WEBVTT - #64 - Shania Twain Interview: Behind the Scenes

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<v Speaker 1>All right, this episode sixty four the Bobby Cast, it's

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<v Speaker 1>a special one differ one. So shan I twin was

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<v Speaker 1>in the studio this week and we had it over

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<v Speaker 1>two days. And if you listen to the Bobby Cast before,

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<v Speaker 1>you know that sometimes we record artists before they actually

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<v Speaker 1>come in. We don't talk about on the radio. But

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<v Speaker 1>I've told you guys about how we do it. Here

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<v Speaker 1>are you looking at me? Funn You don't I tell

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<v Speaker 1>people that in the star were ringing the studio right now,

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<v Speaker 1>we have a whole I have a whole talk with

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<v Speaker 1>the Bobby Cast listeners, like they know the inner workings,

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<v Speaker 1>the inner the inner working. Yeah. So what I wanted

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<v Speaker 1>to do is play back the entire shan I interview

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<v Speaker 1>unedited wow in one pieces, like over twenty minutes. Yeah,

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<v Speaker 1>no edits, no songs, no times for commercials, just all

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<v Speaker 1>of it together. Love it and shocked by this. I

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<v Speaker 1>don't know. I mean this is you haven't done something

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<v Speaker 1>like this before I talked to you. Don't listen to

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<v Speaker 1>the Bobby Cast. No, you have not done something like

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<v Speaker 1>this like playing back the entire interview from when we

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<v Speaker 1>had Okay, you're right, all right, you there, we go.

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<v Speaker 1>Here's the whole all right, So here's the whole shing

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<v Speaker 1>I Interview. First, I'm gonna tell you about whag real quick.

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<v Speaker 1>So if you're like me and you have a dog,

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<v Speaker 1>you probably love your dog. You probably spend money on

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<v Speaker 1>your dog. And for me, it's important because I have

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<v Speaker 1>a busy schedule that my dog gets out and gets walked,

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<v Speaker 1>and sometimes I'm not able to get home. So wag

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<v Speaker 1>Walker for me has been awesome. You should download it.

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<v Speaker 1>It's it's called wag Walker wag if you're a dog going,

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<v Speaker 1>let me tell you why it's awesome. First of all,

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<v Speaker 1>let's say you're gone, you need somebody go to the

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<v Speaker 1>house and walk your dog. It's like Uber for dog walkers,

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<v Speaker 1>So you hit it. They match you up with someone

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<v Speaker 1>who's a wag certified walker that's near you. They vet

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<v Speaker 1>the walkers like crazy, so you get people that want

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<v Speaker 1>to vetted to our super experience with dogs. There's a

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<v Speaker 1>live GPS track during your dog walk. There's notification when

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<v Speaker 1>your dog uses the bathroom. You can have your phone

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<v Speaker 1>actually bark at you when it does that. There's a

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<v Speaker 1>photo report card afterward, and you don't have to be home.

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<v Speaker 1>They send up for your lock box to your house

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<v Speaker 1>so the dog walkers boom, unlock it. They're in, so

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<v Speaker 1>wags them must have Download Wag on iTunes or Google Play.

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<v Speaker 1>Just search for WAG There you go, sign up, you'll

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<v Speaker 1>do magicge you first walk for free, no promo code needed.

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<v Speaker 1>So again, download WAG on iTunes or Google Play and

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<v Speaker 1>you automatically get your first walk for free. Again, it's

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<v Speaker 1>called Wagwalker, but just search Wag. All right, Should I

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<v Speaker 1>a Twayne's here in the studio? Should I know? How

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<v Speaker 1>are you? I'm great? Everybody's so nervous. Why every so nervous? Twayne?

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<v Speaker 1>Do you get that? A lot of it's like it's

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<v Speaker 1>yourn I I get nervous. What are you talking about?

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<v Speaker 1>I'm not. I know the feeling, man, it's what. It's

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<v Speaker 1>really nice to meet you. Thank you. We were sitting

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<v Speaker 1>beside each other at the hockey game the other night

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<v Speaker 1>because we're I guess you'd come right into town. Pread's

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<v Speaker 1>night when the press are playing. Ye, so are you

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<v Speaker 1>a huge hockey fans? It's your Canadian because my girlfriend's Canadian.

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<v Speaker 1>That's our sport. It's it's in my blood. Yeah, I

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<v Speaker 1>grew up with it. It's our national sport. You know

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<v Speaker 1>the rules though, well sure, I mean I never played hockey.

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<v Speaker 1>I'm not like an ext it on the rules. But yeah,

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<v Speaker 1>I know when someone's offside, and I know all the um,

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<v Speaker 1>you know all the all. You know, I understand the

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<v Speaker 1>penalties and all that sort of stuff. And you know,

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<v Speaker 1>I'm a I can be a rowdy fan, um, And

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<v Speaker 1>there's nothing worse than, like, you know, standing up and

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<v Speaker 1>making it full of yourself, screaming at the ref or

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<v Speaker 1>bad call and being the only one that's doing it.

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<v Speaker 1>So you kind of get you want to make sure

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<v Speaker 1>you know what you're talking about a little bit when

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<v Speaker 1>you're Canadian hockey fan, um, because we can get pretty

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<v Speaker 1>rowdy out there, you know, the fans. I have no idea.

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<v Speaker 1>I just watched the people to wear the same color

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<v Speaker 1>I'm wearing. When they cheer, I cheer. That's how I

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<v Speaker 1>know when it's time that well. So, I mean, you

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<v Speaker 1>have this new song here, and you know I was

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<v Speaker 1>out at stage coach whenever you played because and so

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<v Speaker 1>I got to hear it the first time. I'm gonna

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<v Speaker 1>play some of this. This is life's about to get good.

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<v Speaker 1>I get you with the new song here and it's good.

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<v Speaker 1>So so what are you what's in your mind right now?

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<v Speaker 1>So here you are? You're back? Like, do you feel

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<v Speaker 1>like there's a pressure to it? Yeah, but I'm cheered up,

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<v Speaker 1>you know. I listened to the song and it cheers

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<v Speaker 1>me up, you know, makes it puts me in a

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<v Speaker 1>good spirit and really does for me what you know

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<v Speaker 1>the song did for me when I wrote it. You know,

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<v Speaker 1>it just picked me up. And so it's getting after

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<v Speaker 1>a really good start in enjoying the process again, you know,

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<v Speaker 1>jumping in and feeling happy to be here again and

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<v Speaker 1>grateful and in a good spirit about about you know,

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<v Speaker 1>life and career and trying to do it all. Um,

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<v Speaker 1>there's just so many challenges in coming back to something

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<v Speaker 1>you haven't done in a long time. So yeah, the

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<v Speaker 1>song makes me feel like I'm ready and happy and

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<v Speaker 1>feeling good. How do you pick a comeback song? Because

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<v Speaker 1>I'm sure you have lots of songs, I mean you

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<v Speaker 1>you got a bunch of songs, Jeff, how do you see?

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<v Speaker 1>And I just want to get it? So how do

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<v Speaker 1>you pick? Say? Uh, well, this song really does tell

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<v Speaker 1>it's got a very melancholy story. On the one hand,

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<v Speaker 1>you know, I wasn't just broken. I was shattered, are

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<v Speaker 1>the first words. And it's just it's all about betrayal

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<v Speaker 1>and and all that, you know, all that bad stuff,

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<v Speaker 1>but it's also about seeing the light at the end

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<v Speaker 1>of the tunnel. And the song opens up. I mean

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<v Speaker 1>it's it's got this really bouncy music to it with

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<v Speaker 1>this melancholy story, and it's I chose it because it

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<v Speaker 1>tells the truth about where I've been in the transition

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<v Speaker 1>and where I am now with it. Um And I wrote,

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<v Speaker 1>you know what, writing is very cathartic for me. I

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<v Speaker 1>I this is a good example as a song that

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<v Speaker 1>I've written that that is truly about me and my

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<v Speaker 1>life and and what music does for me. It pulls

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<v Speaker 1>me out of my slumps. I want to it right now.

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<v Speaker 1>I'm gona play the whole thing here. It's World Premier day.

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<v Speaker 1>Shania Twains here, so I'm gonna play live. It's about

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<v Speaker 1>to get good. It's the world premiere. We're gonna come

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<v Speaker 1>back in just one second with with more Shanaia right here,

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<v Speaker 1>all right, Shania Twain is here. Oh so tip, don't

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<v Speaker 1>leave your water bottle in here because someone will grab

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<v Speaker 1>it and sell it. They like when you when you're

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<v Speaker 1>really famous, like you do, you have to worry about

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<v Speaker 1>things like that, like you have someone that's always watching you,

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<v Speaker 1>like don't leave forks or tip the proper amount? Do

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<v Speaker 1>you worry about that kind of stuff. I do not

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<v Speaker 1>overthink fame. It's just life's too short. Like if a

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<v Speaker 1>valet takes your car, are you like, oh, for sure,

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<v Speaker 1>they just told somebody to day valet Shanai and I

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<v Speaker 1>only tipped them twenty bucks? No? No, I mean I

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<v Speaker 1>just don't think about those things. You know. I forget

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<v Speaker 1>who I am most of the time. That's what I

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<v Speaker 1>really prefer to do. Um. I just go about life

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<v Speaker 1>and until somebody reminds me of who I am, I

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<v Speaker 1>forget who I'm gonna like it twin. We haven't told

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<v Speaker 1>you f I. So you know, you have this entire

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<v Speaker 1>class of female artists and these here, and you know,

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<v Speaker 1>the last five, six, seven years, you're like what they

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<v Speaker 1>grew up listening to. I mean, you're what they admire.

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<v Speaker 1>And I was like doing. You brought at Kelsey Ballerina,

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<v Speaker 1>who were very close to and you got staying together.

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<v Speaker 1>We were in California and for her that that's like

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<v Speaker 1>a life changing thing even for me, like you're what

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<v Speaker 1>I listened to on the radio. It's it's like a

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<v Speaker 1>flashback for me. You know, um years ago in concert,

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<v Speaker 1>I had so many little kids at the shows. And

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<v Speaker 1>then I just never even imagined or projected myself into

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<v Speaker 1>the future, thinking that one day, um, they're going to

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<v Speaker 1>be the you know, kids in their twenties at my shows. Um.

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<v Speaker 1>Sometimes they're still there with their parents. You know. You

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<v Speaker 1>see the two generations together. And sometimes it's just the

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<v Speaker 1>group of college kids coming together the party and it's

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<v Speaker 1>and they'll say, oh, you were my first concert. I'm like,

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<v Speaker 1>I'm thinking, wow, okay, you're you're an adult. How is

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<v Speaker 1>that possible? Um? So yeah, I know it's true. It's

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<v Speaker 1>this whole generation of college kids, um that went to

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<v Speaker 1>my shows when they were little or you know, listen

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<v Speaker 1>to my song from the car Seaton back. You know.

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<v Speaker 1>I want to ask you about this. I remember reading

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<v Speaker 1>when you had vocal cords the issue. Yeah, I guess

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<v Speaker 1>I was in college. Right after college. What happened? So

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<v Speaker 1>what happened your vocal cords? Because you have surgery right Like, no,

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<v Speaker 1>you can't, this is not you can't. I can't repair

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<v Speaker 1>it with surgery. So it's still a thing. It's an

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<v Speaker 1>atrophy thing. Yeah. Yeah, I was tick. I had lives Sussies.

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<v Speaker 1>I got hit by a tick and wow that major

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<v Speaker 1>vocal cords bad. Yep, it's it's um. You know, lives

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<v Speaker 1>sudies can really get to your neurological system. And it's

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<v Speaker 1>I don't make a long story short, and all the

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<v Speaker 1>testing that I did, UM finally because the vocal cords

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<v Speaker 1>look normal from in a regular UM exam, but um,

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<v Speaker 1>I I've got slight atrophy on both chords. Um. The

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<v Speaker 1>nerves are damaged in there, and so I had to

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<v Speaker 1>get five long needles. You get five long needles into

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<v Speaker 1>your larynx and then they read your your nerve um activity.

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<v Speaker 1>Yeah that's what that's what um. Yeah, And so I've

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<v Speaker 1>got a bit of extra on both sides. And it's

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<v Speaker 1>it's really really makes it really tough. I've I do

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<v Speaker 1>a lot of vocal physiotherapy basically, so that's a lot

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<v Speaker 1>of warm up. Then before you go out. Well, I'm

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<v Speaker 1>trying to get the warm up down right now. I

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<v Speaker 1>need about an hour and a half to warm up,

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<v Speaker 1>and I can't do any spontaneous singing like if I

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<v Speaker 1>if I was this thing like right now, I would

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<v Speaker 1>sound like a din and cow. I really need to

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<v Speaker 1>And that's really a bummer for me because sometimes I'm

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<v Speaker 1>in a club or whatever and I feel like, you know,

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<v Speaker 1>I just want to get up and see where I

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<v Speaker 1>wanted to do karaoke and you know, get into the

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<v Speaker 1>whole thing. But I could really damage myself if I

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<v Speaker 1>did that, so um, and I don't want to damage myself.

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<v Speaker 1>I don't have nodules or anything that you know, the

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<v Speaker 1>typical sing or something. This is from a lime Lime's disease.

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<v Speaker 1>It's a nerve damage and it's really a bumber. I'm

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<v Speaker 1>stuck with it for the rest of my life. But

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<v Speaker 1>so it just takes a lot of work. It's like

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<v Speaker 1>a permanent injury. Yeah, it's gonna be weird to just

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<v Speaker 1>even singing knowing you have because I have a lot

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<v Speaker 1>of friends and professional athletes and like they've they've torn muscles, heart,

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<v Speaker 1>but they say even the mental part of it is

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<v Speaker 1>so hard because they don't even want to press on

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<v Speaker 1>it because they're like, what if even though they've done

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<v Speaker 1>all the problems, but if it gives out and it

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<v Speaker 1>is like that, like if I don't warm up and

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<v Speaker 1>really prepare it is I always do refer to it

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<v Speaker 1>like a knee, like a bad knee. Um. And you

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<v Speaker 1>never know when that he's going to give out on you.

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<v Speaker 1>And that happens to me when I'm singing. Um, Like

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<v Speaker 1>I wouldn't be able to be an opera singer for example,

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<v Speaker 1>because you know, but because I'm running around and I'm

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<v Speaker 1>I can add live and I can, I can, I

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<v Speaker 1>can work with it, I can, I can manage it. Um.

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<v Speaker 1>And I'm just so determined, Like I couldn't sing for

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<v Speaker 1>a long long time and I could barely yell out

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<v Speaker 1>for my dogs. It's really really because the air escapes

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<v Speaker 1>from the you know, it's very technical. Um. But I

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<v Speaker 1>was just really determined to get to the bottom of

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<v Speaker 1>it and find out what I could do about it.

0:11:10.520 --> 0:11:15.920
<v Speaker 1>And little by little I realized that I could do this,

0:11:16.080 --> 0:11:19.839
<v Speaker 1>I could do it again, and UM, so now I'm

0:11:19.840 --> 0:11:21.320
<v Speaker 1>not going to give up. Now. You know, it takes

0:11:21.320 --> 0:11:23.360
<v Speaker 1>a lot of work. I have to say, it's a

0:11:23.360 --> 0:11:25.000
<v Speaker 1>lot of work, and I do get to you know,

0:11:25.120 --> 0:11:28.960
<v Speaker 1>scourage some days, like an athlete with an injury. Um,

0:11:29.120 --> 0:11:30.480
<v Speaker 1>you do worry, is that is it going to give

0:11:30.520 --> 0:11:32.280
<v Speaker 1>out on me? When I'm on stage. Is it gonna

0:11:32.559 --> 0:11:36.520
<v Speaker 1>Is it gonna be there for me when I need it? Um?

0:11:36.600 --> 0:11:39.079
<v Speaker 1>But I feel really good just talking about it too.

0:11:39.200 --> 0:11:42.760
<v Speaker 1>That helps me psychologically with it, and I accept it.

0:11:42.760 --> 0:11:44.880
<v Speaker 1>It's just part of who I am. Now. I want

0:11:44.880 --> 0:11:46.840
<v Speaker 1>to ask you about people crying? Could I make people

0:11:47.000 --> 0:11:49.480
<v Speaker 1>they meet you they cry all the time? And how

0:11:49.480 --> 0:11:50.880
<v Speaker 1>do they How do you get used to people crying

0:11:50.880 --> 0:11:54.000
<v Speaker 1>when they meet you because you're royalty inside of our format,

0:11:54.040 --> 0:11:56.080
<v Speaker 1>your royalty. Well, you know, my mother used to always

0:11:56.120 --> 0:12:00.640
<v Speaker 1>cry whenever I would sing every time at kitchen table,

0:12:01.520 --> 0:12:04.880
<v Speaker 1>A good cry, like mom, you know. Like so I

0:12:04.880 --> 0:12:06.560
<v Speaker 1>would say, at the kitchen table, I play our a

0:12:06.559 --> 0:12:08.800
<v Speaker 1>new song that I wrote. You know, I'm like ten

0:12:08.920 --> 0:12:14.000
<v Speaker 1>or something. You know, she cried, and then you know,

0:12:14.040 --> 0:12:17.760
<v Speaker 1>I'm on stage, I sing a song. She cries. We're

0:12:17.800 --> 0:12:21.840
<v Speaker 1>at a house party somewhere, sing a song. She cries.

0:12:22.160 --> 0:12:23.760
<v Speaker 1>I mean, she would always cry. She was always very

0:12:23.800 --> 0:12:28.120
<v Speaker 1>emotional about I don't know what what it was, whether

0:12:28.280 --> 0:12:30.280
<v Speaker 1>you know, and what does do all mothers do that,

0:12:30.400 --> 0:12:32.840
<v Speaker 1>like cry all the time when their child performs. I

0:12:32.840 --> 0:12:36.120
<v Speaker 1>don't know, but my mother always did, and so I'm

0:12:36.200 --> 0:12:39.080
<v Speaker 1>used to it, and I appreciate. I learned to appreciate

0:12:39.120 --> 0:12:40.800
<v Speaker 1>it at the time as a kid, I'm like, oh, mom,

0:12:40.920 --> 0:12:43.120
<v Speaker 1>come on, and you've heard me sing a million times,

0:12:43.120 --> 0:12:46.280
<v Speaker 1>you know. But I've really learned to appreciate the connection

0:12:46.360 --> 0:12:48.760
<v Speaker 1>with people and what and what any emotion said it's

0:12:48.800 --> 0:12:52.440
<v Speaker 1>to something people. I want to play a clip here.

0:12:52.720 --> 0:12:55.520
<v Speaker 1>These are people that have all covered you. It's gonna

0:12:55.520 --> 0:12:57.199
<v Speaker 1>be tough. See if you can tell who this is.

0:12:57.440 --> 0:13:00.400
<v Speaker 1>You're all very famous singers. Go see if you can

0:13:00.440 --> 0:13:08.720
<v Speaker 1>tell who's covering you. Okay, clip number one, here you go.

0:13:11.480 --> 0:13:20.640
<v Speaker 1>That's Miranda Lambert. Oh it's Carrie. Yeah. Okay, it's so easy.

0:13:20.720 --> 0:13:23.120
<v Speaker 1>Once you're told, you can hear it. Alright, try another one,

0:13:23.120 --> 0:13:25.520
<v Speaker 1>Sha Twin in studio. Dang it, you stumped me on that.

0:13:25.600 --> 0:13:28.600
<v Speaker 1>I hate that name the artist it's covering you. Number two,

0:13:32.200 --> 0:13:39.320
<v Speaker 1>that's it's just that I don't know. It was the

0:13:39.360 --> 0:13:44.960
<v Speaker 1>southern I don't know. They both have that southern thing. O. All,

0:13:45.040 --> 0:13:46.720
<v Speaker 1>here we go, try this on my ears something never

0:13:46.760 --> 0:13:54.160
<v Speaker 1>mind my voice. Name the cover Kelly Clarkson. Kelly Clarkson, quick,

0:13:55.200 --> 0:13:58.920
<v Speaker 1>that was quick. Okay, she's loosening. It's impressive. Okay, we'll

0:13:58.920 --> 0:14:07.400
<v Speaker 1>go to the dude. Okay, of course I know who

0:14:07.480 --> 0:14:10.520
<v Speaker 1>this is. I'm joining the blame. I know the voice,

0:14:10.679 --> 0:14:14.480
<v Speaker 1>and i've the name's leaving me. Oh that's nice. I

0:14:14.520 --> 0:14:21.240
<v Speaker 1>like you, Luke Brian, thank you. Yeah, and audios obviously

0:14:21.320 --> 0:14:23.120
<v Speaker 1>fantastic too. I think I've recorded that from their sock

0:14:23.240 --> 0:14:26.640
<v Speaker 1>cell phone. Really. Yeah, that's got a cool scratchiness to it.

0:14:26.800 --> 0:14:28.600
<v Speaker 1>I'm go, way to go, Luke. That was good to

0:14:28.720 --> 0:14:32.560
<v Speaker 1>give you one more about another dude. No, I'm gonna

0:14:32.600 --> 0:14:35.800
<v Speaker 1>keep d Yeah. A lady dude, no, lady. That's what

0:14:35.840 --> 0:14:37.680
<v Speaker 1>I am. In my family, I'm a lady dude. Why

0:14:37.760 --> 0:14:40.440
<v Speaker 1>is that? I don't know, because they're always calling each

0:14:40.480 --> 0:14:42.880
<v Speaker 1>other dude and I I guess they thought I was

0:14:42.880 --> 0:14:46.680
<v Speaker 1>feeling left out. So my son's like, you're a lady dude, mom,

0:14:46.800 --> 0:14:48.320
<v Speaker 1>and I do all the lady dude things. I mean,

0:14:48.320 --> 0:14:51.640
<v Speaker 1>I play street hockey with them, I play basketball, I

0:14:51.680 --> 0:14:57.400
<v Speaker 1>play soccer. I'm a lady dude, I think, are you kid? Yeah,

0:14:58.000 --> 0:14:59.720
<v Speaker 1>so I'm one of the dudes because you know he's cool?

0:15:00.000 --> 0:15:02.200
<v Speaker 1>Eyes like, does he know you're cool? Does he know

0:15:02.320 --> 0:15:04.200
<v Speaker 1>you're like? I don't know if he would go so

0:15:04.240 --> 0:15:08.080
<v Speaker 1>far as saying I'm cool. Um, he's he's a big

0:15:08.120 --> 0:15:11.600
<v Speaker 1>support or big cheerleader of mine, and he's really but

0:15:11.640 --> 0:15:15.240
<v Speaker 1>you know, he doesn't really get into the whole fame thing.

0:15:15.240 --> 0:15:21.040
<v Speaker 1>I'm just mom. Yeah. Yeah. And are his friends like

0:15:21.120 --> 0:15:23.360
<v Speaker 1>your mom, Shania Twain. Yeah, they kind of are a

0:15:23.400 --> 0:15:26.040
<v Speaker 1>little bit, not not all of them, they're kind of

0:15:26.040 --> 0:15:29.440
<v Speaker 1>they're really supportive, you know, supportive as well. Um that

0:15:29.440 --> 0:15:33.640
<v Speaker 1>that's his life and that's his world. Um. But I

0:15:33.680 --> 0:15:36.880
<v Speaker 1>think the cool part is more that I'm I think

0:15:37.000 --> 0:15:40.040
<v Speaker 1>maybe I'm a cool mom. Um. I don't think that

0:15:40.360 --> 0:15:43.160
<v Speaker 1>anything has anything to do you know, all that aside,

0:15:43.160 --> 0:15:44.800
<v Speaker 1>you'd still be a good mom. I'm not really sure

0:15:44.840 --> 0:15:46.680
<v Speaker 1>how cool he thinks that the friends ever ask you

0:15:46.680 --> 0:15:48.160
<v Speaker 1>to sing at the wedding, because I always feel like

0:15:48.200 --> 0:15:50.320
<v Speaker 1>that would be really awkward, like if someone's your friend,

0:15:50.360 --> 0:15:58.320
<v Speaker 1>Like no, you know, um, they they have you know,

0:15:58.440 --> 0:16:01.480
<v Speaker 1>I done that. I know I know I have done that,

0:16:01.560 --> 0:16:03.760
<v Speaker 1>but never like not in like a band setting. You know,

0:16:03.760 --> 0:16:05.440
<v Speaker 1>I'll just like get up and do a little a

0:16:05.480 --> 0:16:08.240
<v Speaker 1>few lines of something, you know, just to to do it.

0:16:08.320 --> 0:16:10.400
<v Speaker 1>But yeah, no, that does happen. The karaoke is the worst.

0:16:10.480 --> 0:16:12.720
<v Speaker 1>The pressure on you to go anywhere where anybody's singing

0:16:12.760 --> 0:16:16.480
<v Speaker 1>because everyone's like if she's going to get up and sing,

0:16:16.560 --> 0:16:18.640
<v Speaker 1>But now I can't do that, even if I wanted

0:16:18.680 --> 0:16:21.320
<v Speaker 1>to that. That is kind of a bummer. Um but yeah,

0:16:21.360 --> 0:16:22.600
<v Speaker 1>you know, because I got to warm up, I just

0:16:22.600 --> 0:16:25.080
<v Speaker 1>can't get out up there, and like, you know, do it.

0:16:25.520 --> 0:16:27.200
<v Speaker 1>I want to know about this new music. So, I mean,

0:16:27.320 --> 0:16:28.720
<v Speaker 1>you have a whole record, it's going to come out.

0:16:29.360 --> 0:16:33.720
<v Speaker 1>So how many songs we're putting on this thing? I

0:16:33.760 --> 0:16:37.240
<v Speaker 1>recorded twenty one? Um, it was very hard to bring

0:16:37.240 --> 0:16:40.840
<v Speaker 1>it down, and sometimes I regret bringing it down to sixteen.

0:16:40.880 --> 0:16:43.400
<v Speaker 1>But you know, I'm ready to get back to the

0:16:43.400 --> 0:16:45.960
<v Speaker 1>studio and make another album. So well that head start.

0:16:46.000 --> 0:16:48.080
<v Speaker 1>You're ready to make another album, I am. I've got

0:16:48.120 --> 0:16:50.880
<v Speaker 1>so many songs in there in my head, you know,

0:16:50.880 --> 0:16:53.920
<v Speaker 1>in my heart. Um, but yeah, there's sixteen on this one,

0:16:55.000 --> 0:16:59.480
<v Speaker 1>and um, I'm excited for more to hear it. So

0:16:59.560 --> 0:17:01.680
<v Speaker 1>today's the world premier day if you missed it. And

0:17:01.720 --> 0:17:02.960
<v Speaker 1>she and I have been here for a while. Here,

0:17:03.160 --> 0:17:07.240
<v Speaker 1>she has a song. Here, life's about to get good.

0:17:08.760 --> 0:17:13.119
<v Speaker 1>We're playing it all day today. So what are we thinking?

0:17:13.200 --> 0:17:15.320
<v Speaker 1>Like when's the record coming out? Like all I see

0:17:15.359 --> 0:17:18.720
<v Speaker 1>her vague times and like late summer, early fall. It

0:17:18.840 --> 0:17:22.240
<v Speaker 1>is like, well, it's mid falls September. Um, I think

0:17:22.240 --> 0:17:23.960
<v Speaker 1>the exact date is the twenty nine. Are you giving

0:17:24.040 --> 0:17:28.080
<v Speaker 1>us an exact month day, September twenty nine. Yeah. Yeah,

0:17:28.119 --> 0:17:31.119
<v Speaker 1>I'm planning on stick and do it. Dang yeah, and

0:17:31.160 --> 0:17:33.960
<v Speaker 1>you out playing, that's all you're saying. I was like,

0:17:34.040 --> 0:17:36.639
<v Speaker 1>dang that it was really good. Nick Jonas up there

0:17:36.640 --> 0:17:39.040
<v Speaker 1>with you too, I know, it was like, yeah, I

0:17:39.119 --> 0:17:43.040
<v Speaker 1>was on the side. I was like that, that's the group, man,

0:17:43.160 --> 0:17:45.919
<v Speaker 1>that's those they were kids, you know. When I was

0:17:47.040 --> 0:17:48.600
<v Speaker 1>do when my man, I felt like a woman thing.

0:17:48.840 --> 0:17:51.080
<v Speaker 1>What is your amy? What's your song? When you think

0:17:51.080 --> 0:17:54.080
<v Speaker 1>of what's your song? Who's bet of your bitsfen under?

0:17:54.200 --> 0:17:57.920
<v Speaker 1>And that's the first thing just my head. So yeah, yeah, yeah,

0:17:58.240 --> 0:18:00.520
<v Speaker 1>for sure. I wrote that in a little bush cabin

0:18:00.560 --> 0:18:09.040
<v Speaker 1>in Canada. Buy my wood stove. Really yeah yourself? Well,

0:18:09.359 --> 0:18:12.439
<v Speaker 1>I wrote it, and then I wrote that before I

0:18:12.480 --> 0:18:16.159
<v Speaker 1>met Um, and then when we met that was one

0:18:16.200 --> 0:18:18.920
<v Speaker 1>of the songs I pulled out of my hat and

0:18:19.040 --> 0:18:21.200
<v Speaker 1>Um and then we finished it together. I don't really

0:18:21.200 --> 0:18:27.000
<v Speaker 1>even remember what we did collaboratively on that, but everything

0:18:27.000 --> 0:18:28.639
<v Speaker 1>in the hat at that point, you know, once we

0:18:28.640 --> 0:18:32.520
<v Speaker 1>were collaborating a songwriter. So what is your quintessential Nationville story?

0:18:32.520 --> 0:18:35.000
<v Speaker 1>Because you hear you know, I did a hundred stories

0:18:35.000 --> 0:18:38.400
<v Speaker 1>about you now, like you just pack up moved down.

0:18:39.080 --> 0:18:44.720
<v Speaker 1>I did. I literally drove here from Timmins, Uh, put

0:18:44.760 --> 0:18:47.639
<v Speaker 1>everything in the back of my Jimmy that was my

0:18:47.720 --> 0:18:52.000
<v Speaker 1>vehicle at the time, and loaded that up with everything

0:18:52.040 --> 0:18:55.359
<v Speaker 1>I could possibly put in there laundry basket. I mean everything.

0:18:55.400 --> 0:18:57.720
<v Speaker 1>I mean I was. I had no money and I

0:18:57.840 --> 0:19:02.400
<v Speaker 1>just drove the the three days um to Nashville, and

0:19:03.400 --> 0:19:05.800
<v Speaker 1>I think I got a little bit of cash from

0:19:05.800 --> 0:19:09.600
<v Speaker 1>the label. I got a put a you know, first

0:19:09.600 --> 0:19:12.440
<v Speaker 1>and last month's rent um on an apartment in Brentwood.

0:19:13.280 --> 0:19:17.600
<v Speaker 1>And here I was, did you were you famous in

0:19:17.640 --> 0:19:20.600
<v Speaker 1>Canada already before you came down, Like, did you have

0:19:20.600 --> 0:19:23.520
<v Speaker 1>a bunch of Canadian money like Loony's Oh she had

0:19:23.560 --> 0:19:25.120
<v Speaker 1>no money? No? No, I had no money. I had

0:19:25.160 --> 0:19:27.600
<v Speaker 1>no record, No, no, my my record. I was signed

0:19:27.640 --> 0:19:31.520
<v Speaker 1>to Nashville, not Canada. Um I didn't have a record

0:19:31.520 --> 0:19:34.480
<v Speaker 1>deal in Canada. I had never released a record in Canada.

0:19:34.720 --> 0:19:40.400
<v Speaker 1>I was still a stage singer, a club singer, singer, songwriter.

0:19:41.359 --> 0:19:47.919
<v Speaker 1>Um so I went straight from that two Nashville and

0:19:47.960 --> 0:19:49.720
<v Speaker 1>how long until you hit you moved here, and then

0:19:49.720 --> 0:19:51.720
<v Speaker 1>how long until you had your first big hit? Because

0:19:51.720 --> 0:19:53.680
<v Speaker 1>people think people just move and go, snap, there's a hit.

0:19:54.280 --> 0:19:57.520
<v Speaker 1>I did very fast on you know. Um it was

0:19:57.560 --> 0:20:01.760
<v Speaker 1>like a year. Wow. Yeah, didn't sweep you up like whoa, whoa,

0:20:01.760 --> 0:20:03.959
<v Speaker 1>whoa before before you kind of realized what was going on,

0:20:04.119 --> 0:20:10.840
<v Speaker 1>you were a star. I mean I was so ready

0:20:10.880 --> 0:20:13.760
<v Speaker 1>for it, because first of all, I was already by

0:20:13.800 --> 0:20:17.640
<v Speaker 1>the time I was really what you would consider famous.

0:20:17.680 --> 0:20:23.040
<v Speaker 1>I was thirty. I wasn't young. I mean I spent

0:20:23.119 --> 0:20:27.159
<v Speaker 1>my whole youth preparing for that. So it's not like

0:20:27.160 --> 0:20:28.920
<v Speaker 1>all of a sudden I was, you know, twenty two

0:20:28.920 --> 0:20:36.480
<v Speaker 1>and famous I was. I was thirty. I um, you know,

0:20:37.160 --> 0:20:39.960
<v Speaker 1>I guess I'm I don't know. I mean, I didn't

0:20:39.960 --> 0:20:43.000
<v Speaker 1>have any recording experience. I didn't have any fame experience,

0:20:43.040 --> 0:20:45.560
<v Speaker 1>but I had spent my whole childhood and all of that,

0:20:45.840 --> 0:20:48.840
<v Speaker 1>all of my twenties working toward it. Um, you know,

0:20:48.920 --> 0:20:52.080
<v Speaker 1>singing in bars and at any time type of show

0:20:52.119 --> 0:20:56.200
<v Speaker 1>that I could get into, festivals, writing, writing, writing, writing, writing,

0:20:56.200 --> 0:20:59.440
<v Speaker 1>I mean I really, you know, I wrote all the time,

0:20:59.480 --> 0:21:01.320
<v Speaker 1>you know, by my self I was just a sol writer.

0:21:02.119 --> 0:21:05.040
<v Speaker 1>So by the time I made it, I was so ready.

0:21:05.080 --> 0:21:07.120
<v Speaker 1>I mean, by the time I met Mud and made

0:21:07.119 --> 0:21:10.919
<v Speaker 1>that first record with him, I had a whole stache

0:21:10.920 --> 0:21:14.320
<v Speaker 1>of songs and it went very fast that record. You know,

0:21:15.119 --> 0:21:17.000
<v Speaker 1>I think my song is honey I'm Home, like when

0:21:17.040 --> 0:21:22.360
<v Speaker 1>I think, I just like I just love the paste. Yeah, yeah,

0:21:22.400 --> 0:21:24.480
<v Speaker 1>that's a good one. Yeah that's a rock and it's

0:21:24.480 --> 0:21:27.320
<v Speaker 1>a rocking country song. Right, it's got a cool groove.

0:21:27.640 --> 0:21:30.160
<v Speaker 1>Were you told you're not country like everybody's told? Now?

0:21:31.440 --> 0:21:37.000
<v Speaker 1>Sure I was, um, but I didn't know what it

0:21:37.040 --> 0:21:39.119
<v Speaker 1>was good for me that. I really didn't know that

0:21:39.119 --> 0:21:40.480
<v Speaker 1>that would be the case. I didn't really know what

0:21:40.520 --> 0:21:44.280
<v Speaker 1>the definition was or what was considered the definition of country,

0:21:44.280 --> 0:21:47.760
<v Speaker 1>because I grew up listening to such a I think,

0:21:47.800 --> 0:21:53.919
<v Speaker 1>a different country than um the country that maybe you

0:21:53.920 --> 0:21:55.840
<v Speaker 1>guys grew up here in the US. Two Because in

0:21:55.880 --> 0:21:58.560
<v Speaker 1>Canada we had you know, we had Gordon Life, We

0:21:58.600 --> 0:22:00.640
<v Speaker 1>had a lot of folk singers, a lot of folk

0:22:00.760 --> 0:22:05.480
<v Speaker 1>artists that were considered country. Um, so my country was

0:22:05.520 --> 0:22:09.919
<v Speaker 1>a lot of uh, you know, Joni Mitchell, Uh, you know,

0:22:10.040 --> 0:22:13.520
<v Speaker 1>Jim Crochet to me was country. The Carpenters were considered

0:22:13.560 --> 0:22:19.160
<v Speaker 1>country to me, Willie Nelson and Chris Christofferson and even Elvis,

0:22:19.840 --> 0:22:24.600
<v Speaker 1>you know, so it was kind of odd that I

0:22:24.600 --> 0:22:26.560
<v Speaker 1>I sort of thought I felt like I fit into

0:22:26.600 --> 0:22:33.440
<v Speaker 1>that scope of the more soul folk type country. And

0:22:33.680 --> 0:22:37.600
<v Speaker 1>of course, you know, my youth was eighties rock, so

0:22:37.680 --> 0:22:40.919
<v Speaker 1>that was always in me anyway too. Um, and that

0:22:41.080 --> 0:22:43.040
<v Speaker 1>that's how the music came out. I think in the end,

0:22:43.560 --> 0:22:50.200
<v Speaker 1>uh that hybrid. Well, congratulations, I'm really it's it's really

0:22:50.240 --> 0:22:53.000
<v Speaker 1>cold to see you. We're all big fans. Yeah, it's

0:22:53.000 --> 0:22:55.160
<v Speaker 1>really cool to have people in that were like super

0:22:55.320 --> 0:22:59.119
<v Speaker 1>human fans of so yeah and everybody playing it cool

0:22:59.160 --> 0:23:03.920
<v Speaker 1>though we've kept yeah yeah, but we can help scaring out. Okay,

0:23:03.960 --> 0:23:08.920
<v Speaker 1>we finally got our Yes, thank you so much. Congratulations

0:23:08.920 --> 0:23:10.679
<v Speaker 1>on the song and I can't wait to hear the

0:23:10.680 --> 0:23:14.000
<v Speaker 1>whole record. And it's awesome. The medium. What's great to

0:23:14.040 --> 0:23:16.520
<v Speaker 1>meet YouTube. I know, this is really really cool. I've

0:23:16.720 --> 0:23:25.600
<v Speaker 1>I've enjoyed the visit. Everybody clap your hands, yeah, show

0:23:26.000 --> 0:23:28.399
<v Speaker 1>all right, there was That was a full uninterrupted SNAI

0:23:28.480 --> 0:23:32.000
<v Speaker 1>twin segment um. It ran over two days and there

0:23:32.000 --> 0:23:35.520
<v Speaker 1>you go behind the scenes the whole thing. All everything

0:23:36.080 --> 0:23:41.920
<v Speaker 1>feel good about that. Yeah, yes, which differ than the

0:23:41.920 --> 0:23:47.159
<v Speaker 1>Shia thon which I have at home too. It's funny.

0:23:47.200 --> 0:23:49.280
<v Speaker 1>Thank you all right, quick dude, you can have that quick.

0:23:49.320 --> 0:23:51.399
<v Speaker 1>I mean people think we like plan stuff out that

0:23:51.720 --> 0:23:54.200
<v Speaker 1>I don't think. I don't think they think we did anything.

0:23:54.880 --> 0:23:56.840
<v Speaker 1>I get emails like do you all the script? I'm like,

0:23:57.000 --> 0:24:02.320
<v Speaker 1>have you listen to our show Mike websites before special edition?

0:24:02.359 --> 0:24:04.840
<v Speaker 1>Thank you very much, and uh, we'll see you soon,

0:24:05.000 --> 0:24:08.680
<v Speaker 1>coming up soon, Cole Swindow, get more caring, fair child,

0:24:08.920 --> 0:24:13.360
<v Speaker 1>I'll come by the house. Wow. Yeah, we don't try

0:24:13.359 --> 0:24:15.879
<v Speaker 1>to layer it like that, but everybody's beating the door

0:24:15.880 --> 0:24:19.720
<v Speaker 1>down to come talk about music. I know. Thank you.

0:24:19.720 --> 0:24:20.760
<v Speaker 1>We'll see you next time. By