WEBVTT - There’s Something in the Water • EP 820

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<v Speaker 1>First of all, you don't know me. All about that

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<v Speaker 1>high school drama Girl Drama, Girl, all about.

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<v Speaker 2>Them high school queens.

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<v Speaker 1>We'll take you for a ride, and our comic girl

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<v Speaker 1>sharing for the right teams, Drama.

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<v Speaker 3>Queens, Girl of Girl Fashion, but your tough girl, you

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<v Speaker 3>could sit with us.

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<v Speaker 1>Girl Drama, Queens, Drama, Queise Drama, Queens Drama Drama, Queens

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<v Speaker 1>Drama Queens.

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<v Speaker 4>We got our new outfits on. It's a new day.

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<v Speaker 4>It's a new day, and we're here for a new episode.

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<v Speaker 4>How you doing so high?

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<v Speaker 2>Snack Attack? I just came up to hid in real time.

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<v Speaker 4>That's got to be the name of our show.

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<v Speaker 2>Yes, you and I we are going to have a

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<v Speaker 2>food show at some point. I am manifesting it. But

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<v Speaker 2>I do think on days like today, when one of

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<v Speaker 2>the three hosts is traveling this week, it's obviously joy

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<v Speaker 2>and it's me and you, it's like it's DQ snack attack.

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<v Speaker 4>Dude, Yeah, from your lips, God's ears. You know.

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<v Speaker 2>Hopefully, some hopefully, some like good reality show people listen

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<v Speaker 2>to this, because like I don't want to be on

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<v Speaker 2>a reality show like a Housewives or a Love Island,

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<v Speaker 2>but a docu show about food give it to.

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<v Speaker 4>Me and Mark Brunette, who obviously listens to this show

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<v Speaker 4>clearly super fan. Did us up? Super fan? Oh man,

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<v Speaker 4>how you doing?

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<v Speaker 2>I'm good, buddy, how are you?

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<v Speaker 4>I'm doing well good. This was a fun episode man. Yeah.

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<v Speaker 2>I was just going to say, I'm really excited to

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<v Speaker 2>do this episode with you, in particular as a dad,

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<v Speaker 2>because this whole thing centering around Jamie's little League game

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<v Speaker 2>and that essentially being the theme of the episode with

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<v Speaker 2>his voiceover and you know, the classic baseball tale. The

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<v Speaker 2>whole time I was watching this to prep for today,

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<v Speaker 2>I was like, oh my god, I just can't wait

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<v Speaker 2>to talk to Rob about little League.

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<v Speaker 4>It was very again, very little of the show I

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<v Speaker 4>remember shooting. I remember a lot of this one because

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<v Speaker 4>this was so much fun. Yeah, I remember well because

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<v Speaker 4>also selfishly, I just I really enjoyed the company of

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<v Speaker 4>James and Austin. Yeah, and especially Austin. We very rarely

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<v Speaker 4>got to do anything together. So this was like an

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<v Speaker 4>entire day with the three of us just paling around,

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<v Speaker 4>you know, and doing light, silly materials. So it wasn't

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<v Speaker 4>like we had to be like dropped into a moment.

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<v Speaker 4>It was like, no, we're just gonna goof around all

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<v Speaker 4>day on and off camera. You know what.

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<v Speaker 2>That reminds me though, I got such a good hit

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<v Speaker 2>of that last week, and we spent so long reminiscing

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<v Speaker 2>with Jana. It's making me realize in real time that

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<v Speaker 2>we didn't talk about the opening of eight nineteen, which

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<v Speaker 2>was you and Austin in the car. Was that eight nineteen, Yeah,

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<v Speaker 2>having this conversation. You guys are in the stingray venting

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<v Speaker 2>about Kellerman and talking about John driving and how could

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<v Speaker 2>a teacher do this an ethics professor you know, know

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<v Speaker 2>less and did like and so going through that whole

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<v Speaker 2>journey together in the last episode, knowing that he resigned,

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<v Speaker 2>took responsibility all the foreshadowing for this one that we're

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<v Speaker 2>going to talk about. When that scene came up in

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<v Speaker 2>the beginning, I was like, God, I love seeing these

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<v Speaker 2>two together, and I love you know, Julian's processing this

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<v Speaker 2>horrible thing he witnessed and you're talking to him much

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<v Speaker 2>further on the other side of a horrible thing of

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<v Speaker 2>almost losing you know, your person and having obviously lost

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<v Speaker 2>your late wife, and so I don't know it. Really

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<v Speaker 2>it was really powerful to me in the episode last

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<v Speaker 2>week and then to your point, seeing you guys have

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<v Speaker 2>this really sweet, like joyful sort of dad adjacent uncle

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<v Speaker 2>experience together, it was really nice.

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<v Speaker 4>And also shout out to Nathan for playing Nancy Drew

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<v Speaker 4>and figuring the whole thing out.

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<v Speaker 2>Yes, oh my god.

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<v Speaker 4>He did it last episode. And then I think the

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<v Speaker 4>whole Killerman story was handled really well.

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<v Speaker 2>I do too.

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<v Speaker 4>The misdirector earlier were well done, especially last week watching

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<v Speaker 4>eight nineteen knowing I remembered how it you know, what

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<v Speaker 4>really happened, And even still I was watching when like,

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<v Speaker 4>oh this is it's it's really good because there's one

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<v Speaker 4>point where Ian is yelling at his dad at the

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<v Speaker 4>baseball field. I think it's in eight nineteen, and the

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<v Speaker 4>dad's like, I gave up my career. I gave up

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<v Speaker 4>my career and Ian goes, well, you shouldn't have done it,

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<v Speaker 4>and I and I went back and watch it. I'm like, ooh,

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<v Speaker 4>wait a second, this doesn't track because actually end it

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<v Speaker 4>and I'm like, oh no, he's saying in this context,

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<v Speaker 4>you shouldn't have given up your career, but it really

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<v Speaker 4>makes it seem like he's hammering his dad like you

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<v Speaker 4>shouldn't have been drinking and driving.

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<v Speaker 2>Yes, it was really smart.

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<v Speaker 4>This episode I thought was well. First of all, what

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<v Speaker 4>episode Rob great question me? Season eight, episode twenty The

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<v Speaker 4>Man Who Sailed Around His Soul Air date May third,

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<v Speaker 4>twenty eleven. Synopsis reads as Nathan Julian and Clay coach

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<v Speaker 4>Jamie's first little League game. The situation regarding the accident

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<v Speaker 4>comes to a head. Meanwhile, Chase asks Alex to take

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<v Speaker 4>a drug test for him, and Quinn gets an offer

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<v Speaker 4>to shoot in Puerto Rico. It's directed by Greg Prange.

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<v Speaker 2>Sweet Greg Prange. He he crushes, man, he crushes As

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<v Speaker 2>a director, he did. He always managed to give us

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<v Speaker 2>these episodes that were so filled with motion and emotion

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<v Speaker 2>and nostalgia and sweetness. And I wish we could ask

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<v Speaker 2>him what it was like being at this stage with

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<v Speaker 2>these characters, you know, as a dad directing like these

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<v Speaker 2>kids who essentially used to have to film being little punks,

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<v Speaker 2>like growing into parents. Wonder if that was cool for him.

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<v Speaker 4>This he did great with this episode, and this This

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<v Speaker 4>was a lot of fun. Yeah, there was a little

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<v Speaker 4>bit of whiplash just because we had so many flashbacks.

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<v Speaker 4>Yeah that by the time, by three quarters away through

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<v Speaker 4>the episode, every time they went into a medium shot

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<v Speaker 4>of somebody, I was like, Okay, here comes, here comes

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<v Speaker 4>the flashback. Where are we taking? Where are we going

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<v Speaker 4>with Chase on this one? Yeah, So there was a

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<v Speaker 4>lot of that, But dude, the storytelling worked and they

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<v Speaker 4>we packed so much into it, and just the runner

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<v Speaker 4>of Jamie's voiceover telling the story of the Mighty Casey

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<v Speaker 4>was so good and just all of it, like opening

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<v Speaker 4>with a national anthem and then we panned down to

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<v Speaker 4>see it's Madison playing it on her keyboard, but.

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<v Speaker 2>By the way, playing it on her keyboard in the

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<v Speaker 2>middle of the baseball field with the keyboard set to

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<v Speaker 2>sound like an organ, like an old timey organ. I

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<v Speaker 2>loved it. It was so good. I was like, what,

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<v Speaker 2>what's six year old? It's choosing this? But it was perfect.

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<v Speaker 4>Yeah, that was so much fun. You go, what would

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<v Speaker 4>you give me some of your your thoughts, your standouts?

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<v Speaker 2>Oh man, you know, I just thought they did a

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<v Speaker 2>really great job with all of this emotion in these episodes.

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<v Speaker 2>And one of the things I really like because we've

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<v Speaker 2>talked a lot about how sometimes horrible things happen to

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<v Speaker 2>our characters, and then they just you know, we jump

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<v Speaker 2>a month and we never speak of them again. Nobody

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<v Speaker 2>processes anything. And you know this was obviously prior to

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<v Speaker 2>you joining us for your seasons. But back in the day,

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<v Speaker 2>Nathan went through like horrible thing after horrible thing after

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<v Speaker 2>horrible thing, you know, crashed a car at full speed

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<v Speaker 2>like a race car on a NASCAR track and never

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<v Speaker 2>was sent to therapy. And so I really am loving

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<v Speaker 2>seeing Julian in this space of his safe male friendships

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<v Speaker 2>with Clay and Nathan talking about how horrible this was,

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<v Speaker 2>talking about what he had to see, what it was

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<v Speaker 2>like to watch Brooks lungs fill with water, to be

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<v Speaker 2>so angry at what happened to them, at almost losing Jamie,

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<v Speaker 2>at almost losing her, like to see a man processing

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<v Speaker 2>fear and suffering and it's all bubbling up now. I

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<v Speaker 2>love it. And I love seeing him alone at night

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<v Speaker 2>watching this footage. Oh my god, it's so sad. And

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<v Speaker 2>to recall, like from Thanksgiving, you know that he's just

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<v Speaker 2>been shooting everything. He shoots everything all the time, even

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<v Speaker 2>if we don't see it. And when he deletes that footage,

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<v Speaker 2>it's like no, But also, yeah, you're never gonna want

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<v Speaker 2>to watch that.

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<v Speaker 4>Yeah, it's like if you knew the end of this episode, Julian,

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<v Speaker 4>you wouldn't delete it. But yeah, the name of self preservation,

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<v Speaker 4>like you got to get rid of that. But well,

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<v Speaker 4>that device worked so well. That was absolutely heartbreaking that

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<v Speaker 4>whole Yeah again, I had no idea you got pregnant, buddy. Yeah, man,

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<v Speaker 4>I just assumed you guys found someone else to adopt

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<v Speaker 4>or there was a surrogacy. And so when the ending

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<v Speaker 4>comes to jump ahead, that twist got me.

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<v Speaker 2>Yeah.

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<v Speaker 4>I was so happy but so surprised by that.

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<v Speaker 2>Yeah, I know it was such a big deal, and

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<v Speaker 2>I love I love the roundabout way we get there.

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<v Speaker 2>You know that Chase had a thing with Kid Cutty

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<v Speaker 2>and then needed a favor from Alex. But then it

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<v Speaker 2>turns out Quinn screws up Alex's ability to do the favor,

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<v Speaker 2>so she goes to Julian, but Julian's at home, and

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<v Speaker 2>so it's brooke. It's like it's sort of a comedy

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<v Speaker 2>of errors. And then it has this like a really

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<v Speaker 2>happy ending that's so sweet.

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<v Speaker 4>It's like a classic heist movie. It's like like an

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<v Speaker 4>Ocean's eleven where they're like, yes, but wait, how did

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<v Speaker 4>the money end up in the bag not in the box,

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<v Speaker 4>and then they like flashed back to like four different

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<v Speaker 4>things that took place that was this episode. Yeah, I dude,

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<v Speaker 4>that was There were so many hurdles to get to

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<v Speaker 4>Brooke being pregnant that it was Brook's peak. I was like, wait,

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<v Speaker 4>first of all, the staging of Chase just like he

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<v Speaker 4>and Alex are obviously like back on, so they're clearly

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<v Speaker 4>like spending a lot of time, which is great. By

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<v Speaker 4>the way, I mean a huge Chase an Alex fan.

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<v Speaker 2>Same, I ship those two.

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<v Speaker 4>It just made me laugh that he it looked like

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<v Speaker 4>a clandest, like a clandestine like spy, like like an

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<v Speaker 4>information drop. He's at an airfield standing outside of his car.

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<v Speaker 4>She pulls up in her car and is like, what's up, Mike.

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<v Speaker 4>Why wouldn't you guys meet at one of your places?

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<v Speaker 2>Yeah. Also, well, here's what I thought, because it felt

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<v Speaker 2>like a misdirect to me because Chase was late for

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<v Speaker 2>the Little League game, and obviously Chuck was so sad,

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<v Speaker 2>and Chuck been at Trick hanging out, and then Alex

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<v Speaker 2>was there, and in my brain I was like, oh,

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<v Speaker 2>is Chase waiting on Chuck's dad? Like is he at

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<v Speaker 2>the airport because he's supposed to pick this guy up

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<v Speaker 2>because he's finally convinced him to come back to town,

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<v Speaker 2>and then he doesn't show up and he goes to

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<v Speaker 2>the game. But I was like, wait, what, why did

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<v Speaker 2>you You didn't just come down from a flying lesson? Yeah,

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<v Speaker 2>why is she meeting you? Like realizing that it had

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<v Speaker 2>nothing to do with Chuck at all made the airport

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<v Speaker 2>feel so weird to me.

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<v Speaker 4>Yeah, it was like someone had just watched Top Gun

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<v Speaker 4>and was like, we need to we need a shot

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<v Speaker 4>at an airfield at dusk.

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<v Speaker 2>Or you know. Someone in the writer's room was like,

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<v Speaker 2>it's been seven episodes since we mentioned Chase's pilot license

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<v Speaker 2>and we really need to remind people, Like what it

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<v Speaker 2>was such a strange choice.

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<v Speaker 4>Yeah, Like, if you're Alex getting a text being like

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<v Speaker 4>meet me at the airfield asap, you'd be like, he's

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<v Speaker 4>either going to murder me and hide my body, or

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<v Speaker 4>he's dumping me.

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<v Speaker 2>Or maybe proposing to me because why taking a girl,

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<v Speaker 2>Like like, it's so it's such an extreme place.

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<v Speaker 4>Yeah, it's like I am either going to become a

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<v Speaker 4>fiance or the subject of a dateline episode. These are

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<v Speaker 4>the only two scenario.

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<v Speaker 2>Yeah, I'm about to get thrown out of an airplane

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<v Speaker 2>without a parach it. It's just so silly.

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<v Speaker 4>It's so silly, man, that's silly.

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<v Speaker 2>But there were actually some moments of genuine, properly connected

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<v Speaker 2>levity that I loved. You know, obviously, the mystery of

0:12:40.120 --> 0:12:44.360
<v Speaker 2>the Kellerman family is big, and we're in this sad

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<v Speaker 2>moment that we were just talking about with Julian watching

0:12:47.000 --> 0:12:51.400
<v Speaker 2>this precious footage and it's so heartbreaking. And then Nathan

0:12:51.600 --> 0:12:53.839
<v Speaker 2>storms in and goes, is this yours and takes a

0:12:53.880 --> 0:12:56.880
<v Speaker 2>swig of his whiskey and it's ginger ale perfect.

0:12:57.000 --> 0:12:58.400
<v Speaker 4>Yeah, it's good for my tummy.

0:12:58.920 --> 0:13:02.720
<v Speaker 2>It settles the stuff. Like it just it was so

0:13:03.000 --> 0:13:06.480
<v Speaker 2>funny to me, and I actually realized in that moment,

0:13:06.520 --> 0:13:10.840
<v Speaker 2>I go, see, this is the kind of dynamic that

0:13:11.040 --> 0:13:15.640
<v Speaker 2>isn't It's not like a caricature of people. This is

0:13:15.679 --> 0:13:18.200
<v Speaker 2>a funny dynamic where Nathan wants a whiskey and Julian

0:13:18.240 --> 0:13:21.800
<v Speaker 2>wants a ginger ale. Like that's a hilarious character note.

0:13:23.000 --> 0:13:25.600
<v Speaker 2>And I just loved the moment. And then he's just

0:13:25.640 --> 0:13:28.480
<v Speaker 2>like what, goes and pours himself a drink and is

0:13:28.640 --> 0:13:32.640
<v Speaker 2>explaining his Nancy drew aha of who it was and

0:13:32.679 --> 0:13:36.959
<v Speaker 2>how he knows, and it's you know, fiddlesticks. What's it called.

0:13:37.000 --> 0:13:41.280
<v Speaker 2>I've forgotten already, Fidians, Fidians the bourbon?

0:13:42.240 --> 0:13:44.640
<v Speaker 4>Did you did? It seem odd to you that while

0:13:44.679 --> 0:13:50.000
<v Speaker 4>he is explaining and very fired up about a drinking

0:13:50.040 --> 0:13:52.720
<v Speaker 4>and driving incident, he's driving his friend's houses and immediately

0:13:52.760 --> 0:13:53.400
<v Speaker 4>starts drinking.

0:13:54.160 --> 0:13:57.400
<v Speaker 2>Yes. In my brain, I was like, maybe we need

0:13:57.400 --> 0:14:01.319
<v Speaker 2>to clarify that Nathan and Hailey and Brooke and Julian

0:14:01.440 --> 0:14:03.480
<v Speaker 2>live very close to each other because they all live

0:14:03.520 --> 0:14:06.520
<v Speaker 2>on the water. So I'm like, maybe he walked over,

0:14:06.800 --> 0:14:09.400
<v Speaker 2>maybe he rode his bike. I don't know.

0:14:10.440 --> 0:14:13.120
<v Speaker 4>Yeah, this small thing. But I found myself going like, hey, yeah,

0:14:13.160 --> 0:14:15.679
<v Speaker 4>the outrage that everyone's feeling right now is around the

0:14:15.840 --> 0:14:18.400
<v Speaker 4>very thing you are preparing to do, sir, Yes.

0:14:18.240 --> 0:14:20.600
<v Speaker 2>Yes, yes, absolutely terrible choice.

0:14:20.840 --> 0:14:23.760
<v Speaker 4>There was one other staging moment in this episode that

0:14:23.840 --> 0:14:30.040
<v Speaker 4>cracked me up. It was at Kellerman Ian Kellerman's scout. Yes,

0:14:30.120 --> 0:14:34.840
<v Speaker 4>he's throwing pitches and all of the scouts are are

0:14:35.000 --> 0:14:38.440
<v Speaker 4>flanked out around him in a straight line on the

0:14:38.520 --> 0:14:42.119
<v Speaker 4>baseball field. They're not like sitting in the stands.

0:14:42.600 --> 0:14:43.440
<v Speaker 2>It's so weird.

0:14:44.000 --> 0:14:47.280
<v Speaker 4>There's just I don't I don't know if it's because

0:14:47.280 --> 0:14:48.720
<v Speaker 4>like maybe it was like they were short on time

0:14:48.800 --> 0:14:50.200
<v Speaker 4>that day and they were like, how do we just

0:14:50.200 --> 0:14:53.320
<v Speaker 4>get this in kind of like a wonner with's light coverage?

0:14:53.400 --> 0:14:55.480
<v Speaker 4>How do we not turn around? Okay, put him all

0:14:55.520 --> 0:15:00.360
<v Speaker 4>standing next there that because that is absolutely not how

0:15:00.360 --> 0:15:03.360
<v Speaker 4>that would go. No, I want to get a good

0:15:03.360 --> 0:15:07.880
<v Speaker 4>look at this kid. I'm gonna stand behind him. What. No.

0:15:08.320 --> 0:15:12.280
<v Speaker 2>The whole thing was very strange to me because and

0:15:12.320 --> 0:15:15.440
<v Speaker 2>I'm realizing I've obviously never been to an athletic scout,

0:15:16.440 --> 0:15:20.800
<v Speaker 2>but every portrayal of one I've ever seen, the scouts

0:15:20.800 --> 0:15:23.720
<v Speaker 2>are in the stands, and I assume that's for a

0:15:23.760 --> 0:15:26.120
<v Speaker 2>reason because it's probably where the scouts go.

0:15:26.840 --> 0:15:29.280
<v Speaker 4>Yeah, I've only ever seen scouts in the stands, so

0:15:29.320 --> 0:15:31.360
<v Speaker 4>that to have them sitting like to be on the

0:15:31.400 --> 0:15:36.400
<v Speaker 4>baseball diamond with him, all right? Sure? Yeah?

0:15:36.480 --> 0:15:38.880
<v Speaker 2>I was like, what is this happening here?

0:15:51.600 --> 0:15:55.600
<v Speaker 4>I had a bit of surprising positivity for this episode

0:15:55.760 --> 0:15:59.000
<v Speaker 4>coming from me, is this was my favorite version of

0:15:59.040 --> 0:16:03.560
<v Speaker 4>the theme song in a long time. I actually listened

0:16:03.560 --> 0:16:07.960
<v Speaker 4>to the whole thing. Wait, it's like a punk pop version,

0:16:09.200 --> 0:16:11.280
<v Speaker 4>and it was delightful. It was different enough that I

0:16:11.320 --> 0:16:13.640
<v Speaker 4>was like, oh, I can get on board for this. Yeah. Great.

0:16:14.480 --> 0:16:16.480
<v Speaker 2>I was running a little late today and I was like,

0:16:16.520 --> 0:16:18.800
<v Speaker 2>don't have time for the recap, and I skipped it.

0:16:19.200 --> 0:16:22.120
<v Speaker 4>Oh well, if you go back and watch it, it's

0:16:22.320 --> 0:16:25.320
<v Speaker 4>it's a fun like punk like pop punk.

0:16:25.400 --> 0:16:29.360
<v Speaker 2>Though wait, I guess it can. Our producer Fairies tell

0:16:29.440 --> 0:16:32.720
<v Speaker 2>us who sings the song in this.

0:16:32.680 --> 0:16:35.960
<v Speaker 4>Episode, because I like you. I normally hear, well, I

0:16:36.040 --> 0:16:38.760
<v Speaker 4>like you in this episode today I usually hear like

0:16:38.800 --> 0:16:39.800
<v Speaker 4>the first two bars, I'm like.

0:16:39.760 --> 0:16:40.640
<v Speaker 2>I'm good, I'm good.

0:16:41.880 --> 0:16:45.240
<v Speaker 4>I skipped right over it. This sound was like ooh though, okay,

0:16:45.400 --> 0:16:51.480
<v Speaker 4>Oh I can listen to you against Me. It's the

0:16:51.560 --> 0:16:54.960
<v Speaker 4>name of the band. Well done against Me. You made

0:16:54.960 --> 0:16:57.000
<v Speaker 4>me fall back in love with the theme song.

0:16:57.400 --> 0:17:00.520
<v Speaker 2>Oh I love that now I want to go stream music.

0:17:01.200 --> 0:17:04.360
<v Speaker 4>One thing that this episode did, I mean, like I said,

0:17:04.359 --> 0:17:10.800
<v Speaker 4>it's so much fun and the the whole Kellerman storyline

0:17:11.359 --> 0:17:16.880
<v Speaker 4>I just thought was executed so well. And shout out

0:17:16.920 --> 0:17:19.600
<v Speaker 4>to Peter Reigert Regert, I don't know how you pronounced

0:17:19.600 --> 0:17:24.160
<v Speaker 4>his last name. Yeah, because we really got to see

0:17:24.200 --> 0:17:27.479
<v Speaker 4>that Kellerman was a layered guy. Because it was just

0:17:27.720 --> 0:17:29.800
<v Speaker 4>it was. He was doing it great, but Kellerman was

0:17:29.840 --> 0:17:34.200
<v Speaker 4>one note up until pretty much this episode, and then boy,

0:17:35.119 --> 0:17:37.720
<v Speaker 4>we got to see a lot of layers happening there,

0:17:37.920 --> 0:17:41.000
<v Speaker 4>and the stuff between he and Nathan was awesome.

0:17:41.760 --> 0:17:48.880
<v Speaker 2>Yeah, when he shifts from being Nathan's antagonist to all

0:17:48.960 --> 0:17:53.360
<v Speaker 2>their scenes together being two dads sort of talking across

0:17:53.400 --> 0:17:58.359
<v Speaker 2>the age divide of their sons, it's really beautiful and

0:17:58.920 --> 0:18:02.440
<v Speaker 2>in a weird way, it felt to me as a

0:18:02.560 --> 0:18:07.280
<v Speaker 2>viewer like Kellerman finally became the teacher that Nathan deserved,

0:18:08.720 --> 0:18:13.200
<v Speaker 2>you know, talking about life and loss and whether it's

0:18:13.280 --> 0:18:15.840
<v Speaker 2>right or wrong, what you'll sacrifice for your children, and

0:18:16.600 --> 0:18:22.119
<v Speaker 2>you know, all of these things that were really gorgeous.

0:18:22.160 --> 0:18:26.880
<v Speaker 2>And they're both very still actors who say a lot

0:18:26.920 --> 0:18:30.600
<v Speaker 2>when they're not talking. Even when they're not talking, I

0:18:30.600 --> 0:18:34.760
<v Speaker 2>should say, And I really enjoyed watching them just be

0:18:34.880 --> 0:18:38.320
<v Speaker 2>together and observe each other and realize that there was

0:18:38.359 --> 0:18:41.280
<v Speaker 2>so much more to the man they were speaking to

0:18:41.359 --> 0:18:44.359
<v Speaker 2>than they'd seen before. It was really nice.

0:18:45.160 --> 0:18:49.960
<v Speaker 4>Well, and they did a very very clever thing where

0:18:51.359 --> 0:18:53.280
<v Speaker 4>there was a scene on the boat at the end

0:18:53.320 --> 0:18:56.160
<v Speaker 4>with the two of them, with Nathan and August Kellerman,

0:18:56.359 --> 0:19:01.119
<v Speaker 4>and there's a great exchange where it's sort of both

0:19:01.160 --> 0:19:05.320
<v Speaker 4>of them like acknowledging their own misstep and like kind

0:19:05.320 --> 0:19:10.400
<v Speaker 4>of making a repair. But Kellerman basically goes, I apologize,

0:19:10.520 --> 0:19:13.720
<v Speaker 4>I saw you, and I just I thought you were

0:19:13.760 --> 0:19:16.760
<v Speaker 4>my son, and Nathan goes, yeah, and I thought you

0:19:16.800 --> 0:19:19.679
<v Speaker 4>were my dad. And it was it was such a

0:19:19.760 --> 0:19:22.560
<v Speaker 4>viable pay off because it's so easy to go like, oh,

0:19:22.600 --> 0:19:26.640
<v Speaker 4>they just wrote the like the jerk professor, and it's

0:19:26.640 --> 0:19:29.159
<v Speaker 4>like it's a trope, it's lazy. But then you see, like, no,

0:19:29.280 --> 0:19:30.800
<v Speaker 4>there was actually thought put into it.

0:19:31.000 --> 0:19:36.200
<v Speaker 2>Yes, yes, and you realize what you realize what each

0:19:36.240 --> 0:19:39.760
<v Speaker 2>of the of these men was triggered by and why

0:19:39.840 --> 0:19:43.840
<v Speaker 2>they couldn't really even make space for each other as

0:19:43.960 --> 0:19:46.760
<v Speaker 2>new people because they remind each other of the people

0:19:46.800 --> 0:19:49.600
<v Speaker 2>that have really let them down and hurt them. And

0:19:50.359 --> 0:19:54.000
<v Speaker 2>it was so cool and I loved I just loved

0:19:54.040 --> 0:20:00.800
<v Speaker 2>getting to learn a little bit about time us Air Kellerman,

0:20:00.920 --> 0:20:04.520
<v Speaker 2>because even though we don't have to talk about it,

0:20:04.560 --> 0:20:08.840
<v Speaker 2>they don't talk about it. Nathan has, by the happenstance

0:20:08.840 --> 0:20:11.520
<v Speaker 2>of his life, made a lot of time for his family,

0:20:12.600 --> 0:20:14.800
<v Speaker 2>and here's this man saying I had this plan with

0:20:14.840 --> 0:20:19.199
<v Speaker 2>my wife and I just never took the time and

0:20:19.280 --> 0:20:21.480
<v Speaker 2>now she's gone, so I'm going to go do this

0:20:21.560 --> 0:20:26.800
<v Speaker 2>thing for the both of us. And Nathan didn't need

0:20:26.840 --> 0:20:33.400
<v Speaker 2>to say anything, right, but you could see the generational

0:20:33.440 --> 0:20:37.159
<v Speaker 2>divide between granted they're different, but men like Dan Scott

0:20:37.200 --> 0:20:39.240
<v Speaker 2>and August Kellerman and a man like Nathan Scott.

0:20:40.320 --> 0:20:42.320
<v Speaker 4>Yeah, and it I don't know.

0:20:42.359 --> 0:20:46.000
<v Speaker 2>I just thought it was like a very powerful device.

0:20:46.840 --> 0:20:51.480
<v Speaker 4>Did you notice or did it bother you that Kellerman

0:20:52.280 --> 0:20:55.480
<v Speaker 4>has an Igloo cooler on his boat full of beer

0:20:56.359 --> 0:21:00.160
<v Speaker 4>and water when he's made a point of say saying

0:21:00.200 --> 0:21:02.399
<v Speaker 4>he hasn't had a drink since his wife died and

0:21:02.480 --> 0:21:05.160
<v Speaker 4>he is literally about to take off on the ocean

0:21:05.320 --> 0:21:06.720
<v Speaker 4>on a boat by himself.

0:21:07.520 --> 0:21:14.439
<v Speaker 2>Yeah, I really think that was It must have just

0:21:14.480 --> 0:21:17.879
<v Speaker 2>been a screw up on the on the prop departments part,

0:21:18.119 --> 0:21:21.199
<v Speaker 2>like they're so used to, Oh, character is going to

0:21:21.280 --> 0:21:23.399
<v Speaker 2>the boat. So we packed the cooler with the drinks

0:21:23.400 --> 0:21:25.800
<v Speaker 2>and the waters and the things, and I just think

0:21:25.920 --> 0:21:28.840
<v Speaker 2>nobody was paying attention. Or maybe it was non alcoholic

0:21:28.880 --> 0:21:30.919
<v Speaker 2>beer and we just never got a close up to see.

0:21:31.119 --> 0:21:33.320
<v Speaker 2>But either way, just don't have it in the shop.

0:21:33.800 --> 0:21:36.000
<v Speaker 4>Yeah, we'll just have him hand Nathan a bottle of water.

0:21:36.000 --> 0:21:37.760
<v Speaker 4>They're already in there. It just it was odd to

0:21:37.760 --> 0:21:39.640
<v Speaker 4>me because we went out of our way to establish

0:21:39.680 --> 0:21:41.560
<v Speaker 4>that he has not had a drop of alcohol since

0:21:41.600 --> 0:21:43.919
<v Speaker 4>his wife passed, and then he's like, oh, hey, you

0:21:43.960 --> 0:21:45.679
<v Speaker 4>showed up. I was about to leave with this cooler

0:21:45.720 --> 0:21:47.640
<v Speaker 4>of beers and sell them ill the oceans.

0:21:48.280 --> 0:21:51.639
<v Speaker 2>Stupid, really, like what are we doing?

0:21:52.960 --> 0:21:57.119
<v Speaker 4>But back to Peter Regert, to his credit, like he

0:21:57.160 --> 0:21:59.800
<v Speaker 4>did such a good job, because I actually found myself

0:22:00.560 --> 0:22:04.600
<v Speaker 4>feeling very sorry for August Kellerman me too that, like,

0:22:04.880 --> 0:22:07.760
<v Speaker 4>he clearly liked what he did and he forfeited it

0:22:07.760 --> 0:22:11.159
<v Speaker 4>for his son. But up to an episode ago, he

0:22:11.320 --> 0:22:14.720
<v Speaker 4>was just such a jerk, you know. But like, to

0:22:14.800 --> 0:22:18.080
<v Speaker 4>his credit as an actor, he was able to layer

0:22:18.119 --> 0:22:19.879
<v Speaker 4>in enough stuff that by the time this came and

0:22:19.920 --> 0:22:23.679
<v Speaker 4>the truth came out, it was like, no, no, buddy,

0:22:24.240 --> 0:22:26.520
<v Speaker 4>Oh you're falling on the sword for the wrong guy.

0:22:26.560 --> 0:22:29.560
<v Speaker 4>But you're a good guy, so you're doing it okay.

0:22:29.720 --> 0:22:31.480
<v Speaker 2>Falling on the sword for the wrong guy is my

0:22:31.560 --> 0:22:37.520
<v Speaker 2>perfect segue to how much I love Clay, Julian and

0:22:37.640 --> 0:22:41.399
<v Speaker 2>Nathan as a trio. Taking this kid out to that

0:22:41.520 --> 0:22:47.480
<v Speaker 2>bridge and just wailing on him. You knocking him into

0:22:47.480 --> 0:22:51.399
<v Speaker 2>the water. I was like, yes, Rob Austin, He's like

0:22:51.520 --> 0:22:54.320
<v Speaker 2>trying to drown him. And then you think Nathan's going

0:22:54.359 --> 0:22:56.280
<v Speaker 2>to be the one, like calm guy, and he gives

0:22:56.359 --> 0:22:58.760
<v Speaker 2>him a hand and then freaking punches him right in

0:22:58.760 --> 0:23:03.239
<v Speaker 2>the face. Like yeah, it just I loved it. I

0:23:03.280 --> 0:23:05.399
<v Speaker 2>loved how real it felt. It was. It was a

0:23:05.440 --> 0:23:09.520
<v Speaker 2>little awkward because you know what fights are ever choreographed

0:23:09.520 --> 0:23:12.639
<v Speaker 2>like they are in action movies, And I don't know,

0:23:12.680 --> 0:23:14.280
<v Speaker 2>I just loved it. I was like, these are three

0:23:14.359 --> 0:23:16.040
<v Speaker 2>dudes I would trust with my life.

0:23:16.240 --> 0:23:21.040
<v Speaker 4>Hell yes, And first of all, you gotta love dumb,

0:23:21.119 --> 0:23:22.960
<v Speaker 4>dumb killer man. He's in the car with the three

0:23:23.000 --> 0:23:28.000
<v Speaker 4>of us, the vibe is so clearly off and Julian

0:23:28.080 --> 0:23:30.399
<v Speaker 4>starts like good day for a drive, Like it's so

0:23:31.119 --> 0:23:33.600
<v Speaker 4>obvious that like, yeah, he is in a bad way

0:23:33.640 --> 0:23:36.320
<v Speaker 4>and he's just like, so where are we going? Yeah,

0:23:36.320 --> 0:23:39.720
<v Speaker 4>it's like, dude, you're in big trouble. But I loved

0:23:39.760 --> 0:23:46.960
<v Speaker 4>it when after so the scene, yeah, when Julian tackles

0:23:47.040 --> 0:23:50.400
<v Speaker 4>him back into the water, I just immediately I felt

0:23:50.440 --> 0:23:52.920
<v Speaker 4>like I was watching the male version of the James

0:23:52.920 --> 0:23:58.360
<v Speaker 4>Sisters fighting in the pool. Like the fight almost came

0:23:58.400 --> 0:24:00.160
<v Speaker 4>out of the water and he was like, no, we're

0:24:00.200 --> 0:24:04.000
<v Speaker 4>all staying in the water. Yeah, and I love the

0:24:04.040 --> 0:24:07.440
<v Speaker 4>punch by by Nathan So a peek behind the curtains.

0:24:07.920 --> 0:24:11.000
<v Speaker 4>When we were getting ready to shoot this scene, like

0:24:11.080 --> 0:24:14.480
<v Speaker 4>the safety coordinator came over and was like, hey, so

0:24:14.560 --> 0:24:16.680
<v Speaker 4>here's the deal. No, like, are you up to date

0:24:16.720 --> 0:24:20.119
<v Speaker 4>on your shots and stuff. It's like what And they're like,

0:24:20.119 --> 0:24:25.159
<v Speaker 4>don't worry. We're checking the the fecal contaminant level in

0:24:25.200 --> 0:24:29.280
<v Speaker 4>that river. It's just getting very close to like the threshold.

0:24:30.280 --> 0:24:33.119
<v Speaker 4>So when you go into the water, just trying to

0:24:33.160 --> 0:24:35.040
<v Speaker 4>get it like in your eyes or definitely don't get

0:24:35.040 --> 0:24:38.840
<v Speaker 4>it in your mouth. You've seen that scene, I'm supposed

0:24:38.840 --> 0:24:42.879
<v Speaker 4>to be screaming like what. So the it was like poop.

0:24:42.720 --> 0:24:44.640
<v Speaker 2>River because we were in farm country.

0:24:45.000 --> 0:24:47.560
<v Speaker 4>Yeah, it was gross. I remember the whole time. It

0:24:47.640 --> 0:24:49.199
<v Speaker 4>was like I wasn't even thinking about the scene. I

0:24:49.240 --> 0:24:51.000
<v Speaker 4>was like, don't swallow the poop. Don't swallow poop.

0:24:51.119 --> 0:24:52.840
<v Speaker 2>Oh my god, no, no, no, no, no, no, no no.

0:24:53.040 --> 0:24:56.680
<v Speaker 4>It was terrible because like, dude, you get you get sick,

0:24:56.800 --> 0:24:59.480
<v Speaker 4>sick if that happens. So, yeah, we were all putting

0:24:59.480 --> 0:25:01.719
<v Speaker 4>our and then I of course, like then Austin is

0:25:01.840 --> 0:25:06.920
<v Speaker 4>diving back in and flashing around and ian Eric had

0:25:06.920 --> 0:25:09.480
<v Speaker 4>to be like, dunked in it, dunked in it. So

0:25:09.560 --> 0:25:13.439
<v Speaker 4>it was just it was not ideal for what the

0:25:13.480 --> 0:25:14.439
<v Speaker 4>scene was going to be.

0:25:14.560 --> 0:25:21.440
<v Speaker 2>But ill, this is the thing I have to just say.

0:25:21.560 --> 0:25:28.160
<v Speaker 2>There is this like stereotype that actors, our little snowflake divas,

0:25:28.440 --> 0:25:31.520
<v Speaker 2>so sensitive, gets so taken care of, and I'm like, no,

0:25:31.880 --> 0:25:34.800
<v Speaker 2>we're the ones who get thrown in the water and

0:25:34.840 --> 0:25:37.840
<v Speaker 2>people are like, just watch your mouth because you know

0:25:37.880 --> 0:25:40.080
<v Speaker 2>you could get MRSA and maybe die, but we got

0:25:40.080 --> 0:25:41.320
<v Speaker 2>to get the shot, like.

0:25:41.680 --> 0:25:44.960
<v Speaker 4>What Yeah, Or when it's twenty degrees outside and they're

0:25:45.000 --> 0:25:47.280
<v Speaker 4>like we're going to cover you in fake blood and water.

0:25:47.400 --> 0:25:49.600
<v Speaker 4>Just lay on the ground and don't breathe.

0:25:49.359 --> 0:25:51.280
<v Speaker 2>Don't breathe, and you're like for eight hours.

0:25:51.160 --> 0:25:53.680
<v Speaker 4>You're like, oh, cool, that's it. Great, I'll keep my

0:25:53.760 --> 0:25:55.080
<v Speaker 4>hypothermia to myself.

0:25:55.600 --> 0:25:58.080
<v Speaker 2>Wow. I literally wrote down and go the three boys

0:25:58.119 --> 0:26:01.439
<v Speaker 2>look dope walking away together. I I love this And

0:26:01.480 --> 0:26:04.760
<v Speaker 2>now I'm like, I'm so sorry you had to do that.

0:26:05.640 --> 0:26:08.840
<v Speaker 4>Yeah, that was one on the page. When I read it,

0:26:08.880 --> 0:26:11.600
<v Speaker 4>I was like, this is awesome because a I'm getting

0:26:11.640 --> 0:26:15.000
<v Speaker 4>to like do a scene with my two buddies. It's redemption,

0:26:15.160 --> 0:26:18.200
<v Speaker 4>it's justice. And then I heard about the poop water

0:26:18.240 --> 0:26:21.880
<v Speaker 4>and was like, ooh, now this is just so like, Oh,

0:26:21.960 --> 0:26:23.800
<v Speaker 4>let's not get super sick and get out of here

0:26:23.960 --> 0:26:24.480
<v Speaker 4>kind of day.

0:26:24.800 --> 0:26:31.640
<v Speaker 2>Oh it's so yucky. Oh. I have something that clearly

0:26:31.720 --> 0:26:35.320
<v Speaker 2>auto corrected, and it's one line in my notes and

0:26:35.359 --> 0:26:39.119
<v Speaker 2>it says sugar is soaking and I'm like, it just

0:26:39.200 --> 0:26:41.680
<v Speaker 2>threw me so out because it's right after you guys

0:26:41.720 --> 0:26:45.399
<v Speaker 2>walking away, and I'm like, wait, what, like, what words

0:26:45.480 --> 0:26:48.399
<v Speaker 2>was I trying to type that auto corrected to those words?

0:26:48.400 --> 0:26:51.040
<v Speaker 4>I can't even Were you watching a baking show in

0:26:51.080 --> 0:26:51.640
<v Speaker 4>the background.

0:26:52.000 --> 0:26:56.000
<v Speaker 2>I didn't think so. But it's in between you guys

0:26:56.080 --> 0:26:59.760
<v Speaker 2>walking away and the note about Kellerman and Snipy Plover,

0:27:00.480 --> 0:27:04.199
<v Speaker 2>So it's got to be something on his boat. I

0:27:04.200 --> 0:27:09.000
<v Speaker 2>don't know, well what I will say, it's an interesting

0:27:09.080 --> 0:27:14.760
<v Speaker 2>cut to see these three guys being so wonderful and

0:27:14.800 --> 0:27:17.399
<v Speaker 2>standing up in the way that they can and trying

0:27:17.440 --> 0:27:23.000
<v Speaker 2>to teach this little dip a lesson. And I like that.

0:27:23.080 --> 0:27:27.040
<v Speaker 2>The next time we see Professor Kellerman, it's him and

0:27:27.119 --> 0:27:29.919
<v Speaker 2>Nathan and he's, you know, getting the boat ready obviously,

0:27:30.080 --> 0:27:34.720
<v Speaker 2>you know prop fiasco fail aside. I love that his

0:27:34.920 --> 0:27:37.920
<v Speaker 2>sort of last moment on the way out of town

0:27:38.080 --> 0:27:42.560
<v Speaker 2>is to go snipe plover. Yes it's a bird. He's

0:27:42.600 --> 0:27:49.600
<v Speaker 2>a hero, yes, yes, and he gets he gets to

0:27:49.600 --> 0:27:53.280
<v Speaker 2>have the dad moment that he deserves with the kind

0:27:53.320 --> 0:27:57.399
<v Speaker 2>of son that he deserves. Yeah, someone he can actually

0:27:57.480 --> 0:28:01.760
<v Speaker 2>pass a baton too and help out. And I just

0:28:01.840 --> 0:28:02.840
<v Speaker 2>love that so much.

0:28:03.800 --> 0:28:07.840
<v Speaker 4>Yeah, he really I forgot, but yeah, he totally becomes

0:28:07.840 --> 0:28:11.880
<v Speaker 4>a hero. Yeah that's right, man, Oh my gosh, Yeah,

0:28:11.920 --> 0:28:13.840
<v Speaker 4>I forgot that. He was the one who gave me that. Yeah,

0:28:13.840 --> 0:28:15.760
<v Speaker 4>that was a great That was a great button because

0:28:15.760 --> 0:28:18.800
<v Speaker 4>I had forgotten how that whole condo thing gets resolved.

0:28:18.840 --> 0:28:34.800
<v Speaker 4>But now I'm starting to remember where that goes, changing

0:28:34.840 --> 0:28:37.600
<v Speaker 4>gears Quinn.

0:28:38.120 --> 0:28:41.120
<v Speaker 2>Yes, that's where I was going to go. The sentence

0:28:41.160 --> 0:28:44.240
<v Speaker 2>I was starting was I gotta give props to Chantelle

0:28:44.720 --> 0:28:48.920
<v Speaker 2>because she's clearly in this like well, her and the

0:28:48.920 --> 0:28:51.400
<v Speaker 2>writers obviously it takes two to tango, but like they're

0:28:51.480 --> 0:28:55.600
<v Speaker 2>clearly in this sort of season for Quinn of letting

0:28:55.640 --> 0:29:00.160
<v Speaker 2>her lean into her quirkiness and her goofiness. And the

0:29:00.240 --> 0:29:02.640
<v Speaker 2>last episode she goes so hard in the paint with

0:29:02.720 --> 0:29:07.160
<v Speaker 2>Jana and then the freakin' Spraytan. I was like, oh

0:29:07.200 --> 0:29:10.880
<v Speaker 2>my god, girl like she was such a good sport

0:29:10.920 --> 0:29:14.440
<v Speaker 2>about it. I loved seeing Joni Shay being the woman

0:29:14.560 --> 0:29:18.719
<v Speaker 2>at the spray tan salon. So for our friends at home, Joni,

0:29:19.320 --> 0:29:23.400
<v Speaker 2>sweet dear, Joni is our hairdresser on the show, and

0:29:23.480 --> 0:29:26.200
<v Speaker 2>to have her be like, I don't I don't think

0:29:26.240 --> 0:29:31.320
<v Speaker 2>you want that one in her sweet, little, like maternal voice.

0:29:31.400 --> 0:29:33.520
<v Speaker 2>I just I loved it. It's such an easter egg

0:29:33.600 --> 0:29:34.880
<v Speaker 2>for us and for our crew.

0:29:35.520 --> 0:29:38.040
<v Speaker 5>But oh my god, you not seeing her at the

0:29:38.080 --> 0:29:41.200
<v Speaker 5>game over and over again and everyone else seeing her

0:29:41.240 --> 0:29:45.680
<v Speaker 5>and being like, dude, it's such a funny device.

0:29:46.480 --> 0:29:49.480
<v Speaker 4>Yeah, the whole gag was great. The only my own

0:29:49.920 --> 0:29:53.800
<v Speaker 4>I did have a no going like He's standing ten

0:29:53.840 --> 0:29:58.000
<v Speaker 4>feet away from her and she is enthusiastically shouting throughout

0:29:58.040 --> 0:30:00.400
<v Speaker 4>the whole game. Yeah, there is no world which you

0:30:00.440 --> 0:30:04.720
<v Speaker 4>do not recognize your partners shout. Yeah you know, but

0:30:04.920 --> 0:30:07.600
<v Speaker 4>I don't care. That was just the comedy of it

0:30:07.720 --> 0:30:10.800
<v Speaker 4>completely in the moment. I love that we get to

0:30:10.800 --> 0:30:15.480
<v Speaker 4>see everyone's reaction before Clay's. And I gotta say I

0:30:15.640 --> 0:30:18.680
<v Speaker 4>thought the moment when I see her when she comes

0:30:18.720 --> 0:30:20.400
<v Speaker 4>up and whispers in my ear and I turn around.

0:30:21.680 --> 0:30:23.200
<v Speaker 4>It's not often I watch something I do and I

0:30:23.200 --> 0:30:27.360
<v Speaker 4>go I that crushed. That was awesome. But that moment

0:30:27.440 --> 0:30:30.080
<v Speaker 4>when I see her and I turned back and like

0:30:30.160 --> 0:30:32.760
<v Speaker 4>that I thought was so freaking funny.

0:30:33.040 --> 0:30:38.080
<v Speaker 2>Yeah, you guys were so funny, just the whole thread

0:30:38.120 --> 0:30:39.840
<v Speaker 2>of it. I also, Rob, I got to give you

0:30:39.880 --> 0:30:43.000
<v Speaker 2>similar props. When you're outside in the top of the

0:30:43.040 --> 0:30:44.960
<v Speaker 2>episode working out and she tells you she booked a

0:30:45.000 --> 0:30:47.680
<v Speaker 2>job in Puerto Rico and you're like, can't go, and

0:30:47.720 --> 0:30:49.800
<v Speaker 2>then she says supermodels and you're like, I'll totally go,

0:30:49.920 --> 0:30:57.040
<v Speaker 2>can't wait. It was such a perfect comedic bit for you.

0:30:57.640 --> 0:30:59.200
<v Speaker 2>And I laughed out loud.

0:30:59.800 --> 0:31:03.160
<v Speaker 4>Ooh that's a win I did.

0:31:03.480 --> 0:31:05.440
<v Speaker 2>It's always like, yeah, when you laugh out loud and

0:31:05.440 --> 0:31:08.000
<v Speaker 2>you're alone in your house, you're like, oh, this is good.

0:31:08.040 --> 0:31:09.960
<v Speaker 2>This was really good. Huh.

0:31:10.000 --> 0:31:13.080
<v Speaker 4>This episode had so much fun in it. I thought, yeah.

0:31:13.480 --> 0:31:16.640
<v Speaker 4>I at first, I was confused. It's like, why is

0:31:16.720 --> 0:31:20.040
<v Speaker 4>Clay really feels like Clay is rushing this game, like

0:31:20.040 --> 0:31:24.440
<v Speaker 4>what's his deal? And then then it's the flashbackt quinnying,

0:31:24.520 --> 0:31:27.080
<v Speaker 4>like you're gonna get laid tonight, and then I thought,

0:31:27.240 --> 0:31:30.840
<v Speaker 4>it's the funniest thing in the world watching this guy, yes,

0:31:31.200 --> 0:31:33.600
<v Speaker 4>yell at nine year olds to speed it up, be like.

0:31:33.600 --> 0:31:36.720
<v Speaker 2>Come on, kids, hustle up, three.

0:31:36.240 --> 0:31:41.400
<v Speaker 4>Down, let's go. That was so good. And also kudos

0:31:41.480 --> 0:31:46.040
<v Speaker 4>to Chantelle because she was in a bikini in this episode,

0:31:46.840 --> 0:31:51.520
<v Speaker 4>far more than she needed to be. Yeah, you know,

0:31:51.600 --> 0:31:54.080
<v Speaker 4>which is unfortunately just something our show did. But I

0:31:54.080 --> 0:31:56.760
<v Speaker 4>feel like lately in these episodes she has been bearing

0:31:57.680 --> 0:31:59.960
<v Speaker 4>the brunt of it. And it also made me laugh

0:32:00.240 --> 0:32:04.840
<v Speaker 4>because in the scene back at their house, she is

0:32:04.880 --> 0:32:08.200
<v Speaker 4>in a bikini and she has her phone and she's

0:32:08.240 --> 0:32:10.520
<v Speaker 4>like telling Klay, like, you should get home tonight because

0:32:10.720 --> 0:32:11.880
<v Speaker 4>this is what I was waiting for it. And she

0:32:11.920 --> 0:32:13.880
<v Speaker 4>takes a picture of her like it's like a selfie

0:32:13.920 --> 0:32:15.840
<v Speaker 4>of the like her body in the bikini, and I'm

0:32:15.880 --> 0:32:18.880
<v Speaker 4>just laughing, going, like they see each other naked all

0:32:18.920 --> 0:32:23.800
<v Speaker 4>the time like that, actually, like there's nothing like the.

0:32:23.640 --> 0:32:26.680
<v Speaker 2>They're not in a long distance relationship, Like what what.

0:32:26.840 --> 0:32:29.720
<v Speaker 4>Yeah, like they probably had sex this morning. And she's like,

0:32:29.800 --> 0:32:31.960
<v Speaker 4>but also here's a picture of me kind of clothed.

0:32:32.640 --> 0:32:35.280
<v Speaker 4>It's like, yeah, he he saw it all this morning.

0:32:35.320 --> 0:32:38.600
<v Speaker 4>He's gonna see it again tonight, like that's you've already.

0:32:38.280 --> 0:32:41.600
<v Speaker 6>Done it, Like what it is really really goofy, But

0:32:41.680 --> 0:32:44.200
<v Speaker 6>it is one of those things that you realize because

0:32:44.240 --> 0:32:48.520
<v Speaker 6>the audience doesn't see what happens off camera, these devices

0:32:48.600 --> 0:32:50.640
<v Speaker 6>get created in these scenes.

0:32:51.360 --> 0:32:55.920
<v Speaker 2>But I mean, poor sweet Chantale, you know, they couldn't

0:32:55.960 --> 0:32:58.520
<v Speaker 2>put me in my underwear because I'm depressed because I've just,

0:32:58.840 --> 0:33:02.400
<v Speaker 2>you know, lost a baby, and they certainly can't do

0:33:02.440 --> 0:33:06.600
<v Speaker 2>it to Joy. She's literally just had a baby, like irl.

0:33:07.120 --> 0:33:12.040
<v Speaker 2>So I feel like Quinn got every single thing that

0:33:12.240 --> 0:33:15.040
<v Speaker 2>usually gets split up among the girls, and she she

0:33:15.080 --> 0:33:17.600
<v Speaker 2>had to be such a champ in this episode, and

0:33:18.480 --> 0:33:23.760
<v Speaker 2>I really appreciate her choice to play the spray tand

0:33:23.880 --> 0:33:29.040
<v Speaker 2>like it's so great, like she's just so oblivious and

0:33:28.480 --> 0:33:31.400
<v Speaker 2>the YouTube getting in the hot tub at the end

0:33:31.480 --> 0:33:35.160
<v Speaker 2>of the night and the die just seeping everywhere and

0:33:35.200 --> 0:33:36.560
<v Speaker 2>you don't miss a beat, and you go, if we

0:33:36.640 --> 0:33:40.520
<v Speaker 2>donk you, we can make tea. Yeah killed me because

0:33:40.560 --> 0:33:43.720
<v Speaker 2>you dead panned it and it was so funny.

0:33:44.360 --> 0:33:47.360
<v Speaker 4>Oh yeah, that whole bit. I mean, there's no vanity

0:33:47.360 --> 0:33:50.800
<v Speaker 4>in comedy and she knows it, and she just goes

0:33:50.840 --> 0:33:54.560
<v Speaker 4>for broke man all of her stuff. She's never she's

0:33:54.640 --> 0:33:57.560
<v Speaker 4>never holding back to try to like save face. And

0:33:57.960 --> 0:34:02.480
<v Speaker 4>I mean this the Panther, The Panther. The Panther is

0:34:03.760 --> 0:34:06.480
<v Speaker 4>no exception. Man, the whole bit was so good and

0:34:06.600 --> 0:34:10.640
<v Speaker 4>just we're outside, We're at a park, it's kids playing baseball.

0:34:11.640 --> 0:34:15.520
<v Speaker 4>There was also there's like no fat on this episode.

0:34:15.560 --> 0:34:18.879
<v Speaker 4>It's like every second was used for a piece of storytelling.

0:34:19.040 --> 0:34:23.160
<v Speaker 2>You know, there was no filler, no it and everything

0:34:23.320 --> 0:34:28.000
<v Speaker 2>was charming or funny or really heartfelt. Like the fact

0:34:28.120 --> 0:34:31.160
<v Speaker 2>that the Little League game and the lead up to

0:34:31.200 --> 0:34:33.840
<v Speaker 2>Puerto Rico and the Tanning joke is in the same

0:34:33.920 --> 0:34:37.799
<v Speaker 2>episode that Nathan is solving a mystery with Clay and

0:34:37.880 --> 0:34:40.879
<v Speaker 2>Julian about Kellerman. You're like, how's that going to work?

0:34:41.160 --> 0:34:45.000
<v Speaker 2>And it works mm hmm, it works really really well.

0:34:45.239 --> 0:34:48.760
<v Speaker 2>And what I will say I really appreciate in terms

0:34:48.840 --> 0:34:52.960
<v Speaker 2>of the arcs of all these characters. I really like that,

0:34:53.040 --> 0:34:58.040
<v Speaker 2>despite how sad Brooke and Julian are, that they gave

0:34:58.320 --> 0:35:02.600
<v Speaker 2>Brooke and Hayley a moment of humor about it. And

0:35:02.640 --> 0:35:06.959
<v Speaker 2>it's not Gallows humor, it's not that dark. But even

0:35:07.000 --> 0:35:10.279
<v Speaker 2>the fact that we believe at this point the Brook

0:35:10.320 --> 0:35:12.400
<v Speaker 2>and Julian are going to take this opportunity. They're going

0:35:12.480 --> 0:35:15.280
<v Speaker 2>to go to New York. You know, close over bros

0:35:15.280 --> 0:35:18.520
<v Speaker 2>has essentially been her baby, and they're going to sort

0:35:18.560 --> 0:35:22.600
<v Speaker 2>of reconstitute their life plans. And so Brooke wants to

0:35:22.640 --> 0:35:26.319
<v Speaker 2>take this sign to Haley from Karen's, you know, this

0:35:26.480 --> 0:35:29.640
<v Speaker 2>moment of the childhood she's gonna leave behind, but cracks

0:35:29.640 --> 0:35:31.520
<v Speaker 2>a joke like I'm gonna give you the last remnants

0:35:31.520 --> 0:35:35.759
<v Speaker 2>of Karen's Cafe for Lydia straight up, and it's like

0:35:36.560 --> 0:35:40.160
<v Speaker 2>they they play a bit about the saddest thing that's

0:35:40.280 --> 0:35:43.279
<v Speaker 2>just happened to Brooke, but like, that's best friendship is

0:35:43.360 --> 0:35:45.680
<v Speaker 2>laughing with each other through your sadness.

0:35:46.200 --> 0:35:50.719
<v Speaker 4>Okay, but help me understand this because we haven't ever

0:35:50.800 --> 0:35:53.799
<v Speaker 4>seen them on camera talking about it, have we. I

0:35:53.920 --> 0:35:55.920
<v Speaker 4>was confused because when I saw that, I was confused

0:35:55.960 --> 0:35:58.759
<v Speaker 4>to I went, oh, she still hasn't, which is fair.

0:35:58.840 --> 0:36:01.560
<v Speaker 4>She's letting Haley like have her experience of beeting mom

0:36:01.560 --> 0:36:03.719
<v Speaker 4>and not making about her. But to me that was

0:36:05.520 --> 0:36:07.960
<v Speaker 4>that was a joke, but like Haley wasn't really in

0:36:08.080 --> 0:36:08.960
<v Speaker 4>on the subtext.

0:36:09.239 --> 0:36:13.279
<v Speaker 2>So the way that I made sense of that is

0:36:13.960 --> 0:36:20.560
<v Speaker 2>because Julian has told Nathan and Clay, and then obviously

0:36:21.040 --> 0:36:25.200
<v Speaker 2>that night at the hospital, Nathan's the one who goes Brooke,

0:36:25.200 --> 0:36:27.840
<v Speaker 2>are you okay? And I say like, I'm just so

0:36:27.880 --> 0:36:32.239
<v Speaker 2>happy for you guys. My assumption is that the next day,

0:36:33.680 --> 0:36:37.359
<v Speaker 2>again off camera stuff, but I'm assuming that Nathan is like, hey,

0:36:37.400 --> 0:36:40.000
<v Speaker 2>what's the deal with the baby, and Julian's like, oh,

0:36:40.040 --> 0:36:43.200
<v Speaker 2>we didn't want to tell you. Same night, like the

0:36:43.239 --> 0:36:47.759
<v Speaker 2>woman renegged, she backed out. So I assume I have

0:36:47.840 --> 0:36:51.319
<v Speaker 2>to assume now that three episodes later, Haley does know,

0:36:53.160 --> 0:36:55.880
<v Speaker 2>and they're all trying to like make the best of it,

0:36:55.920 --> 0:36:59.000
<v Speaker 2>because there's no way Nathan's not going to tell Hailey like, hey, FYI,

0:36:59.120 --> 0:37:01.799
<v Speaker 2>this happened. You know. I want you to be able

0:37:02.160 --> 0:37:03.280
<v Speaker 2>to take care of your friend.

0:37:04.200 --> 0:37:08.440
<v Speaker 4>It just feels like a big scene we should have

0:37:08.480 --> 0:37:09.040
<v Speaker 4>seen on cam.

0:37:09.200 --> 0:37:14.279
<v Speaker 2>I a big moment fully agree, fully agree, and it

0:37:14.360 --> 0:37:16.600
<v Speaker 2>is It's one of those things that's missing, right. It's like,

0:37:17.400 --> 0:37:19.320
<v Speaker 2>that's a big scene we should have seen on camera.

0:37:19.400 --> 0:37:21.719
<v Speaker 2>At the end of this episode when we do the

0:37:21.719 --> 0:37:25.279
<v Speaker 2>big reveal and that it was Alex and Brooke who

0:37:25.440 --> 0:37:29.359
<v Speaker 2>did the swap, and you know, Alex the person who

0:37:29.360 --> 0:37:34.840
<v Speaker 2>betrayed Brooks, so much, especially like using this fertility journey

0:37:34.880 --> 0:37:38.280
<v Speaker 2>against her winds up being the person that like gets

0:37:38.320 --> 0:37:41.360
<v Speaker 2>to have this surprise with her. What I would have

0:37:41.440 --> 0:37:45.880
<v Speaker 2>given to see Brooke and Alex have that.

0:37:45.880 --> 0:37:47.240
<v Speaker 4>That would have been great, man.

0:37:47.280 --> 0:37:50.640
<v Speaker 2>Right, Which is actually a perfect moment to say, we

0:37:50.719 --> 0:37:53.000
<v Speaker 2>knew this was coming, And obviously we had Janna on

0:37:53.040 --> 0:37:54.759
<v Speaker 2>the show last week and she couldn't be with us

0:37:54.800 --> 0:37:58.279
<v Speaker 2>this week, so we did do a little cheets key

0:37:58.360 --> 0:38:00.200
<v Speaker 2>and ask her to skip ahead and talk to us

0:38:00.200 --> 0:38:03.240
<v Speaker 2>about that scene. So can our lovely producers plug Jenna's

0:38:03.280 --> 0:38:06.920
<v Speaker 2>audio in for us for a second? Jenna, I am

0:38:07.000 --> 0:38:11.160
<v Speaker 2>dying to know with the whole p test, drug Test, Kid, Cuddy, Quinn,

0:38:11.480 --> 0:38:16.200
<v Speaker 2>Pop Brownie, Brooke, Julian thing, did you know in eight

0:38:16.360 --> 0:38:19.480
<v Speaker 2>nineteen when you were doing the drug test storyline what

0:38:19.640 --> 0:38:20.040
<v Speaker 2>was coming?

0:38:20.640 --> 0:38:23.560
<v Speaker 3>I had. I had no idea anything until I got

0:38:23.600 --> 0:38:27.160
<v Speaker 3>the script. I knew nothing yet.

0:38:27.280 --> 0:38:29.720
<v Speaker 4>When you were reading it at first and it seems

0:38:29.760 --> 0:38:33.399
<v Speaker 4>like it's alex Is the one who's pregnant. Yes, what

0:38:33.480 --> 0:38:35.040
<v Speaker 4>was your reaction again?

0:38:35.320 --> 0:38:37.840
<v Speaker 3>I just feel like it was It's like reading it,

0:38:37.880 --> 0:38:39.640
<v Speaker 3>you know, you want to know what happens, right, You

0:38:39.640 --> 0:38:40.759
<v Speaker 3>want to get to the end of the book and

0:38:41.080 --> 0:38:45.000
<v Speaker 3>figure it out. I knew in my gut it wasn't me,

0:38:47.440 --> 0:38:52.800
<v Speaker 3>and knowing what the storyline with Brook has been, it

0:38:52.800 --> 0:38:56.200
<v Speaker 3>would make sense because of the loss, you know, because

0:38:56.200 --> 0:38:59.799
<v Speaker 3>of the struggle and the all of that. So yeah,

0:39:00.640 --> 0:39:02.640
<v Speaker 3>I wanted and hoped that it was her.

0:39:03.320 --> 0:39:06.520
<v Speaker 2>What I really loved and what I wish they'd let

0:39:06.680 --> 0:39:11.000
<v Speaker 2>us have is that because we were doing flashbacks to

0:39:11.040 --> 0:39:13.480
<v Speaker 2>certain things in these episodes, and maybe after all the

0:39:13.520 --> 0:39:17.400
<v Speaker 2>car crash flashbacks in eight nineteen, they didn't want to

0:39:17.400 --> 0:39:20.439
<v Speaker 2>do flashbacks in eight twenty. But I wish we could

0:39:20.440 --> 0:39:22.839
<v Speaker 2>have cut to you coming to the house and us

0:39:22.920 --> 0:39:28.560
<v Speaker 2>doing this thing together, because the crux of this fertility

0:39:28.640 --> 0:39:33.000
<v Speaker 2>journey for her was punctuated by you know, Brook's feeling

0:39:33.000 --> 0:39:37.319
<v Speaker 2>of betrayal that Julian told Alex, and I loved at

0:39:37.320 --> 0:39:40.240
<v Speaker 2>the end that it was actually Alex who helps Brook

0:39:40.280 --> 0:39:44.279
<v Speaker 2>figure it out. Like I loved that for our characters,

0:39:44.560 --> 0:39:47.360
<v Speaker 2>and I don't know it really like it made me

0:39:47.400 --> 0:39:50.799
<v Speaker 2>feel kind of emo. And I wish we'd gotten a

0:39:50.800 --> 0:39:54.239
<v Speaker 2>flashback moment of being in the bathroom, like paying in a.

0:39:54.160 --> 0:39:57.040
<v Speaker 3>Cup together because that would have really just solidified our

0:39:57.600 --> 0:40:00.440
<v Speaker 3>bond too. Yes, you know, the characters stuff. So I

0:40:01.040 --> 0:40:02.960
<v Speaker 3>agree with you that would that's a miss on their

0:40:03.000 --> 0:40:03.640
<v Speaker 3>part for sure.

0:40:04.080 --> 0:40:06.720
<v Speaker 2>Yeah, I would have liked that. But oh my gosh,

0:40:06.840 --> 0:40:09.080
<v Speaker 2>did you Did you flip to the end of the

0:40:09.120 --> 0:40:11.080
<v Speaker 2>episode to figure it out or were you just like

0:40:11.120 --> 0:40:11.759
<v Speaker 2>wait what? Wait?

0:40:11.760 --> 0:40:11.840
<v Speaker 4>What?

0:40:11.960 --> 0:40:13.439
<v Speaker 2>Wait? What every page you turn?

0:40:13.600 --> 0:40:15.960
<v Speaker 3>No, I'm always a read the last page. It's really bad.

0:40:16.080 --> 0:40:19.279
<v Speaker 3>It's a really terrible trait. Like, it's really bad. When

0:40:19.280 --> 0:40:22.080
<v Speaker 3>I was watching Bridgerton the first season, I had to

0:40:22.080 --> 0:40:23.919
<v Speaker 3>know if they got together, so I watched the first

0:40:23.920 --> 0:40:25.920
<v Speaker 3>in the last episode, I just had to do it.

0:40:26.080 --> 0:40:29.120
<v Speaker 3>I'm terrible. It's awful. It's a really bad quality of mine.

0:40:29.400 --> 0:40:30.840
<v Speaker 4>Can you still enjoy the middle?

0:40:31.360 --> 0:40:32.000
<v Speaker 2>Absolutely?

0:40:32.040 --> 0:40:34.320
<v Speaker 3>I enjoyed, and I soak it in knowing that everything's

0:40:34.360 --> 0:40:36.320
<v Speaker 3>going to be okay, and I'm so afraid of the

0:40:36.320 --> 0:40:38.399
<v Speaker 3>bottom falling out all the time that I just want

0:40:38.400 --> 0:40:40.319
<v Speaker 3>to make sure everything's going to be fine and then

0:40:40.360 --> 0:40:43.960
<v Speaker 3>I can just enjoy them and not have that like stress.

0:40:44.200 --> 0:40:47.520
<v Speaker 2>I actually think that's genius. It's like, the reason everyone

0:40:47.600 --> 0:40:50.480
<v Speaker 2>during the pandemic started watching comfort shows is because no

0:40:50.520 --> 0:40:54.200
<v Speaker 2>one wanted to be surprised. So you're figuring out how

0:40:54.239 --> 0:40:57.719
<v Speaker 2>to watch new shows but make them feel comforting and

0:40:57.800 --> 0:40:58.719
<v Speaker 2>I love that.

0:41:00.120 --> 0:41:03.560
<v Speaker 4>Here's a question if, like, I don't know how Bridgriton goes, right,

0:41:03.560 --> 0:41:05.239
<v Speaker 4>But let's say you watched the first you're like, well shit,

0:41:05.320 --> 0:41:06.879
<v Speaker 4>and I got to watch the last, and you watch

0:41:06.960 --> 0:41:09.600
<v Speaker 4>the last and the couple you're rooting for are not together.

0:41:10.160 --> 0:41:12.319
<v Speaker 4>Do you bail on the series or can you still

0:41:12.360 --> 0:41:15.200
<v Speaker 4>watch it? But you just like adjust your expectations.

0:41:15.520 --> 0:41:18.839
<v Speaker 2>I'd probably bail, Okay, Yeah, I like it?

0:41:19.000 --> 0:41:21.160
<v Speaker 4>Did you? Oh my god, you've been hilarious. If you

0:41:21.160 --> 0:41:23.040
<v Speaker 4>watch the first episode of Game of Thrones and you're like,

0:41:23.080 --> 0:41:25.080
<v Speaker 4>this is my show, and then you jump to the

0:41:25.160 --> 0:41:28.200
<v Speaker 4>last one and you see John Snow killing her spoiler alert,

0:41:28.200 --> 0:41:30.120
<v Speaker 4>and you're like, well this show.

0:41:31.080 --> 0:41:32.960
<v Speaker 3>Honestly, I watched one episode and I was like, I

0:41:32.960 --> 0:41:35.760
<v Speaker 3>don't understand anything, and I'm not into dragons or whatever.

0:41:35.840 --> 0:41:36.640
<v Speaker 3>This stuff is so.

0:41:38.760 --> 0:41:43.000
<v Speaker 2>Okay, I'm going to confess I've literally never seen an episode.

0:41:43.120 --> 0:41:44.880
<v Speaker 4>I'm not going to be one of those people who gasps,

0:41:45.120 --> 0:41:47.680
<v Speaker 4>you know good. I'm sure you were using your time

0:41:47.719 --> 0:41:48.960
<v Speaker 4>for something great.

0:41:49.760 --> 0:41:52.319
<v Speaker 3>Yeah, I mean yeah, I was like one and done.

0:41:52.640 --> 0:41:55.799
<v Speaker 2>Yeah, by the time it got to the end and

0:41:55.840 --> 0:41:59.120
<v Speaker 2>everyone was so into it. I remember one of my

0:41:59.200 --> 0:42:01.240
<v Speaker 2>friends and I were like, well, maybe we should start,

0:42:01.760 --> 0:42:04.399
<v Speaker 2>and we we tried, and I was like, I don't care.

0:42:05.000 --> 0:42:05.680
<v Speaker 2>I just don't care.

0:42:06.360 --> 0:42:08.000
<v Speaker 3>I did that with the Yellowstone. I just binge the

0:42:08.080 --> 0:42:09.719
<v Speaker 3>entire thing at the very end. I did the same

0:42:09.760 --> 0:42:11.640
<v Speaker 3>thing with Ted Lasso. Everyone was like, we love Ted last.

0:42:11.640 --> 0:42:15.560
<v Speaker 3>So I like to watch things after the crazy things. Yeah, yeah, yeah,

0:42:15.800 --> 0:42:16.759
<v Speaker 3>but I loved both of those.

0:42:17.200 --> 0:42:17.879
<v Speaker 2>Those are good.

0:42:18.120 --> 0:42:22.160
<v Speaker 4>I will say oiled by binging. We we watched Survivor

0:42:22.160 --> 0:42:24.040
<v Speaker 4>here and so we saw that there was a new season,

0:42:24.520 --> 0:42:27.239
<v Speaker 4>not realizing it hadn't wrapped yet, and so we would

0:42:27.280 --> 0:42:29.960
<v Speaker 4>get like three quarters of the way through and then

0:42:30.000 --> 0:42:32.120
<v Speaker 4>all of a sudden, I have to wait a week

0:42:32.239 --> 0:42:34.799
<v Speaker 4>for a new episode, and I'm like, what kind of

0:42:35.320 --> 0:42:36.160
<v Speaker 4>BS is this?

0:42:36.640 --> 0:42:39.560
<v Speaker 3>Like it's bad, it's fresh hell, and I can't last

0:42:39.560 --> 0:42:41.000
<v Speaker 3>because we're a love is blind house.

0:42:41.040 --> 0:42:45.400
<v Speaker 2>So very well, it's good. I like the UK the best.

0:42:46.840 --> 0:42:49.239
<v Speaker 2>Oh my god, I love it. I love it.

0:42:51.120 --> 0:42:54.600
<v Speaker 4>Oh man, that was such a fun ride I had.

0:42:55.320 --> 0:42:58.080
<v Speaker 4>I had no idea where it was going. I was like,

0:42:58.120 --> 0:43:01.520
<v Speaker 4>it's in my notes. All cabs, Oh that was Alex's

0:43:01.560 --> 0:43:06.320
<v Speaker 4>p Next wait whose pea? Was it? Next one? All caps?

0:43:06.440 --> 0:43:07.600
<v Speaker 4>No way Brooke is pregnant.

0:43:07.640 --> 0:43:10.160
<v Speaker 5>Yeah yeah, yeah, yeah yeah yeah yeah yeah.

0:43:10.200 --> 0:43:11.080
<v Speaker 4>I loved the ride.

0:43:11.800 --> 0:43:14.800
<v Speaker 2>I did too, I did too. And and the irony

0:43:14.960 --> 0:43:18.120
<v Speaker 2>is when this whole drug testing thing was happening, I

0:43:18.280 --> 0:43:21.680
<v Speaker 2>forgot that that's how we found out. I was like,

0:43:21.760 --> 0:43:23.240
<v Speaker 2>what is this all about?

0:43:23.840 --> 0:43:26.880
<v Speaker 4>Also that we laid no, we laid no groundwork for

0:43:26.920 --> 0:43:28.960
<v Speaker 4>the whole drug test that we only learned about that

0:43:29.520 --> 0:43:32.279
<v Speaker 4>when Chase referenced it to Alex, right, or might did

0:43:32.280 --> 0:43:32.880
<v Speaker 4>I miss something?

0:43:33.160 --> 0:43:36.719
<v Speaker 2>Well? He asks her to help him. He asks her

0:43:36.800 --> 0:43:39.960
<v Speaker 2>questions about it, so it's their runner through the episode,

0:43:40.040 --> 0:43:42.319
<v Speaker 2>that's right. You know, She's like, no, I know all

0:43:42.360 --> 0:43:44.319
<v Speaker 2>about it. Obviously she has to like do all these

0:43:44.320 --> 0:43:46.400
<v Speaker 2>things because she went to rehabits, how she gets insured

0:43:46.400 --> 0:43:50.560
<v Speaker 2>as an actor, all the whatever. But I forget when

0:43:50.600 --> 0:43:53.439
<v Speaker 2>he is like, I needed to do the drug test

0:43:53.480 --> 0:43:56.239
<v Speaker 2>to apply to the Air Force, I was like, wait,

0:43:56.400 --> 0:43:59.480
<v Speaker 2>what Chase is going to the Air Force. It threw

0:43:59.520 --> 0:44:03.319
<v Speaker 2>me for such a loop that I literally forgot that.

0:44:03.440 --> 0:44:06.360
<v Speaker 2>It was this sort of cartwheeling whose pea is at story?

0:44:06.440 --> 0:44:09.920
<v Speaker 2>By the end, I was so in their storyline that

0:44:09.960 --> 0:44:11.440
<v Speaker 2>I forgot I had anything to do with it.

0:44:11.760 --> 0:44:15.920
<v Speaker 4>Yeah, it was great and the Mighty Casey voiceover with

0:44:16.040 --> 0:44:19.279
<v Speaker 4>a twist, and Jamie actually getting the hit. All of

0:44:19.280 --> 0:44:22.840
<v Speaker 4>that was great. Dude, Speaking of Jamie and hits, how

0:44:23.080 --> 0:44:27.040
<v Speaker 4>savage is he to Chuck in the dugout? When Chuck goes,

0:44:27.239 --> 0:44:31.200
<v Speaker 4>you hit like my mom and he says, oh really,

0:44:31.360 --> 0:44:34.600
<v Speaker 4>let's go ask her. Oh that's right, she's not here.

0:44:36.160 --> 0:44:37.880
<v Speaker 2>That was gnarly.

0:44:37.960 --> 0:44:41.000
<v Speaker 4>Wait to sweep the leg kid, Cheez Louise.

0:44:41.480 --> 0:44:46.279
<v Speaker 2>Yeah, yeah, for Chuck, I did. I did make a

0:44:46.320 --> 0:44:49.919
<v Speaker 2>note though that. And this is that sad thing where

0:44:49.920 --> 0:44:53.719
<v Speaker 2>you wish the adults were within earshot because Chuck is

0:44:53.760 --> 0:44:56.200
<v Speaker 2>being mean to Jamie and Jamie's sick of it. So

0:44:56.320 --> 0:44:59.320
<v Speaker 2>Jamie then hits back at Chuck. But it's so below

0:44:59.360 --> 0:45:01.600
<v Speaker 2>the belt and all this would be such a teaching

0:45:01.640 --> 0:45:05.520
<v Speaker 2>moment for the wonderful men on our show to go, hey, hey,

0:45:06.360 --> 0:45:08.440
<v Speaker 2>we don't do that. We don't treat our teammates that way,

0:45:08.480 --> 0:45:10.959
<v Speaker 2>we don't treat our friends that way. Like there could

0:45:10.960 --> 0:45:14.920
<v Speaker 2>have been such a moment to model, you know, apologies.

0:45:15.239 --> 0:45:18.279
<v Speaker 2>And it's just the most below the belt insult from

0:45:18.320 --> 0:45:21.000
<v Speaker 2>another six year old you've ever heard in your life.

0:45:21.560 --> 0:45:24.200
<v Speaker 4>So disproportionate. It'd be like if someone went, oh, yeah,

0:45:24.239 --> 0:45:26.719
<v Speaker 4>well you've got something in your teeth, and then you went, yeah,

0:45:26.719 --> 0:45:28.680
<v Speaker 4>well your eyes are too close together and it makes

0:45:28.760 --> 0:45:31.319
<v Speaker 4>you look inbred and everyone laughs about it. It's like,

0:45:32.280 --> 0:45:34.840
<v Speaker 4>what are those two on the same level?

0:45:35.120 --> 0:45:39.520
<v Speaker 2>Yeah, just not. That's not it, man, that is not it.

0:45:40.680 --> 0:45:43.680
<v Speaker 2>One of the things that I noticed in this that

0:45:44.239 --> 0:45:46.600
<v Speaker 2>I hadn't at the time, because obviously I wasn't in

0:45:46.640 --> 0:45:49.480
<v Speaker 2>the scenes where you guys are coaching. But part of

0:45:49.520 --> 0:45:52.120
<v Speaker 2>me was like, oh, I wonder if it was intentional

0:45:52.840 --> 0:45:56.400
<v Speaker 2>for Carol in wardrobe to have Brooks show up at

0:45:56.440 --> 0:46:00.359
<v Speaker 2>the Little League field and address the same color as

0:46:00.400 --> 0:46:02.120
<v Speaker 2>the team's hats.

0:46:04.000 --> 0:46:04.200
<v Speaker 4>You know.

0:46:04.320 --> 0:46:05.560
<v Speaker 2>I was like, oh, it would have been cute if

0:46:05.640 --> 0:46:08.439
<v Speaker 2>Julian had had the hat on and you know, she'd

0:46:08.480 --> 0:46:10.799
<v Speaker 2>taken it off of him or something. But like, I

0:46:10.880 --> 0:46:12.680
<v Speaker 2>show up in team colors.

0:46:13.200 --> 0:46:16.920
<v Speaker 4>Well, And also it's that seemed to me felt like

0:46:17.880 --> 0:46:19.759
<v Speaker 4>we were running out of time and we weren't going

0:46:19.840 --> 0:46:21.360
<v Speaker 4>to make it back to the studio to get to

0:46:21.400 --> 0:46:24.600
<v Speaker 4>your guys's house, and so they're just like, let's just

0:46:24.640 --> 0:46:26.759
<v Speaker 4>shoot it on the field because it's odd, right, There's

0:46:27.040 --> 0:46:29.960
<v Speaker 4>there's nothing happening. Juliane is just standing on a field.

0:46:30.080 --> 0:46:32.640
<v Speaker 4>We don't know what time it is, Like, there's no

0:46:32.800 --> 0:46:36.000
<v Speaker 4>sounds of game happening. He's just randomly standing in a

0:46:36.000 --> 0:46:38.120
<v Speaker 4>field and then you just walk it. To me, it

0:46:38.120 --> 0:46:40.440
<v Speaker 4>felt like a dream sequence, like you walk up in

0:46:40.440 --> 0:46:41.480
<v Speaker 4>a flowy dress.

0:46:42.000 --> 0:46:44.239
<v Speaker 2>Yeah, it was a little dreamy, and I think that's

0:46:44.280 --> 0:46:46.520
<v Speaker 2>what they wanted. I think they wanted the romance of it.

0:46:47.000 --> 0:46:54.439
<v Speaker 2>I remember asking Greg our director, you know, like, can

0:46:54.520 --> 0:46:58.080
<v Speaker 2>you just give me what's happening here? Obviously she's gotten

0:46:58.080 --> 0:46:59.799
<v Speaker 2>the news, she wants to get dressed up, she wants

0:46:59.800 --> 0:47:02.040
<v Speaker 2>to have this sweet moment, and he was like, the

0:47:02.040 --> 0:47:05.960
<v Speaker 2>way I figure it is they've finished, They've gotten all

0:47:06.000 --> 0:47:10.440
<v Speaker 2>the kids packed up. Everybody's like just leaving the parking lot,

0:47:10.600 --> 0:47:13.120
<v Speaker 2>and Julian's taking a minute to himself to just think

0:47:13.160 --> 0:47:16.359
<v Speaker 2>about it all. You know, he's just spent a day

0:47:16.400 --> 0:47:18.640
<v Speaker 2>with all these kids and doesn't think they're ever going

0:47:18.680 --> 0:47:21.360
<v Speaker 2>to get to have one Like it's this sort of

0:47:21.440 --> 0:47:25.040
<v Speaker 2>reflection and what they wanted. And the reason they wrote

0:47:25.080 --> 0:47:28.600
<v Speaker 2>it that way is because Brook's talking about playgrounds, Julian's

0:47:28.600 --> 0:47:32.640
<v Speaker 2>coaching little league, and Jamie is giving the baseball voiceover,

0:47:32.760 --> 0:47:36.719
<v Speaker 2>and they really wanted that up and away aerial shot

0:47:36.960 --> 0:47:39.680
<v Speaker 2>of these two people getting everything they wanted on a

0:47:39.760 --> 0:47:44.720
<v Speaker 2>kid's playground that a'll make sense, Yeah, which is really sweet.

0:47:45.000 --> 0:47:46.840
<v Speaker 2>But I would have loved to have seen Brooke getting

0:47:46.880 --> 0:47:49.719
<v Speaker 2>out of her car, shutting the door, waving as like

0:47:49.800 --> 0:47:52.680
<v Speaker 2>Nathan and Jamie are driving away, just to know like

0:47:52.920 --> 0:47:56.120
<v Speaker 2>this happened right at that moment. It would have helped

0:47:56.239 --> 0:47:59.000
<v Speaker 2>tie it together. And it probably would have. I mean,

0:47:59.040 --> 0:48:01.000
<v Speaker 2>I was about to say it probably have taken four

0:48:01.040 --> 0:48:03.120
<v Speaker 2>seconds in the edit, but it probably would have taken

0:48:03.239 --> 0:48:05.160
<v Speaker 2>four hours to shoot. And they were like, we're not

0:48:05.280 --> 0:48:08.280
<v Speaker 2>doing that. It's absolutely not worth the time or money.

0:48:21.040 --> 0:48:25.560
<v Speaker 4>We have a listener question. McKenna asks, we have learned

0:48:25.560 --> 0:48:28.799
<v Speaker 4>that the titles of the episodes are song titles. How

0:48:28.840 --> 0:48:32.480
<v Speaker 4>are these picked? They were picked by the showrunner, right.

0:48:32.400 --> 0:48:37.160
<v Speaker 2>So I think so I would imagine from Yeah, I

0:48:37.160 --> 0:48:40.680
<v Speaker 2>would imagine with Lindsay Wolfington's help, because you know, this

0:48:40.760 --> 0:48:43.280
<v Speaker 2>is our music supervisor who came on a few weeks ago,

0:48:43.920 --> 0:48:47.840
<v Speaker 2>and she had, you know, files of songs that she

0:48:47.880 --> 0:48:49.920
<v Speaker 2>thought would be right for One Tree Hill. So I

0:48:49.960 --> 0:48:53.680
<v Speaker 2>would imagine there were these files of songs and then

0:48:53.719 --> 0:48:56.680
<v Speaker 2>they would look through them and think like, oh, that's

0:48:56.719 --> 0:48:59.560
<v Speaker 2>a good title, or this was my favorite song from

0:48:59.719 --> 0:49:04.000
<v Speaker 2>my college years. I have no idea. I'm spitballing, but yeah.

0:49:03.560 --> 0:49:06.440
<v Speaker 4>Well, she goes on to ask additionally, what song title

0:49:06.480 --> 0:49:08.640
<v Speaker 4>would you choose to be the title of the chapter

0:49:08.960 --> 0:49:11.000
<v Speaker 4>of life you all are in now?

0:49:12.160 --> 0:49:19.279
<v Speaker 2>WHOA, oh, oh my gosh, do you know?

0:49:20.320 --> 0:49:23.360
<v Speaker 4>I mean? I just because of the chaos on a

0:49:23.400 --> 0:49:26.239
<v Speaker 4>daily basis in my house, DMX is up in here

0:49:27.640 --> 0:49:30.759
<v Speaker 4>came into my head like that all gonna make me

0:49:30.880 --> 0:49:33.799
<v Speaker 4>lose my mind up in here. I'm here, you know.

0:49:34.440 --> 0:49:39.080
<v Speaker 2>I love that for you. I don't know why. It's

0:49:39.200 --> 0:49:44.040
<v Speaker 2>just a song that's been on repeat a lot in

0:49:44.120 --> 0:49:47.560
<v Speaker 2>our house. Is a real throwback. It's Wide Open Spaces

0:49:47.600 --> 0:49:51.600
<v Speaker 2>by the Dixie Chicks. Oh, and everybody sings along to it,

0:49:51.640 --> 0:49:55.000
<v Speaker 2>and it is a real vibe, especially like you know,

0:49:55.280 --> 0:49:59.520
<v Speaker 2>on drives upstate. Whatever. It's like. It's it's the starter

0:49:59.640 --> 0:50:03.600
<v Speaker 2>song of the playlist in Moments of Joy. So that's

0:50:03.800 --> 0:50:04.480
<v Speaker 2>that's it for me.

0:50:05.320 --> 0:50:06.279
<v Speaker 4>You got an honorable mention.

0:50:06.600 --> 0:50:07.640
<v Speaker 2>Honorable mention.

0:50:07.880 --> 0:50:11.480
<v Speaker 4>In this mind, it is just seeing Nathan be a

0:50:11.560 --> 0:50:14.560
<v Speaker 4>rad dad, specifically in that moment where he calls time

0:50:14.560 --> 0:50:16.359
<v Speaker 4>out and he goes up to Jamie. He's just like,

0:50:16.440 --> 0:50:19.760
<v Speaker 4>this is just a game, dude, you're great, have some fun.

0:50:19.920 --> 0:50:24.239
<v Speaker 2>Yes, yes, that scene him and that whole scene. I

0:50:24.719 --> 0:50:28.319
<v Speaker 2>absolutely concur the idea that he had the wherewithal to say,

0:50:28.360 --> 0:50:30.799
<v Speaker 2>it's just a game, We're going to get ice cream.

0:50:30.840 --> 0:50:33.919
<v Speaker 2>No matter what my dad always pressured me, you don't

0:50:33.920 --> 0:50:36.719
<v Speaker 2>need to feel any pressure. The fact that he's so

0:50:37.360 --> 0:50:41.560
<v Speaker 2>honest with this little boy to really make sure he's

0:50:41.560 --> 0:50:44.719
<v Speaker 2>breaking that curse and he manages to keep it light

0:50:45.480 --> 0:50:46.239
<v Speaker 2>A plus plus.

0:50:46.320 --> 0:50:50.960
<v Speaker 4>Yes, it was a perfect example of breaking a generational cycle. Yeah,

0:50:51.000 --> 0:50:52.359
<v Speaker 4>well done, Nathan.

0:50:52.040 --> 0:50:54.120
<v Speaker 2>Scott, well done.

0:50:54.680 --> 0:50:56.439
<v Speaker 4>Let's spin a wheeling get out of here.

0:50:56.760 --> 0:50:58.600
<v Speaker 2>Let's do it. Friend, it's the weekend.

0:50:58.680 --> 0:51:06.600
<v Speaker 4>We got next to eat most likely to eat a

0:51:06.680 --> 0:51:13.000
<v Speaker 4>spider because they were dared. Not me, I mean me

0:51:13.320 --> 0:51:16.719
<v Speaker 4>in real life me you would do that, well, especially

0:51:16.880 --> 0:51:20.520
<v Speaker 4>not now really but in high school? Yeah? Many kidding me?

0:51:20.560 --> 0:51:23.720
<v Speaker 4>If they got a laugh, I yeah, for sure.

0:51:24.280 --> 0:51:27.200
<v Speaker 2>Wow, hats off to you, friend, No way, like, not

0:51:27.280 --> 0:51:29.000
<v Speaker 2>only would I not do it if you dared me,

0:51:29.120 --> 0:51:32.120
<v Speaker 2>I wouldn't do it if you paid me, so.

0:51:32.160 --> 0:51:34.560
<v Speaker 4>You would not have been a good contestant on fear factor.

0:51:35.320 --> 0:51:37.440
<v Speaker 2>There is not enough money in the world that you

0:51:37.440 --> 0:51:39.960
<v Speaker 2>could pay me to go on that show. No, absolutely not,

0:51:40.239 --> 0:51:40.879
<v Speaker 2>wouldn't do it.

0:51:42.640 --> 0:51:46.880
<v Speaker 4>No, all right, you heard it here. Folks, don't ever ask,

0:51:47.160 --> 0:51:50.600
<v Speaker 4>dare or even try to bribe Sophia into eating a spider,

0:51:50.640 --> 0:51:51.800
<v Speaker 4>because it's not going to happen.

0:51:52.200 --> 0:51:55.000
<v Speaker 2>It's a no for me dog. The next episode, however,

0:51:55.120 --> 0:51:55.600
<v Speaker 2>is a yes.

0:51:55.920 --> 0:52:00.520
<v Speaker 4>Hey, Hey, we'll be.

0:52:00.520 --> 0:52:04.720
<v Speaker 2>Back with season eight, episode twenty one, Flightless Bird American Mouth.

0:52:05.400 --> 0:52:07.839
<v Speaker 4>Thanks for joining us, Bye, Tilla.

0:52:08.040 --> 0:52:10.680
<v Speaker 2>Hey, thanks for listening. Don't forget to leave us a review.

0:52:10.920 --> 0:52:14.040
<v Speaker 2>You can also follow us on Instagram at Drama Queens

0:52:14.120 --> 0:52:19.400
<v Speaker 2>oh or email us at Drama Queens at iHeartRadio dot com.

0:52:19.640 --> 0:52:24.240
<v Speaker 2>See you next time. We all about that high school drama.

0:52:24.320 --> 0:52:27.520
<v Speaker 2>Girl Drama Girl, all about them high school queens Forever.

0:52:27.840 --> 0:52:30.000
<v Speaker 2>We'll take you for a ride at our comic Girl

0:52:30.800 --> 0:52:34.399
<v Speaker 2>Cheering for the Right Teams. Drama Queenslease my girl, up

0:52:34.480 --> 0:52:36.120
<v Speaker 2>Girl Fashion with your tough girl.

0:52:36.239 --> 0:52:38.880
<v Speaker 1>You could sit with us Girl Drama Queens, Drama, Queise

0:52:38.960 --> 0:52:42.959
<v Speaker 1>Drama Queens Drama Drama Queens Drama Queens