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Speaker 1: First of all, you don't know me. All about that

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Speaker 1: high school drama Girl Drama, Girl, all about.

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Speaker 2: Them high school queens.

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Speaker 1: We'll take you for a ride, and our comic girl

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Speaker 1: sharing for the right teams, Drama.

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Speaker 3: Queens, Girl of Girl Fashion, but your tough girl, you

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Speaker 3: could sit with us.

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Speaker 1: Girl Drama, Queens, Drama, Queise Drama, Queens Drama Drama, Queens

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Speaker 1: Drama Queens.

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Speaker 4: We got our new outfits on. It's a new day.

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Speaker 4: It's a new day, and we're here for a new episode.

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Speaker 4: How you doing so high?

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Speaker 2: Snack Attack? I just came up to hid in real time.

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Speaker 4: That's got to be the name of our show.

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Speaker 2: Yes, you and I we are going to have a

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Speaker 2: food show at some point. I am manifesting it. But

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Speaker 2: I do think on days like today, when one of

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Speaker 2: the three hosts is traveling this week, it's obviously joy

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Speaker 2: and it's me and you, it's like it's DQ snack attack.

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Speaker 4: Dude, Yeah, from your lips, God's ears. You know.

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Speaker 2: Hopefully, some hopefully, some like good reality show people listen

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Speaker 2: to this, because like I don't want to be on

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Speaker 2: a reality show like a Housewives or a Love Island,

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Speaker 2: but a docu show about food give it to.

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Speaker 4: Me and Mark Brunette, who obviously listens to this show

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Speaker 4: clearly super fan. Did us up? Super fan? Oh man,

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Speaker 4: how you doing?

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Speaker 2: I'm good, buddy, how are you?

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Speaker 4: I'm doing well good. This was a fun episode man. Yeah.

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Speaker 2: I was just going to say, I'm really excited to

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Speaker 2: do this episode with you, in particular as a dad,

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Speaker 2: because this whole thing centering around Jamie's little League game

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Speaker 2: and that essentially being the theme of the episode with

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Speaker 2: his voiceover and you know, the classic baseball tale. The

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Speaker 2: whole time I was watching this to prep for today,

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Speaker 2: I was like, oh my god, I just can't wait

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Speaker 2: to talk to Rob about little League.

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Speaker 4: It was very again, very little of the show I

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Speaker 4: remember shooting. I remember a lot of this one because

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Speaker 4: this was so much fun. Yeah, I remember well because

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Speaker 4: also selfishly, I just I really enjoyed the company of

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Speaker 4: James and Austin. Yeah, and especially Austin. We very rarely

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Speaker 4: got to do anything together. So this was like an

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Speaker 4: entire day with the three of us just paling around,

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Speaker 4: you know, and doing light, silly materials. So it wasn't

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Speaker 4: like we had to be like dropped into a moment.

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Speaker 4: It was like, no, we're just gonna goof around all

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Speaker 4: day on and off camera. You know what.

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Speaker 2: That reminds me though, I got such a good hit

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Speaker 2: of that last week, and we spent so long reminiscing

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Speaker 2: with Jana. It's making me realize in real time that

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Speaker 2: we didn't talk about the opening of eight nineteen, which

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Speaker 2: was you and Austin in the car. Was that eight nineteen, Yeah,

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Speaker 2: having this conversation. You guys are in the stingray venting

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Speaker 2: about Kellerman and talking about John driving and how could

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Speaker 2: a teacher do this an ethics professor you know, know

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Speaker 2: less and did like and so going through that whole

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Speaker 2: journey together in the last episode, knowing that he resigned,

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Speaker 2: took responsibility all the foreshadowing for this one that we're

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Speaker 2: going to talk about. When that scene came up in

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Speaker 2: the beginning, I was like, God, I love seeing these

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Speaker 2: two together, and I love you know, Julian's processing this

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Speaker 2: horrible thing he witnessed and you're talking to him much

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Speaker 2: further on the other side of a horrible thing of

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Speaker 2: almost losing you know, your person and having obviously lost

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Speaker 2: your late wife, and so I don't know it. Really

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Speaker 2: it was really powerful to me in the episode last

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Speaker 2: week and then to your point, seeing you guys have

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Speaker 2: this really sweet, like joyful sort of dad adjacent uncle

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Speaker 2: experience together, it was really nice.

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Speaker 4: And also shout out to Nathan for playing Nancy Drew

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Speaker 4: and figuring the whole thing out.

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Speaker 2: Yes, oh my god.

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Speaker 4: He did it last episode. And then I think the

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Speaker 4: whole Killerman story was handled really well.

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Speaker 2: I do too.

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Speaker 4: The misdirector earlier were well done, especially last week watching

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Speaker 4: eight nineteen knowing I remembered how it you know, what

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Speaker 4: really happened, And even still I was watching when like,

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Speaker 4: oh this is it's it's really good because there's one

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Speaker 4: point where Ian is yelling at his dad at the

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Speaker 4: baseball field. I think it's in eight nineteen, and the

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Speaker 4: dad's like, I gave up my career. I gave up

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Speaker 4: my career and Ian goes, well, you shouldn't have done it,

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Speaker 4: and I and I went back and watch it. I'm like, ooh,

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Speaker 4: wait a second, this doesn't track because actually end it

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Speaker 4: and I'm like, oh no, he's saying in this context,

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Speaker 4: you shouldn't have given up your career, but it really

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Speaker 4: makes it seem like he's hammering his dad like you

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Speaker 4: shouldn't have been drinking and driving.

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Speaker 2: Yes, it was really smart.

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Speaker 4: This episode I thought was well. First of all, what

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Speaker 4: episode Rob great question me? Season eight, episode twenty The

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Speaker 4: Man Who Sailed Around His Soul Air date May third,

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Speaker 4: twenty eleven. Synopsis reads as Nathan Julian and Clay coach

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Speaker 4: Jamie's first little League game. The situation regarding the accident

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Speaker 4: comes to a head. Meanwhile, Chase asks Alex to take

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Speaker 4: a drug test for him, and Quinn gets an offer

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Speaker 4: to shoot in Puerto Rico. It's directed by Greg Prange.

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Speaker 2: Sweet Greg Prange. He he crushes, man, he crushes As

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Speaker 2: a director, he did. He always managed to give us

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Speaker 2: these episodes that were so filled with motion and emotion

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Speaker 2: and nostalgia and sweetness. And I wish we could ask

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Speaker 2: him what it was like being at this stage with

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Speaker 2: these characters, you know, as a dad directing like these

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Speaker 2: kids who essentially used to have to film being little punks,

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Speaker 2: like growing into parents. Wonder if that was cool for him.

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Speaker 4: This he did great with this episode, and this This

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Speaker 4: was a lot of fun. Yeah, there was a little

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Speaker 4: bit of whiplash just because we had so many flashbacks.

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Speaker 4: Yeah that by the time, by three quarters away through

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Speaker 4: the episode, every time they went into a medium shot

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Speaker 4: of somebody, I was like, Okay, here comes, here comes

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Speaker 4: the flashback. Where are we taking? Where are we going

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Speaker 4: with Chase on this one? Yeah, So there was a

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Speaker 4: lot of that, But dude, the storytelling worked and they

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Speaker 4: we packed so much into it, and just the runner

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Speaker 4: of Jamie's voiceover telling the story of the Mighty Casey

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Speaker 4: was so good and just all of it, like opening

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Speaker 4: with a national anthem and then we panned down to

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Speaker 4: see it's Madison playing it on her keyboard, but.

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Speaker 2: By the way, playing it on her keyboard in the

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Speaker 2: middle of the baseball field with the keyboard set to

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Speaker 2: sound like an organ, like an old timey organ. I

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Speaker 2: loved it. It was so good. I was like, what,

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Speaker 2: what's six year old? It's choosing this? But it was perfect.

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Speaker 4: Yeah, that was so much fun. You go, what would

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Speaker 4: you give me some of your your thoughts, your standouts?

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Speaker 2: Oh man, you know, I just thought they did a

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Speaker 2: really great job with all of this emotion in these episodes.

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Speaker 2: And one of the things I really like because we've

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Speaker 2: talked a lot about how sometimes horrible things happen to

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Speaker 2: our characters, and then they just you know, we jump

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Speaker 2: a month and we never speak of them again. Nobody

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Speaker 2: processes anything. And you know this was obviously prior to

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Speaker 2: you joining us for your seasons. But back in the day,

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Speaker 2: Nathan went through like horrible thing after horrible thing after

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Speaker 2: horrible thing, you know, crashed a car at full speed

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Speaker 2: like a race car on a NASCAR track and never

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Speaker 2: was sent to therapy. And so I really am loving

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Speaker 2: seeing Julian in this space of his safe male friendships

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Speaker 2: with Clay and Nathan talking about how horrible this was,

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Speaker 2: talking about what he had to see, what it was

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Speaker 2: like to watch Brooks lungs fill with water, to be

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Speaker 2: so angry at what happened to them, at almost losing Jamie,

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Speaker 2: at almost losing her, like to see a man processing

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Speaker 2: fear and suffering and it's all bubbling up now. I

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Speaker 2: love it. And I love seeing him alone at night

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Speaker 2: watching this footage. Oh my god, it's so sad. And

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Speaker 2: to recall, like from Thanksgiving, you know that he's just

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Speaker 2: been shooting everything. He shoots everything all the time, even

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Speaker 2: if we don't see it. And when he deletes that footage,

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Speaker 2: it's like no, But also, yeah, you're never gonna want

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Speaker 2: to watch that.

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Speaker 4: Yeah, it's like if you knew the end of this episode, Julian,

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Speaker 4: you wouldn't delete it. But yeah, the name of self preservation,

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Speaker 4: like you got to get rid of that. But well,

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Speaker 4: that device worked so well. That was absolutely heartbreaking that

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Speaker 4: whole Yeah again, I had no idea you got pregnant, buddy. Yeah, man,

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Speaker 4: I just assumed you guys found someone else to adopt

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Speaker 4: or there was a surrogacy. And so when the ending

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Speaker 4: comes to jump ahead, that twist got me.

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Speaker 2: Yeah.

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Speaker 4: I was so happy but so surprised by that.

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Speaker 2: Yeah, I know it was such a big deal, and

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Speaker 2: I love I love the roundabout way we get there.

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Speaker 2: You know that Chase had a thing with Kid Cutty

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Speaker 2: and then needed a favor from Alex. But then it

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Speaker 2: turns out Quinn screws up Alex's ability to do the favor,

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Speaker 2: so she goes to Julian, but Julian's at home, and

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Speaker 2: so it's brooke. It's like it's sort of a comedy

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Speaker 2: of errors. And then it has this like a really

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Speaker 2: happy ending that's so sweet.

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Speaker 4: It's like a classic heist movie. It's like like an

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Speaker 4: Ocean's eleven where they're like, yes, but wait, how did

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Speaker 4: the money end up in the bag not in the box,

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Speaker 4: and then they like flashed back to like four different

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Speaker 4: things that took place that was this episode. Yeah, I dude,

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Speaker 4: that was There were so many hurdles to get to

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Speaker 4: Brooke being pregnant that it was Brook's peak. I was like, wait,

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Speaker 4: first of all, the staging of Chase just like he

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Speaker 4: and Alex are obviously like back on, so they're clearly

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Speaker 4: like spending a lot of time, which is great. By

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Speaker 4: the way, I mean a huge Chase an Alex fan.

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Speaker 2: Same, I ship those two.

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Speaker 4: It just made me laugh that he it looked like

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Speaker 4: a clandest, like a clandestine like spy, like like an

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Speaker 4: information drop. He's at an airfield standing outside of his car.

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Speaker 4: She pulls up in her car and is like, what's up, Mike.

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Speaker 4: Why wouldn't you guys meet at one of your places?

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Speaker 2: Yeah. Also, well, here's what I thought, because it felt

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Speaker 2: like a misdirect to me because Chase was late for

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Speaker 2: the Little League game, and obviously Chuck was so sad,

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Speaker 2: and Chuck been at Trick hanging out, and then Alex

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Speaker 2: was there, and in my brain I was like, oh,

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Speaker 2: is Chase waiting on Chuck's dad? Like is he at

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Speaker 2: the airport because he's supposed to pick this guy up

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Speaker 2: because he's finally convinced him to come back to town,

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Speaker 2: and then he doesn't show up and he goes to

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Speaker 2: the game. But I was like, wait, what, why did

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Speaker 2: you You didn't just come down from a flying lesson? Yeah,

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Speaker 2: why is she meeting you? Like realizing that it had

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Speaker 2: nothing to do with Chuck at all made the airport

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Speaker 2: feel so weird to me.

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Speaker 4: Yeah, it was like someone had just watched Top Gun

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Speaker 4: and was like, we need to we need a shot

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Speaker 4: at an airfield at dusk.

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Speaker 2: Or you know. Someone in the writer's room was like,

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Speaker 2: it's been seven episodes since we mentioned Chase's pilot license

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Speaker 2: and we really need to remind people, Like what it

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Speaker 2: was such a strange choice.

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Speaker 4: Yeah, Like, if you're Alex getting a text being like

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Speaker 4: meet me at the airfield asap, you'd be like, he's

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Speaker 4: either going to murder me and hide my body, or

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Speaker 4: he's dumping me.

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Speaker 2: Or maybe proposing to me because why taking a girl,

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Speaker 2: Like like, it's so it's such an extreme place.

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Speaker 4: Yeah, it's like I am either going to become a

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Speaker 4: fiance or the subject of a dateline episode. These are

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Speaker 4: the only two scenario.

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Speaker 2: Yeah, I'm about to get thrown out of an airplane

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Speaker 2: without a parach it. It's just so silly.

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Speaker 4: It's so silly, man, that's silly.

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Speaker 2: But there were actually some moments of genuine, properly connected

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Speaker 2: levity that I loved. You know, obviously, the mystery of

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Speaker 2: the Kellerman family is big, and we're in this sad

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Speaker 2: moment that we were just talking about with Julian watching

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Speaker 2: this precious footage and it's so heartbreaking. And then Nathan

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Speaker 2: storms in and goes, is this yours and takes a

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Speaker 2: swig of his whiskey and it's ginger ale perfect.

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Speaker 4: Yeah, it's good for my tummy.

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Speaker 2: It settles the stuff. Like it just it was so

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Speaker 2: funny to me, and I actually realized in that moment,

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Speaker 2: I go, see, this is the kind of dynamic that

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Speaker 2: isn't It's not like a caricature of people. This is

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Speaker 2: a funny dynamic where Nathan wants a whiskey and Julian

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Speaker 2: wants a ginger ale. Like that's a hilarious character note.

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Speaker 2: And I just loved the moment. And then he's just

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Speaker 2: like what, goes and pours himself a drink and is

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Speaker 2: explaining his Nancy drew aha of who it was and

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Speaker 2: how he knows, and it's you know, fiddlesticks. What's it called.

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Speaker 2: I've forgotten already, Fidians, Fidians the bourbon?

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Speaker 4: Did you did? It seem odd to you that while

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Speaker 4: he is explaining and very fired up about a drinking

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Speaker 4: and driving incident, he's driving his friend's houses and immediately

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Speaker 4: starts drinking.

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Speaker 2: Yes. In my brain, I was like, maybe we need

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Speaker 2: to clarify that Nathan and Hailey and Brooke and Julian

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Speaker 2: live very close to each other because they all live

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Speaker 2: on the water. So I'm like, maybe he walked over,

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Speaker 2: maybe he rode his bike. I don't know.

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Speaker 4: Yeah, this small thing. But I found myself going like, hey, yeah,

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Speaker 4: the outrage that everyone's feeling right now is around the

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Speaker 4: very thing you are preparing to do, sir, Yes.

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Speaker 2: Yes, yes, absolutely terrible choice.

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Speaker 4: There was one other staging moment in this episode that

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Speaker 4: cracked me up. It was at Kellerman Ian Kellerman's scout. Yes,

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Speaker 4: he's throwing pitches and all of the scouts are are

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Speaker 4: flanked out around him in a straight line on the

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Speaker 4: baseball field. They're not like sitting in the stands.

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Speaker 2: It's so weird.

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Speaker 4: There's just I don't I don't know if it's because

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Speaker 4: like maybe it was like they were short on time

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Speaker 4: that day and they were like, how do we just

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Speaker 4: get this in kind of like a wonner with's light coverage?

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Speaker 4: How do we not turn around? Okay, put him all

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Speaker 4: standing next there that because that is absolutely not how

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Speaker 4: that would go. No, I want to get a good

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Speaker 4: look at this kid. I'm gonna stand behind him. What. No.

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Speaker 2: The whole thing was very strange to me because and

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Speaker 2: I'm realizing I've obviously never been to an athletic scout,

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Speaker 2: but every portrayal of one I've ever seen, the scouts

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Speaker 2: are in the stands, and I assume that's for a

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Speaker 2: reason because it's probably where the scouts go.

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Speaker 4: Yeah, I've only ever seen scouts in the stands, so

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Speaker 4: that to have them sitting like to be on the

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Speaker 4: baseball diamond with him, all right? Sure? Yeah?

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Speaker 2: I was like, what is this happening here?

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Speaker 4: I had a bit of surprising positivity for this episode

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Speaker 4: coming from me, is this was my favorite version of

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Speaker 4: the theme song in a long time. I actually listened

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Speaker 4: to the whole thing. Wait, it's like a punk pop version,

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Speaker 4: and it was delightful. It was different enough that I

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Speaker 4: was like, oh, I can get on board for this. Yeah. Great.

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Speaker 2: I was running a little late today and I was like,

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Speaker 2: don't have time for the recap, and I skipped it.

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Speaker 4: Oh well, if you go back and watch it, it's

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Speaker 4: it's a fun like punk like pop punk.

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Speaker 2: Though wait, I guess it can. Our producer Fairies tell

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Speaker 2: us who sings the song in this.

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Speaker 4: Episode, because I like you. I normally hear, well, I

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Speaker 4: like you in this episode today I usually hear like

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Speaker 4: the first two bars, I'm like.

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Speaker 2: I'm good, I'm good.

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Speaker 4: I skipped right over it. This sound was like ooh though, okay,

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Speaker 4: Oh I can listen to you against Me. It's the

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Speaker 4: name of the band. Well done against Me. You made

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Speaker 4: me fall back in love with the theme song.

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Speaker 2: Oh I love that now I want to go stream music.

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Speaker 4: One thing that this episode did, I mean, like I said,

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Speaker 4: it's so much fun and the the whole Kellerman storyline

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Speaker 4: I just thought was executed so well. And shout out

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Speaker 4: to Peter Reigert Regert, I don't know how you pronounced

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Speaker 4: his last name. Yeah, because we really got to see

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Speaker 4: that Kellerman was a layered guy. Because it was just

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Speaker 4: it was. He was doing it great, but Kellerman was

307
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Speaker 4: one note up until pretty much this episode, and then boy,

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Speaker 4: we got to see a lot of layers happening there,

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Speaker 4: and the stuff between he and Nathan was awesome.

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Speaker 2: Yeah, when he shifts from being Nathan's antagonist to all

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Speaker 2: their scenes together being two dads sort of talking across

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Speaker 2: the age divide of their sons, it's really beautiful and

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Speaker 2: in a weird way, it felt to me as a

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Speaker 2: viewer like Kellerman finally became the teacher that Nathan deserved,

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Speaker 2: you know, talking about life and loss and whether it's

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Speaker 2: right or wrong, what you'll sacrifice for your children, and

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Speaker 2: you know, all of these things that were really gorgeous.

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Speaker 2: And they're both very still actors who say a lot

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Speaker 2: when they're not talking. Even when they're not talking, I

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Speaker 2: should say, And I really enjoyed watching them just be

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Speaker 2: together and observe each other and realize that there was

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Speaker 2: so much more to the man they were speaking to

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Speaker 2: than they'd seen before. It was really nice.

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Speaker 4: Well, and they did a very very clever thing where

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Speaker 4: there was a scene on the boat at the end

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Speaker 4: with the two of them, with Nathan and August Kellerman,

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Speaker 4: and there's a great exchange where it's sort of both

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Speaker 4: of them like acknowledging their own misstep and like kind

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Speaker 4: of making a repair. But Kellerman basically goes, I apologize,

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Speaker 4: I saw you, and I just I thought you were

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Speaker 4: my son, and Nathan goes, yeah, and I thought you

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Speaker 4: were my dad. And it was it was such a

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Speaker 4: viable pay off because it's so easy to go like, oh,

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Speaker 4: they just wrote the like the jerk professor, and it's

335
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Speaker 4: like it's a trope, it's lazy. But then you see, like, no,

336
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Speaker 4: there was actually thought put into it.

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Speaker 2: Yes, yes, and you realize what you realize what each

338
00:19:36,240 --> 00:19:39,760
Speaker 2: of the of these men was triggered by and why

339
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Speaker 2: they couldn't really even make space for each other as

340
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Speaker 2: new people because they remind each other of the people

341
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Speaker 2: that have really let them down and hurt them. And

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Speaker 2: it was so cool and I loved I just loved

343
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Speaker 2: getting to learn a little bit about time us Air Kellerman,

344
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Speaker 2: because even though we don't have to talk about it,

345
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Speaker 2: they don't talk about it. Nathan has, by the happenstance

346
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Speaker 2: of his life, made a lot of time for his family,

347
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Speaker 2: and here's this man saying I had this plan with

348
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Speaker 2: my wife and I just never took the time and

349
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Speaker 2: now she's gone, so I'm going to go do this

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Speaker 2: thing for the both of us. And Nathan didn't need

351
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Speaker 2: to say anything, right, but you could see the generational

352
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Speaker 2: divide between granted they're different, but men like Dan Scott

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Speaker 2: and August Kellerman and a man like Nathan Scott.

354
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Speaker 4: Yeah, and it I don't know.

355
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Speaker 2: I just thought it was like a very powerful device.

356
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Speaker 4: Did you notice or did it bother you that Kellerman

357
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Speaker 4: has an Igloo cooler on his boat full of beer

358
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Speaker 4: and water when he's made a point of say saying

359
00:21:00,200 --> 00:21:02,399
Speaker 4: he hasn't had a drink since his wife died and

360
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Speaker 4: he is literally about to take off on the ocean

361
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Speaker 4: on a boat by himself.

362
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Speaker 2: Yeah, I really think that was It must have just

363
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Speaker 2: been a screw up on the on the prop departments part,

364
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Speaker 2: like they're so used to, Oh, character is going to

365
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Speaker 2: the boat. So we packed the cooler with the drinks

366
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Speaker 2: and the waters and the things, and I just think

367
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Speaker 2: nobody was paying attention. Or maybe it was non alcoholic

368
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Speaker 2: beer and we just never got a close up to see.

369
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Speaker 2: But either way, just don't have it in the shop.

370
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Speaker 4: Yeah, we'll just have him hand Nathan a bottle of water.

371
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Speaker 4: They're already in there. It just it was odd to

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Speaker 4: me because we went out of our way to establish

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Speaker 4: that he has not had a drop of alcohol since

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Speaker 4: his wife passed, and then he's like, oh, hey, you

375
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Speaker 4: showed up. I was about to leave with this cooler

376
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Speaker 4: of beers and sell them ill the oceans.

377
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Speaker 2: Stupid, really, like what are we doing?

378
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Speaker 4: But back to Peter Regert, to his credit, like he

379
00:21:57,160 --> 00:21:59,800
Speaker 4: did such a good job, because I actually found myself

380
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Speaker 4: feeling very sorry for August Kellerman me too that, like,

381
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Speaker 4: he clearly liked what he did and he forfeited it

382
00:22:07,760 --> 00:22:11,159
Speaker 4: for his son. But up to an episode ago, he

383
00:22:11,320 --> 00:22:14,720
Speaker 4: was just such a jerk, you know. But like, to

384
00:22:14,800 --> 00:22:18,080
Speaker 4: his credit as an actor, he was able to layer

385
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Speaker 4: in enough stuff that by the time this came and

386
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Speaker 4: the truth came out, it was like, no, no, buddy,

387
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Speaker 4: Oh you're falling on the sword for the wrong guy.

388
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Speaker 4: But you're a good guy, so you're doing it okay.

389
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Speaker 2: Falling on the sword for the wrong guy is my

390
00:22:31,560 --> 00:22:37,520
Speaker 2: perfect segue to how much I love Clay, Julian and

391
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Speaker 2: Nathan as a trio. Taking this kid out to that

392
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Speaker 2: bridge and just wailing on him. You knocking him into

393
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Speaker 2: the water. I was like, yes, Rob Austin, He's like

394
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Speaker 2: trying to drown him. And then you think Nathan's going

395
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Speaker 2: to be the one, like calm guy, and he gives

396
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Speaker 2: him a hand and then freaking punches him right in

397
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Speaker 2: the face. Like yeah, it just I loved it. I

398
00:23:03,280 --> 00:23:05,399
Speaker 2: loved how real it felt. It was. It was a

399
00:23:05,440 --> 00:23:09,520
Speaker 2: little awkward because you know what fights are ever choreographed

400
00:23:09,520 --> 00:23:12,639
Speaker 2: like they are in action movies, And I don't know,

401
00:23:12,680 --> 00:23:14,280
Speaker 2: I just loved it. I was like, these are three

402
00:23:14,359 --> 00:23:16,040
Speaker 2: dudes I would trust with my life.

403
00:23:16,240 --> 00:23:21,040
Speaker 4: Hell yes, And first of all, you gotta love dumb,

404
00:23:21,119 --> 00:23:22,960
Speaker 4: dumb killer man. He's in the car with the three

405
00:23:23,000 --> 00:23:28,000
Speaker 4: of us, the vibe is so clearly off and Julian

406
00:23:28,080 --> 00:23:30,399
Speaker 4: starts like good day for a drive, Like it's so

407
00:23:31,119 --> 00:23:33,600
Speaker 4: obvious that like, yeah, he is in a bad way

408
00:23:33,640 --> 00:23:36,320
Speaker 4: and he's just like, so where are we going? Yeah,

409
00:23:36,320 --> 00:23:39,720
Speaker 4: it's like, dude, you're in big trouble. But I loved

410
00:23:39,760 --> 00:23:46,960
Speaker 4: it when after so the scene, yeah, when Julian tackles

411
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Speaker 4: him back into the water, I just immediately I felt

412
00:23:50,440 --> 00:23:52,920
Speaker 4: like I was watching the male version of the James

413
00:23:52,920 --> 00:23:58,360
Speaker 4: Sisters fighting in the pool. Like the fight almost came

414
00:23:58,400 --> 00:24:00,160
Speaker 4: out of the water and he was like, no, we're

415
00:24:00,200 --> 00:24:04,000
Speaker 4: all staying in the water. Yeah, and I love the

416
00:24:04,040 --> 00:24:07,440
Speaker 4: punch by by Nathan So a peek behind the curtains.

417
00:24:07,920 --> 00:24:11,000
Speaker 4: When we were getting ready to shoot this scene, like

418
00:24:11,080 --> 00:24:14,480
Speaker 4: the safety coordinator came over and was like, hey, so

419
00:24:14,560 --> 00:24:16,680
Speaker 4: here's the deal. No, like, are you up to date

420
00:24:16,720 --> 00:24:20,119
Speaker 4: on your shots and stuff. It's like what And they're like,

421
00:24:20,119 --> 00:24:25,159
Speaker 4: don't worry. We're checking the the fecal contaminant level in

422
00:24:25,200 --> 00:24:29,280
Speaker 4: that river. It's just getting very close to like the threshold.

423
00:24:30,280 --> 00:24:33,119
Speaker 4: So when you go into the water, just trying to

424
00:24:33,160 --> 00:24:35,040
Speaker 4: get it like in your eyes or definitely don't get

425
00:24:35,040 --> 00:24:38,840
Speaker 4: it in your mouth. You've seen that scene, I'm supposed

426
00:24:38,840 --> 00:24:42,879
Speaker 4: to be screaming like what. So the it was like poop.

427
00:24:42,720 --> 00:24:44,640
Speaker 2: River because we were in farm country.

428
00:24:45,000 --> 00:24:47,560
Speaker 4: Yeah, it was gross. I remember the whole time. It

429
00:24:47,640 --> 00:24:49,199
Speaker 4: was like I wasn't even thinking about the scene. I

430
00:24:49,240 --> 00:24:51,000
Speaker 4: was like, don't swallow the poop. Don't swallow poop.

431
00:24:51,119 --> 00:24:52,840
Speaker 2: Oh my god, no, no, no, no, no, no, no no.

432
00:24:53,040 --> 00:24:56,680
Speaker 4: It was terrible because like, dude, you get you get sick,

433
00:24:56,800 --> 00:24:59,480
Speaker 4: sick if that happens. So, yeah, we were all putting

434
00:24:59,480 --> 00:25:01,719
Speaker 4: our and then I of course, like then Austin is

435
00:25:01,840 --> 00:25:06,920
Speaker 4: diving back in and flashing around and ian Eric had

436
00:25:06,920 --> 00:25:09,480
Speaker 4: to be like, dunked in it, dunked in it. So

437
00:25:09,560 --> 00:25:13,439
Speaker 4: it was just it was not ideal for what the

438
00:25:13,480 --> 00:25:14,439
Speaker 4: scene was going to be.

439
00:25:14,560 --> 00:25:21,440
Speaker 2: But ill, this is the thing I have to just say.

440
00:25:21,560 --> 00:25:28,160
Speaker 2: There is this like stereotype that actors, our little snowflake divas,

441
00:25:28,440 --> 00:25:31,520
Speaker 2: so sensitive, gets so taken care of, and I'm like, no,

442
00:25:31,880 --> 00:25:34,800
Speaker 2: we're the ones who get thrown in the water and

443
00:25:34,840 --> 00:25:37,840
Speaker 2: people are like, just watch your mouth because you know

444
00:25:37,880 --> 00:25:40,080
Speaker 2: you could get MRSA and maybe die, but we got

445
00:25:40,080 --> 00:25:41,320
Speaker 2: to get the shot, like.

446
00:25:41,680 --> 00:25:44,960
Speaker 4: What Yeah, Or when it's twenty degrees outside and they're

447
00:25:45,000 --> 00:25:47,280
Speaker 4: like we're going to cover you in fake blood and water.

448
00:25:47,400 --> 00:25:49,600
Speaker 4: Just lay on the ground and don't breathe.

449
00:25:49,359 --> 00:25:51,280
Speaker 2: Don't breathe, and you're like for eight hours.

450
00:25:51,160 --> 00:25:53,680
Speaker 4: You're like, oh, cool, that's it. Great, I'll keep my

451
00:25:53,760 --> 00:25:55,080
Speaker 4: hypothermia to myself.

452
00:25:55,600 --> 00:25:58,080
Speaker 2: Wow. I literally wrote down and go the three boys

453
00:25:58,119 --> 00:26:01,439
Speaker 2: look dope walking away together. I I love this And

454
00:26:01,480 --> 00:26:04,760
Speaker 2: now I'm like, I'm so sorry you had to do that.

455
00:26:05,640 --> 00:26:08,840
Speaker 4: Yeah, that was one on the page. When I read it,

456
00:26:08,880 --> 00:26:11,600
Speaker 4: I was like, this is awesome because a I'm getting

457
00:26:11,640 --> 00:26:15,000
Speaker 4: to like do a scene with my two buddies. It's redemption,

458
00:26:15,160 --> 00:26:18,200
Speaker 4: it's justice. And then I heard about the poop water

459
00:26:18,240 --> 00:26:21,880
Speaker 4: and was like, ooh, now this is just so like, Oh,

460
00:26:21,960 --> 00:26:23,800
Speaker 4: let's not get super sick and get out of here

461
00:26:23,960 --> 00:26:24,480
Speaker 4: kind of day.

462
00:26:24,800 --> 00:26:31,640
Speaker 2: Oh it's so yucky. Oh. I have something that clearly

463
00:26:31,720 --> 00:26:35,320
Speaker 2: auto corrected, and it's one line in my notes and

464
00:26:35,359 --> 00:26:39,119
Speaker 2: it says sugar is soaking and I'm like, it just

465
00:26:39,200 --> 00:26:41,680
Speaker 2: threw me so out because it's right after you guys

466
00:26:41,720 --> 00:26:45,399
Speaker 2: walking away, and I'm like, wait, what, like, what words

467
00:26:45,480 --> 00:26:48,399
Speaker 2: was I trying to type that auto corrected to those words?

468
00:26:48,400 --> 00:26:51,040
Speaker 4: I can't even Were you watching a baking show in

469
00:26:51,080 --> 00:26:51,640
Speaker 4: the background.

470
00:26:52,000 --> 00:26:56,000
Speaker 2: I didn't think so. But it's in between you guys

471
00:26:56,080 --> 00:26:59,760
Speaker 2: walking away and the note about Kellerman and Snipy Plover,

472
00:27:00,480 --> 00:27:04,199
Speaker 2: So it's got to be something on his boat. I

473
00:27:04,200 --> 00:27:09,000
Speaker 2: don't know, well what I will say, it's an interesting

474
00:27:09,080 --> 00:27:14,760
Speaker 2: cut to see these three guys being so wonderful and

475
00:27:14,800 --> 00:27:17,399
Speaker 2: standing up in the way that they can and trying

476
00:27:17,440 --> 00:27:23,000
Speaker 2: to teach this little dip a lesson. And I like that.

477
00:27:23,080 --> 00:27:27,040
Speaker 2: The next time we see Professor Kellerman, it's him and

478
00:27:27,119 --> 00:27:29,919
Speaker 2: Nathan and he's, you know, getting the boat ready obviously,

479
00:27:30,080 --> 00:27:34,720
Speaker 2: you know prop fiasco fail aside. I love that his

480
00:27:34,920 --> 00:27:37,920
Speaker 2: sort of last moment on the way out of town

481
00:27:38,080 --> 00:27:42,560
Speaker 2: is to go snipe plover. Yes it's a bird. He's

482
00:27:42,600 --> 00:27:49,600
Speaker 2: a hero, yes, yes, and he gets he gets to

483
00:27:49,600 --> 00:27:53,280
Speaker 2: have the dad moment that he deserves with the kind

484
00:27:53,320 --> 00:27:57,399
Speaker 2: of son that he deserves. Yeah, someone he can actually

485
00:27:57,480 --> 00:28:01,760
Speaker 2: pass a baton too and help out. And I just

486
00:28:01,840 --> 00:28:02,840
Speaker 2: love that so much.

487
00:28:03,800 --> 00:28:07,840
Speaker 4: Yeah, he really I forgot, but yeah, he totally becomes

488
00:28:07,840 --> 00:28:11,880
Speaker 4: a hero. Yeah that's right, man, Oh my gosh, Yeah,

489
00:28:11,920 --> 00:28:13,840
Speaker 4: I forgot that. He was the one who gave me that. Yeah,

490
00:28:13,840 --> 00:28:15,760
Speaker 4: that was a great That was a great button because

491
00:28:15,760 --> 00:28:18,800
Speaker 4: I had forgotten how that whole condo thing gets resolved.

492
00:28:18,840 --> 00:28:34,800
Speaker 4: But now I'm starting to remember where that goes, changing

493
00:28:34,840 --> 00:28:37,600
Speaker 4: gears Quinn.

494
00:28:38,120 --> 00:28:41,120
Speaker 2: Yes, that's where I was going to go. The sentence

495
00:28:41,160 --> 00:28:44,240
Speaker 2: I was starting was I gotta give props to Chantelle

496
00:28:44,720 --> 00:28:48,920
Speaker 2: because she's clearly in this like well, her and the

497
00:28:48,920 --> 00:28:51,400
Speaker 2: writers obviously it takes two to tango, but like they're

498
00:28:51,480 --> 00:28:55,600
Speaker 2: clearly in this sort of season for Quinn of letting

499
00:28:55,640 --> 00:29:00,160
Speaker 2: her lean into her quirkiness and her goofiness. And the

500
00:29:00,240 --> 00:29:02,640
Speaker 2: last episode she goes so hard in the paint with

501
00:29:02,720 --> 00:29:07,160
Speaker 2: Jana and then the freakin' Spraytan. I was like, oh

502
00:29:07,200 --> 00:29:10,880
Speaker 2: my god, girl like she was such a good sport

503
00:29:10,920 --> 00:29:14,440
Speaker 2: about it. I loved seeing Joni Shay being the woman

504
00:29:14,560 --> 00:29:18,719
Speaker 2: at the spray tan salon. So for our friends at home, Joni,

505
00:29:19,320 --> 00:29:23,400
Speaker 2: sweet dear, Joni is our hairdresser on the show, and

506
00:29:23,480 --> 00:29:26,200
Speaker 2: to have her be like, I don't I don't think

507
00:29:26,240 --> 00:29:31,320
Speaker 2: you want that one in her sweet, little, like maternal voice.

508
00:29:31,400 --> 00:29:33,520
Speaker 2: I just I loved it. It's such an easter egg

509
00:29:33,600 --> 00:29:34,880
Speaker 2: for us and for our crew.

510
00:29:35,520 --> 00:29:38,040
Speaker 5: But oh my god, you not seeing her at the

511
00:29:38,080 --> 00:29:41,200
Speaker 5: game over and over again and everyone else seeing her

512
00:29:41,240 --> 00:29:45,680
Speaker 5: and being like, dude, it's such a funny device.

513
00:29:46,480 --> 00:29:49,480
Speaker 4: Yeah, the whole gag was great. The only my own

514
00:29:49,920 --> 00:29:53,800
Speaker 4: I did have a no going like He's standing ten

515
00:29:53,840 --> 00:29:58,000
Speaker 4: feet away from her and she is enthusiastically shouting throughout

516
00:29:58,040 --> 00:30:00,400
Speaker 4: the whole game. Yeah, there is no world which you

517
00:30:00,440 --> 00:30:04,720
Speaker 4: do not recognize your partners shout. Yeah you know, but

518
00:30:04,920 --> 00:30:07,600
Speaker 4: I don't care. That was just the comedy of it

519
00:30:07,720 --> 00:30:10,800
Speaker 4: completely in the moment. I love that we get to

520
00:30:10,800 --> 00:30:15,480
Speaker 4: see everyone's reaction before Clay's. And I gotta say I

521
00:30:15,640 --> 00:30:18,680
Speaker 4: thought the moment when I see her when she comes

522
00:30:18,720 --> 00:30:20,400
Speaker 4: up and whispers in my ear and I turn around.

523
00:30:21,680 --> 00:30:23,200
Speaker 4: It's not often I watch something I do and I

524
00:30:23,200 --> 00:30:27,360
Speaker 4: go I that crushed. That was awesome. But that moment

525
00:30:27,440 --> 00:30:30,080
Speaker 4: when I see her and I turned back and like

526
00:30:30,160 --> 00:30:32,760
Speaker 4: that I thought was so freaking funny.

527
00:30:33,040 --> 00:30:38,080
Speaker 2: Yeah, you guys were so funny, just the whole thread

528
00:30:38,120 --> 00:30:39,840
Speaker 2: of it. I also, Rob, I got to give you

529
00:30:39,880 --> 00:30:43,000
Speaker 2: similar props. When you're outside in the top of the

530
00:30:43,040 --> 00:30:44,960
Speaker 2: episode working out and she tells you she booked a

531
00:30:45,000 --> 00:30:47,680
Speaker 2: job in Puerto Rico and you're like, can't go, and

532
00:30:47,720 --> 00:30:49,800
Speaker 2: then she says supermodels and you're like, I'll totally go,

533
00:30:49,920 --> 00:30:57,040
Speaker 2: can't wait. It was such a perfect comedic bit for you.

534
00:30:57,640 --> 00:30:59,200
Speaker 2: And I laughed out loud.

535
00:30:59,800 --> 00:31:03,160
Speaker 4: Ooh that's a win I did.

536
00:31:03,480 --> 00:31:05,440
Speaker 2: It's always like, yeah, when you laugh out loud and

537
00:31:05,440 --> 00:31:08,000
Speaker 2: you're alone in your house, you're like, oh, this is good.

538
00:31:08,040 --> 00:31:09,960
Speaker 2: This was really good. Huh.

539
00:31:10,000 --> 00:31:13,080
Speaker 4: This episode had so much fun in it. I thought, yeah.

540
00:31:13,480 --> 00:31:16,640
Speaker 4: I at first, I was confused. It's like, why is

541
00:31:16,720 --> 00:31:20,040
Speaker 4: Clay really feels like Clay is rushing this game, like

542
00:31:20,040 --> 00:31:24,440
Speaker 4: what's his deal? And then then it's the flashbackt quinnying,

543
00:31:24,520 --> 00:31:27,080
Speaker 4: like you're gonna get laid tonight, and then I thought,

544
00:31:27,240 --> 00:31:30,840
Speaker 4: it's the funniest thing in the world watching this guy, yes,

545
00:31:31,200 --> 00:31:33,600
Speaker 4: yell at nine year olds to speed it up, be like.

546
00:31:33,600 --> 00:31:36,720
Speaker 2: Come on, kids, hustle up, three.

547
00:31:36,240 --> 00:31:41,400
Speaker 4: Down, let's go. That was so good. And also kudos

548
00:31:41,480 --> 00:31:46,040
Speaker 4: to Chantelle because she was in a bikini in this episode,

549
00:31:46,840 --> 00:31:51,520
Speaker 4: far more than she needed to be. Yeah, you know,

550
00:31:51,600 --> 00:31:54,080
Speaker 4: which is unfortunately just something our show did. But I

551
00:31:54,080 --> 00:31:56,760
Speaker 4: feel like lately in these episodes she has been bearing

552
00:31:57,680 --> 00:31:59,960
Speaker 4: the brunt of it. And it also made me laugh

553
00:32:00,240 --> 00:32:04,840
Speaker 4: because in the scene back at their house, she is

554
00:32:04,880 --> 00:32:08,200
Speaker 4: in a bikini and she has her phone and she's

555
00:32:08,240 --> 00:32:10,520
Speaker 4: like telling Klay, like, you should get home tonight because

556
00:32:10,720 --> 00:32:11,880
Speaker 4: this is what I was waiting for it. And she

557
00:32:11,920 --> 00:32:13,880
Speaker 4: takes a picture of her like it's like a selfie

558
00:32:13,920 --> 00:32:15,840
Speaker 4: of the like her body in the bikini, and I'm

559
00:32:15,880 --> 00:32:18,880
Speaker 4: just laughing, going, like they see each other naked all

560
00:32:18,920 --> 00:32:23,800
Speaker 4: the time like that, actually, like there's nothing like the.

561
00:32:23,640 --> 00:32:26,680
Speaker 2: They're not in a long distance relationship, Like what what.

562
00:32:26,840 --> 00:32:29,720
Speaker 4: Yeah, like they probably had sex this morning. And she's like,

563
00:32:29,800 --> 00:32:31,960
Speaker 4: but also here's a picture of me kind of clothed.

564
00:32:32,640 --> 00:32:35,280
Speaker 4: It's like, yeah, he he saw it all this morning.

565
00:32:35,320 --> 00:32:38,600
Speaker 4: He's gonna see it again tonight, like that's you've already.

566
00:32:38,280 --> 00:32:41,600
Speaker 6: Done it, Like what it is really really goofy, But

567
00:32:41,680 --> 00:32:44,200
Speaker 6: it is one of those things that you realize because

568
00:32:44,240 --> 00:32:48,520
Speaker 6: the audience doesn't see what happens off camera, these devices

569
00:32:48,600 --> 00:32:50,640
Speaker 6: get created in these scenes.

570
00:32:51,360 --> 00:32:55,920
Speaker 2: But I mean, poor sweet Chantale, you know, they couldn't

571
00:32:55,960 --> 00:32:58,520
Speaker 2: put me in my underwear because I'm depressed because I've just,

572
00:32:58,840 --> 00:33:02,400
Speaker 2: you know, lost a baby, and they certainly can't do

573
00:33:02,440 --> 00:33:06,600
Speaker 2: it to Joy. She's literally just had a baby, like irl.

574
00:33:07,120 --> 00:33:12,040
Speaker 2: So I feel like Quinn got every single thing that

575
00:33:12,240 --> 00:33:15,040
Speaker 2: usually gets split up among the girls, and she she

576
00:33:15,080 --> 00:33:17,600
Speaker 2: had to be such a champ in this episode, and

577
00:33:18,480 --> 00:33:23,760
Speaker 2: I really appreciate her choice to play the spray tand

578
00:33:23,880 --> 00:33:29,040
Speaker 2: like it's so great, like she's just so oblivious and

579
00:33:28,480 --> 00:33:31,400
Speaker 2: the YouTube getting in the hot tub at the end

580
00:33:31,480 --> 00:33:35,160
Speaker 2: of the night and the die just seeping everywhere and

581
00:33:35,200 --> 00:33:36,560
Speaker 2: you don't miss a beat, and you go, if we

582
00:33:36,640 --> 00:33:40,520
Speaker 2: donk you, we can make tea. Yeah killed me because

583
00:33:40,560 --> 00:33:43,720
Speaker 2: you dead panned it and it was so funny.

584
00:33:44,360 --> 00:33:47,360
Speaker 4: Oh yeah, that whole bit. I mean, there's no vanity

585
00:33:47,360 --> 00:33:50,800
Speaker 4: in comedy and she knows it, and she just goes

586
00:33:50,840 --> 00:33:54,560
Speaker 4: for broke man all of her stuff. She's never she's

587
00:33:54,640 --> 00:33:57,560
Speaker 4: never holding back to try to like save face. And

588
00:33:57,960 --> 00:34:02,480
Speaker 4: I mean this the Panther, The Panther. The Panther is

589
00:34:03,760 --> 00:34:06,480
Speaker 4: no exception. Man, the whole bit was so good and

590
00:34:06,600 --> 00:34:10,640
Speaker 4: just we're outside, We're at a park, it's kids playing baseball.

591
00:34:11,640 --> 00:34:15,520
Speaker 4: There was also there's like no fat on this episode.

592
00:34:15,560 --> 00:34:18,879
Speaker 4: It's like every second was used for a piece of storytelling.

593
00:34:19,040 --> 00:34:23,160
Speaker 2: You know, there was no filler, no it and everything

594
00:34:23,320 --> 00:34:28,000
Speaker 2: was charming or funny or really heartfelt. Like the fact

595
00:34:28,120 --> 00:34:31,160
Speaker 2: that the Little League game and the lead up to

596
00:34:31,200 --> 00:34:33,840
Speaker 2: Puerto Rico and the Tanning joke is in the same

597
00:34:33,920 --> 00:34:37,799
Speaker 2: episode that Nathan is solving a mystery with Clay and

598
00:34:37,880 --> 00:34:40,879
Speaker 2: Julian about Kellerman. You're like, how's that going to work?

599
00:34:41,160 --> 00:34:45,000
Speaker 2: And it works mm hmm, it works really really well.

600
00:34:45,239 --> 00:34:48,760
Speaker 2: And what I will say I really appreciate in terms

601
00:34:48,840 --> 00:34:52,960
Speaker 2: of the arcs of all these characters. I really like that,

602
00:34:53,040 --> 00:34:58,040
Speaker 2: despite how sad Brooke and Julian are, that they gave

603
00:34:58,320 --> 00:35:02,600
Speaker 2: Brooke and Hayley a moment of humor about it. And

604
00:35:02,640 --> 00:35:06,959
Speaker 2: it's not Gallows humor, it's not that dark. But even

605
00:35:07,000 --> 00:35:10,279
Speaker 2: the fact that we believe at this point the Brook

606
00:35:10,320 --> 00:35:12,400
Speaker 2: and Julian are going to take this opportunity. They're going

607
00:35:12,480 --> 00:35:15,280
Speaker 2: to go to New York. You know, close over bros

608
00:35:15,280 --> 00:35:18,520
Speaker 2: has essentially been her baby, and they're going to sort

609
00:35:18,560 --> 00:35:22,600
Speaker 2: of reconstitute their life plans. And so Brooke wants to

610
00:35:22,640 --> 00:35:26,319
Speaker 2: take this sign to Haley from Karen's, you know, this

611
00:35:26,480 --> 00:35:29,640
Speaker 2: moment of the childhood she's gonna leave behind, but cracks

612
00:35:29,640 --> 00:35:31,520
Speaker 2: a joke like I'm gonna give you the last remnants

613
00:35:31,520 --> 00:35:35,759
Speaker 2: of Karen's Cafe for Lydia straight up, and it's like

614
00:35:36,560 --> 00:35:40,160
Speaker 2: they they play a bit about the saddest thing that's

615
00:35:40,280 --> 00:35:43,279
Speaker 2: just happened to Brooke, but like, that's best friendship is

616
00:35:43,360 --> 00:35:45,680
Speaker 2: laughing with each other through your sadness.

617
00:35:46,200 --> 00:35:50,719
Speaker 4: Okay, but help me understand this because we haven't ever

618
00:35:50,800 --> 00:35:53,799
Speaker 4: seen them on camera talking about it, have we. I

619
00:35:53,920 --> 00:35:55,920
Speaker 4: was confused because when I saw that, I was confused

620
00:35:55,960 --> 00:35:58,759
Speaker 4: to I went, oh, she still hasn't, which is fair.

621
00:35:58,840 --> 00:36:01,560
Speaker 4: She's letting Haley like have her experience of beeting mom

622
00:36:01,560 --> 00:36:03,719
Speaker 4: and not making about her. But to me that was

623
00:36:05,520 --> 00:36:07,960
Speaker 4: that was a joke, but like Haley wasn't really in

624
00:36:08,080 --> 00:36:08,960
Speaker 4: on the subtext.

625
00:36:09,239 --> 00:36:13,279
Speaker 2: So the way that I made sense of that is

626
00:36:13,960 --> 00:36:20,560
Speaker 2: because Julian has told Nathan and Clay, and then obviously

627
00:36:21,040 --> 00:36:25,200
Speaker 2: that night at the hospital, Nathan's the one who goes Brooke,

628
00:36:25,200 --> 00:36:27,840
Speaker 2: are you okay? And I say like, I'm just so

629
00:36:27,880 --> 00:36:32,239
Speaker 2: happy for you guys. My assumption is that the next day,

630
00:36:33,680 --> 00:36:37,359
Speaker 2: again off camera stuff, but I'm assuming that Nathan is like, hey,

631
00:36:37,400 --> 00:36:40,000
Speaker 2: what's the deal with the baby, and Julian's like, oh,

632
00:36:40,040 --> 00:36:43,200
Speaker 2: we didn't want to tell you. Same night, like the

633
00:36:43,239 --> 00:36:47,759
Speaker 2: woman renegged, she backed out. So I assume I have

634
00:36:47,840 --> 00:36:51,319
Speaker 2: to assume now that three episodes later, Haley does know,

635
00:36:53,160 --> 00:36:55,880
Speaker 2: and they're all trying to like make the best of it,

636
00:36:55,920 --> 00:36:59,000
Speaker 2: because there's no way Nathan's not going to tell Hailey like, hey, FYI,

637
00:36:59,120 --> 00:37:01,799
Speaker 2: this happened. You know. I want you to be able

638
00:37:02,160 --> 00:37:03,280
Speaker 2: to take care of your friend.

639
00:37:04,200 --> 00:37:08,440
Speaker 4: It just feels like a big scene we should have

640
00:37:08,480 --> 00:37:09,040
Speaker 4: seen on cam.

641
00:37:09,200 --> 00:37:14,279
Speaker 2: I a big moment fully agree, fully agree, and it

642
00:37:14,360 --> 00:37:16,600
Speaker 2: is It's one of those things that's missing, right. It's like,

643
00:37:17,400 --> 00:37:19,320
Speaker 2: that's a big scene we should have seen on camera.

644
00:37:19,400 --> 00:37:21,719
Speaker 2: At the end of this episode when we do the

645
00:37:21,719 --> 00:37:25,279
Speaker 2: big reveal and that it was Alex and Brooke who

646
00:37:25,440 --> 00:37:29,359
Speaker 2: did the swap, and you know, Alex the person who

647
00:37:29,360 --> 00:37:34,840
Speaker 2: betrayed Brooks, so much, especially like using this fertility journey

648
00:37:34,880 --> 00:37:38,280
Speaker 2: against her winds up being the person that like gets

649
00:37:38,320 --> 00:37:41,360
Speaker 2: to have this surprise with her. What I would have

650
00:37:41,440 --> 00:37:45,880
Speaker 2: given to see Brooke and Alex have that.

651
00:37:45,880 --> 00:37:47,240
Speaker 4: That would have been great, man.

652
00:37:47,280 --> 00:37:50,640
Speaker 2: Right, Which is actually a perfect moment to say, we

653
00:37:50,719 --> 00:37:53,000
Speaker 2: knew this was coming, And obviously we had Janna on

654
00:37:53,040 --> 00:37:54,759
Speaker 2: the show last week and she couldn't be with us

655
00:37:54,800 --> 00:37:58,279
Speaker 2: this week, so we did do a little cheets key

656
00:37:58,360 --> 00:38:00,200
Speaker 2: and ask her to skip ahead and talk to us

657
00:38:00,200 --> 00:38:03,240
Speaker 2: about that scene. So can our lovely producers plug Jenna's

658
00:38:03,280 --> 00:38:06,920
Speaker 2: audio in for us for a second? Jenna, I am

659
00:38:07,000 --> 00:38:11,160
Speaker 2: dying to know with the whole p test, drug Test, Kid, Cuddy, Quinn,

660
00:38:11,480 --> 00:38:16,200
Speaker 2: Pop Brownie, Brooke, Julian thing, did you know in eight

661
00:38:16,360 --> 00:38:19,480
Speaker 2: nineteen when you were doing the drug test storyline what

662
00:38:19,640 --> 00:38:20,040
Speaker 2: was coming?

663
00:38:20,640 --> 00:38:23,560
Speaker 3: I had. I had no idea anything until I got

664
00:38:23,600 --> 00:38:27,160
Speaker 3: the script. I knew nothing yet.

665
00:38:27,280 --> 00:38:29,720
Speaker 4: When you were reading it at first and it seems

666
00:38:29,760 --> 00:38:33,399
Speaker 4: like it's alex Is the one who's pregnant. Yes, what

667
00:38:33,480 --> 00:38:35,040
Speaker 4: was your reaction again?

668
00:38:35,320 --> 00:38:37,840
Speaker 3: I just feel like it was It's like reading it,

669
00:38:37,880 --> 00:38:39,640
Speaker 3: you know, you want to know what happens, right, You

670
00:38:39,640 --> 00:38:40,759
Speaker 3: want to get to the end of the book and

671
00:38:41,080 --> 00:38:45,000
Speaker 3: figure it out. I knew in my gut it wasn't me,

672
00:38:47,440 --> 00:38:52,800
Speaker 3: and knowing what the storyline with Brook has been, it

673
00:38:52,800 --> 00:38:56,200
Speaker 3: would make sense because of the loss, you know, because

674
00:38:56,200 --> 00:38:59,799
Speaker 3: of the struggle and the all of that. So yeah,

675
00:39:00,640 --> 00:39:02,640
Speaker 3: I wanted and hoped that it was her.

676
00:39:03,320 --> 00:39:06,520
Speaker 2: What I really loved and what I wish they'd let

677
00:39:06,680 --> 00:39:11,000
Speaker 2: us have is that because we were doing flashbacks to

678
00:39:11,040 --> 00:39:13,480
Speaker 2: certain things in these episodes, and maybe after all the

679
00:39:13,520 --> 00:39:17,400
Speaker 2: car crash flashbacks in eight nineteen, they didn't want to

680
00:39:17,400 --> 00:39:20,439
Speaker 2: do flashbacks in eight twenty. But I wish we could

681
00:39:20,440 --> 00:39:22,839
Speaker 2: have cut to you coming to the house and us

682
00:39:22,920 --> 00:39:28,560
Speaker 2: doing this thing together, because the crux of this fertility

683
00:39:28,640 --> 00:39:33,000
Speaker 2: journey for her was punctuated by you know, Brook's feeling

684
00:39:33,000 --> 00:39:37,319
Speaker 2: of betrayal that Julian told Alex, and I loved at

685
00:39:37,320 --> 00:39:40,240
Speaker 2: the end that it was actually Alex who helps Brook

686
00:39:40,280 --> 00:39:44,279
Speaker 2: figure it out. Like I loved that for our characters,

687
00:39:44,560 --> 00:39:47,360
Speaker 2: and I don't know it really like it made me

688
00:39:47,400 --> 00:39:50,799
Speaker 2: feel kind of emo. And I wish we'd gotten a

689
00:39:50,800 --> 00:39:54,239
Speaker 2: flashback moment of being in the bathroom, like paying in a.

690
00:39:54,160 --> 00:39:57,040
Speaker 3: Cup together because that would have really just solidified our

691
00:39:57,600 --> 00:40:00,440
Speaker 3: bond too. Yes, you know, the characters stuff. So I

692
00:40:01,040 --> 00:40:02,960
Speaker 3: agree with you that would that's a miss on their

693
00:40:03,000 --> 00:40:03,640
Speaker 3: part for sure.

694
00:40:04,080 --> 00:40:06,720
Speaker 2: Yeah, I would have liked that. But oh my gosh,

695
00:40:06,840 --> 00:40:09,080
Speaker 2: did you Did you flip to the end of the

696
00:40:09,120 --> 00:40:11,080
Speaker 2: episode to figure it out or were you just like

697
00:40:11,120 --> 00:40:11,759
Speaker 2: wait what? Wait?

698
00:40:11,760 --> 00:40:11,840
Speaker 4: What?

699
00:40:11,960 --> 00:40:13,439
Speaker 2: Wait? What every page you turn?

700
00:40:13,600 --> 00:40:15,960
Speaker 3: No, I'm always a read the last page. It's really bad.

701
00:40:16,080 --> 00:40:19,279
Speaker 3: It's a really terrible trait. Like, it's really bad. When

702
00:40:19,280 --> 00:40:22,080
Speaker 3: I was watching Bridgerton the first season, I had to

703
00:40:22,080 --> 00:40:23,919
Speaker 3: know if they got together, so I watched the first

704
00:40:23,920 --> 00:40:25,920
Speaker 3: in the last episode, I just had to do it.

705
00:40:26,080 --> 00:40:29,120
Speaker 3: I'm terrible. It's awful. It's a really bad quality of mine.

706
00:40:29,400 --> 00:40:30,840
Speaker 4: Can you still enjoy the middle?

707
00:40:31,360 --> 00:40:32,000
Speaker 2: Absolutely?

708
00:40:32,040 --> 00:40:34,320
Speaker 3: I enjoyed, and I soak it in knowing that everything's

709
00:40:34,360 --> 00:40:36,320
Speaker 3: going to be okay, and I'm so afraid of the

710
00:40:36,320 --> 00:40:38,399
Speaker 3: bottom falling out all the time that I just want

711
00:40:38,400 --> 00:40:40,319
Speaker 3: to make sure everything's going to be fine and then

712
00:40:40,360 --> 00:40:43,960
Speaker 3: I can just enjoy them and not have that like stress.

713
00:40:44,200 --> 00:40:47,520
Speaker 2: I actually think that's genius. It's like, the reason everyone

714
00:40:47,600 --> 00:40:50,480
Speaker 2: during the pandemic started watching comfort shows is because no

715
00:40:50,520 --> 00:40:54,200
Speaker 2: one wanted to be surprised. So you're figuring out how

716
00:40:54,239 --> 00:40:57,719
Speaker 2: to watch new shows but make them feel comforting and

717
00:40:57,800 --> 00:40:58,719
Speaker 2: I love that.

718
00:41:00,120 --> 00:41:03,560
Speaker 4: Here's a question if, like, I don't know how Bridgriton goes, right,

719
00:41:03,560 --> 00:41:05,239
Speaker 4: But let's say you watched the first you're like, well shit,

720
00:41:05,320 --> 00:41:06,879
Speaker 4: and I got to watch the last, and you watch

721
00:41:06,960 --> 00:41:09,600
Speaker 4: the last and the couple you're rooting for are not together.

722
00:41:10,160 --> 00:41:12,319
Speaker 4: Do you bail on the series or can you still

723
00:41:12,360 --> 00:41:15,200
Speaker 4: watch it? But you just like adjust your expectations.

724
00:41:15,520 --> 00:41:18,839
Speaker 2: I'd probably bail, Okay, Yeah, I like it?

725
00:41:19,000 --> 00:41:21,160
Speaker 4: Did you? Oh my god, you've been hilarious. If you

726
00:41:21,160 --> 00:41:23,040
Speaker 4: watch the first episode of Game of Thrones and you're like,

727
00:41:23,080 --> 00:41:25,080
Speaker 4: this is my show, and then you jump to the

728
00:41:25,160 --> 00:41:28,200
Speaker 4: last one and you see John Snow killing her spoiler alert,

729
00:41:28,200 --> 00:41:30,120
Speaker 4: and you're like, well this show.

730
00:41:31,080 --> 00:41:32,960
Speaker 3: Honestly, I watched one episode and I was like, I

731
00:41:32,960 --> 00:41:35,760
Speaker 3: don't understand anything, and I'm not into dragons or whatever.

732
00:41:35,840 --> 00:41:36,640
Speaker 3: This stuff is so.

733
00:41:38,760 --> 00:41:43,000
Speaker 2: Okay, I'm going to confess I've literally never seen an episode.

734
00:41:43,120 --> 00:41:44,880
Speaker 4: I'm not going to be one of those people who gasps,

735
00:41:45,120 --> 00:41:47,680
Speaker 4: you know good. I'm sure you were using your time

736
00:41:47,719 --> 00:41:48,960
Speaker 4: for something great.

737
00:41:49,760 --> 00:41:52,319
Speaker 3: Yeah, I mean yeah, I was like one and done.

738
00:41:52,640 --> 00:41:55,799
Speaker 2: Yeah, by the time it got to the end and

739
00:41:55,840 --> 00:41:59,120
Speaker 2: everyone was so into it. I remember one of my

740
00:41:59,200 --> 00:42:01,240
Speaker 2: friends and I were like, well, maybe we should start,

741
00:42:01,760 --> 00:42:04,399
Speaker 2: and we we tried, and I was like, I don't care.

742
00:42:05,000 --> 00:42:05,680
Speaker 2: I just don't care.

743
00:42:06,360 --> 00:42:08,000
Speaker 3: I did that with the Yellowstone. I just binge the

744
00:42:08,080 --> 00:42:09,719
Speaker 3: entire thing at the very end. I did the same

745
00:42:09,760 --> 00:42:11,640
Speaker 3: thing with Ted Lasso. Everyone was like, we love Ted last.

746
00:42:11,640 --> 00:42:15,560
Speaker 3: So I like to watch things after the crazy things. Yeah, yeah, yeah,

747
00:42:15,800 --> 00:42:16,759
Speaker 3: but I loved both of those.

748
00:42:17,200 --> 00:42:17,879
Speaker 2: Those are good.

749
00:42:18,120 --> 00:42:22,160
Speaker 4: I will say oiled by binging. We we watched Survivor

750
00:42:22,160 --> 00:42:24,040
Speaker 4: here and so we saw that there was a new season,

751
00:42:24,520 --> 00:42:27,239
Speaker 4: not realizing it hadn't wrapped yet, and so we would

752
00:42:27,280 --> 00:42:29,960
Speaker 4: get like three quarters of the way through and then

753
00:42:30,000 --> 00:42:32,120
Speaker 4: all of a sudden, I have to wait a week

754
00:42:32,239 --> 00:42:34,799
Speaker 4: for a new episode, and I'm like, what kind of

755
00:42:35,320 --> 00:42:36,160
Speaker 4: BS is this?

756
00:42:36,640 --> 00:42:39,560
Speaker 3: Like it's bad, it's fresh hell, and I can't last

757
00:42:39,560 --> 00:42:41,000
Speaker 3: because we're a love is blind house.

758
00:42:41,040 --> 00:42:45,400
Speaker 2: So very well, it's good. I like the UK the best.

759
00:42:46,840 --> 00:42:49,239
Speaker 2: Oh my god, I love it. I love it.

760
00:42:51,120 --> 00:42:54,600
Speaker 4: Oh man, that was such a fun ride I had.

761
00:42:55,320 --> 00:42:58,080
Speaker 4: I had no idea where it was going. I was like,

762
00:42:58,120 --> 00:43:01,520
Speaker 4: it's in my notes. All cabs, Oh that was Alex's

763
00:43:01,560 --> 00:43:06,320
Speaker 4: p Next wait whose pea? Was it? Next one? All caps?

764
00:43:06,440 --> 00:43:07,600
Speaker 4: No way Brooke is pregnant.

765
00:43:07,640 --> 00:43:10,160
Speaker 5: Yeah yeah, yeah, yeah yeah yeah yeah yeah.

766
00:43:10,200 --> 00:43:11,080
Speaker 4: I loved the ride.

767
00:43:11,800 --> 00:43:14,800
Speaker 2: I did too, I did too. And and the irony

768
00:43:14,960 --> 00:43:18,120
Speaker 2: is when this whole drug testing thing was happening, I

769
00:43:18,280 --> 00:43:21,680
Speaker 2: forgot that that's how we found out. I was like,

770
00:43:21,760 --> 00:43:23,240
Speaker 2: what is this all about?

771
00:43:23,840 --> 00:43:26,880
Speaker 4: Also that we laid no, we laid no groundwork for

772
00:43:26,920 --> 00:43:28,960
Speaker 4: the whole drug test that we only learned about that

773
00:43:29,520 --> 00:43:32,279
Speaker 4: when Chase referenced it to Alex, right, or might did

774
00:43:32,280 --> 00:43:32,880
Speaker 4: I miss something?

775
00:43:33,160 --> 00:43:36,719
Speaker 2: Well? He asks her to help him. He asks her

776
00:43:36,800 --> 00:43:39,960
Speaker 2: questions about it, so it's their runner through the episode,

777
00:43:40,040 --> 00:43:42,319
Speaker 2: that's right. You know, She's like, no, I know all

778
00:43:42,360 --> 00:43:44,319
Speaker 2: about it. Obviously she has to like do all these

779
00:43:44,320 --> 00:43:46,400
Speaker 2: things because she went to rehabits, how she gets insured

780
00:43:46,400 --> 00:43:50,560
Speaker 2: as an actor, all the whatever. But I forget when

781
00:43:50,600 --> 00:43:53,439
Speaker 2: he is like, I needed to do the drug test

782
00:43:53,480 --> 00:43:56,239
Speaker 2: to apply to the Air Force, I was like, wait,

783
00:43:56,400 --> 00:43:59,480
Speaker 2: what Chase is going to the Air Force. It threw

784
00:43:59,520 --> 00:44:03,319
Speaker 2: me for such a loop that I literally forgot that.

785
00:44:03,440 --> 00:44:06,360
Speaker 2: It was this sort of cartwheeling whose pea is at story?

786
00:44:06,440 --> 00:44:09,920
Speaker 2: By the end, I was so in their storyline that

787
00:44:09,960 --> 00:44:11,440
Speaker 2: I forgot I had anything to do with it.

788
00:44:11,760 --> 00:44:15,920
Speaker 4: Yeah, it was great and the Mighty Casey voiceover with

789
00:44:16,040 --> 00:44:19,279
Speaker 4: a twist, and Jamie actually getting the hit. All of

790
00:44:19,280 --> 00:44:22,840
Speaker 4: that was great. Dude, Speaking of Jamie and hits, how

791
00:44:23,080 --> 00:44:27,040
Speaker 4: savage is he to Chuck in the dugout? When Chuck goes,

792
00:44:27,239 --> 00:44:31,200
Speaker 4: you hit like my mom and he says, oh really,

793
00:44:31,360 --> 00:44:34,600
Speaker 4: let's go ask her. Oh that's right, she's not here.

794
00:44:36,160 --> 00:44:37,880
Speaker 2: That was gnarly.

795
00:44:37,960 --> 00:44:41,000
Speaker 4: Wait to sweep the leg kid, Cheez Louise.

796
00:44:41,480 --> 00:44:46,279
Speaker 2: Yeah, yeah, for Chuck, I did. I did make a

797
00:44:46,320 --> 00:44:49,919
Speaker 2: note though that. And this is that sad thing where

798
00:44:49,920 --> 00:44:53,719
Speaker 2: you wish the adults were within earshot because Chuck is

799
00:44:53,760 --> 00:44:56,200
Speaker 2: being mean to Jamie and Jamie's sick of it. So

800
00:44:56,320 --> 00:44:59,320
Speaker 2: Jamie then hits back at Chuck. But it's so below

801
00:44:59,360 --> 00:45:01,600
Speaker 2: the belt and all this would be such a teaching

802
00:45:01,640 --> 00:45:05,520
Speaker 2: moment for the wonderful men on our show to go, hey, hey,

803
00:45:06,360 --> 00:45:08,440
Speaker 2: we don't do that. We don't treat our teammates that way,

804
00:45:08,480 --> 00:45:10,959
Speaker 2: we don't treat our friends that way. Like there could

805
00:45:10,960 --> 00:45:14,920
Speaker 2: have been such a moment to model, you know, apologies.

806
00:45:15,239 --> 00:45:18,279
Speaker 2: And it's just the most below the belt insult from

807
00:45:18,320 --> 00:45:21,000
Speaker 2: another six year old you've ever heard in your life.

808
00:45:21,560 --> 00:45:24,200
Speaker 4: So disproportionate. It'd be like if someone went, oh, yeah,

809
00:45:24,239 --> 00:45:26,719
Speaker 4: well you've got something in your teeth, and then you went, yeah,

810
00:45:26,719 --> 00:45:28,680
Speaker 4: well your eyes are too close together and it makes

811
00:45:28,760 --> 00:45:31,319
Speaker 4: you look inbred and everyone laughs about it. It's like,

812
00:45:32,280 --> 00:45:34,840
Speaker 4: what are those two on the same level?

813
00:45:35,120 --> 00:45:39,520
Speaker 2: Yeah, just not. That's not it, man, that is not it.

814
00:45:40,680 --> 00:45:43,680
Speaker 2: One of the things that I noticed in this that

815
00:45:44,239 --> 00:45:46,600
Speaker 2: I hadn't at the time, because obviously I wasn't in

816
00:45:46,640 --> 00:45:49,480
Speaker 2: the scenes where you guys are coaching. But part of

817
00:45:49,520 --> 00:45:52,120
Speaker 2: me was like, oh, I wonder if it was intentional

818
00:45:52,840 --> 00:45:56,400
Speaker 2: for Carol in wardrobe to have Brooks show up at

819
00:45:56,440 --> 00:46:00,359
Speaker 2: the Little League field and address the same color as

820
00:46:00,400 --> 00:46:02,120
Speaker 2: the team's hats.

821
00:46:04,000 --> 00:46:04,200
Speaker 4: You know.

822
00:46:04,320 --> 00:46:05,560
Speaker 2: I was like, oh, it would have been cute if

823
00:46:05,640 --> 00:46:08,439
Speaker 2: Julian had had the hat on and you know, she'd

824
00:46:08,480 --> 00:46:10,799
Speaker 2: taken it off of him or something. But like, I

825
00:46:10,880 --> 00:46:12,680
Speaker 2: show up in team colors.

826
00:46:13,200 --> 00:46:16,920
Speaker 4: Well, And also it's that seemed to me felt like

827
00:46:17,880 --> 00:46:19,759
Speaker 4: we were running out of time and we weren't going

828
00:46:19,840 --> 00:46:21,360
Speaker 4: to make it back to the studio to get to

829
00:46:21,400 --> 00:46:24,600
Speaker 4: your guys's house, and so they're just like, let's just

830
00:46:24,640 --> 00:46:26,759
Speaker 4: shoot it on the field because it's odd, right, There's

831
00:46:27,040 --> 00:46:29,960
Speaker 4: there's nothing happening. Juliane is just standing on a field.

832
00:46:30,080 --> 00:46:32,640
Speaker 4: We don't know what time it is, Like, there's no

833
00:46:32,800 --> 00:46:36,000
Speaker 4: sounds of game happening. He's just randomly standing in a

834
00:46:36,000 --> 00:46:38,120
Speaker 4: field and then you just walk it. To me, it

835
00:46:38,120 --> 00:46:40,440
Speaker 4: felt like a dream sequence, like you walk up in

836
00:46:40,440 --> 00:46:41,480
Speaker 4: a flowy dress.

837
00:46:42,000 --> 00:46:44,239
Speaker 2: Yeah, it was a little dreamy, and I think that's

838
00:46:44,280 --> 00:46:46,520
Speaker 2: what they wanted. I think they wanted the romance of it.

839
00:46:47,000 --> 00:46:54,439
Speaker 2: I remember asking Greg our director, you know, like, can

840
00:46:54,520 --> 00:46:58,080
Speaker 2: you just give me what's happening here? Obviously she's gotten

841
00:46:58,080 --> 00:46:59,799
Speaker 2: the news, she wants to get dressed up, she wants

842
00:46:59,800 --> 00:47:02,040
Speaker 2: to have this sweet moment, and he was like, the

843
00:47:02,040 --> 00:47:05,960
Speaker 2: way I figure it is they've finished, They've gotten all

844
00:47:06,000 --> 00:47:10,440
Speaker 2: the kids packed up. Everybody's like just leaving the parking lot,

845
00:47:10,600 --> 00:47:13,120
Speaker 2: and Julian's taking a minute to himself to just think

846
00:47:13,160 --> 00:47:16,359
Speaker 2: about it all. You know, he's just spent a day

847
00:47:16,400 --> 00:47:18,640
Speaker 2: with all these kids and doesn't think they're ever going

848
00:47:18,680 --> 00:47:21,360
Speaker 2: to get to have one Like it's this sort of

849
00:47:21,440 --> 00:47:25,040
Speaker 2: reflection and what they wanted. And the reason they wrote

850
00:47:25,080 --> 00:47:28,600
Speaker 2: it that way is because Brook's talking about playgrounds, Julian's

851
00:47:28,600 --> 00:47:32,640
Speaker 2: coaching little league, and Jamie is giving the baseball voiceover,

852
00:47:32,760 --> 00:47:36,719
Speaker 2: and they really wanted that up and away aerial shot

853
00:47:36,960 --> 00:47:39,680
Speaker 2: of these two people getting everything they wanted on a

854
00:47:39,760 --> 00:47:44,720
Speaker 2: kid's playground that a'll make sense, Yeah, which is really sweet.

855
00:47:45,000 --> 00:47:46,840
Speaker 2: But I would have loved to have seen Brooke getting

856
00:47:46,880 --> 00:47:49,719
Speaker 2: out of her car, shutting the door, waving as like

857
00:47:49,800 --> 00:47:52,680
Speaker 2: Nathan and Jamie are driving away, just to know like

858
00:47:52,920 --> 00:47:56,120
Speaker 2: this happened right at that moment. It would have helped

859
00:47:56,239 --> 00:47:59,000
Speaker 2: tie it together. And it probably would have. I mean,

860
00:47:59,040 --> 00:48:01,000
Speaker 2: I was about to say it probably have taken four

861
00:48:01,040 --> 00:48:03,120
Speaker 2: seconds in the edit, but it probably would have taken

862
00:48:03,239 --> 00:48:05,160
Speaker 2: four hours to shoot. And they were like, we're not

863
00:48:05,280 --> 00:48:08,280
Speaker 2: doing that. It's absolutely not worth the time or money.

864
00:48:21,040 --> 00:48:25,560
Speaker 4: We have a listener question. McKenna asks, we have learned

865
00:48:25,560 --> 00:48:28,799
Speaker 4: that the titles of the episodes are song titles. How

866
00:48:28,840 --> 00:48:32,480
Speaker 4: are these picked? They were picked by the showrunner, right.

867
00:48:32,400 --> 00:48:37,160
Speaker 2: So I think so I would imagine from Yeah, I

868
00:48:37,160 --> 00:48:40,680
Speaker 2: would imagine with Lindsay Wolfington's help, because you know, this

869
00:48:40,760 --> 00:48:43,280
Speaker 2: is our music supervisor who came on a few weeks ago,

870
00:48:43,920 --> 00:48:47,840
Speaker 2: and she had, you know, files of songs that she

871
00:48:47,880 --> 00:48:49,920
Speaker 2: thought would be right for One Tree Hill. So I

872
00:48:49,960 --> 00:48:53,680
Speaker 2: would imagine there were these files of songs and then

873
00:48:53,719 --> 00:48:56,680
Speaker 2: they would look through them and think like, oh, that's

874
00:48:56,719 --> 00:48:59,560
Speaker 2: a good title, or this was my favorite song from

875
00:48:59,719 --> 00:49:04,000
Speaker 2: my college years. I have no idea. I'm spitballing, but yeah.

876
00:49:03,560 --> 00:49:06,440
Speaker 4: Well, she goes on to ask additionally, what song title

877
00:49:06,480 --> 00:49:08,640
Speaker 4: would you choose to be the title of the chapter

878
00:49:08,960 --> 00:49:11,000
Speaker 4: of life you all are in now?

879
00:49:12,160 --> 00:49:19,279
Speaker 2: WHOA, oh, oh my gosh, do you know?

880
00:49:20,320 --> 00:49:23,360
Speaker 4: I mean? I just because of the chaos on a

881
00:49:23,400 --> 00:49:26,239
Speaker 4: daily basis in my house, DMX is up in here

882
00:49:27,640 --> 00:49:30,759
Speaker 4: came into my head like that all gonna make me

883
00:49:30,880 --> 00:49:33,799
Speaker 4: lose my mind up in here. I'm here, you know.

884
00:49:34,440 --> 00:49:39,080
Speaker 2: I love that for you. I don't know why. It's

885
00:49:39,200 --> 00:49:44,040
Speaker 2: just a song that's been on repeat a lot in

886
00:49:44,120 --> 00:49:47,560
Speaker 2: our house. Is a real throwback. It's Wide Open Spaces

887
00:49:47,600 --> 00:49:51,600
Speaker 2: by the Dixie Chicks. Oh, and everybody sings along to it,

888
00:49:51,640 --> 00:49:55,000
Speaker 2: and it is a real vibe, especially like you know,

889
00:49:55,280 --> 00:49:59,520
Speaker 2: on drives upstate. Whatever. It's like. It's it's the starter

890
00:49:59,640 --> 00:50:03,600
Speaker 2: song of the playlist in Moments of Joy. So that's

891
00:50:03,800 --> 00:50:04,480
Speaker 2: that's it for me.

892
00:50:05,320 --> 00:50:06,279
Speaker 4: You got an honorable mention.

893
00:50:06,600 --> 00:50:07,640
Speaker 2: Honorable mention.

894
00:50:07,880 --> 00:50:11,480
Speaker 4: In this mind, it is just seeing Nathan be a

895
00:50:11,560 --> 00:50:14,560
Speaker 4: rad dad, specifically in that moment where he calls time

896
00:50:14,560 --> 00:50:16,359
Speaker 4: out and he goes up to Jamie. He's just like,

897
00:50:16,440 --> 00:50:19,760
Speaker 4: this is just a game, dude, you're great, have some fun.

898
00:50:19,920 --> 00:50:24,239
Speaker 2: Yes, yes, that scene him and that whole scene. I

899
00:50:24,719 --> 00:50:28,319
Speaker 2: absolutely concur the idea that he had the wherewithal to say,

900
00:50:28,360 --> 00:50:30,799
Speaker 2: it's just a game, We're going to get ice cream.

901
00:50:30,840 --> 00:50:33,919
Speaker 2: No matter what my dad always pressured me, you don't

902
00:50:33,920 --> 00:50:36,719
Speaker 2: need to feel any pressure. The fact that he's so

903
00:50:37,360 --> 00:50:41,560
Speaker 2: honest with this little boy to really make sure he's

904
00:50:41,560 --> 00:50:44,719
Speaker 2: breaking that curse and he manages to keep it light

905
00:50:45,480 --> 00:50:46,239
Speaker 2: A plus plus.

906
00:50:46,320 --> 00:50:50,960
Speaker 4: Yes, it was a perfect example of breaking a generational cycle. Yeah,

907
00:50:51,000 --> 00:50:52,359
Speaker 4: well done, Nathan.

908
00:50:52,040 --> 00:50:54,120
Speaker 2: Scott, well done.

909
00:50:54,680 --> 00:50:56,439
Speaker 4: Let's spin a wheeling get out of here.

910
00:50:56,760 --> 00:50:58,600
Speaker 2: Let's do it. Friend, it's the weekend.

911
00:50:58,680 --> 00:51:06,600
Speaker 4: We got next to eat most likely to eat a

912
00:51:06,680 --> 00:51:13,000
Speaker 4: spider because they were dared. Not me, I mean me

913
00:51:13,320 --> 00:51:16,719
Speaker 4: in real life me you would do that, well, especially

914
00:51:16,880 --> 00:51:20,520
Speaker 4: not now really but in high school? Yeah? Many kidding me?

915
00:51:20,560 --> 00:51:23,720
Speaker 4: If they got a laugh, I yeah, for sure.

916
00:51:24,280 --> 00:51:27,200
Speaker 2: Wow, hats off to you, friend, No way, like, not

917
00:51:27,280 --> 00:51:29,000
Speaker 2: only would I not do it if you dared me,

918
00:51:29,120 --> 00:51:32,120
Speaker 2: I wouldn't do it if you paid me, so.

919
00:51:32,160 --> 00:51:34,560
Speaker 4: You would not have been a good contestant on fear factor.

920
00:51:35,320 --> 00:51:37,440
Speaker 2: There is not enough money in the world that you

921
00:51:37,440 --> 00:51:39,960
Speaker 2: could pay me to go on that show. No, absolutely not,

922
00:51:40,239 --> 00:51:40,879
Speaker 2: wouldn't do it.

923
00:51:42,640 --> 00:51:46,880
Speaker 4: No, all right, you heard it here. Folks, don't ever ask,

924
00:51:47,160 --> 00:51:50,600
Speaker 4: dare or even try to bribe Sophia into eating a spider,

925
00:51:50,640 --> 00:51:51,800
Speaker 4: because it's not going to happen.

926
00:51:52,200 --> 00:51:55,000
Speaker 2: It's a no for me dog. The next episode, however,

927
00:51:55,120 --> 00:51:55,600
Speaker 2: is a yes.

928
00:51:55,920 --> 00:52:00,520
Speaker 4: Hey, Hey, we'll be.

929
00:52:00,520 --> 00:52:04,720
Speaker 2: Back with season eight, episode twenty one, Flightless Bird American Mouth.

930
00:52:05,400 --> 00:52:07,839
Speaker 4: Thanks for joining us, Bye, Tilla.

931
00:52:08,040 --> 00:52:10,680
Speaker 2: Hey, thanks for listening. Don't forget to leave us a review.

932
00:52:10,920 --> 00:52:14,040
Speaker 2: You can also follow us on Instagram at Drama Queens

933
00:52:14,120 --> 00:52:19,400
Speaker 2: oh or email us at Drama Queens at iHeartRadio dot com.

934
00:52:19,640 --> 00:52:24,240
Speaker 2: See you next time. We all about that high school drama.

935
00:52:24,320 --> 00:52:27,520
Speaker 2: Girl Drama Girl, all about them high school queens Forever.

936
00:52:27,840 --> 00:52:30,000
Speaker 2: We'll take you for a ride at our comic Girl

937
00:52:30,800 --> 00:52:34,399
Speaker 2: Cheering for the Right Teams. Drama Queenslease my girl, up

938
00:52:34,480 --> 00:52:36,120
Speaker 2: Girl Fashion with your tough girl.

939
00:52:36,239 --> 00:52:38,880
Speaker 1: You could sit with us Girl Drama Queens, Drama, Queise

940
00:52:38,960 --> 00:52:42,959
Speaker 1: Drama Queens Drama Drama Queens Drama Queens