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Speaker 1: fifteen brook lynnon the Best Sheets Ever? What would you

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Speaker 1: talk about on your on your podcast present minute morning show?

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Speaker 1: ALR haven't got lots to cover today. It's a fifteen

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Speaker 1: minute morning show. That means we have fifteen minutes. I

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Speaker 1: gotta hold my paper fifteen minutes. I really got to

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Speaker 1: go pay oh really. So it will also be kind

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Speaker 1: of a test to see how Danielle does with her pee.

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Speaker 1: I can handle this, But Danielle, you have a full

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Speaker 1: cup of coffee you haven't touched on the morning. I

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Speaker 1: drank a cup of coffee on my way here, and

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Speaker 1: then I'm still drinking. This is your swimming pool still open.

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Speaker 1: It is paid question. Why why did you wait until

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Speaker 1: we started the fifteen minute morning show podcast? We could

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Speaker 1: have held off until you went to peep, you know,

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Speaker 1: because we were having meetings and it just I looked

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Speaker 1: at a time and I know there was something else

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Speaker 1: Nate wanted everyone to do and I didn't want to

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Speaker 1: hold and you know you want us to time you

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Speaker 1: and you can run down to Pelet's see how fast

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Speaker 1: you can go and let me get my time. Remember

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Speaker 1: last time on the air, Danielle and I raced each

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Speaker 1: other and she beat me. And I don't know how

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Speaker 1: she possibly have done that because they whis quickly. But

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Speaker 1: the men's room is heady on. I need that timer.

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Speaker 1: It's a it's a fifteen minute morning show and that's

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Speaker 1: my You just reset my fifteen minutes. Remember the time

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Speaker 1: right here, there's time the timer on my iPhone. I

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Speaker 1: got a timer too, so okay, okay, get your timer ready.

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Speaker 1: Are you ready? I'm gonna time Garrett's time. By the way,

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Speaker 1: this could be like a sixteen minute morning show podcast.

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Speaker 1: Go no, I don't have to be morning show. About

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Speaker 1: two minutes? Ready? Are you ready with a timers? Gonna go? Pee? Ready?

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Speaker 1: Set go pee? Follow over with a microphone. All right,

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Speaker 1: there she goes to pee. I think it's gonna be

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Speaker 1: a minute ten. If she had a three two four two,

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Speaker 1: that would take much longer. A minute ten. I think, yeah, washns,

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Speaker 1: I'm gonna over a minute ten you think so, because

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Speaker 1: the women's room is way down the hall. Last time

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Speaker 1: on the air, she beat me and I couldn't believe it.

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Speaker 1: And I was like, a minute, I know, but you didn't.

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Speaker 1: You have to pooh, no, I don't do that scary

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Speaker 1: and wait for the shake. He just runs back out.

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Speaker 1: Did you wash your hands? All right, let's move on.

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Speaker 1: We're waiting for Danielle. We'll see what the total time is.

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Speaker 1: You're saying a minute, ten, I'm saying over. We'll see.

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Speaker 1: She's pretty fast actually, um okay. So today was our

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Speaker 1: nine eleven show, the seventeenth anniversary, So this was our

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Speaker 1: eleven show and people always say, well, what are you

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Speaker 1: gonna do? We don't know. Do we get here? We

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Speaker 1: have a few things planned, but not a lot. The

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Speaker 1: one thing we did have super plan today was the

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Speaker 1: visit from our friend Max and the New York City

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Speaker 1: Gay Men's Chorus, which just totally blew everyone away with

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Speaker 1: their live performance of Max's song. And I just think, uh,

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Speaker 1: it was a great kift. What do you guys think

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Speaker 1: about that moment? I thought it sounded really good. I

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Speaker 1: was able to hold on, hold on how much time?

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Speaker 1: One seventeen? Pretty good? I know, scary guest. I'm gonna

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Speaker 1: ten I guessed over, but you know what, it was

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Speaker 1: really close to ask the big question. Yes, I washed

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Speaker 1: my hands. Okay, thanks, all right back to okay, So,

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Speaker 1: any thoughts about today's show, especially with Max and the

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Speaker 1: game course that was amazing? Yeah, So okay, So I

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Speaker 1: was on location and then I got two chance to

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Speaker 1: come back and I saw Jake kind of like, you know,

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Speaker 1: just touching up all the video getting ready to posted

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Speaker 1: at Elvis duran dot com. And I thought it was

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Speaker 1: really good. I love the lyrics, I love the feeling.

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Speaker 1: It sounded great. The gayance course that sounded so awesome

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Speaker 1: in the background. Uh it was like a really good,

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Speaker 1: you know, uh positive song. Yeah, it was uplifting. It

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Speaker 1: was great. Yeah, I like it a lot. I thought

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Speaker 1: it was really good, good because I'm wondering if I

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Speaker 1: what it sounded like outside the studio because we were

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Speaker 1: here and there incredible and what a talented bunch of

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Speaker 1: guys amazing and it was it was cool. Elvis. I

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Speaker 1: would say what I did was I went in another studio,

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Speaker 1: plugged headphones in and close my eyes and when you

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Speaker 1: have a chance to go back to listen on the

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Speaker 1: Elvis d and on demand channel. Do it because it

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Speaker 1: gives the song. You can hear the lyrics, you could

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Speaker 1: hear the inflections. I had goose bumps and I was crying.

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Speaker 1: You can focus. It's good, perfect. Yeah, you know what,

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Speaker 1: I love sound, things that are all sonic, as they

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Speaker 1: would say, I love sound. But I'm gonna I'm gonna

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Speaker 1: add to what Garrett said, and I would say, then

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Speaker 1: go watch the video on Elvis rand dot com because

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Speaker 1: watching the chorus behind Max harmonized both and then watching

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Speaker 1: Max put such emotion into his performance. His arms were flailing,

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Speaker 1: he was just you could see the passion for New

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Speaker 1: York and for today in the performance. So yeah, Garrett's crazy. Both.

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Speaker 1: Max was controlling the chorus like he would put his

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Speaker 1: hands up for when they was to sing and when

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Speaker 1: they were to stop, and it was like a conductor.

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Speaker 1: It was pretty cool to say, and one reason you

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Speaker 1: should watch the videos just to see what Max was wearing.

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Speaker 1: It's always of course he really just kind of closed. Well,

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Speaker 1: but back to this, this this thought of sound and

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Speaker 1: to what Garrett was saying, have you ever gone outside

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Speaker 1: and just listened and you can hear the world. That's

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Speaker 1: surrounding you. You never really stop and think about you know,

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Speaker 1: what sounds are happening to your left, what sounds are

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Speaker 1: happening to your right. You just know they're there because

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Speaker 1: you hear it to You don't have to hear you right,

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Speaker 1: But you ever stopped and listen. For instance, if you're

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Speaker 1: standing at a stream or the ocean, it surrounds you.

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Speaker 1: It's surround sound, and sound is something that we overlook

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Speaker 1: a lot because we're so so so tuned into what

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Speaker 1: we see. It's a great exercise, Elvis. Back in college,

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Speaker 1: I took a music theory class and that was our

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Speaker 1: first assignment was to go outside and with a pen

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Speaker 1: and paper, right down everything that you heard, just listening.

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Speaker 1: And I'm like, well, what are you listening to? This?

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Speaker 1: Listening to nothing? At least seven eight nine things you

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Speaker 1: can hear if you really listen. Well, Nature's soundtrack is

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Speaker 1: just beyond beyond fantastic. I mean, give yourself a chance

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Speaker 1: to just listen to the world around you. Why is

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Speaker 1: Danielle laughing? Why are you laughing? Because what is behind scary?

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Speaker 1: When scary started talking, started cracking up? Why you crack up? Well, Dennis,

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Speaker 1: come to the microphone. Our friend Dennis is visiting. I

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Speaker 1: don't think that microphone work. You have to use that

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Speaker 1: mike doesn't work. It does work, it doesn't. All right,

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Speaker 1: it's not connected. I'm telling you. It's okay. It's that

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Speaker 1: theory class just works, all right. Okay, so, yes, it

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Speaker 1: doesn't work. Go to any microphone you can find. Okay,

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Speaker 1: it's they're all on our first our first day with microphones. Okay,

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Speaker 1: I'm gonna ask one more time. Can you go to

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Speaker 1: a micro one? Other than that, we don't listen to

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Speaker 1: these bozos. Don't listen to them. They don't know what

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Speaker 1: you're talking about. Go to this one. Okay, you're taking

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Speaker 1: a music theory class. I don't know why that. I'm scary.

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Speaker 1: Taking a music theory class makes you latch was the theory? Yeah?

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Speaker 1: Yeah yeah. In college, you know, they have these elective credits.

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Speaker 1: We call them b S credits because they were just

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Speaker 1: like you just needed them to get by the gray.

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Speaker 1: It was at first going in, but I learned more

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Speaker 1: in that class during that semester than I than I

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Speaker 1: ever could have imagined. So I was thankful for having

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Speaker 1: had the experience. Afterwards, Yes, music theory where you don't

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Speaker 1: where you're talking about. You talk about the woodwinds, you

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Speaker 1: talk about the brass instruments, but before they even get

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Speaker 1: you into that, they talk about sound. As Elvis was

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Speaker 1: saying there, I think that was brilliantly put, brilliantly put, Scary,

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Speaker 1: and I applaud you. My intentions were easy going in

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Speaker 1: when I took the class. Afterwards, I was thankful. Can

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Speaker 1: I change the subject a little bit? Going off with

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Speaker 1: Garrett said about closing your eyes and listening to the music.

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Speaker 1: Something happened today with Scary and he did it again

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Speaker 1: just now. He was talking on the air and Nate

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Speaker 1: desperately trying to get his attention, and when Scary talks

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Speaker 1: and gets excited, he closes his eyes again. So we

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Speaker 1: were all waving wrap it up, wrap it up, and

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Speaker 1: he didn't see it. I think his eyes are open.

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Speaker 1: You just can't tell. And I know several people who

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Speaker 1: do this. You do close your eyes when you speak?

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Speaker 1: What do you I mean do you remember closing them?

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Speaker 1: I mean you know that it's complete darkness when you're speaking.

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Speaker 1: It's an involuntary action. Do you think you can see?

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Speaker 1: Can you see us when you're talking? You can't know,

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Speaker 1: there's no way. You can't physically closed all the way

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Speaker 1: because I'm I'm a person who could only concentrate on

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Speaker 1: one action at a time, so you can't speak and

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Speaker 1: see at the same time. He's like the horses in

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Speaker 1: Central Park with the horse. If I want to hyper

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Speaker 1: focus on my thoughts without anything else getting in the way,

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Speaker 1: I involuntarily closed me close your eyes, right, I know,

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Speaker 1: But now you're forcing your eyes to stay open as

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Speaker 1: you speak. So are you saying that what you're saying

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Speaker 1: really isn't as smart as it could be had you

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Speaker 1: had the opportun you close your eyes, Okay. I think

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Speaker 1: the other reason he closes his eyes is sometimes scarious

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Speaker 1: his things that are so outlandish that normally you would

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Speaker 1: see the rest of the room react, but his eyes

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Speaker 1: are closed. He can't tell that we're looking at him

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Speaker 1: like he's ridiculous, and that's why he keeps going. If

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Speaker 1: you know he doesn't see you. I think he deliberately

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Speaker 1: closes eyes on you because you tell him to be quiet.

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Speaker 1: He doesn't see it, and he just keeps going. I

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Speaker 1: think we do have videos somewhere of Scary trying to

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Speaker 1: make a point and his eyes are closed for like

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Speaker 1: almost sixty seconds. So whatever, when you make a speech,

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Speaker 1: Let's say, you know, when you go back to Edward R.

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Speaker 1: Murrow High School to make a speech to all the

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Speaker 1: class members of the school, the school where you graduated from,

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Speaker 1: do you close your eyes during the entire speech. No,

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Speaker 1: I don't because I'm looking at my cards, I'm looking

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Speaker 1: at what I have to say. I've done that before.

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Speaker 1: I'm like, no, if if if I close my eyes,

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Speaker 1: I'm not going to be able to say anything because

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Speaker 1: I can't read. When you ask the weird question, oh,

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Speaker 1: my eyes are completely closed. You know. Gray T does

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Speaker 1: something similar. He can't speak on radio while looking at you.

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Speaker 1: That is difficult. He looks down and then you try

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Speaker 1: to get his attention. He won't. He doesn't know. But

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Speaker 1: but in my defense, for many many years, you know,

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Speaker 1: when I first started here, I always had me out

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Speaker 1: on the street, so I would always hear your voice

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Speaker 1: through a cell phone and I couldn't see you. So

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Speaker 1: to actually be sitting in the studio having a conversation

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Speaker 1: with you staring at you, it's quite awkward because I

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Speaker 1: always went on the noise that I would hear getting

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Speaker 1: back to you, sounds that you hear. So this is

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Speaker 1: very similar to scary. You can't focus on what you're

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Speaker 1: saying to us if you're looking at us at the

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Speaker 1: same time. Yeah, you have forced me to now do this,

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Speaker 1: and I don't like it at all, Like I feel

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Speaker 1: very uncomfortable when you know, how do you feel when

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Speaker 1: you're talking to someone and they're not looking at you.

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Speaker 1: Doesn't that that kind of it weirds me out when

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Speaker 1: I'm talking to someone and they don't look me, Isn't

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Speaker 1: it Like, don't they say that's something about body language

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Speaker 1: that means something when they're not looking at you, that

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Speaker 1: dishonesty or something. I don't I don't know. I don't

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Speaker 1: know what the person. Yes, I want to speak to

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Speaker 1: me and look eyed eye, but this is not in person.

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Speaker 1: This is on the radio. This is in person. I'm

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Speaker 1: sitting right across from that. But it's different from me.

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Speaker 1: For me, I feel like when I go on the radio,

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Speaker 1: I step into this bubble, this other world. So in

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Speaker 1: my world, I don't have to really look at you.

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Speaker 1: I can hear you and I can talk to you

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Speaker 1: that way. Well, so you're in another dimension when you're

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Speaker 1: on the radio. Correct, But you're let's be honest, you're

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Speaker 1: really not you're in this room with us, So how

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Speaker 1: can you can't look at because in this world, in

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Speaker 1: this world that I'm in with you guys, you guys

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Speaker 1: are all characters to me, we're not really So this

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Speaker 1: is like Mr Rogers Land of make belief. That's right. Yes,

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Speaker 1: anything on the radio is all make believe for me.

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Speaker 1: They're saying the general lowering of the eyes during conversation

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Speaker 1: can send the message that you think you're better or

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Speaker 1: have a higher social standing than the person you're living.

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Speaker 1: I don't think that's what does it say. It says

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Speaker 1: you're saying to them you're not important. Oh see, that's

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Speaker 1: that's why we get to decide when you're important. You're

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Speaker 1: not in control. You know that you're very important. No,

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Speaker 1: that's definitely Scary. You know we've talked like Scary he

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Speaker 1: shuts people up. Remember last week he said save your breath? Yea,

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Speaker 1: and Scary stopped Brodie in the middle of a sentence

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Speaker 1: and said, by by by about save your breath. I

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Speaker 1: won't even let you finish your sentence. I didn't get

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Speaker 1: a thought out. I'm gonna defend Scary. Sometimes with the

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Speaker 1: business we're in, you know, when we have five seconds

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Speaker 1: counting down to a break starting. You have to get

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Speaker 1: your point across quickly. And if somebody's saying something that

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Speaker 1: you know what they're going to say, you need to

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Speaker 1: shut them up and then tell them, Okay, we know

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Speaker 1: what you're saying that. Yeah, save your breath. I just

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Speaker 1: it's so insulting. Save your breath. But he knew when

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Speaker 1: he was gonna say, right, yeah, this is true, even

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Speaker 1: though he wasn't looking at me because his eyes were closed.

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Speaker 1: For the record, if you're really going back to original point,

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Speaker 1: Elvis Brown, if you actually are, if you actually want

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Speaker 1: to listen, yes music there, you want to listen to

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Speaker 1: what you're saying, close your eyes and you can hear

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Speaker 1: the sounds better. Okay, my eyes are now closed. Let's

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Speaker 1: say okay, everyone, let's all close our eyes will do

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Speaker 1: the fifteen minute Morning show podcast. All right, eyes closed, alright.

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Speaker 1: So this is weird. I feel odd trying to communicate

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Speaker 1: with you without being able to look at you. You see,

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Speaker 1: for me, it's perfect because I feel like I'm back

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Speaker 1: on the phone talking to you. But I feel like

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Speaker 1: I don't know when to say something because I can't

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Speaker 1: see one. Other people are going to talk. What we

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Speaker 1: seem to be doing okay so far. Hey, straighten eight? Yeah,

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Speaker 1: are your eyes closed? I can't find the microphone? Eyes

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Speaker 1: hear you? Do you hear straight and night? Do you

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Speaker 1: guys hear? We hear you? You're okay? Yeah? Do you

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Speaker 1: want me to say something? Is this odd? I can't

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Speaker 1: do this? This is very difficult to do with your

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Speaker 1: eyes closed. What about you, Brody? Can you? Yeah? I

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Speaker 1: feel like we're in a room where the lights around

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Speaker 1: and someone's looking for the switch. Garrett, how about you?

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Speaker 1: I feel like no one's here. I feel right at

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Speaker 1: home personally, and I feel like I'm on the telephone.

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Speaker 1: I'm on the phone with you, guys. I can hear you.

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Speaker 1: I will say scary? Does look better this way? I'm

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Speaker 1: gonna open my eyes. I can't handle that. I will

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Speaker 1: tell you, you you know what, what we just did. As

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Speaker 1: stupid as that, mounted try today, when you're alone with

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Speaker 1: your friends, would say, okay, for the next sixty seconds,

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Speaker 1: we're assuming at sixty we can't watch a clock. Let's

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Speaker 1: all speak to each other and have a conversation with

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Speaker 1: our eyes closes. Good luck. It's weird, but a lot

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Speaker 1: of people listen to this podcast while driving, though yes,

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Speaker 1: I didn't say do it now, I said today with

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Speaker 1: your friends. Think about how many people go through their

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Speaker 1: lives like that that they can't see, and that's how

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Speaker 1: they have to that's how they listen to it. I

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Speaker 1: must assume you get used to it everyone. I don't know.

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Speaker 1: I get why Scary does it because it feel you

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Speaker 1: feel like no one's in the room, so you feel

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Speaker 1: like you could just say whatever and forever how long

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Speaker 1: you want. So Scary, with your eyes closed, you feel

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Speaker 1: you can focus a little more on what you're saying. Therefore,

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Speaker 1: your communication is more effective when your eyes are closed.

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Speaker 1: Not just me, though, help you. It might be different

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Speaker 1: for others. We should staple them shut. You know, he

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Speaker 1: could never do TV and like read a teleprompting. You

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Speaker 1: had to do the news with the TELEPROMPTU they do

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Speaker 1: all the thinking for you. Just you just read the words.

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Speaker 1: There's is a closed I know, but he's giving us

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Speaker 1: words from from him from his brain. Yeah, you know

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Speaker 1: what I'm saying. This is the strangest fifteen minute morning

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Speaker 1: show podcast. The Fifteen Minute Morning Show