1 00:00:05,160 --> 00:00:07,440 Speaker 1: Hey, this is Anny and Samantha. I come to stuff 2 00:00:07,440 --> 00:00:19,079 Speaker 1: I ever told you production by Heart Radio and Listeners. 3 00:00:19,160 --> 00:00:21,520 Speaker 2: Just a peak behind the scenes. When we do these classics, 4 00:00:21,560 --> 00:00:25,680 Speaker 2: we do them in batches, so sometimes I'll be like, oh, yeah, 5 00:00:26,040 --> 00:00:29,920 Speaker 2: I forgot we recorded that week's ago. But the three 6 00:00:30,240 --> 00:00:34,720 Speaker 2: that we're recording today are all we're moving into our 7 00:00:34,880 --> 00:00:41,160 Speaker 2: October kind of fall autumn creepy times. And I didn't 8 00:00:41,159 --> 00:00:44,240 Speaker 2: really mean to do this, but all of them are. 9 00:00:44,520 --> 00:00:47,280 Speaker 1: Irrelated to that. They love it. 10 00:00:47,560 --> 00:00:51,479 Speaker 2: Yeah, starting with we're bringing back the episode we did 11 00:00:51,520 --> 00:00:57,080 Speaker 2: on Wednesday Adams, because the new season on Wednesday came 12 00:00:57,120 --> 00:00:58,840 Speaker 2: out not a sponsor. 13 00:00:59,120 --> 00:01:00,640 Speaker 1: Wasn't a sponsor? Then not a sponsor? 14 00:01:00,720 --> 00:01:04,720 Speaker 2: Now wish I did watch and enjoyed, and I always 15 00:01:04,800 --> 00:01:08,040 Speaker 2: you know, and I hear that theme song, I know 16 00:01:08,200 --> 00:01:09,160 Speaker 2: what's coming. 17 00:01:08,920 --> 00:01:13,320 Speaker 1: I know Halloween is all the way. Yes, so please 18 00:01:13,400 --> 00:01:14,800 Speaker 1: enjoy this classic episode. 19 00:01:20,240 --> 00:01:21,840 Speaker 3: Hey, this is Annie and Samantha. 20 00:01:21,880 --> 00:01:23,440 Speaker 1: I'm not good to Steffan never told you a protection 21 00:01:23,480 --> 00:01:24,880 Speaker 1: of iHeartRadio. 22 00:01:33,720 --> 00:01:38,120 Speaker 2: And welcome to another sub sub sub whatever sub segment fictional. 23 00:01:38,200 --> 00:01:44,080 Speaker 2: When around the world, I will say I'm in a 24 00:01:44,120 --> 00:01:46,319 Speaker 2: bit of a pickle. I'm in a bit of a pickle. 25 00:01:46,360 --> 00:01:53,680 Speaker 2: Samantha because I really wanted to do and I continue 26 00:01:53,760 --> 00:01:55,880 Speaker 2: to want to do a few last of us characters 27 00:01:55,880 --> 00:01:59,280 Speaker 2: because the show is coming out in January and I'm 28 00:01:59,360 --> 00:02:01,280 Speaker 2: hyped for this and I want to talk about them. 29 00:02:01,520 --> 00:02:04,720 Speaker 1: But now it's like a strange spoilery. 30 00:02:04,240 --> 00:02:07,360 Speaker 2: Zone because the game has been out since twenty thirteen. 31 00:02:07,800 --> 00:02:09,800 Speaker 2: But everybody I thought of, I'm like, that's a pretty 32 00:02:09,840 --> 00:02:13,720 Speaker 2: big spoiler if somebody has somehow managed to avoid getting 33 00:02:13,760 --> 00:02:15,559 Speaker 2: spoiled from listening to this show. 34 00:02:16,000 --> 00:02:20,359 Speaker 4: Right to be fair, outside of listening to the show, obviously, 35 00:02:21,000 --> 00:02:23,760 Speaker 4: but with the show coming on on HBO, had it 36 00:02:23,800 --> 00:02:26,160 Speaker 4: not been for you, I would not know anything about 37 00:02:26,160 --> 00:02:26,480 Speaker 4: the show. 38 00:02:27,320 --> 00:02:27,640 Speaker 1: I know. 39 00:02:29,240 --> 00:02:31,920 Speaker 2: But if I talked about the people I was going 40 00:02:32,000 --> 00:02:34,880 Speaker 2: to talk about, it would have been a major spoiler. 41 00:02:35,280 --> 00:02:37,600 Speaker 2: There was four people I thought of, four, and all 42 00:02:37,600 --> 00:02:38,959 Speaker 2: of them I was like, oh no, I can't. 43 00:02:39,120 --> 00:02:43,520 Speaker 4: Oh no, Well, I've definitely done spoiler days years before, 44 00:02:43,600 --> 00:02:45,280 Speaker 4: So I think as long as you do the spoiler 45 00:02:45,320 --> 00:02:47,960 Speaker 4: alert at the top, yeah, okay, I think we should. 46 00:02:47,960 --> 00:02:49,200 Speaker 4: I think you should think about it. You don't have 47 00:02:49,240 --> 00:02:50,200 Speaker 4: to be in that pickle anymore. 48 00:02:50,560 --> 00:02:51,960 Speaker 2: You're trying to get me out of this pickle. I 49 00:02:52,040 --> 00:02:55,079 Speaker 2: was you should have seen me deliberate. I know it 50 00:02:55,120 --> 00:02:57,640 Speaker 2: wouldn't surprise you, but I was like, just couldn't. 51 00:02:57,720 --> 00:02:59,680 Speaker 3: No, it doesn't you deliberating on things. 52 00:02:59,480 --> 00:02:59,760 Speaker 2: Does not. 53 00:03:02,120 --> 00:03:03,200 Speaker 1: No well. 54 00:03:03,240 --> 00:03:05,720 Speaker 2: And the interesting thing is I actually had another character 55 00:03:05,760 --> 00:03:07,600 Speaker 2: I was going to talk about today who I really 56 00:03:08,040 --> 00:03:09,200 Speaker 2: cannot wait to talk about. 57 00:03:10,120 --> 00:03:12,560 Speaker 1: It is from a cartoon series. I'll give you a 58 00:03:12,560 --> 00:03:13,080 Speaker 1: little hint. 59 00:03:13,480 --> 00:03:15,080 Speaker 3: Oh, I have no idea. 60 00:03:15,240 --> 00:03:17,800 Speaker 2: I know who wrote you could look at the calendar, 61 00:03:17,919 --> 00:03:20,480 Speaker 2: but don't. Don't let it be a surprise. No, no, 62 00:03:21,480 --> 00:03:27,160 Speaker 2: But I bumped it because the internet is on fire 63 00:03:27,760 --> 00:03:32,240 Speaker 2: with this fictional character, because today we are talking about 64 00:03:32,720 --> 00:03:39,040 Speaker 2: Wednesday Adams, the deadpan goth character who has ye just 65 00:03:39,160 --> 00:03:43,720 Speaker 2: taken over the internet. And that's saying something that I 66 00:03:43,760 --> 00:03:47,680 Speaker 2: know about it because I'm not on TikTok, but things 67 00:03:47,760 --> 00:03:49,440 Speaker 2: have come my way and. 68 00:03:51,560 --> 00:03:53,160 Speaker 3: I did watch the show, so I'm excited. 69 00:03:53,720 --> 00:03:59,440 Speaker 4: But because I am from the original era of Christina Lucci, 70 00:03:59,600 --> 00:04:02,800 Speaker 4: not Rich, I guess the secondary era of Riti playing 71 00:04:02,840 --> 00:04:03,280 Speaker 4: the character. 72 00:04:03,720 --> 00:04:05,320 Speaker 3: Had there been social media like that. 73 00:04:05,280 --> 00:04:07,640 Speaker 4: I think she would have really owned it because she 74 00:04:07,720 --> 00:04:15,000 Speaker 4: kind of owned our generation between this character Casper and 75 00:04:15,040 --> 00:04:16,800 Speaker 4: Now and then those movies. 76 00:04:17,040 --> 00:04:19,920 Speaker 3: She I think would have been could have been a 77 00:04:19,960 --> 00:04:20,840 Speaker 3: little more iconic. 78 00:04:20,920 --> 00:04:23,160 Speaker 4: I mean to the fact that she was in this 79 00:04:23,200 --> 00:04:25,240 Speaker 4: news edition because she was that iconic. 80 00:04:25,880 --> 00:04:27,760 Speaker 2: Yes, well, I hope you'll talk about that when we 81 00:04:27,800 --> 00:04:29,680 Speaker 2: get to it, because I've actually never seen. 82 00:04:29,480 --> 00:04:31,880 Speaker 1: It any of those things. 83 00:04:33,120 --> 00:04:38,200 Speaker 2: So yes, I spoilers, but very light spoilers, I'll say. 84 00:04:39,240 --> 00:04:41,320 Speaker 2: For the show, I haven't really had a lot of 85 00:04:41,360 --> 00:04:43,920 Speaker 2: experience with the Adams family. I vaguely remember watching some 86 00:04:43,960 --> 00:04:45,839 Speaker 2: of the very old show when I was a kid 87 00:04:46,120 --> 00:04:50,000 Speaker 2: because my dad liked it in the song the theme 88 00:04:50,040 --> 00:04:52,240 Speaker 2: song was on the Halloween playlist every year. 89 00:04:52,680 --> 00:04:55,479 Speaker 1: But that's about that was the extent of my knowledge. 90 00:04:55,520 --> 00:05:00,840 Speaker 2: I did watch Netflix's Wednesday, which broke the platforms record 91 00:05:00,920 --> 00:05:05,200 Speaker 2: for most hours streamed. I did always like the character though, 92 00:05:05,200 --> 00:05:07,440 Speaker 2: even though I hadn't like seen a lot of the 93 00:05:07,480 --> 00:05:09,760 Speaker 2: material she was in. I always liked her. I liked 94 00:05:09,800 --> 00:05:12,359 Speaker 2: the look of her. I liked the general vibe of her. 95 00:05:13,120 --> 00:05:15,520 Speaker 2: I think I wanted to dresses her. I have a 96 00:05:15,560 --> 00:05:18,080 Speaker 2: Wednesday outfit up here. I never did it, but I 97 00:05:18,120 --> 00:05:20,080 Speaker 2: have the outfit that's ready to go. 98 00:05:21,040 --> 00:05:24,600 Speaker 4: That iconic dress, which has always been a part of 99 00:05:24,640 --> 00:05:28,600 Speaker 4: the character since the beginning. That's still a big fashion 100 00:05:28,600 --> 00:05:31,560 Speaker 4: trend and it was even before this release. Has been 101 00:05:31,760 --> 00:05:34,839 Speaker 4: like I remember looking for something for like nice black dresses, 102 00:05:35,080 --> 00:05:37,520 Speaker 4: and that dress would pop up and I'm like, why 103 00:05:37,600 --> 00:05:39,080 Speaker 4: would I, as an adult thing, want to go to 104 00:05:39,120 --> 00:05:40,200 Speaker 4: a wedding wearing that? 105 00:05:42,160 --> 00:05:45,440 Speaker 1: But no, it would be awesome people. You get people 106 00:05:45,520 --> 00:05:51,799 Speaker 1: talking true. So here's the quote about the numbers. 107 00:05:51,920 --> 00:05:54,719 Speaker 2: Tim Burton's Adams Family reboot series has become only the 108 00:05:54,760 --> 00:05:56,760 Speaker 2: third Netflix show to rack up a billion hours of 109 00:05:56,800 --> 00:05:58,320 Speaker 2: views in a month, and I believe it's gone up 110 00:05:58,360 --> 00:06:01,440 Speaker 2: since then. The dance, the Wednesday Dance, which has a 111 00:06:01,440 --> 00:06:04,000 Speaker 2: lot of issues and back and forth round. 112 00:06:03,760 --> 00:06:06,920 Speaker 1: It, but it is everywhere. 113 00:06:07,360 --> 00:06:09,840 Speaker 2: Tim Burton, who directed a bunch of the episodes, is problematic, 114 00:06:09,880 --> 00:06:11,320 Speaker 2: but we are not talking about that today. That's a 115 00:06:11,320 --> 00:06:13,719 Speaker 2: different thing. And yeah, we're not really going to go 116 00:06:13,800 --> 00:06:16,280 Speaker 2: in depth on plot stuff. We're more just talking about 117 00:06:16,279 --> 00:06:22,679 Speaker 2: the character. So yeah, minor spoilers, but not nothing major. Also, 118 00:06:22,800 --> 00:06:27,560 Speaker 2: I was born on a Wednesday and the poem Wednesday's 119 00:06:27,600 --> 00:06:29,880 Speaker 2: Child is full of flow. I loved that poem when 120 00:06:29,880 --> 00:06:32,159 Speaker 2: I was a kid because I really wanted to be emo. 121 00:06:32,279 --> 00:06:35,840 Speaker 1: Even young. I was like, ah, yes, yeah, the tragedy 122 00:06:36,000 --> 00:06:38,039 Speaker 1: of being born on a Wednesday. 123 00:06:38,400 --> 00:06:40,400 Speaker 2: And there's a series called The Keys to the Kingdom 124 00:06:40,480 --> 00:06:42,039 Speaker 2: series which I loved when I was a kid, and 125 00:06:42,040 --> 00:06:43,599 Speaker 2: it had all these kind of like. 126 00:06:44,960 --> 00:06:47,040 Speaker 1: Every character Monday, Tuesday, Wednesday. 127 00:06:47,080 --> 00:06:51,960 Speaker 2: It represented like one of the seven Sins, and Wednesday 128 00:06:52,040 --> 00:06:55,000 Speaker 2: was one of my favorites. Okay, so let's talk about 129 00:06:55,000 --> 00:06:59,960 Speaker 2: this character. So Wednesday Friday Adams is one of the 130 00:07:00,040 --> 00:07:03,039 Speaker 2: main characters of the Adams Family franchise is depicted in 131 00:07:03,080 --> 00:07:06,200 Speaker 2: the comics that first debuted in nineteen thirty eight in 132 00:07:06,240 --> 00:07:09,760 Speaker 2: The New Yorker, and TV shows, films, and a musical. 133 00:07:10,360 --> 00:07:13,119 Speaker 2: If you don't know, at the core, the Adams family 134 00:07:13,200 --> 00:07:16,400 Speaker 2: is sort of a wacky, creepy, outcast family of gothy 135 00:07:16,680 --> 00:07:20,200 Speaker 2: kind of monster adjacent folks. They're sort of like the 136 00:07:20,240 --> 00:07:24,480 Speaker 2: Halloween version of something like the Brady's. So Wednesday's parents 137 00:07:24,520 --> 00:07:27,400 Speaker 2: are more Titia and Gomez Adams, and she is the 138 00:07:27,400 --> 00:07:31,760 Speaker 2: older sister to Pugsley and Pubert Adams, though the ages 139 00:07:31,800 --> 00:07:35,320 Speaker 2: and order has changed a lot. And yeah, she was 140 00:07:35,400 --> 00:07:39,200 Speaker 2: named after the nursery rhymeline. Wednesday's child is full of woe. 141 00:07:39,760 --> 00:07:41,920 Speaker 2: Over the years, she has been played by several people, 142 00:07:41,960 --> 00:07:47,560 Speaker 2: from Lisa Louring, Christina Valenzuela, Nicole Fuguiere, Khylie Grace Moretz, 143 00:07:47,760 --> 00:07:51,720 Speaker 2: Christina Ricci, and now Jena Ortega. She's usually depicted as 144 00:07:51,760 --> 00:07:55,560 Speaker 2: having pale skin, dark hair and braided pigtails, black clothes, 145 00:07:55,880 --> 00:07:59,640 Speaker 2: and just a general gothy look, although that's not always 146 00:07:59,680 --> 00:08:05,320 Speaker 2: true but kind of generally right yeah, And this has 147 00:08:05,360 --> 00:08:09,760 Speaker 2: also sparked conversation about Latina representation because generally, but not always, 148 00:08:09,760 --> 00:08:12,800 Speaker 2: Gomez has been played by Latino actor, but it was 149 00:08:12,880 --> 00:08:16,240 Speaker 2: never really a big piece of his identity. And while 150 00:08:16,240 --> 00:08:18,520 Speaker 2: people were excited for Tega on the new show, the 151 00:08:18,560 --> 00:08:22,760 Speaker 2: same is true for her character and her very sympathetic 152 00:08:22,840 --> 00:08:25,960 Speaker 2: ancestor Goodie in the show is a white settler with 153 00:08:26,000 --> 00:08:29,160 Speaker 2: blonde hair, and many argue should have been a meso 154 00:08:29,160 --> 00:08:32,080 Speaker 2: American or indigenous person instead. And on top of that, 155 00:08:32,120 --> 00:08:34,960 Speaker 2: a lot of the bullies, who admittedly were redeemed but 156 00:08:35,120 --> 00:08:39,360 Speaker 2: still were the few black characters in the show right, so. 157 00:08:39,320 --> 00:08:41,760 Speaker 3: Including owning a pilgrim world, which is like yes. 158 00:09:00,160 --> 00:09:01,080 Speaker 1: On the creators and actors. 159 00:09:01,080 --> 00:09:03,800 Speaker 2: The character has changed in its depiction, but a few 160 00:09:03,800 --> 00:09:06,560 Speaker 2: things generally remain the same. For instance, when she was 161 00:09:06,559 --> 00:09:09,000 Speaker 2: first introduced in the nineteen sixties show as a six 162 00:09:09,360 --> 00:09:11,800 Speaker 2: year old girl. People argue about her age all the time. 163 00:09:12,240 --> 00:09:15,200 Speaker 2: She was fascinated with the macabre, and that's been a 164 00:09:15,240 --> 00:09:18,480 Speaker 2: constant theme of her character. However, some iterations of her 165 00:09:18,520 --> 00:09:22,680 Speaker 2: have been sweeter than what most of us probably would expect. 166 00:09:23,440 --> 00:09:25,400 Speaker 2: Definitely in the context of the rest of her family. 167 00:09:25,440 --> 00:09:28,280 Speaker 2: She was the quote nice one in these early versions 168 00:09:29,000 --> 00:09:32,280 Speaker 2: in the nineties movie series, though she was meaner and 169 00:09:32,320 --> 00:09:33,599 Speaker 2: you'll have to talk about. 170 00:09:33,360 --> 00:09:34,040 Speaker 1: This, Savantha. 171 00:09:34,720 --> 00:09:37,840 Speaker 2: She also typically has a strong protected streak with her family, 172 00:09:38,280 --> 00:09:41,240 Speaker 2: though she might try to hide or deny it. However, 173 00:09:41,280 --> 00:09:45,079 Speaker 2: there are plenty of instances where she really really punishes 174 00:09:45,120 --> 00:09:48,720 Speaker 2: people who disrespect her family. In the twenty nineteen movie, 175 00:09:48,760 --> 00:09:51,120 Speaker 2: she's nice to those who don't bother her, but not 176 00:09:51,200 --> 00:09:54,480 Speaker 2: so much to those who do, and she usually has. 177 00:09:54,360 --> 00:09:58,199 Speaker 1: Some kind of scientist or smooth angle going. 178 00:09:57,960 --> 00:09:58,560 Speaker 2: On, right. 179 00:09:59,160 --> 00:10:01,960 Speaker 4: She's always either doing in an experiment or she's always 180 00:10:02,000 --> 00:10:04,840 Speaker 4: on a case of something. And the ones that I 181 00:10:04,880 --> 00:10:08,679 Speaker 4: do remember is she does love punishing her brother Slash, 182 00:10:08,760 --> 00:10:11,040 Speaker 4: playing quote unquote with her brother, but it's typically like 183 00:10:11,160 --> 00:10:13,880 Speaker 4: trying to dismember him, or trying to electrocute him, or 184 00:10:13,920 --> 00:10:15,719 Speaker 4: trying to explode him. 185 00:10:15,800 --> 00:10:17,480 Speaker 3: And he loves it publicly just loves it. 186 00:10:18,720 --> 00:10:21,000 Speaker 4: However, Yeah, but if he tried to mess with her 187 00:10:21,080 --> 00:10:22,680 Speaker 4: or try to tease her, She's gonna come at you. 188 00:10:22,960 --> 00:10:26,240 Speaker 4: The two difference with Ricchie and Ortega, the or take 189 00:10:26,280 --> 00:10:28,360 Speaker 4: a character is a lot more. I feel like she 190 00:10:28,400 --> 00:10:31,520 Speaker 4: would be actually on the spectrum character of like being 191 00:10:31,559 --> 00:10:34,360 Speaker 4: so hyper focused and so like over the top, like 192 00:10:34,440 --> 00:10:38,439 Speaker 4: unable to excude emotions as where Richie's character just didn't 193 00:10:38,440 --> 00:10:40,400 Speaker 4: want to. It was kind of like one of those 194 00:10:40,679 --> 00:10:43,520 Speaker 4: one felt like a choice, one felt like a diagnosis. 195 00:10:44,480 --> 00:10:45,920 Speaker 3: If you can, if you can go there. 196 00:10:46,480 --> 00:10:49,600 Speaker 2: Right right, that's a quote, that's the quote of the episode. 197 00:10:49,880 --> 00:10:53,360 Speaker 2: Well do you remember, like when did you see the 198 00:10:53,480 --> 00:10:54,600 Speaker 2: nineties movie? 199 00:10:55,040 --> 00:10:59,240 Speaker 4: Oh, I was definitely younger. It's definitely during the times 200 00:10:59,280 --> 00:11:03,600 Speaker 4: of was after I want to say Casper, which we 201 00:11:03,640 --> 00:11:07,760 Speaker 4: all loved everything because Devin Sawa. We loved Devin Sawa 202 00:11:07,840 --> 00:11:09,960 Speaker 4: and then like fell in love with the ghost. 203 00:11:09,960 --> 00:11:11,440 Speaker 3: Apparently. I was pretty young. 204 00:11:11,480 --> 00:11:13,880 Speaker 4: I was eleven, and Christina Ricci would have been eleven 205 00:11:13,880 --> 00:11:15,679 Speaker 4: as well. I think we were the same age. And 206 00:11:15,840 --> 00:11:18,600 Speaker 4: by the way, I do love the resurgence of Christina 207 00:11:18,640 --> 00:11:22,480 Speaker 4: Ricci coming back full swing into the acting world because. 208 00:11:22,280 --> 00:11:23,720 Speaker 3: She's always been great to me. 209 00:11:24,800 --> 00:11:27,200 Speaker 4: So the three films that I know her best are 210 00:11:27,640 --> 00:11:32,880 Speaker 4: The Adam's Family, Casper, and Now and Then. So for me, 211 00:11:34,280 --> 00:11:36,360 Speaker 4: I think Now and Then was the big one because 212 00:11:36,360 --> 00:11:39,840 Speaker 4: that was specifically made for I think young girls. But 213 00:11:39,880 --> 00:11:43,120 Speaker 4: then like, yeah, she was Adam's Family first and then 214 00:11:43,160 --> 00:11:45,280 Speaker 4: the other two. But what I do remember is like, 215 00:11:45,440 --> 00:11:47,760 Speaker 4: even though you had big names like in Jelkie Houston, 216 00:11:47,840 --> 00:11:49,760 Speaker 4: Christopher Lloyd, as in fact, one of the movies were 217 00:11:50,160 --> 00:11:53,120 Speaker 4: based on Christopher Lloyd coming back to the family, Christina 218 00:11:53,200 --> 00:11:58,520 Speaker 4: Ricci always always pulled focus, whether it was she was 219 00:11:58,559 --> 00:12:01,880 Speaker 4: the one I think investigating Christoph Lloyd actually his character 220 00:12:01,920 --> 00:12:05,840 Speaker 4: who plays Uncle Fester, who loses his memory and comes 221 00:12:05,880 --> 00:12:08,400 Speaker 4: back to the family. So it's like she was the 222 00:12:08,440 --> 00:12:10,959 Speaker 4: focus for all the movies even though other big name 223 00:12:11,080 --> 00:12:13,760 Speaker 4: characters were on it as well, and she was fairly 224 00:12:13,840 --> 00:12:14,600 Speaker 4: new for that. 225 00:12:14,679 --> 00:12:15,760 Speaker 3: So that's what I do remember. 226 00:12:15,760 --> 00:12:18,960 Speaker 4: And her characters were always like pointed, like it was 227 00:12:19,440 --> 00:12:23,280 Speaker 4: dark and mysterious, but it was her character, those big eyes. 228 00:12:23,440 --> 00:12:24,199 Speaker 3: It worked for her. 229 00:12:24,840 --> 00:12:27,720 Speaker 2: Yeah, yeah, and I would agree, like again, I haven't 230 00:12:27,720 --> 00:12:30,200 Speaker 2: seen it, but what I felt like when I think 231 00:12:30,200 --> 00:12:32,440 Speaker 2: of those movies, all the images I remember, all the 232 00:12:32,559 --> 00:12:37,240 Speaker 2: like random quotes I've heard people say are from Wednesday. Yeah, 233 00:12:37,960 --> 00:12:41,439 Speaker 2: And I had to resist just reading a bunch of 234 00:12:41,520 --> 00:12:46,400 Speaker 2: quotes because that character, it just bangs them out, like yes. 235 00:12:46,840 --> 00:12:51,240 Speaker 4: Yes, shown a witty one liner, likes things and walks away. 236 00:12:51,600 --> 00:12:53,800 Speaker 1: Yes, it's amazing, Yes it is. 237 00:12:54,280 --> 00:12:56,840 Speaker 2: And that's kind of the thing why people love this 238 00:12:56,960 --> 00:12:59,160 Speaker 2: character so much, because she has been the source of 239 00:12:59,200 --> 00:13:02,640 Speaker 2: a lot of feminist articles and so many people over 240 00:13:02,679 --> 00:13:06,360 Speaker 2: the years have cosplayed her. The second I saw this 241 00:13:06,400 --> 00:13:08,200 Speaker 2: new show, I was like, oh, yeah, next year at 242 00:13:08,280 --> 00:13:09,720 Speaker 2: dragon Con, this is it. 243 00:13:09,840 --> 00:13:10,720 Speaker 1: This is gonna be. 244 00:13:10,800 --> 00:13:13,840 Speaker 3: Huge, all of them. Yes, yeah, and I mean. 245 00:13:13,720 --> 00:13:15,439 Speaker 1: There's like iconic looks. I get it. 246 00:13:16,520 --> 00:13:18,120 Speaker 2: And I do think one of the reasons she really 247 00:13:18,160 --> 00:13:19,800 Speaker 2: resonated with a lot of people, and a lot of 248 00:13:19,840 --> 00:13:24,319 Speaker 2: women and girls is that she is the opposite of 249 00:13:24,360 --> 00:13:27,560 Speaker 2: how young girls are typically portrayed in our media, which 250 00:13:27,600 --> 00:13:29,640 Speaker 2: we've talked about a lot in the show, Like there 251 00:13:29,640 --> 00:13:32,680 Speaker 2: are so many juxtapositions with her because pigtails, for instance, 252 00:13:32,720 --> 00:13:36,480 Speaker 2: are usually associated with innocent young girls. But she does 253 00:13:36,559 --> 00:13:39,160 Speaker 2: not behave that way. She doesn't beave how you expect. 254 00:13:39,520 --> 00:13:43,040 Speaker 2: She leans into the strange. She is quote not emotional, 255 00:13:43,040 --> 00:13:45,640 Speaker 2: which we'll return to in a minute. But she's just 256 00:13:45,760 --> 00:13:49,000 Speaker 2: kind of like the opposite of what we're used to 257 00:13:49,040 --> 00:13:51,920 Speaker 2: seeing and much of our media when it comes to 258 00:13:52,240 --> 00:13:57,680 Speaker 2: that type of character. From Black Girl Nerds, specifically about 259 00:13:57,720 --> 00:14:00,839 Speaker 2: the nineties version of this character quote, she's not nice, 260 00:14:00,920 --> 00:14:05,320 Speaker 2: she's not sweet, and she's not sorry. Wednesday Adams is blunt, cynical, sarcastic, 261 00:14:05,360 --> 00:14:08,440 Speaker 2: and has the most enviable, resting bitch face, none of 262 00:14:08,480 --> 00:14:11,440 Speaker 2: which she has any intention of apologizing for. That's right, 263 00:14:11,480 --> 00:14:14,199 Speaker 2: when unsuspecting people dole out the usual garbage of you 264 00:14:14,240 --> 00:14:17,600 Speaker 2: should smile more, Wednesday asserts herself firmly and defiantly refuses 265 00:14:17,640 --> 00:14:20,440 Speaker 2: to smile on command, a brilliant example for every young 266 00:14:20,440 --> 00:14:23,280 Speaker 2: girl told to make herself look friendly and approachable, because 267 00:14:23,320 --> 00:14:26,760 Speaker 2: God forbid, women appear the least bit intimidating. Although she 268 00:14:26,840 --> 00:14:29,600 Speaker 2: is white, cis presumably straight female. She doesn't use her 269 00:14:29,600 --> 00:14:31,640 Speaker 2: privilege as an excuse, but rather as a tool to 270 00:14:31,680 --> 00:14:34,240 Speaker 2: amplify the voices of those who find it much harder 271 00:14:34,680 --> 00:14:39,120 Speaker 2: to be heard. And then this is from bitch Flicks, 272 00:14:39,560 --> 00:14:41,480 Speaker 2: What does it mean to be a little girl? There's 273 00:14:41,480 --> 00:14:44,560 Speaker 2: so much cultural baggage associated with female childhood. On the 274 00:14:44,560 --> 00:14:47,160 Speaker 2: one hand, little girls are pure and innocent and needing 275 00:14:47,160 --> 00:14:50,880 Speaker 2: of protection. They're the emotional backdrop of a thousand action movies. 276 00:14:51,320 --> 00:14:54,040 Speaker 2: The father must get home and save his darling little girl. 277 00:14:54,480 --> 00:14:57,440 Speaker 2: On the other hand, little girls are threatening, They're creepy, 278 00:14:57,680 --> 00:15:00,560 Speaker 2: They're the demons of a thousand horror movies. The family 279 00:15:00,640 --> 00:15:04,160 Speaker 2: union must save itself from the imprecations of a terrifying 280 00:15:04,200 --> 00:15:06,800 Speaker 2: little girl who wants to destroy them. And then there's 281 00:15:06,840 --> 00:15:11,480 Speaker 2: Wednesday Adams. She's another thing entirely, and Wednesday is still 282 00:15:11,640 --> 00:15:13,400 Speaker 2: really really threatening. 283 00:15:13,880 --> 00:15:15,000 Speaker 1: That's right threatening. 284 00:15:15,360 --> 00:15:17,240 Speaker 2: Part of why I loved these movies so much as 285 00:15:17,240 --> 00:15:19,520 Speaker 2: a kid was because Wednesday, far from being a delicate 286 00:15:19,560 --> 00:15:22,000 Speaker 2: flower or even playing second fiddle to her brother, is 287 00:15:22,080 --> 00:15:25,440 Speaker 2: arguably the most dangerous character in the whole story. She 288 00:15:25,560 --> 00:15:28,120 Speaker 2: has a sense of apathy and morbid misery mixed in 289 00:15:28,160 --> 00:15:31,960 Speaker 2: with a violent streak and superhuman strength. She's very threatening, 290 00:15:32,280 --> 00:15:34,720 Speaker 2: especially to everyone she views as well. 291 00:15:34,880 --> 00:15:35,320 Speaker 1: That's threat. 292 00:15:35,640 --> 00:15:38,120 Speaker 2: I would say that if she fears anything, it's becoming normal, 293 00:15:38,160 --> 00:15:40,840 Speaker 2: and that's a powerful message, the idea that the biggest 294 00:15:40,840 --> 00:15:43,240 Speaker 2: thing we had to fear is not abnormality, but the 295 00:15:43,320 --> 00:15:46,520 Speaker 2: loss of what makes us distinct. It's especially poignant coming 296 00:15:46,560 --> 00:15:55,200 Speaker 2: from Wednesday, because what makes her distinct is so well distinctive. Yes, yes, 297 00:15:55,520 --> 00:15:58,480 Speaker 2: And as we said, she's very, very antisocial, and she 298 00:15:58,520 --> 00:16:02,400 Speaker 2: has so many great dark, dark at one liners, and 299 00:16:02,440 --> 00:16:04,920 Speaker 2: it's kind of comical and entertaining to see a young 300 00:16:04,960 --> 00:16:08,440 Speaker 2: girl reject so much of societal norms to talk about 301 00:16:08,440 --> 00:16:11,920 Speaker 2: these huge literary figures, to quote them like's. 302 00:16:12,000 --> 00:16:14,400 Speaker 1: It was funny to see the juxtaposition. 303 00:16:13,800 --> 00:16:17,040 Speaker 2: Of her and her roommate, who a lot of people ship, 304 00:16:17,080 --> 00:16:18,360 Speaker 2: by the way, in the new show. 305 00:16:19,200 --> 00:16:22,760 Speaker 4: Yeah, yeah, apparently Ortega doesn't two. I don't know if 306 00:16:22,840 --> 00:16:24,560 Speaker 4: she's just like feeding into the frenzy. 307 00:16:24,240 --> 00:16:26,720 Speaker 3: But uh it made yeah, yeah, you know. 308 00:16:26,920 --> 00:16:28,840 Speaker 4: One of the things I think is interesting because in 309 00:16:29,360 --> 00:16:31,280 Speaker 4: what I remember about the nineteen ninety one movies, and 310 00:16:31,320 --> 00:16:34,920 Speaker 4: someone can correct me, but there is a really problematic 311 00:16:34,960 --> 00:16:39,160 Speaker 4: scene nineteen ninety one in which they are playing Native 312 00:16:39,160 --> 00:16:43,920 Speaker 4: Americans and cowboys essentially, but Wednesday makes this comment about 313 00:16:43,960 --> 00:16:47,760 Speaker 4: how the pilgrims slaughtered essentially all of the Native Americans 314 00:16:47,760 --> 00:16:49,680 Speaker 4: and it is their fault that they brought in disease 315 00:16:49,760 --> 00:16:50,760 Speaker 4: and like they tricked the man. 316 00:16:50,960 --> 00:16:53,240 Speaker 3: Like she says this, and everybody's like, oh. 317 00:16:53,200 --> 00:16:56,080 Speaker 4: My god, you know, like making a comitic scene, as 318 00:16:56,120 --> 00:16:58,640 Speaker 4: well as the fact that in the New Wednesday they 319 00:16:58,680 --> 00:17:01,840 Speaker 4: talk about the problematic issues with chocolate and how they 320 00:17:02,000 --> 00:17:05,000 Speaker 4: use enslaved peoples and the Germans used in slave peoples 321 00:17:05,000 --> 00:17:08,679 Speaker 4: to gather all this chocolate and massacred a whole community 322 00:17:08,960 --> 00:17:11,640 Speaker 4: for chocolate. And I found that funny because like, these 323 00:17:11,640 --> 00:17:15,440 Speaker 4: are the things that we know Wenesday does. She's going 324 00:17:15,480 --> 00:17:18,840 Speaker 4: to take what white people, and essentially it is white 325 00:17:18,840 --> 00:17:22,280 Speaker 4: people would want as a celebration to be decimated with 326 00:17:22,720 --> 00:17:26,000 Speaker 4: the truth, like the level of the problematic issues with 327 00:17:26,160 --> 00:17:28,200 Speaker 4: that subject that people, the white people. 328 00:17:27,960 --> 00:17:30,480 Speaker 3: Were trying to celebrate. So I did appreciate those things. 329 00:17:30,960 --> 00:17:33,400 Speaker 4: That was a couple of the things that like poked 330 00:17:33,400 --> 00:17:35,240 Speaker 4: out of my mind when it comes to the fact that. 331 00:17:35,240 --> 00:17:38,040 Speaker 3: She was making sure you knew the truth whether you 332 00:17:38,119 --> 00:17:39,679 Speaker 3: liked it or not. Yeah. 333 00:17:39,960 --> 00:17:41,919 Speaker 2: Yeah, And that's kind of one of the things that 334 00:17:41,960 --> 00:17:43,960 Speaker 2: I think is really interesting about this character. Why I 335 00:17:43,960 --> 00:17:47,159 Speaker 2: think so many people like her is she doesn't so 336 00:17:47,280 --> 00:17:50,240 Speaker 2: many of us for reasons We've talked about, for reasons 337 00:17:50,240 --> 00:17:52,800 Speaker 2: I totally understand, and I've done, like you do that 338 00:17:52,840 --> 00:17:54,520 Speaker 2: thing for safety, Like you're like, oh, I don't want 339 00:17:54,520 --> 00:17:56,119 Speaker 2: to speak up because it's not safe for me to do. 340 00:17:56,200 --> 00:17:58,639 Speaker 2: So it's fun to watch a character be like no, 341 00:17:59,280 --> 00:18:01,520 Speaker 2: and she's danger like they said, like you don't mess 342 00:18:01,520 --> 00:18:04,600 Speaker 2: with her. So it's really like rewarding to kind of 343 00:18:05,240 --> 00:18:07,359 Speaker 2: get to live that moment of oh, I wish I 344 00:18:07,359 --> 00:18:10,520 Speaker 2: could do that, like, oh, yeah. 345 00:18:09,800 --> 00:18:10,439 Speaker 1: Really live it. 346 00:18:10,480 --> 00:18:14,320 Speaker 2: And then I do love so many things aimed at 347 00:18:14,359 --> 00:18:16,560 Speaker 2: teenage girls, and I think this is changing, and it 348 00:18:16,560 --> 00:18:18,160 Speaker 2: has been changing for a while, but for so long 349 00:18:18,320 --> 00:18:22,159 Speaker 2: was just like so focused on the romance part and 350 00:18:22,200 --> 00:18:24,320 Speaker 2: so focused on like the thing she'd be writing in 351 00:18:24,320 --> 00:18:26,320 Speaker 2: her diary is, oh, why won't this guy notice me? 352 00:18:26,640 --> 00:18:28,120 Speaker 1: That's like the last thing on her mind. 353 00:18:28,280 --> 00:18:30,400 Speaker 2: It's not that she's like if something comes her way, 354 00:18:30,440 --> 00:18:33,160 Speaker 2: she's not kind of interested, but that's just not her thing, 355 00:18:33,280 --> 00:18:35,920 Speaker 2: Like that's the bet on the back burner she's got 356 00:18:35,920 --> 00:18:37,879 Speaker 2: all these other things. 357 00:18:37,359 --> 00:18:41,640 Speaker 3: Are right, that's definitely nineteen ninety one. Wednesday didn't care 358 00:18:41,640 --> 00:18:44,919 Speaker 3: about boys boys. 359 00:18:44,280 --> 00:18:46,159 Speaker 1: Right, And I appreciate that. 360 00:18:46,200 --> 00:18:48,800 Speaker 2: I appreciate I liked seeing the comparison of her like 361 00:18:48,840 --> 00:18:50,320 Speaker 2: her in the room mate, where the roommate's like, I 362 00:18:50,359 --> 00:18:51,760 Speaker 2: have my blog and I'm writing about. 363 00:18:51,520 --> 00:18:54,359 Speaker 1: This and this and this, and Wednesday's just like let 364 00:18:55,240 --> 00:18:59,040 Speaker 1: this thing. Yeah, exactly exactly. 365 00:19:00,359 --> 00:19:03,359 Speaker 2: Here is a quote from the Guardian, especially for a 366 00:19:03,400 --> 00:19:06,240 Speaker 2: teenager with a kid friendly rating. Wednesday speaks with the 367 00:19:06,280 --> 00:19:09,520 Speaker 2: critical self awareness and acumen of your textbook byronic hero, 368 00:19:09,680 --> 00:19:13,240 Speaker 2: a literary architect commonly associated with Heathcliff of Emily Bronte's 369 00:19:13,240 --> 00:19:16,240 Speaker 2: Wuthering Heights, or more recently, Gossip Girls, Chuck Bass and 370 00:19:16,359 --> 00:19:20,879 Speaker 2: even Sylvie. They're your clever, morose, condescending types, dangerously blessed 371 00:19:20,880 --> 00:19:24,320 Speaker 2: with irresistible good looks and saddled the baggage of past trauma. 372 00:19:24,720 --> 00:19:27,080 Speaker 2: Wednesday's trauma is the death of her pet Scorpion, who 373 00:19:27,119 --> 00:19:30,000 Speaker 2: was murdered when she was six. She's sence bowed to 374 00:19:30,119 --> 00:19:30,960 Speaker 2: never cry again. 375 00:19:31,920 --> 00:19:33,240 Speaker 3: That was hard, That was mean. 376 00:19:33,640 --> 00:19:34,359 Speaker 1: It was mean. 377 00:19:35,080 --> 00:19:36,600 Speaker 2: I did I want to come back and talk about 378 00:19:36,600 --> 00:19:38,920 Speaker 2: this because a lot of articles have come out about 379 00:19:39,480 --> 00:19:41,679 Speaker 2: because of the popularity of the show about why we 380 00:19:41,760 --> 00:19:44,200 Speaker 2: love women who hate us? 381 00:19:44,800 --> 00:19:45,720 Speaker 1: So I do want to come. 382 00:19:45,680 --> 00:19:48,960 Speaker 2: Back and talk about Oh lord, no, I think it'll 383 00:19:49,000 --> 00:19:49,399 Speaker 2: be interesting. 384 00:19:49,440 --> 00:19:52,440 Speaker 1: I think be funny. I would argue in the new show. 385 00:19:52,480 --> 00:19:56,080 Speaker 2: She is somewhat of what a mainstream media person would 386 00:19:56,080 --> 00:19:58,240 Speaker 2: call Mary Sue. I have a whole lot of thoughts 387 00:19:58,240 --> 00:20:00,760 Speaker 2: about this, and you can listen to our past episode 388 00:20:00,760 --> 00:20:03,760 Speaker 2: about that. But like good at everything other than human interaction, 389 00:20:04,440 --> 00:20:06,200 Speaker 2: and everyone loves her. But again I don't think there's 390 00:20:06,200 --> 00:20:08,560 Speaker 2: anything wrong with that necessarily, And dudes get away with 391 00:20:08,600 --> 00:20:12,760 Speaker 2: that Scott free without a sexist moniker being attached to them, 392 00:20:12,840 --> 00:20:15,480 Speaker 2: So just to put that out there. She also has 393 00:20:15,560 --> 00:20:18,040 Speaker 2: like psychic powers, which I think has gone off and 394 00:20:18,080 --> 00:20:21,120 Speaker 2: on throughout her her run. She can play the cello, 395 00:20:21,480 --> 00:20:25,200 Speaker 2: can speak multiple languages, convince she's pretty awesome. 396 00:20:25,840 --> 00:20:27,439 Speaker 3: And an archer in all of the movies. 397 00:20:27,560 --> 00:20:28,880 Speaker 1: It's the archer. Yeah, you're right. 398 00:20:30,160 --> 00:20:32,520 Speaker 2: One thing that they didn't really resolve in this season 399 00:20:32,560 --> 00:20:34,840 Speaker 2: of the show. I haven't seen any of the other things, 400 00:20:34,840 --> 00:20:36,720 Speaker 2: and I saw some people kind of complain about this, 401 00:20:36,800 --> 00:20:39,720 Speaker 2: But there was a tense mother daughter relationship in the 402 00:20:39,760 --> 00:20:42,200 Speaker 2: show where Wednesday did not want to be like her mother, 403 00:20:42,600 --> 00:20:45,280 Speaker 2: kind of felt pressure to be like her, very much like. 404 00:20:45,240 --> 00:20:47,480 Speaker 1: A teenage pushing away, don't want to do it. 405 00:20:48,080 --> 00:20:52,280 Speaker 2: I've heard that that was kind of a departure. 406 00:20:52,720 --> 00:20:53,760 Speaker 3: Yeah, that's never a thing. 407 00:20:53,800 --> 00:20:57,000 Speaker 4: The mother never really cares and the daughter never really 408 00:20:57,040 --> 00:21:00,480 Speaker 4: cares for her mother's approval. Actually, everything she did she 409 00:21:00,520 --> 00:21:04,560 Speaker 4: got her mother's approval essentially, And it's true the Wednesday one, 410 00:21:04,960 --> 00:21:07,520 Speaker 4: she everything she did. Mother was proud because it was 411 00:21:07,560 --> 00:21:10,520 Speaker 4: all that dark and morose type of conversation and they're 412 00:21:10,640 --> 00:21:13,160 Speaker 4: very proud of that. The only thing that the mother, 413 00:21:14,560 --> 00:21:17,919 Speaker 4: Catherine Sada Jones, which was I did not realize she 414 00:21:18,000 --> 00:21:20,879 Speaker 4: was going to play this until I watched it, is 415 00:21:20,920 --> 00:21:23,679 Speaker 4: that she wants her daughter's affections. Yeah, that's not a 416 00:21:23,760 --> 00:21:26,960 Speaker 4: thing right in the other movies, I kind of separates 417 00:21:26,960 --> 00:21:27,840 Speaker 4: the two of them mistigially. 418 00:21:28,240 --> 00:21:30,399 Speaker 1: Yeah. Yeah, So we could come back. 419 00:21:30,280 --> 00:21:32,560 Speaker 2: And maybe talk about that. 420 00:21:34,040 --> 00:21:34,320 Speaker 1: Later. 421 00:21:48,200 --> 00:21:51,199 Speaker 2: I do also think this is an interesting uh in 422 00:21:51,280 --> 00:21:54,040 Speaker 2: that activist around the world where you unfortunately could not 423 00:21:54,080 --> 00:21:56,560 Speaker 2: be there where I read listener mail Samantha I did. 424 00:21:56,640 --> 00:22:01,360 Speaker 2: I mentioned a quote about I seen from a famous 425 00:22:01,400 --> 00:22:03,760 Speaker 2: author who is saying like, essentially, once you start to 426 00:22:03,760 --> 00:22:09,480 Speaker 2: break apart characters for that are intended for children audiences, 427 00:22:10,680 --> 00:22:11,640 Speaker 2: as an adult. 428 00:22:11,320 --> 00:22:12,240 Speaker 1: Everything falls apart. 429 00:22:12,280 --> 00:22:15,080 Speaker 2: And I do think this was a really interesting example 430 00:22:15,119 --> 00:22:17,520 Speaker 2: of where Wednesday's like, well, I've been somebody's trying to 431 00:22:17,600 --> 00:22:18,399 Speaker 2: kill me, and. 432 00:22:19,400 --> 00:22:21,280 Speaker 1: I've been like all this stuff of this stuff, and 433 00:22:21,320 --> 00:22:23,240 Speaker 1: they're like, oh great, it's going well, Like. 434 00:22:23,200 --> 00:22:29,480 Speaker 2: It was a fun flip on that that whole idea and. 435 00:22:29,440 --> 00:22:30,920 Speaker 1: Then going back to something you said earlier. 436 00:22:30,960 --> 00:22:34,400 Speaker 2: There has been discussion about how Wednesday's anti social behaviors 437 00:22:34,400 --> 00:22:37,000 Speaker 2: could be coded as autism or something on the spectrum. 438 00:22:37,520 --> 00:22:38,840 Speaker 1: Here's another quote from The Guardian. 439 00:22:39,320 --> 00:22:42,680 Speaker 2: Only when a conventionally beautiful, non weird person performs weirdness 440 00:22:42,800 --> 00:22:46,040 Speaker 2: is this palatable to quote normal people? According to one commentary, 441 00:22:46,119 --> 00:22:49,080 Speaker 2: the parent of an autistic child actually quote weird people 442 00:22:49,119 --> 00:22:51,800 Speaker 2: get bullied, sidelined or placed outside of the zone of 443 00:22:51,840 --> 00:22:54,679 Speaker 2: real friendships, and I agree. I think this is one 444 00:22:54,680 --> 00:22:56,480 Speaker 2: of the reasons the character hits with so many people 445 00:22:56,480 --> 00:22:58,320 Speaker 2: who feel like outcasts in one way or another. But 446 00:22:58,400 --> 00:23:02,800 Speaker 2: realistically it wouldn't play out like this again right. 447 00:23:04,200 --> 00:23:08,199 Speaker 4: As an adult to be fair into this series, specifically 448 00:23:08,600 --> 00:23:12,320 Speaker 4: the very beginning scene which she's expelled from a regular school. 449 00:23:12,600 --> 00:23:14,560 Speaker 3: They are the outcast there. 450 00:23:15,280 --> 00:23:18,760 Speaker 4: She gets expelled, which that's why her brother gets bullied constantly. 451 00:23:19,280 --> 00:23:21,919 Speaker 4: She comes to a school for wayward people like people 452 00:23:22,000 --> 00:23:27,680 Speaker 4: with powers, so that behavior is not so off putting 453 00:23:28,080 --> 00:23:30,840 Speaker 4: in a school like that. I think someone with a 454 00:23:30,880 --> 00:23:34,000 Speaker 4: spectrum that has that typic if she was on the spectrum, 455 00:23:34,280 --> 00:23:35,919 Speaker 4: as I was saying, I'm like, if I was watching 456 00:23:35,920 --> 00:23:37,879 Speaker 4: this clinically, I would think that she was on the 457 00:23:37,880 --> 00:23:41,280 Speaker 4: spectrum with high functioning all of these things and more 458 00:23:41,280 --> 00:23:45,920 Speaker 4: OCD than anything else, because her hyper focus is very obvious, 459 00:23:46,200 --> 00:23:47,840 Speaker 4: to the point that she does not care who she 460 00:23:47,960 --> 00:23:51,600 Speaker 4: runs over, which was part of the conversation in that 461 00:23:52,119 --> 00:23:55,680 Speaker 4: she's in an environment where she success. She's successful because 462 00:23:55,680 --> 00:23:57,600 Speaker 4: she can do all of these things really really well 463 00:23:57,880 --> 00:23:59,760 Speaker 4: in a school that is an outsider. 464 00:24:00,119 --> 00:24:03,320 Speaker 3: So right would she have been so outsided? I don't know. 465 00:24:03,880 --> 00:24:06,160 Speaker 1: Right, that's a good point. That's a good point. 466 00:24:06,520 --> 00:24:09,879 Speaker 2: And another thing is like she's she's a really fun character, 467 00:24:10,280 --> 00:24:13,480 Speaker 2: but she is pretty toxic. Like, Okay, we're putting in 468 00:24:13,560 --> 00:24:16,440 Speaker 2: our real world things, right, it doesn't necessarily need to be. 469 00:24:16,840 --> 00:24:19,200 Speaker 2: But she's definitely a friend I would drop. I would 470 00:24:19,280 --> 00:24:24,359 Speaker 2: drop her. Very fun to watch. Christina Ricci said of 471 00:24:24,400 --> 00:24:26,639 Speaker 2: her Wednesday, was allowed to be just who she was. 472 00:24:26,800 --> 00:24:29,200 Speaker 2: She's never asked to change or compromise or hide who 473 00:24:29,200 --> 00:24:29,639 Speaker 2: she is. 474 00:24:30,760 --> 00:24:31,879 Speaker 1: And actually there's there was. 475 00:24:31,880 --> 00:24:35,280 Speaker 2: A whole piece CNN just released yesterday about why in 476 00:24:35,320 --> 00:24:38,600 Speaker 2: the world did this dance take off so much? And 477 00:24:38,640 --> 00:24:40,840 Speaker 2: that was one of their big points, was like, it's 478 00:24:40,880 --> 00:24:43,359 Speaker 2: because she essentially was she was doing the dance like 479 00:24:43,359 --> 00:24:46,240 Speaker 2: nobody's watching but did not care at all. 480 00:24:47,240 --> 00:24:48,600 Speaker 1: She was being herself. 481 00:24:49,760 --> 00:24:52,280 Speaker 4: Absolutely and also retro is coming back in. That was 482 00:24:52,280 --> 00:24:54,840 Speaker 4: like a retro interpreted dance. 483 00:24:55,080 --> 00:24:57,560 Speaker 2: It was, it was. It was very unpredictable. That's what 484 00:24:57,560 --> 00:24:58,160 Speaker 2: I would say. 485 00:24:58,320 --> 00:25:01,280 Speaker 1: From Slat. Here's a quote. Sure, there are problems with this. 486 00:25:01,400 --> 00:25:04,880 Speaker 2: For one, it assumes that stoicism, a more stereotypically masculine trade, 487 00:25:04,920 --> 00:25:08,240 Speaker 2: is preferred. The feminine position on the emotional gender binary 488 00:25:08,359 --> 00:25:11,440 Speaker 2: leans toward expressiveness and melodrama, and the cliche that women 489 00:25:11,480 --> 00:25:14,360 Speaker 2: can't control their emotions and is often weaponized against them. 490 00:25:14,480 --> 00:25:16,879 Speaker 2: How many times have women been deemed too emotional to 491 00:25:16,880 --> 00:25:20,080 Speaker 2: do something like Romona Country mass swooning over deadpan women 492 00:25:20,520 --> 00:25:23,760 Speaker 2: implies that expressive, vivacious women are somehow not in control. 493 00:25:24,359 --> 00:25:25,200 Speaker 1: Quite the opposite. 494 00:25:25,240 --> 00:25:27,879 Speaker 2: There's bravery and merit and being as passionate or allowed 495 00:25:27,920 --> 00:25:29,920 Speaker 2: as you want to be, knowing it could be spit 496 00:25:30,000 --> 00:25:32,040 Speaker 2: back at you in some silly gender debate. 497 00:25:32,280 --> 00:25:34,840 Speaker 1: It means someone has the guts to let you know them. 498 00:25:35,600 --> 00:25:38,720 Speaker 2: And then one final quote from the Guardian, the enduring 499 00:25:38,720 --> 00:25:41,639 Speaker 2: appeal of characters like this an admittedly toxic outcast with 500 00:25:41,680 --> 00:25:44,840 Speaker 2: inherently good intentions is the desire for every weirdo to 501 00:25:44,840 --> 00:25:48,040 Speaker 2: feel seen on TV. Wednesday's formula may be flawed, but 502 00:25:48,080 --> 00:25:50,800 Speaker 2: fantasy is the point in an idealized world where your 503 00:25:50,840 --> 00:25:53,520 Speaker 2: well timed barbes and lack of interest in others' approval 504 00:25:53,800 --> 00:25:56,080 Speaker 2: made you impervious to bullies and the caretaker of your 505 00:25:56,119 --> 00:26:01,920 Speaker 2: fellow misfits. Who wouldn't want to be Wednesday Adams. Yes, yeah, yep, 506 00:26:02,119 --> 00:26:02,760 Speaker 2: that's what we're. 507 00:26:02,680 --> 00:26:03,440 Speaker 1: Kind of talking about. 508 00:26:03,480 --> 00:26:05,520 Speaker 2: Like, yeah, in this fantasy world, it'd be great if 509 00:26:05,520 --> 00:26:10,440 Speaker 2: you just say what you want, protect the misfits fantastic. 510 00:26:10,240 --> 00:26:12,640 Speaker 3: And can shoot in po and era, yes, and. 511 00:26:12,600 --> 00:26:14,719 Speaker 1: Can shoot a bow and arrow confence. 512 00:26:15,080 --> 00:26:17,320 Speaker 3: Slipping and she lost. Though I did like it. 513 00:26:18,400 --> 00:26:19,200 Speaker 1: I liked that too. 514 00:26:19,359 --> 00:26:21,360 Speaker 3: That was unpredicted, that was not what I expected. 515 00:26:21,680 --> 00:26:24,439 Speaker 2: Yeah, I liked that too, But also yeah, I like 516 00:26:25,600 --> 00:26:27,199 Speaker 2: I like I said, I want to come back and 517 00:26:27,320 --> 00:26:29,640 Speaker 2: revisit this deadpan woman thing because I don't think it's wrong. 518 00:26:29,640 --> 00:26:31,320 Speaker 2: I think it's really fun to see a character like 519 00:26:31,359 --> 00:26:34,120 Speaker 2: this who is stoic and all those things. But there 520 00:26:34,280 --> 00:26:37,119 Speaker 2: is we can't ignore that. Yeah, that's typically more of 521 00:26:37,119 --> 00:26:39,920 Speaker 2: a masculine thing, and right, all of this seems like. 522 00:26:39,880 --> 00:26:42,960 Speaker 4: It's mel gaze and I speaking of that, I definitely 523 00:26:43,000 --> 00:26:46,200 Speaker 4: saw a TikTok. And when men write women being strong, 524 00:26:46,560 --> 00:26:50,679 Speaker 4: yes literally like stoic, deadpan and being angry but like 525 00:26:51,040 --> 00:26:53,919 Speaker 4: seating but fighting the type of and if you're feminine, 526 00:26:53,960 --> 00:26:55,320 Speaker 4: that's not a heroin right. 527 00:26:55,560 --> 00:26:57,159 Speaker 2: Yeah, so we'll have to come back and talk about that. 528 00:26:57,200 --> 00:26:59,040 Speaker 2: I do think that these characters are wonderful and I 529 00:26:59,040 --> 00:27:02,560 Speaker 2: think that should be a a fine thing to. 530 00:27:02,560 --> 00:27:05,399 Speaker 1: Do, but we can't. Yeah, there's so much other stuff, 531 00:27:05,720 --> 00:27:08,199 Speaker 1: so much other stuff in the background. But yeah, this 532 00:27:08,280 --> 00:27:09,600 Speaker 1: is a really fun one to research, and. 533 00:27:09,640 --> 00:27:12,360 Speaker 2: I honestly this is a longer one of these episodes, 534 00:27:12,359 --> 00:27:13,760 Speaker 2: and I narrowed it down, like. 535 00:27:13,720 --> 00:27:16,960 Speaker 4: A lot of things. 536 00:27:16,320 --> 00:27:20,000 Speaker 2: About this, So maybe we'll come back in one day 537 00:27:20,480 --> 00:27:23,640 Speaker 2: revisit it. There's so much out there if you want 538 00:27:23,640 --> 00:27:25,800 Speaker 2: to read more about her. But she's Yeah, she was 539 00:27:25,800 --> 00:27:27,280 Speaker 2: a fun character to research. 540 00:27:27,320 --> 00:27:27,880 Speaker 1: I liked it. 541 00:27:28,280 --> 00:27:31,080 Speaker 2: In the meantime. I do got a lot of character 542 00:27:31,200 --> 00:27:33,360 Speaker 2: just coming up. But if you've got one that's burning 543 00:27:33,720 --> 00:27:37,119 Speaker 2: in the back of your brain, listeners, please let us know. 544 00:27:37,480 --> 00:27:40,000 Speaker 2: You can email us Stephania mom stuff at iHeartMedia dot com. 545 00:27:40,040 --> 00:27:41,720 Speaker 2: You can find us on Twitter at most step Podcasts, 546 00:27:41,760 --> 00:27:43,200 Speaker 2: or on Instagram at stuff When Never Told You. 547 00:27:43,320 --> 00:27:45,119 Speaker 1: Thanks as always to our super producer christ Do you. 548 00:27:45,160 --> 00:27:46,680 Speaker 3: Know another incredible woman? 549 00:27:47,000 --> 00:27:50,199 Speaker 2: Yes, indeed, and thanks to you for listening Stuff When 550 00:27:50,200 --> 00:27:51,800 Speaker 2: I Ever Told you the production of iHeartRadio. For more 551 00:27:51,800 --> 00:27:53,240 Speaker 2: podcast from My Heart Radio, you can check out the 552 00:27:53,280 --> 00:27:55,560 Speaker 2: Heart Radio app, Apple Podcast, or regulusen to your favorite 553 00:27:55,560 --> 00:27:56,119 Speaker 2: shows