1 00:00:00,960 --> 00:00:04,080 Speaker 1: Springtime tips and fun facts from Paul Kristen and Dexter 2 00:00:04,280 --> 00:00:06,800 Speaker 1: at Total Wine and More. Everybody who loves honey glaze 3 00:00:06,800 --> 00:00:09,399 Speaker 1: carrots a great side dish for your springtime celebration and 4 00:00:09,440 --> 00:00:12,200 Speaker 1: a delicious compliment to a sweet, bright muscato. Wine is 5 00:00:12,240 --> 00:00:14,360 Speaker 1: made in virtually every country in the world, and I'm 6 00:00:14,360 --> 00:00:16,080 Speaker 1: ready to give you a tour to find the right 7 00:00:16,120 --> 00:00:18,520 Speaker 1: one serving lamb this season. Try it with a bold 8 00:00:18,600 --> 00:00:21,800 Speaker 1: cabernet from the trendy Apostle Robles region. Whether you're hosting 9 00:00:21,920 --> 00:00:24,239 Speaker 1: or just bring the wine we love to share are 10 00:00:24,280 --> 00:00:27,880 Speaker 1: always low prices and ridiculous selection this spring at Total 11 00:00:27,880 --> 00:00:38,360 Speaker 1: Wine and More. Cheers y'all. He's a legendary queen's rapper. 12 00:00:38,479 --> 00:00:41,639 Speaker 1: Hang Segre is your boy in. He's a Miami hip 13 00:00:41,720 --> 00:00:44,080 Speaker 1: hop pioneer. What Up is d J e f N. 14 00:00:44,240 --> 00:00:46,640 Speaker 1: Together they drink it up with some of the biggest 15 00:00:46,640 --> 00:00:49,280 Speaker 1: players in music and sport. You know, I mean, the 16 00:00:49,360 --> 00:00:53,720 Speaker 1: most professional, unprofessional podcast and your number one source for 17 00:00:53,840 --> 00:00:56,480 Speaker 1: drunk facts. This is Drinks chap Radi wh every Day 18 00:00:56,560 --> 00:01:06,880 Speaker 1: is New Year's e Just ronces. Yeah, Princess, But even 19 00:01:07,160 --> 00:01:09,759 Speaker 1: even on something like Prince Heard, You've got a Prince story, 20 00:01:10,000 --> 00:01:20,600 Speaker 1: I got several princes. Hold on all right, hold on, 21 00:01:21,040 --> 00:01:22,800 Speaker 1: we gotta set we gotta set this up, all right, 22 00:01:22,840 --> 00:01:25,920 Speaker 1: So hold on, time out here quality from just switch 23 00:01:25,959 --> 00:01:32,039 Speaker 1: it up. Yeah, we always. I'm not cutting off. I'm 24 00:01:32,200 --> 00:01:35,720 Speaker 1: actually I haven't cut him off. You just see stories. 25 00:01:36,600 --> 00:01:41,039 Speaker 1: I sweat because you know you from Brooklyn. Yes, you 26 00:01:41,120 --> 00:01:44,000 Speaker 1: had all day. You have fifteen hundred jobs before you 27 00:01:44,040 --> 00:01:48,600 Speaker 1: were sixteen hundred job. Choose one you become an m 28 00:01:48,680 --> 00:01:51,280 Speaker 1: C Prince. I don't give a funk. If you're a killer, 29 00:01:51,280 --> 00:01:53,120 Speaker 1: I don't give a funk, if you're a backpack on, 30 00:01:53,720 --> 00:01:56,520 Speaker 1: if you always Princess guard to all of us as 31 00:01:56,560 --> 00:02:00,960 Speaker 1: far as making music and art, music, creative coaches, your 32 00:02:01,120 --> 00:02:06,840 Speaker 1: finest broad YEP and your first time meeting press first 33 00:02:06,880 --> 00:02:09,440 Speaker 1: subscribed to shout to dj Q my wife. Dj Q. 34 00:02:09,960 --> 00:02:11,440 Speaker 1: I was like, I like, how you pick up your wife? 35 00:02:11,440 --> 00:02:14,160 Speaker 1: God damn high five five real ship. Let's make some 36 00:02:14,240 --> 00:02:23,919 Speaker 1: noise for that l A right. She didn't stretch, she's 37 00:02:23,960 --> 00:02:27,000 Speaker 1: she's a she's a world class famous DJ. And Prince 38 00:02:27,440 --> 00:02:30,920 Speaker 1: got to liking her DJ skills. She became alec your 39 00:02:30,960 --> 00:02:33,640 Speaker 1: wife work with Prince. This is not starting out. This 40 00:02:33,720 --> 00:02:36,320 Speaker 1: is not starting out good. I'm not gonna lie. I'm 41 00:02:36,320 --> 00:02:38,800 Speaker 1: a jealous guy, Prince. You I listened, Prince, you gotta 42 00:02:38,840 --> 00:02:41,440 Speaker 1: get the funk away. My wife is not doing your 43 00:02:42,480 --> 00:02:47,720 Speaker 1: I'm sorry, stopped doing your hold up, Prince, I'm sorry. No, 44 00:02:47,840 --> 00:02:50,000 Speaker 1: she was DJ and his parties. You know what. And 45 00:02:50,000 --> 00:02:51,680 Speaker 1: by this time when I met Prince, the first time 46 00:02:51,680 --> 00:02:53,480 Speaker 1: met Prince was maybe a house of blues l a. 47 00:02:54,040 --> 00:02:56,240 Speaker 1: She was DJ. You know he did he float? Now, 48 00:02:56,280 --> 00:02:59,840 Speaker 1: he didn't levitate to float. He didn't levitate. He had 49 00:02:59,840 --> 00:03:02,799 Speaker 1: a right back. Prince. Prince knew his hip hop when 50 00:03:02,800 --> 00:03:04,160 Speaker 1: I first met him, you know what I'm saying, Like 51 00:03:04,240 --> 00:03:05,840 Speaker 1: he knew, but he knew certain type of hip he 52 00:03:05,919 --> 00:03:09,120 Speaker 1: knew like Common, He like like Common and what I am. 53 00:03:09,200 --> 00:03:11,240 Speaker 1: And it was like he likes certain things into something. 54 00:03:11,360 --> 00:03:12,840 Speaker 1: He like hip hop and he like hip hop. That 55 00:03:12,919 --> 00:03:16,920 Speaker 1: was a little bit more like organic, saying like he 56 00:03:17,040 --> 00:03:19,960 Speaker 1: liked like Lauren Hill and you know, like Common, Like 57 00:03:20,040 --> 00:03:23,239 Speaker 1: he really liked Colmon a lot. Like he's a Common fan. 58 00:03:23,880 --> 00:03:26,520 Speaker 1: He was and and and Common is one of my favorites. 59 00:03:26,560 --> 00:03:28,360 Speaker 1: Coming with him at all. I don't know if Common 60 00:03:28,600 --> 00:03:31,160 Speaker 1: Common might have working Prince. He like Erica, but I 61 00:03:31,240 --> 00:03:33,080 Speaker 1: do a lot. You know what I'm saying, like, Prince 62 00:03:33,280 --> 00:03:36,760 Speaker 1: metc Yeah, yess yeah. So when I met him, he 63 00:03:36,760 --> 00:03:38,200 Speaker 1: said I like that. He said, like, I like that one. 64 00:03:38,240 --> 00:03:40,160 Speaker 1: So you've got hot thing. I was saying, I have 65 00:03:40,280 --> 00:03:42,040 Speaker 1: so will I am hot thing. I was on the 66 00:03:42,040 --> 00:03:44,720 Speaker 1: hook and he like, he liked, well, I am like 67 00:03:45,000 --> 00:03:47,520 Speaker 1: P's on that type of ship. Um. I started just 68 00:03:47,560 --> 00:03:49,520 Speaker 1: hanging out doing parties. You know my wife, My wife 69 00:03:49,520 --> 00:03:51,920 Speaker 1: would do parties. Prince was short up at the parties. 70 00:03:52,000 --> 00:03:54,120 Speaker 1: He was just short hold on, how does this happen? 71 00:03:54,680 --> 00:03:57,880 Speaker 1: This Prince the smoke coming when he really walks in 72 00:03:58,360 --> 00:04:01,680 Speaker 1: the basketball like yeah, no, no no, no, I'm serious walking 73 00:04:01,720 --> 00:04:04,800 Speaker 1: the party. He walking the party. You know, I went 74 00:04:04,840 --> 00:04:07,200 Speaker 1: to a party once in l A. What's that club 75 00:04:07,240 --> 00:04:10,280 Speaker 1: that's across the street from the Beverly Center. The club 76 00:04:11,760 --> 00:04:16,040 Speaker 1: that's his name is Prince walked in the club ended in. 77 00:04:16,160 --> 00:04:20,200 Speaker 1: Prince kept a bunch of us in the club and 78 00:04:20,320 --> 00:04:23,480 Speaker 1: a gun point, No not a but he's Prince. He 79 00:04:23,680 --> 00:04:27,720 Speaker 1: gave to look almost gun point, and everybody stayed. He 80 00:04:27,760 --> 00:04:33,520 Speaker 1: put on a little Bible. Wait, Prince, he he's Jehovah's witness. 81 00:04:34,200 --> 00:04:37,880 Speaker 1: Rea and Jehovah's witness. They get down like that. They Bible. 82 00:04:38,320 --> 00:04:41,599 Speaker 1: He started having Bibles today. You don't drinking three in 83 00:04:41,600 --> 00:04:44,880 Speaker 1: the morning. Was niggas drinking. There was no niggas there. 84 00:04:46,000 --> 00:04:49,279 Speaker 1: It's only women and me because my wife was DJ, 85 00:04:49,400 --> 00:04:50,960 Speaker 1: so I was the only nigger. And there was one 86 00:04:51,000 --> 00:04:53,479 Speaker 1: other dude who was a boyfriend of one of the 87 00:04:53,480 --> 00:04:56,200 Speaker 1: other girls. So it was Prince and me and this 88 00:04:56,320 --> 00:04:59,200 Speaker 1: other dude. All right, don't pass that the niggas passing 89 00:04:59,240 --> 00:05:01,200 Speaker 1: back to me. We got you, I got you. The 90 00:05:01,320 --> 00:05:05,040 Speaker 1: other dude Princes Prince was quoting, he's caughting the Bible, 91 00:05:05,560 --> 00:05:08,360 Speaker 1: and this other dude trying to say something smart. And 92 00:05:08,560 --> 00:05:11,960 Speaker 1: now this other dude is he's not with Prince. No, okay, 93 00:05:12,000 --> 00:05:13,800 Speaker 1: he just happened to be there. He tried to say 94 00:05:13,839 --> 00:05:17,560 Speaker 1: something and Prince, I'll never forget this, Prince said, Listen, Um, 95 00:05:17,640 --> 00:05:20,279 Speaker 1: I know you think that you're saying something to add 96 00:05:20,320 --> 00:05:22,920 Speaker 1: onto the conversation, but you really you know what I'm saying. 97 00:05:23,120 --> 00:05:24,440 Speaker 1: From what you're saying, I could tell you don't know 98 00:05:24,480 --> 00:05:26,839 Speaker 1: what you're talking about. So how about you just not 99 00:05:27,080 --> 00:05:31,720 Speaker 1: participating the prints about the whipping? Nika asked, but I'm 100 00:05:31,839 --> 00:05:35,080 Speaker 1: asking was He politely told him, you don't know the 101 00:05:35,120 --> 00:05:38,400 Speaker 1: funk you're talking about. Did Prince have on Hills? No, 102 00:05:38,560 --> 00:05:41,520 Speaker 1: he did not, He did not. I've been several. I've 103 00:05:41,520 --> 00:05:44,200 Speaker 1: been several clubs and print Princes had CHUCKI keep his clales, 104 00:05:44,320 --> 00:05:47,080 Speaker 1: keep going on to print stories. Then club do you 105 00:05:47,120 --> 00:05:50,360 Speaker 1: have you ever been the Zeni l A They used 106 00:05:50,400 --> 00:05:52,359 Speaker 1: had the party called Zeni. That used to happen. I 107 00:05:52,400 --> 00:05:58,080 Speaker 1: have Big Zini before Big z at two o'clock in 108 00:05:58,120 --> 00:06:01,080 Speaker 1: the morning. The clubs and l close. All right, yes, 109 00:06:01,560 --> 00:06:03,880 Speaker 1: and then the dude you to have this party called Zeni. 110 00:06:04,080 --> 00:06:06,080 Speaker 1: We rented the warehouse he used to rend the Muppet 111 00:06:06,120 --> 00:06:09,200 Speaker 1: studios Jim Henson, right, and they need to know these 112 00:06:09,240 --> 00:06:12,480 Speaker 1: types of people. I live, I come party with. I'm bad. Yeah, 113 00:06:12,720 --> 00:06:16,960 Speaker 1: I'm hanging out with big Big Bird Ernie and Bart 114 00:06:17,080 --> 00:06:19,360 Speaker 1: and bird Ship. You know what I'm saying. But he's 115 00:06:19,360 --> 00:06:21,400 Speaker 1: at these parties. But they used to bring the alcohol 116 00:06:22,040 --> 00:06:24,120 Speaker 1: and he's just set up stages, have go go dances 117 00:06:24,440 --> 00:06:26,279 Speaker 1: and all the celebrities used to go and know the 118 00:06:26,480 --> 00:06:35,000 Speaker 1: basketball players and that it wasn't I was with y'all 119 00:06:35,000 --> 00:06:37,640 Speaker 1: live in a Prince called my wife and he said, 120 00:06:37,640 --> 00:06:40,039 Speaker 1: wait the party at and we said we had ZENI yeah, 121 00:06:40,160 --> 00:06:43,000 Speaker 1: he said, I'm coming, and this nigger just rolled up. 122 00:06:43,520 --> 00:06:45,600 Speaker 1: I had the privilege of telling to promote. I said, listen, 123 00:06:47,040 --> 00:06:50,120 Speaker 1: I'm bringing Prince. I got a Justin Bieber story. When 124 00:06:50,120 --> 00:06:53,560 Speaker 1: you finish, I'm bringing Prince. I'm the hether, just Prince 125 00:06:53,720 --> 00:06:57,080 Speaker 1: going together because Justin Bieber said that what Prince the 126 00:06:57,120 --> 00:07:00,280 Speaker 1: only nigger around. No, I didn't. I don't remember that. 127 00:07:05,000 --> 00:07:08,200 Speaker 1: This great hate when to be cut us all. Like, 128 00:07:10,840 --> 00:07:13,480 Speaker 1: Prince came into Clark and the girl was dancing, and 129 00:07:13,480 --> 00:07:16,320 Speaker 1: he said, this party is great, but why is she 130 00:07:16,440 --> 00:07:18,640 Speaker 1: up there dancing with no clothes on? She was, he 131 00:07:18,680 --> 00:07:20,600 Speaker 1: had clothes on, she you know, things covered. But he 132 00:07:20,640 --> 00:07:22,280 Speaker 1: said why She just said, they don't need to be done, 133 00:07:22,320 --> 00:07:25,360 Speaker 1: you know, because this is Jehovah's Jehovah's witness, Prince. This 134 00:07:25,440 --> 00:07:27,760 Speaker 1: is not the last dragon, Prince, because this is not like, 135 00:07:28,840 --> 00:07:36,000 Speaker 1: definitely not the last. Back in the days in the eighties, 136 00:07:36,040 --> 00:07:39,040 Speaker 1: he was out of control. So I said, listen out. 137 00:07:39,120 --> 00:07:41,239 Speaker 1: He asked me to introduce him to the party promoter. 138 00:07:41,280 --> 00:07:43,040 Speaker 1: I introduced him and he said he explained to me. 139 00:07:43,240 --> 00:07:45,280 Speaker 1: He said, listen to the girls, they bring business people, 140 00:07:45,400 --> 00:07:48,760 Speaker 1: buy drinks. Prince and let me talk to her. He 141 00:07:48,840 --> 00:07:50,600 Speaker 1: tried to convert. Let me talk to her. I need 142 00:07:50,680 --> 00:07:52,880 Speaker 1: to hear this, saying the girl. He talked to a girl. 143 00:07:53,360 --> 00:07:57,760 Speaker 1: The girl didn't know who Prince was. Young chicken, Young 144 00:07:57,840 --> 00:07:59,800 Speaker 1: Chicken dance in the club. She might have heard the name. 145 00:08:00,920 --> 00:08:04,040 Speaker 1: She didn't know. She's going to die to night. This 146 00:08:04,240 --> 00:08:07,679 Speaker 1: is a long time ago. The whole story, the old story. 147 00:08:09,440 --> 00:08:13,240 Speaker 1: She turned, he said. He said, how much are they 148 00:08:13,320 --> 00:08:16,480 Speaker 1: paying you to be in to dance with your clothes off? 149 00:08:17,360 --> 00:08:19,119 Speaker 1: She said the number? He said, I'll pay you double 150 00:08:19,480 --> 00:08:22,680 Speaker 1: to get down off that stage, go home? That makes 151 00:08:22,720 --> 00:08:27,320 Speaker 1: the noise of it prints me in a trick. Is 152 00:08:27,400 --> 00:08:31,920 Speaker 1: that reverse pip that's reverse pepper? Put your clothes on. 153 00:08:32,160 --> 00:08:35,640 Speaker 1: Prince invented reverse pimping. She said, I'll take your money tonight, 154 00:08:35,679 --> 00:08:38,280 Speaker 1: but what am I going to do tomorrow night? That's 155 00:08:38,320 --> 00:08:41,160 Speaker 1: what this girl said to Prince. I wonder what his response. 156 00:08:42,040 --> 00:08:44,680 Speaker 1: What was his He said, I don't have no control 157 00:08:44,760 --> 00:08:55,880 Speaker 1: for that. That's real pipe out. I got you to why, motherfucker. 158 00:08:57,559 --> 00:09:00,600 Speaker 1: I'm not going to call him verbatim sounds that one 159 00:09:01,160 --> 00:09:04,040 Speaker 1: sounds he did say that aggravate him. Beyond that, he 160 00:09:04,360 --> 00:09:06,480 Speaker 1: basically explained to her he was like, listen, I'm giving 161 00:09:06,520 --> 00:09:09,440 Speaker 1: you an opportunity to make a different decision in your life. 162 00:09:09,840 --> 00:09:11,520 Speaker 1: I'm saying. I watched him explain to this girl and 163 00:09:11,600 --> 00:09:13,080 Speaker 1: talk to the girl, and I knew from the way 164 00:09:13,120 --> 00:09:15,040 Speaker 1: that she was talking to him that she didn't understand 165 00:09:15,080 --> 00:09:18,559 Speaker 1: the legacy. She didn't understand. She was just like, okay, yeah, 166 00:09:18,600 --> 00:09:21,760 Speaker 1: Prince had an album covered with like three bitches button 167 00:09:22,080 --> 00:09:26,360 Speaker 1: on top of everybody off here. I'll give you, Dane, 168 00:09:26,440 --> 00:09:41,400 Speaker 1: we love you, neverbody back again, never inding back. I'm 169 00:09:41,440 --> 00:09:46,760 Speaker 1: still standing. I'm good. He just pretended that's how we 170 00:09:46,840 --> 00:10:02,280 Speaker 1: get good. I'm done, Yo, dad care you can't man, 171 00:10:03,679 --> 00:10:05,520 Speaker 1: don't give us that man you actually like know me? 172 00:10:05,640 --> 00:10:09,560 Speaker 1: Right now? What are you talking about. I'll take a shot. 173 00:10:09,640 --> 00:10:13,240 Speaker 1: Let's go take a shot. Chance now, I'm good. I'll 174 00:10:13,240 --> 00:10:18,800 Speaker 1: take a shot about to get you. We're gonna drink 175 00:10:18,840 --> 00:10:24,040 Speaker 1: each other to the table. Let's do it. He got Yeah, 176 00:10:24,120 --> 00:10:27,400 Speaker 1: I'm good. I keep saying it. I don't even want 177 00:10:27,440 --> 00:10:35,160 Speaker 1: to say flack quit a long time ago. I don't 178 00:10:35,160 --> 00:10:37,840 Speaker 1: know why I'm in this. I'm Cuban. I'll drink, motherfucker. 179 00:10:37,840 --> 00:10:46,599 Speaker 1: I'm cuban, a man quick, So you're done to drink that. 180 00:10:47,800 --> 00:10:57,240 Speaker 1: Damn we're like, you're my show man. Look at the 181 00:10:57,320 --> 00:10:59,920 Speaker 1: drinking form. Ain't even a normal shot. Let me please, 182 00:11:01,400 --> 00:11:04,719 Speaker 1: let's go, let's go. Let's complain. Student, I've never seen 183 00:11:04,760 --> 00:11:08,240 Speaker 1: an side. Don't want enough liquor? You want warm? Gone? 184 00:11:10,320 --> 00:11:12,160 Speaker 1: Oh he drinking the dust. He's going, I don't know 185 00:11:12,280 --> 00:11:19,320 Speaker 1: what the buddy you you found this out right? Nothing's 186 00:11:20,000 --> 00:11:32,599 Speaker 1: man think? Take your shirt off. You're talking on what 187 00:11:32,800 --> 00:11:56,480 Speaker 1: he said? Ship get thick? You said black. Alright, let's go. 188 00:11:56,600 --> 00:12:02,320 Speaker 1: Let's go, man, let's go. Chih come on, dr st 189 00:12:02,520 --> 00:12:08,360 Speaker 1: with you yet, make it. I got cheering on me too. 190 00:12:09,800 --> 00:12:12,559 Speaker 1: Come on, come on, drink that dog do that? Don't 191 00:12:12,679 --> 00:12:17,160 Speaker 1: right now? The single get stufs gonn't give you no head. 192 00:12:21,240 --> 00:12:43,040 Speaker 1: Good hope, let's go. Father. Did you have to go 193 00:12:43,160 --> 00:12:54,360 Speaker 1: into I don't know, un listen, how much pussy did 194 00:12:54,400 --> 00:12:56,960 Speaker 1: you get there? Dolly style. Let's just keep it real. 195 00:12:57,840 --> 00:12:59,800 Speaker 1: Even if you ain't the pussy, you just got the 196 00:13:00,040 --> 00:13:02,280 Speaker 1: seeing you send it off to other people. Come on, 197 00:13:02,400 --> 00:13:05,960 Speaker 1: s told about that pussy? Got that doggy? Still? Um, 198 00:13:06,559 --> 00:13:09,720 Speaker 1: you know what the pussy that came? You know what pussy? 199 00:13:11,200 --> 00:13:14,760 Speaker 1: Goddamn it? Come on those dogs discuss it. I'm gonna say, 200 00:13:14,840 --> 00:13:17,360 Speaker 1: you know what, when they came the most, and you're 201 00:13:17,360 --> 00:13:19,360 Speaker 1: probably gonna you ain't gonna belive me, but I'm gonna 202 00:13:19,360 --> 00:13:22,120 Speaker 1: tell you the truth. It came to most when Tupac 203 00:13:22,200 --> 00:13:25,080 Speaker 1: got on Death for a record because I had another 204 00:13:25,240 --> 00:13:28,320 Speaker 1: nigga that was a player just like me, that knew 205 00:13:28,320 --> 00:13:30,840 Speaker 1: how to play because he was knocking these other niggas 206 00:13:30,880 --> 00:13:37,560 Speaker 1: bitches more even this nigga, Ok, this nigga pop knock 207 00:13:37,640 --> 00:13:41,959 Speaker 1: one of my main bitches. Man A, look at so 208 00:13:42,120 --> 00:13:44,760 Speaker 1: you had your main bit She wasn't my main bitch 209 00:13:44,760 --> 00:13:47,520 Speaker 1: when she was a little bit and she was. She's 210 00:13:47,559 --> 00:13:50,920 Speaker 1: a movie star, bitch, Ryan, She's a movie star bitch. 211 00:13:50,960 --> 00:13:53,440 Speaker 1: We won't say her name because we're gonna protect the innerside. Yeah, 212 00:13:53,559 --> 00:13:57,800 Speaker 1: let's do that right, so she don't want that she 213 00:13:58,040 --> 00:14:05,199 Speaker 1: attect she you're going a bit run pockets on death 214 00:14:05,240 --> 00:14:08,200 Speaker 1: front that he out. Yea, So the bitches a hoopla 215 00:14:08,240 --> 00:14:10,679 Speaker 1: because everybody wants to meet my nigger. You understand me, 216 00:14:11,080 --> 00:14:12,920 Speaker 1: and you know I ain't no motherfucking hater. I don't 217 00:14:12,960 --> 00:14:14,920 Speaker 1: know how to block I get out to one. So 218 00:14:15,840 --> 00:14:18,800 Speaker 1: the bitch like you understand me, I would love to 219 00:14:18,880 --> 00:14:20,880 Speaker 1: meet tupockets. That's all right with you. I'm like, bit, 220 00:14:21,000 --> 00:14:25,600 Speaker 1: just gonna always be all right? Now, okay, continue, this 221 00:14:25,680 --> 00:14:27,480 Speaker 1: is where all the stars is at all the Stars. 222 00:14:27,560 --> 00:14:32,440 Speaker 1: So now one night I'm in the club and uh, 223 00:14:33,160 --> 00:14:36,440 Speaker 1: the bitch is there, and pox see the bit. She like, man, 224 00:14:36,640 --> 00:14:39,600 Speaker 1: I don't want to meet that bitch. Man. I said, hey, man, 225 00:14:39,760 --> 00:14:42,920 Speaker 1: that's exactly how he described the bitch. That's my bitch. 226 00:14:44,960 --> 00:14:49,960 Speaker 1: I'll kindly introduce you to h I walked over to 227 00:14:50,160 --> 00:14:55,680 Speaker 1: him right and say, bitch, this is a tupac Tupac, 228 00:14:56,040 --> 00:15:02,520 Speaker 1: meet the bitch. So you know, after he meets a bit, 229 00:15:02,600 --> 00:15:04,320 Speaker 1: you know, I walks off because you know, it ain't 230 00:15:04,320 --> 00:15:06,080 Speaker 1: my job to stand in and see if they're gonna 231 00:15:06,080 --> 00:15:09,120 Speaker 1: talk and kiss or whatnot. Not take a bitter. I 232 00:15:09,240 --> 00:15:12,760 Speaker 1: walks off like a real player. I guess the exchanged. I'much, 233 00:15:12,960 --> 00:15:17,160 Speaker 1: I don't know, so you understand me. A few weeks later, 234 00:15:17,960 --> 00:15:19,960 Speaker 1: I'm trying to, you know, slide by and go see 235 00:15:20,000 --> 00:15:21,760 Speaker 1: her because you know, she's a side piece to me. 236 00:15:22,440 --> 00:15:24,200 Speaker 1: So I'm trying to go see on the late night 237 00:15:24,280 --> 00:15:26,600 Speaker 1: like I normally do. You don't leave that back door open, 238 00:15:27,200 --> 00:15:31,160 Speaker 1: and I'm like, what what was in it? I'm finished 239 00:15:31,200 --> 00:15:33,760 Speaker 1: slide through. You know what I'm saying. Lead that back, 240 00:15:33,840 --> 00:15:37,960 Speaker 1: there's open, and the bitch hit me with I don't 241 00:15:38,000 --> 00:15:46,480 Speaker 1: think park would like that said. This girl was do 242 00:15:46,880 --> 00:15:50,480 Speaker 1: for the record, right for the record. This girl we 243 00:15:50,560 --> 00:16:00,960 Speaker 1: told about for real. That's now. That wasn't hey, that 244 00:16:01,120 --> 00:16:06,720 Speaker 1: was Madonna. That look the nigga, nigga, this is lucky. 245 00:16:07,320 --> 00:16:10,240 Speaker 1: You don't think I'm making this ship up. I'm doing 246 00:16:10,320 --> 00:16:14,320 Speaker 1: Saturday Night lod on New York and they get documented nigger. 247 00:16:14,360 --> 00:16:17,360 Speaker 1: When I had that Timmy Hill figure shirt on the red, 248 00:16:17,480 --> 00:16:20,120 Speaker 1: white and blue one, blew the motherfuck up. The shirt 249 00:16:20,200 --> 00:16:23,040 Speaker 1: sold like a motherfucker right. So the nigga pod come 250 00:16:23,080 --> 00:16:24,640 Speaker 1: and see me here in New York. He bring me 251 00:16:24,720 --> 00:16:29,160 Speaker 1: some weed and he come backstage with the bitch Madonna, 252 00:16:31,040 --> 00:16:39,600 Speaker 1: Madonna for real, for real about like man, he brought 253 00:16:39,680 --> 00:16:43,800 Speaker 1: the bitch to Saturday Night. He was knocking the bitch 254 00:16:43,880 --> 00:16:45,840 Speaker 1: man because he brought me some bud man. He had 255 00:16:45,920 --> 00:16:48,080 Speaker 1: the bitch on his own, man, and he wasn't even 256 00:16:48,160 --> 00:16:50,080 Speaker 1: like floff from the bench. He had a right here 257 00:16:52,080 --> 00:16:56,480 Speaker 1: and Biddy came the other way around. Tupac had Madonna, man, 258 00:17:07,200 --> 00:17:10,159 Speaker 1: Like I remember we did a show at Syracuse man. 259 00:17:10,200 --> 00:17:12,479 Speaker 1: It's how you know, hover a real dinker. We did 260 00:17:12,520 --> 00:17:16,720 Speaker 1: a short Syracuse fourteen. Can't even drive nothing, no license, 261 00:17:16,760 --> 00:17:20,120 Speaker 1: bilcare drive nothing right. So you know it's a couple 262 00:17:20,160 --> 00:17:22,159 Speaker 1: of niggas in the car for guy who was with us, 263 00:17:22,640 --> 00:17:25,800 Speaker 1: so ja we put. He pull over to the gas station, like, yo, 264 00:17:25,960 --> 00:17:28,400 Speaker 1: somebody to get out and pump the gas. Nobody wanted 265 00:17:28,400 --> 00:17:30,680 Speaker 1: to get out and pump the gas because it's freezing money, 266 00:17:30,680 --> 00:17:33,919 Speaker 1: it's snowing. We in Syracuse is snowing like a motherfucker. 267 00:17:34,040 --> 00:17:36,720 Speaker 1: So hold like, all right, I'm gonna pump the gas. 268 00:17:37,080 --> 00:17:39,560 Speaker 1: He pumps the gas. Nigga goes in the trunk though 269 00:17:39,640 --> 00:17:42,760 Speaker 1: don't tell nobody nothing. Comes out the trunk with his 270 00:17:42,880 --> 00:17:45,800 Speaker 1: big gass coat on, jumps in the car and do 271 00:17:46,080 --> 00:17:52,480 Speaker 1: to hunting on the highway with the windows the pump 272 00:17:52,600 --> 00:18:09,200 Speaker 1: gas man, Yo, bleak man, I really appreciate this. It 273 00:18:09,400 --> 00:18:12,320 Speaker 1: was all but now I never meant y'all smoked with 274 00:18:12,440 --> 00:18:17,440 Speaker 1: Wesley Snipes smokeing West. The next day he was like, 275 00:18:17,480 --> 00:18:20,280 Speaker 1: you're coming me to a karate competition. I was like, 276 00:18:20,720 --> 00:18:24,960 Speaker 1: all right, and I can't karate. So I was in 277 00:18:25,040 --> 00:18:27,360 Speaker 1: the enjoy like you know this that I was like, yeah, 278 00:18:30,320 --> 00:18:33,480 Speaker 1: message was resty slide to the moment. I'm like, I 279 00:18:33,640 --> 00:18:39,439 Speaker 1: hate karate, like I shoot people to the karate class 280 00:18:39,520 --> 00:18:41,720 Speaker 1: for but I was there. I didn't her. It was 281 00:18:41,760 --> 00:18:44,119 Speaker 1: like a Karate Olympics. I'm sitting there acting like I 282 00:18:44,240 --> 00:18:47,399 Speaker 1: like it and that. And we went to Club Cheetahs 283 00:18:47,400 --> 00:18:49,480 Speaker 1: and he had so many Asian bitches with him. Pick 284 00:18:49,560 --> 00:18:51,480 Speaker 1: up the Wesley Snipe, We're looking for you tonight. You 285 00:18:51,520 --> 00:18:54,520 Speaker 1: were like Wesley Snipe found I'll be crazy actor on 286 00:18:54,640 --> 00:18:57,320 Speaker 1: a drink cat. You know I'm following you on Twitter. 287 00:18:57,359 --> 00:18:59,919 Speaker 1: I know you're following me. I never I never hear 288 00:19:00,080 --> 00:19:02,359 Speaker 1: you on there. But that night we hung out his 289 00:19:02,480 --> 00:19:05,880 Speaker 1: classic and I also heard I heard the night where 290 00:19:06,000 --> 00:19:09,359 Speaker 1: Nas hung out with Denzel Washington and you think it 291 00:19:09,440 --> 00:19:13,680 Speaker 1: starts smoking weed and Jungle to the Blood from Denzel. 292 00:19:13,760 --> 00:19:18,520 Speaker 1: It was like, nigga, you Malcolm Max, I heard of 293 00:19:18,600 --> 00:19:21,960 Speaker 1: this story, So Jungle, QB, I know you co sign 294 00:19:22,040 --> 00:19:24,159 Speaker 1: this story. This is a story I heard. That's my 295 00:19:24,280 --> 00:19:26,280 Speaker 1: brother Jungle from QB. If you were out there, you know, 296 00:19:27,800 --> 00:19:30,320 Speaker 1: come on drink Champ and that's describing story. Do you 297 00:19:30,400 --> 00:19:34,560 Speaker 1: hear about Bobby Brown frying chicken with cocaine? You didn't 298 00:19:34,600 --> 00:19:39,399 Speaker 1: hear about that Bobby Brown chicken the flower dxes he 299 00:19:39,440 --> 00:19:43,320 Speaker 1: does it with Coca cola. No, I don't know. No, 300 00:19:43,560 --> 00:19:46,639 Speaker 1: that was Bobby Brown. That's the Bobby Brown story. That's 301 00:19:46,680 --> 00:19:50,320 Speaker 1: the that's the flying story in existence. Nigga said he 302 00:19:50,520 --> 00:19:55,240 Speaker 1: fried chicken with coke? What coke as the actual? Trust? 303 00:19:55,600 --> 00:19:57,439 Speaker 1: How did you think that chicken? How do you think 304 00:19:57,480 --> 00:20:06,440 Speaker 1: that chicken tastes right? Shoot? Damn it was nothing a 305 00:20:06,520 --> 00:20:12,919 Speaker 1: whole body, no nigger, small intestines. It's fucked up snubbing 306 00:20:13,000 --> 00:20:16,400 Speaker 1: all that. That's another level be so so so great. 307 00:20:16,440 --> 00:20:18,639 Speaker 1: I won't you actually hung out with niggas in the 308 00:20:18,760 --> 00:20:22,760 Speaker 1: in the hood that did che niggas that jumped off 309 00:20:22,840 --> 00:20:30,960 Speaker 1: the roof and live. When I say hang out, what 310 00:20:31,080 --> 00:20:32,720 Speaker 1: a meaning like? You know we see him in the 311 00:20:32,880 --> 00:20:36,399 Speaker 1: head or whatever. But you know some nigg is like 312 00:20:36,560 --> 00:20:39,800 Speaker 1: believe it or not, Man, a lot of times we 313 00:20:39,920 --> 00:20:44,080 Speaker 1: still gotta watch out for niggas that dot ship nigga's drinks. Man, 314 00:20:46,119 --> 00:20:49,040 Speaker 1: I know a nigga one time that's fucked up Willie. 315 00:20:49,200 --> 00:20:52,520 Speaker 1: It's never been a wat Willie since. But he had 316 00:20:52,760 --> 00:20:55,080 Speaker 1: a half of Molly here, a half of Molly here, 317 00:20:55,200 --> 00:20:57,800 Speaker 1: half Molly here half my hair, half mile hair, half 318 00:20:57,880 --> 00:21:00,159 Speaker 1: mill and then he just stood there and and the 319 00:21:00,200 --> 00:21:01,879 Speaker 1: bitches came and he was like he was like, you 320 00:21:01,920 --> 00:21:04,359 Speaker 1: have one drinks and he was like yeah, he awed drinks. 321 00:21:04,400 --> 00:21:06,440 Speaker 1: You could never see it. And then all he did 322 00:21:06,560 --> 00:21:09,000 Speaker 1: was pick up the drinks like this, and then he 323 00:21:09,080 --> 00:21:17,120 Speaker 1: served the ship. I said, you're going that hell going 324 00:21:18,680 --> 00:21:21,359 Speaker 1: a ward show that we're planning on January second. I'm 325 00:21:21,400 --> 00:21:23,440 Speaker 1: gonna tell you some of the categories, and I want 326 00:21:23,480 --> 00:21:26,520 Speaker 1: you to name a category for us. Okay, alright. One 327 00:21:26,560 --> 00:21:29,680 Speaker 1: of the categories is asked each other year. He already 328 00:21:29,680 --> 00:21:36,119 Speaker 1: stepped up to get this award. Yeah, perfect qualified and 329 00:21:36,520 --> 00:21:43,200 Speaker 1: ask you. I'm saying I'm number one, all right, So yeah, 330 00:21:43,880 --> 00:21:46,960 Speaker 1: one listen. I didn't clear this with puff Daddy, but 331 00:21:47,480 --> 00:21:54,400 Speaker 1: I'm just looking at just look like that. It's okay. 332 00:21:58,119 --> 00:22:00,640 Speaker 1: We got, we got, we got, we got a great 333 00:22:00,640 --> 00:22:04,200 Speaker 1: relationship of pup Daddy, and so we're gonna do asking 334 00:22:04,200 --> 00:22:06,520 Speaker 1: you to the year. So far we have edited asked 335 00:22:06,560 --> 00:22:10,639 Speaker 1: either following him on Instagram. We got um puff Daddy, 336 00:22:11,440 --> 00:22:15,840 Speaker 1: we got tricked Daddy. We got Jack Thriller because Jack 337 00:22:15,920 --> 00:22:20,920 Speaker 1: Thriller not only not only he says he likes his 338 00:22:21,080 --> 00:22:26,280 Speaker 1: asked year turn. That's one category. I take my life. 339 00:22:26,480 --> 00:22:28,920 Speaker 1: I was naming the cigarette category. We got a cigarette 340 00:22:28,960 --> 00:22:31,440 Speaker 1: man of the Year. Cigarette man of the Year. It's 341 00:22:31,480 --> 00:22:39,119 Speaker 1: going between Joe Budden's Mac Miller, Post Malone Noriega. Just 342 00:22:39,280 --> 00:22:43,480 Speaker 1: you're just adding people to get there. It was a 343 00:22:43,480 --> 00:22:49,560 Speaker 1: cigarette jump on cigarette and Jada kiss homeboy rolls with 344 00:22:49,800 --> 00:22:53,480 Speaker 1: my nigga caves. And that's one category. I had my 345 00:22:53,560 --> 00:23:00,760 Speaker 1: homeboy down with my homeboy. That's smoke, sig what you're smoke. 346 00:23:01,040 --> 00:23:03,000 Speaker 1: If there's miss out there, I'm gonna smoke a cigarette 347 00:23:03,000 --> 00:23:07,320 Speaker 1: with motherfucker msiclub. You're pulling out money, missing out whatever. 348 00:23:08,400 --> 00:23:13,480 Speaker 1: Man dress got a dress, pandever, I'm not about this 349 00:23:13,520 --> 00:23:20,080 Speaker 1: sting my clothes there. Just took my socks off Miami. 350 00:23:21,440 --> 00:23:24,160 Speaker 1: It's a real fly sh he came you. You don't 351 00:23:24,400 --> 00:23:28,240 Speaker 1: look like your back on that South pack. Oh my god, 352 00:23:28,480 --> 00:23:30,240 Speaker 1: that's the worst sire. I haven't saying about life. I 353 00:23:30,720 --> 00:23:32,680 Speaker 1: want with you. Listen, we gotta smoke that. This is 354 00:23:32,760 --> 00:23:37,320 Speaker 1: the cigarettes. Get you off for this. Oh my god, 355 00:23:38,760 --> 00:23:40,440 Speaker 1: the old this is the thing. This is the real 356 00:23:40,600 --> 00:23:45,920 Speaker 1: camel to sad. You know what you gotta on your ship? God, 357 00:23:45,960 --> 00:23:49,440 Speaker 1: we gotta speak to your management. We gotta change this. 358 00:23:49,800 --> 00:23:51,640 Speaker 1: And by the way, Camel, we don't have a sponsor. 359 00:23:52,280 --> 00:23:55,000 Speaker 1: So me and Mystical both smoke camera smoke Camel crushed 360 00:23:55,320 --> 00:23:59,399 Speaker 1: and Mystical smokes camel and young people do smoke that now, 361 00:23:59,560 --> 00:24:04,000 Speaker 1: hilth Yeah, listen by the way of our ward show 362 00:24:04,240 --> 00:24:07,800 Speaker 1: or we want his foul sponsors rock he's a fan fan. 363 00:24:07,880 --> 00:24:17,760 Speaker 1: Excuse me, came you gotta damn Yo fifty six. That 364 00:24:17,840 --> 00:24:21,879 Speaker 1: ship is delicious. Bro Forever that's just scrounged. Can't believe 365 00:24:21,960 --> 00:24:24,359 Speaker 1: I'm smoking. This is the cowboys ship. This is the 366 00:24:24,480 --> 00:24:26,680 Speaker 1: dude my mom brought the cowboys, you know. This is 367 00:24:26,760 --> 00:24:30,160 Speaker 1: the Cowboys ship, is like the gangster ship. Just hold 368 00:24:30,200 --> 00:24:34,600 Speaker 1: this the low lights. But we're just start smoking Camel 369 00:24:34,600 --> 00:24:37,960 Speaker 1: because he's the real came Upon Upon going to jail. Yeah, 370 00:24:38,240 --> 00:24:43,080 Speaker 1: he never smoked aback j sec. That sounds like ship. Second, 371 00:24:43,680 --> 00:24:47,320 Speaker 1: we have missed a good smoke. Oh I think I 372 00:24:47,520 --> 00:24:50,440 Speaker 1: kind of cigarette. Can't can't you light it the ro 373 00:24:52,520 --> 00:24:56,840 Speaker 1: man in the room? Listen, that's actually the right way. Listen, kids, 374 00:24:56,880 --> 00:24:59,440 Speaker 1: those the cool just gave me a cigarette. You can't 375 00:24:59,520 --> 00:25:04,800 Speaker 1: light at the wrong way. Let's make some iris that 376 00:25:05,480 --> 00:25:09,320 Speaker 1: this is terrible. It's terribly good. Exactly been putting here, 377 00:25:09,320 --> 00:25:13,320 Speaker 1: I said, Mr Smells, I'm not the word the word 378 00:25:13,400 --> 00:25:15,760 Speaker 1: camera at but sometimes I'm smoking like that too. I 379 00:25:15,880 --> 00:25:17,680 Speaker 1: flipped that funk out that it's not gonna been like that. 380 00:25:18,119 --> 00:25:20,000 Speaker 1: So you smoke in a different way. Break that down again. 381 00:25:20,000 --> 00:25:23,240 Speaker 1: I'm sorry. Normally you light the side where the camera's 382 00:25:23,240 --> 00:25:27,159 Speaker 1: written that run part of camera. Gotta cut us a 383 00:25:27,240 --> 00:25:29,760 Speaker 1: check out. Damn it up. I'll get a camera crush chain. 384 00:25:32,000 --> 00:25:36,880 Speaker 1: I stop too, even smoking Mr two thousand and folk, Damn, 385 00:25:36,920 --> 00:25:39,040 Speaker 1: I've been spoken just like so you start smoking late 386 00:25:39,119 --> 00:25:41,879 Speaker 1: in life, I'm going to jail if that don't kick 387 00:25:41,920 --> 00:25:46,920 Speaker 1: start your smoking. New Orleans certain capacities. Not if you 388 00:25:47,000 --> 00:25:49,680 Speaker 1: don't in the disciplinary part, like you know the laugh 389 00:25:49,760 --> 00:25:58,199 Speaker 1: populad what don't drink Champs Army. It's time to eat right. 390 00:25:58,520 --> 00:26:02,000 Speaker 1: Not all ingredients are created. Cool, fresh, high quality ingredients 391 00:26:02,080 --> 00:26:04,240 Speaker 1: make a real difference. So it's important to know where 392 00:26:04,240 --> 00:26:07,479 Speaker 1: your food comes from. 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I'm going when you and Kanye West on stage, 423 00:27:57,840 --> 00:28:02,840 Speaker 1: I love that moment they described that moment. Was that 424 00:28:02,960 --> 00:28:06,760 Speaker 1: put together? What was that like spirit of moment? You 425 00:28:06,920 --> 00:28:09,680 Speaker 1: and call yea, this is the craziest nigger in life, 426 00:28:10,760 --> 00:28:14,199 Speaker 1: says in his life, but this before he got crazy. 427 00:28:15,160 --> 00:28:18,520 Speaker 1: He was like seeing at this time. I respect Kanye 428 00:28:18,680 --> 00:28:22,159 Speaker 1: for taking that battle because you know, a lot of 429 00:28:22,240 --> 00:28:27,960 Speaker 1: producers I asked turned down that Tom Tom. So you're 430 00:28:28,000 --> 00:28:33,200 Speaker 1: saying this was your whole idea. Yeah, in New York City, 431 00:28:33,480 --> 00:28:38,400 Speaker 1: I was leading Summer Jam. Of course was orchestrated. Never 432 00:28:38,520 --> 00:28:43,200 Speaker 1: do this. I've never knew this been you've been You've 433 00:28:43,320 --> 00:28:50,040 Speaker 1: asked people to do this before running out because we 434 00:28:50,120 --> 00:28:57,240 Speaker 1: don't have time. We just started. We just so I'm 435 00:28:57,240 --> 00:28:59,720 Speaker 1: gonna make this go. No, that's one another sound of 436 00:28:59,760 --> 00:29:01,440 Speaker 1: a car. You know, I got my cup right here. 437 00:29:01,480 --> 00:29:05,000 Speaker 1: This is mccardi eight great right here too. Let's do shots. 438 00:29:05,080 --> 00:29:08,600 Speaker 1: I don't like king like us. What did that leave 439 00:29:08,720 --> 00:29:13,920 Speaker 1: bro like? I mean, all right? Did that? Let's party double? 440 00:29:15,360 --> 00:29:19,520 Speaker 1: So okay? So you had this idea for a producer, 441 00:29:20,480 --> 00:29:23,560 Speaker 1: you know, because when I look at Summer Jam, I 442 00:29:23,680 --> 00:29:27,360 Speaker 1: noticed that a lot of the performing artists musically got 443 00:29:27,400 --> 00:29:31,720 Speaker 1: to shine, and the producers was always behind those big 444 00:29:32,080 --> 00:29:34,480 Speaker 1: hit records. That these artists was able to go on 445 00:29:34,640 --> 00:29:36,760 Speaker 1: stage and do their thing too. So I said, you 446 00:29:36,800 --> 00:29:40,720 Speaker 1: know what, let's play homage to the producers and Summer 447 00:29:40,800 --> 00:29:43,240 Speaker 1: Jam is is. It's very controversial. So I said, you 448 00:29:43,320 --> 00:29:47,840 Speaker 1: know what, Let's make it a battle where I'm talking 449 00:29:47,920 --> 00:29:52,560 Speaker 1: ship and then whoever come out and challenged me to 450 00:29:52,640 --> 00:29:55,720 Speaker 1: me talking ship with the greatest couple of hits? And 451 00:29:55,800 --> 00:29:58,080 Speaker 1: I give him my greatest couple of hits, and we 452 00:29:58,200 --> 00:30:01,640 Speaker 1: gave the people a show that was respectable and and 453 00:30:01,680 --> 00:30:05,520 Speaker 1: and they paid how much to produce him? Everybody turned 454 00:30:05,560 --> 00:30:08,960 Speaker 1: down the request except for Kanye, and I give him 455 00:30:09,080 --> 00:30:10,680 Speaker 1: no names that you could say to turn it down? 456 00:30:11,040 --> 00:30:14,560 Speaker 1: Who else would you name him the premier turn it down? 457 00:30:14,880 --> 00:30:25,560 Speaker 1: I'm not challenging permition. Good dropping like he dropped that 458 00:30:25,760 --> 00:30:33,720 Speaker 1: New York state of mind like one track he's in 459 00:30:33,840 --> 00:30:38,240 Speaker 1: there rock but but just just you know you're gonna 460 00:30:38,240 --> 00:30:42,600 Speaker 1: way too far, too far? He drive reminisce on me. 461 00:30:42,720 --> 00:30:46,400 Speaker 1: What the funk am I gonna do? Stop driving? Who said? 462 00:30:46,480 --> 00:30:51,200 Speaker 1: Just he said? Just reached out to Jeff Blaze, not 463 00:30:51,360 --> 00:30:53,720 Speaker 1: not he didn't. Definitely Blaze is talent to I think 464 00:30:54,120 --> 00:30:56,000 Speaker 1: I think Jeff Blaze could probably beat me today in 465 00:30:56,040 --> 00:30:58,840 Speaker 1: the battle because I'm not really thinking about it. But 466 00:30:59,040 --> 00:31:00,640 Speaker 1: if I thought about it, I probably give him a 467 00:31:00,680 --> 00:31:03,360 Speaker 1: little bit of run for his money. That when you're 468 00:31:03,360 --> 00:31:09,480 Speaker 1: saying battle, when you're saying battle, are you saying hits y'all? 469 00:31:09,760 --> 00:31:13,240 Speaker 1: At that time it was hits right, So imagine he 470 00:31:13,320 --> 00:31:16,080 Speaker 1: came with the crowd. Yeah, helped me to read like 471 00:31:16,200 --> 00:31:21,560 Speaker 1: the whole street. But I got something for that too. 472 00:31:22,520 --> 00:31:25,840 Speaker 1: I got something for that. People gotta understand, Like I 473 00:31:26,000 --> 00:31:31,720 Speaker 1: used to make everybody, what were we doing? Okay, okay, okay, okay, okay, 474 00:31:32,160 --> 00:31:35,960 Speaker 1: let's go say something. It's good. It's good man, love 475 00:31:36,480 --> 00:31:49,560 Speaker 1: love love, Yeah, I'm saying, Twain got that fat, I 476 00:31:49,680 --> 00:31:53,240 Speaker 1: need your bottle's number. Something coming in with his pretty 477 00:31:53,280 --> 00:31:58,000 Speaker 1: boy ships. They're the same moving in on us, okay something. 478 00:31:58,480 --> 00:32:01,360 Speaker 1: Twin was the star, one of the stars of this show. 479 00:32:02,720 --> 00:32:07,360 Speaker 1: You know, some fatal I don't know what happen. Unfortunately, 480 00:32:07,440 --> 00:32:11,040 Speaker 1: accident happens. I want to talk about here today. And 481 00:32:11,200 --> 00:32:14,360 Speaker 1: you know what, we are so proud to see Twin 482 00:32:14,520 --> 00:32:18,880 Speaker 1: here right now. Yo, somebody give Twinter Mike please and 483 00:32:19,000 --> 00:32:23,080 Speaker 1: just let him give him a shot to no, no, no, yeah. 484 00:32:29,640 --> 00:32:32,640 Speaker 1: Two weeks ago, Drake Chance family caring me. Thank you 485 00:32:32,760 --> 00:32:35,560 Speaker 1: for the prayers. I appreciate it, man, appreciate all the 486 00:32:35,680 --> 00:32:38,680 Speaker 1: love other support. The prayer has been working because I'm 487 00:32:38,720 --> 00:32:42,000 Speaker 1: getting better and I'm alive. I'm here. I could have 488 00:32:42,080 --> 00:32:45,160 Speaker 1: been six ft under, but I'm here and I can 489 00:32:45,360 --> 00:32:48,760 Speaker 1: keep moving forward. And even though if I don't walk again, 490 00:32:48,800 --> 00:32:51,920 Speaker 1: I'm still living. You know what I mean. I don't hope, man, 491 00:32:52,320 --> 00:32:54,360 Speaker 1: you know what I'm I'm here, You're gonna walk here. 492 00:32:55,080 --> 00:33:00,560 Speaker 1: I'm here, are you crazy? Hand and and and give 493 00:33:00,600 --> 00:33:04,600 Speaker 1: a little blessings. We we thank you for Twin being 494 00:33:04,680 --> 00:33:08,320 Speaker 1: here with us today on um and in life farm, 495 00:33:08,640 --> 00:33:11,880 Speaker 1: in real farm, and we thank you for protecting him 496 00:33:11,920 --> 00:33:14,720 Speaker 1: and guiding him and getting him to this level of 497 00:33:14,880 --> 00:33:18,920 Speaker 1: being conscious and being loved. And we never forget all 498 00:33:18,960 --> 00:33:23,080 Speaker 1: the prayers, all the deeds that has been done today 499 00:33:23,520 --> 00:33:26,120 Speaker 1: him waking up this morning is just a plus and 500 00:33:26,400 --> 00:33:36,200 Speaker 1: Amy pray a man. That's that was real ship right there, 501 00:33:39,920 --> 00:33:42,120 Speaker 1: because that's that's twin us off. That's our little brother, 502 00:33:42,480 --> 00:33:47,280 Speaker 1: a little brother. Motherfucker's my brother too. Yeah, but listen, um, 503 00:33:47,680 --> 00:33:50,600 Speaker 1: because we're very scared. We don't sure you want to 504 00:33:50,640 --> 00:33:55,920 Speaker 1: stay right. There's good, but you know, usually I asked 505 00:33:55,960 --> 00:34:01,280 Speaker 1: you to take a shot that I want to go. 506 00:34:01,840 --> 00:34:05,120 Speaker 1: We love here a shot right now? That's right, motherfuck 507 00:34:05,440 --> 00:34:08,920 Speaker 1: But okay, so now Swiss, I'm ready. What's up? So 508 00:34:09,040 --> 00:34:11,600 Speaker 1: we're gonna take it? Because you was getting into the 509 00:34:11,640 --> 00:34:14,279 Speaker 1: battles and you was talking about the battle. We gotta 510 00:34:14,280 --> 00:34:17,719 Speaker 1: we gotta complete that story. So he said, we don't 511 00:34:17,719 --> 00:34:20,160 Speaker 1: want to find out who he asked? He said, just blaze, 512 00:34:20,880 --> 00:34:25,640 Speaker 1: who we asked? Timberland asked, okay, you know I battle 513 00:34:25,680 --> 00:34:28,520 Speaker 1: any one of them today too. That's work, you know, 514 00:34:28,719 --> 00:34:32,920 Speaker 1: that's dance. So Kanye stepped up. Kanye stepped up to 515 00:34:32,960 --> 00:34:37,279 Speaker 1: the plate again. He was a game this moment, you know. Uh, 516 00:34:39,200 --> 00:34:43,000 Speaker 1: she was like, Kanye, is this now? Definitely don't got 517 00:34:43,040 --> 00:34:46,680 Speaker 1: blod here, Let's keep the backpack on. He had a backpack, 518 00:34:46,960 --> 00:34:49,960 Speaker 1: the backpack backpack, Kanye ain't I know? Like what was 519 00:34:50,120 --> 00:34:56,960 Speaker 1: what was Jesus big Jesus piece? Uh okay lou Viton sneaker, 520 00:34:57,040 --> 00:35:02,400 Speaker 1: Kanye is Jesus walks call the dropout nights before us 521 00:35:03,040 --> 00:35:14,080 Speaker 1: is it time? He was hot Kanyee Pepper, Kanye Kanye. 522 00:35:15,120 --> 00:35:19,400 Speaker 1: But I respect that. I gave him the concept and 523 00:35:21,040 --> 00:35:22,680 Speaker 1: he was just like, all right, let's make it fresh. 524 00:35:23,640 --> 00:35:25,560 Speaker 1: And the craziest part I was like, he came. I 525 00:35:25,680 --> 00:35:28,759 Speaker 1: told him my playlist. He told me his playlist. I 526 00:35:28,920 --> 00:35:32,640 Speaker 1: kept my players. He changed his players. I was like, 527 00:35:33,360 --> 00:35:36,359 Speaker 1: are you sure you don't want to because like I didn't. 528 00:35:36,440 --> 00:35:38,520 Speaker 1: It wasn't about no big eyes a little us know, 529 00:35:38,640 --> 00:35:42,560 Speaker 1: but what at what point he changed his playlist? When 530 00:35:42,600 --> 00:35:47,240 Speaker 1: I was showtime, right, there was showtime. I heard songs 531 00:35:47,360 --> 00:35:51,600 Speaker 1: that that he didn't present. I was like, so y'all 532 00:35:51,640 --> 00:35:54,520 Speaker 1: both knew what songs y'all was gonna play. I told 533 00:35:54,560 --> 00:35:56,239 Speaker 1: him I I never changed what I was gonna play 534 00:35:56,280 --> 00:35:58,799 Speaker 1: because I just wanted to play what I was gonna 535 00:35:58,800 --> 00:36:02,000 Speaker 1: play and the songs that he picked before, I thought 536 00:36:02,040 --> 00:36:04,360 Speaker 1: we was stronger, you know, because I didn't want it 537 00:36:04,400 --> 00:36:07,439 Speaker 1: to be like, um, a big little youth thing. I wanted. 538 00:36:07,480 --> 00:36:09,480 Speaker 1: I wanted him to be great and I wanted me 539 00:36:09,600 --> 00:36:11,600 Speaker 1: to be great, and he was great. But you know, 540 00:36:11,760 --> 00:36:16,719 Speaker 1: I think the selection um that we first had was better, 541 00:36:17,400 --> 00:36:21,400 Speaker 1: you know, right, because it's not like you know, me, 542 00:36:21,719 --> 00:36:23,879 Speaker 1: me going on the summer jam stage and showing off 543 00:36:23,920 --> 00:36:27,520 Speaker 1: on another person. Because that man is talented, He's a genius, 544 00:36:28,120 --> 00:36:31,520 Speaker 1: you know, he uh a mass of his craft, just 545 00:36:31,680 --> 00:36:36,759 Speaker 1: like Timberland, Dr Dre Pharrell just blaze. All the producers 546 00:36:37,000 --> 00:36:39,360 Speaker 1: the mass of their own crafts. And the one thing 547 00:36:39,440 --> 00:36:42,839 Speaker 1: I do miss about music is that, you know, um, 548 00:36:43,239 --> 00:36:45,480 Speaker 1: we all had different things to bring to the table. 549 00:36:46,600 --> 00:36:48,239 Speaker 1: You know when when you heard that sign it was 550 00:36:48,280 --> 00:36:53,759 Speaker 1: a different sound totally not about a a bounce. We came. 551 00:36:54,040 --> 00:36:56,880 Speaker 1: We felt like we we wanted to come with, you know, 552 00:36:57,040 --> 00:36:59,200 Speaker 1: and um, there's a couple of new producers that's doing 553 00:36:59,239 --> 00:37:02,319 Speaker 1: that and I reach backed them on like a signature sound. Yeah, 554 00:37:02,360 --> 00:37:04,320 Speaker 1: there's a couple of producers owning it, and there's a 555 00:37:04,360 --> 00:37:07,440 Speaker 1: couple of people that are taking advantage of technology. But 556 00:37:07,600 --> 00:37:10,200 Speaker 1: Swiss Beast is about to make an album right now. 557 00:37:11,440 --> 00:37:15,400 Speaker 1: I'm asking that you're done and then and the label says, 558 00:37:15,880 --> 00:37:19,240 Speaker 1: we'll go hire some new new dudes. Who is Swiss 559 00:37:19,280 --> 00:37:22,960 Speaker 1: Beasts going high producer wise? I'm not scared of new dudes. 560 00:37:23,239 --> 00:37:26,320 Speaker 1: I got new dudes on my team. I respect new dudes. 561 00:37:26,920 --> 00:37:29,160 Speaker 1: You know what I'm saying, Like when I say my bad, 562 00:37:29,239 --> 00:37:33,440 Speaker 1: let me rephrase the question. They're saying, go get some 563 00:37:34,160 --> 00:37:41,799 Speaker 1: like the the the producers. That's because it was who 564 00:37:41,960 --> 00:37:47,759 Speaker 1: is Swiss gonna say? You know what now? But if 565 00:37:47,800 --> 00:37:50,160 Speaker 1: you're making an album, because you know, let's be honest, 566 00:37:50,440 --> 00:37:52,279 Speaker 1: your artists too. There's a lot of there's a lot 567 00:37:52,320 --> 00:37:55,800 Speaker 1: of new producers that are like, you know, I'm not 568 00:37:55,960 --> 00:37:58,720 Speaker 1: stuck in my past. You know a lot of producers 569 00:37:58,800 --> 00:38:01,600 Speaker 1: get stuck in the past and they don't really respect 570 00:38:01,719 --> 00:38:12,600 Speaker 1: somebody need a goddamn fixed that. This is the struct 571 00:38:12,680 --> 00:38:15,279 Speaker 1: you in the background. But my headphones don't block them out. 572 00:38:20,000 --> 00:38:22,759 Speaker 1: Who is who is? If they say, now we say 573 00:38:22,880 --> 00:38:27,800 Speaker 1: you you got three people, No, no, let's say five. 574 00:38:28,400 --> 00:38:33,319 Speaker 1: So you got five people to to to pay other 575 00:38:33,400 --> 00:38:36,879 Speaker 1: than you to finish your album right now? You gotta 576 00:38:36,920 --> 00:38:41,080 Speaker 1: love you bad with names. Bro, that's just I admit 577 00:38:41,160 --> 00:38:45,520 Speaker 1: to it. I'm bad with names. I like I like 578 00:38:45,680 --> 00:38:49,080 Speaker 1: metro Booman. You know, you can say the song that 579 00:38:49,120 --> 00:38:51,880 Speaker 1: you like the producer. I like Mike Will, I like 580 00:38:52,040 --> 00:38:55,240 Speaker 1: metro Boman, like boy wonder you know what I'm saying. 581 00:38:55,520 --> 00:38:59,680 Speaker 1: But you know, Avery, you know, it's a lot of 582 00:39:00,000 --> 00:39:05,640 Speaker 1: know tie snags. I like everybody that's being creative. You know, 583 00:39:05,719 --> 00:39:08,680 Speaker 1: you gotta think about this, like, right, there's a lot 584 00:39:08,719 --> 00:39:10,840 Speaker 1: of people that's doing music that could have been robbing 585 00:39:10,920 --> 00:39:13,600 Speaker 1: our kids and our mothers and brothers and our cousins. 586 00:39:14,120 --> 00:39:17,520 Speaker 1: As long as people doing something positive kind too. He's 587 00:39:17,600 --> 00:39:19,879 Speaker 1: kind of said the same thing shout to the dog. 588 00:39:20,320 --> 00:39:23,000 Speaker 1: But so you're not gonna you're not gonna call Dr Dre. 589 00:39:25,120 --> 00:39:27,600 Speaker 1: That's not a new producer, man, you just kind of 590 00:39:27,680 --> 00:39:31,120 Speaker 1: just switch it up. I'm calling Dr today for the 591 00:39:31,239 --> 00:39:38,200 Speaker 1: du might as well call Premier too with my questions. Yeah, 592 00:39:42,360 --> 00:39:47,560 Speaker 1: I'm sorry, let's get you with the producer. Anybody that's 593 00:39:47,600 --> 00:39:50,560 Speaker 1: doing something positive with music, it's just like all art. 594 00:39:51,360 --> 00:39:54,720 Speaker 1: It's an expression. You can relate to it or you can't. 595 00:39:55,000 --> 00:39:58,120 Speaker 1: That's why there's different genres and music, different genres and 596 00:39:58,320 --> 00:40:01,760 Speaker 1: art and different genres and everything that we uh facing 597 00:40:01,800 --> 00:40:04,880 Speaker 1: this world. You know, I'm not gonna sit here and 598 00:40:04,960 --> 00:40:09,719 Speaker 1: playing around with none of those producers because you know, um, 599 00:40:10,680 --> 00:40:14,920 Speaker 1: they all got a little bit of influence and myself, Timberland, 600 00:40:15,000 --> 00:40:18,280 Speaker 1: whoever you want to name, we are part of their DNA, 601 00:40:18,400 --> 00:40:21,239 Speaker 1: whether we like it or not. Right there, like my 602 00:40:21,360 --> 00:40:23,719 Speaker 1: West aid for something like that. Yeah, yeah. Like then 603 00:40:23,760 --> 00:40:25,759 Speaker 1: I had came back and one of my homeboys like 604 00:40:25,760 --> 00:40:27,480 Speaker 1: getting Princess out there. I was like, get the funk 605 00:40:27,520 --> 00:40:32,759 Speaker 1: out of here. So he went and got you want 606 00:40:32,800 --> 00:40:40,920 Speaker 1: to tell me you met Prince. Yes, I've never been 607 00:40:40,920 --> 00:40:45,279 Speaker 1: in the vicinity of the SNA words and that's how 608 00:40:45,280 --> 00:40:48,120 Speaker 1: I feel about Michael Jackson. So anyway, so were in 609 00:40:48,160 --> 00:40:50,640 Speaker 1: the studio. One of my homeboys is like, yo, Princess 610 00:40:50,680 --> 00:40:52,120 Speaker 1: out there. I was like, get the funk out of here. 611 00:40:52,400 --> 00:40:55,000 Speaker 1: He was like, hell yeah, I'll bring that again. Mad Cool. 612 00:40:55,719 --> 00:41:01,439 Speaker 1: He fucking brought Prinsons. Now I'm about this Electric Lady. 613 00:41:01,440 --> 00:41:03,879 Speaker 1: Remember this is Jimmy Hendrickson. Now what about this talk, 614 00:41:03,920 --> 00:41:07,160 Speaker 1: I'm about this tour whatever. Prince is like this and 615 00:41:07,280 --> 00:41:09,640 Speaker 1: he had hand out shot did he have he always had? 616 00:41:09,960 --> 00:41:14,560 Speaker 1: Just know he just had what kids number one flint 617 00:41:14,960 --> 00:41:19,120 Speaker 1: On Hills, not so I was making so I was 618 00:41:19,480 --> 00:41:22,440 Speaker 1: so I was making a beat and then I was like, 619 00:41:22,680 --> 00:41:27,000 Speaker 1: holy ship, Prince like he just hung out at that point. Yeah, 620 00:41:27,080 --> 00:41:28,800 Speaker 1: I was like, yo, is there anything I need to 621 00:41:28,840 --> 00:41:31,839 Speaker 1: do to the beat? Like hold on that. They got 622 00:41:31,880 --> 00:41:36,200 Speaker 1: over the keyboard started guard on the record though he 623 00:41:36,360 --> 00:41:43,080 Speaker 1: was that cool yoh bet yes, and to beat and 624 00:41:43,160 --> 00:41:45,640 Speaker 1: then snoop, I'm doing the beat and this record came out. 625 00:41:45,880 --> 00:41:50,520 Speaker 1: It came out. It's called shall now killed? Listen to it? 626 00:41:50,640 --> 00:41:58,600 Speaker 1: Oh my god, the Prince they probably walked away and say, 627 00:41:58,640 --> 00:42:01,239 Speaker 1: don't give me credit? How you play the key? Then 628 00:42:01,320 --> 00:42:03,560 Speaker 1: Nigga walked down, didn't even say bye. How about Dad? 629 00:42:04,480 --> 00:42:15,040 Speaker 1: He was like, I'm like, we don't know what because 630 00:42:15,040 --> 00:42:17,520 Speaker 1: we dus lived there earless, like we was trying to 631 00:42:17,600 --> 00:42:19,759 Speaker 1: do business for years. And then when I finally get 632 00:42:20,000 --> 00:42:25,320 Speaker 1: to death Jam, I signed the papers and I believe 633 00:42:25,360 --> 00:42:28,520 Speaker 1: you had crystal there. I believe you had some crystalle there. 634 00:42:29,000 --> 00:42:31,680 Speaker 1: And I smoked the blood in the war room. It 635 00:42:31,760 --> 00:42:33,920 Speaker 1: wasn't your office, it was the war room. Smoked the blunt. 636 00:42:34,080 --> 00:42:36,640 Speaker 1: Then you took like two hits and then I asked you, Leo, 637 00:42:36,719 --> 00:42:38,640 Speaker 1: what's that picture right there, and it was you on 638 00:42:38,760 --> 00:42:41,840 Speaker 1: the run, DMC toll and your nose is bloody and 639 00:42:41,920 --> 00:42:44,440 Speaker 1: I said you had to fight. You said no, sniffed 640 00:42:44,440 --> 00:42:54,440 Speaker 1: cocaine all night and listen's just classic back into disco fever, right, Okay, 641 00:42:55,080 --> 00:43:02,680 Speaker 1: you got mad kids, we got fat too. Families heard that. Man, 642 00:43:02,880 --> 00:43:08,040 Speaker 1: you've been sucking so sorry talking about the blow right. 643 00:43:09,239 --> 00:43:12,759 Speaker 1: So back in the disco fever days. I don't think 644 00:43:12,840 --> 00:43:16,719 Speaker 1: anybody actually knows about the disco Fever one sixty nine 645 00:43:16,800 --> 00:43:20,680 Speaker 1: in Jerome and um, sweet Gee was the doorman and 646 00:43:20,760 --> 00:43:24,040 Speaker 1: the host. We used to there was no one that 647 00:43:24,160 --> 00:43:28,200 Speaker 1: didn't have a hundred dollar bill dancing. That's how we 648 00:43:28,400 --> 00:43:32,520 Speaker 1: danced like that. So it wasn't because I was sniffing blow. 649 00:43:32,600 --> 00:43:38,200 Speaker 1: We're all sniffing the culture. I just thought that story 650 00:43:38,320 --> 00:43:40,719 Speaker 1: was ill because I'm sitting there expecting him to say 651 00:43:41,040 --> 00:43:43,640 Speaker 1: how to fight with one. DMC is like, nah, we 652 00:43:43,760 --> 00:43:49,160 Speaker 1: didn't tell you to bring it all, but we're glad Ice, 653 00:43:49,480 --> 00:43:51,600 Speaker 1: please come on to win. You know he's your biggest fan. 654 00:43:51,640 --> 00:43:56,600 Speaker 1: By the way, thank you, who are you? What are 655 00:43:56,600 --> 00:44:02,239 Speaker 1: you doing here? That's all doing so And I remember, uh, 656 00:44:03,440 --> 00:44:06,600 Speaker 1: you know, he was the first person in leol to 657 00:44:06,800 --> 00:44:09,839 Speaker 1: tell me I had radio skills and I'll bring it back, 658 00:44:10,440 --> 00:44:12,799 Speaker 1: I refresh your memory. It was a time at death 659 00:44:12,920 --> 00:44:16,760 Speaker 1: Jam where nobody was messing with starring buck Waw. Nobody 660 00:44:16,800 --> 00:44:20,520 Speaker 1: will go up there, and he had this he had 661 00:44:20,600 --> 00:44:22,600 Speaker 1: this prod of you the week before, and when he 662 00:44:22,680 --> 00:44:25,640 Speaker 1: had mentioned my name, I just was furious. So I 663 00:44:25,719 --> 00:44:28,080 Speaker 1: did not a box of death Game rules and I 664 00:44:28,200 --> 00:44:30,880 Speaker 1: went up there and I handled star like you know, 665 00:44:30,960 --> 00:44:32,239 Speaker 1: I don't mean like handle them, but you know what 666 00:44:32,280 --> 00:44:37,120 Speaker 1: I'm saying. Like, I destroyed the interview and Leo called 667 00:44:37,239 --> 00:44:39,919 Speaker 1: called me and said you must come to the office now. 668 00:44:40,800 --> 00:44:43,880 Speaker 1: And I said, Leo, I'm mad, tired. He's like, and 669 00:44:43,960 --> 00:44:46,320 Speaker 1: I'm hungry, he said, he goes say that again. He 670 00:44:46,360 --> 00:44:49,560 Speaker 1: said you must come to the office now, and I said, 671 00:44:49,600 --> 00:44:51,960 Speaker 1: I'm tired of I'm hungry. He said, First off, he said, 672 00:44:51,960 --> 00:44:55,600 Speaker 1: you must eat um the pink teacup. He referred me 673 00:44:55,640 --> 00:44:58,600 Speaker 1: to pink teacup. You said me and sniff coo like 674 00:45:00,000 --> 00:45:02,359 Speaker 1: tell to sleep. I always remember your cold stories about love, 675 00:45:04,719 --> 00:45:08,120 Speaker 1: but you told me. And then when I got can 676 00:45:08,200 --> 00:45:13,160 Speaker 1: you imagine ahead? Can you imagine that vegan eating yoga 677 00:45:13,719 --> 00:45:17,560 Speaker 1: twisted used to eat three meals a day at the 678 00:45:17,600 --> 00:45:28,759 Speaker 1: Pink Tea cup. Um, poor pink knuckles, he said, a 679 00:45:28,760 --> 00:45:31,400 Speaker 1: little night and they had to eat. But you told me, 680 00:45:31,480 --> 00:45:34,600 Speaker 1: you said, because it was something that sparked in that 681 00:45:34,719 --> 00:45:37,319 Speaker 1: interview with you know, Star was the man in New 682 00:45:37,400 --> 00:45:39,480 Speaker 1: York at the time, and he controlled the interview. But 683 00:45:39,560 --> 00:45:42,160 Speaker 1: it was something that I did when I controlled when 684 00:45:42,200 --> 00:45:44,520 Speaker 1: I flipped it back on Star, and you was like, 685 00:45:45,360 --> 00:45:47,279 Speaker 1: I believe you said, I want you to start the 686 00:45:47,440 --> 00:45:50,960 Speaker 1: Artist Development Company. It was something like that. But so 687 00:45:51,120 --> 00:45:58,960 Speaker 1: that this led to this, So Leo's responsible. But how 688 00:45:59,160 --> 00:46:04,880 Speaker 1: like we got day here, you guys are involving, evolving 689 00:46:04,960 --> 00:46:07,920 Speaker 1: with these new artists. Now, how do you find these artists? 690 00:46:07,960 --> 00:46:11,000 Speaker 1: Are they hot? Or you're gonna you're gonna hear something 691 00:46:11,520 --> 00:46:16,520 Speaker 1: I was scared to offer you. Now down, Now, let's 692 00:46:16,560 --> 00:46:18,759 Speaker 1: break down. Let's break down lean for the people who 693 00:46:18,880 --> 00:46:23,440 Speaker 1: is drinking chlorox because some people out here drinking chlorox change. 694 00:46:23,800 --> 00:46:26,719 Speaker 1: They're not drinking lean, They're drinking chlorox and mixed with 695 00:46:26,960 --> 00:46:29,960 Speaker 1: um night Quail, can you tell them the real how 696 00:46:30,080 --> 00:46:35,680 Speaker 1: does this happen? All? Right? So they have like they 697 00:46:35,760 --> 00:46:38,080 Speaker 1: have fake activists, like they have fake everything. They got 698 00:46:38,200 --> 00:46:42,480 Speaker 1: fake everything, and so I don't drink red green, nothing 699 00:46:42,560 --> 00:46:45,000 Speaker 1: like that. All I do is drink activists. So when 700 00:46:45,040 --> 00:46:47,560 Speaker 1: they said they were gonna stop making activists way back 701 00:46:47,600 --> 00:46:52,560 Speaker 1: when now activist is pink is, it's like, uh is 702 00:46:52,640 --> 00:46:57,520 Speaker 1: the coding the changes that Japan and it changes once 703 00:46:57,640 --> 00:47:01,839 Speaker 1: once activists, like once Justin Bieber and a few other 704 00:47:01,960 --> 00:47:05,879 Speaker 1: artists of high caliber started getting caught with this kind 705 00:47:05,880 --> 00:47:09,840 Speaker 1: of drink just to people call activists. We did not 706 00:47:09,960 --> 00:47:11,480 Speaker 1: know that, let's make some noise, but just to be 707 00:47:15,880 --> 00:47:21,480 Speaker 1: officially in Nigga's goddamn it. Just to man, it was 708 00:47:21,640 --> 00:47:23,960 Speaker 1: just it was just everybody. Every time you saw somebody, 709 00:47:24,040 --> 00:47:26,399 Speaker 1: that's what they They started being something that they would 710 00:47:26,400 --> 00:47:28,439 Speaker 1: post from Soldier Boy and a lot of other cats 711 00:47:28,480 --> 00:47:32,720 Speaker 1: would post it online. So in my opinion, the company 712 00:47:33,719 --> 00:47:36,560 Speaker 1: shut down and we gave a warning that were shutting down. 713 00:47:36,600 --> 00:47:39,360 Speaker 1: When they gave that one, I didn't believe them, but 714 00:47:39,480 --> 00:47:41,279 Speaker 1: I kind of did because the price went up and 715 00:47:41,320 --> 00:47:43,000 Speaker 1: I thought people were just trying to So I bought 716 00:47:43,040 --> 00:47:45,680 Speaker 1: a little extra and so I don't drink every day 717 00:47:45,760 --> 00:47:47,319 Speaker 1: at all, you know what I'm saying, But today I'm 718 00:47:47,360 --> 00:47:50,200 Speaker 1: in Miami is like, um, it was like a Beyonce tour. 719 00:47:50,200 --> 00:47:52,319 Speaker 1: I had to perform for that. I had a video 720 00:47:52,360 --> 00:47:54,759 Speaker 1: shoot with Little Wayne yesterday. I know, I gotta be 721 00:47:54,840 --> 00:47:57,399 Speaker 1: geeked up to be around this nigga did what I'm saying, 722 00:47:58,040 --> 00:48:00,920 Speaker 1: So I pulled out like something in Twin. He came with, 723 00:48:01,120 --> 00:48:04,200 Speaker 1: he came with factivists. Yeah, I don't really coming with that. 724 00:48:04,680 --> 00:48:08,640 Speaker 1: That was that was it was factivist. It wasn't activist. 725 00:48:09,560 --> 00:48:11,239 Speaker 1: Well come with come on that, Twin do speak on 726 00:48:11,360 --> 00:48:13,600 Speaker 1: has Mike? What was that fake ship? You drinking? What's 727 00:48:13,640 --> 00:48:16,160 Speaker 1: this ship? What's that it calls not fake? There's different 728 00:48:16,200 --> 00:48:19,480 Speaker 1: types of lean. What it's called charricle, it's greed. I've 729 00:48:19,520 --> 00:48:21,040 Speaker 1: never heard of that. I'm ask you to step off 730 00:48:21,080 --> 00:48:28,040 Speaker 1: in my I've never heard of that. I'm kiding like brother, 731 00:48:28,840 --> 00:48:31,800 Speaker 1: I love you even look you got to change with 732 00:48:32,080 --> 00:48:38,480 Speaker 1: choking out. Listen, time out, Twin Len guy, he's never 733 00:48:38,560 --> 00:48:52,520 Speaker 1: heard of it. On what you said? Give us the room? Sorry, Lean, 734 00:48:53,200 --> 00:48:55,759 Speaker 1: that's not it right. That's what he's drinking is this 735 00:48:55,920 --> 00:48:59,640 Speaker 1: is promenthed thing and code. How about Len? Here we go, yo, 736 00:49:00,320 --> 00:49:03,560 Speaker 1: Yeah we had two chains. Let me tell you a 737 00:49:03,719 --> 00:49:09,000 Speaker 1: little story. Uh so you know my man's he's a 738 00:49:09,120 --> 00:49:15,839 Speaker 1: lean professional okay, that all right, all right, but since 739 00:49:15,880 --> 00:49:18,320 Speaker 1: the Orleans or check it out, Yeah, yeah, this is 740 00:49:18,360 --> 00:49:22,040 Speaker 1: in the height of it down like I like his energy. 741 00:49:22,880 --> 00:49:25,839 Speaker 1: Keep I'm on the bus, you know what I'm saying. Uh, 742 00:49:26,160 --> 00:49:29,560 Speaker 1: we was playing like pick up basketball, fucking run on 743 00:49:29,600 --> 00:49:31,920 Speaker 1: the bus to get something to drink. Now, straight up, 744 00:49:34,320 --> 00:49:37,120 Speaker 1: the Hawaiian punch that came out with different colors blue 745 00:49:37,200 --> 00:49:38,640 Speaker 1: and purple and all the ships, so they had the 746 00:49:38,680 --> 00:49:44,360 Speaker 1: purple and in the purple, amazing mix. All right, this 747 00:49:44,600 --> 00:49:49,040 Speaker 1: nigga took he pulled up the whole six thing and 748 00:49:49,080 --> 00:49:52,120 Speaker 1: didn't put them back in the rings, so it looked 749 00:49:52,160 --> 00:49:55,560 Speaker 1: like harmless purple Hawaiian punches in the fridge. So I 750 00:49:55,760 --> 00:49:59,759 Speaker 1: ran in basketball thirsty and fucking down one of them, 751 00:49:59,800 --> 00:50:01,920 Speaker 1: but was like standing in the hallway the bus just 752 00:50:02,040 --> 00:50:03,840 Speaker 1: killing it. And he came on the bus and I 753 00:50:03,880 --> 00:50:06,279 Speaker 1: was like, oh, because you know, I don't funk with you, 754 00:50:06,400 --> 00:50:12,960 Speaker 1: like you're probably about to die, like about to die 755 00:50:13,520 --> 00:50:15,400 Speaker 1: because I had drunk the whole thing, And he was like, 756 00:50:15,520 --> 00:50:18,320 Speaker 1: you didn't. You didn't feel like the difference in the 757 00:50:18,440 --> 00:50:21,440 Speaker 1: Battley turned another one upside down and showed me, you know, 758 00:50:21,600 --> 00:50:23,399 Speaker 1: So it was all stuck to the bottom of the ship. 759 00:50:23,440 --> 00:50:25,680 Speaker 1: So I was like, oh, you know, so we was 760 00:50:25,719 --> 00:50:29,200 Speaker 1: watching Hostel. We hadn't even left New Orleans ship. It 761 00:50:29,280 --> 00:50:32,200 Speaker 1: was on our way to Miami watching Hostel in the 762 00:50:32,280 --> 00:50:35,520 Speaker 1: park and the FOSTI that's the all the movie that 763 00:50:35,640 --> 00:50:39,360 Speaker 1: was killing you. They can touch your eyes out of 764 00:50:39,360 --> 00:50:45,120 Speaker 1: the ship. Yeah, And I fell asleep, and well, I thought, 765 00:50:45,280 --> 00:50:47,000 Speaker 1: I thought I was up. Did you wake up? What? 766 00:50:47,719 --> 00:50:50,000 Speaker 1: Check it out? Check it out? I thought I was 767 00:50:50,080 --> 00:50:53,320 Speaker 1: watching the movie. And then mcmc was like, broke, go 768 00:50:53,560 --> 00:50:55,800 Speaker 1: lay it down, man, you look ridiculous. I was like, 769 00:50:55,880 --> 00:50:58,239 Speaker 1: all right, So I went to the rack and I 770 00:50:58,360 --> 00:51:01,920 Speaker 1: woke up in Miami on the US by myself. Um, 771 00:51:02,239 --> 00:51:04,640 Speaker 1: like where you know, you can't park buses by the hotel. 772 00:51:04,719 --> 00:51:06,839 Speaker 1: So I was like sitting there some open parking lots 773 00:51:07,000 --> 00:51:09,680 Speaker 1: somewhere like off the beach, and nobody even knew. I 774 00:51:09,760 --> 00:51:11,360 Speaker 1: was like, they just left me on the bus. Like 775 00:51:11,440 --> 00:51:13,920 Speaker 1: I was like, yo, we really was scared, Like we 776 00:51:14,080 --> 00:51:16,680 Speaker 1: left you because we kind of you might have been 777 00:51:16,719 --> 00:51:21,239 Speaker 1: done to leave the TV on it and sistent and yeah, 778 00:51:21,239 --> 00:51:23,239 Speaker 1: because I don't I don't even remember nothing about you 779 00:51:23,320 --> 00:51:26,760 Speaker 1: don't drink, can't sleep eighteen now like you're not supposed 780 00:51:26,800 --> 00:51:30,760 Speaker 1: to do that. Like I slept from that's till Miami 781 00:51:30,920 --> 00:51:32,920 Speaker 1: in the bus right, everybody like left the bus. I'm 782 00:51:32,960 --> 00:51:34,880 Speaker 1: just on that bitch still sleep. So that was left you. 783 00:51:35,000 --> 00:51:38,960 Speaker 1: You want to hear my first? No, No, I'm yeah, 784 00:51:38,960 --> 00:51:40,640 Speaker 1: I did it, but I'm not talking. I'm gonna get 785 00:51:40,640 --> 00:51:45,000 Speaker 1: into that part. This is drink your hats hold up 786 00:51:45,040 --> 00:51:47,200 Speaker 1: on second, We'll everybody know. They could check us at 787 00:51:47,239 --> 00:51:51,640 Speaker 1: drink chaps dot com, follow us at Drink Champs on Twitter, Instagram, 788 00:51:51,719 --> 00:51:55,560 Speaker 1: and Facebook. Check Noriada at the Real Noriega on Instagram, 789 00:51:55,880 --> 00:51:59,000 Speaker 1: at Noriega on Twitter, and New Year Nori on Snapchat. 790 00:51:59,320 --> 00:52:00,960 Speaker 1: You could check me e d j e f n 791 00:52:01,040 --> 00:52:04,120 Speaker 1: at at Who's Crazy Instagram at d j e f 792 00:52:04,239 --> 00:52:07,920 Speaker 1: n on Twitter at Who's Crazy on Snapchat. Make sure 793 00:52:07,960 --> 00:52:11,240 Speaker 1: you follow the team. Our visual media manager Rich Blanco 794 00:52:11,440 --> 00:52:15,360 Speaker 1: at Rich underscore Blanco on Instagram and Twitter. Our engineer 795 00:52:15,440 --> 00:52:18,160 Speaker 1: has It Its Sounds at Hazard its Sounds on Instagram 796 00:52:18,239 --> 00:52:22,160 Speaker 1: and Twitter. Our photographer Big Drain at Drain on Instagram 797 00:52:22,440 --> 00:52:25,360 Speaker 1: and at big Drain on Twitter. Are graphic artists a 798 00:52:25,480 --> 00:52:30,040 Speaker 1: k z at Akz on Instagram and Twitter. Also shout 799 00:52:30,080 --> 00:52:32,799 Speaker 1: out the whole CBS play dot It team, follow them 800 00:52:32,840 --> 00:52:35,560 Speaker 1: at at play It on Twitter and make sure you 801 00:52:35,640 --> 00:52:38,680 Speaker 1: grab yourself some Drink Champs shirts, shot glasses and cups 802 00:52:38,719 --> 00:52:41,320 Speaker 1: and all that merch at drink Champs dot com or 803 00:52:41,400 --> 00:52:44,040 Speaker 1: check our homies at eight nine dot com. Head over 804 00:52:44,080 --> 00:52:46,640 Speaker 1: to iTunes and pick up the singles for the Win 805 00:52:47,040 --> 00:52:49,680 Speaker 1: Moguls and Petty, as well as a Drunk Uncle project 806 00:52:49,719 --> 00:52:52,600 Speaker 1: from Norri. Also, my album Another Time is out now 807 00:52:52,640 --> 00:52:56,799 Speaker 1: available on iTunes, Spotify, Google Play or physicals at crazyhood 808 00:52:56,840 --> 00:52:59,440 Speaker 1: dot com. Check has it as Sounds Projects Save the 809 00:52:59,520 --> 00:53:02,359 Speaker 1: Culture and you can check that it Hazardous Sounds dot 810 00:53:02,400 --> 00:53:05,440 Speaker 1: com or check it on all digital platforms. Also look 811 00:53:05,480 --> 00:53:08,200 Speaker 1: out for Nori's cooking show coming very soon and my 812 00:53:08,400 --> 00:53:11,000 Speaker 1: Coming Home Vietnam film which you can see the previous 813 00:53:11,040 --> 00:53:14,359 Speaker 1: films about Haiti, Cuba and Peru currently on Revolt TV. 814 00:53:15,000 --> 00:53:17,840 Speaker 1: Shout out the whole dream Chats Army. We really appreciate 815 00:53:17,880 --> 00:53:19,520 Speaker 1: your support and we out of here