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Speaker 1: First of all, you don't know me.

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Speaker 2: All about that high school drama Girl drama girl, all

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Speaker 2: about them high school queens, We'll take you for a ride.

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Speaker 3: And our comic girl Cheering for the Right Teams.

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Speaker 2: Drama, Queens les, Girl up Girl.

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Speaker 4: Fashion, which your tough girl, you could sit with us,

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Speaker 4: Girl drama, Queens drama, queise drama, Queens Drama, Drama, Queens Drama, Queens.

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Speaker 5: Hey Everybody, Season six, Episode three, Get Cape We're Cape Fly.

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Speaker 5: Episode air date September fifteenth, two thousand and eight. Guys,

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Speaker 5: we have the inimitable Robbie Jones here with us again,

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Speaker 5: back by a popular demand. You loved him in the

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Speaker 5: Q and A. You wanted more, and we got more

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Speaker 5: for you. We brought him in. This is a really

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Speaker 5: big episode, all about Quentin's passing in the aftermath of that,

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Speaker 5: and we just would love to talk now that the

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Speaker 5: strike's over with you more Robbie, also about Quentin. Would

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Speaker 5: you like to read the synopsis?

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Speaker 1: Robbie, Okay, let's see what happened. Was I actually started

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Speaker 1: to watch the episode?

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Speaker 6: Did you also burst into tears immediately? Or now?

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Speaker 1: It was close? I was a no joke. I was

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Speaker 1: like I started watching and like the very first you know,

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Speaker 1: literally the very first forty five seconds, you're like, oh man,

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Speaker 1: this is hitting me. How did they do that? Uh?

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Speaker 1: Season six, episode three, Get Cape where Cape Fly Air

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Speaker 1: date September fifteen, two thousand and eight. Gen Whiz, that's

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Speaker 1: a long time ago. Lucas returns from Las Vegas and

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Speaker 1: learns of a tragic death of Quentin Fields. As Nathan

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Speaker 1: and Haley struggle to find a way to help Jamie

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Speaker 1: understand the death of Quentin, who was a close friend

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Speaker 1: of theirs, Lucas Skills, Nathan, Haley, and Peyton go to

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Speaker 1: visit Quinn's mom and get their sympathies. Jamie meets Quinn's

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Speaker 1: brother andre.

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Speaker 5: Ah Liz Freelander road le Men directed this man.

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Speaker 6: That's what Yeah, so good.

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Speaker 3: That checks out.

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Speaker 1: She's great.

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Speaker 7: She has such a skill for allowing us to be

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Speaker 7: and you know, Robbie, we've talked about it's also hold on.

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Speaker 7: I just have to say, it's so exciting to have

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Speaker 7: you here and actually be able to talk about the

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Speaker 7: show because for the whole strike, we haven't been able

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Speaker 7: to talk about this with any.

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Speaker 6: Of our friends.

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Speaker 7: So Hi, I'm so glad you're our first post strike

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Speaker 7: friend to actually be able to talk about their words.

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Speaker 1: Yes, well, thank you. I'm so I'm so honored to

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Speaker 1: be here again. And this is beautiful. And I was

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Speaker 1: feeling so weird the last time we were talking, not

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Speaker 1: being able to like directly address yeah thing, and I

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Speaker 1: was like, man, there's so much to talk about, but

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Speaker 1: we can't talk about it.

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Speaker 7: Great, like that job we did one time in an

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Speaker 7: undisclosed place that we shan't discuss.

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Speaker 3: Right, it's great, But like, this is such.

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Speaker 7: A special episode and it's so emotional, and I think

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Speaker 7: so much of it is because of the way that

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Speaker 7: Liz shot it and allowed all of the scenes to breathe.

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Speaker 6: I have a note.

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Speaker 7: I like that they're letting us sit with it, the grief,

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Speaker 7: the shock. It's patient, Yes, the episode is patient with

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Speaker 7: our feelings about your character's passing.

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Speaker 5: Yeah.

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Speaker 7: And in a show this big, with this many characters,

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Speaker 7: so often it's like bam bam, bam bam. You know,

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Speaker 7: you're just like running from scene to scene, and to

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Speaker 7: really just sit on people's faces as they're feeling and processing,

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Speaker 7: I just found such like relief in it. It kind

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Speaker 7: of felt like a deep breath that they let us

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Speaker 7: really be with our sadness.

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Speaker 5: Yeah, Liz is great with that. There's a dance with

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Speaker 5: the camera that some directors really understand and they know

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Speaker 5: how to get it out of their camera people too,

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Speaker 5: where it's not just choppy cutcutcut. Sometimes that works, but man,

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Speaker 5: she really her way of communication on set with the actors,

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Speaker 5: with the crew and the camera guys, and even with

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Speaker 5: the producers who are giving her notes in real time

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Speaker 5: as everything flows. She has such a it's like a

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Speaker 5: dance watching her work and it comes through on screen.

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Speaker 5: Really was so perfect for this episode.

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Speaker 1: Yeah, she was awesome. I wasn't there, but I got

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Speaker 1: a chance to work with her a lot. I felt

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Speaker 1: like over the seasons that I was there and I

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Speaker 1: felt like she was one of my favorites. So yeah,

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Speaker 1: she's great.

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Speaker 5: Robbie, did you watch this episode before, like when the

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Speaker 5: show was airing in two thousand and eight, or were

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Speaker 5: you kind of like, man, I'm off the show. I

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Speaker 5: don't want to I don't want to know.

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Speaker 1: No, I definitely watched. I had to see what was

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Speaker 1: going to happen. Yeah, I tell people so this is

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Speaker 1: the funny part, right, So for years and years and

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Speaker 1: years and years and years, when I would run into

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Speaker 1: people who love the show, the first thing they would

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Speaker 1: say to me nine times out of nine, what do

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Speaker 1: you say? Nine times out of ten, almost one hundred

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Speaker 1: percent of the time is the very first thing they

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Speaker 1: saved me is go, oh my gosh, I cried so

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Speaker 1: much when you died. Yeah, nine times pretty much. And

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Speaker 1: I'd be like, you know what the crazy part is,

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Speaker 1: I cried too, And they always are like, no way,

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Speaker 1: and I'm like yeah, And I knew it was coming.

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Speaker 1: It was really that movie. So like, when I did

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Speaker 1: see the episode, it was like, oh man, this is

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Speaker 1: you know, it really did all that and to see

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Speaker 1: how they they made Quinton's life affect everyone else's life

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Speaker 1: on the show, that was like, I thought that was

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Speaker 1: pretty brilliant and I thought it worked really really well,

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Speaker 1: and you know, it was crazy. It was crazy and

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Speaker 1: it was sad and it was heartfelt and to see

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Speaker 1: my little brother and my mama and all that stuff

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Speaker 1: and it was crazy. It was really it's heartbreaking.

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Speaker 5: Can we rewind a little bit because now that we

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Speaker 5: get to talk to you about Quinton, about your character

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Speaker 5: and being on the show, you know, you said in

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Speaker 5: our Q and A that you were it was your

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Speaker 5: first acting gig? Yes, what what was it like beyond

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Speaker 5: you know, I know you said you we all had

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Speaker 5: fun on set and that was really cool. We couldn't

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Speaker 5: talk too much about it, but now that you can.

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Speaker 3: Did it.

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Speaker 5: Was there any particular You're such a hard worker. Was

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Speaker 5: there any kind of research you had to do or

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Speaker 5: any kind Did it all feel just really natural and

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Speaker 5: came very easily. Was what was the experience moving to Wilmington?

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Speaker 5: Like for you, can you just sort of give us

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Speaker 5: the lay of the land?

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Speaker 1: Well, I guess I'll start at the beginning. I get

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Speaker 1: the audition. It was like, you know, it comes across

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Speaker 1: and You're like, oh, wow, this is perfect, this is perfect.

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Speaker 1: Young basketball player, got a main streak all this stuff.

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Speaker 1: So I go and I worked the material with my

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Speaker 1: acting class at the time, and I'm just like, oh,

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Speaker 1: this is gonna be cool. It's kind of perfect. You know,

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Speaker 1: I'm a basketball player. I'm still playing basketball at the time.

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Speaker 1: Going for the meeting, have a great meeting. I did

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Speaker 1: everything I wanted to do. Boom ooh killed it all

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Speaker 1: back and it all is going fantastic, And you could

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Speaker 1: just tell it's happening in the room like it's happening.

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Speaker 1: So I leave there, get a call from my manager

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Speaker 1: and he's like, hey, they want to see you play basketball.

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Speaker 1: Can you come to the Warner Ranch?

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Speaker 3: And I was like, yeah, I got this in the bag.

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Speaker 1: I was like, oh.

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Speaker 6: I'm like, hell, it's a wrap done.

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Speaker 1: Because I'm not even an actor at the time, you

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Speaker 1: know what I mean, I'm a basketball player. I'm like, oh,

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Speaker 1: this is gonna cook.

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Speaker 3: Please win?

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Speaker 1: What time? So I go, I go, I go to

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Speaker 1: the ranch. They throw me a basketball. They have a

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Speaker 1: little basketball who set up in the back, and I'm

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Speaker 1: just dunking and doing all kinds of stuff and they

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Speaker 1: literally it was like forty five seconds. They're like, oh

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Speaker 1: that'll be enough, thank you. No, that's fine, come on,

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Speaker 1: can we get you to come on? You're good. You

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Speaker 1: believe me, you're good. And then immediately it was like sell, sales, sell,

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Speaker 1: this is why this is gonna be great. You know

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Speaker 1: you're gonna be awesome, blah blah. I was just like

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Speaker 1: playing it super cool, like oh, okay, well, I hope

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Speaker 1: it works out, And in my mind I was like,

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Speaker 1: this is crazy, this happened.

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Speaker 7: I love that you had to wherewithal to play it cool. Yeah,

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Speaker 7: I don't have that.

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Speaker 6: I love that you have.

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Speaker 1: That first time out the gate, it felt like it

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Speaker 1: was like a college recruiting trip or something. You're gonna

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Speaker 1: love one Mainton Robbie blah blah blah. This is gonna

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Speaker 1: be the you do it or whatever. So I get

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Speaker 1: the job and fast forward the first day on set.

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Speaker 1: We know about that, we talked about that mind blowing,

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Speaker 1: amazing experience, and then it just got better and better

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Speaker 1: and better and better and more fun and more fun.

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Speaker 1: And to answer your question, like I gave you the

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Speaker 1: long version, it just felt so natural to me because

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Speaker 1: I had then some version of Q years ago when

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Speaker 1: I was playing in high schoo and playing in college

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Speaker 1: and playing professionally. And I met you before I had

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Speaker 1: met guys like Q. I met you know what I mean.

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Speaker 1: So that wasn't me, but I definitely could tap into

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Speaker 1: that because I had been around guys like that my

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Speaker 1: whole life.

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Speaker 3: But you weren't intimidated.

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Speaker 5: That's what was so interesting, especially for somebody who is

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Speaker 5: it's their first gig. A lot of people show up

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Speaker 5: on sets, especially on a show that's doing really well,

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Speaker 5: and they the fact that you just let out your

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Speaker 5: charisma on eleven, like just let it out. There was

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Speaker 5: no you could tell that was happening so comfortably, and

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Speaker 5: it was shocking. I think a lot of people hold

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Speaker 5: back or they're trying to craft it, or you know,

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Speaker 5: they're working on it so hard. You see all the

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Speaker 5: footprints of the rehearsal all around their performance, and you

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Speaker 5: were just so free.

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Speaker 3: Why how did you do that?

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Speaker 1: I think it was Honestly, I felt like from the beginning,

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Speaker 1: I felt like this character was going to be what

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Speaker 1: I made it, if that makes sense. Like I felt

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Speaker 1: like they knew what they wanted, but I felt like

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Speaker 1: if I gave them what I can bring, they would

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Speaker 1: they would get on they would they would hop on

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Speaker 1: the train, you know what I mean? Because I felt

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Speaker 1: like this character could be more than what it's written for.

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Speaker 1: And originally, originally it was like a three to five

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Speaker 1: episode arc, and so it was like, how do I

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Speaker 1: make this guy pop off the page? Pop off the thing?

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Speaker 1: And that was kind of just like the fun part

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Speaker 1: because everybody around me, the creative juices were just like, yeah,

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Speaker 1: do that do that? No, No, no, what was that thing?

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Speaker 1: You just did? Do more of that, you know what

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Speaker 1: I mean? Like I felt that and I told you Paul,

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Speaker 1: he was amazing. He just was like he's such an

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Speaker 1: actor's director. He loved and he just he just was

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Speaker 1: like he just pour it into me and gave me

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Speaker 1: the confidence and the energy to just like keep doing

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Speaker 1: more the stuff that felt natural for me.

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Speaker 5: That is so unusual for actors, I think on TV

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Speaker 5: shows at a young age to come in and not

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Speaker 5: just because we're also afraid we're never going to get

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Speaker 5: another job. It's like, you go in, you just want

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Speaker 5: to do exactly what they want, so they hire you again,

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Speaker 5: and then they say good things about you, so you

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Speaker 5: move on to the next job.

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Speaker 3: To be able to come.

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Speaker 5: In at your first gig and rather than just play

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Speaker 5: nice and give them exactly what they want, you were

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Speaker 5: You were nice, you were great, but like you went

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Speaker 5: way above and beyond and just took risks and then

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Speaker 5: they paid off.

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Speaker 3: It's so exciting. That's what it is. That's what we're doing, right.

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Speaker 5: Why are you acting if you're not willing to do

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Speaker 5: that or in an environment where they're fostering that.

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Speaker 3: It's so exciting.

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Speaker 1: It was a blessing that I think. I think Paul

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Speaker 1: was a real blessing because he was my first director,

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Speaker 1: and to have him be the guy who kind of

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Speaker 1: laid the standard for me, like, no, this is how

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Speaker 1: you're supposed to do it. I was like, Oh cool,

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Speaker 1: I'm gonna keep doing it. Yeah, different directors, but it

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Speaker 1: was like, oh, yeah, you already messed up and let

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Speaker 1: Paul tell me what I want to do.

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Speaker 3: So I already got permission.

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Speaker 1: I'm good, So I'm going to keep doing this thing well.

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Speaker 6: And to have someone you can trust like that give you.

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Speaker 7: Kind of give you the keys to the castle your

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Speaker 7: first time out of the gate. Like I would imagine

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Speaker 7: that that experience with him, because he is such an

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Speaker 7: actress director and he is I mean, God's you know,

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Speaker 7: six seasons in for us, such an incredible team captain,

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Speaker 7: and yeah, that you got to show up and work

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Speaker 7: with him. It is striking to think about how freeing

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Speaker 7: that probably was. And I would imagine that having had

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Speaker 7: that initial experience on that first episode, you just go, oh,

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Speaker 7: I want more of this. I want to I want

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Speaker 7: to keep feeling like this, and that's that's the best

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Speaker 7: of it. Like you were saying, joy, Like, what are

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Speaker 7: we doing this for if not that feeling when you

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Speaker 7: get to be on set and feel joyful and happy

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Speaker 7: and love the people that you're around, and be creative

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Speaker 7: and be laughing and be playing and be in your

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Speaker 7: body like we had that together so often on our show,

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Speaker 7: and I think that since then, Like I mean, god,

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Speaker 7: I know what it's like to not have that at

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Speaker 7: all and to be like, what is happening here? This

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Speaker 7: is so scary, And then to also like get on

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Speaker 7: a set where you go it's back, like this is

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Speaker 7: the feeling I want. This feels free, this feels fun,

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Speaker 7: Like you know, I had that on the last show

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Speaker 7: I did Good Sam, and I had that on my

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Speaker 7: play in London this summer, like just groups of people

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Speaker 7: where I was like, I can't wait to get back

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Speaker 7: to set. I can't wait to get back to the theater.

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Speaker 6: Like what a gift that is when we have those

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Speaker 6: moments together.

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Speaker 8: Yeah?

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Speaker 6: Wow, is it weird now?

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Speaker 7: Because I mean you read the synopsis, like, I know

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Speaker 7: it's weird for all of us that this episode aired

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Speaker 7: in two thousand and eight, Like what is time?

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Speaker 6: It's fake?

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Speaker 3: Is it weird?

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Speaker 1: You know?

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Speaker 6: I'm like, what are you talking about? That was fake?

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Speaker 6: I believe it is a lie?

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Speaker 7: Like what is it so weird to look back on

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Speaker 7: it now and feel those feelings again, because what I

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Speaker 7: will tell you is this episode is so visceral for me,

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Speaker 7: Like of the one hundred and eighty seven episodes of

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Speaker 7: this show that I made, this is top three experiences

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Speaker 7: for me. And like God, we got to the funeral

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Speaker 7: and I was like, here it comes.

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Speaker 6: I could smell the leaves on the ground.

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Speaker 7: I remembered I knew what was coming in the slow

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Speaker 7: mo when Jamie took the cape out. I knew what

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Speaker 7: it would feel like to grab his little hand, Like

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Speaker 7: it's sense memory in my body. It affected me so much.

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Speaker 7: And do you have that like does it take you

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Speaker 7: right back there or does it feel like it was,

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Speaker 7: you know, fifteen years ago?

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Speaker 6: Me?

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Speaker 1: M h, Well, the parts of the episodes that I saw,

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Speaker 1: like I said, I wasn't actually there on set for

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Speaker 1: this episode. So to watch, like I said, it just

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Speaker 1: it just grabs your heart and breaks it because I

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Speaker 1: know better than anyone the arc of Quinton Fields and

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Speaker 1: kind of where I always believed he was going. And

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Speaker 1: to have that cut short and then to see how

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Speaker 1: it affected everybody on the show, and to know that

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Speaker 1: in real life outside of the show it was being

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Speaker 1: cut short, it was kind of like a whatever, multifaceted,

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Speaker 1: layered thing for me to know that, like I'm watching

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Speaker 1: the end of this all it was. It hit me.

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Speaker 1: It was heavy, you know, and to know like, Okay,

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Speaker 1: this is this is it for for Quentin Fields, but

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Speaker 1: this is also it for Robbie Jones on One Tree Hill.

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Speaker 1: So it was like, oh, this is man together, Jones,

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Speaker 1: get it together, man, Like this is not real, but

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Speaker 1: it just like you said, there's a visceral feeling even

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Speaker 1: though I wasn't even there, just to watch a funeral

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Speaker 1: of your character and to feel it on so many

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Speaker 1: levels like this is the death of Quentin Fields, but

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Speaker 1: then also the death of Robbie on the show, it's

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Speaker 1: like wow.

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Speaker 5: When you watch the show on any other episode that

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Speaker 5: you were on, though, does it ever take you back?

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Speaker 5: Like are there are there moments that you've had on

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Speaker 5: the show that did take you back when you watch

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Speaker 5: it and you're like, oh, I can smell like what

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Speaker 5: Soph's saying, Sophia saying like can smell believes I can feel? Yeah,

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Speaker 5: what were your what are give me like top two?

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Speaker 5: What are your memories on being on that show? Like BTS.

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Speaker 1: So there was some stuff that that me and James

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Speaker 1: did out at the River Court that we shot a

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Speaker 1: lot out there, and I felt like there were just

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Speaker 1: moments where you're you're just like in such a zone

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Speaker 1: that it just brings you all back. As soon as

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Speaker 1: you're watching it, you're just like, oh man, I was

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Speaker 1: zoning out that day. Like and then some of the

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Speaker 1: stuff that we shot in in Laney High School. That's

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Speaker 1: why it's always so crazy when we go back there

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Speaker 1: and do you know the stuff with the charity stuff,

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Speaker 1: it's like, oh man, it just brings it all back,

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Speaker 1: like some of the stuff that even you were there,

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Speaker 1: joy the stuff that like when you came to practice

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Speaker 1: that day and we're running around playing and I got

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Speaker 1: the cask on and all that stuff. It's just like,

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Speaker 1: oh man, I remember that was right here. That was

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Speaker 1: right there. And like even this like this past weekend

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Speaker 1: when we were there, I was doing a meet and

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Speaker 1: greet and these two young ladies they really love the show,

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Speaker 1: and they were like, can you do that thing that

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Speaker 1: you did with Jamie the little dance routine, And I

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Speaker 1: was like, you know, that happened like right there, like

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Speaker 1: on the floor, like right there. So like we totally

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Speaker 1: like redid it and had some fun with it. But

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Speaker 1: it's like it all comes back to you just like boom,

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Speaker 1: Like it's a really really kind of cool experience to

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Speaker 1: watch these shows back years later and then just go, whoa,

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Speaker 1: I feel all that again.

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Speaker 8: Yeah, yeah, did you know that he was going to die?

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Speaker 5: Did they tell you right away that this was the

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Speaker 5: plan for for Quentin or was this a surprise? Like

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Speaker 5: did you get the script and find out? Did your

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Speaker 5: agent call you? How did this go down?

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Speaker 1: You don't really want to know, I really do.

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Speaker 7: Yes, We've been trying to figure it out.

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Speaker 1: This is what I'm gonna give you. Is the real

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Speaker 1: real Okay, this is just between us and everybody else.

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Speaker 1: Turn to So this this all unfolded because my series

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Speaker 1: regular deal, Philip, damn it. I got an offer at

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Speaker 1: the end of that season a series was regular, and

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Speaker 1: it was not a good offer. And my manager at

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Speaker 1: the time was supposed to because this was my first gig,

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Speaker 1: we were going to use this series regular. Let me

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Speaker 1: rewind two steps. I was on set filming my first

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Speaker 1: movie while this offer came in this and this first movie,

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Speaker 1: it was like some momentum had started building. I got

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Speaker 1: the montre Hill gig and then I booked this movie

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Speaker 1: with Forrest Whitaker. He just got he just won the

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Speaker 1: Oscar for for.

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Speaker 5: Last King in Scotland and this.

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Speaker 1: Was his first movie after that. Everybody wanted this role.

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Speaker 1: So I got this role in this film, Hurricane Season,

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Speaker 1: and I'm in New Orleans filming this movie.

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Speaker 7: And this is while we're on hiatus, just so the

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Speaker 7: people at home.

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Speaker 1: Now, Yeah, So we got the offer and it was like, oh, snap, awesome,

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Speaker 1: let's use this to leverage agent. Let's get an agent.

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Speaker 1: Now we got it. We got an offer, Let's get

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Speaker 1: this agent on board. Let's meet with some agencies, get

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Speaker 1: them to negotiate this thing up to where we do.

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Speaker 1: My manager, he did his own thing. He went rogue.

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Speaker 1: Needless to say, we split ways after this whole thing,

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Speaker 1: and then our EP called me and was like, hey, Rob,

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Speaker 1: so we've been going back and forth with your manager

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Speaker 1: and looking like this isn't going to happen because it

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Speaker 1: got to one of those you know, take it or

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Speaker 1: leave it situations. But so here's the deal, Rob, I

399
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Speaker 1: got this. I got this idea that we're going to

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Speaker 1: kill Q and hey, just just understand it's not because

401
00:20:50,080 --> 00:20:52,439
Speaker 1: of you and we love you, we wanted you, but

402
00:20:53,280 --> 00:20:55,399
Speaker 1: I have an idea of how this could really affect

403
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Speaker 1: the whole show and ran it all down to me

404
00:20:59,240 --> 00:21:03,199
Speaker 1: and I literally was like, that's kind of brilliant and

405
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Speaker 1: I understand. And as much as I hate that this

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Speaker 1: is happening, you've you've made a successful show. You're over

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Speaker 1: one hundred episodes in. I cannot question any decision you're making,

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Speaker 1: no matter how much it affects me in the way

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Speaker 1: I feel like it's negative. I appreciate the opportunity, love you.

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Speaker 1: Appreciate it. And he's like, we're going to bring you

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Speaker 1: back some and I was like, how are you going

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Speaker 1: to do that? And he was like, I'll let you

413
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Speaker 1: know later, but we're going to keep bringing you back

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Speaker 1: a little bit.

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Speaker 3: I was like, all right, we like ghosts on one

416
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Speaker 3: treo and.

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Speaker 1: That was that. We had a nice long conversation about

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Speaker 1: how he's going to kill my character. I was in

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Speaker 1: my hotel room shooting another movie in between filming days,

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Speaker 1: and I was heartbroken.

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Speaker 5: Did that get into your head on when you went

422
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Speaker 5: back to work on the film set the next day.

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Speaker 1: I was just so upset with my manager at the time.

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Speaker 1: I just hadn't like flush it all down and.

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Speaker 7: Yeah, compartmentalized, Yeah, but had that's when you really have

426
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Speaker 7: to separate.

427
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Speaker 1: Yeah, yeah, but had no idea how our the whole

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Speaker 1: situation behind the scenes was all faulty. It wasn't all.

429
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Speaker 1: It wasn't right almost on both sides it was. It

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Speaker 1: was messy, but it turned out to be the biggest,

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Speaker 1: massive blessing that it could have ever been. And it was.

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Speaker 1: It was right, and it was it was supposed to

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Speaker 1: happen like that, and it's it's paid dividends a million

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Speaker 1: times over. But that's the real deal. It was a

435
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Speaker 1: series regular deal went wrong and then it was like

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Speaker 1: option to is kill Q. It was never it was

437
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Speaker 1: never like this is what we're gonna do. He was

438
00:22:35,920 --> 00:22:42,560
Speaker 1: supposed to be around.

439
00:22:39,720 --> 00:22:41,040
Speaker 3: All the ways we've been wronged.

440
00:22:41,080 --> 00:22:44,800
Speaker 5: We got robbed of Brooken and uh, uncle Cooper, we

441
00:22:44,840 --> 00:22:46,960
Speaker 5: got robbed to the robbery inventory.

442
00:22:47,359 --> 00:22:47,800
Speaker 7: Damn it.

443
00:22:48,359 --> 00:22:50,359
Speaker 1: She was supposed to be around, guys. It was supposed

444
00:22:50,400 --> 00:22:50,919
Speaker 1: to be around.

445
00:22:51,440 --> 00:22:53,280
Speaker 7: You know what I think is hard and I will

446
00:22:53,280 --> 00:22:58,600
Speaker 7: say on the heels of our strike because we've you know,

447
00:22:59,040 --> 00:23:01,240
Speaker 7: Joy and Hillary and I've really tried to talk to

448
00:23:02,359 --> 00:23:05,320
Speaker 7: the listeners and to the fans about like what the

449
00:23:05,400 --> 00:23:08,200
Speaker 7: industry looks like. You know, I think the strike has

450
00:23:08,200 --> 00:23:11,720
Speaker 7: been really illuminating because we've had so many people message

451
00:23:11,760 --> 00:23:13,760
Speaker 7: us to be like, wow, we had no idea what

452
00:23:13,840 --> 00:23:15,480
Speaker 7: you guys were fighting for, and we had no idea

453
00:23:15,520 --> 00:23:17,760
Speaker 7: what your union did, and we thought like all the

454
00:23:17,840 --> 00:23:20,200
Speaker 7: actors just got paid all the money, like we didn't

455
00:23:20,240 --> 00:23:23,680
Speaker 7: really know that most people are struggling in your industry,

456
00:23:23,720 --> 00:23:27,760
Speaker 7: actors crew, you know. The list goes on, and I

457
00:23:27,800 --> 00:23:30,480
Speaker 7: think it's really powerful when we can kind of like

458
00:23:30,920 --> 00:23:34,800
Speaker 7: remove the veil of illusion, right, and I think something

459
00:23:34,800 --> 00:23:38,160
Speaker 7: that a lot of people don't know, and it leans

460
00:23:38,200 --> 00:23:40,639
Speaker 7: into like, well, why didn't somebody say something if it

461
00:23:40,680 --> 00:23:43,199
Speaker 7: was a me too situation, if there was you know,

462
00:23:43,600 --> 00:23:47,280
Speaker 7: violence in the workplace or misbehavior or whatever. I think

463
00:23:47,280 --> 00:23:50,119
Speaker 7: it's really powerful when we can tell stories like yours

464
00:23:50,600 --> 00:23:54,960
Speaker 7: about how very often young kids become collateral damage of

465
00:23:55,040 --> 00:23:58,000
Speaker 7: grown up egos, like, yeah, we had a bunch of

466
00:23:58,000 --> 00:24:00,520
Speaker 7: grown ups who didn't want to pay you fairly. And

467
00:24:00,560 --> 00:24:02,960
Speaker 7: by the way, that's ridiculous, Like this show was making

468
00:24:03,000 --> 00:24:05,360
Speaker 7: a fortune for a lot of people, not us, unfortunately,

469
00:24:05,400 --> 00:24:06,399
Speaker 7: but a lot of people.

470
00:24:06,200 --> 00:24:09,040
Speaker 5: And people were tuning in for you too, by the way, Yes,

471
00:24:09,160 --> 00:24:10,720
Speaker 5: like you're the really page, you're.

472
00:24:10,680 --> 00:24:16,399
Speaker 7: Fair wages, and they didn't want to and suddenly, like

473
00:24:15,760 --> 00:24:23,000
Speaker 7: a young, unbearably talented person becomes collateral damage because you

474
00:24:23,080 --> 00:24:25,240
Speaker 7: have a grown up manager who's got an ego and

475
00:24:25,280 --> 00:24:27,720
Speaker 7: doesn't want to lose, and we've got grown up executives

476
00:24:27,760 --> 00:24:30,400
Speaker 7: who have egos and don't want to give in. And

477
00:24:30,520 --> 00:24:34,680
Speaker 7: like it's heavy to be the kid who suffers for

478
00:24:34,800 --> 00:24:39,119
Speaker 7: the faults of people old enough to be our parents, right,

479
00:24:39,119 --> 00:24:40,160
Speaker 7: And nobody's.

480
00:24:39,760 --> 00:24:41,959
Speaker 5: Telling us that, by the way, we're just bearing it,

481
00:24:42,040 --> 00:24:44,959
Speaker 5: walking around going I don't know what happened. Maybe I

482
00:24:45,080 --> 00:24:47,679
Speaker 5: wasn't good enough, maybe this, maybe that, and it just

483
00:24:47,720 --> 00:24:50,440
Speaker 5: has nothing to do with us. We're doing the best

484
00:24:50,480 --> 00:24:51,000
Speaker 5: we could do.

485
00:24:51,760 --> 00:24:53,720
Speaker 7: Yeah, So I guess I just want to say thank

486
00:24:53,760 --> 00:24:56,399
Speaker 7: you for being honest about it, because I think a

487
00:24:56,400 --> 00:24:59,240
Speaker 7: lot of people have been through versions of the story

488
00:24:59,280 --> 00:25:02,840
Speaker 7: you just told. And I mean, I know I have

489
00:25:03,040 --> 00:25:06,119
Speaker 7: my God, and like it is helpful to know that

490
00:25:07,000 --> 00:25:11,320
Speaker 7: there are these practices at play in this space.

491
00:25:11,040 --> 00:25:11,680
Speaker 6: We work in.

492
00:25:11,760 --> 00:25:15,600
Speaker 7: And I do think the more we kind of share

493
00:25:15,760 --> 00:25:18,800
Speaker 7: with each other, like you know, the losses and the winds,

494
00:25:19,040 --> 00:25:21,840
Speaker 7: the better, Like my God, you know me and the

495
00:25:21,880 --> 00:25:25,080
Speaker 7: girls like we tell each we people are always like, well,

496
00:25:25,119 --> 00:25:27,480
Speaker 7: you don't talk about like you know, money or politics

497
00:25:27,560 --> 00:25:29,879
Speaker 7: or whatever added to the list. We're like, hey, what

498
00:25:29,960 --> 00:25:31,520
Speaker 7: did you get on that show? Should we talk? What

499
00:25:31,560 --> 00:25:34,359
Speaker 7: does your contract look like? What provisions are you getting?

500
00:25:34,359 --> 00:25:37,359
Speaker 7: Because I want to go argue, like, we share everything

501
00:25:37,520 --> 00:25:38,440
Speaker 7: you have to now.

502
00:25:39,000 --> 00:25:41,400
Speaker 1: You have to that's so smart by the way.

503
00:25:41,280 --> 00:25:44,120
Speaker 7: You know, Oh yeah, it's like it's how we protect

504
00:25:44,160 --> 00:25:44,560
Speaker 7: each other.

505
00:25:44,760 --> 00:25:46,679
Speaker 6: Yeah, and I I don't know.

506
00:25:46,760 --> 00:25:49,000
Speaker 7: I'm just really grateful when people are willing to be

507
00:25:49,040 --> 00:25:50,879
Speaker 7: like you, I want to know what really happened, I'll tell you.

508
00:25:51,040 --> 00:25:52,600
Speaker 3: Yeah, exactly. I love that stuff.

509
00:25:52,600 --> 00:25:55,720
Speaker 5: Actually, it's such a powerful way also of eliminating the

510
00:25:55,760 --> 00:25:58,119
Speaker 5: stereotype of jealousy and that constant.

511
00:25:58,000 --> 00:25:59,840
Speaker 3: Like keeping a secret and I don't want to know.

512
00:26:00,040 --> 00:26:00,760
Speaker 3: What do you have in this?

513
00:26:01,080 --> 00:26:03,640
Speaker 5: It's just just let's just open up the floor. Let's

514
00:26:03,640 --> 00:26:06,200
Speaker 5: open it all up. There's no reason to be unreasonable

515
00:26:06,320 --> 00:26:10,040
Speaker 5: about whoever's whearing their careers. What's a reasonable thing about

516
00:26:10,080 --> 00:26:12,920
Speaker 5: where you are on the list of you know, earning

517
00:26:13,760 --> 00:26:17,280
Speaker 5: based on your overseas market or what you know what

518
00:26:17,400 --> 00:26:19,680
Speaker 5: those are all things that are very real numbers it's

519
00:26:19,720 --> 00:26:21,400
Speaker 5: totally reasonable to talk about those things.

520
00:26:21,440 --> 00:26:22,400
Speaker 3: And we shouldn't have to.

521
00:26:24,000 --> 00:26:27,600
Speaker 5: Button everything up because we're afraid of each other when

522
00:26:27,640 --> 00:26:29,560
Speaker 5: we could be so much more powerful together.

523
00:26:30,119 --> 00:26:32,200
Speaker 6: Yeah, we just got to give each other the cheat codes.

524
00:26:32,760 --> 00:26:34,840
Speaker 3: Yeah, totally, you know, I.

525
00:26:34,760 --> 00:26:38,200
Speaker 7: Think it's important and something it's interesting talking about that.

526
00:26:38,359 --> 00:26:41,520
Speaker 6: I saw a cheat code happening in this episode.

527
00:26:42,000 --> 00:26:43,960
Speaker 7: And Robbie, I don't know if you know this, but

528
00:26:44,080 --> 00:26:48,000
Speaker 7: obviously you had such a heavy storyline Quinton and the

529
00:26:48,000 --> 00:26:50,680
Speaker 7: whole Scott family, so you you know, we were all

530
00:26:50,680 --> 00:26:52,480
Speaker 7: hanging out on set every day, but you were doing

531
00:26:52,480 --> 00:26:54,679
Speaker 7: most of your on camera work with Joy and James

532
00:26:54,720 --> 00:26:59,720
Speaker 7: and Jackson and of course Antoine and Chad, and there

533
00:26:59,760 --> 00:27:02,280
Speaker 7: was such a cool thing that, like I got so

534
00:27:02,400 --> 00:27:06,719
Speaker 7: excited about watching this episode back because this was the

535
00:27:06,760 --> 00:27:11,399
Speaker 7: first season that James started directing on our show, and

536
00:27:11,520 --> 00:27:14,080
Speaker 7: he got so passionate about it. I remember he was

537
00:27:14,119 --> 00:27:16,480
Speaker 7: like starting to shadow the producers and starting.

538
00:27:16,200 --> 00:27:17,840
Speaker 6: To shadow Paul and all that stuff.

539
00:27:18,359 --> 00:27:21,720
Speaker 7: And when when Nathan knocked on Brookstore, I had this

540
00:27:21,920 --> 00:27:25,800
Speaker 7: like immediate sense memory moment, Like I was saying earlier,

541
00:27:26,280 --> 00:27:29,600
Speaker 7: I had forgotten this until I saw the scene. James

542
00:27:29,640 --> 00:27:33,080
Speaker 7: went and advocated to the writers that like, in all

543
00:27:33,160 --> 00:27:36,760
Speaker 7: the connecting Nathan was doing with Quenton, we were missing

544
00:27:37,280 --> 00:27:40,520
Speaker 7: the Nathan and Brooke being like essentially the.

545
00:27:40,520 --> 00:27:42,000
Speaker 6: Same characters in high school.

546
00:27:42,400 --> 00:27:45,720
Speaker 7: We were missing them connect as grown ups about their journey.

547
00:27:46,440 --> 00:27:51,119
Speaker 9: And like he pitched that he did. I didn't know that, Yes,

548
00:27:51,280 --> 00:27:53,600
Speaker 9: he pitched that. He was like, I think we're really

549
00:27:53,640 --> 00:27:56,960
Speaker 9: missing an opportunity. And with this character having gone through

550
00:27:56,960 --> 00:27:59,760
Speaker 9: this thing like this violence, I think it's weird that

551
00:27:59,800 --> 00:28:02,800
Speaker 9: this man who's been in her life all this time,

552
00:28:02,800 --> 00:28:05,119
Speaker 9: who's the only person who knows her journey with toxic

553
00:28:05,200 --> 00:28:07,639
Speaker 9: parents and whatever, isn't going to talk to her about it.

554
00:28:07,720 --> 00:28:11,440
Speaker 9: And he was right, soul, it is such a good

555
00:28:11,480 --> 00:28:14,560
Speaker 9: scene and it I just was like, oh my god,

556
00:28:14,600 --> 00:28:19,240
Speaker 9: I remember now he went and like argued that, I

557
00:28:19,240 --> 00:28:22,359
Speaker 9: mean not argued, had this great idea and they loved

558
00:28:22,359 --> 00:28:24,080
Speaker 9: it and they put it in the episode, and I

559
00:28:24,160 --> 00:28:27,040
Speaker 9: was like, whoa he was he was directing before he

560
00:28:27,080 --> 00:28:29,920
Speaker 9: was even directing. Yeah, And like that's a cheat code,

561
00:28:30,000 --> 00:28:32,440
Speaker 9: like having the confidence as an actor six years into

562
00:28:32,440 --> 00:28:35,960
Speaker 9: a job to be like, hey, if this was like

563
00:28:36,040 --> 00:28:38,360
Speaker 9: my real life with my real friends who I've been

564
00:28:38,400 --> 00:28:40,880
Speaker 9: working with for six years, I would immediately go check

565
00:28:40,880 --> 00:28:42,400
Speaker 9: on this person, why aren't we.

566
00:28:42,360 --> 00:28:44,760
Speaker 6: Doing that on camera? And they put it in the show.

567
00:28:44,920 --> 00:28:46,680
Speaker 6: That boy deserves a writing credit.

568
00:28:47,440 --> 00:28:48,000
Speaker 3: So good.

569
00:28:48,800 --> 00:28:51,160
Speaker 5: Wait, okay, wait, let's talk about that scene though, because

570
00:28:51,400 --> 00:28:55,600
Speaker 5: I loved one of my notes here is everyone's acting

571
00:28:55,640 --> 00:28:59,240
Speaker 5: like Brooke is acting normal. Yeah, and it's really strange

572
00:28:59,240 --> 00:29:01,760
Speaker 5: to me, and it's I was so glad to see

573
00:29:01,840 --> 00:29:06,200
Speaker 5: Nathan walk in and even though he didn't acknowledge flat out, hey,

574
00:29:06,360 --> 00:29:09,320
Speaker 5: you're being weird, like this is beyond just you fell

575
00:29:09,320 --> 00:29:10,720
Speaker 5: down the stairs and you have it and you.

576
00:29:10,720 --> 00:29:12,920
Speaker 6: Clearly fall down the stairs. What's going on?

577
00:29:13,040 --> 00:29:13,280
Speaker 1: Yeah?

578
00:29:13,360 --> 00:29:16,720
Speaker 5: Yeah, but he did. He was preserving her pride and

579
00:29:16,760 --> 00:29:19,600
Speaker 5: privacy and all those things that she was clearly wanting

580
00:29:19,640 --> 00:29:23,480
Speaker 5: to hold on to, but also letting her know, hey,

581
00:29:23,480 --> 00:29:25,720
Speaker 5: I'm here for you in a very real and important

582
00:29:25,720 --> 00:29:29,000
Speaker 5: way beyond a suggestion of therapy, which was nice, but

583
00:29:29,120 --> 00:29:32,880
Speaker 5: still like yeah, was still just not which not noticing

584
00:29:32,880 --> 00:29:36,280
Speaker 5: what's really going on beyond like here's your apartment key,

585
00:29:36,520 --> 00:29:39,680
Speaker 5: and h there's other you know, really big deal things

586
00:29:39,680 --> 00:29:42,440
Speaker 5: happening besides you falling down the stairs, Brook, you know,

587
00:29:42,920 --> 00:29:48,000
Speaker 5: beyond that. He just dropped into a level of acknowledging

588
00:29:48,000 --> 00:29:49,719
Speaker 5: that there was something deeper going on.

589
00:29:49,800 --> 00:29:51,600
Speaker 3: And I appreciated that I.

590
00:29:51,560 --> 00:29:55,280
Speaker 7: Did too, and I liked that he didn't he he

591
00:29:55,320 --> 00:29:59,920
Speaker 7: was really gentle, but he didn't like. Nathan doesn't let

592
00:30:00,080 --> 00:30:03,240
Speaker 7: Brooke get away with it. When she says I'm fine, really,

593
00:30:03,280 --> 00:30:06,479
Speaker 7: his response is that sounds like something I'd say, and

594
00:30:06,520 --> 00:30:08,840
Speaker 7: then he goes into this whole thing like, yes, we've

595
00:30:08,880 --> 00:30:11,440
Speaker 7: experienced a loss, but it doesn't mean your problems are

596
00:30:11,480 --> 00:30:12,520
Speaker 7: any less important.

597
00:30:13,200 --> 00:30:14,640
Speaker 6: And then he reminds her.

598
00:30:14,680 --> 00:30:17,960
Speaker 7: Like love that because there's that freeze of I don't

599
00:30:18,000 --> 00:30:21,760
Speaker 7: know what to share, so he keeps sharing. He reminds

600
00:30:21,800 --> 00:30:25,040
Speaker 7: her of their similar roads, their same clicks in high school,

601
00:30:25,040 --> 00:30:27,760
Speaker 7: of the parents that were like children, we were these

602
00:30:28,320 --> 00:30:32,320
Speaker 7: bad versions of ourselves, and look who we've become. And

603
00:30:33,120 --> 00:30:36,480
Speaker 7: I know how hard it is, and I want I

604
00:30:36,520 --> 00:30:37,800
Speaker 7: don't want you to isolate.

605
00:30:37,840 --> 00:30:39,160
Speaker 6: I want you to come talk.

606
00:30:38,960 --> 00:30:42,480
Speaker 7: To me like I'm an ally here for you. And

607
00:30:43,920 --> 00:30:50,120
Speaker 7: I think there's something so important, Interestingly, because Brooke has

608
00:30:50,160 --> 00:30:52,960
Speaker 7: had this terrible relationship with her parents and they haven't

609
00:30:53,000 --> 00:30:55,800
Speaker 7: been there for her, and Nathan has had this terrible

610
00:30:55,840 --> 00:30:59,240
Speaker 7: relationship with Dan, but like deb is finally showing up

611
00:30:59,600 --> 00:31:01,600
Speaker 7: in a way, now that he has a mom who's

612
00:31:01,600 --> 00:31:04,040
Speaker 7: showing up for him, he's able to show up for

613
00:31:04,120 --> 00:31:07,200
Speaker 7: Brooke as the dad he is as Jamie's dad, but

614
00:31:07,320 --> 00:31:09,720
Speaker 7: he like, I felt like he was being my father

615
00:31:09,840 --> 00:31:10,840
Speaker 7: figure in this scene.

616
00:31:11,080 --> 00:31:15,440
Speaker 6: Yeah, and it was so kind and like she's just

617
00:31:15,440 --> 00:31:16,600
Speaker 6: never Brook's never had that.

618
00:31:17,520 --> 00:31:20,280
Speaker 7: Yeah, And it's a really interesting thing to be in

619
00:31:20,400 --> 00:31:23,840
Speaker 7: a moment in these characters' lives where like the kids

620
00:31:23,840 --> 00:31:26,440
Speaker 7: are now the parents and you get to be both.

621
00:31:28,000 --> 00:31:29,920
Speaker 7: I just loved it and I was like, oh my god,

622
00:31:29,920 --> 00:31:33,160
Speaker 7: I completely forgot that. The whole reason we had this

623
00:31:33,240 --> 00:31:36,080
Speaker 7: scene is because James was like, hey, writers, you're really

624
00:31:36,080 --> 00:31:37,400
Speaker 7: missing an important.

625
00:31:37,080 --> 00:31:39,600
Speaker 6: Connection here, and they did it. It's like so cool.

626
00:31:40,680 --> 00:31:44,200
Speaker 5: I like the theme of that you were just I

627
00:31:44,240 --> 00:31:46,920
Speaker 5: think you started to get there. But it's that life

628
00:31:46,960 --> 00:31:53,640
Speaker 5: moves on, like everything else, everything keeps going. That's you know,

629
00:31:53,720 --> 00:31:56,720
Speaker 5: thinking about the way that Brooke is grieving and the

630
00:31:56,720 --> 00:31:59,440
Speaker 5: way that Nathan's talking to her. Yeah, let everything moves on,

631
00:31:59,640 --> 00:32:03,880
Speaker 5: but you're still important. Your problem here really matters the

632
00:32:03,920 --> 00:32:08,280
Speaker 5: way that watching Quinton's mother and family grief and in

633
00:32:08,320 --> 00:32:13,320
Speaker 5: this way of like being present in the moment patient

634
00:32:13,400 --> 00:32:16,240
Speaker 5: with their own grief, but also the acknowledgment of life

635
00:32:16,280 --> 00:32:20,200
Speaker 5: moving on. That's how she had the ability to speak

636
00:32:20,280 --> 00:32:23,600
Speaker 5: so much life and love into these six people standing

637
00:32:23,640 --> 00:32:26,560
Speaker 5: in front of her in a moment when it should

638
00:32:26,600 --> 00:32:28,720
Speaker 5: have been all about her, and she had that grace

639
00:32:28,760 --> 00:32:30,800
Speaker 5: to be able to turn it around and give it

640
00:32:30,800 --> 00:32:34,640
Speaker 5: to them, even the.

641
00:32:36,520 --> 00:32:36,880
Speaker 3: Dan and.

642
00:32:39,080 --> 00:32:42,840
Speaker 5: Tory sorry Dan and Cary stuff, which part of me

643
00:32:42,920 --> 00:32:45,560
Speaker 5: wishes they would have paused on that until this episode

644
00:32:45,600 --> 00:32:48,640
Speaker 5: was over, because it just it really does feel so disjointed,

645
00:32:50,920 --> 00:32:53,520
Speaker 5: But even that, there was this element of.

646
00:32:55,040 --> 00:32:55,360
Speaker 1: It all.

647
00:32:55,440 --> 00:32:56,720
Speaker 3: Life just keeps moving on and.

648
00:32:56,680 --> 00:32:59,440
Speaker 5: Hailey in the classroom that is my favorite. That's my

649
00:32:59,520 --> 00:33:06,320
Speaker 5: favorite le teacher moment ever. Yes, the writing was really good. Ough,

650
00:33:07,080 --> 00:33:10,040
Speaker 5: it was really good. It just hit the nail on

651
00:33:10,080 --> 00:33:13,120
Speaker 5: the head. Life moves on and what's it all for?

652
00:33:13,320 --> 00:33:16,000
Speaker 5: And think about something bigger than the moment you're in.

653
00:33:16,080 --> 00:33:19,240
Speaker 5: But be in the moment you're in. Oh God, it's

654
00:33:19,280 --> 00:33:19,920
Speaker 5: so complex.

655
00:33:20,520 --> 00:33:23,200
Speaker 7: Right before we come into that big share for you

656
00:33:23,280 --> 00:33:26,400
Speaker 7: with all the students, all these students that are grieving

657
00:33:26,480 --> 00:33:28,960
Speaker 7: your loss, Robbie, Like, what do we do our friend

658
00:33:29,080 --> 00:33:32,520
Speaker 7: is gone? This person we looked to right before you

659
00:33:32,600 --> 00:33:37,160
Speaker 7: give them essentially the cheat code, the like bigger meaning

660
00:33:37,200 --> 00:33:42,800
Speaker 7: of it all. Peyton does it for me. She says,

661
00:33:42,880 --> 00:33:45,320
Speaker 7: life's too short to let the bitter ones change how

662
00:33:45,320 --> 00:33:48,760
Speaker 7: awesome you are. Yes, and it's that. It's like this

663
00:33:48,880 --> 00:33:51,000
Speaker 7: reminder that it can be over in an instant and

664
00:33:51,080 --> 00:33:53,800
Speaker 7: there is meaning, but you have to claim it. You

665
00:33:53,880 --> 00:33:56,520
Speaker 7: have to choose it. And then we cut to you

666
00:33:56,600 --> 00:34:00,240
Speaker 7: and you're helping a room full of kids choose to

667
00:34:00,320 --> 00:34:04,240
Speaker 7: lean into their community, choose to lean into their grief,

668
00:34:04,400 --> 00:34:07,480
Speaker 7: choose to say the hard thing. Yeah, write it on

669
00:34:07,560 --> 00:34:09,960
Speaker 7: the desk, get it out of your body. This is

670
00:34:09,960 --> 00:34:12,840
Speaker 7: what literature is. This is what life is. It's grief

671
00:34:12,920 --> 00:34:17,040
Speaker 7: and pain and love and relationships. It's like, I think

672
00:34:17,080 --> 00:34:19,840
Speaker 7: the episode feels so big because it hits on the

673
00:34:19,880 --> 00:34:23,080
Speaker 7: things that are while it is so specific because it's

674
00:34:23,120 --> 00:34:27,280
Speaker 7: about Quentin, it hits on the most universal truths we experience.

675
00:34:27,320 --> 00:34:32,680
Speaker 1: As pep Amen yep, right, Yeah, that scene was powerful.

676
00:34:33,560 --> 00:34:35,440
Speaker 1: You and you and those kids. I was like, she

677
00:34:36,239 --> 00:34:38,080
Speaker 1: and they had that kid. It was like, what is

678
00:34:38,120 --> 00:34:40,600
Speaker 1: it awful? You know? I was like yeah, oh man,

679
00:34:41,600 --> 00:34:44,160
Speaker 1: and you were just so joy.

680
00:34:46,040 --> 00:34:48,799
Speaker 7: And I even loved that, you know, because this was

681
00:34:48,840 --> 00:34:53,480
Speaker 7: Ashley's first episode coming into your classroom Samantha. I loved

682
00:34:53,520 --> 00:34:57,560
Speaker 7: that they had her narrate the opening and closing of

683
00:34:57,600 --> 00:34:58,200
Speaker 7: the episode.

684
00:34:58,280 --> 00:35:00,279
Speaker 6: Yeah, I loved that the student.

685
00:35:00,120 --> 00:35:03,799
Speaker 3: The outsider, you, yes, the total outsider.

686
00:35:04,560 --> 00:35:08,600
Speaker 7: I can see how much this person affected this place. Really,

687
00:35:09,239 --> 00:35:12,759
Speaker 7: I want that, I want belonging like this. There was

688
00:35:12,800 --> 00:35:16,480
Speaker 7: something more powerful even because she'd never met you.

689
00:35:16,719 --> 00:35:20,040
Speaker 1: For sure. I don't tell you top to bottom. This

690
00:35:20,120 --> 00:35:21,600
Speaker 1: was really an episode.

691
00:35:22,440 --> 00:35:26,520
Speaker 5: It put it really did, like I iconicic, what's the

692
00:35:26,520 --> 00:35:27,239
Speaker 5: word I'm looking for?

693
00:35:27,480 --> 00:35:31,319
Speaker 3: Iconize you? What's the word? It made? It made you

694
00:35:31,360 --> 00:35:32,839
Speaker 3: what I am and I'm I'll say it the other way.

695
00:35:33,000 --> 00:35:39,960
Speaker 3: It made canonized, the orgonized. Let's we'll find it one day.

696
00:35:40,360 --> 00:35:41,680
Speaker 3: But it did.

697
00:35:41,800 --> 00:35:43,920
Speaker 5: It puts you just back in the middle of this

698
00:35:44,480 --> 00:35:50,160
Speaker 5: revolutionary moment in the show. I can't think of well,

699
00:35:50,320 --> 00:35:55,200
Speaker 5: I can, but there's probably on one hand moments in

700
00:35:55,440 --> 00:35:58,680
Speaker 5: the entire series like this you can count on one

701
00:35:58,680 --> 00:36:03,399
Speaker 5: hand that changed the course of everything for everyone. Yeah,

702
00:36:03,440 --> 00:36:06,040
Speaker 5: I think like probably Nathan and Haley's marriage was a

703
00:36:06,080 --> 00:36:09,080
Speaker 5: really big that kind of shifted at the everything got

704
00:36:09,200 --> 00:36:14,000
Speaker 5: flipped a little upside down, and Peyton and Brooke and

705
00:36:14,040 --> 00:36:17,760
Speaker 5: the kidnapping, psychoederic attack kind of thing, was pretty crazy.

706
00:36:18,200 --> 00:36:21,320
Speaker 5: And then and then this, I don't after this, I

707
00:36:21,360 --> 00:36:22,400
Speaker 5: don't even know what happens.

708
00:36:22,440 --> 00:36:24,360
Speaker 3: I don't know, I don't even care. This is it.

709
00:36:24,360 --> 00:36:25,640
Speaker 3: It was the pinnacle of our show.

710
00:36:26,280 --> 00:36:29,719
Speaker 1: It was crazy to say the it did. It really

711
00:36:29,719 --> 00:36:33,120
Speaker 1: affected every day so beautiful. You've met so many new

712
00:36:33,200 --> 00:36:37,160
Speaker 1: characters and like, it just it was like a catalyst

713
00:36:37,640 --> 00:36:40,919
Speaker 1: for like, I don't know the next phase of the show.

714
00:36:41,560 --> 00:36:43,600
Speaker 5: Have you had to have people have you had to

715
00:36:43,640 --> 00:36:46,640
Speaker 5: walk people through anything as you've had fans come up

716
00:36:46,640 --> 00:36:49,040
Speaker 5: to you over time, has it ever been beyond just

717
00:36:49,480 --> 00:36:51,040
Speaker 5: oh my gosh, you were so great. I cried so

718
00:36:51,080 --> 00:36:53,839
Speaker 5: hard when you died. Have you ever had anybody come

719
00:36:53,920 --> 00:36:56,640
Speaker 5: up and share something with you that you've like that

720
00:36:56,680 --> 00:37:00,480
Speaker 5: that the process of grieving Quentin or what they what

721
00:37:00,560 --> 00:37:03,040
Speaker 5: they went through with that where you really had to

722
00:37:03,360 --> 00:37:06,000
Speaker 5: like you got to connect with somebody in a more

723
00:37:06,040 --> 00:37:06,680
Speaker 5: meaningful way.

724
00:37:07,080 --> 00:37:10,160
Speaker 1: I would love to say yes, that would sound so deep.

725
00:37:09,960 --> 00:37:14,799
Speaker 3: And dude, it's all right, But we're asking the question.

726
00:37:14,960 --> 00:37:16,680
Speaker 5: Because we get people come up all the time and

727
00:37:16,680 --> 00:37:18,600
Speaker 5: they're like, you know, when this happened or when that happened,

728
00:37:18,640 --> 00:37:21,400
Speaker 5: it was meaningful to me because ABC, So yeah.

729
00:37:21,320 --> 00:37:24,799
Speaker 1: Yeah, like it's it's more it's it's more like we

730
00:37:24,880 --> 00:37:29,240
Speaker 1: have we share some laughs because it's like, oh my gosh,

731
00:37:29,280 --> 00:37:31,640
Speaker 1: I cried so much when you died. You were alive though,

732
00:37:31,840 --> 00:37:36,480
Speaker 1: you're alive. I'm like, yeah, yeah, I'm alive. Yeah, it's crazy,

733
00:37:36,600 --> 00:37:40,960
Speaker 1: I'm here, you know. She was still you know yeah,

734
00:37:41,160 --> 00:37:43,480
Speaker 1: And they're like, oh my gosh, it's so amazing. Can

735
00:37:43,560 --> 00:37:46,040
Speaker 1: I can like touch you? You're at all live? This

736
00:37:46,160 --> 00:37:50,759
Speaker 1: is awesome that that has happened so many times, and

737
00:37:50,800 --> 00:37:52,960
Speaker 1: that's always funny. And then it's just like, Okay, see

738
00:37:52,960 --> 00:37:57,719
Speaker 1: you later. Oh my gosh, alive. That's kind of it.

739
00:37:59,440 --> 00:37:59,640
Speaker 1: You know.

740
00:37:59,719 --> 00:38:03,520
Speaker 7: What was really sort of striking to me about this is,

741
00:38:04,239 --> 00:38:06,439
Speaker 7: you know, because this is obviously the beginning of season six,

742
00:38:06,560 --> 00:38:10,200
Speaker 7: and it was the beginning of season three when we

743
00:38:10,320 --> 00:38:13,839
Speaker 7: dealt with our first real experience of storytelling around gun

744
00:38:13,880 --> 00:38:20,319
Speaker 7: violence on the show, and to think about, I don't know,

745
00:38:21,040 --> 00:38:24,280
Speaker 7: there's something that sort of took my breath away last

746
00:38:24,320 --> 00:38:28,399
Speaker 7: week watching six oh two when this happens to you,

747
00:38:29,200 --> 00:38:32,279
Speaker 7: I was like, oh wow, it's only the second time

748
00:38:32,360 --> 00:38:36,239
Speaker 7: that we've talked about this in six years. And it

749
00:38:37,160 --> 00:38:40,680
Speaker 7: was sort of this moment before we watched this today,

750
00:38:41,280 --> 00:38:43,400
Speaker 7: I looked up because I was like, Okay, you know,

751
00:38:43,920 --> 00:38:46,239
Speaker 7: out in the world, we experience more and more of

752
00:38:46,280 --> 00:38:48,640
Speaker 7: these incidents, and more and more of these incidents, especially

753
00:38:48,719 --> 00:38:52,440
Speaker 7: that affect high school kids, school aged kids, And I

754
00:38:52,520 --> 00:38:58,920
Speaker 7: was like, what was sort of changing there? And this

755
00:38:59,040 --> 00:39:01,279
Speaker 7: was two thousand and eight, and the assault weapons ban

756
00:39:01,600 --> 00:39:03,560
Speaker 7: expired in two thousand and four, and you know, we've

757
00:39:03,600 --> 00:39:06,480
Speaker 7: seen a two hundred and fifty eight percent increase in

758
00:39:07,840 --> 00:39:12,319
Speaker 7: these gun violence incidents in schools since. And there was

759
00:39:13,520 --> 00:39:16,000
Speaker 7: there was like something that also really like sort of

760
00:39:16,040 --> 00:39:19,080
Speaker 7: broke my heart about that, about the fact that when

761
00:39:19,120 --> 00:39:21,839
Speaker 7: we were making our show, this was still like a

762
00:39:22,640 --> 00:39:27,080
Speaker 7: like a relatively rare occurrence. And part of me just

763
00:39:27,120 --> 00:39:29,719
Speaker 7: wants to acknowledge because you know, we do have so

764
00:39:29,760 --> 00:39:32,160
Speaker 7: many people rewatching it, and we have so many kids

765
00:39:32,160 --> 00:39:34,840
Speaker 7: in high school that we meet now as you're saying,

766
00:39:34,880 --> 00:39:37,960
Speaker 7: at these events that are so beautiful where their community gathers,

767
00:39:38,480 --> 00:39:41,799
Speaker 7: but like kids who only know this, who only know

768
00:39:41,920 --> 00:39:44,440
Speaker 7: that like every couple of days or every other week,

769
00:39:44,719 --> 00:39:47,000
Speaker 7: there's another one of these incidents that happens and they

770
00:39:47,040 --> 00:39:52,880
Speaker 7: lose classmates. And I don't I don't have you know,

771
00:39:53,239 --> 00:39:56,400
Speaker 7: an answer, but I just feel like it's worth like

772
00:39:56,480 --> 00:40:01,000
Speaker 7: taking one moment to acknowledge that, you know, there's like

773
00:40:01,040 --> 00:40:04,360
Speaker 7: a heartbreak too in the fact that this used to

774
00:40:04,440 --> 00:40:06,960
Speaker 7: be rare when we were making a show about high

775
00:40:07,000 --> 00:40:09,920
Speaker 7: school and now it's really common. And I don't know,

776
00:40:10,080 --> 00:40:13,120
Speaker 7: I just want to hold any like a moment of

777
00:40:13,160 --> 00:40:15,759
Speaker 7: space for anybody who's listening with us, who like this

778
00:40:15,840 --> 00:40:21,200
Speaker 7: might be really triggering for we just like we have

779
00:40:21,280 --> 00:40:23,879
Speaker 7: this crisis and this problem and we're losing people all

780
00:40:23,920 --> 00:40:24,320
Speaker 7: the time.

781
00:40:24,400 --> 00:40:25,799
Speaker 6: And I don't know, I.

782
00:40:27,360 --> 00:40:30,680
Speaker 7: Think because of how honest this episode felt and to

783
00:40:30,760 --> 00:40:33,959
Speaker 7: your point, like the scenes with the actress who played

784
00:40:34,000 --> 00:40:37,719
Speaker 7: your mom, Robbie, like, I don't know, I just as

785
00:40:37,719 --> 00:40:41,160
Speaker 7: we're talking, I'm really struck by the fact that I'm

786
00:40:41,239 --> 00:40:44,080
Speaker 7: proud of how sensitively we handled this because I know

787
00:40:44,200 --> 00:40:46,680
Speaker 7: that this is a lot of people at home's real story.

788
00:40:47,560 --> 00:40:53,080
Speaker 5: It was it was handled very sensitively. There was so

789
00:40:53,160 --> 00:40:58,640
Speaker 5: much nuance involved in processing of the violence, which is

790
00:40:58,960 --> 00:41:05,759
Speaker 5: unusual also today, and I really, yeah, it was. That

791
00:41:05,880 --> 00:41:09,840
Speaker 5: was strange to see all of the all of the violence,

792
00:41:09,880 --> 00:41:13,880
Speaker 5: all the back and forth, even with the Nanny Carey

793
00:41:13,920 --> 00:41:18,080
Speaker 5: stuff that felt clunky and awkward, not because the actors

794
00:41:18,120 --> 00:41:21,480
Speaker 5: but just because we were in this dance, this flow

795
00:41:21,520 --> 00:41:25,440
Speaker 5: of Quentin and then moving into it another thing, but

796
00:41:25,480 --> 00:41:29,800
Speaker 5: then seeing the grief in someone who is committing violence

797
00:41:30,320 --> 00:41:35,800
Speaker 5: out of this place of grief causing a psychotic break,

798
00:41:35,800 --> 00:41:38,120
Speaker 5: I guess. I mean, it's just there's just so much

799
00:41:38,840 --> 00:41:44,719
Speaker 5: nuance and in pain. Yeah, you're right, we did. We did.

800
00:41:44,760 --> 00:41:46,279
Speaker 5: We all did a really nice job with that, and

801
00:41:46,320 --> 00:41:47,560
Speaker 5: the writers really did as well.

802
00:41:48,280 --> 00:41:48,520
Speaker 1: Yeah.

803
00:41:48,560 --> 00:41:52,600
Speaker 7: I appreciated the tenderness and even to your point, like

804
00:41:54,000 --> 00:41:56,239
Speaker 7: part of me wishes we got a pause with the

805
00:41:56,280 --> 00:42:01,640
Speaker 7: wild like Nanny Carey Dan, you know, crazy like Kathy

806
00:42:01,680 --> 00:42:06,239
Speaker 7: Bank's storyline. But I even appreciated that, because of the

807
00:42:06,280 --> 00:42:10,400
Speaker 7: heaviness of the loss of Quentin, they actually gave us

808
00:42:10,400 --> 00:42:16,280
Speaker 7: a peek behind the curtain at Nanny Carey, having needed

809
00:42:16,320 --> 00:42:17,760
Speaker 7: that we needed to understand.

810
00:42:17,840 --> 00:42:22,040
Speaker 1: Why can I interject really quickly please and give a big,

811
00:42:22,200 --> 00:42:25,360
Speaker 1: big kudos and shout out to Don Lewis.

812
00:42:24,960 --> 00:42:26,879
Speaker 3: Down that was her name. I knew it.

813
00:42:27,000 --> 00:42:32,120
Speaker 1: Yes, remarkable, just to give some levity here a different

814
00:42:32,160 --> 00:42:36,800
Speaker 1: world watching Don Lewis every week on TV, a different

815
00:42:36,800 --> 00:42:40,239
Speaker 1: world as Jalisa, and when I found out and when

816
00:42:40,280 --> 00:42:43,120
Speaker 1: I'm when I met her on set and she was mom.

817
00:42:43,280 --> 00:42:45,120
Speaker 1: I found out she was gonna be my mom. I

818
00:42:45,160 --> 00:42:51,440
Speaker 1: was like, Wow, I'm really an actor. I'm really on TV.

819
00:42:52,520 --> 00:42:56,040
Speaker 1: My mom's Jalisa from.

820
00:42:55,840 --> 00:42:56,640
Speaker 6: A different world.

821
00:42:56,719 --> 00:42:59,920
Speaker 5: Loved I loved that.

822
00:43:00,760 --> 00:43:02,279
Speaker 3: Me too, Me too.

823
00:43:02,760 --> 00:43:05,880
Speaker 1: I'm like, man, can't we just give a salute to

824
00:43:05,960 --> 00:43:11,960
Speaker 1: her amazing performance? Yes, she killed those scenes on that

825
00:43:12,080 --> 00:43:13,759
Speaker 1: in that episode and all this.

826
00:43:14,239 --> 00:43:16,280
Speaker 3: So much dignity and grace.

827
00:43:17,320 --> 00:43:19,880
Speaker 1: Wow, So shout out to donaldis.

828
00:43:20,080 --> 00:43:20,400
Speaker 6: Yes.

829
00:43:20,680 --> 00:43:26,040
Speaker 7: And you know what, Don, I shared such a special experience,

830
00:43:26,080 --> 00:43:28,920
Speaker 7: like a special moment with Don. She because it was

831
00:43:28,920 --> 00:43:32,240
Speaker 7: two thousand and eight, and you know, I'd been running

832
00:43:32,280 --> 00:43:37,000
Speaker 7: around working on the presidential campaign for a year and

833
00:43:37,000 --> 00:43:40,360
Speaker 7: and she and I watched the election results come in

834
00:43:40,400 --> 00:43:41,880
Speaker 7: when Barack Obama got elected.

835
00:43:42,360 --> 00:43:42,680
Speaker 1: Wow.

836
00:43:43,400 --> 00:43:47,879
Speaker 7: We were together at a restaurant watching on like all

837
00:43:47,960 --> 00:43:50,160
Speaker 7: the all the sports, all the TVs that normally ran

838
00:43:50,200 --> 00:43:56,120
Speaker 7: sports in Wilmington were running the election and and I

839
00:43:56,280 --> 00:43:58,279
Speaker 7: was crying, and I looked to my left and Don

840
00:43:58,320 --> 00:44:00,640
Speaker 7: was sitting next to me, and she just started to sob.

841
00:44:01,760 --> 00:44:05,480
Speaker 7: And it was this like unbelievably profound moment because there

842
00:44:05,560 --> 00:44:09,680
Speaker 7: was so much hope and I was watching this incredible

843
00:44:09,719 --> 00:44:17,360
Speaker 7: moment in history with this incredible, like respected iconic actress,

844
00:44:17,400 --> 00:44:21,319
Speaker 7: this this powerhouse of a black woman who just said

845
00:44:21,360 --> 00:44:23,120
Speaker 7: I didn't know if I'd ever get to see this.

846
00:44:24,000 --> 00:44:26,120
Speaker 6: And she just started to sob.

847
00:44:25,760 --> 00:44:27,560
Speaker 7: And I wrapped my arms around her and I was like,

848
00:44:27,840 --> 00:44:32,440
Speaker 7: we don't know each other very well, but I love you,

849
00:44:32,440 --> 00:44:35,520
Speaker 7: you know, because we were there together as we always

850
00:44:35,520 --> 00:44:39,440
Speaker 7: are often are in these moments like we're away from

851
00:44:39,440 --> 00:44:41,920
Speaker 7: our families, we're away from people because we're working together

852
00:44:41,960 --> 00:44:43,960
Speaker 7: and it's beautiful, but it can be strange when like

853
00:44:43,960 --> 00:44:45,360
Speaker 7: a monumental thing happens.

854
00:44:45,880 --> 00:44:46,520
Speaker 3: She and I just.

855
00:44:46,520 --> 00:44:49,560
Speaker 6: Sat there holding each other crying, being like what is

856
00:44:49,880 --> 00:44:51,040
Speaker 6: this is magical?

857
00:44:52,120 --> 00:44:53,319
Speaker 3: It was wild, It was so.

858
00:44:53,560 --> 00:44:56,280
Speaker 6: Good that Yeah, it was so so special.

859
00:44:56,680 --> 00:45:00,360
Speaker 1: I just love her. I love that.

860
00:45:00,600 --> 00:45:02,279
Speaker 6: I was like, I'm really good, I'm here with you.

861
00:45:04,239 --> 00:45:06,960
Speaker 1: That's a great story. Wow.

862
00:45:18,440 --> 00:45:22,480
Speaker 5: I have a question. I want to pivot a little bit.

863
00:45:22,360 --> 00:45:24,560
Speaker 5: It's just because I want to get through some of

864
00:45:24,600 --> 00:45:26,560
Speaker 5: these notes and make sure we hit all. You made

865
00:45:26,560 --> 00:45:28,759
Speaker 5: a comment when we were watching Sophia when we did

866
00:45:28,760 --> 00:45:31,080
Speaker 5: the scene in the mirror with the lipstick. You said

867
00:45:31,120 --> 00:45:34,960
Speaker 5: I hated that scene and it wasn't even a I mean,

868
00:45:35,000 --> 00:45:36,279
Speaker 5: I guess it was a scene but it was just

869
00:45:36,320 --> 00:45:37,440
Speaker 5: a shot, really.

870
00:45:38,160 --> 00:45:41,319
Speaker 3: A page moment, so she's staring in the mirror. It's

871
00:45:41,360 --> 00:45:44,840
Speaker 3: the same thing as the writing.

872
00:45:44,440 --> 00:45:48,440
Speaker 5: On the on the projector board, you know, when it's

873
00:45:48,440 --> 00:45:50,600
Speaker 5: all the like not good enough, not blah blah blah enough.

874
00:45:50,600 --> 00:45:52,239
Speaker 5: It was the same type of deal, but it was

875
00:45:52,320 --> 00:45:56,400
Speaker 5: now we're doing beautiful mind or what's that? What's the

876
00:45:56,400 --> 00:45:57,360
Speaker 5: Matt Damon one?

877
00:45:57,600 --> 00:45:59,399
Speaker 6: Revenge payback?

878
00:45:59,480 --> 00:46:01,520
Speaker 7: And I was, ya, we did one of these ones

879
00:46:01,560 --> 00:46:03,680
Speaker 7: where we projected words on my face and it was

880
00:46:03,719 --> 00:46:05,320
Speaker 7: so profound.

881
00:46:05,480 --> 00:46:08,520
Speaker 6: And this feels so lame.

882
00:46:08,840 --> 00:46:12,160
Speaker 5: Oh no, written in lipstick on the mirror, circling her

883
00:46:12,200 --> 00:46:13,399
Speaker 5: bruises with a word on.

884
00:46:13,360 --> 00:46:16,680
Speaker 7: It, and like one's a square and one's a circle

885
00:46:16,719 --> 00:46:17,760
Speaker 7: and one's a triangle.

886
00:46:17,800 --> 00:46:19,880
Speaker 6: I'm like, what weird shapes? Mad lips?

887
00:46:19,920 --> 00:46:20,080
Speaker 1: Is this?

888
00:46:20,400 --> 00:46:25,920
Speaker 3: Like it was just so it was bad, And I

889
00:46:26,080 --> 00:46:27,080
Speaker 3: was like, could I not.

890
00:46:27,080 --> 00:46:29,719
Speaker 7: Have just looked in the mirror like you guys have

891
00:46:29,800 --> 00:46:32,040
Speaker 7: me like shooting a gun straight down the lens of

892
00:46:32,080 --> 00:46:34,560
Speaker 7: camera in this episode, I think people can tell I'm

893
00:46:34,560 --> 00:46:38,600
Speaker 7: pretty upset, Like I don't know if we needed avenge

894
00:46:38,760 --> 00:46:39,600
Speaker 7: and payback.

895
00:46:39,760 --> 00:46:41,720
Speaker 3: She likes to write on walls. I'm down.

896
00:46:42,280 --> 00:46:44,239
Speaker 6: I just thought it was so cheesy.

897
00:46:44,520 --> 00:46:46,360
Speaker 5: Did you have to stand there while they set that

898
00:46:46,400 --> 00:46:48,960
Speaker 5: shot up? Because how else did they how else did

899
00:46:49,000 --> 00:46:50,359
Speaker 5: they circle the bruises.

900
00:46:50,040 --> 00:46:51,120
Speaker 3: In the right place and all that?

901
00:46:52,840 --> 00:46:53,800
Speaker 6: Yeah, I must have.

902
00:46:53,960 --> 00:46:55,960
Speaker 7: I must have stood there for the shapes. And then

903
00:46:55,960 --> 00:46:58,920
Speaker 7: they like drew in the words while I attempted not

904
00:46:59,080 --> 00:47:02,960
Speaker 7: to expire from embarrassment, and then we rolled.

905
00:47:03,160 --> 00:47:05,480
Speaker 3: You commit it to it, I realize it.

906
00:47:05,920 --> 00:47:08,720
Speaker 7: It's your point, Robbie. Paul Johansson is a good team captain.

907
00:47:08,800 --> 00:47:10,920
Speaker 7: He's like, you got to commit. You don't have to

908
00:47:11,040 --> 00:47:12,400
Speaker 7: like it, but you have to commit.

909
00:47:12,520 --> 00:47:13,720
Speaker 6: And I was like, oh man.

910
00:47:13,560 --> 00:47:15,640
Speaker 1: This is all just so hilarious to be the look

911
00:47:15,640 --> 00:47:17,680
Speaker 1: at your face when she started talking about the.

912
00:47:17,640 --> 00:47:20,839
Speaker 6: Same I knew. I was like, oh God, here we go.

913
00:47:20,920 --> 00:47:21,799
Speaker 6: It's just like.

914
00:47:23,360 --> 00:47:26,200
Speaker 7: And I get that not everything can be the best,

915
00:47:26,840 --> 00:47:31,160
Speaker 7: not every scene can be the best scene. But sometimes

916
00:47:31,160 --> 00:47:33,480
Speaker 7: I'm just like, we're so much better than this.

917
00:47:34,239 --> 00:47:37,359
Speaker 6: This is what we're doing. This whole episode is so good,

918
00:47:37,400 --> 00:47:39,200
Speaker 6: and this feels this feels.

919
00:47:40,400 --> 00:47:42,160
Speaker 3: Yeah, it was. It was a bit of a stretch.

920
00:47:42,200 --> 00:47:43,560
Speaker 3: It was a little bit of a stretch.

921
00:47:44,400 --> 00:47:45,439
Speaker 1: That's hilarious.

922
00:47:45,680 --> 00:47:49,200
Speaker 6: I didn't love it, but I committed, so.

923
00:47:51,040 --> 00:47:55,000
Speaker 7: Really, you know what, I will say though, because I

924
00:47:55,040 --> 00:47:57,880
Speaker 7: really do think, like jokes aside about how embarrassed I was,

925
00:47:58,360 --> 00:48:02,960
Speaker 7: there was so much that was so subtle in this episode.

926
00:48:03,160 --> 00:48:07,919
Speaker 7: Like I have so many notes about things like the

927
00:48:07,960 --> 00:48:11,279
Speaker 7: ease you see between Lucas and Peyton, Like there's a

928
00:48:11,480 --> 00:48:15,520
Speaker 7: gentleness between Hillary and Chad that is so beautiful in

929
00:48:15,600 --> 00:48:21,480
Speaker 7: this episode. There is a there is a quiet you

930
00:48:21,520 --> 00:48:23,520
Speaker 7: need it, and there's like there's a quiet to the

931
00:48:23,600 --> 00:48:27,480
Speaker 7: hurt that you see people expressing. Like Antoine's entire performance

932
00:48:27,480 --> 00:48:31,440
Speaker 7: in this episode is so beautiful. It's reserved and it's

933
00:48:31,480 --> 00:48:34,719
Speaker 7: honest and it's heart broken. And when it cuts to

934
00:48:34,840 --> 00:48:37,120
Speaker 7: him in another you know, eighth of a page moment

935
00:48:37,880 --> 00:48:41,719
Speaker 7: standing in the gym alone on the logo, crying, Like

936
00:48:41,880 --> 00:48:45,719
Speaker 7: everything in the episode was so subtle and beautiful, and

937
00:48:45,760 --> 00:48:50,200
Speaker 7: I think maybe that's why my like face art stood out.

938
00:48:50,280 --> 00:48:51,759
Speaker 6: I was like, this isn't subtle.

939
00:48:51,560 --> 00:48:54,160
Speaker 3: Mad lips face, lipstick face, Lik's not we.

940
00:48:54,080 --> 00:48:55,520
Speaker 6: Don't need to do this, it's too much.

941
00:48:56,040 --> 00:48:59,600
Speaker 7: Everything is so gentle and so beautiful in this whole script.

942
00:49:00,000 --> 00:49:02,560
Speaker 5: Wich one was great, by the way, Like that was

943
00:49:02,600 --> 00:49:05,000
Speaker 5: so great, and that's in my notes too. He really

944
00:49:05,120 --> 00:49:07,359
Speaker 5: nailed it and he doesn't get a chance in our

945
00:49:07,400 --> 00:49:10,120
Speaker 5: show to be emotional. Very often. He's one of the

946
00:49:10,120 --> 00:49:13,440
Speaker 5: comic relief guys. He's relied upon to come in with

947
00:49:13,520 --> 00:49:17,720
Speaker 5: some sincere advice on occasion, and also be funny.

948
00:49:18,200 --> 00:49:19,520
Speaker 3: So yeah, this felt.

949
00:49:19,239 --> 00:49:22,520
Speaker 5: Great to see him just be allowed to express himself

950
00:49:22,520 --> 00:49:23,120
Speaker 5: in a new way.

951
00:49:23,719 --> 00:49:26,840
Speaker 7: I mean when under his breath he said to Chad,

952
00:49:26,880 --> 00:49:31,080
Speaker 7: how does a mother ever breathe again? Oh yeah, it

953
00:49:31,360 --> 00:49:33,440
Speaker 7: sucker punched me right in the heart. I was like, no,

954
00:49:33,600 --> 00:49:34,120
Speaker 7: it hurts.

955
00:49:34,160 --> 00:49:38,279
Speaker 6: I can't me too. It's just beautiful. He was beautiful.

956
00:49:38,680 --> 00:49:41,200
Speaker 5: Okay, I'm going to take a poll, though. It's deb

957
00:49:41,840 --> 00:49:48,040
Speaker 5: walking over to skills in the funeral, Yes, what do

958
00:49:48,120 --> 00:49:50,319
Speaker 5: we think about this? What do we think about this?

959
00:49:50,719 --> 00:49:56,880
Speaker 3: Yes or no? Is it appropriate or is it not?

960
00:49:57,560 --> 00:49:58,279
Speaker 6: Here's the thing.

961
00:49:58,560 --> 00:50:02,480
Speaker 7: As a human Robbie is dying, you want to hold

962
00:50:02,520 --> 00:50:03,359
Speaker 7: the person you love.

963
00:50:04,120 --> 00:50:05,600
Speaker 6: Yes, as a human.

964
00:50:07,600 --> 00:50:13,399
Speaker 7: Who is having sex with her, I feel like it's

965
00:50:13,440 --> 00:50:15,280
Speaker 7: not the moment hold your son.

966
00:50:18,480 --> 00:50:20,080
Speaker 6: I was like, this is when you're gonna reveal.

967
00:50:20,560 --> 00:50:22,040
Speaker 1: I thin it out loud.

968
00:50:22,040 --> 00:50:25,440
Speaker 3: You said, big reveal. I mean, like everybody can't be perfect.

969
00:50:25,560 --> 00:50:28,799
Speaker 5: I loved it for our show and for storyline purposes, and.

970
00:50:28,719 --> 00:50:30,040
Speaker 3: For the drama.

971
00:50:30,600 --> 00:50:35,279
Speaker 5: Yes, it had to happen, but cringe.

972
00:50:39,040 --> 00:50:41,319
Speaker 3: I just had to bring it up. I had to.

973
00:50:41,640 --> 00:50:44,440
Speaker 5: You see her like look over at skills and we

974
00:50:44,560 --> 00:50:46,520
Speaker 5: both just went oh no.

975
00:50:47,120 --> 00:50:49,239
Speaker 7: And then not only she didn't just like go put

976
00:50:49,239 --> 00:50:51,600
Speaker 7: her arm around him, she put her arm under his

977
00:50:51,640 --> 00:50:53,560
Speaker 7: shoulder and then she put her other arm around her

978
00:50:53,719 --> 00:50:57,640
Speaker 7: tummy snuggled like the lower tummy touch is so intimate.

979
00:51:00,680 --> 00:51:10,080
Speaker 1: Who loves not right, I've never recalled that before. That's brilliant.

980
00:51:11,280 --> 00:51:19,360
Speaker 3: Yeah, mee y.

981
00:51:20,560 --> 00:51:23,040
Speaker 5: I don't have anything else except Jamie is the most

982
00:51:23,040 --> 00:51:25,680
Speaker 5: advanced five year old ever. That's all that I have

983
00:51:25,760 --> 00:51:28,120
Speaker 5: here sewing a cape.

984
00:51:29,040 --> 00:51:29,640
Speaker 3: Yeah, I know, right.

985
00:51:29,680 --> 00:51:32,000
Speaker 5: I think he was eight twelve. I think he was eight.

986
00:51:32,440 --> 00:51:34,640
Speaker 5: He probably should have been. He had to be five

987
00:51:34,680 --> 00:51:36,839
Speaker 5: for the timeline of the show. But I never met

988
00:51:36,840 --> 00:51:38,320
Speaker 5: a five year old that was making those kinds of

989
00:51:38,440 --> 00:51:40,280
Speaker 5: decisions and having those conversations.

990
00:51:40,480 --> 00:51:44,000
Speaker 7: I'm advocating for himself to go to the funeral and dressing.

991
00:51:43,760 --> 00:51:45,000
Speaker 3: Himself in his little suit.

992
00:51:45,280 --> 00:51:48,520
Speaker 7: Oh man, the crooked tie ruined me. I was like, okay,

993
00:51:48,560 --> 00:51:48,960
Speaker 7: I'm done.

994
00:51:49,960 --> 00:51:54,440
Speaker 1: He can. The way the way they wrote him processing

995
00:51:54,480 --> 00:51:57,319
Speaker 1: all of this was so good. It was like he

996
00:51:57,440 --> 00:52:00,919
Speaker 1: just was trying to like continue on, Oh, he's gonna

997
00:52:00,960 --> 00:52:03,680
Speaker 1: love this cape, blah blah blah. And then when he

998
00:52:03,920 --> 00:52:06,080
Speaker 1: just drops it on the oh.

999
00:52:05,760 --> 00:52:09,200
Speaker 6: My gosh, it's a heartbreak.

1000
00:52:09,080 --> 00:52:14,200
Speaker 1: Drops it on the basket, You're just like, oh my heart.

1001
00:52:15,120 --> 00:52:17,200
Speaker 3: Yeah, yeah, well, I love that.

1002
00:52:17,200 --> 00:52:19,239
Speaker 5: That's the thing that sent Brooke over the edge too.

1003
00:52:19,320 --> 00:52:22,719
Speaker 5: It was like, finally she broke and could really saw that,

1004
00:52:23,520 --> 00:52:25,360
Speaker 5: which we've been waiting for, been holding our breath for

1005
00:52:25,400 --> 00:52:26,440
Speaker 5: like three episodes for that.

1006
00:52:26,960 --> 00:52:27,880
Speaker 6: Yeah.

1007
00:52:27,960 --> 00:52:30,799
Speaker 7: Well, And I think when you are when you are

1008
00:52:30,840 --> 00:52:34,680
Speaker 7: in that state, when you're experiencing, you've experienced trauma and

1009
00:52:34,760 --> 00:52:40,160
Speaker 7: you are dissociating, it often can't be your own thing

1010
00:52:40,400 --> 00:52:42,560
Speaker 7: that puts you back in your feelings. It's something you

1011
00:52:42,600 --> 00:52:44,240
Speaker 7: witness another person go through.

1012
00:52:45,239 --> 00:52:45,720
Speaker 3: That's true.

1013
00:52:45,760 --> 00:52:50,919
Speaker 7: And oh boy, like the way that it cracked her

1014
00:52:51,200 --> 00:52:54,239
Speaker 7: in the story, it really it did to me.

1015
00:52:54,280 --> 00:52:55,200
Speaker 6: It did it to me today.

1016
00:52:55,280 --> 00:52:58,160
Speaker 7: The minute he opened that little box, I was like

1017
00:52:58,239 --> 00:52:59,680
Speaker 7: here go, oh god it.

1018
00:52:59,680 --> 00:53:01,960
Speaker 6: I was sobbing. It's like it's so.

1019
00:53:03,560 --> 00:53:04,480
Speaker 5: It's so intense.

1020
00:53:04,960 --> 00:53:09,839
Speaker 7: It's just such a pure moment. And yeah, we were

1021
00:53:10,000 --> 00:53:13,120
Speaker 7: we were so honest about grief in this episode. And

1022
00:53:13,160 --> 00:53:16,880
Speaker 7: I think it's probably why everybody always cries because it's

1023
00:53:17,880 --> 00:53:20,520
Speaker 7: it's impossible to sit with this with this little boy

1024
00:53:20,640 --> 00:53:23,080
Speaker 7: and not sit with your own emotion.

1025
00:53:23,600 --> 00:53:26,200
Speaker 5: Right, how old are your kids again?

1026
00:53:27,160 --> 00:53:27,520
Speaker 1: And five?

1027
00:53:27,840 --> 00:53:28,520
Speaker 3: Two and five?

1028
00:53:28,719 --> 00:53:30,879
Speaker 5: I mean, as you've got a five year old, you've

1029
00:53:30,920 --> 00:53:33,400
Speaker 5: got somebody who's supposed to be Jamie's age right now.

1030
00:53:33,760 --> 00:53:36,319
Speaker 1: I know, And I'm just like, imagine her trying to

1031
00:53:36,360 --> 00:53:39,600
Speaker 1: process some grief right now. I try to keep it

1032
00:53:39,880 --> 00:53:42,120
Speaker 1: so far away from if we have anything that that

1033
00:53:42,200 --> 00:53:45,400
Speaker 1: pops up like that. Yeah, she's not going to go

1034
00:53:45,440 --> 00:53:48,040
Speaker 1: to the funeral. I'll just go, you know. I mean, yeah,

1035
00:53:49,000 --> 00:53:50,400
Speaker 1: she doesn't need to be dealing with that kind of

1036
00:53:50,440 --> 00:53:51,200
Speaker 1: stuff right now.

1037
00:53:51,280 --> 00:53:55,360
Speaker 5: So yeah, oh yeah. That was another thing Nathan with

1038
00:53:55,400 --> 00:54:01,799
Speaker 5: the flashback of the funeral with his grandfather and Dan

1039
00:54:01,920 --> 00:54:04,680
Speaker 5: talking about what a crazy story.

1040
00:54:05,000 --> 00:54:06,440
Speaker 3: I don't have anything to say about it. I just

1041
00:54:06,560 --> 00:54:07,799
Speaker 3: it was on my mind, that's all.

1042
00:54:08,000 --> 00:54:08,680
Speaker 6: Yeah.

1043
00:54:08,840 --> 00:54:11,320
Speaker 7: That was one of those other moments where you were like, huh,

1044
00:54:11,440 --> 00:54:12,880
Speaker 7: interesting choice in this episode.

1045
00:54:13,120 --> 00:54:14,719
Speaker 5: We needed to do that, and I feel like there

1046
00:54:14,719 --> 00:54:17,520
Speaker 5: was time we could have spent other places, But okay,

1047
00:54:18,239 --> 00:54:20,240
Speaker 5: I would have much rather seen a flashback of Quinton.

1048
00:54:21,080 --> 00:54:24,880
Speaker 1: Yeah, did we even see him at all in the episode?

1049
00:54:24,960 --> 00:54:25,320
Speaker 9: No?

1050
00:54:25,320 --> 00:54:28,120
Speaker 6: No, no, just photos of you. It was just photos

1051
00:54:28,120 --> 00:54:29,000
Speaker 6: of you with your family.

1052
00:54:29,440 --> 00:54:33,840
Speaker 7: What I did love was getting to finally meet Quinton's

1053
00:54:33,840 --> 00:54:34,400
Speaker 7: little brother.

1054
00:54:35,080 --> 00:54:37,560
Speaker 3: That kid was so cute and he was so sweet

1055
00:54:37,560 --> 00:54:40,640
Speaker 3: and good. I said to remember what a sweetest was.

1056
00:54:41,120 --> 00:54:42,440
Speaker 6: Just a sweet little angel.

1057
00:54:42,520 --> 00:54:46,600
Speaker 7: And the connection between him and Jackson, Yeah, was so

1058
00:54:46,680 --> 00:54:50,160
Speaker 7: special because you got to see these kids figure it

1059
00:54:50,200 --> 00:54:54,640
Speaker 7: out a little bit together. And oh my god, when

1060
00:54:54,680 --> 00:54:56,520
Speaker 7: your little brother got up and took your place in

1061
00:54:56,560 --> 00:54:58,200
Speaker 7: the line with the team and put your jersey up,

1062
00:54:58,239 --> 00:54:59,959
Speaker 7: I saw, I just ugly cried.

1063
00:55:00,080 --> 00:55:03,600
Speaker 6: I was like, I gotta go, oh oh yeah, beautiful.

1064
00:55:03,880 --> 00:55:06,600
Speaker 7: Yeah, all the little details were really beautiful.

1065
00:55:06,880 --> 00:55:08,920
Speaker 1: And I had met that little boy. I met all

1066
00:55:08,960 --> 00:55:11,960
Speaker 1: of them, Don and the little brother and all that stuff. Yeah,

1067
00:55:12,000 --> 00:55:15,440
Speaker 1: and I was like to see this little boy doing that.

1068
00:55:15,760 --> 00:55:18,239
Speaker 1: What wow?

1069
00:55:18,960 --> 00:55:21,439
Speaker 5: And that little boy's what I remember the most about

1070
00:55:21,440 --> 00:55:23,960
Speaker 5: this episode, besides standing at the grave side.

1071
00:55:24,360 --> 00:55:26,480
Speaker 1: He's a grown man now. It will be really interesting

1072
00:55:26,520 --> 00:55:28,400
Speaker 1: to see if he remembers any of this stuff.

1073
00:55:40,800 --> 00:55:44,600
Speaker 7: Okay, So Jessica's question is really good and so on

1074
00:55:44,719 --> 00:55:46,880
Speaker 7: topic and it's actually for you and me.

1075
00:55:47,000 --> 00:55:47,239
Speaker 1: Joy.

1076
00:55:47,360 --> 00:55:49,840
Speaker 7: She says, do you remember how Jackson handled the filming

1077
00:55:49,880 --> 00:55:54,239
Speaker 7: of Quentin's funeral as his character's mom and godmother, How

1078
00:55:54,239 --> 00:55:56,760
Speaker 7: did you two walk him through the weight of this episode?

1079
00:55:56,760 --> 00:55:58,680
Speaker 7: It feels like a lot to handle for a young kid.

1080
00:55:58,840 --> 00:56:01,400
Speaker 1: Mmm, it's a great question.

1081
00:56:01,600 --> 00:56:03,839
Speaker 6: I do think it's important to touch on something. We

1082
00:56:03,840 --> 00:56:05,560
Speaker 6: were just speaking about that.

1083
00:56:05,680 --> 00:56:09,040
Speaker 7: Even though Jamie is five, Jackson was eight or nine

1084
00:56:09,120 --> 00:56:14,839
Speaker 7: years old by this point. Yes, so he was much more.

1085
00:56:15,000 --> 00:56:17,359
Speaker 7: He had many more years under his belt of sort

1086
00:56:17,400 --> 00:56:22,880
Speaker 7: of awareness. And I think, honestly, you know, we really

1087
00:56:22,960 --> 00:56:26,000
Speaker 7: deferred to his mom at this point. It was like,

1088
00:56:26,040 --> 00:56:27,839
Speaker 7: how do you want us to talk to him about this?

1089
00:56:27,880 --> 00:56:31,000
Speaker 7: Should we just make set fun? You know, she really

1090
00:56:31,040 --> 00:56:35,239
Speaker 7: had to talk to him about what wasn't real, but

1091
00:56:35,360 --> 00:56:38,400
Speaker 7: what was being represented and why it deserved reverence and

1092
00:56:38,480 --> 00:56:41,080
Speaker 7: respect but didn't have to really be sad.

1093
00:56:41,560 --> 00:56:43,800
Speaker 6: Yeah, so he feels important.

1094
00:56:43,840 --> 00:56:47,319
Speaker 5: I think that's absolutely right. And he was also at

1095
00:56:47,360 --> 00:56:49,920
Speaker 5: an age where he was already watching. He was watching movies,

1096
00:56:49,960 --> 00:56:52,080
Speaker 5: and he was you know, he was seeing you know,

1097
00:56:52,320 --> 00:56:55,000
Speaker 5: there's a lot of stuff that like a seven eight

1098
00:56:55,080 --> 00:56:57,520
Speaker 5: year old boys are watching that where you see people die,

1099
00:56:57,719 --> 00:56:59,719
Speaker 5: you see people sad and grieving and all this kind

1100
00:56:59,760 --> 00:57:02,640
Speaker 5: of stuf that are it's probably more action movies and stuff,

1101
00:57:02,680 --> 00:57:05,399
Speaker 5: but I think he's still had experienced watching a lot

1102
00:57:05,400 --> 00:57:07,640
Speaker 5: of that, so I felt like he was just mimicking

1103
00:57:07,800 --> 00:57:11,279
Speaker 5: and doing his best based on what he had seen,

1104
00:57:11,360 --> 00:57:15,319
Speaker 5: and he did a great job. And but I don't

1105
00:57:15,400 --> 00:57:17,440
Speaker 5: I think set was kind of fun. I know he

1106
00:57:17,520 --> 00:57:20,840
Speaker 5: missed you, Robbie. I know he really was upset that

1107
00:57:20,920 --> 00:57:27,480
Speaker 5: you were gone. He was, Yeah, I don't know that

1108
00:57:27,600 --> 00:57:32,640
Speaker 5: he was. He wasn't like sad, crying upset, like this

1109
00:57:32,800 --> 00:57:35,160
Speaker 5: is real. I think it was just like he was

1110
00:57:35,280 --> 00:57:38,760
Speaker 5: super bummed that you guys got on, Like he had

1111
00:57:38,760 --> 00:57:40,439
Speaker 5: so much fun with you, and it was like, well,

1112
00:57:41,240 --> 00:57:43,320
Speaker 5: I'm here, I am making friends. It was like probably

1113
00:57:43,360 --> 00:57:46,280
Speaker 5: the first introduction to one of the hardest parts of

1114
00:57:46,320 --> 00:57:49,640
Speaker 5: this industry, which is make friends go away, make new

1115
00:57:49,680 --> 00:57:52,600
Speaker 5: friends go away, make new friends go away. That's hard

1116
00:57:52,880 --> 00:57:55,560
Speaker 5: and for a kid to have to get introduced to that,

1117
00:57:55,600 --> 00:57:58,960
Speaker 5: it's just tough. So yeah, I know he was upset

1118
00:57:59,000 --> 00:58:02,360
Speaker 5: about that, But in terms of the weight and the

1119
00:58:02,400 --> 00:58:06,840
Speaker 5: heaviness of the storyline, I think it felt like probably

1120
00:58:06,840 --> 00:58:09,080
Speaker 5: in every other day on set thing, he was just

1121
00:58:09,840 --> 00:58:11,200
Speaker 5: doing what he doing.

1122
00:58:11,200 --> 00:58:13,120
Speaker 3: What he did was being an actor.

1123
00:58:13,600 --> 00:58:17,440
Speaker 7: And I think because he'd been with us for a

1124
00:58:17,440 --> 00:58:23,000
Speaker 7: whole year at this point. He got so good at

1125
00:58:23,200 --> 00:58:27,040
Speaker 7: mirroring energy. So when scenes were playful and we'd play

1126
00:58:27,080 --> 00:58:29,240
Speaker 7: with him, like when you guys would dance in the gym,

1127
00:58:29,680 --> 00:58:32,480
Speaker 7: he was ready to play. And if everyone was serious,

1128
00:58:32,600 --> 00:58:35,120
Speaker 7: he knew he was also supposed to be serious. Yeah,

1129
00:58:35,760 --> 00:58:39,440
Speaker 7: And I think that made it easier for him. I

1130
00:58:39,440 --> 00:58:43,360
Speaker 7: would have probably been a little not worried, but like

1131
00:58:43,880 --> 00:58:47,800
Speaker 7: more concerned if this had been his third episode ever.

1132
00:58:48,040 --> 00:58:50,200
Speaker 7: But it was his third episode of his second season.

1133
00:58:50,280 --> 00:58:53,240
Speaker 7: He was so practiced with us by then that I

1134
00:58:53,280 --> 00:58:56,080
Speaker 7: think the sort of safety of our on set family

1135
00:58:56,120 --> 00:58:58,720
Speaker 7: also was really helpful. And you know, his mom was

1136
00:58:58,760 --> 00:59:01,480
Speaker 7: around every day, so he had a lot of people

1137
00:59:01,520 --> 00:59:03,640
Speaker 7: to go to and talk to and process with and

1138
00:59:03,760 --> 00:59:04,840
Speaker 7: answer his questions.

1139
00:59:05,320 --> 00:59:07,240
Speaker 6: It's a really good question though, Thank you, Jessica.

1140
00:59:07,400 --> 00:59:08,480
Speaker 3: Thanks Jessica.

1141
00:59:08,680 --> 00:59:10,880
Speaker 6: Yeah. Should we spin a wheel? Should we end on

1142
00:59:10,920 --> 00:59:11,520
Speaker 6: a high note?

1143
00:59:11,800 --> 00:59:12,040
Speaker 3: Yes?

1144
00:59:12,160 --> 00:59:15,720
Speaker 7: Please, Robbie, you didn't get to do this with us

1145
00:59:15,760 --> 00:59:18,560
Speaker 7: last time. We like to do we spin a wheel

1146
00:59:18,600 --> 00:59:21,040
Speaker 7: every week and we figure out what you're most likely.

1147
00:59:20,920 --> 00:59:23,600
Speaker 5: Too is well, you know high school yearbook, like, most

1148
00:59:23,640 --> 00:59:26,200
Speaker 5: likely to succeed, most likely to open up a business

1149
00:59:26,240 --> 00:59:27,160
Speaker 5: in a small town.

1150
00:59:27,000 --> 00:59:30,520
Speaker 7: Who is most likely to you read it, most likely

1151
00:59:30,560 --> 00:59:35,240
Speaker 7: to go skinny dipping at a hotel? Okay, so what

1152
00:59:35,400 --> 00:59:39,600
Speaker 7: character do you think and what actual cast member do

1153
00:59:39,640 --> 00:59:40,040
Speaker 7: you think?

1154
00:59:40,120 --> 00:59:40,720
Speaker 6: We do both?

1155
00:59:40,840 --> 00:59:45,680
Speaker 1: Oh oh ah? What's character do I think it's most

1156
00:59:45,760 --> 00:59:47,840
Speaker 1: likely to go skinny dipping in an hotel? And which

1157
00:59:48,080 --> 00:59:51,000
Speaker 1: cast member I think it's most likely to go skinney

1158
00:59:51,040 --> 00:59:55,600
Speaker 1: dipper at a hotel? That is a great one. Okay,

1159
00:59:55,920 --> 00:59:57,600
Speaker 1: I love it. You let my wheels turn.

1160
00:59:57,920 --> 00:59:58,920
Speaker 3: Are you making that Facebook?

1161
00:59:58,920 --> 00:59:59,600
Speaker 6: Because it's you?

1162
00:59:59,600 --> 01:00:05,800
Speaker 1: No, but definitely quin and you look like you have.

1163
01:00:05,800 --> 01:00:07,840
Speaker 6: A cute secret and I can't wait to hear what

1164
01:00:07,880 --> 01:00:08,200
Speaker 6: it is.

1165
01:00:08,240 --> 01:00:11,840
Speaker 1: Oh well, well, always have a little something.

1166
01:00:12,480 --> 01:00:14,040
Speaker 3: Okay, all right, what character do we think?

1167
01:00:14,680 --> 01:00:17,520
Speaker 1: The character that I think that will be most likely

1168
01:00:17,800 --> 01:00:25,480
Speaker 1: to go skinny dipping at a hotel is crazy Nanny Torrie, okay,

1169
01:00:25,760 --> 01:00:29,600
Speaker 1: Nanny Carrey, I put all her names together, Nanny Carey.

1170
01:00:29,640 --> 01:00:31,040
Speaker 1: I think she would do it in a heartbeat.

1171
01:00:32,200 --> 01:00:37,840
Speaker 3: Or Barbara Barbara in real life. Yeah, that is I

1172
01:00:37,960 --> 01:00:43,320
Speaker 3: was gonna say deb I was too. I don't I

1173
01:00:43,320 --> 01:00:43,640
Speaker 3: don't know.

1174
01:00:43,640 --> 01:00:45,240
Speaker 5: I don't know if Barba would go skinny dipping in

1175
01:00:45,280 --> 01:00:46,760
Speaker 5: a hotel, but maybe she would.

1176
01:00:47,040 --> 01:00:48,919
Speaker 1: I feel like she would she gives those mones.

1177
01:00:49,000 --> 01:00:52,120
Speaker 7: Y'all, here's what I'm going to say. I mean, Robbie,

1178
01:00:52,600 --> 01:00:55,520
Speaker 7: you are one of our favorite family men. But for

1179
01:00:55,600 --> 01:00:59,400
Speaker 7: your friends over here who've been divorced, like, Phase two

1180
01:00:59,600 --> 01:01:03,080
Speaker 7: is always a little wild. If Barbara is in, Barbara

1181
01:01:03,160 --> 01:01:05,480
Speaker 7: is in the sexiest Phase two I've ever seen a

1182
01:01:05,560 --> 01:01:08,760
Speaker 7: human be in. So like, if phase two Barbara is

1183
01:01:08,800 --> 01:01:09,840
Speaker 7: down to skinny.

1184
01:01:09,520 --> 01:01:12,280
Speaker 6: Dip, like I'm not I'm not like a naked person.

1185
01:01:12,640 --> 01:01:15,120
Speaker 7: But if Barbara was like, we're going skinny dipping, I'd

1186
01:01:15,120 --> 01:01:16,800
Speaker 7: be like, get let's go.

1187
01:01:17,000 --> 01:01:17,880
Speaker 6: Like I would do.

1188
01:01:17,880 --> 01:01:20,680
Speaker 7: Anything that woman told me at this point. So like

1189
01:01:20,760 --> 01:01:22,640
Speaker 7: all thats are off, I don't know what to say.

1190
01:01:22,760 --> 01:01:23,479
Speaker 3: It's so good.

1191
01:01:24,120 --> 01:01:27,360
Speaker 5: I gotta tell you, though, Guys, I really think in

1192
01:01:27,440 --> 01:01:30,880
Speaker 5: real life the person who would actually go skinny dipping

1193
01:01:30,880 --> 01:01:32,880
Speaker 5: in a hotel is Moira Kelly.

1194
01:01:34,800 --> 01:01:35,440
Speaker 6: I love that.

1195
01:01:35,640 --> 01:01:37,080
Speaker 3: I really believe that.

1196
01:01:37,720 --> 01:01:38,960
Speaker 6: I love that answer.

1197
01:01:39,720 --> 01:01:42,720
Speaker 7: She's a sleeper hit. She didn't expend it, but then

1198
01:01:42,760 --> 01:01:43,400
Speaker 7: it tracks.

1199
01:01:43,680 --> 01:01:46,800
Speaker 5: She's so fun though she loves to party, she loves

1200
01:01:46,840 --> 01:01:49,480
Speaker 5: to have fun. She just is like she keeps it

1201
01:01:49,520 --> 01:01:53,280
Speaker 5: all under wraps. But I one thousand percent see her

1202
01:01:53,400 --> 01:01:55,200
Speaker 5: at two o'clock in the morning, being like.

1203
01:01:55,200 --> 01:01:58,760
Speaker 3: Come on, come on, let's go. Come on, nobody's gonna see.

1204
01:01:58,760 --> 01:01:59,720
Speaker 3: That's good, being like.

1205
01:01:59,680 --> 01:02:02,000
Speaker 7: Look, all the windows are dark, no one will see us,

1206
01:02:02,120 --> 01:02:06,840
Speaker 7: and if they do, who cares.

1207
01:02:07,200 --> 01:02:08,080
Speaker 6: I love it.

1208
01:02:09,280 --> 01:02:11,960
Speaker 3: Thank you for joining us, Robbie. This was amazing.

1209
01:02:12,520 --> 01:02:15,040
Speaker 1: Thank you, Thank you, Honny. This is great, This is beautiful.

1210
01:02:15,080 --> 01:02:18,400
Speaker 7: You are such a treat and thank you, you know,

1211
01:02:18,560 --> 01:02:21,600
Speaker 7: for our friends at home. We are recording this episode

1212
01:02:21,680 --> 01:02:25,920
Speaker 7: the day before Thanksgiving, as happens when people live all

1213
01:02:25,960 --> 01:02:28,800
Speaker 7: over the country and have children to wrangle. Hillary had

1214
01:02:29,320 --> 01:02:32,520
Speaker 7: a kid upside down moment and had to run and

1215
01:02:32,560 --> 01:02:34,880
Speaker 7: fill in for something going on on the East Coast,

1216
01:02:35,400 --> 01:02:37,720
Speaker 7: and we called Robbie and we're like, hey, what are

1217
01:02:37,720 --> 01:02:39,560
Speaker 7: you doing in five minutes? Do you want to get

1218
01:02:39,560 --> 01:02:41,200
Speaker 7: on a zoom with us and be our third co

1219
01:02:41,280 --> 01:02:44,520
Speaker 7: host today? And this sweet angel of a man said yes.

1220
01:02:44,720 --> 01:02:47,760
Speaker 7: So thank you for not only being the best human,

1221
01:02:47,840 --> 01:02:50,600
Speaker 7: but like for always showing up when your people need you.

1222
01:02:50,720 --> 01:02:51,760
Speaker 6: It's always a joy.

1223
01:02:52,080 --> 01:02:53,640
Speaker 1: Thank you for having me, and I appreciate you.

1224
01:02:55,240 --> 01:02:56,880
Speaker 3: We love you, We love you.

1225
01:02:57,800 --> 01:03:01,080
Speaker 1: This was such a pleasure, so much. Always great see

1226
01:03:01,160 --> 01:03:01,960
Speaker 1: your faces.

1227
01:03:02,160 --> 01:03:02,920
Speaker 3: Yes, we love you.

1228
01:03:03,920 --> 01:03:08,840
Speaker 5: Next episode, Season six, episode for a Bridge Over troubled water. Yep,

1229
01:03:08,880 --> 01:03:09,680
Speaker 5: here we go again.

1230
01:03:10,120 --> 01:03:15,560
Speaker 3: Thanks. Thanks, have a good one. Hey, thanks for listening.

1231
01:03:15,680 --> 01:03:17,040
Speaker 6: Don't forget to leave us a review.

1232
01:03:17,320 --> 01:03:20,440
Speaker 7: You can also follow us on Instagram at Drama Queens

1233
01:03:20,520 --> 01:03:21,440
Speaker 7: O t H.

1234
01:03:21,640 --> 01:03:25,720
Speaker 5: Or email us at Drama Queens at iHeartRadio dot com.

1235
01:03:26,040 --> 01:03:27,040
Speaker 3: See you next time.

1236
01:03:28,280 --> 01:03:31,680
Speaker 2: We all about that high school drama. Girl Drama Girl,

1237
01:03:31,720 --> 01:03:34,840
Speaker 2: all about them high school queens. We'll take you for

1238
01:03:34,960 --> 01:03:38,400
Speaker 2: a ride at our comic Girl Cheering for the right teams,

1239
01:03:38,440 --> 01:03:41,560
Speaker 2: Drama Queens up Girl Fashion.

1240
01:03:41,600 --> 01:03:42,520
Speaker 6: What's your tough girl?

1241
01:03:42,600 --> 01:03:43,280
Speaker 3: You could sit with

1242
01:03:43,360 --> 01:03:47,320
Speaker 5: Us Girl Drama Queens, Drama, Queise Drama, Queens Drama, Drama,

1243
01:03:47,360 --> 01:03:49,360
Speaker 5: Queens Drama, Queens