1 00:00:00,400 --> 00:00:04,280 Speaker 1: All tape and is our special guest present? Our special 2 00:00:04,320 --> 00:00:08,720 Speaker 1: guest is present. I want to welcome our special guest. Now, um, 3 00:00:08,880 --> 00:00:13,240 Speaker 1: special guest. Angie doesn't know who she's talking to, so 4 00:00:13,440 --> 00:00:16,480 Speaker 1: maybe I mean as soon as special guests talk, will 5 00:00:18,400 --> 00:00:21,400 Speaker 1: do Special guest just fall off a ladder, Special guest. Okay, 6 00:00:21,600 --> 00:00:25,880 Speaker 1: special guests are you there? Yeah, a special guest probably 7 00:00:25,920 --> 00:00:28,120 Speaker 1: did fall off the lad ladder at some point in 8 00:00:28,160 --> 00:00:33,280 Speaker 1: their life. It could could be Special guest is a 9 00:00:33,400 --> 00:00:37,440 Speaker 1: rock and roll legend. Okay, let's not. Let's let's not. 10 00:00:37,720 --> 00:00:41,440 Speaker 1: Let's not lie now. No, it's true. No, it's it's true. 11 00:00:41,920 --> 00:00:44,800 Speaker 1: And Special Guests will be someone you'll be familiar with 12 00:00:44,840 --> 00:00:47,720 Speaker 1: as you move down the hall to rock five. Okay, 13 00:00:48,280 --> 00:00:50,639 Speaker 1: is this a rock star? Is it is? Is it's 14 00:00:50,640 --> 00:00:53,640 Speaker 1: a rock star from the eighties, nineties? It is? It 15 00:00:53,720 --> 00:00:58,480 Speaker 1: absolutely is. There may be any rock star. Wait a minute, 16 00:00:59,160 --> 00:01:03,120 Speaker 1: is this somebody from Motley Crewe? Who is this? Nikki? 17 00:01:05,640 --> 00:01:11,520 Speaker 1: Are you kidding me? Oh? My good? Hi Nikki? And hey, 18 00:01:11,560 --> 00:01:14,880 Speaker 1: what's going on? Wow? This God? I mean Caitlin said 19 00:01:14,880 --> 00:01:18,760 Speaker 1: there'd be a reaction, but I wasn't. No, you don't understand. Hi, Nikki. 20 00:01:18,880 --> 00:01:20,600 Speaker 1: First of all, thank you so much for calling. Oh 21 00:01:20,680 --> 00:01:24,199 Speaker 1: my god, I'm crapping myself. I'm shitting my shorts. So listen. 22 00:01:24,840 --> 00:01:28,280 Speaker 1: I'm I'm so excited to have you on. You have 23 00:01:28,360 --> 00:01:31,200 Speaker 1: no idea, like I'm fan girling so hard in my 24 00:01:31,480 --> 00:01:34,480 Speaker 1: on my wall. Growing up, I had two posters. I 25 00:01:34,560 --> 00:01:37,880 Speaker 1: had a two Live Crew poster and a Motley Crew poster, 26 00:01:38,520 --> 00:01:41,080 Speaker 1: and my mother ripped them both down, of course, two 27 00:01:41,120 --> 00:01:42,840 Speaker 1: Live Crew with asses all over the place, and then 28 00:01:42,880 --> 00:01:45,679 Speaker 1: Motley Crewe. My mother doesn't speak English very well. She's like, 29 00:01:45,840 --> 00:01:48,520 Speaker 1: why you have these pentagram sheet on your wall? Oh 30 00:01:48,600 --> 00:01:51,160 Speaker 1: my god. He's Devil Music and I'm I can't believe 31 00:01:51,200 --> 00:01:54,320 Speaker 1: that I'm talking to you Devil Music. Nikis you know 32 00:01:56,800 --> 00:02:00,800 Speaker 1: she's Serbian. She's Serbian, which is kind of like yeah, yeah, 33 00:02:00,960 --> 00:02:03,880 Speaker 1: kind of yeah, right, very very close. Oh my gosh, 34 00:02:03,960 --> 00:02:09,560 Speaker 1: I'm so excited. Hi going on guns not much, I'm thrilled. 35 00:02:09,600 --> 00:02:12,200 Speaker 1: So okay, now I'm going in a full interview mode 36 00:02:12,280 --> 00:02:15,000 Speaker 1: right now. Wait a minute, are you still doing a 37 00:02:15,120 --> 00:02:17,200 Speaker 1: radio show? Because I know you were for a long time. 38 00:02:17,480 --> 00:02:21,239 Speaker 1: I'm I'm not. I got to the point where I 39 00:02:21,280 --> 00:02:26,839 Speaker 1: was writing books, raising kids, doing a radio show, which 40 00:02:26,880 --> 00:02:31,000 Speaker 1: we were doing active alternative and Classic, and I was 41 00:02:31,040 --> 00:02:33,600 Speaker 1: in Motley Crue and I was doing six AM, and 42 00:02:33,639 --> 00:02:37,560 Speaker 1: I was touring. One day, my brain just way yeah, 43 00:02:37,639 --> 00:02:43,120 Speaker 1: and I'm like, okay, I love radio so much, but 44 00:02:43,240 --> 00:02:45,440 Speaker 1: I just had to take a back seat. And then, 45 00:02:45,680 --> 00:02:48,960 Speaker 1: UM just been It's been good for my creativity because 46 00:02:49,120 --> 00:02:51,000 Speaker 1: in the end, you know, if I'm not creative, I 47 00:02:51,040 --> 00:02:54,800 Speaker 1: don't really got a purpose here right on this blue marble. 48 00:02:54,919 --> 00:02:56,880 Speaker 1: So I've always trying to find a way to plug 49 00:02:56,919 --> 00:02:59,760 Speaker 1: back into that thing. So Nikki Angie is going from 50 00:02:59,800 --> 00:03:03,000 Speaker 1: playing Ariana Grande records down the hall to play Motley 51 00:03:03,000 --> 00:03:08,000 Speaker 1: Crue records. I mean talk about culture shock. Do you 52 00:03:08,080 --> 00:03:11,280 Speaker 1: get Do you get sit covered doughnuts down the hall? Uh? 53 00:03:11,919 --> 00:03:17,640 Speaker 1: Probably not. I'm just curious too, because like you're talking 54 00:03:17,680 --> 00:03:20,519 Speaker 1: about your whole process of everything that you've been doing, 55 00:03:20,520 --> 00:03:22,200 Speaker 1: and you were probably like gearing up to go on 56 00:03:22,240 --> 00:03:24,120 Speaker 1: tour because I know, I have a fifteen year old 57 00:03:24,200 --> 00:03:27,320 Speaker 1: daughter and got her full on board with Motley Crue 58 00:03:27,320 --> 00:03:29,800 Speaker 1: like she is in the crew. I even let her 59 00:03:29,840 --> 00:03:32,639 Speaker 1: watch the dirt. I even let her watch the scorting 60 00:03:32,639 --> 00:03:35,680 Speaker 1: scene in the dart. And I don't explain that whole process, 61 00:03:35,720 --> 00:03:38,800 Speaker 1: but um, you guys were kind of gearing up to 62 00:03:38,920 --> 00:03:42,800 Speaker 1: go on tour and then COVID happened. Yeah, yeah, that happened, 63 00:03:42,840 --> 00:03:45,560 Speaker 1: and you know you gotta you know, you gotta readjust 64 00:03:45,640 --> 00:03:48,480 Speaker 1: we'd um, you know, work, you know, we're work Live 65 00:03:48,600 --> 00:03:53,160 Speaker 1: Nation postponed it moved it to next year, and we're 66 00:03:53,200 --> 00:03:57,839 Speaker 1: all hoping. Um, everybody's hoping that something happens. Not only 67 00:03:57,840 --> 00:04:01,280 Speaker 1: for saving lives, we great out there and do entertainment. 68 00:04:01,280 --> 00:04:04,280 Speaker 1: I'm I'm a big football fan and I'm watching football 69 00:04:04,320 --> 00:04:08,480 Speaker 1: with all these like like cutout cardboards. I'm doing this. 70 00:04:08,480 --> 00:04:11,680 Speaker 1: This could be my nightmare. I'm wearing a mask and 71 00:04:11,760 --> 00:04:18,000 Speaker 1: there's like forty thousand cardboard cutout. Right, what's your team? 72 00:04:18,520 --> 00:04:21,680 Speaker 1: What's your football team? Um? I you know, And I 73 00:04:21,760 --> 00:04:24,560 Speaker 1: was in La in the seventies. I live in Wyoming now, 74 00:04:24,600 --> 00:04:27,039 Speaker 1: But when the seventies it was it was like the Ram. 75 00:04:27,560 --> 00:04:29,680 Speaker 1: I really love the Rams, the Loch the Rams. They 76 00:04:29,720 --> 00:04:32,320 Speaker 1: went to Saint Louis. They have a football team for 77 00:04:32,320 --> 00:04:35,320 Speaker 1: a long time. I spend time in Seattles. I love 78 00:04:35,360 --> 00:04:39,600 Speaker 1: the Seahawks, but I'm probably a Rams guy, you know, 79 00:04:39,800 --> 00:04:42,840 Speaker 1: even though I'm kind of a fair weather fan. Like, 80 00:04:42,880 --> 00:04:45,560 Speaker 1: you know, if the Cowboys won, like the Super Bowl, 81 00:04:45,600 --> 00:04:50,479 Speaker 1: I'd be a Cowboys fan. I expect more from you 82 00:04:50,520 --> 00:04:52,480 Speaker 1: than that. I have to ask you to Tangye's deal. 83 00:04:52,520 --> 00:04:54,320 Speaker 1: But I always love to ask people who were famous 84 00:04:54,360 --> 00:04:56,760 Speaker 1: in the eighties and who are still famous now. Um, 85 00:04:57,040 --> 00:04:58,520 Speaker 1: and I know there are so many things, but the 86 00:04:58,720 --> 00:05:00,760 Speaker 1: very first thing that comes to your I'm the difference 87 00:05:00,800 --> 00:05:04,280 Speaker 1: between touring yeah, back in the day and the difference 88 00:05:04,279 --> 00:05:06,600 Speaker 1: between touring now boom. What is the first thing that 89 00:05:06,640 --> 00:05:09,880 Speaker 1: you think of besides the drugs. I don't remember, well, 90 00:05:10,120 --> 00:05:12,080 Speaker 1: I don't remember back in the day, so I can 91 00:05:12,120 --> 00:05:16,359 Speaker 1: only remember now. Yeah. Yeah, I don't know. You know, 92 00:05:16,400 --> 00:05:20,200 Speaker 1: it was It's all process, man, It's all process. Do 93 00:05:20,240 --> 00:05:24,200 Speaker 1: you really I'm sorry, do you really like not remember 94 00:05:24,279 --> 00:05:26,720 Speaker 1: that chunk because of you know, everything that you were 95 00:05:26,760 --> 00:05:30,200 Speaker 1: going through personally and with the drugs and everything isn't yeah, 96 00:05:30,240 --> 00:05:31,960 Speaker 1: you know. It's like I was talking to make Mars. 97 00:05:32,000 --> 00:05:34,320 Speaker 1: We're like, yeah, we've been around the world like thirties 98 00:05:34,360 --> 00:05:39,719 Speaker 1: three times and we don't remember any of it. Like 99 00:05:39,760 --> 00:05:42,040 Speaker 1: one of the things we're like, man, would would be great, 100 00:05:42,120 --> 00:05:46,120 Speaker 1: like some day to actually travel, Yeah, I actually travel, 101 00:05:46,360 --> 00:05:49,600 Speaker 1: go to Europe and actually say Europe, make it outside 102 00:05:49,600 --> 00:05:51,800 Speaker 1: of a bar or a strip club and actually see 103 00:05:51,880 --> 00:05:54,000 Speaker 1: the could you probably fly over there and then you 104 00:05:54,080 --> 00:05:55,680 Speaker 1: do your show and then you're on the bus or 105 00:05:55,720 --> 00:05:57,960 Speaker 1: on the plane to the next place, and it's so 106 00:05:58,000 --> 00:06:00,200 Speaker 1: you've seen the inside of a hotel room. Maybe that's 107 00:06:00,200 --> 00:06:02,760 Speaker 1: about it, right, and you see fans. You see fans, 108 00:06:02,800 --> 00:06:05,760 Speaker 1: and that's that's what it's all about. But actually be 109 00:06:05,800 --> 00:06:10,160 Speaker 1: able to see some countryside would be would be fantastic. 110 00:06:10,240 --> 00:06:14,360 Speaker 1: Maybe in my nineties. Probably will I probably will make 111 00:06:14,400 --> 00:06:18,120 Speaker 1: it sadly perfect. Abe, if you made it through everything 112 00:06:18,160 --> 00:06:20,080 Speaker 1: that you went through, you will make it to be 113 00:06:20,120 --> 00:06:22,760 Speaker 1: like one hundred and fifty. You'll be that anomaly. Probably. 114 00:06:22,960 --> 00:06:25,600 Speaker 1: How did you feel about the dart? Did you love 115 00:06:25,640 --> 00:06:27,240 Speaker 1: the way it turned out? Because I loved it. I 116 00:06:27,240 --> 00:06:30,000 Speaker 1: think I've watched it ten times. My producer Kaylin sitting here. 117 00:06:30,000 --> 00:06:32,640 Speaker 1: I forced her to watch it one night too. It's amazing. 118 00:06:32,680 --> 00:06:35,479 Speaker 1: It's so good. I thought it was cool. I thought 119 00:06:35,480 --> 00:06:38,040 Speaker 1: they did a pretty good job at capturing you know 120 00:06:38,200 --> 00:06:42,120 Speaker 1: that that era for sure. Yeah, I mean, and the 121 00:06:42,200 --> 00:06:45,200 Speaker 1: guy that played you, well, let's be honest, he's really sexy. 122 00:06:45,240 --> 00:06:48,360 Speaker 1: Oh yeah, dou Doug Will great, great job. My daughter 123 00:06:48,520 --> 00:06:50,719 Speaker 1: goes you know, it's kind of weird. But all my 124 00:06:50,800 --> 00:06:54,839 Speaker 1: girlfriends are like they have a crush on, like, yeah, Douglas, 125 00:06:54,839 --> 00:06:59,000 Speaker 1: who's playing you? And she's like that's my dad. Yeah, yeah, 126 00:06:59,040 --> 00:07:01,960 Speaker 1: that's weird, right, And I'm like no, no, no, I 127 00:07:01,960 --> 00:07:05,560 Speaker 1: wish I looked like Douglas. And then I know you're 128 00:07:05,560 --> 00:07:07,560 Speaker 1: doing You're doing six AM, which is your other band, 129 00:07:07,720 --> 00:07:09,320 Speaker 1: and you get a song. All right now, tell us 130 00:07:09,320 --> 00:07:14,640 Speaker 1: about the song. It's called maybe uh we um. We 131 00:07:14,800 --> 00:07:16,880 Speaker 1: wrote the song Maybe It's Time on the Last Fit 132 00:07:16,960 --> 00:07:20,840 Speaker 1: Sam album and the destination for the song was to 133 00:07:21,000 --> 00:07:25,920 Speaker 1: be to raise the conversation we're talking about right now 134 00:07:26,920 --> 00:07:30,000 Speaker 1: about the opiate addiction and recovery, and I plugged into 135 00:07:30,240 --> 00:07:34,960 Speaker 1: Global Recovery Initiative Foundation raised money from the musical and 136 00:07:35,120 --> 00:07:39,440 Speaker 1: from the song at that time, and um to help 137 00:07:39,520 --> 00:07:43,400 Speaker 1: people in early recovery, get people out into the out 138 00:07:43,480 --> 00:07:47,160 Speaker 1: into the field, help educate high schools. The list goes 139 00:07:47,160 --> 00:07:49,520 Speaker 1: on and on and on the stuff, but we need money. 140 00:07:49,640 --> 00:07:52,200 Speaker 1: So that was what we were doing, is raising money. 141 00:07:52,200 --> 00:07:56,160 Speaker 1: And COVID came so we kind of switched it up, 142 00:07:56,760 --> 00:08:00,480 Speaker 1: and um uh switched it up. I had a bunch 143 00:08:00,480 --> 00:08:03,880 Speaker 1: of really cool artists to come and sing on the song. 144 00:08:04,280 --> 00:08:06,600 Speaker 1: A lot of guys like Slash, Like I called Slash 145 00:08:06,680 --> 00:08:08,440 Speaker 1: up and I said, I got this song called Maybe 146 00:08:08,440 --> 00:08:10,840 Speaker 1: It's the Time. This is what it's about, this is 147 00:08:10,840 --> 00:08:12,960 Speaker 1: what I want to do. And I go, would you 148 00:08:13,000 --> 00:08:16,000 Speaker 1: be interested in participating anyway? I don't care even if 149 00:08:16,040 --> 00:08:20,040 Speaker 1: you'll just tweet something. Yeah, And he goes up, I'll 150 00:08:20,040 --> 00:08:21,360 Speaker 1: what do you what do you want? And I go, 151 00:08:21,560 --> 00:08:24,440 Speaker 1: you played guitar? I mean I've known Splash since before 152 00:08:24,480 --> 00:08:28,640 Speaker 1: Guns and Roses and and he's like, yeah, man, anything 153 00:08:28,640 --> 00:08:30,600 Speaker 1: you want because I think this is a cool thing. 154 00:08:30,640 --> 00:08:33,680 Speaker 1: And then it just kept leading to people calling or 155 00:08:33,720 --> 00:08:37,320 Speaker 1: we would call people, and Joe Elliott called me and said, 156 00:08:37,360 --> 00:08:40,360 Speaker 1: what's this thing you're working on? And I want to 157 00:08:40,400 --> 00:08:44,559 Speaker 1: do it Corey Taylor, and you know, then it became 158 00:08:44,640 --> 00:08:46,320 Speaker 1: kind of a thing. It's like, well, let's like try 159 00:08:46,360 --> 00:08:49,760 Speaker 1: to get some like different cats like that have different voices, 160 00:08:49,960 --> 00:08:53,200 Speaker 1: not just singing voices, but you know, getting like a 161 00:08:53,320 --> 00:08:56,559 Speaker 1: country guy, getting an alternative guy, getting some of the 162 00:08:57,120 --> 00:09:01,720 Speaker 1: like active rock, hardened bands, five Finger Death Punch, but 163 00:09:01,840 --> 00:09:04,360 Speaker 1: getting all these different voices in there on this really 164 00:09:04,400 --> 00:09:07,840 Speaker 1: beautiful song that's about you know, maybe it's time, you know, 165 00:09:07,880 --> 00:09:10,480 Speaker 1: you pull your life together. Maybe it's time you're you know, 166 00:09:10,640 --> 00:09:13,360 Speaker 1: grab that hand to the people reaching out to try 167 00:09:13,360 --> 00:09:16,160 Speaker 1: to help you, and then use this message to do 168 00:09:16,320 --> 00:09:20,600 Speaker 1: interviews and help people and raise money for DRIFT and 169 00:09:20,640 --> 00:09:25,040 Speaker 1: then uh, eventually, when we get a vaccine, we'll then 170 00:09:25,160 --> 00:09:27,880 Speaker 1: get back into the musical which was put on place, 171 00:09:28,120 --> 00:09:31,120 Speaker 1: and then we're hoping that the musical does for the 172 00:09:31,120 --> 00:09:35,000 Speaker 1: opiate epidemic exactly what RINT did for HIV and AIDS 173 00:09:35,679 --> 00:09:39,080 Speaker 1: starts to start the conversation. One of my biggest frustrations 174 00:09:39,520 --> 00:09:41,840 Speaker 1: is people don't want to talk. I had a lot 175 00:09:41,880 --> 00:09:44,720 Speaker 1: of people that didn't want to sing on this song 176 00:09:45,120 --> 00:09:48,480 Speaker 1: because they don't have any balls, because they're scared with 177 00:09:48,679 --> 00:09:51,680 Speaker 1: my talk about a dirty subject in my affect, my 178 00:09:51,800 --> 00:09:59,319 Speaker 1: Coke and Pola sponsorship, and I'm like, actually it will yeah, yes, yes, 179 00:09:59,679 --> 00:10:02,680 Speaker 1: on this planet because people need to hear from people 180 00:10:03,080 --> 00:10:06,440 Speaker 1: with voices for sure. Yeah. I want to think. I 181 00:10:06,480 --> 00:10:08,360 Speaker 1: mean it sounds like the rock and roll version of 182 00:10:08,400 --> 00:10:11,240 Speaker 1: like a We Are the World, but for a different cause. 183 00:10:11,280 --> 00:10:13,040 Speaker 1: And I want to personally thank you. I have a 184 00:10:13,080 --> 00:10:16,200 Speaker 1: brother who has struggled with heroin addiction and opioid addiction, 185 00:10:16,280 --> 00:10:19,920 Speaker 1: and I know how important that message is to get 186 00:10:19,920 --> 00:10:22,640 Speaker 1: out there and how rampant it is. And I really 187 00:10:22,640 --> 00:10:26,679 Speaker 1: appreciate you using your voice and also I'm bringing in 188 00:10:26,760 --> 00:10:29,480 Speaker 1: everybody else too, because it is something that needs to 189 00:10:29,480 --> 00:10:31,360 Speaker 1: be addressed. So thank you for that. You've got the 190 00:10:31,440 --> 00:10:34,480 Speaker 1: best cell phone, Like I think Angie wants your cell phone. 191 00:10:34,520 --> 00:10:37,079 Speaker 1: She can go through and just call everybody. Seriously, it's 192 00:10:37,120 --> 00:10:40,360 Speaker 1: just a name that I mean, this is my childhood. Yeah, 193 00:10:41,640 --> 00:10:45,800 Speaker 1: real quick, like ye let me tell you'd be really bored. 194 00:10:45,920 --> 00:10:49,640 Speaker 1: My wife is like, she goes, where are you? And 195 00:10:49,760 --> 00:10:52,680 Speaker 1: I will go, oh, I'm I'm I'm down on the 196 00:10:52,720 --> 00:10:56,040 Speaker 1: Grosvant River. She goes, how did you get down there? Oh? 197 00:10:56,080 --> 00:10:58,760 Speaker 1: I went to the fly fishing shop and I became 198 00:10:58,880 --> 00:11:02,520 Speaker 1: friends with the guy that work in the back receiving, 199 00:11:03,000 --> 00:11:06,679 Speaker 1: and that we're fishing. We're fishing, we're night fishing. If 200 00:11:06,720 --> 00:11:09,880 Speaker 1: you went through my phone book, you would be so bored. 201 00:11:10,720 --> 00:11:14,800 Speaker 1: I am. It is definitely I am the life. I'm 202 00:11:14,880 --> 00:11:19,160 Speaker 1: like the anti rock star, anti into the whole the 203 00:11:19,240 --> 00:11:23,000 Speaker 1: whole scene. I just find it doesn't really do anything 204 00:11:23,080 --> 00:11:26,920 Speaker 1: to propel me into a creative place. Well, maybe you're changing. 205 00:11:27,080 --> 00:11:29,160 Speaker 1: You know what the definition of a rock star is? 206 00:11:29,200 --> 00:11:32,120 Speaker 1: Though you have a platform you're using it. You know, 207 00:11:32,320 --> 00:11:35,800 Speaker 1: this is amazing, and hopefully everybody else follows suit. Yeah, 208 00:11:35,840 --> 00:11:37,400 Speaker 1: you're not even it's not even like you're you're fighting 209 00:11:37,400 --> 00:11:43,000 Speaker 1: for relevant, like you're actually you're using to do something important. Yeah, 210 00:11:43,200 --> 00:11:47,440 Speaker 1: I mean, listen. It's a hard thing to say, and 211 00:11:47,480 --> 00:11:49,760 Speaker 1: you have to say it in the right way. But 212 00:11:50,200 --> 00:11:52,559 Speaker 1: if you're in a band and you think you're important, 213 00:11:52,800 --> 00:11:57,080 Speaker 1: you WoT the plot man you are? You are not important. 214 00:11:57,520 --> 00:12:00,319 Speaker 1: Rock and roll is a great thing. People of it. 215 00:12:00,480 --> 00:12:03,520 Speaker 1: I love writing it, I love seeing it. I've consuming it, 216 00:12:03,760 --> 00:12:07,600 Speaker 1: but it's entertainment. You are not important unless you're doing 217 00:12:07,679 --> 00:12:11,800 Speaker 1: something important. So I try to take this beautiful career 218 00:12:11,880 --> 00:12:15,640 Speaker 1: that I've had. Have been very grateful. I'm very grateful 219 00:12:15,840 --> 00:12:18,160 Speaker 1: and for being able to Motley cru six d am, 220 00:12:18,200 --> 00:12:21,520 Speaker 1: I have another vand Bride Destruction, other weird projects I 221 00:12:21,640 --> 00:12:24,720 Speaker 1: did fifty eight, I write books. I do all this stuff, 222 00:12:24,920 --> 00:12:27,680 Speaker 1: and I'm really grateful that people are interested. But that 223 00:12:27,800 --> 00:12:32,199 Speaker 1: doesn't make me important. What makes you have some version 224 00:12:32,240 --> 00:12:35,240 Speaker 1: of importance is giving back, and that's what I'm trying 225 00:12:35,280 --> 00:12:38,560 Speaker 1: to get more people to listen to. I kind of 226 00:12:38,600 --> 00:12:41,199 Speaker 1: like bok at the idea of like rock Star because 227 00:12:41,240 --> 00:12:44,160 Speaker 1: I'm like, I gotta be more than that. You've got 228 00:12:44,160 --> 00:12:46,120 Speaker 1: to be more than that you are. I mean, music 229 00:12:46,240 --> 00:12:49,720 Speaker 1: is just a great connector anyway, and we're all connected 230 00:12:49,760 --> 00:12:52,560 Speaker 1: through music in some form or another. So the fact 231 00:12:52,600 --> 00:12:55,960 Speaker 1: that you're connecting, you know, people on a platform where 232 00:12:56,000 --> 00:12:58,600 Speaker 1: I think so many people are affected, you know, by 233 00:12:58,600 --> 00:13:01,760 Speaker 1: the opioid crisis and things like this, you are connecting 234 00:13:01,800 --> 00:13:05,080 Speaker 1: in a different way. And so yes, like you're a 235 00:13:05,160 --> 00:13:07,199 Speaker 1: rock star, but you're also doing something else and I 236 00:13:07,240 --> 00:13:09,600 Speaker 1: think that's so great and I really commend you for that. 237 00:13:10,720 --> 00:13:15,240 Speaker 1: You know, I I went, okay, I live. There's there's 238 00:13:15,280 --> 00:13:20,480 Speaker 1: only like seven thousand people where I live. Um, yeah, 239 00:13:20,520 --> 00:13:25,480 Speaker 1: there's Do you live by Kanye No. Actually, it's funny. 240 00:13:25,520 --> 00:13:29,520 Speaker 1: When we were looking, we heard Kanye might be moving 241 00:13:29,559 --> 00:13:32,599 Speaker 1: to the area, and it became like a no go 242 00:13:32,880 --> 00:13:35,720 Speaker 1: because we don't. We don't. We don't want to be, 243 00:13:35,840 --> 00:13:37,760 Speaker 1: we don't want to bes. We're trying to get a weight. 244 00:13:38,440 --> 00:13:42,359 Speaker 1: He lives on the other the other side of Wyoming. 245 00:13:42,440 --> 00:13:46,640 Speaker 1: But um, the others like driving, there's like this isolated 246 00:13:46,720 --> 00:13:49,680 Speaker 1: gas station on the middle of nowhere. I pull in 247 00:13:49,720 --> 00:13:52,240 Speaker 1: there with my truck, I walk in, you know, pay 248 00:13:52,320 --> 00:13:55,200 Speaker 1: for the gas. Get a red Bull and the guy 249 00:13:55,280 --> 00:13:59,080 Speaker 1: behind the counters like, dude, I did eight years in 250 00:13:59,120 --> 00:14:04,080 Speaker 1: prison for drugs, for heroin and I read your book 251 00:14:04,360 --> 00:14:10,840 Speaker 1: in prison and I'm four years sober now. Amazing changing lives. 252 00:14:12,320 --> 00:14:18,160 Speaker 1: I'll take that over Gold Record. Yes, I mean, people 253 00:14:18,160 --> 00:14:20,400 Speaker 1: will always say that your music touches them in a 254 00:14:20,400 --> 00:14:22,520 Speaker 1: certain way and you got me through this thing, got 255 00:14:22,560 --> 00:14:25,040 Speaker 1: me through that. But when you hear that you actually 256 00:14:25,080 --> 00:14:27,680 Speaker 1: probably had a hand in saving somebody's life and change 257 00:14:27,720 --> 00:14:30,880 Speaker 1: their trajectory and their thought process on what they were 258 00:14:30,880 --> 00:14:35,000 Speaker 1: going through, that's amazing. So you are you're doing You're 259 00:14:35,040 --> 00:14:38,160 Speaker 1: doing God's work out here in Nikki's sakes. Nothing not 260 00:14:38,280 --> 00:14:44,080 Speaker 1: the devil's work anymore. And thank you so much for calling. Man, 261 00:14:44,240 --> 00:14:47,360 Speaker 1: I'm like, yeah, freaking out, really I am. I'm like, 262 00:14:47,640 --> 00:14:50,960 Speaker 1: I'm I have a rash right now. We got some 263 00:14:51,040 --> 00:14:53,480 Speaker 1: great we got we got some great partners that are 264 00:14:53,600 --> 00:14:58,520 Speaker 1: helping with the Global Recovery Initiative Foundation, and you know 265 00:14:58,560 --> 00:15:00,920 Speaker 1: it's important to kind of inch and then but Live 266 00:15:01,000 --> 00:15:07,080 Speaker 1: Nations stepped up, ticket Master, you know, iHeart and or serious. 267 00:15:07,640 --> 00:15:10,040 Speaker 1: You know, all these companies are stepping up and going, 268 00:15:10,160 --> 00:15:13,280 Speaker 1: how can we raise the awareness and how can we 269 00:15:13,400 --> 00:15:16,040 Speaker 1: raise money for this foundation that it's going to go 270 00:15:16,080 --> 00:15:19,360 Speaker 1: out and tell people like your brother, yep, right, like me. 271 00:15:19,600 --> 00:15:22,600 Speaker 1: I could have used it. I really could have used it. Yeah, 272 00:15:22,640 --> 00:15:25,320 Speaker 1: that's what we're doing here. Yeah, I'm so glad you're 273 00:15:25,320 --> 00:15:27,280 Speaker 1: putting it on the forefront and in the spotlight. And 274 00:15:27,360 --> 00:15:30,160 Speaker 1: you're right, it is a hard conversation to have and 275 00:15:30,200 --> 00:15:32,320 Speaker 1: it would have been so helpful to you back in 276 00:15:32,360 --> 00:15:36,200 Speaker 1: the day. But at least you're doing something now to 277 00:15:35,600 --> 00:15:37,840 Speaker 1: know to right the wrongs that we're done to you. 278 00:15:37,960 --> 00:15:40,440 Speaker 1: So I commend you on that. I will be at 279 00:15:40,520 --> 00:15:42,800 Speaker 1: Rock ninety five five. I got your back on this 280 00:15:42,840 --> 00:15:45,680 Speaker 1: whole process too. If you Chicago's got your back, so 281 00:15:45,840 --> 00:15:47,640 Speaker 1: please you know when you come through, I know you 282 00:15:47,680 --> 00:15:49,680 Speaker 1: guys are planning on going on tour again next year, 283 00:15:50,080 --> 00:15:52,280 Speaker 1: So come through the station and let's talk more about it. 284 00:15:53,280 --> 00:15:57,080 Speaker 1: I can't wait to get on stage. I was in 285 00:15:57,160 --> 00:16:00,400 Speaker 1: a crazy work. I mean, it is a lot of 286 00:16:00,440 --> 00:16:05,360 Speaker 1: work after like fifty to get in shape. I mean, 287 00:16:05,760 --> 00:16:08,160 Speaker 1: but how is Ben's doing. I'm not worried about how 288 00:16:08,240 --> 00:16:13,360 Speaker 1: your condition is. How is Ben's doing? I don't know. 289 00:16:13,440 --> 00:16:16,560 Speaker 1: All the guys worked out thing. Yeah, you know, I'm 290 00:16:16,720 --> 00:16:19,840 Speaker 1: I'm I'm still backed in it, working out and get 291 00:16:19,880 --> 00:16:23,440 Speaker 1: my head clear. I am practicing every day because like 292 00:16:23,480 --> 00:16:26,040 Speaker 1: when we do get on stage, what I'm doing with 293 00:16:26,080 --> 00:16:28,440 Speaker 1: you right now won't be happening. I'm gonna be playing 294 00:16:28,480 --> 00:16:31,400 Speaker 1: shout for fucking devil. I'm gonna be like breathing fire. 295 00:16:31,560 --> 00:16:34,880 Speaker 1: So yes, let's let's get let's get back to that. 296 00:16:35,080 --> 00:16:37,360 Speaker 1: But in the meantime, let's do some good. Are you 297 00:16:37,400 --> 00:16:41,240 Speaker 1: gonna let yourself on fire? That's a question I have 298 00:16:41,400 --> 00:16:47,120 Speaker 1: that I will again if I need to. Farewell, Nikki, 299 00:16:47,200 --> 00:16:49,960 Speaker 1: thanks so much for calling. Man all right, Thanks guys, 300 00:16:50,120 --> 00:16:51,480 Speaker 1: thank you all right, take care of