WEBVTT - Episode 355 "Label Executives & Managers"

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<v Speaker 1>They get called broadcast line from Atlanta, Georgia. Wan't to

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<v Speaker 1>the ball show. I go by the name of fer.

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<v Speaker 2>I go by to that.

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<v Speaker 3>You know, bat too, man.

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<v Speaker 1>We got some special guests in the building, Keenan in

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<v Speaker 1>the building?

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<v Speaker 2>Maybe in the building? What's up? Fellas' real good?

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<v Speaker 4>Yeah?

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<v Speaker 2>What do you talk about? The rook like that?

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<v Speaker 1>Now? I know people are like, who the hell? How

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<v Speaker 1>the hell do we get these guys on here? Again?

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<v Speaker 1>I just wanted to talk to two people that I

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<v Speaker 1>very much respect. In the industry full of weirdos and

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<v Speaker 1>a whole bunch of bullshit going on.

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<v Speaker 3>That's how you feel.

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<v Speaker 2>We all know this.

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<v Speaker 1>I like to talk to people who stand on business.

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<v Speaker 1>I've never heard anything bad about either one.

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<v Speaker 2>Of you guys. You know what I'm saying.

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<v Speaker 1>In the industry full of.

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<v Speaker 3>You know, we gotta gotta, we gotta give who these

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<v Speaker 3>guys are?

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<v Speaker 1>Okay, please introduce yourselves please.

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<v Speaker 4>Keenan Johnson originally from New York but been to Atlanta

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<v Speaker 4>since nineteen ninety two. Went to clark Land University. Music

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<v Speaker 4>industry well well well respected, I would say professional, been

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<v Speaker 4>the game twenty five plus years and basically from what

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<v Speaker 4>you're saying, I prod myself on being consistent. I think

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<v Speaker 4>that's why I've been able to be around so long,

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<v Speaker 4>and people should respect for me for so long because

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<v Speaker 4>I respect you.

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<v Speaker 1>Trying to be too humble man s VP. Interscope records

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<v Speaker 1>that year EVP EVP. Oh my bad, damn.

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<v Speaker 4>How many years I was at Intersco for almost fifteen years? Yes,

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<v Speaker 4>started as a regional and worked my way up to

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<v Speaker 4>a EVP. Yeah, ended up running at the department over there.

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<v Speaker 4>So I'm not trying to be humble. I just figure

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<v Speaker 4>I was just gonna get into that a little bit.

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<v Speaker 5>Okay, that's okay. Uh, Yeah, I'm easy. You know, anybody

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<v Speaker 5>from Atlanta, y'all know me. I'll just be chilling. Man.

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<v Speaker 1>No, no, no, no, no. See see I first met this

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<v Speaker 1>guy man, he was promoting Yeah, and then all of

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<v Speaker 1>a sudden, I see this young guy with dreads fighting

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<v Speaker 1>in the club, and I've kept saying, who is this guy?

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<v Speaker 1>And then all of a sudden these were like, Hey,

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<v Speaker 1>the next one twenty one savage.

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<v Speaker 2>Yeah, I'm manager of twenty one President.

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<v Speaker 1>Are you also manager a producer?

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<v Speaker 5>Yeah? Kid, Hazel, And I'm recently I'm just now creating

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<v Speaker 5>my management company.

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<v Speaker 2>To kind of expand my roster as well. But yeah,

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<v Speaker 2>that's what I'm saying.

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<v Speaker 1>Can we wint my camera? He wasn't gonna say. Yeah.

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<v Speaker 6>He definitely was gonna say, but can we talk about

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<v Speaker 6>who you recently signed?

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<v Speaker 2>Not right now?

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<v Speaker 3>Okay, we keep that on Instagram, but yeah, he but I.

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<v Speaker 2>Got I just yeah, I just got somebody who who's

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<v Speaker 2>super lit. Yeah, super lit.

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<v Speaker 5>And I'm excited for the world to kind of see

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<v Speaker 5>what we do to grow what we got going on

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<v Speaker 5>for sure.

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<v Speaker 1>Okay, so my first question both of you guys are

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<v Speaker 1>when you first got into the industry, what are some

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<v Speaker 1>things that kind of made you say, damn, this is

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<v Speaker 1>some bullshit that I'm entering or did you have an

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<v Speaker 1>optimistic view of it? Nah?

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<v Speaker 4>Not really. Honestly, when I first got into business, it

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<v Speaker 4>was a lot harder to get in. It was so

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<v Speaker 4>much gatekeeping going on back then. It was a lot

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<v Speaker 4>harder to get in.

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<v Speaker 5>Uh.

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<v Speaker 4>You know, the business was really based in New York

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<v Speaker 4>and LA for the most part. Back then. In Atlanta

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<v Speaker 4>was really just starting to pop back in the mid

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<v Speaker 4>in late nineties, So there wasn't a lot of true

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<v Speaker 4>business out here. There was a lot of a lot of.

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<v Speaker 1>Art out here in Atlanta, in Atlanta, but.

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<v Speaker 4>Not business yet. So the people that were down here

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<v Speaker 4>were people that were getting put on by their people.

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<v Speaker 4>And those people were doing this holding it tight, holding

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<v Speaker 4>it tight, and only putting on people that you know,

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<v Speaker 4>that they that they messed with, you know, or was

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<v Speaker 4>they homies or their cousins or whatever. So I remember

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<v Speaker 4>a time where you know, the executives that that I

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<v Speaker 4>that I saw coming up, they was assholes. This would

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<v Speaker 4>be perfectly honest. And what I what I what I

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<v Speaker 4>took from that was I'm gonna get on, but I

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<v Speaker 4>never want to make people feel like some of these

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<v Speaker 4>people made me feel when I was trying to come up.

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<v Speaker 4>So that's why I was, you know, rolled the way

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<v Speaker 4>I rolled, like I always wanted to just be me

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<v Speaker 4>at the end of the day, like be represented for

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<v Speaker 4>who I am as opposed to what I did.

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<v Speaker 5>You know, Yeah, that's the same way with me. But yeah,

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<v Speaker 5>I just seen it with some bullshit from the promoter standpoint.

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<v Speaker 5>I seen niggas fake kick it. I've seen a lot

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<v Speaker 5>of shit. So when I came in, I was real,

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<v Speaker 5>like staying office. I was one of them. Fuck them niggas.

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<v Speaker 5>We don't need them niggas.

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<v Speaker 2>If I fuck with you, I fuck with you. Fucked,

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<v Speaker 2>We'll fuck all that shit. And I've learned, you know,

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<v Speaker 2>through time, like you.

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<v Speaker 5>Gotta play politics and stuff and just to somebody else

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<v Speaker 5>in some type of way. You don't got to be

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<v Speaker 5>that way, you know, just staying on my character, you know,

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<v Speaker 5>So anybody who know me, No, I'm just I feel

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<v Speaker 5>like I hope that anybody runningto me just like, oh man,

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<v Speaker 5>he a cool.

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<v Speaker 2>Ass motherfucker first before.

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<v Speaker 5>Like oh yeah, man, I'm man at twenty one savage

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<v Speaker 5>manager's that or I fake, you ain't gonna see me.

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<v Speaker 6>But you never never even been like that, Like even

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<v Speaker 6>even when I first bet both of guys, y'all have

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<v Speaker 6>always been super cool.

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<v Speaker 2>Like I didn't even know.

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<v Speaker 6>Like even when I first met you, I didn't even

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<v Speaker 6>know what you did with I was just like, dangn

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<v Speaker 6>it's a cool dude, Like yeah, he used to promote

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<v Speaker 6>and this and that, and now.

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<v Speaker 2>He you know, he managed this artist.

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<v Speaker 6>And I'm like, I'm like, oh that's fire, because you

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<v Speaker 6>don't you don't see people that gain that type of

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<v Speaker 6>success that you guys gained and that still keep a

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<v Speaker 6>level head because we used to people in the industry

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<v Speaker 6>being like assholes or like, oh, they.

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<v Speaker 3>Don't want to talk to you if you can't do

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<v Speaker 3>nothing for them.

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<v Speaker 6>And that's that's another thing the industry gotta stop doing,

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<v Speaker 6>like stop being friends with people fake as you say,

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<v Speaker 6>fake kicking it because they can do something that they

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<v Speaker 6>can help you.

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<v Speaker 4>Well, I started from humble beginnings, like I started on

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<v Speaker 4>the street team BRO. So for me, like I couldn't

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<v Speaker 4>come in, you know, on a higher level acting like

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<v Speaker 4>something I never. I wasn't from the beginning. I came

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<v Speaker 4>literally from the bottom doing street promotions at Clarkland University,

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<v Speaker 4>like on days like this, putting out postal boards, putting

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<v Speaker 4>stickers on on goddamn walls, and all types of stupid

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<v Speaker 4>shit all through the winter, not getting paid. So for me,

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<v Speaker 4>it's like I literally grinded my way from not being

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<v Speaker 4>paid to an EVP bro. So never at any point

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<v Speaker 4>that I that I wanted to feel like or could

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<v Speaker 4>I feel like I was better than anyone, because actually

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<v Speaker 4>put it into work, So I can respect anybody that

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<v Speaker 4>puts into work, you know what I mean.

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<v Speaker 3>And Mesic you came from promoting, you came from kind.

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<v Speaker 5>Of the same I was throwing parties, and I also

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<v Speaker 5>did street team work, like that's the first pack I

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<v Speaker 5>ever got was a two Chains album. That was my

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<v Speaker 5>first entry point into like the music business outside of

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<v Speaker 5>navigating how of throwing parties, because I remember one of

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<v Speaker 5>my parties got shot up.

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<v Speaker 2>I'll never forget.

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<v Speaker 5>I was making a whole bunch of money and one

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<v Speaker 5>of my parties got shot up, and I remember my

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<v Speaker 5>life flashed for my eyes. I'm like, damn, my shit over.

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<v Speaker 5>I don't know how I'm gonna eat. I don't know

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<v Speaker 5>what I'm gonna do. And I remember sitting in the

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<v Speaker 5>house like what do you I would like because this

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<v Speaker 5>party shit is not about to last.

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<v Speaker 2>I don't know what I'm about to do. I'm like music,

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<v Speaker 2>and I remember I just.

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<v Speaker 5>Called Charlie Tech and al over there at Street is

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<v Speaker 5>X and it was like, man, just come over here.

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<v Speaker 5>And I did the street team work for Boats two Chains,

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<v Speaker 5>and then shit, I did really good at that, and

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<v Speaker 5>that's what made me just really fall in love with

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<v Speaker 5>like the music business and just learning more about it.

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<v Speaker 5>That's kind of like it was my entry point.

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<v Speaker 1>Stop right there. So you remember he's got you, said

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<v Speaker 1>Streeter Zax. I remember a time when there was a

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<v Speaker 1>lot it was not a lot of music executives in Atlanta. Yeah,

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<v Speaker 1>but then it became to where music is x X

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<v Speaker 1>moved to Atlanta and a lot of people from Atlanta

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<v Speaker 1>became music at X for sure. Can you pinpoint when

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<v Speaker 1>did you guys see that change?

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<v Speaker 2>Uh?

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<v Speaker 4>Yeah, for me, it was the La Face era. La

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<v Speaker 4>Face era. That's when I was in college and baby

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<v Speaker 4>Facing La Reed. They came in set up shopping in

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<v Speaker 4>Atlanta and they created that that vehicle La Face, which

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<v Speaker 4>brought us outcast TLC and all these these icons of music.

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<v Speaker 4>Uh usher you know. So they brought the foundation of

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<v Speaker 4>what became the new music hub for the for the

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<v Speaker 4>industry of Atlanta in the nineties, and I think Atlanta

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<v Speaker 4>grew from there. And don't get it wrong, you know,

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<v Speaker 4>Jermaine and Dallas they did their part as well, but

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<v Speaker 4>as far as bringing a full infrastructure of a big

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<v Speaker 4>label to the city, definitely that that office on P

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<v Speaker 4>Street was like oh shit, this is like this is

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<v Speaker 4>this can happen like this? Like I used to go

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<v Speaker 4>up there, My man Taya used to wear there. Who

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<v Speaker 4>I think you know that shit used to be like boomerang,

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<v Speaker 4>Like we were going there and people be dressed beautifully,

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<v Speaker 4>the women would look amazing. Everywhere you turned, everybody just

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<v Speaker 4>looked good, smelled good, felt good, and they was just

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<v Speaker 4>and they was popping out that shit. So, you know,

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<v Speaker 4>really set the foundation for what things could be and

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<v Speaker 4>what was fur the ground Atlanta to grow from from

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<v Speaker 4>there from that point on.

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<v Speaker 5>Yeah, I mean, like I said, I grew up. I

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<v Speaker 5>grew up in seeing it. So I wasn't a time

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<v Speaker 5>where I didn't know that it wasn't able to happen

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<v Speaker 5>in Atlanta, you know, just because I'm little facing all

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<v Speaker 5>that stuff. I'm young, I was young. I'm thirty five,

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<v Speaker 5>so shit around that time, I ain't know much about music,

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<v Speaker 5>but I know music was always here, so I always

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<v Speaker 5>seen it, you know what I'm saying.

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<v Speaker 3>So what made what made you?

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<v Speaker 6>I know you said that you you started working with

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<v Speaker 6>street executives, But what made you really start like getting

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<v Speaker 6>into like management, Like did you ever think you could

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<v Speaker 6>start manage? No?

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<v Speaker 5>It was Charlie from streets he not with you know,

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<v Speaker 5>Charlie CEO was like man because I used to help artists,

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<v Speaker 5>but I would only help artists to get them for

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<v Speaker 5>free or for cheap, so I could make money at

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<v Speaker 5>the door. So I'm like helping work in their music,

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<v Speaker 5>doing whatever, making sure the DJ play the shit. I

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<v Speaker 5>don't give a fuck what I had to do because

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<v Speaker 5>I knew when two Chain changed his name from teddy

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<v Speaker 5>Boy to two Chains, I'm like, shit, I want to help.

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<v Speaker 5>Anything I need to do for two Chains, I'm gonna

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<v Speaker 5>do because when his mixtape release come, he gonna I

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<v Speaker 5>get it for free. So if I get it for

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<v Speaker 5>free and my door hit forty thousand and I make

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<v Speaker 5>twenty five percent of forty thousand, fine, you know. And

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<v Speaker 5>I got in the relationship. So I used to just

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<v Speaker 5>do stuff that marketers in different I used to do

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<v Speaker 5>stuff label people would do, and I didn't know what

0:09:34.880 --> 0:09:37.040
<v Speaker 5>I was doing. I'm just thinking whatever I can do

0:09:37.040 --> 0:09:38.960
<v Speaker 5>to build a relationship with the artists to make money.

0:09:39.320 --> 0:09:42.400
<v Speaker 5>So Charlie was like, look, bro, you can manage Do

0:09:42.440 --> 0:09:44.360
<v Speaker 5>you realize that you need to? And it was this

0:09:44.400 --> 0:09:46.240
<v Speaker 5>group called two nine that I was real close with,

0:09:46.880 --> 0:09:49.360
<v Speaker 5>nine Siege and Jason. He was like, man, you should

0:09:49.480 --> 0:09:53.080
<v Speaker 5>manage them. They are friends. You should try it. I'm like, damn,

0:09:53.120 --> 0:09:54.679
<v Speaker 5>I ain't ever think about it, but fuck it. That's

0:09:54.679 --> 0:09:56.200
<v Speaker 5>what made me move out my mama house. I moved

0:09:56.200 --> 0:09:58.160
<v Speaker 5>out my mama house and got an apartment right behind

0:09:58.200 --> 0:10:01.680
<v Speaker 5>Siege's house, bought them studio, and then, shit, I ain't

0:10:01.720 --> 0:10:03.640
<v Speaker 5>look back. That's when that was my entry point manager.

0:10:03.679 --> 0:10:06.160
<v Speaker 5>If it wasn't for Charlie, I would never thought about managing.

0:10:06.200 --> 0:10:07.839
<v Speaker 5>I just would have been throwing parties and trying to

0:10:07.880 --> 0:10:10.160
<v Speaker 5>figure it out, which is nothing wrong with that. I

0:10:10.200 --> 0:10:12.400
<v Speaker 5>still miss throwing parties. I had to stop on because

0:10:13.960 --> 0:10:15.720
<v Speaker 5>he was doing too much, so I had to stop

0:10:15.720 --> 0:10:17.760
<v Speaker 5>throwing the parties like I was trying to, Like he

0:10:17.920 --> 0:10:19.680
<v Speaker 5>was going out of town. I still had my percent,

0:10:19.760 --> 0:10:21.079
<v Speaker 5>but they got to the point where it's like I'm

0:10:21.120 --> 0:10:23.960
<v Speaker 5>not doing I'm not earning my money. So I just

0:10:23.960 --> 0:10:25.599
<v Speaker 5>gave my percent up and then that was it for

0:10:25.720 --> 0:10:27.400
<v Speaker 5>me with the parties. But I still wish I could

0:10:27.400 --> 0:10:29.679
<v Speaker 5>promote to this day. That's why when I get excited

0:10:29.679 --> 0:10:32.280
<v Speaker 5>when his birthday party come and shit like that, because

0:10:32.320 --> 0:10:34.400
<v Speaker 5>he give me that feeling of like, oh, y'all, come

0:10:34.440 --> 0:10:36.440
<v Speaker 5>fuck with us, we got this, we got that. I'm

0:10:36.440 --> 0:10:38.600
<v Speaker 5>really excited to promote anything, you.

0:10:38.520 --> 0:10:41.240
<v Speaker 2>Know, how exactly.

0:10:42.360 --> 0:10:44.360
<v Speaker 3>I'll get excited. How did you How did you and

0:10:44.480 --> 0:10:45.400
<v Speaker 3>Savage end up meeting.

0:10:45.880 --> 0:10:46.720
<v Speaker 2>I knew him back.

0:10:46.880 --> 0:10:49.280
<v Speaker 5>Shit if I'm three years older than him, so I

0:10:49.280 --> 0:10:51.920
<v Speaker 5>think I met him. This is just in Passing, just

0:10:51.920 --> 0:10:54.040
<v Speaker 5>because we grew up around the same people, like when

0:10:54.040 --> 0:10:56.840
<v Speaker 5>he was like twelve and I was like fifteen, seeing

0:10:56.880 --> 0:10:58.920
<v Speaker 5>him in Passing and then from there me throwing parties.

0:10:58.920 --> 0:11:01.439
<v Speaker 5>They will always come to the parties, bisections and stuff

0:11:01.480 --> 0:11:02.920
<v Speaker 5>like that. They was in the streets. They used to

0:11:02.920 --> 0:11:06.080
<v Speaker 5>fuck my parties up, like dough all these shit. He

0:11:06.240 --> 0:11:09.240
<v Speaker 5>was not a rapper whatsoever. So I just knew him

0:11:09.240 --> 0:11:11.160
<v Speaker 5>in Passing. I knew a lot of his older homeboys,

0:11:11.280 --> 0:11:13.440
<v Speaker 5>had a relationship with them, but they used to come

0:11:13.520 --> 0:11:15.839
<v Speaker 5>and from there. When he did start rapping, I was

0:11:15.880 --> 0:11:17.640
<v Speaker 5>just happy to see somebody who I knew for a

0:11:17.640 --> 0:11:19.600
<v Speaker 5>long time doing it and the music was good. So

0:11:19.679 --> 0:11:21.800
<v Speaker 5>I just was promoting him, pushing them just on some

0:11:21.960 --> 0:11:24.280
<v Speaker 5>like man, this nigga next, I know him like cool,

0:11:24.360 --> 0:11:25.200
<v Speaker 5>let's you know.

0:11:25.240 --> 0:11:26.320
<v Speaker 2>That's how it was organic.

0:11:26.440 --> 0:11:30.240
<v Speaker 5>Yeah, so I knew him before anything, like just just

0:11:30.280 --> 0:11:32.160
<v Speaker 5>in Passing, just growing up on the East Side.

0:11:32.760 --> 0:11:36.679
<v Speaker 1>I could tell because it seems very organic between you two.

0:11:36.920 --> 0:11:38.640
<v Speaker 1>I could tell he cares about you. I can tell

0:11:38.640 --> 0:11:41.640
<v Speaker 1>you care about him. You know it's not transactional. Yeah,

0:11:41.800 --> 0:11:44.280
<v Speaker 1>as you can kind of tell from outside looking in

0:11:44.280 --> 0:11:47.000
<v Speaker 1>in certain situations, I could tell you guys have a

0:11:47.080 --> 0:11:48.680
<v Speaker 1>really good relationship.

0:11:48.720 --> 0:11:51.160
<v Speaker 2>I appreciate that. Yeah, are you doing a good job? Yeah?

0:11:51.160 --> 0:11:53.760
<v Speaker 3>Because it's funny because when we went to Ruggs No

0:11:53.920 --> 0:11:56.040
<v Speaker 3>was it? Who party was? I forgot? Was at somebody

0:11:56.120 --> 0:12:00.400
<v Speaker 3>party and this uh savage saw you, like what you're

0:12:00.400 --> 0:12:02.480
<v Speaker 3>doing here, and it's like, damn, I'm trying to get

0:12:02.480 --> 0:12:03.079
<v Speaker 3>away from him.

0:12:04.320 --> 0:12:06.880
<v Speaker 6>Stuff like that just shows me like how organic you

0:12:06.920 --> 0:12:09.880
<v Speaker 6>know your relationship is, because you really don't see that

0:12:09.920 --> 0:12:11.760
<v Speaker 6>a lot like a lot of times in this industry,

0:12:11.800 --> 0:12:14.640
<v Speaker 6>we see like, uh, like an art like a manager

0:12:14.720 --> 0:12:16.920
<v Speaker 6>like yourself, give with an artist and then as soon

0:12:16.960 --> 0:12:18.599
<v Speaker 6>as the artists blow up and they get big, so

0:12:18.800 --> 0:12:22.880
<v Speaker 6>what do they do? Snip snip switching later and then

0:12:22.880 --> 0:12:25.880
<v Speaker 6>they got a whole man, they got a whole management company,

0:12:26.559 --> 0:12:29.560
<v Speaker 6>and you don't help bring these artists, you know, to

0:12:29.600 --> 0:12:31.080
<v Speaker 6>the point to where where they at.

0:12:31.440 --> 0:12:33.800
<v Speaker 3>And you know, you see, you see that so so

0:12:33.920 --> 0:12:34.959
<v Speaker 3>often in his industry.

0:12:35.040 --> 0:12:37.920
<v Speaker 5>I'm blessed, bro, Like I know I'm blessed. I don't

0:12:38.800 --> 0:12:41.280
<v Speaker 5>it ain't no, I don't got no advice for nobody

0:12:41.400 --> 0:12:47.120
<v Speaker 5>and none. You gotta just pay. You got a real motherfucker.

0:12:46.679 --> 0:12:47.560
<v Speaker 2>That's you.

0:12:48.320 --> 0:12:49.920
<v Speaker 5>You know what I'm saying, the way you fuck with them,

0:12:49.920 --> 0:12:54.560
<v Speaker 5>because it's the percent the people that are like savage

0:12:54.640 --> 0:12:57.319
<v Speaker 5>is like two percent in the industry. So it's like,

0:12:57.440 --> 0:12:59.880
<v Speaker 5>don't think it's gonna it's it's it's rare for somebody

0:13:00.080 --> 0:13:03.560
<v Speaker 5>be loyal, you know, and locking the way you know

0:13:03.760 --> 0:13:05.520
<v Speaker 5>niggas is locked in. I was just talking to Shock

0:13:05.559 --> 0:13:07.560
<v Speaker 5>up about it before I got here. They going on

0:13:07.600 --> 0:13:08.720
<v Speaker 5>twenty five years together.

0:13:08.800 --> 0:13:12.000
<v Speaker 3>Yeah, wow, yeah, wow, shout out the shock.

0:13:12.520 --> 0:13:15.240
<v Speaker 2>That's rare though, you know what I'm saying. So I'm blessed, man,

0:13:15.280 --> 0:13:15.840
<v Speaker 2>I'm blessed.

0:13:16.360 --> 0:13:19.000
<v Speaker 1>Okay, Kenan, I got a question, man. I know you

0:13:19.000 --> 0:13:21.200
<v Speaker 1>you was on the promo side for a very long time,

0:13:21.200 --> 0:13:26.240
<v Speaker 1>so you saw some things going no, no, no, no,

0:13:26.720 --> 0:13:27.480
<v Speaker 1>ain't going too crazy.

0:13:28.080 --> 0:13:28.520
<v Speaker 2>Hold on that.

0:13:28.920 --> 0:13:31.199
<v Speaker 1>I wanted to ask you, like, what are some things

0:13:31.200 --> 0:13:35.199
<v Speaker 1>that you think an artist tends to blame the label

0:13:35.640 --> 0:13:36.800
<v Speaker 1>which is inaccurate?

0:13:36.800 --> 0:13:39.040
<v Speaker 3>I want to good question because I worked at.

0:13:39.000 --> 0:13:41.360
<v Speaker 1>The promo side year. I worked at war the records,

0:13:41.440 --> 0:13:43.480
<v Speaker 1>and you know, sometimes I saw when I had I

0:13:43.520 --> 0:13:47.040
<v Speaker 1>had a I had a corporate card, and I thought

0:13:47.040 --> 0:13:47.480
<v Speaker 1>that was cool.

0:13:47.600 --> 0:13:48.120
<v Speaker 2>I kept saying.

0:13:48.160 --> 0:13:49.520
<v Speaker 1>I was like, damn, I had to do my little

0:13:49.880 --> 0:13:54.080
<v Speaker 1>use expenses. I said, oh, this goes to the artist budget. Wow,

0:13:56.400 --> 0:13:59.880
<v Speaker 1>I just mons how to eat. Everybody was saying it

0:13:59.920 --> 0:14:06.199
<v Speaker 1>is we go to the bull artist. But what are

0:14:06.240 --> 0:14:09.120
<v Speaker 1>some things that you know are misconceptions that artists may say, Man,

0:14:09.120 --> 0:14:09.960
<v Speaker 1>it's y'all phone.

0:14:10.320 --> 0:14:12.760
<v Speaker 4>I mean, I've seen many of times where you know,

0:14:13.080 --> 0:14:15.920
<v Speaker 4>as a promo guy, we've delivered you know, success, you

0:14:15.960 --> 0:14:18.160
<v Speaker 4>know for artists on records, you know, whether it be

0:14:18.280 --> 0:14:21.840
<v Speaker 4>number ones, top tens, top fives, but the man, it

0:14:22.160 --> 0:14:26.520
<v Speaker 4>a record doesn't work, y'all shit, y'alling. I've had that

0:14:26.600 --> 0:14:29.040
<v Speaker 4>happen many a time actually, and I don't even take

0:14:29.040 --> 0:14:31.280
<v Speaker 4>it personal. I just I know what it is. Like

0:14:31.720 --> 0:14:33.840
<v Speaker 4>I learned early in this game, it's a delicate dance

0:14:33.880 --> 0:14:36.280
<v Speaker 4>that we have to do as record people, especially on

0:14:36.280 --> 0:14:39.760
<v Speaker 4>the promo side, as far as building bridges and relationships

0:14:39.800 --> 0:14:43.360
<v Speaker 4>with artists, like to one degree, we're literally most times

0:14:43.440 --> 0:14:45.640
<v Speaker 4>the first line of defense when it comes to showing

0:14:45.680 --> 0:14:48.400
<v Speaker 4>them how to be artists in front of people, because

0:14:48.440 --> 0:14:50.800
<v Speaker 4>when they do promo, they're getting in front of people

0:14:50.800 --> 0:14:52.400
<v Speaker 4>like yourself, and a lot of times they don't really

0:14:52.480 --> 0:14:56.280
<v Speaker 4>have the tools to communicate properly, to actually have conversations

0:14:56.280 --> 0:14:58.440
<v Speaker 4>where they know how to give the right answers and

0:14:58.480 --> 0:15:01.000
<v Speaker 4>not put themselves in bad situations. So what happens with

0:15:01.040 --> 0:15:03.400
<v Speaker 4>that is you build the trust with these artists, you know,

0:15:03.560 --> 0:15:07.000
<v Speaker 4>in that process early on. So that's the great part.

0:15:07.200 --> 0:15:09.400
<v Speaker 4>Right on the way up, you're helping them build you

0:15:09.480 --> 0:15:12.480
<v Speaker 4>watching them grow, and they get all success. But then

0:15:12.760 --> 0:15:14.840
<v Speaker 4>to the point about the management part where people get

0:15:14.880 --> 0:15:17.520
<v Speaker 4>snip snipped. It's the same kind of dichotomy when they

0:15:17.600 --> 0:15:19.240
<v Speaker 4>get super big and all of a sudden they're not

0:15:19.280 --> 0:15:21.520
<v Speaker 4>as big as they were, and they may fucking deliver

0:15:21.560 --> 0:15:24.120
<v Speaker 4>a dud, and you may take that dud top ten

0:15:24.160 --> 0:15:26.280
<v Speaker 4>because that's the you know, you have an interest in

0:15:26.320 --> 0:15:27.920
<v Speaker 4>the staking of artists, you believe in them, you was

0:15:27.960 --> 0:15:30.400
<v Speaker 4>with them from the beginning. But this just ain't the record.

0:15:30.960 --> 0:15:32.680
<v Speaker 4>But they'll throw your ass under the bus, so god

0:15:32.760 --> 0:15:35.280
<v Speaker 4>damn quick and make your head spin. But I, like

0:15:35.320 --> 0:15:37.280
<v Speaker 4>I said, I ain't take a person at this point.

0:15:37.320 --> 0:15:39.880
<v Speaker 4>It's it's the game, you know. At the end of

0:15:39.960 --> 0:15:42.520
<v Speaker 4>the day, I would hope that my overall track record

0:15:42.560 --> 0:15:46.000
<v Speaker 4>of success across a lineage of artists speaks to my

0:15:46.200 --> 0:15:48.760
<v Speaker 4>what I contributed as opposed to what I did with

0:15:48.800 --> 0:15:49.920
<v Speaker 4>one artist or one record.

0:15:50.120 --> 0:15:52.480
<v Speaker 3>Now, let me ask you this, is it true that

0:15:52.520 --> 0:15:53.920
<v Speaker 3>you can pay for a number one record?

0:15:53.920 --> 0:15:57.440
<v Speaker 4>I don't know nothing about that, Okay.

0:15:57.560 --> 0:15:59.280
<v Speaker 3>I just see this on the internet all the time.

0:15:59.320 --> 0:16:03.240
<v Speaker 6>Report you get, you get, you get industry experts, and

0:16:03.280 --> 0:16:05.600
<v Speaker 6>they were like, hey, it cost this to go to

0:16:05.680 --> 0:16:07.840
<v Speaker 6>number one. And you know when you see these artists

0:16:07.880 --> 0:16:09.760
<v Speaker 6>going number one is because the labels are doing let's

0:16:09.840 --> 0:16:10.000
<v Speaker 6>do it.

0:16:10.040 --> 0:16:11.040
<v Speaker 4>I mean, let me let me start.

0:16:11.120 --> 0:16:13.160
<v Speaker 1>Let me, let me, let me, let me start.

0:16:13.280 --> 0:16:15.000
<v Speaker 4>I'm from a different eraror bro. You have to pay

0:16:15.080 --> 0:16:17.320
<v Speaker 4>so much so for me, So for me, let's just

0:16:17.400 --> 0:16:19.960
<v Speaker 4>let's just get get this out the way. For me,

0:16:20.200 --> 0:16:23.600
<v Speaker 4>even speaking on platforms is a big deal one, that's

0:16:23.640 --> 0:16:28.080
<v Speaker 4>a fact. Speaking on gang business is even more of

0:16:28.120 --> 0:16:31.080
<v Speaker 4>a big deal for me. So for me, like whatever

0:16:31.280 --> 0:16:34.240
<v Speaker 4>is known, it is what it is. But at the

0:16:34.280 --> 0:16:35.720
<v Speaker 4>end of the day, you have to have a great

0:16:35.760 --> 0:16:37.760
<v Speaker 4>record in order to put it in position to go

0:16:37.840 --> 0:16:41.240
<v Speaker 4>number one. I'll say that, yes, are there budgets involved

0:16:41.240 --> 0:16:44.360
<v Speaker 4>with working records? Of course, there's budgets involved with every

0:16:44.360 --> 0:16:46.280
<v Speaker 4>department at a record label. Just like there's a digital

0:16:46.320 --> 0:16:48.520
<v Speaker 4>department that needs a budget to move things around, there's

0:16:48.520 --> 0:16:50.800
<v Speaker 4>a marketing department that needs a budget to move things around.

0:16:50.800 --> 0:16:53.040
<v Speaker 4>There's a radio budget as well. But if that record

0:16:53.080 --> 0:16:55.920
<v Speaker 4>ain't shit, that record's gonna stall at twenty because the

0:16:55.920 --> 0:16:58.160
<v Speaker 4>record ain't researching. So at the end of the day,

0:16:58.200 --> 0:17:00.720
<v Speaker 4>you need a really really good record that's connecting with

0:17:00.520 --> 0:17:02.320
<v Speaker 4>the with the with the audience in order fourth to

0:17:02.320 --> 0:17:04.960
<v Speaker 4>go number one? So can you pay for number one?

0:17:05.080 --> 0:17:07.200
<v Speaker 4>I wouldn't agree with that. Do you need a great

0:17:07.200 --> 0:17:09.280
<v Speaker 4>team to position a record to go number one and

0:17:09.320 --> 0:17:14.119
<v Speaker 4>a budget to support that? Of course absolutely, And that

0:17:14.160 --> 0:17:16.840
<v Speaker 4>was a good answer because the reason why I access

0:17:16.920 --> 0:17:21.240
<v Speaker 4>because people making it seem like it doesn't matter what

0:17:21.840 --> 0:17:24.320
<v Speaker 4>type of music it is, like you can instantly pay to.

0:17:24.320 --> 0:17:25.040
<v Speaker 2>Go number one.

0:17:25.080 --> 0:17:27.560
<v Speaker 6>So that's why I'm glad we got experts in the

0:17:27.640 --> 0:17:28.880
<v Speaker 6>room to really break it down.

0:17:28.960 --> 0:17:31.800
<v Speaker 4>So I get so many conversations about people who hire

0:17:31.880 --> 0:17:33.960
<v Speaker 4>independent people who and they say, man, I gave it

0:17:34.000 --> 0:17:36.399
<v Speaker 4>so and so personal this amount of money and my

0:17:36.480 --> 0:17:39.680
<v Speaker 4>record ain't even chart. Well, what's the record good?

0:17:39.840 --> 0:17:40.480
<v Speaker 2>First of all?

0:17:40.720 --> 0:17:43.440
<v Speaker 4>You know, let's start there, right, And sometimes you're dealing

0:17:43.480 --> 0:17:46.040
<v Speaker 4>with people who are maybe call themselves professional, but they're

0:17:46.080 --> 0:17:48.320
<v Speaker 4>just looking for a check. One thing I can say

0:17:48.320 --> 0:17:50.640
<v Speaker 4>about myself, and you know, I will choot my heart

0:17:50.680 --> 0:17:53.840
<v Speaker 4>in this regard. I never took no money that I

0:17:53.840 --> 0:17:55.960
<v Speaker 4>didn't believe in. If I didn't believe in the record

0:17:56.040 --> 0:17:57.880
<v Speaker 4>or believe in the artist, I'm not taking your bread.

0:17:58.080 --> 0:18:02.520
<v Speaker 4>It ain't work for you diminishing my my reputation for sure.

0:18:02.920 --> 0:18:04.920
<v Speaker 4>Like the headache is one thing, but my reputation is

0:18:04.960 --> 0:18:06.720
<v Speaker 4>a whole nother thing. That's why to this day I

0:18:06.760 --> 0:18:08.440
<v Speaker 4>can walk in any room my head high and no,

0:18:08.880 --> 0:18:10.720
<v Speaker 4>there's no one in that room that could say Keenan

0:18:10.760 --> 0:18:13.880
<v Speaker 4>did them dirty? Ever, you'll never find that person. If

0:18:13.880 --> 0:18:16.400
<v Speaker 4>they did, they full of shit, you feel me? So

0:18:16.440 --> 0:18:18.479
<v Speaker 4>you gotta you gotta with anything. You need to vet

0:18:18.560 --> 0:18:20.159
<v Speaker 4>the people that you're dealing with. But you also need

0:18:20.200 --> 0:18:24.000
<v Speaker 4>to vet your goddamn product. Yeah it's that product worthy?

0:18:24.640 --> 0:18:25.240
<v Speaker 2>Not for sure?

0:18:25.520 --> 0:18:29.480
<v Speaker 1>Now measy. I know. Sometimes you gotta go hide sometimes

0:18:29.480 --> 0:18:31.760
<v Speaker 1>because motherfuckers probably be walking up to you, like bro,

0:18:32.240 --> 0:18:33.280
<v Speaker 1>blow me up like you did?

0:18:33.400 --> 0:18:33.840
<v Speaker 3>Savage?

0:18:33.880 --> 0:18:37.679
<v Speaker 1>My boy, how can you take me there to that?

0:18:37.760 --> 0:18:38.120
<v Speaker 1>You say?

0:18:38.160 --> 0:18:42.000
<v Speaker 2>What what they got? I can't, I can't, I can't.

0:18:42.160 --> 0:18:43.000
<v Speaker 2>I can't do that.

0:18:43.160 --> 0:18:45.400
<v Speaker 5>But you know, I get even advice about looking left

0:18:45.440 --> 0:18:47.480
<v Speaker 5>and right, bro, looking to people, look at the people

0:18:47.520 --> 0:18:50.919
<v Speaker 5>around you, BROI try to build and make sure you

0:18:50.960 --> 0:18:53.439
<v Speaker 5>got passionate because one thing about us, we was pat like.

0:18:53.480 --> 0:18:55.720
<v Speaker 5>It was a time where, believe it or not, people

0:18:55.760 --> 0:18:57.680
<v Speaker 5>did not believe in twenty one Savage. They thought this

0:18:57.800 --> 0:19:00.439
<v Speaker 5>nigga was a crazy street nigga. I remember biggas come

0:19:00.480 --> 0:19:03.400
<v Speaker 5>to me like, Man, be careful, Bro. I don't man

0:19:03.800 --> 0:19:05.800
<v Speaker 5>this ship. Man, I don't know how long it's gonna last.

0:19:05.840 --> 0:19:08.320
<v Speaker 5>Get your money because of where he started, you know

0:19:08.320 --> 0:19:11.119
<v Speaker 5>what I'm saying. But it's when you find people that

0:19:11.280 --> 0:19:14.840
<v Speaker 5>genuinely believe, bro, it'll happen, don't you know. I feel

0:19:14.840 --> 0:19:17.000
<v Speaker 5>like sometimes look left and right and don't look up.

0:19:17.240 --> 0:19:19.600
<v Speaker 5>You know, look left and right, your people were right

0:19:19.640 --> 0:19:21.720
<v Speaker 5>around you. That's gonna help you build that ship, you

0:19:21.760 --> 0:19:23.720
<v Speaker 5>know a lot of times. So that's the best advice

0:19:23.760 --> 0:19:25.600
<v Speaker 5>I get. But you asking me to put you on,

0:19:25.680 --> 0:19:26.400
<v Speaker 5>I can't do it.

0:19:26.760 --> 0:19:27.720
<v Speaker 1>Well.

0:19:27.760 --> 0:19:30.840
<v Speaker 6>What I would say, what's what's uh you know on

0:19:30.840 --> 0:19:33.560
<v Speaker 6>on your adventure going up? What's some of the craziest

0:19:33.600 --> 0:19:35.000
<v Speaker 6>things that y'all have to experience?

0:19:37.119 --> 0:19:38.080
<v Speaker 2>Like what you mean that.

0:19:38.080 --> 0:19:41.080
<v Speaker 1>You can say things that you can say because I know,

0:19:41.200 --> 0:19:41.879
<v Speaker 1>I know, I know.

0:19:42.520 --> 0:19:44.399
<v Speaker 6>At one point, you know, I saw you do an

0:19:44.440 --> 0:19:47.000
<v Speaker 6>interview or y'all talked about y'all. Y'all was like traveling

0:19:47.000 --> 0:19:49.879
<v Speaker 6>across country like in a in a small van, you know,

0:19:50.040 --> 0:19:52.840
<v Speaker 6>just just talking about the grind that people may not

0:19:52.880 --> 0:19:54.680
<v Speaker 6>see because of the sex that y'all have.

0:19:54.920 --> 0:19:58.320
<v Speaker 5>Savage couldn't fly, so, you know, due to his you know,

0:19:58.359 --> 0:20:00.760
<v Speaker 5>nobody knew at the time, but you know, citizenship and

0:20:00.800 --> 0:20:01.320
<v Speaker 5>stuff like that.

0:20:01.359 --> 0:20:03.600
<v Speaker 2>We didn't just we never discussed it, but he.

0:20:03.720 --> 0:20:06.720
<v Speaker 5>Could not fly. He didn't have ID. So everywhere we

0:20:06.800 --> 0:20:08.800
<v Speaker 5>went at the beginning, we drove everywhere. We used to

0:20:08.840 --> 0:20:12.240
<v Speaker 5>have to route our shows. Yeah, like if we did

0:20:12.240 --> 0:20:14.520
<v Speaker 5>a show in Kansas City, we couldn't take a show

0:20:14.560 --> 0:20:16.640
<v Speaker 5>in Miami the next day, no matter how much they

0:20:16.680 --> 0:20:17.040
<v Speaker 5>was paying.

0:20:17.080 --> 0:20:19.080
<v Speaker 2>So we had to route the drive. So we knew, like,

0:20:19.240 --> 0:20:20.440
<v Speaker 2>oh we do these two shows.

0:20:20.440 --> 0:20:23.520
<v Speaker 5>Cool, this takes twelve hours to drive here from there,

0:20:23.520 --> 0:20:25.720
<v Speaker 5>it's gonna be six hours here and then from there

0:20:25.760 --> 0:20:27.000
<v Speaker 5>to get back home, it's gonna be this.

0:20:27.040 --> 0:20:28.119
<v Speaker 2>We used to have to ride it like that.

0:20:28.240 --> 0:20:30.040
<v Speaker 5>Or when we met in LA for the labels, that

0:20:30.119 --> 0:20:34.000
<v Speaker 5>was a thirty five hour non stop drive drive to LA.

0:20:34.080 --> 0:20:35.840
<v Speaker 2>Back and forth. So we knew that was gonna take

0:20:35.840 --> 0:20:36.120
<v Speaker 2>a week.

0:20:36.160 --> 0:20:39.000
<v Speaker 1>Bro, it's gonna be two days drove to LA.

0:20:39.040 --> 0:20:40.520
<v Speaker 2>All the time. We did that more than once.

0:20:40.680 --> 0:20:43.000
<v Speaker 5>Two days to drive there, three days to do what

0:20:43.000 --> 0:20:45.200
<v Speaker 5>you need to be, two more days to get back home.

0:20:45.280 --> 0:20:47.360
<v Speaker 5>So we need, like we used to have to schedule

0:20:48.040 --> 0:20:50.600
<v Speaker 5>how we traveled just based off of us not being

0:20:50.600 --> 0:20:52.200
<v Speaker 5>able to fly for a long time till he got

0:20:52.280 --> 0:20:54.560
<v Speaker 5>enough money, and a lot of these niggas fly private

0:20:54.720 --> 0:20:55.600
<v Speaker 5>where they flew.

0:20:55.480 --> 0:20:56.040
<v Speaker 2>At the time.

0:20:56.720 --> 0:20:58.600
<v Speaker 5>He was one of the first niggas to take jets,

0:20:58.600 --> 0:21:00.720
<v Speaker 5>but a lot of niggas is taking jets flexing because

0:21:00.760 --> 0:21:02.600
<v Speaker 5>they spend their money just flying private.

0:21:02.760 --> 0:21:04.520
<v Speaker 2>Niggas. They understand we that was.

0:21:04.520 --> 0:21:06.480
<v Speaker 5>The only y'all have to do li you know what

0:21:06.520 --> 0:21:09.400
<v Speaker 5>I'm saying, without him having to go through the process

0:21:09.400 --> 0:21:10.439
<v Speaker 5>of TSA and all that.

0:21:10.560 --> 0:21:12.679
<v Speaker 2>So that's why we was flying private at first.

0:21:12.960 --> 0:21:17.399
<v Speaker 5>Honestly, it wasn't a flex It was like, yeah, we

0:21:17.440 --> 0:21:19.080
<v Speaker 5>had to get Wow, I did not know that.

0:21:19.160 --> 0:21:21.919
<v Speaker 6>Yeah, that's crazy. I mean, so at what point did

0:21:22.000 --> 0:21:24.159
<v Speaker 6>y'all have that conversation? Was that something that he was

0:21:24.200 --> 0:21:25.879
<v Speaker 6>like y'all gotta have a talk with you about.

0:21:25.960 --> 0:21:28.359
<v Speaker 2>Oh. No, I mean I knew it's something.

0:21:28.600 --> 0:21:31.400
<v Speaker 5>It wasn't like people see the ice shit and see

0:21:31.400 --> 0:21:33.440
<v Speaker 5>it think like, oh, he scrambled to try to fix

0:21:33.520 --> 0:21:34.800
<v Speaker 5>something when to hit the fan.

0:21:34.960 --> 0:21:37.040
<v Speaker 2>No, man, it's something this like his life.

0:21:37.080 --> 0:21:40.679
<v Speaker 5>He's been working on this for before, Like this is

0:21:40.680 --> 0:21:43.000
<v Speaker 5>something that's been the top priority for him. It was

0:21:43.040 --> 0:21:45.680
<v Speaker 5>always something that you know, knew, But it's just nothing

0:21:45.720 --> 0:21:47.480
<v Speaker 5>that you you don't just want to go around talking about.

0:21:47.520 --> 0:21:50.040
<v Speaker 5>I had a friend who had a citizenship issue and

0:21:50.119 --> 0:21:53.040
<v Speaker 5>I didn't know until something happened with Savage and he

0:21:53.280 --> 0:21:54.840
<v Speaker 5>actually told me, and I been friends with him since

0:21:54.840 --> 0:21:55.359
<v Speaker 5>middle school.

0:21:55.600 --> 0:21:57.680
<v Speaker 2>It's just something you don't ship.

0:21:57.680 --> 0:21:59.760
<v Speaker 5>It's something you don't talk about because it was gonna

0:21:59.840 --> 0:22:03.600
<v Speaker 5>come from you talking about it, besides you endangering yourself,

0:22:03.600 --> 0:22:05.760
<v Speaker 5>you know what I'm saying. So the people that needed

0:22:05.800 --> 0:22:07.959
<v Speaker 5>to know new But it wasn't like one of them

0:22:08.000 --> 0:22:09.720
<v Speaker 5>things he hided from the world a lot of people.

0:22:09.720 --> 0:22:11.200
<v Speaker 2>Oh, he wasn't really from Atlanta.

0:22:11.240 --> 0:22:13.800
<v Speaker 5>He was cat Man that Nigga came in when he

0:22:13.840 --> 0:22:16.000
<v Speaker 5>was seven. That Nigga's from Atlanta, you know what I'm saying.

0:22:16.000 --> 0:22:18.240
<v Speaker 5>But he also can't just remind you that he's come

0:22:18.359 --> 0:22:21.680
<v Speaker 5>another country when he's trying to handle his immigration issues.

0:22:21.760 --> 0:22:23.520
<v Speaker 5>You know, he's not just about to Hey, yeah, by

0:22:23.560 --> 0:22:24.919
<v Speaker 5>the way, man, I got this going on.

0:22:24.960 --> 0:22:27.639
<v Speaker 2>Who's gonna talk about it? Yeah, that's kind of how

0:22:27.680 --> 0:22:28.199
<v Speaker 2>that worked.

0:22:28.640 --> 0:22:30.800
<v Speaker 1>I wanted to give him his flowers, man in front

0:22:30.800 --> 0:22:32.600
<v Speaker 1>of you, because I always say this on the radio.

0:22:32.640 --> 0:22:35.800
<v Speaker 1>I always say this every podcast, dag. He is very

0:22:35.840 --> 0:22:40.240
<v Speaker 1>consistent bro in a lane in the industry with a

0:22:40.320 --> 0:22:43.199
<v Speaker 1>lot of Sometimes artists go up in peaks and valleys

0:22:43.200 --> 0:22:46.880
<v Speaker 1>with artists. He is still peaking, bro. Like I'm talking about,

0:22:46.920 --> 0:22:50.200
<v Speaker 1>every time he dropped, we got at least four bangers

0:22:50.280 --> 0:22:53.359
<v Speaker 1>at the same time and another four in the club.

0:22:54.240 --> 0:22:55.320
<v Speaker 2>I appreciate it to that.

0:22:55.520 --> 0:22:56.400
<v Speaker 1>Where does that come from?

0:22:57.040 --> 0:22:59.200
<v Speaker 2>Man? That nigga hustler. Man, he know and he pay

0:22:59.240 --> 0:22:59.960
<v Speaker 2>attention to the game.

0:23:00.240 --> 0:23:03.880
<v Speaker 5>So like we watched the game, we watch what needs

0:23:03.920 --> 0:23:05.560
<v Speaker 5>to be done, what don't need to be done, what

0:23:05.680 --> 0:23:07.920
<v Speaker 5>we can change, how people feel about us, how people

0:23:07.960 --> 0:23:09.119
<v Speaker 5>feeling about other people, the.

0:23:09.200 --> 0:23:12.560
<v Speaker 2>Temperature, everything. You know, he pay attention to everything.

0:23:12.640 --> 0:23:14.639
<v Speaker 5>He not just some nigga going into booth rapping and

0:23:15.400 --> 0:23:17.960
<v Speaker 5>you know, nah, he knows he has intention on everything

0:23:18.040 --> 0:23:19.800
<v Speaker 5>he does. He knows what he needs to do, he

0:23:19.880 --> 0:23:22.119
<v Speaker 5>knows what's expected of him, and he know where he

0:23:22.160 --> 0:23:23.680
<v Speaker 5>wanted to take his career and where he wanted to

0:23:23.720 --> 0:23:24.280
<v Speaker 5>take his life.

0:23:24.520 --> 0:23:26.480
<v Speaker 2>At the end of the day, man, shit, he hustled.

0:23:26.520 --> 0:23:28.040
<v Speaker 2>He know this shit paying. He ain't about to fuck

0:23:28.040 --> 0:23:29.320
<v Speaker 2>it up. Why would you want to suck it up?

0:23:29.680 --> 0:23:31.840
<v Speaker 2>You gotta make it bigger, get the checks bigger, man.

0:23:31.920 --> 0:23:34.960
<v Speaker 4>That's how he thinks, honestly, and he actually be rapping

0:23:35.080 --> 0:23:38.520
<v Speaker 4>rapping like I gotta no for like because I watched

0:23:38.560 --> 0:23:40.359
<v Speaker 4>the journey as well, and I gotta be honest with you.

0:23:40.440 --> 0:23:42.320
<v Speaker 4>In the beginning, I was like, these niggas look crazy

0:23:42.359 --> 0:23:46.600
<v Speaker 4>as fuck. Ye what is these niggas talking about?

0:23:47.080 --> 0:23:47.240
<v Speaker 2>You know?

0:23:47.440 --> 0:23:50.040
<v Speaker 4>And I'm staying away from that shit. Like, so I

0:23:50.080 --> 0:23:52.199
<v Speaker 4>got to give you, like give flowers as well, for one,

0:23:52.280 --> 0:23:55.280
<v Speaker 4>having the foresight to see the talent that was there

0:23:55.640 --> 0:23:57.119
<v Speaker 4>and be able to be able to nurture it and

0:23:57.200 --> 0:23:58.960
<v Speaker 4>you grow along with him at the same time, because

0:23:58.960 --> 0:24:01.600
<v Speaker 4>I watched him grow and become this young man. It's

0:24:01.720 --> 0:24:04.600
<v Speaker 4>like really like a pillar, Like he gives back so

0:24:04.760 --> 0:24:07.240
<v Speaker 4>much in the community and I love to use it

0:24:07.480 --> 0:24:11.080
<v Speaker 4>just this analogy, like you know, people always look back

0:24:11.119 --> 0:24:12.960
<v Speaker 4>at who people were in the beginning, but we have

0:24:13.080 --> 0:24:15.680
<v Speaker 4>to remember there is no Malcolm X with our mounc

0:24:15.760 --> 0:24:18.280
<v Speaker 4>and little you feel that. And I apply that same

0:24:18.359 --> 0:24:20.520
<v Speaker 4>analogy to people like Savage, Like I watch who he

0:24:20.600 --> 0:24:23.120
<v Speaker 4>is today. He's an amazing human being and the way

0:24:23.240 --> 0:24:25.440
<v Speaker 4>the way you guys as as as a team give

0:24:25.560 --> 0:24:27.040
<v Speaker 4>back and just contribute to community.

0:24:27.400 --> 0:24:30.520
<v Speaker 1>Salute, Nah, thank you, I mean a lot, bro, No listen, bro,

0:24:30.880 --> 0:24:33.840
<v Speaker 1>anytime I can give him his flowers, because I always

0:24:34.200 --> 0:24:36.359
<v Speaker 1>feel like people just purposely leave him off.

0:24:36.400 --> 0:24:39.439
<v Speaker 2>I'm over here, like the reason why I just tweeted

0:24:39.480 --> 0:24:40.000
<v Speaker 2>that the other day.

0:24:40.040 --> 0:24:42.159
<v Speaker 5>He's not in a lot of conversations in my opinion,

0:24:42.160 --> 0:24:43.640
<v Speaker 5>because he raps and moves out the way.

0:24:43.880 --> 0:24:44.560
<v Speaker 2>Yeah, he don't talk.

0:24:44.600 --> 0:24:44.880
<v Speaker 3>He don't.

0:24:44.920 --> 0:24:47.000
<v Speaker 1>That's why I raise my hand and say, twenty one

0:24:47.080 --> 0:24:50.679
<v Speaker 1>savurage about it in there.

0:24:50.600 --> 0:24:52.800
<v Speaker 2>Bro, He not in the mix. He not on the

0:24:52.880 --> 0:24:54.000
<v Speaker 2>blalls for nothing.

0:24:54.480 --> 0:24:57.680
<v Speaker 5>Everything you see by some music related is nothing really, Like,

0:24:58.040 --> 0:25:01.160
<v Speaker 5>you know, he's not really the conversation. When he drops

0:25:01.200 --> 0:25:03.000
<v Speaker 5>his music, he does what he does, then he falls

0:25:03.080 --> 0:25:04.639
<v Speaker 5>back and it's a gift in the curse, you know.

0:25:04.800 --> 0:25:06.480
<v Speaker 5>So I feel like that's the thing when it comes

0:25:06.480 --> 0:25:09.160
<v Speaker 5>to conversations, it's one of them. Oh yeah, twenty one,

0:25:09.359 --> 0:25:11.399
<v Speaker 5>like you don't just sometimes people don't think of it

0:25:11.520 --> 0:25:14.480
<v Speaker 5>first because of how he moves. He's like more reserved,

0:25:14.560 --> 0:25:17.320
<v Speaker 5>more quiet to himself. He's not really all out and about.

0:25:17.840 --> 0:25:20.280
<v Speaker 5>You don't see him holding hands with holes, running out

0:25:20.280 --> 0:25:21.760
<v Speaker 5>of club going viral for that.

0:25:22.520 --> 0:25:24.720
<v Speaker 1>Well, it's my camera. That's why it's more. People like

0:25:24.840 --> 0:25:28.000
<v Speaker 1>me need to come out and start saying, twenty one savage.

0:25:28.200 --> 0:25:30.440
<v Speaker 1>You gotta have some more champions, bro, you feel me,

0:25:30.560 --> 0:25:32.240
<v Speaker 1>come on out there and start talking about twenty one

0:25:32.280 --> 0:25:33.040
<v Speaker 1>savage little bit more.

0:25:33.200 --> 0:25:35.000
<v Speaker 6>But that's that's how you know he making good music

0:25:35.040 --> 0:25:37.399
<v Speaker 6>though not to cut like, you know, an artist is

0:25:37.480 --> 0:25:41.160
<v Speaker 6>making good music when they don't have to do all

0:25:41.280 --> 0:25:44.320
<v Speaker 6>the antics and stuff like that. I think that's another

0:25:44.359 --> 0:25:47.320
<v Speaker 6>reason why an artist like Rod Wave is so popular,

0:25:47.800 --> 0:25:49.760
<v Speaker 6>because you don't really hear nothing about him, you know,

0:25:50.080 --> 0:25:50.639
<v Speaker 6>just the music.

0:25:50.840 --> 0:25:53.400
<v Speaker 2>He let the music speak man, and the people speak

0:25:53.440 --> 0:25:55.560
<v Speaker 2>through the music. That's how it is. I mean he dropped,

0:25:55.600 --> 0:25:57.960
<v Speaker 2>you gonna know, because the people listening to it, that's

0:25:58.000 --> 0:26:00.440
<v Speaker 2>the most important thing, all right.

0:26:00.480 --> 0:26:02.439
<v Speaker 1>So to each one of you guys, Keenan, I had

0:26:02.440 --> 0:26:06.159
<v Speaker 1>you go first, if someone wants to get into the

0:26:06.320 --> 0:26:11.160
<v Speaker 1>label business and they're young, m what would you say

0:26:11.200 --> 0:26:14.440
<v Speaker 1>to them, Man, they don't know what to do well,

0:26:14.600 --> 0:26:15.200
<v Speaker 1>where to start?

0:26:15.640 --> 0:26:17.880
<v Speaker 4>I would say, now is the best time, more than never,

0:26:18.160 --> 0:26:22.960
<v Speaker 4>to lean into your independence. To be perfectly honest, you know,

0:26:23.720 --> 0:26:26.520
<v Speaker 4>the label business, you know, as you know, you know

0:26:26.720 --> 0:26:29.280
<v Speaker 4>I was. I got caught up in the restructuring that

0:26:29.359 --> 0:26:32.520
<v Speaker 4>happened at Universal earlier last year, back in March. And

0:26:33.400 --> 0:26:36.879
<v Speaker 4>the fact is there's a lot of great people on

0:26:36.960 --> 0:26:39.440
<v Speaker 4>the outside of a label right now. So the reason

0:26:39.480 --> 0:26:41.000
<v Speaker 4>I say for people who are in the beginning on

0:26:41.080 --> 0:26:43.840
<v Speaker 4>the way up to maybe build on the independent level

0:26:43.960 --> 0:26:45.439
<v Speaker 4>is because that's what the opportunities are.

0:26:45.920 --> 0:26:45.960
<v Speaker 6>Like.

0:26:46.119 --> 0:26:48.240
<v Speaker 4>There's so many opportunities for you to put off music

0:26:48.320 --> 0:26:51.119
<v Speaker 4>on your own, you know, get your own distribution deals,

0:26:51.480 --> 0:26:53.640
<v Speaker 4>build with a team, and actually figure this shit out

0:26:54.080 --> 0:26:56.560
<v Speaker 4>early before you have something to deliver to a label.

0:26:56.600 --> 0:26:57.960
<v Speaker 4>So by the time you get to the point to

0:26:58.119 --> 0:27:00.760
<v Speaker 4>get into a label, you actually have some equity built up.

0:27:00.800 --> 0:27:03.399
<v Speaker 4>And if you're going inside, you're going inside for a reason.

0:27:03.720 --> 0:27:07.680
<v Speaker 4>You're going inside for even more resources, right and the

0:27:07.840 --> 0:27:10.600
<v Speaker 4>check in addition to the resources, as opposed to when

0:27:10.640 --> 0:27:13.120
<v Speaker 4>you going too early most times you end up gett

0:27:13.119 --> 0:27:15.800
<v Speaker 4>fucked just being honest, Like most artists that go in

0:27:15.880 --> 0:27:18.160
<v Speaker 4>too early, you know, with just the music to offer

0:27:18.200 --> 0:27:19.840
<v Speaker 4>and just a little bit of a buzz, they get

0:27:19.880 --> 0:27:21.600
<v Speaker 4>the deal they got. It's cool and it may be

0:27:21.640 --> 0:27:24.520
<v Speaker 4>an opportunity, but you got to remember at a label,

0:27:24.640 --> 0:27:27.520
<v Speaker 4>there's so many artists that are vying for the attention

0:27:27.640 --> 0:27:30.240
<v Speaker 4>of the label to become a priority. If you not,

0:27:30.680 --> 0:27:33.200
<v Speaker 4>if you're not driving them to make your priority because

0:27:33.200 --> 0:27:36.879
<v Speaker 4>you're actually delivering, you're probably not going to get the

0:27:36.920 --> 0:27:39.520
<v Speaker 4>look that you want, that you truly want initially. So

0:27:39.920 --> 0:27:43.240
<v Speaker 4>I would advise anybody like, get your team together, you know,

0:27:43.720 --> 0:27:45.760
<v Speaker 4>just like Mezi had to foresay with the two Change

0:27:45.800 --> 0:27:48.440
<v Speaker 4>Project to be you know, and to say, I want

0:27:48.440 --> 0:27:50.320
<v Speaker 4>to build relationships with people I see have something to

0:27:50.400 --> 0:27:53.360
<v Speaker 4>offer and give them my resources early because I see

0:27:53.400 --> 0:27:56.159
<v Speaker 4>what this can become. Build that kind of network with

0:27:56.280 --> 0:27:59.800
<v Speaker 4>your own people first and then consider going into a label.

0:28:00.200 --> 0:28:03.359
<v Speaker 4>Then you'll have actual tools and you'll actually have skills

0:28:03.440 --> 0:28:07.119
<v Speaker 4>to take into a building for marketing, for promotions, for

0:28:07.520 --> 0:28:09.960
<v Speaker 4>you know, for whatever, like you may even have you

0:28:10.040 --> 0:28:12.360
<v Speaker 4>know your own revenue story. By building up your own

0:28:12.480 --> 0:28:14.480
<v Speaker 4>artists that you can take into a label and become

0:28:14.680 --> 0:28:17.440
<v Speaker 4>part of the revenue department, you know. So for me,

0:28:19.440 --> 0:28:21.720
<v Speaker 4>my my suggestion wouldn't be immediately to go into a label.

0:28:21.760 --> 0:28:23.800
<v Speaker 4>Maybe intern at a label, but have your own thing

0:28:24.040 --> 0:28:25.280
<v Speaker 4>going on outside of a label.

0:28:26.160 --> 0:28:26.960
<v Speaker 2>I agree measy.

0:28:27.040 --> 0:28:29.280
<v Speaker 1>If someone is looking at you like, man, how can

0:28:29.359 --> 0:28:31.160
<v Speaker 1>I be as successful as easy?

0:28:32.200 --> 0:28:32.400
<v Speaker 2>Where?

0:28:32.600 --> 0:28:34.320
<v Speaker 1>Where do they start? What would you say to them?

0:28:40.240 --> 0:28:40.720
<v Speaker 2>I don't know.

0:28:41.360 --> 0:28:44.120
<v Speaker 1>I did like what you said earlier, left, look right, Yeah, that's.

0:28:43.960 --> 0:28:46.400
<v Speaker 5>What I say. Like if you see, if you you

0:28:46.520 --> 0:28:48.920
<v Speaker 5>gotta figure out. Like I always knew, I always had

0:28:48.960 --> 0:28:50.960
<v Speaker 5>a gift a gap. I always knew how to communicate,

0:28:50.960 --> 0:28:52.480
<v Speaker 5>I always knew how to talk. I always knew I

0:28:52.520 --> 0:28:54.640
<v Speaker 5>loved music, always knew I had a good ear for music.

0:28:55.240 --> 0:28:58.920
<v Speaker 5>And I always knew how to help others. So it's like,

0:28:59.000 --> 0:29:01.719
<v Speaker 5>once you find your strengths and whatever, you know, your

0:29:01.760 --> 0:29:03.280
<v Speaker 5>strength is hone in.

0:29:03.440 --> 0:29:05.200
<v Speaker 2>On it with the people around you.

0:29:05.800 --> 0:29:08.720
<v Speaker 5>You know, whether you're a producer, same with producers, Like

0:29:08.800 --> 0:29:10.680
<v Speaker 5>I look at producers and a lot of producers want

0:29:10.720 --> 0:29:14.000
<v Speaker 5>the Rihanna place me. They want the jay Z place me,

0:29:14.080 --> 0:29:15.640
<v Speaker 5>they want the little Baby place me, they want the

0:29:15.680 --> 0:29:17.640
<v Speaker 5>twenty one Savage place men and those it's cool, but

0:29:18.400 --> 0:29:20.400
<v Speaker 5>the dude that's wrapping his ass off next to you.

0:29:20.600 --> 0:29:23.240
<v Speaker 5>Building from the ground up with somebody is the best

0:29:23.280 --> 0:29:24.840
<v Speaker 5>thing you can do, you know what I'm saying.

0:29:25.160 --> 0:29:26.640
<v Speaker 2>So that's what I'll say.

0:29:26.720 --> 0:29:29.520
<v Speaker 5>Utilize your talents and look at the resources around you

0:29:29.920 --> 0:29:32.360
<v Speaker 5>and try to add to what those people need, and

0:29:32.680 --> 0:29:33.320
<v Speaker 5>they can add to.

0:29:33.360 --> 0:29:33.880
<v Speaker 2>What you need.

0:29:34.080 --> 0:29:36.360
<v Speaker 5>That's the best thing I could say. That's what I did,

0:29:36.480 --> 0:29:38.480
<v Speaker 5>you know what I'm saying. Me and Savage got together

0:29:38.520 --> 0:29:41.239
<v Speaker 5>because we're from the same side of town. He had

0:29:41.280 --> 0:29:44.760
<v Speaker 5>a dream and I had the same dream. We wanted

0:29:44.760 --> 0:29:46.160
<v Speaker 5>to go to the same place, and we had the

0:29:46.200 --> 0:29:48.720
<v Speaker 5>same vision, and we both did two different things to

0:29:48.800 --> 0:29:50.680
<v Speaker 5>be able to make it happen, came together and made

0:29:50.680 --> 0:29:51.080
<v Speaker 5>it bigger.

0:29:51.480 --> 0:29:54.960
<v Speaker 1>That's dope, all right? Before we go, when you guys,

0:29:55.040 --> 0:29:58.640
<v Speaker 1>just a mental health check in. Yeah, when Keenan's having

0:29:58.680 --> 0:30:00.320
<v Speaker 1>a moment or a bad dam I know what you

0:30:00.400 --> 0:30:01.640
<v Speaker 1>call moments or bad days?

0:30:02.520 --> 0:30:03.040
<v Speaker 2>What do you do?

0:30:04.880 --> 0:30:05.120
<v Speaker 4>Man?

0:30:05.440 --> 0:30:06.120
<v Speaker 2>What do I do?

0:30:06.640 --> 0:30:09.240
<v Speaker 4>I do a few different things. I have a therapist

0:30:09.320 --> 0:30:12.560
<v Speaker 4>that I talked to. I get with him maybe every

0:30:12.600 --> 0:30:16.640
<v Speaker 4>other week. I may reach out to I'm a part

0:30:16.680 --> 0:30:19.320
<v Speaker 4>of a couple of different circles with brothers that we

0:30:19.440 --> 0:30:23.040
<v Speaker 4>communicate about what's going on in each other's lives. One

0:30:23.120 --> 0:30:25.840
<v Speaker 4>resource that I use is this out here is called

0:30:25.880 --> 0:30:28.840
<v Speaker 4>do your Google Brotherhood. They're based here in Atlanta. Really

0:30:28.920 --> 0:30:32.480
<v Speaker 4>Really Dope Brotherhood. You can find them on ig Really

0:30:32.520 --> 0:30:35.960
<v Speaker 4>Really Dope Brothers. That's leading that. Oh, I just you know,

0:30:36.080 --> 0:30:38.520
<v Speaker 4>tap in with my people that really know me best

0:30:38.880 --> 0:30:41.280
<v Speaker 4>and have a real conversation. Like I had a conversation

0:30:41.400 --> 0:30:43.480
<v Speaker 4>with one and one of my guys yesterday that was

0:30:43.520 --> 0:30:46.320
<v Speaker 4>going through and with his lady, and he was approaching

0:30:46.360 --> 0:30:51.040
<v Speaker 4>the conversation and a momentary issue from a place of ego,

0:30:51.520 --> 0:30:53.280
<v Speaker 4>and it was a beautiful thing for me. Even though

0:30:53.280 --> 0:30:55.000
<v Speaker 4>I wasn't having a bad day he was. I was

0:30:55.040 --> 0:30:57.800
<v Speaker 4>able to level set for that brother and have him

0:30:57.960 --> 0:31:00.840
<v Speaker 4>like retap in a way that was posted with his lady,

0:31:01.200 --> 0:31:02.360
<v Speaker 4>you know what I mean, And they were able to

0:31:02.400 --> 0:31:05.640
<v Speaker 4>reconnect in that moment. So, you know, it's just being

0:31:05.720 --> 0:31:08.000
<v Speaker 4>there for each other in those moments and having people

0:31:08.040 --> 0:31:09.960
<v Speaker 4>that you can actually lean on for those moments, you

0:31:10.040 --> 0:31:11.480
<v Speaker 4>know what I mean. That's important to you know, have

0:31:11.560 --> 0:31:13.760
<v Speaker 4>a little more vulnerability with the people that actually love

0:31:13.800 --> 0:31:15.960
<v Speaker 4>you and allow them into your space to be able

0:31:16.000 --> 0:31:16.360
<v Speaker 4>to help you.

0:31:16.360 --> 0:31:16.880
<v Speaker 2>When you need it.

0:31:18.760 --> 0:31:21.760
<v Speaker 1>Is having a bad day or Ship's all over the place.

0:31:21.800 --> 0:31:25.600
<v Speaker 1>What does what does measy do? Call of duty?

0:31:25.640 --> 0:31:28.200
<v Speaker 5>Okay, call of duty in it. Like I said, said that,

0:31:28.640 --> 0:31:33.320
<v Speaker 5>we got a group. We got a group besides. Besides,

0:31:33.520 --> 0:31:35.680
<v Speaker 5>I'll go to Magice sometimes having a bad day. But

0:31:36.120 --> 0:31:37.160
<v Speaker 5>we got a group chat too.

0:31:37.240 --> 0:31:39.000
<v Speaker 2>With Ship. We just keep it up. We like keep

0:31:39.040 --> 0:31:39.320
<v Speaker 2>it real.

0:31:39.480 --> 0:31:43.200
<v Speaker 5>Sometimes, bro, we be on that motherfucker. We'll start a

0:31:43.280 --> 0:31:45.760
<v Speaker 5>FaceTime and don't be doing Ship. We'll just all be

0:31:46.040 --> 0:31:48.440
<v Speaker 5>just talking and the nigga might just we talk about music,

0:31:48.520 --> 0:31:50.520
<v Speaker 5>we talk about whatever. If the nigga going through something,

0:31:50.960 --> 0:31:53.000
<v Speaker 5>they might throw it out. We give each other advice.

0:31:53.240 --> 0:31:55.120
<v Speaker 2>We got a group chat. Yeah, I got a couple

0:31:55.160 --> 0:31:57.080
<v Speaker 2>of group chats. I'm in a group chat. I'm in

0:31:57.160 --> 0:31:59.760
<v Speaker 2>one group chat with him, and it's it's therapeutic. It's

0:31:59.800 --> 0:32:01.080
<v Speaker 2>their repauty for me. Honestly.

0:32:01.240 --> 0:32:02.920
<v Speaker 5>Like it might be having a bad day and somebody

0:32:03.000 --> 0:32:05.240
<v Speaker 5>might say the right joke and it'd be like, ah, man,

0:32:05.320 --> 0:32:06.680
<v Speaker 5>you know what, let me interact with.

0:32:06.720 --> 0:32:09.080
<v Speaker 2>Them, and then it boosts my day a little better.

0:32:09.160 --> 0:32:11.040
<v Speaker 5>It might not have been going that good, but you know,

0:32:11.200 --> 0:32:14.440
<v Speaker 5>sometimes that good energy being around you by genuine people helps,

0:32:14.480 --> 0:32:16.280
<v Speaker 5>you know, honestly, So that's what I do.

0:32:17.640 --> 0:32:20.720
<v Speaker 1>Like, man, we appreciate y'all. Anything else be t man,

0:32:21.160 --> 0:32:21.880
<v Speaker 1>it's a good episode.

0:32:21.960 --> 0:32:22.880
<v Speaker 3>This is a good episode.

0:32:23.160 --> 0:32:23.920
<v Speaker 4>This has been a pleasure.

0:32:23.960 --> 0:32:24.120
<v Speaker 2>Man.

0:32:24.280 --> 0:32:25.520
<v Speaker 3>Was I was giving our game?

0:32:26.280 --> 0:32:26.480
<v Speaker 2>Yeah?

0:32:26.560 --> 0:32:29.080
<v Speaker 1>Man, we just wanted to, you know, just start again

0:32:29.400 --> 0:32:32.200
<v Speaker 1>interviewing people that we care about, that we see doing

0:32:32.360 --> 0:32:35.120
<v Speaker 1>positive things that are humans too. You know what I'm saying.

0:32:35.280 --> 0:32:36.560
<v Speaker 2>I know you guys got a lot going on in

0:32:36.600 --> 0:32:36.920
<v Speaker 2>your plate.

0:32:37.080 --> 0:32:39.400
<v Speaker 1>We appreciate you spending your time with us. Just know

0:32:39.520 --> 0:32:43.240
<v Speaker 1>these clip clip now, so anything said let us know

0:32:43.440 --> 0:32:44.720
<v Speaker 1>now that's our.

0:32:44.720 --> 0:32:45.200
<v Speaker 2>Producer, right.

0:32:45.480 --> 0:32:46.400
<v Speaker 4>We ain't said nothing crazy.

0:32:48.040 --> 0:32:49.080
<v Speaker 1>It's the ball or show