1 00:00:00,840 --> 00:00:03,560 Speaker 1: All right, this episode sixty four the Bobby Cast, it's 2 00:00:03,600 --> 00:00:05,800 Speaker 1: a special one differ one. So shan I twin was 3 00:00:05,800 --> 00:00:07,680 Speaker 1: in the studio this week and we had it over 4 00:00:07,680 --> 00:00:09,479 Speaker 1: two days. And if you listen to the Bobby Cast before, 5 00:00:09,520 --> 00:00:12,680 Speaker 1: you know that sometimes we record artists before they actually 6 00:00:12,680 --> 00:00:14,040 Speaker 1: come in. We don't talk about on the radio. But 7 00:00:14,080 --> 00:00:15,480 Speaker 1: I've told you guys about how we do it. Here 8 00:00:16,200 --> 00:00:17,360 Speaker 1: are you looking at me? Funn You don't I tell 9 00:00:17,360 --> 00:00:20,160 Speaker 1: people that in the star were ringing the studio right now, 10 00:00:20,720 --> 00:00:21,759 Speaker 1: we have a whole I have a whole talk with 11 00:00:21,800 --> 00:00:24,280 Speaker 1: the Bobby Cast listeners, like they know the inner workings, 12 00:00:24,520 --> 00:00:27,360 Speaker 1: the inner the inner working. Yeah. So what I wanted 13 00:00:27,400 --> 00:00:29,440 Speaker 1: to do is play back the entire shan I interview 14 00:00:29,920 --> 00:00:36,400 Speaker 1: unedited wow in one pieces, like over twenty minutes. Yeah, 15 00:00:36,520 --> 00:00:39,160 Speaker 1: no edits, no songs, no times for commercials, just all 16 00:00:39,159 --> 00:00:44,199 Speaker 1: of it together. Love it and shocked by this. I 17 00:00:44,240 --> 00:00:46,720 Speaker 1: don't know. I mean this is you haven't done something 18 00:00:46,760 --> 00:00:48,760 Speaker 1: like this before I talked to you. Don't listen to 19 00:00:48,760 --> 00:00:52,480 Speaker 1: the Bobby Cast. No, you have not done something like 20 00:00:52,600 --> 00:00:55,600 Speaker 1: this like playing back the entire interview from when we 21 00:00:55,600 --> 00:00:58,880 Speaker 1: had Okay, you're right, all right, you there, we go. 22 00:00:59,280 --> 00:01:01,720 Speaker 1: Here's the whole all right, So here's the whole shing 23 00:01:01,800 --> 00:01:04,000 Speaker 1: I Interview. First, I'm gonna tell you about whag real quick. 24 00:01:04,040 --> 00:01:05,280 Speaker 1: So if you're like me and you have a dog, 25 00:01:05,400 --> 00:01:08,319 Speaker 1: you probably love your dog. You probably spend money on 26 00:01:08,360 --> 00:01:11,000 Speaker 1: your dog. And for me, it's important because I have 27 00:01:11,040 --> 00:01:13,199 Speaker 1: a busy schedule that my dog gets out and gets walked, 28 00:01:13,200 --> 00:01:15,600 Speaker 1: and sometimes I'm not able to get home. So wag 29 00:01:15,640 --> 00:01:18,440 Speaker 1: Walker for me has been awesome. You should download it. 30 00:01:18,440 --> 00:01:21,720 Speaker 1: It's it's called wag Walker wag if you're a dog going, 31 00:01:21,800 --> 00:01:23,200 Speaker 1: let me tell you why it's awesome. First of all, 32 00:01:23,560 --> 00:01:24,960 Speaker 1: let's say you're gone, you need somebody go to the 33 00:01:24,959 --> 00:01:27,680 Speaker 1: house and walk your dog. It's like Uber for dog walkers, 34 00:01:28,200 --> 00:01:30,800 Speaker 1: So you hit it. They match you up with someone 35 00:01:30,840 --> 00:01:33,720 Speaker 1: who's a wag certified walker that's near you. They vet 36 00:01:33,720 --> 00:01:36,479 Speaker 1: the walkers like crazy, so you get people that want 37 00:01:36,520 --> 00:01:38,760 Speaker 1: to vetted to our super experience with dogs. There's a 38 00:01:38,760 --> 00:01:41,720 Speaker 1: live GPS track during your dog walk. There's notification when 39 00:01:41,720 --> 00:01:44,039 Speaker 1: your dog uses the bathroom. You can have your phone 40 00:01:44,080 --> 00:01:46,000 Speaker 1: actually bark at you when it does that. There's a 41 00:01:46,040 --> 00:01:49,120 Speaker 1: photo report card afterward, and you don't have to be home. 42 00:01:49,360 --> 00:01:51,080 Speaker 1: They send up for your lock box to your house 43 00:01:51,400 --> 00:01:54,040 Speaker 1: so the dog walkers boom, unlock it. They're in, so 44 00:01:54,200 --> 00:01:58,000 Speaker 1: wags them must have Download Wag on iTunes or Google Play. 45 00:01:58,040 --> 00:01:59,920 Speaker 1: Just search for WAG There you go, sign up, you'll 46 00:02:00,040 --> 00:02:02,120 Speaker 1: do magicge you first walk for free, no promo code needed. 47 00:02:03,040 --> 00:02:06,320 Speaker 1: So again, download WAG on iTunes or Google Play and 48 00:02:06,360 --> 00:02:09,640 Speaker 1: you automatically get your first walk for free. Again, it's 49 00:02:09,680 --> 00:02:16,320 Speaker 1: called Wagwalker, but just search Wag. All right, Should I 50 00:02:16,320 --> 00:02:18,600 Speaker 1: a Twayne's here in the studio? Should I know? How 51 00:02:18,680 --> 00:02:29,440 Speaker 1: are you? I'm great? Everybody's so nervous. Why every so nervous? Twayne? 52 00:02:29,440 --> 00:02:30,760 Speaker 1: Do you get that? A lot of it's like it's 53 00:02:30,760 --> 00:02:33,680 Speaker 1: yourn I I get nervous. What are you talking about? 54 00:02:34,000 --> 00:02:36,240 Speaker 1: I'm not. I know the feeling, man, it's what. It's 55 00:02:36,280 --> 00:02:38,679 Speaker 1: really nice to meet you. Thank you. We were sitting 56 00:02:38,760 --> 00:02:40,519 Speaker 1: beside each other at the hockey game the other night 57 00:02:40,760 --> 00:02:43,160 Speaker 1: because we're I guess you'd come right into town. Pread's 58 00:02:43,240 --> 00:02:45,400 Speaker 1: night when the press are playing. Ye, so are you 59 00:02:45,480 --> 00:02:48,680 Speaker 1: a huge hockey fans? It's your Canadian because my girlfriend's Canadian. 60 00:02:49,040 --> 00:02:51,280 Speaker 1: That's our sport. It's it's in my blood. Yeah, I 61 00:02:51,280 --> 00:02:55,160 Speaker 1: grew up with it. It's our national sport. You know 62 00:02:55,200 --> 00:02:59,080 Speaker 1: the rules though, well sure, I mean I never played hockey. 63 00:02:59,120 --> 00:03:00,919 Speaker 1: I'm not like an ext it on the rules. But yeah, 64 00:03:00,919 --> 00:03:05,400 Speaker 1: I know when someone's offside, and I know all the um, 65 00:03:05,440 --> 00:03:07,640 Speaker 1: you know all the all. You know, I understand the 66 00:03:07,639 --> 00:03:10,320 Speaker 1: penalties and all that sort of stuff. And you know, 67 00:03:10,400 --> 00:03:14,120 Speaker 1: I'm a I can be a rowdy fan, um, And 68 00:03:14,160 --> 00:03:17,160 Speaker 1: there's nothing worse than, like, you know, standing up and 69 00:03:17,200 --> 00:03:19,320 Speaker 1: making it full of yourself, screaming at the ref or 70 00:03:19,440 --> 00:03:21,799 Speaker 1: bad call and being the only one that's doing it. 71 00:03:21,919 --> 00:03:23,760 Speaker 1: So you kind of get you want to make sure 72 00:03:23,800 --> 00:03:25,520 Speaker 1: you know what you're talking about a little bit when 73 00:03:25,560 --> 00:03:29,040 Speaker 1: you're Canadian hockey fan, um, because we can get pretty 74 00:03:29,080 --> 00:03:30,919 Speaker 1: rowdy out there, you know, the fans. I have no idea. 75 00:03:30,919 --> 00:03:32,399 Speaker 1: I just watched the people to wear the same color 76 00:03:32,440 --> 00:03:34,720 Speaker 1: I'm wearing. When they cheer, I cheer. That's how I 77 00:03:34,760 --> 00:03:38,080 Speaker 1: know when it's time that well. So, I mean, you 78 00:03:38,080 --> 00:03:39,840 Speaker 1: have this new song here, and you know I was 79 00:03:39,880 --> 00:03:42,760 Speaker 1: out at stage coach whenever you played because and so 80 00:03:43,040 --> 00:03:44,280 Speaker 1: I got to hear it the first time. I'm gonna 81 00:03:44,280 --> 00:03:54,680 Speaker 1: play some of this. This is life's about to get good. 82 00:03:55,240 --> 00:03:58,880 Speaker 1: I get you with the new song here and it's good. 83 00:03:59,720 --> 00:04:01,720 Speaker 1: So so what are you what's in your mind right now? 84 00:04:01,840 --> 00:04:04,440 Speaker 1: So here you are? You're back? Like, do you feel 85 00:04:04,480 --> 00:04:08,000 Speaker 1: like there's a pressure to it? Yeah, but I'm cheered up, 86 00:04:08,200 --> 00:04:09,800 Speaker 1: you know. I listened to the song and it cheers 87 00:04:09,840 --> 00:04:11,280 Speaker 1: me up, you know, makes it puts me in a 88 00:04:11,280 --> 00:04:17,000 Speaker 1: good spirit and really does for me what you know 89 00:04:17,160 --> 00:04:20,400 Speaker 1: the song did for me when I wrote it. You know, 90 00:04:20,400 --> 00:04:23,640 Speaker 1: it just picked me up. And so it's getting after 91 00:04:23,640 --> 00:04:27,280 Speaker 1: a really good start in enjoying the process again, you know, 92 00:04:27,360 --> 00:04:31,320 Speaker 1: jumping in and feeling happy to be here again and 93 00:04:32,440 --> 00:04:38,839 Speaker 1: grateful and in a good spirit about about you know, 94 00:04:39,279 --> 00:04:44,080 Speaker 1: life and career and trying to do it all. Um, 95 00:04:44,120 --> 00:04:47,760 Speaker 1: there's just so many challenges in coming back to something 96 00:04:47,760 --> 00:04:51,359 Speaker 1: you haven't done in a long time. So yeah, the 97 00:04:51,400 --> 00:04:54,599 Speaker 1: song makes me feel like I'm ready and happy and 98 00:04:55,600 --> 00:04:57,800 Speaker 1: feeling good. How do you pick a comeback song? Because 99 00:04:57,839 --> 00:04:59,200 Speaker 1: I'm sure you have lots of songs, I mean you 100 00:04:59,800 --> 00:05:04,719 Speaker 1: you got a bunch of songs, Jeff, how do you see? 101 00:05:04,880 --> 00:05:06,839 Speaker 1: And I just want to get it? So how do 102 00:05:06,880 --> 00:05:12,039 Speaker 1: you pick? Say? Uh, well, this song really does tell 103 00:05:12,160 --> 00:05:14,760 Speaker 1: it's got a very melancholy story. On the one hand, 104 00:05:15,600 --> 00:05:18,040 Speaker 1: you know, I wasn't just broken. I was shattered, are 105 00:05:18,040 --> 00:05:22,480 Speaker 1: the first words. And it's just it's all about betrayal 106 00:05:22,560 --> 00:05:25,960 Speaker 1: and and all that, you know, all that bad stuff, 107 00:05:26,040 --> 00:05:28,159 Speaker 1: but it's also about seeing the light at the end 108 00:05:28,200 --> 00:05:30,800 Speaker 1: of the tunnel. And the song opens up. I mean 109 00:05:30,839 --> 00:05:34,000 Speaker 1: it's it's got this really bouncy music to it with 110 00:05:34,040 --> 00:05:40,159 Speaker 1: this melancholy story, and it's I chose it because it 111 00:05:40,160 --> 00:05:43,680 Speaker 1: tells the truth about where I've been in the transition 112 00:05:44,040 --> 00:05:48,159 Speaker 1: and where I am now with it. Um And I wrote, 113 00:05:48,200 --> 00:05:50,080 Speaker 1: you know what, writing is very cathartic for me. I 114 00:05:50,279 --> 00:05:52,839 Speaker 1: I this is a good example as a song that 115 00:05:52,880 --> 00:05:55,880 Speaker 1: I've written that that is truly about me and my 116 00:05:55,960 --> 00:05:58,320 Speaker 1: life and and what music does for me. It pulls 117 00:05:58,320 --> 00:06:00,320 Speaker 1: me out of my slumps. I want to it right now. 118 00:06:00,320 --> 00:06:02,120 Speaker 1: I'm gona play the whole thing here. It's World Premier day. 119 00:06:02,120 --> 00:06:04,559 Speaker 1: Shania Twains here, so I'm gonna play live. It's about 120 00:06:04,560 --> 00:06:06,240 Speaker 1: to get good. It's the world premiere. We're gonna come 121 00:06:06,279 --> 00:06:08,640 Speaker 1: back in just one second with with more Shanaia right here, 122 00:06:13,680 --> 00:06:17,240 Speaker 1: all right, Shania Twain is here. Oh so tip, don't 123 00:06:17,279 --> 00:06:19,120 Speaker 1: leave your water bottle in here because someone will grab 124 00:06:19,120 --> 00:06:21,480 Speaker 1: it and sell it. They like when you when you're 125 00:06:21,480 --> 00:06:23,200 Speaker 1: really famous, like you do, you have to worry about 126 00:06:23,200 --> 00:06:25,039 Speaker 1: things like that, like you have someone that's always watching you, 127 00:06:25,160 --> 00:06:29,320 Speaker 1: like don't leave forks or tip the proper amount? Do 128 00:06:29,320 --> 00:06:30,680 Speaker 1: you worry about that kind of stuff. I do not 129 00:06:30,839 --> 00:06:35,480 Speaker 1: overthink fame. It's just life's too short. Like if a 130 00:06:35,560 --> 00:06:38,000 Speaker 1: valet takes your car, are you like, oh, for sure, 131 00:06:38,040 --> 00:06:39,840 Speaker 1: they just told somebody to day valet Shanai and I 132 00:06:39,920 --> 00:06:43,839 Speaker 1: only tipped them twenty bucks? No? No, I mean I 133 00:06:43,920 --> 00:06:46,119 Speaker 1: just don't think about those things. You know. I forget 134 00:06:46,120 --> 00:06:47,640 Speaker 1: who I am most of the time. That's what I 135 00:06:47,680 --> 00:06:50,840 Speaker 1: really prefer to do. Um. I just go about life 136 00:06:51,560 --> 00:06:53,360 Speaker 1: and until somebody reminds me of who I am, I 137 00:06:53,720 --> 00:06:57,320 Speaker 1: forget who I'm gonna like it twin. We haven't told 138 00:06:57,360 --> 00:07:02,360 Speaker 1: you f I. So you know, you have this entire 139 00:07:03,320 --> 00:07:06,440 Speaker 1: class of female artists and these here, and you know, 140 00:07:06,480 --> 00:07:09,280 Speaker 1: the last five, six, seven years, you're like what they 141 00:07:09,320 --> 00:07:12,000 Speaker 1: grew up listening to. I mean, you're what they admire. 142 00:07:12,680 --> 00:07:14,520 Speaker 1: And I was like doing. You brought at Kelsey Ballerina, 143 00:07:14,560 --> 00:07:16,240 Speaker 1: who were very close to and you got staying together. 144 00:07:16,440 --> 00:07:19,760 Speaker 1: We were in California and for her that that's like 145 00:07:19,800 --> 00:07:22,280 Speaker 1: a life changing thing even for me, like you're what 146 00:07:22,360 --> 00:07:26,160 Speaker 1: I listened to on the radio. It's it's like a 147 00:07:26,200 --> 00:07:29,600 Speaker 1: flashback for me. You know, um years ago in concert, 148 00:07:30,080 --> 00:07:32,640 Speaker 1: I had so many little kids at the shows. And 149 00:07:32,640 --> 00:07:35,560 Speaker 1: then I just never even imagined or projected myself into 150 00:07:35,600 --> 00:07:39,480 Speaker 1: the future, thinking that one day, um, they're going to 151 00:07:39,560 --> 00:07:45,800 Speaker 1: be the you know, kids in their twenties at my shows. Um. 152 00:07:45,880 --> 00:07:48,080 Speaker 1: Sometimes they're still there with their parents. You know. You 153 00:07:48,120 --> 00:07:51,680 Speaker 1: see the two generations together. And sometimes it's just the 154 00:07:51,720 --> 00:07:54,800 Speaker 1: group of college kids coming together the party and it's 155 00:07:55,240 --> 00:07:57,480 Speaker 1: and they'll say, oh, you were my first concert. I'm like, 156 00:07:57,560 --> 00:08:01,000 Speaker 1: I'm thinking, wow, okay, you're you're an adult. How is 157 00:08:01,040 --> 00:08:03,800 Speaker 1: that possible? Um? So yeah, I know it's true. It's 158 00:08:03,800 --> 00:08:09,040 Speaker 1: this whole generation of college kids, um that went to 159 00:08:09,120 --> 00:08:11,280 Speaker 1: my shows when they were little or you know, listen 160 00:08:11,360 --> 00:08:14,760 Speaker 1: to my song from the car Seaton back. You know. 161 00:08:15,240 --> 00:08:16,840 Speaker 1: I want to ask you about this. I remember reading 162 00:08:17,080 --> 00:08:21,200 Speaker 1: when you had vocal cords the issue. Yeah, I guess 163 00:08:21,200 --> 00:08:23,880 Speaker 1: I was in college. Right after college. What happened? So 164 00:08:23,920 --> 00:08:26,760 Speaker 1: what happened your vocal cords? Because you have surgery right Like, no, 165 00:08:27,560 --> 00:08:30,600 Speaker 1: you can't, this is not you can't. I can't repair 166 00:08:30,600 --> 00:08:32,640 Speaker 1: it with surgery. So it's still a thing. It's an 167 00:08:32,679 --> 00:08:35,520 Speaker 1: atrophy thing. Yeah. Yeah, I was tick. I had lives Sussies. 168 00:08:35,520 --> 00:08:39,040 Speaker 1: I got hit by a tick and wow that major 169 00:08:39,120 --> 00:08:42,840 Speaker 1: vocal cords bad. Yep, it's it's um. You know, lives 170 00:08:42,840 --> 00:08:47,600 Speaker 1: sudies can really get to your neurological system. And it's 171 00:08:47,720 --> 00:08:50,320 Speaker 1: I don't make a long story short, and all the 172 00:08:50,360 --> 00:08:53,640 Speaker 1: testing that I did, UM finally because the vocal cords 173 00:08:53,679 --> 00:08:59,800 Speaker 1: look normal from in a regular UM exam, but um, 174 00:08:59,840 --> 00:09:03,760 Speaker 1: I I've got slight atrophy on both chords. Um. The 175 00:09:03,880 --> 00:09:06,760 Speaker 1: nerves are damaged in there, and so I had to 176 00:09:06,800 --> 00:09:10,480 Speaker 1: get five long needles. You get five long needles into 177 00:09:10,480 --> 00:09:19,640 Speaker 1: your larynx and then they read your your nerve um activity. 178 00:09:19,880 --> 00:09:22,640 Speaker 1: Yeah that's what that's what um. Yeah, And so I've 179 00:09:22,679 --> 00:09:24,280 Speaker 1: got a bit of extra on both sides. And it's 180 00:09:24,320 --> 00:09:27,040 Speaker 1: it's really really makes it really tough. I've I do 181 00:09:27,120 --> 00:09:31,160 Speaker 1: a lot of vocal physiotherapy basically, so that's a lot 182 00:09:31,160 --> 00:09:33,720 Speaker 1: of warm up. Then before you go out. Well, I'm 183 00:09:33,760 --> 00:09:35,480 Speaker 1: trying to get the warm up down right now. I 184 00:09:35,480 --> 00:09:37,000 Speaker 1: need about an hour and a half to warm up, 185 00:09:37,040 --> 00:09:39,319 Speaker 1: and I can't do any spontaneous singing like if I 186 00:09:39,320 --> 00:09:41,160 Speaker 1: if I was this thing like right now, I would 187 00:09:41,160 --> 00:09:43,320 Speaker 1: sound like a din and cow. I really need to 188 00:09:44,840 --> 00:09:46,600 Speaker 1: And that's really a bummer for me because sometimes I'm 189 00:09:46,640 --> 00:09:48,439 Speaker 1: in a club or whatever and I feel like, you know, 190 00:09:48,480 --> 00:09:49,559 Speaker 1: I just want to get up and see where I 191 00:09:49,559 --> 00:09:51,320 Speaker 1: wanted to do karaoke and you know, get into the 192 00:09:51,320 --> 00:09:53,600 Speaker 1: whole thing. But I could really damage myself if I 193 00:09:53,640 --> 00:09:57,679 Speaker 1: did that, so um, and I don't want to damage myself. 194 00:09:57,720 --> 00:09:59,920 Speaker 1: I don't have nodules or anything that you know, the 195 00:10:00,000 --> 00:10:03,040 Speaker 1: typical sing or something. This is from a lime Lime's disease. 196 00:10:03,120 --> 00:10:06,280 Speaker 1: It's a nerve damage and it's really a bumber. I'm 197 00:10:06,280 --> 00:10:07,560 Speaker 1: stuck with it for the rest of my life. But 198 00:10:08,679 --> 00:10:10,840 Speaker 1: so it just takes a lot of work. It's like 199 00:10:10,880 --> 00:10:13,520 Speaker 1: a permanent injury. Yeah, it's gonna be weird to just 200 00:10:13,600 --> 00:10:15,040 Speaker 1: even singing knowing you have because I have a lot 201 00:10:15,040 --> 00:10:18,600 Speaker 1: of friends and professional athletes and like they've they've torn muscles, heart, 202 00:10:18,720 --> 00:10:21,080 Speaker 1: but they say even the mental part of it is 203 00:10:21,080 --> 00:10:22,640 Speaker 1: so hard because they don't even want to press on 204 00:10:22,679 --> 00:10:25,840 Speaker 1: it because they're like, what if even though they've done 205 00:10:25,840 --> 00:10:27,840 Speaker 1: all the problems, but if it gives out and it 206 00:10:27,960 --> 00:10:29,360 Speaker 1: is like that, like if I don't warm up and 207 00:10:29,360 --> 00:10:31,840 Speaker 1: really prepare it is I always do refer to it 208 00:10:31,880 --> 00:10:35,480 Speaker 1: like a knee, like a bad knee. Um. And you 209 00:10:35,520 --> 00:10:37,240 Speaker 1: never know when that he's going to give out on you. 210 00:10:37,240 --> 00:10:39,640 Speaker 1: And that happens to me when I'm singing. Um, Like 211 00:10:39,679 --> 00:10:41,720 Speaker 1: I wouldn't be able to be an opera singer for example, 212 00:10:41,760 --> 00:10:45,280 Speaker 1: because you know, but because I'm running around and I'm 213 00:10:45,320 --> 00:10:47,320 Speaker 1: I can add live and I can, I can, I 214 00:10:47,360 --> 00:10:51,679 Speaker 1: can work with it, I can, I can manage it. Um. 215 00:10:51,720 --> 00:10:54,920 Speaker 1: And I'm just so determined, Like I couldn't sing for 216 00:10:54,960 --> 00:10:58,719 Speaker 1: a long long time and I could barely yell out 217 00:10:58,720 --> 00:11:01,880 Speaker 1: for my dogs. It's really really because the air escapes 218 00:11:01,960 --> 00:11:06,880 Speaker 1: from the you know, it's very technical. Um. But I 219 00:11:06,960 --> 00:11:08,679 Speaker 1: was just really determined to get to the bottom of 220 00:11:08,720 --> 00:11:10,200 Speaker 1: it and find out what I could do about it. 221 00:11:10,520 --> 00:11:15,920 Speaker 1: And little by little I realized that I could do this, 222 00:11:16,080 --> 00:11:19,839 Speaker 1: I could do it again, and UM, so now I'm 223 00:11:19,840 --> 00:11:21,320 Speaker 1: not going to give up. Now. You know, it takes 224 00:11:21,320 --> 00:11:23,360 Speaker 1: a lot of work. I have to say, it's a 225 00:11:23,360 --> 00:11:25,000 Speaker 1: lot of work, and I do get to you know, 226 00:11:25,120 --> 00:11:28,960 Speaker 1: scourage some days, like an athlete with an injury. Um, 227 00:11:29,120 --> 00:11:30,480 Speaker 1: you do worry, is that is it going to give 228 00:11:30,520 --> 00:11:32,280 Speaker 1: out on me? When I'm on stage. Is it gonna 229 00:11:32,559 --> 00:11:36,520 Speaker 1: Is it gonna be there for me when I need it? Um? 230 00:11:36,600 --> 00:11:39,079 Speaker 1: But I feel really good just talking about it too. 231 00:11:39,200 --> 00:11:42,760 Speaker 1: That helps me psychologically with it, and I accept it. 232 00:11:42,760 --> 00:11:44,880 Speaker 1: It's just part of who I am. Now. I want 233 00:11:44,880 --> 00:11:46,840 Speaker 1: to ask you about people crying? Could I make people 234 00:11:47,000 --> 00:11:49,480 Speaker 1: they meet you they cry all the time? And how 235 00:11:49,480 --> 00:11:50,880 Speaker 1: do they How do you get used to people crying 236 00:11:50,880 --> 00:11:54,000 Speaker 1: when they meet you because you're royalty inside of our format, 237 00:11:54,040 --> 00:11:56,080 Speaker 1: your royalty. Well, you know, my mother used to always 238 00:11:56,120 --> 00:12:00,640 Speaker 1: cry whenever I would sing every time at kitchen table, 239 00:12:01,520 --> 00:12:04,880 Speaker 1: A good cry, like mom, you know. Like so I 240 00:12:04,880 --> 00:12:06,560 Speaker 1: would say, at the kitchen table, I play our a 241 00:12:06,559 --> 00:12:08,800 Speaker 1: new song that I wrote. You know, I'm like ten 242 00:12:08,920 --> 00:12:14,000 Speaker 1: or something. You know, she cried, and then you know, 243 00:12:14,040 --> 00:12:17,760 Speaker 1: I'm on stage, I sing a song. She cries. We're 244 00:12:17,800 --> 00:12:21,840 Speaker 1: at a house party somewhere, sing a song. She cries. 245 00:12:22,160 --> 00:12:23,760 Speaker 1: I mean, she would always cry. She was always very 246 00:12:23,800 --> 00:12:28,120 Speaker 1: emotional about I don't know what what it was, whether 247 00:12:28,280 --> 00:12:30,280 Speaker 1: you know, and what does do all mothers do that, 248 00:12:30,400 --> 00:12:32,840 Speaker 1: like cry all the time when their child performs. I 249 00:12:32,840 --> 00:12:36,120 Speaker 1: don't know, but my mother always did, and so I'm 250 00:12:36,200 --> 00:12:39,080 Speaker 1: used to it, and I appreciate. I learned to appreciate 251 00:12:39,120 --> 00:12:40,800 Speaker 1: it at the time as a kid, I'm like, oh, mom, 252 00:12:40,920 --> 00:12:43,120 Speaker 1: come on, and you've heard me sing a million times, 253 00:12:43,120 --> 00:12:46,280 Speaker 1: you know. But I've really learned to appreciate the connection 254 00:12:46,360 --> 00:12:48,760 Speaker 1: with people and what and what any emotion said it's 255 00:12:48,800 --> 00:12:52,440 Speaker 1: to something people. I want to play a clip here. 256 00:12:52,720 --> 00:12:55,520 Speaker 1: These are people that have all covered you. It's gonna 257 00:12:55,520 --> 00:12:57,199 Speaker 1: be tough. See if you can tell who this is. 258 00:12:57,440 --> 00:13:00,400 Speaker 1: You're all very famous singers. Go see if you can 259 00:13:00,440 --> 00:13:08,720 Speaker 1: tell who's covering you. Okay, clip number one, here you go. 260 00:13:11,480 --> 00:13:20,640 Speaker 1: That's Miranda Lambert. Oh it's Carrie. Yeah. Okay, it's so easy. 261 00:13:20,720 --> 00:13:23,120 Speaker 1: Once you're told, you can hear it. Alright, try another one, 262 00:13:23,120 --> 00:13:25,520 Speaker 1: Sha Twin in studio. Dang it, you stumped me on that. 263 00:13:25,600 --> 00:13:28,600 Speaker 1: I hate that name the artist it's covering you. Number two, 264 00:13:32,200 --> 00:13:39,320 Speaker 1: that's it's just that I don't know. It was the 265 00:13:39,360 --> 00:13:44,960 Speaker 1: southern I don't know. They both have that southern thing. O. All, 266 00:13:45,040 --> 00:13:46,720 Speaker 1: here we go, try this on my ears something never 267 00:13:46,760 --> 00:13:54,160 Speaker 1: mind my voice. Name the cover Kelly Clarkson. Kelly Clarkson, quick, 268 00:13:55,200 --> 00:13:58,920 Speaker 1: that was quick. Okay, she's loosening. It's impressive. Okay, we'll 269 00:13:58,920 --> 00:14:07,400 Speaker 1: go to the dude. Okay, of course I know who 270 00:14:07,480 --> 00:14:10,520 Speaker 1: this is. I'm joining the blame. I know the voice, 271 00:14:10,679 --> 00:14:14,480 Speaker 1: and i've the name's leaving me. Oh that's nice. I 272 00:14:14,520 --> 00:14:21,240 Speaker 1: like you, Luke Brian, thank you. Yeah, and audios obviously 273 00:14:21,320 --> 00:14:23,120 Speaker 1: fantastic too. I think I've recorded that from their sock 274 00:14:23,240 --> 00:14:26,640 Speaker 1: cell phone. Really. Yeah, that's got a cool scratchiness to it. 275 00:14:26,800 --> 00:14:28,600 Speaker 1: I'm go, way to go, Luke. That was good to 276 00:14:28,720 --> 00:14:32,560 Speaker 1: give you one more about another dude. No, I'm gonna 277 00:14:32,600 --> 00:14:35,800 Speaker 1: keep d Yeah. A lady dude, no, lady. That's what 278 00:14:35,840 --> 00:14:37,680 Speaker 1: I am. In my family, I'm a lady dude. Why 279 00:14:37,760 --> 00:14:40,440 Speaker 1: is that? I don't know, because they're always calling each 280 00:14:40,480 --> 00:14:42,880 Speaker 1: other dude and I I guess they thought I was 281 00:14:42,880 --> 00:14:46,680 Speaker 1: feeling left out. So my son's like, you're a lady dude, mom, 282 00:14:46,800 --> 00:14:48,320 Speaker 1: and I do all the lady dude things. I mean, 283 00:14:48,320 --> 00:14:51,640 Speaker 1: I play street hockey with them, I play basketball, I 284 00:14:51,680 --> 00:14:57,400 Speaker 1: play soccer. I'm a lady dude, I think, are you kid? Yeah, 285 00:14:58,000 --> 00:14:59,720 Speaker 1: so I'm one of the dudes because you know he's cool? 286 00:15:00,000 --> 00:15:02,200 Speaker 1: Eyes like, does he know you're cool? Does he know 287 00:15:02,320 --> 00:15:04,200 Speaker 1: you're like? I don't know if he would go so 288 00:15:04,240 --> 00:15:08,080 Speaker 1: far as saying I'm cool. Um, he's he's a big 289 00:15:08,120 --> 00:15:11,600 Speaker 1: support or big cheerleader of mine, and he's really but 290 00:15:11,640 --> 00:15:15,240 Speaker 1: you know, he doesn't really get into the whole fame thing. 291 00:15:15,240 --> 00:15:21,040 Speaker 1: I'm just mom. Yeah. Yeah. And are his friends like 292 00:15:21,120 --> 00:15:23,360 Speaker 1: your mom, Shania Twain. Yeah, they kind of are a 293 00:15:23,400 --> 00:15:26,040 Speaker 1: little bit, not not all of them, they're kind of 294 00:15:26,040 --> 00:15:29,440 Speaker 1: they're really supportive, you know, supportive as well. Um that 295 00:15:29,440 --> 00:15:33,640 Speaker 1: that's his life and that's his world. Um. But I 296 00:15:33,680 --> 00:15:36,880 Speaker 1: think the cool part is more that I'm I think 297 00:15:37,000 --> 00:15:40,040 Speaker 1: maybe I'm a cool mom. Um. I don't think that 298 00:15:40,360 --> 00:15:43,160 Speaker 1: anything has anything to do you know, all that aside, 299 00:15:43,160 --> 00:15:44,800 Speaker 1: you'd still be a good mom. I'm not really sure 300 00:15:44,840 --> 00:15:46,680 Speaker 1: how cool he thinks that the friends ever ask you 301 00:15:46,680 --> 00:15:48,160 Speaker 1: to sing at the wedding, because I always feel like 302 00:15:48,200 --> 00:15:50,320 Speaker 1: that would be really awkward, like if someone's your friend, 303 00:15:50,360 --> 00:15:58,320 Speaker 1: Like no, you know, um, they they have you know, 304 00:15:58,440 --> 00:16:01,480 Speaker 1: I done that. I know I know I have done that, 305 00:16:01,560 --> 00:16:03,760 Speaker 1: but never like not in like a band setting. You know, 306 00:16:03,760 --> 00:16:05,440 Speaker 1: I'll just like get up and do a little a 307 00:16:05,480 --> 00:16:08,240 Speaker 1: few lines of something, you know, just to to do it. 308 00:16:08,320 --> 00:16:10,400 Speaker 1: But yeah, no, that does happen. The karaoke is the worst. 309 00:16:10,480 --> 00:16:12,720 Speaker 1: The pressure on you to go anywhere where anybody's singing 310 00:16:12,760 --> 00:16:16,480 Speaker 1: because everyone's like if she's going to get up and sing, 311 00:16:16,560 --> 00:16:18,640 Speaker 1: But now I can't do that, even if I wanted 312 00:16:18,680 --> 00:16:21,320 Speaker 1: to that. That is kind of a bummer. Um but yeah, 313 00:16:21,360 --> 00:16:22,600 Speaker 1: you know, because I got to warm up, I just 314 00:16:22,600 --> 00:16:25,080 Speaker 1: can't get out up there, and like, you know, do it. 315 00:16:25,520 --> 00:16:27,200 Speaker 1: I want to know about this new music. So, I mean, 316 00:16:27,320 --> 00:16:28,720 Speaker 1: you have a whole record, it's going to come out. 317 00:16:29,360 --> 00:16:33,720 Speaker 1: So how many songs we're putting on this thing? I 318 00:16:33,760 --> 00:16:37,240 Speaker 1: recorded twenty one? Um, it was very hard to bring 319 00:16:37,240 --> 00:16:40,840 Speaker 1: it down, and sometimes I regret bringing it down to sixteen. 320 00:16:40,880 --> 00:16:43,400 Speaker 1: But you know, I'm ready to get back to the 321 00:16:43,400 --> 00:16:45,960 Speaker 1: studio and make another album. So well that head start. 322 00:16:46,000 --> 00:16:48,080 Speaker 1: You're ready to make another album, I am. I've got 323 00:16:48,120 --> 00:16:50,880 Speaker 1: so many songs in there in my head, you know, 324 00:16:50,880 --> 00:16:53,920 Speaker 1: in my heart. Um, but yeah, there's sixteen on this one, 325 00:16:55,000 --> 00:16:59,480 Speaker 1: and um, I'm excited for more to hear it. So 326 00:16:59,560 --> 00:17:01,680 Speaker 1: today's the world premier day if you missed it. And 327 00:17:01,720 --> 00:17:02,960 Speaker 1: she and I have been here for a while. Here, 328 00:17:03,160 --> 00:17:07,240 Speaker 1: she has a song. Here, life's about to get good. 329 00:17:08,760 --> 00:17:13,119 Speaker 1: We're playing it all day today. So what are we thinking? 330 00:17:13,200 --> 00:17:15,320 Speaker 1: Like when's the record coming out? Like all I see 331 00:17:15,359 --> 00:17:18,720 Speaker 1: her vague times and like late summer, early fall. It 332 00:17:18,840 --> 00:17:22,240 Speaker 1: is like, well, it's mid falls September. Um, I think 333 00:17:22,240 --> 00:17:23,960 Speaker 1: the exact date is the twenty nine. Are you giving 334 00:17:24,040 --> 00:17:28,080 Speaker 1: us an exact month day, September twenty nine. Yeah. Yeah, 335 00:17:28,119 --> 00:17:31,119 Speaker 1: I'm planning on stick and do it. Dang yeah, and 336 00:17:31,160 --> 00:17:33,960 Speaker 1: you out playing, that's all you're saying. I was like, 337 00:17:34,040 --> 00:17:36,639 Speaker 1: dang that it was really good. Nick Jonas up there 338 00:17:36,640 --> 00:17:39,040 Speaker 1: with you too, I know, it was like, yeah, I 339 00:17:39,119 --> 00:17:43,040 Speaker 1: was on the side. I was like that, that's the group, man, 340 00:17:43,160 --> 00:17:45,919 Speaker 1: that's those they were kids, you know. When I was 341 00:17:47,040 --> 00:17:48,600 Speaker 1: do when my man, I felt like a woman thing. 342 00:17:48,840 --> 00:17:51,080 Speaker 1: What is your amy? What's your song? When you think 343 00:17:51,080 --> 00:17:54,080 Speaker 1: of what's your song? Who's bet of your bitsfen under? 344 00:17:54,200 --> 00:17:57,920 Speaker 1: And that's the first thing just my head. So yeah, yeah, yeah, 345 00:17:58,240 --> 00:18:00,520 Speaker 1: for sure. I wrote that in a little bush cabin 346 00:18:00,560 --> 00:18:09,040 Speaker 1: in Canada. Buy my wood stove. Really yeah yourself? Well, 347 00:18:09,359 --> 00:18:12,439 Speaker 1: I wrote it, and then I wrote that before I 348 00:18:12,480 --> 00:18:16,159 Speaker 1: met Um, and then when we met that was one 349 00:18:16,200 --> 00:18:18,920 Speaker 1: of the songs I pulled out of my hat and 350 00:18:19,040 --> 00:18:21,200 Speaker 1: Um and then we finished it together. I don't really 351 00:18:21,200 --> 00:18:27,000 Speaker 1: even remember what we did collaboratively on that, but everything 352 00:18:27,000 --> 00:18:28,639 Speaker 1: in the hat at that point, you know, once we 353 00:18:28,640 --> 00:18:32,520 Speaker 1: were collaborating a songwriter. So what is your quintessential Nationville story? 354 00:18:32,520 --> 00:18:35,000 Speaker 1: Because you hear you know, I did a hundred stories 355 00:18:35,000 --> 00:18:38,400 Speaker 1: about you now, like you just pack up moved down. 356 00:18:39,080 --> 00:18:44,720 Speaker 1: I did. I literally drove here from Timmins, Uh, put 357 00:18:44,760 --> 00:18:47,639 Speaker 1: everything in the back of my Jimmy that was my 358 00:18:47,720 --> 00:18:52,000 Speaker 1: vehicle at the time, and loaded that up with everything 359 00:18:52,040 --> 00:18:55,359 Speaker 1: I could possibly put in there laundry basket. I mean everything. 360 00:18:55,400 --> 00:18:57,720 Speaker 1: I mean I was. I had no money and I 361 00:18:57,840 --> 00:19:02,400 Speaker 1: just drove the the three days um to Nashville, and 362 00:19:03,400 --> 00:19:05,800 Speaker 1: I think I got a little bit of cash from 363 00:19:05,800 --> 00:19:09,600 Speaker 1: the label. I got a put a you know, first 364 00:19:09,600 --> 00:19:12,440 Speaker 1: and last month's rent um on an apartment in Brentwood. 365 00:19:13,280 --> 00:19:17,600 Speaker 1: And here I was, did you were you famous in 366 00:19:17,640 --> 00:19:20,600 Speaker 1: Canada already before you came down, Like, did you have 367 00:19:20,600 --> 00:19:23,520 Speaker 1: a bunch of Canadian money like Loony's Oh she had 368 00:19:23,560 --> 00:19:25,120 Speaker 1: no money? No? No, I had no money. I had 369 00:19:25,160 --> 00:19:27,600 Speaker 1: no record, No, no, my my record. I was signed 370 00:19:27,640 --> 00:19:31,520 Speaker 1: to Nashville, not Canada. Um I didn't have a record 371 00:19:31,520 --> 00:19:34,480 Speaker 1: deal in Canada. I had never released a record in Canada. 372 00:19:34,720 --> 00:19:40,400 Speaker 1: I was still a stage singer, a club singer, singer, songwriter. 373 00:19:41,359 --> 00:19:47,919 Speaker 1: Um so I went straight from that two Nashville and 374 00:19:47,960 --> 00:19:49,720 Speaker 1: how long until you hit you moved here, and then 375 00:19:49,720 --> 00:19:51,720 Speaker 1: how long until you had your first big hit? Because 376 00:19:51,720 --> 00:19:53,680 Speaker 1: people think people just move and go, snap, there's a hit. 377 00:19:54,280 --> 00:19:57,520 Speaker 1: I did very fast on you know. Um it was 378 00:19:57,560 --> 00:20:01,760 Speaker 1: like a year. Wow. Yeah, didn't sweep you up like whoa, whoa, 379 00:20:01,760 --> 00:20:03,959 Speaker 1: whoa before before you kind of realized what was going on, 380 00:20:04,119 --> 00:20:10,840 Speaker 1: you were a star. I mean I was so ready 381 00:20:10,880 --> 00:20:13,760 Speaker 1: for it, because first of all, I was already by 382 00:20:13,800 --> 00:20:17,640 Speaker 1: the time I was really what you would consider famous. 383 00:20:17,680 --> 00:20:23,040 Speaker 1: I was thirty. I wasn't young. I mean I spent 384 00:20:23,119 --> 00:20:27,159 Speaker 1: my whole youth preparing for that. So it's not like 385 00:20:27,160 --> 00:20:28,920 Speaker 1: all of a sudden I was, you know, twenty two 386 00:20:28,920 --> 00:20:36,480 Speaker 1: and famous I was. I was thirty. I um, you know, 387 00:20:37,160 --> 00:20:39,960 Speaker 1: I guess I'm I don't know. I mean, I didn't 388 00:20:39,960 --> 00:20:43,000 Speaker 1: have any recording experience. I didn't have any fame experience, 389 00:20:43,040 --> 00:20:45,560 Speaker 1: but I had spent my whole childhood and all of that, 390 00:20:45,840 --> 00:20:48,840 Speaker 1: all of my twenties working toward it. Um, you know, 391 00:20:48,920 --> 00:20:52,080 Speaker 1: singing in bars and at any time type of show 392 00:20:52,119 --> 00:20:56,200 Speaker 1: that I could get into, festivals, writing, writing, writing, writing, writing, 393 00:20:56,200 --> 00:20:59,440 Speaker 1: I mean I really, you know, I wrote all the time, 394 00:20:59,480 --> 00:21:01,320 Speaker 1: you know, by my self I was just a sol writer. 395 00:21:02,119 --> 00:21:05,040 Speaker 1: So by the time I made it, I was so ready. 396 00:21:05,080 --> 00:21:07,120 Speaker 1: I mean, by the time I met Mud and made 397 00:21:07,119 --> 00:21:10,919 Speaker 1: that first record with him, I had a whole stache 398 00:21:10,920 --> 00:21:14,320 Speaker 1: of songs and it went very fast that record. You know, 399 00:21:15,119 --> 00:21:17,000 Speaker 1: I think my song is honey I'm Home, like when 400 00:21:17,040 --> 00:21:22,360 Speaker 1: I think, I just like I just love the paste. Yeah, yeah, 401 00:21:22,400 --> 00:21:24,480 Speaker 1: that's a good one. Yeah that's a rock and it's 402 00:21:24,480 --> 00:21:27,320 Speaker 1: a rocking country song. Right, it's got a cool groove. 403 00:21:27,640 --> 00:21:30,160 Speaker 1: Were you told you're not country like everybody's told? Now? 404 00:21:31,440 --> 00:21:37,000 Speaker 1: Sure I was, um, but I didn't know what it 405 00:21:37,040 --> 00:21:39,119 Speaker 1: was good for me that. I really didn't know that 406 00:21:39,119 --> 00:21:40,480 Speaker 1: that would be the case. I didn't really know what 407 00:21:40,520 --> 00:21:44,280 Speaker 1: the definition was or what was considered the definition of country, 408 00:21:44,280 --> 00:21:47,760 Speaker 1: because I grew up listening to such a I think, 409 00:21:47,800 --> 00:21:53,919 Speaker 1: a different country than um the country that maybe you 410 00:21:53,920 --> 00:21:55,840 Speaker 1: guys grew up here in the US. Two Because in 411 00:21:55,880 --> 00:21:58,560 Speaker 1: Canada we had you know, we had Gordon Life, We 412 00:21:58,600 --> 00:22:00,640 Speaker 1: had a lot of folk singers, a lot of folk 413 00:22:00,760 --> 00:22:05,480 Speaker 1: artists that were considered country. Um, so my country was 414 00:22:05,520 --> 00:22:09,919 Speaker 1: a lot of uh, you know, Joni Mitchell, Uh, you know, 415 00:22:10,040 --> 00:22:13,520 Speaker 1: Jim Crochet to me was country. The Carpenters were considered 416 00:22:13,560 --> 00:22:19,160 Speaker 1: country to me, Willie Nelson and Chris Christofferson and even Elvis, 417 00:22:19,840 --> 00:22:24,600 Speaker 1: you know, so it was kind of odd that I 418 00:22:24,600 --> 00:22:26,560 Speaker 1: I sort of thought I felt like I fit into 419 00:22:26,600 --> 00:22:33,440 Speaker 1: that scope of the more soul folk type country. And 420 00:22:33,680 --> 00:22:37,600 Speaker 1: of course, you know, my youth was eighties rock, so 421 00:22:37,680 --> 00:22:40,919 Speaker 1: that was always in me anyway too. Um, and that 422 00:22:41,080 --> 00:22:43,040 Speaker 1: that's how the music came out. I think in the end, 423 00:22:43,560 --> 00:22:50,200 Speaker 1: uh that hybrid. Well, congratulations, I'm really it's it's really 424 00:22:50,240 --> 00:22:53,000 Speaker 1: cold to see you. We're all big fans. Yeah, it's 425 00:22:53,000 --> 00:22:55,160 Speaker 1: really cool to have people in that were like super 426 00:22:55,320 --> 00:22:59,119 Speaker 1: human fans of so yeah and everybody playing it cool 427 00:22:59,160 --> 00:23:03,920 Speaker 1: though we've kept yeah yeah, but we can help scaring out. Okay, 428 00:23:03,960 --> 00:23:08,920 Speaker 1: we finally got our Yes, thank you so much. Congratulations 429 00:23:08,920 --> 00:23:10,679 Speaker 1: on the song and I can't wait to hear the 430 00:23:10,680 --> 00:23:14,000 Speaker 1: whole record. And it's awesome. The medium. What's great to 431 00:23:14,040 --> 00:23:16,520 Speaker 1: meet YouTube. I know, this is really really cool. I've 432 00:23:16,720 --> 00:23:25,600 Speaker 1: I've enjoyed the visit. Everybody clap your hands, yeah, show 433 00:23:26,000 --> 00:23:28,399 Speaker 1: all right, there was That was a full uninterrupted SNAI 434 00:23:28,480 --> 00:23:32,000 Speaker 1: twin segment um. It ran over two days and there 435 00:23:32,000 --> 00:23:35,520 Speaker 1: you go behind the scenes the whole thing. All everything 436 00:23:36,080 --> 00:23:41,920 Speaker 1: feel good about that. Yeah, yes, which differ than the 437 00:23:41,920 --> 00:23:47,159 Speaker 1: Shia thon which I have at home too. It's funny. 438 00:23:47,200 --> 00:23:49,280 Speaker 1: Thank you all right, quick dude, you can have that quick. 439 00:23:49,320 --> 00:23:51,399 Speaker 1: I mean people think we like plan stuff out that 440 00:23:51,720 --> 00:23:54,200 Speaker 1: I don't think. I don't think they think we did anything. 441 00:23:54,880 --> 00:23:56,840 Speaker 1: I get emails like do you all the script? I'm like, 442 00:23:57,000 --> 00:24:02,320 Speaker 1: have you listen to our show Mike websites before special edition? 443 00:24:02,359 --> 00:24:04,840 Speaker 1: Thank you very much, and uh, we'll see you soon, 444 00:24:05,000 --> 00:24:08,680 Speaker 1: coming up soon, Cole Swindow, get more caring, fair child, 445 00:24:08,920 --> 00:24:13,360 Speaker 1: I'll come by the house. Wow. Yeah, we don't try 446 00:24:13,359 --> 00:24:15,879 Speaker 1: to layer it like that, but everybody's beating the door 447 00:24:15,880 --> 00:24:19,720 Speaker 1: down to come talk about music. I know. Thank you. 448 00:24:19,720 --> 00:24:20,760 Speaker 1: We'll see you next time. By