1 00:00:00,960 --> 00:00:04,080 Speaker 1: Springtime tips and fun facts from Paul Kristen and Dexter 2 00:00:04,280 --> 00:00:06,800 Speaker 1: at Total Wine and More. Everybody who loves honey glaze 3 00:00:06,800 --> 00:00:09,399 Speaker 1: carrots a great side dish for your springtime celebration and 4 00:00:09,440 --> 00:00:12,200 Speaker 1: a delicious compliment to a sweet, bright muscato. Wine is 5 00:00:12,240 --> 00:00:14,360 Speaker 1: made in virtually every country in the world, and I'm 6 00:00:14,360 --> 00:00:16,080 Speaker 1: ready to give you a tour to find the right 7 00:00:16,120 --> 00:00:18,520 Speaker 1: one serving lamb this season. Try it with a bold 8 00:00:18,600 --> 00:00:21,800 Speaker 1: cabernet from the trendy Apostle Robles region. Whether you're hosting 9 00:00:21,920 --> 00:00:24,239 Speaker 1: or just bring the wine we love to share are 10 00:00:24,280 --> 00:00:27,880 Speaker 1: always low prices and ridiculous selection this spring at Total 11 00:00:27,880 --> 00:00:38,360 Speaker 1: Wine and More. Cheers y'all. He's a legendary queen's rapper, 12 00:00:38,479 --> 00:00:41,639 Speaker 1: Hang Segre is your boy in. He's a Miami hip 13 00:00:41,720 --> 00:00:44,080 Speaker 1: hop pioneer. What Up is d J e f N? 14 00:00:44,240 --> 00:00:46,640 Speaker 1: Together they drink it up with some of the biggest 15 00:00:46,640 --> 00:00:49,280 Speaker 1: players in music and sport. You know, I mean the 16 00:00:49,360 --> 00:00:53,720 Speaker 1: most professional, unprofessional podcast and your number one source for 17 00:00:53,840 --> 00:00:56,480 Speaker 1: drunk facts. This is Drinks chap Radi. Wh every Day 18 00:00:56,560 --> 00:01:05,640 Speaker 1: is New Year's e N? What a good beat lemon 19 00:01:05,640 --> 00:01:18,039 Speaker 1: pepper sound effects? Don't need those pets? Eddy, Yeah, What's 20 00:01:18,080 --> 00:01:21,360 Speaker 1: the one you made your face, you made what you 21 00:01:21,400 --> 00:01:24,360 Speaker 1: made the wings. Use the same hand that you picked 22 00:01:24,360 --> 00:01:33,720 Speaker 1: the dingleberries I used, I used. He uses girls because 23 00:01:33,720 --> 00:01:41,800 Speaker 1: he has smells. Use gloves. I can't vouch that's when 24 00:01:41,959 --> 00:01:49,600 Speaker 1: any of the ass here's a liability over here. He's gloves. 25 00:01:50,080 --> 00:01:55,160 Speaker 1: I'm glad they got mad antibacterial in the shop. I 26 00:01:55,200 --> 00:02:00,480 Speaker 1: don't know nobody's gonna go to the sky. Were kidding? 27 00:02:02,480 --> 00:02:07,760 Speaker 1: My food has right and he definitely cook at his 28 00:02:07,800 --> 00:02:13,079 Speaker 1: piecea with chest heads back hand. We'll see you're making 29 00:02:13,120 --> 00:02:18,200 Speaker 1: it worse. I don't do I don't do any but 30 00:02:18,280 --> 00:02:20,920 Speaker 1: the lox is on tour right, mis silly for the right? 31 00:02:20,919 --> 00:02:25,919 Speaker 1: Now hold on for I think you just damned and 32 00:02:26,240 --> 00:02:33,280 Speaker 1: Martin somebody else, come on, SMI put up, let me 33 00:02:33,280 --> 00:02:34,920 Speaker 1: purple cot damn. You should call him to see how 34 00:02:34,960 --> 00:02:41,280 Speaker 1: he's doing. Cool kiss. Don't you got some parties this 35 00:02:41,400 --> 00:02:49,320 Speaker 1: week too? Yeah? We got mo Kai say, i'm as 36 00:02:52,200 --> 00:02:58,000 Speaker 1: say they got a club big Miamis said that in 37 00:02:58,040 --> 00:03:06,640 Speaker 1: English and Miami kaik twenty collins call. So you come 38 00:03:06,680 --> 00:03:08,120 Speaker 1: see me Wednesday if you want to get drunk with 39 00:03:08,160 --> 00:03:11,720 Speaker 1: a drink chap, I'll be there. I hate some lemon 40 00:03:11,800 --> 00:03:18,239 Speaker 1: pepper a sunny Okay, your hand and you gotta dream. Yeah, 41 00:03:18,320 --> 00:03:20,840 Speaker 1: it was gonna be popping the whole week. What is it? 42 00:03:20,880 --> 00:03:28,639 Speaker 1: It's boat festival right this week? And the want when 43 00:03:28,680 --> 00:03:32,600 Speaker 1: I say what one this weekend? And it comes to 44 00:03:32,919 --> 00:03:36,920 Speaker 1: what you pull for the ticket? Good't good to go 45 00:03:37,240 --> 00:03:39,800 Speaker 1: big up here for always being on point with the 46 00:03:39,960 --> 00:03:46,280 Speaker 1: with the next endeavors. And we got to relaxed, T shirts, hoods, relaxed, 47 00:03:46,440 --> 00:03:51,680 Speaker 1: starting dot com, get your star starting dot com. I 48 00:03:51,720 --> 00:03:56,040 Speaker 1: gotta do ask you to show star rocks. Can you 49 00:03:57,080 --> 00:04:01,640 Speaker 1: don't know you asked for myself here as we scared 50 00:04:01,640 --> 00:04:08,440 Speaker 1: about what what do you mean? You you? You gotta 51 00:04:08,480 --> 00:04:11,000 Speaker 1: take the ship? They got kids your ship, but that 52 00:04:11,120 --> 00:04:15,760 Speaker 1: same picture that your I got. Let's do it. Also, 53 00:04:15,840 --> 00:04:18,240 Speaker 1: big up, big up, fat fab is gonna be out 54 00:04:18,320 --> 00:04:20,320 Speaker 1: here on Thursday, So listen. If you drink Champs on, 55 00:04:20,520 --> 00:04:23,800 Speaker 1: you drink Champs fan, attack him, attack him, make sure 56 00:04:24,920 --> 00:04:27,160 Speaker 1: he got to stop acting like a hole. He gotta 57 00:04:27,200 --> 00:04:30,440 Speaker 1: come on the show. God damn it. Yes, they gotta 58 00:04:30,480 --> 00:04:32,800 Speaker 1: come on the show. He's the best Menican rapper in 59 00:04:32,839 --> 00:04:36,600 Speaker 1: the world. We have clue here ready clues not Domnican, 60 00:04:37,040 --> 00:04:38,640 Speaker 1: but I mean, you know, yeah, we have clue on 61 00:04:38,720 --> 00:04:41,640 Speaker 1: hit Fab. Come on, please clu you won't kiss be 62 00:04:41,720 --> 00:04:44,479 Speaker 1: here Thursday? Yeah, you don't kiss gonna be here Thursday? 63 00:04:44,520 --> 00:04:51,680 Speaker 1: Come on street param straight. I didn't know that ship. 64 00:04:53,480 --> 00:04:56,440 Speaker 1: So if you see Fab, Drink Champs, Army online wherever 65 00:04:56,520 --> 00:04:58,719 Speaker 1: it's that, hit him up. Also want to pick up 66 00:04:58,720 --> 00:05:01,400 Speaker 1: before we get about of here. Um, I think this 67 00:05:01,600 --> 00:05:05,320 Speaker 1: artist is phenomenal and I think I haven't got a 68 00:05:05,400 --> 00:05:08,200 Speaker 1: chance to listen to either album, but the fact that 69 00:05:09,080 --> 00:05:12,240 Speaker 1: in this day and time artists dropped the album back 70 00:05:12,360 --> 00:05:16,200 Speaker 1: to back. First off, he got all the young generation 71 00:05:16,320 --> 00:05:20,280 Speaker 1: going crazy. I do think the kid is I think 72 00:05:20,320 --> 00:05:23,600 Speaker 1: the kid is phenomenal. Um, I gotta big enough for 73 00:05:23,680 --> 00:05:25,560 Speaker 1: future man. You know what I'm saying, what's the first 74 00:05:25,600 --> 00:05:31,640 Speaker 1: album name? And the second one is the name hands Future. 75 00:05:37,360 --> 00:05:39,560 Speaker 1: They're saying the third one is not. They're saying that 76 00:05:39,680 --> 00:05:45,560 Speaker 1: that's a room. We can't comply confirm if that's but 77 00:05:45,760 --> 00:05:48,599 Speaker 1: if that would that be ill because he actually because 78 00:05:48,640 --> 00:05:50,599 Speaker 1: you know, by dropping him back to back, you actually 79 00:05:51,600 --> 00:05:54,440 Speaker 1: you know you can challenge DMX is what he did. 80 00:05:54,480 --> 00:05:56,560 Speaker 1: You challenge with Drake did with the back of the back. 81 00:05:56,839 --> 00:06:00,080 Speaker 1: But nobody has never dropped three out. But that's that 82 00:06:00,120 --> 00:06:02,320 Speaker 1: would be crazy if he did, and I already just 83 00:06:02,440 --> 00:06:05,200 Speaker 1: works crazy, so that that would be the first time 84 00:06:05,240 --> 00:06:09,680 Speaker 1: in hip hop history. And he's taking pictures with Nick 85 00:06:09,760 --> 00:06:12,839 Speaker 1: and you're taking pictures with Nikki. They look like they're 86 00:06:12,839 --> 00:06:15,240 Speaker 1: out of video set right now. Might be the one. 87 00:06:18,920 --> 00:06:21,800 Speaker 1: I don't think. I don't think. I don't think. I 88 00:06:21,880 --> 00:06:25,720 Speaker 1: don't think Future could lend any type of bars to 89 00:06:26,400 --> 00:06:29,600 Speaker 1: Nikki right now. It wouldn't. It wouldn't make sense. You 90 00:06:29,720 --> 00:06:33,719 Speaker 1: need you need a back to back. You need Drake's influence, 91 00:06:33,880 --> 00:06:42,760 Speaker 1: you need a Wheezy's influence. You need to get the kid. 92 00:06:43,360 --> 00:06:46,520 Speaker 1: That's how they're respectful. You need the g Yeah, that 93 00:06:46,560 --> 00:06:51,000 Speaker 1: was just a bat to young men influence young Metro's 94 00:06:51,080 --> 00:06:53,560 Speaker 1: just beat. That's just the beat. Yeah, you need you 95 00:06:53,680 --> 00:06:59,600 Speaker 1: need flows and bars. That was then get me the kid, 96 00:07:00,240 --> 00:07:02,120 Speaker 1: Gilly the kid, that's what That's what you need. You 97 00:07:02,200 --> 00:07:07,080 Speaker 1: need all that Gilly the Kid was disrespectful, ship word 98 00:07:08,920 --> 00:07:15,000 Speaker 1: influence delivering. I mean, when it comes to this, it 99 00:07:15,120 --> 00:07:18,040 Speaker 1: doesn't matter, and it just gotta be bars and it 100 00:07:18,160 --> 00:07:20,880 Speaker 1: gotta be a hit. It's like the one thing that 101 00:07:21,040 --> 00:07:23,720 Speaker 1: Drake says, the one thing that Drake said that touched 102 00:07:23,800 --> 00:07:26,680 Speaker 1: me he did a sim text interview. You gotta check 103 00:07:26,760 --> 00:07:30,800 Speaker 1: this out. They got names DJ sim Tex. You don't 104 00:07:30,800 --> 00:07:46,040 Speaker 1: want to google that just He's like, you sound let us, 105 00:07:48,720 --> 00:07:50,640 Speaker 1: But yeah, I believe in sim texts. And he said 106 00:07:51,320 --> 00:07:55,960 Speaker 1: he purposely made this record so it would make you're 107 00:07:56,000 --> 00:07:58,440 Speaker 1: uncomfortable when you go to the club because the DJ 108 00:07:58,640 --> 00:08:01,760 Speaker 1: is gonna feel Matt bad that you're in the club 109 00:08:01,800 --> 00:08:04,720 Speaker 1: because he can't play this record and it's the hottest writer. 110 00:08:04,760 --> 00:08:07,320 Speaker 1: And I thought that was just genius. First of all, 111 00:08:07,920 --> 00:08:10,400 Speaker 1: I heard Drink is a fan of Drink Champ. He 112 00:08:10,480 --> 00:08:13,760 Speaker 1: just said he'll never do it because it's like a 113 00:08:13,840 --> 00:08:16,440 Speaker 1: person of not being in control. And I respect the 114 00:08:16,440 --> 00:08:20,000 Speaker 1: ship out of that. But that was ill like because 115 00:08:20,040 --> 00:08:23,000 Speaker 1: he's so because he got got interviewed by a guy, 116 00:08:23,080 --> 00:08:26,000 Speaker 1: but it's on his show, it's on Obio sud. I 117 00:08:26,040 --> 00:08:27,640 Speaker 1: think that's kind of a DoPT like. So now when 118 00:08:27,680 --> 00:08:29,400 Speaker 1: the person interview me, Yeah, but it's gonna be a 119 00:08:29,480 --> 00:08:32,800 Speaker 1: Drink Champ, that's all. That's all I gotta be. I 120 00:08:32,840 --> 00:08:35,240 Speaker 1: gotta get Drake back all right, so I can start 121 00:08:35,320 --> 00:08:37,719 Speaker 1: doing it like that. But back to the interview, he 122 00:08:37,880 --> 00:08:43,120 Speaker 1: said he strategically said he did this records catered for 123 00:08:43,320 --> 00:08:46,400 Speaker 1: the club. So every time you're on the club, if 124 00:08:46,440 --> 00:08:49,679 Speaker 1: the DJs I have enough heart to play it, you're 125 00:08:49,679 --> 00:08:53,800 Speaker 1: gonna feel miserable the whole night. And that's crazy. It's 126 00:08:53,800 --> 00:08:57,040 Speaker 1: the Simtex sim Tex. I'm one point. I'm one point. 127 00:08:57,040 --> 00:09:00,600 Speaker 1: I checked out this drink interview. Yeah, I checked it out. 128 00:09:00,600 --> 00:09:04,000 Speaker 1: Everybody was talking about it and he spoke direct about 129 00:09:04,080 --> 00:09:07,240 Speaker 1: him meet for Meek and Star. This is yeah. This 130 00:09:07,400 --> 00:09:10,040 Speaker 1: last week. Last week, I'll be trying to trying to 131 00:09:10,080 --> 00:09:11,640 Speaker 1: be on point, trying to act like I'm trying to 132 00:09:11,679 --> 00:09:13,520 Speaker 1: do my job. I'm trying at least I'm act like 133 00:09:13,600 --> 00:09:19,280 Speaker 1: it better trunk, better job than Trump. Alter the facts, 134 00:09:21,640 --> 00:09:27,079 Speaker 1: alter the fact you had fun to last night. We 135 00:09:27,160 --> 00:09:29,959 Speaker 1: had fun at He tried to hit me today to 136 00:09:30,040 --> 00:09:33,640 Speaker 1: hang out. I could not do it at six hours around? 137 00:09:33,679 --> 00:09:37,080 Speaker 1: Did he did? I gotta. He's still going like they 138 00:09:37,120 --> 00:09:40,439 Speaker 1: don't sleep like and it's crazy because it's like the 139 00:09:40,520 --> 00:09:44,439 Speaker 1: food was crazy when I'm around around him, and it's 140 00:09:44,480 --> 00:09:47,000 Speaker 1: like it's what I want to be in life though, 141 00:09:47,080 --> 00:09:50,320 Speaker 1: Like I want to be drunk, have my friends around, 142 00:09:50,960 --> 00:09:56,000 Speaker 1: have mad food everybody, and then shell handling business. The 143 00:09:56,040 --> 00:09:58,520 Speaker 1: guy was still handling business like he tryed to talk 144 00:09:58,640 --> 00:10:02,520 Speaker 1: to me about deal like that's the day. It's so 145 00:10:02,720 --> 00:10:07,280 Speaker 1: fool Sunday let me were like, and I was like, yo, 146 00:10:07,360 --> 00:10:09,160 Speaker 1: you know what I'm doing. I'm I'm doing something with 147 00:10:09,240 --> 00:10:10,920 Speaker 1: this other company. He was like, let me throw my 148 00:10:11,040 --> 00:10:12,599 Speaker 1: hat in the ring. I said, you don't even have that, 149 00:10:13,960 --> 00:10:15,720 Speaker 1: like I just gonna tell you. But it was dope 150 00:10:15,760 --> 00:10:18,880 Speaker 1: because he's trying, like he he offered like anything you need, 151 00:10:19,320 --> 00:10:21,280 Speaker 1: you know you guys like all this ship and I 152 00:10:21,520 --> 00:10:23,240 Speaker 1: just wasn't ready for that, you know what I'm saying. 153 00:10:23,280 --> 00:10:24,760 Speaker 1: I was just like, damn, you know, because I don't 154 00:10:24,800 --> 00:10:27,640 Speaker 1: look at people in the industry like that, like no more. 155 00:10:27,679 --> 00:10:29,480 Speaker 1: I don't look at people like you know, they just 156 00:10:29,679 --> 00:10:32,800 Speaker 1: might be just trying to help, like and you know, 157 00:10:32,880 --> 00:10:36,040 Speaker 1: I've just been so disappointed that when like you hear 158 00:10:36,120 --> 00:10:37,959 Speaker 1: somebody like yo, it's not just this, but I want 159 00:10:38,000 --> 00:10:40,280 Speaker 1: to help him with this and this, and I'm like 160 00:10:41,040 --> 00:10:43,000 Speaker 1: I'm looking at him first, like, oh, is he drunk? 161 00:10:44,600 --> 00:10:47,320 Speaker 1: Oh he means this ship? And I'm like, all right, cool, 162 00:10:47,320 --> 00:10:49,480 Speaker 1: didn't he And when I felt like he was meaning 163 00:10:49,559 --> 00:10:51,480 Speaker 1: it and guy, and I was like damn, Like it 164 00:10:51,600 --> 00:10:54,160 Speaker 1: was fucked up to me because I lost all faith 165 00:10:54,240 --> 00:10:56,480 Speaker 1: in this industry, like I'm just like everybody's faking, that's 166 00:10:56,559 --> 00:10:59,440 Speaker 1: really it. And then you see somebody saying, yo, man, 167 00:10:59,520 --> 00:11:02,120 Speaker 1: look help with this. And if you went on like 168 00:11:02,480 --> 00:11:04,199 Speaker 1: like damn, I had to realize, like you know what 169 00:11:04,880 --> 00:11:10,680 Speaker 1: sh let me let in the industry? What is the haitian? 170 00:11:11,080 --> 00:11:12,840 Speaker 1: I don't know what are you talking about? Because real 171 00:11:12,920 --> 00:11:20,000 Speaker 1: fact drinking for us? Talk to him? How do you house? 172 00:11:20,320 --> 00:11:24,080 Speaker 1: Because then it sounds just great. I ain't the best chicken. 173 00:11:24,160 --> 00:11:30,080 Speaker 1: I ain't the best sad well, they told the security 174 00:11:32,000 --> 00:11:34,760 Speaker 1: they didn't leave me in. They didn't let me in. 175 00:11:34,920 --> 00:11:43,160 Speaker 1: Like took some I took a full Yeah good, I 176 00:11:43,320 --> 00:11:49,319 Speaker 1: never got mad an. Whatever's f I ain't one time black, 177 00:11:49,800 --> 00:11:54,640 Speaker 1: but can't be doing chicken in front of me play 178 00:11:56,960 --> 00:12:04,679 Speaker 1: you know, Macaroni and college don't see what took. We 179 00:12:05,040 --> 00:12:10,439 Speaker 1: were the only guys that took something. Yea. By the way, 180 00:12:10,679 --> 00:12:15,160 Speaker 1: the only way we have botow wasted as well. Oh, 181 00:12:15,240 --> 00:12:18,959 Speaker 1: everybody was we had, we had, we had Monica though 182 00:12:19,240 --> 00:12:25,520 Speaker 1: it's a lot of good. Everybody was like likes and 183 00:12:26,120 --> 00:12:35,640 Speaker 1: we just sell you something. Cham I said, yo, he said, 184 00:12:35,679 --> 00:12:37,520 Speaker 1: you see the beat battle he said, yo. Then let's 185 00:12:37,520 --> 00:12:39,280 Speaker 1: start from the drink chance. I was like, yeah, he's like, 186 00:12:39,480 --> 00:12:41,719 Speaker 1: because you know, Switzerland told me that we should we 187 00:12:41,720 --> 00:12:43,640 Speaker 1: should have came, and I was like, yo, I have 188 00:12:43,800 --> 00:12:46,880 Speaker 1: the jet. You know what I'm saying. I like you 189 00:12:47,000 --> 00:12:54,520 Speaker 1: shout like that if it's a this thing and you 190 00:12:54,640 --> 00:12:58,559 Speaker 1: got the jet, we could just fly in. Yeah that's dope. 191 00:12:58,640 --> 00:13:02,040 Speaker 1: Like I'm in like like he's like, but he actually 192 00:13:02,160 --> 00:13:04,080 Speaker 1: suggested that. So that's I thought that was dope too. 193 00:13:06,920 --> 00:13:14,880 Speaker 1: That would always called my company is text me said 194 00:13:14,920 --> 00:13:20,559 Speaker 1: he can't right now? All right, foul, but what could 195 00:13:20,559 --> 00:13:22,920 Speaker 1: you be doing right now? It's more important than Drake Champs. 196 00:13:28,640 --> 00:13:30,920 Speaker 1: It would have been dope to his perspective on because 197 00:13:30,920 --> 00:13:33,079 Speaker 1: he's been in part of a classic rap battle. I 198 00:13:33,200 --> 00:13:35,559 Speaker 1: think um ji Rous mistake in his Battle of fifty 199 00:13:35,679 --> 00:13:38,760 Speaker 1: was he waited too long to respond. I think it 200 00:13:38,880 --> 00:13:40,680 Speaker 1: was like three years late. You know what I'm saying. 201 00:13:41,240 --> 00:13:43,040 Speaker 1: You know that's my brother, you know what I mean. 202 00:13:44,000 --> 00:13:46,120 Speaker 1: Lived next door to him, live in the same block 203 00:13:46,520 --> 00:13:49,719 Speaker 1: almost ten years together. So but I think that was 204 00:13:49,800 --> 00:13:52,520 Speaker 1: his mistake, waiting too long. And that's what I don't mean, 205 00:13:52,840 --> 00:13:55,600 Speaker 1: why would you want to give See this thing about 206 00:13:55,679 --> 00:13:59,160 Speaker 1: the nicky thing is for every tricky because she's like, 207 00:13:59,320 --> 00:14:04,920 Speaker 1: right now, she's that they see Walmart dropped her clothes. Yeah, 208 00:14:05,080 --> 00:14:07,120 Speaker 1: because her clothes wasn't doing good. But I think they 209 00:14:07,240 --> 00:14:09,640 Speaker 1: was doing that before the battle. But that's what happens 210 00:14:10,160 --> 00:14:14,280 Speaker 1: when this battle. What happens is the person the people 211 00:14:14,320 --> 00:14:16,880 Speaker 1: who sponsoring you, was looking at you like they already 212 00:14:17,040 --> 00:14:21,400 Speaker 1: overpaying you because we're us being sponsored by anybody. They 213 00:14:21,480 --> 00:14:24,720 Speaker 1: overpaid because we're from the hood. You ain't supposed to 214 00:14:24,720 --> 00:14:31,880 Speaker 1: be sponsored by nobody but Johnson and Johnson's. So yeah, 215 00:14:31,960 --> 00:14:34,360 Speaker 1: you know, you gotta just gonna make up ship sometimes relaxed. 216 00:14:34,920 --> 00:14:40,400 Speaker 1: So what I'm thinking that she wait too long, She 217 00:14:40,600 --> 00:14:45,960 Speaker 1: don't respond. It's not it's not smart. It's not smart 218 00:14:46,080 --> 00:14:51,880 Speaker 1: because you gotta always maintain your artists integrity you always got. 219 00:14:52,240 --> 00:14:59,720 Speaker 1: Then goes the key word didn't come back. She does. 220 00:15:00,040 --> 00:15:06,240 Speaker 1: She changes her accent like jay Z Kanye the most 221 00:15:11,120 --> 00:15:16,000 Speaker 1: up mother, bucket mall stuff. But if she don't Geez Louise, 222 00:15:16,160 --> 00:15:32,040 Speaker 1: Papa cheese, what do you guys think? Exactly? Welcome to 223 00:15:32,160 --> 00:15:36,160 Speaker 1: play a new podcast network featuring radio and TV personalities, 224 00:15:36,240 --> 00:15:40,080 Speaker 1: talking business, sports, tech, entertainment, and more. Play it at 225 00:15:40,160 --> 00:15:44,760 Speaker 1: play dot It. We're back to drink Champs Radio with 226 00:15:45,000 --> 00:15:51,720 Speaker 1: Rapper and R and d Jes then so hip hop fans, 227 00:15:52,160 --> 00:15:55,400 Speaker 1: we just uh, we just got the idea. We're getting 228 00:15:55,440 --> 00:15:59,800 Speaker 1: a trap phone so the fans can actually call in 229 00:16:00,080 --> 00:16:03,520 Speaker 1: live now when we start to be called these shows. 230 00:16:04,120 --> 00:16:08,360 Speaker 1: So we're gonna we're announcing they're here, right, and we're 231 00:16:08,360 --> 00:16:11,000 Speaker 1: gonna give the trap phone somebody every week every week. 232 00:16:11,280 --> 00:16:13,240 Speaker 1: So one week it will be sunny, it'll being sunny, 233 00:16:13,760 --> 00:16:17,080 Speaker 1: the next week it will be in um Eddie's ask 234 00:16:21,400 --> 00:16:24,480 Speaker 1: us on them. Every week somebody in the crew will 235 00:16:24,480 --> 00:16:27,400 Speaker 1: have the phone. But we're gonna do that for the 236 00:16:27,480 --> 00:16:29,160 Speaker 1: fans so you guys can interact with us. We know, 237 00:16:29,680 --> 00:16:30,960 Speaker 1: we know there's a lot of people that have been 238 00:16:30,960 --> 00:16:32,840 Speaker 1: asking us about the live shows. But you know, some 239 00:16:32,960 --> 00:16:34,880 Speaker 1: of you guys are maniacs. We can't just be here. 240 00:16:35,280 --> 00:16:40,760 Speaker 1: We just can't be around. Hold you somebody maniacs and 241 00:16:40,840 --> 00:16:46,400 Speaker 1: whatever you right. I loved Transpans, but it's scary that 242 00:16:47,440 --> 00:16:50,800 Speaker 1: be a little crazy and somebody like we started a 243 00:16:50,880 --> 00:16:54,360 Speaker 1: conversation with me, nobody, you don't ever say hi, just 244 00:16:54,440 --> 00:17:00,960 Speaker 1: like your dorms like sticking talking to be like dirty 245 00:17:01,040 --> 00:17:06,760 Speaker 1: right together a t They were like, look and they 246 00:17:06,800 --> 00:17:09,800 Speaker 1: understand about my fans is like they just start talking 247 00:17:09,840 --> 00:17:11,960 Speaker 1: to me like they don't induce they're just like yo, 248 00:17:12,080 --> 00:17:14,720 Speaker 1: the room. You remember that time, like what like I've 249 00:17:14,760 --> 00:17:16,800 Speaker 1: never met this guy in my life. I had a 250 00:17:16,840 --> 00:17:22,760 Speaker 1: lot of girls out hit me for Mr. Lee was interesting. 251 00:17:29,800 --> 00:17:33,239 Speaker 1: I remember, I don't share what talking what they hit 252 00:17:33,320 --> 00:17:35,679 Speaker 1: me for you, but I never gave you the message 253 00:17:35,720 --> 00:17:38,600 Speaker 1: and I just didn't about ain't get a message. You're 254 00:17:38,600 --> 00:17:42,720 Speaker 1: about the head to see what's wrong with ring over 255 00:17:42,800 --> 00:17:49,639 Speaker 1: if they roll them with shut fisty finding rolls great 256 00:17:49,680 --> 00:17:54,640 Speaker 1: hand take very somebody's calling that bust the rhymes called 257 00:17:54,720 --> 00:17:59,119 Speaker 1: my bad. Let's see if we get get an animated 258 00:18:00,280 --> 00:18:04,000 Speaker 1: on the big Mr Lee for the beef that the boss? 259 00:18:05,520 --> 00:18:08,639 Speaker 1: I mean, ain't nothing going? What's the buss lost? Like 260 00:18:08,720 --> 00:18:16,080 Speaker 1: thy seven pounds? Oh ship? What did they racist the beef? 261 00:18:17,560 --> 00:18:21,680 Speaker 1: Why ain't going to follow? Anxiety just thinking, Oh he 262 00:18:21,800 --> 00:18:32,240 Speaker 1: does no good, Anxiety says, And he used to cook 263 00:18:32,320 --> 00:18:36,920 Speaker 1: chicken with hair like it's a fact at the crib feathers. 264 00:18:38,119 --> 00:18:40,920 Speaker 1: It's fine. You always asked me to come. No, I 265 00:18:41,040 --> 00:18:46,399 Speaker 1: like it? You like the hair, hary? What your thoughts like? 266 00:18:46,560 --> 00:18:53,400 Speaker 1: Joking like I'm that serious? Requested it like leading anything. Feather, 267 00:18:53,480 --> 00:18:59,560 Speaker 1: it's a feather. I'm his hair and said I like 268 00:18:59,720 --> 00:19:08,680 Speaker 1: it pepper and it's a good pep, it's a good 269 00:19:09,200 --> 00:19:22,240 Speaker 1: That picture was slam What Pi pi pi pilin no idea? 270 00:19:22,320 --> 00:19:26,800 Speaker 1: What the body you think of futures? Though I don't 271 00:19:26,840 --> 00:19:37,200 Speaker 1: understand nothings understand the future around one that drink lean. 272 00:19:37,520 --> 00:19:41,080 Speaker 1: He understands anything. He'll breaking anything down. Just what you're 273 00:19:41,080 --> 00:19:43,960 Speaker 1: talking about ship, But I gonna lie. The future has 274 00:19:44,040 --> 00:19:50,159 Speaker 1: to be special. I don't think he's what. I don't special. 275 00:19:50,320 --> 00:19:53,240 Speaker 1: I don't I don't get the job like I was 276 00:19:54,960 --> 00:20:04,960 Speaker 1: wrong and yellow God turned out. The talk resource runs waiting. 277 00:20:05,000 --> 00:20:14,400 Speaker 1: I ain't yellow brother guy side, but you're like features work. 278 00:20:14,440 --> 00:20:17,159 Speaker 1: You're like his work ethic. I like bothe man, you 279 00:20:17,280 --> 00:20:21,400 Speaker 1: know what, I gotta gotta gotta tell you something, Man, 280 00:20:23,720 --> 00:20:27,120 Speaker 1: some of these guys show your age. Like if you're 281 00:20:27,160 --> 00:20:31,280 Speaker 1: older and you don't like bad and boogie's just old man. 282 00:20:31,640 --> 00:20:35,600 Speaker 1: It's you. It's you. But why But why you say 283 00:20:35,880 --> 00:20:38,400 Speaker 1: because that's why you don't like it, because that's your 284 00:20:38,440 --> 00:20:42,320 Speaker 1: old I can't understand what you're saying. But what we're talking, 285 00:20:42,680 --> 00:20:45,320 Speaker 1: we're talking about rhyme and we can't us, come over 286 00:20:45,359 --> 00:20:51,600 Speaker 1: here us. Your breath is you. We came from the 287 00:20:51,720 --> 00:20:55,960 Speaker 1: error of rhymen, right right, the normal fun that this 288 00:20:56,080 --> 00:20:59,680 Speaker 1: is what hip hop is. Hip hop? Hip hop is vinal. 289 00:20:59,760 --> 00:21:01,960 Speaker 1: But you're gonna tell me that pass goes to a 290 00:21:02,000 --> 00:21:08,760 Speaker 1: show he calls out of you going technically both Ryan, 291 00:21:08,920 --> 00:21:11,159 Speaker 1: you know I got that right? You fight this one, 292 00:21:12,000 --> 00:21:20,040 Speaker 1: am I right right my own room. No technology is different. Ran. 293 00:21:21,320 --> 00:21:23,000 Speaker 1: If you're not an m C like a real m C, 294 00:21:23,200 --> 00:21:25,440 Speaker 1: you whack. I don't give a fuck. It doesn't matter. 295 00:21:25,520 --> 00:21:31,520 Speaker 1: All the older young that's money. Most reales a bro obviously, 296 00:21:32,000 --> 00:21:37,800 Speaker 1: and that's up though not really. You choose your life. 297 00:21:37,960 --> 00:21:41,000 Speaker 1: You struggle. You choose your life. Is a realm see 298 00:21:41,040 --> 00:21:45,480 Speaker 1: to me? But but he's not. He's not Brook most 299 00:21:46,880 --> 00:21:51,280 Speaker 1: certain people wouldn't you give more respect to those that rhyme? Right? 300 00:21:51,400 --> 00:21:59,159 Speaker 1: I just think the business they I don't care generation. 301 00:21:59,640 --> 00:22:02,200 Speaker 1: I got mean body that is, I don't go to 302 00:22:02,320 --> 00:22:04,000 Speaker 1: the club and want to here hate me now. I'll 303 00:22:04,000 --> 00:22:05,359 Speaker 1: go to the club and want to hand bad and 304 00:22:05,400 --> 00:22:07,320 Speaker 1: bulls and girls to go to the club and when 305 00:22:07,440 --> 00:22:09,040 Speaker 1: you're drunk, you want to do that ship I want 306 00:22:09,080 --> 00:22:10,960 Speaker 1: to head and a new ship. I want to hear 307 00:22:11,280 --> 00:22:16,720 Speaker 1: it was bring on my phone, baby, and it's so 308 00:22:16,920 --> 00:22:20,240 Speaker 1: good when you're drunk, when you want so what you 309 00:22:20,400 --> 00:22:23,200 Speaker 1: got that in your home? Yeah? So what I'm trying 310 00:22:23,200 --> 00:22:24,720 Speaker 1: to tell you. I tell you keep talking to the 311 00:22:24,760 --> 00:22:29,840 Speaker 1: wrong even respect and making money. Let me tell you. 312 00:22:30,119 --> 00:22:33,240 Speaker 1: Let me tell you respect. Taking money will tell you something. 313 00:22:33,280 --> 00:22:37,600 Speaker 1: I tell you. But they're not with hips, they're not lyricist, 314 00:22:37,840 --> 00:22:40,840 Speaker 1: they're not. But it's your new and I remember i'd 315 00:22:40,880 --> 00:22:43,240 Speaker 1: be you, and I remember that he was telling me. 316 00:22:43,720 --> 00:22:46,880 Speaker 1: I'm not hiding. Who told you what you said? See? 317 00:22:47,200 --> 00:22:51,520 Speaker 1: He wasn't hippop random man? Was this seeing in Oklahoma? No? 318 00:22:51,680 --> 00:22:55,280 Speaker 1: Seeing this album wasn't coming Maria. That was the media 319 00:22:55,359 --> 00:22:59,840 Speaker 1: told you that that was media hip hop? And hell 320 00:23:00,200 --> 00:23:02,600 Speaker 1: was oh the gods in I don't even want to 321 00:23:02,600 --> 00:23:07,720 Speaker 1: say they name. Yeah they were, baby, don't take it 322 00:23:07,720 --> 00:23:10,639 Speaker 1: away with we were told because you made money that 323 00:23:10,760 --> 00:23:13,440 Speaker 1: they couldn't make at that time. And the timing maybe, 324 00:23:13,760 --> 00:23:16,280 Speaker 1: but anyway, you can't say your hip hop. You want 325 00:23:16,320 --> 00:23:19,040 Speaker 1: the club. And they played a joint, the new joint, 326 00:23:19,560 --> 00:23:22,399 Speaker 1: and it gets go crazy. You don't love it. If 327 00:23:22,440 --> 00:23:24,800 Speaker 1: I'm drunk, I don't give a full come on, it's 328 00:23:26,000 --> 00:23:39,480 Speaker 1: you keep it on honey hip hoping. By the way, 329 00:23:39,520 --> 00:23:41,720 Speaker 1: I'm not even saying you're wrong. I'm just telling you 330 00:23:41,960 --> 00:23:45,280 Speaker 1: that me, I enjoyed the new ship because I understand 331 00:23:45,359 --> 00:23:48,720 Speaker 1: what's being missed. School like to me, ain't knowing this. 332 00:23:49,000 --> 00:23:55,280 Speaker 1: Nobody has a better flow than young thug out right now, Davies. Yeah, 333 00:23:55,440 --> 00:23:57,560 Speaker 1: better you not listening to me, Grant, you're not listen 334 00:23:57,600 --> 00:24:02,439 Speaker 1: to you. You listen, You listen to what I said flow. 335 00:24:03,359 --> 00:24:06,680 Speaker 1: He's saying you all the tunes and don't go on 336 00:24:06,840 --> 00:24:11,399 Speaker 1: the same ship. You want hats, we gotta study. Right 337 00:24:11,720 --> 00:24:14,360 Speaker 1: to me, you know I got him. You're not supposed 338 00:24:14,359 --> 00:24:17,359 Speaker 1: to happen, and then you put it. I don't want 339 00:24:17,400 --> 00:24:19,560 Speaker 1: to do this. I'm like, I'm gonna make these niggers try. 340 00:24:21,400 --> 00:24:25,080 Speaker 1: You're a rap. I'm gonna make that niggs cry, learn 341 00:24:25,240 --> 00:24:29,159 Speaker 1: to rap and then come back good. So let's make 342 00:24:29,240 --> 00:24:34,880 Speaker 1: the boy. Yeah. I love nipp and I love the whole. 343 00:24:34,920 --> 00:24:37,160 Speaker 1: I love all the elements and half for you, half 344 00:24:37,160 --> 00:24:39,320 Speaker 1: for your young niggers don't even know what the elements all. 345 00:24:39,359 --> 00:24:40,920 Speaker 1: But I don't think that's right either day. You're just 346 00:24:40,960 --> 00:24:47,880 Speaker 1: going But it's true, Listen, It's true. Depends who you're 347 00:24:47,880 --> 00:24:51,840 Speaker 1: talking to I said, I just say, I don't know 348 00:24:51,840 --> 00:24:53,479 Speaker 1: all the hell I said a lot. I'm gonna tell 349 00:24:53,520 --> 00:24:57,320 Speaker 1: you this. I'm gonna tell you this. It's culture. I've 350 00:24:57,359 --> 00:25:02,200 Speaker 1: then this business and I looked to it making money coach, 351 00:25:02,320 --> 00:25:04,560 Speaker 1: but at least respect the coach. But the whole thing 352 00:25:05,000 --> 00:25:07,280 Speaker 1: making money, don't respect the coach. Where I got the 353 00:25:07,320 --> 00:25:16,200 Speaker 1: money makes it Bill get it rich like that, the 354 00:25:16,320 --> 00:25:20,480 Speaker 1: whole coaches can't turned around. When hip hop became a hustle, 355 00:25:20,680 --> 00:25:23,320 Speaker 1: it's a business. It's a business. When it became a hustle, 356 00:25:23,800 --> 00:25:28,920 Speaker 1: when everything chill, that means because the hustle. Actually back 357 00:25:28,960 --> 00:25:31,040 Speaker 1: in the day, you had dope boys. They want to rap. 358 00:25:31,359 --> 00:25:35,359 Speaker 1: They gave money to the now, but now you don't boys. 359 00:25:36,440 --> 00:25:40,760 Speaker 1: The money I feel like has changed that because it 360 00:25:41,280 --> 00:25:45,359 Speaker 1: like the baby and the cash money, it became a 361 00:25:45,480 --> 00:25:47,720 Speaker 1: hustle when these kids were seeing how much money and 362 00:25:47,840 --> 00:25:53,040 Speaker 1: vote He's talking about you gotta roll with the time. 363 00:25:54,520 --> 00:25:56,280 Speaker 1: You know what. I don't agree with that either, because 364 00:25:56,400 --> 00:26:00,040 Speaker 1: it's it's smart business and smart I'm talking about you 365 00:26:00,119 --> 00:26:03,680 Speaker 1: brought the babies just dope as help. I said, flows say, 366 00:26:03,760 --> 00:26:08,680 Speaker 1: lyrics talk out. You're talking about younger what you would 367 00:26:08,680 --> 00:26:10,920 Speaker 1: call her undergo rapper. Now the commercial rapper. You say, 368 00:26:11,920 --> 00:26:15,160 Speaker 1: he's talking about your he's making music radio all mother 369 00:26:15,160 --> 00:26:18,560 Speaker 1: pople say, we're spps to make you p Let me 370 00:26:18,600 --> 00:26:22,000 Speaker 1: just tell yourself. Let me just tell yourself. Not every 371 00:26:23,160 --> 00:26:26,800 Speaker 1: it sounded like my father when I was younger, sounds 372 00:26:26,800 --> 00:26:31,880 Speaker 1: like exactly. I don't sound like you say I'm gonna 373 00:26:32,720 --> 00:26:36,439 Speaker 1: say I'm gonna fight and say that's bullshit because they 374 00:26:36,440 --> 00:26:38,840 Speaker 1: didn't have him ho hop, so you would leave that 375 00:26:40,040 --> 00:26:42,240 Speaker 1: to be the armies such yet because they didn't have 376 00:26:42,480 --> 00:26:46,520 Speaker 1: him or the day conversations. That's what he's saying is 377 00:26:46,560 --> 00:26:48,719 Speaker 1: it's the music hasn't changed, man, it's I think we're 378 00:26:48,760 --> 00:26:51,480 Speaker 1: invading the kids. Ain't way fucking wold up head now, Paris. 379 00:26:51,720 --> 00:26:54,760 Speaker 1: That's what they still right. My parent say, listen to No, 380 00:26:54,920 --> 00:26:59,159 Speaker 1: it's still regardless, Paris. Been listening to parents, listen to 381 00:26:59,600 --> 00:27:02,879 Speaker 1: I've never see change. They could say the reasons we 382 00:27:03,040 --> 00:27:05,400 Speaker 1: like when we grew up and NIS were like, I'm 383 00:27:05,440 --> 00:27:10,840 Speaker 1: stay radio. These guys today love, I'm not a rapper. 384 00:27:10,920 --> 00:27:14,640 Speaker 1: I'm an entertainer. I'm just turning mumbling up. You can't 385 00:27:14,680 --> 00:27:17,000 Speaker 1: put the category of hip hop that what do you 386 00:27:17,119 --> 00:27:23,639 Speaker 1: agree that if they ship right right? Hiplop? Listen, man, 387 00:27:23,760 --> 00:27:27,600 Speaker 1: I think I think, I think everything is hip hop. No, don't, 388 00:27:27,640 --> 00:27:31,919 Speaker 1: let's do what elements. Everybody he wants to have everything 389 00:27:32,040 --> 00:27:35,080 Speaker 1: is just bring up the hip hop. You're laying that, 390 00:27:35,280 --> 00:27:40,399 Speaker 1: but he n we got that. If you were not 391 00:27:40,520 --> 00:27:47,440 Speaker 1: an MC, you're not part of that. Your business, turn 392 00:27:47,600 --> 00:27:51,320 Speaker 1: your TV if you're commercial, so then they are and 393 00:27:51,440 --> 00:27:55,159 Speaker 1: be nig rapping a hip hop beat so that they 394 00:27:55,200 --> 00:28:06,080 Speaker 1: already be niggers. Can't you remember the note? Know what 395 00:28:06,200 --> 00:28:09,679 Speaker 1: people talking to time? That's the evolution. That's more persons 396 00:28:09,680 --> 00:28:13,760 Speaker 1: don't at the time. Evolution. How can you you guys? Evolution? 397 00:28:13,840 --> 00:28:17,600 Speaker 1: But forget about element is. I don't do it that. 398 00:28:19,359 --> 00:28:22,639 Speaker 1: I'm better around the eu, more lyrical, the wanting to 399 00:28:22,760 --> 00:28:25,879 Speaker 1: eliminate what the elements are. Oh, we're just gonna make 400 00:28:25,920 --> 00:28:35,440 Speaker 1: money and wrap. I don't blah blah blah. Good people 401 00:28:35,560 --> 00:28:40,440 Speaker 1: take dolor abilities the money. Bad people listen. But I'm 402 00:28:40,480 --> 00:28:44,440 Speaker 1: saying to change. I'm not mad enough. Save that money, 403 00:28:44,680 --> 00:28:47,680 Speaker 1: need that money to do that, but respect the motherfucking 404 00:28:47,760 --> 00:28:50,400 Speaker 1: elements that respected. I mean, can you if you say 405 00:28:50,480 --> 00:28:52,200 Speaker 1: you you know what, you can't be mad at the arts. 406 00:28:52,280 --> 00:28:55,880 Speaker 1: You gotta be to consumer, Right, so you gave me 407 00:28:55,960 --> 00:29:00,240 Speaker 1: that art. I don't mad at you say that's putting 408 00:29:00,280 --> 00:29:12,760 Speaker 1: his garment gradula officially old nigger exactly, but you can 409 00:29:12,880 --> 00:29:17,000 Speaker 1: sound like how like you know Mellie mallon the Polly 410 00:29:17,040 --> 00:29:20,680 Speaker 1: sound correct that exactly how rock can Potty felt to 411 00:29:20,720 --> 00:29:25,400 Speaker 1: her date like, how you gotta accept changing, you gotta 412 00:29:25,440 --> 00:29:31,080 Speaker 1: accept But she robbed him and them Nigga prespected what 413 00:29:31,200 --> 00:29:33,720 Speaker 1: they did and still respected the elements of hip hop. 414 00:29:33,920 --> 00:29:40,400 Speaker 1: They didn't disrespect it. Hig just saying we're wagging because 415 00:29:40,400 --> 00:29:42,480 Speaker 1: we don't like that, because we don't understand what they're 416 00:29:42,480 --> 00:29:44,680 Speaker 1: saying because we're wagging. Hold, how can you respect that element? 417 00:29:44,840 --> 00:29:51,640 Speaker 1: D J old, you still gotta scratch, you still gotta cut. Listen, 418 00:29:51,720 --> 00:29:59,000 Speaker 1: let still gotta mixture. That's just that's just just playing music. Look, 419 00:30:00,040 --> 00:30:05,160 Speaker 1: men of hip hop transcended orly moved once it became business. 420 00:30:05,680 --> 00:30:08,480 Speaker 1: These kids don't have to learn breakdance, and these kids 421 00:30:09,240 --> 00:30:12,720 Speaker 1: you're forgetting. Let me talk now, let me talk. You 422 00:30:12,840 --> 00:30:16,600 Speaker 1: forget what this whole ship is about. This whole ship. Yeah, 423 00:30:16,680 --> 00:30:18,360 Speaker 1: I want to be the nicest, Yeah, I want to 424 00:30:18,400 --> 00:30:19,960 Speaker 1: be the best, but I want to take care of 425 00:30:20,080 --> 00:30:23,920 Speaker 1: my children and me finished. Let me finished. I want 426 00:30:23,960 --> 00:30:27,400 Speaker 1: to take care of my children. So once it turns 427 00:30:27,520 --> 00:30:30,680 Speaker 1: to business, when people are invested into you and giving 428 00:30:30,720 --> 00:30:34,240 Speaker 1: you millions of dollars, they want those millions back, the 429 00:30:34,440 --> 00:30:37,960 Speaker 1: art of hip hop dies, and he dies right there 430 00:30:38,080 --> 00:30:45,680 Speaker 1: because and it's not like they got I'm gonna So 431 00:30:46,240 --> 00:30:50,000 Speaker 1: it's not like the first time they'll they'll they'll they'll 432 00:30:50,040 --> 00:30:52,680 Speaker 1: get this money. But then you get used to it. 433 00:30:53,240 --> 00:30:55,920 Speaker 1: You get used to happen at one point two million dollars. 434 00:30:56,240 --> 00:30:59,000 Speaker 1: So the next year you drop another album and you 435 00:30:59,160 --> 00:31:02,600 Speaker 1: request you get let me get two million. This time 436 00:31:03,520 --> 00:31:06,680 Speaker 1: they give you two million. You think that you're gonna 437 00:31:06,680 --> 00:31:11,240 Speaker 1: be thinking about break dancing and and graffiti when you 438 00:31:11,400 --> 00:31:15,360 Speaker 1: owe two million dollars. This is a business. Let me finish, 439 00:31:15,360 --> 00:31:17,640 Speaker 1: and I'll pass it right back to you. So what 440 00:31:17,760 --> 00:31:19,920 Speaker 1: I'm saying, I'm not saying these guys, because what you're 441 00:31:19,920 --> 00:31:22,520 Speaker 1: saying about hip hop, it's like it's like you're right, 442 00:31:23,000 --> 00:31:26,360 Speaker 1: I can't say nothing about you. But now when the 443 00:31:26,480 --> 00:31:30,520 Speaker 1: element changes where it's about business. In the sense of business, 444 00:31:30,920 --> 00:31:34,720 Speaker 1: you have to make your predecessors, these people that are 445 00:31:35,240 --> 00:31:37,720 Speaker 1: are supporting you, you gotta make the You gotta make 446 00:31:37,800 --> 00:31:41,600 Speaker 1: that quota. It ain't about that, you know what I'm saying. 447 00:31:41,640 --> 00:31:44,560 Speaker 1: It's about your family. You gotta put your family first. 448 00:31:44,960 --> 00:31:49,160 Speaker 1: So from young Doug to little Oozy Vert to uh 449 00:31:49,400 --> 00:31:53,120 Speaker 1: little Yasi, I hated all of it, you know ya what. 450 00:31:53,160 --> 00:31:57,080 Speaker 1: I'm sorry. I hated all I hated and then I 451 00:31:57,200 --> 00:32:00,360 Speaker 1: realized I'm old, and then I had it was all 452 00:32:00,400 --> 00:32:03,720 Speaker 1: with my son's room and him listening to P and 453 00:32:03,760 --> 00:32:07,600 Speaker 1: b Rock, him listening to the shot shy Iraq kid, 454 00:32:07,960 --> 00:32:11,040 Speaker 1: and I'm looking at them like I'm not understanding business 455 00:32:11,040 --> 00:32:15,560 Speaker 1: because it's now his world, it's now their world. We 456 00:32:15,720 --> 00:32:20,600 Speaker 1: had our time. I'm sorry. You can't hate an for us, 457 00:32:20,640 --> 00:32:23,640 Speaker 1: and I get what you're saying, but listen, you gotta 458 00:32:23,760 --> 00:32:27,000 Speaker 1: also say because if if we wanted it the way 459 00:32:27,080 --> 00:32:31,200 Speaker 1: we wanted and we toiler quality on the radio, that's it. 460 00:32:32,280 --> 00:32:35,080 Speaker 1: You gotta have some type of balance. And these young 461 00:32:35,240 --> 00:32:39,520 Speaker 1: dudes are out here in the melodies, in a in 462 00:32:39,640 --> 00:32:41,880 Speaker 1: a in a in a very correct way that makes 463 00:32:41,960 --> 00:32:43,840 Speaker 1: me one of them, makes me want of them like 464 00:32:44,600 --> 00:32:47,240 Speaker 1: a certain way, like I'll be like yo. But I 465 00:32:47,600 --> 00:32:50,320 Speaker 1: at first I hated it because I was thinking like you, 466 00:32:50,720 --> 00:32:52,280 Speaker 1: and I just got to accepted like if it's on 467 00:32:52,360 --> 00:32:54,880 Speaker 1: the radio. It's already working somewhere. You don't get on 468 00:32:54,960 --> 00:32:58,120 Speaker 1: the radio lucky like that. I mean, you know, you 469 00:32:58,160 --> 00:33:00,360 Speaker 1: know if you want to get you to stand what 470 00:33:00,360 --> 00:33:03,320 Speaker 1: I'm saying. Markets, I understand. I'm not talking about just 471 00:33:03,400 --> 00:33:07,000 Speaker 1: Miami forty five markets? You want forty five markets? No, 472 00:33:07,440 --> 00:33:09,720 Speaker 1: but I know about it. To what you're paying. You're 473 00:33:09,720 --> 00:33:12,360 Speaker 1: saying you're paying because even if you're paying, so what 474 00:33:12,520 --> 00:33:14,000 Speaker 1: is your I've seen it done. But I'm not saying 475 00:33:14,040 --> 00:33:17,400 Speaker 1: I'm not bringing that guy I don't care about. Sir. 476 00:33:18,360 --> 00:33:21,000 Speaker 1: Let's have this intelligent call. Six let's go. So people 477 00:33:21,040 --> 00:33:25,520 Speaker 1: got your r's more great argument. What I'm saying. What 478 00:33:25,600 --> 00:33:28,200 Speaker 1: I'm saying is that's that's all wonderful and great. Make 479 00:33:28,240 --> 00:33:32,320 Speaker 1: your money, yes, but why down grade and just make 480 00:33:32,400 --> 00:33:35,800 Speaker 1: this ship just just sort of horrible? Why? Why? Why 481 00:33:36,200 --> 00:33:38,240 Speaker 1: you can do with you your baborite boxer all time. 482 00:33:39,000 --> 00:33:41,520 Speaker 1: I mean, I'm not a great boxing fan or whatever, 483 00:33:41,640 --> 00:33:43,479 Speaker 1: but I say, Mike Tyson, because that's where I grew up. 484 00:33:43,480 --> 00:33:48,200 Speaker 1: Why because that's what you grew He was knockings some point, 485 00:33:48,440 --> 00:33:50,680 Speaker 1: you made my point, he made my point, doesn't matter. 486 00:33:51,200 --> 00:33:56,840 Speaker 1: I grew up. Why it's in there watching there you go. 487 00:33:59,320 --> 00:34:01,880 Speaker 1: I got this, I got but I got Let me 488 00:34:01,920 --> 00:34:04,840 Speaker 1: can I finished? Please? Because you made that? No, no, 489 00:34:05,000 --> 00:34:07,920 Speaker 1: because I want to make this point. Did Minke Tyson 490 00:34:08,040 --> 00:34:12,960 Speaker 1: change boxing? Mike Tyson dumb up boxing? Dumb it yes, 491 00:34:13,080 --> 00:34:16,640 Speaker 1: dumbing dumb it down. I can't understand some of these 492 00:34:16,920 --> 00:34:20,920 Speaker 1: er I can't understand what they say that yeah down boxing. 493 00:34:21,000 --> 00:34:26,839 Speaker 1: He made it twenties. Yeah, alright, okay when you got 494 00:34:26,880 --> 00:34:29,959 Speaker 1: have to fight. But he was not gonna he changed 495 00:34:30,239 --> 00:34:33,920 Speaker 1: he changed it. Yeah, I believe he changed it. Been away. 496 00:34:34,400 --> 00:34:38,879 Speaker 1: It's not so crazy, alright. Names to me, and I'm saying, 497 00:34:38,880 --> 00:34:41,759 Speaker 1: in my opinion, dumbed it down. Okay, but here's the thing. 498 00:34:41,880 --> 00:34:44,040 Speaker 1: Let me let me just take it from there. The 499 00:34:44,080 --> 00:34:46,080 Speaker 1: reason why I asked you who's your favorite boxer, right, 500 00:34:46,080 --> 00:34:48,360 Speaker 1: even though you're not a big boxing fan, you immediately 501 00:34:48,400 --> 00:34:50,800 Speaker 1: said Mike Tyson. And then I asked you why, and 502 00:34:50,920 --> 00:34:54,239 Speaker 1: you said, because I got to see it. Everybody would 503 00:34:54,360 --> 00:34:57,239 Speaker 1: argue with you and would say Mohammed Ali. The reason 504 00:34:57,280 --> 00:34:59,440 Speaker 1: why they'll say Mohammed at least because he really is 505 00:34:59,560 --> 00:35:01,680 Speaker 1: the greatest to people in all the time. But you 506 00:35:01,840 --> 00:35:05,120 Speaker 1: answered the question intelligently. You didn't answer it with here. 507 00:35:05,280 --> 00:35:10,800 Speaker 1: You answered it with here. You said here because you 508 00:35:10,960 --> 00:35:14,800 Speaker 1: saw him. These young kids didn't see Mike Tyson. So 509 00:35:15,000 --> 00:35:17,920 Speaker 1: to them, Floyd Mayweather, it's the best of all times. 510 00:35:18,600 --> 00:35:20,600 Speaker 1: But let me finish. Yeah, he is to me to 511 00:35:21,400 --> 00:35:23,880 Speaker 1: I'm just saying, how could you argue that these this 512 00:35:24,000 --> 00:35:27,400 Speaker 1: is these kids at the Floyd them, then Floyd may 513 00:35:27,480 --> 00:35:30,400 Speaker 1: Weather funk up boxing or changes. But that's that's a 514 00:35:32,280 --> 00:35:41,680 Speaker 1: no no. But that's he that's your opinions. He didn't 515 00:35:42,080 --> 00:35:51,239 Speaker 1: just saying these kids changed bad and the labels are 516 00:35:51,280 --> 00:35:53,839 Speaker 1: telling you that all this is a revolving artist stuff. 517 00:35:53,840 --> 00:35:56,640 Speaker 1: They just gave that hit, gave some money and then 518 00:35:56,680 --> 00:35:58,920 Speaker 1: getting the next to make some money and don't get 519 00:35:58,920 --> 00:36:07,280 Speaker 1: the road that. Let me telling listen to what happened. 520 00:36:07,320 --> 00:36:09,440 Speaker 1: I tried that dame time. When it comes to tasty, 521 00:36:09,520 --> 00:36:13,239 Speaker 1: what happened to when it goes to round to round 522 00:36:13,360 --> 00:36:22,279 Speaker 1: Tyson taste, it's different than right now where you be 523 00:36:22,360 --> 00:36:25,080 Speaker 1: killing that right when you this is the one you 524 00:36:25,160 --> 00:36:27,239 Speaker 1: got the old and the old that he just changed 525 00:36:27,239 --> 00:36:29,800 Speaker 1: the game. I'll be the oldest is on mentally the oldest, 526 00:36:29,840 --> 00:36:33,399 Speaker 1: and if you can the fun when it's the dope, 527 00:36:33,440 --> 00:36:36,040 Speaker 1: it sounds like a new record. Right now. Remember when 528 00:36:36,040 --> 00:36:38,080 Speaker 1: I was club, but I'm selling I want to have fun. 529 00:36:38,160 --> 00:36:41,520 Speaker 1: I listened to all this ship great garbage. But when 530 00:36:41,560 --> 00:36:44,840 Speaker 1: you I've been cook when I'm in my I was cooking. 531 00:36:45,120 --> 00:36:46,880 Speaker 1: You know, when I'm in the house, you prefer not 532 00:36:47,160 --> 00:36:50,239 Speaker 1: listening to if you're going to clstening to you. I'm 533 00:36:50,360 --> 00:36:55,680 Speaker 1: especially old at fun. I'm I'm talking about mry physic. 534 00:36:56,400 --> 00:36:59,440 Speaker 1: I'm saying mentally, I'm just saying me me Okay. So 535 00:36:59,480 --> 00:37:01,879 Speaker 1: I want to let just I love the old school ship, 536 00:37:02,600 --> 00:37:05,960 Speaker 1: but I live in two thousand seventeen. Get I'm not 537 00:37:06,040 --> 00:37:08,280 Speaker 1: gonna lie to you. I live in two thousand seventeen 538 00:37:09,080 --> 00:37:16,399 Speaker 1: listening listening in the future, I get future. He make 539 00:37:16,480 --> 00:37:18,640 Speaker 1: me want to get like he's like it. Let me 540 00:37:18,680 --> 00:37:20,440 Speaker 1: just go being high like I don't even dream lean, 541 00:37:20,480 --> 00:37:22,480 Speaker 1: I don't want to take this space. Cyber bone cops, 542 00:37:24,520 --> 00:37:27,080 Speaker 1: the Spanish name is just killing this fucking these trapped 543 00:37:27,120 --> 00:37:33,239 Speaker 1: beast more than the sucking neig Come on specific that 544 00:37:33,440 --> 00:37:39,840 Speaker 1: yat yachteen whatever you like that ship, that's my opinion, 545 00:37:40,600 --> 00:37:43,040 Speaker 1: is not the dream. And you like this mine, You're 546 00:37:43,120 --> 00:37:49,480 Speaker 1: like im from Black Beetles rais That's great. When I 547 00:37:49,520 --> 00:37:51,080 Speaker 1: gotta a few drinks of me and I got a 548 00:37:51,080 --> 00:37:58,080 Speaker 1: big station on meat. That's it. That's it. You know again, 549 00:37:58,280 --> 00:38:00,840 Speaker 1: what say it again? When I'm got a bit with me. 550 00:38:00,960 --> 00:38:03,320 Speaker 1: I listened to that song. Fantastic, even better than that. 551 00:38:03,480 --> 00:38:07,440 Speaker 1: You said he's Alricis. Yeah, yeah, he's exempt from this. 552 00:38:07,680 --> 00:38:10,840 Speaker 1: He's one of them. Now I think he's in the nineties. 553 00:38:10,960 --> 00:38:13,799 Speaker 1: You can't be because he's in this ever right now 554 00:38:13,960 --> 00:38:16,239 Speaker 1: we said that he's a licis why you're given to 555 00:38:16,680 --> 00:38:21,160 Speaker 1: Joey bad alright for those days to hop off and 556 00:38:21,280 --> 00:38:25,879 Speaker 1: these I'm not asking a question. I'm asking a question, yes, question, 557 00:38:26,000 --> 00:38:32,600 Speaker 1: it's about I was questions. How are you pop these things? 558 00:38:34,080 --> 00:38:45,120 Speaker 1: Every reason pumping off fame, this niggaul being officer. You know, 559 00:38:46,880 --> 00:38:49,840 Speaker 1: I never this wack Shoot me already and it's already 560 00:38:50,000 --> 00:38:57,640 Speaker 1: focus holds. It's a dumb ass time, all these crazy 561 00:38:59,160 --> 00:39:04,880 Speaker 1: like the only thing I disamagine the music of today yesterday. 562 00:39:05,520 --> 00:39:08,239 Speaker 1: If you if you were born in Nation, you wasn't 563 00:39:08,320 --> 00:39:13,440 Speaker 1: upset one of the time guys all, but if you 564 00:39:13,520 --> 00:39:16,440 Speaker 1: were born in nineteen fifty, like, you're listening to a 565 00:39:16,719 --> 00:39:20,160 Speaker 1: different type of music that people are listening to today. 566 00:39:20,520 --> 00:39:24,040 Speaker 1: Those are your old time favorites. Maybe you like elvis' 567 00:39:24,239 --> 00:39:31,279 Speaker 1: s nineteen fifty so stop talking about that. Get up people, Yes, 568 00:39:32,200 --> 00:39:36,279 Speaker 1: and that's gonna talk. You know. Yeah, these kids have 569 00:39:36,400 --> 00:39:38,800 Speaker 1: a target audience and you're not a part of Yeah no, 570 00:39:39,600 --> 00:39:44,440 Speaker 1: not listen. I know what the talget ship for the 571 00:39:44,520 --> 00:39:47,440 Speaker 1: radio whatever it is, So I know I know what 572 00:39:47,920 --> 00:39:51,440 Speaker 1: your fish. You know. You might think I don't know, 573 00:39:51,600 --> 00:39:59,280 Speaker 1: but I do know you can you could have Eli. 574 00:40:00,320 --> 00:40:01,920 Speaker 1: I was like, how did you get so fucked up? 575 00:40:02,600 --> 00:40:10,799 Speaker 1: I'm gonna be real appreciated the animal respect ships sunk 576 00:40:10,840 --> 00:40:14,399 Speaker 1: out of appreciate. You want this respect. You were saying, 577 00:40:14,520 --> 00:40:17,880 Speaker 1: look at this old guy. Would you take that? It 578 00:40:18,040 --> 00:40:21,560 Speaker 1: wasn't wrong this That's what That's what I was. That's 579 00:40:21,600 --> 00:40:25,960 Speaker 1: what i'm That's that's what I just called. I had 580 00:40:26,239 --> 00:40:29,319 Speaker 1: at that tell about big fool Big. I'm not I'm 581 00:40:29,360 --> 00:40:30,960 Speaker 1: saying I saw the Simis album You take You when 582 00:40:30,960 --> 00:40:33,440 Speaker 1: they do a freestyle and he put it and he 583 00:40:33,480 --> 00:40:35,839 Speaker 1: put on the ben't anyone want wrapping the morning gives 584 00:40:35,840 --> 00:40:37,960 Speaker 1: you about Scarfe to old school ship. He said, I 585 00:40:38,080 --> 00:40:40,680 Speaker 1: promise you we will say that had to do. But 586 00:40:40,719 --> 00:40:42,920 Speaker 1: I'm just saying, like it's just wrong for ending. You'll 587 00:40:42,960 --> 00:40:45,160 Speaker 1: need to be any old I'm saying, like we have 588 00:40:45,239 --> 00:40:47,279 Speaker 1: the old school. Ain't know those school shi what they 589 00:40:47,320 --> 00:40:52,279 Speaker 1: don't know? The kids I don't know. It's like, yo, 590 00:40:52,480 --> 00:40:57,520 Speaker 1: that's old kids. At least you can error. But I 591 00:40:57,760 --> 00:41:01,920 Speaker 1: want you take my car and know people. Right, listen, man, 592 00:41:02,120 --> 00:41:11,439 Speaker 1: thank you you got Mr Leo would listen to music 593 00:41:11,520 --> 00:41:18,719 Speaker 1: that he got an intro. Right, she's like phone. So 594 00:41:19,160 --> 00:41:21,320 Speaker 1: I'm just telling you if you listen to the radio 595 00:41:21,440 --> 00:41:24,080 Speaker 1: and you can't appreciate these young guys make your money 596 00:41:24,160 --> 00:41:27,440 Speaker 1: making money, you make your money. You know, it's funny 597 00:41:27,520 --> 00:41:29,080 Speaker 1: most of these kids don't even listen to the radio 598 00:41:29,200 --> 00:41:31,600 Speaker 1: no more. So that's what I'm saying. What I'm saying 599 00:41:31,760 --> 00:41:34,440 Speaker 1: is the top main records. That's you know, the Black Beads, 600 00:41:34,480 --> 00:41:37,080 Speaker 1: the Ray Shriman ship that what's the other ship? She's 601 00:41:37,200 --> 00:41:40,920 Speaker 1: bad and boozy. If you can't like these records, funny 602 00:41:41,840 --> 00:41:44,440 Speaker 1: thing name of songs, you're not even name the name 603 00:41:44,480 --> 00:41:59,919 Speaker 1: of the groups. Yeah, ship got all back to Harry 604 00:42:00,239 --> 00:42:06,400 Speaker 1: like hip hop. This is hip hop, and that's hip hop. 605 00:42:06,440 --> 00:42:08,359 Speaker 1: I'm always be looking at a good old hip hop 606 00:42:09,400 --> 00:42:12,759 Speaker 1: and I appreciate some of this young ship. I can't front. 607 00:42:13,200 --> 00:42:22,440 Speaker 1: I can't goes out with Dogs to Blue Futures album. 608 00:42:22,800 --> 00:42:25,040 Speaker 1: But the other ship I got from Future, that ship 609 00:42:25,200 --> 00:42:27,600 Speaker 1: is good. I can't front man your money while your 610 00:42:27,680 --> 00:42:30,640 Speaker 1: kids don't want something. The next they're going to be 611 00:42:30,760 --> 00:42:33,759 Speaker 1: even richer. I think this generation I'd be even richer 612 00:42:33,920 --> 00:42:37,520 Speaker 1: than the last generation. True, because it's more money and 613 00:42:37,600 --> 00:42:40,000 Speaker 1: it's easier. Like these kids getting sprite deals and early 614 00:42:40,520 --> 00:42:42,399 Speaker 1: like you know what I'm saying, Like, that's what that's 615 00:42:42,440 --> 00:42:44,799 Speaker 1: what I've That's what I feel like. It's more hip 616 00:42:44,840 --> 00:42:47,359 Speaker 1: hop like funk their music if they music ain't hip hop, 617 00:42:47,400 --> 00:42:49,239 Speaker 1: the fact that they got sprite deals and they got 618 00:42:49,440 --> 00:42:51,840 Speaker 1: all these deals and I'm getting there smoking and and 619 00:42:52,080 --> 00:42:54,439 Speaker 1: that to me is hip hop. So fun they music. 620 00:42:54,640 --> 00:42:56,720 Speaker 1: The music part is one thing. That's who they represent 621 00:42:56,880 --> 00:42:59,520 Speaker 1: to their fans. I'm not there fat, I'm there pare 622 00:43:00,320 --> 00:43:02,680 Speaker 1: And that's the part I get them. I choose. The 623 00:43:02,760 --> 00:43:04,759 Speaker 1: respect is that they could go out there and get 624 00:43:04,800 --> 00:43:08,680 Speaker 1: these corporations to the bikes and the pullmans, and that 625 00:43:08,960 --> 00:43:12,719 Speaker 1: my generation twisted respect to you know what I'm saying, 626 00:43:12,719 --> 00:43:15,759 Speaker 1: that they still fun like, they still demeanor in the 627 00:43:15,840 --> 00:43:23,359 Speaker 1: whole element of hip didn't need work. The bigger group 628 00:43:24,200 --> 00:43:28,879 Speaker 1: beating up to me goes, of course to me goes. 629 00:43:29,360 --> 00:43:31,880 Speaker 1: You know I'm not stupid either. You know someone to 630 00:43:31,880 --> 00:43:35,520 Speaker 1: see that you got the time, but you are not 631 00:43:35,680 --> 00:43:38,080 Speaker 1: still you are not stupid. I know what it is. 632 00:43:38,200 --> 00:43:40,560 Speaker 1: But at the end of the day, I can't call 633 00:43:40,680 --> 00:43:43,640 Speaker 1: that hip hop, man, I can't. What do you call 634 00:43:43,719 --> 00:43:47,160 Speaker 1: it hip hop? You know what that one thing? What 635 00:43:47,200 --> 00:43:48,840 Speaker 1: do you call it? The drug hip hop? You just 636 00:43:48,840 --> 00:43:51,200 Speaker 1: don't have to like it. Brothers, if you don't like man, 637 00:43:51,360 --> 00:43:55,279 Speaker 1: I don't because they don't. They're like, you know, they're 638 00:43:55,280 --> 00:43:59,320 Speaker 1: not wrapping whack as he is. But that day it 639 00:43:59,440 --> 00:44:13,719 Speaker 1: was rapping magazine man, man, Man, leave megoes, leave meos alone, man, 640 00:44:13,920 --> 00:44:17,560 Speaker 1: listen they go. But I know I respected open respect. 641 00:44:17,800 --> 00:44:20,200 Speaker 1: You know you were saying respective, I respect the fo 642 00:44:20,480 --> 00:44:25,359 Speaker 1: dollar they from her life. How I need to ask 643 00:44:25,440 --> 00:44:29,440 Speaker 1: about even me. You wouldn't need to first them to 644 00:44:29,480 --> 00:44:31,800 Speaker 1: the fullest. I just don't respect what they're doing, and 645 00:44:31,920 --> 00:44:36,759 Speaker 1: they represent who he's at your ice ice baby, he 646 00:44:36,840 --> 00:44:39,640 Speaker 1: said right now when they played that from the record, 647 00:44:39,880 --> 00:44:46,000 Speaker 1: I owe money even like again, it's just been fans, 648 00:44:46,400 --> 00:44:49,440 Speaker 1: But I gotta agree with you. I gotta tell you this, 649 00:44:50,000 --> 00:44:51,919 Speaker 1: not only I thought for another Ice fels hip hop 650 00:44:52,160 --> 00:44:55,600 Speaker 1: but I also thought empty Hammer had always been absolutely 651 00:44:56,320 --> 00:44:59,719 Speaker 1: I never agree with the box in the broad she 652 00:45:00,360 --> 00:45:06,520 Speaker 1: never like it, but he's him. So that's why I 653 00:45:06,600 --> 00:45:09,440 Speaker 1: don't knock these young brothers because they're just a different 654 00:45:09,600 --> 00:45:12,080 Speaker 1: It's just like that. It's just like it's a different tea. 655 00:45:12,320 --> 00:45:16,600 Speaker 1: But it's it's what you do, you know. You know 656 00:45:16,680 --> 00:45:20,440 Speaker 1: what made me respect Atlanta period was it was a 657 00:45:20,560 --> 00:45:23,560 Speaker 1: time where I just didn't go to Atlanta right and 658 00:45:24,600 --> 00:45:26,400 Speaker 1: then I then it was one point I used to 659 00:45:26,400 --> 00:45:28,480 Speaker 1: go to Atlanta and it was New York in the 660 00:45:28,520 --> 00:45:31,840 Speaker 1: house and the whole building rocked. Oh you knew some 661 00:45:31,960 --> 00:45:34,080 Speaker 1: of these things wasn't from New York. But that's before 662 00:45:34,400 --> 00:45:36,920 Speaker 1: Atlanta got their own identity. Let me finish you what 663 00:45:37,000 --> 00:45:39,839 Speaker 1: I'm going to me to do it. So when they 664 00:45:39,880 --> 00:45:42,520 Speaker 1: started to get this strip club culture and they started 665 00:45:42,600 --> 00:45:45,520 Speaker 1: and they started to become themselves, like in the eyes 666 00:45:45,600 --> 00:45:48,920 Speaker 1: of people from the East Coast. And you will never 667 00:45:49,040 --> 00:45:52,000 Speaker 1: appreciate a record that comes from Atlanta if you're not 668 00:45:52,160 --> 00:45:55,600 Speaker 1: in Atlanta. It's just like a record like the Three 669 00:45:55,719 --> 00:45:58,319 Speaker 1: or Five Boys or a Trick Daddy Sol like it's 670 00:45:58,320 --> 00:46:01,160 Speaker 1: a it's a totally different thing listening to when you 671 00:46:01,200 --> 00:46:05,279 Speaker 1: don't know up in Miami. Like a New York nigger 672 00:46:05,360 --> 00:46:07,879 Speaker 1: who respect the coach y'a out here, who only comes 673 00:46:07,920 --> 00:46:10,239 Speaker 1: out here to your girls, only comes out here to 674 00:46:10,520 --> 00:46:13,360 Speaker 1: you know, smoke y'all Weed will come and listen to 675 00:46:13,400 --> 00:46:17,120 Speaker 1: a trick Daddy record in Miami and understand Miami. You'll 676 00:46:17,120 --> 00:46:19,520 Speaker 1: get it. You'll get it. So that's the difference. But 677 00:46:19,640 --> 00:46:22,239 Speaker 1: that's a difference. So a lot of the records that 678 00:46:22,440 --> 00:46:25,440 Speaker 1: when you bring up Atlanta, you gotta remember Atlanta had 679 00:46:25,480 --> 00:46:31,040 Speaker 1: goody mind ye I'll cash is little. This just makes 680 00:46:31,040 --> 00:46:39,040 Speaker 1: you when the future get a little bit what you 681 00:46:41,160 --> 00:46:48,320 Speaker 1: just seeing it saying you got you gotta like future 682 00:46:49,280 --> 00:46:56,800 Speaker 1: right now, ship future. He's trying to be right, you 683 00:46:58,920 --> 00:47:03,879 Speaker 1: mean to understand you MC's like that, and you come 684 00:47:03,920 --> 00:47:06,840 Speaker 1: out like he wasn't what happened. He evolved into the 685 00:47:10,200 --> 00:47:14,399 Speaker 1: hard you're what you're gonna understand, Yo, Listen, listen, you're 686 00:47:14,400 --> 00:47:16,440 Speaker 1: the old job that you gotta you gotta actually look. 687 00:47:16,800 --> 00:47:20,640 Speaker 1: Future is the leader of this generation minority telling you, 688 00:47:20,840 --> 00:47:22,200 Speaker 1: I don't know, I don't don't I don't know. I 689 00:47:22,360 --> 00:47:24,920 Speaker 1: tell you because you know, you're just older, you're super 690 00:47:24,960 --> 00:47:27,080 Speaker 1: older than me in mine. But I'm just telling try 691 00:47:27,120 --> 00:47:29,239 Speaker 1: to give him my cars, telling you like you need 692 00:47:29,360 --> 00:47:33,759 Speaker 1: to really go to a club and really sit there. Yeah, 693 00:47:36,480 --> 00:47:38,759 Speaker 1: you gotta. You might have to have Molly system to 694 00:47:42,920 --> 00:47:45,640 Speaker 1: petrate this music. And I'm not got to appreciate it. 695 00:47:46,040 --> 00:47:48,880 Speaker 1: I'm drunk. You gotta do appreciate what I'm drunk because 696 00:47:49,000 --> 00:47:52,960 Speaker 1: listen and I'm not gonna lie. The new generation is 697 00:47:53,280 --> 00:47:56,520 Speaker 1: the generation of the drug addict. Like all of them 698 00:47:56,600 --> 00:48:01,480 Speaker 1: are drugging. Obviously you have about something that brown ship 699 00:48:01,640 --> 00:48:08,440 Speaker 1: to look at that come yeah, somebody then about seventies. 700 00:48:08,520 --> 00:48:14,360 Speaker 1: I didn't, So that's this is just start. Let's you 701 00:48:14,480 --> 00:48:16,480 Speaker 1: had to drink forties? Is in an alcohol act? You 702 00:48:16,520 --> 00:48:21,440 Speaker 1: had to drink forties? It's gonna be private sock I remember, 703 00:48:21,920 --> 00:48:29,319 Speaker 1: alright me stop and that's that time Cisco nigger all 704 00:48:29,360 --> 00:48:33,480 Speaker 1: to day. Yeah, because it is a trained looking rolling up. 705 00:48:33,520 --> 00:48:38,160 Speaker 1: It's any more saving on that old that was already 706 00:48:38,560 --> 00:48:40,759 Speaker 1: that wasn't no more shipping on scissor listen to the 707 00:48:40,840 --> 00:48:46,640 Speaker 1: future like a ya, they just say, nobody warn't all 708 00:48:46,719 --> 00:48:51,680 Speaker 1: the ground you then comes to you. Yeah, I'm not 709 00:48:51,680 --> 00:48:55,880 Speaker 1: saying since about listening to the futures, did you drinks? 710 00:48:58,239 --> 00:49:03,399 Speaker 1: Anybody came out lyricist or future like. You don't take 711 00:49:03,520 --> 00:49:06,719 Speaker 1: all this, you got to appreciate future match trying to 712 00:49:07,480 --> 00:49:13,040 Speaker 1: Drake so l with Drake one giving your father. Just 713 00:49:13,239 --> 00:49:18,080 Speaker 1: just listen. You don't I understandingthing, he says, hold On, 714 00:49:18,120 --> 00:49:21,920 Speaker 1: hold on say because you don't I can understand it. 715 00:49:22,480 --> 00:49:38,920 Speaker 1: You're gonna take you child if you you have to different, 716 00:49:39,120 --> 00:49:43,719 Speaker 1: yall have a future cosette. You can't pronounce it to 717 00:49:48,440 --> 00:49:51,200 Speaker 1: you shunounce the word. Maybe I can say, damn, I 718 00:49:51,280 --> 00:49:54,319 Speaker 1: understand it. You can't pronounce it. Okay. If you can't 719 00:49:54,360 --> 00:50:00,760 Speaker 1: pronounce for that, that's because I can't pronounce. I'm sorry. 720 00:50:00,880 --> 00:50:04,880 Speaker 1: We did have lots of biggs away trying to get you. 721 00:50:05,760 --> 00:50:19,200 Speaker 1: That's where you ready. We heard that yeah, and you 722 00:50:19,320 --> 00:50:23,240 Speaker 1: don't created mumble right, and we're gonna cos effects boast. 723 00:50:26,239 --> 00:50:30,080 Speaker 1: He said that kills bund when he said that kiss 724 00:50:30,120 --> 00:50:34,080 Speaker 1: off of that one one? Hold on, don't know there 725 00:50:34,200 --> 00:50:36,160 Speaker 1: was when this comes. The difference with that is that 726 00:50:36,280 --> 00:50:40,160 Speaker 1: everybody sounded different. They were trying to sound a lot 727 00:50:40,200 --> 00:50:43,520 Speaker 1: of this stuff sounds of stuff I'm different, someone trying 728 00:50:43,520 --> 00:50:46,160 Speaker 1: to make each other. Everybody's funking, and everybody started out 729 00:50:46,239 --> 00:50:51,360 Speaker 1: the boost. But that you wouldn't rap clean. There was 730 00:50:51,440 --> 00:50:56,000 Speaker 1: niggas bigosh and naked. That's big don, that's big solid fo. 731 00:50:58,000 --> 00:51:01,240 Speaker 1: What you reading followed me is trying to compare somebody 732 00:51:01,320 --> 00:51:03,719 Speaker 1: from now Eddie to somebody from twenty years. That's not 733 00:51:03,840 --> 00:51:07,759 Speaker 1: true because like I said, there's a lot of out 734 00:51:07,840 --> 00:51:09,840 Speaker 1: right now. We've only said two of them because the 735 00:51:13,480 --> 00:51:23,920 Speaker 1: big family's no. My family enjoys you. I thought you 736 00:51:25,320 --> 00:51:29,279 Speaker 1: but a yalla, what's the difference. Let me pay some 737 00:51:29,400 --> 00:51:32,279 Speaker 1: The difference is what's wherever you want? I'm getting in 738 00:51:32,600 --> 00:51:36,560 Speaker 1: your old first. She just gotta sit down, grumpy. Yeah, 739 00:51:36,600 --> 00:51:43,520 Speaker 1: I'm seven as hated. Are you still going y'all to 740 00:51:43,640 --> 00:51:47,560 Speaker 1: a discus stand on the all for Wednesday holding conversation? Yeah, 741 00:51:48,280 --> 00:51:53,080 Speaker 1: it's all right if we got you got anything to 742 00:51:53,080 --> 00:51:55,680 Speaker 1: say before we go, dreak Champs dot com at drenk 743 00:51:55,760 --> 00:51:58,279 Speaker 1: Champs everything, everybody. That's a fact. But you got to 744 00:51:58,320 --> 00:52:02,520 Speaker 1: say Sundy d BT say some dumb ship. This motherfucker's no, 745 00:52:02,640 --> 00:52:05,640 Speaker 1: I'm just saying Sunny d v et came Mr super 746 00:52:05,719 --> 00:52:09,520 Speaker 1: Slide Eddie whatever they was saying. I'm with him, I 747 00:52:09,719 --> 00:52:12,279 Speaker 1: getting fifteen percent off or whatever you want. Ain't see 748 00:52:12,360 --> 00:52:15,839 Speaker 1: himmer whatever it is we're gonna we're gonna big Eddie 749 00:52:15,880 --> 00:52:18,760 Speaker 1: out for his arm. But Sunny D left the helmet 750 00:52:21,560 --> 00:52:29,879 Speaker 1: like ahead. But I will respect my error. That's all. 751 00:52:30,520 --> 00:52:39,880 Speaker 1: That's a seventy three younger than Mr Lee. I might. 752 00:52:41,080 --> 00:52:45,640 Speaker 1: I'm not gonna say my age, that one American age. 753 00:52:45,840 --> 00:52:48,880 Speaker 1: But I got a hold and I came to the 754 00:52:49,000 --> 00:52:52,400 Speaker 1: mother's win. I'm computed. I'm taking anybody out on the 755 00:52:52,600 --> 00:53:02,200 Speaker 1: day yet Dominican. That's is my brother. I support us 756 00:53:02,280 --> 00:53:06,040 Speaker 1: to leave any time every day. But Mr Leego had 757 00:53:06,080 --> 00:53:13,040 Speaker 1: to buy out of this ship. The Melicans got to 758 00:53:13,160 --> 00:53:17,160 Speaker 1: slow down because we got this believe that you gotta 759 00:53:17,160 --> 00:53:24,080 Speaker 1: have piece something we gave you. I don't get you 760 00:53:29,360 --> 00:53:32,919 Speaker 1: playing again. You gotta star rock. We got star warship 761 00:53:33,440 --> 00:53:40,200 Speaker 1: better believe it. Relaxed with I think I agree with 762 00:53:40,480 --> 00:53:43,640 Speaker 1: talking to him like i'd agree with Eddie. I don't 763 00:53:43,680 --> 00:53:46,320 Speaker 1: like this music, but just in the club did not. 764 00:53:46,719 --> 00:53:50,719 Speaker 1: I disagree. I like. I like that you know that 765 00:53:50,840 --> 00:53:54,440 Speaker 1: you talk too much. Yeah, we got to relax t shirts. 766 00:53:54,440 --> 00:53:57,400 Speaker 1: That's what I can say, Eddie Gigs. I wish I 767 00:53:57,440 --> 00:54:01,239 Speaker 1: had to ask you that save something. Say last worst 768 00:54:01,320 --> 00:54:05,880 Speaker 1: your fast ladies with the whole lashes on with yellow lashes, 769 00:54:10,480 --> 00:54:14,319 Speaker 1: Big Show, more weight. I'm like you like any way, 770 00:54:14,400 --> 00:54:21,879 Speaker 1: I liked that's what you like your Morris. You haven't 771 00:54:21,880 --> 00:54:24,919 Speaker 1: said something to people? Say something to people like, nah, 772 00:54:27,640 --> 00:54:30,200 Speaker 1: give us something, Rudy, come come over and give us 773 00:54:30,200 --> 00:54:35,240 Speaker 1: a rude want to say something? Yeah, I gotta switch 774 00:54:35,280 --> 00:54:41,680 Speaker 1: you Frona say to beat you. You say something for us. 775 00:54:41,760 --> 00:54:50,160 Speaker 1: Come on this morning. We gotta get your back where 776 00:54:54,400 --> 00:55:05,160 Speaker 1: Oh yeah, I'm listening to Right Night plus dot com. Listen. 777 00:55:05,239 --> 00:55:07,400 Speaker 1: Every month, we have to drink Champs for running challenge. 778 00:55:07,719 --> 00:55:09,520 Speaker 1: You can go on there, you can run miles with us, 779 00:55:09,600 --> 00:55:12,160 Speaker 1: or you gotta do express hashtag on the night feed 780 00:55:13,160 --> 00:55:17,160 Speaker 1: hashtag drink Champs or drink Champs challenge. You also hashtaging 781 00:55:17,200 --> 00:55:21,920 Speaker 1: on your Your social media is your Instagram? Uh? Your 782 00:55:22,320 --> 00:55:26,040 Speaker 1: fucking um? What's the ship to Instagram? Your Twitters or whatever? 783 00:55:26,200 --> 00:55:27,680 Speaker 1: You know, if you could get come and get drunk 784 00:55:27,719 --> 00:55:29,440 Speaker 1: with us, you know, every now and then, come with 785 00:55:29,560 --> 00:55:32,000 Speaker 1: jogs and miles with us. We're just bugging out, you know, 786 00:55:32,200 --> 00:55:35,279 Speaker 1: drunk dudes jogging miles. Mr Lee is on there? Who 787 00:55:35,320 --> 00:55:38,279 Speaker 1: else is on there? Um Diego says he's on there, 788 00:55:38,320 --> 00:55:48,439 Speaker 1: but I'm jumping on. Ain't going you're gonna jog yeah, yeah, 789 00:55:48,520 --> 00:55:52,160 Speaker 1: drink chap it's out night plus, it's on night plus 790 00:55:52,320 --> 00:55:55,239 Speaker 1: night running clubs. I mean, you know, even if you're walking, 791 00:55:55,360 --> 00:55:58,440 Speaker 1: if you could walk around count your stuff, you can 792 00:55:58,560 --> 00:56:00,319 Speaker 1: counts yea, and so you're gonna do that. But it's 793 00:56:00,360 --> 00:56:02,000 Speaker 1: fun because you canna wake up in the morning and say, 794 00:56:02,000 --> 00:56:05,440 Speaker 1: oh man, Paul did two miles, I'm gonna do three. Yeah, 795 00:56:07,200 --> 00:56:09,080 Speaker 1: joined it. So we're doing it every month so you 796 00:56:09,120 --> 00:56:11,000 Speaker 1: don't gotta worry about it. Like if you're not very 797 00:56:11,320 --> 00:56:14,000 Speaker 1: you're not ready or this mone you can you can 798 00:56:14,080 --> 00:56:15,799 Speaker 1: join us next month. So we're doing it every month. 799 00:56:16,360 --> 00:56:20,800 Speaker 1: Night Challenge drink Champs has to drink Champ Challenge on 800 00:56:20,840 --> 00:56:24,000 Speaker 1: your night feed and then has to drink Champs either 801 00:56:24,200 --> 00:56:27,000 Speaker 1: or and you get to see us and we would 802 00:56:27,000 --> 00:56:29,160 Speaker 1: we become friends and you know, we just you know, 803 00:56:29,200 --> 00:56:30,880 Speaker 1: we trying to have balance in life. You know, we 804 00:56:31,040 --> 00:56:33,160 Speaker 1: we sit here, we get drunk, we smoke weed. But 805 00:56:33,640 --> 00:56:36,040 Speaker 1: you know we want to show you all that also 806 00:56:36,080 --> 00:56:38,920 Speaker 1: do something positive in the day. Get your life together. 807 00:56:38,960 --> 00:56:40,520 Speaker 1: You know what I'm saying. Eddie eats us in a 808 00:56:40,640 --> 00:56:45,400 Speaker 1: day and we try to we try to Jogah, you 809 00:56:45,440 --> 00:56:47,960 Speaker 1: got easy to say before you get about it. Drink 810 00:56:48,040 --> 00:56:51,200 Speaker 1: Champs dot com. Drink Champs dot com Wednesday, we have 811 00:56:51,360 --> 00:56:55,080 Speaker 1: Moko in Miami. From Miami Wednesday, Moco Drink Chaps finally 812 00:56:55,120 --> 00:56:58,960 Speaker 1: come out with me and so we probaday we had 813 00:56:59,080 --> 00:57:01,520 Speaker 1: dream Man. We're gonna make movie. God damn it all right? 814 00:57:01,600 --> 00:57:03,799 Speaker 1: One love last video coming out? Over the last video 815 00:57:03,840 --> 00:57:07,359 Speaker 1: coming out? When studios pick up Rocks, that wild war, 816 00:57:07,560 --> 00:57:13,920 Speaker 1: when the boy pick up the brother are ye cha 817 00:57:14,080 --> 00:57:17,160 Speaker 1: sports candy man? Yo, he's supposed to be here today. Man, 818 00:57:17,200 --> 00:57:20,160 Speaker 1: come on, you want you know your left fraction? Just 819 00:57:20,280 --> 00:57:26,040 Speaker 1: piach up and really the pictures you're called pizza pictures 820 00:57:26,560 --> 00:58:06,160 Speaker 1: don't already? Dig we out of here. Find all your 821 00:58:06,200 --> 00:58:08,720 Speaker 1: favorite movies and shows faster with accidity, just speaking to 822 00:58:08,800 --> 00:58:11,600 Speaker 1: the excellent voice remote to search across live TV, on demand, 823 00:58:11,760 --> 00:58:15,120 Speaker 1: even Netflix and Prime Video. 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