial dot com and see all my door dates.

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Speaker 2: And for Steve's go to punch Up dot Live backslash

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Speaker 2: Steve hyphen Burn.

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Speaker 1: That's beat y r I. He makes it soer easy

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Speaker 1: to find him. And now onto the episode.

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Speaker 3: There was the problem where a ticket.

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Speaker 1: All right, guys, here we are two cool moms.

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Speaker 2: New episode. It's coming at you right in your ear holes.

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Speaker 2: I'm Joe Gatto and I'm here with my friend Steve Burn.

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Speaker 2: That's right, Steve Burn's here, baby, And he was in

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Speaker 2: the zen moment.

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Speaker 1: He's relaxing before you get it going.

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Speaker 4: The worst is when you get in a cab yep,

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Speaker 4: and it's like I'd rather like forty six and Broadway, right,

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Speaker 4: So forty six and Broadway. I take me to forty

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Speaker 4: six and six, take me to forty fifth and fifth,

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Speaker 4: like I could walk the other block. But as we're going,

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Speaker 4: he goes past sixth Avenue and it's like it's like

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Speaker 4: the sea is parted, it's complete. He passes it up.

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Speaker 4: He goes to seventh and eighth and we once we

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Speaker 4: hit eighth it's just trapp.

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Speaker 1: It's like a movie. Yeah.

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Speaker 4: And I just sat there for twenty minutes boiling, knowing.

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Speaker 2: Nothing infuriates you more than sitting in traffic, because you

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Speaker 2: know when, especially when you're late and I'm here waiting

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Speaker 2: for you.

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Speaker 1: Yeah, and you've stayed in the city.

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Speaker 2: And I came from Long Island and it took me

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Speaker 2: an hour and forty five minutes to get here, and

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Speaker 2: then I'm here first.

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Speaker 4: Yes, so I had to go on an errand you

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Speaker 4: had to do an Errand so this is one cool.

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Speaker 1: Mom and one hot mom.

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Speaker 4: Fire sound effect angry.

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Speaker 2: Did you what was your My mom used to fire up?

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Speaker 2: She was If I knew my mom was in a

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Speaker 2: bad mood, did you I used to like literally hide

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Speaker 2: from her.

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Speaker 1: Was she often in a bad mood?

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Speaker 2: Oh no, No, she got fired up about something. Now

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Speaker 2: Jerry would get her get her hairs up about something.

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Speaker 1: Uh.

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Speaker 2: My dad had this segment was so funny, he used

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Speaker 2: to say to me and my sisters. We still always

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Speaker 2: laugh about it. My father goes, listen when your mom

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Speaker 2: is uh, when your mom is not when your mom's

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Speaker 2: not happy, he goes if she goes upstairs.

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Speaker 1: You go downstairs, she comes downstairs upstairs, that's he would say.

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Speaker 1: So you would see me and my sisters like peper bean.

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Speaker 1: It was like that game, that mouse trap game. You know. Yeah, yeah,

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Speaker 1: we used to do that.

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Speaker 2: But I used to have a couple of hiding spots

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Speaker 2: for my mother, and I still remember, like my mom

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Speaker 2: was looking for me once and I was like hide

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Speaker 2: because my bed was against the wall, but my headboard

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Speaker 2: it wasn't like there was room behind it. So like

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Speaker 2: I made like a little you know, I wuld be

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Speaker 2: able to sit behind the headboard between the head board

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Speaker 2: and the wall and you couldn't see me if I

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Speaker 2: was sitting there. And I used to sit there like

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Speaker 2: my g I jokes and like like my mom and

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Speaker 2: I used to like.

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Speaker 1: Go up and like is it safe to my sisters?

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Speaker 1: Like hide Still it's like my bunker I was playing

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Speaker 1: with g I. Joe's in it. Yeah.

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Speaker 4: Well she often, Uh would it take a lot to

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Speaker 4: get her to that point?

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Speaker 1: No, you wouldn't. But it was short.

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Speaker 2: It was short lived, and she'd be fired up and hey,

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Speaker 2: where are you do what you want to you know,

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Speaker 2: like this fucking thing, Hey.

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Speaker 1: What do you want to work?

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Speaker 2: Like that whole right right, she wouldn't really be that

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Speaker 2: fired up, but you would get fired up quick and

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Speaker 2: then you know, you just couldn't be in the you

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Speaker 2: could be in the range of eyesight when she was.

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Speaker 4: Italians are the only ones that I know that if

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Speaker 4: you're temperamental, you get to use your ethnicity as an excuse.

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Speaker 1: My hot blooded Italian. Yeah I'm Italian. What do you

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Speaker 1: want from me? Oh you must be Sicilian? Yeah yeah, yeah,

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Speaker 1: it's like that a pizza square. You don't give a ship,

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Speaker 1: you know, and he's a triangle. Yeah.

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Speaker 4: By the way, Sicilian. I'll take a Sicilian any day over.

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Speaker 1: A traditional any day. I love a fat Sicilian.

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Speaker 2: Oh that's why I with my life after fails nice,

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Speaker 2: I'll go to be that a crunchy.

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Speaker 1: What's the shirt saying? This is my shirt? It says

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Speaker 1: it's me, Hi, I'm the cool mom. It's me.

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Speaker 4: Is that a Taylor Swift songs a song?

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Speaker 2: Yeah, it's me Hi about cool mom. But I got

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Speaker 2: this as a gift from a fan. Me a cool

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Speaker 2: mom shirt.

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Speaker 4: It looks like they made they personally made that.

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Speaker 1: They didn't target that, I think. But you're you're a

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Speaker 1: big swifty.

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Speaker 2: I'm a big swifty. I enjoy a good swift. You

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Speaker 2: go swifts in the house. Your your daughter's swifty, right.

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Speaker 1: My daughter is obsessed. I hear that.

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Speaker 4: It's one of those things where I hear it and

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Speaker 4: they all the songs sound the same to me. I

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Speaker 4: know it's not, but obviously she's so gifted and talented.

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Speaker 1: I just don't. I couldn't tell you. I know that,

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Speaker 1: I know that one a lot of swifties in the

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Speaker 1: house for me.

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Speaker 2: I got, I got a nanny swifty, I got a

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Speaker 2: dog lady swifty. I got a mom swifty, daughter swifty.

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Speaker 2: My son came to me yesterday, upset comes home. He goes, Dad,

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Speaker 2: I need your help. I said, what's up? He goes,

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Speaker 2: Can we go talk in the office.

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Speaker 1: We talked.

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Speaker 2: We called the staircase the office, so we can go

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Speaker 2: sit in the staircase by myself.

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Speaker 4: It'd be great if he went and sat on the toilet,

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Speaker 4: took the shut the door.

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Speaker 1: I talked you about. He goes, yeah, he goes, I

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Speaker 1: need you to do something about this car. Right, what's up?

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Speaker 1: So him and his sister and the nanny they drive

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Speaker 1: to do ninja.

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Speaker 2: They do like you know the obstacle quss, you know,

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Speaker 2: workout thing for an hour to burn off some.

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Speaker 1: Things at the school.

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Speaker 2: He goes, we're going to Ninja and on the way

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Speaker 2: there it's all their songs. And on the way back,

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Speaker 2: I only got two songs.

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Speaker 1: He goes the outnumbered me and they just tell me.

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Speaker 1: And when I say something, they say, you got to listen.

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Speaker 1: But I didn't get to listen to the song. You know,

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Speaker 1: it was really funny.

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Speaker 2: So we had to have a talk last night. After

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Speaker 2: I had to call them in. I said, okay, guys,

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Speaker 2: we got to be fair. I said, you get either.

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Speaker 1: We do one in one each or we do one

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Speaker 1: way there, one way back. You guys, do it fair.

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Speaker 2: And then he goes, well that's not fair because there's

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Speaker 2: traffic on the way home, so it's a long.

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Speaker 1: So he's very hard. Yeah, so we have to do

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Speaker 1: one in one now.

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Speaker 4: So so your daughter is it just Taylor Swift?

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Speaker 1: Now? She's music all over. Stuff's a JR.

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Speaker 2: Imagine Dragons, Olivia Rodrigo. She listens to she listens to

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Speaker 2: all of it.

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Speaker 1: She loves it. She even likes old school. They're like Motown.

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Speaker 2: They love One of my favorite songs of all time

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Speaker 2: is September and Fire, you know.

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Speaker 1: So that's like their favorite song.

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Speaker 2: When they put it on the be like dad, They'll

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Speaker 2: put it on their Alexa like it didn't They don't

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Speaker 2: want to go to bed yet.

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Speaker 1: They'll be playing in their room.

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Speaker 2: They'll be having a dance party and they know I'm

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Speaker 2: going to come in and start dancing with them, and

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Speaker 2: they know it won't be mad.

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Speaker 1: So uh yeah, that's uh.

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Speaker 2: That's music was always in my house though growing up,

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Speaker 2: though my mom listen to her Gloria Gainer. It's random

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Speaker 2: Men was a big one, but she loved streisand my

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Speaker 2: mom was a huge you know.

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Speaker 1: It was always on Death Sound, you know, it was

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Speaker 1: always on though. I just remember too. It was the

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Speaker 1: Duets album. You know. The Duets album was Frank Sinatra.

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Speaker 2: And yeah, yeah he sang with somebody else all his

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Speaker 2: was it Frank Sinatra, the Duets album Barber streisand it

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Speaker 2: was Sinatra that sang with somebody else.

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Speaker 1: Yeah. He took all of his songs.

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Speaker 4: Old standards and coupled up with witheop different people. He

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Speaker 4: did one with like you two. It was really weird,

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Speaker 4: but yeah, I remember that.

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Speaker 1: Yeah, the Duet's album that was always in the house.

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Speaker 4: And then there were other artists that did it, like

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Speaker 4: they had a Dean Martin duets.

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Speaker 1: And yeah, the duets became like a thing.

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Speaker 2: I the Sinatra one was one that played in my

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Speaker 2: house though, your mom listening to a lot.

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Speaker 1: Of Asian music. Who's the Asian Sinatra? Just just on repeat?

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Speaker 1: Who's Korean Sinatra?

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Speaker 4: A Korean Sinatra? Yeah, I would have sig.

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Speaker 1: He made a banger, dude, Oh my god, gang as unbelievab.

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Speaker 1: My favorite is when that elevator.

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Speaker 4: Opens, fires out that skinny, weird guy pumping.

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Speaker 2: My favorite part of you saw the way he takes

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Speaker 2: the stage right, they shouldn't matter, like right. But my

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Speaker 2: favorite part of that is before when he looks at

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Speaker 2: the camera to let them know he's ready and he

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Speaker 2: gives the cocky.

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Speaker 1: Then he goes flying out.

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Speaker 2: But Si man, I just recently saw that cy An

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Speaker 2: Awards show brought out mc Hammer with him and saw

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Speaker 2: in mc Hammer. They did a mashup of hammer time

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Speaker 2: and Gangham style, and it looked it was the most

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Speaker 2: amazing thing I've ever seen.

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Speaker 1: It was good. It was so good.

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Speaker 2: Si and and she had was like eighty six years

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Speaker 2: old doing his whole still.

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Speaker 1: Doing it right.

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Speaker 4: Remember back in the day, was like who's the better dancer?

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Speaker 4: Michael Jackson M yeah, it was like that J was

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Speaker 4: that was a real quandary.

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Speaker 1: Yeah, oh, here we go, super fan.

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Speaker 3: I mean I never I never until you just said that,

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Speaker 3: never even put them in the same universe.

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Speaker 4: When Hammer blew up that first, it was fucking massive.

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Speaker 1: Yeah, everywhere that've always comes through though.

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Speaker 2: You get that, you get to Brittany or Christina, you

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Speaker 2: got the Chris Brown or Usher, you got the Yeah.

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Speaker 1: Back in the day, it was Prince and Prince Prince.

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Speaker 4: A long time and that was like they I think

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Speaker 4: they like Legit had beef, Legit beef for whatever. Yeah,

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Speaker 4: and then I think Michael Jackson sent him bad to

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Speaker 4: see if they could do that together.

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Speaker 1: And he was and he said, now be in the video.

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Speaker 2: Yeah, he said no, he was supposed to be the

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Speaker 2: other guy, and they molded the guy as him.

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Speaker 1: Yeah, he looks like a friend's excuse me, fake Prince.

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Speaker 1: If we had a dance battle of Wednesday, then you

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Speaker 1: and uh and you'd mop me up. I don't know

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Speaker 1: if you. I would love to like a goof.

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Speaker 2: I would love goof is fun? You know sprinkler really funny.

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Speaker 2: I've seen you do a sprinkler. I've seen you bop

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Speaker 2: out of sprinkler.

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Speaker 4: I got the I got the greatest hits. But I'm

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Speaker 4: by no means.

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Speaker 1: Do you dance at a wedding? No? No, not my

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Speaker 1: thing really, even at my own wedding. Good luck, good

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Speaker 1: luck keeping me off the dance floor at the wedding.

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Speaker 1: Oh you good luck keep me off the dance floor anyway?

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Speaker 1: A quarter a quarter, maybe you wind me up. Kick back,

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Speaker 1: I say, I say to the missus, I'll see you

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Speaker 1: after this time, drenched in sweat, dredged, dredged. It was

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Speaker 1: so boy.

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Speaker 2: We recently went to Vegas for for something and we

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Speaker 2: ended up we were with it was us and a

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Speaker 2: bunch of my wife's girlfriends came and they go, we

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Speaker 2: want to go dancing. And I was like all right,

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Speaker 2: Like we're in Vegas and it was like late.

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Speaker 1: I was like all right.

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Speaker 2: So we end up going to the club in We

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Speaker 2: go to the Club in the Wind, which is like

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Speaker 2: a thing Diplo was being.

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Speaker 1: It was DJing right, and we go in and it's

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Speaker 1: all these forty something moms.

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Speaker 2: We most of us had pajamas on and I was like,

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Speaker 2: get in and I walk into guys like Joe.

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Speaker 1: I'm like hey, He's like you're coming in.

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Speaker 2: I'm like yeah, I mean his pajama pondy and we've

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Speaker 2: rocked out until like it was so fun.

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Speaker 1: Okay, you're ready.

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Speaker 4: This is the classic example of the disparity between you

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Speaker 4: and I. Okay, Miami, me you, Vince Vaughn. Yes, you

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Speaker 4: and Vince took the dance floor and I was just

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Speaker 4: on the peripheral, just watching it, dying.

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Speaker 1: You're at the bar, serving up the drinks.

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Speaker 4: I was just hanging at the bar, watching you guys

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Speaker 4: and just socializing and having a great time. But watching

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Speaker 4: you guys take the floor. Because you do your thing,

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Speaker 4: which is absolutely hilarious, you become a black hole. In

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Speaker 4: other words, everybody you start spinning and everybody comes with

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Speaker 4: a circumference, and it's a it's a it's a tonnel

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Speaker 4: of fun. It's just you become the Grand Marshal. And

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Speaker 4: then Vince is actually like a really good dancer.

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Speaker 1: He can really dance. For a lanky son of a

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Speaker 1: bitch man, he's got he comes with a lot of.

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Speaker 4: Really good six ' five, he's got agility, he looks

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Speaker 4: he looks, but he has a great time out there.

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Speaker 1: But it's rare i've seen him do I think I

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Speaker 1: think with you. I think it gave him license because

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Speaker 1: I was reading such a spectacle.

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Speaker 2: He was like, oh, I get you aren't gonna even

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Speaker 2: look as much as anybody.

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Speaker 4: I'll tell you the last time I danced our mutual

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Speaker 4: friend I won't say his name, but a mutual friend

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Speaker 4: of ours had a wedding and that was the last

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Speaker 4: time I think I danced because my wife was with

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Speaker 4: me and a boy band member took the stage and

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Speaker 4: took over the wedding for about a good hour.

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Speaker 1: I was just gonna go up and dance. And he got.

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Speaker 4: He got, he got the party.

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Speaker 1: He was better. The band wanted to bring him on

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Speaker 1: the road with them.

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Speaker 4: Yeah, the band was copying him. My buddy, this is

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Speaker 4: one of my favorite Vegas stories ever. My so, we

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Speaker 4: go to like one of those clubs at the wind whatever,

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Speaker 4: Hawkissan whatever.

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Speaker 1: We're sitting in.

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Speaker 4: The owner's the owner's table, booth or whatever, in the

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Speaker 4: center of the entire thing and.

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Speaker 2: The whole I know, I love that spot. I know

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Speaker 2: that it's around you.

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Speaker 1: The tornado.

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Speaker 4: Yeah, yeah, we're the Joe gaddo of tables. Okay, so

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Speaker 4: we're sitting there and my buddy Jason Dallas gets up

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Speaker 4: and he starts doing his I mean it's Dallas has

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Speaker 4: good moves. I think it's hilarious. But he loves dancing. Okay,

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Speaker 4: he loves dancing. He loves bad music. So he's doing

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Speaker 4: his thing and he's standing on the thing and he's dancing.

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Speaker 4: I'm dying laughing. I'm like, what a moron, you know?

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Speaker 4: And then in the booth next to us, Jerry Rice

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Speaker 4: sits down. Holy shit, it's Jerry Rice.

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Speaker 1: It's like Hall of Famer Jerry Rice. Whoa to play

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Speaker 1: him on that? And don't be wakey, wakeya.

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Speaker 4: But Jerry Rice comes and we're like, oh my god,

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Speaker 4: we got to talk to Jerry. We're gonna figure out

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Speaker 4: a way to like say hi, how do we do this.

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Speaker 4: Within three minutes, he's standing next to Dallas and Dallas

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Speaker 4: is going like this, and then Jerry Rice with him,

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Speaker 4: and then they're.

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Speaker 1: Like dancing together, and.

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Speaker 4: I fell over. I was laughing so hard because I

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Speaker 4: couldn't believe my friend, who I think is a done

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Speaker 4: on the dance floor Jerry Rice, and I stand corrected.

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Speaker 1: That's great.

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Speaker 2: Yeah, So we go to just place trade Winds, and

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Speaker 2: I would used to anyway, Jersey Shore. You had the

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Speaker 2: girls have what was it called trade winds, oh, trade

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Speaker 2: win trade winds.

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Speaker 1: So all the girls would be there, and all the

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Speaker 1: girls on the Jersey Shore you'd have a lot of wallflowers.

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Speaker 2: You know, they'd be really pretty, but they wouldn't be

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Speaker 2: sure they want to dance whatever.

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Speaker 4: So I would do slick girls start much too late.

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Speaker 1: That's right, Billy Joel. He wasn't there. So we would

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Speaker 1: go to that.

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Speaker 2: We would sit there to be empty dance floor and

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Speaker 2: I would just be sorry with my boys and we'd

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Speaker 2: all be hanging out. They would just be sitting there

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Speaker 2: and everybody you know, and I would I would go

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Speaker 2: up to. I would go up to like a group

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Speaker 2: of girls. I said, because you weib you get a

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Speaker 2: hold of drink for me for a second. And I

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Speaker 2: was stretching out in front of them. The girl just

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Speaker 2: be standing a hold of my like gingle ole, and

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Speaker 2: I'd be like, I can't hurt nothing, give me thank you, or.

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Speaker 1: Make sure you stretch out before we hit it, and

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Speaker 1: I would go out. I would just start the whole thing.

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Speaker 2: I used to get waters for people and make sure

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Speaker 2: people are hydrated on the dance floor, like I say,

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Speaker 2: hydrated on you like that was my thing.

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Speaker 1: But I would just love an empty dance fall. It

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Speaker 1: would just be waiting for me to go yeah, and

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Speaker 1: it was just you could it.

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Speaker 4: I think I can even I can picture it.

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Speaker 1: You start with a hard shuffle. Yeah, you come out,

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Speaker 1: you start shuffle. Then you cock of the walk you

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Speaker 1: got you do that?

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Speaker 4: That's that's you go to where you you're kind of

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Speaker 4: like a dog sniffing around.

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Speaker 1: You're seeing I don't.

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Speaker 2: Even drop a hard thirty seconds, peace out and wait

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Speaker 2: to see what happens.

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Speaker 1: Come back. So they need a little bit more fertilizer

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Speaker 1: for the dance fold to sprout into a garden of fun.

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Speaker 2: And I'll give a little bit kickball chain, maybe a

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Speaker 2: spin sky little robot if they need it.

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Speaker 4: Then you know, kickball chain chain.

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Speaker 1: Yeah do you have do you do you have a

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Speaker 1: favorite dancer? A favorite dancer? Yeah? Myself? No, No, you

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Speaker 1: mean no, I siate great movies. I will say, what's

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Speaker 1: the dance step up? Not that movie? What was the

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00:15:03,320 --> 00:15:05,600
Speaker 1: movie we're talking about? The step up? You say that,

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Speaker 1: but I don't think it's step Up.

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Speaker 2: It's literally this is the two crews that fight each other. No,

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Speaker 2: it's not the No, I'll break into electric Bungalow. Don't

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Speaker 2: get me started. They were phenomenal.

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00:15:15,360 --> 00:15:17,920
Speaker 1: The Boogoloo was so much better than the original. What's

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Speaker 1: the dance crew? One?

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Speaker 3: And the whole is say the last dance that's the

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Speaker 3: one with the step up?

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Speaker 1: Step up is not the one I'm thinking right center, Sta.

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Speaker 4: You've had this conversation literally two times in two days.

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Speaker 3: Stop the stops, dance Saturday Night Fever Honey.

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Speaker 1: Honey is a deep cup? You crushed it?

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Speaker 3: Draft the British classic Shall We Dance? You are the

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Speaker 3: worst producing in the Rain podcast Singing in the Rain?

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Speaker 3: Step Up to the streets.

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Speaker 1: Is you know what? Do me a favor?

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Speaker 4: Google actively, I guarantee it.

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Speaker 1: Step up.

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00:16:00,440 --> 00:16:01,040
Speaker 3: It's step up.

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00:16:01,840 --> 00:16:04,120
Speaker 1: Read me, read me, the read me the synopsis to

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Speaker 1: step up?

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Speaker 3: Okay, coming right at you right now, step up.

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00:16:07,720 --> 00:16:09,040
Speaker 1: And if this is not the movie, I think you're

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Speaker 1: gonna step down as our producer.

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00:16:11,840 --> 00:16:13,560
Speaker 3: Who do you think is in step up? Let's start there.

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Speaker 1: You got served? This is what I'm talking about. You

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Speaker 1: got served. It's the most classic, that one. You know

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Speaker 1: that is unbelievable to watch.

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Speaker 3: Wait, but now I want to read The Step Up

390
00:16:27,440 --> 00:16:29,800
Speaker 3: is a love story. Step Up as an American romantic

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Speaker 3: dance franchise created by Dwayne Adler. The franchise includes six

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Speaker 3: films in a television series.

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Speaker 1: Is in It Right?

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Speaker 4: Or No?

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Speaker 1: Is it? What's the Face to Blonde? Step Up?

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00:16:40,400 --> 00:16:43,320
Speaker 2: The original is the girl that she's a ballet dancer,

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Speaker 2: and then she ends up going to the streets.

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Speaker 1: That's it. That's step up right, She's a bat.

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Speaker 3: Channing is in it again.

400
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Speaker 2: Channing is in the Step Up. I'm talking about what

401
00:16:57,120 --> 00:16:59,080
Speaker 2: was it? You Got Served? You Got Served as the

402
00:16:59,120 --> 00:17:02,680
Speaker 2: most classic dance movie. Yeah, you Got served us with

403
00:17:02,720 --> 00:17:05,040
Speaker 2: the two crews and they're battling each other out and

404
00:17:05,160 --> 00:17:07,280
Speaker 2: Rosie perezes at the end and they bottle and there's

405
00:17:07,280 --> 00:17:09,479
Speaker 2: gonna be a tie. And then who gets up at

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00:17:09,480 --> 00:17:11,560
Speaker 2: the end fat man scoop maybe rest in peace and goes,

407
00:17:11,640 --> 00:17:13,479
Speaker 2: we don't do ties here, and they battle it out.

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00:17:13,520 --> 00:17:20,120
Speaker 3: It's the classic O Marion. He's he he's a dancer.

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00:17:20,160 --> 00:17:21,200
Speaker 1: He's a great dancer.

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00:17:21,240 --> 00:17:23,680
Speaker 3: You Got Served fourteen roun Tomatoes.

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Speaker 1: Not well, not well. The movie got Served on Rotten

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00:17:27,960 --> 00:17:30,679
Speaker 1: Tomatoes for you've never seen. We gotta watch You Got

413
00:17:30,680 --> 00:17:34,040
Speaker 1: Served together on the road. I'll watch it. You'll love it.

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Speaker 1: Is there a documentary on it? This is a documentary

415
00:17:36,280 --> 00:17:40,520
Speaker 1: about it. It's cold watching you got served. You've been served,

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00:17:40,720 --> 00:17:42,640
Speaker 1: You've been served. It's all the different thing.

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00:17:42,840 --> 00:17:45,720
Speaker 4: You've been served three times a day, right, you start

418
00:17:45,760 --> 00:17:47,280
Speaker 4: off with the breakfast, I just lunch at dinner.

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Speaker 2: Yeah, you've been served. Yeah, so I would highly recommend that.

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Speaker 2: That's I don't dance with a crew though. I can't

421
00:17:54,000 --> 00:17:57,000
Speaker 2: dance with a crew. People people like, you can't be confined?

422
00:17:57,040 --> 00:17:58,639
Speaker 2: You have again, now I can't. You know, I'm not

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00:17:58,680 --> 00:18:01,480
Speaker 2: big corey choreography. Like somebody tries to teach me to dance,

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Speaker 2: I can't do it. I have to have my own beat,

425
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Speaker 2: beat in my.

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Speaker 4: Own If you were if they called you for dancing

427
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Speaker 4: with the stars, where's where's it?

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Speaker 1: Dance with the stars? Dance with the star. You have

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Speaker 1: to be a star second of all. Some of the

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Speaker 1: stars these days that that that they're the stars, that

431
00:18:17,440 --> 00:18:19,240
Speaker 1: you you would actually be a star. They would be

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Speaker 1: excited to see that. To me, would you ever do it? Never? No, no, no,

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00:18:23,040 --> 00:18:25,400
Speaker 1: why not? Once they brought Anna Culvey what's the name

434
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Speaker 1: and a deli?

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00:18:26,880 --> 00:18:29,679
Speaker 2: Once they cast once they did Anna DELVII, she had

436
00:18:29,920 --> 00:18:31,480
Speaker 2: she actively had a bracelet on.

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00:18:32,000 --> 00:18:33,760
Speaker 1: She was a criminal and they had her on it

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Speaker 1: and she's white. So many things about it. Yeah, I didn't.

439
00:18:39,400 --> 00:18:39,680
Speaker 1: I didn't.

440
00:18:39,680 --> 00:18:40,960
Speaker 2: I'm not a big I once to did that. I

441
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Speaker 2: was like, that's this is not gone so far away

442
00:18:42,840 --> 00:18:43,840
Speaker 2: from the original concept.

443
00:18:43,960 --> 00:18:46,640
Speaker 4: You know, I used to love watching the Bachelor. Bachelorette

444
00:18:46,960 --> 00:18:49,720
Speaker 4: was just a guilty pleasure, and it's falling apart from you.

445
00:18:49,920 --> 00:18:52,320
Speaker 4: Then became I think about five years ago, it became

446
00:18:52,400 --> 00:18:57,480
Speaker 4: so insulting, like like you think, I'm I'm this stupid.

447
00:18:57,520 --> 00:19:00,119
Speaker 1: However you're you're You're. I was like, I can't do

448
00:19:00,200 --> 00:19:02,639
Speaker 1: this anymore. Just this is so for me for Bachelor.

449
00:19:02,640 --> 00:19:04,680
Speaker 1: When that started falling off a little bit. Now, anybody

450
00:19:04,720 --> 00:19:06,439
Speaker 1: listening right now is like, what am I listening to?

451
00:19:06,560 --> 00:19:08,800
Speaker 2: Because there's two comedies are about the Bachelor. But I

452
00:19:08,800 --> 00:19:11,000
Speaker 2: will say this here with helopop me was it came

453
00:19:11,040 --> 00:19:14,280
Speaker 2: too incestuous. Too many people knew each other on it,

454
00:19:14,440 --> 00:19:15,280
Speaker 2: like they hadn't known each other.

455
00:19:15,320 --> 00:19:16,640
Speaker 1: You're talking about Bachelor in Paradise.

456
00:19:16,720 --> 00:19:19,240
Speaker 2: No, no, no, I'm talking about Bachelor and Bachelorette where

457
00:19:19,240 --> 00:19:20,640
Speaker 2: they were like, oh you want to date, we brought

458
00:19:20,680 --> 00:19:22,840
Speaker 2: the guy you dated with and then he knew and

459
00:19:22,880 --> 00:19:24,879
Speaker 2: like that. And then they started casting people in the

460
00:19:24,920 --> 00:19:27,760
Speaker 2: mix from the old ones, the game second shots.

461
00:19:27,960 --> 00:19:29,679
Speaker 1: I didn't really like that. Yeah, once you're going, you

462
00:19:29,680 --> 00:19:31,360
Speaker 1: got to be going. There's enough people looking for love

463
00:19:31,600 --> 00:19:34,240
Speaker 1: in all the wrong places. Why are you got any

464
00:19:34,240 --> 00:19:36,320
Speaker 1: somebody else going there? I think I would. I would

465
00:19:36,359 --> 00:19:37,679
Speaker 1: do well on the Bachelor. I was thinking about when

466
00:19:37,680 --> 00:19:39,760
Speaker 1: I got separated from my wife, I was gonna do it. Really,

467
00:19:39,840 --> 00:19:41,600
Speaker 1: I thought I would be on the Bachelor. Yeah, the

468
00:19:41,640 --> 00:19:46,600
Speaker 1: Golden Bachelor because I'm old. Now, well you give me

469
00:19:46,640 --> 00:19:48,040
Speaker 1: a batte. Well you could be a Bachelor with kids,

470
00:19:48,080 --> 00:19:48,280
Speaker 1: I guess.

471
00:19:48,320 --> 00:19:52,879
Speaker 4: But that first, I mean, I know it's all about

472
00:19:52,880 --> 00:19:54,960
Speaker 4: like love or romance and they you know, the hot

473
00:19:55,000 --> 00:19:56,399
Speaker 4: air balloon going to France.

474
00:19:56,480 --> 00:19:56,800
Speaker 1: Whatever.

475
00:19:57,240 --> 00:20:00,960
Speaker 4: I love at the very the first the first episode,

476
00:20:01,000 --> 00:20:05,400
Speaker 4: they go this season on the most exciting Bachelor and then.

477
00:20:05,320 --> 00:20:08,520
Speaker 1: The most dramatic season ever.

478
00:20:08,520 --> 00:20:10,320
Speaker 4: And then they show that all the all the romance

479
00:20:10,320 --> 00:20:12,520
Speaker 4: and everything, and then it just cuts like a hard cut.

480
00:20:13,040 --> 00:20:18,080
Speaker 1: It doesn't understand me. And that's what I'm like. Glass breaking,

481
00:20:19,640 --> 00:20:22,720
Speaker 1: where you go I can't. I can't do this. I

482
00:20:22,720 --> 00:20:30,560
Speaker 1: can't do There's always that she.

483
00:20:30,600 --> 00:20:33,040
Speaker 4: Got a wine glass that I can't do it.

484
00:20:33,080 --> 00:20:35,200
Speaker 1: I can't do it, I can't do it. It's tough.

485
00:20:35,560 --> 00:20:37,480
Speaker 1: It is a roller coaster of emotion that show it.

486
00:20:37,560 --> 00:20:39,960
Speaker 2: Really, I've befriended a bunch of people on Like I've

487
00:20:39,960 --> 00:20:42,160
Speaker 2: seen people at different bachelors.

488
00:20:42,240 --> 00:20:45,960
Speaker 1: I will say, I'm you know, I'm famous contestants. Yeah,

489
00:20:46,000 --> 00:20:48,800
Speaker 1: I'm famous. People people know me. Right. My wife could

490
00:20:48,800 --> 00:20:51,159
Speaker 1: give less of a turd about any of it.

491
00:20:51,200 --> 00:20:55,040
Speaker 2: Okay, we're at a jingle Ball and my Heart Radio

492
00:20:55,280 --> 00:20:59,240
Speaker 2: jingle Ball Extravaganza Masion Square Garden. I get the backstage

493
00:20:59,240 --> 00:21:03,359
Speaker 2: passes as I do, I'm walking around and it was Jojo,

494
00:21:03,440 --> 00:21:05,280
Speaker 2: who was one of the bacherettes from the season.

495
00:21:05,560 --> 00:21:07,200
Speaker 1: I think that might have been the last one I watched.

496
00:21:07,240 --> 00:21:10,360
Speaker 2: And my wife goes, oh my god, that's Jojo. I said, Oh,

497
00:21:10,359 --> 00:21:13,280
Speaker 2: she goes some bachelor so Jojo. She turns around and

498
00:21:13,320 --> 00:21:16,399
Speaker 2: goes Joe and runs me and jumps and hugs me.

499
00:21:16,520 --> 00:21:19,359
Speaker 2: And I'm holding Jojo and I turned around. My wife is.

500
00:21:19,280 --> 00:21:22,879
Speaker 1: Crying like like who it is? Like like who it is?

501
00:21:23,000 --> 00:21:24,520
Speaker 2: And I'm like I was like Oh my god, I said,

502
00:21:24,560 --> 00:21:26,560
Speaker 2: this is my wife, Bessie, and my wife was like

503
00:21:26,680 --> 00:21:29,359
Speaker 2: a hi, and I was like, are you kidding me?

504
00:21:29,400 --> 00:21:31,440
Speaker 2: I was like, that's what gets it. Two minutes before that,

505
00:21:31,520 --> 00:21:33,000
Speaker 2: I was like hanging out with like everybody else.

506
00:21:33,000 --> 00:21:34,560
Speaker 1: You know. It was so crazy and that's what she

507
00:21:34,640 --> 00:21:36,080
Speaker 1: lost it. This is Paul McCartney.

508
00:21:36,359 --> 00:21:39,719
Speaker 4: Cool and you got a picture Jojo Jo Jo jo

509
00:21:39,840 --> 00:21:42,640
Speaker 4: Jojo Bessie Joe Jojojo next to Tony Tony, Tony.

510
00:21:42,800 --> 00:21:43,400
Speaker 1: We did it again.

511
00:21:47,160 --> 00:21:55,960
Speaker 2: Yeah, let's let's solve some problems.

512
00:21:56,640 --> 00:21:59,800
Speaker 4: Remember, guys, we're here for you. This is the part

513
00:21:59,840 --> 00:22:02,159
Speaker 4: of the show where this is the meat and potatoes.

514
00:22:02,359 --> 00:22:03,680
Speaker 4: This is where the rubber meets the road.

515
00:22:03,720 --> 00:22:04,160
Speaker 1: This is it.

516
00:22:04,240 --> 00:22:06,919
Speaker 4: We're here your quarries, you set us anything.

517
00:22:07,440 --> 00:22:08,840
Speaker 1: You're trying to help.

518
00:22:08,640 --> 00:22:11,040
Speaker 2: People with their problems. That's what their moms is about.

519
00:22:11,200 --> 00:22:12,920
Speaker 2: So if you got some problems, send this away and

520
00:22:12,960 --> 00:22:13,760
Speaker 2: we'll Yeah.

521
00:22:13,920 --> 00:22:17,160
Speaker 4: To cool Mom's Pod at Gmail or too cool Mom's

522
00:22:17,200 --> 00:22:21,879
Speaker 4: Pod at Instagram and you could or the new iHeart.

523
00:22:21,600 --> 00:22:24,680
Speaker 1: Tap to Touch, Touch to talk, what's it called talk

524
00:22:24,720 --> 00:22:27,639
Speaker 1: back to radio app? You go, you hit the button

525
00:22:27,840 --> 00:22:31,040
Speaker 1: and it records a voice message. Boom, it comes to us.

526
00:22:31,200 --> 00:22:33,000
Speaker 4: We get it and we can answer you and you'll

527
00:22:33,040 --> 00:22:33,480
Speaker 4: be on the show.

528
00:22:33,640 --> 00:22:35,160
Speaker 1: All right, Bing bong.

529
00:22:35,840 --> 00:22:39,600
Speaker 3: We're gonna kick off the questions today with Colleen, who says, Hi, mommies,

530
00:22:39,920 --> 00:22:42,879
Speaker 3: when you have an off day or are in a funk,

531
00:22:43,200 --> 00:22:45,160
Speaker 3: what are feel good things you can do to make

532
00:22:45,160 --> 00:22:46,320
Speaker 3: yourself feel better?

533
00:22:46,760 --> 00:22:49,800
Speaker 4: Whiskey?

534
00:22:50,680 --> 00:22:53,720
Speaker 1: Oh? I love a good sleep. I absolutely love a

535
00:22:53,760 --> 00:22:55,680
Speaker 1: good do you do you just turn it home and

536
00:22:55,680 --> 00:22:57,359
Speaker 1: be like, I'm gonna try this again. I think she

537
00:22:57,440 --> 00:22:58,800
Speaker 1: means she can't go to sleep, she has to fight

538
00:22:58,840 --> 00:23:01,400
Speaker 1: throw it? Wait, what hold on? So what do you do? Toget?

539
00:23:02,240 --> 00:23:04,159
Speaker 1: She's in a funk, she's a fun well and that

540
00:23:04,240 --> 00:23:06,480
Speaker 1: could do. That could work. A power app could work

541
00:23:06,520 --> 00:23:06,959
Speaker 1: for sure.

542
00:23:07,280 --> 00:23:10,919
Speaker 4: I love giving yourself to the moment going okay, it

543
00:23:11,000 --> 00:23:13,560
Speaker 4: is what it is. So you know what I'm gonna

544
00:23:13,720 --> 00:23:17,040
Speaker 4: I love like when I'm just down and out, I

545
00:23:17,080 --> 00:23:19,280
Speaker 4: love nothing more than to just go on my couch,

546
00:23:19,800 --> 00:23:21,800
Speaker 4: pull a blanket over me, and go, you know what,

547
00:23:22,200 --> 00:23:23,960
Speaker 4: I'm just gonna watch something that makes me feel good.

548
00:23:24,240 --> 00:23:27,080
Speaker 4: And there's probably three or four movies that I always

549
00:23:27,080 --> 00:23:29,640
Speaker 4: go to that just make me happy, and I'll watch

550
00:23:29,680 --> 00:23:31,240
Speaker 4: one of those and I'll.

551
00:23:30,920 --> 00:23:31,920
Speaker 1: Have like a guilty eat.

552
00:23:32,600 --> 00:23:35,959
Speaker 4: Maybe I'll go to Arby's get a Jet's pizza and

553
00:23:36,000 --> 00:23:37,680
Speaker 4: I just give into it. Go all right, you're gonna

554
00:23:37,720 --> 00:23:40,639
Speaker 4: ride it out. It's gonna get better. It's like the weather.

555
00:23:40,680 --> 00:23:43,919
Speaker 4: It's a moment in time. But uh, you know, I

556
00:23:44,040 --> 00:23:47,159
Speaker 4: process it. I try to figure out do I need

557
00:23:47,200 --> 00:23:49,080
Speaker 4: to be accountable for something here? If I'm in a funk,

558
00:23:49,320 --> 00:23:52,320
Speaker 4: was was this self cause? Was it self inflicted? Did

559
00:23:52,320 --> 00:23:55,920
Speaker 4: I do something to cause this? And usually the answer

560
00:23:55,960 --> 00:23:59,119
Speaker 4: is no, because I'm pretty fucking awesome, pretty I got.

561
00:23:58,960 --> 00:24:01,720
Speaker 1: It figured out. Yeah, it's that's probably not the world's fault.

562
00:24:01,760 --> 00:24:04,200
Speaker 1: Who's who's messed with you? Is really what? You're gonna

563
00:24:04,200 --> 00:24:04,960
Speaker 1: figure that part?

564
00:24:05,040 --> 00:24:08,159
Speaker 4: Yeah, who's who's in my cross hair? Is?

565
00:24:08,200 --> 00:24:08,360
Speaker 3: Now?

566
00:24:08,520 --> 00:24:10,560
Speaker 2: I do think you do do a valid point to

567
00:24:10,640 --> 00:24:14,160
Speaker 2: figure out why the funk. Sometimes the funk just as

568
00:24:14,160 --> 00:24:18,280
Speaker 2: the funk, something's happening in balancing emotionally. Yeah, and you know,

569
00:24:18,320 --> 00:24:22,240
Speaker 2: sometimes it's downtown funk. The midtown funks are the worst

570
00:24:22,359 --> 00:24:25,240
Speaker 2: get coring traffic coming across forty seven. But I'll say

571
00:24:25,480 --> 00:24:28,040
Speaker 2: the I will say, sometimes a funk is what a

572
00:24:28,040 --> 00:24:32,760
Speaker 2: funk at is. You know, it's gonna be delicious, you know, sorry,

573
00:24:32,800 --> 00:24:36,639
Speaker 2: miss funky Hey, this is you know. Sometimes you get

574
00:24:36,680 --> 00:24:38,440
Speaker 2: a bunch of funkies together, you gotta market market and

575
00:24:38,440 --> 00:24:44,000
Speaker 2: you get the funky bird. No, honestly, I think getting

576
00:24:44,000 --> 00:24:45,520
Speaker 2: too the bottom of why you're in a funk could

577
00:24:45,560 --> 00:24:48,280
Speaker 2: help you solve it the quickest, is it, because like

578
00:24:48,359 --> 00:24:51,480
Speaker 2: you're upset with something you did, or you know, you're

579
00:24:51,520 --> 00:24:53,440
Speaker 2: upset about a situation. You can't if it's out of

580
00:24:53,520 --> 00:24:55,840
Speaker 2: control kind of deal. But for me, quick fixes for sure.

581
00:24:55,880 --> 00:24:56,560
Speaker 1: It is a good song.

582
00:24:57,119 --> 00:24:59,399
Speaker 2: Yeah, is to get your body moving, get you know,

583
00:24:59,440 --> 00:25:01,080
Speaker 2: don't sit there. I'm the opposite to you. I need

584
00:25:01,160 --> 00:25:04,119
Speaker 2: to get it like going. So I'll hit the the

585
00:25:04,400 --> 00:25:06,919
Speaker 2: the music and just like bop around a little bit

586
00:25:06,960 --> 00:25:07,399
Speaker 2: in the house.

587
00:25:08,320 --> 00:25:09,760
Speaker 1: A good song versus a good movie.

588
00:25:09,800 --> 00:25:11,639
Speaker 2: I think it's a quicker effects too, because sometimes you

589
00:25:11,640 --> 00:25:12,800
Speaker 2: can't shut it down for that long.

590
00:25:13,240 --> 00:25:15,920
Speaker 1: But also I'll pet a dog for me, it's a dog.

591
00:25:15,960 --> 00:25:18,359
Speaker 1: I get my dogs for sure. I'll lay on the

592
00:25:18,359 --> 00:25:20,560
Speaker 1: floor and be go heal me and they'll all just

593
00:25:20,600 --> 00:25:23,200
Speaker 1: come and lick me. Yeah, it's great. Yeah, Sometimes I

594
00:25:23,320 --> 00:25:24,479
Speaker 1: literally just lay on the floor and I have all

595
00:25:24,520 --> 00:25:26,440
Speaker 1: my dog just with me. That helps a lot.

596
00:25:26,480 --> 00:25:29,200
Speaker 2: So I think that's an endors about getting the orphins

597
00:25:29,280 --> 00:25:29,640
Speaker 2: up right.

598
00:25:30,240 --> 00:25:32,119
Speaker 1: The dogs pick up on it too. One hundred percent.

599
00:25:32,240 --> 00:25:34,840
Speaker 2: My dog, My dog could tell if I'm in a

600
00:25:34,840 --> 00:25:37,720
Speaker 2: bad mood, spamoney, one hundred percent could tell, will come

601
00:25:37,760 --> 00:25:38,960
Speaker 2: lay right on the pillow with me.

602
00:25:39,359 --> 00:25:41,560
Speaker 1: Sometimes they give me the space. They'll wave me to

603
00:25:41,760 --> 00:25:42,800
Speaker 1: look at this guy.

604
00:25:42,840 --> 00:25:44,840
Speaker 2: He'll just sit far away, and then I'll just go

605
00:25:45,040 --> 00:25:47,120
Speaker 2: like this, And she's like, thank you're marry.

606
00:25:47,200 --> 00:25:48,639
Speaker 1: What kind of deal? How about this?

607
00:25:49,359 --> 00:25:51,359
Speaker 4: What about when one of your kids is in a funk?

608
00:25:51,359 --> 00:25:52,840
Speaker 1: What do you do? Oh see?

609
00:25:53,000 --> 00:25:54,960
Speaker 2: I have a hard time with that because my wife

610
00:25:55,000 --> 00:25:57,439
Speaker 2: and I take very different approaches to that.

611
00:25:57,720 --> 00:25:59,960
Speaker 1: I don't allow yourself to be in a funk. Shake

612
00:26:00,080 --> 00:26:01,720
Speaker 1: it off, as she says.

613
00:26:01,680 --> 00:26:04,359
Speaker 2: Like get over, you know, get over, like work through it,

614
00:26:04,640 --> 00:26:06,080
Speaker 2: you know, like let's go why you in the funk?

615
00:26:06,119 --> 00:26:08,480
Speaker 2: You could be happy? And then Bessie is more like, hey,

616
00:26:08,480 --> 00:26:10,840
Speaker 2: it's okay to be sad kind of deal, and which

617
00:26:10,880 --> 00:26:11,679
Speaker 2: I don't disagree with.

618
00:26:11,720 --> 00:26:13,119
Speaker 1: But I also think there's a time limit.

619
00:26:13,400 --> 00:26:15,560
Speaker 2: Yeah, okay, you know, like why you said figure it out,

620
00:26:15,600 --> 00:26:16,879
Speaker 2: you know, But she's like, let them sit in it.

621
00:26:16,960 --> 00:26:18,639
Speaker 2: So we had a thing a little while ago my

622
00:26:18,720 --> 00:26:20,280
Speaker 2: daughter as she's getting older.

623
00:26:20,280 --> 00:26:20,960
Speaker 1: She's nine years old.

624
00:26:20,960 --> 00:26:21,040
Speaker 3: Now.

625
00:26:21,040 --> 00:26:22,800
Speaker 2: I was getting lost in her emotions and she said

626
00:26:22,800 --> 00:26:24,240
Speaker 2: to me, I don't know why I am, said, I

627
00:26:24,320 --> 00:26:26,600
Speaker 2: just am. And I was like, that's I have no

628
00:26:26,640 --> 00:26:28,359
Speaker 2: idea what to do here, right, you know, because I

629
00:26:28,440 --> 00:26:30,320
Speaker 2: don't think I've ever said that or felt that in

630
00:26:30,320 --> 00:26:31,679
Speaker 2: my life. I don't think I've been said and not

631
00:26:31,800 --> 00:26:34,320
Speaker 2: known why, you know. And as she's getting older, of

632
00:26:34,320 --> 00:26:35,960
Speaker 2: course it's something like that. And then Bessie's like, you know,

633
00:26:36,000 --> 00:26:37,520
Speaker 2: she got to let her be, said, she'll figure it out,

634
00:26:37,960 --> 00:26:39,200
Speaker 2: and of course she did.

635
00:26:39,400 --> 00:26:42,160
Speaker 1: So I have a tough time with my kids being

636
00:26:42,160 --> 00:26:43,360
Speaker 1: in a bad mood, right.

637
00:26:43,320 --> 00:26:48,680
Speaker 4: Yeah, yeah, I'm gonna say, like I think in our household,

638
00:26:48,720 --> 00:26:50,359
Speaker 4: it's the same thing where it's like my wife is

639
00:26:50,359 --> 00:26:53,920
Speaker 4: a little more like you know, they'll process it, they'll

640
00:26:53,960 --> 00:26:56,119
Speaker 4: figure it out. And I'm always like, even if we

641
00:26:56,160 --> 00:26:57,680
Speaker 4: get an argument, I'm like, no, we're going to figure

642
00:26:57,680 --> 00:27:00,440
Speaker 4: this out now, let's get it over with, let's dress

643
00:27:00,480 --> 00:27:01,440
Speaker 4: it and move on.

644
00:27:01,560 --> 00:27:04,480
Speaker 2: You know, sometimes you make it worse because then it's

645
00:27:04,480 --> 00:27:07,080
Speaker 2: like it would have just went away, would have just

646
00:27:07,080 --> 00:27:07,520
Speaker 2: went away.

647
00:27:07,640 --> 00:27:11,399
Speaker 4: Yeah, yeah, yeah, just trivial. But another good thing, a

648
00:27:11,440 --> 00:27:11,920
Speaker 4: good walk.

649
00:27:12,400 --> 00:27:12,800
Speaker 1: I walk.

650
00:27:13,119 --> 00:27:17,240
Speaker 2: The walk walks great, absolutely lot fresh, a fresh air walk,

651
00:27:17,840 --> 00:27:18,520
Speaker 2: not a treadmill.

652
00:27:18,640 --> 00:27:20,520
Speaker 1: No, no, no, no no, I'm talking get out in the elements.

653
00:27:20,600 --> 00:27:22,360
Speaker 2: Hit a bird, chirpy chirps. You want to maybe smell

654
00:27:22,400 --> 00:27:24,520
Speaker 2: a breeze. You want to smell a nice sea salt

655
00:27:24,560 --> 00:27:25,120
Speaker 2: if you're buy the.

656
00:27:25,080 --> 00:27:32,360
Speaker 1: Ocean, hey, Rick, one of those neighborhood faces. Yeah, yeah,

657
00:27:32,359 --> 00:27:34,600
Speaker 1: I think it walks great. Walk. Clear your head is

658
00:27:34,640 --> 00:27:36,680
Speaker 1: like a true thing, right, that's a real thing.

659
00:27:36,760 --> 00:27:38,560
Speaker 2: You can clear your head because then you can get

660
00:27:38,560 --> 00:27:40,240
Speaker 2: down to the bottom of it a little bit quicker too,

661
00:27:40,240 --> 00:27:43,080
Speaker 2: if you just stop thinking about So it's I.

662
00:27:43,080 --> 00:27:44,439
Speaker 1: Guess it's endorphins. What do you do.

663
00:27:44,480 --> 00:27:46,200
Speaker 2: You got a dog, you got music, you got a movie.

664
00:27:46,440 --> 00:27:49,440
Speaker 2: It's give yourself some space by taking a walk. Yeah,

665
00:27:49,640 --> 00:27:51,920
Speaker 2: not interacting a quick meditation. People like this t M.

666
00:27:52,000 --> 00:27:54,920
Speaker 1: I you hear that. No, that's too much information.

667
00:27:56,200 --> 00:28:04,800
Speaker 2: Transmit TCM, TCM, No, that's teaching trans This transmit is

668
00:28:04,840 --> 00:28:06,520
Speaker 2: the thing where you sit and you and you meditate

669
00:28:06,520 --> 00:28:08,040
Speaker 2: for a little bit. Yeah, so a little bit of that.

670
00:28:08,080 --> 00:28:09,120
Speaker 2: You could circle up.

671
00:28:09,400 --> 00:28:10,640
Speaker 1: I light a candle.

672
00:28:10,760 --> 00:28:13,360
Speaker 2: People like a candle? Excuse me, people like a candle?

673
00:28:13,640 --> 00:28:16,120
Speaker 2: You never heard that stare at a candle. I got

674
00:28:16,160 --> 00:28:16,960
Speaker 2: that one.

675
00:28:18,440 --> 00:28:19,000
Speaker 1: You never heard that.

676
00:28:19,040 --> 00:28:20,720
Speaker 2: You heard that stare at a candle. Now you're making

677
00:28:20,720 --> 00:28:23,240
Speaker 2: a face like you made that up. No, I've heard

678
00:28:23,400 --> 00:28:24,080
Speaker 2: light a candle.

679
00:28:24,520 --> 00:28:25,399
Speaker 1: Can you google it?

680
00:28:25,560 --> 00:28:28,880
Speaker 4: I'm doing he's actively light a candle. It'll say birthday.

681
00:28:29,960 --> 00:28:33,399
Speaker 4: No one's meditating. Otherwise, you light a candle for a

682
00:28:33,400 --> 00:28:34,439
Speaker 4: bunch of kids, they're just gonna go.

683
00:28:36,040 --> 00:28:39,520
Speaker 1: They shut down. You stare at like the flame and

684
00:28:39,720 --> 00:28:40,440
Speaker 1: the flicker helps you.

685
00:28:40,480 --> 00:28:42,800
Speaker 4: Come on, dude, I've never heard of that in my life.

686
00:28:42,960 --> 00:28:46,200
Speaker 3: The practice, also known as trakata, involves focusing on a

687
00:28:46,240 --> 00:28:48,720
Speaker 3: single object, such as a candle, for a few minutes

688
00:28:48,800 --> 00:28:51,480
Speaker 3: or longer. Candle gazing. Oh my god, that's what we

689
00:28:51,520 --> 00:28:57,120
Speaker 3: call it. Candle candle meditation involves focus, mental health and

690
00:28:57,280 --> 00:28:59,960
Speaker 3: improves focus, mental health, sleep, and spirit.

691
00:29:00,080 --> 00:29:01,920
Speaker 1: Stand corrected, I stay corrected.

692
00:29:02,000 --> 00:29:03,480
Speaker 4: I've never heard of that in my life.

693
00:29:03,600 --> 00:29:08,480
Speaker 1: Apology, accept it. I am candlegazing. That's what candlegazing. That's

694
00:29:08,480 --> 00:29:10,800
Speaker 1: a cool term. Candle gazing. I try.

695
00:29:10,840 --> 00:29:12,760
Speaker 2: I I've done it a couple of times, but I

696
00:29:12,800 --> 00:29:15,040
Speaker 2: didn't really. I was trying everything a couple of years ago.

697
00:29:14,880 --> 00:29:17,120
Speaker 1: To make stuff work. I was doing everything. I was

698
00:29:17,640 --> 00:29:24,600
Speaker 1: hitting my hands the wall. Nice. Uh, candle candle.

699
00:29:29,000 --> 00:29:33,240
Speaker 2: I'm taking other people. I'm taking other people's dogs. Yeah,

700
00:29:33,320 --> 00:29:35,800
Speaker 2: candle gazing, That's that's something. Yeah, I guess anything that

701
00:29:36,600 --> 00:29:38,440
Speaker 2: there's nothing across the board. I don't think that works,

702
00:29:38,440 --> 00:29:41,440
Speaker 2: but I will say taking a walk like fresh air,

703
00:29:41,560 --> 00:29:43,080
Speaker 2: I feel like works for everybody.

704
00:29:43,600 --> 00:29:47,200
Speaker 4: Yeah, I love I love leaving even my phone and

705
00:29:47,240 --> 00:29:49,760
Speaker 4: just go just you're gonna you're gonna.

706
00:29:49,560 --> 00:29:53,480
Speaker 1: See my family, leave my family. I just throw the

707
00:29:53,480 --> 00:29:55,360
Speaker 1: car parking walk in the woods. One day, I'm like,

708
00:29:55,640 --> 00:29:58,360
Speaker 1: guy leaving your phone behind, not even having that right,

709
00:29:58,720 --> 00:29:59,480
Speaker 1: just forced to be and.

710
00:29:59,560 --> 00:30:03,640
Speaker 4: Just give myself the moment to process that whatever it is.

711
00:30:03,680 --> 00:30:04,280
Speaker 1: I'm going through.

712
00:30:05,240 --> 00:30:07,360
Speaker 4: Some of the best the best jokes I've ever written

713
00:30:07,360 --> 00:30:10,240
Speaker 4: have been when I'm exercising or walking, Like when I

714
00:30:10,320 --> 00:30:12,959
Speaker 4: jump rope, I'll all of a sudden, you know, the

715
00:30:12,960 --> 00:30:15,880
Speaker 4: best jokes you can The easiest jokes are like the

716
00:30:15,920 --> 00:30:18,240
Speaker 4: surface ones, right, But the hardest ones are the ones

717
00:30:18,240 --> 00:30:20,480
Speaker 4: where you just keep drilling and keep dreeling and keep drilling.

718
00:30:20,520 --> 00:30:24,120
Speaker 4: Then there's gold like fifty feet down and you did

719
00:30:24,160 --> 00:30:26,920
Speaker 4: the work and you became that Plinko chip to get

720
00:30:26,920 --> 00:30:29,600
Speaker 4: down to the thing, and it's like when you get

721
00:30:29,640 --> 00:30:33,000
Speaker 4: down to that, you have to give yourself the time

722
00:30:33,040 --> 00:30:35,320
Speaker 4: to do it. But it's you have to like sit

723
00:30:35,360 --> 00:30:37,440
Speaker 4: there and process it and just keep thinking about it

724
00:30:37,440 --> 00:30:40,520
Speaker 4: and keep what Where's how far can I take this joke?

725
00:30:40,600 --> 00:30:43,960
Speaker 4: And it's usually when I'm jumping rope or walking that

726
00:30:44,000 --> 00:30:45,960
Speaker 4: I come up with the best stuff or the best

727
00:30:45,960 --> 00:30:47,960
Speaker 4: fixed for a scene or the best you know.

728
00:30:48,120 --> 00:30:50,840
Speaker 1: That's when your mind's most Yeah, I love it. Yeah.

729
00:30:51,040 --> 00:30:53,840
Speaker 1: For me, it's when I'm done not gazing donut gazing.

730
00:30:55,640 --> 00:30:56,120
Speaker 1: I really want to.

731
00:30:58,400 --> 00:31:02,080
Speaker 4: I like I do Korean barbecue gazing. Yes, I can

732
00:31:02,200 --> 00:31:03,160
Speaker 4: just do that and watch the food.

733
00:31:03,200 --> 00:31:05,200
Speaker 1: So there is something about there is something about that.

734
00:31:05,240 --> 00:31:07,000
Speaker 2: I'll talk about a very good friend of ours right now,

735
00:31:07,040 --> 00:31:10,080
Speaker 2: Mark who when he gets an inner happiness when he's

736
00:31:10,080 --> 00:31:11,680
Speaker 2: about to eat, he does his numb dumb dance.

737
00:31:11,560 --> 00:31:14,320
Speaker 1: We called it. He goes he's super excited.

738
00:31:14,480 --> 00:31:16,200
Speaker 2: There is something about that where that could put you

739
00:31:16,280 --> 00:31:17,760
Speaker 2: in a pretty good mood too, when you're excited to

740
00:31:17,760 --> 00:31:18,400
Speaker 2: eat a good meal.

741
00:31:18,640 --> 00:31:23,840
Speaker 4: Peter Billingsley, he got the ron po peel, set it

742
00:31:23,840 --> 00:31:26,440
Speaker 4: and forget it. Do you remember that thing, the like

743
00:31:26,520 --> 00:31:30,160
Speaker 4: rotisserie chicken thing that you put in like you you

744
00:31:30,200 --> 00:31:32,760
Speaker 4: set it and you forget it and you put whatever

745
00:31:32,800 --> 00:31:33,080
Speaker 4: you want.

746
00:31:33,200 --> 00:31:35,360
Speaker 1: And what we would do is we'd get like a

747
00:31:35,400 --> 00:31:36,040
Speaker 1: full chicken.

748
00:31:36,920 --> 00:31:40,840
Speaker 4: He would he would get one of those like a

749
00:31:40,880 --> 00:31:42,760
Speaker 4: turkey base or whatever. But it was like, no, it

750
00:31:42,840 --> 00:31:46,320
Speaker 4: was the injection thing. He would melt butter and inject

751
00:31:46,400 --> 00:31:50,400
Speaker 4: butter into the chicken, like in like six different places.

752
00:31:50,400 --> 00:31:52,680
Speaker 4: And we would just watch this thing spin and we

753
00:31:52,720 --> 00:31:54,600
Speaker 4: would watch it for like two hours, like oh my.

754
00:31:54,560 --> 00:31:57,280
Speaker 1: God, watching a super Way. I cannot wait to eat this.

755
00:31:57,360 --> 00:31:58,560
Speaker 1: And we were so excited.

756
00:31:59,200 --> 00:32:02,160
Speaker 4: That was one of my oh my god, Smiley, Yeah

757
00:32:02,240 --> 00:32:04,040
Speaker 4: right now, I'm so happy right now thinking about it

758
00:32:04,080 --> 00:32:05,200
Speaker 4: because we had.

759
00:32:04,920 --> 00:32:05,600
Speaker 1: Definitely for us.

760
00:32:05,680 --> 00:32:07,280
Speaker 2: But me and most of my friends, I think food,

761
00:32:07,280 --> 00:32:10,040
Speaker 2: a good meal or of food together is just a thing.

762
00:32:10,240 --> 00:32:11,440
Speaker 4: My day revolves around it.

763
00:32:11,640 --> 00:32:12,200
Speaker 1: On the road.

764
00:32:12,800 --> 00:32:15,240
Speaker 4: As soon as I get to the hotel, I will

765
00:32:15,240 --> 00:32:17,680
Speaker 4: spend an hour while we're eating.

766
00:32:17,560 --> 00:32:19,320
Speaker 2: Lunch together, you are googling where we're gonna have dinner,

767
00:32:19,320 --> 00:32:21,320
Speaker 2: and that's oh yeah, it does. All the times I've

768
00:32:21,320 --> 00:32:23,280
Speaker 2: heard about this lunch spot. Okay, we got I heard

769
00:32:23,280 --> 00:32:24,960
Speaker 2: about this dinner spot. I'm like, I just finished my

770
00:32:25,040 --> 00:32:25,480
Speaker 2: order here.

771
00:32:26,040 --> 00:32:28,080
Speaker 4: Love it because I mean, we travel so much you

772
00:32:28,080 --> 00:32:31,120
Speaker 4: can only go to like the ballpark at the museum

773
00:32:31,280 --> 00:32:34,640
Speaker 4: or the arch in Saint Louis like so many times.

774
00:32:34,680 --> 00:32:37,040
Speaker 4: Like for me now it's like finding the good food,

775
00:32:37,160 --> 00:32:38,520
Speaker 4: a really really great food spot.

776
00:32:38,560 --> 00:32:40,360
Speaker 1: Okay, so I think that was a lot of good help,

777
00:32:40,920 --> 00:32:41,320
Speaker 1: great fou.

778
00:32:42,360 --> 00:32:45,680
Speaker 3: So we'll dive into the next And there was a

779
00:32:45,680 --> 00:32:50,080
Speaker 3: Showtime rotissary grill by the way there you go, Yeah, Showtime,

780
00:32:50,120 --> 00:32:52,440
Speaker 3: And that was a great infomercial, Like you could sit

781
00:32:52,480 --> 00:32:53,040
Speaker 3: in that and watch it.

782
00:32:53,080 --> 00:32:55,880
Speaker 1: I could watch. I would watch the infomercial. Yeah, watch

783
00:32:56,040 --> 00:32:57,760
Speaker 1: you worth the informercial? You would be worthy of.

784
00:33:05,360 --> 00:33:09,200
Speaker 3: Clark asks us, I'm wanting to leave my job where

785
00:33:09,200 --> 00:33:11,400
Speaker 3: I'm treated poorly because I have a dream that I

786
00:33:11,440 --> 00:33:14,320
Speaker 3: really want to chase of being a pro wrestling journalist.

787
00:33:14,400 --> 00:33:16,800
Speaker 3: But apart from a part of me is scared to

788
00:33:16,800 --> 00:33:19,080
Speaker 3: go out and take a shot. What would you recommend

789
00:33:19,120 --> 00:33:21,440
Speaker 3: I do in this scenario, I would.

790
00:33:21,320 --> 00:33:27,160
Speaker 4: Recommend this day and age, with social media and everything,

791
00:33:27,800 --> 00:33:31,720
Speaker 4: take your passion and just start doing it. Writing at night,

792
00:33:32,440 --> 00:33:34,760
Speaker 4: writing in your free time, writing during your lunch break,

793
00:33:35,160 --> 00:33:37,239
Speaker 4: and see if you can build a following. And then

794
00:33:37,240 --> 00:33:39,880
Speaker 4: if you build a following enough, then go off and

795
00:33:40,000 --> 00:33:42,920
Speaker 4: quit your job. And monetize that. But to just think

796
00:33:42,960 --> 00:33:45,320
Speaker 4: I'm going to be a pro wrestling journalist, it's like

797
00:33:45,480 --> 00:33:48,960
Speaker 4: that's a tough jump. Yeah, I think ten years ago,

798
00:33:49,240 --> 00:33:51,040
Speaker 4: fifteen years ago, maybe, well.

799
00:33:50,920 --> 00:33:52,400
Speaker 1: You had to do it that way ten years ago,

800
00:33:52,400 --> 00:33:53,160
Speaker 1: fiften years ago.

801
00:33:53,280 --> 00:33:55,600
Speaker 2: You could start a YouTube channel now or a yeah

802
00:33:55,600 --> 00:33:59,240
Speaker 2: thing and get into the game pretty easily, pretty self motivated.

803
00:34:00,080 --> 00:34:02,640
Speaker 2: So monetize on it if you start hitting the thing

804
00:34:03,000 --> 00:34:05,280
Speaker 2: on a TikTok and you start getting some money or

805
00:34:05,680 --> 00:34:08,040
Speaker 2: you know, or getting some if you get some influencer

806
00:34:08,080 --> 00:34:11,480
Speaker 2: money or content creation money from like if you start

807
00:34:11,480 --> 00:34:14,160
Speaker 2: a YouTube channel, you could actually get some supplemental income

808
00:34:14,719 --> 00:34:16,879
Speaker 2: and then that becomes your job. I don't like taking

809
00:34:16,880 --> 00:34:22,960
Speaker 2: a jump to something that's so something that I mean,

810
00:34:23,000 --> 00:34:24,520
Speaker 2: you could make yourself a little bit of a net

811
00:34:24,600 --> 00:34:27,319
Speaker 2: before you jump here, give yourself six months to build

812
00:34:27,360 --> 00:34:28,640
Speaker 2: up a little bit of a following. If you're really

813
00:34:28,719 --> 00:34:30,359
Speaker 2: enjoying it, you're dip in your tone in the water

814
00:34:30,400 --> 00:34:32,000
Speaker 2: and you're liking it. Because like with me, with comedy,

815
00:34:32,280 --> 00:34:33,719
Speaker 2: it was always a side hustle. I say that all

816
00:34:33,760 --> 00:34:35,239
Speaker 2: the time, right, It was always my five to nine

817
00:34:35,480 --> 00:34:37,640
Speaker 2: by nine. If I was selling baby furniture of doing

818
00:34:37,640 --> 00:34:39,520
Speaker 2: whatver the hell I had to do selling pants a nortrum,

819
00:34:39,840 --> 00:34:42,759
Speaker 2: and then I would get into the comedy. So and

820
00:34:42,800 --> 00:34:45,759
Speaker 2: then when the chance came a real opportunity and I

821
00:34:45,840 --> 00:34:48,120
Speaker 2: was confident in myself enough knowing that I was good

822
00:34:48,160 --> 00:34:49,600
Speaker 2: at it, I did the jump.

823
00:34:49,960 --> 00:34:51,960
Speaker 1: So I think you need to dabble first here and.

824
00:34:53,880 --> 00:34:56,879
Speaker 2: Start start doing it on the side and make your

825
00:34:57,239 --> 00:34:59,960
Speaker 2: you know, your passions there, get a hobby that he'll

826
00:35:00,080 --> 00:35:00,600
Speaker 2: support it.

827
00:35:01,000 --> 00:35:02,800
Speaker 4: Yeah, there is in a comic in the world that

828
00:35:02,800 --> 00:35:06,279
Speaker 4: that just like literally went from doing nothing to I'm

829
00:35:06,280 --> 00:35:07,799
Speaker 4: gonna be a stand up comic. You got to do

830
00:35:07,880 --> 00:35:10,440
Speaker 4: your nine to five ye, and then the comedy was

831
00:35:10,480 --> 00:35:12,279
Speaker 4: the five to nine for sure?

832
00:35:12,640 --> 00:35:14,120
Speaker 1: Five to midnight? Yeah for sure.

833
00:35:15,080 --> 00:35:17,160
Speaker 2: Yeah, so I would I would recommend jumping in starting

834
00:35:17,160 --> 00:35:18,600
Speaker 2: a YouTube channel or.

835
00:35:19,440 --> 00:35:21,719
Speaker 1: A blog, if you will. A blog still a thing?

836
00:35:22,400 --> 00:35:25,400
Speaker 4: Well, I mean there's there like substack. Isn't that like

837
00:35:25,440 --> 00:35:29,520
Speaker 4: a reddit. Reddit's more of a forum a forum, yeah.

838
00:35:29,600 --> 00:35:33,520
Speaker 1: Defin between a form and a blog. Yeah yeah, just yeah, substack.

839
00:35:33,560 --> 00:35:34,280
Speaker 1: It's like essays.

840
00:35:34,400 --> 00:35:37,480
Speaker 4: Isn't that like a journalist thing whereas they create Yeah,

841
00:35:37,520 --> 00:35:39,160
Speaker 4: you could build your own following through that.

842
00:35:39,239 --> 00:35:41,799
Speaker 1: Yeah. Oh okay, So get a substack. Yeah.

843
00:35:41,920 --> 00:35:45,600
Speaker 2: Yeah, I don't get a substack. Yeah, just like Jared No,

844
00:35:45,719 --> 00:35:51,279
Speaker 2: he got a six inch Yeah, substacks. I would say

845
00:35:51,400 --> 00:35:53,440
Speaker 2: that's a good that's a good thing. Start your subsacks,

846
00:35:53,440 --> 00:35:54,560
Speaker 2: send it to us, We'll promote it.

847
00:35:54,760 --> 00:35:57,680
Speaker 1: Yeah, substacks. There you pro wrestling. Have you watched pro wrestling?

848
00:35:58,280 --> 00:36:01,040
Speaker 1: Not lately? No, I've watched pro wrestling in the past.

849
00:36:01,360 --> 00:36:04,120
Speaker 4: I watched that Vince McMahon documentary. Obviously, there's so much

850
00:36:04,280 --> 00:36:06,720
Speaker 4: to it. I think I was just gonna say, obviously made

851
00:36:06,760 --> 00:36:09,000
Speaker 4: me what's it? I think you're just gonna stop after

852
00:36:09,000 --> 00:36:12,759
Speaker 4: obviously you're gonna said. I watched that Vince McMahon documentary obviously,

853
00:36:14,040 --> 00:36:16,520
Speaker 4: but it made me nostalgic of like growing up and

854
00:36:17,000 --> 00:36:19,520
Speaker 4: Macho Man and the Holster and British bulldogs and I

855
00:36:19,520 --> 00:36:22,640
Speaker 4: was like, man, I remember like Saturdays and Sundays for sure,

856
00:36:22,800 --> 00:36:24,640
Speaker 4: glued to it and having the figures.

857
00:36:24,640 --> 00:36:27,520
Speaker 1: That yard dog was my favorite. JYD Yeah, I love them.

858
00:36:27,719 --> 00:36:30,000
Speaker 1: Who was a grab damn cakes?

859
00:36:30,200 --> 00:36:33,279
Speaker 4: Was that Kocob Ware? Cocob Ware the parrots? Right, he

860
00:36:33,320 --> 00:36:35,799
Speaker 4: had the parrot and that dude.

861
00:36:35,840 --> 00:36:38,120
Speaker 1: I loved him. He was awesome. There's a lot of

862
00:36:38,200 --> 00:36:40,040
Speaker 1: j Y d was was one of my favorite super

863
00:36:40,120 --> 00:36:45,640
Speaker 1: Fly Jimmy Stooka, Oh yeah, he's great. He's Rickety Dragon Steamboat. Well,

864
00:36:45,680 --> 00:36:50,600
Speaker 1: of course you have to, like I was like, I

865
00:36:50,680 --> 00:36:55,560
Speaker 1: like to past off. It's like me not playing Super

866
00:36:55,600 --> 00:36:56,200
Speaker 1: Mario Brothers.

867
00:36:56,239 --> 00:37:01,360
Speaker 2: Growing up, the the the I I do remember with Ricky,

868
00:37:01,680 --> 00:37:05,720
Speaker 2: not Ricky with a Superfly. Remember watching like I felt

869
00:37:05,760 --> 00:37:08,040
Speaker 2: like you're watching a gymnast do stuff, you know what

870
00:37:08,040 --> 00:37:09,839
Speaker 2: I mean, Like there was a day like that, some

871
00:37:09,840 --> 00:37:11,480
Speaker 2: of those moves and things like back in the day

872
00:37:11,480 --> 00:37:13,400
Speaker 2: as a child, You're like, oh my god, it's crazy.

873
00:37:13,560 --> 00:37:16,840
Speaker 4: But the Hulkster when he teamed up with mister T, Yeah,

874
00:37:16,960 --> 00:37:20,319
Speaker 4: that to me was like yeah, just like but you

875
00:37:20,320 --> 00:37:21,640
Speaker 4: don't watch now, though.

876
00:37:21,520 --> 00:37:22,759
Speaker 1: Do you. I don't watch it now.

877
00:37:22,880 --> 00:37:26,000
Speaker 4: And obviously I still friends that like are super into it.

878
00:37:26,040 --> 00:37:28,520
Speaker 1: I'm I have people my age that are super into it.

879
00:37:28,560 --> 00:37:29,320
Speaker 1: And it's interesting.

880
00:37:29,360 --> 00:37:31,080
Speaker 2: I was like, I feel like you graduate from that,

881
00:37:31,600 --> 00:37:33,279
Speaker 2: but yeah, there's a lot of people that don't.

882
00:37:33,360 --> 00:37:35,040
Speaker 1: It's it's I guess you still to escape.

883
00:37:35,080 --> 00:37:37,760
Speaker 2: But yeah, for sure, Yeah, people got the live events

884
00:37:37,800 --> 00:37:39,359
Speaker 2: ago not so I think that's that's fine.

885
00:37:39,360 --> 00:37:40,040
Speaker 1: I would love to go.

886
00:37:40,160 --> 00:37:42,719
Speaker 4: I've never seen a live mat I know, I would

887
00:37:42,719 --> 00:37:43,279
Speaker 4: get into it.

888
00:37:43,360 --> 00:37:46,399
Speaker 1: Yeah, maybe that maybe they would. Maybe that's what that's

889
00:37:46,400 --> 00:37:46,759
Speaker 1: all we'll do.

890
00:37:47,200 --> 00:37:49,080
Speaker 2: This guy can write about it and the two cool

891
00:37:49,080 --> 00:37:50,480
Speaker 2: moms go say it?

892
00:37:49,880 --> 00:37:50,800
Speaker 1: Do it?

893
00:37:52,320 --> 00:37:53,080
Speaker 3: Do you want to do one more?

894
00:37:53,160 --> 00:37:53,560
Speaker 1: One more?

895
00:37:53,760 --> 00:37:56,080
Speaker 3: Okay, we'll do a quick one. Here was a quick one.

896
00:37:56,080 --> 00:37:58,919
Speaker 3: Mark a quick one. Okay, let me find a quick

897
00:37:58,920 --> 00:38:01,440
Speaker 3: one for us. This was a good one, Sadie. That's

898
00:38:01,480 --> 00:38:04,040
Speaker 3: a good name, right, Sadie, I say d I E

899
00:38:04,400 --> 00:38:07,279
Speaker 3: not a y. My birthday is coming up next year.

900
00:38:08,640 --> 00:38:11,160
Speaker 2: Yeah, it's a great, a great question.

901
00:38:11,440 --> 00:38:14,160
Speaker 1: It's always coming up next year. Just read that one

902
00:38:14,200 --> 00:38:16,560
Speaker 1: more time. Read that one more time.

903
00:38:16,680 --> 00:38:21,480
Speaker 4: Please, one more time, buddy, Oh my god.

904
00:38:23,160 --> 00:38:26,520
Speaker 3: Okay, guys, you're never gonna believe this. My birthday is

905
00:38:26,520 --> 00:38:27,480
Speaker 3: coming up next year.

906
00:38:29,120 --> 00:38:33,200
Speaker 1: Well that's all the time. We have cool moms. We

907
00:38:33,360 --> 00:38:35,640
Speaker 1: appreciate you. Happy birthday, Sadie.

908
00:38:36,000 --> 00:38:36,120
Speaker 3: Uh.

909
00:38:36,440 --> 00:38:38,680
Speaker 1: You can follow us at too Cool Mom's pot on

910
00:38:38,680 --> 00:38:39,480
Speaker 1: the Instagram.

911
00:38:39,560 --> 00:38:41,840
Speaker 2: Don't forget to subscribe, like listen to us on the

912
00:38:41,880 --> 00:38:44,319
Speaker 2: iHeart where me get your podcasts.

913
00:38:45,239 --> 00:38:45,799
Speaker 1: We'll see next.

914
00:38:45,840 --> 00:38:48,160
Speaker 4: You can find my tour dates at Joe Gatto official

915
00:38:48,360 --> 00:38:48,920
Speaker 4: dot com

916
00:38:48,920 --> 00:38:51,000
Speaker 2: And you can find mine on punch Up dot Live,

917
00:38:51,120 --> 00:38:57,800
Speaker 2: slash Steve hyphen Burglady take care everybody.