1 00:00:01,440 --> 00:00:05,040 Speaker 1: Welcome to Reality with the King. It's me Carlos King, 2 00:00:05,240 --> 00:00:08,000 Speaker 1: the King of Reality TV and one of the most 3 00:00:08,080 --> 00:00:12,680 Speaker 1: sought after executive producers in reality television with over ten 4 00:00:12,760 --> 00:00:16,799 Speaker 1: years of production experience. Twice a week on Reality with 5 00:00:16,840 --> 00:00:19,279 Speaker 1: the King, we'll sit down with my friends across the 6 00:00:19,480 --> 00:00:24,600 Speaker 1: entertainment industry, recap our favorite reality shows and revisit unforgettable 7 00:00:24,720 --> 00:00:30,840 Speaker 1: moments that we are still talking and tweeting about. Listen, 8 00:00:30,920 --> 00:00:33,200 Speaker 1: we have a jam pack show. We have to get 9 00:00:33,240 --> 00:00:38,000 Speaker 1: into the most recent episode of the Real Housewives of Atlanta. 10 00:00:38,880 --> 00:00:43,680 Speaker 1: As we all know, last week the legend the icon 11 00:00:43,920 --> 00:00:49,840 Speaker 1: beforeever more meant Kenya Moore is no longer on the show. 12 00:00:51,159 --> 00:00:53,800 Speaker 1: Before we get into that, I want to do a 13 00:00:53,840 --> 00:00:57,480 Speaker 1: little bit of I want to have a conversation about 14 00:00:57,480 --> 00:01:01,600 Speaker 1: some things that has been happening on so media leading 15 00:01:01,720 --> 00:01:06,080 Speaker 1: up to this past Sunday's premiere episode. So, as we 16 00:01:06,120 --> 00:01:09,040 Speaker 1: all know, Kenya Moore is onlong on the show that 17 00:01:09,200 --> 00:01:12,840 Speaker 1: never decided to not move forward with her their words 18 00:01:12,880 --> 00:01:19,520 Speaker 1: based on her behavior, Those were their words. Subsequently, brit 19 00:01:19,680 --> 00:01:23,200 Speaker 1: Edie did a press tour this week, and apparently Portia 20 00:01:23,280 --> 00:01:27,119 Speaker 1: did too, because Porsche has a YouTube channel, So make 21 00:01:27,160 --> 00:01:31,000 Speaker 1: sure Rain Josh support Porsche is at Porsche for the 22 00:01:31,120 --> 00:01:34,759 Speaker 1: number four Real R E A L. And Kenya Moore 23 00:01:35,520 --> 00:01:40,479 Speaker 1: also has a YouTube channel where supposedly tomorrow, I believe 24 00:01:40,600 --> 00:01:46,120 Speaker 1: she's dropping her first time speaking on the incident. What 25 00:01:46,200 --> 00:01:52,760 Speaker 1: I want to get into is did an interview I 26 00:01:52,800 --> 00:01:57,440 Speaker 1: want to say, it's called Housewives Nightcap if I'm not mistaken, 27 00:01:57,520 --> 00:02:06,560 Speaker 1: And she shared that she really expected Kenya to apologize 28 00:02:06,560 --> 00:02:11,920 Speaker 1: to her and that's not what she received. Porsche or 29 00:02:11,960 --> 00:02:18,840 Speaker 1: her YouTube channel revealed that allegedly a current housewife who 30 00:02:18,919 --> 00:02:25,200 Speaker 1: was still on the show allegedly gave Kenya some photos 31 00:02:25,480 --> 00:02:31,000 Speaker 1: that she displayed on the poster board. Can you more? 32 00:02:31,120 --> 00:02:36,280 Speaker 1: Responded to Porsche and denied it, and but Porsche revealed 33 00:02:36,320 --> 00:02:39,720 Speaker 1: this on her now YouTube channel. So I want to 34 00:02:39,760 --> 00:02:42,680 Speaker 1: get into that first. How do you guys feel about 35 00:02:42,680 --> 00:02:48,080 Speaker 1: the fact that allegedly somebody who is currently on the 36 00:02:48,120 --> 00:02:53,040 Speaker 1: show that is a housewife allegedly gave King of those photos. 37 00:02:53,440 --> 00:02:57,000 Speaker 1: If that is the case, does that change things for 38 00:02:57,080 --> 00:02:57,560 Speaker 1: you guys? 39 00:02:58,080 --> 00:03:01,160 Speaker 2: Claudia ladies, first, give fuck about that, because they all 40 00:03:01,160 --> 00:03:03,720 Speaker 2: do it. They all do it. Poorsche, you do it too, 41 00:03:03,720 --> 00:03:05,919 Speaker 2: because I did a season with you. Okay, I had 42 00:03:05,919 --> 00:03:08,080 Speaker 2: to hire a private investigator after my car was broken 43 00:03:08,080 --> 00:03:10,239 Speaker 2: into and my laptop was stolen. Once again, it ain't 44 00:03:10,240 --> 00:03:12,320 Speaker 2: about me, but I'm just giving you context. They all 45 00:03:12,360 --> 00:03:14,160 Speaker 2: do this kind of stuff. It depending if you don't 46 00:03:14,200 --> 00:03:16,400 Speaker 2: like someone, you might slide someone some information. People do 47 00:03:16,440 --> 00:03:19,360 Speaker 2: that every all the time, every season. This is not 48 00:03:19,480 --> 00:03:22,040 Speaker 2: breaking news. This is not the gotcha moment you want 49 00:03:22,040 --> 00:03:24,440 Speaker 2: it to be. It's really not. They all do this 50 00:03:24,680 --> 00:03:27,760 Speaker 2: on the show. We also know that Porsche and and 51 00:03:27,760 --> 00:03:30,800 Speaker 2: and Drew don't like each other. They got their issue right, 52 00:03:30,840 --> 00:03:32,679 Speaker 2: So maybe she's trying to kind of throw herner the 53 00:03:32,680 --> 00:03:34,640 Speaker 2: bus because if you have to say who it is, 54 00:03:35,160 --> 00:03:37,280 Speaker 2: don't don't. Don't give us a bread comp just say 55 00:03:37,400 --> 00:03:39,440 Speaker 2: say it, girl, be about that life and just say it. 56 00:03:39,560 --> 00:03:41,160 Speaker 2: I don't think that's a big deal at all, because 57 00:03:41,200 --> 00:03:43,560 Speaker 2: they all do it. They slide people information depending on 58 00:03:43,560 --> 00:03:46,320 Speaker 2: who you're in allegiance with, and it's it's it's it's 59 00:03:46,360 --> 00:03:48,120 Speaker 2: it's not the gotcha moment that she wanted it to be. 60 00:03:48,240 --> 00:03:49,720 Speaker 3: I don't think, Yeah, I'm gonna have to go with 61 00:03:49,800 --> 00:03:52,480 Speaker 3: Claudia on this one. I really don't give a shit either. 62 00:03:53,600 --> 00:03:56,040 Speaker 3: What what are we supposed to do with that information? 63 00:03:56,240 --> 00:03:58,920 Speaker 3: There is somebody who gave her didn't make sis sheep like, 64 00:03:59,000 --> 00:04:01,360 Speaker 3: so the fuck would I'm not excited about it. It 65 00:04:01,400 --> 00:04:05,160 Speaker 3: does not offer any additional insight nor context. It's just 66 00:04:05,200 --> 00:04:09,200 Speaker 3: a complete dud. It felt completely flat. So listen. If 67 00:04:09,240 --> 00:04:12,160 Speaker 3: you're gonna offer commentary or do after show commentary and 68 00:04:12,200 --> 00:04:15,360 Speaker 3: talk about the show, have something to say. While I 69 00:04:15,360 --> 00:04:18,359 Speaker 3: do enjoy Porsche's bubbly personality and love looking at her 70 00:04:18,400 --> 00:04:21,239 Speaker 3: beautiful face, if she ain't talking about nothing, we're wasting 71 00:04:21,240 --> 00:04:23,560 Speaker 3: our time. So I'm not gonna continue to go over 72 00:04:23,560 --> 00:04:26,920 Speaker 3: to her YouTube channel and watch her eat and just 73 00:04:27,720 --> 00:04:30,480 Speaker 3: pretend to be aloof about certain details that I can 74 00:04:30,520 --> 00:04:34,320 Speaker 3: pretty much guarantee she's aware of and just not being 75 00:04:34,360 --> 00:04:35,320 Speaker 3: forthcoming about. 76 00:04:35,680 --> 00:04:37,400 Speaker 4: So I don't know, you know, get it. 77 00:04:37,720 --> 00:04:40,760 Speaker 3: I'll hope these young these ladies make all the YouTube 78 00:04:40,760 --> 00:04:42,920 Speaker 3: revenue in the world with their recaps. I think it's 79 00:04:42,960 --> 00:04:46,040 Speaker 3: great that they do it. It reminds me of old 80 00:04:46,120 --> 00:04:48,320 Speaker 3: housewives when they used to write the weekly blogs on 81 00:04:48,360 --> 00:04:51,479 Speaker 3: Bravo dot com. But BravoTV dot com, whatever the website is, 82 00:04:51,680 --> 00:04:55,159 Speaker 3: it's basically just a new interpretation of that. So have 83 00:04:55,320 --> 00:04:58,159 Speaker 3: something to say. I do love that Porscha's YouTube channel 84 00:04:58,240 --> 00:05:00,880 Speaker 3: is called Don't Make Me a Hurt Show. It is 85 00:05:00,960 --> 00:05:03,560 Speaker 3: a title don't make Me called Porsche. I think that 86 00:05:03,640 --> 00:05:05,279 Speaker 3: was cute and funny for her to use that and 87 00:05:05,320 --> 00:05:07,479 Speaker 3: play on that. But you gotta be talking about some 88 00:05:07,680 --> 00:05:10,440 Speaker 3: darling because you're saying that there's a housewife who are 89 00:05:10,480 --> 00:05:13,720 Speaker 3: these blind items. It's just not doing it's not helping 90 00:05:13,800 --> 00:05:16,040 Speaker 3: us out as viewers. We don't care. I don't care, 91 00:05:16,160 --> 00:05:17,159 Speaker 3: and Claudia don't care. 92 00:05:17,240 --> 00:05:18,960 Speaker 2: I want to add one thing. I also think she 93 00:05:19,040 --> 00:05:21,640 Speaker 2: loses credibility because she tried to start a little mess 94 00:05:21,680 --> 00:05:23,920 Speaker 2: with that. I know things about your husband than never 95 00:05:24,000 --> 00:05:28,159 Speaker 2: mind think that Angela about Charles Oakley and then and Porscha. 96 00:05:28,279 --> 00:05:30,360 Speaker 2: I know people think I hate Porscha from something from 97 00:05:30,400 --> 00:05:32,320 Speaker 2: ten years. I don't hate her, but I'm just honest. 98 00:05:32,360 --> 00:05:34,240 Speaker 2: I don't I don't protect her because I don't have 99 00:05:34,240 --> 00:05:36,159 Speaker 2: a friendship with I don't protect her. And yes, I 100 00:05:36,200 --> 00:05:38,520 Speaker 2: can be biased sometimes about people that I like, and 101 00:05:38,560 --> 00:05:41,160 Speaker 2: I know, of course we all do it. We all 102 00:05:41,240 --> 00:05:41,479 Speaker 2: do it. 103 00:05:41,520 --> 00:05:43,080 Speaker 4: Okay, I tell you how to do it. I don't 104 00:05:43,080 --> 00:05:43,600 Speaker 4: give a fuck. 105 00:05:43,760 --> 00:05:46,600 Speaker 2: Yeah, we do it, we do it. I don't have 106 00:05:46,640 --> 00:05:48,800 Speaker 2: any emotional attack attachment. So when you don't have an 107 00:05:48,800 --> 00:05:50,840 Speaker 2: emotional attachment, you could be very honest about how you 108 00:05:50,839 --> 00:05:52,640 Speaker 2: feel about something. You could just say it how it is. 109 00:05:52,880 --> 00:05:55,440 Speaker 2: I don't like that thing about Charles Charles Oakly. I 110 00:05:55,440 --> 00:05:57,400 Speaker 2: did not think that was necessary, because I will say this, 111 00:05:57,839 --> 00:06:00,080 Speaker 2: I do like Porsche a lot more this season in 112 00:06:00,160 --> 00:06:01,440 Speaker 2: the when I was on it with her, I like 113 00:06:01,520 --> 00:06:03,800 Speaker 2: her more than I've ever seen her before. I did 114 00:06:04,000 --> 00:06:06,400 Speaker 2: like I did like the growth of her and Kenya 115 00:06:06,520 --> 00:06:09,480 Speaker 2: kind of passing things up. I loved that Porsche offered 116 00:06:09,480 --> 00:06:11,599 Speaker 2: to let Kenya be in her car, because like that 117 00:06:11,760 --> 00:06:14,520 Speaker 2: is such a I will give anyone credit that can 118 00:06:14,600 --> 00:06:17,320 Speaker 2: grow and evolve. I thought that was dope. I thought 119 00:06:17,360 --> 00:06:19,200 Speaker 2: her temper has not been as bad as was in 120 00:06:19,240 --> 00:06:21,760 Speaker 2: the past. The old Portia would already fought for people 121 00:06:21,800 --> 00:06:23,520 Speaker 2: by now and kick somebody in the pussy, And I 122 00:06:23,520 --> 00:06:26,039 Speaker 2: think that's great that she would move on. No, I'm 123 00:06:26,040 --> 00:06:29,040 Speaker 2: giving prop I think she looks really cute. She's come 124 00:06:29,120 --> 00:06:31,200 Speaker 2: with her glam. I don't like the jealousy thing with Shamiyah, 125 00:06:31,240 --> 00:06:33,400 Speaker 2: but I you know, I gotta give her either. I 126 00:06:33,400 --> 00:06:35,160 Speaker 2: gotta give her the points where where she should get 127 00:06:35,160 --> 00:06:37,400 Speaker 2: the points. I do think she is still you know, 128 00:06:37,480 --> 00:06:39,520 Speaker 2: she she you know, it's a little bit of a 129 00:06:39,560 --> 00:06:43,200 Speaker 2: debt without the Simon storyline, but she's still you know, 130 00:06:43,279 --> 00:06:44,960 Speaker 2: in the mix and stuff like that, and she is 131 00:06:45,000 --> 00:06:48,359 Speaker 2: when she when Porscha is fun, she is fun. She 132 00:06:48,520 --> 00:06:51,000 Speaker 2: is a fun girl. We hung up before, like before 133 00:06:51,040 --> 00:06:53,080 Speaker 2: all that shit. She is a fun girl. And that's 134 00:06:53,080 --> 00:06:55,400 Speaker 2: the one we want to see, don't you You you're 135 00:06:55,440 --> 00:06:57,920 Speaker 2: too much of a reality show Vett Porscha. You don't 136 00:06:57,960 --> 00:07:00,680 Speaker 2: have to do these fake like hmm, I know something 137 00:07:00,720 --> 00:07:03,159 Speaker 2: that you don't know or I heard, and then not 138 00:07:03,240 --> 00:07:05,640 Speaker 2: deliver like you, that's like a rookie thing. That's not 139 00:07:05,680 --> 00:07:08,240 Speaker 2: something that's a veteran that you are. You got this 140 00:07:08,279 --> 00:07:10,120 Speaker 2: without that. Just be fun and cute like people like 141 00:07:10,160 --> 00:07:10,520 Speaker 2: that for you. 142 00:07:11,160 --> 00:07:13,880 Speaker 1: The reason why I think we all love housewives, for example, 143 00:07:14,080 --> 00:07:17,960 Speaker 1: is because when the tough gets tough, it gets going. 144 00:07:18,400 --> 00:07:21,320 Speaker 1: But there always seems to be room for like some 145 00:07:21,400 --> 00:07:26,640 Speaker 1: levity and they're back and forth. It wasn't gross. They 146 00:07:26,680 --> 00:07:29,280 Speaker 1: didn't like call each other out their names. It was 147 00:07:29,360 --> 00:07:32,840 Speaker 1: a very nice, nasty back and forth. That was a 148 00:07:33,000 --> 00:07:36,800 Speaker 1: dash of shade, But it made me miss the fact 149 00:07:36,800 --> 00:07:39,120 Speaker 1: that we're not going to see those two have those 150 00:07:39,160 --> 00:07:42,880 Speaker 1: moments on camera, because the moment they started bantering on 151 00:07:42,920 --> 00:07:46,520 Speaker 1: social media, I was like, this is why I want 152 00:07:46,600 --> 00:07:49,880 Speaker 1: to see the two of you back in reunited. There 153 00:07:49,880 --> 00:07:54,520 Speaker 1: has been conversations about whether or not Kenyamore should attend 154 00:07:54,520 --> 00:07:59,920 Speaker 1: the reunion. She did start her YouTube channel, so maybe 155 00:08:00,000 --> 00:08:03,200 Speaker 1: she's confessing thereby Dustin, you believe she should be at 156 00:08:03,200 --> 00:08:03,720 Speaker 1: the reunion. 157 00:08:03,840 --> 00:08:05,480 Speaker 4: She deserves to be at the reunion. 158 00:08:05,680 --> 00:08:09,560 Speaker 3: This has Kenya attending the reunion for season sixteen at 159 00:08:09,560 --> 00:08:14,920 Speaker 3: the Real Housewives of Atlanta. Her needing her the necessity 160 00:08:14,960 --> 00:08:17,480 Speaker 3: of her presence has nothing to do with whether you 161 00:08:17,760 --> 00:08:21,080 Speaker 3: like her or don't, whether you agree with her decision 162 00:08:21,120 --> 00:08:24,280 Speaker 3: to post those photographs and posters or not. She's a 163 00:08:24,320 --> 00:08:27,560 Speaker 3: part of the story of the season, and we were abruptly. 164 00:08:28,160 --> 00:08:31,560 Speaker 3: I feel like our viewership was interrupted by her departure. 165 00:08:31,920 --> 00:08:34,319 Speaker 3: We never got to see what she had to say 166 00:08:35,160 --> 00:08:38,400 Speaker 3: on the show. My only thing is I don't agree. 167 00:08:38,480 --> 00:08:42,040 Speaker 3: I don't understand fuck agreeing with because it's not about 168 00:08:42,040 --> 00:08:43,959 Speaker 3: whether I agree with it or not. I don't understand 169 00:08:43,960 --> 00:08:47,520 Speaker 3: why she's doing that YouTube thing, calling it confessionals my way. 170 00:08:47,880 --> 00:08:51,120 Speaker 3: I don't understand why her why she's choosing to speak 171 00:08:51,160 --> 00:08:55,240 Speaker 3: out in response to things that people have said. I 172 00:08:55,320 --> 00:08:58,640 Speaker 3: understand that she's upset about her departure and she felt 173 00:08:58,640 --> 00:09:01,400 Speaker 3: like she was done wrong, So I understand that part. 174 00:09:01,600 --> 00:09:04,559 Speaker 3: But I just feel like she's taking a complete wrong 175 00:09:04,600 --> 00:09:07,280 Speaker 3: approach because it's making her look bitter. It's making her 176 00:09:07,320 --> 00:09:10,360 Speaker 3: look as it she's not taking accountability for her choice 177 00:09:10,400 --> 00:09:14,199 Speaker 3: or decision to post those damn pictures and show those posters, 178 00:09:14,440 --> 00:09:17,680 Speaker 3: and it just does not leave a good impression on 179 00:09:18,200 --> 00:09:22,800 Speaker 3: her exit from her participation. From that view, I wish 180 00:09:22,920 --> 00:09:27,440 Speaker 3: that Kenya would just be quiet, okay, first of all, 181 00:09:27,800 --> 00:09:30,400 Speaker 3: and commodify what she has to say. 182 00:09:30,600 --> 00:09:31,880 Speaker 4: Look at what brit Edie did. 183 00:09:31,960 --> 00:09:34,240 Speaker 3: We didn't hear nothing from brit Edie through her nose 184 00:09:34,559 --> 00:09:39,319 Speaker 3: until after everybody else had done their press run, everybody 185 00:09:39,360 --> 00:09:43,000 Speaker 3: else had offered context, everybody else had made posts online. 186 00:09:43,520 --> 00:09:45,080 Speaker 4: Now Britt is talking now. 187 00:09:45,120 --> 00:09:47,320 Speaker 3: The episodes have progressed to a point in the season 188 00:09:47,320 --> 00:09:51,880 Speaker 3: where her take or her say is something of interest now, 189 00:09:51,960 --> 00:09:55,080 Speaker 3: and so she's offering it to me. She's winning the 190 00:09:55,120 --> 00:09:58,000 Speaker 3: pr battle between her and Kenya right now, and that 191 00:09:58,080 --> 00:09:59,920 Speaker 3: ain't got nothing to do with what side you on. 192 00:10:00,080 --> 00:10:02,079 Speaker 3: As far as the shit on the show, I'm talking 193 00:10:02,360 --> 00:10:05,520 Speaker 3: about the way that it's being handled in the aftermath. 194 00:10:05,960 --> 00:10:08,320 Speaker 3: I am disappointed in the way Kenya Moore is handling 195 00:10:08,360 --> 00:10:10,160 Speaker 3: this because I feel like she deserves better. 196 00:10:10,559 --> 00:10:12,840 Speaker 2: It seems that she's doing that to me, that shows 197 00:10:12,880 --> 00:10:14,640 Speaker 2: me that she knows she's not gonna be at the reunion. 198 00:10:15,360 --> 00:10:17,720 Speaker 4: Damn, Claudia, you think so, Yeah. 199 00:10:17,559 --> 00:10:20,439 Speaker 2: Because like if she knew, Kenya waited all the time 200 00:10:20,440 --> 00:10:22,200 Speaker 2: to tell us, for us to find out that brit 201 00:10:22,200 --> 00:10:23,880 Speaker 2: had a gun, right, and I know she I never 202 00:10:23,920 --> 00:10:27,000 Speaker 2: knew that about this gun thing. She's a patient person. 203 00:10:27,520 --> 00:10:30,199 Speaker 2: So I think she did the YouTube channel because she 204 00:10:30,240 --> 00:10:32,000 Speaker 2: knows she's not gonna be at the reunion. So it's like, 205 00:10:32,160 --> 00:10:33,360 Speaker 2: let me get ahead of this and just say what 206 00:10:33,400 --> 00:10:35,480 Speaker 2: I got to say. Because Kenya that we all know, 207 00:10:36,120 --> 00:10:38,120 Speaker 2: we'd be like, Okay, I'm gonna shut the hell up 208 00:10:38,120 --> 00:10:40,360 Speaker 2: and I'm gonna drop it on the reunion. She's not. 209 00:10:40,679 --> 00:10:44,080 Speaker 2: She probably knows she's not able to do that. My opinion, 210 00:10:44,400 --> 00:10:46,000 Speaker 2: I could be wrong, Carlos. 211 00:10:45,640 --> 00:10:46,040 Speaker 4: What do you think? 212 00:10:46,120 --> 00:10:49,160 Speaker 1: Yeah, Okay, I think this. I think when it comes 213 00:10:49,200 --> 00:10:52,680 Speaker 1: to Kenya, I agree with Dustin in the sense of 214 00:10:53,160 --> 00:10:56,520 Speaker 1: I am pleasantly surprised and I'm being rid. When I 215 00:10:56,600 --> 00:11:00,760 Speaker 1: say this as a producer, I am pleasantly surprised that 216 00:11:00,880 --> 00:11:04,760 Speaker 1: brit Die decided not to say aatnything until the episode 217 00:11:04,800 --> 00:11:07,800 Speaker 1: aired and she was on her press run. I will 218 00:11:07,840 --> 00:11:12,240 Speaker 1: give her round of applause for having that much strength 219 00:11:12,679 --> 00:11:15,360 Speaker 1: to not crash out on social media. And I do 220 00:11:15,480 --> 00:11:19,479 Speaker 1: mean that. I do mean that she and Kenya arguably 221 00:11:19,920 --> 00:11:24,280 Speaker 1: have the biggest storyline in the history of that show. 222 00:11:25,000 --> 00:11:31,040 Speaker 1: So the fact that she had enough stability to say 223 00:11:31,200 --> 00:11:33,800 Speaker 1: I'll wait until I go on my New York press run, 224 00:11:34,160 --> 00:11:36,559 Speaker 1: I'll give her props with that one thousand percent, and 225 00:11:36,840 --> 00:11:40,959 Speaker 1: I think she handled it well. But we also have 226 00:11:41,080 --> 00:11:44,880 Speaker 1: to remember though Brent also has professionals in the show. 227 00:11:45,840 --> 00:11:48,720 Speaker 1: You get to hear Brent's up Brent Lord Jesus, you 228 00:11:48,760 --> 00:11:53,120 Speaker 1: get to hear BRIT's POV. You get to see Brent's 229 00:11:53,120 --> 00:11:56,680 Speaker 1: slice of life. You get to see Brent as a sister, 230 00:11:57,040 --> 00:11:59,920 Speaker 1: You get to see Brent as a friend. I think 231 00:12:00,120 --> 00:12:03,560 Speaker 1: Kenya more as somebody who has given her her blessed 232 00:12:03,600 --> 00:12:06,160 Speaker 1: but in tears to the show and not being able 233 00:12:06,240 --> 00:12:11,560 Speaker 1: to have a voice, you know, literally meeting an interview 234 00:12:12,160 --> 00:12:14,120 Speaker 1: on the show where she's able to give us some 235 00:12:14,160 --> 00:12:18,079 Speaker 1: context around the edges of the scenes. I think it's 236 00:12:18,160 --> 00:12:23,000 Speaker 1: difficult to watch a show that you've been on for 237 00:12:23,240 --> 00:12:27,599 Speaker 1: ten years, ten plus years, I believe, and you're watching 238 00:12:27,800 --> 00:12:30,520 Speaker 1: a story be told without your point of view. That 239 00:12:30,679 --> 00:12:33,440 Speaker 1: is frustrating. I don't agree with a lot of things 240 00:12:33,520 --> 00:12:36,719 Speaker 1: Kenya does. Me and her have that friendship and we 241 00:12:37,040 --> 00:12:40,320 Speaker 1: talk about that. But I will say when it comes 242 00:12:40,400 --> 00:12:44,920 Speaker 1: to the way she's handling it as somebody you guys 243 00:12:44,960 --> 00:12:47,640 Speaker 1: know her too, but as somebody who knows her, I'm 244 00:12:47,679 --> 00:12:50,800 Speaker 1: also surprised she hasn't fully crashed out. But Kenya that 245 00:12:50,880 --> 00:12:55,200 Speaker 1: I know, would have crashed out in a way that 246 00:12:55,400 --> 00:12:58,600 Speaker 1: would have been way more damaging. I think Kenya has 247 00:12:58,600 --> 00:13:04,400 Speaker 1: been very respectful when it comes to what she says 248 00:13:04,440 --> 00:13:08,640 Speaker 1: about the network. I don't think unless unless, unless you 249 00:13:08,640 --> 00:13:12,640 Speaker 1: guys disagree. I don't think she has said anything damaging 250 00:13:12,800 --> 00:13:15,240 Speaker 1: to them to where she can't go back from it. Right. 251 00:13:15,400 --> 00:13:17,880 Speaker 1: We've seen other people have that faith. I don't think 252 00:13:17,960 --> 00:13:21,160 Speaker 1: Kenya has has that has done that just yet or 253 00:13:21,320 --> 00:13:23,640 Speaker 1: or or will do that. I'm just saying that. I 254 00:13:23,720 --> 00:13:26,160 Speaker 1: think I think we have to look at a woman 255 00:13:27,160 --> 00:13:33,240 Speaker 1: who has spent her entire decade career or reality television 256 00:13:33,920 --> 00:13:37,240 Speaker 1: as the force multiplier, as the person who gives you 257 00:13:37,280 --> 00:13:40,800 Speaker 1: great shade, and now she's unable to do that. I'm 258 00:13:40,960 --> 00:13:45,040 Speaker 1: curious what this YouTube channel will be. Maybe it's a 259 00:13:45,120 --> 00:13:47,439 Speaker 1: one and done thing Dustin't to where she says one 260 00:13:47,440 --> 00:13:50,680 Speaker 1: thing and she's out the door. She did post today 261 00:13:51,000 --> 00:13:55,280 Speaker 1: to have her fans some the questions. She's calling it 262 00:13:55,720 --> 00:14:00,280 Speaker 1: a key key with Kenya, So maybe it's something where 263 00:14:00,840 --> 00:14:03,240 Speaker 1: she's doing a Porsche's doing. Maybe she's eating food and 264 00:14:03,320 --> 00:14:07,200 Speaker 1: she's whatever the case may be. But I agree that 265 00:14:07,400 --> 00:14:10,600 Speaker 1: I would like to see her at the reunion. I 266 00:14:10,679 --> 00:14:13,439 Speaker 1: would like to see the story be finished to where 267 00:14:13,480 --> 00:14:17,640 Speaker 1: her and brit can face each other. And I've seen 268 00:14:17,679 --> 00:14:22,800 Speaker 1: Brit say that, yeah, I apologize, but I think and 269 00:14:22,880 --> 00:14:26,320 Speaker 1: listen to Bris. Credit to Bris credit, she did attend 270 00:14:26,400 --> 00:14:31,640 Speaker 1: the hair salon with Flowers with the intention of apologizing, 271 00:14:31,760 --> 00:14:34,200 Speaker 1: so I'll give her that she had the intention of 272 00:14:34,280 --> 00:14:38,400 Speaker 1: doing that, so she at least had the attention. And 273 00:14:38,440 --> 00:14:41,760 Speaker 1: I would love to see them both apologize to each 274 00:14:41,800 --> 00:14:47,360 Speaker 1: other face to face, versus they're both apologizing about it separately. 275 00:14:48,000 --> 00:14:50,160 Speaker 2: They could be at their reunion together. They're sitting way 276 00:14:50,200 --> 00:14:53,400 Speaker 2: apart from each other because after watching last night's episode, 277 00:14:53,720 --> 00:14:57,160 Speaker 2: I Brittany Britt is a total crash out. She's I 278 00:14:57,160 --> 00:14:59,880 Speaker 2: think she's a little unstable. The way she popped off 279 00:15:00,000 --> 00:15:02,600 Speaker 2: Angela and tripping, and she was like so ready to 280 00:15:02,800 --> 00:15:04,600 Speaker 2: buck up, and you see, it's not just like her 281 00:15:04,720 --> 00:15:06,760 Speaker 2: Kenyan thing, it's her Anyone thing. I think she has 282 00:15:06,800 --> 00:15:11,720 Speaker 2: a very highly inflated sense of self where everyone can 283 00:15:12,120 --> 00:15:13,960 Speaker 2: you know, she can say whatever anyone else and be 284 00:15:14,120 --> 00:15:17,480 Speaker 2: braddy and be obnoxious, but they can't dare question her. 285 00:15:17,600 --> 00:15:20,320 Speaker 2: All Angela did was ask her if she really was 286 00:15:20,400 --> 00:15:23,600 Speaker 2: fired or she lost her insurance license. And the way 287 00:15:23,640 --> 00:15:25,440 Speaker 2: she said, have you now you confused about what's been 288 00:15:25,480 --> 00:15:27,880 Speaker 2: going on? I thought that was like, you're just misdirecting 289 00:15:27,920 --> 00:15:31,600 Speaker 2: your anger she called, and the way she bucked up 290 00:15:32,320 --> 00:15:34,440 Speaker 2: it shows that she's been trying to have a moment 291 00:15:34,480 --> 00:15:37,160 Speaker 2: from the beginning, and I do. I I'm sorry. I 292 00:15:37,160 --> 00:15:38,840 Speaker 2: don't like her now on the show. I don't know 293 00:15:38,880 --> 00:15:41,840 Speaker 2: her personally in real life. So before you get all 294 00:15:41,960 --> 00:15:43,920 Speaker 2: panties and a bunch, Britt, I don't like you on 295 00:15:43,960 --> 00:15:46,240 Speaker 2: the show. I think you bring very much ghetto energy. 296 00:15:47,160 --> 00:15:50,680 Speaker 2: I can't take your very nasally sounding knows, the way 297 00:15:50,720 --> 00:15:53,320 Speaker 2: you talk it's just like, whoever did that? Please open 298 00:15:53,400 --> 00:15:56,480 Speaker 2: up those nasal passages. It's too much like it's like, 299 00:15:57,240 --> 00:15:59,400 Speaker 2: how does your your husband's a saint? I don't like 300 00:15:59,400 --> 00:16:01,640 Speaker 2: you anymore the way you bucked up. How we are 301 00:16:01,680 --> 00:16:07,320 Speaker 2: protecting Angela Oakley and with all costs by all means. Okay, 302 00:16:07,400 --> 00:16:09,960 Speaker 2: Angela didn't even ask me anything that was negative or mean. 303 00:16:10,040 --> 00:16:12,760 Speaker 2: She said, I'm a broker too, like how does that happen? 304 00:16:13,040 --> 00:16:16,640 Speaker 2: And I did my research, well, a little bit of research. 305 00:16:16,840 --> 00:16:19,080 Speaker 2: There's a LinkedIn page for Britt in her company that 306 00:16:19,120 --> 00:16:22,120 Speaker 2: she was doing her insurance stuff with Right, and I 307 00:16:22,400 --> 00:16:25,400 Speaker 2: contacted a real estate agent as and also someone that 308 00:16:25,560 --> 00:16:31,720 Speaker 2: is in the mortgage brokerage business brit eating her. According 309 00:16:31,720 --> 00:16:35,080 Speaker 2: to her LinkedIn page, she was with all State full 310 00:16:35,120 --> 00:16:38,080 Speaker 2: time and that was from January of twenty twenty twenty 311 00:16:38,360 --> 00:16:40,880 Speaker 2: to April of twenty twenty three, three years and four months. 312 00:16:40,920 --> 00:16:43,960 Speaker 2: So it says that she's been done doing it. So 313 00:16:44,040 --> 00:16:46,240 Speaker 2: I don't know if she lost her license from this 314 00:16:46,280 --> 00:16:48,720 Speaker 2: incident or she just I don't know. And I also 315 00:16:48,800 --> 00:16:51,000 Speaker 2: talked to someone that said I asked, I said, so 316 00:16:52,240 --> 00:16:57,920 Speaker 2: can you lose your license for? Is there like clauses 317 00:16:58,120 --> 00:17:01,040 Speaker 2: for personal behavior and all that kind of stuff, like 318 00:17:01,640 --> 00:17:04,240 Speaker 2: what do they call those morality clause And they said, 319 00:17:05,200 --> 00:17:08,760 Speaker 2: my friend that is was my loan said no, there 320 00:17:08,800 --> 00:17:11,960 Speaker 2: are strippers that do all kinds of OnlyFans, all that 321 00:17:12,040 --> 00:17:14,320 Speaker 2: kind of stuff, that have these licenses that they don't 322 00:17:14,320 --> 00:17:16,680 Speaker 2: lose their jobs. So that is bullshit. They said she 323 00:17:16,720 --> 00:17:20,480 Speaker 2: would lose her license for financial crimes, fraud, things of 324 00:17:20,520 --> 00:17:23,920 Speaker 2: that matter, not if and think how fast it's happened, right, 325 00:17:23,960 --> 00:17:26,639 Speaker 2: we are all just seeing the episode. Now, this happened 326 00:17:26,680 --> 00:17:29,320 Speaker 2: when it happened. So you mean to tell me between 327 00:17:29,359 --> 00:17:33,439 Speaker 2: that the Kenny Moore haircare event and then what a 328 00:17:33,480 --> 00:17:37,320 Speaker 2: month later your company knew about this big scandal that 329 00:17:37,520 --> 00:17:40,800 Speaker 2: was at a private event and you lost your license. 330 00:17:40,840 --> 00:17:44,399 Speaker 2: I think she's playing the victim card extra extra, extra 331 00:17:44,480 --> 00:17:47,040 Speaker 2: hard now like she sees an opening she try to 332 00:17:47,080 --> 00:17:49,200 Speaker 2: come for the queen in her mind. That didn't really 333 00:17:49,200 --> 00:17:50,880 Speaker 2: pan out the way she thought. She got read down 334 00:17:51,160 --> 00:17:53,879 Speaker 2: and made to look like erratic. So now let me 335 00:17:53,920 --> 00:17:55,960 Speaker 2: play this victim card thing. And did you see how 336 00:17:56,000 --> 00:17:57,359 Speaker 2: her mother was looking at it when she was telling 337 00:17:57,359 --> 00:18:00,520 Speaker 2: her story. Her mother was looking like then at the end, 338 00:18:00,600 --> 00:18:02,800 Speaker 2: she realized, oh I'm on TV. Let me Yeah, that's 339 00:18:02,840 --> 00:18:05,000 Speaker 2: girl because you're pretty, and you know they hate on 340 00:18:05,040 --> 00:18:06,840 Speaker 2: you because you're pretty girl. But I look at her 341 00:18:06,840 --> 00:18:10,359 Speaker 2: mother's face, go back. Her mother was like, here we 342 00:18:10,440 --> 00:18:14,000 Speaker 2: go again. That's what I got. That's what I got 343 00:18:14,040 --> 00:18:14,320 Speaker 2: from that. 344 00:18:14,680 --> 00:18:17,439 Speaker 3: But to be fair, they were talking about pictures with 345 00:18:17,480 --> 00:18:20,600 Speaker 3: her sucking. So I think anybody that was talking to 346 00:18:20,640 --> 00:18:23,560 Speaker 3: their daughter about somebody showing pictures of them sucking had 347 00:18:23,560 --> 00:18:25,159 Speaker 3: that face. 348 00:18:25,240 --> 00:18:26,960 Speaker 4: You know what I'm saying. I had the face and 349 00:18:26,960 --> 00:18:28,080 Speaker 4: I didn't even see her sucking. 350 00:18:28,880 --> 00:18:33,760 Speaker 3: But I personally think that bridd definitely approached that garden 351 00:18:33,800 --> 00:18:37,119 Speaker 3: table Kelly's event with a clear and apparent chip on 352 00:18:37,200 --> 00:18:41,280 Speaker 3: her shoulder. She was absolutely defensive and she was looking 353 00:18:41,400 --> 00:18:47,040 Speaker 3: for something to defend in that moment. I also though, 354 00:18:47,400 --> 00:18:52,520 Speaker 3: right this week's episode, we saw way more of Bridg's POV. 355 00:18:52,600 --> 00:18:55,800 Speaker 3: We heard way more of her perspective on what happened, 356 00:18:55,840 --> 00:18:56,840 Speaker 3: what went down. 357 00:18:56,760 --> 00:18:57,960 Speaker 4: Right, And. 358 00:18:59,600 --> 00:19:02,919 Speaker 3: I don't know, just hearing her, seeing her discussed that 359 00:19:03,040 --> 00:19:06,119 Speaker 3: situation with her husband, seeing her discuss that situation with 360 00:19:06,160 --> 00:19:09,800 Speaker 3: her mother, it humanized her for me as a viewer, right, 361 00:19:10,160 --> 00:19:13,160 Speaker 3: And I was just very aware of like the humiliation 362 00:19:13,320 --> 00:19:15,800 Speaker 3: piece of it, all right, And I'm like Damn, this 363 00:19:15,920 --> 00:19:18,159 Speaker 3: is really okay now, I see Because initially, as this 364 00:19:18,280 --> 00:19:20,639 Speaker 3: was going on and being talked about and people were 365 00:19:20,640 --> 00:19:23,719 Speaker 3: having these shock reactions to this incident, I was thinking, 366 00:19:23,760 --> 00:19:25,800 Speaker 3: you know, this is a terrible thing that took place. 367 00:19:25,800 --> 00:19:28,520 Speaker 3: But I just I hadn't seen brit talk about it. 368 00:19:28,560 --> 00:19:30,760 Speaker 3: I hadn't seen Brit talk to her husband about it, 369 00:19:30,800 --> 00:19:32,800 Speaker 3: talk to her mother about it. So once we were 370 00:19:33,200 --> 00:19:35,800 Speaker 3: fortunate enough to kind of get that really personal moment 371 00:19:35,840 --> 00:19:36,760 Speaker 3: on camera. 372 00:19:37,000 --> 00:19:38,640 Speaker 4: I felt for her. I did. 373 00:19:38,720 --> 00:19:40,320 Speaker 3: I felt for her in a different way than I 374 00:19:40,400 --> 00:19:43,120 Speaker 3: did when I watched the shit on TV last week. 375 00:19:43,200 --> 00:19:45,600 Speaker 3: I felt for her differently than I did when I 376 00:19:45,640 --> 00:19:49,560 Speaker 3: watched her and postings online about it when it's initially 377 00:19:49,720 --> 00:19:52,439 Speaker 3: made news that something happened and Kenya had been released 378 00:19:52,440 --> 00:19:55,760 Speaker 3: from filming. I don't know, it just humanized her. I 379 00:19:55,760 --> 00:19:57,879 Speaker 3: felt for her last night when I watched that show. 380 00:19:58,160 --> 00:20:00,359 Speaker 3: That don't mean that I didn't think she was she 381 00:20:00,440 --> 00:20:03,560 Speaker 3: had a nasty attitude at that garden table lunching. That 382 00:20:03,600 --> 00:20:06,040 Speaker 3: doesn't mean that I don't think that she was completely 383 00:20:06,160 --> 00:20:10,399 Speaker 3: rude and nasty and aggressive to Angela Oakley, who I 384 00:20:10,440 --> 00:20:13,880 Speaker 3: love on the show. That doesn't mean that I don't 385 00:20:13,920 --> 00:20:17,200 Speaker 3: think that she was clearly and definitely like I agree 386 00:20:17,240 --> 00:20:19,520 Speaker 3: with you, Claudia, she was gunning for Kenya, who she 387 00:20:19,640 --> 00:20:20,240 Speaker 3: deemed a. 388 00:20:20,119 --> 00:20:21,239 Speaker 4: Big dog, you know. 389 00:20:21,800 --> 00:20:24,840 Speaker 3: And I think Brittany kind of all britt excuse me, 390 00:20:24,960 --> 00:20:27,840 Speaker 3: kind of may have I'm assuming that she always saw 391 00:20:27,880 --> 00:20:30,080 Speaker 3: like a villainous role for herself on this show. She 392 00:20:30,160 --> 00:20:33,440 Speaker 3: exudes that sort of energy, a pretty villain like Kenya. 393 00:20:33,600 --> 00:20:36,800 Speaker 3: It would have been nice to see Kenya and britt 394 00:20:37,200 --> 00:20:39,200 Speaker 3: be mean girls and run the show together in a 395 00:20:39,280 --> 00:20:42,320 Speaker 3: nasty way. Sorry, I know it's probably toxic to say that, 396 00:20:42,560 --> 00:20:44,520 Speaker 3: but it would have been nice to see Kenya have 397 00:20:44,560 --> 00:20:47,119 Speaker 3: a partner in crime on this show, like what we 398 00:20:47,160 --> 00:20:50,320 Speaker 3: thought her and LaToya Forever were gonna be in season thirteen. 399 00:20:50,680 --> 00:20:54,120 Speaker 3: We would have had two beautiful women with sharp tongues 400 00:20:54,480 --> 00:20:57,720 Speaker 3: and unique tones of voice who could have really been 401 00:20:57,840 --> 00:21:00,240 Speaker 3: interesting on this show together, but we got robbed of that. 402 00:21:00,720 --> 00:21:03,000 Speaker 3: I'm a person who thinks Kenya belongs on the show. 403 00:21:03,560 --> 00:21:08,720 Speaker 3: I just fell for brit in this last episode. I did, Carl, did. 404 00:21:08,640 --> 00:21:13,440 Speaker 2: Y'all catch the one thing? And it's one thing when 405 00:21:13,720 --> 00:21:16,040 Speaker 2: you're you know, you made a sex tape with your 406 00:21:16,040 --> 00:21:18,399 Speaker 2: boyfriend and exposers, that's a horrible thing, and shame on 407 00:21:18,440 --> 00:21:20,920 Speaker 2: that man if he put that out there, right, that's disgusting. Right, 408 00:21:22,000 --> 00:21:24,919 Speaker 2: I understand a woman that feels like, damn, why are 409 00:21:24,880 --> 00:21:26,240 Speaker 2: you gonna put me out there like that? That can 410 00:21:26,320 --> 00:21:28,800 Speaker 2: happen to anyone who's not a virgin, right. But she 411 00:21:28,920 --> 00:21:33,000 Speaker 2: also slipped something by us real quickly, a throwaway that 412 00:21:33,040 --> 00:21:36,040 Speaker 2: we're not giving any attention to. Yeah, so I was 413 00:21:36,080 --> 00:21:39,320 Speaker 2: giving the web I was a webcam girl. If you're 414 00:21:39,359 --> 00:21:43,040 Speaker 2: a webcam girl, naked pitches of you on the internet 415 00:21:43,280 --> 00:21:46,440 Speaker 2: are not humiliating. That's how you got your money. And 416 00:21:46,520 --> 00:21:48,520 Speaker 2: I think we have to talk about that just a 417 00:21:48,520 --> 00:21:52,040 Speaker 2: little bit, because if you're a webcam girl, you take requests. 418 00:21:52,040 --> 00:21:55,760 Speaker 2: What these men want you to do? Hey, put five dollars? 419 00:21:56,040 --> 00:21:57,760 Speaker 2: Can you play with your pussy a little bit? Can 420 00:21:57,800 --> 00:21:59,159 Speaker 2: you see it? Can you spread it open? Ca I 421 00:21:59,240 --> 00:21:59,760 Speaker 2: see a titty? 422 00:22:00,080 --> 00:22:00,920 Speaker 1: So I don't. 423 00:22:01,240 --> 00:22:05,160 Speaker 2: Personally, it doesn't. I'm not buying that this was so humiliated. 424 00:22:05,160 --> 00:22:07,600 Speaker 2: Maybe on Housewives with your rebrand now that you're married, 425 00:22:07,760 --> 00:22:09,680 Speaker 2: you might be like, well, that's in my past, but 426 00:22:09,760 --> 00:22:12,480 Speaker 2: like she's really putting ten on twenty now. Not to 427 00:22:12,520 --> 00:22:14,679 Speaker 2: say you can't change, you can, but think of the 428 00:22:14,720 --> 00:22:18,600 Speaker 2: psychology of some on the video of her and the 429 00:22:18,640 --> 00:22:21,560 Speaker 2: picture of her with a boyfriend. That's fole. Okay, let 430 00:22:21,600 --> 00:22:23,520 Speaker 2: me be very clear. I'm very supportive of any woman 431 00:22:23,560 --> 00:22:25,760 Speaker 2: that has happened to you, because that's horrible. But the 432 00:22:25,840 --> 00:22:31,240 Speaker 2: webcam girl, that's almost where I'm like, hmm, you had 433 00:22:31,280 --> 00:22:34,200 Speaker 2: your nick stuff on the internet. I'm sorry, God, Carlos, 434 00:22:35,240 --> 00:22:37,840 Speaker 2: please finish. No, I've been shady enough. They're gonna think 435 00:22:37,840 --> 00:22:38,600 Speaker 2: I hate her now too. 436 00:22:40,000 --> 00:22:43,359 Speaker 1: No, it's fine, No, I will say this. Okay, I 437 00:22:43,520 --> 00:22:49,159 Speaker 1: want to go back with Dustin and then go with you, Claudia. 438 00:22:49,960 --> 00:22:55,159 Speaker 1: I agree with Dustin. Listen, listen, listen. Regardless of what 439 00:22:55,280 --> 00:22:57,480 Speaker 1: your past is, and we've all had a pass right, 440 00:22:59,280 --> 00:23:02,080 Speaker 1: nobody wants could be reminded of something that you may 441 00:23:02,119 --> 00:23:07,560 Speaker 1: have gotten over and gotten through. I did feel obviously, 442 00:23:07,600 --> 00:23:10,399 Speaker 1: I feel bad for her. It's humiliating for that to 443 00:23:10,440 --> 00:23:15,399 Speaker 1: be shown with with with with your peers, especially as 444 00:23:15,440 --> 00:23:16,960 Speaker 1: you're trying to get to know these new women on 445 00:23:17,000 --> 00:23:19,240 Speaker 1: the show. And then it's at an event, right, so 446 00:23:19,320 --> 00:23:24,119 Speaker 1: I understand the tears from being humiliated, because yes, I 447 00:23:24,160 --> 00:23:28,840 Speaker 1: may have done that in my past. However, nobody should 448 00:23:28,840 --> 00:23:32,760 Speaker 1: ever be nobody she had to be judged by things 449 00:23:32,760 --> 00:23:34,960 Speaker 1: they've done in their past. We've all had a pass 450 00:23:35,160 --> 00:23:37,120 Speaker 1: So I did I agree with us. I felt bad 451 00:23:37,160 --> 00:23:40,879 Speaker 1: with her there. I will say this though, I clocked 452 00:23:40,920 --> 00:23:44,280 Speaker 1: the webcam signed thank you for breaking down the definition 453 00:23:44,359 --> 00:23:47,960 Speaker 1: of it, because as a little gay boy Detrent, Michigan, 454 00:23:48,800 --> 00:23:52,200 Speaker 1: I wasn't looking at the webcam, you know, saying I 455 00:23:52,280 --> 00:23:55,359 Speaker 1: was watching Blurt Underwood a law and order child. 456 00:23:55,440 --> 00:24:00,680 Speaker 3: No, who is the way? As you know what I'm 457 00:24:00,680 --> 00:24:02,720 Speaker 3: talking about. I can't think of his name. You're on 458 00:24:02,800 --> 00:24:04,600 Speaker 3: law order or something. Now we'll go ahead. 459 00:24:05,200 --> 00:24:11,320 Speaker 1: Oh let's latch la law please. I digress. Anyways, moving on, child, 460 00:24:11,400 --> 00:24:25,800 Speaker 1: we are just getting started. This is reality with the King, 461 00:24:26,040 --> 00:24:29,399 Speaker 1: and I'm Carlos King. Let's get back into the show. 462 00:24:30,680 --> 00:24:36,720 Speaker 1: I also clopped. I also clopped the cavalier word teenager. 463 00:24:37,760 --> 00:24:40,840 Speaker 1: And I want to stop there because I'm going to 464 00:24:41,440 --> 00:24:43,040 Speaker 1: I'm going to stop there because I want to add 465 00:24:43,080 --> 00:24:47,160 Speaker 1: to what Party was saying. Teenager The definition of as 466 00:24:47,200 --> 00:24:55,120 Speaker 1: a journalist right means thirteen through nineteen right. I my opinion, 467 00:24:55,359 --> 00:25:01,240 Speaker 1: I felt the insertion of teenager a lot of room 468 00:25:01,640 --> 00:25:06,520 Speaker 1: for in u windows and for me, I felt that 469 00:25:06,520 --> 00:25:11,480 Speaker 1: that could be seen as dangerous because I feel like 470 00:25:11,720 --> 00:25:16,800 Speaker 1: I applaud her for admitting to the webcampaign. Right, I would, 471 00:25:16,960 --> 00:25:19,879 Speaker 1: And maybe she doesn't remember the exact age, but I 472 00:25:19,920 --> 00:25:23,919 Speaker 1: would have. I would have preferred if she could have 473 00:25:24,000 --> 00:25:27,720 Speaker 1: put an age to it. I was this teen, I 474 00:25:27,840 --> 00:25:31,960 Speaker 1: was that teen. I think saying teenager leads a lot 475 00:25:32,080 --> 00:25:36,280 Speaker 1: to the imagination, and I just think that's dangerous based 476 00:25:36,280 --> 00:25:38,080 Speaker 1: on some things that we have been hearing that she 477 00:25:38,240 --> 00:25:40,919 Speaker 1: possibly could have been under age. We just don't know, 478 00:25:41,320 --> 00:25:43,640 Speaker 1: so I would have life for her to say that. 479 00:25:44,680 --> 00:25:47,720 Speaker 1: The other thing I've clocked with her mother is this, 480 00:25:49,040 --> 00:25:55,000 Speaker 1: I listen. I would have preferred for Brent, and maybe 481 00:25:55,000 --> 00:25:58,800 Speaker 1: it's happening in future episodes. I don't know. I personally 482 00:25:59,560 --> 00:26:04,200 Speaker 1: would have preferred for Brett and her mother to talk 483 00:26:04,240 --> 00:26:08,800 Speaker 1: about why a teenage girl with a mom is in 484 00:26:09,720 --> 00:26:14,680 Speaker 1: that position. I was really looking forward to a conversation 485 00:26:14,920 --> 00:26:18,480 Speaker 1: of I felt abandoned, Mom, you weren't there for me, 486 00:26:19,280 --> 00:26:27,040 Speaker 1: you know. I felt the focus of the conversation wasn't 487 00:26:27,240 --> 00:26:30,040 Speaker 1: enough for us to really get to know brit on 488 00:26:30,080 --> 00:26:32,840 Speaker 1: a deeper level. I'm gonna say this and I'm not 489 00:26:32,880 --> 00:26:35,240 Speaker 1: gonna take it back. I don't want to hear about 490 00:26:35,320 --> 00:26:38,920 Speaker 1: Kenya now that she's not there anymore. I'm hoping, I'm 491 00:26:38,960 --> 00:26:42,040 Speaker 1: hoping this is the last episode where the focus is 492 00:26:42,080 --> 00:26:45,440 Speaker 1: on Kenya. I understand talking to your husband about Kenya 493 00:26:45,680 --> 00:26:49,439 Speaker 1: got it good. I understand talking to Kelly Vou Kenya 494 00:26:50,000 --> 00:26:53,359 Speaker 1: got it good. That conversation with your mom, I felt 495 00:26:53,359 --> 00:26:55,040 Speaker 1: there was a repeat of what I saw with the 496 00:26:55,119 --> 00:26:58,159 Speaker 1: husband and when I saw with Kelly, and I wanted 497 00:26:58,200 --> 00:27:01,560 Speaker 1: Britt to have a deep conversation about why a teenage 498 00:27:01,600 --> 00:27:05,199 Speaker 1: girl is in that position the first place, so that 499 00:27:05,280 --> 00:27:08,560 Speaker 1: we could shed light on the on the life choices 500 00:27:09,119 --> 00:27:13,480 Speaker 1: that girl had to make and while her mother is 501 00:27:13,840 --> 00:27:16,680 Speaker 1: there with her. So I felt like Brit missed the 502 00:27:16,840 --> 00:27:21,760 Speaker 1: mark in terms of really going going deeper with letting 503 00:27:21,880 --> 00:27:24,440 Speaker 1: us know who you are because I feel bad for you. 504 00:27:24,640 --> 00:27:28,000 Speaker 1: I know you feel humiliated all those things. But it's 505 00:27:28,600 --> 00:27:30,960 Speaker 1: a lot of the people on social media, which is 506 00:27:31,000 --> 00:27:36,000 Speaker 1: surprising to me, if I'm being honest, they're not really 507 00:27:37,720 --> 00:27:40,320 Speaker 1: they're they're there are a lot of them are team Kenya, 508 00:27:40,400 --> 00:27:43,879 Speaker 1: and I'll just be honest, I am. I am shocked 509 00:27:44,040 --> 00:27:49,440 Speaker 1: by the people who aren't really feeling BRIT's remorse. 510 00:27:49,920 --> 00:27:53,880 Speaker 2: And to be clear, we got we have to reiterate it. 511 00:27:54,160 --> 00:27:58,560 Speaker 2: We're not we're not approving condoning what Kenya Moore did 512 00:27:58,880 --> 00:28:03,560 Speaker 2: that wasn't good. It was actually career suicide for her participation. 513 00:28:04,560 --> 00:28:08,040 Speaker 2: It was stupid and we and yet not cut you off. 514 00:28:08,760 --> 00:28:11,159 Speaker 1: All three of us for the past three weeks have 515 00:28:11,280 --> 00:28:14,040 Speaker 1: said she was wrong. Yeah, so stop right. 516 00:28:14,119 --> 00:28:15,800 Speaker 2: They want to They want to say that we're making 517 00:28:15,840 --> 00:28:18,119 Speaker 2: excuses for her. No, we said it was wrong, it 518 00:28:18,160 --> 00:28:19,919 Speaker 2: was stupid. But when you see it play out with 519 00:28:19,960 --> 00:28:21,760 Speaker 2: the whole thing, how it led up to that, I get. 520 00:28:21,840 --> 00:28:25,280 Speaker 2: You know, sometimes people say you can't hurt someone and 521 00:28:25,480 --> 00:28:30,080 Speaker 2: judge how they respond, however the right. But we pick 522 00:28:30,119 --> 00:28:32,520 Speaker 2: and choose if we like the person, right, we like 523 00:28:32,600 --> 00:28:35,919 Speaker 2: the person you know, hey, you can't. We gotta have 524 00:28:36,040 --> 00:28:38,320 Speaker 2: we gotta be like I don't know if I was 525 00:28:38,600 --> 00:28:41,200 Speaker 2: Kenya and a girl talked about a gun, whether she 526 00:28:41,320 --> 00:28:43,680 Speaker 2: had it on her or didn't you talking that big 527 00:28:43,720 --> 00:28:46,800 Speaker 2: talk gun talk, I'm taking you out and I'll probably 528 00:28:46,800 --> 00:28:49,080 Speaker 2: do some some crafts off ship that might not really 529 00:28:49,080 --> 00:28:53,400 Speaker 2: be seen as morally correct. I totally understand that. Is 530 00:28:53,400 --> 00:28:53,880 Speaker 2: it right? 531 00:28:54,160 --> 00:28:54,440 Speaker 1: No? 532 00:28:54,920 --> 00:28:57,480 Speaker 2: But is the thing right that caused you to do it? 533 00:28:57,480 --> 00:29:00,560 Speaker 2: It's not right? No, But if you think about human 534 00:29:00,600 --> 00:29:03,080 Speaker 2: emotions and how you would really be everyone that's watching 535 00:29:03,080 --> 00:29:05,560 Speaker 2: the show. Let someone say that and then you expect 536 00:29:05,640 --> 00:29:08,040 Speaker 2: them one week later or whatever it was, to be 537 00:29:08,160 --> 00:29:11,680 Speaker 2: kumbaya and accept some flowers. Bitch, fuck you, fuck you 538 00:29:11,840 --> 00:29:14,560 Speaker 2: and your flowers. It's not gonna take you showing up 539 00:29:14,600 --> 00:29:16,320 Speaker 2: at my event because you know you had to be 540 00:29:16,360 --> 00:29:19,800 Speaker 2: there because you were shooting a show for me to say, Okay, 541 00:29:20,240 --> 00:29:22,920 Speaker 2: that's something you have to massage and like, you know, 542 00:29:23,040 --> 00:29:25,320 Speaker 2: really work on that. And you knew you weren't going 543 00:29:25,360 --> 00:29:27,640 Speaker 2: to get that. You knew you had. You've watched Real 544 00:29:27,680 --> 00:29:29,959 Speaker 2: housewse of Atlanta, you're a fan. You had to know 545 00:29:30,000 --> 00:29:31,600 Speaker 2: that that was never gonna go over. It was gonna 546 00:29:31,600 --> 00:29:34,959 Speaker 2: give you another big poping moment. And that's that. Like, 547 00:29:35,360 --> 00:29:39,040 Speaker 2: let's let's call it what it is. It's a TV show, okay, 548 00:29:39,800 --> 00:29:42,360 Speaker 2: And you know that that was some fake as a policy. Shit, 549 00:29:42,400 --> 00:29:43,280 Speaker 2: I felt like it was fake. 550 00:29:43,600 --> 00:29:46,360 Speaker 3: It is a TV show, which is exactly why Kenya 551 00:29:46,400 --> 00:29:49,240 Speaker 3: should have been more astute as a veteran member of 552 00:29:49,280 --> 00:29:53,640 Speaker 3: this cast than to react to what she was uncomfortable, 553 00:29:53,720 --> 00:29:57,560 Speaker 3: uncomfortable with, or felt made to feel unsafe by by 554 00:29:57,600 --> 00:30:00,360 Speaker 3: doing something stupid. Like what she did, which essentially robbed 555 00:30:00,360 --> 00:30:03,120 Speaker 3: herself of the opportunity to be on the cast. That 556 00:30:03,280 --> 00:30:05,160 Speaker 3: was dumb, and it was it was dumb on a 557 00:30:05,960 --> 00:30:08,320 Speaker 3: it was dumb on a professional level. From that lens. 558 00:30:08,360 --> 00:30:11,000 Speaker 3: And then let's take it to the street, right, what 559 00:30:11,200 --> 00:30:14,040 Speaker 3: is this? What is the impact fact of you doing? 560 00:30:14,080 --> 00:30:16,800 Speaker 3: What does this do to like? How do you win 561 00:30:17,040 --> 00:30:20,000 Speaker 3: by doing this? I personally just don't see how the win. 562 00:30:20,440 --> 00:30:22,280 Speaker 3: I don't see how you can be scared for your 563 00:30:22,320 --> 00:30:24,480 Speaker 3: life because if you say somebody throwing you with a gun, 564 00:30:24,880 --> 00:30:26,560 Speaker 3: and then in your mind you say, yeah, I know 565 00:30:26,560 --> 00:30:28,200 Speaker 3: how to get her ass. I'm gonna show them pictures 566 00:30:28,200 --> 00:30:30,680 Speaker 3: of her sucking to Dick. That's gonna get her. I 567 00:30:30,720 --> 00:30:33,280 Speaker 3: just don't see the correlation. I don't see I just 568 00:30:33,400 --> 00:30:35,760 Speaker 3: it just doesn't make sense for me either way. And 569 00:30:35,800 --> 00:30:38,880 Speaker 3: I hated to see Kenya go out like that because again, 570 00:30:39,320 --> 00:30:41,719 Speaker 3: I feel like she should be a part of this cast. 571 00:30:42,280 --> 00:30:45,360 Speaker 3: So for me, it's just I'm just over the whole situation, 572 00:30:45,400 --> 00:30:47,920 Speaker 3: and I'm with Carlos actually on this. I don't want 573 00:30:47,920 --> 00:30:50,360 Speaker 3: to hear no more about Kenya. We can talk about 574 00:30:50,360 --> 00:30:53,040 Speaker 3: the fallout in the way it's impacted the group dynamics 575 00:30:53,040 --> 00:30:55,680 Speaker 3: and the relationships amongst the group, within the group that 576 00:30:55,760 --> 00:30:58,920 Speaker 3: are remaining. But I don't want to hear about the 577 00:30:59,080 --> 00:31:02,360 Speaker 3: Kenya piece of it all anymore. If we're gonna keep 578 00:31:02,360 --> 00:31:05,120 Speaker 3: talking about Kenya, bring her back to filming and let 579 00:31:05,120 --> 00:31:07,600 Speaker 3: her be here to speak for herself. If not, let's 580 00:31:07,640 --> 00:31:09,640 Speaker 3: just move on from that piece of the story. 581 00:31:09,720 --> 00:31:12,440 Speaker 2: So, because if that's all you got for the season 582 00:31:12,520 --> 00:31:13,800 Speaker 2: to talk about, woe was me? 583 00:31:13,880 --> 00:31:15,320 Speaker 4: I was as he was gone. 584 00:31:15,440 --> 00:31:17,800 Speaker 2: Were you were a teenager at nineteen or were you underage? 585 00:31:17,920 --> 00:31:20,520 Speaker 2: It was still bad but one illegal Oh yeah. 586 00:31:20,200 --> 00:31:23,480 Speaker 3: To that piece too, the underage piece, Carlos, You're right, 587 00:31:23,640 --> 00:31:29,120 Speaker 3: that's it's very it is. It is a very sensitive 588 00:31:29,160 --> 00:31:33,560 Speaker 3: allegation to make towards someone that they did anything sexual 589 00:31:33,600 --> 00:31:36,400 Speaker 3: in connection to somebody being underage. 590 00:31:36,480 --> 00:31:37,600 Speaker 4: Right, you can't play with. 591 00:31:37,520 --> 00:31:40,680 Speaker 3: That, So that grace speak that she used with that, 592 00:31:40,720 --> 00:31:43,120 Speaker 3: and that that umbrella term of teenager. You're right, you 593 00:31:43,200 --> 00:31:46,040 Speaker 3: gotta be specific when you're talking about legal shit like that. 594 00:31:46,440 --> 00:31:49,840 Speaker 3: You can't make those allegations because if Kenya didn't do that, 595 00:31:49,840 --> 00:31:52,280 Speaker 3: that's a terrible thing to say that she did. So 596 00:31:52,440 --> 00:31:55,000 Speaker 3: I agree with that that that was what they call 597 00:31:55,080 --> 00:31:58,680 Speaker 3: that nasty work using the word teenager, right, I think 598 00:31:58,720 --> 00:31:59,200 Speaker 3: she knew. 599 00:31:59,000 --> 00:32:01,200 Speaker 2: What she was doing when she did that. Like we 600 00:32:01,320 --> 00:32:04,240 Speaker 2: know what the word teenager implies, but like you could 601 00:32:04,240 --> 00:32:06,440 Speaker 2: be nineteen and like there's one thing, it's either way. 602 00:32:06,600 --> 00:32:08,920 Speaker 2: It was impoor taste, it was horrible taste, it was stupid, 603 00:32:08,920 --> 00:32:11,400 Speaker 2: it was wrong, was bad. We know that. But you know, oh, 604 00:32:11,440 --> 00:32:13,280 Speaker 2: I was just a teenager. And when Portia said that too, 605 00:32:13,360 --> 00:32:15,200 Speaker 2: like y'all putting ten on twenty right now? If she 606 00:32:15,280 --> 00:32:19,080 Speaker 2: was nineteen, right, Like you know what you're trying to 607 00:32:19,080 --> 00:32:21,920 Speaker 2: do again, The victim storyline for this entire season is 608 00:32:21,960 --> 00:32:24,880 Speaker 2: gonna get old because now Keny's not there anymore. What 609 00:32:24,920 --> 00:32:27,240 Speaker 2: else you got for us after this? What else do 610 00:32:27,360 --> 00:32:29,240 Speaker 2: you have after this? And I just feel like she's 611 00:32:29,280 --> 00:32:31,920 Speaker 2: putting ten on twenty And I hate that Kenya made 612 00:32:31,960 --> 00:32:35,719 Speaker 2: this rookie mistake that allowed this girl to play this 613 00:32:35,840 --> 00:32:38,000 Speaker 2: role and be the victim now over and over over, 614 00:32:38,040 --> 00:32:39,840 Speaker 2: And she was a victim that night. Okay, But do 615 00:32:39,880 --> 00:32:42,320 Speaker 2: you think for a moment that Bravo would even air 616 00:32:42,440 --> 00:32:45,240 Speaker 2: any parts of that scene if they knew or they 617 00:32:45,480 --> 00:32:47,680 Speaker 2: and they will find out right if in those pictures 618 00:32:47,720 --> 00:32:51,720 Speaker 2: that girl was actually underage? Absolutely not. Bravo was too 619 00:32:51,720 --> 00:32:54,200 Speaker 2: smart for that then not gonna let that happen. If 620 00:32:54,200 --> 00:32:56,720 Speaker 2: that was in fact a picture of Britain when she 621 00:32:56,840 --> 00:32:59,760 Speaker 2: was sixteen, I think the age of consent in Georgia's seventeen. 622 00:32:59,760 --> 00:33:02,280 Speaker 2: I think if she was, if she was like sixteen 623 00:33:02,360 --> 00:33:05,160 Speaker 2: in those pictures, we would have never seen the scene. Ever. 624 00:33:05,240 --> 00:33:07,959 Speaker 2: Braba would have shut that shit down. In my opinion, 625 00:33:08,000 --> 00:33:10,080 Speaker 2: I don't think we'd ever even know about it. They 626 00:33:10,120 --> 00:33:11,880 Speaker 2: would have been like, nah, none of this stuff is good. 627 00:33:12,160 --> 00:33:14,320 Speaker 2: They could not, They couldn't, they would be They would 628 00:33:14,360 --> 00:33:15,880 Speaker 2: not be a part of that. I think, I don't know. 629 00:33:15,920 --> 00:33:18,320 Speaker 3: Shout out to Angela Uakley for piping that scene up 630 00:33:18,320 --> 00:33:20,800 Speaker 3: though at the table, because Angela was asking the motherfucking 631 00:33:20,880 --> 00:33:23,720 Speaker 3: questions that she was asking the praguntas that were on 632 00:33:23,800 --> 00:33:27,280 Speaker 3: the piece, so okay for our Spanish speaking viewership, she 633 00:33:27,480 --> 00:33:30,920 Speaker 3: was asking the right motherfucking questions that Angela said, Okay, 634 00:33:30,920 --> 00:33:33,200 Speaker 3: so what you know? She said, yeah, but you can't 635 00:33:33,280 --> 00:33:36,160 Speaker 3: start there. She said, you're not acknowledging the part you 636 00:33:36,240 --> 00:33:39,040 Speaker 3: played and getting it to this point she was nailing 637 00:33:39,080 --> 00:33:42,479 Speaker 3: Bridge's ass to the wall, and brit was not able 638 00:33:42,600 --> 00:33:45,360 Speaker 3: to take that and receive that at the moment, but 639 00:33:45,480 --> 00:33:47,960 Speaker 3: she started it by bringing that negative energy. What is 640 00:33:48,000 --> 00:33:50,720 Speaker 3: she asking, are you slow or whatever she said to her, 641 00:33:50,880 --> 00:33:51,520 Speaker 3: she was naw. 642 00:33:52,080 --> 00:33:52,640 Speaker 4: Yeah. 643 00:33:52,880 --> 00:33:55,320 Speaker 3: So I like Anna. Plus y'all know, I don't care. 644 00:33:55,360 --> 00:33:58,040 Speaker 3: I'd be biased sometimes. I like Angela. I've been enjoying 645 00:33:58,040 --> 00:34:00,600 Speaker 3: the hell out of her this season. I like Ane Oakley. 646 00:34:00,640 --> 00:34:03,000 Speaker 3: I like what she's bringing to this show. So, you know, 647 00:34:03,200 --> 00:34:06,040 Speaker 3: I thought that was of note that britt was really 648 00:34:06,080 --> 00:34:09,120 Speaker 3: the one responsible for being making it nasty at the table. 649 00:34:09,200 --> 00:34:10,120 Speaker 4: Like that, Carls. 650 00:34:10,120 --> 00:34:13,160 Speaker 2: I like what you said earlier about like, I know 651 00:34:13,200 --> 00:34:15,640 Speaker 2: I've been giving Brittany a britt a hard time tonight, 652 00:34:15,719 --> 00:34:17,880 Speaker 2: and I acknowledge that, and I receive that, and I 653 00:34:17,920 --> 00:34:21,600 Speaker 2: will stand by that I have been. But like I 654 00:34:21,840 --> 00:34:24,920 Speaker 2: too think that I like complex characters on shows where 655 00:34:25,200 --> 00:34:27,840 Speaker 2: they see one thing about them and then your mind 656 00:34:27,920 --> 00:34:30,279 Speaker 2: is able to be changed because they are vulnerable in 657 00:34:30,320 --> 00:34:32,440 Speaker 2: the scene, and they give us if she would have 658 00:34:32,480 --> 00:34:35,480 Speaker 2: said something about you know, why she was in that position, 659 00:34:35,520 --> 00:34:37,759 Speaker 2: why she felt abandoned, why she felt she had to 660 00:34:37,760 --> 00:34:39,799 Speaker 2: do that, why that was the only option that could 661 00:34:39,800 --> 00:34:41,719 Speaker 2: have changed our perception or give us a little bit 662 00:34:41,719 --> 00:34:44,080 Speaker 2: more understanding. I like to know the why. You know, 663 00:34:44,400 --> 00:34:46,840 Speaker 2: no one just goes and becomes a webcam girl just 664 00:34:46,840 --> 00:34:50,280 Speaker 2: because it's fun. There's a story behind that, and honest 665 00:34:50,320 --> 00:34:50,920 Speaker 2: people like it. 666 00:34:51,040 --> 00:34:52,880 Speaker 4: Some people just want to be free, they want to 667 00:34:52,920 --> 00:34:55,399 Speaker 4: show what they got. Yes, that's true. 668 00:34:55,840 --> 00:34:59,200 Speaker 1: But the thing is, the thing is, it's one of 669 00:34:59,280 --> 00:35:04,319 Speaker 1: those things where I'm gonna say this. For example, when 670 00:35:04,360 --> 00:35:07,279 Speaker 1: we did season I believe it was season eight of 671 00:35:07,320 --> 00:35:10,359 Speaker 1: The Real Housewives Atlanta, Kenya Moore was on that show 672 00:35:10,400 --> 00:35:14,200 Speaker 1: seasons five, six, seven, so three for three seasons. Prior 673 00:35:14,239 --> 00:35:18,600 Speaker 1: to season eight, long story short, Kenya was seen as 674 00:35:18,719 --> 00:35:21,080 Speaker 1: like this villain, right, Oh my gosh, there's a villain. 675 00:35:21,440 --> 00:35:24,080 Speaker 1: Why he mean? Da da da da da da da da. 676 00:35:24,400 --> 00:35:27,719 Speaker 1: We had an opportunity to go to Detroit, Michigan, and 677 00:35:27,880 --> 00:35:32,080 Speaker 1: I fought for that scene because I said, I, in 678 00:35:32,239 --> 00:35:35,759 Speaker 1: order for the world to understand Kenya, you have to 679 00:35:35,760 --> 00:35:39,200 Speaker 1: go backwards and understand the girl that she was so 680 00:35:39,320 --> 00:35:42,960 Speaker 1: long story short, and this was all Kenya's doing, and 681 00:35:42,960 --> 00:35:45,640 Speaker 1: that's why Kenya was a joy to work with. When 682 00:35:45,680 --> 00:35:49,319 Speaker 1: we went to Detroit, Kenya knocked on her mother's door 683 00:35:51,239 --> 00:35:57,200 Speaker 1: and I got chills and Clauda. You may not remember 684 00:35:57,200 --> 00:35:59,400 Speaker 1: this allegedly was her mother. I don't know because we 685 00:35:59,400 --> 00:36:04,880 Speaker 1: weren't inside the house. Kenya heard the door lock and 686 00:36:04,960 --> 00:36:07,279 Speaker 1: heard a woman's voice allegedly could have been her mother. 687 00:36:07,320 --> 00:36:10,960 Speaker 1: I don't know, say don't answer the door, and Kenya 688 00:36:11,120 --> 00:36:13,840 Speaker 1: was crying out for her mother, and in that very moment, 689 00:36:13,960 --> 00:36:16,279 Speaker 1: this is a true story. In that very moment, me, 690 00:36:16,719 --> 00:36:20,880 Speaker 1: the producers, everybody involved said we now get it, we 691 00:36:21,000 --> 00:36:24,680 Speaker 1: now understand it now making excuses for Kenya in terms 692 00:36:24,680 --> 00:36:29,080 Speaker 1: of the adult woman she is. However, when you learn 693 00:36:29,440 --> 00:36:33,280 Speaker 1: something about who a young girl was in their youth 694 00:36:34,120 --> 00:36:38,760 Speaker 1: it I promise you will find things that make sense 695 00:36:38,800 --> 00:36:40,960 Speaker 1: in terms of who they are as an adult. I 696 00:36:41,040 --> 00:36:43,440 Speaker 1: have people to this day stop me and say that 697 00:36:43,600 --> 00:36:46,399 Speaker 1: scene alone made me see Kenya in a very different light. 698 00:36:46,840 --> 00:36:49,160 Speaker 1: And that's what I was saying about the scene with 699 00:36:49,239 --> 00:36:51,759 Speaker 1: Brett and her mother. I felt like Brent was on 700 00:36:51,800 --> 00:36:55,440 Speaker 1: this of Kenya campaign train and I listen, and I 701 00:36:55,560 --> 00:36:58,360 Speaker 1: get it because you were emotional at the time. But 702 00:36:59,120 --> 00:37:02,960 Speaker 1: I still feel like, unfortunately I don't know her. I 703 00:37:03,000 --> 00:37:08,160 Speaker 1: don't know her, I don't know her. Who I do know, Kelly, 704 00:37:08,880 --> 00:37:12,520 Speaker 1: I love you, but I got a confession to make. 705 00:37:13,640 --> 00:37:17,760 Speaker 1: Angela is not my number one favorite ed but Kelly Kelly, 706 00:37:18,120 --> 00:37:21,560 Speaker 1: I still love you though. But Kelly, I gotta be honest. 707 00:37:21,480 --> 00:37:24,520 Speaker 1: I took this spot at least this week. Angela Oakley, 708 00:37:25,120 --> 00:37:28,319 Speaker 1: I know who she is I as a wife, I 709 00:37:28,400 --> 00:37:30,719 Speaker 1: know who she is as a mother. I know who 710 00:37:30,719 --> 00:37:33,400 Speaker 1: she is as a friend. I know who she is 711 00:37:33,920 --> 00:37:37,680 Speaker 1: as a person. The way she clocked Britney britt ed, 712 00:37:37,760 --> 00:37:41,000 Speaker 1: I'm sorry and said to her, now wait a minute, 713 00:37:41,320 --> 00:37:45,640 Speaker 1: like when she said read the motherfucking room and she said, 714 00:37:45,640 --> 00:37:48,240 Speaker 1: now wait a minute, like what we're doing here, Tila 715 00:37:48,600 --> 00:37:52,920 Speaker 1: is superb. Angela should have been on the show in 716 00:37:52,960 --> 00:37:56,239 Speaker 1: the days of Menie Kimi Cheat because I would have 717 00:37:56,320 --> 00:37:58,600 Speaker 1: loved to see how she would have the dynamics with 718 00:37:58,640 --> 00:38:02,560 Speaker 1: those with those ogs. I think, Angela, but this is 719 00:38:02,600 --> 00:38:06,720 Speaker 1: the thing. Angela wasn't there to be on someone's side, 720 00:38:06,800 --> 00:38:08,719 Speaker 1: and I think, look this, and this is not a 721 00:38:08,760 --> 00:38:13,200 Speaker 1: bad thing. Everybody deserves a friend like Kelly hell. I 722 00:38:13,280 --> 00:38:14,520 Speaker 1: want to friend like Kelly. 723 00:38:14,920 --> 00:38:17,920 Speaker 2: Kelly Kelly, I know you watch it. I got your message. 724 00:38:18,200 --> 00:38:18,800 Speaker 1: She watches. 725 00:38:19,040 --> 00:38:22,440 Speaker 2: She watches because we have a mutual friend and I 726 00:38:22,440 --> 00:38:26,400 Speaker 2: don't reveal my sources, but she told my friend that 727 00:38:26,480 --> 00:38:29,200 Speaker 2: she heard me say some really nice things, all saying 728 00:38:29,239 --> 00:38:31,280 Speaker 2: nice things about her, and she liked it. She said that, 729 00:38:31,880 --> 00:38:32,759 Speaker 2: so shout out to Kelly. 730 00:38:32,960 --> 00:38:35,120 Speaker 4: We spoked with you. Kelly. We like you on the show. 731 00:38:35,360 --> 00:38:38,200 Speaker 2: Do your thing, Kelly. We don't hang with our mutual friend. 732 00:38:38,200 --> 00:38:39,759 Speaker 2: When I come to Atlanta, I'll be there on my play. 733 00:38:39,760 --> 00:38:41,840 Speaker 2: I'm going to invite you to play on May fifteen 734 00:38:41,840 --> 00:38:43,879 Speaker 2: and sixteen. I think it is in Atlanta something like that. 735 00:38:44,440 --> 00:38:45,560 Speaker 2: I'll have my people with touching you. 736 00:38:45,680 --> 00:38:52,280 Speaker 1: Yes at the gag is all the housewives watching? But anyway, 737 00:38:54,400 --> 00:38:54,640 Speaker 1: can I. 738 00:38:54,640 --> 00:38:58,640 Speaker 2: Just say something real quick, Carlos, I know that I am. 739 00:38:58,760 --> 00:39:02,080 Speaker 2: I'm hard on certain people, and people have made me 740 00:39:02,120 --> 00:39:05,800 Speaker 2: keenly aware. I know that, and people say, defend Kenya. 741 00:39:06,520 --> 00:39:08,600 Speaker 2: It's when you're brave enough. And I will do this 742 00:39:08,640 --> 00:39:12,800 Speaker 2: with anyone that is brave enough to explain their villain 743 00:39:13,000 --> 00:39:15,200 Speaker 2: arc you when you watch a scary movie, I mean 744 00:39:16,080 --> 00:39:18,359 Speaker 2: a movie where there's a villain and then you go 745 00:39:18,480 --> 00:39:21,120 Speaker 2: back like I used to think the witch in Sleep 746 00:39:21,120 --> 00:39:24,319 Speaker 2: and Beauty was so evil, and then Malipisen came out 747 00:39:24,600 --> 00:39:26,840 Speaker 2: and you got her side, the story of why she 748 00:39:27,080 --> 00:39:28,080 Speaker 2: is the way she is. 749 00:39:28,400 --> 00:39:29,919 Speaker 4: The origin story, origin story. 750 00:39:30,000 --> 00:39:39,319 Speaker 2: Yes, brit Portie, Nini, Phedra Kenya, all of you that 751 00:39:39,360 --> 00:39:41,760 Speaker 2: when you when you decide to be vulnerable and share 752 00:39:41,800 --> 00:39:43,600 Speaker 2: what is the thing that made you the way you are, 753 00:39:43,600 --> 00:39:46,640 Speaker 2: that the things that we don't like or whatever, you 754 00:39:46,680 --> 00:39:48,600 Speaker 2: will get the other half of the people that don't 755 00:39:48,600 --> 00:39:50,880 Speaker 2: write like you like that to love you and we 756 00:39:50,920 --> 00:39:54,000 Speaker 2: could understand why you do the things to do. That's 757 00:39:54,480 --> 00:39:57,239 Speaker 2: you know. I think it's a good idea to if 758 00:39:57,280 --> 00:40:01,759 Speaker 2: you feel confident enough to share things about you that 759 00:40:02,160 --> 00:40:05,200 Speaker 2: may be hard in your heart or made you come 760 00:40:05,239 --> 00:40:08,040 Speaker 2: off cold or whatever, it makes you more human and 761 00:40:08,080 --> 00:40:10,000 Speaker 2: then we can relate to you and then we won't 762 00:40:10,120 --> 00:40:13,680 Speaker 2: judge you based on this half a story you're giving us. 763 00:40:13,680 --> 00:40:16,279 Speaker 2: We got the full picture. And I think that will 764 00:40:16,320 --> 00:40:19,720 Speaker 2: help every reality star when you can say what really 765 00:40:19,760 --> 00:40:21,680 Speaker 2: is an issue? That's why I love people like Memi Fouls. 766 00:40:21,760 --> 00:40:26,839 Speaker 2: She'll tell you abandonment issues, abuse, father wasn't there, mother 767 00:40:26,960 --> 00:40:29,680 Speaker 2: wasn't there, bad choices and relationships. And that's why I 768 00:40:29,719 --> 00:40:32,960 Speaker 2: can defend someone like that because I understand why it's 769 00:40:33,000 --> 00:40:35,480 Speaker 2: the why. Once we know your why, we won't judge. 770 00:40:35,520 --> 00:40:38,480 Speaker 2: Like we can say we don't judge, we all judge. Okay, 771 00:40:38,560 --> 00:40:42,279 Speaker 2: we all judge. We all judge, Okay, whether it's our 772 00:40:42,280 --> 00:40:45,759 Speaker 2: group text or on whatever. We know your why, we 773 00:40:45,840 --> 00:40:49,000 Speaker 2: can understand you better. And I promise you the criticism 774 00:40:49,000 --> 00:40:51,919 Speaker 2: won't be as harsh because we get it, that's all. 775 00:40:52,680 --> 00:40:56,400 Speaker 1: Yeah, yeah, and I agree. I want to shift gears 776 00:40:56,440 --> 00:40:59,920 Speaker 1: a bit and get into the scene that Porsche has 777 00:41:00,080 --> 00:41:07,240 Speaker 1: at with Shamiah, Drew and Kelly. In this scene, Porsche 778 00:41:07,520 --> 00:41:11,920 Speaker 1: is revealing to the girls of a conversation that she 779 00:41:12,040 --> 00:41:15,759 Speaker 1: had with her daughter. In this In this conversation you 780 00:41:15,800 --> 00:41:20,240 Speaker 1: have the girls, she's discussing that her divorce was Simon 781 00:41:20,840 --> 00:41:27,240 Speaker 1: and how her daughter PJ asked, whereas Simon who he called? 782 00:41:27,320 --> 00:41:31,000 Speaker 1: Who she calls is if Papa got on something of 783 00:41:31,080 --> 00:41:35,040 Speaker 1: those one of those things popap thing, yeah, and Porscha say, 784 00:41:35,160 --> 00:41:38,160 Speaker 1: he's at work, and then Polar said he's coming back. 785 00:41:38,640 --> 00:41:43,800 Speaker 1: And then Porscha teared up, and Porsch said, because of that, 786 00:41:44,320 --> 00:41:48,680 Speaker 1: she she did send Simon a text message that he 787 00:41:48,800 --> 00:41:52,239 Speaker 1: left on read literally because he has a he has 788 00:41:52,280 --> 00:41:56,400 Speaker 1: the reader receipts some child. So she felt in that 789 00:41:56,520 --> 00:41:59,319 Speaker 1: moment this is done, and she she she said out 790 00:41:59,360 --> 00:42:02,480 Speaker 1: her own mouth, he doesn't love him anymore. What did 791 00:42:02,480 --> 00:42:04,200 Speaker 1: you two make of that scene, did you feel like 792 00:42:04,520 --> 00:42:06,400 Speaker 1: you now got a chance to really see a little 793 00:42:06,400 --> 00:42:08,920 Speaker 1: bit more of what was going on in their relationship. 794 00:42:09,680 --> 00:42:11,560 Speaker 2: On one hand, I was actually surprised that she got 795 00:42:11,640 --> 00:42:13,799 Speaker 2: emotional over Simon because I never thought that she really 796 00:42:13,800 --> 00:42:15,319 Speaker 2: loved him like that. I thought it was just like 797 00:42:15,320 --> 00:42:18,840 Speaker 2: a money grab, So that was shocking to me. I 798 00:42:18,840 --> 00:42:20,520 Speaker 2: was like, wow, I didn't know that things that she 799 00:42:20,560 --> 00:42:22,480 Speaker 2: really liked him. But then you do see some videos 800 00:42:22,520 --> 00:42:24,520 Speaker 2: of online where they're dancing, they look at they're having 801 00:42:24,560 --> 00:42:28,480 Speaker 2: a good time. Again, I would like to know her 802 00:42:28,560 --> 00:42:33,240 Speaker 2: origin story because you want to give grace to people. 803 00:42:33,320 --> 00:42:34,839 Speaker 2: You want to be like, oh, I feel bad for her. 804 00:42:34,840 --> 00:42:36,640 Speaker 2: Then you also think, well, damn, you took someone else's 805 00:42:36,680 --> 00:42:38,920 Speaker 2: d it and you was kind of like flaunting it 806 00:42:39,000 --> 00:42:41,400 Speaker 2: all over social media and didn't think about how you 807 00:42:41,440 --> 00:42:44,120 Speaker 2: broke someone else's heart. But even with that being said, 808 00:42:44,120 --> 00:42:47,359 Speaker 2: that she did do that, Okay, you can still have 809 00:42:47,520 --> 00:42:50,000 Speaker 2: empathy for someone that's going through something. That's an awful 810 00:42:50,040 --> 00:42:53,640 Speaker 2: thing that Simon's doing to come into someone's life, present 811 00:42:53,719 --> 00:42:59,360 Speaker 2: yourself as this Prince Charming minus the looks, and sorry, 812 00:43:00,280 --> 00:43:03,839 Speaker 2: it's giving mom, I canna say it was giving y'all 813 00:43:03,880 --> 00:43:06,560 Speaker 2: know who what old famous female actors. He looks like 814 00:43:07,520 --> 00:43:10,279 Speaker 2: Florida Evans. Okay, but for a man, it's not good. 815 00:43:10,400 --> 00:43:14,120 Speaker 2: So anyways, come into someone's life, bond with someone's child, 816 00:43:14,360 --> 00:43:17,759 Speaker 2: marry them, and give that child a sense of stability, 817 00:43:17,800 --> 00:43:19,839 Speaker 2: like we're a family together. And then when it doesn't 818 00:43:19,880 --> 00:43:21,719 Speaker 2: work out with a mom, and then she reaches out 819 00:43:21,719 --> 00:43:24,160 Speaker 2: to you and you ignore. That's fucked up of you, Simon. 820 00:43:24,200 --> 00:43:25,839 Speaker 2: You should be ashamed of yourself, but you're not because 821 00:43:25,880 --> 00:43:28,200 Speaker 2: you're a scammer. I told y'all long time ago he 822 00:43:28,239 --> 00:43:29,839 Speaker 2: wasn't who he said he was, but y'all didn't want 823 00:43:29,840 --> 00:43:31,640 Speaker 2: to believe you. I thought was a hater. I told 824 00:43:31,719 --> 00:43:34,800 Speaker 2: y'all my sources said he got rich from a scam. 825 00:43:34,840 --> 00:43:38,439 Speaker 2: He got intercepted some money that wired. We'll get into 826 00:43:38,440 --> 00:43:44,480 Speaker 2: that another time, but I'm allegedly, of course, I heard allegedly. 827 00:43:45,200 --> 00:43:48,120 Speaker 2: That's that's awful, Simon. No matter what issues you have 828 00:43:48,120 --> 00:43:50,640 Speaker 2: with Portia, you did come into her life and bond 829 00:43:50,640 --> 00:43:53,280 Speaker 2: with that child, and you should still be the bigger 830 00:43:53,320 --> 00:43:56,359 Speaker 2: person who you are, the bigger person, the wider person. 831 00:43:56,360 --> 00:44:00,160 Speaker 2: You should still go and respond to text about that 832 00:44:00,160 --> 00:44:02,759 Speaker 2: little girl. That is bonding with that's fucked up, and 833 00:44:02,800 --> 00:44:04,080 Speaker 2: I felt for Porscha on and that I thought that 834 00:44:04,120 --> 00:44:05,400 Speaker 2: was really jocked up. 835 00:44:05,920 --> 00:44:07,080 Speaker 4: I felt for Porsche too. 836 00:44:07,880 --> 00:44:13,280 Speaker 3: I think that Porsche is aware that showing emotionally vulnerable 837 00:44:13,320 --> 00:44:16,480 Speaker 3: moments like that will make people empathetic to the breakdown 838 00:44:16,480 --> 00:44:19,319 Speaker 3: of her relationship with Simon, because most people really didn't 839 00:44:19,320 --> 00:44:21,600 Speaker 3: give it damn what she had to say. They felt 840 00:44:21,680 --> 00:44:25,600 Speaker 3: like we were introduced to Simon with another woman, and 841 00:44:25,640 --> 00:44:29,040 Speaker 3: we were introduced to them that couple through Porsche, and 842 00:44:29,160 --> 00:44:31,800 Speaker 3: people then saw Porsha go on to being a very 843 00:44:31,800 --> 00:44:34,480 Speaker 3: public marriage with him. In spite of all of that, 844 00:44:34,560 --> 00:44:37,040 Speaker 3: we went on to see Porscha speak about how the 845 00:44:37,760 --> 00:44:40,879 Speaker 3: relationship between Fallon and Simon was not what we thought 846 00:44:40,920 --> 00:44:43,600 Speaker 3: it was, and she gave us all sorts of contexts 847 00:44:44,040 --> 00:44:46,800 Speaker 3: as to why she was confident in her choice to 848 00:44:46,840 --> 00:44:49,880 Speaker 3: move forward in a relationship with Simon right, But a 849 00:44:49,920 --> 00:44:53,160 Speaker 3: lot of people never reconciled that as viewers. They always 850 00:44:53,200 --> 00:44:55,879 Speaker 3: felt that she was being deceitful in her pursuit of him, 851 00:44:56,200 --> 00:44:59,399 Speaker 3: and that there was absolutely an overlap in those relationships. 852 00:44:59,480 --> 00:45:01,799 Speaker 3: Ending is not my place to say, is I don't 853 00:45:01,840 --> 00:45:05,040 Speaker 3: know you end up in love however, you end up 854 00:45:05,080 --> 00:45:09,120 Speaker 3: getting the right. But when it comes to people feeling 855 00:45:09,239 --> 00:45:13,600 Speaker 3: for Porsche in the breakdown of that marriage, conversations like 856 00:45:13,640 --> 00:45:15,839 Speaker 3: the ones she had on Shemia's patio with the other 857 00:45:15,960 --> 00:45:20,240 Speaker 3: ladies will aid her. They will help her in being likable, 858 00:45:20,320 --> 00:45:23,000 Speaker 3: help her in people understanding where she's coming from. But 859 00:45:23,040 --> 00:45:26,160 Speaker 3: there will still people that still there will still be people, 860 00:45:26,239 --> 00:45:27,600 Speaker 3: excuse me, that won't buy it. 861 00:45:28,000 --> 00:45:29,000 Speaker 4: There will still people that. 862 00:45:29,239 --> 00:45:32,080 Speaker 3: There will still be people that feel like Porscha was 863 00:45:32,160 --> 00:45:34,840 Speaker 3: absolutely aware of what she was doing having that conversation 864 00:45:34,920 --> 00:45:37,760 Speaker 3: on camera. There will be people who feel like Porscha 865 00:45:38,160 --> 00:45:40,000 Speaker 3: was putting on for the cameras, just like a lot 866 00:45:40,040 --> 00:45:42,800 Speaker 3: of people thought Britt was when she went to Shemia's 867 00:45:42,840 --> 00:45:45,560 Speaker 3: house the day after she made the gun comment and 868 00:45:45,640 --> 00:45:47,640 Speaker 3: she started doing all that damage control when they were 869 00:45:47,640 --> 00:45:49,200 Speaker 3: sitting in that living room and she was saying, I 870 00:45:49,239 --> 00:45:51,279 Speaker 3: didn't mean that, I didn't have that all of that. 871 00:45:51,400 --> 00:45:55,680 Speaker 3: So was it performative? Maybe? But who knows. All we 872 00:45:55,760 --> 00:45:58,240 Speaker 3: know is that we're not looking at Simon. We're grateful 873 00:45:58,280 --> 00:46:00,360 Speaker 3: for that, not because of how it looks, but because 874 00:46:00,360 --> 00:46:03,359 Speaker 3: he's an exhausting person to watch on camera, because he's 875 00:46:03,360 --> 00:46:05,960 Speaker 3: so thirsty to be there. That's why we have to 876 00:46:06,000 --> 00:46:09,000 Speaker 3: deal with what we had previously, to deal with social 877 00:46:09,040 --> 00:46:12,320 Speaker 3: media posts from him. We were inundated with his feelings 878 00:46:12,320 --> 00:46:15,000 Speaker 3: on everything. When this show is called The Real Housewives 879 00:46:15,040 --> 00:46:17,359 Speaker 3: of Atlanta, not the Real Couples of Atlanta, we don't 880 00:46:17,360 --> 00:46:19,600 Speaker 3: really give a fuck what Simon got to say, you know, 881 00:46:19,719 --> 00:46:22,040 Speaker 3: but he wanted us to. And I think that that's 882 00:46:22,040 --> 00:46:26,200 Speaker 3: why it's so refreshing to watch the show in his absence. 883 00:46:26,360 --> 00:46:30,080 Speaker 3: So what was Porscha being fake? We don't know. Maybe 884 00:46:30,120 --> 00:46:32,919 Speaker 3: she wasn't. Either way it goes. I hope she gets 885 00:46:33,000 --> 00:46:34,240 Speaker 3: the healing that she needs. 886 00:46:34,360 --> 00:46:35,319 Speaker 4: I just put it like that. 887 00:46:36,120 --> 00:46:40,160 Speaker 1: I want to ask you you to this. When Porscha 888 00:46:40,360 --> 00:46:43,279 Speaker 1: and Simon got together, she shared the story already in 889 00:46:43,360 --> 00:46:46,839 Speaker 1: terms of what happened, But I want to know if 890 00:46:46,840 --> 00:46:53,080 Speaker 1: this makes a difference at all. Balan became pregnant months 891 00:46:53,120 --> 00:46:57,440 Speaker 1: after she revealed she was pregnant. Me say that Balan 892 00:46:57,480 --> 00:47:00,960 Speaker 1: revealed she was pregnant months after her as Simon were 893 00:47:00,960 --> 00:47:04,760 Speaker 1: separated by another man. And this man name is Jayleen Claudia. 894 00:47:05,000 --> 00:47:08,360 Speaker 1: Am I mistaken that was she? In the season of 895 00:47:08,400 --> 00:47:10,399 Speaker 1: the Couples showed bitch different each one. 896 00:47:10,640 --> 00:47:12,960 Speaker 2: I recommended them for that and she got my agent. 897 00:47:13,440 --> 00:47:14,319 Speaker 2: She was the next year. 898 00:47:14,960 --> 00:47:19,120 Speaker 1: Okay, okay, okay. So there were some allegations of cheating, 899 00:47:20,480 --> 00:47:25,000 Speaker 1: that faling was cheating on assignment with Jalen. That's that's 900 00:47:25,040 --> 00:47:28,759 Speaker 1: that's what Simon said, Chid right when she became pregnant 901 00:47:29,160 --> 00:47:36,120 Speaker 1: by this other man after being separated. Does that make 902 00:47:36,160 --> 00:47:39,800 Speaker 1: a difference in terms of people thinking, porcha stole someone's 903 00:47:39,840 --> 00:47:44,359 Speaker 1: happy marriage or was the marriage clearly in trouble hence 904 00:47:44,360 --> 00:47:46,919 Speaker 1: the fact that Falinge was pregnant with some of another 905 00:47:46,960 --> 00:47:47,520 Speaker 1: man's baby. 906 00:47:47,840 --> 00:47:52,400 Speaker 3: No, they don't, because the the umbradge that people have 907 00:47:52,520 --> 00:47:55,000 Speaker 3: taken with that whole situation had nothing to do with 908 00:47:55,040 --> 00:47:56,719 Speaker 3: the state of failing. You know, they're gonna get you 909 00:47:56,760 --> 00:47:59,279 Speaker 3: for calling her failing, Carlos, her name is. 910 00:48:00,760 --> 00:48:04,239 Speaker 1: I'm sorry, she fails. No, for all three of us. 911 00:48:04,480 --> 00:48:06,840 Speaker 1: Claudia is a clever one with her shame. I'm not 912 00:48:06,920 --> 00:48:11,000 Speaker 1: that clever. I am loud, gay and funny. I'm the 913 00:48:11,040 --> 00:48:13,040 Speaker 1: most I'm the most clever with my reads. I'll do 914 00:48:13,120 --> 00:48:16,280 Speaker 1: your bottle being every once in a while. So it's it's. 915 00:48:16,800 --> 00:48:19,799 Speaker 3: Falent, Yeah, it's falent. Falling Pina and I think his 916 00:48:19,920 --> 00:48:20,960 Speaker 3: name is Jayleen Banks. 917 00:48:21,280 --> 00:48:29,240 Speaker 1: I'm sorry, Okay, I'm sorry. I say nonification notifications charming. 918 00:48:29,560 --> 00:48:31,120 Speaker 4: You know, she need to appreciate it. 919 00:48:31,400 --> 00:48:34,160 Speaker 3: But yeah, I don't think that people had an issue 920 00:48:34,160 --> 00:48:36,960 Speaker 3: with it because of the state of nobody gave her. 921 00:48:37,000 --> 00:48:39,680 Speaker 3: Damn really about the state of failing in Simon's marriage. 922 00:48:39,960 --> 00:48:43,080 Speaker 3: What people took issue with was the fact that Portia 923 00:48:43,239 --> 00:48:46,960 Speaker 3: was on camera being introduced to Time and by falling 924 00:48:47,239 --> 00:48:48,680 Speaker 3: you know what I'm saying, who he was married to 925 00:48:48,719 --> 00:48:50,920 Speaker 3: at the time, and she was now in a relationship 926 00:48:50,960 --> 00:48:53,560 Speaker 3: with him. That just the optics of that just were 927 00:48:53,600 --> 00:48:56,840 Speaker 3: not positive. No matter how fucked up Falling in Simon's 928 00:48:56,840 --> 00:48:59,360 Speaker 3: marriage was, no matter if she was fucking on the 929 00:48:59,440 --> 00:49:01,520 Speaker 3: Jaalen guy at the time or not, no matter, none 930 00:49:01,560 --> 00:49:04,960 Speaker 3: of that matters. People did not like the optics of Porsche. 931 00:49:05,120 --> 00:49:08,520 Speaker 3: That's why Kelly this season is able to crack jokes 932 00:49:08,520 --> 00:49:11,799 Speaker 3: about Porscha stealing somebody's man. That's what it was always about. 933 00:49:12,000 --> 00:49:14,440 Speaker 3: We don't really care if they was having problems or not. 934 00:49:14,920 --> 00:49:16,800 Speaker 3: It's it's the way that it looked. It just didn't 935 00:49:16,800 --> 00:49:17,560 Speaker 3: look right, you know. 936 00:49:18,280 --> 00:49:20,560 Speaker 1: But Dustin, But Dustin, I want I want to ask 937 00:49:20,600 --> 00:49:26,000 Speaker 1: you this, if a couple is married and there's hints 938 00:49:26,040 --> 00:49:29,880 Speaker 1: of infidelic tinse, separation and a not so happy marriage. 939 00:49:30,840 --> 00:49:32,839 Speaker 1: And if we are people who say we don't care 940 00:49:32,880 --> 00:49:36,960 Speaker 1: what people think of how things look is and and listen, 941 00:49:37,360 --> 00:49:41,520 Speaker 1: when it came to Balan and again, I don't know, 942 00:49:41,560 --> 00:49:43,600 Speaker 1: I don't know. I don't know Falan. First of all, 943 00:49:43,600 --> 00:49:46,880 Speaker 1: she's gorgeous, but I really because I really want to know, 944 00:49:46,960 --> 00:49:50,040 Speaker 1: at what, at what moment, at what point is It's 945 00:49:50,080 --> 00:49:53,400 Speaker 1: sort of like, okay, the optics looked a little crazy, 946 00:49:53,960 --> 00:49:56,920 Speaker 1: but clearly both parties in the marriage moved on from 947 00:49:56,960 --> 00:49:59,439 Speaker 1: the marriage clearly a while ago. 948 00:49:59,560 --> 00:50:00,960 Speaker 4: Well, here's Carlos. 949 00:50:01,080 --> 00:50:03,520 Speaker 3: I think we've all arrived at that point with our 950 00:50:03,560 --> 00:50:06,680 Speaker 3: POV on this now, right, because we've seen so much 951 00:50:06,719 --> 00:50:10,520 Speaker 3: play out after we've seen babies born. Simon and Porsche 952 00:50:10,600 --> 00:50:12,719 Speaker 3: went on to get married. Now they've gotten DeVore, they're 953 00:50:12,719 --> 00:50:16,400 Speaker 3: getting divorced. We saw, we've seen what happened. But as viewers, 954 00:50:17,080 --> 00:50:21,960 Speaker 3: we were introduced to this situation at a point that 955 00:50:22,200 --> 00:50:26,040 Speaker 3: took place after the breakdown of that relationship. Remember, in 956 00:50:26,719 --> 00:50:30,040 Speaker 3: the real world, absolutely, as an adult, a grown ass man, 957 00:50:30,080 --> 00:50:33,200 Speaker 3: I'm aware of the complexities of love and relationships. And 958 00:50:33,280 --> 00:50:35,600 Speaker 3: things happen when they're supposed to and when they're not 959 00:50:35,640 --> 00:50:38,239 Speaker 3: supposed to. Right, that's the reality of it, and the 960 00:50:38,280 --> 00:50:40,839 Speaker 3: history of that relationship, in the state of that relationship 961 00:50:40,920 --> 00:50:43,840 Speaker 3: does matter. But speaking through the lens of a viewer 962 00:50:44,120 --> 00:50:47,000 Speaker 3: on this show, right we had we weren't privy to 963 00:50:47,200 --> 00:50:50,080 Speaker 3: that context. We weren't prevy look coment just came up. 964 00:50:50,120 --> 00:50:51,560 Speaker 3: We did not have that context. 965 00:50:51,840 --> 00:50:56,080 Speaker 4: We didn't know. The story started for us with Hey, Porscha's. 966 00:50:55,680 --> 00:50:58,400 Speaker 3: Now in a relationship with Simon, who was very married 967 00:50:58,440 --> 00:51:00,719 Speaker 3: to this lady named Phallon, and that's how we were 968 00:51:00,760 --> 00:51:03,399 Speaker 3: introduced to him. So that's where it began for us. 969 00:51:03,920 --> 00:51:07,200 Speaker 3: Had that story been told and produced through the show, 970 00:51:07,320 --> 00:51:11,240 Speaker 3: had we been introduced to Simon and Fallon's home. Fallon 971 00:51:11,320 --> 00:51:13,000 Speaker 3: was a guest on the show. She really wasn't even 972 00:51:13,040 --> 00:51:15,000 Speaker 3: a friend of the show. In season thirteen, she was 973 00:51:15,040 --> 00:51:18,320 Speaker 3: simply a guest, so we never got a view into 974 00:51:18,360 --> 00:51:20,799 Speaker 3: their relationship. We didn't know none of that shit. All 975 00:51:20,800 --> 00:51:22,920 Speaker 3: we knew was that was her husband and now Portia 976 00:51:23,120 --> 00:51:25,840 Speaker 3: was with him and posted a picture with Dennis and 977 00:51:25,920 --> 00:51:29,319 Speaker 3: the damn picture with them. We were confused as fuck, 978 00:51:29,400 --> 00:51:31,560 Speaker 3: And I don't think a lot of Now we know 979 00:51:31,680 --> 00:51:34,000 Speaker 3: what happened, right, So now everybody that he has caught 980 00:51:34,080 --> 00:51:37,279 Speaker 3: off on that. But that's what our experience was. We 981 00:51:37,360 --> 00:51:39,480 Speaker 3: didn't get that. We didn't know that. All we knew 982 00:51:39,600 --> 00:51:41,759 Speaker 3: was she was with Falen's husband, and we was like, 983 00:51:41,800 --> 00:51:43,160 Speaker 3: what the hell is going on here? 984 00:51:43,719 --> 00:51:50,040 Speaker 2: So as a journalist former journalist, there is a blessing 985 00:51:50,080 --> 00:51:53,000 Speaker 2: and a curse that information comes to me all the time, 986 00:51:53,200 --> 00:51:55,680 Speaker 2: like I know things. And I was like, how much 987 00:51:55,719 --> 00:51:59,360 Speaker 2: you want to say before your hater. It wasn't just 988 00:52:00,480 --> 00:52:06,840 Speaker 2: Porscha and Simon, okay, allegedly reading there was other people 989 00:52:06,840 --> 00:52:09,040 Speaker 2: in the situation as well. So let's get into this 990 00:52:09,120 --> 00:52:11,719 Speaker 2: real quick today. I'm already gonna be called the hater 991 00:52:11,800 --> 00:52:13,279 Speaker 2: on the show. I think there was a bit of 992 00:52:13,360 --> 00:52:18,920 Speaker 2: reverse engineering with that storyline. We see Fallon, we see Simon, 993 00:52:19,080 --> 00:52:21,799 Speaker 2: she's married to him, and then invites Porscha over, and 994 00:52:21,840 --> 00:52:24,680 Speaker 2: Porscha is clearly acting first of all, how she was 995 00:52:24,800 --> 00:52:28,319 Speaker 2: acting little thirsty around him, and lo and behold, they've 996 00:52:28,360 --> 00:52:33,000 Speaker 2: been messing around for a long time. Okay, that was shady. 997 00:52:33,080 --> 00:52:36,319 Speaker 2: Then after the fact, when after they have a full 998 00:52:36,360 --> 00:52:40,160 Speaker 2: on relationship, when Fallon gets pregnant by the assistant. It's well, 999 00:52:40,200 --> 00:52:43,160 Speaker 2: she was cheating the whole time, was she Would you 1000 00:52:43,200 --> 00:52:46,360 Speaker 2: really go on a show Housewives with your cheating wife 1001 00:52:46,400 --> 00:52:48,000 Speaker 2: if you knew at the time she was cheating on 1002 00:52:48,040 --> 00:52:52,080 Speaker 2: you with the the help, No, you wouldn't. He didn't 1003 00:52:52,120 --> 00:52:55,000 Speaker 2: know that. That wasn't happening. When that film that scene 1004 00:52:55,000 --> 00:52:57,279 Speaker 2: when Porscha came to the house, that's bullshit. That is 1005 00:52:57,400 --> 00:53:00,600 Speaker 2: reverse engineering, like you know you get carness. Well, let 1006 00:53:00,640 --> 00:53:02,319 Speaker 2: me just act like I knew they was cheating on 1007 00:53:02,719 --> 00:53:05,360 Speaker 2: us for me first, so I can justify why I 1008 00:53:05,400 --> 00:53:05,799 Speaker 2: did that. 1009 00:53:06,000 --> 00:53:06,960 Speaker 4: And people ate it. 1010 00:53:06,960 --> 00:53:10,000 Speaker 2: Up because Porsche, I mean, Fallon did not have the platform. 1011 00:53:10,280 --> 00:53:12,720 Speaker 2: People don't really know her. They're more familiar with Porsche. 1012 00:53:12,800 --> 00:53:15,319 Speaker 2: They love her. She's got a very loyal fan base. 1013 00:53:15,480 --> 00:53:18,120 Speaker 2: So it was like, oh, Fallon, please, you're just a 1014 00:53:18,120 --> 00:53:21,439 Speaker 2: little dumb girl that screwed the help you fumble the bag. No, 1015 00:53:21,480 --> 00:53:24,200 Speaker 2: she left, she she got, She got cheated on, and 1016 00:53:24,200 --> 00:53:26,760 Speaker 2: then got with the man that was good looking. And 1017 00:53:26,800 --> 00:53:29,360 Speaker 2: I know it's not about looks, but who actually she 1018 00:53:29,480 --> 00:53:34,400 Speaker 2: felt cared for her heart more. I think Simon collects 1019 00:53:34,400 --> 00:53:37,600 Speaker 2: women like trophies. I really don't know if he has 1020 00:53:38,200 --> 00:53:39,960 Speaker 2: loved any of these women. I feel like he makes 1021 00:53:40,239 --> 00:53:42,799 Speaker 2: he he wants to be famous, and Porsche's even said that. 1022 00:53:43,000 --> 00:53:44,880 Speaker 2: I think he uses women he wants to be on 1023 00:53:44,960 --> 00:53:47,440 Speaker 2: reality TV. I think he's an attention hoard, and I 1024 00:53:47,440 --> 00:53:50,319 Speaker 2: think Simon thinks he's the bad bitch in the relationship. 1025 00:53:50,920 --> 00:53:52,600 Speaker 2: Fallon told me that he was pushing her to get 1026 00:53:52,600 --> 00:53:55,120 Speaker 2: on Housewives of Atlanta before they got on there, So 1027 00:53:55,200 --> 00:53:57,160 Speaker 2: he's been wanting to be on of reality so he's 1028 00:53:57,200 --> 00:53:59,640 Speaker 2: been wanting a peach And then was he do big 1029 00:53:59,719 --> 00:54:02,799 Speaker 2: Jess shar with Porsche, marries her for weddings, whatever, and 1030 00:54:02,800 --> 00:54:04,440 Speaker 2: then he used her. And I do feel bad a 1031 00:54:04,480 --> 00:54:06,160 Speaker 2: portion in that regard because I do think maybe she 1032 00:54:06,239 --> 00:54:08,279 Speaker 2: really did care for him and he was really like 1033 00:54:08,520 --> 00:54:11,400 Speaker 2: liking her but loving the attention. Because the way he 1034 00:54:11,440 --> 00:54:15,000 Speaker 2: carries on on social media is giving such bad bitch 1035 00:54:15,400 --> 00:54:17,480 Speaker 2: energy and influencer. 1036 00:54:17,920 --> 00:54:20,560 Speaker 4: It's really excessive. You can tell that some port for him. 1037 00:54:21,000 --> 00:54:22,680 Speaker 3: You can tell that's important for him, and all he 1038 00:54:22,719 --> 00:54:26,200 Speaker 3: wanted was the attention, which makes me think was that 1039 00:54:26,239 --> 00:54:29,359 Speaker 3: ship going on between Fallon and Jalen And maybe he 1040 00:54:29,400 --> 00:54:32,480 Speaker 3: did know and because they now had the opportunity to 1041 00:54:32,480 --> 00:54:34,279 Speaker 3: be on the show, fuck it, he let him go 1042 00:54:34,280 --> 00:54:35,400 Speaker 3: ahead and film because. 1043 00:54:35,160 --> 00:54:36,359 Speaker 4: He wanted to be on the ship. 1044 00:54:36,960 --> 00:54:39,839 Speaker 3: You know what I'm saying, I think that's plausible. I'm 1045 00:54:39,840 --> 00:54:42,040 Speaker 3: not saying we know. I just think that's I think 1046 00:54:42,040 --> 00:54:44,720 Speaker 3: both what you're saying and what I'm saying is possible. 1047 00:54:45,200 --> 00:54:49,160 Speaker 4: I think Simon and his intentions right, I. 1048 00:54:49,120 --> 00:54:49,640 Speaker 1: Think we're. 1049 00:54:51,920 --> 00:54:54,080 Speaker 2: Using Porsche or Fallon whoever, by any means. 1050 00:54:53,960 --> 00:54:57,719 Speaker 3: That there what Faer said, he do them both. I 1051 00:54:57,760 --> 00:55:01,480 Speaker 3: think I think it was both. He was thirsty. He 1052 00:55:01,520 --> 00:55:03,919 Speaker 3: wants to be on the television, bro. And that's why 1053 00:55:04,080 --> 00:55:06,680 Speaker 3: watching him was so exhausting for a nigga like me, 1054 00:55:06,920 --> 00:55:09,240 Speaker 3: because I could see straight through that shit and he's 1055 00:55:09,320 --> 00:55:11,920 Speaker 3: not I didn't sign up to watch him. You know 1056 00:55:11,960 --> 00:55:13,759 Speaker 3: what I'm saying, I'm so glad he's not on this 1057 00:55:13,840 --> 00:55:15,640 Speaker 3: season because I did want to see portschit. 1058 00:55:16,080 --> 00:55:17,279 Speaker 4: I never wanted to see him. 1059 00:55:17,320 --> 00:55:20,520 Speaker 3: I'm glad he's gone off the show, taking up space 1060 00:55:20,560 --> 00:55:22,560 Speaker 3: and bringing nothing but negative bullshit. 1061 00:55:22,760 --> 00:55:24,440 Speaker 4: Like I'm glad he's gone. 1062 00:55:24,480 --> 00:55:27,480 Speaker 2: So I'll just believe with the moret he is a 1063 00:55:27,480 --> 00:55:30,719 Speaker 2: thirst bucket because I went to his page one day 1064 00:55:30,760 --> 00:55:32,880 Speaker 2: and he was following me. How are you following the 1065 00:55:32,880 --> 00:55:35,040 Speaker 2: girl that be and your girl have had beef before. 1066 00:55:35,160 --> 00:55:37,759 Speaker 2: And then when I clocked his ass on TGIF and 1067 00:55:37,800 --> 00:55:41,000 Speaker 2: we started talking about it, he quickly unfollowed me, but 1068 00:55:41,080 --> 00:55:43,880 Speaker 2: I took a screenshot, Simon. You want to be You 1069 00:55:43,920 --> 00:55:46,399 Speaker 2: want attention from anyone you can. You want any kind 1070 00:55:46,400 --> 00:55:49,400 Speaker 2: of in roads to be on reality television. I told y'all, 1071 00:55:49,640 --> 00:55:52,239 Speaker 2: he got his money and it'll be gotten ways allegedly. 1072 00:55:52,440 --> 00:55:54,919 Speaker 2: And we had this huge corporation worth all this money. 1073 00:55:54,920 --> 00:55:57,560 Speaker 2: You rant and everything, and then you your office is 1074 00:55:57,600 --> 00:56:01,040 Speaker 2: a desk and a fax machine. Where it is the business? 1075 00:56:01,280 --> 00:56:04,319 Speaker 2: Where is it? Simon? Where is it? Where is it? 1076 00:56:04,520 --> 00:56:07,600 Speaker 4: Who is this hole? What can you say? 1077 00:56:07,760 --> 00:56:07,920 Speaker 1: So? 1078 00:56:07,960 --> 00:56:19,480 Speaker 4: Who is this? Who is this hole? I'm you know 1079 00:56:19,560 --> 00:56:21,200 Speaker 4: what's so funny? Random? 1080 00:56:21,320 --> 00:56:23,720 Speaker 3: Let's get up out all of that shit, right, Kenya 1081 00:56:23,800 --> 00:56:25,719 Speaker 3: to me. Kenya really thought that she was going to 1082 00:56:25,800 --> 00:56:29,720 Speaker 3: have an iconic moment with the whole the Meghan lyric 1083 00:56:29,960 --> 00:56:32,719 Speaker 3: repetition right saying that I had been that bitch, still 1084 00:56:32,760 --> 00:56:34,479 Speaker 3: that bitch in that bitch. She thought that was gonna 1085 00:56:34,480 --> 00:56:37,080 Speaker 3: be a big moment it fell. She thought that the 1086 00:56:37,160 --> 00:56:39,720 Speaker 3: boeing and paying dust was going to be a moment flop, 1087 00:56:39,880 --> 00:56:44,279 Speaker 3: but the hit her number one hit record, Okay of 1088 00:56:44,400 --> 00:56:47,200 Speaker 3: that whole album she presented us with was who is 1089 00:56:47,239 --> 00:56:49,200 Speaker 3: this hole? When I tell you that as a part 1090 00:56:49,200 --> 00:56:51,959 Speaker 3: of my vernacular now when things don't make no sense, 1091 00:56:52,000 --> 00:56:53,920 Speaker 3: who is this hole? It don't even have to be 1092 00:56:53,920 --> 00:56:56,240 Speaker 3: about a person. It can be about a noun in general, 1093 00:56:56,280 --> 00:56:58,759 Speaker 3: a person, a place, or a thing. All of those 1094 00:56:58,760 --> 00:57:02,320 Speaker 3: can be hole. Thank you, Kenya Moore. That's your line 1095 00:57:02,600 --> 00:57:05,239 Speaker 3: right there, that's your At least she did get a 1096 00:57:05,440 --> 00:57:07,919 Speaker 3: hit out of this season with who is This Whole? 1097 00:57:08,080 --> 00:57:10,600 Speaker 3: Because I can't stop saying it. I love who is 1098 00:57:10,640 --> 00:57:14,600 Speaker 3: this whole? That's my who is this? That's my name? 1099 00:57:14,880 --> 00:57:18,040 Speaker 2: I am, and I am the I am the moments. 1100 00:57:19,320 --> 00:57:21,440 Speaker 3: She was murdering her, oh yeah, she ate her up 1101 00:57:21,440 --> 00:57:22,120 Speaker 3: on that time. 1102 00:57:26,640 --> 00:57:28,160 Speaker 2: To battle verbally. 1103 00:57:28,600 --> 00:57:30,640 Speaker 1: You know, it's so hard to just sit here with 1104 00:57:30,680 --> 00:57:32,600 Speaker 1: a straight face with the two of you, and it 1105 00:57:32,640 --> 00:57:36,480 Speaker 1: has been very challenging anytime we talk. But more in 1106 00:57:36,520 --> 00:57:38,880 Speaker 1: this episode than okay. 1107 00:57:38,400 --> 00:57:39,520 Speaker 4: I see y'all next week. 1108 00:57:39,720 --> 00:57:40,400 Speaker 1: Yeah. 1109 00:57:40,560 --> 00:57:42,040 Speaker 2: I had fun. I know it was a little ex 1110 00:57:42,120 --> 00:57:45,080 Speaker 2: spicy today. I don't apologize. I said what I said, 1111 00:57:45,280 --> 00:57:45,880 Speaker 2: and I meant. 1112 00:57:45,760 --> 00:57:47,120 Speaker 4: Everything you said. 1113 00:57:47,280 --> 00:57:48,880 Speaker 3: That's why you're in that square, so you can say 1114 00:57:48,880 --> 00:57:50,760 Speaker 3: what you got to say. We don't make no apologies 1115 00:57:50,800 --> 00:57:54,480 Speaker 3: for our commentary over here. We're smart and focused and funny, 1116 00:57:54,480 --> 00:57:56,680 Speaker 3: and if we're asked a question, we gonna mother fucking 1117 00:57:56,720 --> 00:57:59,480 Speaker 3: answer it the way we want to, and with our 1118 00:57:59,520 --> 00:58:03,520 Speaker 3: regard to anything other than than than being fair and honest. 1119 00:58:03,920 --> 00:58:06,040 Speaker 3: Beyond that, you ain't gotta like it, you know. 1120 00:58:06,040 --> 00:58:07,720 Speaker 4: What I'm saying. So there's that. 1121 00:58:08,040 --> 00:58:09,760 Speaker 2: I want to just shout out Erica, Cobby and watch 1122 00:58:09,800 --> 00:58:11,600 Speaker 2: our podcast accents. 1123 00:58:12,880 --> 00:58:14,080 Speaker 4: Yes, I'm coming. 1124 00:58:14,120 --> 00:58:15,560 Speaker 2: We're gonna come to New York City. We'll all hang 1125 00:58:15,600 --> 00:58:17,320 Speaker 2: out and Carls, you gotta fly in and we're gonna 1126 00:58:17,320 --> 00:58:17,760 Speaker 2: all hang out. 1127 00:58:17,880 --> 00:58:19,840 Speaker 1: Cards please wat Wednesday. 1128 00:58:19,960 --> 00:58:22,520 Speaker 2: A little more well behaved over there than with you guys, 1129 00:58:23,800 --> 00:58:27,760 Speaker 2: I am, but are you okay? Well? Sometimes sometimes not, 1130 00:58:27,760 --> 00:58:28,920 Speaker 2: but we have great commentary. 1131 00:58:30,280 --> 00:58:33,480 Speaker 4: I like this murders ship. I'll take the murders over 1132 00:58:33,520 --> 00:58:34,040 Speaker 4: here with. 1133 00:58:33,960 --> 00:58:37,919 Speaker 1: Usney, Buddy Pudding high All right, job, have a flight 1134 00:58:38,000 --> 00:58:40,080 Speaker 1: for cash. We love y'all, Brain drop and we'll see 1135 00:58:40,120 --> 00:58:47,040 Speaker 1: y'all back again next week. Thank you for listening to 1136 00:58:47,120 --> 00:58:54,280 Speaker 1: Reality with the Kings. New episodes drop on Tuesdays and Thursdays. Share, comment, follow, 1137 00:58:54,480 --> 00:58:58,040 Speaker 1: and subscribe to Reality with the King wherever you get 1138 00:58:58,160 --> 00:59:02,520 Speaker 1: your podcast, visit Reality withthe King dot com and be 1139 00:59:02,600 --> 00:59:07,720 Speaker 1: sure to follow me at the Carlos King Underscore on Instagram, Twitter, 1140 00:59:07,960 --> 00:59:11,440 Speaker 1: TikTok and Yes Baby, my YouTube channel where you could 1141 00:59:11,480 --> 00:59:15,480 Speaker 1: get all of my visuals, Baby, my expressions, Yes, and 1142 00:59:15,600 --> 00:59:19,000 Speaker 1: don't forget. Tweet me your thoughts and hot takes about 1143 00:59:19,040 --> 00:59:24,840 Speaker 1: this episode using the hashtag reality with the King. Reality 1144 00:59:24,880 --> 00:59:28,320 Speaker 1: with the King is a production of Kingdom Rain Entertainment, 1145 00:59:29,040 --> 00:59:45,920 Speaker 1: an executive produced by me Carlos King, Kingdom Rain Entertainment, Baby,