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Speaker 1: They okay, now go back to that man, you switch it. No,

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Speaker 1: that's perfected, but you should have just looked bit. That

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Speaker 1: would have been the perfect ship to bring chance to

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Speaker 1: Ram up to the show too. That would have been

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Speaker 1: some great ship to do introduction to you don't fox

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Speaker 1: you're feeling me? Yeah, yeah, you're with You're fucking with it.

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Speaker 1: You can't win made well, I'm no, you ain't fucking

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Speaker 1: with it. Don't fucking with shit. If I had that

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Speaker 1: one right there, it wouldn't even be fair. I would

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Speaker 1: probably go three times playing um in a fucking year.

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Speaker 1: Probably say some ship that you would really like to

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Speaker 1: fucking hear something. You can smoke a blunt too when

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Speaker 1: drink a fucking beer, Probably be up for artists other year,

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Speaker 1: and the will be like, when you're gonna drop something,

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Speaker 1: my dear, I'm just chilling on some other ship. It

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Speaker 1: was me, my brother and my other brother Mitch, and

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Speaker 1: we didn't road to the liquors though, and we didn't

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Speaker 1: got a few backwoods. My turn to roof. I'm on

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Speaker 1: the back seat, big booty freak. I met a last week.

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Speaker 1: She didn't already ain't the meat. That's how my life goes.

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Speaker 1: I spent the night with a nice hole. Ain't and

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Speaker 1: she even made breakfast. Gave me head in the kitchen

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Speaker 1: while she was cooking. Button nd swear to god, ain't

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Speaker 1: told a lot yet got the check. But they ain't

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Speaker 1: got fly yet. You can stop me when you think

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Speaker 1: that I'm laying. These niggers think they're better than me,

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Speaker 1: and they ain't even trying coming off the head like

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Speaker 1: your girl. She do it. She's scared. She put the

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Speaker 1: nick with the sad work. She's a nick pillar nigger. Honestly,

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Speaker 1: I told you're gonna want me to be all right, man,

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Speaker 1: she'll turn do so. First of all, these ain't no

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Speaker 1: food to y'all. Yeah, this is these ain't no food, y'all.

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Speaker 1: Ye listens, ain't a body y'all. Yeah, listen he does?

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Speaker 1: Who does y'all? Hold up? Come on me up, Yeah,

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Speaker 1: we're gonna give you don't y'all, what's up? I'm calling

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Speaker 1: on the side show. They said I got my cup

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Speaker 1: on Chicago, donol. We're gonna ge Hey, we got all

38
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Speaker 1: them hey bees, ain't no wood. He doesn't food, just

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Speaker 1: like he ud out crazy that ship were crazy that

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Speaker 1: she like crazy. She want to get junk. Who is

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Speaker 1: that behind are you doing? That's a lot on that picture.

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Speaker 1: That's a lot of hurt. She got whine up. Yeah,

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Speaker 1: you're not about to talk about the black history. Man,

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Speaker 1: that's black history. That's black I'm gonna take. That's a chance. Shit,

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Speaker 1: there's some chance. Weight. Let me wrap my freestyle. Yeah,

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Speaker 1: I'm with my nigga d C. Hey, I'm wrapping up

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Speaker 1: on y'all TV coom or maybe I'm on your computers

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Speaker 1: and I'm with my fucking shoulders. I'm with oh my

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Speaker 1: homies and we kind of play and I ain't kind

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Speaker 1: of play. I do this every day. What's today Wednesday?

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Speaker 1: On them, it's Thursday. That's my birthday. Holiday. I'm at

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Speaker 1: the end shout out to change me back when he

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Speaker 1: made a song about and that's a holiday. Nd, Yeah

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Speaker 1: that's holiday. Win buy some dude Christmas gils. That's some

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Speaker 1: fucking friends. Hey, up to the club. We have the

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Speaker 1: King of Diamonds. I'm sorry that ship closed. Yeah we're okay.

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Speaker 1: It's something Yeah, yeah, you know, I'll be joking. No,

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Speaker 1: I don't really smoking and don't and don't with Carlo

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Speaker 1: saying I would say checkof but he wrapped out that

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Speaker 1: the act. He was supposed to be a my friend,

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Speaker 1: but it's cool. I'm with my other friends. Ain't get

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Speaker 1: what we're up. Yes, a man, welcome back to anybody

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Speaker 1: self short, thank you. We were just nominated number one.

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Speaker 1: Black is TV show that's not on TV. This name

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Speaker 1: is mel no Cot. We were in the award every

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Speaker 1: time we dropped something, every time d C. We had

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Speaker 1: a very special guests in the trap with us, some

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Speaker 1: very special It's about nine for one nickel and everybody

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Speaker 1: need drive. They just pulled up. Have told here on

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Speaker 1: some real ship though one all the awards, Barack Obama

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Speaker 1: would be really listening to him and know his lyrics.

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Speaker 1: You just ain't got a kid had commercial Uh that's

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Speaker 1: sold nine trillion dollars worth a new Era has with

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Speaker 1: three on overalls, mushrooms, all the all the festivals. Smokeman.

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Speaker 1: I just know one thing. I know, if one more

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Speaker 1: they could try to stop, it's gonna be, man, It's

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Speaker 1: gonna be a whole bunch of niggas drigs in the

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Speaker 1: Ever since you said that, nobody, everybody in the record

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Speaker 1: industry new not to play with this nagu really from Chicago,

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Speaker 1: Really I felt that line too, took a chance with

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Speaker 1: this ship chance to wrap ship watch, Mr Lake, don't

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Speaker 1: thank you that ta. We always talked about this ship

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Speaker 1: on the show. We feel like the black entertainers don't

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Speaker 1: get enough appreciation, and we like to appreciate when people

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Speaker 1: stop through the trap and fun with us. Man, you

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Speaker 1: really watched the show, and you really be posting ship

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Speaker 1: that you watched from the show. We appreciate that, real man.

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Speaker 1: The show was amazing, And congrats on on going strong

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Speaker 1: for so long, y'all that the tours and everything and

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Speaker 1: like got a space, y'all, Finnaly get another space. Yeah,

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Speaker 1: let me get time. Now we all know the Yeah,

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Speaker 1: we gotta have the studio coming, but you ain't. Yeah,

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Speaker 1: just to demember we ain't name the studio yet. Should

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Speaker 1: we all throw it out to the fans and do

95
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Speaker 1: some kind of contests and let them name the studio equity? No,

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Speaker 1: we got some we got some option on the table,

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Speaker 1: some input to First of all, how you been. I've

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Speaker 1: been good man, I've been, uh, don't work and doing

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Speaker 1: a lot of music stuff, traveling. Just got back from

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Speaker 1: West Africa. What they're doing over that it's beautiful, y'all.

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Speaker 1: It's nothing like I thought of like, you know, like

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Speaker 1: I went my first time in January, and it was

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Speaker 1: like a crazy experience. Learned a lot about like not

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Speaker 1: just there, but about like global blackness, how we all connected,

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Speaker 1: like you know, the the efforts that took place like

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Speaker 1: since the you know, really since the fifties and saxeties.

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Speaker 1: That's when all the African countries started getting their independence.

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Speaker 1: And then that was the same time that we was

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Speaker 1: going through civil rights over here, so like a lot

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Speaker 1: of that stuff was interconnecting. I don't know a lot

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Speaker 1: about that stuff. So the first trip was really cool

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Speaker 1: because I got to learning and I just went back

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Speaker 1: with my friends and me and Vic brought some kids

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Speaker 1: out there too. It was just like a real you know.

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Speaker 1: It inspired me actually to to organize this this concert.

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Speaker 1: Me and Vick are putting together a big black concert.

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Speaker 1: Now we are how when you say that you made

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Speaker 1: some time, just show a bit well and now and

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Speaker 1: just take ten episodes and meet up for two weeks.

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Speaker 1: He just funked with like that here cool niggative. Now.

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Speaker 1: The show is like I always say, like it's that's

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Speaker 1: are like you know, Saturday Night Live. That's like are

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Speaker 1: like space to like really see so many comics that like,

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Speaker 1: you know, like and like what you did with the

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Speaker 1: show since you came on with all y'all did and

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Speaker 1: shout out to Chico to I was just joking. I

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Speaker 1: know you are my friend, but not but like y'all

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Speaker 1: seriously like build something crazy over there. And it's like

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Speaker 1: it grows so many stars that grow so many like

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Speaker 1: musicians and artists, and it's just like, I don't know,

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Speaker 1: it's one on one appreciate you know. We had one

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Speaker 1: of the highest one of the most viewed episodes that

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Speaker 1: that season finale that he did. That's that's one of

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Speaker 1: the first times we ever seen you know, the people

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Speaker 1: who really run ship called to show and just like

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Speaker 1: just keeping going like let him go coming for a

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Speaker 1: long time. That's when people I wish, I wish I

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Speaker 1: would do, like like just like the ship that gets

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Speaker 1: cut from the episode, just like how so much. Yeah,

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Speaker 1: it's just so much funny, Like like people don't know,

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Speaker 1: like when you're artists can't go up there. You really

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Speaker 1: just have fun, like you really just like cracking jokes

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Speaker 1: and hanging out and getting drunk. Really like I don't

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Speaker 1: know what I say that it's like you can't wait

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Speaker 1: the purposely getting you drunk the cell and they just

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Speaker 1: have a good time. You know what'll they're like, damn

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Speaker 1: beat a tool up cut that. You get a lot

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Speaker 1: of people coming there, some of some people shot its

149
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Speaker 1: hell until they get you know, stay really broke. You

150
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Speaker 1: know you can say something to us. They're like, I

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Speaker 1: don't know what to say. Snap the fuck you feel

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Speaker 1: look say that right? No, that ship is fundude man,

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Speaker 1: especially you know the laugh taps that ship because it's like,

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Speaker 1: at this point we know pretty much what they ain't

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Speaker 1: gonna play. So when we watched the ship, we were like, oh,

156
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Speaker 1: they're letting motherfucker's rock this. Yeah, hell yeah, but she

157
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Speaker 1: I know you deep into the music game. But like

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Speaker 1: what started you? What was the motivation? Man? I feel

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Speaker 1: like I started out doing poetry, to be honest. I

160
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Speaker 1: used to do it. Like the in Chicago they have

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Speaker 1: like this thing called Young Authors Projects where every year

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Speaker 1: when you were a kid, you have to like make

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Speaker 1: a book. You have to make like a story about

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Speaker 1: like Nickas was writing about dinosaurs and show like that,

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Speaker 1: and I was making little books of poems. I don't

166
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Speaker 1: know why I was doing that, but I do like

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Speaker 1: a book every year and be like ten poems in it,

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Speaker 1: and they was it was really good for me to

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Speaker 1: be like six years old. It was pretty five, right,

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Speaker 1: And I just kept doing that and then I felt

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Speaker 1: like it was around like third grade, second and third grade,

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Speaker 1: I started like listening, like getting my own CDs and

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Speaker 1: getting getting in the hip hop and then and I

174
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Speaker 1: was like, I'm gonna just wrap and yeah, I don't know,

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Speaker 1: I feel like most people have like a cool ass

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Speaker 1: origin story, Like now, I was tired of it on

177
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Speaker 1: the streets, but I just genuinely like making a rap

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Speaker 1: like that's just like my swag. I don't know. It

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Speaker 1: was like, no, you didn't grow up struggling this ship.

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Speaker 1: I mean, I feel like it's a it's a common

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Speaker 1: like trope, you know that. It's like it's like music

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Speaker 1: is one of the options, but it's like in reality,

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Speaker 1: it's a it's a heart form like anything else. Like

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Speaker 1: there's people that are just really really good at you

185
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Speaker 1: know what I'm saying, Like it's not it's not just

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Speaker 1: you know, like I feel like us as as black folks,

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Speaker 1: like we have have like you know, understanding of what

188
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Speaker 1: is wrong, what is like good you know, art period,

189
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Speaker 1: but it's still in like creative like everybody everybody got

190
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Speaker 1: funny friends, but not everybody to do what y'all? Do

191
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Speaker 1: you know what I'm saying, It's like where it's like

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Speaker 1: where rap, It's like, you know, there's a story to

193
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Speaker 1: tell that. I feel like a lot of people want

194
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Speaker 1: to hear. But at the end of the day, like

195
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Speaker 1: how you telling how your voice sounds like a tone,

196
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Speaker 1: like you're like it's an art for you know what

197
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Speaker 1: I'm saying, I live what you live. Maybe snapping on

198
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Speaker 1: some music on his mother Ship. I was just listening

199
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Speaker 1: to the Action Bronson. Man, you really killed that track

200
00:14:28,760 --> 00:14:32,800
Speaker 1: man on the feature? Oh yeah. People do people be

201
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Speaker 1: like kind of like skid because you're gonna go crazy?

202
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Speaker 1: I don't know. That's a good question. I feel like

203
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Speaker 1: I feel like when I get on songs, I try

204
00:14:42,960 --> 00:14:46,360
Speaker 1: and like I don't be trying to get on it

205
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Speaker 1: like I'm gonna kill. That's not gonna right, I don't.

206
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Speaker 1: I feel like I really just be doing what's most

207
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Speaker 1: true to me on the track and then how it

208
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Speaker 1: comes out, It's just how it comes out. But I

209
00:15:00,080 --> 00:15:03,160
Speaker 1: feel like I'm always down to collabor with people and

210
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Speaker 1: I like to collaborate artists that aren't always like necessarily

211
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Speaker 1: just and rap like. I'll be working with artists and

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Speaker 1: make all types of different music and share. You have

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Speaker 1: to work with that you aint did one with you

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Speaker 1: this this show, Damn, they'd be connected to motherfuck. This's

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Speaker 1: my time tell it. Stevie Wonder, if you're listening right now,

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Speaker 1: you know he's watched this ship. Steve wanted to see

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Speaker 1: every episode of this show. Man you left Stephen wanted

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Speaker 1: to do this ship. I just I want to work

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Speaker 1: with Stevie Wonder also want to work with He watched

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Speaker 1: this Yes, he's seen episode. You know what I mean.

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Speaker 1: Stop playing. I also want to work with y'all gonna

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Speaker 1: suck it up. I'm trying to really get that Stevie feature, Steve, Stevie,

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Speaker 1: I'm trying to get I'm trying to get a track with. Damn.

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Speaker 1: Who's I just about to say, you know who I

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Speaker 1: want to work with it. I haven't worked with yet,

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Speaker 1: and I'm cool with, but I just need someone. I

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Speaker 1: just need some many times, I'm trying to work with Kada.

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Speaker 1: You know word, I want to wrap with Kada. Yeah, Kendrew, Yeah,

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Speaker 1: they people that word. It's just always schedule stuff. But

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Speaker 1: I want to. I want to. I definitely would love

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Speaker 1: to work with people. Can trip a fool? Would you

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Speaker 1: want to already have something playing or just be like,

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Speaker 1: let's just start from scrap? Well, I feel like I

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Speaker 1: probably come to him with some tracks like these are tracks.

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Speaker 1: But I feel like Kendrick is such like a musical

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Speaker 1: person that you want to like build something because he's like,

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Speaker 1: I don't know, he's in a lot of different genres

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Speaker 1: of music. He's just he's very art artistic. He'll fun

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Speaker 1: around and jump on all of them ships. Whatever I'm

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Speaker 1: gonna I'm gonna take your advice and bring seven tracks sometime.

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Speaker 1: Do just have to say that ship? And you know

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Speaker 1: how this entertainment ship is. As soon as they hit

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Speaker 1: the black Nidude Whitt saying something that she might have

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Speaker 1: been motivated him like me to be played, they go yeah, yeah,

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Speaker 1: you give him no seven tracks and you come in

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Speaker 1: and be like, bro, we could do some scrap. Ain't

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Speaker 1: how you want to do? I got music hungry, I'll work.

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Speaker 1: He probably got seven you want to get you on?

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Speaker 1: He'd be like that sometimes how you should be like scheduling.

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Speaker 1: He probably won't do the same. Yeah, I feel like

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Speaker 1: it's probably like like you're right, if I hit him up,

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Speaker 1: I'll probably I'm gonna just say it's gonna happen. Now

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Speaker 1: what we're saying. That's not a thing. Artists hit each

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Speaker 1: other up. Artists also like change their numbers all the time.

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Speaker 1: Artists also to be not working on music sometimes, you

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Speaker 1: know what I'm saying. So I feel like he just

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Speaker 1: dropped the album, so he probably don't got a track

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Speaker 1: from me to get on. But I definitely got tracks

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Speaker 1: I'm gonna get on. So I'm gonna go with the

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Speaker 1: seven tracks and be like, let's make something from scratch.

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Speaker 1: And then if he'd be like, I'm not really trying

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Speaker 1: to make done from scratch, like seven tracks. You know

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Speaker 1: what I'm saying, right, And I'm first on to just

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Speaker 1: say I got one track, so if you don't like that,

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Speaker 1: I got another. Yeah you heard you already, you got

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Speaker 1: something track. I'm gonnaha him up? Is this live? I

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Speaker 1: mean it will be We laughed right now, let's speaking

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Speaker 1: to laugh. Amen, welcome back to the we're looking at

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Speaker 1: this kind with my feature like just speaking in and

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Speaker 1: st Steve. Oh, I don't don't be happy if I

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Speaker 1: need you, Steve, whose one more feature you gotta get?

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Speaker 1: Damn Now, I gotta use That's like a third wish

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Speaker 1: and think of that reach just through for Reil out there.

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Speaker 1: I don't think for real or Addison packing them. I

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Speaker 1: just like heard great music and people who do music together.

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Speaker 1: You know who I want to work with. I don't know.

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Speaker 1: I want to work. I definitely wanna work a p

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Speaker 1: that's my homie and for him, I want to work

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Speaker 1: with Lauren Hill. I was we have you're listening to

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Speaker 1: us all a love to working with you, you said Stevie.

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Speaker 1: I was gonna say, Laura. But you know you gotta

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Speaker 1: allow the nigga to think, boy, that's crazy. Please, that

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Speaker 1: would be crazy. If you want to get dialoge on

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Speaker 1: the track, stop playing man, not for real like rap man.

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Speaker 1: I never said that he couldn't. I'm just saying, then

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Speaker 1: he dialogue somebody to bring him in the game again.

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Speaker 1: Fact he did go crazy. Know that's I didn't know

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Speaker 1: what you're saying. He was going crazy making a Okay.

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Speaker 1: I know we did talk about we should make we

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Speaker 1: should come out with making the band. I ain't gonna

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Speaker 1: make you gonna walk no cheese can't go. You're trying

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Speaker 1: to put the veil, but no chee oh, didn't put

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Speaker 1: a band again? Making a band? How many people in it?

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Speaker 1: You gotta be like back guy because you gotta even

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Speaker 1: you know what, that's a lot of motherfuckers. That's six opportunities.

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Speaker 1: Are a group or a band. See they're a band,

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Speaker 1: but one thing. A band gotta understand there's six different instruments.

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Speaker 1: You have to stand out regardless. So they sing the band,

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Speaker 1: they're singing and playing whatever you want to bring to

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Speaker 1: the band. You are a part of the band. You

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Speaker 1: gotta be and played organ. You don't want to around there?

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Speaker 1: How you like working piano? You ain't got So the

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Speaker 1: listen is Lauren Stevie, Wonder and Kinder Lamar three. That's

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Speaker 1: fine Lauren here Stevie want kinder them all one. If

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Speaker 1: that happens, that might craping portal work blackness that we

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Speaker 1: have never seen. Just like a blackness portal opened up.

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Speaker 1: All the ancestors walk out. We are here for the concept. Everybody. Yeah, track,

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Speaker 1: you gotta take it back to career music, back in music.

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Speaker 1: You have no choice to you just listen to musical

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Speaker 1: listen like the Pandora, you have a just cat song

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Speaker 1: you fought when you when you know who the nigs?

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Speaker 1: You know what this hand, I gotta go shot who

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Speaker 1: this is. Then you gonna look at that monthly like

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Speaker 1: monthly listening before hundred dollars and you're like, somebody listen

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Speaker 1: to the nick. I just wasn't what you gotta understand

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Speaker 1: how deep the music game. But she teuched people. But

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Speaker 1: real music come back and stuff? When did it go

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Speaker 1: out of stuff? It wan not real long time ago?

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Speaker 1: What you mean long long time to actually listen to

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Speaker 1: like think about like Spotify, and now that you gotta drum,

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Speaker 1: you gotta know about it to literally go by your

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Speaker 1: favorite song. So you was only listening to what you bought,

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Speaker 1: you know, a subscription to go listen to everything. Uh,

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Speaker 1: you know you like everything I know, But now I

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Speaker 1: gotta free sube suscription. We're not free. I gotta ship.

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Speaker 1: I gotta Every time I happened to it, I'd be like, well,

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Speaker 1: I gotta add that to the motherfucker what I did DJ. Yeah,

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Speaker 1: but I don't know something music that I'm saying. I

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Speaker 1: think that's just a small fraction of the ship. People

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Speaker 1: really listen to like, like you said, people listen to

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Speaker 1: all kinds of ship. It ain't You're like, it's this dude.

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Speaker 1: He could make these videos right when he go around

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Speaker 1: and he fired people who got headphones on, and he

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Speaker 1: asked them what they're listening to? Right, and then he'll

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Speaker 1: play the song, and I'm like, why the funk are

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Speaker 1: people listening to just cartoon intro songs. You've been surprised.

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Speaker 1: Next time you see, motherfucker what you're listening to, it's

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Speaker 1: gonna be some ship you never expected. They told him

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Speaker 1: symphony one night, just when everybody hates. But I like,

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Speaker 1: I ain't. I can listen to T d J. You

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Speaker 1: do sermons like he it's it's almost Spotify. I got

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Speaker 1: that nig kind of loog and it ain't. I listened

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Speaker 1: to Okay he. I feel like he'd be knowing what

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Speaker 1: Nika's be going through. He'd be saying, ship that don't

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Speaker 1: lack it. It ain't be like directly the niggas, But

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Speaker 1: you can relate to every situation where you're just sitting

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00:24:05,480 --> 00:24:08,200
Speaker 1: there scrolling Facebook. Next thing you know that T d

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Speaker 1: Jake pop up. Don't text me back. I don't get

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Speaker 1: used to it. Don't call my phone. I'll get used

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Speaker 1: to you not being there when somebody gets used to

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Speaker 1: you not being there. And then he'd be like, how

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Speaker 1: does he know how he profound for I know he

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Speaker 1: didn't laying because he's sweating too hard. He's sweating too hard.

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Speaker 1: He got to be telling the truth that mother likes

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Speaker 1: to check though. You know you have to be a profit.

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Speaker 1: Did he go from corner the cone like he walked

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Speaker 1: and talking get everybody on confregations. He turned around one

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Speaker 1: of them serving TV Jakes had some yeasies on. You

359
00:24:55,000 --> 00:24:57,720
Speaker 1: see his Instagram pictures have been going power and having

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Speaker 1: them old on the so killing these young boys headed

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Speaker 1: beside the shirt on and they put him on the

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Speaker 1: picture with the meg. We got to get TV Jake's

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Speaker 1: to come on the show with that'd be TD. You

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Speaker 1: got called he fought when he put me in one movie.

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Speaker 1: Really yeah, that movie You did move when you was

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Speaker 1: a zombing that ship that came back won't keep I

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Speaker 1: don't know the little picture of that show, the preview

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Speaker 1: of the movie it's just your I turned to the

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Speaker 1: zomber where I got beating, like can you make it something?

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Speaker 1: I was like, yeah, I'll want me to do this,

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Speaker 1: but I think with the screen screen man, I do act.

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Speaker 1: It's a lot of like waiting and stuff like when

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Speaker 1: you have to. I don't know the game I like,

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Speaker 1: I like, I like behind the camera stuff. I like

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Speaker 1: like cinematography, and I like I like direction. I feel

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Speaker 1: like the last time I this movie show, I was

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Speaker 1: like on a I was in like a trailer for

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Speaker 1: a long time because they'd be having to change stuff

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Speaker 1: and stuff. I don't got the patience. I think that's

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Speaker 1: the that's the problem was that I even they keep

381
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Speaker 1: knocking on my dough don't mean the trilbody. You can't

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Speaker 1: come up to still because it still got what you

383
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Speaker 1: do not on motherfuck teen minutes ago, the need for

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Speaker 1: war roop. I'm in war room about to change what

385
00:26:50,560 --> 00:26:54,479
Speaker 1: motherfucker it's a hundred and ninety eight degrees outside. Tell

386
00:26:54,560 --> 00:26:56,159
Speaker 1: him to bring my clothes in here, pull me to

387
00:26:57,440 --> 00:27:01,040
Speaker 1: They want your sick what clothes you got on? Because

388
00:27:03,320 --> 00:27:07,760
Speaker 1: I live though we cover the game, they come knock

389
00:27:07,800 --> 00:27:12,480
Speaker 1: on that do until you're fat. Minute's fifty time. I

390
00:27:12,520 --> 00:27:14,000
Speaker 1: don't know what. I don't know what it is about

391
00:27:14,040 --> 00:27:17,520
Speaker 1: the It's like also like when you're a rapper, or

392
00:27:17,560 --> 00:27:19,840
Speaker 1: like a public face type ship, it's harder to I

393
00:27:19,920 --> 00:27:23,240
Speaker 1: feel like I respect acting, like I respect like the

394
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Speaker 1: idea of getting into a role and like making a

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00:27:25,880 --> 00:27:29,639
Speaker 1: movie dope, like yeah. And it's also like movies is

396
00:27:29,720 --> 00:27:31,360
Speaker 1: like that's like a team sport, Like there's so many

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00:27:31,400 --> 00:27:33,840
Speaker 1: different departments making the movie happen. So if you're the actor,

398
00:27:33,920 --> 00:27:36,320
Speaker 1: you gotta like go hard to like carry your weight.

399
00:27:36,480 --> 00:27:38,000
Speaker 1: So I want to do that. But then if I'm

400
00:27:38,040 --> 00:27:40,080
Speaker 1: a chance to rapper the whole time, so I like,

401
00:27:40,200 --> 00:27:42,960
Speaker 1: I like, like uh like character actors, you know, like

402
00:27:43,240 --> 00:27:46,919
Speaker 1: uh has just had a vision of chance the rapper,

403
00:27:47,840 --> 00:27:50,720
Speaker 1: chance the actor nigger. When you go into that mode,

404
00:27:51,280 --> 00:27:53,720
Speaker 1: just go into a whole another just be chance to act.

405
00:27:53,880 --> 00:27:56,640
Speaker 1: I could. I could get there mentally, mentally, I could

406
00:27:56,680 --> 00:27:59,480
Speaker 1: be chance to actor. But it's like my face, it

407
00:27:59,600 --> 00:28:01,159
Speaker 1: was like you say, it's like my face is like

408
00:28:01,400 --> 00:28:05,600
Speaker 1: very like that's what I want. I don't want to

409
00:28:05,640 --> 00:28:07,440
Speaker 1: I just don't want like a star roll. I'll be

410
00:28:07,520 --> 00:28:10,200
Speaker 1: like a nigger that just says a few things, like

411
00:28:10,320 --> 00:28:13,560
Speaker 1: a mystical character that's like got all types of prosthetics

412
00:28:13,640 --> 00:28:17,920
Speaker 1: on that ship, saying something that's inspirational, and then disappear

413
00:28:18,000 --> 00:28:19,680
Speaker 1: and Nigga's like two years Alter was like that was

414
00:28:19,800 --> 00:28:21,960
Speaker 1: Chance the rapper. He killed that. So you want to

415
00:28:22,000 --> 00:28:24,920
Speaker 1: be like Professor Cluk to just say this speech sort

416
00:28:25,000 --> 00:28:31,200
Speaker 1: of like professor that's heavy, heavy prosthetics. His face show

417
00:28:31,760 --> 00:28:33,320
Speaker 1: what he wanted to be him. That was you was

418
00:28:33,400 --> 00:28:39,000
Speaker 1: third up. That's what I'm saying exactly, like like fully

419
00:28:39,160 --> 00:28:41,360
Speaker 1: dive deep into a row, but it's Thirgood Marshall in

420
00:28:41,400 --> 00:28:44,760
Speaker 1: a movie about somebody else. What I'm saying, it's not

421
00:28:45,240 --> 00:28:48,280
Speaker 1: not the Thod Marshal movie. And they got that justic

422
00:28:51,160 --> 00:28:53,160
Speaker 1: one scene it's like you gotta talk to the janitor

423
00:28:53,200 --> 00:28:54,760
Speaker 1: and then the janitor is me, but you don't know

424
00:28:54,840 --> 00:28:57,480
Speaker 1: it's me, and then I inspired my fucker's damn message

425
00:28:57,680 --> 00:29:02,000
Speaker 1: out of message that person is. In fact, you know

426
00:29:03,720 --> 00:29:06,760
Speaker 1: I would actually kill that. Also, if Niggers is casting direct,

427
00:29:07,640 --> 00:29:11,440
Speaker 1: you miss the clog, I'll lean on me. That was you.

428
00:29:12,960 --> 00:29:15,080
Speaker 1: So who are you now? I'm trying to I'm trying

429
00:29:15,080 --> 00:29:17,000
Speaker 1: to be in a movie also like where I'm like,

430
00:29:17,280 --> 00:29:21,320
Speaker 1: uh like uh, I don't want to say a bad

431
00:29:21,400 --> 00:29:25,200
Speaker 1: guy villain in the movie because I want to call

432
00:29:25,280 --> 00:29:28,240
Speaker 1: the house. I know, you kid, I just want to

433
00:29:28,320 --> 00:29:29,960
Speaker 1: call the house and then they show that a little

434
00:29:30,000 --> 00:29:33,360
Speaker 1: scene we'll be talking ship to use their bogus accent.

435
00:29:33,680 --> 00:29:37,960
Speaker 1: Tell your boyfriend and I'm going to kill you and

436
00:29:38,040 --> 00:29:42,600
Speaker 1: then just hang up. That's that's my ni. We were

437
00:29:42,600 --> 00:29:45,640
Speaker 1: just talking about bro Keyana Reed the nickel playing John Win.

438
00:29:46,080 --> 00:29:51,680
Speaker 1: He don't say ship, and he don't say then. I

439
00:29:51,760 --> 00:29:53,760
Speaker 1: had a whole conversation with a lady at the coffee

440
00:29:53,800 --> 00:29:59,400
Speaker 1: shop for about three minutes the life alright, are you

441
00:29:59,560 --> 00:30:04,080
Speaker 1: talking about? Which you're talking about? Doubt, like how you

442
00:30:04,120 --> 00:30:06,640
Speaker 1: can't kid about him into company. She's like that half

443
00:30:06,640 --> 00:30:09,160
Speaker 1: to be John and they can drop some water. She said,

444
00:30:09,280 --> 00:30:12,160
Speaker 1: hold of the speak and he was like, all right,

445
00:30:12,800 --> 00:30:17,440
Speaker 1: all right now both killed me, you know, and he

446
00:30:17,560 --> 00:30:19,880
Speaker 1: get paid but all his actual movie because he do

447
00:30:20,000 --> 00:30:24,560
Speaker 1: all that ship for real and Ben diesel, I don't

448
00:30:24,600 --> 00:30:28,080
Speaker 1: know about that who and he's what we're talking about.

449
00:30:28,080 --> 00:30:30,040
Speaker 1: And when we speaking much and I don't know faster fear,

450
00:30:30,600 --> 00:30:33,240
Speaker 1: that's what I'm saying, Like you want to raise he said,

451
00:30:33,280 --> 00:30:37,200
Speaker 1: some bulls you're like they get in the car. They

452
00:30:37,240 --> 00:30:40,720
Speaker 1: always give him some bullshit to say, be some ship.

453
00:30:40,800 --> 00:30:43,800
Speaker 1: That fun the whole movie. You remember them fasting the feriers.

454
00:30:43,800 --> 00:30:46,240
Speaker 1: That man got dead and serious and looked over his

455
00:30:46,320 --> 00:30:49,200
Speaker 1: shoulder and flixs his muscles and said, I lived my

456
00:30:49,400 --> 00:30:53,320
Speaker 1: life for quarter mill at the time. Most to hear

457
00:30:53,440 --> 00:30:57,560
Speaker 1: some bullshit like this ship has been good the whole time.

458
00:30:58,720 --> 00:31:01,120
Speaker 1: What do you say, Look, I live my life for

459
00:31:01,120 --> 00:31:06,160
Speaker 1: a quarter mile at a time. He was to do that,

460
00:31:06,280 --> 00:31:10,440
Speaker 1: even mean man that inferiors didn't got ridiculous. I like

461
00:31:10,560 --> 00:31:12,800
Speaker 1: the first one. They were stealing ship and you know,

462
00:31:13,040 --> 00:31:15,520
Speaker 1: just on the hope in a prayer. Now these motherfucker's

463
00:31:15,560 --> 00:31:26,280
Speaker 1: out of space. You did bull ship. They get the

464
00:31:26,280 --> 00:31:28,560
Speaker 1: little race and you had that purple call. Y'all still

465
00:31:28,600 --> 00:31:32,120
Speaker 1: stop playing a don't care man, this hell in taver

466
00:31:33,000 --> 00:31:35,880
Speaker 1: because he never did baby boy two three and folks,

467
00:31:37,400 --> 00:31:40,360
Speaker 1: we want to see that ship has so much potential

468
00:31:40,800 --> 00:31:44,880
Speaker 1: him and get back together. Their son is a fucking

469
00:31:45,720 --> 00:31:52,080
Speaker 1: all around athlete, nigga cold and football playerstball and he

470
00:31:52,240 --> 00:31:55,720
Speaker 1: run track to Judia. Didn't got the business booming. He

471
00:31:55,800 --> 00:31:58,480
Speaker 1: didn't went from clothes to like work outfits and ship.

472
00:31:59,440 --> 00:32:02,120
Speaker 1: That ship not him and Melvin done blew the lawn

473
00:32:02,240 --> 00:32:05,800
Speaker 1: service something they getting money? Man, that ship could have

474
00:32:05,920 --> 00:32:09,160
Speaker 1: been man. No, they Mama then opened up a beauty

475
00:32:09,240 --> 00:32:13,280
Speaker 1: supplies though too and she sells juices after the others.

476
00:32:13,320 --> 00:32:17,840
Speaker 1: Sad man that nigg you're talking about his partner. Oh man,

477
00:32:18,080 --> 00:32:20,800
Speaker 1: this nigga hit us start of the youth football program

478
00:32:20,920 --> 00:32:28,040
Speaker 1: with him and Shoop then linked up all them niggas

479
00:32:28,080 --> 00:32:31,480
Speaker 1: that they knocked out in the park. All them niggas

480
00:32:31,520 --> 00:32:39,920
Speaker 1: got d one football office after that man. Then Pete

481
00:32:40,240 --> 00:32:42,960
Speaker 1: hold Boy who was staying with his moment. Hey, he

482
00:32:43,160 --> 00:32:46,480
Speaker 1: ended up having a having a baby with old girl.

483
00:32:46,560 --> 00:32:48,760
Speaker 1: His son like fourteen, the cold, a little rapper and

484
00:32:48,840 --> 00:32:53,720
Speaker 1: their little part of California. Then in three then in

485
00:32:53,880 --> 00:32:55,800
Speaker 1: three like his son go off to college, but it's

486
00:32:55,800 --> 00:32:57,520
Speaker 1: still like it go back to Joe and then he

487
00:32:57,600 --> 00:32:59,640
Speaker 1: started remembering who he was and then like it's a

488
00:32:59,680 --> 00:33:02,840
Speaker 1: love story kind of like, so why did that get married?

489
00:33:02,880 --> 00:33:05,200
Speaker 1: Tight ship? And then he fanned out. She was cheating

490
00:33:05,240 --> 00:33:09,200
Speaker 1: the whole time. It's crazy. Give us that cry that

491
00:33:09,320 --> 00:33:16,760
Speaker 1: she did in the car don't love me? Yeah, movie,

492
00:33:17,160 --> 00:33:19,440
Speaker 1: it ain't about all that crime and ship Now she

493
00:33:19,640 --> 00:33:23,440
Speaker 1: more like cooking from empire. Her feelings didn't get hard.

494
00:33:23,560 --> 00:33:26,400
Speaker 1: She's a woman's scorn, you know. And once some good

495
00:33:26,440 --> 00:33:29,400
Speaker 1: girls gone bad? What about the that stay in the

496
00:33:29,560 --> 00:33:32,480
Speaker 1: in the in the house, with with p she the

497
00:33:32,560 --> 00:33:44,080
Speaker 1: mood and left left she had. It's supposed to be

498
00:33:44,160 --> 00:33:46,000
Speaker 1: a serious is all I'm saying. I mean, I'm not

499
00:33:46,120 --> 00:33:48,480
Speaker 1: a writer, but I got that this. I like it.

500
00:33:49,160 --> 00:33:51,400
Speaker 1: I'm used to like way more like trauma and like

501
00:33:51,600 --> 00:33:54,280
Speaker 1: conflict and payment. The movie sounds like everybody was good

502
00:33:54,360 --> 00:33:57,080
Speaker 1: and now I'm just saying black people, we didn't evolve. Yeah,

503
00:33:57,240 --> 00:34:01,760
Speaker 1: I like that movie. Mom. I'm trying to remember, like

504
00:34:01,840 --> 00:34:04,120
Speaker 1: what my poems was about. I felt like they was

505
00:34:04,240 --> 00:34:07,920
Speaker 1: like I don't even know what I was making poetry though.

506
00:34:07,960 --> 00:34:10,640
Speaker 1: They wasn't dark though. They was like it was just

507
00:34:10,719 --> 00:34:14,920
Speaker 1: wrapped but just quiet. It was like is that boeing

508
00:34:14,960 --> 00:34:18,320
Speaker 1: through quiet roup? Yeah, but yeah, basically I feel like

509
00:34:18,360 --> 00:34:21,200
Speaker 1: there was like love poems and like a little shit

510
00:34:21,320 --> 00:34:23,120
Speaker 1: about like do you know what You're right? I think

511
00:34:23,160 --> 00:34:24,920
Speaker 1: they was wrapped. Some of the poems was about how

512
00:34:25,000 --> 00:34:27,480
Speaker 1: good I was and making poems, which is basically what

513
00:34:27,600 --> 00:34:29,920
Speaker 1: Rapp is. So I feel like it was like I

514
00:34:30,080 --> 00:34:33,360
Speaker 1: was making some I don't know. Also, I was like

515
00:34:33,520 --> 00:34:37,480
Speaker 1: seven years old, like seven, don't even you know when

516
00:34:37,480 --> 00:34:41,200
Speaker 1: you saw everybody snapping, It was like written down poetry.

517
00:34:41,200 --> 00:34:44,840
Speaker 1: It wasn't slam like it was just like poetry. I

518
00:34:44,880 --> 00:34:47,799
Speaker 1: was a little boy. Yeah, I mean that that dam parture.

519
00:34:47,800 --> 00:34:50,719
Speaker 1: Don't give a reading off the people. Remember still the

520
00:34:50,760 --> 00:34:56,440
Speaker 1: same ship you said was reading a six year old Real,

521
00:34:56,560 --> 00:35:01,960
Speaker 1: this gonna get real deep. I go to sleep when

522
00:35:02,000 --> 00:35:08,000
Speaker 1: you wake up. If you give me part I think

523
00:35:08,560 --> 00:35:12,239
Speaker 1: about motivational speeches. Most of it ain't deep. It's just

524
00:35:12,400 --> 00:35:15,080
Speaker 1: said in the atmosphere with ship is supposed to be,

525
00:35:16,280 --> 00:35:21,480
Speaker 1: you know, something that deep. Though some of it don't, ye, man,

526
00:35:21,640 --> 00:35:23,640
Speaker 1: some of this ship don't be like some not some

527
00:35:23,800 --> 00:35:26,200
Speaker 1: faith deep ship. Oh they'll come out and be like

528
00:35:30,200 --> 00:35:32,880
Speaker 1: piece and blessings to the room, all the kings and queens.

529
00:35:36,360 --> 00:35:40,400
Speaker 1: I wrote this piece. It's unfinished, but it's something I

530
00:35:40,520 --> 00:35:41,960
Speaker 1: just want to try to that. Is that all right?

531
00:35:43,440 --> 00:35:53,960
Speaker 1: I said that. I right with you, black man. It's

532
00:35:54,000 --> 00:35:57,800
Speaker 1: sorry for us to make a stand. We can do

533
00:35:58,960 --> 00:36:08,320
Speaker 1: what the black woman can't. We gotta hold down these sisters,

534
00:36:08,400 --> 00:36:13,760
Speaker 1: not hold down these sisters. Be better, mistress, be better brothers,

535
00:36:14,239 --> 00:36:20,160
Speaker 1: protect each other from the others from Okay, that's an

536
00:36:20,200 --> 00:36:22,279
Speaker 1: unfinished piece. Y'all can get that on my CD. Though

537
00:36:22,320 --> 00:36:29,440
Speaker 1: I got the whole I'm selling my CD tonight. You

538
00:36:29,680 --> 00:36:35,800
Speaker 1: never got a CD of poems and CD with another

539
00:36:35,880 --> 00:36:39,440
Speaker 1: poem on it. Oh, brother, brother, that's that's the beautiful

540
00:36:39,440 --> 00:36:41,920
Speaker 1: part about it. Half of it is my poetry and

541
00:36:41,960 --> 00:36:47,239
Speaker 1: the other half is my album. Yes, yeah, you flip

542
00:36:47,360 --> 00:36:50,400
Speaker 1: it over. It's the album then the pot. Yeah you

543
00:36:50,480 --> 00:36:54,200
Speaker 1: see that ain't no label on it. You can see

544
00:36:54,280 --> 00:36:57,160
Speaker 1: right here in the middle. So I got my my

545
00:36:57,280 --> 00:36:59,960
Speaker 1: space in Instagram, Facebook, Everything is all on this sound

546
00:37:00,000 --> 00:37:03,680
Speaker 1: in there, all under the same name, Mystic Blue. You

547
00:37:03,760 --> 00:37:07,160
Speaker 1: gotta spell it out, Mystic Blue. It's m y s

548
00:37:07,200 --> 00:37:12,680
Speaker 1: c I q u E. It's b l e w

549
00:37:13,160 --> 00:37:24,360
Speaker 1: W Mystic Blue on everything SoundCloud. Ready stare, Now what

550
00:37:24,520 --> 00:37:27,200
Speaker 1: is about that? That that one line? One more niggl

551
00:37:27,239 --> 00:37:30,520
Speaker 1: try to stop me. It would be some Dreavy in

552
00:37:30,560 --> 00:37:34,120
Speaker 1: your lobby. I feel like that we personal, Yeah, now,

553
00:37:34,160 --> 00:37:36,520
Speaker 1: I was just it was just I was going through

554
00:37:36,560 --> 00:37:38,000
Speaker 1: a lot of things at that time. I was trying

555
00:37:38,000 --> 00:37:39,840
Speaker 1: to book a lot of like festivals. I was like

556
00:37:40,000 --> 00:37:42,440
Speaker 1: kind of coming up out of a space of like

557
00:37:42,920 --> 00:37:46,040
Speaker 1: asrat was my second mix tape was kind of like

558
00:37:46,760 --> 00:37:51,320
Speaker 1: the point where that's an album though, I'll take it.

559
00:37:52,120 --> 00:37:54,200
Speaker 1: It was. It was a it was a it was

560
00:37:54,239 --> 00:38:00,480
Speaker 1: a time when like I was looking for deals, right like, yeah,

561
00:38:00,560 --> 00:38:02,680
Speaker 1: like we've been in the twelve I just dropped like

562
00:38:02,760 --> 00:38:05,760
Speaker 1: a mix tape about me being suspended from high school,

563
00:38:06,040 --> 00:38:07,719
Speaker 1: and so I was like that was around the time

564
00:38:07,760 --> 00:38:09,960
Speaker 1: that Keith came out. There came out. A lot of

565
00:38:10,000 --> 00:38:12,680
Speaker 1: people like was flocking in Chicago, like different labels were

566
00:38:12,680 --> 00:38:14,880
Speaker 1: looking to sign people. So I started taking meanings around

567
00:38:14,920 --> 00:38:17,239
Speaker 1: that time. Right after I dropped my first tape and

568
00:38:17,360 --> 00:38:21,320
Speaker 1: then right before I dropped Asterrap, it was like costing

569
00:38:21,360 --> 00:38:23,160
Speaker 1: a lot of money for the lawyers to like look

570
00:38:23,360 --> 00:38:25,239
Speaker 1: for it was really one lawyer but family to look

571
00:38:25,280 --> 00:38:28,239
Speaker 1: at contracts. I was just like, this ship not feeling right.

572
00:38:28,280 --> 00:38:30,120
Speaker 1: I'm paying any good to say no to people. So

573
00:38:30,280 --> 00:38:33,400
Speaker 1: like stopped getting contracts, so I told him, don't send

574
00:38:33,400 --> 00:38:35,279
Speaker 1: me anything else started dropping my mixtape. So I dropped

575
00:38:35,280 --> 00:38:38,440
Speaker 1: asterrap Um And at that time I was I was

576
00:38:38,640 --> 00:38:42,520
Speaker 1: opening up for mcmiller, and once my tape drop, these

577
00:38:42,520 --> 00:38:47,640
Speaker 1: people people, Uh, it's like, you know, it took me

578
00:38:47,800 --> 00:38:49,560
Speaker 1: up in a in a different direction. I wasn't really

579
00:38:49,920 --> 00:38:52,880
Speaker 1: you know, trying to sign at that time. So when

580
00:38:52,920 --> 00:38:54,600
Speaker 1: I was making Coloring Book, and when I was about

581
00:38:54,640 --> 00:38:57,880
Speaker 1: to drop Coloring Book, it was like, you know, I

582
00:38:58,000 --> 00:39:00,200
Speaker 1: was just running into like a little weird ind a

583
00:39:00,239 --> 00:39:02,640
Speaker 1: cool ship like with like shows I was supposed to

584
00:39:02,680 --> 00:39:06,799
Speaker 1: headline or you know TV spots or you know, trying

585
00:39:06,800 --> 00:39:10,840
Speaker 1: to get features back, and I felt like it was

586
00:39:10,920 --> 00:39:13,239
Speaker 1: kind of just on something like I didn't sign them

587
00:39:13,280 --> 00:39:15,440
Speaker 1: on fucker, so they was like trying to just tweak them.

588
00:39:15,920 --> 00:39:20,000
Speaker 1: So I just made the song or something like funny show.

589
00:39:20,000 --> 00:39:22,480
Speaker 1: It wasn't like a direct threat to anybody that I met,

590
00:39:22,600 --> 00:39:25,000
Speaker 1: but it was really just like something like I don't know,

591
00:39:25,200 --> 00:39:27,680
Speaker 1: some empowerment ship. Just it just felt it felt good

592
00:39:27,760 --> 00:39:29,680
Speaker 1: to say that ship too, like for a long time

593
00:39:29,760 --> 00:39:31,960
Speaker 1: and then for that ship to like go number one

594
00:39:32,000 --> 00:39:41,720
Speaker 1: at radio, for that ship to win a Graham me like, yeah,

595
00:39:42,960 --> 00:39:47,040
Speaker 1: I felt good though. That Grammy ship though, man yeah

596
00:39:47,160 --> 00:39:56,760
Speaker 1: man graam it though yeah man, not three three times.

597
00:39:57,640 --> 00:39:59,680
Speaker 1: So Grammy wanted Grandmar and the Grammar that's where they

598
00:39:59,719 --> 00:40:02,520
Speaker 1: come from. This just this was just me saying speaking

599
00:40:02,680 --> 00:40:05,880
Speaker 1: into existence. No, I feel like it was a It

600
00:40:06,000 --> 00:40:09,960
Speaker 1: was a crazy time also like when the Grammy Show

601
00:40:10,000 --> 00:40:12,399
Speaker 1: was going on, because it was such a big conversation

602
00:40:12,560 --> 00:40:15,440
Speaker 1: with where when I dropped the astrap, because it was

603
00:40:15,560 --> 00:40:18,120
Speaker 1: like it was like some low key like cultural ship

604
00:40:18,200 --> 00:40:19,919
Speaker 1: like it wasn't as big as coloring book or anything

605
00:40:20,000 --> 00:40:22,600
Speaker 1: like that, but like on some like underground and like

606
00:40:22,719 --> 00:40:24,440
Speaker 1: people in college, like it was like a thing that

607
00:40:24,560 --> 00:40:26,480
Speaker 1: was like traveling on some real like fashion and there

608
00:40:26,600 --> 00:40:29,000
Speaker 1: wasn't really nothing in the market like that at all,

609
00:40:29,080 --> 00:40:32,520
Speaker 1: you know, straight fan driven, not even like wet paste

610
00:40:32,560 --> 00:40:34,760
Speaker 1: in a like street teamship, but just niggers was listening

611
00:40:34,800 --> 00:40:39,200
Speaker 1: to the tape, and after it came out, I got

612
00:40:39,280 --> 00:40:41,279
Speaker 1: approached I different people telling me that if I had

613
00:40:41,360 --> 00:40:44,000
Speaker 1: sold the project, if I put it you know, for

614
00:40:44,960 --> 00:40:46,719
Speaker 1: like even if I just sold one copy, if I

615
00:40:47,000 --> 00:40:49,800
Speaker 1: set up like an I R C code, uh, that

616
00:40:49,920 --> 00:40:53,200
Speaker 1: I could get nominated because the Grammys didn't wasn't nominating

617
00:40:53,200 --> 00:40:55,200
Speaker 1: people unless they sold, they shipped, and I was on

618
00:40:55,280 --> 00:40:58,880
Speaker 1: my mixsape ship. So I end up saying no to

619
00:40:58,960 --> 00:41:00,360
Speaker 1: that ship and not selling it. And then when I

620
00:41:00,400 --> 00:41:03,320
Speaker 1: did coloring the book, it was like a part of

621
00:41:03,440 --> 00:41:07,080
Speaker 1: like my whole I was like, I'm no. I was like,

622
00:41:07,360 --> 00:41:09,279
Speaker 1: fuck them, they gotta change for me, you know what

623
00:41:09,320 --> 00:41:11,560
Speaker 1: I'm saying, and not fun them because I still want

624
00:41:11,560 --> 00:41:16,879
Speaker 1: to win more gram but it was like I'm trying

625
00:41:16,920 --> 00:41:19,239
Speaker 1: to do this ship specifically my way, and so that

626
00:41:19,600 --> 00:41:23,360
Speaker 1: you know, Color Book end up being the first you know,

627
00:41:24,640 --> 00:41:26,840
Speaker 1: next act to win the Grammy, first project that wasn't

628
00:41:27,120 --> 00:41:30,279
Speaker 1: so you don't know physical copies, first mix tape to

629
00:41:30,360 --> 00:41:38,600
Speaker 1: win a Grammy. So they changed the rules I think

630
00:41:38,680 --> 00:41:41,920
Speaker 1: in like that September like like so once my project

631
00:41:42,000 --> 00:41:44,719
Speaker 1: came out, and they I would say, like six months

632
00:41:44,800 --> 00:41:47,040
Speaker 1: after they did that, but it was like a whole

633
00:41:47,120 --> 00:41:49,520
Speaker 1: thing where like you know, people that worked for me

634
00:41:49,719 --> 00:41:52,080
Speaker 1: and like people I knew that knew the situation that

635
00:41:52,120 --> 00:41:54,840
Speaker 1: happened when Astrap was like you should just make some

636
00:41:55,440 --> 00:41:57,520
Speaker 1: make some CDs and just sell the CDs, like just

637
00:41:57,640 --> 00:41:59,480
Speaker 1: so like you said, like just like so that you

638
00:41:59,520 --> 00:42:02,040
Speaker 1: can make word that you get that's your work. UD

639
00:42:02,040 --> 00:42:05,840
Speaker 1: get recognized this time. And I think just like the

640
00:42:05,920 --> 00:42:08,759
Speaker 1: way i'd be operator and thinking about everything I do

641
00:42:08,920 --> 00:42:12,160
Speaker 1: in music, like I'm always trying to like figure out

642
00:42:12,280 --> 00:42:15,240
Speaker 1: ways to do it different, to like create more space

643
00:42:15,320 --> 00:42:19,120
Speaker 1: for us, because I know as artists, like especially musicians, like,

644
00:42:19,840 --> 00:42:23,080
Speaker 1: we want people to experience some music in different ways.

645
00:42:23,160 --> 00:42:25,440
Speaker 1: We want people to experience some music for different reasons.

646
00:42:25,520 --> 00:42:28,279
Speaker 1: Sometimes money is not the thing. Sometimes we just want

647
00:42:28,320 --> 00:42:30,319
Speaker 1: to share art with people and ship And so I'm

648
00:42:30,320 --> 00:42:32,239
Speaker 1: always like trying to figure out different ways that I

649
00:42:32,320 --> 00:42:34,880
Speaker 1: could like directly connect with the people that's trying to

650
00:42:35,280 --> 00:42:36,959
Speaker 1: that need to hear that music and what I'm saying,

651
00:42:37,000 --> 00:42:39,759
Speaker 1: so like put that ship out for free, put it

652
00:42:39,800 --> 00:42:41,680
Speaker 1: out on SoundCloud, put it out on you know, on

653
00:42:41,920 --> 00:42:43,879
Speaker 1: a stream of service. At the time that it wasn't

654
00:42:43,920 --> 00:42:47,600
Speaker 1: even really like that, Like it wasn't really on Spotify,

655
00:42:47,640 --> 00:42:49,080
Speaker 1: Apple Music and all that ship. They were all like

656
00:42:49,200 --> 00:42:50,880
Speaker 1: kind of like in a an a war trying to

657
00:42:50,920 --> 00:42:53,200
Speaker 1: get you know, negative subscribed to that ship. So it's

658
00:42:53,239 --> 00:42:57,400
Speaker 1: like capitalize on that time and just still be an

659
00:42:57,480 --> 00:42:59,560
Speaker 1: artist and be in your artistry and like make what

660
00:42:59,680 --> 00:43:01,839
Speaker 1: you want to make by like capitalize on the moment

661
00:43:01,880 --> 00:43:04,640
Speaker 1: and make sure as many people can get it as possible.

662
00:43:04,680 --> 00:43:10,279
Speaker 1: You know, that's lick. You gotta let that type of

663
00:43:10,360 --> 00:43:13,239
Speaker 1: information just sit for a second. You really just put

664
00:43:13,320 --> 00:43:15,960
Speaker 1: them up on some games. I like to go through

665
00:43:16,000 --> 00:43:19,200
Speaker 1: that whole process because I'm looking at the free, the

666
00:43:19,400 --> 00:43:22,759
Speaker 1: free situation where there's nothing to the consumer to buy

667
00:43:22,920 --> 00:43:28,160
Speaker 1: to listen to free. Look how fast I'm gonna listen

668
00:43:28,200 --> 00:43:30,600
Speaker 1: to it for free? Version of spending five ninety nine

669
00:43:31,120 --> 00:43:34,200
Speaker 1: trying to listen to your ship and we still your

670
00:43:34,239 --> 00:43:42,080
Speaker 1: Grammy nominating I was free. Who the Yeah, you have

671
00:43:42,239 --> 00:43:45,719
Speaker 1: to take a chance with this ship man. And the

672
00:43:45,760 --> 00:43:49,799
Speaker 1: crazy part about no platforms are still there. Yeah, that's

673
00:43:49,840 --> 00:43:53,520
Speaker 1: the crazy part about I think this is gonna still

674
00:43:53,600 --> 00:43:56,160
Speaker 1: just keep evolving. Like that's what I was gonna ask you,

675
00:43:56,280 --> 00:43:59,000
Speaker 1: like after going through that, Like, what's your method now?

676
00:43:59,320 --> 00:44:01,960
Speaker 1: Like everybody, you you want to hold another level? You're

677
00:44:01,960 --> 00:44:05,799
Speaker 1: out the stratusphere bro, Like even if you stay independent,

678
00:44:05,880 --> 00:44:12,359
Speaker 1: you still it's like I've already reached the motherfucking ship. Yeah,

679
00:44:12,400 --> 00:44:15,799
Speaker 1: It's like I think, like my what I've been trying

680
00:44:15,840 --> 00:44:18,200
Speaker 1: to do is figure out ways to like tap directly

681
00:44:18,280 --> 00:44:21,759
Speaker 1: to like somebody that's like, because that's what that's what

682
00:44:21,920 --> 00:44:24,200
Speaker 1: it's like, I think it is for all artists. Like

683
00:44:25,600 --> 00:44:27,839
Speaker 1: you get told to like try and blanket people when

684
00:44:28,000 --> 00:44:29,880
Speaker 1: try and like get like the you know, Castle wide

685
00:44:29,960 --> 00:44:33,000
Speaker 1: net and like you know, go to spaces that are

686
00:44:33,080 --> 00:44:36,239
Speaker 1: like big public spaces like late night TV or like

687
00:44:36,360 --> 00:44:38,920
Speaker 1: on the radio or you know whatever to like but

688
00:44:39,040 --> 00:44:40,719
Speaker 1: it's like stuff like this like this is your own

689
00:44:40,760 --> 00:44:43,920
Speaker 1: show where y'all got your direct fans, right, And it's

690
00:44:44,000 --> 00:44:47,560
Speaker 1: like when you excuse me, you stuff like that when

691
00:44:47,640 --> 00:44:50,279
Speaker 1: you like like I just did something with the last

692
00:44:50,320 --> 00:44:52,160
Speaker 1: track with the Highs and on Lowers. I did somewhere

693
00:44:52,200 --> 00:44:54,520
Speaker 1: like I found like an old mailing list of like

694
00:44:55,239 --> 00:44:57,799
Speaker 1: from years ago, like my O G fans just people

695
00:44:57,840 --> 00:45:00,080
Speaker 1: that just like bought a sticker or something w like

696
00:45:00,200 --> 00:45:02,920
Speaker 1: just like random emails and sent them to track like

697
00:45:03,120 --> 00:45:05,560
Speaker 1: the day before it came out on some like direct

698
00:45:05,600 --> 00:45:08,920
Speaker 1: messes were like a little like you know, personalized voice

699
00:45:09,000 --> 00:45:12,399
Speaker 1: note to them, just like Yo, I funk with y'all. Yeah,

700
00:45:12,440 --> 00:45:15,200
Speaker 1: And it's like people love that ship. They love to

701
00:45:15,280 --> 00:45:17,520
Speaker 1: get something that's just for them and like feel like

702
00:45:17,560 --> 00:45:21,440
Speaker 1: they're in conversation with an artist, because artists are high communicators.

703
00:45:21,520 --> 00:45:23,799
Speaker 1: That's like a comedian or a writer or a painter

704
00:45:23,960 --> 00:45:27,640
Speaker 1: like with high level communicators, and like we can communicate

705
00:45:27,680 --> 00:45:31,000
Speaker 1: different emotions, different situations and like the most beautiful or

706
00:45:31,080 --> 00:45:34,520
Speaker 1: funny or like or like you know, just cool ways.

707
00:45:34,960 --> 00:45:37,640
Speaker 1: And so when a fan feels like not only can

708
00:45:37,680 --> 00:45:39,719
Speaker 1: they hear you, but they feel like they're in conversation

709
00:45:39,840 --> 00:45:42,279
Speaker 1: with you, it's like that's how you got that forever bond.

710
00:45:42,320 --> 00:45:44,200
Speaker 1: That's how you have like somebody that a you know,

711
00:45:44,400 --> 00:45:47,759
Speaker 1: stay supporting. Yeah, man, you said you were trying to

712
00:45:47,800 --> 00:45:50,160
Speaker 1: book the festivals and ship and then you did all

713
00:45:50,280 --> 00:45:54,399
Speaker 1: little them like now we're gonna do our own. That's

714
00:45:54,440 --> 00:46:01,759
Speaker 1: what we're talking about. We're going to wait. I'm staying.

715
00:46:01,760 --> 00:46:06,279
Speaker 1: I'm staying right back you though, we are. Look look

716
00:46:06,320 --> 00:46:08,160
Speaker 1: all right, so look a little bit. I know me,

717
00:46:08,200 --> 00:46:11,279
Speaker 1: I'm gonna start walking. Oh it's it's gonna be a

718
00:46:11,360 --> 00:46:14,840
Speaker 1: it's gonna be like uh, it's it's such a crazy

719
00:46:14,920 --> 00:46:17,520
Speaker 1: thing to experience because I feel like when you're going

720
00:46:17,600 --> 00:46:21,960
Speaker 1: out there, you've like some people just trying, like I

721
00:46:22,000 --> 00:46:24,560
Speaker 1: don't know, it's like a distance that's just like there.

722
00:46:24,920 --> 00:46:27,040
Speaker 1: It feels like it's so hard to get there. And

723
00:46:27,160 --> 00:46:29,399
Speaker 1: like I feel like most of the people in this room,

724
00:46:29,440 --> 00:46:33,000
Speaker 1: how many people here have been to the continent? Anybody

725
00:46:33,080 --> 00:46:37,080
Speaker 1: been in Africa? It's a few these my friends, they

726
00:46:37,160 --> 00:46:39,640
Speaker 1: just came back from Africa. Over me. Put your hands down,

727
00:46:39,760 --> 00:46:41,080
Speaker 1: you know. I'm just saying. It's like it's like a

728
00:46:41,120 --> 00:46:43,560
Speaker 1: thing where I didn't go until January this year, and

729
00:46:43,600 --> 00:46:48,839
Speaker 1: I've been traveling forever, toured everywhere, like I've been everywhere Australian,

730
00:46:48,920 --> 00:46:52,600
Speaker 1: New Zealand, Asia and South America, Central America, all over

731
00:46:52,760 --> 00:46:55,279
Speaker 1: Europe and small markets to like not and that's not

732
00:46:55,840 --> 00:46:58,440
Speaker 1: that's it's like by design like they want like when

733
00:46:58,480 --> 00:47:00,520
Speaker 1: you you know, you start to I'm up there, like

734
00:47:00,600 --> 00:47:02,120
Speaker 1: this where the money is. This is where we want

735
00:47:02,120 --> 00:47:03,960
Speaker 1: to say. This is where you're gonna this is You've

736
00:47:03,960 --> 00:47:06,279
Speaker 1: got a lot of fans here. But I'm telling you, Joe,

737
00:47:06,640 --> 00:47:08,920
Speaker 1: when you get off the plane as a as a

738
00:47:09,200 --> 00:47:12,279
Speaker 1: person of your stature, hell, like your fans are there

739
00:47:12,280 --> 00:47:14,040
Speaker 1: and they was there before he was on. While now

740
00:47:14,120 --> 00:47:16,799
Speaker 1: like we have like we have real connection because it's

741
00:47:16,920 --> 00:47:20,480
Speaker 1: it's it's culture. Is like that that should transcends, you know.

742
00:47:20,520 --> 00:47:23,759
Speaker 1: What I'm saying is so like we have this like

743
00:47:24,800 --> 00:47:28,080
Speaker 1: this needed connection even not for just artists, just for people.

744
00:47:28,200 --> 00:47:31,280
Speaker 1: Like Ghana is a country that was like literally founded

745
00:47:31,400 --> 00:47:34,920
Speaker 1: on global blackness and like the idea that we all

746
00:47:34,960 --> 00:47:38,600
Speaker 1: supposed to be you know connected, Like when they president

747
00:47:38,719 --> 00:47:41,080
Speaker 1: like in theo colonial rule and stuff like he like

748
00:47:41,280 --> 00:47:44,080
Speaker 1: made it like about basically like the country's mission statement

749
00:47:44,480 --> 00:47:48,239
Speaker 1: to have a free Africa and connect all the people

750
00:47:48,280 --> 00:47:52,200
Speaker 1: of the diaspora. So it's like when you go there,

751
00:47:52,400 --> 00:47:54,719
Speaker 1: it's because it's founded on that because this is the

752
00:47:54,920 --> 00:47:57,040
Speaker 1: just the one country with like the White House has

753
00:47:57,080 --> 00:47:59,560
Speaker 1: an Office of Diaspora and Affairs, Like it's like a

754
00:47:59,680 --> 00:48:02,360
Speaker 1: thing they want. They it's so hard to explay so

755
00:48:02,480 --> 00:48:05,680
Speaker 1: much information, but they want you to come. They want

756
00:48:05,719 --> 00:48:07,319
Speaker 1: you to come, they want to help you, they want

757
00:48:07,360 --> 00:48:10,200
Speaker 1: to like they want connection, and like that's what we

758
00:48:10,320 --> 00:48:13,520
Speaker 1: all need globally, not just like Americans there, but like

759
00:48:14,040 --> 00:48:16,080
Speaker 1: you know, people in the Islands, people in South Ama.

760
00:48:16,120 --> 00:48:20,600
Speaker 1: It's black people everywhere, like literally everywhere. And so it's

761
00:48:20,680 --> 00:48:23,439
Speaker 1: like this is like a I think, a crucial time,

762
00:48:23,600 --> 00:48:26,600
Speaker 1: just like in the climates, in every space, like any

763
00:48:26,680 --> 00:48:30,160
Speaker 1: place that you look in the world black people, like

764
00:48:30,360 --> 00:48:33,520
Speaker 1: we're in need of something and at least like connecting.

765
00:48:33,560 --> 00:48:35,399
Speaker 1: I feel like it's gonna give us a better sense

766
00:48:35,440 --> 00:48:37,279
Speaker 1: of what we need in a better community to get

767
00:48:37,320 --> 00:48:40,360
Speaker 1: it done. So trying to get as many Mothercker's to

768
00:48:40,440 --> 00:48:43,279
Speaker 1: pull up, as many Gunnans that already live there to

769
00:48:43,360 --> 00:48:45,920
Speaker 1: pull up, like it's gonna be it's it's gonna be

770
00:48:45,960 --> 00:48:49,239
Speaker 1: one of those Like that's one of those you feel me?

771
00:48:49,960 --> 00:48:59,000
Speaker 1: So I can play January six, January six, ebody have

772
00:48:59,080 --> 00:49:01,399
Speaker 1: to miss this from with a about the Nick January sax.

773
00:49:01,840 --> 00:49:03,560
Speaker 1: Were you gonna be on Janey six? Oh No, I

774
00:49:03,600 --> 00:49:06,000
Speaker 1: think I got some ship, man, I don't say that

775
00:49:06,080 --> 00:49:07,680
Speaker 1: on a camera, be like, yeah, I can pull up

776
00:49:07,719 --> 00:49:13,879
Speaker 1: to Africa. We're gonna wo beat up with a video

777
00:49:14,600 --> 00:49:26,759
Speaker 1: beat out what they called Canadians canss. I didn't know

778
00:49:26,840 --> 00:49:29,839
Speaker 1: I have Canadians and ship. Now the Canadians gonna watch

779
00:49:29,880 --> 00:49:36,800
Speaker 1: this ship. You don't know about the Canadians got names

780
00:49:36,880 --> 00:49:39,480
Speaker 1: all they got names pulling those the people from Ghana

781
00:49:39,520 --> 00:49:43,880
Speaker 1: who live in Canada. The Canadian and Adians don't know.

782
00:49:44,160 --> 00:49:47,160
Speaker 1: I'm trying. That's gonna be one of those though. It's

783
00:49:47,160 --> 00:49:50,239
Speaker 1: going up Janeuary sex at Black Star Squad. Hey, man,

784
00:49:50,280 --> 00:49:52,919
Speaker 1: what Barack Obama been up to? I don't know, man,

785
00:49:56,040 --> 00:50:00,520
Speaker 1: I don't be seeing Barack Obama. That's not even good

786
00:50:01,320 --> 00:50:07,400
Speaker 1: even good like timing and like do like tim words.

787
00:50:08,000 --> 00:50:13,719
Speaker 1: They're gonna do the dude you know up comy My

788
00:50:13,760 --> 00:50:24,279
Speaker 1: BUMPA took me was good, all right? Tracks tracks? I

789
00:50:24,960 --> 00:50:28,840
Speaker 1: heard the rock. I didn't know that you was Grammy nominated.

790
00:50:29,200 --> 00:50:33,600
Speaker 1: No Grammy one with three ms? Uh is that go?

791
00:50:33,960 --> 00:50:43,200
Speaker 1: That was good? No? That's a good brother. Little young

792
00:50:43,239 --> 00:50:49,040
Speaker 1: Kian reeves impresson that show was good? All right? All right?

793
00:50:55,440 --> 00:51:00,320
Speaker 1: You know anything holiday, but they getting constant into what

794
00:51:00,480 --> 00:51:04,759
Speaker 1: I said. He with the ship, it's no drawn, don't

795
00:51:04,880 --> 00:51:09,680
Speaker 1: kill him. It's funny watching him do anything after he did.

796
00:51:09,840 --> 00:51:13,800
Speaker 1: Bill and Ted. Oh yeah, Bill and Ted was the

797
00:51:13,920 --> 00:51:18,040
Speaker 1: stupidest motherfuckers. I know that ship was way before your track.

798
00:51:19,080 --> 00:51:22,200
Speaker 1: Try on. In that movie they had Bill and Ted

799
00:51:22,440 --> 00:51:26,520
Speaker 1: excellent adventures. I think that's what it was called. Bogus

800
00:51:26,640 --> 00:51:30,840
Speaker 1: Journeys had like two or three. Yeah, Bill and Ted

801
00:51:32,239 --> 00:51:34,520
Speaker 1: those probably realized I did need to do all actions.

802
00:51:35,920 --> 00:51:37,719
Speaker 1: That's the crazy thing about it. It's just been the

803
00:51:37,840 --> 00:51:41,840
Speaker 1: same motherfuckers for like the last thirty years. Man, they

804
00:51:41,920 --> 00:51:44,399
Speaker 1: got budget for this ship. Though, think about how much

805
00:51:44,480 --> 00:51:47,920
Speaker 1: weird compacion you got for them. How many movies can

806
00:51:48,040 --> 00:51:50,520
Speaker 1: people do before this ship ain't believable? No more? Like

807
00:51:50,640 --> 00:51:54,400
Speaker 1: you said, though, like this thing again, like sometimes you

808
00:51:54,560 --> 00:51:56,400
Speaker 1: just do some ship so good you can't really do

809
00:51:56,560 --> 00:52:00,279
Speaker 1: ship else. Do you know how many people's term Nata

810
00:52:00,360 --> 00:52:04,799
Speaker 1: and everything he got the crowd and look to see

811
00:52:04,840 --> 00:52:10,200
Speaker 1: this Nick Terminator ship, the Terminator, Kiddergarden coup, damn I

812
00:52:10,280 --> 00:52:13,399
Speaker 1: used to work. Oh my god, I'm like, I don't

813
00:52:13,400 --> 00:52:16,359
Speaker 1: about that has some of his best work right there.

814
00:52:17,600 --> 00:52:24,680
Speaker 1: Read even make good ship like that anymore? Like kindergarten cop. Yeah,

815
00:52:32,960 --> 00:52:36,120
Speaker 1: motherfucker's then lost. They're gonna stopped taking chances in Hollywood

816
00:52:36,160 --> 00:52:38,200
Speaker 1: because when I was growing up, they made all kind

817
00:52:38,239 --> 00:52:42,080
Speaker 1: of bullshit movies. Y'all. Don't remember that fucking Tom Hanks

818
00:52:42,120 --> 00:52:46,040
Speaker 1: movie Turner and Hooch. Tom Hanks was the police and

819
00:52:46,120 --> 00:52:48,720
Speaker 1: he had the biggest saint for Nord as his partner.

820
00:52:50,560 --> 00:52:52,520
Speaker 1: You don't remember that dumb ass moving Harry and the

821
00:52:52,640 --> 00:52:57,200
Speaker 1: Henderson white people that moved in with big Foot. You

822
00:52:57,239 --> 00:53:00,480
Speaker 1: don't remember this ship man? This was They had a

823
00:53:00,560 --> 00:53:02,799
Speaker 1: movie and the TV show Harry and the Henderson Man,

824
00:53:02,880 --> 00:53:05,560
Speaker 1: white people that went in the woods and moved in

825
00:53:05,719 --> 00:53:08,640
Speaker 1: with big Foot. Man wrote them all to the fucking

826
00:53:08,760 --> 00:53:11,320
Speaker 1: story and everything. Man, he spent the whole summer with

827
00:53:11,440 --> 00:53:14,160
Speaker 1: a white family. They tried to make him leave. Turn around,

828
00:53:14,200 --> 00:53:22,799
Speaker 1: he was crying. Ship. They're like, man, Bigfoot the move

829
00:53:22,880 --> 00:53:25,680
Speaker 1: in with a white family in like, look at us.

830
00:53:26,280 --> 00:53:28,719
Speaker 1: And if you think I'm crazy, look up Harry and

831
00:53:28,760 --> 00:53:31,480
Speaker 1: the Henderson's Man. We used to have all kind of

832
00:53:31,560 --> 00:53:38,040
Speaker 1: bullshit movies. You remember Bill Cosby Ghost Dad? Come on, man,

833
00:53:38,160 --> 00:53:40,400
Speaker 1: that ship wouldn't work. Now these kids don't believe in

834
00:53:40,520 --> 00:53:43,320
Speaker 1: ghost I mean you you have been here before. Everybody

835
00:53:44,080 --> 00:53:48,399
Speaker 1: in this room ship to tell you who they are.

836
00:53:51,960 --> 00:53:59,759
Speaker 1: So that was the first thing, you know, I mean

837
00:54:00,080 --> 00:54:04,719
Speaker 1: burn burning to remember, honey. I tried to keep New

838
00:54:04,800 --> 00:54:09,680
Speaker 1: York grown too. You ain't young, nomber, just flat. Yeah,

839
00:54:10,840 --> 00:54:14,719
Speaker 1: your story too. Three you see it and grew up?

840
00:54:14,760 --> 00:54:18,200
Speaker 1: See it like twenty two. I'm like, I'm like, I

841
00:54:18,640 --> 00:54:21,640
Speaker 1: see it, braceist, you don't remember see it? When he

842
00:54:21,680 --> 00:54:28,520
Speaker 1: Brew the like, I didn't see it? Crazy he burned

843
00:54:28,600 --> 00:54:34,240
Speaker 1: with magnif. He was like, Nick Burne said, crazy, Broth,

844
00:54:34,920 --> 00:54:39,080
Speaker 1: you don't work too. You grew up on that what? So? Yeah?

845
00:54:39,200 --> 00:54:41,560
Speaker 1: Did she showed you that? Right? Folk? Crazy? I was

846
00:54:41,640 --> 00:54:43,920
Speaker 1: already taking bitches to the movies when they came now.

847
00:54:47,520 --> 00:54:52,680
Speaker 1: I was like, maybe you keep telling you that grew

848
00:54:52,800 --> 00:54:57,560
Speaker 1: up on the ship. My bad. No, it's all the man.

849
00:54:57,680 --> 00:55:07,880
Speaker 1: Keep doing your things, bro, I'm just saying, flipping the

850
00:55:08,040 --> 00:55:14,839
Speaker 1: watch a green look Gellert put the whole ain't watched

851
00:55:14,880 --> 00:55:20,480
Speaker 1: that ship. You was a kid. I wasn't got the

852
00:55:20,640 --> 00:55:31,640
Speaker 1: CEO editing. That's what I'm telling you, girl. Generations grew

853
00:55:31,719 --> 00:55:35,280
Speaker 1: up different. We had shipped like who framed Roger Rabbit

854
00:55:36,800 --> 00:55:39,239
Speaker 1: water Man? Think of the concept of this ship that

855
00:55:39,400 --> 00:55:41,759
Speaker 1: she was so cold. To a minute, this ship was

856
00:55:41,840 --> 00:55:45,160
Speaker 1: so though. This whole movie is about a cartoon character

857
00:55:45,239 --> 00:55:48,040
Speaker 1: who got framed for a murder, and they wanted kids

858
00:55:48,160 --> 00:55:51,680
Speaker 1: to go see this ship. These motherfucker's was pulling out

859
00:55:51,800 --> 00:55:54,840
Speaker 1: cartoon guns on each other and shooting each other with

860
00:55:55,160 --> 00:56:01,200
Speaker 1: radio active bullets that erased cartoons. That movie was fucked up.

861
00:56:01,360 --> 00:56:06,319
Speaker 1: His wife was a prostitute. Everybody was trying to just then,

862
00:56:06,400 --> 00:56:11,160
Speaker 1: you remember trying to All the cartoons wanted to come on.

863
00:56:12,120 --> 00:56:17,200
Speaker 1: Why cartoon need big tennis and a fat ass? The

864
00:56:17,360 --> 00:56:23,319
Speaker 1: fun in the cartoon, even the real police office. We're

865
00:56:23,360 --> 00:56:25,800
Speaker 1: saying we grew up on a whole different type of bullshit.

866
00:56:26,640 --> 00:56:29,839
Speaker 1: Your generation grew up with some babies chasing Reptar and ship.

867
00:56:30,960 --> 00:56:36,160
Speaker 1: You can't come on, man, I know, man, recent stop

868
00:56:36,239 --> 00:56:40,080
Speaker 1: playing him. That's what I'm saying. Recess was decent to. Yeah,

869
00:56:40,880 --> 00:56:43,480
Speaker 1: I was already through with this ship. I was working

870
00:56:43,560 --> 00:56:46,120
Speaker 1: on some math for something. Body there you remembers. I

871
00:56:46,120 --> 00:56:54,680
Speaker 1: don't remember that ship you talking about? Nitche cartoons and ship.

872
00:56:54,840 --> 00:56:59,239
Speaker 1: Kidd and Play had a cartoon twice. No, they had

873
00:56:59,280 --> 00:57:02,320
Speaker 1: a fucking They had a cartoon. MC Hammer had a

874
00:57:02,400 --> 00:57:05,800
Speaker 1: cartoon called Hammer man when he was a superhero, and

875
00:57:05,880 --> 00:57:08,200
Speaker 1: when he put his fucking dancing shoes on, he turned

876
00:57:08,239 --> 00:57:11,480
Speaker 1: into half. He was Stanley in the daytime and then

877
00:57:11,560 --> 00:57:13,360
Speaker 1: he was him a man when he was out, like

878
00:57:13,680 --> 00:57:18,400
Speaker 1: saving motherfucker's from ship. Look at up. They had first

879
00:57:18,480 --> 00:57:24,040
Speaker 1: cartoon character with a necklace, Blue Steve. Urkel had his

880
00:57:24,120 --> 00:57:30,600
Speaker 1: own serial too, Nigga Blue. Y'all know that Urk had

881
00:57:30,680 --> 00:57:34,000
Speaker 1: his own serial called urkle Oh's. I don't nobody the

882
00:57:34,080 --> 00:57:39,560
Speaker 1: ship ship he did, Little young gass don't know ship

883
00:57:40,640 --> 00:57:46,120
Speaker 1: New faces you got every man? Do you remember Pro Stars?

884
00:57:47,480 --> 00:57:50,240
Speaker 1: Pro Star Michael Jordan, Wayne Grits, and Bo Jackson had

885
00:57:50,280 --> 00:57:54,520
Speaker 1: a cartoon together. Never know you said Michael had a

886
00:57:54,640 --> 00:57:57,880
Speaker 1: cartoon Michael Jordan, Wayne Grats in Bo Jackson. They played

887
00:57:57,920 --> 00:58:00,640
Speaker 1: the pro Stars. There was three different professional athletes and

888
00:58:00,640 --> 00:58:02,320
Speaker 1: they used to go around the world with all these

889
00:58:02,400 --> 00:58:06,120
Speaker 1: like like Wayne Gris could have like a fucking hockey

890
00:58:06,160 --> 00:58:07,800
Speaker 1: put that he could hit and the ship going. This

891
00:58:07,840 --> 00:58:09,880
Speaker 1: guy turned to a set like tell him exactly where

892
00:58:09,880 --> 00:58:11,840
Speaker 1: it is. Michael Jordan put this suit on and he

893
00:58:11,880 --> 00:58:14,520
Speaker 1: could fly. Bo Jackson put his suit on. He fucking

894
00:58:14,560 --> 00:58:16,560
Speaker 1: turned superstrand he could run through the walls and ship

895
00:58:16,720 --> 00:58:20,240
Speaker 1: like Jugger Nut. It was crazy. We grew up Kim possible.

896
00:58:20,320 --> 00:58:32,000
Speaker 1: My wife like like hit me, gill about called me

897
00:58:32,360 --> 00:58:35,880
Speaker 1: beat me if you want to reach me. That doesn't matter.

898
00:58:39,520 --> 00:58:41,400
Speaker 1: You're trying to act like whin din. They have ship

899
00:58:41,520 --> 00:58:43,160
Speaker 1: that was better than that, and you're talking about a

900
00:58:43,240 --> 00:58:45,880
Speaker 1: cold this theme song that would never build, theme song

901
00:58:46,000 --> 00:58:49,360
Speaker 1: better than Alvin and the chip Monks. Nigga that nigga,

902
00:58:49,480 --> 00:58:52,560
Speaker 1: him and his brother's suddenly owned theme song. Three little

903
00:58:52,600 --> 00:58:54,640
Speaker 1: black dudes who lived with a white man who had

904
00:58:54,680 --> 00:58:58,360
Speaker 1: that talking about and he knew that they had kind

905
00:58:58,360 --> 00:59:00,320
Speaker 1: of because they were the best singers and they old

906
00:59:00,400 --> 00:59:02,920
Speaker 1: fucking State and Dave let them do their thing. They

907
00:59:03,000 --> 00:59:06,680
Speaker 1: had motherfucker customer T shirt with matching hats in their shoes,

908
00:59:06,800 --> 00:59:09,560
Speaker 1: massing T shirt. Alvin had the red with the aca.

909
00:59:09,680 --> 00:59:12,160
Speaker 1: He was the lead singer, and then Simon that was

910
00:59:12,240 --> 00:59:14,600
Speaker 1: his brother who was small, and then theater. He was

911
00:59:14,680 --> 00:59:16,920
Speaker 1: telling to his Helen could play the fun out instruments,

912
00:59:16,960 --> 00:59:19,800
Speaker 1: but he was shot. He like he was fading insecure

913
00:59:19,800 --> 00:59:27,520
Speaker 1: about the chip Monks. That ship used to go crazy.

914
00:59:28,040 --> 00:59:36,400
Speaker 1: Alvin had they needed by having the music, they probably

915
00:59:36,480 --> 00:59:39,360
Speaker 1: was this close to sign in the motown that was

916
00:59:39,400 --> 00:59:42,200
Speaker 1: gonna pick up whether Jackson five left off, and y'all

917
00:59:42,200 --> 00:59:44,440
Speaker 1: don't even remember the girls. It was Brittain and the

918
00:59:44,520 --> 00:59:46,600
Speaker 1: other girls. There was the girl version of Alvin and

919
00:59:46,640 --> 01:00:01,000
Speaker 1: the Chipmunks be talking that dark Wine dug okay, dark

920
01:00:01,040 --> 01:00:18,160
Speaker 1: Wing Duck was okay d D Who's bad. That's how

921
01:00:18,520 --> 01:00:23,960
Speaker 1: someone now acknowledge though that launch Pad was the hardest

922
01:00:24,000 --> 01:00:26,760
Speaker 1: working duck out of all them ducks. Launch Pad was

923
01:00:26,840 --> 01:00:30,840
Speaker 1: on Last shows man he was. He was on duck

924
01:00:30,920 --> 01:00:35,960
Speaker 1: Tails and he did a few guest appearances on UM

925
01:00:37,400 --> 01:00:39,280
Speaker 1: the ship with the with the two chip with the

926
01:00:39,360 --> 01:00:42,760
Speaker 1: two chip laws. That was Detective Chipping Down, Chipping Down

927
01:00:42,880 --> 01:00:47,800
Speaker 1: Rescue RNG was Hell yeah, he was. Launch Pad was

928
01:00:47,920 --> 01:00:52,000
Speaker 1: on everything. Shout up with the goat, real out of it,

929
01:00:52,680 --> 01:00:55,360
Speaker 1: shout out on the screwge. He was trying to teach

930
01:00:55,440 --> 01:00:59,760
Speaker 1: us financial freedom way back then. Tell a little more fun.

931
01:01:00,000 --> 01:01:04,280
Speaker 1: I don't need the are you talking about? Stop trying

932
01:01:04,360 --> 01:01:08,520
Speaker 1: to feed everybody. Uncle Screws might do some ship like

933
01:01:08,640 --> 01:01:11,280
Speaker 1: flat of Endian, but his goddamn self to get all

934
01:01:11,360 --> 01:01:14,880
Speaker 1: the gold out of a cave, he don't even know.

935
01:01:15,000 --> 01:01:17,320
Speaker 1: It's never the snug on the plane and helped him

936
01:01:17,360 --> 01:01:22,000
Speaker 1: the old time. We have some fun up cartoons in

937
01:01:22,000 --> 01:01:26,440
Speaker 1: expect the Gadget. What about the other one? Stippy really Stippy?

938
01:01:28,240 --> 01:01:34,800
Speaker 1: He the mohead. They're gonna cocaine. I ain't thing South pay.

939
01:01:34,840 --> 01:01:38,080
Speaker 1: I can't get this ship. I don't know why. Well,

940
01:01:38,080 --> 01:01:40,120
Speaker 1: that's some of the funniest ship ever. I can't do

941
01:01:40,320 --> 01:01:43,600
Speaker 1: that ship just stupid at fun The Little Boy kill

942
01:01:43,680 --> 01:01:46,680
Speaker 1: yourself every show? Every time? Did he come back to

943
01:01:46,720 --> 01:01:48,840
Speaker 1: life like that? Is that? Ain't had this ship that

944
01:01:49,080 --> 01:01:53,000
Speaker 1: the kids think they can come back? They set it

945
01:01:53,040 --> 01:02:00,000
Speaker 1: come back off? Watch with your kid looking at him?

946
01:02:00,000 --> 01:02:02,800
Speaker 1: Didn't I remember we used to watch motherfucking only tunes

947
01:02:02,840 --> 01:02:05,560
Speaker 1: and ship Bugs Bunny used to do all kind of

948
01:02:05,640 --> 01:02:08,120
Speaker 1: ship now that I know, asn't a dog was fucked

949
01:02:08,160 --> 01:02:11,240
Speaker 1: up to see as a kid, man Bugs Bunny used

950
01:02:11,280 --> 01:02:13,680
Speaker 1: to do ship like jump out the whole, stick two

951
01:02:13,760 --> 01:02:16,000
Speaker 1: fingers in the hole and stretched the hole and moved

952
01:02:16,040 --> 01:02:19,720
Speaker 1: ahole like. I didn't know what he was doing. And

953
01:02:20,400 --> 01:02:22,400
Speaker 1: you never seen the episodes that nigga jumping a hole

954
01:02:22,440 --> 01:02:26,360
Speaker 1: and moved a hold. Well, he'll just like and stretched

955
01:02:26,400 --> 01:02:28,560
Speaker 1: the hold. I'm like, man, that's some different type of ship.

956
01:02:28,680 --> 01:02:34,640
Speaker 1: And why he used two fingers that Bunny used to

957
01:02:34,720 --> 01:02:37,800
Speaker 1: do ship like like he'll see it like a girl

958
01:02:37,920 --> 01:02:39,960
Speaker 1: rabbit or something ship and he'll just like throw the

959
01:02:40,000 --> 01:02:42,600
Speaker 1: cowboy head on, roll the cigarette real quick. Like why

960
01:02:42,680 --> 01:02:46,720
Speaker 1: this nigga get it so much? Swag so fat? He's

961
01:02:46,760 --> 01:02:50,840
Speaker 1: a n man. We were slow back then too. Man.

962
01:02:51,200 --> 01:02:58,760
Speaker 1: We watch Tom Jefe ship run around. These were just

963
01:02:58,800 --> 01:03:04,280
Speaker 1: sitting there, but he gonnok. He called that mounse every

964
01:03:04,360 --> 01:03:07,439
Speaker 1: fucking episode. That's how much you forget that this ship

965
01:03:07,640 --> 01:03:10,320
Speaker 1: was all the trick that nigga caught that mouse three

966
01:03:10,440 --> 01:03:12,480
Speaker 1: four or five times an episode. All they had to

967
01:03:12,520 --> 01:03:15,240
Speaker 1: do is eat that he never want to. It wasn't

968
01:03:15,280 --> 01:03:19,920
Speaker 1: about that was about sometimes it's just be beef. You

969
01:03:20,040 --> 01:03:22,880
Speaker 1: have my head just like it's like brothers and like nigger,

970
01:03:22,880 --> 01:03:24,480
Speaker 1: I ain't gonna key, but I show you that I

971
01:03:25,280 --> 01:03:26,480
Speaker 1: take it there and the I'm gonna let you go.

972
01:03:26,600 --> 01:03:30,000
Speaker 1: But it's still on site bee. You know what I'm saying.

973
01:03:30,000 --> 01:03:33,680
Speaker 1: It's site every time, right, And then I think they

974
01:03:33,760 --> 01:03:35,840
Speaker 1: had a little agreement like made the people think that

975
01:03:35,920 --> 01:03:44,120
Speaker 1: it was more than one mouse. You feeling exactly, but

976
01:03:44,240 --> 01:03:46,000
Speaker 1: that nigga was smarter than you think. It was like

977
01:03:46,120 --> 01:03:47,600
Speaker 1: thinking the ship that the cat was doing. When he

978
01:03:47,680 --> 01:03:49,400
Speaker 1: wasn't chasing the mouse, his nigga was sitting in the

979
01:03:49,480 --> 01:03:53,400
Speaker 1: chair reading newspaper and ship. So he was trying to

980
01:03:53,400 --> 01:03:55,520
Speaker 1: see like I ain't stand you, but really I'm thinking

981
01:03:55,520 --> 01:03:58,120
Speaker 1: about you the entire your time. So he's like that,

982
01:03:58,240 --> 01:04:04,120
Speaker 1: come outside, I'm reading. These cartoons had a message though,

983
01:04:04,360 --> 01:04:07,360
Speaker 1: right like Tom and Jerry just was just showing you like,

984
01:04:07,520 --> 01:04:10,360
Speaker 1: no matter what the funk you do in life, somebody's

985
01:04:10,360 --> 01:04:15,160
Speaker 1: still gonna be on your ass. Never get comfortable you feel.

986
01:04:15,280 --> 01:04:18,760
Speaker 1: That was the message in that Pope Eye pop out

987
01:04:18,800 --> 01:04:23,480
Speaker 1: of Sailor Man. Now that ship was so powerful because

988
01:04:23,520 --> 01:04:27,280
Speaker 1: think about this ship he fused with Olive or every episode,

989
01:04:28,320 --> 01:04:31,640
Speaker 1: every episode he got it in the beginning, right, everyone

990
01:04:33,040 --> 01:04:36,360
Speaker 1: to this other nigga come around. Then Olive boy get

991
01:04:36,440 --> 01:04:42,520
Speaker 1: the acting brand new that she loved his new nigga, right,

992
01:04:42,600 --> 01:04:46,720
Speaker 1: he just walking, She loved his nigga. He's bigger than

993
01:04:46,800 --> 01:04:51,320
Speaker 1: poper Let, stronger than so he just didn't pull off

994
01:04:51,440 --> 01:04:55,320
Speaker 1: the strap. Then he wants some of that puss. As

995
01:04:55,360 --> 01:04:57,480
Speaker 1: soon as they get up by himself. He started kissing

996
01:04:57,520 --> 01:05:02,320
Speaker 1: on the neck. What she say? What pipe I stupid

997
01:05:03,280 --> 01:05:12,000
Speaker 1: always say runners dumb man something. Guess what we get?

998
01:05:12,600 --> 01:05:15,000
Speaker 1: Guess what you get? Every time we run up there. Oh,

999
01:05:15,240 --> 01:05:17,720
Speaker 1: that fucking the other nigga put him in a terrible

1000
01:05:17,760 --> 01:05:20,080
Speaker 1: position to beat him up. The other nigga fucking and

1001
01:05:20,240 --> 01:05:21,760
Speaker 1: I don't just beat him up. He beat him up

1002
01:05:21,800 --> 01:05:23,880
Speaker 1: first and didn't even do some ship like time up

1003
01:05:23,920 --> 01:05:27,120
Speaker 1: in a railroad with a bow on his chip. I

1004
01:05:27,200 --> 01:05:31,439
Speaker 1: can't do ship, my funked up. Hen't whoop the ship

1005
01:05:31,560 --> 01:05:33,960
Speaker 1: out of him? The boy watched the whole thing turn

1006
01:05:34,040 --> 01:05:37,880
Speaker 1: their nose up and left with this nigga anyway that

1007
01:05:38,720 --> 01:05:40,880
Speaker 1: you gotta use the pottlem of his pipe to cut

1008
01:05:40,960 --> 01:05:46,439
Speaker 1: the spinning joke, and and sugar, go ahead and beat

1009
01:05:46,520 --> 01:05:48,600
Speaker 1: the ship out of this nigga. Why the I fight

1010
01:05:48,720 --> 01:05:52,480
Speaker 1: this nigg every day without spinning? Nobody can't whoop this nigga.

1011
01:05:53,320 --> 01:05:56,880
Speaker 1: This bird, I don't need man, that nigga wish he

1012
01:05:56,960 --> 01:06:02,160
Speaker 1: didn't need that spin. Don't even going over there every time,

1013
01:06:02,280 --> 01:06:04,920
Speaker 1: And don't eat this manutage and get his ass tore

1014
01:06:05,280 --> 01:06:09,560
Speaker 1: the funk up? What pas, I'm through fucking with them

1015
01:06:09,600 --> 01:06:15,640
Speaker 1: cartoons though, Man, Yeah, go here, Hey man, I don't

1016
01:06:15,640 --> 01:06:17,680
Speaker 1: know if you're still hit him, but we're just chilling

1017
01:06:17,760 --> 01:06:19,919
Speaker 1: in in the trap today with a chance to grab

1018
01:06:20,080 --> 01:06:26,640
Speaker 1: get that you know something about the downs mostly that

1019
01:06:26,680 --> 01:06:28,880
Speaker 1: ship gotta feel good man, to do ship your way

1020
01:06:28,920 --> 01:06:31,600
Speaker 1: and still wind though. That's exactly why we keep this

1021
01:06:31,640 --> 01:06:33,920
Speaker 1: show right here going. You want some pieces or something.

1022
01:06:34,200 --> 01:06:38,520
Speaker 1: I'm sure you don't eat this regular ship. I don't.

1023
01:06:38,560 --> 01:06:41,800
Speaker 1: I don't understand, my nigga, if I wanted to drap, no,

1024
01:06:42,000 --> 01:06:43,720
Speaker 1: I just look at it kind of different cause I've

1025
01:06:43,720 --> 01:06:45,960
Speaker 1: be eating pizza and it was Dominoes. But I wasn't

1026
01:06:45,960 --> 01:06:55,920
Speaker 1: gonna actually saying then with twelve Dominoes cases like his

1027
01:06:56,040 --> 01:06:59,919
Speaker 1: niggas or anybody who would tell you know, you're nothing

1028
01:07:00,040 --> 01:07:02,240
Speaker 1: doing a podcast for real if you don't have no

1029
01:07:02,360 --> 01:07:04,600
Speaker 1: piece of sip now you gotta, I mean, that's the

1030
01:07:04,680 --> 01:07:10,000
Speaker 1: official food of podcast. Yeah, evil wasn't who Dominos? Motherfucker

1031
01:07:11,240 --> 01:07:16,360
Speaker 1: crazy as hell. I told you we cut this shake

1032
01:07:18,560 --> 01:07:23,120
Speaker 1: dot know y'all gotta keep putting huge form platform. That's

1033
01:07:23,160 --> 01:07:28,720
Speaker 1: a sign. Yeah, man, Dominoes was the first job that

1034
01:07:28,840 --> 01:07:36,080
Speaker 1: got domino Now, I said, that's the first job that

1035
01:07:36,240 --> 01:07:39,320
Speaker 1: actually got me out of poverty. You ever have a

1036
01:07:39,400 --> 01:07:41,720
Speaker 1: job where you ain't broken no more? That was the

1037
01:07:41,760 --> 01:07:43,840
Speaker 1: first job I had where I wasn't broken no more

1038
01:07:44,600 --> 01:07:47,280
Speaker 1: so I'm always funk with Dominoes the long way I

1039
01:07:47,400 --> 01:07:51,480
Speaker 1: used to work with. No, it wasn't that they was

1040
01:07:51,520 --> 01:07:53,960
Speaker 1: there for me. They provided an opportunity. And that's what

1041
01:07:54,160 --> 01:07:56,480
Speaker 1: really showed me how they expand my huscle because it's

1042
01:07:56,520 --> 01:07:59,360
Speaker 1: like the jobs, the jobs, like the way that they

1043
01:07:59,440 --> 01:08:01,720
Speaker 1: break down on. It's like you can make as much

1044
01:08:01,880 --> 01:08:04,840
Speaker 1: money as you want to. It's all in about your

1045
01:08:04,920 --> 01:08:07,560
Speaker 1: need and desire. Because once I figured that part out,

1046
01:08:07,880 --> 01:08:10,520
Speaker 1: I was a fucking dog. I was a dog because

1047
01:08:10,520 --> 01:08:11,840
Speaker 1: I was like, you mean to tell me I can

1048
01:08:11,880 --> 01:08:13,959
Speaker 1: write my own chip, let me do this, then funk

1049
01:08:14,080 --> 01:08:15,920
Speaker 1: y'all check because I'm gonna get me one air time

1050
01:08:15,960 --> 01:08:20,640
Speaker 1: I come in here. Then you feel so yeah, I

1051
01:08:20,720 --> 01:08:23,960
Speaker 1: know man, you know that really just we need help

1052
01:08:24,040 --> 01:08:33,960
Speaker 1: time because every time I come up and you need help. No,

1053
01:08:34,160 --> 01:08:37,080
Speaker 1: that's the thing Donald knows is one of the places

1054
01:08:37,160 --> 01:08:40,439
Speaker 1: that's always however, because most of their business is delivered,

1055
01:08:40,680 --> 01:08:43,400
Speaker 1: so they're always looking for drivers because the turnover rate

1056
01:08:43,479 --> 01:08:46,479
Speaker 1: on delivery drivers. I'm glad they didn't have me out

1057
01:08:46,520 --> 01:08:49,600
Speaker 1: of the driver. Man. I tell anybody who got some

1058
01:08:49,680 --> 01:08:51,439
Speaker 1: sense of where you live at to go deliver some

1059
01:08:51,520 --> 01:08:54,599
Speaker 1: pieces because you can make hell of money. Every stop

1060
01:08:54,680 --> 01:08:57,960
Speaker 1: you go through you always say hey, nom or something,

1061
01:08:58,320 --> 01:09:00,280
Speaker 1: and it's one of them jobs. Ain't nobody on your

1062
01:09:00,320 --> 01:09:03,080
Speaker 1: ass because you're going all the time you're going, and

1063
01:09:03,200 --> 01:09:05,200
Speaker 1: then with them folks for five ten minutes at a time.

1064
01:09:05,479 --> 01:09:07,800
Speaker 1: Then you're right back outside with it, and then you

1065
01:09:07,880 --> 01:09:10,280
Speaker 1: can come back when the funk you want to. It.

1066
01:09:10,320 --> 01:09:14,080
Speaker 1: Ain't like you gotta be like house some like salts

1067
01:09:14,120 --> 01:09:17,080
Speaker 1: on you n row he'll he'll cool. That's the thing

1068
01:09:17,160 --> 01:09:19,640
Speaker 1: about the piece of community. You think they don't know

1069
01:09:19,720 --> 01:09:22,640
Speaker 1: where all the robbers and ship be happening. Let the

1070
01:09:22,720 --> 01:09:25,960
Speaker 1: motherfucker get robbed. Who deliver the pieces like, Hey, we

1071
01:09:26,000 --> 01:09:27,639
Speaker 1: ain't coming over there and meet me up the street

1072
01:09:27,680 --> 01:09:31,400
Speaker 1: at the gas stage. I'm not coming over at you

1073
01:09:31,520 --> 01:09:34,040
Speaker 1: be a call you hey, yeah, just deliver from driving.

1074
01:09:34,320 --> 01:09:36,760
Speaker 1: Y'all got any dogs? Nigga's outside all right. I'm on

1075
01:09:36,960 --> 01:09:45,360
Speaker 1: with not coming over there. I ain't never let the

1076
01:09:45,479 --> 01:09:51,880
Speaker 1: draw of it. Oh here you go. I want to bro.

1077
01:09:52,920 --> 01:09:54,640
Speaker 1: I sold dope, and then I just thought like me

1078
01:09:55,640 --> 01:09:57,519
Speaker 1: and just saying because I wanted to go out and

1079
01:09:57,640 --> 01:10:01,000
Speaker 1: saying no, motherfucking dope. Damn. He got the worst excuses

1080
01:10:01,040 --> 01:10:15,240
Speaker 1: about this crap crap man, if I had turned your ship, man,

1081
01:10:15,280 --> 01:10:18,240
Speaker 1: I want to play ball. Man. Now, when you think

1082
01:10:18,240 --> 01:10:20,679
Speaker 1: about that ship that takes the nerves or still brother

1083
01:10:20,720 --> 01:10:23,120
Speaker 1: to sell crackers, you have to deal with cracked heads.

1084
01:10:23,800 --> 01:10:28,080
Speaker 1: And most of them, motherfucker looked like monsters. Like the

1085
01:10:28,200 --> 01:10:30,599
Speaker 1: type of ship that I would see when I closed

1086
01:10:30,680 --> 01:10:34,240
Speaker 1: my eyes at night. It would give me nightmare. When

1087
01:10:34,280 --> 01:10:36,679
Speaker 1: the motherfucker trying to hang you that dirty as crack

1088
01:10:36,800 --> 01:10:39,519
Speaker 1: money and you see that open used on me. You

1089
01:10:39,680 --> 01:10:45,680
Speaker 1: know the money. Why you believe you won't pull my

1090
01:10:45,760 --> 01:10:48,040
Speaker 1: tooth out? Give me that I pull out right now.

1091
01:10:49,720 --> 01:10:53,479
Speaker 1: I don't think gonna stole copper, man. I think the

1092
01:10:53,560 --> 01:10:57,720
Speaker 1: gold the whole house that That's what I'm saying. That

1093
01:10:57,840 --> 01:11:03,160
Speaker 1: don't that's too much old little couple couple gold cop gone,

1094
01:11:03,800 --> 01:11:06,600
Speaker 1: you gotta you, gotta you gotti all over. Gare what

1095
01:11:06,680 --> 01:11:11,439
Speaker 1: you need a cop what I ain't gonna lie about

1096
01:11:11,439 --> 01:11:19,680
Speaker 1: to crag he had a kid full call. He's that

1097
01:11:23,920 --> 01:11:27,880
Speaker 1: when they that white man, that comfort and white man

1098
01:11:28,160 --> 01:11:30,400
Speaker 1: getting there. That ain't all that they had a three

1099
01:11:30,479 --> 01:11:33,280
Speaker 1: pounds of couple man that she cheap. They know what

1100
01:11:33,360 --> 01:11:36,840
Speaker 1: they'd do. It maybe be sending in comfortable thinking about

1101
01:11:36,840 --> 01:11:42,400
Speaker 1: giving the comfortable because you know when people be rehabing

1102
01:11:42,479 --> 01:11:44,519
Speaker 1: houses and ship they always try to put the copy

1103
01:11:44,560 --> 01:11:50,280
Speaker 1: in last because motherfucker's will come in there stripping in strip.

1104
01:11:50,680 --> 01:11:58,519
Speaker 1: They watching you put the copy in the amy crazy

1105
01:11:58,640 --> 01:12:02,680
Speaker 1: that motherfucker's is still on you, Like after all this time,

1106
01:12:02,800 --> 01:12:07,880
Speaker 1: it's still new. Motherfucker's getting on drugs every day. Cranks

1107
01:12:08,160 --> 01:12:10,519
Speaker 1: tread cop It was work was like, yeah, I got

1108
01:12:10,600 --> 01:12:15,160
Speaker 1: two jobs, Like two jobs, you got two things. You're

1109
01:12:15,160 --> 01:12:21,200
Speaker 1: gonna go the triger, you gonna take two pieces mother

1110
01:12:21,320 --> 01:12:25,960
Speaker 1: Festival Man Black Starline Festival, the Black Star La, Black

1111
01:12:26,040 --> 01:12:31,840
Speaker 1: Star Line Festival, jar Sex. So look Africa, right, So

1112
01:12:32,080 --> 01:12:37,960
Speaker 1: like well this killing random game. So you ever heard

1113
01:12:37,960 --> 01:12:41,639
Speaker 1: of Marcus Garvey? No, tell me about I'm telling I've heard.

1114
01:12:41,800 --> 01:12:48,000
Speaker 1: I'm saying. I'm saying, is that the graving Marcus grav MICUs.

1115
01:12:50,479 --> 01:12:55,840
Speaker 1: Who are you saying? So, Marcus Gravy, Marcus Garden, Oh,

1116
01:12:56,800 --> 01:13:02,240
Speaker 1: Marcus Garving MICUs Garvey right in the in the early

1117
01:13:02,360 --> 01:13:08,840
Speaker 1: n nineteen nineteen, he developed a shipping company. He bought

1118
01:13:08,920 --> 01:13:12,240
Speaker 1: these uh the crowdsourced this money in New York and

1119
01:13:12,280 --> 01:13:15,080
Speaker 1: around like the East coast, like five dollars to share

1120
01:13:15,479 --> 01:13:18,439
Speaker 1: so people could buy this this old ship right from

1121
01:13:18,479 --> 01:13:21,559
Speaker 1: the government. He ended up having a fleet of ships

1122
01:13:22,040 --> 01:13:24,200
Speaker 1: and used them like to start a cargo company that

1123
01:13:24,840 --> 01:13:29,120
Speaker 1: made trade from the US to the islands to the

1124
01:13:29,240 --> 01:13:33,799
Speaker 1: continent and uh, eventually he started like making passenger trips,

1125
01:13:33,840 --> 01:13:37,600
Speaker 1: so like taking people you know that were trained in

1126
01:13:37,680 --> 01:13:40,800
Speaker 1: different trades around and like creating like a network of

1127
01:13:40,840 --> 01:13:43,880
Speaker 1: black folks like from from all over and ship. And

1128
01:13:43,960 --> 01:13:48,000
Speaker 1: then in nineteen two, the US government framed him for

1129
01:13:48,400 --> 01:13:50,400
Speaker 1: mail fraud and deported him and they shut down that

1130
01:13:50,760 --> 01:13:54,120
Speaker 1: startling but his but his, but the shipping company was

1131
01:13:55,160 --> 01:13:57,240
Speaker 1: was like iconic to a lot of people because they

1132
01:13:57,280 --> 01:13:59,280
Speaker 1: would see these big ships coming into the boards. They

1133
01:13:59,280 --> 01:14:01,760
Speaker 1: would see like people from all over the world, and

1134
01:14:01,840 --> 01:14:04,680
Speaker 1: you know, they were niggers on their boat. Like you

1135
01:14:04,720 --> 01:14:08,240
Speaker 1: know what I'm saying, said this b oh black black,

1136
01:14:08,360 --> 01:14:10,919
Speaker 1: black sailors black, Like you know what I'm saying, animals

1137
01:14:10,960 --> 01:14:13,800
Speaker 1: and like and like the first time you know what

1138
01:14:13,840 --> 01:14:17,920
Speaker 1: I'm saying first, So it's like it's like we're trying

1139
01:14:17,960 --> 01:14:20,280
Speaker 1: to like it. Like the first time joing the curl,

1140
01:14:20,400 --> 01:14:23,439
Speaker 1: it was like the insuspensible, but it was it was

1141
01:14:27,520 --> 01:14:29,479
Speaker 1: where you looking once they pulled up and it's all

1142
01:14:29,520 --> 01:14:42,439
Speaker 1: them niggers on the duck bas just big DrAk but

1143
01:14:42,760 --> 01:14:47,960
Speaker 1: go ahead. It's basically inspired by the Black Star line,

1144
01:14:48,120 --> 01:14:51,519
Speaker 1: you know, like the the idea of having a network

1145
01:14:51,600 --> 01:14:56,120
Speaker 1: and being more connected with you bring. Yeah, we're just

1146
01:14:56,200 --> 01:14:58,920
Speaker 1: we're just trying to create connectivity. It's like it's not

1147
01:14:59,040 --> 01:15:02,400
Speaker 1: even about like get my fuckers to move places or

1148
01:15:02,439 --> 01:15:05,000
Speaker 1: like but like I think we're always travel It's really

1149
01:15:05,080 --> 01:15:08,280
Speaker 1: just about creating an interconnectedness and like being able to

1150
01:15:08,360 --> 01:15:11,000
Speaker 1: like that like this space right here, like that y'all create,

1151
01:15:11,120 --> 01:15:13,920
Speaker 1: like having the community, having a conversation like that's what

1152
01:15:14,040 --> 01:15:17,400
Speaker 1: makes us strong, That's what makes us anyble to mobilize. Yeah,

1153
01:15:17,800 --> 01:15:24,240
Speaker 1: So it's like having moments like that mass demonstrations. It's

1154
01:15:24,280 --> 01:15:27,200
Speaker 1: like it's important for our strength as like as a

1155
01:15:27,439 --> 01:15:29,760
Speaker 1: as a people and our people as a global thing.

1156
01:15:29,840 --> 01:15:31,640
Speaker 1: It's not just a thing that's just here. It's like

1157
01:15:32,360 --> 01:15:37,439
Speaker 1: we're going through it everywhere. Yeah, most definitely maybe saying

1158
01:15:37,439 --> 01:15:42,240
Speaker 1: it's some real ship. The mobile laugh, it was mobile mobile.

1159
01:15:42,800 --> 01:15:44,519
Speaker 1: Did they tell you what trap you were from when

1160
01:15:44,520 --> 01:15:47,000
Speaker 1: you went over there? How it's crazy? Is I still

1161
01:15:47,080 --> 01:15:52,000
Speaker 1: never did? Like no, Like we were just talking about

1162
01:15:52,000 --> 01:15:59,080
Speaker 1: that I don't really want to do anything. Everybody come

1163
01:15:59,120 --> 01:16:03,040
Speaker 1: from now, you see, but I got careering in my

1164
01:16:03,120 --> 01:16:08,920
Speaker 1: blue tidy. You're time, you already down to the parish

1165
01:16:08,920 --> 01:16:12,200
Speaker 1: and anything. Clarendon. I want people start seeing a picture

1166
01:16:12,200 --> 01:16:14,200
Speaker 1: that look just like me and ship Ship is a

1167
01:16:14,240 --> 01:16:20,760
Speaker 1: picture tad in inven can't wait go to all the land,

1168
01:16:20,880 --> 01:16:22,960
Speaker 1: can go to Jamaica, can't wait to go I'm coming.

1169
01:16:24,040 --> 01:16:27,519
Speaker 1: I just did how long you gonna be a little

1170
01:16:27,600 --> 01:16:29,600
Speaker 1: like a week before, like maybe a week and a

1171
01:16:29,680 --> 01:16:32,360
Speaker 1: half before. It's like it's it's it's a lot of

1172
01:16:32,400 --> 01:16:34,679
Speaker 1: stuff that's popping at that time of the year out there,

1173
01:16:34,760 --> 01:16:38,280
Speaker 1: like a lot of people. I'm gonna go there. I'm

1174
01:16:38,400 --> 01:16:40,000
Speaker 1: probably be there a little bit after the sex too.

1175
01:16:40,000 --> 01:16:42,120
Speaker 1: I'm gonna definitely be there before the six Have you

1176
01:16:42,160 --> 01:16:44,920
Speaker 1: ever heard of afro Cela shout out to afro Crala.

1177
01:16:45,000 --> 01:16:48,160
Speaker 1: It's like it's like a festival that takes place in

1178
01:16:48,200 --> 01:16:51,519
Speaker 1: West Africa. That's like people that's actually gone in and

1179
01:16:51,680 --> 01:16:53,519
Speaker 1: Nigeria that put it on. It's like a lot of

1180
01:16:53,680 --> 01:16:55,439
Speaker 1: artists from the continent. It's like a big thing that

1181
01:16:55,479 --> 01:16:57,040
Speaker 1: happens at the end of the year every year. So

1182
01:16:57,400 --> 01:16:59,760
Speaker 1: I'm gonna go slide over to that too. You know

1183
01:16:59,800 --> 01:17:02,599
Speaker 1: I'm saying, that's the weekend before you want to jump

1184
01:17:02,640 --> 01:17:08,240
Speaker 1: on some afro beats. Oh yeah, yeah. I feel like

1185
01:17:09,040 --> 01:17:10,760
Speaker 1: I've been in a space where I've just been making

1186
01:17:10,800 --> 01:17:12,519
Speaker 1: a lot of music. So I've been collaborating with a

1187
01:17:12,560 --> 01:17:14,320
Speaker 1: lot of different artists. I just dropped we just dropped

1188
01:17:14,360 --> 01:17:17,160
Speaker 1: the song with this artist or artists dropped the song

1189
01:17:17,200 --> 01:17:19,360
Speaker 1: that was featuring me and Vic last week. His name

1190
01:17:19,400 --> 01:17:23,120
Speaker 1: is King Promise, uh and it's and he's from Ghana.

1191
01:17:23,200 --> 01:17:24,680
Speaker 1: But it's like, I don't even want to call it

1192
01:17:24,720 --> 01:17:26,880
Speaker 1: afro beat, you know what I'm saying on afrobeats, Like

1193
01:17:27,000 --> 01:17:30,680
Speaker 1: it's like it's a different vibe. But I don't know.

1194
01:17:30,760 --> 01:17:32,840
Speaker 1: I'm gonna definitely collaborate with a bunch of artists. We

1195
01:17:32,920 --> 01:17:37,280
Speaker 1: just need we need connection, you know what I'm saying. Collaboration, conversation,

1196
01:17:37,880 --> 01:17:40,840
Speaker 1: connection and as much as possible to like to talk

1197
01:17:40,880 --> 01:17:43,519
Speaker 1: about real ship, you know what I'm saying. People think

1198
01:17:43,560 --> 01:17:46,599
Speaker 1: it's harder. They hard You just got the just stretch

1199
01:17:46,640 --> 01:17:49,360
Speaker 1: your head and that brade she the motherfucker's saying. They're

1200
01:17:49,360 --> 01:17:52,519
Speaker 1: skied to say I need help. Look you did and

1201
01:17:52,600 --> 01:17:54,719
Speaker 1: your mother for guys to tell you I need some mute.

1202
01:17:57,320 --> 01:18:00,360
Speaker 1: If you gooke with me or not get on him

1203
01:18:00,360 --> 01:18:05,320
Speaker 1: because you as crazy. But it's gonna get done whether

1204
01:18:05,360 --> 01:18:07,839
Speaker 1: you're a part of or not. It's just the principle

1205
01:18:07,960 --> 01:18:09,920
Speaker 1: that it's the spirit in me to reach out to

1206
01:18:10,040 --> 01:18:13,200
Speaker 1: my fellow brother and be like, we're stronger when we together,

1207
01:18:13,520 --> 01:18:16,160
Speaker 1: straight up, because once we do what we do whatside,

1208
01:18:16,160 --> 01:18:23,560
Speaker 1: you're gonna stand on a well. I was supposed to

1209
01:18:23,560 --> 01:18:26,560
Speaker 1: pass this to you know, we got a lot of

1210
01:18:26,600 --> 01:18:31,960
Speaker 1: bunts and ship. We knew you was coming. Halfing my

1211
01:18:31,960 --> 01:18:37,559
Speaker 1: ship might be refrigerated to perfection that one more time

1212
01:18:39,600 --> 01:18:46,640
Speaker 1: as my first time of tasting something so demission. Oh

1213
01:18:46,720 --> 01:18:49,400
Speaker 1: you don't with dominoes, that's that delicious pass and domino

1214
01:18:51,360 --> 01:18:55,080
Speaker 1: personal pan up in hand talk. That's how y'all should

1215
01:18:55,120 --> 01:18:58,439
Speaker 1: make all y'all goddamn, even if it ain't personal, even

1216
01:18:58,479 --> 01:19:02,599
Speaker 1: the biggest make a personal man love been tossed because

1217
01:19:02,720 --> 01:19:05,680
Speaker 1: they tasted like did but he just he don't get it. Man,

1218
01:19:05,720 --> 01:19:07,920
Speaker 1: Do you see that? I never see y'all This guy

1219
01:19:08,040 --> 01:19:10,840
Speaker 1: sold and pick out one of the box like that

1220
01:19:10,920 --> 01:19:13,680
Speaker 1: white wall that ship there, and they ain't got no

1221
01:19:13,800 --> 01:19:16,639
Speaker 1: meat on it. They got no cheese on ship. Looked

1222
01:19:16,680 --> 01:19:27,080
Speaker 1: like it came from up up up on people. H woman,

1223
01:19:27,120 --> 01:19:33,519
Speaker 1: the white fox woman, the white bos that's cheese pieces

1224
01:19:34,000 --> 01:19:40,960
Speaker 1: my man, Come man, I got tune on it and everything.

1225
01:19:41,000 --> 01:19:45,320
Speaker 1: I want to tell you what that is. If they

1226
01:19:46,840 --> 01:19:49,240
Speaker 1: if they would laugh when you don't take, when you have,

1227
01:19:49,880 --> 01:19:53,080
Speaker 1: you don't see you. I put that bit in my faith.

1228
01:19:53,200 --> 01:19:59,599
Speaker 1: That was my favorite piece. Mm hmm. That's just hand tossed.

1229
01:20:00,400 --> 01:20:05,920
Speaker 1: That's panded eve and that's hand toss daddy laughing. I

1230
01:20:06,080 --> 01:20:11,000
Speaker 1: was deep in the piece of streets man. Yeah, I

1231
01:20:11,120 --> 01:20:13,680
Speaker 1: never I never really like rocked with the piece of

1232
01:20:13,720 --> 01:20:15,080
Speaker 1: hut that was by my crib. But he should be

1233
01:20:15,080 --> 01:20:17,160
Speaker 1: a piece of hut, right, I don't have any ning

1234
01:20:17,240 --> 01:20:22,040
Speaker 1: by my crib. But what year was? Always? Uh, twenty

1235
01:20:23,200 --> 01:20:27,400
Speaker 1: were part of the whole. People don't want piece twenty nothing,

1236
01:20:29,280 --> 01:20:32,000
Speaker 1: not twenty something, but like two thousand and is that

1237
01:20:32,080 --> 01:20:34,120
Speaker 1: still too late? Man? If you had some piece of

1238
01:20:34,200 --> 01:20:39,920
Speaker 1: HUD between the years of fucking eighty eight and I'd

1239
01:20:39,960 --> 01:20:44,160
Speaker 1: say maybe nineties seven, that was prime piece of HUD years. Man,

1240
01:20:44,280 --> 01:20:46,720
Speaker 1: I'm not just smell of this ship. We usually go

1241
01:20:46,800 --> 01:20:48,639
Speaker 1: in piece of hunt. You couldn't wait to get your

1242
01:20:48,680 --> 01:20:52,120
Speaker 1: fucking piece every pieces that came up in the mother.

1243
01:20:52,439 --> 01:20:57,600
Speaker 1: He was like, my fuck ship, that ship smells so

1244
01:20:57,960 --> 01:21:04,560
Speaker 1: fucking good. What made you change that money? But it

1245
01:21:04,680 --> 01:21:13,840
Speaker 1: was the money that d do anything you. I didn't

1246
01:21:13,880 --> 01:21:19,120
Speaker 1: go for. I didn't ask the work for them. I

1247
01:21:19,200 --> 01:21:22,439
Speaker 1: didn't ask the word for them, and they don't what

1248
01:21:22,840 --> 01:21:26,600
Speaker 1: did call hea by y'all ship every I'm telling you

1249
01:21:30,040 --> 01:21:34,680
Speaker 1: twenty I wanted twenty pieces of every episode. I'm telling you.

1250
01:21:36,000 --> 01:21:38,439
Speaker 1: I didn't ask. I didn't ask them to work for them.

1251
01:21:38,920 --> 01:21:42,760
Speaker 1: They were they were like seeking me out. They was

1252
01:21:42,880 --> 01:21:45,800
Speaker 1: asking around the city about me. Bro, that's how much

1253
01:21:45,840 --> 01:21:49,800
Speaker 1: swag got. I had that much sweg. They was asking

1254
01:21:49,880 --> 01:21:52,400
Speaker 1: everybody about because they kept seeing me around. I was

1255
01:21:52,520 --> 01:21:55,000
Speaker 1: randing too good and I was just living life and

1256
01:21:55,080 --> 01:21:57,639
Speaker 1: I was too happy. And he was like, man, we've

1257
01:21:57,640 --> 01:21:59,280
Speaker 1: seen you come through with him, and we've seen you

1258
01:21:59,439 --> 01:22:01,320
Speaker 1: rap back, and we've been trying to get you to

1259
01:22:01,360 --> 01:22:03,240
Speaker 1: work up here all like for real. And I had

1260
01:22:03,280 --> 01:22:05,600
Speaker 1: a little bullshits down then, and I was like I

1261
01:22:06,160 --> 01:22:08,720
Speaker 1: ended up in my mind like it's my ship. I

1262
01:22:08,840 --> 01:22:11,599
Speaker 1: know every nook and cranny, even where a nigga granny live.

1263
01:22:11,960 --> 01:22:14,320
Speaker 1: So then I started putting it together. And I went

1264
01:22:14,400 --> 01:22:16,120
Speaker 1: up there and I talked to Mike and Mike was like,

1265
01:22:16,520 --> 01:22:18,599
Speaker 1: Ship you already had, you don't have to do ship.

1266
01:22:18,920 --> 01:22:20,959
Speaker 1: I worked up there and then I did the paperwork.

1267
01:22:21,080 --> 01:22:23,240
Speaker 1: Later on, I was already making money out seen what

1268
01:22:23,360 --> 01:22:27,000
Speaker 1: it was. I was like, I'm in that bit there.

1269
01:22:27,080 --> 01:22:30,360
Speaker 1: I'm in here. I'm making money the first night I

1270
01:22:30,560 --> 01:22:36,040
Speaker 1: was in there, the first day. I want some money,

1271
01:22:36,600 --> 01:22:43,439
Speaker 1: many kid, I'll back it, went him me over. Yeah,

1272
01:22:43,840 --> 01:22:47,880
Speaker 1: I'm all about the company I was watching. I'm watching

1273
01:22:47,960 --> 01:22:51,479
Speaker 1: the shirt that night, but the shirt going straight in

1274
01:22:51,600 --> 01:23:01,760
Speaker 1: the washing. Yeah myself. And you're talking about how you

1275
01:23:01,800 --> 01:23:04,640
Speaker 1: gotta do this again. I'm gonna do it like this

1276
01:23:04,800 --> 01:23:08,720
Speaker 1: every time. I'm gonna make more. Okay, dads, s I

1277
01:23:08,760 --> 01:23:11,160
Speaker 1: ain't did nothing. And I'm running around looking at the

1278
01:23:11,200 --> 01:23:14,760
Speaker 1: whole too, and the whole see me seeing them, and

1279
01:23:14,840 --> 01:23:20,559
Speaker 1: they're like, you're driving. Come on, bro, it's called it's

1280
01:23:20,560 --> 01:23:23,920
Speaker 1: a whole college right here. Everybody at home. Wait, so

1281
01:23:24,160 --> 01:23:26,120
Speaker 1: is that's during the time when they still had like

1282
01:23:26,640 --> 01:23:29,160
Speaker 1: the pizza Hut sign on the car. Oh man, I

1283
01:23:29,280 --> 01:23:32,519
Speaker 1: had the magnetic sign and everything on the bubble shipping,

1284
01:23:33,240 --> 01:23:35,880
Speaker 1: like the bumble ship cards that sat pizza that just

1285
01:23:35,960 --> 01:23:37,759
Speaker 1: a car will come to now. It was a magnetic

1286
01:23:37,840 --> 01:23:40,040
Speaker 1: sad bro. I even hit the light eye shipped up

1287
01:23:40,080 --> 01:23:45,600
Speaker 1: to I'm not like, what are you talking about? What

1288
01:23:50,160 --> 01:24:00,799
Speaker 1: little coming through police POLICEE. They got the sad anywhere ship.

1289
01:24:01,479 --> 01:24:03,640
Speaker 1: You got privileges when you got the food, then you

1290
01:24:03,720 --> 01:24:07,479
Speaker 1: can pull up right to the door. Can I got

1291
01:24:07,600 --> 01:24:09,800
Speaker 1: to get that? Do you want me to find an

1292
01:24:09,880 --> 01:24:11,920
Speaker 1: it's not my boy. Hey, we need to move the car.

1293
01:24:12,120 --> 01:24:15,920
Speaker 1: Hell yeah, let me and him. I had a ball

1294
01:24:16,000 --> 01:24:18,280
Speaker 1: doing that ship because the craziest ship is man. You

1295
01:24:18,439 --> 01:24:20,160
Speaker 1: just go in peoples house and you just be seeing

1296
01:24:20,240 --> 01:24:23,839
Speaker 1: strange as ship all the time. And like every delivery

1297
01:24:23,960 --> 01:24:27,680
Speaker 1: you go, you see some strange ass ship. People be

1298
01:24:27,840 --> 01:24:31,200
Speaker 1: leaving little notes and requests and ship. Hey, walk around

1299
01:24:31,200 --> 01:24:36,000
Speaker 1: the back and leave the pieces. O, don't knock. My

1300
01:24:36,160 --> 01:24:42,000
Speaker 1: dog's deaf. The doorbell gives him. Man sact feel it

1301
01:24:42,120 --> 01:24:46,280
Speaker 1: that he can't hear. You can't hear. He won't be

1302
01:24:46,520 --> 01:24:51,439
Speaker 1: strange as hire man. Let me tell you he's added.

1303
01:24:52,520 --> 01:24:57,760
Speaker 1: It's crazy bro. Yeah. See y'all had a good y'all

1304
01:24:58,080 --> 01:25:00,760
Speaker 1: somebody you had a job with that job to go

1305
01:25:00,840 --> 01:25:03,760
Speaker 1: work a build the job. My shop didn't work like that,

1306
01:25:04,720 --> 01:25:07,080
Speaker 1: and then I try to find a job. I always

1307
01:25:07,120 --> 01:25:09,400
Speaker 1: tried to job dot com. I did all this ship,

1308
01:25:09,800 --> 01:25:14,000
Speaker 1: all the ship line, indeed dot com line. I don't

1309
01:25:14,000 --> 01:25:16,759
Speaker 1: feel that all the applications would have been every applicate.

1310
01:25:16,840 --> 01:25:18,599
Speaker 1: I just said, maybe if I just get in the building,

1311
01:25:19,040 --> 01:25:20,599
Speaker 1: I just need to get in the building. I don't

1312
01:25:20,640 --> 01:25:23,200
Speaker 1: given what the job build, I didn't get in. I

1313
01:25:23,320 --> 01:25:25,760
Speaker 1: just really have seen you being a good employer though

1314
01:25:26,040 --> 01:25:29,320
Speaker 1: who I was the best? Now you probably was the

1315
01:25:29,400 --> 01:25:32,240
Speaker 1: most fun him. He probably was the most fun to

1316
01:25:32,320 --> 01:25:35,040
Speaker 1: work with. But I don't really see you doing I

1317
01:25:35,080 --> 01:25:36,760
Speaker 1: would work hard, but try to come up with a

1318
01:25:36,840 --> 01:25:40,320
Speaker 1: plan to not dossibout hi. Y'all don't like how you work.

1319
01:25:42,840 --> 01:25:45,040
Speaker 1: Somebody got to get close to him. Who's gonna get closer?

1320
01:25:45,520 --> 01:25:49,479
Speaker 1: I get close. If you work, be your death. Don't work.

1321
01:25:49,520 --> 01:25:53,960
Speaker 1: But man, oh, matter of fact, the whole different brands

1322
01:25:54,000 --> 01:25:56,840
Speaker 1: you well, we say old I was't now too, I'm

1323
01:25:56,880 --> 01:25:59,519
Speaker 1: not doing ship. That's the thing about I think people

1324
01:25:59,600 --> 01:26:03,360
Speaker 1: get and do too much work. Who you just sometimes

1325
01:26:03,439 --> 01:26:07,160
Speaker 1: you just gotta do your job, like stay in your

1326
01:26:07,240 --> 01:26:09,080
Speaker 1: fucking lane when you can go Like people go to

1327
01:26:09,160 --> 01:26:12,360
Speaker 1: work and they start doing too much ship, you know

1328
01:26:12,400 --> 01:26:14,240
Speaker 1: what I'm saying. Trying to help out. That's where you

1329
01:26:14,320 --> 01:26:16,320
Speaker 1: get sucked up at because once they see that you

1330
01:26:16,439 --> 01:26:19,479
Speaker 1: can do this ship shorthanded, you're always gonna be short.

1331
01:26:19,520 --> 01:26:22,160
Speaker 1: And if you come to work and you're doing too

1332
01:26:22,240 --> 01:26:24,120
Speaker 1: much and you're the cook and then you're trying to

1333
01:26:24,160 --> 01:26:26,000
Speaker 1: take order to they're gonna put your ways to that

1334
01:26:26,080 --> 01:26:30,120
Speaker 1: about yourself. Do your try me like that? They just

1335
01:26:30,280 --> 01:26:34,639
Speaker 1: fired me. I can see the like, oh little butter

1336
01:26:34,720 --> 01:26:40,439
Speaker 1: on the fry and take it order. You hating the job,

1337
01:26:41,000 --> 01:26:42,519
Speaker 1: trying to tell And one day I was trying to

1338
01:26:42,560 --> 01:26:45,080
Speaker 1: get to the boss. I was just trying to be great,

1339
01:26:45,720 --> 01:26:48,519
Speaker 1: like you wanna be sat hold, but it's something I

1340
01:26:48,600 --> 01:26:50,680
Speaker 1: gotta do after I sat you come? What is it

1341
01:26:51,280 --> 01:26:54,240
Speaker 1: I tended to? When you come back work? Give me

1342
01:26:54,400 --> 01:26:57,479
Speaker 1: my list so I can work. You're gonna be there,

1343
01:26:57,720 --> 01:27:02,040
Speaker 1: do it come back here? Do it? Come back? If

1344
01:27:02,080 --> 01:27:05,840
Speaker 1: there's our tendery, give me theinerary, sir. If I'm gonna

1345
01:27:05,840 --> 01:27:07,679
Speaker 1: be the employee and I gotta make the burgers, don't

1346
01:27:07,680 --> 01:27:12,840
Speaker 1: be over my shoulder, grab the bud, grab me. I

1347
01:27:12,920 --> 01:27:17,719
Speaker 1: worked at burger game too. Did ye got all the jobs?

1348
01:27:18,200 --> 01:27:19,960
Speaker 1: You don't know how to tell you gotta stop them.

1349
01:27:20,040 --> 01:27:23,000
Speaker 1: You gotta stop telling all the truth on the applications. Man,

1350
01:27:25,120 --> 01:27:30,680
Speaker 1: you got our stay, I got one address. You know

1351
01:27:30,760 --> 01:27:33,400
Speaker 1: when that's the number one thing people do, especially like

1352
01:27:34,040 --> 01:27:37,599
Speaker 1: fast food people. You try like high school age motherfucker's man,

1353
01:27:37,920 --> 01:27:40,639
Speaker 1: the number one thing they say is like they asked

1354
01:27:40,680 --> 01:27:43,080
Speaker 1: for your available. If you're going there and tell them

1355
01:27:43,120 --> 01:27:46,400
Speaker 1: mother you available every day. They ain't gonna take their ship.

1356
01:27:47,160 --> 01:27:52,519
Speaker 1: But no, you're not. You're not. This is a four times.

1357
01:27:52,560 --> 01:27:56,040
Speaker 1: It's like one time when don't you understand to them?

1358
01:27:56,120 --> 01:27:57,920
Speaker 1: Then look like it's too good to be true? Now

1359
01:27:57,960 --> 01:27:59,639
Speaker 1: you gotta allow on one day, but like they look

1360
01:27:59,680 --> 01:28:01,879
Speaker 1: at least on Thursday, I can't be I'm not available

1361
01:28:01,920 --> 01:28:04,200
Speaker 1: from three to five. Act like you've got something else

1362
01:28:04,240 --> 01:28:06,680
Speaker 1: to do. Man, don't we just desperate as fuck? On

1363
01:28:06,800 --> 01:28:10,559
Speaker 1: these epics they can smell desperation. I thought they's an

1364
01:28:10,600 --> 01:28:12,680
Speaker 1: answer to the most honest you can be, Like, no,

1365
01:28:13,479 --> 01:28:15,439
Speaker 1: why would I say on busy on Thursday and I

1366
01:28:15,520 --> 01:28:18,439
Speaker 1: can making money with them? On Thursday? I'm not busy.

1367
01:28:19,080 --> 01:28:22,880
Speaker 1: You can work. You can negotiate that. Later on they

1368
01:28:22,960 --> 01:28:25,000
Speaker 1: might just interview you just to see why you ain't

1369
01:28:25,000 --> 01:28:29,920
Speaker 1: available Thursday. You can just come over then, and I

1370
01:28:30,200 --> 01:28:35,439
Speaker 1: was ship I build boats to the best job I've

1371
01:28:35,439 --> 01:28:37,720
Speaker 1: ever had that I was working at the steakhouse right.

1372
01:28:38,000 --> 01:28:40,000
Speaker 1: The ship was way down in the woods, and we

1373
01:28:40,080 --> 01:28:43,320
Speaker 1: used to get to work like an hour early. They

1374
01:28:43,439 --> 01:28:45,280
Speaker 1: told you, like, they'll be able to be here at six,

1375
01:28:45,439 --> 01:28:48,240
Speaker 1: and then you get there six and then everybody just

1376
01:28:48,320 --> 01:28:50,600
Speaker 1: getting hat so we can start working at eight. I'm like,

1377
01:28:50,720 --> 01:28:56,679
Speaker 1: this is straight. They never gave a fuck. They told

1378
01:28:56,680 --> 01:29:00,280
Speaker 1: me how to make a crim brewlet though you did.

1379
01:29:00,920 --> 01:29:04,800
Speaker 1: I don't want to talk about it because the ship

1380
01:29:04,880 --> 01:29:06,840
Speaker 1: I had to go through to learn it. It ain't

1381
01:29:06,840 --> 01:29:14,040
Speaker 1: worth just telling. Motherfucker's from free an experience, have some

1382
01:29:14,439 --> 01:29:20,000
Speaker 1: some random down. I put your stop, i'na stop making

1383
01:29:20,000 --> 01:29:21,479
Speaker 1: my peanut butter jel in front of you. Then y'all

1384
01:29:21,479 --> 01:29:24,760
Speaker 1: see what's going on. You will put him out the

1385
01:29:24,800 --> 01:29:30,240
Speaker 1: jail from at on. See what was that? Yeah? What

1386
01:29:30,439 --> 01:29:33,840
Speaker 1: jobs you head? I'm thinking I had. I had a

1387
01:29:33,960 --> 01:29:37,320
Speaker 1: job at this place called Kennicott Park in Chicago. It

1388
01:29:37,439 --> 01:29:41,880
Speaker 1: was like like a radio. It's weird. It's a weird thing.

1389
01:29:42,360 --> 01:29:44,920
Speaker 1: It's hard to describe. It was like, uh, they was

1390
01:29:45,000 --> 01:29:49,280
Speaker 1: teaching us how to do radio, right, but we was

1391
01:29:49,360 --> 01:29:52,120
Speaker 1: never actually on the radio. It was like it was

1392
01:29:52,160 --> 01:29:54,720
Speaker 1: like a weird y'all had like a radio voice. That's

1393
01:29:54,720 --> 01:29:56,280
Speaker 1: what they were supposed to be doing, but we weren't

1394
01:29:56,280 --> 01:30:00,559
Speaker 1: really doing that either voice. It sounds like this sounded

1395
01:30:00,600 --> 01:30:03,439
Speaker 1: like a trip. So you were getting bade to learn

1396
01:30:03,520 --> 01:30:06,080
Speaker 1: how to be on the radio. But this is a joke.

1397
01:30:06,600 --> 01:30:09,840
Speaker 1: This was like this was like a program at this

1398
01:30:10,160 --> 01:30:12,439
Speaker 1: at this place called Kennecot Park and it was like

1399
01:30:13,360 --> 01:30:15,000
Speaker 1: it was like we're gonna teach you all how to

1400
01:30:15,080 --> 01:30:18,720
Speaker 1: do it was called teen Talk Radio Theater. That's it

1401
01:30:18,840 --> 01:30:21,680
Speaker 1: just came back to. But it was like it was

1402
01:30:21,760 --> 01:30:25,160
Speaker 1: like a thing where I used to go there for

1403
01:30:25,280 --> 01:30:28,360
Speaker 1: one summer and they was like, I remember I was

1404
01:30:28,439 --> 01:30:30,320
Speaker 1: rapping on that bed. That's really the main thing I

1405
01:30:30,400 --> 01:30:32,320
Speaker 1: remember was I was in that best and I was like, yeah,

1406
01:30:32,320 --> 01:30:36,200
Speaker 1: I'll wrapped. I was wrapping like every forgot, like just

1407
01:30:36,320 --> 01:30:38,439
Speaker 1: in front of like my co workers. I guess, I

1408
01:30:38,520 --> 01:30:42,960
Speaker 1: don't know. And then co workers are hype your ass up.

1409
01:30:43,000 --> 01:30:44,720
Speaker 1: If you like, if you get some people that you

1410
01:30:44,840 --> 01:30:46,640
Speaker 1: work with that fun with you, they'll be believing in

1411
01:30:46,720 --> 01:30:49,160
Speaker 1: your dreams, like we bro, you're gonna go do the

1412
01:30:49,240 --> 01:30:55,120
Speaker 1: rap ship. I worked for you'll work for take your way.

1413
01:30:56,000 --> 01:30:59,360
Speaker 1: You got to be there, well, I gotta make it

1414
01:30:59,640 --> 01:31:03,200
Speaker 1: you got then I'm kissing, get me kissing on all

1415
01:31:03,280 --> 01:31:06,479
Speaker 1: them on. I don't just tell him. I think about you, bro,

1416
01:31:06,560 --> 01:31:12,760
Speaker 1: that you spend all to day, yeah, man, and then

1417
01:31:13,080 --> 01:31:15,240
Speaker 1: you on your side for real. Frial. I ain't never

1418
01:31:15,280 --> 01:31:17,160
Speaker 1: had no jobs, so I ain't had no coworker friend

1419
01:31:18,280 --> 01:31:26,040
Speaker 1: d to support. I used to work with this old

1420
01:31:26,040 --> 01:31:30,640
Speaker 1: white man look just like I used to work with

1421
01:31:30,720 --> 01:31:33,320
Speaker 1: this old white man looked just like Holk hooler who

1422
01:31:33,360 --> 01:31:35,519
Speaker 1: happen used to work with a white man looked like

1423
01:31:35,600 --> 01:31:39,599
Speaker 1: Holk hool Why do you get at any job he worked?

1424
01:31:39,640 --> 01:31:42,599
Speaker 1: I was a lot of strange motherfuckers, but we had

1425
01:31:42,760 --> 01:31:44,719
Speaker 1: this one white dude work with us for the fucking

1426
01:31:44,800 --> 01:31:47,240
Speaker 1: longest bro in the middle of something used to always

1427
01:31:47,280 --> 01:31:50,160
Speaker 1: wear like a long sleeved shirt under his fucking um

1428
01:31:50,439 --> 01:31:53,000
Speaker 1: Domino shirt, and we're like, why the fund you keep

1429
01:31:53,120 --> 01:31:56,160
Speaker 1: wearing he's sucking under straight man. One day that motherfucker

1430
01:31:56,240 --> 01:31:58,839
Speaker 1: came to work this make your head all devil worship

1431
01:31:58,920 --> 01:32:04,040
Speaker 1: in tattoos. Everybody was like, what the fuck? Crazy? Ship ever? Man,

1432
01:32:04,120 --> 01:32:09,479
Speaker 1: this nigga had the devil tattooed on. It was all

1433
01:32:09,680 --> 01:32:12,400
Speaker 1: type yeah, all types of crazy ship. They were like, man,

1434
01:32:12,439 --> 01:32:14,439
Speaker 1: you gotta cover that ship up. I was like, I

1435
01:32:14,479 --> 01:32:17,880
Speaker 1: don't want to work with that motherfucker. Hey man, I

1436
01:32:17,920 --> 01:32:19,960
Speaker 1: don't even know if they fired, and he just stopped coming.

1437
01:32:21,520 --> 01:32:28,880
Speaker 1: All the pool it had this one girl. You'll never

1438
01:32:28,960 --> 01:32:32,280
Speaker 1: believe it, the funniest, weirdest shape lady you ever see.

1439
01:32:32,439 --> 01:32:36,759
Speaker 1: Just a funny looking woman. Bro. She had she started

1440
01:32:36,800 --> 01:32:40,160
Speaker 1: working that delivering pizza. Right, so she had got with

1441
01:32:40,280 --> 01:32:43,559
Speaker 1: this dude who like he was like sneaking and geeking

1442
01:32:43,600 --> 01:32:47,160
Speaker 1: on the myth, but he had got insecure so he

1443
01:32:47,320 --> 01:32:50,920
Speaker 1: used to always like he wanted to go on every

1444
01:32:51,000 --> 01:32:55,960
Speaker 1: delivery with her. So they had a meeting, right, we

1445
01:32:56,040 --> 01:32:57,920
Speaker 1: had a crew meeting that he was at the crew

1446
01:32:58,040 --> 01:33:01,479
Speaker 1: meeting and they were like, yeah, you don't work here,

1447
01:33:01,479 --> 01:33:02,960
Speaker 1: you aren't supposed to be here. He went out and

1448
01:33:03,040 --> 01:33:04,760
Speaker 1: sat in the car. But that was the old meeting

1449
01:33:04,880 --> 01:33:07,560
Speaker 1: was about that she was like dropping him over and

1450
01:33:07,680 --> 01:33:12,960
Speaker 1: picking him up on every delivery because he just didn't

1451
01:33:12,960 --> 01:33:20,400
Speaker 1: trust somebody itself. Still, it was just alright, bro, and

1452
01:33:20,439 --> 01:33:22,559
Speaker 1: he just didn't like her going, you know, to live

1453
01:33:22,640 --> 01:33:29,639
Speaker 1: in a piece of of men. Yeah, he was really

1454
01:33:29,680 --> 01:33:34,000
Speaker 1: tripping over her, man, and then he got flat. Now

1455
01:33:34,120 --> 01:33:38,120
Speaker 1: she did. They had it back once once they broke

1456
01:33:38,240 --> 01:33:44,080
Speaker 1: up though together like yeah it was her dude, he

1457
01:33:44,200 --> 01:33:47,599
Speaker 1: was like, he was like and then like the first time,

1458
01:33:48,040 --> 01:33:50,320
Speaker 1: like she wasn't had it. She was pulling back up

1459
01:33:50,360 --> 01:33:52,080
Speaker 1: and he was just sitting in the car. Hell boys

1460
01:33:52,120 --> 01:33:55,320
Speaker 1: in the car and everything. He was supposed to be

1461
01:33:55,360 --> 01:33:57,720
Speaker 1: watching a little boy watching as they worked. So like

1462
01:33:57,800 --> 01:34:00,120
Speaker 1: a couple of times, ain't saying ship, and then it

1463
01:34:00,240 --> 01:34:02,559
Speaker 1: was every time, so they know, you gotta quit doing

1464
01:34:02,640 --> 01:34:05,240
Speaker 1: this ship little photos. You can ask somebody wish you like,

1465
01:34:05,800 --> 01:34:11,000
Speaker 1: he was already doing it right. He was dog in

1466
01:34:11,160 --> 01:34:14,200
Speaker 1: the car. They told him stop bringing his dog to work,

1467
01:34:14,240 --> 01:34:18,479
Speaker 1: and like, no, my dog dog work. I work. My

1468
01:34:18,640 --> 01:34:21,360
Speaker 1: dog go everywhere I go. And he's like, no, man,

1469
01:34:22,439 --> 01:34:26,160
Speaker 1: I can't do that. Ship. He was the craziest motherfucker ever.

1470
01:34:26,280 --> 01:34:27,760
Speaker 1: Like you know, at the end of the day they

1471
01:34:27,840 --> 01:34:29,640
Speaker 1: throw all the piece of away, right, he had come

1472
01:34:29,720 --> 01:34:32,800
Speaker 1: to work early and just get all the piece after

1473
01:34:32,880 --> 01:34:37,320
Speaker 1: dunks and eat it for real. Him and it dog, Yeah,

1474
01:34:37,600 --> 01:34:42,559
Speaker 1: you just eat it and what point of miss He's

1475
01:34:42,560 --> 01:34:44,439
Speaker 1: gonna get bad? And you when I said what I said,

1476
01:34:45,920 --> 01:34:51,559
Speaker 1: that's working. You gotta think about the dogs like a dog.

1477
01:34:51,960 --> 01:34:59,040
Speaker 1: Nothing real. We got to wrap this ship up. Man.

1478
01:34:59,080 --> 01:35:06,320
Speaker 1: We can't talking about the knows you shot little bissing chance. Man,

1479
01:35:06,400 --> 01:35:10,320
Speaker 1: what you've got dropping next? You just dropped. I just

1480
01:35:10,520 --> 01:35:17,360
Speaker 1: dropped the highs and the loads you just dropped. Get

1481
01:35:17,400 --> 01:35:22,400
Speaker 1: that go, get that go, get that highs and the loads.

1482
01:35:23,200 --> 01:35:27,000
Speaker 1: You feel me? Shout out to the artists. That's the

1483
01:35:27,040 --> 01:35:31,479
Speaker 1: piece right there? Uh that piece right there? Well, don'tpen

1484
01:35:31,600 --> 01:35:36,840
Speaker 1: it up at uh at art Basil. I don't even

1485
01:35:36,960 --> 01:35:41,479
Speaker 1: switching lands on Switzerland and Switzerland and uh flex on

1486
01:35:41,520 --> 01:35:43,320
Speaker 1: these saying it again. You know what I'm saying. So

1487
01:35:43,439 --> 01:35:45,920
Speaker 1: that piece opened up at Art Basil, Switzerland, come on

1488
01:35:46,120 --> 01:35:50,240
Speaker 1: and uh yeah. So I've been working with different artists,

1489
01:35:50,280 --> 01:35:52,120
Speaker 1: like these are like real pieces. So like this's a

1490
01:35:52,200 --> 01:35:54,719
Speaker 1: print out obviously, which I appreciate y'all making these drinks,

1491
01:35:54,920 --> 01:35:57,120
Speaker 1: but it's like, uh, these are like real pieces that

1492
01:35:57,160 --> 01:35:59,080
Speaker 1: people like either painted, they're like that's a like a

1493
01:35:59,400 --> 01:36:03,360
Speaker 1: photography or from Cabone, West Africa. The one below is

1494
01:36:04,040 --> 01:36:07,840
Speaker 1: Nico Washington. That's like a small version of like a

1495
01:36:07,920 --> 01:36:10,800
Speaker 1: twelve foot painting by Night. But I've just been like

1496
01:36:11,160 --> 01:36:13,519
Speaker 1: working with black artists from all over the globe. It's

1497
01:36:13,560 --> 01:36:15,760
Speaker 1: all like one thing. That's like what you were saying,

1498
01:36:15,840 --> 01:36:17,840
Speaker 1: like we all need each other's help. So we're just

1499
01:36:17,960 --> 01:36:21,240
Speaker 1: like working with people instead of just like doing random

1500
01:36:21,320 --> 01:36:24,080
Speaker 1: love cover. I'm like having discussions with artists and like

1501
01:36:24,640 --> 01:36:27,240
Speaker 1: working on tracks from the ground up and then doing

1502
01:36:27,280 --> 01:36:29,760
Speaker 1: the film part myself, doing the music videos and ship.

1503
01:36:30,120 --> 01:36:32,439
Speaker 1: So definitely listen to the Eyes and the Lowest, but

1504
01:36:32,479 --> 01:36:34,559
Speaker 1: also go watch you know what I'm saying, Go see

1505
01:36:34,600 --> 01:36:40,120
Speaker 1: the Eyes and the Stevie Wonder features coming. St Lauren

1506
01:36:40,240 --> 01:36:43,719
Speaker 1: Hill feature is coming. The Kid. The kids are gonna

1507
01:36:43,760 --> 01:36:48,160
Speaker 1: do all seven of the tracks out come up put

1508
01:36:48,439 --> 01:36:54,880
Speaker 1: on this. Yeah, yeah you see that? Excited? Didn't they see? You?

1509
01:36:55,000 --> 01:37:03,640
Speaker 1: Feel like? What can I do? Say? You are the

1510
01:37:03,720 --> 01:37:11,240
Speaker 1: first Hello, take your time, Take your time time. You

1511
01:37:11,360 --> 01:37:17,320
Speaker 1: are the first Grammy winner to have the album on

1512
01:37:17,400 --> 01:37:22,880
Speaker 1: the eight stop Show Walk Come on. Nobody ever has

1513
01:37:23,960 --> 01:37:28,880
Speaker 1: go back, Go back. Look man, we know this your

1514
01:37:28,960 --> 01:37:33,640
Speaker 1: first time in the trap, but don't let this be

1515
01:37:33,800 --> 01:37:37,240
Speaker 1: the last time. You know where we're at now, but

1516
01:37:37,360 --> 01:37:38,880
Speaker 1: we're about to move and we're gonna tell you what

1517
01:37:38,960 --> 01:37:43,160
Speaker 1: We're gonna no count what you got from what I

1518
01:37:43,200 --> 01:37:47,439
Speaker 1: got from you ain't bose shall you did what I'm saying,

1519
01:37:47,640 --> 01:37:52,600
Speaker 1: But now man, we appreciate you. Keep God first, you

1520
01:37:52,640 --> 01:37:55,920
Speaker 1: know what I'm saying. Fever be God, favery, keep leading.

1521
01:37:56,720 --> 01:37:58,800
Speaker 1: If when you think people ain't watching, you're watching, my brother.

1522
01:37:59,320 --> 01:38:01,640
Speaker 1: I think that's the the thing. People don't understand that

1523
01:38:02,600 --> 01:38:05,080
Speaker 1: when you see people walking and talking like he's being

1524
01:38:05,120 --> 01:38:07,599
Speaker 1: in African and all that. But it keep going, brother,

1525
01:38:07,880 --> 01:38:10,560
Speaker 1: keep going, because not only do you know that you

1526
01:38:10,800 --> 01:38:14,320
Speaker 1: uniting people are momboles want to get into that space.

1527
01:38:15,080 --> 01:38:18,400
Speaker 1: We need that in. But keep talking, keep doing what

1528
01:38:18,479 --> 01:38:23,160
Speaker 1: you gotta do. Just sta't work, my brother, y'all keep

1529
01:38:26,000 --> 01:38:35,960
Speaker 1: everybody south shot the chat. You take up shorts, fucking jots.

1530
01:38:39,200 --> 01:38:43,000
Speaker 1: I ain't the ain't no fool goddamned personally playing Domino hump.

1531
01:38:43,120 --> 01:38:45,519
Speaker 1: I knew you liked that ship man in peace. You

1532
01:38:45,600 --> 01:38:46,280
Speaker 1: just be careful