1 00:00:00,280 --> 00:00:04,640 Speaker 1: It's nine og one O Engine with Jenny Garth and 2 00:00:04,720 --> 00:00:14,400 Speaker 1: Tory Spelling. Hello, welcome to another episode of one OMG. 3 00:00:15,000 --> 00:00:17,200 Speaker 1: Guess what. It's just me and Amy today. 4 00:00:17,920 --> 00:00:20,120 Speaker 2: Don't be mad IM next week, toy, We'll be back. 5 00:00:20,200 --> 00:00:21,360 Speaker 2: I know I said that last week. 6 00:00:21,440 --> 00:00:25,720 Speaker 1: See well what we'll she'll be back. 7 00:00:26,200 --> 00:00:29,120 Speaker 2: We weren't gonna not do this because you're a drug addict. 8 00:00:30,960 --> 00:00:33,680 Speaker 1: I know it needs to be talked about fully. 9 00:00:33,720 --> 00:00:36,440 Speaker 2: Does also, I do want to say something because as 10 00:00:36,479 --> 00:00:40,960 Speaker 2: everyone knows, I read the Instagram. I know we do 11 00:00:41,240 --> 00:00:47,040 Speaker 2: take it's seriously the topic of addiction. I do. I 12 00:00:47,080 --> 00:00:51,600 Speaker 2: know I'm being a little bit more I don't know, 13 00:00:51,720 --> 00:00:54,640 Speaker 2: lighthearted or being funny a little bit about it. And 14 00:00:54,640 --> 00:00:56,600 Speaker 2: that's just because this is a show from thirty years 15 00:00:56,600 --> 00:00:58,520 Speaker 2: ago and some of the things they did were so 16 00:00:59,840 --> 00:01:02,840 Speaker 2: it was just handled so differently then. So I don't 17 00:01:02,840 --> 00:01:05,600 Speaker 2: want anyone thinking that we take it lightly. 18 00:01:06,080 --> 00:01:08,000 Speaker 1: Why why why? What was the what did you read? 19 00:01:08,080 --> 00:01:08,920 Speaker 1: What were the comments? 20 00:01:09,600 --> 00:01:11,880 Speaker 2: I think I must have said something kind of like 21 00:01:13,680 --> 00:01:17,920 Speaker 2: something about the addiction. It's more the way they're depicting it. 22 00:01:17,959 --> 00:01:22,640 Speaker 2: To me, I don't think they're always depicting it. I 23 00:01:22,680 --> 00:01:28,600 Speaker 2: don't so so accurately. If it was depicted more accurately, 24 00:01:28,600 --> 00:01:30,800 Speaker 2: I think I would be in with the drama of it. 25 00:01:31,560 --> 00:01:35,640 Speaker 2: I think that it was a different time, so I 26 00:01:35,640 --> 00:01:38,320 Speaker 2: think someone was disappointed in the way that I and rightfully, 27 00:01:38,360 --> 00:01:41,759 Speaker 2: so the person is correct. I was sort of dismissive 28 00:01:41,920 --> 00:01:45,600 Speaker 2: or making fun of like him doing coke behind the 29 00:01:45,680 --> 00:01:49,320 Speaker 2: bathroom or whatever it was. Yeah, which, yeah, yeah, And 30 00:01:49,400 --> 00:01:51,480 Speaker 2: I don't mean that, That's not my intention, but I 31 00:01:51,520 --> 00:01:53,880 Speaker 2: still do want to like be able to criticize some 32 00:01:53,960 --> 00:01:56,320 Speaker 2: of the portrayals. Absolutely. 33 00:01:56,560 --> 00:02:00,000 Speaker 1: I mean, this is not We're not This podcast is 34 00:02:00,040 --> 00:02:03,320 Speaker 1: all about having fun and rewatching a show that we 35 00:02:03,360 --> 00:02:07,520 Speaker 1: made over thirty years ago, and you're right, there's things 36 00:02:07,520 --> 00:02:09,880 Speaker 1: that just don't hold up. And then there's a lot 37 00:02:09,880 --> 00:02:13,880 Speaker 1: of stuff that we call out because having never watched 38 00:02:13,880 --> 00:02:16,440 Speaker 1: it before, I didn't know what was happening on the 39 00:02:16,440 --> 00:02:19,640 Speaker 1: whole show. So we we tend to talk some smack. 40 00:02:21,040 --> 00:02:24,800 Speaker 2: Yeah, but it's all good fun, I think for me. 41 00:02:25,360 --> 00:02:27,480 Speaker 2: I know, we reiterate this a lot, like and it's 42 00:02:27,480 --> 00:02:30,000 Speaker 2: all wrapped up with a bow in forty four minutes, 43 00:02:30,560 --> 00:02:34,359 Speaker 2: and that does happen in some ways with this storyline, 44 00:02:34,400 --> 00:02:38,200 Speaker 2: like we you know, like you were burned you were 45 00:02:38,200 --> 00:02:42,120 Speaker 2: in a cult, like and it's just gone gone like 46 00:02:42,200 --> 00:02:46,240 Speaker 2: Donna was abused. It's gone like It's just so that's 47 00:02:46,240 --> 00:02:49,360 Speaker 2: sort of where we're coming from. But I did really 48 00:02:49,400 --> 00:02:54,280 Speaker 2: appreciate that comment, and I thought about it quite deeply. 49 00:02:54,880 --> 00:02:58,959 Speaker 2: So I appreciated that person writing that, Yeah. 50 00:02:58,840 --> 00:03:00,720 Speaker 1: Keep them coming, because you know, we like to be 51 00:03:01,040 --> 00:03:02,280 Speaker 1: we like to stay on her toes. 52 00:03:03,160 --> 00:03:06,440 Speaker 2: And sometimes actually I do agree with us, which is yeah, 53 00:03:06,440 --> 00:03:08,960 Speaker 2: because everyone can sort of see some of the things too. 54 00:03:09,560 --> 00:03:12,040 Speaker 1: This this episode that we're about to talk about, though, 55 00:03:12,080 --> 00:03:16,040 Speaker 1: you guys, is so good. I really enjoyed it. I 56 00:03:16,080 --> 00:03:18,600 Speaker 1: don't know, because I was in it a lot. Maybe 57 00:03:18,960 --> 00:03:19,760 Speaker 1: I'm just kidding. 58 00:03:20,200 --> 00:03:22,440 Speaker 2: Very Kelly centric episode. It's essential. 59 00:03:22,520 --> 00:03:25,120 Speaker 1: I like seeing about her dad, and I love seeing 60 00:03:25,200 --> 00:03:26,440 Speaker 1: Jackie Taylor. 61 00:03:27,240 --> 00:03:32,400 Speaker 2: Ah and a lot of accurate things from Jackie. I 62 00:03:32,480 --> 00:03:36,080 Speaker 2: think my first thing was I didn't realize how rich 63 00:03:37,200 --> 00:03:41,640 Speaker 2: Kelly Taylor is by her father, like that he flies 64 00:03:41,800 --> 00:03:44,680 Speaker 2: private everywhere like that, dude's real rich. 65 00:03:45,280 --> 00:03:46,480 Speaker 1: He's real, real rich. 66 00:03:46,640 --> 00:03:48,760 Speaker 2: Yeah, I don't think I realized that at the time. 67 00:03:48,960 --> 00:03:52,080 Speaker 2: Like you know, we always hear references and Kelly's got 68 00:03:52,080 --> 00:03:54,600 Speaker 2: money and da da da da da dah. And but 69 00:03:54,800 --> 00:03:57,200 Speaker 2: that guy's got some dough even though he's a total 70 00:03:57,240 --> 00:03:58,160 Speaker 2: absentee father. 71 00:03:58,800 --> 00:04:03,560 Speaker 1: Yeah, we don't really focus on like how wealthy these 72 00:04:03,680 --> 00:04:06,440 Speaker 1: kids are because of their parents. I think that would 73 00:04:06,480 --> 00:04:09,280 Speaker 1: have been more fun to like take a. 74 00:04:09,200 --> 00:04:13,440 Speaker 2: Look at because Steve is very wealthy too both. I 75 00:04:13,440 --> 00:04:16,960 Speaker 2: think Rush and Samantha have a lot of money. I 76 00:04:17,000 --> 00:04:20,520 Speaker 2: think Mel is like fairly okay, do you know what 77 00:04:20,600 --> 00:04:26,160 Speaker 2: I mean, like comparatively, but like they're not struggling, right. 78 00:04:26,720 --> 00:04:33,960 Speaker 2: Brandon and Brenda were definitely like lower on the socioeconomic 79 00:04:34,360 --> 00:04:36,440 Speaker 2: levels of these kids. 80 00:04:36,440 --> 00:04:38,640 Speaker 1: Right, But now we just don't talk about it anymore. 81 00:04:38,640 --> 00:04:41,040 Speaker 1: It's sort of like that doesn't matter, which is kind 82 00:04:41,080 --> 00:04:45,320 Speaker 1: of cool because ultimately the kids are going through what 83 00:04:45,360 --> 00:04:49,080 Speaker 1: they're going through, and that's the relatable aspect of it, 84 00:04:49,520 --> 00:04:52,839 Speaker 1: and I think it would be less relatable to just 85 00:04:52,920 --> 00:04:55,560 Speaker 1: talk about how rich they are all the time, maybe, right, 86 00:04:55,640 --> 00:04:56,080 Speaker 1: but it did. 87 00:04:56,240 --> 00:04:59,720 Speaker 2: It was like, oh, wow, this guy's got to his 88 00:04:59,760 --> 00:05:03,720 Speaker 2: own plane. I mean, this guy's like loaded. 89 00:05:04,160 --> 00:05:08,880 Speaker 1: This episode for me was like this is where I 90 00:05:09,160 --> 00:05:11,359 Speaker 1: feel my character jumped the shark. 91 00:05:13,000 --> 00:05:17,400 Speaker 2: It don't, I don't think so quite yet, although I 92 00:05:17,520 --> 00:05:21,599 Speaker 2: know what you're talking about, like because just suddenly, yeah, 93 00:05:21,640 --> 00:05:27,239 Speaker 2: this person who really has their bleep together, just spirals. 94 00:05:27,440 --> 00:05:31,120 Speaker 2: I think a little tidbit. It is not the same 95 00:05:31,200 --> 00:05:35,480 Speaker 2: actor obviously, that has sort of the like at the graduation, 96 00:05:35,720 --> 00:05:38,000 Speaker 2: you know how we see your father. We don't hear 97 00:05:38,080 --> 00:05:40,560 Speaker 2: from him, We just see him at the graduation or 98 00:05:40,600 --> 00:05:44,680 Speaker 2: like part of him. Yeah, that was just a different guy. 99 00:05:45,120 --> 00:05:47,400 Speaker 1: It was so not a big deal. I don't even 100 00:05:47,400 --> 00:05:47,920 Speaker 1: remember it. 101 00:05:48,600 --> 00:05:51,279 Speaker 2: Yeah, this is the first time we actually meet your father. 102 00:05:52,000 --> 00:05:53,520 Speaker 1: Yeah, well, I enjoy. 103 00:05:54,160 --> 00:05:56,000 Speaker 2: Yeah, he's played by a great actor who was on 104 00:05:56,040 --> 00:05:58,239 Speaker 2: General Hospital I think for many many years. He passed 105 00:05:58,240 --> 00:06:00,839 Speaker 2: away just a couple of years ago, a few years. 106 00:06:00,640 --> 00:06:04,960 Speaker 1: Ago, John Riley. Yeah, well, we are going to get 107 00:06:05,000 --> 00:06:11,680 Speaker 1: into it right after this. iHeart Podcasts. Listen on the 108 00:06:11,680 --> 00:06:19,160 Speaker 1: iHeartRadio app. Okay, let's do this. Season six, episode seventeen, Fadeen, 109 00:06:19,480 --> 00:06:25,040 Speaker 1: Fade Out air January tenth, nineteen ninety six. Amy, You're Up. 110 00:06:25,760 --> 00:06:30,560 Speaker 2: Ellie finds herself disappointed by her father once again and 111 00:06:30,640 --> 00:06:34,159 Speaker 2: turns to Colin's coke to numb the pain. We're really 112 00:06:34,160 --> 00:06:37,000 Speaker 2: giving the way the ending there. Nat is happy after 113 00:06:37,040 --> 00:06:40,960 Speaker 2: he reunites with a former fiance thanks to Steve. Joe's 114 00:06:41,000 --> 00:06:44,080 Speaker 2: heart is on the line. The starting line, Oh and 115 00:06:44,120 --> 00:06:47,880 Speaker 2: Brandon better watch out because Jonathan Caston is coming back. 116 00:06:48,240 --> 00:06:52,359 Speaker 1: Directed by Jason Frisley, Written by Meredith Stein, Steve Weserman, 117 00:06:52,440 --> 00:06:57,240 Speaker 1: and Jessica Klein. This is exciting. This is another Jason episode. 118 00:06:57,720 --> 00:07:02,080 Speaker 2: He's really like improved his director. It's really like because 119 00:07:02,080 --> 00:07:03,920 Speaker 2: it's it's a good episode. 120 00:07:04,200 --> 00:07:06,760 Speaker 1: Yeah. I never was taken out for a moment by 121 00:07:06,880 --> 00:07:10,160 Speaker 1: him by thinking, oh, this is adjacent episode like I 122 00:07:10,280 --> 00:07:10,760 Speaker 1: just was in it. 123 00:07:11,440 --> 00:07:15,120 Speaker 2: Yeah, he's completely changed, like he's barely become a director now. 124 00:07:16,120 --> 00:07:18,680 Speaker 1: Yeah, because it's like it's yeah, it's really good. This 125 00:07:18,760 --> 00:07:21,680 Speaker 1: is a great under watch. Let's start. Let's start episode 126 00:07:21,720 --> 00:07:25,160 Speaker 1: recap peach Pit. We're starting to We're starting at the 127 00:07:25,160 --> 00:07:27,080 Speaker 1: peach Pit with I don't even know what's happening with this. 128 00:07:27,160 --> 00:07:29,880 Speaker 1: Steve is promoting the Roger Corman Film Festival by hanging 129 00:07:29,920 --> 00:07:32,480 Speaker 1: up posters, but Nat is not into it. 130 00:07:33,720 --> 00:07:38,920 Speaker 2: Well, first of all, such an old timey Yeah, I 131 00:07:39,040 --> 00:07:42,000 Speaker 2: was like into me Corman, Harvey Korman. 132 00:07:43,920 --> 00:07:46,240 Speaker 1: I gotta be honest, I didn't. I wasn't. 133 00:07:46,520 --> 00:07:47,440 Speaker 2: That must have been. 134 00:07:47,520 --> 00:07:50,760 Speaker 1: Significant to maybe Jason was a fan of his, or. 135 00:07:52,120 --> 00:07:55,560 Speaker 2: So you guys could get I don't know, I don't know, 136 00:07:57,080 --> 00:07:59,400 Speaker 2: because it was just so random. 137 00:08:00,120 --> 00:08:02,120 Speaker 1: Is sitting with Jackie and tells her that her dad 138 00:08:02,200 --> 00:08:04,680 Speaker 1: is moving to la and Jackie tells Kelly not to 139 00:08:04,680 --> 00:08:07,800 Speaker 1: believe him because all he has ever done is disappoint her. 140 00:08:07,800 --> 00:08:11,000 Speaker 1: But Kelly reminds her mother that she has always been 141 00:08:11,040 --> 00:08:12,920 Speaker 1: well taken care of by him. 142 00:08:13,160 --> 00:08:17,760 Speaker 2: So this is where we look. We're always reminded that 143 00:08:18,080 --> 00:08:22,000 Speaker 2: you have this absentee dad. He's never been around, and yes, 144 00:08:22,200 --> 00:08:26,360 Speaker 2: Jackie's been problematic, but she's always been there, and this 145 00:08:26,440 --> 00:08:28,560 Speaker 2: is where the money comes from. 146 00:08:28,640 --> 00:08:30,920 Speaker 1: I love Jackie's line here. I guess when you have 147 00:08:31,040 --> 00:08:35,079 Speaker 1: such low expectations, every crumb is a meal. They kind 148 00:08:35,080 --> 00:08:37,520 Speaker 1: of get into it in that scene, like Kelly calls. 149 00:08:37,320 --> 00:08:42,400 Speaker 2: Her out and Jackie's ultimately right because this guy does 150 00:08:42,440 --> 00:08:42,880 Speaker 2: it again. 151 00:08:43,760 --> 00:08:48,720 Speaker 1: I was kind of feeling like, as a mother of 152 00:08:49,400 --> 00:08:54,200 Speaker 1: women Kelly's age now, I was kind of and having, 153 00:08:54,400 --> 00:08:59,280 Speaker 1: you know, being divorced from their dad. I was kind 154 00:08:59,320 --> 00:09:02,360 Speaker 1: of like, I don't like the way she's I know 155 00:09:02,559 --> 00:09:05,360 Speaker 1: she was disappointed, and I know he's disappointed her in 156 00:09:05,400 --> 00:09:09,120 Speaker 1: the past, but I still was like, I don't think 157 00:09:09,960 --> 00:09:12,680 Speaker 1: Jackie should be talking about Kelly's dad that way. It 158 00:09:12,679 --> 00:09:16,880 Speaker 1: doesn't it didn't feel very like it was right. 159 00:09:17,559 --> 00:09:21,680 Speaker 2: Yeah, and these days, like with cop parenting and like 160 00:09:22,400 --> 00:09:25,000 Speaker 2: it's definitely like the therapist would not recommend that. No, 161 00:09:25,360 --> 00:09:31,360 Speaker 2: that being said, what is she supposed to do because 162 00:09:31,960 --> 00:09:33,440 Speaker 2: she knows he's gonna leave. 163 00:09:33,800 --> 00:09:36,200 Speaker 1: And he does, and she's gonna have to pick up 164 00:09:36,240 --> 00:09:40,160 Speaker 1: the pieces again. Yeah, that's what Kelly and Jackie do 165 00:09:40,240 --> 00:09:40,800 Speaker 1: for each other. 166 00:09:41,520 --> 00:09:44,439 Speaker 2: Yeah, it's just how as a parent, how are you 167 00:09:44,480 --> 00:09:47,920 Speaker 2: supposed to warn your kid to not like that their 168 00:09:48,000 --> 00:09:50,760 Speaker 2: dad's a bad guy? Basically? Yeah, how do you do 169 00:09:50,840 --> 00:09:52,760 Speaker 2: that without talking trash about the dad? 170 00:09:54,400 --> 00:09:58,040 Speaker 1: Well, you have to teach them. I feel like, instead 171 00:09:58,040 --> 00:10:01,120 Speaker 1: of talking badly about the FO, you have to teach 172 00:10:01,160 --> 00:10:05,240 Speaker 1: them life skills how to deal with this situation, whether 173 00:10:05,280 --> 00:10:08,439 Speaker 1: it's coming from their father or anyone else in their life. 174 00:10:09,600 --> 00:10:12,640 Speaker 2: Yeah, that's that's a Yeah, It's like she could have said, look, 175 00:10:13,240 --> 00:10:17,520 Speaker 2: I hope things go great. I'm so glad he's here. 176 00:10:18,160 --> 00:10:20,320 Speaker 2: I'm so glad you're gonna get to spend time with him. 177 00:10:21,440 --> 00:10:24,199 Speaker 2: I don't know, do you say, like, in any situation, 178 00:10:24,320 --> 00:10:29,160 Speaker 2: prepare yourself that you know, past behavior predicts future behavior. 179 00:10:30,280 --> 00:10:33,640 Speaker 1: There's a more eloquent, you know, supportive way to handle 180 00:10:33,679 --> 00:10:35,679 Speaker 1: it probably. So Kelly goes to meet her dad on 181 00:10:35,720 --> 00:10:38,960 Speaker 1: the target and he lands in his private plane and 182 00:10:39,000 --> 00:10:43,079 Speaker 1: he can Yeah, he's fancy. He confirms that he's going. 183 00:10:43,160 --> 00:10:47,080 Speaker 1: His plan is to say, and Kelly says, welcome back, Dad. 184 00:10:47,320 --> 00:10:48,240 Speaker 1: You take him back. 185 00:10:48,320 --> 00:10:50,800 Speaker 2: Real quick, because we have not seen him since graduation. 186 00:10:51,520 --> 00:10:53,920 Speaker 1: I feel like she's definitely a daddy's girl in her heart, 187 00:10:54,000 --> 00:10:55,719 Speaker 1: but she's just never even well. 188 00:10:55,760 --> 00:10:58,920 Speaker 2: She wants approval from this guy. She wants this guy 189 00:10:58,960 --> 00:11:03,920 Speaker 2: to she consider it. Like if he stays, she's good, 190 00:11:04,080 --> 00:11:05,840 Speaker 2: do you know what I mean? Like she's doing the 191 00:11:05,960 --> 00:11:09,800 Speaker 2: right thing, and he stayed because I'm so great. It's 192 00:11:09,840 --> 00:11:12,440 Speaker 2: it's a deep psychological thing. 193 00:11:12,840 --> 00:11:19,320 Speaker 1: Here at the cu Joe got hurt playing football and 194 00:11:19,440 --> 00:11:25,640 Speaker 1: Donna's very concerned. It's got an ankle injury. People, but dundun, dunn. 195 00:11:25,760 --> 00:11:27,480 Speaker 1: I knew this was coming. 196 00:11:28,160 --> 00:11:28,520 Speaker 2: Yeah. 197 00:11:28,640 --> 00:11:31,120 Speaker 1: Steve invites the gang to the Roger Corman B Movie 198 00:11:31,120 --> 00:11:35,319 Speaker 1: Film Festival and Claire and Kelly run into each other 199 00:11:35,320 --> 00:11:38,079 Speaker 1: in the bathroom. Kelly shows her, for some reason, the 200 00:11:38,160 --> 00:11:39,720 Speaker 1: vial of cocaine she's carrying. 201 00:11:40,120 --> 00:11:42,120 Speaker 2: Are you still it's been days? 202 00:11:42,360 --> 00:11:44,040 Speaker 1: I think it's like at the bottom of her purse, 203 00:11:44,120 --> 00:11:45,560 Speaker 1: Like she hasn't she forgot about it. 204 00:11:45,960 --> 00:11:46,760 Speaker 2: Nobody does that. 205 00:11:48,360 --> 00:11:50,440 Speaker 1: Nobody forgets about their carrying coach. 206 00:11:50,559 --> 00:11:53,640 Speaker 2: Nobody is carrying around an illegal. 207 00:11:53,360 --> 00:11:56,160 Speaker 1: Substance without consideration. 208 00:11:55,920 --> 00:11:57,240 Speaker 2: Just like it's a stick of gum. 209 00:11:57,960 --> 00:11:59,920 Speaker 1: That's true. Well, let's hope they're not. 210 00:12:00,040 --> 00:12:04,320 Speaker 2: Tidbit about Roger Corman. He passed away just not even 211 00:12:04,360 --> 00:12:06,240 Speaker 2: a year ago, and I think he was like ninety 212 00:12:06,240 --> 00:12:11,120 Speaker 2: eight or ninety nine. Ooo. Yeah, good job, Roger, good life. 213 00:12:11,760 --> 00:12:14,920 Speaker 2: Yeah it's not Harvey Corman, which is what I was like, 214 00:12:15,080 --> 00:12:18,360 Speaker 2: do they mean Harvey? I don't Still Roger Corman is 215 00:12:18,400 --> 00:12:22,480 Speaker 2: a director, producer, and actor trailblazer, so he must have 216 00:12:22,520 --> 00:12:26,240 Speaker 2: been like quite a big deal, handsome, handsome guy. Anyway. 217 00:12:26,559 --> 00:12:29,720 Speaker 1: We also see Kelly tell Claire and just lay down 218 00:12:29,760 --> 00:12:33,160 Speaker 1: some more pipe about that she's going to be getting 219 00:12:33,200 --> 00:12:36,200 Speaker 1: back with the parents she's been missing all these years. 220 00:12:36,360 --> 00:12:40,640 Speaker 2: So much foreshadowing because it's like, don't forget the drugs, audience, 221 00:12:40,720 --> 00:12:42,120 Speaker 2: the drugs are still here. 222 00:12:42,600 --> 00:12:45,400 Speaker 1: Yeah, it's all like reminding everyone. It's also kind of 223 00:12:45,520 --> 00:12:49,080 Speaker 1: was weird that it was like a moment between Kelly 224 00:12:49,360 --> 00:12:53,360 Speaker 1: and Claire because they don't ever have any even though 225 00:12:53,400 --> 00:12:55,800 Speaker 1: they live together there, they don't ever have any like 226 00:12:55,840 --> 00:12:59,240 Speaker 1: deep moments. So I was like, oh, right, those two 227 00:12:59,240 --> 00:13:02,280 Speaker 1: are friends. I forgot their roommates friends. 228 00:13:02,280 --> 00:13:04,880 Speaker 2: They definitely aren't like enemies in any way. They're just 229 00:13:04,960 --> 00:13:06,640 Speaker 2: not like super bff. 230 00:13:06,920 --> 00:13:09,400 Speaker 1: We haven't gotten to see that relationship at all, and 231 00:13:09,440 --> 00:13:10,360 Speaker 1: I kind of liked it. 232 00:13:10,360 --> 00:13:10,840 Speaker 2: They're good. 233 00:13:11,120 --> 00:13:12,560 Speaker 1: Yeah, she's cool. 234 00:13:12,800 --> 00:13:17,199 Speaker 2: She's always great in like all the scenes, even though 235 00:13:17,240 --> 00:13:19,080 Speaker 2: it's like she has I don't get the Steve thing. 236 00:13:19,200 --> 00:13:21,560 Speaker 2: She's always great, like she's not. 237 00:13:25,600 --> 00:13:30,600 Speaker 1: She's very authentic to her character, and I yeah, they 238 00:13:30,600 --> 00:13:33,120 Speaker 1: could have done so much more with her character because, 239 00:13:33,559 --> 00:13:38,240 Speaker 1: like you said, you know, she delivers every time. And yeah, 240 00:13:38,320 --> 00:13:41,720 Speaker 1: I think they could have definitely given Kathleen more work 241 00:13:41,760 --> 00:13:42,240 Speaker 1: to do. 242 00:13:43,040 --> 00:13:45,679 Speaker 2: And yeah, and a love interest that we were like. 243 00:13:46,200 --> 00:13:50,920 Speaker 1: Yeah, yeah, we're gonna go see Colin in his big 244 00:13:51,040 --> 00:13:54,959 Speaker 1: new art class, which guess what Valerie happens to be in. 245 00:13:56,520 --> 00:14:00,400 Speaker 1: What are the coincidences? Back at the beach House, Joe 246 00:14:00,480 --> 00:14:03,040 Speaker 1: is more injured than he thought, and he tells Donna 247 00:14:03,040 --> 00:14:05,360 Speaker 1: that he is going to go see the team a 248 00:14:05,400 --> 00:14:10,120 Speaker 1: doctor after all. Okay, great cossa. 249 00:14:09,840 --> 00:14:12,280 Speaker 2: Wall silting up to it. 250 00:14:12,320 --> 00:14:20,240 Speaker 1: See Pops in one of Roger Corman's VHS movies yeah, 251 00:14:20,280 --> 00:14:21,640 Speaker 1: and they see that is. 252 00:14:21,600 --> 00:14:26,520 Speaker 2: In the movie. Assuming this is a real movie that 253 00:14:26,640 --> 00:14:30,520 Speaker 2: Roger Corman did that Joey Tata was in. 254 00:14:31,480 --> 00:14:34,200 Speaker 1: Ye had to have been, because there wasn't you there 255 00:14:34,240 --> 00:14:37,760 Speaker 1: was no technology to like do that right, Nat in 256 00:14:37,840 --> 00:14:40,280 Speaker 1: there on the VHS tape. 257 00:14:40,840 --> 00:14:45,320 Speaker 2: Aha, I just had a whole moment, boy, because that's 258 00:14:45,320 --> 00:14:47,760 Speaker 2: why they had to use Roger Corman, because they had 259 00:14:47,760 --> 00:14:50,880 Speaker 2: to use some big person from a movie that Joey 260 00:14:50,920 --> 00:14:52,680 Speaker 2: Tata was actually in. 261 00:14:53,280 --> 00:14:55,320 Speaker 1: Interesting he was a hottie. 262 00:14:55,960 --> 00:15:00,200 Speaker 2: Yeah, and I do like this storyline where we meet I. 263 00:15:00,200 --> 00:15:02,120 Speaker 1: I do like this, Yeah, what's coming? 264 00:15:02,560 --> 00:15:04,880 Speaker 2: Oh it was called The Unholy Rollers and it was 265 00:15:04,880 --> 00:15:08,440 Speaker 2: in nineteen seventy two. And so there you have it. 266 00:15:08,520 --> 00:15:11,160 Speaker 2: Because this woman stays. 267 00:15:10,960 --> 00:15:12,720 Speaker 1: I know, we haven't gotten her yet though. 268 00:15:12,680 --> 00:15:13,880 Speaker 2: Maybe Yeah, sorry, sorry sir. 269 00:15:15,160 --> 00:15:17,200 Speaker 1: So that's fun. We get to see nat as early 270 00:15:17,240 --> 00:15:18,640 Speaker 1: acting chops. 271 00:15:18,680 --> 00:15:21,720 Speaker 2: Well done and well done by Jason Priestley just directing 272 00:15:21,760 --> 00:15:24,840 Speaker 2: them and figuring all that making it all work. Yeah, 273 00:15:24,880 --> 00:15:27,800 Speaker 2: it didn't seem forced, No, and it. 274 00:15:27,800 --> 00:15:30,320 Speaker 1: Was kind of complicated to get all the story. 275 00:15:30,160 --> 00:15:31,000 Speaker 2: All of it in. Yeah. 276 00:15:31,040 --> 00:15:31,800 Speaker 1: Yeah, that was good. 277 00:15:31,840 --> 00:15:32,240 Speaker 2: It was good. 278 00:15:32,560 --> 00:15:35,840 Speaker 1: Kelly's driving her dad and he tells her about his 279 00:15:35,960 --> 00:15:37,840 Speaker 1: drug use back in the day and tells her that 280 00:15:37,920 --> 00:15:40,520 Speaker 1: he wants to see Jackie again, and Kelly says she 281 00:15:40,560 --> 00:15:41,240 Speaker 1: can arrange that. 282 00:15:41,840 --> 00:15:44,920 Speaker 2: Boy, oh boy, we got Yeah, we're definitely getting the 283 00:15:45,080 --> 00:15:48,680 Speaker 2: like we're really yeah, we're definitely getting smacked in the 284 00:15:48,720 --> 00:15:50,680 Speaker 2: head with the drugs. Right. 285 00:15:50,880 --> 00:15:55,240 Speaker 1: So, Kelly grew up having her parents do drugs all 286 00:15:55,280 --> 00:15:58,520 Speaker 1: around her, and I'm sure she just saw in her 287 00:15:58,520 --> 00:16:02,160 Speaker 1: home all the time and her boyfriend's doing drugs. 288 00:16:01,800 --> 00:16:04,160 Speaker 2: And that's probably why she tolerates it, do you know 289 00:16:04,200 --> 00:16:05,720 Speaker 2: what I'm saying, Like it's. 290 00:16:05,520 --> 00:16:09,040 Speaker 1: Not as well she doesn't like it. Though she she. 291 00:16:09,080 --> 00:16:14,280 Speaker 2: Tolerates, she doesn't break up with him or bail. I 292 00:16:14,280 --> 00:16:17,200 Speaker 2: think she's you're sort of on the edge with him, 293 00:16:17,280 --> 00:16:19,440 Speaker 2: but you look, yeah, exactly, she's almost there. But she 294 00:16:19,480 --> 00:16:22,440 Speaker 2: does go over there with her dad and then he's Colin, 295 00:16:22,520 --> 00:16:25,880 Speaker 2: of course, is just a high as a kite's feeding around. 296 00:16:26,240 --> 00:16:29,400 Speaker 1: But poor David and Valerie have nothing better to do 297 00:16:29,520 --> 00:16:33,760 Speaker 1: than sit around and talk about Colin's coke habit. I 298 00:16:33,800 --> 00:16:37,720 Speaker 1: don't really that the scene with them was like, I 299 00:16:37,760 --> 00:16:41,480 Speaker 1: give them their own storyline. I don't know. Uh, Kelly's 300 00:16:41,560 --> 00:16:44,200 Speaker 1: dad was m Ia most of her life and Valerie 301 00:16:44,200 --> 00:16:47,400 Speaker 1: says that that explains her wanting unavailable men. 302 00:16:48,200 --> 00:16:50,160 Speaker 2: Yes, and we do get a little tippit into like 303 00:16:50,600 --> 00:16:54,320 Speaker 2: David I wasn't friends with her then, you know, because 304 00:16:54,360 --> 00:16:56,480 Speaker 2: he didn't become friends with you un til high school 305 00:16:56,480 --> 00:16:58,920 Speaker 2: when he started dating Donna, because he all kind of 306 00:16:58,920 --> 00:17:00,040 Speaker 2: thought he was a dork. 307 00:17:00,480 --> 00:17:03,080 Speaker 1: All right, he was the one that was like videotaping 308 00:17:03,120 --> 00:17:11,040 Speaker 1: her from around the corner secretly. But what she says 309 00:17:11,040 --> 00:17:14,720 Speaker 1: that that explains Kelly wanting unavailable men. 310 00:17:15,560 --> 00:17:18,560 Speaker 2: That's not the take I would get because they're not unavailable. 311 00:17:18,600 --> 00:17:20,760 Speaker 2: It's it's why you tolerate bad behavior. 312 00:17:21,400 --> 00:17:21,840 Speaker 1: Mm hmm. 313 00:17:22,560 --> 00:17:24,680 Speaker 2: She's kind of putting it that was it's always a 314 00:17:24,720 --> 00:17:27,680 Speaker 2: catchphra his own available men. It's like, no, she's attracted 315 00:17:27,680 --> 00:17:33,760 Speaker 2: to men who are troubled and m I a that 316 00:17:33,840 --> 00:17:35,040 Speaker 2: we'll just like her dad. 317 00:17:37,760 --> 00:17:40,240 Speaker 1: Well, we go and we see Kelly take her dad 318 00:17:40,440 --> 00:17:43,080 Speaker 1: to the beach house, where Donna says hello to him. 319 00:17:43,440 --> 00:17:45,000 Speaker 2: She's not a great therapist. 320 00:17:46,200 --> 00:17:49,040 Speaker 1: No, that's that's a good point. Okay. Back at the 321 00:17:49,080 --> 00:17:51,040 Speaker 1: beach house, Kelly takes her dad to the beach house. 322 00:17:51,080 --> 00:17:53,640 Speaker 1: Donna mentions Colin, and her dad wants to know all 323 00:17:53,680 --> 00:17:57,840 Speaker 1: about him and that's where Kelly tells him about Colin's 324 00:17:57,840 --> 00:18:02,240 Speaker 1: co cabot. But that doesn't Jack later from wanting to 325 00:18:02,280 --> 00:18:02,800 Speaker 1: stop by. 326 00:18:03,040 --> 00:18:07,840 Speaker 2: But okay, you would tell your dad, like in a 327 00:18:07,960 --> 00:18:10,000 Speaker 2: casual conversation like that. 328 00:18:10,400 --> 00:18:13,679 Speaker 1: Well, that means that the avenue is open. They've already 329 00:18:13,680 --> 00:18:18,840 Speaker 1: discussed Jack's drug use, and now that you know, she 330 00:18:19,080 --> 00:18:22,040 Speaker 1: maybe feels comfortable talking about it with him now more so. 331 00:18:22,119 --> 00:18:24,320 Speaker 2: But if I said to my dad, oh, yeah, my 332 00:18:24,400 --> 00:18:27,400 Speaker 2: boyfriend does coke, my dad would be like your dad. 333 00:18:27,720 --> 00:18:32,560 Speaker 1: Yeah, you're dam You're not dating him anymore, You're oh good. 334 00:18:33,119 --> 00:18:36,440 Speaker 1: Then we go to the Condor newsroom where Jonathan calls 335 00:18:36,560 --> 00:18:40,960 Speaker 1: looking for Susan and he tells Brandon that he'll be 336 00:18:41,080 --> 00:18:44,600 Speaker 1: back next week and he wants to see her. Such 337 00:18:44,760 --> 00:18:50,040 Speaker 1: a weird exchange, like the boyfriend of the girl. This 338 00:18:50,160 --> 00:18:53,960 Speaker 1: Jonathan guy is snooze rooney. But he's also not afraid 339 00:18:54,040 --> 00:18:57,880 Speaker 1: to try to intimidate Brandon, which I kind of like he. 340 00:18:57,960 --> 00:19:02,600 Speaker 2: Is ballsy, this guy guy. Yeah, that's like yeah, and 341 00:19:02,640 --> 00:19:05,960 Speaker 2: it's just like he is not he's not care he's 342 00:19:06,000 --> 00:19:09,920 Speaker 2: not going to respect him his care. Yeah, all right. 343 00:19:10,880 --> 00:19:13,359 Speaker 1: Stephen Claire tried to convince Nat to appear at the 344 00:19:13,359 --> 00:19:15,920 Speaker 1: film festival, but he refuses. Now are we clear at 345 00:19:15,920 --> 00:19:18,080 Speaker 1: this point why Nat doesn't want to go to the 346 00:19:18,119 --> 00:19:20,399 Speaker 1: film festival. What's he's got? Like a bug up? His 347 00:19:20,400 --> 00:19:21,800 Speaker 1: buddy doesn't want to go to the well. 348 00:19:21,800 --> 00:19:23,720 Speaker 2: I think it's because this is when he fell in 349 00:19:23,760 --> 00:19:26,480 Speaker 2: love and he was hurt, and so he doesn't want 350 00:19:26,480 --> 00:19:29,040 Speaker 2: to go back to it. That's why I would have 351 00:19:29,119 --> 00:19:31,119 Speaker 2: liked the whole storyline. 352 00:19:30,520 --> 00:19:32,600 Speaker 1: Though, like what was happening with him. 353 00:19:33,000 --> 00:19:35,720 Speaker 2: That would have ruined the surprise of Steve finding the girl. 354 00:19:36,640 --> 00:19:38,440 Speaker 2: Somehow we find out that there was a girl. 355 00:19:40,000 --> 00:19:40,600 Speaker 1: I can't remember. 356 00:19:40,960 --> 00:19:45,080 Speaker 2: We figured that out. Maybe he'll tell me I can't remember. 357 00:19:45,480 --> 00:19:47,240 Speaker 1: Let's see, we're going to go back to see you. 358 00:19:47,400 --> 00:19:53,840 Speaker 1: Because these kids are in college, let's don't forget. And Kelly, yeah, 359 00:19:53,920 --> 00:19:57,680 Speaker 1: there's no classes, there's just the quad. David tells Kelly 360 00:19:57,680 --> 00:20:02,560 Speaker 1: to be careful about trusting her dad, which is nice. 361 00:20:02,720 --> 00:20:07,760 Speaker 2: Everybody's warning you. H m hm, oh my god. 362 00:20:08,720 --> 00:20:11,240 Speaker 1: Then Joe gets checked by the school doctor and he 363 00:20:11,320 --> 00:20:15,000 Speaker 1: wants him to see a cardiologist. Do schools uh, this 364 00:20:15,119 --> 00:20:17,480 Speaker 1: is me, I didn't go to college. Do schools have 365 00:20:17,840 --> 00:20:19,159 Speaker 1: like a doctor's office like that? 366 00:20:19,359 --> 00:20:22,520 Speaker 2: Yes? Oh, yes, of course there's like, actually, that's a 367 00:20:22,880 --> 00:20:25,840 Speaker 2: big benefit of college. There's like a whole sort of 368 00:20:26,080 --> 00:20:28,880 Speaker 2: urgent care type of place and doctors, and I think 369 00:20:28,920 --> 00:20:32,280 Speaker 2: you even get like some sort of medical care by 370 00:20:32,320 --> 00:20:35,120 Speaker 2: going to the school, Like you can totally go there 371 00:20:35,160 --> 00:20:40,520 Speaker 2: for everything, like all all your needs, all your needs. 372 00:20:41,080 --> 00:20:45,320 Speaker 2: I think they have, you know, like mental health assistance, 373 00:20:46,280 --> 00:20:50,199 Speaker 2: uh like planned pregnancy type type of a place, like 374 00:20:50,840 --> 00:20:54,280 Speaker 2: all your things. That's that totally was correct, That was 375 00:20:54,440 --> 00:20:55,040 Speaker 2: that was good. 376 00:20:55,640 --> 00:20:58,640 Speaker 1: So the school doctor, though, listens to him take two 377 00:20:58,640 --> 00:21:00,600 Speaker 1: deep breaths and decides that he needs to go see 378 00:21:00,600 --> 00:21:01,480 Speaker 1: a cardiologist. 379 00:21:03,400 --> 00:21:05,840 Speaker 2: I mean, look, this is where I start to make fun, 380 00:21:06,200 --> 00:21:09,080 Speaker 2: just because it's very lickety split all these things, and 381 00:21:09,119 --> 00:21:11,480 Speaker 2: the doctor's so like, I don't think anything's wrong, but. 382 00:21:11,440 --> 00:21:13,280 Speaker 1: Go do this nickety split. 383 00:21:13,480 --> 00:21:15,520 Speaker 2: Okay, something's wrong. 384 00:21:15,680 --> 00:21:19,600 Speaker 1: Maybe he hears like a heart murmur or abnormal heartbeat. 385 00:21:19,680 --> 00:21:21,439 Speaker 2: Yeah, I mean maybe they did an EKG and we 386 00:21:21,520 --> 00:21:22,200 Speaker 2: just missed it. 387 00:21:22,520 --> 00:21:26,840 Speaker 1: Kelly goes house shopping with her dad and that old, 388 00:21:26,920 --> 00:21:29,040 Speaker 1: same old real estate agent what's her name? 389 00:21:29,320 --> 00:21:31,840 Speaker 2: He shows up all the time, and she's somewhat famous. 390 00:21:32,040 --> 00:21:34,000 Speaker 2: I like it her in life, like she's sort of 391 00:21:34,040 --> 00:21:37,600 Speaker 2: the famous kind of actress. I googled her. 392 00:21:38,320 --> 00:21:39,159 Speaker 1: Elaine Joyce. 393 00:21:39,960 --> 00:21:41,639 Speaker 2: Yes, I googled her because I was like, I know 394 00:21:41,720 --> 00:21:43,560 Speaker 2: her from so many things, and she was just sort 395 00:21:43,560 --> 00:21:46,240 Speaker 2: of of the time and maybe even a little bit before, 396 00:21:46,320 --> 00:21:47,680 Speaker 2: Like I easily could have seen her. 397 00:21:47,560 --> 00:21:51,840 Speaker 1: On Love Boat. Yeah, she's a great Like, yeah, I 398 00:21:51,920 --> 00:21:53,120 Speaker 1: wonder where she is. 399 00:21:53,119 --> 00:21:58,240 Speaker 2: Now she's around. I googled it. Sometimes that does happen 400 00:21:58,240 --> 00:21:59,879 Speaker 2: when I'm watching these and I just I have to 401 00:22:00,080 --> 00:22:02,520 Speaker 2: pause because it's gonna drive me nuts. There's a lot 402 00:22:02,560 --> 00:22:04,720 Speaker 2: of those sort of That's what I did with John 403 00:22:04,800 --> 00:22:06,920 Speaker 2: Riley too. I was like, I know this guy? How 404 00:22:06,920 --> 00:22:07,720 Speaker 2: do I know this guy? 405 00:22:08,720 --> 00:22:12,080 Speaker 1: I love seeing those like familiar faces from the nineties 406 00:22:12,160 --> 00:22:14,320 Speaker 1: that you don't know where you've seen them before, but 407 00:22:14,440 --> 00:22:15,240 Speaker 1: they just pop in. 408 00:22:16,520 --> 00:22:19,960 Speaker 2: That being said, I know i'm jumping ahead, but the 409 00:22:20,000 --> 00:22:23,520 Speaker 2: pain I felt when your dad doesn't show Oh god, 410 00:22:24,280 --> 00:22:26,520 Speaker 2: we'll get to it. But it actually that I was like, 411 00:22:26,880 --> 00:22:28,400 Speaker 2: I'm so uncomfortable. 412 00:22:28,960 --> 00:22:32,119 Speaker 1: So he basically says to the to Candice the real 413 00:22:32,200 --> 00:22:35,480 Speaker 1: estate agent, Hey we're in. I'll sign the least. So 414 00:22:35,560 --> 00:22:39,679 Speaker 1: he's moving into this big house by himself in a 415 00:22:39,680 --> 00:22:40,400 Speaker 1: Hancock Park. 416 00:22:40,400 --> 00:22:41,800 Speaker 2: Where was it did they get the area? 417 00:22:42,160 --> 00:22:45,000 Speaker 1: I honestly I know that that was just literally down 418 00:22:45,080 --> 00:22:51,119 Speaker 1: the street from the actual wallshouse in Altadena, but it 419 00:22:51,200 --> 00:22:52,639 Speaker 1: looked like Beverly Hills. 420 00:22:53,040 --> 00:22:53,720 Speaker 2: It was ritzy. 421 00:22:54,760 --> 00:22:57,280 Speaker 1: This is when we go to the wallshouse and Brandon 422 00:22:57,359 --> 00:23:00,919 Speaker 1: goes to Valerie for advice. Come on, This. 423 00:23:01,080 --> 00:23:04,800 Speaker 2: Is because he had such guilt over the message. So 424 00:23:04,960 --> 00:23:07,280 Speaker 2: basically he went to her because she's sort of a 425 00:23:07,320 --> 00:23:11,240 Speaker 2: conniving So he gets the call, he doesn't give the message, 426 00:23:11,480 --> 00:23:14,720 Speaker 2: which that's something that big of a deal, like, oh, 427 00:23:14,720 --> 00:23:15,240 Speaker 2: why would you? 428 00:23:15,600 --> 00:23:17,160 Speaker 1: Oops? I forgot That's all he could. 429 00:23:17,440 --> 00:23:20,440 Speaker 2: Also, I would just say to her, your fool boyfriend 430 00:23:20,520 --> 00:23:25,120 Speaker 2: keeps calling. I'm not down with that. Anyway, he goes 431 00:23:25,160 --> 00:23:27,200 Speaker 2: to Valerie to find out, like, what do I do 432 00:23:27,240 --> 00:23:29,639 Speaker 2: because I didn't leave the note and now I feel 433 00:23:29,680 --> 00:23:33,199 Speaker 2: bad about it, and she's got her snaky plan, but 434 00:23:33,240 --> 00:23:36,280 Speaker 2: it isn't under the paper. It was a good plan. Yeah, 435 00:23:36,680 --> 00:23:40,080 Speaker 2: And then we had sort of the moment where she's like, 436 00:23:40,240 --> 00:23:43,719 Speaker 2: why didn't you give me the message? And he's all, uh, 437 00:23:43,840 --> 00:23:47,520 Speaker 2: it's right here. I was just like, oh my god, 438 00:23:47,560 --> 00:23:49,280 Speaker 2: that was a little bit of a capery thing that 439 00:23:49,760 --> 00:23:53,120 Speaker 2: Jason Priestley would love in an episode. Yet I liked it. 440 00:23:53,240 --> 00:24:10,600 Speaker 1: I liked it Kelly takes her dad to meet Colin unannounced. 441 00:24:11,080 --> 00:24:13,600 Speaker 1: This is not ever a good idea to take your 442 00:24:13,680 --> 00:24:17,080 Speaker 1: father to meet your boyfriend who you know has a 443 00:24:17,160 --> 00:24:20,199 Speaker 1: drug problem. Just go show up at his house, and 444 00:24:20,800 --> 00:24:22,159 Speaker 1: that's not a good idea, Kelly. 445 00:24:22,880 --> 00:24:25,520 Speaker 2: So I have to say this scene gave me so 446 00:24:25,760 --> 00:24:30,360 Speaker 2: much like secondhand angst that it must have been acted well, 447 00:24:30,400 --> 00:24:33,639 Speaker 2: because I feel like Colin's sure was way too unbuttoned. 448 00:24:33,760 --> 00:24:34,959 Speaker 1: Oh yeah, he was a mess. 449 00:24:35,240 --> 00:24:39,760 Speaker 2: I was so uncomfortable and he was extra extra, like 450 00:24:40,359 --> 00:24:44,280 Speaker 2: you know what scene he was, That's what I'm saying, 451 00:24:44,320 --> 00:24:46,080 Speaker 2: Like I believed it. He was so un comfortable and 452 00:24:46,080 --> 00:24:47,840 Speaker 2: he was trying to be like it was almost like 453 00:24:47,920 --> 00:24:50,080 Speaker 2: he wasn't sweating, but couldn't you just picture him just 454 00:24:50,320 --> 00:24:53,919 Speaker 2: sweating Like I'm trying to I'm on drugs. I'm on 455 00:24:54,040 --> 00:24:59,600 Speaker 2: drug I know. It was really question because I everybody 456 00:24:59,640 --> 00:25:04,080 Speaker 2: knows I've never done a drug. If you do coke immediately, 457 00:25:04,240 --> 00:25:05,560 Speaker 2: do you get the effects? 458 00:25:05,920 --> 00:25:09,080 Speaker 1: Okay, you're asking the wrong person because I've never done 459 00:25:09,080 --> 00:25:12,120 Speaker 1: that either. So we're gonna have to bring in an expert, 460 00:25:12,440 --> 00:25:12,720 Speaker 1: like you. 461 00:25:12,640 --> 00:25:14,400 Speaker 2: Know when you take an advil. This is my only 462 00:25:14,640 --> 00:25:16,639 Speaker 2: like comparative. It takes an hour. 463 00:25:17,200 --> 00:25:20,400 Speaker 1: I've seen it done enough to know it's an instant, 464 00:25:20,520 --> 00:25:22,760 Speaker 1: like how to your brain? 465 00:25:23,359 --> 00:25:27,360 Speaker 2: Okay, because advil, I have to wait that. I'm like, 466 00:25:27,359 --> 00:25:28,520 Speaker 2: oh this thing, look. 467 00:25:28,440 --> 00:25:30,919 Speaker 1: At that go into your stomach and it asks to 468 00:25:30,920 --> 00:25:35,760 Speaker 1: like assimilate. This is cocaine. You're snorting it into your membrane. 469 00:25:35,840 --> 00:25:37,760 Speaker 2: Yeah, is it going to your brain? What is it? 470 00:25:37,800 --> 00:25:40,000 Speaker 2: Where does it go? It is so bad, guys, this 471 00:25:40,080 --> 00:25:40,920 Speaker 2: is not a good drug. 472 00:25:41,320 --> 00:25:41,560 Speaker 1: Coke. 473 00:25:41,680 --> 00:25:45,160 Speaker 2: Yeah, but he gets the effects real quick. 474 00:25:45,280 --> 00:25:47,560 Speaker 1: He's really good at it, like at a split as 475 00:25:47,560 --> 00:25:50,040 Speaker 1: I like to say, and Kelly can tell that he's high, 476 00:25:50,080 --> 00:25:51,360 Speaker 1: and he says, it's so mad. 477 00:25:51,520 --> 00:25:56,000 Speaker 2: For good, She's so mad, rightfully, So this guy sucks. 478 00:25:56,440 --> 00:25:58,680 Speaker 1: Well, she did come over unannounced. 479 00:25:58,800 --> 00:26:03,000 Speaker 2: I just okay, first of all, I agree, But yet 480 00:26:04,480 --> 00:26:05,720 Speaker 2: she should be able to go over. 481 00:26:05,600 --> 00:26:08,600 Speaker 1: To her boyfriend's house and not be worried that he's 482 00:26:08,680 --> 00:26:09,840 Speaker 1: like gonna be all crazy. 483 00:26:10,160 --> 00:26:12,600 Speaker 2: Maybe with her dad. It's a little bit awkward, Like 484 00:26:12,680 --> 00:26:14,440 Speaker 2: you could have gone over un announced, but you're bringing 485 00:26:14,440 --> 00:26:15,480 Speaker 2: your dad. That's weird. 486 00:26:16,240 --> 00:26:19,960 Speaker 1: Yeah, it was weird, okay. California University. Jonathan calls the 487 00:26:20,000 --> 00:26:23,800 Speaker 1: Gondor and Susan realizes that Brandon never never gave her 488 00:26:23,840 --> 00:26:28,040 Speaker 1: the message, but she apologizes when she sees the post 489 00:26:28,119 --> 00:26:29,040 Speaker 1: it note that he. 490 00:26:29,160 --> 00:26:31,200 Speaker 2: And he's snuck in there because he's a little snake 491 00:26:31,240 --> 00:26:34,800 Speaker 2: because he gets advice from Valerie, Like, why wouldn't he 492 00:26:34,840 --> 00:26:38,960 Speaker 2: just be like, I didn't give you the info because 493 00:26:38,960 --> 00:26:40,000 Speaker 2: I hate this guy? 494 00:26:40,400 --> 00:26:41,880 Speaker 1: Yeah? Why would I? Yeah? 495 00:26:42,040 --> 00:26:43,320 Speaker 2: Right? I don't think it's that dramatic. 496 00:26:43,359 --> 00:26:45,959 Speaker 1: I could have just been more honest. Joe asks Donna 497 00:26:46,000 --> 00:26:48,919 Speaker 1: if you could get checked by her dad, who is 498 00:26:49,040 --> 00:26:52,520 Speaker 1: a cardiologist. She says, sure, no problem. 499 00:26:52,200 --> 00:26:57,600 Speaker 2: But first he okay, right, he's actually says, can the 500 00:26:57,840 --> 00:27:01,760 Speaker 2: coach get checked by your dad? He's kind of lying 501 00:27:02,000 --> 00:27:04,200 Speaker 2: because he doesn't want her to know yet. 502 00:27:04,119 --> 00:27:07,560 Speaker 1: Right, right, because he he wants to see what's up. 503 00:27:07,520 --> 00:27:10,520 Speaker 2: First, correct, because he wants to know what's going down. 504 00:27:10,800 --> 00:27:13,960 Speaker 1: We go back to the peach pit, where Steve tries 505 00:27:14,040 --> 00:27:17,720 Speaker 1: to get out of Nat why he ended his acting career, 506 00:27:18,400 --> 00:27:20,800 Speaker 1: but Nat does not want to talk about it. 507 00:27:21,480 --> 00:27:23,720 Speaker 2: We sort of doesn't. Steve keep pushing and find out 508 00:27:23,720 --> 00:27:27,399 Speaker 2: that there was a girl involved. I think maybe not 509 00:27:27,440 --> 00:27:29,639 Speaker 2: in this scene. There's one more. Somehow we learn of 510 00:27:29,680 --> 00:27:31,760 Speaker 2: the girl well, because she's. 511 00:27:31,640 --> 00:27:33,119 Speaker 1: At the Roger Cormick. 512 00:27:33,240 --> 00:27:35,280 Speaker 2: That's right festival, she's there. 513 00:27:35,359 --> 00:27:36,880 Speaker 1: She goes there to. 514 00:27:36,920 --> 00:27:42,000 Speaker 2: See Nat because Steve at first promotes that Lucichio is 515 00:27:42,040 --> 00:27:44,240 Speaker 2: going to be there. That's right, I said the name, right. 516 00:27:44,280 --> 00:27:44,840 Speaker 2: I hope I did. 517 00:27:44,920 --> 00:27:45,720 Speaker 1: I think he did? 518 00:27:46,160 --> 00:27:47,120 Speaker 2: Thank you. Yes. 519 00:27:47,200 --> 00:27:52,000 Speaker 1: So that's where Joan Diamond makes her entrance and she 520 00:27:52,280 --> 00:27:57,359 Speaker 1: says to him that to Steve that they were engaged 521 00:27:57,440 --> 00:28:02,840 Speaker 1: twenty five years ago. It's juicy, right, it's so good. 522 00:28:03,920 --> 00:28:06,159 Speaker 2: Yeah, that's on umber juicy and this is this is 523 00:28:06,200 --> 00:28:07,200 Speaker 2: the beginning of a thing. 524 00:28:07,560 --> 00:28:11,200 Speaker 1: And she's a horrible Oh my god, they're perfect. They're 525 00:28:11,200 --> 00:28:14,040 Speaker 1: a perfect couple. So Steve walks are over to meet 526 00:28:14,119 --> 00:28:16,960 Speaker 1: Nat and they are so excited to see each other. 527 00:28:17,080 --> 00:28:20,400 Speaker 1: His face lights up and she's so giddy. It's really cute. 528 00:28:20,480 --> 00:28:21,520 Speaker 1: I love that scene. 529 00:28:21,680 --> 00:28:25,200 Speaker 2: It's great, and you totally it's they're great actors because 530 00:28:25,240 --> 00:28:26,440 Speaker 2: you're like, these two are in love. 531 00:28:27,080 --> 00:28:29,480 Speaker 1: And that's where we find out that Nat did in 532 00:28:29,520 --> 00:28:34,400 Speaker 1: fact have a promising acting career until his dad got 533 00:28:34,440 --> 00:28:37,159 Speaker 1: sick and then he had to take over the restaurant 534 00:28:37,200 --> 00:28:40,040 Speaker 1: for his dad, and yeah, had to like his dream 535 00:28:40,160 --> 00:28:40,800 Speaker 1: of being. 536 00:28:40,640 --> 00:28:43,800 Speaker 2: I apologize that I forgo Oh my god, I fully 537 00:28:43,800 --> 00:28:46,400 Speaker 2: forgot this because I was so hooked on the girl. 538 00:28:46,760 --> 00:28:49,800 Speaker 2: So it's because of that, that's right. 539 00:28:50,440 --> 00:28:53,680 Speaker 1: Yeah, I like a storyline. I'm just excited to see 540 00:28:53,680 --> 00:28:58,320 Speaker 1: something different from Nat and she's she's great. 541 00:28:59,280 --> 00:28:59,560 Speaker 2: Yep. 542 00:29:00,160 --> 00:29:01,960 Speaker 1: So we go out to dinner with Kelly and her 543 00:29:01,960 --> 00:29:07,920 Speaker 1: parents and they're all happy, the little clams there together. 544 00:29:09,480 --> 00:29:12,920 Speaker 1: He tells Jackez he's moving back to Beverly Glenn and 545 00:29:13,040 --> 00:29:15,480 Speaker 1: Jackie tells him that she lives with mel. 546 00:29:15,760 --> 00:29:18,200 Speaker 2: Is that where it is. Does they say, is it 547 00:29:18,240 --> 00:29:19,680 Speaker 2: Beverly Glenn? He does. 548 00:29:19,800 --> 00:29:23,720 Speaker 1: He specifically says it's in Beverly Glenn and she's no way. 549 00:29:24,000 --> 00:29:25,120 Speaker 1: We spent so much time. 550 00:29:24,960 --> 00:29:27,760 Speaker 2: There, Okay, So I knew they called it out where 551 00:29:27,760 --> 00:29:29,880 Speaker 2: it was, so it was Hancock Park that I thought, 552 00:29:29,920 --> 00:29:33,880 Speaker 2: but it was Beverly Glen, which okay. So Beverly Glenn 553 00:29:35,280 --> 00:29:37,160 Speaker 2: is like Beverly Hills adjacent. 554 00:29:37,520 --> 00:29:40,200 Speaker 1: It's in the b H post you know, the Beverly 555 00:29:40,280 --> 00:29:41,320 Speaker 1: Hills post office. 556 00:29:41,400 --> 00:29:45,920 Speaker 2: Yeah, it's not the swinkiest of ver Airy says Beverly 557 00:29:46,000 --> 00:29:46,320 Speaker 2: can be. 558 00:29:47,280 --> 00:29:52,360 Speaker 1: It's the hills of Beverly Hills because Beverly Hills is flat, yes, 559 00:29:52,480 --> 00:29:58,560 Speaker 1: and the flats I think are the super swanky because Brentwood. 560 00:29:58,040 --> 00:30:01,960 Speaker 2: Glen is the not the the fanciest part of Brentwood. 561 00:30:01,960 --> 00:30:04,440 Speaker 2: I mean, we're all talking relative just rich rich rich 562 00:30:04,480 --> 00:30:05,320 Speaker 2: hashtag rich. 563 00:30:07,320 --> 00:30:10,280 Speaker 1: I mean, sign me up. I live there. But if 564 00:30:10,320 --> 00:30:13,000 Speaker 1: I had my brothers, I would live in the hills 565 00:30:13,080 --> 00:30:15,160 Speaker 1: of Beverly Hills. I don't know. I'm just a hill girl. 566 00:30:15,200 --> 00:30:18,080 Speaker 1: Are you a flats girl? Because in LA we have 567 00:30:18,400 --> 00:30:21,560 Speaker 1: a lot of different like elevations. You can live on 568 00:30:21,600 --> 00:30:24,800 Speaker 1: the hills on either side of the Hollywood Hills, and 569 00:30:24,840 --> 00:30:26,840 Speaker 1: you can live in the flats, which is more like 570 00:30:27,080 --> 00:30:29,480 Speaker 1: the nitty gritty flats. 571 00:30:29,840 --> 00:30:32,200 Speaker 2: Because I like to be able to walk places, so 572 00:30:32,280 --> 00:30:35,560 Speaker 2: I like Brentwood. I like walkability. So I live in 573 00:30:35,600 --> 00:30:39,840 Speaker 2: Brentwood and I can walk everywhere. Now it's not as 574 00:30:39,920 --> 00:30:42,840 Speaker 2: fancy as up a bit. Also, I can't afford to 575 00:30:42,840 --> 00:30:46,160 Speaker 2: be up a bit, but because these are like ten 576 00:30:46,760 --> 00:30:50,680 Speaker 2: twenty million dollar houses in Brentwood. But I love like 577 00:30:51,000 --> 00:30:54,280 Speaker 2: I would. I think if I had dough like a 578 00:30:54,320 --> 00:30:56,640 Speaker 2: lot of money, I'd still go for the walk ability, 579 00:30:56,720 --> 00:30:58,760 Speaker 2: which there are some fancy houses. Yeah, I love to 580 00:30:58,760 --> 00:30:59,800 Speaker 2: be I don't want to. I don't want to use 581 00:30:59,800 --> 00:31:02,680 Speaker 2: my car, especially in LA. It's like brutal mm hmm. 582 00:31:03,200 --> 00:31:05,640 Speaker 2: I don't want to go east of the four oh five. Yeah, 583 00:31:05,640 --> 00:31:10,160 Speaker 2: because you like to be able to, like be by yourself. 584 00:31:10,760 --> 00:31:15,560 Speaker 1: I like to be alone on the hillside in the wilderness, 585 00:31:15,840 --> 00:31:17,960 Speaker 1: and I don't I walk in my neighborhood. But I 586 00:31:18,600 --> 00:31:20,400 Speaker 1: totally walk in the neighborhood. And you get a better 587 00:31:20,440 --> 00:31:22,160 Speaker 1: workout because it's up and down, up and down. 588 00:31:22,480 --> 00:31:24,400 Speaker 2: I like to go to the country Martin and see 589 00:31:24,400 --> 00:31:30,480 Speaker 2: if I'm bump into that's my worst or whoever? 590 00:31:30,920 --> 00:31:33,400 Speaker 1: No, no, no, I love it. Where was I I 591 00:31:33,480 --> 00:31:33,760 Speaker 1: was at? 592 00:31:33,760 --> 00:31:33,880 Speaker 3: Oh? 593 00:31:33,920 --> 00:31:37,960 Speaker 1: I don't even want to admit it. Okay, So somehow 594 00:31:38,040 --> 00:31:45,200 Speaker 1: I got talked into becoming a member at Airwon right, 595 00:31:45,840 --> 00:31:46,360 Speaker 1: my god. 596 00:31:46,440 --> 00:31:50,240 Speaker 2: Wait, first of all, even I'm not that you paid 597 00:31:50,360 --> 00:31:52,840 Speaker 2: to get to get a small discount. 598 00:31:52,880 --> 00:31:56,720 Speaker 1: You pay to get to pay for way over priced things. 599 00:31:56,960 --> 00:31:59,520 Speaker 2: Yes, but you get to pay less when you're a member. 600 00:32:00,080 --> 00:32:02,800 Speaker 1: There are perks, like you get discounts on the hot food, 601 00:32:02,840 --> 00:32:05,400 Speaker 1: which they have, an amazing hot food you get. This 602 00:32:05,440 --> 00:32:05,840 Speaker 1: is for me. 603 00:32:05,960 --> 00:32:07,560 Speaker 2: This was the clinching judgments. 604 00:32:07,840 --> 00:32:10,520 Speaker 1: I could give the membership to one other person, So 605 00:32:10,560 --> 00:32:12,400 Speaker 1: I give it to my daughter because she goes there 606 00:32:12,400 --> 00:32:13,520 Speaker 1: after school sometimes and. 607 00:32:13,440 --> 00:32:15,840 Speaker 2: Gets something get or smoothie. 608 00:32:15,880 --> 00:32:17,960 Speaker 1: Oh, yeah, I was getting a discount for her basically, 609 00:32:18,000 --> 00:32:20,880 Speaker 1: but it's the free smoothie for the members every month. 610 00:32:20,920 --> 00:32:24,000 Speaker 2: That's you get a freeze smoothie. You get the Haley 611 00:32:24,040 --> 00:32:25,040 Speaker 2: beeber smoothie. 612 00:32:25,360 --> 00:32:26,760 Speaker 1: You can't get that when you have to get the 613 00:32:26,800 --> 00:32:28,800 Speaker 1: one that they tell you you can get. It's like. 614 00:32:30,560 --> 00:32:33,240 Speaker 3: Okay, and it's I was so excited the first time 615 00:32:33,280 --> 00:32:35,280 Speaker 3: I went and I was like, I'd like to have 616 00:32:35,320 --> 00:32:38,000 Speaker 3: my free smoothie please, And then I waited for like 617 00:32:38,040 --> 00:32:40,440 Speaker 3: forty five minutes for it because that's what you do there, 618 00:32:40,920 --> 00:32:42,880 Speaker 3: and they brought it out and it was like a 619 00:32:42,960 --> 00:32:44,080 Speaker 3: child's size cup. 620 00:32:45,120 --> 00:32:47,840 Speaker 1: I was so disappointed now that place. 621 00:32:48,160 --> 00:32:50,760 Speaker 2: First of all, I do love it because it's the 622 00:32:50,800 --> 00:32:54,440 Speaker 2: prepared food is like pretty top notch there, but it. 623 00:32:54,480 --> 00:32:58,560 Speaker 1: Is it's ridiculous. But why am I talking about? 624 00:32:58,560 --> 00:32:58,720 Speaker 2: Oh? 625 00:32:58,880 --> 00:33:02,760 Speaker 1: I saw the guy from h I can't remember his name. 626 00:33:03,200 --> 00:33:05,520 Speaker 2: I get it for you. Give me some decases. 627 00:33:05,520 --> 00:33:08,880 Speaker 1: Okay. He was in Modern Family. He's got red. 628 00:33:08,680 --> 00:33:11,280 Speaker 2: Hair, Jesse Tyler Ferguson d. 629 00:33:12,920 --> 00:33:14,920 Speaker 1: My daughter was like, oh, there's the guy from Modern 630 00:33:14,920 --> 00:33:17,760 Speaker 1: Family and I glanced up and I was like yeah. 631 00:33:17,920 --> 00:33:18,640 Speaker 1: And then I just. 632 00:33:18,840 --> 00:33:22,040 Speaker 2: Shop at VICENTI dudes a lot because the Airwan is 633 00:33:22,120 --> 00:33:26,520 Speaker 2: like fifteen more minutes away. And I see often the 634 00:33:27,320 --> 00:33:31,440 Speaker 2: dad from Modern Family, Al Bundy. What's his real name? Name? 635 00:33:31,920 --> 00:33:33,880 Speaker 2: His real name, I know, but he was Al Bundy. 636 00:33:33,960 --> 00:33:37,040 Speaker 2: Also what's his real name? Ed O'Neill, you don't know. 637 00:33:38,080 --> 00:33:40,959 Speaker 2: Family is also and then I used to see Marsha 638 00:33:40,960 --> 00:33:44,600 Speaker 2: across all the time from Melrose Place. To bring it 639 00:33:44,640 --> 00:33:45,680 Speaker 2: back around. 640 00:33:45,520 --> 00:33:48,040 Speaker 1: Oh my gosh, this is a celebrity you'd never know 641 00:33:48,120 --> 00:33:49,000 Speaker 1: when you go out in La. 642 00:33:49,240 --> 00:33:53,080 Speaker 2: Yeah. Well, if you go to head into LA, give 643 00:33:53,160 --> 00:33:55,440 Speaker 2: us a message, we'll give you all the spots because 644 00:33:55,440 --> 00:33:56,480 Speaker 2: it's not what you think. 645 00:33:56,840 --> 00:33:59,800 Speaker 1: No. I had some friends come in to do a 646 00:34:00,120 --> 00:34:02,719 Speaker 1: to shoot with me from QBC and so they live 647 00:34:02,760 --> 00:34:05,440 Speaker 1: in Pennsylvania and they were so excited to come to 648 00:34:05,560 --> 00:34:09,920 Speaker 1: LA and go to Arawan on their places to go. 649 00:34:10,560 --> 00:34:12,680 Speaker 2: If you need to know where you actually see the celebrities, 650 00:34:12,840 --> 00:34:15,000 Speaker 2: I can tell you because it's again it's not where 651 00:34:15,000 --> 00:34:20,000 Speaker 2: you think. Nope, it's the little hidden, hidden places you 652 00:34:20,080 --> 00:34:27,560 Speaker 2: can Dean s Gana. Everybody te Gana. 653 00:34:26,080 --> 00:34:28,600 Speaker 1: I'm not going there now. I know where I'm not 654 00:34:28,680 --> 00:34:29,040 Speaker 1: going to. 655 00:34:29,120 --> 00:34:34,000 Speaker 2: Tuscana is amazing, but yes, it's a it's often filled 656 00:34:34,000 --> 00:34:38,360 Speaker 2: with celebrities. Where were we? Okay, I do know this. 657 00:34:38,520 --> 00:34:43,520 Speaker 2: We're at dinner with Jackie and Kelly's dad and Kelly 658 00:34:43,719 --> 00:34:47,200 Speaker 2: and everything's hunky dory and they, uh, he's moving to 659 00:34:47,680 --> 00:34:50,480 Speaker 2: Beverly Glen and they shared such great times. This is 660 00:34:50,480 --> 00:34:52,680 Speaker 2: what I was trying to psychologically figure out. If something 661 00:34:52,719 --> 00:34:57,359 Speaker 2: happened at the dinner that made the dad leave leave. 662 00:34:57,840 --> 00:35:02,360 Speaker 1: No, nothing happened, or maybe he heard Jackie. Maybe his 663 00:35:02,440 --> 00:35:04,440 Speaker 1: whole motive was to come back and get back together 664 00:35:04,480 --> 00:35:07,760 Speaker 1: with Jackie. And Jackie tells him that she is happily 665 00:35:07,880 --> 00:35:11,200 Speaker 1: unmarried and living with Mail. 666 00:35:12,040 --> 00:35:15,160 Speaker 2: Yeah. I don't know. I don't know, but something happened 667 00:35:15,200 --> 00:35:17,960 Speaker 2: because suddenly this guy's gone mmm gone. 668 00:35:18,040 --> 00:35:21,759 Speaker 1: So anyway, Uh, Colin comes over to Valerie's office and 669 00:35:21,800 --> 00:35:25,520 Speaker 1: he demands his cocaine back. Oh my god, and she 670 00:35:25,680 --> 00:35:28,960 Speaker 1: tells him that she gave the vial to Kelly. I mean, 671 00:35:29,200 --> 00:35:31,040 Speaker 1: I love the way she's like, I just gave it 672 00:35:31,080 --> 00:35:31,399 Speaker 1: to her. 673 00:35:31,960 --> 00:35:35,680 Speaker 2: It's like, first of all, what like, it's it's hot 674 00:35:35,719 --> 00:35:37,759 Speaker 2: potato with the vial of cocaine. 675 00:35:37,960 --> 00:35:42,000 Speaker 1: Like, I don't know, you should probably just flush it. 676 00:35:42,080 --> 00:35:44,880 Speaker 1: That would be my recommendation. He's pissed though. 677 00:35:44,840 --> 00:35:47,399 Speaker 2: Maybebe he got it at the Rose Parade. Just dump 678 00:35:47,400 --> 00:35:48,600 Speaker 2: it in one of those cans. 679 00:35:48,960 --> 00:35:49,759 Speaker 1: Yeah, get rid of. 680 00:35:49,880 --> 00:35:52,759 Speaker 2: H can be traced back to you boop. There's ten 681 00:35:52,840 --> 00:35:53,880 Speaker 2: million people there there. 682 00:35:54,000 --> 00:35:57,440 Speaker 1: But now we know why she didn't. We'll get to 683 00:35:57,440 --> 00:35:59,919 Speaker 1: that a minute. Next morning, at the beach house, Kelly 684 00:36:00,040 --> 00:36:02,319 Speaker 1: tells Donna what a nice night she had with her 685 00:36:02,400 --> 00:36:05,279 Speaker 1: dad and her mom. At dinner, Joe calls Donna to 686 00:36:05,320 --> 00:36:07,400 Speaker 1: tell her they won't make it because he has an 687 00:36:07,440 --> 00:36:09,520 Speaker 1: appointment for his echo cardiogram. 688 00:36:09,680 --> 00:36:11,120 Speaker 2: Oh, oh, I forgot I have an appointment. 689 00:36:11,520 --> 00:36:15,520 Speaker 1: Yeah, but he doesn't tell her yet. Oh. Valerie calls 690 00:36:15,960 --> 00:36:19,320 Speaker 1: to check on Colin, who's sound asleep, and for some reason, 691 00:36:19,440 --> 00:36:22,480 Speaker 1: she's the taker, the caregiver for a calling. Now he 692 00:36:22,520 --> 00:36:25,560 Speaker 1: says he had a fantastic night and he stares at 693 00:36:25,600 --> 00:36:29,200 Speaker 1: a blank canvas because he couldn't get the coke to 694 00:36:29,320 --> 00:36:31,000 Speaker 1: help him finish his painting. 695 00:36:31,800 --> 00:36:32,719 Speaker 2: Can't stand this guy. 696 00:36:35,280 --> 00:36:39,439 Speaker 1: Uh, Then we go and see Kelly does this work? 697 00:36:39,520 --> 00:36:42,160 Speaker 2: It's painful. This was really bad. 698 00:36:42,280 --> 00:36:45,880 Speaker 1: Kelly so excited she goes to the house. She meets Canvas, 699 00:36:45,920 --> 00:36:48,400 Speaker 1: the real estate agent, and they're waiting for their for 700 00:36:48,520 --> 00:36:53,000 Speaker 1: her dad to get there. Yeah, so he never shows up. 701 00:36:54,960 --> 00:36:57,960 Speaker 2: So that was so sad. I was like, oh gosh, 702 00:36:59,360 --> 00:37:01,120 Speaker 2: I'm sure he's coming. I'm sure. It's just like an 703 00:37:01,120 --> 00:37:03,319 Speaker 2: eight year old being like at the door with her 704 00:37:03,440 --> 00:37:05,880 Speaker 2: like overnight bag, like waiting for their dad to come 705 00:37:05,880 --> 00:37:08,160 Speaker 2: pick him up. And the dad doesn't come. It was like, 706 00:37:08,600 --> 00:37:10,719 Speaker 2: well acted, you know what. The acting in this whole 707 00:37:10,800 --> 00:37:13,799 Speaker 2: episode is like everybody was on top of their game. 708 00:37:14,080 --> 00:37:14,839 Speaker 1: I thought so too. 709 00:37:15,600 --> 00:37:19,759 Speaker 2: Yeah, nothing was really like oh uh, so we. 710 00:37:19,920 --> 00:37:25,880 Speaker 1: See then Joe tell Donna the truth about his potential 711 00:37:26,000 --> 00:37:29,200 Speaker 1: heart issue and that's when she decides to go to 712 00:37:29,280 --> 00:37:30,560 Speaker 1: the appointment with him. 713 00:37:31,120 --> 00:37:33,080 Speaker 2: Well and he's going to get a second opinion, and 714 00:37:33,160 --> 00:37:36,719 Speaker 2: she's like, that's good, my dad would recommend that. But 715 00:37:37,719 --> 00:37:42,000 Speaker 2: we're going to the sketchy team doctor or something. Who 716 00:37:43,080 --> 00:37:46,240 Speaker 2: this is my take on it. Nope, you're cleared because 717 00:37:46,239 --> 00:37:48,120 Speaker 2: they need this guy to play football. 718 00:37:48,560 --> 00:38:06,800 Speaker 1: Really bump bump bomb. Oh no. So the aftermath of 719 00:38:07,160 --> 00:38:10,960 Speaker 1: Kelly being her dad being a no show, she rips 720 00:38:11,000 --> 00:38:15,200 Speaker 1: out of there and goes and calls her dad's hotel 721 00:38:15,239 --> 00:38:18,560 Speaker 1: and she finds out that he checked out, and she's 722 00:38:18,600 --> 00:38:21,160 Speaker 1: so upset she starts draped driving like a crazy person. 723 00:38:22,000 --> 00:38:26,000 Speaker 1: Which I was watching this episode with my family and 724 00:38:26,080 --> 00:38:29,200 Speaker 1: they were like, Mom, that's how you drive now, Like. 725 00:38:29,400 --> 00:38:32,520 Speaker 2: Okay, that's very funny. I also thought the driving scenes 726 00:38:32,520 --> 00:38:34,560 Speaker 2: were very realistic. I didn't feel like you're on one 727 00:38:34,560 --> 00:38:35,960 Speaker 2: of those fake things. No. 728 00:38:36,120 --> 00:38:37,920 Speaker 1: I like that when you see them driving the car 729 00:38:38,160 --> 00:38:38,600 Speaker 1: like real. 730 00:38:38,880 --> 00:38:41,480 Speaker 2: Yeah, I like to make it real. The security at 731 00:38:41,520 --> 00:38:44,960 Speaker 2: the private airport is a bit lax because you're able 732 00:38:45,040 --> 00:38:49,040 Speaker 2: to fully run into the office, fully run out to 733 00:38:49,120 --> 00:38:51,520 Speaker 2: where the planes are with just have you ever been to. 734 00:38:51,600 --> 00:38:53,719 Speaker 1: A private hanger? Like, have you ever found like that? 735 00:38:53,920 --> 00:38:54,000 Speaker 2: Right? 736 00:38:54,080 --> 00:38:55,640 Speaker 1: Yeah, Yeah, it's kind of like that. You can just 737 00:38:55,760 --> 00:39:00,919 Speaker 1: literally basically go into there and hang out. Yeah, it's weird, weird, 738 00:39:01,400 --> 00:39:04,400 Speaker 1: So we're going back to the peach pit. Nat says 739 00:39:04,520 --> 00:39:07,440 Speaker 1: that the film festival changed his life because he was 740 00:39:07,520 --> 00:39:12,120 Speaker 1: reunited with Joan. Yes, and Brandon and Susan are talking 741 00:39:12,120 --> 00:39:14,719 Speaker 1: about going to San Luis Obispo, although they don't know 742 00:39:14,800 --> 00:39:17,919 Speaker 1: where that is, which is weird. Uh, and Susan says 743 00:39:18,080 --> 00:39:19,840 Speaker 1: she will not be going out with Jonathan when he 744 00:39:20,000 --> 00:39:22,879 Speaker 1: is in town. That's all she had to say. 745 00:39:22,960 --> 00:39:27,560 Speaker 2: From the beginning, Dan Luisibispo rigamarole for them to not 746 00:39:27,680 --> 00:39:29,680 Speaker 2: know where it is, and it's like you guys know 747 00:39:29,719 --> 00:39:31,640 Speaker 2: where it is, Like, we all know where it is. 748 00:39:32,080 --> 00:39:35,360 Speaker 2: It point's halfway between La and San Francisco on the 749 00:39:35,440 --> 00:39:38,000 Speaker 2: one oh one. And even then kids were going to 750 00:39:38,040 --> 00:39:43,120 Speaker 2: cal Pauly. It's like where this is. It's one freeway. 751 00:39:43,440 --> 00:39:47,040 Speaker 2: You literally can take one road from are you drive 752 00:39:47,160 --> 00:39:51,080 Speaker 2: right through it. It's like and everyone knows the Madonna 753 00:39:51,160 --> 00:39:52,040 Speaker 2: in everyone. 754 00:39:52,600 --> 00:39:55,640 Speaker 1: So like you said, have you ever wait, hold on pause, 755 00:39:56,160 --> 00:39:57,920 Speaker 1: have you ever gone to the Madonna in? 756 00:39:58,239 --> 00:40:02,200 Speaker 2: No, because it's not my kind of place, because it feels. 757 00:40:02,400 --> 00:40:07,319 Speaker 1: It feels dirty. Yes, it's so dirty. I stayed there, 758 00:40:07,400 --> 00:40:10,960 Speaker 1: I swear to god, dirty twenty nine years ago. 759 00:40:11,719 --> 00:40:13,560 Speaker 2: It's like everyone loves it. And I guess, like boys 760 00:40:13,640 --> 00:40:16,839 Speaker 2: go into this bathroom there where there's like a waterfall. 761 00:40:17,480 --> 00:40:18,880 Speaker 2: I think this is like a famous thing at them. 762 00:40:19,000 --> 00:40:21,840 Speaker 2: There's one of the public bathrooms, not public, but you 763 00:40:21,920 --> 00:40:25,000 Speaker 2: know what I mean, not in your room, like the bathroom. Yeah, 764 00:40:25,640 --> 00:40:29,000 Speaker 2: and you can pee, sorry to say the word pee 765 00:40:29,560 --> 00:40:32,239 Speaker 2: through like a waterfall. So like everyone goes into the 766 00:40:32,320 --> 00:40:35,080 Speaker 2: boys bathroom and they can like pee through some kind 767 00:40:35,080 --> 00:40:36,920 Speaker 2: of waterfall. Be making this up, but this is what 768 00:40:37,040 --> 00:40:37,319 Speaker 2: I heard. 769 00:40:37,840 --> 00:40:38,759 Speaker 1: Was that fun for boys? 770 00:40:39,000 --> 00:40:41,439 Speaker 2: Yeah? I drive by the Madonna in all the time, 771 00:40:41,600 --> 00:40:45,520 Speaker 2: and it looks like a hot wreck, Like it's like dilapidating, 772 00:40:46,160 --> 00:40:50,480 Speaker 2: very touristy. I think, so for me, that's not my 773 00:40:50,600 --> 00:40:51,239 Speaker 2: favorite spot. 774 00:40:51,320 --> 00:40:53,360 Speaker 1: I stayed at the Cave room. I stayed in the 775 00:40:53,440 --> 00:40:56,000 Speaker 1: Cave room. Every room is a different theme. Yeah, I 776 00:40:56,080 --> 00:40:58,080 Speaker 1: remember I stayed in the cave that's very themed. 777 00:40:58,560 --> 00:41:02,160 Speaker 2: You know who has a beautiful spot in San Los Obispo. 778 00:41:02,400 --> 00:41:04,680 Speaker 2: Do you remember the Bachelor Andrew Andrew Firestone. 779 00:41:05,360 --> 00:41:05,480 Speaker 1: Oh? 780 00:41:05,560 --> 00:41:08,680 Speaker 2: Yeah, so he actually owns what I think is one 781 00:41:08,719 --> 00:41:11,120 Speaker 2: of the nicest hotels in San Luis Obispo. It's like 782 00:41:11,239 --> 00:41:13,960 Speaker 2: more in this sort of cute part of like where 783 00:41:14,080 --> 00:41:17,680 Speaker 2: school is. I can't think of the name. I'm so sorry, Andrew, 784 00:41:17,840 --> 00:41:19,640 Speaker 2: because I'd love to give you a shout out, but 785 00:41:19,760 --> 00:41:21,360 Speaker 2: it's very cute. I went and checked it out, and 786 00:41:21,400 --> 00:41:22,720 Speaker 2: I was like, oh, this is nice. 787 00:41:23,080 --> 00:41:24,080 Speaker 1: I'd like to go there. 788 00:41:24,520 --> 00:41:27,200 Speaker 2: Yeah, I'll text him. You can go there. It's cute. 789 00:41:27,480 --> 00:41:28,880 Speaker 1: Let's go see Andrew Santis. 790 00:41:28,920 --> 00:41:32,400 Speaker 2: Obispo's cool, except i'd rather, if I'm being honest, sorry 791 00:41:32,440 --> 00:41:35,839 Speaker 2: for this tangent, go to Los Alevos. That's my more 792 00:41:35,960 --> 00:41:38,000 Speaker 2: my speed, and it's like only about an hour, so 793 00:41:38,040 --> 00:41:39,680 Speaker 2: it's like, I'm never going to stay in San Luis 794 00:41:39,719 --> 00:41:43,800 Speaker 2: Obispo because I'd rather just stay in Carmel or Losa Livos. 795 00:41:44,360 --> 00:41:46,319 Speaker 1: I'm with you on that, Amy. I lived in Los 796 00:41:46,400 --> 00:41:50,120 Speaker 1: Livos for seventeen years and it was amazing, first of all, 797 00:41:50,280 --> 00:41:53,880 Speaker 1: and it's like even better now. Yeah, it's gotten like 798 00:41:54,280 --> 00:41:55,680 Speaker 1: more of a hotspoty on. 799 00:41:55,719 --> 00:41:58,080 Speaker 2: The ads end, in which I didn't love. But no, 800 00:41:58,400 --> 00:42:00,840 Speaker 2: it's packed on the ends. It's like the NAPA of 801 00:42:01,719 --> 00:42:04,560 Speaker 2: Santa Barbara. And you know there's an o bearge there. 802 00:42:04,640 --> 00:42:04,799 Speaker 1: Now. 803 00:42:05,239 --> 00:42:08,279 Speaker 2: Sorry, we sound so bougie, like we just sound like 804 00:42:08,400 --> 00:42:12,120 Speaker 2: we are from Beverly Hills and this is just but 805 00:42:12,360 --> 00:42:15,960 Speaker 2: like I say, but my pennies, it's so good. It's 806 00:42:16,160 --> 00:42:21,560 Speaker 2: so first of all ridiculous, Like you know how I 807 00:42:21,600 --> 00:42:25,120 Speaker 2: can go there's because of points. You use your Amex points. Everybody, 808 00:42:25,760 --> 00:42:29,000 Speaker 2: Oh okay, so just do all your spending, put all 809 00:42:29,040 --> 00:42:31,759 Speaker 2: your bills on your Amex and then at the end 810 00:42:31,760 --> 00:42:34,000 Speaker 2: of the year you've got enough travel points to stay 811 00:42:34,040 --> 00:42:39,080 Speaker 2: at the Bear one night, one night, okay, Okay. 812 00:42:39,280 --> 00:42:42,880 Speaker 1: Back to the show. We go for the second opinion 813 00:42:43,400 --> 00:42:46,680 Speaker 1: for Joe and the football doctor tells. 814 00:42:46,520 --> 00:42:51,000 Speaker 2: Him that that was the sketchiest thing ever. First of all, 815 00:42:51,000 --> 00:42:53,040 Speaker 2: there's no way doctor Martin's wrong because he's like a 816 00:42:53,080 --> 00:42:57,239 Speaker 2: world renowned surgeon, and the sketchy team doctor is telling 817 00:42:57,320 --> 00:42:58,919 Speaker 2: the quarterback you're good. 818 00:42:59,760 --> 00:43:02,040 Speaker 1: Yeah, I didn't believe him. He looked, he looked. Yeah. 819 00:43:02,920 --> 00:43:03,879 Speaker 2: Oh that was so bad. 820 00:43:05,160 --> 00:43:08,560 Speaker 1: And then Kelly ends up at the airport where she's 821 00:43:08,640 --> 00:43:11,239 Speaker 1: told that her father's plane took off ten minutes ago, 822 00:43:11,360 --> 00:43:14,440 Speaker 1: and she races out, even though she just they just 823 00:43:14,520 --> 00:43:18,000 Speaker 1: told her it took off, she races out to make sure. Yeah. 824 00:43:19,400 --> 00:43:21,000 Speaker 1: Oh but that scene was heartbreaking. 825 00:43:21,920 --> 00:43:22,600 Speaker 2: I'm good acting. 826 00:43:23,719 --> 00:43:24,560 Speaker 1: My husband cried. 827 00:43:27,880 --> 00:43:31,040 Speaker 2: Dave was like, oh, you just made me cry. Okay, 828 00:43:31,200 --> 00:43:35,000 Speaker 2: it's so funny because I got First of all, I 829 00:43:35,120 --> 00:43:36,800 Speaker 2: laughed so hard. Can I tell you guys a story. 830 00:43:36,880 --> 00:43:38,319 Speaker 2: So Jenny and I are on the phone the other 831 00:43:38,400 --> 00:43:42,399 Speaker 2: day chatting away about a bunch of stuff, and Dave 832 00:43:42,520 --> 00:43:44,439 Speaker 2: came in, so I'm on speaker talking to them both. 833 00:43:44,640 --> 00:43:48,560 Speaker 2: Oh but I literally knew that Jenny left and either 834 00:43:48,640 --> 00:43:50,799 Speaker 2: went to the bathroom or to like get some water, 835 00:43:51,000 --> 00:43:54,600 Speaker 2: so that she just save and I she doesn't say, like, wait, 836 00:43:54,719 --> 00:43:55,920 Speaker 2: talk to Dave. I'm going to the bathroom. 837 00:43:55,920 --> 00:43:58,360 Speaker 1: No, no, no, I just handed him the phone because 838 00:43:58,400 --> 00:44:00,400 Speaker 1: he had a lot to say and I've heard it 839 00:44:00,480 --> 00:44:03,880 Speaker 1: all before, and so I was like, well, amiel handle it. 840 00:44:04,000 --> 00:44:04,759 Speaker 2: I went in and I. 841 00:44:04,800 --> 00:44:07,920 Speaker 1: Literally got distracted in the bathroom, drew myself a bath. 842 00:44:08,160 --> 00:44:10,279 Speaker 1: I was like, full on self caring, and then I 843 00:44:10,400 --> 00:44:14,839 Speaker 1: was like, oh crap, Amy's still on film the day. Yeah, 844 00:44:15,200 --> 00:44:16,120 Speaker 1: I don't know you. 845 00:44:16,239 --> 00:44:19,279 Speaker 2: I was like, he just needed to do something. So 846 00:44:19,400 --> 00:44:21,960 Speaker 2: she just gave us each other so that Dave and 847 00:44:22,000 --> 00:44:23,719 Speaker 2: I could just like because I was in the car, 848 00:44:23,880 --> 00:44:25,200 Speaker 2: so I was down to talk. 849 00:44:25,560 --> 00:44:25,759 Speaker 1: Yeah. 850 00:44:25,840 --> 00:44:29,439 Speaker 2: And then I'm like, oh my gosh, that was fine. 851 00:44:29,600 --> 00:44:31,000 Speaker 1: I can't believe you just called me on that. I 852 00:44:31,120 --> 00:44:32,200 Speaker 1: completely forgot about it. 853 00:44:33,760 --> 00:44:37,080 Speaker 2: Anyway, back to this, I cried to this episode. I 854 00:44:37,160 --> 00:44:42,000 Speaker 2: cried this episode too. I was like, oh my gosh, and. 855 00:44:42,080 --> 00:44:44,120 Speaker 1: This this is where it goes off the rails for me. 856 00:44:44,280 --> 00:44:47,560 Speaker 1: Ah no pun intended. Back at the beach house, Kelly 857 00:44:47,640 --> 00:44:50,120 Speaker 1: gets home and she finds that her dad sent her 858 00:44:50,200 --> 00:44:54,399 Speaker 1: flowers and a card saying that he got a textile 859 00:44:54,640 --> 00:44:57,360 Speaker 1: deal that he couldn't pass up and is headed to Milan, 860 00:44:58,000 --> 00:45:00,919 Speaker 1: and he left her check for three grand and tells 861 00:45:00,960 --> 00:45:02,440 Speaker 1: her go buy yourself something. 862 00:45:02,239 --> 00:45:05,640 Speaker 2: Pretty, oh, because that's like nineteen ninety five or six, 863 00:45:05,719 --> 00:45:06,480 Speaker 2: whatever year we're in. 864 00:45:06,640 --> 00:45:09,000 Speaker 1: We looked it up, was like it that's equivalent to 865 00:45:09,120 --> 00:45:10,200 Speaker 1: like almost ten grand. 866 00:45:10,400 --> 00:45:12,160 Speaker 2: That's what I was gonna say. Ten grand. That's a 867 00:45:12,239 --> 00:45:15,320 Speaker 2: lot of money. Yeah, to give a kid in college 868 00:45:15,480 --> 00:45:18,799 Speaker 2: ten grand. My niece is lucky when I sent her 869 00:45:18,880 --> 00:45:20,000 Speaker 2: venmo or twenty five dollars. 870 00:45:20,040 --> 00:45:20,600 Speaker 1: Twenty dollars. 871 00:45:20,760 --> 00:45:24,200 Speaker 2: Yeah, I know, you know, you go get yourself some 872 00:45:24,520 --> 00:45:25,880 Speaker 2: lunch twenty bucks. 873 00:45:26,080 --> 00:45:29,000 Speaker 1: My mom still does that. My Fiona turned eighteen and 874 00:45:29,080 --> 00:45:30,920 Speaker 1: she gave her a card that had twenty dollars. 875 00:45:31,560 --> 00:45:37,000 Speaker 2: So cute person of all it adds up, yep, so Cata, 876 00:45:37,120 --> 00:45:39,279 Speaker 2: you just got ten grand and now you're going to 877 00:45:39,360 --> 00:45:40,000 Speaker 2: turn to drugs. 878 00:45:40,400 --> 00:45:43,320 Speaker 1: Kelly's so upset. She finds herself staring in the mirror 879 00:45:44,960 --> 00:45:50,560 Speaker 1: and that's when she makes the decision to get that 880 00:45:50,719 --> 00:45:55,640 Speaker 1: old vial of coke out and she decides to try it. 881 00:45:57,160 --> 00:45:59,359 Speaker 1: But it was weird because like she puts her head 882 00:45:59,400 --> 00:46:04,040 Speaker 1: down as if she's gonna, you know, snort all that cocaine, 883 00:46:04,360 --> 00:46:06,239 Speaker 1: and then her head just stays down there for the 884 00:46:06,400 --> 00:46:07,080 Speaker 1: longest time. 885 00:46:07,239 --> 00:46:10,800 Speaker 2: Like I think Jason probably was like, Okay, I gotta 886 00:46:10,920 --> 00:46:14,439 Speaker 2: make it clear what she's doing but like he didn't. 887 00:46:14,440 --> 00:46:16,320 Speaker 2: He wasn't ready to have you come back up. No, 888 00:46:16,680 --> 00:46:18,400 Speaker 2: I think the episode ends just on the back of 889 00:46:18,480 --> 00:46:19,759 Speaker 2: your very short hair. 890 00:46:21,160 --> 00:46:25,440 Speaker 1: Yeah, that's it. That's a wrap on that pod. It 891 00:46:25,560 --> 00:46:26,799 Speaker 1: was like in and out. 892 00:46:27,280 --> 00:46:30,320 Speaker 2: Now we're in it. This is the next in a 893 00:46:30,520 --> 00:46:36,920 Speaker 2: long line of traumatic events. Ms. Taylor, Oh boy, you 894 00:46:37,040 --> 00:46:37,879 Speaker 2: put through a lot. 895 00:46:38,160 --> 00:46:41,160 Speaker 1: You guys have to tell us though, do you do 896 00:46:41,320 --> 00:46:44,600 Speaker 1: you agree now like watching this back, that there's no 897 00:46:44,880 --> 00:46:50,520 Speaker 1: way Kelly would do cocaine. Yeah, it just doesn't track 898 00:46:51,520 --> 00:46:51,839 Speaker 1: with them. 899 00:46:52,200 --> 00:46:55,440 Speaker 2: I guess though. If look, both your parents are have 900 00:46:55,600 --> 00:46:59,680 Speaker 2: drug issues and it is genetic. But I just feel 901 00:46:59,760 --> 00:47:03,560 Speaker 2: like you, it's just not your move. 902 00:47:05,640 --> 00:47:05,879 Speaker 3: Yeah. 903 00:47:06,480 --> 00:47:12,359 Speaker 2: I think you're so like not you're so an antiet 904 00:47:12,520 --> 00:47:14,799 Speaker 2: And again I don't know. And so people can tell 905 00:47:14,880 --> 00:47:18,839 Speaker 2: us that you're that person that goes the opposite, right, 906 00:47:19,600 --> 00:47:22,400 Speaker 2: you tolerate it with your parents and this boyfriend. But 907 00:47:22,520 --> 00:47:25,920 Speaker 2: I just don't see Kelly Taylor doing it. But she 908 00:47:26,239 --> 00:47:27,080 Speaker 2: sure does. 909 00:47:27,480 --> 00:47:30,280 Speaker 1: I remember when they told me that the storyline was happening, 910 00:47:30,360 --> 00:47:34,040 Speaker 1: and I was like, wait, what okay, and then I 911 00:47:34,120 --> 00:47:36,120 Speaker 1: got talked into it and I was like, no, this 912 00:47:36,520 --> 00:47:38,040 Speaker 1: this will be fun. I get that it'll be fun 913 00:47:38,120 --> 00:47:41,560 Speaker 1: to act, you know, and do this storyline and teach 914 00:47:41,640 --> 00:47:44,600 Speaker 1: people about it. So we'll see, we'll see what happens. 915 00:47:45,560 --> 00:47:47,680 Speaker 2: You're like in the Run of the ten Years, Kelly 916 00:47:47,760 --> 00:47:52,880 Speaker 2: Taylor endured more rap than any of the characters. She was. 917 00:47:53,400 --> 00:47:55,880 Speaker 2: I mean, she was a walking. 918 00:47:56,160 --> 00:48:02,320 Speaker 1: After school special. She was a walk PSA for to 919 00:48:03,560 --> 00:48:08,479 Speaker 1: just say no, yeah for everything. Okay, next, wait, first, okay, 920 00:48:08,640 --> 00:48:10,080 Speaker 1: what did you rate it? 921 00:48:10,960 --> 00:48:14,000 Speaker 2: Episode? So I think I'm going to give this A nine. 922 00:48:14,440 --> 00:48:17,840 Speaker 2: A nine. I almost think it's like I was hooked in. 923 00:48:18,120 --> 00:48:21,160 Speaker 2: I enjoyed it. I you know, it's always a little 924 00:48:21,280 --> 00:48:24,759 Speaker 2: dated but yet feels current. I was totally good. 925 00:48:25,360 --> 00:48:27,400 Speaker 1: I didn't feel like there was enough going on with 926 00:48:27,520 --> 00:48:29,520 Speaker 1: all the other characters. I felt like it was so 927 00:48:29,719 --> 00:48:30,480 Speaker 1: Kelly focused. 928 00:48:31,360 --> 00:48:35,000 Speaker 2: That was a lot going on, yes, except that we 929 00:48:35,120 --> 00:48:37,960 Speaker 2: learned Joe's got this total heart thing and that's fallen 930 00:48:38,040 --> 00:48:39,640 Speaker 2: in love, and then we have some of the dumb 931 00:48:39,760 --> 00:48:42,600 Speaker 2: stuff with Jonathan Caston, Like I'm so not into that. 932 00:48:42,760 --> 00:48:45,120 Speaker 1: But yeah, I just felt like I was underplayed for 933 00:48:45,200 --> 00:48:45,680 Speaker 1: some reason. 934 00:48:45,760 --> 00:48:48,840 Speaker 2: I don't know all that stuff I remember now. I 935 00:48:49,000 --> 00:48:52,279 Speaker 2: had a I remember the. 936 00:48:52,920 --> 00:48:54,000 Speaker 1: Second aha moment. 937 00:48:54,560 --> 00:48:58,000 Speaker 2: I know, I was like, I mean, memory works so weird. 938 00:48:58,000 --> 00:49:01,600 Speaker 2: But I did remember what the inside than is why 939 00:49:02,120 --> 00:49:04,440 Speaker 2: Jonathan and Susan are so connected. 940 00:49:05,480 --> 00:49:06,600 Speaker 1: You remember to find out? 941 00:49:06,640 --> 00:49:07,200 Speaker 2: We do find it? 942 00:49:07,360 --> 00:49:07,440 Speaker 1: Well? 943 00:49:07,520 --> 00:49:08,640 Speaker 2: Yeah, because obviously if I know. 944 00:49:09,080 --> 00:49:11,279 Speaker 1: You, I don't tell me. I know, I don't even 945 00:49:11,320 --> 00:49:11,920 Speaker 1: know if I'll care. 946 00:49:12,120 --> 00:49:16,320 Speaker 2: But it was something. 947 00:49:17,840 --> 00:49:20,319 Speaker 1: That's a re endorsement. I can't wait to find out. 948 00:49:21,160 --> 00:49:26,080 Speaker 2: Yeah, that came back to me. And why I don't 949 00:49:26,080 --> 00:49:27,480 Speaker 2: want to say it. I won't say it because it's 950 00:49:27,680 --> 00:49:28,880 Speaker 2: it's I don't know anything. 951 00:49:29,040 --> 00:49:30,520 Speaker 1: Okay, will you? 952 00:49:30,760 --> 00:49:31,880 Speaker 2: And what episode was this? 953 00:49:31,960 --> 00:49:33,920 Speaker 1: We're gonna have to stay tuned to find out. This 954 00:49:34,200 --> 00:49:35,320 Speaker 1: was episode seventeen. 955 00:49:36,160 --> 00:49:40,280 Speaker 2: Oh wow. Okay, so we're like more just about halfway 956 00:49:40,320 --> 00:49:42,760 Speaker 2: point of this season a little more, and there's thirty 957 00:49:43,000 --> 00:49:45,360 Speaker 2: some crazy amount of episodes week. 958 00:49:45,960 --> 00:49:47,040 Speaker 1: I know, I'm exhausted. 959 00:49:50,160 --> 00:49:51,080 Speaker 2: Next week we have. 960 00:49:52,880 --> 00:49:59,320 Speaker 1: Season six, episode eighteen, Snowbound. Oh maybe they're going skiing. 961 00:50:02,080 --> 00:50:06,480 Speaker 2: No, I can't remember. It just seems so cocainey, but like. 962 00:50:06,520 --> 00:50:09,719 Speaker 1: I don't know, oh snow right, Yeah, I don't know. 963 00:50:09,960 --> 00:50:12,040 Speaker 2: I don't think it is, but I think it's just 964 00:50:12,160 --> 00:50:16,160 Speaker 2: like good stuff. Tory will be back, as I promise. 965 00:50:16,760 --> 00:50:20,319 Speaker 1: Okay, thanks for listening to us and all of our Shenanigans. 966 00:50:20,360 --> 00:50:22,719 Speaker 2: We love you, Yeah, send us your messages. 967 00:50:23,840 --> 00:50:24,080 Speaker 1: Bye.