1 00:00:00,280 --> 00:00:04,280 Speaker 1: All right, the bones post show pre show. I was 2 00:00:04,320 --> 00:00:06,360 Speaker 1: listening to the show yesterday and I don't do it often, 3 00:00:07,080 --> 00:00:08,520 Speaker 1: and I was listening to the post show pre show 4 00:00:08,560 --> 00:00:10,160 Speaker 1: and I was just like, shut up and get to 5 00:00:10,200 --> 00:00:14,560 Speaker 1: the show. Oh so what again, this is me and 6 00:00:14,600 --> 00:00:17,840 Speaker 1: I don't like listening to me. So what I'm gonna 7 00:00:17,840 --> 00:00:20,360 Speaker 1: say is I'm asking for you guys. Let me know. 8 00:00:20,400 --> 00:00:23,360 Speaker 1: Do you like shorter post shows. Do you like longer 9 00:00:23,400 --> 00:00:26,759 Speaker 1: post shows? Do you like no post show? Because I'm 10 00:00:26,800 --> 00:00:28,000 Speaker 1: listening and I'm just like, I just want to hear 11 00:00:28,040 --> 00:00:31,319 Speaker 1: the show. Oh here, because we were talking about the 12 00:00:31,360 --> 00:00:35,320 Speaker 1: food that we were gonna bring and the party. Yeah, 13 00:00:35,400 --> 00:00:39,720 Speaker 1: I was like, let's go speed it up. So yeah, 14 00:00:39,800 --> 00:00:41,400 Speaker 1: let me know about that. I know you're watching on 15 00:00:41,400 --> 00:00:42,839 Speaker 1: Facebook here too, and that's that's a bit of a 16 00:00:42,880 --> 00:00:46,320 Speaker 1: different element too. Eddie was saying that, speaking of watching that, 17 00:00:46,520 --> 00:00:48,919 Speaker 1: sometimes we'll do interviews, and I've said this before, we'll 18 00:00:48,920 --> 00:00:50,960 Speaker 1: do them after a show for the next day sometimes, 19 00:00:50,960 --> 00:00:52,920 Speaker 1: and sometimes guests will come in and only have a day, 20 00:00:53,280 --> 00:00:55,240 Speaker 1: but their album is coming out the next Friday, and 21 00:00:55,240 --> 00:00:57,080 Speaker 1: I'll go, hey, we'll hold it. We'll put it on Friday, 22 00:00:57,080 --> 00:00:59,400 Speaker 1: so you'll get the biggest bang for your interview. So 23 00:01:00,000 --> 00:01:04,240 Speaker 1: we'll pre record some interviews and Eddie has to edit them. Yeah, 24 00:01:04,280 --> 00:01:07,160 Speaker 1: and the ones on the phone are apparently difficult to edit. Yeah, 25 00:01:07,200 --> 00:01:10,840 Speaker 1: sometimes because you know they're the artists we're talking to. 26 00:01:11,000 --> 00:01:13,200 Speaker 1: Starts talking and I think you guys kind of maybe 27 00:01:13,200 --> 00:01:15,120 Speaker 1: just lose a little bit of interest while they go 28 00:01:15,160 --> 00:01:18,480 Speaker 1: a little long and your bones. You start getting on 29 00:01:18,520 --> 00:01:20,880 Speaker 1: your phone sometimes and I'm like, well, I can't have 30 00:01:20,959 --> 00:01:23,000 Speaker 1: that on the screen. And then I'm like, I gotta 31 00:01:23,000 --> 00:01:24,760 Speaker 1: go to something else. So I'll go to Amy and 32 00:01:24,760 --> 00:01:27,240 Speaker 1: then she's on her phone. Then I'm really screwed. He's 33 00:01:27,240 --> 00:01:29,840 Speaker 1: gotta lunchbox staring at his Facebook. No, no, no. Then 34 00:01:29,840 --> 00:01:31,800 Speaker 1: I go to me and I'm like like acting like 35 00:01:31,840 --> 00:01:39,880 Speaker 1: I'm really listening anytime they Eddie listening shots because I'm bored, 36 00:01:39,920 --> 00:01:42,880 Speaker 1: Amy's bored, and you're not. You're faking it. But it's 37 00:01:42,920 --> 00:01:45,440 Speaker 1: not very often sometimes, Yeah, No, good at the phone 38 00:01:45,440 --> 00:01:47,520 Speaker 1: interviews can be really hard, but I think you do 39 00:01:47,600 --> 00:01:49,600 Speaker 1: a good job of I don't know that I do that, 40 00:01:49,680 --> 00:01:54,720 Speaker 1: but sometimes with someone that if I'm on the fence 41 00:01:54,800 --> 00:01:56,360 Speaker 1: about being interested in and I'm let me give them 42 00:01:56,360 --> 00:01:57,880 Speaker 1: a shot, they might be interesting. And then they're not. 43 00:01:58,560 --> 00:02:01,200 Speaker 1: I'm just like this all right. I can't see me, 44 00:02:01,400 --> 00:02:04,080 Speaker 1: so why not read some Twitter see what's going on 45 00:02:04,120 --> 00:02:07,160 Speaker 1: in the world. We talk about Raymundo's birthday and a 46 00:02:07,200 --> 00:02:09,280 Speaker 1: second it's also Abby's birthday. Gave her her little her 47 00:02:09,320 --> 00:02:13,560 Speaker 1: birthday gift today too. Abby's our newest show member. Um, 48 00:02:13,720 --> 00:02:18,200 Speaker 1: she Abby? What is your job during the show? Here? 49 00:02:18,400 --> 00:02:22,840 Speaker 1: Mover towards the oh, towards the Abby. What do you 50 00:02:22,840 --> 00:02:25,040 Speaker 1: do during the show as we're working here? Because I 51 00:02:25,040 --> 00:02:28,359 Speaker 1: see you typing and I walk by. What's what happens? Um? 52 00:02:28,400 --> 00:02:31,040 Speaker 1: I do like a rundown they send out to all 53 00:02:31,040 --> 00:02:34,400 Speaker 1: the affiliates and everything. Um, so you're just taking notes? Yeah, 54 00:02:34,480 --> 00:02:37,000 Speaker 1: and kind of look for news stories too, and edit 55 00:02:37,080 --> 00:02:39,760 Speaker 1: some audio. It's a little bit of everything. Yes, I 56 00:02:39,880 --> 00:02:42,360 Speaker 1: just brought an Abbey onto to my podcast network, so 57 00:02:42,360 --> 00:02:44,720 Speaker 1: she's gonna be working over there too. We have about 58 00:02:44,720 --> 00:02:46,919 Speaker 1: to have ten shows now awesome. We're about to launch 59 00:02:46,960 --> 00:02:50,360 Speaker 1: three more shows. So yeah, look at you. How's how's 60 00:02:50,360 --> 00:02:53,200 Speaker 1: the birthday weekend coming good? I'm probably gonna go to 61 00:02:53,400 --> 00:02:58,400 Speaker 1: a vineyard here Arrington. Yeah, just be outside, enjoy your friends. 62 00:02:59,080 --> 00:03:03,200 Speaker 1: Feel a couple. I do. But when are you all 63 00:03:03,200 --> 00:03:07,440 Speaker 1: going tomorrow. Oh okay, I have friends doing a birthday 64 00:03:07,480 --> 00:03:10,760 Speaker 1: there on Sunday, and that'd be fun, like a popular 65 00:03:10,840 --> 00:03:14,600 Speaker 1: place because you can be socially distanced. Yeah, what's outside? 66 00:03:14,720 --> 00:03:16,520 Speaker 1: Yeah yeah, all right, yeah. I think they just have 67 00:03:16,560 --> 00:03:18,160 Speaker 1: it like a whole bunch of tables, so I hope 68 00:03:18,160 --> 00:03:20,480 Speaker 1: we can get one. Yeah, well, happy birthday, Thank you. 69 00:03:20,520 --> 00:03:22,560 Speaker 1: I appreciate that. Oh it's awesome. I was gonna come 70 00:03:22,600 --> 00:03:25,000 Speaker 1: to raise and get um, you know, have some white cloth, 71 00:03:25,120 --> 00:03:28,000 Speaker 1: but he'll let me. I'm just kidding. All right, you 72 00:03:28,040 --> 00:03:30,119 Speaker 1: see you later. All right, we're gonna get today's show. 73 00:03:30,120 --> 00:03:32,040 Speaker 1: You guys can tweet me at mister Bobby Bones. Let 74 00:03:32,040 --> 00:03:35,840 Speaker 1: me know. Shorter post shows. I'm good for that, longer 75 00:03:35,880 --> 00:03:38,880 Speaker 1: post shows. Whatever, like said her, talk all day, um. 76 00:03:39,400 --> 00:03:42,240 Speaker 1: Check out the Bobby Cast. Today. We have Richie, the 77 00:03:42,320 --> 00:03:46,440 Speaker 1: late singer of Lone Star on talking about Whenever maybe 78 00:03:46,480 --> 00:03:49,040 Speaker 1: I'm Amade by You when that hit, what their life 79 00:03:49,080 --> 00:03:50,800 Speaker 1: was like, because it was like they were already putting 80 00:03:50,800 --> 00:03:52,760 Speaker 1: out country hits, but this changed it all up for them. 81 00:03:53,160 --> 00:03:55,240 Speaker 1: So I had him on. Eddie and I talked about 82 00:03:55,240 --> 00:03:57,280 Speaker 1: some things from the nineties nineties country music. Things you 83 00:03:57,280 --> 00:03:59,760 Speaker 1: probably didn't know that are pretty mind blowing. Um, so 84 00:04:00,040 --> 00:04:01,920 Speaker 1: check it out and always the new music that comes 85 00:04:01,920 --> 00:04:04,440 Speaker 1: out that week. All right, thank you, goodbye, We'll see you. 86 00:04:04,760 --> 00:04:21,560 Speaker 1: Um well, now we'll see you Monday. By Hello. What's up? Everybody? Morning? 87 00:04:21,600 --> 00:04:24,520 Speaker 1: Studio morn morning. Later on, Thomas Rhet comes in to 88 00:04:24,600 --> 00:04:28,080 Speaker 1: play for us. Everybody's rocking. It is a special day 89 00:04:28,120 --> 00:04:30,800 Speaker 1: here today. Are you ready? Do you know wide special day? 90 00:04:31,040 --> 00:04:37,480 Speaker 1: No Friday? Well, yeah, that's part of it. It's also 91 00:04:37,640 --> 00:04:45,039 Speaker 1: Raymundo's birthday. Raymundo, your birthday guests from mere RBM brought 92 00:04:45,080 --> 00:04:48,840 Speaker 1: into the studio right now. That's what I'm talking. Should 93 00:04:48,880 --> 00:04:51,920 Speaker 1: be three packages, go ahead. I got a phone call 94 00:04:51,960 --> 00:04:53,960 Speaker 1: at that exact same time. Did you play in that? No, 95 00:04:54,560 --> 00:04:57,479 Speaker 1: East Dundee, Illinois. I think it's just spam. Has nothing 96 00:04:57,480 --> 00:05:00,719 Speaker 1: to do with me, Bro, What are you Jordan's about 97 00:05:00,720 --> 00:05:03,360 Speaker 1: to come in here. No, it's nothing like that. It's 98 00:05:03,360 --> 00:05:09,080 Speaker 1: not not not big U Ray Holliday, Ray thirty five. Wow, yeah, 99 00:05:09,640 --> 00:05:12,320 Speaker 1: my chicks thirty three, so I got two years on her. 100 00:05:13,960 --> 00:05:17,920 Speaker 1: Nothing to do anything. Okay, grab you see your packages? Yeah, 101 00:05:18,000 --> 00:05:20,040 Speaker 1: Mike just brought stuff in. Okay, grab the big one. 102 00:05:20,120 --> 00:05:21,920 Speaker 1: They are two that are similar. Going to open it 103 00:05:21,960 --> 00:05:25,840 Speaker 1: out all here we go. Whoa, whoa, whoa. This is 104 00:05:25,839 --> 00:05:31,359 Speaker 1: this one hundred pound yeah, white claw, two cases a 105 00:05:31,400 --> 00:05:41,360 Speaker 1: white claw, dan case number one, number two. Dude, it's 106 00:05:41,360 --> 00:05:46,440 Speaker 1: your birthday. If you wanted to have one, thing's my 107 00:05:46,640 --> 00:05:49,360 Speaker 1: little slop. You could buy one open and then there 108 00:05:49,400 --> 00:05:51,400 Speaker 1: should be a bag in there. I got it right here. 109 00:05:52,160 --> 00:05:54,680 Speaker 1: I don't need anymore. That's very generous. Well, now this 110 00:05:54,760 --> 00:05:56,960 Speaker 1: is the real gift. It's actually something you can use. 111 00:05:57,000 --> 00:06:04,800 Speaker 1: It's a key, it's a it's a gift. Okay, that's 112 00:06:04,839 --> 00:06:07,200 Speaker 1: ball er. Thank you, dude. You're welcome man. Happy birthday 113 00:06:07,279 --> 00:06:11,280 Speaker 1: you and Caitlin. Yeah, that's right. So I have birthday too, 114 00:06:11,400 --> 00:06:16,880 Speaker 1: Raimundo there question. I thought it was tomorrow. It is, 115 00:06:16,920 --> 00:06:19,200 Speaker 1: but we're going to see him. Okay, Well I just 116 00:06:19,279 --> 00:06:23,440 Speaker 1: got nervous that okay, that's just I've now reminded you guys. 117 00:06:23,440 --> 00:06:25,560 Speaker 1: You have to do something for him. Yeah, yeah, no, 118 00:06:25,600 --> 00:06:28,960 Speaker 1: I have in the calendar, thank you, Scuba, Steve right 119 00:06:29,000 --> 00:06:33,279 Speaker 1: your birthdays tomorrow? Right, Yeah, it's on Saturday. Yeah, September, 120 00:06:34,680 --> 00:06:39,599 Speaker 1: and Gray's drunk already. What I mean nothing, Ray, I 121 00:06:39,640 --> 00:06:41,200 Speaker 1: heard you get in trouble for talking about your wedding 122 00:06:41,240 --> 00:06:42,960 Speaker 1: too much on the air. Yeah, So some of the 123 00:06:43,040 --> 00:06:45,000 Speaker 1: details I've been putting out there, I need to kind 124 00:06:45,040 --> 00:06:47,400 Speaker 1: of just keep them a little bit closer to the vest, 125 00:06:47,480 --> 00:06:50,640 Speaker 1: you know, Like what, uh the way that I told 126 00:06:50,640 --> 00:06:53,680 Speaker 1: people they can't come to the wedding, So your fiance 127 00:06:53,800 --> 00:06:57,680 Speaker 1: didn't like that. You made a bit out of disinviting people. Yeah, 128 00:06:57,760 --> 00:06:59,720 Speaker 1: it ended up being kind of brutal because people were 129 00:06:59,720 --> 00:07:01,880 Speaker 1: hearing on the radio that they weren't coming to wedding, 130 00:07:02,000 --> 00:07:03,960 Speaker 1: and I guess it didn't go over well with some people. Yeah, 131 00:07:03,960 --> 00:07:06,560 Speaker 1: that would happen to me too if iver that situation. Yeah, 132 00:07:06,560 --> 00:07:09,080 Speaker 1: what else a D I've made an offhand comment about 133 00:07:09,080 --> 00:07:11,240 Speaker 1: the DJ, so he kind of thought he wasn't working 134 00:07:11,280 --> 00:07:14,320 Speaker 1: for us anymore. But we still are going to employ him. 135 00:07:14,400 --> 00:07:15,960 Speaker 1: So I do need to just be careful in some 136 00:07:16,000 --> 00:07:17,720 Speaker 1: of the stuff that I'm saying. Is you, is there 137 00:07:17,720 --> 00:07:22,560 Speaker 1: a DJ playing your wedding? Yeah? Is it two d q? Uh? No? No? No? 138 00:07:22,680 --> 00:07:24,280 Speaker 1: Who is an up and comer? I gotta find out 139 00:07:25,720 --> 00:07:28,880 Speaker 1: up and comer? But yeah, there's some surprises too, So 140 00:07:28,880 --> 00:07:31,040 Speaker 1: she's just like, for the next couple of months, just 141 00:07:31,240 --> 00:07:33,720 Speaker 1: keep it quiet. There's surprises that your wedding and just 142 00:07:33,720 --> 00:07:35,600 Speaker 1: some stuff we haven't really talked about. It'll be neat 143 00:07:35,680 --> 00:07:43,480 Speaker 1: like what, oh that was great? Yeah, he gets in 144 00:07:43,600 --> 00:07:46,600 Speaker 1: trouble again, lead him to give him a Roebill hold on. 145 00:07:46,760 --> 00:07:50,040 Speaker 1: All right, yeah, all right, happy birthday, but thank you. 146 00:07:50,200 --> 00:07:54,480 Speaker 1: Thirty five tomorrow. Are you doing anything special? Uh? My 147 00:07:54,520 --> 00:07:58,760 Speaker 1: fiance just said, where's something really warm? And it's ninety 148 00:07:58,800 --> 00:08:02,640 Speaker 1: degrees in Tennessee. So I have no idea what she 149 00:08:02,680 --> 00:08:05,320 Speaker 1: has planned. What do you think? Um threw some stuff around. 150 00:08:05,360 --> 00:08:07,400 Speaker 1: You're going to Seattle, So I thought, maybe I'm tagging 151 00:08:07,400 --> 00:08:11,240 Speaker 1: along with you. That's colder there. I would probably wearing 152 00:08:11,400 --> 00:08:13,440 Speaker 1: a long sleeve shirt there, so that would make sense. 153 00:08:13,560 --> 00:08:15,880 Speaker 1: It is not. I'm going to work, Like as soon 154 00:08:15,920 --> 00:08:18,200 Speaker 1: as it shows over, I fly land and start working immediately. 155 00:08:19,880 --> 00:08:22,400 Speaker 1: And then I thought, she knows I love cruising around. 156 00:08:22,800 --> 00:08:25,440 Speaker 1: Maybe they rented out a corvette or something top down, 157 00:08:25,680 --> 00:08:27,960 Speaker 1: wear a sweatshirt because he can get kind of breezy. Okay, 158 00:08:27,960 --> 00:08:33,240 Speaker 1: who's they What could they rented a corvette? I'm guessing 159 00:08:33,240 --> 00:08:35,079 Speaker 1: her and maybe one of our neighbors. I mean, it's 160 00:08:35,080 --> 00:08:40,360 Speaker 1: got to be a small amount of people, right, Ray 161 00:08:40,440 --> 00:08:49,040 Speaker 1: doesn't need of a corvette. I mean, it's a limited 162 00:08:49,040 --> 00:08:50,800 Speaker 1: amount it. Maybe it's just me and her. I don't know. 163 00:08:50,840 --> 00:08:52,720 Speaker 1: It was just an idea. I'm just gonna get going 164 00:08:52,720 --> 00:08:53,960 Speaker 1: on the show here. It kind of went down a 165 00:08:53,960 --> 00:08:59,000 Speaker 1: weird path. It's always so funny. For the last eight 166 00:08:59,000 --> 00:09:02,040 Speaker 1: weeks we've been two food rivals against each other in 167 00:09:02,080 --> 00:09:04,480 Speaker 1: the food feud, but now we're taking all eight winners 168 00:09:04,480 --> 00:09:06,520 Speaker 1: and it's straight bracket time. We're gonna find the best 169 00:09:06,520 --> 00:09:09,880 Speaker 1: food item head to head battle the champions. There can 170 00:09:09,920 --> 00:09:12,200 Speaker 1: only be one winner. It's gonna give brutal folks. Come 171 00:09:12,240 --> 00:09:18,240 Speaker 1: on it right, all right, Here we go to fight. 172 00:09:18,720 --> 00:09:23,720 Speaker 1: In the red corner, they're made with flour, eggs and salt, 173 00:09:23,840 --> 00:09:25,640 Speaker 1: top with syrup and butter. Each one to run you 174 00:09:25,720 --> 00:09:28,800 Speaker 1: three hundred and fourteen calories. It previously won on the 175 00:09:28,800 --> 00:09:32,000 Speaker 1: show with a vote at three to two from the place. 176 00:09:32,000 --> 00:09:34,079 Speaker 1: It's up to twenty four hours a day, three hundred 177 00:09:34,080 --> 00:09:37,840 Speaker 1: and sixty five days a year. The waffle house waffle 178 00:09:37,880 --> 00:09:45,400 Speaker 1: everywhere it's facing off against in the blue corner. They're warm, 179 00:09:45,480 --> 00:09:49,000 Speaker 1: fluffy and syrup with a garlic topping. Each want to 180 00:09:49,040 --> 00:09:51,880 Speaker 1: run you one hundred and forty calories. It also won 181 00:09:51,960 --> 00:09:54,920 Speaker 1: on the show barely three to two from the place 182 00:09:54,960 --> 00:09:57,199 Speaker 1: that when you're here your family, it's olive garden bread 183 00:09:57,240 --> 00:10:04,160 Speaker 1: stew Right, what you got, Amy, what would you rather have? 184 00:10:04,720 --> 00:10:07,079 Speaker 1: Pound for pound? What's better? Waffle House waffle or olive 185 00:10:07,080 --> 00:10:11,120 Speaker 1: garden bread stick. Gosh, that's so hard. I mean one salty, 186 00:10:11,160 --> 00:10:14,880 Speaker 1: one sweet sweet. So I guess I'll go with. I'm 187 00:10:14,920 --> 00:10:17,520 Speaker 1: gonna go with I want give me a waffle. I'm 188 00:10:17,520 --> 00:10:20,079 Speaker 1: gonna go waffle too. We got two boats waffle, Eddie 189 00:10:20,240 --> 00:10:26,280 Speaker 1: hund P, no doubt. I'm gonna go with the garlic breadstick, Morgan, totally, 190 00:10:26,320 --> 00:10:28,679 Speaker 1: the olive garden bread sticks. Okay, we're back to even now. 191 00:10:28,679 --> 00:10:32,760 Speaker 1: We're z row lunch bus Man. When you said it 192 00:10:32,840 --> 00:10:35,920 Speaker 1: and you started describing it, and my mouth kept water, 193 00:10:35,960 --> 00:10:41,440 Speaker 1: and when you said that waffle house waffle. Un Yeah, 194 00:10:41,440 --> 00:10:43,520 Speaker 1: I'm gonna have to go waffle House waffle. They put 195 00:10:43,520 --> 00:10:45,000 Speaker 1: one in right next to us, and I may just 196 00:10:45,040 --> 00:10:47,199 Speaker 1: go after work. Right. That's it. That's your winner. It's 197 00:10:47,200 --> 00:10:52,320 Speaker 1: over Winter Waffle. Nice. That's a tough round, though those 198 00:10:52,360 --> 00:10:55,120 Speaker 1: two both are very loved. Next week will be Krispy 199 00:10:55,160 --> 00:10:57,840 Speaker 1: Krame Don't as versus Cole Ranch to Rito's winners from 200 00:10:57,840 --> 00:11:02,480 Speaker 1: marm That's tough I'll see you. I have a proposal 201 00:11:02,559 --> 00:11:05,920 Speaker 1: here by an amateur pilot. You know, I'm always curious 202 00:11:05,960 --> 00:11:09,080 Speaker 1: about how you feel about proposals that are done like 203 00:11:09,120 --> 00:11:12,319 Speaker 1: big public proposals, because yours wasn't done in public. It 204 00:11:12,480 --> 00:11:15,559 Speaker 1: was your's what. No, we're not a public posal proposal 205 00:11:15,960 --> 00:11:19,360 Speaker 1: got him marriage himself? Well, he ended up. He wanted 206 00:11:19,400 --> 00:11:21,360 Speaker 1: to be private on a balcony, but the balcony was 207 00:11:21,360 --> 00:11:23,160 Speaker 1: shut down for a private party, So we did it 208 00:11:23,200 --> 00:11:25,520 Speaker 1: in a hotel bar in front of everybody. Yeah, but 209 00:11:25,559 --> 00:11:26,840 Speaker 1: I mean a public proosal when you do it on 210 00:11:26,880 --> 00:11:31,280 Speaker 1: purpose where people purposefully see it. Okay, yeah, yeah, So 211 00:11:31,520 --> 00:11:34,480 Speaker 1: is this a romantic way to propose? Here's the clip 212 00:11:34,480 --> 00:11:36,439 Speaker 1: of the proposal. He asked his girlfriend read an emergency 213 00:11:36,520 --> 00:11:41,280 Speaker 1: checklist as they're flying. Oh no, and this happens. So 214 00:11:41,400 --> 00:11:47,760 Speaker 1: start at the red one airspeed seventy kias hold on. 215 00:11:49,480 --> 00:11:51,880 Speaker 1: Verified pilot is willing to give up his life for 216 00:11:51,960 --> 00:11:58,959 Speaker 1: copilot check. Verified pilot will provide for richer poor check. 217 00:12:00,120 --> 00:12:03,240 Speaker 1: Confirm a co pilot slept hand is ready for engagement? 218 00:12:05,120 --> 00:12:11,000 Speaker 1: What up? Is co pilot ready to accept the last 219 00:12:11,080 --> 00:12:25,640 Speaker 1: name of pilot? Were you married? Are you sure? I 220 00:12:25,640 --> 00:12:32,160 Speaker 1: think that's amazing. Yeah, that's so smaller. Yeah, so air 221 00:12:32,160 --> 00:12:36,720 Speaker 1: traffic control got in on that. That's public. Now again, 222 00:12:36,760 --> 00:12:38,280 Speaker 1: I don't know that's anymore public than yours when I 223 00:12:38,280 --> 00:12:40,720 Speaker 1: think about it, because it was private. Well yeah, I 224 00:12:40,720 --> 00:12:42,080 Speaker 1: mean I guess they put it out there. I don't. 225 00:12:42,120 --> 00:12:44,960 Speaker 1: I mean yeah, And when you're on those I'm like, dang, 226 00:12:45,000 --> 00:12:48,760 Speaker 1: why didn't my husband think of that? That's good? I go, yeah, 227 00:12:48,800 --> 00:12:53,240 Speaker 1: that's good. You go good, Eddie good. Oh, that's so listen. Okay, 228 00:12:53,920 --> 00:12:56,560 Speaker 1: you know here a it's lame and he's just doing 229 00:12:56,600 --> 00:12:58,240 Speaker 1: it for the cloud. He wants everybody to think, Oh, 230 00:12:58,240 --> 00:13:00,800 Speaker 1: I'm mister cool. He didn't even get like girls, won't 231 00:13:00,800 --> 00:13:02,520 Speaker 1: you get down one knee? Don't they? He didn't even 232 00:13:02,520 --> 00:13:04,760 Speaker 1: get down one knee and proposal. He can't after they 233 00:13:04,840 --> 00:13:07,800 Speaker 1: land o, no, but a proposal. Every girl's like, oh. 234 00:13:07,840 --> 00:13:09,360 Speaker 1: And then he got down one knee. And that's when 235 00:13:09,440 --> 00:13:11,840 Speaker 1: my mouth went wide open. This is good. I was 236 00:13:11,880 --> 00:13:15,520 Speaker 1: reading over a checklist. He never got down on one knee. Sorry, 237 00:13:15,679 --> 00:13:18,280 Speaker 1: didn't you propose your wife over the phone? Oh? Oh? 238 00:13:18,400 --> 00:13:21,920 Speaker 1: Got him? Yeah? All right? Making sure here was it 239 00:13:22,280 --> 00:13:24,040 Speaker 1: never left facts in the way of a good story, 240 00:13:24,080 --> 00:13:27,400 Speaker 1: you know what I mean? Yeah, it was more her idea. 241 00:13:27,480 --> 00:13:29,600 Speaker 1: She was like, oh, why don't we get married? Though, Okay, 242 00:13:29,880 --> 00:13:33,320 Speaker 1: are you serious? Good story man, So you never even 243 00:13:33,360 --> 00:13:36,240 Speaker 1: gave your own wife the down on the knee draw 244 00:13:36,440 --> 00:13:39,360 Speaker 1: dropping moment. No, because then her and her sister and 245 00:13:39,360 --> 00:13:40,760 Speaker 1: her mom went and picked out a ring, and then 246 00:13:40,760 --> 00:13:42,160 Speaker 1: I went to town, picked it up and gave it 247 00:13:42,200 --> 00:13:44,160 Speaker 1: to her. This is why novels like romance novels are 248 00:13:44,200 --> 00:13:48,120 Speaker 1: all so beautiful. Yeah, when this show's over and you 249 00:13:48,120 --> 00:13:50,120 Speaker 1: want to listen to my music podcast, it's called the 250 00:13:50,160 --> 00:13:53,920 Speaker 1: Bobby Cast. We're talking about the CMA's Chuck Wicks and 251 00:13:53,920 --> 00:13:56,320 Speaker 1: I are picking who we think will win. Also, the 252 00:13:56,400 --> 00:13:58,880 Speaker 1: lead singer of Lone stars on, and we talking about 253 00:13:58,880 --> 00:14:00,880 Speaker 1: the new music coming out this week. So check it out. 254 00:14:00,920 --> 00:14:03,679 Speaker 1: It's called Bobby Cast. Wherever you listen to your podcast, 255 00:14:03,800 --> 00:14:05,720 Speaker 1: if you love music, I think it'll be right on 256 00:14:05,800 --> 00:14:10,280 Speaker 1: for you. All Right, let's go fun. All right, the 257 00:14:10,320 --> 00:14:12,920 Speaker 1: five most fun facts that Amy could find on the Internet. 258 00:14:13,240 --> 00:14:17,080 Speaker 1: Here we go, number five. So Betty White holds the 259 00:14:17,120 --> 00:14:21,680 Speaker 1: record for longest television career of any female or male entertainer, 260 00:14:21,800 --> 00:14:24,800 Speaker 1: spanning eighty one years. She made her TV debut in 261 00:14:24,920 --> 00:14:28,560 Speaker 1: nineteen thirty nine. Well, she's really pretty when she was younger. 262 00:14:29,560 --> 00:14:32,840 Speaker 1: I think, no, no, no, no, no, no, you're just 263 00:14:32,880 --> 00:14:35,120 Speaker 1: not attracted to this stage. But I'm sure if you 264 00:14:35,160 --> 00:14:38,920 Speaker 1: were eighty ninety, you'd think she was eighty ninety, probably 265 00:14:38,920 --> 00:14:44,320 Speaker 1: going young like seventy five. All right? Number four. The 266 00:14:44,400 --> 00:14:50,520 Speaker 1: first Grammy winner for rap was let Me Guess sugar 267 00:14:50,600 --> 00:14:55,000 Speaker 1: Hill Gang. Nope, who DJ Jazzy Jeff and the Fresh 268 00:14:55,080 --> 00:15:00,240 Speaker 1: Prince Paris don't understand that's rap performance for this song 269 00:15:00,280 --> 00:15:04,400 Speaker 1: in nineteen eighty nine. My first I don't think. Yeah, 270 00:15:04,400 --> 00:15:08,000 Speaker 1: I think there wasn't an award for hip hop until then. Wow, yeah, 271 00:15:08,120 --> 00:15:11,520 Speaker 1: they're really cool. I had summertime. I had that whole tape. 272 00:15:11,560 --> 00:15:12,880 Speaker 1: Listen to the front, the back. Yeah, I was right 273 00:15:12,920 --> 00:15:16,880 Speaker 1: after that one, all right. Number three? Number three. In California, 274 00:15:16,960 --> 00:15:18,560 Speaker 1: you can only get the number sixty nine on a 275 00:15:18,600 --> 00:15:22,280 Speaker 1: license plate if your car's model year is nineteen sixty nine. 276 00:15:23,240 --> 00:15:27,160 Speaker 1: Why are they trying to shut us down? The joke 277 00:15:27,240 --> 00:15:30,840 Speaker 1: doesn't hurt anybody. It's a dumb joke. You're always trying 278 00:15:30,880 --> 00:15:34,680 Speaker 1: to hold me down. What's funny? All right? Number two? 279 00:15:35,160 --> 00:15:39,600 Speaker 1: The President's limo has a refrigerator full of his blood type. Yeah, 280 00:15:39,800 --> 00:15:43,040 Speaker 1: that's anywhere he goes. Even air Force one has keeps 281 00:15:43,040 --> 00:15:47,120 Speaker 1: blood on there and there's a whole basically doctor surgery 282 00:15:47,240 --> 00:15:49,880 Speaker 1: station up in air Force One. It's crazy that that 283 00:15:50,000 --> 00:15:52,520 Speaker 1: much can be put in an airplane. Yeah, what's so big? 284 00:15:52,800 --> 00:15:56,240 Speaker 1: It's just crazy that there's a big couches living room. 285 00:15:56,920 --> 00:15:58,880 Speaker 1: I mean, I've never been an airplane that big. There's 286 00:15:58,920 --> 00:16:00,760 Speaker 1: some show on Netflix now I can't think of it 287 00:16:00,880 --> 00:16:04,720 Speaker 1: what it's called. It's like America's Secrets or something, and 288 00:16:05,040 --> 00:16:08,680 Speaker 1: there's an air Force one episode and it's fascinating. If 289 00:16:08,720 --> 00:16:13,080 Speaker 1: people are interested, you should watch it. Number one, Frank 290 00:16:13,120 --> 00:16:17,760 Speaker 1: Sinatra's publicist would audition and pay girls five dollars to 291 00:16:18,000 --> 00:16:21,800 Speaker 1: scream at his early performances to get the crowd hyped. 292 00:16:23,120 --> 00:16:26,040 Speaker 1: It's like they created excitement, that's I mean. And then 293 00:16:26,080 --> 00:16:30,600 Speaker 1: it's contagious. Yeah, I mean, yeah, I guess contagious is 294 00:16:30,600 --> 00:16:34,160 Speaker 1: one thing they're like when Trump was running at the left, 295 00:16:34,200 --> 00:16:36,240 Speaker 1: at the very beginning, they were paying people to stand 296 00:16:36,240 --> 00:16:39,160 Speaker 1: in the crowd and be cheerers at first. They don't 297 00:16:39,160 --> 00:16:41,640 Speaker 1: have to do that anymore, obviously, but it's just like 298 00:16:41,720 --> 00:16:45,000 Speaker 1: hiring an extra. Huh, Yeah, you're just hiring extras to 299 00:16:45,040 --> 00:16:48,760 Speaker 1: get it going. All right, there's thought that's interesting. Wasn't 300 00:16:48,800 --> 00:16:51,920 Speaker 1: the most fun? Oh? I thought, I really honestly thought 301 00:16:51,960 --> 00:16:54,080 Speaker 1: you would like be like, huh, Frank Sinatra had to 302 00:16:54,120 --> 00:16:56,320 Speaker 1: do that early. I think everybody had to, right, I 303 00:16:56,320 --> 00:16:59,640 Speaker 1: mean everybody has to do things early on that once 304 00:16:59,680 --> 00:17:01,200 Speaker 1: they get big, like I can't believe they head to 305 00:17:01,280 --> 00:17:04,760 Speaker 1: struggle this much. Yeah, like you when you buy your billboards, 306 00:17:06,520 --> 00:17:09,920 Speaker 1: It's true, that's true. All right, there you going, Thank 307 00:17:09,920 --> 00:17:17,320 Speaker 1: you very much. That's some back. Bobby Bone The latest 308 00:17:17,359 --> 00:17:21,520 Speaker 1: from Nashville in Tullywood and Morgan Number two, thirty second Skinny. 309 00:17:21,680 --> 00:17:25,520 Speaker 1: Kelsea Ballerini announced a new stripped album called Ballerini, coming 310 00:17:25,520 --> 00:17:29,199 Speaker 1: out September eleventh. Here's the strip version of Club. But 311 00:17:29,320 --> 00:17:33,639 Speaker 1: I don't want to go to the club. Oh, I 312 00:17:33,680 --> 00:17:36,399 Speaker 1: don't want to watch everybody around me trying to hook 313 00:17:36,560 --> 00:17:42,200 Speaker 1: up and say souff they Domaine get drunk and get you. 314 00:17:43,040 --> 00:17:47,560 Speaker 1: So what's wrong? Because I don't want to go to 315 00:17:47,680 --> 00:17:51,440 Speaker 1: the club. Lauren Elena's new EP is out today called 316 00:17:51,480 --> 00:18:06,720 Speaker 1: Getting Over Him. Here's the title song, Saturday Night you 317 00:18:06,960 --> 00:18:16,200 Speaker 1: Knew It Last co First Cone, No Fallen, Just You, 318 00:18:16,359 --> 00:18:22,119 Speaker 1: Getting Older Him and new albums out today. Adam Hamburg 319 00:18:22,200 --> 00:18:26,119 Speaker 1: released his album Top Down, Southbound Party shared his album 320 00:18:26,200 --> 00:18:29,240 Speaker 1: called a Rock, and Tyler Rich shared his debut album 321 00:18:29,280 --> 00:18:32,520 Speaker 1: called two thousand Miles. I'm Morgan number two. That's your skinny. 322 00:18:33,040 --> 00:18:39,760 Speaker 1: It's time for the good News Unbox Something Good. A 323 00:18:39,960 --> 00:18:43,280 Speaker 1: thirteen year old boy in Florida has invented something to 324 00:18:43,359 --> 00:18:46,119 Speaker 1: save lives at the beach. He was hearing about people 325 00:18:46,200 --> 00:18:48,240 Speaker 1: drowning in the Gulf of Mexico and he's like, man, 326 00:18:48,280 --> 00:18:51,199 Speaker 1: I'm a boy scout, I gotta invent something. So he 327 00:18:51,240 --> 00:18:53,959 Speaker 1: invented something called the life Box, and it's filled with 328 00:18:54,240 --> 00:18:57,800 Speaker 1: life s, a lifesaver and CPR instructions and you put 329 00:18:57,840 --> 00:19:00,600 Speaker 1: them on the beach. That way people have access to 330 00:19:00,680 --> 00:19:04,040 Speaker 1: him and can help save live. That's interesting. So he 331 00:19:04,160 --> 00:19:07,719 Speaker 1: invented a new way for people. Yeah, I guess that's it. 332 00:19:07,800 --> 00:19:11,399 Speaker 1: He because when I've been into Bobby Water at Sonic Okay, 333 00:19:12,200 --> 00:19:15,200 Speaker 1: I kind of just named it like Kaitlin had put 334 00:19:15,240 --> 00:19:16,479 Speaker 1: all the stuff and I was like, no, let's make 335 00:19:16,560 --> 00:19:19,680 Speaker 1: this a thing and we'll call it the Bobby Water. Now, 336 00:19:19,680 --> 00:19:22,920 Speaker 1: he didn't invent the life jacket or or CPR instruction. 337 00:19:23,280 --> 00:19:25,520 Speaker 1: He put them all in one place, so people kind 338 00:19:25,520 --> 00:19:28,240 Speaker 1: of have access. So Khalil is his name, so for 339 00:19:28,280 --> 00:19:31,560 Speaker 1: both of us, for me and Khalil, great job. A 340 00:19:31,600 --> 00:19:34,240 Speaker 1: lot of listeners tag me in those sonic Bobby Waters 341 00:19:34,640 --> 00:19:38,399 Speaker 1: about just for the record, Bobby Water is Route forty four, 342 00:19:38,560 --> 00:19:44,360 Speaker 1: ice water, double ice, real fruit, cherry and strawberries and nerds. 343 00:19:45,160 --> 00:19:48,680 Speaker 1: You're welcome, and that's what it's all about. That was 344 00:19:48,720 --> 00:19:54,440 Speaker 1: tell me something good. Sorry to day. This story comes 345 00:19:54,440 --> 00:19:57,920 Speaker 1: to us from Hoboken, New Jersey. A man was playing 346 00:19:58,000 --> 00:20:00,600 Speaker 1: soccer with his friends right near the hut River and 347 00:20:00,640 --> 00:20:03,280 Speaker 1: the soccer ball, oh, goes into the Hudson River, and 348 00:20:03,320 --> 00:20:05,640 Speaker 1: the twenty four year olds like, I'll jump down there 349 00:20:05,640 --> 00:20:08,040 Speaker 1: and get it. He jumped in the Hudson, the ball 350 00:20:08,119 --> 00:20:10,280 Speaker 1: starts floating away. Police had to be called and they 351 00:20:10,280 --> 00:20:12,520 Speaker 1: had to rescue him before he drowned. Wow. I don't 352 00:20:12,560 --> 00:20:14,440 Speaker 1: want to laugh at hard because I've done that before too. 353 00:20:14,560 --> 00:20:16,320 Speaker 1: Not soccer, but had a ball go on the water 354 00:20:16,359 --> 00:20:17,720 Speaker 1: and you jump in the lake like I'll get it, 355 00:20:17,800 --> 00:20:19,439 Speaker 1: and then it starts to float on you and then 356 00:20:19,440 --> 00:20:24,119 Speaker 1: you're like, oh crap, that stinks. All right, I'm lunchboxed 357 00:20:24,119 --> 00:20:27,679 Speaker 1: out your bone head Story of the day So Kanye 358 00:20:27,680 --> 00:20:29,280 Speaker 1: West was talking about the time he jumped up on 359 00:20:29,359 --> 00:20:32,240 Speaker 1: stage during Taylor Swift's awards speech and by the way, 360 00:20:32,240 --> 00:20:34,040 Speaker 1: here's a clip of the sweet speech from back in 361 00:20:34,080 --> 00:20:38,440 Speaker 1: the day. No, Taylor, I'm really happy for you. I'm 362 00:20:38,640 --> 00:20:41,120 Speaker 1: let you finish. But Beyonce had one of the best 363 00:20:41,200 --> 00:20:44,320 Speaker 1: videos of all time, one of the best videos all 364 00:20:44,400 --> 00:20:48,480 Speaker 1: time that made both of them so famous too. Yeah, 365 00:20:48,800 --> 00:20:52,359 Speaker 1: that's but it was a real idiot thing to do. 366 00:20:52,440 --> 00:20:55,440 Speaker 1: It just wasn't cool. But now he's finally saying why 367 00:20:55,440 --> 00:20:57,280 Speaker 1: he did it. He said that God ordered him to 368 00:20:57,280 --> 00:21:01,119 Speaker 1: do so ordered him. Interesting quote. God has a calling 369 00:21:01,119 --> 00:21:03,200 Speaker 1: on all of us, and he uses it in different ways. 370 00:21:03,400 --> 00:21:06,399 Speaker 1: West forty three told Nick Cannon, which about the way. 371 00:21:06,400 --> 00:21:08,239 Speaker 1: I think we can all agree with that, right. Yes. 372 00:21:09,480 --> 00:21:12,480 Speaker 1: The infamous incident occurred when twenty year old Swift was 373 00:21:12,480 --> 00:21:15,119 Speaker 1: receiving an award for Best Email Video for You Belong 374 00:21:15,160 --> 00:21:18,520 Speaker 1: with Me and Beyonce a single Ladies didn't win, and 375 00:21:18,600 --> 00:21:22,800 Speaker 1: that was the clip and he says, listen, I'm sitting there, 376 00:21:23,440 --> 00:21:26,840 Speaker 1: God told me to go do it, so I did it. Okay, 377 00:21:27,840 --> 00:21:29,280 Speaker 1: that was God? Or like Eminem behind him at the 378 00:21:29,280 --> 00:21:32,520 Speaker 1: awards at Honey One, Amen, amen, you every funny go 379 00:21:32,600 --> 00:21:35,960 Speaker 1: out there. I don't know, but that's I mean, I 380 00:21:36,000 --> 00:21:39,120 Speaker 1: guess I do know, but I don't. Maybe God did 381 00:21:39,119 --> 00:21:41,240 Speaker 1: tell him. We can't prove he didn't. That's right, you 382 00:21:41,320 --> 00:21:43,919 Speaker 1: can't prove he didn't. This story made me think about you. 383 00:21:44,200 --> 00:21:48,520 Speaker 1: There's a couple and they adopted four siblings, and so 384 00:21:48,600 --> 00:21:51,760 Speaker 1: they go through the process. They already had a biological 385 00:21:51,760 --> 00:21:54,600 Speaker 1: sun named Henry. When they adopted four siblings. They had 386 00:21:54,600 --> 00:21:56,840 Speaker 1: been fostering for years. So they get all four, They 387 00:21:56,880 --> 00:21:58,520 Speaker 1: do all the paperwork at the four commands, so it's 388 00:21:58,520 --> 00:22:00,760 Speaker 1: now the House of five, right, and then they find 389 00:22:00,760 --> 00:22:05,679 Speaker 1: out they're expecting quadruplets. Oh what five to nine? It 390 00:22:05,720 --> 00:22:10,000 Speaker 1: goes one to nine like that, Wow, isn't that crazy? 391 00:22:10,119 --> 00:22:12,760 Speaker 1: And how much does that cost to raise nine kids? 392 00:22:12,760 --> 00:22:15,600 Speaker 1: That's a baseball team at the same time? What? And 393 00:22:15,640 --> 00:22:18,399 Speaker 1: then they they were trying to get pregnant, right, and 394 00:22:18,560 --> 00:22:22,000 Speaker 1: maybe doing IVF or some form of tres yes, okay, 395 00:22:22,040 --> 00:22:24,360 Speaker 1: So it's not like they're just like, what how did 396 00:22:24,359 --> 00:22:27,760 Speaker 1: these four? I mean, I know, and I know that 397 00:22:27,760 --> 00:22:30,160 Speaker 1: that's hard, but that's the reality of if you do 398 00:22:30,240 --> 00:22:32,400 Speaker 1: that stuff, you have to be you know, you could 399 00:22:32,440 --> 00:22:36,960 Speaker 1: end up with multiples, right, So man, how John and 400 00:22:37,040 --> 00:22:41,440 Speaker 1: Kate got eight? Yeah? Sure, but they had two one 401 00:22:41,520 --> 00:22:44,600 Speaker 1: or two already, like they had twins, right, and then 402 00:22:44,600 --> 00:22:47,800 Speaker 1: they had six more? Yes, right now she was pregnant 403 00:22:47,800 --> 00:22:52,560 Speaker 1: six and then there was Octoma otom Ate at once. 404 00:22:53,359 --> 00:22:56,840 Speaker 1: How in the world, I don't know. I don't think 405 00:22:56,880 --> 00:22:58,440 Speaker 1: I let it shake me as much as I should 406 00:22:58,480 --> 00:23:02,000 Speaker 1: have back then. I think I'm struggling with the more 407 00:23:02,080 --> 00:23:05,520 Speaker 1: now than hey kids, Well that's a nido. But now 408 00:23:05,600 --> 00:23:08,800 Speaker 1: I'm like, oh my god, hey kids at the same time. 409 00:23:09,200 --> 00:23:11,760 Speaker 1: So I saw that they put out the Dancing with 410 00:23:11,840 --> 00:23:14,240 Speaker 1: the Stars cast. We talked about that, and they put 411 00:23:14,240 --> 00:23:16,560 Speaker 1: out their odds of winning. They have a j McClain 412 00:23:16,640 --> 00:23:19,199 Speaker 1: as the odds on favorite to win. I think this 413 00:23:19,359 --> 00:23:22,280 Speaker 1: Johnny Weird will win the Olympic figure skater. I mean, 414 00:23:22,320 --> 00:23:23,600 Speaker 1: if I were to put a few of them up 415 00:23:23,600 --> 00:23:26,879 Speaker 1: at the top, I would put aj because he's a 416 00:23:26,920 --> 00:23:30,000 Speaker 1: great dancer, he's warm, he's a factory boy. I'll have 417 00:23:30,040 --> 00:23:33,240 Speaker 1: that fan base from the beginning. Johnny Weird. Those professional 418 00:23:33,240 --> 00:23:35,840 Speaker 1: athletes on that show and he is are great and 419 00:23:35,920 --> 00:23:39,480 Speaker 1: figure skaters are basically dancing on ice. Anyway, He's gonna 420 00:23:39,520 --> 00:23:42,359 Speaker 1: be great and he's got a big personality, which will translate. 421 00:23:43,119 --> 00:23:46,920 Speaker 1: And then I would also say this Monica from Cheer, 422 00:23:47,160 --> 00:23:49,919 Speaker 1: because she does have dance, she's a bit, she's in 423 00:23:49,920 --> 00:23:53,800 Speaker 1: her probably forties. I think that will appeal. She's not 424 00:23:53,840 --> 00:23:56,199 Speaker 1: like some hot twenty two year old if people are like, 425 00:23:56,200 --> 00:23:59,160 Speaker 1: all right, yeah, no, she's very likable and she's extremely likable. 426 00:23:59,520 --> 00:24:01,560 Speaker 1: Like those are the three that I will put. If 427 00:24:01,560 --> 00:24:05,360 Speaker 1: I were having a bet now and Monica's way down there, oh, 428 00:24:05,400 --> 00:24:07,920 Speaker 1: I would move her higher. She's well, she's six at 429 00:24:08,000 --> 00:24:10,919 Speaker 1: nine to one or t'o bet. I tell you this. 430 00:24:11,000 --> 00:24:14,119 Speaker 1: When I went off, I went off at here you 431 00:24:14,200 --> 00:24:16,560 Speaker 1: were you were bad. Yeah, I went off at the 432 00:24:16,600 --> 00:24:19,480 Speaker 1: same thing. Carol Baskin's going off. They to win this thing. 433 00:24:19,680 --> 00:24:22,560 Speaker 1: They had me at the same and she didn't look 434 00:24:22,600 --> 00:24:27,440 Speaker 1: at one of those odds, but that's what they had me. No, 435 00:24:27,800 --> 00:24:30,119 Speaker 1: And Carol Baskin, I don't think physically can make it 436 00:24:30,160 --> 00:24:35,119 Speaker 1: through the rigors of this show. Well we don't know that. Yeah, 437 00:24:35,200 --> 00:24:37,639 Speaker 1: I mean, just by looking at the past seasons and 438 00:24:37,680 --> 00:24:40,239 Speaker 1: the people who have won, you really have to be 439 00:24:40,480 --> 00:24:44,240 Speaker 1: really good shaped to win that show. And so but 440 00:24:44,280 --> 00:24:47,919 Speaker 1: I was Carol Baskin and just way less famous, just 441 00:24:47,960 --> 00:24:50,480 Speaker 1: way less famous, and I won. Um so then Nev 442 00:24:50,520 --> 00:24:54,119 Speaker 1: guy from catfishes next to last. But it's interesting I 443 00:24:54,160 --> 00:24:58,199 Speaker 1: saw Tom Bergeron changed his Twitter bio. He doesn't say 444 00:24:58,240 --> 00:25:00,560 Speaker 1: he did Dancing with the Stars anymore. He just totally 445 00:25:00,640 --> 00:25:04,040 Speaker 1: took that off. Well now he says that he did 446 00:25:04,080 --> 00:25:07,639 Speaker 1: a show called, um what was it? But work with 447 00:25:07,720 --> 00:25:11,920 Speaker 1: the famous? Oh funny. Yeah, well he's not happy. It's 448 00:25:11,920 --> 00:25:15,320 Speaker 1: such a good guy. And listen, he made a lot 449 00:25:15,400 --> 00:25:17,840 Speaker 1: of money over twenty six seasons. I bet he made 450 00:25:17,880 --> 00:25:23,920 Speaker 1: over fifty million dollars. Really, yeah, hosting that show. Maybe 451 00:25:23,960 --> 00:25:26,520 Speaker 1: not his first contract, which usually three or four seasons, 452 00:25:27,160 --> 00:25:30,520 Speaker 1: but yeah, I would think so, I think he's probably fine. Now, 453 00:25:32,040 --> 00:25:34,840 Speaker 1: all right, let's go to the phones. Hey, Bobby Morning Studio. 454 00:25:35,160 --> 00:25:37,600 Speaker 1: So I was out a couple of weeks ago sick, 455 00:25:37,920 --> 00:25:40,240 Speaker 1: and I'm not sure if I missed it when Amy moved, 456 00:25:40,359 --> 00:25:43,720 Speaker 1: but I was just wondering if there is a microwave 457 00:25:43,760 --> 00:25:45,879 Speaker 1: inside for kitchen at the new house. But y'all have 458 00:25:45,920 --> 00:25:49,240 Speaker 1: a great day, love listening. Amy's been very anti microwave 459 00:25:49,600 --> 00:25:55,840 Speaker 1: anti the last ten years longer probably okay, but yeah, so, yeah, 460 00:25:55,880 --> 00:25:58,520 Speaker 1: there is a really fancy one and it was built 461 00:25:58,560 --> 00:26:02,399 Speaker 1: in till the wall. You can't And if there's just 462 00:26:02,440 --> 00:26:04,840 Speaker 1: no way to get rid of it, no, I probably no, 463 00:26:04,920 --> 00:26:07,280 Speaker 1: there there's not a way. We'd have to pull it 464 00:26:07,280 --> 00:26:09,600 Speaker 1: out and patch the wall or put a shelf in 465 00:26:09,760 --> 00:26:13,159 Speaker 1: or something. It's stuck in there, and it's it really 466 00:26:13,280 --> 00:26:15,040 Speaker 1: is fancy. I don't know what the people were thinking 467 00:26:15,080 --> 00:26:18,479 Speaker 1: that lived there before me, but it is awesome and 468 00:26:18,720 --> 00:26:23,720 Speaker 1: I love it. And it broke and now I'm very 469 00:26:23,720 --> 00:26:26,359 Speaker 1: sad because I'm either going to have to leave it 470 00:26:26,400 --> 00:26:29,480 Speaker 1: broken and it just looks they're like an accessory that 471 00:26:29,560 --> 00:26:32,479 Speaker 1: we don't use, or I'm gonna have to get it fixed. 472 00:26:32,480 --> 00:26:34,560 Speaker 1: And again, it's a microwave, but I never would have 473 00:26:34,560 --> 00:26:35,840 Speaker 1: bought so it's kind of fancy. So I don't know 474 00:26:35,840 --> 00:26:38,440 Speaker 1: how much it's gonna cost a fix. But are using it, Yes, 475 00:26:38,480 --> 00:26:40,360 Speaker 1: we're using it. It's so I'm saying like, and it's 476 00:26:41,440 --> 00:26:44,359 Speaker 1: things I never thought I would say. Are then we 477 00:26:44,400 --> 00:26:47,600 Speaker 1: need to get the microwave fixed, or oh, I can't 478 00:26:47,600 --> 00:26:49,159 Speaker 1: believe I have to go over to the stovetop and 479 00:26:49,200 --> 00:26:52,679 Speaker 1: heat this up. I lived archaic like that for years 480 00:26:52,800 --> 00:26:54,760 Speaker 1: and it did not bother me. And now when I 481 00:26:54,800 --> 00:26:57,040 Speaker 1: have to go over and turn on the kettle or 482 00:26:57,320 --> 00:26:59,720 Speaker 1: heat up my coffee, or heat up something on the 483 00:26:59,760 --> 00:27:02,560 Speaker 1: stove top, like, gosh, this five minutes when it would 484 00:27:02,560 --> 00:27:04,720 Speaker 1: have been done in forty five seconds in the microwave. 485 00:27:04,920 --> 00:27:06,520 Speaker 1: Do you think, and this is seriously, you think you're 486 00:27:06,520 --> 00:27:10,439 Speaker 1: gonna be okay? I hope. So I think some of 487 00:27:10,440 --> 00:27:12,439 Speaker 1: that was I've been letting go a lot of them 488 00:27:12,440 --> 00:27:14,920 Speaker 1: of my That was my part of my food issues, 489 00:27:15,119 --> 00:27:17,160 Speaker 1: like trying to just control weird things that I put 490 00:27:17,240 --> 00:27:19,520 Speaker 1: my body. And I thought the microwave was bad, but 491 00:27:19,760 --> 00:27:22,560 Speaker 1: I don't know that it is all right, according to 492 00:27:22,640 --> 00:27:29,160 Speaker 1: my research, is pretty good. You're Samy's pile of stories. Well, 493 00:27:29,200 --> 00:27:31,800 Speaker 1: this is genius marketing that is working on me because 494 00:27:32,000 --> 00:27:36,040 Speaker 1: Reese's has created a little cake that you're supposed to 495 00:27:36,040 --> 00:27:38,800 Speaker 1: eat in the morning. It's a breakfast bar. Okay, they 496 00:27:38,840 --> 00:27:42,040 Speaker 1: just breakfast, No, they did it. It's a snack. They 497 00:27:42,080 --> 00:27:44,440 Speaker 1: call it a snack cake. Technically, they say this is 498 00:27:44,480 --> 00:27:46,800 Speaker 1: the perfect thing for you to eat between breakfast and lunch. 499 00:27:47,000 --> 00:27:49,720 Speaker 1: So it's sort of like brunch in a little cute package. 500 00:27:49,920 --> 00:27:53,520 Speaker 1: And it's a cake like thing made with real milk chocolate. 501 00:27:54,040 --> 00:27:58,639 Speaker 1: It's a candy bar. It's a breakfast candy bar, I know, 502 00:27:58,720 --> 00:28:01,840 Speaker 1: but just seeing something about a snack cake and the 503 00:28:01,880 --> 00:28:04,480 Speaker 1: package will come with a little two pat cakes sort 504 00:28:04,520 --> 00:28:07,040 Speaker 1: of like Reese's cups too, and it'll be only a 505 00:28:07,080 --> 00:28:10,080 Speaker 1: dollar ninety nine and available in convenience stores. I can't 506 00:28:10,119 --> 00:28:16,119 Speaker 1: wait for breakfast. Eminem's so good man. I saw this 507 00:28:16,160 --> 00:28:19,080 Speaker 1: headline and it sort of deceived me. Prince Harry Megan 508 00:28:19,160 --> 00:28:23,160 Speaker 1: Markle sign multi year Netflix steel Did you see that? Yeah? 509 00:28:23,200 --> 00:28:25,440 Speaker 1: But I don't give a crap about those two at all. Oh, 510 00:28:25,480 --> 00:28:28,480 Speaker 1: I give lots of craps yea. And I clicked on 511 00:28:28,560 --> 00:28:31,200 Speaker 1: it and I'm so excited, Like, what kind of documentary 512 00:28:31,400 --> 00:28:33,800 Speaker 1: real life the crown are we gonna get with this? 513 00:28:34,200 --> 00:28:37,879 Speaker 1: You know, separated from the palace or the royal family. 514 00:28:38,600 --> 00:28:43,360 Speaker 1: But they're just working to develop documentaries, feature films in 515 00:28:43,440 --> 00:28:47,560 Speaker 1: scripted television series like children shows and stuff for adults. 516 00:28:47,760 --> 00:28:50,240 Speaker 1: There was a little sentences that they may also appear 517 00:28:50,240 --> 00:28:53,200 Speaker 1: on camera in documentary programming, so I'm hopeful for that. 518 00:28:53,240 --> 00:28:57,320 Speaker 1: But you really like them, huh? I like anything royal family, 519 00:28:57,360 --> 00:28:59,880 Speaker 1: not as much as some people. A lot some people. 520 00:28:59,880 --> 00:29:01,600 Speaker 1: I know we're super obsessed, but I would say I'm 521 00:29:01,640 --> 00:29:04,480 Speaker 1: above average I'm so resentful of people that are born 522 00:29:04,480 --> 00:29:08,000 Speaker 1: into money. I just stand, what's that their fault? Ye? 523 00:29:08,640 --> 00:29:10,680 Speaker 1: Give it all away? And Megan marcle she married in 524 00:29:11,520 --> 00:29:15,400 Speaker 1: I know, but I don't know. I need to shake 525 00:29:15,440 --> 00:29:18,240 Speaker 1: that myself. Would you rather mean told the uber mask story? 526 00:29:18,280 --> 00:29:21,800 Speaker 1: What's that? Where? So? I guess that you can get 527 00:29:21,840 --> 00:29:23,200 Speaker 1: written up like say you get in an uber and 528 00:29:23,200 --> 00:29:25,520 Speaker 1: you don't have a mask, Well, the driver can make 529 00:29:25,520 --> 00:29:28,120 Speaker 1: a note in your profile like, hey, this person didn't 530 00:29:28,120 --> 00:29:30,080 Speaker 1: wear a mask. And so then the next time you 531 00:29:30,200 --> 00:29:32,320 Speaker 1: order an uber you have to upload a selfie of 532 00:29:32,360 --> 00:29:34,400 Speaker 1: you wearing a mask in order to have an uber 533 00:29:34,400 --> 00:29:36,160 Speaker 1: come pick you up. Oh nice, You get put like 534 00:29:36,240 --> 00:29:39,440 Speaker 1: on a list, and until you show her that's funny, 535 00:29:39,520 --> 00:29:42,240 Speaker 1: they're not going to pick you up. Okay. So yeah, 536 00:29:42,320 --> 00:29:44,520 Speaker 1: for those of you that weren't interested in Prince Harry 537 00:29:44,520 --> 00:29:48,040 Speaker 1: and Megan Markle. Also last, but not least, and this 538 00:29:48,200 --> 00:29:51,360 Speaker 1: is predicted, but the CMA announced that there will be 539 00:29:51,640 --> 00:29:53,880 Speaker 1: no live audience for the awards this year. It's going 540 00:29:53,920 --> 00:29:57,880 Speaker 1: to be essential personnel only. It's normally a bridgetone in Nashville, 541 00:29:58,040 --> 00:30:00,800 Speaker 1: tons of fans and people get to attend, but none 542 00:30:00,840 --> 00:30:03,760 Speaker 1: of that this year. No one's surprised, right, everybody gets 543 00:30:03,760 --> 00:30:05,640 Speaker 1: to do anything anymore thing? No, I guess maybe some 544 00:30:05,680 --> 00:30:08,840 Speaker 1: people thought it could, they could socially distance inside Bridgestone 545 00:30:08,880 --> 00:30:10,600 Speaker 1: in some way, shape or form. But they're not even 546 00:30:10,640 --> 00:30:12,960 Speaker 1: doing it at that venue because why would Why would you? 547 00:30:12,960 --> 00:30:14,840 Speaker 1: You don't need that much space you got as you 548 00:30:14,880 --> 00:30:17,720 Speaker 1: got one of Brooks over here, one I'm done over there, 549 00:30:17,800 --> 00:30:20,920 Speaker 1: you got one Osborne over there, a fly over there, 550 00:30:21,040 --> 00:30:24,800 Speaker 1: and over there is up there. I guess for the 551 00:30:24,840 --> 00:30:27,160 Speaker 1: host like hosting to a lot of it, Well, I 552 00:30:27,160 --> 00:30:28,959 Speaker 1: don't know you host things, so how much do you 553 00:30:28,960 --> 00:30:31,640 Speaker 1: depend on a live audience to help feel your vibe? 554 00:30:31,760 --> 00:30:34,960 Speaker 1: They won't be doing a comedy routine. There will be 555 00:30:35,000 --> 00:30:37,320 Speaker 1: no stand up type performance. I know it's hosting. I 556 00:30:37,320 --> 00:30:39,240 Speaker 1: did't announced it, have they? Oh I don't. I kind 557 00:30:39,280 --> 00:30:41,080 Speaker 1: of know Biden know, so I don't. I think I 558 00:30:41,160 --> 00:30:44,360 Speaker 1: heard from you. Maybe so, No, it won't be comedic. 559 00:30:45,000 --> 00:30:46,840 Speaker 1: So y'all, gonn tell us who's hosting? Well it is? 560 00:30:46,840 --> 00:30:49,040 Speaker 1: I mean it's people. It's not Brad and Carey. It's 561 00:30:49,040 --> 00:30:51,000 Speaker 1: not either one of them. I thought you said it 562 00:30:51,040 --> 00:30:53,040 Speaker 1: on the radio, but maybe not adults. I don't think, so, 563 00:30:53,120 --> 00:30:56,880 Speaker 1: don't say it. Okay, I'm Amy. That's my pile. That 564 00:30:57,320 --> 00:31:05,800 Speaker 1: was Amy's pile of stories. It's time for the good news, Okay. 565 00:31:05,840 --> 00:31:10,000 Speaker 1: This fourteen year old named William Cabenus started his own 566 00:31:10,120 --> 00:31:13,400 Speaker 1: nonprofit again. He's only fourteen, and he makes his own 567 00:31:13,520 --> 00:31:17,520 Speaker 1: vanilla to support Second Harvest Food Bank of East Tennessee. 568 00:31:17,920 --> 00:31:20,960 Speaker 1: He started baking and then he realized, like, I can 569 00:31:21,040 --> 00:31:24,240 Speaker 1: bake and support. What if I sell an ingredient that 570 00:31:24,320 --> 00:31:27,120 Speaker 1: helps support and people will buy it? So for thirty dollars, 571 00:31:27,120 --> 00:31:29,960 Speaker 1: you can buy eight ounces of vanilla, which he makes 572 00:31:30,280 --> 00:31:34,520 Speaker 1: from Madagascar beans, and then all the profits go towards 573 00:31:34,680 --> 00:31:38,200 Speaker 1: helping feed people. Oh, it's feel bad for vanilla. Why 574 00:31:38,320 --> 00:31:41,960 Speaker 1: because it's a real life flavor, yet it's associated with generic. 575 00:31:42,000 --> 00:31:45,520 Speaker 1: It's like, how did vanilla get that associated? Because vanilla 576 00:31:45,600 --> 00:31:47,880 Speaker 1: is a good flavor. Yeah. I love vanilla and it's 577 00:31:47,880 --> 00:31:51,880 Speaker 1: a taste. It's a distinct taste. However people are like 578 00:31:52,360 --> 00:31:56,680 Speaker 1: vanilla or Vanilla's like average? Yeah? Why well, I was 579 00:31:56,720 --> 00:31:58,480 Speaker 1: just going to shout out his website in case of 580 00:31:58,600 --> 00:32:02,880 Speaker 1: other people love vanilla too. It's vanilla feeds tomorrow dot com. 581 00:32:02,880 --> 00:32:05,520 Speaker 1: How cute is that? So? Inspired? Like promote vanilla now 582 00:32:05,560 --> 00:32:07,520 Speaker 1: for something. I love vanilla too. Yeah, I just feel 583 00:32:07,560 --> 00:32:09,920 Speaker 1: like it's been given the old s end of the stick. 584 00:32:09,960 --> 00:32:12,280 Speaker 1: As my grandma would say, all right, there you go. 585 00:32:13,000 --> 00:32:15,880 Speaker 1: That's all right, there you go. That's what it's all about. 586 00:32:16,600 --> 00:32:21,000 Speaker 1: That was tell me something good. What's happening to friends. 587 00:32:21,240 --> 00:32:23,200 Speaker 1: Let's go over to Amy now with the morning Corny, 588 00:32:27,120 --> 00:32:31,920 Speaker 1: Morning Corny. What's the strongest vegetable? What's the strongest vegetable? 589 00:32:32,280 --> 00:32:42,480 Speaker 1: Muscle sprout? Morning Corny. It's pretty funny. Here is Alicia 590 00:32:42,640 --> 00:32:46,200 Speaker 1: from Seattle. I heard it on your podcast that you're 591 00:32:46,240 --> 00:32:49,160 Speaker 1: going to be in Seattle and just the head up 592 00:32:49,240 --> 00:32:51,960 Speaker 1: with the weather. Even though we get all for being 593 00:32:52,000 --> 00:32:55,120 Speaker 1: the most grandious and well, it does get really hot 594 00:32:55,160 --> 00:32:59,440 Speaker 1: and monkey, so do act an extra can of sun Street. 595 00:33:00,240 --> 00:33:02,000 Speaker 1: I'm going to Seattle today soon as the show's over. 596 00:33:02,440 --> 00:33:05,640 Speaker 1: Fly Land starts shooting my show. I've only been to 597 00:33:05,680 --> 00:33:08,240 Speaker 1: Seattle once and I think that was for American Idol 598 00:33:08,280 --> 00:33:11,200 Speaker 1: another time. It is so far up there, it's I 599 00:33:11,240 --> 00:33:12,880 Speaker 1: think the furthest place you can go from where we are, 600 00:33:12,960 --> 00:33:14,840 Speaker 1: Like we get on an airplane. It's the name of 601 00:33:14,880 --> 00:33:19,480 Speaker 1: place farther in the states, Alaska in the mainland. Yeah, yeah, 602 00:33:19,520 --> 00:33:21,920 Speaker 1: like in the in the forty eight the Continental. Okay, well, 603 00:33:21,920 --> 00:33:28,680 Speaker 1: Hawaii obviously right in the state. Oh, okay, I got it. 604 00:33:30,920 --> 00:33:33,760 Speaker 1: Kaitlyn tell told me the last night when I was sleeping, 605 00:33:33,920 --> 00:33:35,720 Speaker 1: because I talked in my sleep like crazy. And I 606 00:33:35,720 --> 00:33:38,080 Speaker 1: haven't been feeling great for a couple of days, and 607 00:33:38,120 --> 00:33:39,840 Speaker 1: I've had this scionus thing which I was dealing with 608 00:33:39,880 --> 00:33:43,600 Speaker 1: all last week on the air, and so I've been 609 00:33:43,640 --> 00:33:47,200 Speaker 1: taking stuff to sleep better. And so I took some 610 00:33:47,280 --> 00:33:50,320 Speaker 1: melotone and I took some like CBD sleep stuff, and 611 00:33:50,880 --> 00:33:53,240 Speaker 1: so I've been talking. So when I sleep hard, I talk. 612 00:33:53,600 --> 00:33:55,640 Speaker 1: And she I woke up this morning for us coming 613 00:33:55,640 --> 00:33:58,840 Speaker 1: in and she goes, hey, um, so can I tell 614 00:33:58,880 --> 00:34:00,720 Speaker 1: you something? And I was like, oh right, she never 615 00:34:00,800 --> 00:34:03,520 Speaker 1: asked to tell me something. And then I was like, yeah, 616 00:34:03,560 --> 00:34:05,000 Speaker 1: what's up. She goes, when you talk in your sleep, 617 00:34:05,000 --> 00:34:08,200 Speaker 1: you talk like a girl. What are you saying? I 618 00:34:08,200 --> 00:34:12,359 Speaker 1: don't know, but she's always like, I'm like, girl Like, 619 00:34:13,960 --> 00:34:17,560 Speaker 1: apparently in my sleep talking voice is like a girl. Huh? 620 00:34:18,120 --> 00:34:21,360 Speaker 1: How about that? Okay. I didn't know if the tone 621 00:34:21,480 --> 00:34:25,160 Speaker 1: was girly or the topic was a girly possibly both, 622 00:34:26,400 --> 00:34:29,040 Speaker 1: because because I was explaining to her what my dream was, 623 00:34:29,080 --> 00:34:30,640 Speaker 1: and she was like, yeah, that's a pretty girly dream 624 00:34:30,719 --> 00:34:33,439 Speaker 1: and you sound like a girl when you talk, so yeah, yeah, 625 00:34:33,440 --> 00:34:38,400 Speaker 1: well interesting. Yeah. The Friday morning conversation with Thomas Rhett 626 00:34:38,520 --> 00:34:40,840 Speaker 1: Good Thomas Rrett name having a conversation before we get started. 627 00:34:42,800 --> 00:34:44,160 Speaker 1: I could hear it and he's like, hey, how are you? 628 00:34:44,239 --> 00:34:48,319 Speaker 1: I'm like, what's having it that? You go? I'm good man. 629 00:34:48,440 --> 00:34:50,880 Speaker 1: What do you feel like it's starting to pick up 630 00:34:50,880 --> 00:34:52,399 Speaker 1: a little bit for you, Like, are you starting to 631 00:34:52,400 --> 00:34:54,319 Speaker 1: get the band back together and play a little bit? Yeah, 632 00:34:54,320 --> 00:34:56,160 Speaker 1: we are. We've been rehearsing the last couple of days, 633 00:34:56,160 --> 00:34:57,839 Speaker 1: and uh, this is the first time I've seen any 634 00:34:57,840 --> 00:35:00,319 Speaker 1: of them since October. So it's been nice to get 635 00:35:00,360 --> 00:35:02,839 Speaker 1: to play music with with the band and and get 636 00:35:02,840 --> 00:35:04,680 Speaker 1: to do a couple of things this week. What's coming 637 00:35:04,760 --> 00:35:08,239 Speaker 1: up for you? Um ACM Awards, um playing the Ahart Festival, 638 00:35:08,280 --> 00:35:10,560 Speaker 1: which is gonna be super fun, and UM a couple 639 00:35:10,640 --> 00:35:12,560 Speaker 1: couple of things here and there. But those two, for 640 00:35:12,560 --> 00:35:14,839 Speaker 1: sure is what we're hearsing for. All right, Thomas Redd 641 00:35:14,880 --> 00:35:17,480 Speaker 1: is here with us, you know, I remember it's probably 642 00:35:17,480 --> 00:35:20,040 Speaker 1: been a few months. I don't know, time's just weird. Now, 643 00:35:20,200 --> 00:35:22,239 Speaker 1: so I may be wrong on my time. When be 644 00:35:22,400 --> 00:35:24,799 Speaker 1: a Light came out and I said, hey, somebody came 645 00:35:24,840 --> 00:35:27,239 Speaker 1: to me and said, hey, Uhcar's putting the song out 646 00:35:27,760 --> 00:35:30,680 Speaker 1: and it's really great. It's not a radio single. Yeah, 647 00:35:30,719 --> 00:35:33,120 Speaker 1: he's just putting it out because he just loves the message. Yea. 648 00:35:33,200 --> 00:35:34,480 Speaker 1: And so we played it on the show a bunch 649 00:35:34,520 --> 00:35:38,640 Speaker 1: of that morning. But then it just it caught. Yeah, 650 00:35:38,680 --> 00:35:42,399 Speaker 1: and where you had two songs, you had the woman 651 00:35:42,480 --> 00:35:45,480 Speaker 1: John Party, the beer you Can't fixer I can't fix 652 00:35:45,520 --> 00:35:49,480 Speaker 1: and this one kind of running one after the other accidentally, right, 653 00:35:49,520 --> 00:35:50,960 Speaker 1: am I right on that? Yeah? For sure? I mean 654 00:35:51,080 --> 00:35:52,920 Speaker 1: I wrote the song on the road last year under 655 00:35:52,960 --> 00:35:55,880 Speaker 1: completely different set of circumstances, just wanted to kind of 656 00:35:55,920 --> 00:35:58,560 Speaker 1: get a message out there about kindness and um. When 657 00:35:58,560 --> 00:36:00,120 Speaker 1: when all this stuff started to happen, I think it 658 00:36:00,160 --> 00:36:01,759 Speaker 1: was February, and I knew that everything was going to 659 00:36:01,880 --> 00:36:05,080 Speaker 1: kind of shut down. I called George and Scott over 660 00:36:05,120 --> 00:36:06,520 Speaker 1: the label and I was like, hey, man, I'm turning 661 00:36:06,560 --> 00:36:09,000 Speaker 1: thirty in March. A birthday has been canceled because we 662 00:36:09,000 --> 00:36:10,600 Speaker 1: can't go anywhere, can we can we just put out 663 00:36:10,600 --> 00:36:13,759 Speaker 1: a song on my birthday? And this song seemed to 664 00:36:13,760 --> 00:36:15,760 Speaker 1: be one of those ones that I felt like people 665 00:36:15,760 --> 00:36:18,200 Speaker 1: could use in their life, you know, just a little 666 00:36:18,200 --> 00:36:21,080 Speaker 1: bit of encouragement during such a strange time. And on 667 00:36:21,120 --> 00:36:22,880 Speaker 1: the other end of that, we wanted to all of 668 00:36:22,920 --> 00:36:25,759 Speaker 1: us songwriters and the label are given our royalties to 669 00:36:25,920 --> 00:36:28,520 Speaker 1: music cares to help all of our for my band, 670 00:36:28,560 --> 00:36:31,040 Speaker 1: for everybody's bands in Nashville, for for bands you know 671 00:36:31,080 --> 00:36:34,000 Speaker 1: all across the country, and so um. Basically, man, it 672 00:36:34,480 --> 00:36:37,080 Speaker 1: took on a life of its own and never in 673 00:36:37,120 --> 00:36:38,439 Speaker 1: a million years so I think this would be a single. 674 00:36:38,440 --> 00:36:40,160 Speaker 1: I just wanted to put it out. Um, it kind 675 00:36:40,160 --> 00:36:41,840 Speaker 1: of started to catch on, and it's just been amazing 676 00:36:41,880 --> 00:36:44,600 Speaker 1: to watch the reaction from people you know, across the country, 677 00:36:44,600 --> 00:36:46,279 Speaker 1: in the world, just kind of how this song hit them. 678 00:36:46,280 --> 00:36:49,560 Speaker 1: So it's been pretty awesome. Keith urban'son at Rebaison at 679 00:36:49,600 --> 00:36:55,359 Speaker 1: Hillary Scott, Chris Tomlin. Yeah, why those one too? Why 680 00:36:55,440 --> 00:36:59,920 Speaker 1: those four? I mean, I know why they're all fantas 681 00:37:00,000 --> 00:37:02,960 Speaker 1: I say, but why did you choose them individually? Well? 682 00:37:03,160 --> 00:37:05,160 Speaker 1: At first I thought maybe I'll just do this by myself, 683 00:37:05,200 --> 00:37:07,080 Speaker 1: but then as we started to kind of record the song, 684 00:37:07,160 --> 00:37:09,000 Speaker 1: I was like, man, I feel like it's a It's 685 00:37:09,000 --> 00:37:10,839 Speaker 1: a great message coming from me, but I feel like, 686 00:37:10,880 --> 00:37:12,680 Speaker 1: you know, how much more powerful could the message be 687 00:37:12,719 --> 00:37:16,200 Speaker 1: coming from UM? For sure? My heroes and people that 688 00:37:16,560 --> 00:37:18,160 Speaker 1: people that a lot of ore that are that our 689 00:37:18,200 --> 00:37:20,600 Speaker 1: fans love. UM. I've also always wanted to do a 690 00:37:20,600 --> 00:37:22,799 Speaker 1: song with reba Um that was a long shot. UM 691 00:37:23,080 --> 00:37:25,640 Speaker 1: reached out when she said yes, where You're like, holy cred, 692 00:37:25,719 --> 00:37:27,440 Speaker 1: I mean freaking out, I mean bucket list moment to 693 00:37:27,440 --> 00:37:29,320 Speaker 1: do a song with reba Um for sure. UM. And 694 00:37:29,360 --> 00:37:30,880 Speaker 1: I've got to know Chris Tomlin a lot over the 695 00:37:30,960 --> 00:37:32,720 Speaker 1: last couple of years. I've been a part of his 696 00:37:32,760 --> 00:37:34,279 Speaker 1: his new record that just came out, and then I've 697 00:37:34,280 --> 00:37:37,719 Speaker 1: known Hillary for forever and m and then Keith came 698 00:37:37,719 --> 00:37:39,280 Speaker 1: on and sang the song and played the whole guitar 699 00:37:39,320 --> 00:37:41,920 Speaker 1: solo and UM. So these people are all people that 700 00:37:41,920 --> 00:37:43,400 Speaker 1: I've wanted to work with for a long time, and 701 00:37:43,440 --> 00:37:45,759 Speaker 1: it felt like all of our our views kind of 702 00:37:45,760 --> 00:37:47,680 Speaker 1: aligned with this song and I felt like they could 703 00:37:47,719 --> 00:37:49,640 Speaker 1: just make it that much cooler and that much bigger. 704 00:37:49,680 --> 00:37:52,120 Speaker 1: So UM, it was really cool to record a song 705 00:37:52,160 --> 00:37:55,440 Speaker 1: with all four of them. The nerd music question is 706 00:37:55,920 --> 00:37:58,360 Speaker 1: did you record it all yourself? First? And then you 707 00:37:58,400 --> 00:38:01,560 Speaker 1: slowly pulled you out in places put them in. Yeah. Yeah, 708 00:38:01,600 --> 00:38:03,359 Speaker 1: so I mean we have it. There's definitely a version 709 00:38:03,400 --> 00:38:05,799 Speaker 1: with just my voice on it, and so that was hard, dude. 710 00:38:05,800 --> 00:38:07,359 Speaker 1: It's hard getting in the studio and trying to figure 711 00:38:07,360 --> 00:38:09,799 Speaker 1: out how to put four people on a track and 712 00:38:09,840 --> 00:38:12,320 Speaker 1: give all of them enough time for you to be 713 00:38:12,360 --> 00:38:14,120 Speaker 1: able to kind of realize who's singing the next part. 714 00:38:14,160 --> 00:38:16,440 Speaker 1: So we had about sixteen different edits flying around, but 715 00:38:16,440 --> 00:38:19,480 Speaker 1: we finally played it on this one. So Thomas Retz here, 716 00:38:19,800 --> 00:38:21,680 Speaker 1: I know you have. Your guitar was like a c 717 00:38:21,800 --> 00:38:24,120 Speaker 1: foam green it is, and I didn't know that this 718 00:38:24,160 --> 00:38:25,840 Speaker 1: was a guitar I was playing, and I wore the 719 00:38:25,880 --> 00:38:30,720 Speaker 1: same color shirt. It's like a green screen. We see nothing. Yeah, 720 00:38:30,760 --> 00:38:33,000 Speaker 1: so if you don't mind, I mean, I haven't heard 721 00:38:33,000 --> 00:38:35,400 Speaker 1: you play this song live ever. Here's don't think I 722 00:38:35,440 --> 00:38:39,279 Speaker 1: have either, because be a light there we go. Hey, guys, 723 00:38:39,280 --> 00:38:41,880 Speaker 1: So because of licensing roles, we can't play anything with 724 00:38:42,080 --> 00:38:46,040 Speaker 1: music on this iHeartRadio channel or podcast anymore. But you 725 00:38:46,080 --> 00:38:48,279 Speaker 1: can't go to Bobbybones dot com to see it. We 726 00:38:48,320 --> 00:38:50,360 Speaker 1: hate that we had to take it down. Wasn't our decision, 727 00:38:50,560 --> 00:38:51,759 Speaker 1: but I just wanted to keep you up, and we 728 00:38:51,800 --> 00:38:53,840 Speaker 1: wanted to keep up as much as possible. So I 729 00:38:54,000 --> 00:38:56,480 Speaker 1: go to Bobbybones dot com to watch or here whatever 730 00:38:56,520 --> 00:38:58,320 Speaker 1: you're missing right now, and thank you for listening to 731 00:38:58,400 --> 00:39:05,319 Speaker 1: the show, and sorry about all the legal stuff. Where 732 00:39:05,400 --> 00:39:07,319 Speaker 1: were you when you wrote that song, man, I was 733 00:39:07,320 --> 00:39:09,040 Speaker 1: on the road. I was up in Canada actually on 734 00:39:09,160 --> 00:39:11,160 Speaker 1: a on a run, and I had three of my 735 00:39:11,200 --> 00:39:13,360 Speaker 1: buddies writing with me, and I'd had its title on 736 00:39:13,400 --> 00:39:15,440 Speaker 1: my phone for forever called in a World Full I 737 00:39:15,440 --> 00:39:16,920 Speaker 1: Hate to Be a Light. And we uh, we kind 738 00:39:16,920 --> 00:39:18,920 Speaker 1: of started this thing right before meet and greet and 739 00:39:18,960 --> 00:39:20,160 Speaker 1: it was all I could think about for the rest 740 00:39:20,200 --> 00:39:21,319 Speaker 1: of the night. We came back at the bus and 741 00:39:21,360 --> 00:39:24,120 Speaker 1: finished at like two o'clock in the morning, and everyone 742 00:39:24,200 --> 00:39:25,600 Speaker 1: was like, this is this is cool, but you know, 743 00:39:25,680 --> 00:39:26,879 Speaker 1: what are we gonna do with it? We're gonna put 744 00:39:26,920 --> 00:39:28,920 Speaker 1: on a new record or what? Um? And then it 745 00:39:28,960 --> 00:39:30,840 Speaker 1: all kind of worked itself out just we released it 746 00:39:30,880 --> 00:39:34,480 Speaker 1: in March, and Um, like I said earlier, Man, this 747 00:39:34,520 --> 00:39:38,000 Speaker 1: song means so much to me just because as an artist, 748 00:39:38,320 --> 00:39:39,880 Speaker 1: UM with a with a band that's been with me 749 00:39:39,920 --> 00:39:41,759 Speaker 1: for five or six years, plus all the artists I 750 00:39:41,840 --> 00:39:44,200 Speaker 1: know that. Um, there's so many bands that are just 751 00:39:44,200 --> 00:39:46,960 Speaker 1: out of work, you know. I mean nobody, nobody can play, 752 00:39:47,040 --> 00:39:49,160 Speaker 1: nobody can can do their craft. And um, I was 753 00:39:49,160 --> 00:39:52,160 Speaker 1: like talking to George the other day about, Um, there's 754 00:39:52,160 --> 00:39:54,480 Speaker 1: a lot of band members out there that literally cannot 755 00:39:54,520 --> 00:39:57,440 Speaker 1: pay their mortgage right now. Um, and so they're selling 756 00:39:58,040 --> 00:39:59,920 Speaker 1: every bit of gear that they got, you know too 757 00:40:00,080 --> 00:40:01,920 Speaker 1: to pay that rent or to even buy groceries for 758 00:40:01,960 --> 00:40:05,359 Speaker 1: that matter. And so um, this this song hits home 759 00:40:05,440 --> 00:40:08,319 Speaker 1: for me so much because just that with every single 760 00:40:08,360 --> 00:40:11,319 Speaker 1: spin that happens, all that money goes towards music cares 761 00:40:11,320 --> 00:40:13,520 Speaker 1: to help these people out. And so um, these people 762 00:40:13,520 --> 00:40:15,719 Speaker 1: are like my family, man, um, and that the people 763 00:40:15,719 --> 00:40:17,560 Speaker 1: that make these shows happen and make them possible. And 764 00:40:17,560 --> 00:40:19,960 Speaker 1: so um, that's why this song means so much. Man. 765 00:40:20,000 --> 00:40:22,440 Speaker 1: I love the song and I love the message, but um, 766 00:40:22,480 --> 00:40:24,040 Speaker 1: I love the fact that it that it really does 767 00:40:24,080 --> 00:40:28,400 Speaker 1: go towards directly. You can actually see it helping people physically. Um. 768 00:40:28,440 --> 00:40:30,719 Speaker 1: And so uh yeah, man, this is this is a 769 00:40:31,320 --> 00:40:33,640 Speaker 1: a heavy song and a heavy topic. But um, well, 770 00:40:35,200 --> 00:40:38,200 Speaker 1: being a little bit humble here, you gave up a 771 00:40:38,239 --> 00:40:40,560 Speaker 1: bunch of money. I mean, you're both a song he listen, 772 00:40:40,600 --> 00:40:42,120 Speaker 1: you got a number one song that's worth about a 773 00:40:42,120 --> 00:40:46,600 Speaker 1: million dollars overall, for sure, Um, and I ain't money 774 00:40:46,600 --> 00:40:49,040 Speaker 1: ain't going to you. You decided to give that up, yeah, 775 00:40:49,080 --> 00:40:50,960 Speaker 1: for sure, And so did all the other writers as well. Man, 776 00:40:50,960 --> 00:40:52,399 Speaker 1: I mean we were all kind of aligned on this, 777 00:40:52,440 --> 00:40:54,799 Speaker 1: and so I mean, honestly, any any any time you 778 00:40:54,840 --> 00:40:57,640 Speaker 1: listen to it or downloaded or whatever. Um, it's just 779 00:40:57,760 --> 00:41:00,520 Speaker 1: directly helping all of our our bandon crew families. All 780 00:41:00,560 --> 00:41:04,120 Speaker 1: proceeds benefiting the recording uh, the Academy Music Cares and 781 00:41:04,640 --> 00:41:05,880 Speaker 1: you know they've done a lot for much of my 782 00:41:05,920 --> 00:41:09,319 Speaker 1: friends in town too, for sure. Uh. Well, man's that's good. HEYU. 783 00:41:09,560 --> 00:41:12,320 Speaker 1: On a lighter note, what song do you play to 784 00:41:12,400 --> 00:41:14,040 Speaker 1: your kids or what's what song of yours do your 785 00:41:14,080 --> 00:41:17,040 Speaker 1: kids get stuck in their head the most? Um, we 786 00:41:17,080 --> 00:41:19,200 Speaker 1: listen to Crash and Burn to the point of I 787 00:41:19,239 --> 00:41:22,120 Speaker 1: can't stand the song anymore. Um. I mean it's like 788 00:41:22,120 --> 00:41:23,440 Speaker 1: on the way to school, it's on the way home 789 00:41:23,480 --> 00:41:25,799 Speaker 1: from school. That's like the only song they request of mine. 790 00:41:25,800 --> 00:41:27,279 Speaker 1: And they're pretty quick to tell me when they when 791 00:41:27,280 --> 00:41:29,400 Speaker 1: they don't like a song too so, but they like 792 00:41:29,719 --> 00:41:31,640 Speaker 1: your music though. Jenna they do, that's kind of all 793 00:41:31,680 --> 00:41:34,040 Speaker 1: they want to listen to. Oh really, yeah, Well if 794 00:41:34,160 --> 00:41:38,239 Speaker 1: what secondary though to you James Brown? Wow? Yeah? Is 795 00:41:38,239 --> 00:41:39,919 Speaker 1: that because you played it a lot and now they've 796 00:41:39,960 --> 00:41:41,480 Speaker 1: I think so, I mean, I think I mean me 797 00:41:41,520 --> 00:41:43,040 Speaker 1: as a kid, you know, when you when you listening 798 00:41:43,080 --> 00:41:44,680 Speaker 1: to what your dad or your mom plays it, you 799 00:41:44,760 --> 00:41:46,800 Speaker 1: kind of becomes a part of your of your story. 800 00:41:46,840 --> 00:41:48,600 Speaker 1: And so, I mean, we have dance parties in the 801 00:41:48,600 --> 00:41:51,000 Speaker 1: gym all the time, and it's usually it's mostly my music, 802 00:41:51,040 --> 00:41:53,080 Speaker 1: but we'll put on some some Bruno or some James 803 00:41:53,080 --> 00:41:55,920 Speaker 1: Brown every now and then and rock together. So all right, 804 00:41:55,920 --> 00:41:57,720 Speaker 1: Thomas Retz here, we're gonna come back in a second. 805 00:41:57,880 --> 00:41:59,640 Speaker 1: We'll kind of walk through some other of your hits. 806 00:41:59,680 --> 00:42:01,520 Speaker 1: He got a guitar. I'm asking to play a few things, 807 00:42:02,320 --> 00:42:03,799 Speaker 1: he laughs. And he brought a lyric sheet with him 808 00:42:03,800 --> 00:42:05,279 Speaker 1: because he said he hadn't played so long. He doesn't 809 00:42:05,280 --> 00:42:12,520 Speaker 1: know fifteenth number one this year. Whenever you first start, 810 00:42:12,640 --> 00:42:14,640 Speaker 1: you know, you're pretty precious with picking what song as 811 00:42:14,640 --> 00:42:16,480 Speaker 1: a single. Ye, your first couple, you're like, all right, 812 00:42:16,480 --> 00:42:20,120 Speaker 1: we really gotta Now that you're fifteen in is it 813 00:42:20,239 --> 00:42:22,680 Speaker 1: equally as precious toward let's try to find something that 814 00:42:22,800 --> 00:42:25,160 Speaker 1: hits or now, are you precious more to let me 815 00:42:25,160 --> 00:42:26,920 Speaker 1: pick something that feels good to me and then whatever 816 00:42:26,960 --> 00:42:30,600 Speaker 1: happens happens. I don't know, it's different. It's different every record. 817 00:42:30,640 --> 00:42:32,920 Speaker 1: I feel like, Um, I mean, obviously you want to 818 00:42:32,920 --> 00:42:34,359 Speaker 1: be in love with a song, like you don't want 819 00:42:34,360 --> 00:42:36,000 Speaker 1: to just put something out there that you think, oh, 820 00:42:36,080 --> 00:42:38,600 Speaker 1: this might sound like a hit. Um. I mean, in 821 00:42:38,680 --> 00:42:40,160 Speaker 1: the in the beginning of my career, I mean, when 822 00:42:40,200 --> 00:42:42,080 Speaker 1: you're trying to when you're trying to make a name 823 00:42:42,080 --> 00:42:43,680 Speaker 1: for yourself, you just you gotta have a hit or 824 00:42:43,680 --> 00:42:45,719 Speaker 1: at least a song that is polarizing enough to to 825 00:42:46,000 --> 00:42:48,279 Speaker 1: for people to know what your name is. Um. But 826 00:42:48,400 --> 00:42:50,400 Speaker 1: these days, I feel like, you know, I've kind of 827 00:42:50,440 --> 00:42:51,880 Speaker 1: I feel like I've carved a little bit of my 828 00:42:51,880 --> 00:42:53,520 Speaker 1: own path out, you know, to the last five or 829 00:42:53,520 --> 00:42:56,560 Speaker 1: six years. And so now when it comes to picking singles, 830 00:42:56,560 --> 00:42:58,560 Speaker 1: I mean, I have to like love the song first 831 00:42:58,560 --> 00:43:00,600 Speaker 1: of all, and if it happens to sound like a hit, 832 00:43:00,600 --> 00:43:03,000 Speaker 1: and that sho's a cherry on top. So whenever Beer 833 00:43:03,040 --> 00:43:06,319 Speaker 1: Camp Fix came out, I was like, all right, Thomas Rup, 834 00:43:06,440 --> 00:43:08,040 Speaker 1: you wrote that one, right, Yeah, I was like Thomas 835 00:43:08,120 --> 00:43:09,839 Speaker 1: Rup wrote this one, it goes this is a hit. Yeah, 836 00:43:10,080 --> 00:43:12,880 Speaker 1: Like as again, it's it's not very deep, like I 837 00:43:12,880 --> 00:43:16,600 Speaker 1: don't underlying, you know, when I had to do like 838 00:43:16,920 --> 00:43:18,520 Speaker 1: we do these cut by cuts, you know, when you're 839 00:43:18,520 --> 00:43:19,759 Speaker 1: putting your record out, and they were like, so tell 840 00:43:19,840 --> 00:43:21,200 Speaker 1: us about beer camp fix. I was like, I mean, 841 00:43:21,200 --> 00:43:24,080 Speaker 1: it's a pretty self explanatory. You know, it's fun, it's 842 00:43:24,120 --> 00:43:26,279 Speaker 1: a hit, yeah, exactly. And and sometimes you need those. 843 00:43:26,320 --> 00:43:28,520 Speaker 1: Sometimes you just need songs that people just don't think about, 844 00:43:28,560 --> 00:43:30,320 Speaker 1: you know what I'm saying. And in your set list, 845 00:43:30,520 --> 00:43:33,240 Speaker 1: you're also putting out singles. So when you play live, 846 00:43:33,440 --> 00:43:36,080 Speaker 1: oh dude, if you put out all the slow songs, yeah, 847 00:43:36,120 --> 00:43:37,759 Speaker 1: then you're just gonna sit up there. Anybody's gonna go 848 00:43:37,800 --> 00:43:39,400 Speaker 1: to sleep. And during a life that's a whole different thing. 849 00:43:39,440 --> 00:43:40,960 Speaker 1: I mean there's a time for that. I mean, one 850 00:43:41,040 --> 00:43:42,759 Speaker 1: day I would love to just go play theaters and 851 00:43:42,800 --> 00:43:45,000 Speaker 1: be like, no one stand up. Actually, everybody just sit 852 00:43:45,040 --> 00:43:46,600 Speaker 1: down the entire time because I'm just gonna sit here 853 00:43:46,600 --> 00:43:48,319 Speaker 1: and play a bunch of ballads. But for now, in 854 00:43:48,360 --> 00:43:50,200 Speaker 1: this in this life, I mean, if it were up 855 00:43:50,239 --> 00:43:51,879 Speaker 1: to me, when I sit down with the guitar. It's 856 00:43:51,960 --> 00:43:54,000 Speaker 1: it's a it's writing a ballad every time. So that's 857 00:43:54,000 --> 00:43:56,000 Speaker 1: why co writing is so special for me, because I 858 00:43:56,000 --> 00:43:58,720 Speaker 1: need somebody to say, we're not writing a ballad today. 859 00:43:59,120 --> 00:44:01,960 Speaker 1: We're going to write something fun and up tempo, um 860 00:44:02,280 --> 00:44:03,919 Speaker 1: and so. But yeah, when you come to your show 861 00:44:03,920 --> 00:44:05,120 Speaker 1: man and you look at your set list and you 862 00:44:05,160 --> 00:44:06,680 Speaker 1: have two or three ballads in a row, you're like, 863 00:44:07,320 --> 00:44:10,279 Speaker 1: here it comes here. It goes about seventy percent of 864 00:44:10,280 --> 00:44:11,560 Speaker 1: the crowd going to get a beer, and then they'll 865 00:44:11,560 --> 00:44:15,279 Speaker 1: come back when they hear something exciting. So well, let's 866 00:44:15,360 --> 00:44:17,960 Speaker 1: do a verse in a chorus. A beer can't fix you? 867 00:44:18,040 --> 00:44:19,800 Speaker 1: Do that? Have you have you said at home and 868 00:44:19,800 --> 00:44:21,600 Speaker 1: play done this? And I told you I haven't. I 869 00:44:21,600 --> 00:44:23,640 Speaker 1: didn't rehearse specifically for this so that I could see 870 00:44:23,640 --> 00:44:25,160 Speaker 1: if I know any of these songs. Here we go. 871 00:44:26,800 --> 00:44:28,759 Speaker 1: Is there a song in your set list that when 872 00:44:28,800 --> 00:44:31,480 Speaker 1: you're playing a live show, it's the easiest for you 873 00:44:31,520 --> 00:44:33,480 Speaker 1: to sing, regardless of you're sick or not. You're like, 874 00:44:33,520 --> 00:44:37,080 Speaker 1: this was right in, right in, no problems for you 875 00:44:37,080 --> 00:44:38,759 Speaker 1: to sing. The easiest song for me to sing? What 876 00:44:38,960 --> 00:44:42,000 Speaker 1: is that? Probably? I think sixteen is a really easy song. 877 00:44:42,040 --> 00:44:43,879 Speaker 1: For me to sing. Is it because it's not too 878 00:44:44,000 --> 00:44:46,319 Speaker 1: rangy and um, it's just kind of a you know, 879 00:44:46,360 --> 00:44:49,160 Speaker 1: straightforward kind of singer songwriter or type song. But I 880 00:44:49,200 --> 00:44:50,960 Speaker 1: would say that's the easiest. Most of my songs are 881 00:44:51,200 --> 00:44:54,040 Speaker 1: hard to singh and burn is miserable to sing. Yeah, 882 00:44:54,400 --> 00:44:55,920 Speaker 1: and we had to drop it a little bit in 883 00:44:55,960 --> 00:44:57,640 Speaker 1: the show. So why do you do that to yourself? 884 00:44:58,200 --> 00:44:59,800 Speaker 1: I don't know, because I think when you're in the studio, 885 00:44:59,840 --> 00:45:01,440 Speaker 1: you have your producers going, come on, man, we can 886 00:45:01,440 --> 00:45:03,239 Speaker 1: we can go up a little bit higher, and then 887 00:45:03,280 --> 00:45:05,160 Speaker 1: you record it and you're like, I cannot do this 888 00:45:05,200 --> 00:45:07,319 Speaker 1: on a Saturday. There's no there's no chance. Let's do 889 00:45:07,360 --> 00:45:08,640 Speaker 1: the easy one and give us a little bit of 890 00:45:08,640 --> 00:45:11,160 Speaker 1: sixteen You wanna do that one? Yeah? Yeah, I wouldn't 891 00:45:11,160 --> 00:45:14,719 Speaker 1: pick the one with the most words. Um. You know 892 00:45:14,760 --> 00:45:19,680 Speaker 1: Amy hosted your wife's Virtual Books, did yeah, And she 893 00:45:19,760 --> 00:45:21,440 Speaker 1: was kind of telling me some stories from it. And 894 00:45:21,719 --> 00:45:24,320 Speaker 1: is there anything in her book that came out that 895 00:45:24,400 --> 00:45:26,359 Speaker 1: you're like, dang it, say you know one second thought 896 00:45:26,480 --> 00:45:28,680 Speaker 1: maybe which I would have put that. Yeah, there's a 897 00:45:28,719 --> 00:45:31,759 Speaker 1: few parts. Honestly, Um, I would say reading the book, 898 00:45:31,760 --> 00:45:33,960 Speaker 1: I mean I laughed a lot. I cried a little bit. Um. 899 00:45:33,960 --> 00:45:35,279 Speaker 1: And there was a couple of parts where I wish 900 00:45:35,320 --> 00:45:36,960 Speaker 1: that I wouldn't have been made out to look like 901 00:45:37,000 --> 00:45:39,239 Speaker 1: such a jerk. Um. But there were certain parts in 902 00:45:39,239 --> 00:45:42,279 Speaker 1: our marriage for sure that I was a little bit 903 00:45:42,400 --> 00:45:45,719 Speaker 1: a little bit jerky, if you will, um, especially through 904 00:45:45,719 --> 00:45:48,479 Speaker 1: the adoption. UM. Not that any of this was really 905 00:45:48,520 --> 00:45:50,600 Speaker 1: my fault, but when when Lauren was in Uganda, I 906 00:45:50,640 --> 00:45:52,960 Speaker 1: was still She told you all this, but I'm back 907 00:45:52,960 --> 00:45:55,359 Speaker 1: in Nashville and I'm I'm playing shows. I remember there 908 00:45:55,360 --> 00:45:57,319 Speaker 1: was one night where she called me and it was 909 00:45:57,440 --> 00:45:59,400 Speaker 1: the second night of our of our Nashville dates, and 910 00:46:00,000 --> 00:46:02,880 Speaker 1: literally every one of our best friends, Lauren's friends, my 911 00:46:02,920 --> 00:46:04,600 Speaker 1: friends are at the show and I and Lauren called 912 00:46:04,640 --> 00:46:06,000 Speaker 1: me because it was like nine o'clock in the morning 913 00:46:06,000 --> 00:46:09,200 Speaker 1: and Uganda and all my friends were on the bus 914 00:46:09,200 --> 00:46:11,120 Speaker 1: and you know, we're all hanging out and having a 915 00:46:11,120 --> 00:46:12,759 Speaker 1: good time. And she hears all of her friends in 916 00:46:12,760 --> 00:46:16,240 Speaker 1: the background. Meanwhile, Lauren is, you know, seven months pregnant, 917 00:46:16,480 --> 00:46:18,960 Speaker 1: throwing up in a bathroom in Uganda. And so at 918 00:46:19,000 --> 00:46:22,040 Speaker 1: that moment, that's when Lauren was like, we are living 919 00:46:22,719 --> 00:46:26,160 Speaker 1: two complete separate lives right now, you know, And so 920 00:46:26,200 --> 00:46:28,600 Speaker 1: that was a really humbling experience for me, just kind 921 00:46:28,600 --> 00:46:31,880 Speaker 1: of knowing what she was dealing with over there, that 922 00:46:32,080 --> 00:46:35,600 Speaker 1: just the sense of a loneness while I'm kind of 923 00:46:35,680 --> 00:46:37,880 Speaker 1: living life as usual, you know, back in back in 924 00:46:37,920 --> 00:46:42,080 Speaker 1: the States, And so that part was was really hard 925 00:46:42,160 --> 00:46:43,840 Speaker 1: for us for sure, kind of getting over that and 926 00:46:43,840 --> 00:46:46,759 Speaker 1: getting going through some therapy, especially over that one night. 927 00:46:47,360 --> 00:46:48,960 Speaker 1: But coming on the other side of that, man, I 928 00:46:49,400 --> 00:46:51,840 Speaker 1: feel like I learned so much from that experience, and 929 00:46:53,360 --> 00:46:54,839 Speaker 1: you know, it just it just made me know that 930 00:46:55,520 --> 00:46:57,359 Speaker 1: in a marriage, you do have to just figure stuff out, 931 00:46:57,400 --> 00:46:58,600 Speaker 1: and you have to talk about it, and you gotta 932 00:46:58,600 --> 00:47:00,040 Speaker 1: be real about it and gotta be honest about it, 933 00:47:00,040 --> 00:47:02,920 Speaker 1: and so um, you know, hopefully there's somebody else in 934 00:47:02,920 --> 00:47:04,799 Speaker 1: the world that's reading that chapter going men, I feel 935 00:47:04,800 --> 00:47:06,839 Speaker 1: like I've been in that same position, and if they 936 00:47:06,840 --> 00:47:08,160 Speaker 1: can work it out, we can work it out too. 937 00:47:08,200 --> 00:47:11,040 Speaker 1: So maybe a little bit not that their husband's like 938 00:47:11,600 --> 00:47:18,239 Speaker 1: a superstar, but yeah, I think that that's important, is 939 00:47:18,239 --> 00:47:20,279 Speaker 1: that she was willing for both of you. I mean 940 00:47:20,440 --> 00:47:24,040 Speaker 1: you you willing to let her. Y'all share that part 941 00:47:24,040 --> 00:47:28,120 Speaker 1: with other helps them not feel alone when they're feeling lonely. 942 00:47:28,280 --> 00:47:30,640 Speaker 1: Maybe it is that they're pregnant and at home and 943 00:47:30,719 --> 00:47:33,040 Speaker 1: the husband's still just continuing on with his life as 944 00:47:33,160 --> 00:47:35,640 Speaker 1: usual when they're sick and or they're at home with 945 00:47:35,680 --> 00:47:38,600 Speaker 1: the kids and the husband's just doing his work dinners 946 00:47:38,640 --> 00:47:42,000 Speaker 1: and this, and exactly that it can get lonely, but 947 00:47:42,440 --> 00:47:44,279 Speaker 1: that you can come out on the other side and 948 00:47:44,440 --> 00:47:47,480 Speaker 1: for sure living testimony that live and love. That is 949 00:47:47,560 --> 00:47:49,040 Speaker 1: Lauren's book if you want to check it out. Yeah, 950 00:47:49,040 --> 00:47:52,000 Speaker 1: do you get any writing credit on that book? No? No, 951 00:47:53,600 --> 00:47:55,520 Speaker 1: she didn't ask me to do the forward like that. Oh, 952 00:47:55,760 --> 00:48:00,000 Speaker 1: she does have to say in the beginning that she's 953 00:48:00,080 --> 00:48:03,439 Speaker 1: that Thomas Rhett is Thomas Rhett's name. That's how that's 954 00:48:03,480 --> 00:48:06,680 Speaker 1: not her being kind of people think it's formal. Yeah, 955 00:48:06,680 --> 00:48:08,319 Speaker 1: but it is so funny what people think all of 956 00:48:08,320 --> 00:48:10,239 Speaker 1: our names are. I mean, there's still certain people to 957 00:48:10,280 --> 00:48:13,360 Speaker 1: think Lauren's name is Laura, and so they'll yell Laura 958 00:48:13,480 --> 00:48:15,960 Speaker 1: at concerts or whatever. And then people think our last 959 00:48:16,040 --> 00:48:18,040 Speaker 1: name is Atkins and it's Aikins, And they think Willa's 960 00:48:18,080 --> 00:48:20,320 Speaker 1: name is Willow Grace, and they think Ada's name is 961 00:48:20,320 --> 00:48:23,719 Speaker 1: Ava Jane, and so it's just like read the book 962 00:48:23,760 --> 00:48:25,960 Speaker 1: and yeah, but she had a dedicated thing in the 963 00:48:26,000 --> 00:48:28,719 Speaker 1: beginning to like, hey, guys, I'm not being I don't 964 00:48:28,760 --> 00:48:32,320 Speaker 1: know they're trying to be like I'm married to Thomas Rhett, 965 00:48:32,560 --> 00:48:35,759 Speaker 1: like that's his name. Yeah, all right, Center Point Road 966 00:48:35,800 --> 00:48:37,760 Speaker 1: Towards being rescheduled to kick off in June to twenty 967 00:48:37,760 --> 00:48:42,640 Speaker 1: twenty one. Yeah, they feel about that. Can't wait. Cannot wait? Boy, 968 00:48:42,920 --> 00:48:45,279 Speaker 1: me too. I can't wait till we get something that 969 00:48:45,960 --> 00:48:49,200 Speaker 1: feels like we're moving normal direction. I don't even need 970 00:48:49,200 --> 00:48:51,120 Speaker 1: to feel all the way normal. Yeah, I just need 971 00:48:51,160 --> 00:48:54,360 Speaker 1: to see that's progress for sure. I mean, this is 972 00:48:54,360 --> 00:48:55,719 Speaker 1: the long I mean, this is the longest I will 973 00:48:55,760 --> 00:48:57,359 Speaker 1: have not played a show in like almost ten years, 974 00:48:57,440 --> 00:49:00,239 Speaker 1: and it's very very strange. All right, well, well well 975 00:49:00,320 --> 00:49:02,760 Speaker 1: let's um. I'm gonna beg you for one more clip 976 00:49:02,760 --> 00:49:05,319 Speaker 1: of a song here. Okay, how about a little bit 977 00:49:05,360 --> 00:49:06,520 Speaker 1: of the song I listen to you before I go 978 00:49:06,520 --> 00:49:10,880 Speaker 1: to sleep every night. Happy man. Yeah. If I forget 979 00:49:10,880 --> 00:49:14,279 Speaker 1: the words of this and my career is over, let 980 00:49:14,280 --> 00:49:16,760 Speaker 1: me say this before you go. Yeah, that you're nominated 981 00:49:16,800 --> 00:49:19,040 Speaker 1: for ACM Entertainer of the Year. Yeah. I couldn't be 982 00:49:19,080 --> 00:49:20,840 Speaker 1: happier for you to be man, to be in that 983 00:49:21,920 --> 00:49:24,719 Speaker 1: upper upper echelon. I was with you whenever you want 984 00:49:24,800 --> 00:49:28,759 Speaker 1: Male Artist in Vegas, and I was super pumped for 985 00:49:28,800 --> 00:49:30,759 Speaker 1: you then. And I'm so excited to see you up 986 00:49:30,760 --> 00:49:32,680 Speaker 1: in that level because you deserve to be there. And 987 00:49:32,719 --> 00:49:36,000 Speaker 1: I feel like, this is just my editorial here that 988 00:49:36,320 --> 00:49:39,359 Speaker 1: because you do things differently, sometimes you get left out 989 00:49:39,400 --> 00:49:41,759 Speaker 1: of things. Yeah, and I think what got you here 990 00:49:41,840 --> 00:49:45,120 Speaker 1: is also what's keeping people from going we should include it. 991 00:49:45,200 --> 00:49:47,560 Speaker 1: So to see you actually included in the biggest and 992 00:49:47,640 --> 00:49:51,000 Speaker 1: most deserving category for you to me, I love thank you. 993 00:49:51,120 --> 00:49:53,480 Speaker 1: I'm gonna cry. I appreciate that now. This We've been 994 00:49:53,480 --> 00:49:55,160 Speaker 1: working so hard. I mean every year we get into 995 00:49:55,160 --> 00:49:57,000 Speaker 1: rehearsals and that is the goal, you know, for that 996 00:49:57,040 --> 00:49:59,000 Speaker 1: for that nomination. So it feels really good and thank you. 997 00:49:59,320 --> 00:50:02,040 Speaker 1: Thanks for being a porter. I appreciate it until you leave, 998 00:50:02,040 --> 00:50:04,319 Speaker 1: and then I'm like, all right, who's next? You know, man, 999 00:50:04,719 --> 00:50:06,719 Speaker 1: I'm just kidding. I'm totally kidding. All right, there he 1000 00:50:06,800 --> 00:50:09,200 Speaker 1: is Thomas Strett. I'll mention one more time every time 1001 00:50:09,239 --> 00:50:12,320 Speaker 1: you download or you stream blight that ray. If you 1002 00:50:12,360 --> 00:50:14,160 Speaker 1: know what I'm playing the clip underneath me here, that 1003 00:50:14,600 --> 00:50:17,839 Speaker 1: music will go toward the Music Cares Foundation to help 1004 00:50:17,880 --> 00:50:19,680 Speaker 1: a lot of the crews of bands, the artist c 1005 00:50:19,840 --> 00:50:22,120 Speaker 1: who aren't making any money right now, and Tom Shred 1006 00:50:22,160 --> 00:50:23,680 Speaker 1: gave up all of his money for writing this song 1007 00:50:23,719 --> 00:50:25,359 Speaker 1: and performing this song to make sure that they can 1008 00:50:25,560 --> 00:50:28,239 Speaker 1: afford their mortgage and groceries. And so just love you 1009 00:50:28,239 --> 00:50:30,200 Speaker 1: coming in. I always love to see you. Great to 1010 00:50:30,200 --> 00:50:32,400 Speaker 1: see him. My friend there is Thomas Wright ever read it. 1011 00:50:35,719 --> 00:50:43,320 Speaker 1: It's time for the good news. The residence of Lake Charles, 1012 00:50:43,320 --> 00:50:46,000 Speaker 1: Louisiana knew that Hurricane Laura was headed for the city. 1013 00:50:46,280 --> 00:50:49,279 Speaker 1: There was a mandatory evacuation in place, but someone had 1014 00:50:49,320 --> 00:50:52,480 Speaker 1: to protect babies. At Lake Charles Memorial Hospital for Women. 1015 00:50:52,920 --> 00:50:57,360 Speaker 1: Fourteen nurses, two nurse practitioners, three respiratory therapists stayed behind 1016 00:50:57,520 --> 00:51:00,200 Speaker 1: and watched over the nineteen babies through the storm. I 1017 00:51:00,320 --> 00:51:02,759 Speaker 1: never think about that when a storm's coming. Yeah, it's 1018 00:51:02,800 --> 00:51:05,880 Speaker 1: crazy awesome. Some of the babies were born premature somewhere 1019 00:51:05,880 --> 00:51:08,400 Speaker 1: on respirators and ventilators. There was no air conditioning. The 1020 00:51:08,440 --> 00:51:10,719 Speaker 1: water went out in the hospital through the night. One 1021 00:51:10,760 --> 00:51:13,719 Speaker 1: of the doctors posted updates about all the babies on Facebook. 1022 00:51:13,760 --> 00:51:16,480 Speaker 1: And that's just said, that's a really great thing, huh 1023 00:51:16,480 --> 00:51:18,719 Speaker 1: that they said, We're supposed to evacuate, but we're gonna 1024 00:51:18,719 --> 00:51:22,400 Speaker 1: stay with the babies. Wow wow, wow Wow. Despite it all, 1025 00:51:22,800 --> 00:51:25,640 Speaker 1: the NIKI staff kept all nineteen of the baby's safe 1026 00:51:25,640 --> 00:51:29,719 Speaker 1: through the Category four storm. How about that shout out 1027 00:51:29,760 --> 00:51:32,759 Speaker 1: to you guys. That's what it's all about. That was 1028 00:51:32,800 --> 00:51:36,400 Speaker 1: tell me something good. This guy's at the beach and 1029 00:51:37,200 --> 00:51:39,560 Speaker 1: people are like, what in the world's happening with that guy? 1030 00:51:39,600 --> 00:51:41,480 Speaker 1: There was a shark that had been into him and 1031 00:51:41,600 --> 00:51:44,239 Speaker 1: was still on and just kept biting harder and harder. 1032 00:51:45,480 --> 00:51:49,160 Speaker 1: Oh yeah, people could not believe what they were seeing. 1033 00:51:49,160 --> 00:51:51,400 Speaker 1: It's fish clung to him on the beach in Martin County, 1034 00:51:51,400 --> 00:51:52,719 Speaker 1: and every time we tried to pull it off, it 1035 00:51:52,760 --> 00:51:56,319 Speaker 1: just bit down harder. I like, feel the pain right now. 1036 00:51:56,440 --> 00:52:00,279 Speaker 1: The chilled man laughs and jokes with a gathering round. 1037 00:52:00,520 --> 00:52:02,200 Speaker 1: You know, everyde had their phones up too, like interesting, 1038 00:52:02,400 --> 00:52:04,760 Speaker 1: like crazy, like look at this, look at this putting 1039 00:52:04,760 --> 00:52:07,960 Speaker 1: the little jifs on there, shark bite jifs um. So 1040 00:52:08,040 --> 00:52:09,520 Speaker 1: here's the clip of the guy on the beach with 1041 00:52:09,600 --> 00:52:12,120 Speaker 1: a shark on his arm and he responds to someone 1042 00:52:12,160 --> 00:52:14,680 Speaker 1: asking does it hurt? Here you go, does it hurt? 1043 00:52:15,360 --> 00:52:18,920 Speaker 1: I'd buy a hard two of people were stuffing, got 1044 00:52:18,920 --> 00:52:23,040 Speaker 1: something in his wild or something? Yeah, his arm, No, yeah, 1045 00:52:23,040 --> 00:52:32,439 Speaker 1: that's syringe. Oh so that little it'll release them out. Yeah, 1046 00:52:32,440 --> 00:52:35,359 Speaker 1: it really has. The shark's like five foot long. Oh 1047 00:52:35,400 --> 00:52:37,600 Speaker 1: my gosh. And you know when you bend your arm 1048 00:52:37,719 --> 00:52:40,520 Speaker 1: inward like to make a muscle, it bit that's the 1049 00:52:40,640 --> 00:52:43,200 Speaker 1: inside part of the elbow and it's just gripping on it. 1050 00:52:43,280 --> 00:52:45,000 Speaker 1: And he's standing. He's a really buff dude too, and 1051 00:52:45,000 --> 00:52:47,440 Speaker 1: he's kind of smiling. But they couldn't get the shark 1052 00:52:47,560 --> 00:52:50,799 Speaker 1: off of them. Isn't that crazy? Can't you can't just 1053 00:52:50,880 --> 00:52:54,200 Speaker 1: like spank it, Yeah, spank it. Can't you hit him 1054 00:52:54,200 --> 00:52:56,359 Speaker 1: in the nose with the oar that happens to their 1055 00:52:56,360 --> 00:52:59,040 Speaker 1: eyes or something. So that was a crazy story. Another 1056 00:52:59,040 --> 00:53:02,000 Speaker 1: one was do you know who Octavia Spencer Rose, the actress? Yes, 1057 00:53:02,200 --> 00:53:06,800 Speaker 1: she was in The Help, She was in Hidden Figures. Yeah, 1058 00:53:07,239 --> 00:53:12,040 Speaker 1: and so she was talking about um years ago whenever 1059 00:53:12,080 --> 00:53:14,960 Speaker 1: she moved to Los Angeles. It was, you know, in 1060 00:53:15,000 --> 00:53:17,719 Speaker 1: the nineties or so. Her car broke down and so 1061 00:53:17,760 --> 00:53:19,480 Speaker 1: she's off on the side of the road. Her car 1062 00:53:19,560 --> 00:53:23,200 Speaker 1: broke down and some like motorcycle guy comes up behind her. 1063 00:53:23,239 --> 00:53:25,920 Speaker 1: You see the story. No, some motorcycle comes up behind her. 1064 00:53:25,960 --> 00:53:29,120 Speaker 1: She's like, oh great, and she was looking to have 1065 00:53:29,239 --> 00:53:30,680 Speaker 1: somebody help her. But she was like, I don't know 1066 00:53:30,760 --> 00:53:32,880 Speaker 1: because I listen if some motorcycle pulled behind me and 1067 00:53:32,920 --> 00:53:35,440 Speaker 1: all leather and black, and I'm like, I've seen enough 1068 00:53:35,480 --> 00:53:37,799 Speaker 1: TV shows and no, maybe that's bad news. And so 1069 00:53:37,880 --> 00:53:39,799 Speaker 1: she said, I had an audition. My car was broken down. 1070 00:53:39,840 --> 00:53:42,680 Speaker 1: No one would help me until this guy in a motorcycle, 1071 00:53:42,920 --> 00:53:45,319 Speaker 1: his motorcycle helmet, sunglasses, like do you need some help? 1072 00:53:45,480 --> 00:53:48,520 Speaker 1: Took it off. It was Keanu Reeves. I was about 1073 00:53:48,520 --> 00:53:51,560 Speaker 1: to say, is it him older? She goes, I kid 1074 00:53:51,600 --> 00:53:53,680 Speaker 1: you not. I was gonna have him get in and 1075 00:53:53,719 --> 00:53:55,120 Speaker 1: I was gonna push it, but he was like no, no no, no, 1076 00:53:55,160 --> 00:53:56,839 Speaker 1: I can push you. And I was thinking, oh no, no no, 1077 00:53:56,920 --> 00:53:58,880 Speaker 1: you're not touching my car, she said. In order to 1078 00:53:58,880 --> 00:54:00,680 Speaker 1: pay it back to him over the every time he 1079 00:54:00,680 --> 00:54:03,360 Speaker 1: has a movie out, she goes to the opening weekend, 1080 00:54:04,800 --> 00:54:07,440 Speaker 1: how any of these stories are out there? Like, Gano's 1081 00:54:07,440 --> 00:54:10,560 Speaker 1: a great guy. Wow, I'll be watching Bill and Ted 1082 00:54:10,600 --> 00:54:12,680 Speaker 1: on the flight today to Seattle, the new one. You 1083 00:54:12,680 --> 00:54:14,320 Speaker 1: haven't seen it at home? I have not. I cannot 1084 00:54:14,320 --> 00:54:16,160 Speaker 1: wait to hear you. You haven't seen the new one. No, 1085 00:54:16,520 --> 00:54:18,960 Speaker 1: we're watching it this weekend. Okay, she goes, I go 1086 00:54:19,000 --> 00:54:21,439 Speaker 1: to his movie every opening weekend, whatever he has, because 1087 00:54:21,440 --> 00:54:23,799 Speaker 1: that's a very sweet thing to do. And then I'll 1088 00:54:23,800 --> 00:54:25,640 Speaker 1: wrap on this. A guy in Texas proposed to his 1089 00:54:25,719 --> 00:54:28,279 Speaker 1: girlfriend and when she turned him down, he hit her 1090 00:54:28,320 --> 00:54:31,920 Speaker 1: with a bike tire. He was arrested for assault, which 1091 00:54:31,960 --> 00:54:36,080 Speaker 1: top falls his marriage proposal was turned down. Police get there. 1092 00:54:36,120 --> 00:54:38,160 Speaker 1: There's a woman a sun dress yelling for the police 1093 00:54:38,600 --> 00:54:41,280 Speaker 1: opened her. The victim had injuries to a knee, both shoulders, 1094 00:54:41,640 --> 00:54:44,160 Speaker 1: her left wrist had some blood, and she had some 1095 00:54:44,160 --> 00:54:46,160 Speaker 1: blood coming out of the corner of her mouth. She 1096 00:54:46,760 --> 00:54:48,680 Speaker 1: told them that her and this dude have been dating 1097 00:54:48,680 --> 00:54:51,040 Speaker 1: for several months. Four days earlier, she moved in with 1098 00:54:51,120 --> 00:54:53,920 Speaker 1: him and he was working on a bicycle and said, hey, 1099 00:54:53,920 --> 00:54:55,319 Speaker 1: do you want to get married? But she said no. 1100 00:54:55,800 --> 00:54:58,000 Speaker 1: He got a bicycle tire and frame and hit her 1101 00:54:58,040 --> 00:55:00,920 Speaker 1: with him. Police on him inside the house with his 1102 00:55:00,960 --> 00:55:03,319 Speaker 1: mom and said he refused to come out. All these 1103 00:55:03,360 --> 00:55:07,000 Speaker 1: things make sense, Yeah, but are you moving with someone 1104 00:55:07,360 --> 00:55:10,319 Speaker 1: you've been dating for a while? What that question could 1105 00:55:10,320 --> 00:55:13,920 Speaker 1: come at any point? Oh? The purpose? She also had 1106 00:55:13,960 --> 00:55:16,680 Speaker 1: to know he was nuts that's why she said no. No, 1107 00:55:16,719 --> 00:55:18,319 Speaker 1: but no, why do you live with him? No? No, 1108 00:55:18,360 --> 00:55:21,080 Speaker 1: I don't know. I thought the opposite of where you know, 1109 00:55:21,160 --> 00:55:23,799 Speaker 1: like the guy should know when someone's gonna say no, 1110 00:55:23,880 --> 00:55:26,200 Speaker 1: like you have an idea. If you're going to ask, 1111 00:55:26,239 --> 00:55:28,120 Speaker 1: you know they're going to say yes. There's all things 1112 00:55:28,120 --> 00:55:32,080 Speaker 1: two are both bad as crazy because crazy doesn't move 1113 00:55:32,120 --> 00:55:34,279 Speaker 1: in with not crazy or not crazy doesn't move in 1114 00:55:34,320 --> 00:55:38,040 Speaker 1: with crazy. You gotta be the same sensibilities draw people together. Okay, 1115 00:55:38,920 --> 00:55:41,279 Speaker 1: I mean that makes sense too. It has to be 1116 00:55:41,360 --> 00:55:45,960 Speaker 1: just this volatile relationship. And maybe he thought yes, I mean, 1117 00:55:46,000 --> 00:55:48,719 Speaker 1: she just moved in, but then he go hides hides 1118 00:55:48,760 --> 00:55:54,000 Speaker 1: with his mom. I love that part. All right, it's 1119 00:55:54,040 --> 00:55:57,080 Speaker 1: Labor Day weekend. Do you know what Labor Day means? Yeah, 1120 00:55:57,239 --> 00:55:59,399 Speaker 1: recognizes all the labor that we do, so it gives 1121 00:55:59,480 --> 00:56:03,080 Speaker 1: us a day off pretty much. Yeah. Labor Day paste 1122 00:56:03,120 --> 00:56:06,600 Speaker 1: tribute to the contributions and achievements of American workers and 1123 00:56:06,840 --> 00:56:10,120 Speaker 1: is traditionally observed in the first Monday in September. It's 1124 00:56:10,160 --> 00:56:14,239 Speaker 1: also the unofficial end of summer. So because we love 1125 00:56:14,480 --> 00:56:16,920 Speaker 1: hard working Americans, we're gonna do a little American trivia today, 1126 00:56:16,960 --> 00:56:19,680 Speaker 1: all right, you asked trivia to celebrate. Are you ready? 1127 00:56:19,680 --> 00:56:21,600 Speaker 1: This would be an easy US trivia, so you all 1128 00:56:21,640 --> 00:56:24,080 Speaker 1: can BM. But when you're you miss it, you're eliminated. 1129 00:56:24,440 --> 00:56:27,200 Speaker 1: It's easy, though, okay, but when it's easy, suddenly it's hard. 1130 00:56:27,360 --> 00:56:31,120 Speaker 1: But it's easy. First round, super easy. How many stars 1131 00:56:31,120 --> 00:56:36,040 Speaker 1: are on the American flag? Amy? Fifty? Right, lunchbox. How 1132 00:56:36,040 --> 00:56:41,360 Speaker 1: many original colonies were there? Oh it's the thirteen, right, Eddie. 1133 00:56:41,360 --> 00:56:47,600 Speaker 1: What city was the famous tea party? Boston? Correct? Hey, Morgan? 1134 00:56:47,960 --> 00:56:53,680 Speaker 1: Which president was responsible for freeing the slaves? Abraham Lincoln? Correct? 1135 00:56:54,520 --> 00:56:59,760 Speaker 1: Round two? Little less easy? You're pretty easy? Yeah, easy 1136 00:57:00,080 --> 00:57:03,680 Speaker 1: US trivia? Amy. In what year is America credited for 1137 00:57:03,760 --> 00:57:07,239 Speaker 1: being discovered? Oh? Boy, in the year of fourteen ninety two. 1138 00:57:07,239 --> 00:57:11,000 Speaker 1: There you go, lunchbox. Speaking of years, what important document 1139 00:57:11,080 --> 00:57:15,759 Speaker 1: was signed in seventeen seventy six? Well it has to be. 1140 00:57:17,560 --> 00:57:19,840 Speaker 1: There's only one document I know of, is the Declaration 1141 00:57:19,880 --> 00:57:24,720 Speaker 1: of Independent Correct, Eddie? Come on, which US city is 1142 00:57:24,760 --> 00:57:30,440 Speaker 1: the home to jazz music? Oh? New Orleans? Correct Morgan? 1143 00:57:30,480 --> 00:57:39,960 Speaker 1: Who seld the first American flag? This is it? Right? 1144 00:57:40,120 --> 00:57:47,880 Speaker 1: We only Erhart no pilot. Betsy Ross was the answer, 1145 00:57:48,840 --> 00:57:53,600 Speaker 1: and Morgan's eliminated. Amy over to you. What president said 1146 00:57:53,640 --> 00:57:58,560 Speaker 1: these famous words, ask not what your country can do 1147 00:57:58,640 --> 00:58:02,800 Speaker 1: for you, ask you can do for your country. JFK. Yeah, 1148 00:58:02,840 --> 00:58:08,360 Speaker 1: that's good, lunchbox. Who wrote the star Spangled banner? That's 1149 00:58:08,400 --> 00:58:13,080 Speaker 1: my Boyfriendsis Scott Key. Correct, Eddie. Who is the first 1150 00:58:13,120 --> 00:58:15,640 Speaker 1: president to live in the White House? Oh, come on, 1151 00:58:17,000 --> 00:58:19,960 Speaker 1: we've talked about this before. Think about who is the 1152 00:58:20,000 --> 00:58:23,280 Speaker 1: first president to live in the White House. I mean, 1153 00:58:23,360 --> 00:58:26,200 Speaker 1: let's go with John Adams because it wasn't ready for George. 1154 00:58:26,360 --> 00:58:29,640 Speaker 1: I think that's what we talked about. See that's correct. 1155 00:58:29,800 --> 00:58:35,240 Speaker 1: Oh yeah, I was tricking you when he does that. Yeah, yeah, yeah, Hey, Amy, 1156 00:58:35,320 --> 00:58:40,480 Speaker 1: which ocean is off the California coast Pacific? Correct? Staying 1157 00:58:40,480 --> 00:58:51,320 Speaker 1: in geography, Lunchbox, what state is Mount Rushmore located? Good? Gracious, 1158 00:58:51,400 --> 00:58:54,880 Speaker 1: were you thinking about? It's up there those states that 1159 00:58:54,920 --> 00:58:58,640 Speaker 1: no one goes to Listen, to be fair, we're on here. 1160 00:58:58,680 --> 00:59:02,720 Speaker 1: Actually Edie has gone having no I understand, but no 1161 00:59:02,760 --> 00:59:06,000 Speaker 1: one really. I want to go like it's over there 1162 00:59:06,000 --> 00:59:08,000 Speaker 1: where it's in the area where there's not a lot 1163 00:59:08,040 --> 00:59:12,040 Speaker 1: of population. And I know Chelsea from teen Mom is 1164 00:59:12,120 --> 00:59:14,440 Speaker 1: from one of these states, but I don't know which one. 1165 00:59:14,480 --> 00:59:17,600 Speaker 1: She's from Okay, say it which one? What's your answer? 1166 00:59:17,680 --> 00:59:24,680 Speaker 1: I'll go South Dakota. See he was messing. Now you 1167 00:59:24,760 --> 00:59:29,120 Speaker 1: do this. You go on. It was either North Dakota 1168 00:59:29,200 --> 00:59:33,040 Speaker 1: or I don't know, Like right out of the gate, 1169 00:59:33,080 --> 00:59:34,960 Speaker 1: be like, okay, it's either North Dakota or South Dakota. 1170 00:59:35,040 --> 00:59:39,120 Speaker 1: You're like, it's one of those states. I'm on the mic. 1171 00:59:39,160 --> 00:59:44,440 Speaker 1: I'm gonna take all my sweet time. Like, um, Eddie, 1172 00:59:45,960 --> 00:59:49,040 Speaker 1: how much time do I have? What president is on 1173 00:59:49,120 --> 00:59:54,320 Speaker 1: the twenty dollar bill? Oh? Okay, let's see. Let's just 1174 00:59:54,480 --> 00:59:56,760 Speaker 1: go down the dollar bills real quick. Um, George's on 1175 00:59:56,880 --> 01:00:01,000 Speaker 1: one of those dollars that George. It's Green Hamilton. I 1176 01:00:01,040 --> 01:00:05,760 Speaker 1: think is rectangle at George Abe Hamilton's ten. Let's go, 1177 01:00:06,000 --> 01:00:11,600 Speaker 1: um is it? Jackson? Andrew Jackson? Correct? Nice? Everybody? All right? 1178 01:00:11,600 --> 01:00:14,080 Speaker 1: They get a lot harder here. Amy. Okay, you're up first. 1179 01:00:14,920 --> 01:00:26,200 Speaker 1: And what city was the Declaration of Independence signed? H in? 1180 01:00:26,400 --> 01:00:30,720 Speaker 1: What city was the Declaration of Independence? That's also where 1181 01:00:31,280 --> 01:00:35,840 Speaker 1: the Liberty bell is? Why do I think it was signed? 1182 01:00:35,880 --> 01:00:49,160 Speaker 1: Where that bell is? That bill is? So I'm thinking Pennsylvania, Philadelphia, Philadelphia, 1183 01:00:49,240 --> 01:00:56,200 Speaker 1: pennsyl In an answer, Pennsylvania's though date so Philadelphia. Is 1184 01:00:56,200 --> 01:01:01,800 Speaker 1: that your answer? That's my answer? Correct, lunchbox. You must 1185 01:01:01,800 --> 01:01:05,680 Speaker 1: be how old to run for president? Thirty five? Correct? Eddie? 1186 01:01:05,720 --> 01:01:12,680 Speaker 1: And what state is Harvard University is in Massachusetts? Correct? Nice? 1187 01:01:13,200 --> 01:01:17,800 Speaker 1: The Statue of Liberty was a gift from what country? France? Correct? Wow, lunchbox. 1188 01:01:17,840 --> 01:01:24,800 Speaker 1: What's the smallest state in America? It's that state. There 1189 01:01:25,280 --> 01:01:27,760 Speaker 1: aren't a lot of people there because it ain't that big. 1190 01:01:27,960 --> 01:01:35,280 Speaker 1: Let's go down the fifty states. It's not Alaska or Alabama, No, Arkansas. 1191 01:01:35,480 --> 01:01:40,160 Speaker 1: B pick what's the smallest state, lunchbox, Come on, lunch 1192 01:01:40,720 --> 01:01:47,520 Speaker 1: I'll go with New Hampshire. You think he's right or not? Guys, 1193 01:01:47,640 --> 01:01:49,919 Speaker 1: I don't think we go over us all the time. 1194 01:01:49,920 --> 01:01:54,480 Speaker 1: It's like Rhode Island or yes, you already said he 1195 01:01:54,640 --> 01:01:56,919 Speaker 1: said New Hampshire. He said New Hampshire. New Hampshire isn't correct? 1196 01:01:57,000 --> 01:02:01,840 Speaker 1: What is it? What up? I forget Rhode Islands even 1197 01:02:01,840 --> 01:02:08,280 Speaker 1: a state? Eddie? What state did Pearl Harbor happen? Hawaii? Correct? Wow? 1198 01:02:08,280 --> 01:02:11,000 Speaker 1: We're down to just two people here. Amy, who was 1199 01:02:11,000 --> 01:02:16,560 Speaker 1: the first first lady Martha? Correct? Good one who wrote 1200 01:02:16,560 --> 01:02:20,560 Speaker 1: the Declaration of Independence? Eddie? Okay, here we go. Uh, 1201 01:02:22,160 --> 01:02:25,920 Speaker 1: let's go with Thomas Jefferson. Correct, Amy, who was a 1202 01:02:26,000 --> 01:02:30,880 Speaker 1: sixteenth president of the United States. Abraham Lincoln. Oh, correct, 1203 01:02:30,960 --> 01:02:33,920 Speaker 1: Why how did you get that, Eddie? Which system allows 1204 01:02:33,960 --> 01:02:36,280 Speaker 1: each branch of the US government to have its own powers? 1205 01:02:36,400 --> 01:02:42,880 Speaker 1: Here we go a branch legislative, judicial? Which system allows 1206 01:02:42,920 --> 01:02:45,400 Speaker 1: each branch of the US government to have its own powers? 1207 01:02:45,560 --> 01:02:54,640 Speaker 1: Oh gosh, the name of the system, it's the the digestion. Yeah, Eddie, 1208 01:02:54,680 --> 01:02:57,600 Speaker 1: any five seconds from you. Let's go. Let's go legislative, 1209 01:02:57,720 --> 01:03:02,240 Speaker 1: he says, the branch of legislative. Answer is separation of powers, 1210 01:03:02,280 --> 01:03:12,400 Speaker 1: which makes Amy winner. I'm proud to be an American. 1211 01:03:12,760 --> 01:03:17,360 Speaker 1: Happy Labor Day. There you go. Monday, we have a 1212 01:03:17,520 --> 01:03:21,200 Speaker 1: special of the greatest live music of twenty twenty. So 1213 01:03:21,240 --> 01:03:23,320 Speaker 1: some of it I forgot even happened because pre pandemic, 1214 01:03:23,400 --> 01:03:25,840 Speaker 1: I don remember anything. But so yeah, you check that out. 1215 01:03:25,840 --> 01:03:28,320 Speaker 1: That runs Labor Day. And then Tuesday we're back with 1216 01:03:28,440 --> 01:03:30,840 Speaker 1: Clay Walker, who's going to perform for us. So I 1217 01:03:30,920 --> 01:03:32,720 Speaker 1: love nineties countries, so that'd be fun. All right, So 1218 01:03:32,760 --> 01:03:34,680 Speaker 1: you guys have a good weekend. Bye. This see is 1219 01:03:34,720 --> 01:03:35,800 Speaker 1: the bobbed ball sho