1 00:00:00,440 --> 00:00:01,440 Speaker 1: John, we got to talk to you. 2 00:00:01,800 --> 00:00:03,440 Speaker 2: Is he gonna come in? I mean, we gotta talk. 3 00:00:03,960 --> 00:00:06,360 Speaker 2: We got stuff we gotta talk about. That was amazing. 4 00:00:06,400 --> 00:00:09,280 Speaker 2: Of course, thank you for Sweet Nothing. That was what 5 00:00:09,360 --> 00:00:12,920 Speaker 2: a great surprise, right Jean Batiste. The album of course 6 00:00:12,960 --> 00:00:15,200 Speaker 2: World Music Radio out tomorrow. We're gonna talk about that. 7 00:00:15,240 --> 00:00:17,759 Speaker 2: We gotta talk about life, we gotta talk about energy, 8 00:00:18,280 --> 00:00:20,320 Speaker 2: and just so great to have him here. 9 00:00:21,640 --> 00:00:24,040 Speaker 1: Fly from the Mercedes Sans Interview Lounge. 10 00:00:27,080 --> 00:00:29,440 Speaker 2: You have no idea, you have no idea what gift 11 00:00:29,480 --> 00:00:31,760 Speaker 2: you have given us and our listeners today. Thank you 12 00:00:31,840 --> 00:00:39,440 Speaker 2: so much, John Sparkly, and I love it. Yes, indeed, wow, 13 00:00:39,600 --> 00:00:41,919 Speaker 2: you know what we knew today would be special. But 14 00:00:42,080 --> 00:00:44,280 Speaker 2: I wish I was there in the room with you 15 00:00:44,400 --> 00:00:45,919 Speaker 2: right now, but I feel like I am. You were 16 00:00:46,000 --> 00:00:48,199 Speaker 2: just incredible. Thank you for coming in today. Thank you, 17 00:00:48,280 --> 00:00:51,000 Speaker 2: my goodness, Thank you so much. I'm glad to be here, 18 00:00:51,680 --> 00:00:55,920 Speaker 2: and I must admit I do have a tear in 19 00:00:55,960 --> 00:00:58,400 Speaker 2: my eye. I got one when you first when you 20 00:00:58,400 --> 00:01:00,400 Speaker 2: did rain Dance, and then when you did Sweet Nothing. 21 00:01:01,000 --> 00:01:03,920 Speaker 2: But also last night, just to kind of brush up 22 00:01:03,960 --> 00:01:07,399 Speaker 2: on all things, John Batiste, I went back several years 23 00:01:07,400 --> 00:01:10,480 Speaker 2: and I watched a CBS Sunday Morning Interview with your 24 00:01:10,520 --> 00:01:11,399 Speaker 2: wife Sileka. 25 00:01:11,480 --> 00:01:13,920 Speaker 1: Oh, yes, and you. I mean, it was just an 26 00:01:13,959 --> 00:01:14,800 Speaker 1: amazing story. 27 00:01:14,840 --> 00:01:18,399 Speaker 2: And you have so many stories going on in your 28 00:01:18,440 --> 00:01:21,760 Speaker 2: life and you share them with us through your music. 29 00:01:21,800 --> 00:01:24,120 Speaker 2: That's one way. How are you doing? How is it 30 00:01:24,120 --> 00:01:25,399 Speaker 2: being John Batiste today? 31 00:01:25,600 --> 00:01:25,839 Speaker 1: Oh? 32 00:01:25,880 --> 00:01:28,959 Speaker 3: My goodness, Well, overall, I'm blessed. I'm so grateful to 33 00:01:29,000 --> 00:01:32,640 Speaker 3: be alive. Life is beautiful, y'all. Let's just you know, 34 00:01:33,080 --> 00:01:35,319 Speaker 3: just be in the president. It's a beautiful thing to 35 00:01:35,360 --> 00:01:38,759 Speaker 3: be here and alive and breathing. I'll picked that song 36 00:01:38,800 --> 00:01:41,560 Speaker 3: sweet Nothing, because it reminds me of my wife and 37 00:01:41,600 --> 00:01:45,840 Speaker 3: our relationship, and it's so incredible what we have been 38 00:01:45,880 --> 00:01:50,000 Speaker 3: able to build to kind of protect ourselves, to insulate 39 00:01:50,080 --> 00:01:53,680 Speaker 3: ourself in the wildness of the jungle out there. 40 00:01:53,760 --> 00:01:56,200 Speaker 2: Yeah, and it is a wild jungle. And I tell you, 41 00:01:56,240 --> 00:01:58,440 Speaker 2: there are so many people listening who are in relationships 42 00:01:58,480 --> 00:02:01,040 Speaker 2: right now, John, who haven't figured out how to cross 43 00:02:01,040 --> 00:02:05,960 Speaker 2: that bridge quite yet. And sometimes it takes devastation, as 44 00:02:06,040 --> 00:02:09,160 Speaker 2: you and your wife went through with her cancer to. 45 00:02:09,200 --> 00:02:10,040 Speaker 1: Make you get it. 46 00:02:10,200 --> 00:02:12,520 Speaker 2: I mean, why does it take that to make us 47 00:02:12,560 --> 00:02:14,160 Speaker 2: finally understand what life is all about? 48 00:02:14,480 --> 00:02:17,720 Speaker 3: Because when you're about to lose life. You see life, 49 00:02:18,480 --> 00:02:21,120 Speaker 3: you're living life, and you don't always see it. You 50 00:02:21,120 --> 00:02:22,440 Speaker 3: don't always see it. 51 00:02:23,120 --> 00:02:23,280 Speaker 1: Man. 52 00:02:23,600 --> 00:02:28,480 Speaker 3: It's something about the closeness to the veil that reveals 53 00:02:28,960 --> 00:02:32,160 Speaker 3: all that you could be leaving behind. And that's something 54 00:02:32,200 --> 00:02:37,079 Speaker 3: that I have learned in such a deeply profound way 55 00:02:37,200 --> 00:02:40,200 Speaker 3: in the last two or three years. And I knew 56 00:02:40,200 --> 00:02:42,680 Speaker 3: that before. She struggled with this in the past, but 57 00:02:43,240 --> 00:02:45,760 Speaker 3: recently just we've been known each other since we're twelve 58 00:02:45,800 --> 00:02:49,919 Speaker 3: thirteen years old, so but just knowing that this could 59 00:02:49,960 --> 00:02:52,400 Speaker 3: be it really puts things in perspective. 60 00:02:53,720 --> 00:02:56,560 Speaker 2: Yet yet if we don't go through it ourselves, it's 61 00:02:56,600 --> 00:02:59,080 Speaker 2: not one hundred percent believable until you do go it 62 00:02:59,480 --> 00:03:01,600 Speaker 2: with yourself. And hey, you know what, another thing I 63 00:03:01,600 --> 00:03:03,720 Speaker 2: love about you, And you're gonna just you're gonna walk 64 00:03:03,720 --> 00:03:05,400 Speaker 2: out of here thinking, oh no, if he's been buttering 65 00:03:05,440 --> 00:03:10,240 Speaker 2: my biscuit all morning. Look, I tell you right now, 66 00:03:10,760 --> 00:03:13,560 Speaker 2: I'm born and raised, born and raised in Texas. We 67 00:03:13,600 --> 00:03:15,200 Speaker 2: spent a lot of our time in New Orleans on 68 00:03:15,200 --> 00:03:17,720 Speaker 2: the street and the streets of New Orleans, along with 69 00:03:17,760 --> 00:03:19,520 Speaker 2: our best friends and Satan lives there too. We know 70 00:03:19,560 --> 00:03:24,120 Speaker 2: that you definitely you definitely have that New Orleans vibe 71 00:03:24,280 --> 00:03:24,720 Speaker 2: going on. 72 00:03:24,800 --> 00:03:26,920 Speaker 4: We're just about to say the same exact thing that 73 00:03:27,000 --> 00:03:28,600 Speaker 4: he just when he walks in the room. I'm like, 74 00:03:28,760 --> 00:03:30,720 Speaker 4: he is New Orleans. This is cool. 75 00:03:30,880 --> 00:03:33,240 Speaker 2: You're a one man parade man. You got it going on. 76 00:03:33,480 --> 00:03:34,320 Speaker 2: I can't help it. 77 00:03:34,440 --> 00:03:34,680 Speaker 1: You know. 78 00:03:34,840 --> 00:03:37,200 Speaker 3: Growing up in New Orleans was like growing up in 79 00:03:37,240 --> 00:03:40,360 Speaker 3: a place that is uh, it's an amusement park, of 80 00:03:40,720 --> 00:03:43,320 Speaker 3: it is. It's so much stimulus, it's so many things. 81 00:03:44,040 --> 00:03:47,080 Speaker 3: I didn't know that it was not like everywhere else 82 00:03:47,120 --> 00:03:49,360 Speaker 3: in the world until I left. I started touring and 83 00:03:49,680 --> 00:03:51,280 Speaker 3: I started seeing the world, and I was like, Wow, 84 00:03:51,520 --> 00:03:52,680 Speaker 3: that's a special place. 85 00:03:53,200 --> 00:03:55,760 Speaker 2: Wow it is And what is it you miss that 86 00:03:55,840 --> 00:03:58,920 Speaker 2: you have to go back to to experience again in 87 00:03:58,920 --> 00:04:01,280 Speaker 2: New Orleans something people who've never been there will never 88 00:04:01,280 --> 00:04:02,400 Speaker 2: really understand until they go. 89 00:04:02,920 --> 00:04:06,440 Speaker 3: Well, I started cooking, and I started actually posting on Instagram. 90 00:04:06,440 --> 00:04:06,920 Speaker 1: I cooked. 91 00:04:07,040 --> 00:04:10,800 Speaker 3: If you want my recipes, forget the music, the recipes. 92 00:04:11,240 --> 00:04:13,920 Speaker 3: Check this out. The red beans and rice yep, oh, 93 00:04:13,960 --> 00:04:15,120 Speaker 3: my goodness, the best. 94 00:04:15,280 --> 00:04:16,760 Speaker 4: You like it spicy, though, don't you. 95 00:04:16,880 --> 00:04:17,159 Speaker 1: Yeah? 96 00:04:17,200 --> 00:04:21,359 Speaker 3: Of course, Well it's it's flavor. It's not the spices 97 00:04:21,400 --> 00:04:23,520 Speaker 3: are important. But I don't want to burn my mouth 98 00:04:23,600 --> 00:04:25,640 Speaker 3: so much. I can take the heat, but I don't 99 00:04:25,680 --> 00:04:28,159 Speaker 3: always do that. But I did make some hot sauce 100 00:04:28,360 --> 00:04:31,680 Speaker 3: this weekend. I made some hot sauce, my very own 101 00:04:32,160 --> 00:04:34,919 Speaker 3: and it's and it's it's gonna be great to taste that. 102 00:04:35,600 --> 00:04:38,280 Speaker 1: And my red bean recipe. I love that. 103 00:04:38,760 --> 00:04:41,520 Speaker 2: Yeah, red beans and rice with a little side of 104 00:04:41,520 --> 00:04:43,159 Speaker 2: hot corn bread helopin or corn bread. 105 00:04:43,560 --> 00:04:48,720 Speaker 1: No, I know you from the South. Yeah, I could 106 00:04:48,800 --> 00:04:51,240 Speaker 1: put my skulls on. I'm good, I'm good. You can 107 00:04:51,400 --> 00:04:53,200 Speaker 1: do it, John. 108 00:04:53,440 --> 00:04:56,960 Speaker 2: Let's talk about this album. Tomorrow's day, right, it drops tomorrow. 109 00:04:57,040 --> 00:05:00,000 Speaker 2: World music radio, and when you were when you were 110 00:05:00,120 --> 00:05:02,960 Speaker 2: doing rain Dance, I was thinking world music. And sometimes 111 00:05:03,000 --> 00:05:05,320 Speaker 2: you remember record stores you could go to like a 112 00:05:05,360 --> 00:05:08,200 Speaker 2: record store and they had a world music section, and 113 00:05:08,600 --> 00:05:11,039 Speaker 2: I was always drawn to that section. 114 00:05:11,200 --> 00:05:13,479 Speaker 1: I don't know why. Maybe you can explain it to me. 115 00:05:13,720 --> 00:05:17,560 Speaker 3: It's so much that we think about when you're talking 116 00:05:17,600 --> 00:05:20,800 Speaker 3: about world music, and it just needs to be expanded 117 00:05:21,000 --> 00:05:24,760 Speaker 3: because you think, oh, anything outside of the United States 118 00:05:24,880 --> 00:05:27,279 Speaker 3: or Europe, and it's the rest of the world. But 119 00:05:27,320 --> 00:05:31,039 Speaker 3: there's so many sa myriad of beautiful cultures and rhythms 120 00:05:31,040 --> 00:05:34,800 Speaker 3: and songs and traditions and then imagine that in a 121 00:05:34,880 --> 00:05:38,039 Speaker 3: pop context on an album today in twenty twenty three, 122 00:05:38,080 --> 00:05:41,280 Speaker 3: twenty four. It just to me that was such an 123 00:05:41,320 --> 00:05:45,720 Speaker 3: incredible artistic proposition. I'm just like vibrating with the frequency 124 00:05:45,720 --> 00:05:47,279 Speaker 3: already right now, I'm just thinking about when I first 125 00:05:47,279 --> 00:05:47,960 Speaker 3: started a year ago. 126 00:05:48,040 --> 00:05:49,800 Speaker 1: I was like, Oh, this. 127 00:05:49,640 --> 00:05:51,960 Speaker 3: Is what is happening, this is what happened, this is 128 00:05:52,000 --> 00:05:55,960 Speaker 3: what's happening in popular music already, let's just make the document. 129 00:05:56,440 --> 00:05:57,280 Speaker 1: Let's do it. Wow. 130 00:05:58,279 --> 00:06:00,479 Speaker 2: And you also brought some really cool peace pull along 131 00:06:00,839 --> 00:06:03,599 Speaker 2: the journey with you. I mean, yeah, you got Lena 132 00:06:03,600 --> 00:06:05,520 Speaker 2: del Ray who you've been working with. You worked with 133 00:06:05,560 --> 00:06:11,600 Speaker 2: her before. If I recall Lil Wayne, Lil Wayne, that's 134 00:06:11,640 --> 00:06:12,200 Speaker 2: my god. 135 00:06:12,320 --> 00:06:15,640 Speaker 4: Now, I know you've known like Alana, right, but how 136 00:06:15,640 --> 00:06:17,200 Speaker 4: do you get hooked up with like a Lil Wayne? 137 00:06:17,440 --> 00:06:18,120 Speaker 1: Lil Wayne? 138 00:06:18,320 --> 00:06:21,839 Speaker 3: Believe this in New Orleans is a connection actually going 139 00:06:21,880 --> 00:06:25,960 Speaker 3: back to that, the seventeenth Ward in New Orleans is 140 00:06:26,000 --> 00:06:29,039 Speaker 3: where he grew up and I grew up for my 141 00:06:29,200 --> 00:06:34,719 Speaker 3: childhood three minutes away from each other, right where he's older, 142 00:06:34,800 --> 00:06:36,720 Speaker 3: but he's were close to the same age, so we 143 00:06:36,720 --> 00:06:39,719 Speaker 3: were probably around there at the same times. And something 144 00:06:39,760 --> 00:06:43,120 Speaker 3: about being from Louisiana. There's a deep brotherhood. There's something 145 00:06:43,160 --> 00:06:47,760 Speaker 3: about his spirit. Forget the collaboration. Just when we met 146 00:06:47,760 --> 00:06:50,600 Speaker 3: it was like it was magic, the chemistry immediately and 147 00:06:50,680 --> 00:06:53,720 Speaker 3: we got some stuff in store. It's amazing that, you know, 148 00:06:54,080 --> 00:06:55,680 Speaker 3: we were able to do it on this record. But 149 00:06:55,680 --> 00:06:59,640 Speaker 3: there's some stuff. Just keep stay tuned. It's crazy, correct, 150 00:07:00,040 --> 00:07:00,839 Speaker 3: it's crazy. 151 00:07:01,160 --> 00:07:04,600 Speaker 1: Is it cray? It's cray? Yeah, scary scary. Give us 152 00:07:04,600 --> 00:07:05,040 Speaker 1: a little way. 153 00:07:05,320 --> 00:07:07,720 Speaker 2: But your leg on the top, girl, and your hands 154 00:07:07,800 --> 00:07:15,760 Speaker 2: on the toilet like a lot of Okay, okay, thank you, 155 00:07:16,560 --> 00:07:22,080 Speaker 2: thank you man. 156 00:07:22,520 --> 00:07:23,600 Speaker 1: That game Brook. 157 00:07:23,760 --> 00:07:29,640 Speaker 3: I'm telling you, I'm sorry about that lollipop. 158 00:07:30,040 --> 00:07:30,880 Speaker 1: That's a good song. 159 00:07:31,840 --> 00:07:34,640 Speaker 2: And also there's someone else that you worked with who 160 00:07:34,720 --> 00:07:36,480 Speaker 2: also just worked for Jonas Brothers and we've known him 161 00:07:36,480 --> 00:07:39,240 Speaker 2: for years. John Bellyon is, in my opinion, one of 162 00:07:39,280 --> 00:07:43,320 Speaker 2: the most talented musicians and artists out there. And so 163 00:07:43,960 --> 00:07:46,200 Speaker 2: you have these friends you're skipping down the yellow Brick 164 00:07:46,280 --> 00:07:48,720 Speaker 2: road with right on this new album, and it's this 165 00:07:48,840 --> 00:07:52,520 Speaker 2: collaboration and all the all the the energy. It I 166 00:07:52,560 --> 00:07:54,640 Speaker 2: can't wait they crack it open and heard the whole thing. 167 00:07:54,640 --> 00:07:56,080 Speaker 2: I haven't heard the whole thing I'm so excited. 168 00:07:56,080 --> 00:07:58,320 Speaker 1: Goodness, Look well we can make that happen. 169 00:07:58,360 --> 00:08:01,440 Speaker 3: But when this record comes out, I'm just so excited 170 00:08:01,440 --> 00:08:04,560 Speaker 3: to share with with everybody. I put all of my 171 00:08:05,160 --> 00:08:09,480 Speaker 3: artistic imagination, emotion, and life experience up to date and 172 00:08:09,520 --> 00:08:11,880 Speaker 3: to this album. But you know the thing about John 173 00:08:11,960 --> 00:08:14,480 Speaker 3: Belly and that song rain Dance that we just played, 174 00:08:14,520 --> 00:08:18,320 Speaker 3: We did that song together, and it's amazing what you 175 00:08:18,400 --> 00:08:23,160 Speaker 3: can do when you have people who think limitless, they 176 00:08:23,200 --> 00:08:25,440 Speaker 3: think uninhibited about creativity. 177 00:08:25,440 --> 00:08:27,000 Speaker 1: There's no genre we're not making. 178 00:08:27,160 --> 00:08:29,400 Speaker 3: We just want music that has that frequency that just 179 00:08:29,480 --> 00:08:32,600 Speaker 3: goes into your soul and just connects to that part 180 00:08:32,679 --> 00:08:34,680 Speaker 3: of yourself that in a child, that thing that just 181 00:08:34,800 --> 00:08:36,160 Speaker 3: is like wow. 182 00:08:35,960 --> 00:08:37,000 Speaker 1: We all have it in there. 183 00:08:37,080 --> 00:08:40,120 Speaker 3: Some we need to reawaken it, others are familiar with it, 184 00:08:40,400 --> 00:08:43,400 Speaker 3: and everybody in between. I'm just like, that's the thing 185 00:08:43,480 --> 00:08:46,000 Speaker 3: about all the folks that collaborated with, they were open 186 00:08:46,240 --> 00:08:49,920 Speaker 3: to just being open and being limitless. 187 00:08:50,520 --> 00:08:51,960 Speaker 2: Let's talk about that. You know a lot of people 188 00:08:51,960 --> 00:08:54,120 Speaker 2: are listening right now who are not artists. They're but 189 00:08:54,200 --> 00:08:57,120 Speaker 2: they're doing they're they're doing the world lives. They're doing 190 00:08:57,120 --> 00:08:59,640 Speaker 2: their lives, and they're doing their thing. How can we 191 00:08:59,760 --> 00:09:05,319 Speaker 2: all be limitless. Hey, this is a lesson. We should 192 00:09:05,320 --> 00:09:08,800 Speaker 2: all walk away and study. I do believe in your opinion. 193 00:09:08,880 --> 00:09:11,000 Speaker 2: How do you tell me who I'm not an artist? 194 00:09:11,080 --> 00:09:12,040 Speaker 2: How to be limitless? 195 00:09:12,960 --> 00:09:15,600 Speaker 3: There's no mistakes, and there's no such thing as failure. 196 00:09:16,240 --> 00:09:19,760 Speaker 3: That's the first thing. Failure is an illusion. When you 197 00:09:19,800 --> 00:09:22,280 Speaker 3: step out and you try to do something and it's 198 00:09:22,320 --> 00:09:27,400 Speaker 3: not what you intended to do. You don't die, nothing happens, 199 00:09:27,400 --> 00:09:30,360 Speaker 3: but you you start from there. If you never stop, 200 00:09:30,440 --> 00:09:34,840 Speaker 3: failure is an illusion. Literally, if you don't stop, failure 201 00:09:35,040 --> 00:09:37,959 Speaker 3: is an illusion. So then what is that breed creativity? 202 00:09:38,120 --> 00:09:40,680 Speaker 3: Because if you don't fail, and that's not even a 203 00:09:40,679 --> 00:09:44,480 Speaker 3: real thing, then you're just making things and you're learning, 204 00:09:44,520 --> 00:09:46,920 Speaker 3: and you're making things and you're learning and you're making things. 205 00:09:47,200 --> 00:09:48,199 Speaker 1: Everybody is an artist. 206 00:09:48,200 --> 00:09:50,520 Speaker 3: Everybody's creating in some way every day, even if you 207 00:09:50,559 --> 00:09:53,320 Speaker 3: don't call yourself an artist. Even when you're talking, you 208 00:09:53,360 --> 00:09:55,560 Speaker 3: don't know what you're gonna say in a conversation. You 209 00:09:55,559 --> 00:09:57,360 Speaker 3: meet the person at the gas station, or you go 210 00:09:57,559 --> 00:10:00,440 Speaker 3: in the supermarket, you say, hello, Hi, do you know 211 00:10:00,480 --> 00:10:05,680 Speaker 3: what a lettuce is? Okay, thank you so much. Believe 212 00:10:05,720 --> 00:10:08,120 Speaker 3: it or not, that's creativity. Thank of creative ways to 213 00:10:08,280 --> 00:10:12,439 Speaker 3: start saying hello to people, you know, you. 214 00:10:12,400 --> 00:10:15,400 Speaker 4: Know, instead of just asking what do you think of 215 00:10:15,440 --> 00:10:15,880 Speaker 4: this weather? 216 00:10:16,400 --> 00:10:16,640 Speaker 5: Yeah? 217 00:10:16,760 --> 00:10:19,280 Speaker 3: Yeah, you know, do something in the waters. We've got 218 00:10:19,280 --> 00:10:20,680 Speaker 3: a lot of stuff like that. You know, when you 219 00:10:20,720 --> 00:10:25,240 Speaker 3: say hello, wiz am way yeat way ah is my favorite. 220 00:10:25,240 --> 00:10:27,040 Speaker 3: I say that all the time. My friends said, whay 221 00:10:27,160 --> 00:10:29,680 Speaker 3: at is like a hello, but it's also philosophical. 222 00:10:29,720 --> 00:10:33,520 Speaker 1: It's like where are you? What? What? Why? Yeah? Way? Yeah? 223 00:10:34,000 --> 00:10:35,280 Speaker 1: I love that. That's great. 224 00:10:35,760 --> 00:10:39,200 Speaker 2: That's it's rather there's a hello, you're actually curious about 225 00:10:39,480 --> 00:10:41,480 Speaker 2: how they're doing, you know, like what are you thinking? 226 00:10:41,559 --> 00:10:41,960 Speaker 1: Where do you? 227 00:10:42,120 --> 00:10:44,360 Speaker 2: What are you loving right now? And the weather rather 228 00:10:44,400 --> 00:10:47,240 Speaker 2: than how's the Weather's? Like, gosh, if I could chop 229 00:10:47,320 --> 00:10:48,440 Speaker 2: up this weather and snort it. 230 00:10:48,480 --> 00:10:48,760 Speaker 1: I would. 231 00:10:48,840 --> 00:10:51,440 Speaker 2: It's so beautiful, Oh my goodness, so so you know, 232 00:10:51,480 --> 00:10:55,920 Speaker 2: so painting pictures with the words. You're right, we as 233 00:10:56,080 --> 00:10:59,400 Speaker 2: human beings, have defined what failure is for some reason. 234 00:10:59,480 --> 00:11:02,480 Speaker 2: Sometimes you lose your money, sometimes you lose your job. 235 00:11:03,200 --> 00:11:08,120 Speaker 2: But no, we gotta be kinder and gentler with ourselves 236 00:11:08,120 --> 00:11:10,360 Speaker 2: about failure or whatever we think failure is. 237 00:11:10,920 --> 00:11:15,319 Speaker 3: That's right, A setback is not a failure. Setbacks happen. 238 00:11:15,920 --> 00:11:18,600 Speaker 3: Things happen that make you feel like, oh my goodness, 239 00:11:18,640 --> 00:11:22,480 Speaker 3: I'm wiggling. But then you get to a point where 240 00:11:22,480 --> 00:11:26,360 Speaker 3: you setting yourself up to move right on forward again. 241 00:11:26,720 --> 00:11:29,480 Speaker 3: So it's all just it's a vacillation between back and 242 00:11:29,520 --> 00:11:32,360 Speaker 3: forth on the axis of life. That's all we're doing. 243 00:11:32,480 --> 00:11:35,000 Speaker 4: And don't you think it becomes so too easy to you. 244 00:11:35,000 --> 00:11:36,559 Speaker 4: You really don't appreciate it as much. 245 00:11:36,600 --> 00:11:39,640 Speaker 3: Oh yeah, I had to fight to sit in this seat, 246 00:11:39,679 --> 00:11:42,200 Speaker 3: I tell you that. But in general, I think that's 247 00:11:42,240 --> 00:11:45,360 Speaker 3: the best thing. The comfort zone of a person is 248 00:11:45,400 --> 00:11:49,040 Speaker 3: a dangerous place. You gotta get into a place. Even 249 00:11:49,080 --> 00:11:51,760 Speaker 3: with music. I don't like the music to feel where 250 00:11:51,760 --> 00:11:54,040 Speaker 3: the musicians are too comfortable. I like there to be 251 00:11:54,120 --> 00:11:57,920 Speaker 3: this unexpected quality to what can happen. Even if we're 252 00:11:58,040 --> 00:12:00,480 Speaker 3: so tightly rehearsed on TV band bad Man, we're doing 253 00:12:00,480 --> 00:12:05,520 Speaker 3: the thing. Still, let's leave some room for the creative 254 00:12:05,559 --> 00:12:08,400 Speaker 3: process to breed some decisions that we have to make 255 00:12:08,440 --> 00:12:09,680 Speaker 3: collectively in this moment. 256 00:12:10,800 --> 00:12:11,280 Speaker 1: I love it. 257 00:12:11,400 --> 00:12:12,839 Speaker 2: By the way, if you're just turning us on, make 258 00:12:12,840 --> 00:12:15,520 Speaker 2: sure you listen on demand later to hear the beginning 259 00:12:15,520 --> 00:12:19,240 Speaker 2: of our conversation with John Batiste. And if you want 260 00:12:19,280 --> 00:12:21,240 Speaker 2: to learn more about his music, you can go back 261 00:12:21,280 --> 00:12:23,680 Speaker 2: to We Are, which is one of my favorite albums 262 00:12:23,679 --> 00:12:29,959 Speaker 2: of all time. Hello, I mean, I mean you walked 263 00:12:29,960 --> 00:12:31,840 Speaker 2: out of the you walked out of a room with 264 00:12:31,880 --> 00:12:34,720 Speaker 2: some statues from that album, if I'm not mistaken. 265 00:12:34,840 --> 00:12:38,600 Speaker 3: Oh yeah, we had a good night, baby, Yes you did. 266 00:12:39,160 --> 00:12:41,440 Speaker 2: But now we're talking about World Music Radio, which is 267 00:12:41,440 --> 00:12:44,800 Speaker 2: out tomorrow. Without giving way too much or give it 268 00:12:44,800 --> 00:12:46,760 Speaker 2: all away, where are we going? What kind of journey 269 00:12:46,800 --> 00:12:49,280 Speaker 2: are you taking us on? In a world music radio? 270 00:12:49,840 --> 00:12:53,920 Speaker 3: This is an album. This is an album. This got 271 00:12:54,080 --> 00:12:56,040 Speaker 3: song singles on it, all kinds of song. You could 272 00:12:56,120 --> 00:12:58,400 Speaker 3: rock the song, repeat and do that, but this is 273 00:12:58,440 --> 00:13:00,640 Speaker 3: a journey. You listen to this thing from the top 274 00:13:00,679 --> 00:13:04,280 Speaker 3: to the bottom. It's an hour and seven minut hour 275 00:13:04,640 --> 00:13:07,880 Speaker 3: something like that. Basically you get this journey is a 276 00:13:07,920 --> 00:13:12,160 Speaker 3: movie in that time span, and you can create such 277 00:13:12,200 --> 00:13:14,440 Speaker 3: an incredible place in your life for this music. I 278 00:13:14,480 --> 00:13:17,200 Speaker 3: truly we tell it it. One of my mentors told me, 279 00:13:17,240 --> 00:13:20,560 Speaker 3: you gotta make music if you can and you're inspired to, 280 00:13:20,840 --> 00:13:23,880 Speaker 3: and it's not contrived, it's authentic. Make music that people 281 00:13:24,000 --> 00:13:27,520 Speaker 3: can fit into all of the different functions of their life. 282 00:13:27,559 --> 00:13:30,080 Speaker 3: As a friend. But it listen to it with your grandparents, 283 00:13:30,120 --> 00:13:32,200 Speaker 3: and listen to it with your kids. You can listen 284 00:13:32,240 --> 00:13:33,880 Speaker 3: to it driving in your car. You could listen to 285 00:13:33,880 --> 00:13:35,480 Speaker 3: it if you want to be with a million people 286 00:13:35,559 --> 00:13:38,240 Speaker 3: dancing industry, or you mis listened to it by yourself, 287 00:13:38,360 --> 00:13:41,679 Speaker 3: you know, just creating we I think I finally started 288 00:13:41,720 --> 00:13:45,480 Speaker 3: to tap into how to make that kind of music 289 00:13:45,600 --> 00:13:48,160 Speaker 3: that is just like and it's authentic to me. I 290 00:13:48,480 --> 00:13:51,800 Speaker 3: didn't compromise or do anything against my artistic values, so 291 00:13:51,840 --> 00:13:53,680 Speaker 3: that was a win for me. But in general, I 292 00:13:53,679 --> 00:13:56,160 Speaker 3: think it's this album is a friend to you. That's 293 00:13:56,160 --> 00:13:56,880 Speaker 3: what I'll give you. 294 00:13:57,040 --> 00:14:00,440 Speaker 1: Wow, I like that. That's what Daniel about what we 295 00:14:00,480 --> 00:14:01,480 Speaker 1: do for a living. 296 00:14:01,520 --> 00:14:04,520 Speaker 2: We are we're in the friendship business, right and so 297 00:14:04,600 --> 00:14:08,160 Speaker 2: your album is a friend. And by the way, we 298 00:14:08,200 --> 00:14:10,280 Speaker 2: had a caller call in and we had her on 299 00:14:10,320 --> 00:14:11,960 Speaker 2: the air while you were warming up outside. 300 00:14:11,960 --> 00:14:13,800 Speaker 1: You did not hear this call. I don't think no, 301 00:14:13,920 --> 00:14:16,080 Speaker 1: I think we have it. Did you hear a little 302 00:14:16,080 --> 00:14:17,720 Speaker 1: bit a little? But I didn't really get a chance 303 00:14:17,760 --> 00:14:18,760 Speaker 1: to we were warming up. 304 00:14:19,240 --> 00:14:21,320 Speaker 2: Yeah, And okay, so I'm going to play it for you. 305 00:14:21,360 --> 00:14:24,200 Speaker 2: This is Jen who sent us a text. You have 306 00:14:24,280 --> 00:14:26,280 Speaker 2: that the call scary playback for John. 307 00:14:27,160 --> 00:14:28,680 Speaker 5: I heard you say that John was going to be 308 00:14:28,680 --> 00:14:31,240 Speaker 5: on today, and I'm a big fan of his. I'm 309 00:14:31,280 --> 00:14:34,520 Speaker 5: so excited about his album coming out tomorrow. I was 310 00:14:34,560 --> 00:14:38,480 Speaker 5: actually reading wonderful things that his lovely wife wrote about 311 00:14:38,560 --> 00:14:41,720 Speaker 5: him last night before I went to bed. But he 312 00:14:41,880 --> 00:14:47,320 Speaker 5: is just such a wonderful musician and an advocate for 313 00:14:47,400 --> 00:14:49,920 Speaker 5: so many good things that I'm sure people aren't even 314 00:14:50,160 --> 00:14:54,880 Speaker 5: necessarily aware of. I'm a lymphoma patient and I know 315 00:14:54,960 --> 00:14:59,800 Speaker 5: his wife has survived blood cancer twice and has said 316 00:14:59,800 --> 00:15:03,120 Speaker 5: that he he's been by her side through wonderful things 317 00:15:03,160 --> 00:15:06,000 Speaker 5: and still makes this amazing art that gives so much 318 00:15:06,040 --> 00:15:08,320 Speaker 5: to so many, and he's just a great person. 319 00:15:09,120 --> 00:15:11,720 Speaker 2: Wow, there you go. That's what they're saying behind your back. John, 320 00:15:12,800 --> 00:15:15,160 Speaker 2: I thought you should know what evil things you're saying 321 00:15:15,160 --> 00:15:16,120 Speaker 2: about you behind your back. 322 00:15:16,240 --> 00:15:16,520 Speaker 1: Wow. 323 00:15:16,840 --> 00:15:20,280 Speaker 3: That's so beautiful. That's it. It really means a lot 324 00:15:20,320 --> 00:15:22,280 Speaker 3: to me. Thank you so much for sharing that, and 325 00:15:22,400 --> 00:15:25,640 Speaker 3: thank you out there. I send my love to you. 326 00:15:26,440 --> 00:15:29,000 Speaker 3: There you go, Nicole is online nineteen. 327 00:15:29,040 --> 00:15:31,360 Speaker 2: Let's let's take it one more call because people and texting, 328 00:15:31,440 --> 00:15:33,200 Speaker 2: We've got so many texts coming in for your John 329 00:15:33,360 --> 00:15:34,480 Speaker 2: we'll go to Nicole. 330 00:15:34,520 --> 00:15:36,640 Speaker 1: Hei. Nicole, say hi to John Patti. 331 00:15:36,880 --> 00:15:37,240 Speaker 6: Hi. 332 00:15:37,960 --> 00:15:46,320 Speaker 7: Hello, I'm excited to take you day. 333 00:15:44,560 --> 00:15:48,040 Speaker 1: Yes i am. 334 00:15:48,640 --> 00:15:51,520 Speaker 6: I'm from East sounds like New Jersey. I'm currently waiting 335 00:15:51,560 --> 00:15:54,840 Speaker 6: for the train to come to the city. I worked 336 00:15:54,880 --> 00:15:55,880 Speaker 6: on Broadway. 337 00:15:56,840 --> 00:15:58,120 Speaker 1: Wow, that's great. 338 00:15:58,320 --> 00:16:01,640 Speaker 3: Yeah, musical where in Broadway? 339 00:16:02,280 --> 00:16:04,680 Speaker 6: I worked on all of them. I'm actually a talent agent. 340 00:16:05,000 --> 00:16:05,480 Speaker 1: Amazing. 341 00:16:07,440 --> 00:16:12,480 Speaker 6: Yeah, so you've all met plenty of my clients over 342 00:16:12,520 --> 00:16:16,560 Speaker 6: the years. 343 00:16:17,040 --> 00:16:18,680 Speaker 1: Nicole, What are you getting? What kind of energy? 344 00:16:18,720 --> 00:16:20,320 Speaker 2: What kind of vibe are you hearing on the other 345 00:16:20,400 --> 00:16:23,200 Speaker 2: side way down there in East Brunswick, New Jersey? 346 00:16:24,120 --> 00:16:27,560 Speaker 6: What kind of energy? Oh, just the typical Central Jersey 347 00:16:28,000 --> 00:16:28,640 Speaker 6: you know, I. 348 00:16:29,840 --> 00:16:35,840 Speaker 2: Jo the Central Jersey energy. John Batiste energy. 349 00:16:35,840 --> 00:16:39,560 Speaker 1: What do you think? What a great guy, right, you. 350 00:16:39,560 --> 00:16:42,800 Speaker 7: Know he's got I mean that New Orleans flavor which 351 00:16:42,840 --> 00:16:46,040 Speaker 7: he was just speaking about. John, You're just such a 352 00:16:46,120 --> 00:16:49,800 Speaker 7: special artist. What you bring to your music, the messages 353 00:16:50,080 --> 00:16:53,920 Speaker 7: and obviously talent is just so beautiful and that sounds 354 00:16:54,080 --> 00:16:57,080 Speaker 7: very often, especially your style. So I just think it's 355 00:16:57,120 --> 00:17:01,320 Speaker 7: you're such a unique artist. I loved looking you and 356 00:17:01,320 --> 00:17:03,440 Speaker 7: and I'll tell you this is actually a funny story. 357 00:17:03,480 --> 00:17:06,120 Speaker 7: In the middle of the pandemic. Coles was using your 358 00:17:06,119 --> 00:17:07,240 Speaker 7: sunny side of the street. 359 00:17:07,720 --> 00:17:10,280 Speaker 1: Oh yeah, yeah, yeah, yeah. 360 00:17:10,320 --> 00:17:12,360 Speaker 6: And you know it was the middle of the dog 361 00:17:12,480 --> 00:17:14,480 Speaker 6: days of the pandemic. I was sitting at home all 362 00:17:14,520 --> 00:17:17,359 Speaker 6: the time, and every time that commercial came on, it 363 00:17:17,520 --> 00:17:18,720 Speaker 6: just lifted my spirits. 364 00:17:19,160 --> 00:17:21,960 Speaker 2: Oh wow, a cold commercial of all things. 365 00:17:22,080 --> 00:17:24,960 Speaker 1: Yeah, all thing. Here he goes. 366 00:17:39,480 --> 00:17:45,120 Speaker 2: When our guests just whip it out, you can say 367 00:17:45,160 --> 00:17:47,399 Speaker 2: you have whipped it out on Elvis Durantshaw. 368 00:17:49,440 --> 00:17:50,720 Speaker 1: Nicole. Thank you so much. 369 00:17:50,720 --> 00:17:53,120 Speaker 2: You have a great commute in and I can't wait 370 00:17:54,200 --> 00:17:55,960 Speaker 2: to down at the Panera bread store. 371 00:17:57,760 --> 00:18:03,879 Speaker 1: Nicole there in there by Nicole. A trip in. John. 372 00:18:04,000 --> 00:18:06,440 Speaker 2: You know another thing you did not hear us say 373 00:18:06,480 --> 00:18:08,359 Speaker 2: behind your back. And I was talking to Daniel about this. 374 00:18:08,359 --> 00:18:14,600 Speaker 2: We've been doing how many years together. It's moments like this. 375 00:18:14,720 --> 00:18:17,000 Speaker 2: It's days like this that really really make us love 376 00:18:17,040 --> 00:18:18,800 Speaker 2: what we do for a living. And you know, we're 377 00:18:18,800 --> 00:18:22,000 Speaker 2: so blessed the gift that you that you give without 378 00:18:22,040 --> 00:18:23,159 Speaker 2: even knowing you're giving them. 379 00:18:23,200 --> 00:18:25,960 Speaker 1: John, It's a mountain of gifts. And we thank you 380 00:18:26,040 --> 00:18:26,480 Speaker 1: so much. 381 00:18:26,600 --> 00:18:29,560 Speaker 3: Oh, thank you so much for having me. And wow, 382 00:18:29,600 --> 00:18:31,879 Speaker 3: what an incredible thing y'all have created together. 383 00:18:32,080 --> 00:18:32,439 Speaker 1: Truly. 384 00:18:32,520 --> 00:18:36,120 Speaker 3: Well, it feels incredible to be here. I must say 385 00:18:36,200 --> 00:18:37,080 Speaker 3: thank you so much. 386 00:18:38,240 --> 00:18:40,880 Speaker 2: But we're gonna have to say we'll see you next time. 387 00:18:40,920 --> 00:18:42,439 Speaker 2: But I want to play another song. I think I 388 00:18:42,440 --> 00:18:47,520 Speaker 2: have another song from the album do We Drink Water? Oh, okay, 389 00:18:47,880 --> 00:18:49,639 Speaker 2: here's the thing. Now, I'll give you a funny tidbit 390 00:18:49,640 --> 00:18:53,040 Speaker 2: about this this. I think you did this with John bellyon. Yes, yes, 391 00:18:53,080 --> 00:18:56,240 Speaker 2: he's singing. That's the chorus. I love him, you know, 392 00:18:56,280 --> 00:18:58,720 Speaker 2: we love him, We love you now right now, here's 393 00:18:58,760 --> 00:19:00,800 Speaker 2: the thing. I have a production. We're gonna screw up 394 00:19:00,800 --> 00:19:03,480 Speaker 2: your art and hear me out. At the end of 395 00:19:03,480 --> 00:19:06,040 Speaker 2: the song, there's like a like a five to eight 396 00:19:06,160 --> 00:19:09,960 Speaker 2: second piece of silence, and then the song resolves. 397 00:19:10,080 --> 00:19:10,240 Speaker 3: Right. 398 00:19:10,520 --> 00:19:14,160 Speaker 2: Yes, you see on our show because of whatever we're doing, 399 00:19:14,320 --> 00:19:16,280 Speaker 2: if we have more than five seconds of dead air, 400 00:19:16,760 --> 00:19:19,120 Speaker 2: it starts playing commercials without us control again. 401 00:19:19,000 --> 00:19:22,680 Speaker 1: So that'saz we had edited out the silence. 402 00:19:22,800 --> 00:19:25,679 Speaker 2: It says, there's like a little blip of silence, So 403 00:19:25,960 --> 00:19:27,480 Speaker 2: we kind of screwed with you our little bits. 404 00:19:27,560 --> 00:19:34,080 Speaker 1: But no, it's a different context. I get it. Wait, 405 00:19:34,119 --> 00:19:39,399 Speaker 1: another context, baby, let's go. I wish John. 406 00:19:39,160 --> 00:19:42,639 Speaker 4: Could bottle whatever it is that gives him this wonderful 407 00:19:42,720 --> 00:19:44,919 Speaker 4: energy in this positivity, and we could all buy it 408 00:19:45,000 --> 00:19:46,320 Speaker 4: and drink it every morning. 409 00:19:46,840 --> 00:19:49,960 Speaker 1: That's fabulous he made I think I had some last night. 410 00:19:50,000 --> 00:19:53,879 Speaker 2: I don't want to get into it, but we're feeling 411 00:19:53,960 --> 00:19:56,400 Speaker 2: fine today, John Batiste. Of course, the album is World 412 00:19:56,520 --> 00:19:59,280 Speaker 2: Music Radio. It's out tomorrow. You heard rain Dance already 413 00:19:59,280 --> 00:20:02,439 Speaker 2: and now here's there's another song called Drinkwater. John, you 414 00:20:02,560 --> 00:20:04,160 Speaker 2: always have a seat at our table. 415 00:20:04,200 --> 00:20:05,800 Speaker 1: We love you. Thank you so much for coming in