WEBVTT - The Hate U Give (Part 2)

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<v Speaker 1>Hey there, I'm Dani Schwartz. This is Popcorn Book Club

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<v Speaker 1>and this week we are continuing our discussion of Angie

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<v Speaker 1>Thomas's novel The Hate You Give. As always, I'm joined

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<v Speaker 1>by Jennifer Wright, Cromadanqua, Tian Tran, and Melissa Hunter. This

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<v Speaker 1>is part two of our discussion, but just to catch

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<v Speaker 1>you up super quick, the book follows sixteen year old

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<v Speaker 1>Star Carter, a young black woman who sees her best

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<v Speaker 1>friend shot and killed by police in front of her

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<v Speaker 1>during a routine traffic stop. Now, we recorded this discussion

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<v Speaker 1>a few weeks ago, and I want to say that

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<v Speaker 1>it's heartbreaking that this work of fiction fromen is so

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<v Speaker 1>immediately relevant in our world, and that it's so relevant

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<v Speaker 1>again right now this week, and it shouldn't be. But

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<v Speaker 1>as long as this I am proud to be having

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<v Speaker 1>this discussion alongside these amazing women. And just to make

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<v Speaker 1>it very clear, Popcorn Book Club says black lives matter.

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<v Speaker 1>So last week, Starr had just gone to the police

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<v Speaker 1>station to give her testimony on what had happened, and

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<v Speaker 1>Karama picks it up from there. She goes to Khalil's funeral,

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<v Speaker 1>where she is reminded of the funeral for Natasha and

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<v Speaker 1>how they both seem like mannekins and their coffins and

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<v Speaker 1>they don't have the life in them that they had

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<v Speaker 1>in life. And there's a lot of talk about Khalil's

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<v Speaker 1>dimples and how in that coffin he doesn't have those. Uh.

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<v Speaker 1>And at the funeral, uh, the king lords come, led

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<v Speaker 1>by King and they leave a gray bandana on his body,

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<v Speaker 1>which is a sign that you are a member of

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<v Speaker 1>the king Lords, because gray is one of the king

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<v Speaker 1>lord colors and uh. Ms Rosalie, who is Kail's grandma,

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<v Speaker 1>freaks out understandably, so grabs the bandana, throws it at

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<v Speaker 1>King and tells them to get out. And Ayisha Uh.

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<v Speaker 1>Then Ayisha, who is Seven's mom and uh and Kenya's

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<v Speaker 1>mom then says, oh, like, why are you being such

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<v Speaker 1>a bit basically and we offered to pay for this funeral,

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<v Speaker 1>and then Mrs Rosalie calls her a whore, which is

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<v Speaker 1>not gracious, But no one in this instance is being gracious,

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<v Speaker 1>and I think Ms. Rosalie has the most reason not

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<v Speaker 1>to be at this point. Uh. And then that's when

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<v Speaker 1>we sort of find out a little bit more about

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<v Speaker 1>Aisha and Mav and find out that Maverick, who is

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<v Speaker 1>both seven and stars father, did hire her as a

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<v Speaker 1>sex worker and that is how seven was conceived. So

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<v Speaker 1>and it was after a night that he fought with Lisa,

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<v Speaker 1>So he was with Lisa first and then he ends

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<v Speaker 1>up involved with Aisha for one night and then we

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<v Speaker 1>get seven. So it's really interesting we find out more

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<v Speaker 1>about this sort of I use the term blended family

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<v Speaker 1>because I feel like people don't use that term for

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<v Speaker 1>black people very often, and I think that when similar

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<v Speaker 1>instances happen to non black families, people are like, oh,

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<v Speaker 1>we're a blended family. We're all sorts of like click dick,

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<v Speaker 1>And it's not something that is ideal and nobody had

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<v Speaker 1>planned it, but they are a family and they do

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<v Speaker 1>love each other a lot, and seven is treated like

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<v Speaker 1>a biological son by Lisa, and later in the book

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<v Speaker 1>we find out that he tells people that she's his

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<v Speaker 1>mom at school in particular, and some of that is

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<v Speaker 1>from shame, some of that is from a love of her,

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<v Speaker 1>shame of his actual mother but or not actual biological mother.

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<v Speaker 1>And uh so then we have this funeral, and I

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<v Speaker 1>think right before the funeral, there is an incident with

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<v Speaker 1>a basketball game. They're playing a pickup basketball game and

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<v Speaker 1>it's Maya and Haley and Star and they're playing against

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<v Speaker 1>three boys, including Chris, And when Chris steals the ball

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<v Speaker 1>from Star, Haley makes a snide comment and says, why

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<v Speaker 1>don't you just treat the ball like gets fried chicken?

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<v Speaker 1>And then Star gets reasonably and understandably upset, and Haley

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<v Speaker 1>gets upset also that she is being accused of being

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<v Speaker 1>a racist fucking Haley. Yeah, I think we should talk

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<v Speaker 1>about Haley and Maya here. Haley. Obviously, as we go on,

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<v Speaker 1>the dynamics there become more complicated. But um, I think

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<v Speaker 1>that this is the first real instance where we see like,

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<v Speaker 1>oh ships off with Haley a little bit. Uh, we

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<v Speaker 1>did see it a little bit earlier in the very beginning,

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<v Speaker 1>because the party happens at the end of spring break.

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<v Speaker 1>It's the Saturday at the end of spring break, and

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<v Speaker 1>then when they get back to school on Monday. Uh,

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<v Speaker 1>there is a line where Maya says, oh, Haley has

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<v Speaker 1>been texting me all spring break, and Stars like the funk,

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<v Speaker 1>why hasn't Haley texted me once all spring break? So

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<v Speaker 1>there's definitely some tension there, and uh, do you all

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<v Speaker 1>want to talk about follow her on Tumblr. It truly

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<v Speaker 1>is a bit and like a dirty unfollowed. It's not

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<v Speaker 1>like she explicitly said I'm gonna follow you because I

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<v Speaker 1>have difficulty with the content you're posting, and there was

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<v Speaker 1>no communication about it. It It was just like I'm gonna unfollow. No,

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<v Speaker 1>it's like a cowardly unfollowed, super cowardly, very teenage mean

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<v Speaker 1>girl I follow. It also feels like it treats the

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<v Speaker 1>content that she's posting in such an incredibly dismissive way

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<v Speaker 1>to a picture of that Till being murdered, as though,

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<v Speaker 1>like why did you post garbage on your tuggeler? I

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<v Speaker 1>don't like seeing that, That's what I don't want to

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<v Speaker 1>look at that. And it's like no one wanted to

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<v Speaker 1>look at that, And that's why Emmett Till's mother did that.

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<v Speaker 1>She specifically had an open casket funeral because she said,

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<v Speaker 1>I want them to see what they did to my

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<v Speaker 1>little boy. He was fourteen years old when he died,

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<v Speaker 1>and he was accused of of inappropriate touching with a

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<v Speaker 1>white woman who was twenty one and working in a store,

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<v Speaker 1>Like that doesn't make any sense, and that white woman

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<v Speaker 1>admitted later that she lied about what happened. It was

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<v Speaker 1>discovered in Like Why seventeen, the year that this book

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<v Speaker 1>came out, that Caroline Bryant, the woman who was the

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<v Speaker 1>alleged victim in the case, that not in the case,

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<v Speaker 1>but that lad people to murder Emmett Till, lied about it.

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<v Speaker 1>And she has faced no repercussions, no consequences, and she

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<v Speaker 1>is still alive. She's still walking this earth, probably feeling

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<v Speaker 1>at least moderately guilty, I hope. But just like that

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<v Speaker 1>is a love of the oddest things about all the

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<v Speaker 1>pictures from that time. They're all black and white, and

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<v Speaker 1>I think, at least for me it it allows me

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<v Speaker 1>to live in this kind of comfortable idea that all

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<v Speaker 1>this happened a long time ago. And then you realize,

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<v Speaker 1>like all those people are still voting, those people are

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<v Speaker 1>like seven right now. Those people screaming as the school's

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<v Speaker 1>segregate and holding up just horrible signs, when people trying

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<v Speaker 1>to set the lunch counters, they're all still around. That

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<v Speaker 1>was those were people, her grandparents, was no one. It

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<v Speaker 1>was like a thing that I realized that I read

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<v Speaker 1>that the Mala Hockey police officer who dismissed that Jeffrey Dahmer,

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<v Speaker 1>basically a teenage a fourteen year old from Laos escaped

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<v Speaker 1>from Jeffrey Dahmer naked and drugged, and a black girl

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<v Speaker 1>like a teenager called the cops to be like clearly

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<v Speaker 1>the situation, and her mother, grandmother, I'm not there, corroborated

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<v Speaker 1>the story. But Jeffrey Dahmer, the only white man in

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<v Speaker 1>this situation, was like, ha ha, no, it's just a misunderstanding.

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<v Speaker 1>He's my boyfriend. He's a little drunk, and completely dismissed

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<v Speaker 1>the multiple people of color who are like, no, there

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<v Speaker 1>is a fucked up situation happening. They let that boy

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<v Speaker 1>go back into his room and he was murdered, and

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<v Speaker 1>then the ten more people were murdered by Jeffrey Dahmer,

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<v Speaker 1>and that police officer who didn't respond, who like even

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<v Speaker 1>noted that Jeffrey Dahmer's apartment smelled like flesh like like

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<v Speaker 1>like weird smell. He became the head of the police

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<v Speaker 1>union and he retired like with a thumbs up, like

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<v Speaker 1>these people are just like okay, whatever, how do you

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<v Speaker 1>live with yourself? That's it? If you found out that

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<v Speaker 1>that that that case, that that kid was then murdered

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<v Speaker 1>and and and cannibalized, and then multiple more people were murdered.

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<v Speaker 1>How do you then go another few decades as a

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<v Speaker 1>police I couldn't do it. I mean I wouldn't have

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<v Speaker 1>been a police officer in the first place. I just

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<v Speaker 1>don't have the constitution. I'm very jumpy um and some

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<v Speaker 1>people I just don't know. I don't have the constitution.

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<v Speaker 1>And I think that we need to look at some

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<v Speaker 1>of the things that are happening, because it's like we

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<v Speaker 1>had mentioned earlier, he was so trigger happy when fifteen

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<v Speaker 1>when this happened, And it's like, if you are so

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<v Speaker 1>afraid of somebody leaning into a vehicle and your first

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<v Speaker 1>instinct isn't to de escalate the situation, to ask somebody

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<v Speaker 1>to step back from the vehicle, any of that. Like, yes,

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<v Speaker 1>you told him not to move already, I understand that.

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<v Speaker 1>But I work with young people. They need things several times.

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<v Speaker 1>Sometimes you need to tell them multiple times, like I

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<v Speaker 1>said this, I said that, And that's the thing. He

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<v Speaker 1>is a young person. And if you're that trigger nappy

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<v Speaker 1>and you're that jumpy, you need another job. Yeah, it

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<v Speaker 1>certainly seems like a starr was able to remember all

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<v Speaker 1>of her track thing as and someone who got a

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<v Speaker 1>speech one time from her dad. Uh. It seems like

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<v Speaker 1>one fifteen was not able to remember any training that

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<v Speaker 1>he presumably should have. Well, I think the problem and

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<v Speaker 1>they're not getting training to to de escalate situations. That's

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<v Speaker 1>part of it. But let's talk about friends. I think, yeah,

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<v Speaker 1>the one it ties back in really well because she's

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<v Speaker 1>at Haley's. I might be skipping ahead of story, but

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<v Speaker 1>thematically it fits in. She's at Haley's when we're watching

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<v Speaker 1>an interview about Maya. Sorry, Maya's with Haley next to her,

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<v Speaker 1>like this is sort of the first time they've hung

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<v Speaker 1>out in a long time. Uh, And they are channel

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<v Speaker 1>stiffing and they come across an interview and I think

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<v Speaker 1>this is the interview where one fifteen dad he's a

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<v Speaker 1>good boy and he was just trying his best, like

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<v Speaker 1>the most, like humanizing, like, good old boy, don't ruin

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<v Speaker 1>this sweet, non racist boy's life. The dad is trying

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<v Speaker 1>to say and and he says he can't even go

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<v Speaker 1>to the store for a gallon of milk, which reminded

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<v Speaker 1>me very much a brock Turner's case where his dad

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<v Speaker 1>was like, he can't eat a steak and I'm like, okay,

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<v Speaker 1>but you've traumatize someone for life. He can't enjoy his

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<v Speaker 1>favorite food. Haley used to indicate that his happiness is

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<v Speaker 1>as important as this other man's life, which is And

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<v Speaker 1>Haley's response is like, Oh, that's so sad for that

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<v Speaker 1>she at that moment, she truly did matter at that moment. Yeah,

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<v Speaker 1>I think it's so like interesting, and Angie's just the

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<v Speaker 1>best to make Hayley, you know, this white woman who's

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<v Speaker 1>his friend, this white this white teenager who's this friend. Uh,

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<v Speaker 1>And to show that like friendship is not enough, Like

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<v Speaker 1>I think we're having so many conversations about ally ship

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<v Speaker 1>and what friendship is and what like being actually anti

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<v Speaker 1>racist is. And to have Ali or Haley as this

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<v Speaker 1>proxy for what I think a lot of non black

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<v Speaker 1>folks and white folks can sometimes fall into the trap

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<v Speaker 1>of of like saying a thing and not thinking that

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<v Speaker 1>it's offensive or that it like puts that it's something racist.

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<v Speaker 1>And I also think it's interesting that Maya is Asian

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<v Speaker 1>American because her growth in this story is important and

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<v Speaker 1>interesting too, because in so many ways there's a lot

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<v Speaker 1>of anti blackness in the Asian American community, and she's

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<v Speaker 1>complicit at the beginning of this. And so she's absolutely

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<v Speaker 1>complicit in the beginning of this and doesn't stand up

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<v Speaker 1>to Haley and is happy following. And so that is

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<v Speaker 1>also a very interesting growth in their friendship as well,

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<v Speaker 1>to have the three of them kind of navigating this together.

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<v Speaker 1>I actually have a quote that I highlighted in uh

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<v Speaker 1>the kindle version of the book. I have both the

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<v Speaker 1>kindle version and the physical version, and it's from that

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<v Speaker 1>scene because after Haley storms out after they get into

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<v Speaker 1>an argument about how she Blue loves matters this moment.

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<v Speaker 1>Maya admits that there was a moment a couple of

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<v Speaker 1>years prior when they were like freshman in high school,

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<v Speaker 1>when Haley said something racist to her and she asked her.

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<v Speaker 1>It was after Thanksgiving and she said, oh, my grandma

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<v Speaker 1>came from China, And Haley asked, did you guys eat

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<v Speaker 1>a cat? Because they're Chinese, which, first of all, I

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<v Speaker 1>don't even think is the correct animal stereotype, Like I

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<v Speaker 1>just don't um. And then she's a dumb rasist, so

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<v Speaker 1>she's an inaccurate like that just really gets if you're

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<v Speaker 1>gonna be hateful, do it right. But do your research

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<v Speaker 1>read Racist Weekly. Well, and then Star it's like, oh,

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<v Speaker 1>I don't really remember this, And Maya says, well, you

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<v Speaker 1>were there, and Starr says, what did I say? Maya responds, nothing,

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<v Speaker 1>You had this look on your face like you couldn't

0:13:08.559 --> 0:13:11.080
<v Speaker 1>believe she said that. She claimed it was a joke

0:13:11.200 --> 0:13:15.520
<v Speaker 1>and laughed. I laughed, and then you laughed, and then

0:13:15.559 --> 0:13:18.000
<v Speaker 1>I wrote there's a complicity that happens when you try

0:13:18.040 --> 0:13:20.200
<v Speaker 1>to belong in a world that's not your own, instead

0:13:20.200 --> 0:13:23.520
<v Speaker 1>of realizing that standing out is your greatest strength. Because

0:13:23.559 --> 0:13:26.679
<v Speaker 1>they're all trying to make it at Williamson and they're like,

0:13:26.760 --> 0:13:30.120
<v Speaker 1>if we just make the white people feel like we'd cool,

0:13:30.800 --> 0:13:34.679
<v Speaker 1>then will be okay. And who is that serving at

0:13:34.720 --> 0:13:37.560
<v Speaker 1>the end of the day. Not you. It's serving people

0:13:37.600 --> 0:13:40.120
<v Speaker 1>who are contributing to a system that's going to then

0:13:40.240 --> 0:13:44.800
<v Speaker 1>affect people later when they're applying for jobs and when

0:13:45.000 --> 0:13:48.320
<v Speaker 1>the things actually mad, or when they're the cops and

0:13:48.520 --> 0:13:51.600
<v Speaker 1>they see somebody and they're like, oh, they were these

0:13:51.679 --> 0:13:54.280
<v Speaker 1>kind of sneakers, they were this kind of clothes, They're

0:13:54.360 --> 0:13:59.520
<v Speaker 1>a threat. Yeah. I loved the journey of the two

0:13:59.559 --> 0:14:03.600
<v Speaker 1>of them together, of Maya and Star and Maya's growth

0:14:03.640 --> 0:14:09.000
<v Speaker 1>in it, and I saw Haley represents I mean the

0:14:09.120 --> 0:14:13.520
<v Speaker 1>ultimate like high school mean girl and two that I

0:14:13.559 --> 0:14:17.240
<v Speaker 1>have experienced a lot in high school, but not you know,

0:14:18.080 --> 0:14:20.560
<v Speaker 1>it was not an attack on my race because I

0:14:20.600 --> 0:14:23.480
<v Speaker 1>am a white person. They're just like mean girls everywhere.

0:14:23.520 --> 0:14:27.880
<v Speaker 1>But I do think the what I loved about the

0:14:27.920 --> 0:14:30.200
<v Speaker 1>Haley character, I think, as you were saying, Tianna, is

0:14:30.240 --> 0:14:35.320
<v Speaker 1>that like it does feel so representative of a type

0:14:35.400 --> 0:14:39.560
<v Speaker 1>of white person that is trying to trying to be

0:14:39.600 --> 0:14:43.960
<v Speaker 1>an ally or maybe isn't. And what's the worst thing

0:14:44.000 --> 0:14:47.520
<v Speaker 1>that you can do? Like if you're if you're racist,

0:14:48.040 --> 0:14:51.840
<v Speaker 1>it's equally bad to be called a racist that she

0:14:52.080 --> 0:14:55.200
<v Speaker 1>is demanding in that moment when Starr says that's racist

0:14:55.280 --> 0:14:58.200
<v Speaker 1>what you said? She's like, how dare you call me

0:14:58.240 --> 0:15:01.080
<v Speaker 1>a race? Like you need to apologize for calling me racist?

0:15:01.760 --> 0:15:04.560
<v Speaker 1>And that's like we both need to apologize. I'll apologize

0:15:04.560 --> 0:15:07.120
<v Speaker 1>for this if you've apologize for calling me racist. And

0:15:07.160 --> 0:15:12.960
<v Speaker 1>I feel like it was I loved how when star

0:15:13.120 --> 0:15:17.280
<v Speaker 1>Let's Hayley go, it just felt like the last burden

0:15:17.760 --> 0:15:22.440
<v Speaker 1>of of that she's letting go of this um version

0:15:22.440 --> 0:15:25.360
<v Speaker 1>of star that was allowing people like that into her life.

0:15:25.720 --> 0:15:28.120
<v Speaker 1>I think that doesn't have much, but she doesn't have

0:15:28.160 --> 0:15:32.760
<v Speaker 1>the audacity, like how yes someone if they say you

0:15:32.760 --> 0:15:34.960
<v Speaker 1>said a racist thing to me, it's like, well, you

0:15:35.040 --> 0:15:39.160
<v Speaker 1>apologize first, and then I'll do it. And then even

0:15:39.280 --> 0:15:42.360
<v Speaker 1>later she also goes you apology, goes you apologize first,

0:15:42.400 --> 0:15:47.680
<v Speaker 1>and my mom died too, so she does mention that

0:15:47.720 --> 0:15:50.840
<v Speaker 1>her mom said. She's like, are you upset because your

0:15:50.880 --> 0:15:53.400
<v Speaker 1>friend got shot? And like it's that time of year,

0:15:56.120 --> 0:15:59.040
<v Speaker 1>And even when she does I'm putting air quotes around

0:15:59.080 --> 0:16:02.040
<v Speaker 1>this again, apology drives. Later she's like, I'm sorry that

0:16:02.120 --> 0:16:04.920
<v Speaker 1>I if I hurt you. Yeah, I'm sorry that your

0:16:04.920 --> 0:16:07.480
<v Speaker 1>feelings got hurt? How did your feelings get hurt? And

0:16:07.560 --> 0:16:10.840
<v Speaker 1>she's like, I'm sorry you reacted this way. Can you

0:16:10.880 --> 0:16:13.560
<v Speaker 1>see Haley? Haley is like a tiny Karen in training,

0:16:13.640 --> 0:16:15.560
<v Speaker 1>Like I don't mean, but she is, and you can

0:16:15.600 --> 0:16:21.320
<v Speaker 1>like the video she would be in a viral video,

0:16:21.680 --> 0:16:24.800
<v Speaker 1>Haley is not wearing a mask right now, and she's

0:16:24.840 --> 0:16:28.040
<v Speaker 1>an anti fax er and she's yelling at grocery stork

0:16:28.040 --> 0:16:31.280
<v Speaker 1>clerks anyway, and she's the one who names her daughter

0:16:31.640 --> 0:16:34.440
<v Speaker 1>like Mikhaela with like an e and an eye and

0:16:34.560 --> 0:16:36.480
<v Speaker 1>a g N and why in an age? And then

0:16:36.520 --> 0:16:38.920
<v Speaker 1>it's like why are black names weird? Which is the

0:16:39.040 --> 0:16:43.200
<v Speaker 1>thing that Chris well. But it wasn't just Haley, it

0:16:43.360 --> 0:16:46.720
<v Speaker 1>was the whole school, right Yeah. I mean I think

0:16:47.560 --> 0:16:51.560
<v Speaker 1>Haley really stands out as an example of someone who

0:16:51.720 --> 0:16:55.880
<v Speaker 1>is entirely out of earth their privilege and um, just

0:16:56.600 --> 0:17:02.720
<v Speaker 1>wildly racist at every turn. But after um the protests

0:17:02.760 --> 0:17:05.119
<v Speaker 1>started erupting and the school decides that they're going to

0:17:05.200 --> 0:17:09.240
<v Speaker 1>do a walkout to protest his death. I had this

0:17:09.359 --> 0:17:11.560
<v Speaker 1>moment where I was like, Oh, that's that's so good.

0:17:11.800 --> 0:17:16.320
<v Speaker 1>There there's such a tiny activists and then UM start

0:17:16.520 --> 0:17:19.880
<v Speaker 1>immediately started getting other texts being like good we get

0:17:19.880 --> 0:17:21.680
<v Speaker 1>a free day off, Like great, we're not going to

0:17:21.720 --> 0:17:25.200
<v Speaker 1>school today. I love to skip class. Um, do you

0:17:25.240 --> 0:17:32.440
<v Speaker 1>all remember who started the walkout? And so this is

0:17:32.520 --> 0:17:36.440
<v Speaker 1>a this is a household issue. I do want to

0:17:36.480 --> 0:17:39.520
<v Speaker 1>talk for a second about the film and casting because

0:17:39.560 --> 0:17:43.440
<v Speaker 1>something I found really interesting. UM, for those of you

0:17:43.600 --> 0:17:47.080
<v Speaker 1>who are unfamiliar with the term colorism, it is a

0:17:47.280 --> 0:17:51.600
<v Speaker 1>sort of horizontal prejudice that happens in communities of color,

0:17:52.000 --> 0:17:56.920
<v Speaker 1>where people who are considered more I have, who have

0:17:57.000 --> 0:18:00.960
<v Speaker 1>more proximity to whiteness have more privilege, and so I

0:18:01.040 --> 0:18:03.159
<v Speaker 1>think it's really important to talk about the fact that

0:18:03.720 --> 0:18:07.240
<v Speaker 1>a man less Stundberg is half white. They are a

0:18:07.760 --> 0:18:11.800
<v Speaker 1>person of color and visibly coded as black, but they

0:18:11.840 --> 0:18:14.960
<v Speaker 1>are very light skinned, and I thought it was really

0:18:15.080 --> 0:18:18.480
<v Speaker 1>interesting how they were the most light skinned person in

0:18:19.000 --> 0:18:22.440
<v Speaker 1>the in the cast who was black. But I also

0:18:22.440 --> 0:18:24.480
<v Speaker 1>thought it was interesting that Mav was very dark skinned

0:18:24.520 --> 0:18:28.400
<v Speaker 1>and Carlos, played by Academy Award winner Common, was also

0:18:28.560 --> 0:18:31.679
<v Speaker 1>very light skinned, and I wonder if that had anything

0:18:31.720 --> 0:18:36.760
<v Speaker 1>to do with the tension between Mav and Carlos. Also um,

0:18:36.960 --> 0:18:38.640
<v Speaker 1>and then I think it's also important to talk about

0:18:38.640 --> 0:18:42.920
<v Speaker 1>the fact that, uh, the woman who plays Maya whose

0:18:43.040 --> 0:18:47.200
<v Speaker 1>name I wrote down, Megan Lawless, Yes, Megan Lawless, is

0:18:47.440 --> 0:18:51.520
<v Speaker 1>also uh she's a mixed race person. And kJ Appa,

0:18:51.640 --> 0:18:54.520
<v Speaker 1>who plays Archie on Riverdale, a show that we've mentioned

0:18:54.560 --> 0:18:59.680
<v Speaker 1>on this podcast previously and plays Chris in the in

0:19:00.080 --> 0:19:02.960
<v Speaker 1>the show, is also a mixed race person, which a

0:19:03.040 --> 0:19:06.000
<v Speaker 1>lot of people I think don't know. Um. He is

0:19:06.400 --> 0:19:10.800
<v Speaker 1>a quarter Maori and his dad is a chief in

0:19:11.119 --> 0:19:14.920
<v Speaker 1>the Maori tradition, which um. I think it's interesting how

0:19:15.160 --> 0:19:17.960
<v Speaker 1>all of these people are mixed race but are coded

0:19:18.000 --> 0:19:19.960
<v Speaker 1>in different ways. So we look at Chris, we're supposed

0:19:19.960 --> 0:19:23.159
<v Speaker 1>to say Chris is white, but also he has this

0:19:23.280 --> 0:19:25.600
<v Speaker 1>indigenous community that he is a part of, and he

0:19:25.840 --> 0:19:29.440
<v Speaker 1>and kJ Appa has never distanced himself from this community

0:19:29.480 --> 0:19:31.320
<v Speaker 1>and is very open about it and has been since

0:19:31.359 --> 0:19:34.760
<v Speaker 1>the beginning of his career in New Zealand. UM And

0:19:35.040 --> 0:19:39.440
<v Speaker 1>obviously Amana Stenberg is very open about fighting for black rights,

0:19:39.680 --> 0:19:43.840
<v Speaker 1>and they're very open about black power and fighting for

0:19:44.119 --> 0:19:48.960
<v Speaker 1>equality for black people. And uh, Megan Lawless, I don't

0:19:49.119 --> 0:19:51.439
<v Speaker 1>know as much, but I know that in an interview

0:19:51.520 --> 0:19:53.120
<v Speaker 1>she said that she's felt that she's had to hide

0:19:53.160 --> 0:19:55.000
<v Speaker 1>her Chinese side at times and had to hide her

0:19:55.000 --> 0:19:57.720
<v Speaker 1>white side at times, and I did feel like having

0:19:57.800 --> 0:20:00.960
<v Speaker 1>her be mixed race kind of took some of the

0:20:01.040 --> 0:20:04.119
<v Speaker 1>air out of the sales of the Maya Story, and

0:20:04.200 --> 0:20:09.000
<v Speaker 1>they didn't explore that more, and she wasn't really They

0:20:09.080 --> 0:20:11.240
<v Speaker 1>never mentioned her last name, they never mentioned anything about

0:20:11.240 --> 0:20:14.520
<v Speaker 1>her family. I think if you didn't didn't read the book,

0:20:14.760 --> 0:20:17.200
<v Speaker 1>I mean visually, that you might not have been able

0:20:17.240 --> 0:20:21.080
<v Speaker 1>to gauge that. Yeah, if you didn't read the book,

0:20:21.080 --> 0:20:22.679
<v Speaker 1>you'd be like, Wow, it's cool that they gave her

0:20:22.720 --> 0:20:26.760
<v Speaker 1>a diverse friend and I'm like, no, that's intentional. It's

0:20:26.800 --> 0:20:29.040
<v Speaker 1>it's supposed to be a big part of it. Yeah,

0:20:29.119 --> 0:20:31.399
<v Speaker 1>it was interesting that they cut that out because you

0:20:31.560 --> 0:20:33.960
<v Speaker 1>only see Maya not getting it, and then you see

0:20:34.040 --> 0:20:38.600
<v Speaker 1>her at the end with Chris and Star when everything

0:20:38.720 --> 0:20:42.320
<v Speaker 1>is like all pals ready to go um, and I

0:20:42.440 --> 0:20:49.320
<v Speaker 1>was like, no, movie, don't. Yeah, it's like we missed

0:20:49.400 --> 0:20:55.560
<v Speaker 1>every second of growth in may We missed their packed

0:20:55.760 --> 0:20:59.320
<v Speaker 1>to stick together, which I thought was super important. Yeah,

0:20:59.680 --> 0:21:02.479
<v Speaker 1>and I think that we do have those moments as

0:21:02.600 --> 0:21:07.440
<v Speaker 1>people of color, and I mean it's real, and even

0:21:07.480 --> 0:21:09.480
<v Speaker 1>if you were not of the same color, of the

0:21:09.560 --> 0:21:12.800
<v Speaker 1>same community, within your color, it's like when we are

0:21:12.840 --> 0:21:15.280
<v Speaker 1>in primarily white spaces where like I got you, I

0:21:15.400 --> 0:21:17.680
<v Speaker 1>see you, I'm here to stick up for you. I

0:21:17.920 --> 0:21:20.160
<v Speaker 1>went to Cachella with a large group of people one

0:21:20.240 --> 0:21:22.840
<v Speaker 1>time and only one other person was a person of color,

0:21:23.040 --> 0:21:25.159
<v Speaker 1>and I felt super left out of everything that was

0:21:25.240 --> 0:21:28.480
<v Speaker 1>happening with my group and they were exceedingly rude to

0:21:28.520 --> 0:21:30.200
<v Speaker 1>me in a lot of instances, and the only other

0:21:30.240 --> 0:21:32.680
<v Speaker 1>person of color in the group was the one who

0:21:32.840 --> 0:21:35.560
<v Speaker 1>was like there for me at every turn. And I

0:21:35.680 --> 0:21:39.960
<v Speaker 1>saw that and I recognized that, and it was very

0:21:41.280 --> 0:21:43.760
<v Speaker 1>if there was a kinship there where he was like, no,

0:21:43.960 --> 0:21:45.720
<v Speaker 1>I see you, and I see what they're doing to you.

0:21:46.480 --> 0:21:48.080
<v Speaker 1>And neither of us wanted to be like, hey, you

0:21:48.160 --> 0:21:50.680
<v Speaker 1>guys are fucked up. And there wasn't anything we could

0:21:50.720 --> 0:21:53.200
<v Speaker 1>point to specifically that was like, ah, you called Karama

0:21:53.280 --> 0:21:56.879
<v Speaker 1>the N word. But there was something there and he

0:21:57.000 --> 0:21:58.880
<v Speaker 1>saw it. He made sure I was included at every

0:21:58.920 --> 0:22:03.280
<v Speaker 1>turn when everyone was trying you know, Yeahma, we gotta go.

0:22:03.680 --> 0:22:06.280
<v Speaker 1>Then this book club is going to Coachello when things

0:22:06.400 --> 0:22:11.399
<v Speaker 1>can happen again. Absolutely, it's very hot there though I

0:22:11.400 --> 0:22:13.800
<v Speaker 1>don't know if you don't want to know, it sounds terrible,

0:22:13.920 --> 0:22:19.159
<v Speaker 1>but I've got a lot of Palusa and stay at

0:22:19.200 --> 0:22:23.359
<v Speaker 1>my parents house. Great, okay, awesome. You promised me that

0:22:23.440 --> 0:22:26.200
<v Speaker 1>I could come and visit your parents, So I'm taking

0:22:26.200 --> 0:22:27.720
<v Speaker 1>you up my mom and dad. They I mean, my

0:22:27.800 --> 0:22:30.040
<v Speaker 1>parents say they listened to this podcast. Let's call their

0:22:30.080 --> 0:22:32.600
<v Speaker 1>bluff if you listen to this. Uh. I hope, I

0:22:32.680 --> 0:22:35.040
<v Speaker 1>hope Karama's coming and everyone's coming to come to l

0:22:35.160 --> 0:22:37.920
<v Speaker 1>of Palusa. I can't wait. Put us up for free.

0:22:37.960 --> 0:22:49.520
<v Speaker 1>Schwartz is this is popcorn book Club we'll be right

0:22:49.560 --> 0:22:58.840
<v Speaker 1>back after this quick break. Okay, we're back with Popcorn

0:22:58.920 --> 0:23:04.240
<v Speaker 1>Book Club a moment before we move on. Um. I

0:23:04.440 --> 0:23:07.679
<v Speaker 1>love in this part that Star lies about period cramps

0:23:07.720 --> 0:23:13.119
<v Speaker 1>to get picked up by uncle, because I'm just like, again,

0:23:13.240 --> 0:23:16.480
<v Speaker 1>you are reminded that these are teenagers. They're like so young,

0:23:16.680 --> 0:23:19.240
<v Speaker 1>and like, how many of us have lied about period cramps?

0:23:19.320 --> 0:23:25.200
<v Speaker 1>I have lied about about what? Oh, I certainly did.

0:23:25.400 --> 0:23:30.320
<v Speaker 1>I also do what I felt like. Another sweet detail

0:23:30.359 --> 0:23:33.280
<v Speaker 1>about that to me was you could see how Carlos

0:23:33.640 --> 0:23:36.440
<v Speaker 1>is this father figure, Like if it was not a

0:23:36.560 --> 0:23:39.560
<v Speaker 1>father figure, Like, could you imagine at sixteen telling anyone

0:23:39.680 --> 0:23:42.800
<v Speaker 1>but your mom and dad even that you have period

0:23:42.880 --> 0:23:46.280
<v Speaker 1>cramps or like you know, or any man, any other

0:23:46.359 --> 0:23:48.720
<v Speaker 1>man besides your father. So I felt like there was

0:23:48.920 --> 0:23:52.159
<v Speaker 1>that sweet intimacy. And obviously Carlos knows that she's like

0:23:52.760 --> 0:23:57.560
<v Speaker 1>full of it, but I like that detail. Yeah, I

0:23:57.640 --> 0:24:00.320
<v Speaker 1>will say I did tell my technical theater and action

0:24:00.600 --> 0:24:03.560
<v Speaker 1>teacher in college that I had period cramps because I

0:24:03.600 --> 0:24:05.879
<v Speaker 1>did not want to go to class. I was not lying,

0:24:06.440 --> 0:24:09.399
<v Speaker 1>but I was like, I can't operate a saw. I

0:24:09.680 --> 0:24:11.960
<v Speaker 1>just don't think that you should trust me with the saw.

0:24:12.000 --> 0:24:13.280
<v Speaker 1>And he was like stay home, never talked to me

0:24:13.320 --> 0:24:20.160
<v Speaker 1>about I think. Sorry, back to the relationship with Carlos,

0:24:20.560 --> 0:24:25.320
<v Speaker 1>I love that DeVante subplot when he was staying with

0:24:25.600 --> 0:24:29.359
<v Speaker 1>Carlos because we did sort of see we we got

0:24:29.440 --> 0:24:32.040
<v Speaker 1>Carlos reconciling and growing with this idea of what it

0:24:32.119 --> 0:24:34.280
<v Speaker 1>meant to leave the community, but what it meant to

0:24:34.359 --> 0:24:38.639
<v Speaker 1>them help and contribute. And I liked him feeling like

0:24:38.800 --> 0:24:42.520
<v Speaker 1>he's responsible for Davante and and helping him along and

0:24:43.119 --> 0:24:46.280
<v Speaker 1>and really, yeah, it is a nuanced and complicated issue

0:24:46.320 --> 0:24:48.960
<v Speaker 1>about like whether you leave or whether you stay, and

0:24:49.040 --> 0:24:51.760
<v Speaker 1>I think it's one that doesn't have a single answer.

0:24:52.080 --> 0:24:54.840
<v Speaker 1>As as seen by in the movie, they stay in

0:24:54.920 --> 0:24:57.560
<v Speaker 1>the community, and in the book they moved to a

0:24:57.640 --> 0:25:01.680
<v Speaker 1>place that sort of a compromise is between uh, the

0:25:02.080 --> 0:25:05.880
<v Speaker 1>gated community that Carlos lives in and and Garden Heights.

0:25:05.960 --> 0:25:09.359
<v Speaker 1>They sort of just end up living in a a

0:25:09.520 --> 0:25:13.040
<v Speaker 1>more diverse neighborhood. It's a little bit out of town. Yeah,

0:25:13.320 --> 0:25:16.800
<v Speaker 1>we should talk about the Vante plot as well, because yes,

0:25:17.000 --> 0:25:20.119
<v Speaker 1>I want to say something about DeVante really quickly. I

0:25:20.240 --> 0:25:22.240
<v Speaker 1>missed that he was kind of the only character that

0:25:22.359 --> 0:25:27.000
<v Speaker 1>really called Chris out on anything. Um and I feel

0:25:27.080 --> 0:25:31.320
<v Speaker 1>like there is no addressing of the fact that Chris

0:25:31.560 --> 0:25:33.959
<v Speaker 1>is to use a term that Davante used a wigger

0:25:34.480 --> 0:25:37.720
<v Speaker 1>like he very much, a term that I feel like

0:25:37.800 --> 0:25:39.639
<v Speaker 1>should come back in vogue. I feel like I'm going

0:25:39.680 --> 0:25:43.320
<v Speaker 1>to say that that very That's not a word I'm

0:25:43.400 --> 0:25:51.159
<v Speaker 1>comfortable using. It's a different letter word. I am not

0:25:51.320 --> 0:25:53.080
<v Speaker 1>at all trying to trick you. I've never tried to

0:25:53.119 --> 0:25:55.600
<v Speaker 1>trick you into saying the N word before, and I

0:25:55.680 --> 0:25:58.359
<v Speaker 1>won't do it today. I don't want you to say it,

0:26:00.200 --> 0:26:02.199
<v Speaker 1>which you don't. I think it's very clear. I can

0:26:02.240 --> 0:26:04.600
<v Speaker 1>say now here and now Dani Schwartz does not say

0:26:04.640 --> 0:26:10.720
<v Speaker 1>the N word. Your face is hilarious. But I think

0:26:10.800 --> 0:26:13.120
<v Speaker 1>that there are moments that he has in the book

0:26:13.160 --> 0:26:15.720
<v Speaker 1>where he like asks, He's like, Okay, so wait, you

0:26:15.800 --> 0:26:17.920
<v Speaker 1>guys were just like saying stuff about white people. So

0:26:18.040 --> 0:26:20.040
<v Speaker 1>can I ask why you guys have like weird names?

0:26:20.480 --> 0:26:23.520
<v Speaker 1>Which is a huge trigger for me, as I have

0:26:23.960 --> 0:26:27.720
<v Speaker 1>an atypical for American society name, and I'm just like,

0:26:28.440 --> 0:26:31.280
<v Speaker 1>why would you ask that? And most people don't know

0:26:31.520 --> 0:26:33.840
<v Speaker 1>what their names mean, and I just think it's really

0:26:33.880 --> 0:26:37.960
<v Speaker 1>interesting that people who have names that aren't Susan or

0:26:38.440 --> 0:26:42.800
<v Speaker 1>Sarah or Rebecca or any number of like quote unquote

0:26:42.840 --> 0:26:45.480
<v Speaker 1>regular names that have been very normalized in American society

0:26:45.520 --> 0:26:48.359
<v Speaker 1>are expected to be able to answer questions about their

0:26:48.440 --> 0:26:52.080
<v Speaker 1>names all the time. And they do have very intentional

0:26:52.200 --> 0:26:55.240
<v Speaker 1>names in terms of Maverick gave them intentional names, and

0:26:55.320 --> 0:26:57.280
<v Speaker 1>I think that Andrew Thomas does a really great job

0:26:57.359 --> 0:27:00.720
<v Speaker 1>of choosing intentional names. Like the name Maverick is I think,

0:27:00.920 --> 0:27:04.240
<v Speaker 1>very on purpose. But like, do all of you know

0:27:04.359 --> 0:27:06.560
<v Speaker 1>what your name is? My parents just chose it because

0:27:06.600 --> 0:27:12.800
<v Speaker 1>they liked it. Well. Fun fact, your name means arbiter, Dana, yeah,

0:27:12.960 --> 0:27:14.560
<v Speaker 1>or God is my judge? Oh my god? Did you

0:27:14.600 --> 0:27:21.560
<v Speaker 1>look at all our names? I did. I was prepared

0:27:21.680 --> 0:27:26.119
<v Speaker 1>for this conversation. Melissa, your name means bumblebee. It's also

0:27:26.200 --> 0:27:29.359
<v Speaker 1>the Greek nymph that taught man the use of honey

0:27:31.280 --> 0:27:40.159
<v Speaker 1>because it's very also my grandma's room. But that's my things.

0:27:40.240 --> 0:27:43.160
<v Speaker 1>Like people get named after people, I was named after someone.

0:27:43.200 --> 0:27:45.080
<v Speaker 1>I was named after my dad's aunt. That's why my

0:27:45.200 --> 0:27:48.080
<v Speaker 1>name is what it is. Jennifer, your name means white,

0:27:50.320 --> 0:27:56.159
<v Speaker 1>So I'm sorry your name is white, right it was

0:27:56.240 --> 0:28:00.320
<v Speaker 1>supposed to be. And then my parents changed it, which

0:28:00.359 --> 0:28:03.600
<v Speaker 1>also means about two days before I was born because

0:28:03.640 --> 0:28:05.920
<v Speaker 1>they thought it would be too weird. So that's the

0:28:06.000 --> 0:28:11.560
<v Speaker 1>story behind my name. And Tian. I believe your name

0:28:11.600 --> 0:28:14.040
<v Speaker 1>means fairy, but it was from a website that was

0:28:14.160 --> 0:28:17.239
<v Speaker 1>not explicitly Vietnamese, so I only trust them as far

0:28:17.280 --> 0:28:20.280
<v Speaker 1>as I can throw them. So my my full Vietnamese

0:28:20.440 --> 0:28:24.720
<v Speaker 1>name is actually hunt Ian and it's it's it together

0:28:24.880 --> 0:28:36.520
<v Speaker 1>means happy fairy, which is very appropriate for this. The

0:28:36.680 --> 0:28:40.120
<v Speaker 1>dance that the listeners are missing is crucial. I think

0:28:40.200 --> 0:28:42.880
<v Speaker 1>it is so important culturally. That also, so many, like

0:28:43.000 --> 0:28:46.040
<v Speaker 1>white names are just made up. Like Shakespeare just made

0:28:46.120 --> 0:28:48.800
<v Speaker 1>up the name Jessica, by the way, he just made

0:28:48.880 --> 0:28:53.880
<v Speaker 1>up a sound, and so like people, Yeah, that is

0:28:54.000 --> 0:28:57.200
<v Speaker 1>what that is, crazy, like name, you know, like every

0:28:57.320 --> 0:29:01.680
<v Speaker 1>name is just an arbitrary sound. Every name is made up.

0:29:01.720 --> 0:29:04.320
<v Speaker 1>People ask me regularly is your name made up? Which

0:29:04.360 --> 0:29:08.560
<v Speaker 1>I just think the rudest question, incredibly rude. Karama. I

0:29:08.600 --> 0:29:10.959
<v Speaker 1>feel safe. I feel safe asking this since we've all

0:29:11.000 --> 0:29:13.080
<v Speaker 1>talked about our names. So what can you tell us

0:29:13.120 --> 0:29:16.280
<v Speaker 1>about your name? Well, I was named after my dad's aunt,

0:29:17.000 --> 0:29:18.760
<v Speaker 1>who took care of him after his mom died. When

0:29:18.800 --> 0:29:21.800
<v Speaker 1>he was seventeen. So in essence, I'm like named after

0:29:21.920 --> 0:29:25.400
<v Speaker 1>my grand grandma, but it doesn't mean anything in the

0:29:25.480 --> 0:29:27.480
<v Speaker 1>culture where I come from. It's just a family name.

0:29:28.240 --> 0:29:30.000
<v Speaker 1>The time that I felt the most scene in my

0:29:30.120 --> 0:29:32.200
<v Speaker 1>life was when I was living in Ghana and I

0:29:32.320 --> 0:29:35.520
<v Speaker 1>had a teacher who was like, oh, your name's Karama.

0:29:35.720 --> 0:29:37.880
<v Speaker 1>You're a Chim which is the ethnic group that I

0:29:37.960 --> 0:29:39.520
<v Speaker 1>come from there. And I was like, you see me,

0:29:39.680 --> 0:29:43.120
<v Speaker 1>you know me. It's not a common name in Ghana either.

0:29:43.280 --> 0:29:46.320
<v Speaker 1>That's why I was like, oh, man, even here, I'm

0:29:46.360 --> 0:29:50.880
<v Speaker 1>a weirdo. Um. But in Arabic, apparently people have told

0:29:50.920 --> 0:29:53.920
<v Speaker 1>me this, it means dignity and generosity. If you are

0:29:53.960 --> 0:29:57.480
<v Speaker 1>a listener who speaks Arabic and I am wrong, please

0:29:57.600 --> 0:30:00.200
<v Speaker 1>feel free to at me on Twitter and on me.

0:30:00.720 --> 0:30:02.720
<v Speaker 1>All right, So back to the book. Um, we were

0:30:02.720 --> 0:30:04.680
<v Speaker 1>going to talk about the Davante subplot, because I do

0:30:04.760 --> 0:30:06.720
<v Speaker 1>think that's important and if we talk about nothing else,

0:30:06.800 --> 0:30:10.400
<v Speaker 1>we should talk about Davante's character and how he advances

0:30:10.480 --> 0:30:13.000
<v Speaker 1>the book. Jen do you want to take So Davante

0:30:13.520 --> 0:30:18.920
<v Speaker 1>is working for King, and King wants him to I

0:30:19.040 --> 0:30:22.040
<v Speaker 1>think execute the first thing who shot his brother at

0:30:22.080 --> 0:30:25.320
<v Speaker 1>the party and Davante really does not want to do that,

0:30:25.640 --> 0:30:29.760
<v Speaker 1>and it becomes very clear when Star and Mavericks see

0:30:29.840 --> 0:30:32.959
<v Speaker 1>him just lingering in Maverick's corner store a little bit

0:30:33.000 --> 0:30:37.480
<v Speaker 1>too long, um, and it becomes very clear that he's

0:30:37.680 --> 0:30:42.080
<v Speaker 1>hiding from King and the king Lords. And he starts

0:30:42.120 --> 0:30:46.080
<v Speaker 1>talking to Maverick about the situation he's in. How he

0:30:46.200 --> 0:30:48.800
<v Speaker 1>wants to know how Maverick got o would of being

0:30:48.840 --> 0:30:52.239
<v Speaker 1>in the king Lords, and Bathicks says, well, I went

0:30:52.320 --> 0:30:54.920
<v Speaker 1>to jail for them, so that's how I got out,

0:30:55.560 --> 0:31:02.280
<v Speaker 1>and it does not want to go to jail very

0:31:02.520 --> 0:31:08.280
<v Speaker 1>very understandably, so he but he's clearly trying to get

0:31:08.320 --> 0:31:11.280
<v Speaker 1>out of life in the king Lords. And for a

0:31:11.400 --> 0:31:16.160
<v Speaker 1>little while he works in maverick shop. Um, he's working

0:31:16.200 --> 0:31:21.160
<v Speaker 1>pretty hard. Um. Maverick asked what kind of grades he makes.

0:31:21.240 --> 0:31:23.200
<v Speaker 1>He says he makes A S and B S at school.

0:31:23.440 --> 0:31:26.400
<v Speaker 1>He's not dumb. Um. He has a little bit of

0:31:26.440 --> 0:31:31.240
<v Speaker 1>a flirtatious chemistry with Star, and eventually it becomes very

0:31:31.320 --> 0:31:35.720
<v Speaker 1>clear that King is looking for him and is going

0:31:35.880 --> 0:31:40.200
<v Speaker 1>to find him and do something ambiguously horrible to him.

0:31:40.840 --> 0:31:44.360
<v Speaker 1>So they send Avante off to live with Uncle Carlos,

0:31:44.720 --> 0:31:48.160
<v Speaker 1>and that means that he is also living down the

0:31:48.240 --> 0:31:53.400
<v Speaker 1>street from Chris uh Star's boyfriend, and it brings those

0:31:53.440 --> 0:31:56.320
<v Speaker 1>two people into contact with each other, so we can

0:31:56.360 --> 0:31:58.920
<v Speaker 1>talk a little bit about that. They sort of have

0:31:59.120 --> 0:32:03.120
<v Speaker 1>this then, like a horrible cute little friendship playing video

0:32:03.200 --> 0:32:06.720
<v Speaker 1>games together. And I think it helps Chris, who sort

0:32:06.760 --> 0:32:10.480
<v Speaker 1>of I think a better well developed character in the

0:32:10.560 --> 0:32:12.840
<v Speaker 1>book because I think we get more of him than

0:32:13.040 --> 0:32:14.640
<v Speaker 1>he and he is in the movie. But we do

0:32:14.760 --> 0:32:18.960
<v Speaker 1>see Chris actively trying to understand where Star comes from,

0:32:19.080 --> 0:32:21.960
<v Speaker 1>and I think that hanging out with Davante then helps

0:32:22.040 --> 0:32:26.280
<v Speaker 1>him in that world. And then the Davante subplot is

0:32:26.320 --> 0:32:29.640
<v Speaker 1>what gets Start back to the neighborhood the night of

0:32:29.960 --> 0:32:34.840
<v Speaker 1>the riots and protests. First, Davante leaves and they don't

0:32:34.880 --> 0:32:36.240
<v Speaker 1>know what happened to him, and it turned out he

0:32:36.280 --> 0:32:38.719
<v Speaker 1>went back to the neighborhood and he got jumped by

0:32:38.840 --> 0:32:42.320
<v Speaker 1>the king lords. Um. I think it's important to say

0:32:42.320 --> 0:32:44.280
<v Speaker 1>he went back to the neighborhood because he wanted to

0:32:44.360 --> 0:32:47.200
<v Speaker 1>go to his sorry to be with his brother's grave,

0:32:47.320 --> 0:32:50.960
<v Speaker 1>but gets jumped and they go back into Garden Heights,

0:32:51.040 --> 0:32:53.880
<v Speaker 1>which is, for the record, a fictional community, and they

0:32:53.920 --> 0:32:55.680
<v Speaker 1>never say what state it's in, which I also thought

0:32:55.760 --> 0:32:58.960
<v Speaker 1>was really important because I think there's a lot of

0:33:00.000 --> 0:33:02.520
<v Speaker 1>there's a lot of an erroneous belief that stuff like

0:33:02.600 --> 0:33:06.120
<v Speaker 1>this only happens in the South, and that's not true

0:33:06.160 --> 0:33:08.680
<v Speaker 1>at all, And by not giving it an actual state,

0:33:08.760 --> 0:33:10.480
<v Speaker 1>it could be in any state, it could be in

0:33:10.640 --> 0:33:13.640
<v Speaker 1>your state. Listener, So these things do happen in your

0:33:13.720 --> 0:33:17.280
<v Speaker 1>state unless you live in insert state here. I'm kidding

0:33:17.600 --> 0:33:20.320
<v Speaker 1>that happens. I'm gonna go super fast over this just

0:33:20.440 --> 0:33:22.360
<v Speaker 1>to to wrap it up, so I might miss one

0:33:22.480 --> 0:33:27.400
<v Speaker 1>or two things. But they go and they find uh Davante,

0:33:27.480 --> 0:33:30.960
<v Speaker 1>who's basically bleeding out on the second floor of of

0:33:31.160 --> 0:33:33.920
<v Speaker 1>King's house, and they were able to get in because

0:33:34.000 --> 0:33:39.080
<v Speaker 1>of Seven, who's also King's stepson sort of you know,

0:33:39.200 --> 0:33:42.760
<v Speaker 1>by his mother, and Kenya, who's King's daughter, and they

0:33:42.880 --> 0:33:48.040
<v Speaker 1>they help basically rescue h DeVante with the help of Ayisha,

0:33:48.200 --> 0:33:52.000
<v Speaker 1>who Seven had been so embarrassed by and sort of

0:33:52.000 --> 0:33:55.760
<v Speaker 1>ashamed by and thinks of as a as you know,

0:33:56.120 --> 0:33:58.840
<v Speaker 1>a woman who over indulges King in a way that

0:33:58.960 --> 0:34:03.120
<v Speaker 1>he finds really um troubling. And then he doesn't even

0:34:03.240 --> 0:34:05.760
<v Speaker 1>realize stars the one who realizes, like, no, he just

0:34:05.920 --> 0:34:08.720
<v Speaker 1>she just saved you. Like she went back to distract

0:34:08.840 --> 0:34:12.320
<v Speaker 1>King and said, take your sister, both of your sisters.

0:34:12.600 --> 0:34:14.880
<v Speaker 1>Not because she was tired, but not because like, oh

0:34:15.040 --> 0:34:17.239
<v Speaker 1>just get rid of your sisters because I'm tired of them,

0:34:17.600 --> 0:34:20.480
<v Speaker 1>but because she was actively protecting them. Because when King

0:34:20.520 --> 0:34:22.319
<v Speaker 1>saw Davante was going to be gone, he was going

0:34:22.400 --> 0:34:26.200
<v Speaker 1>to beat someone. She essentially, I mean she didn't die,

0:34:26.280 --> 0:34:30.279
<v Speaker 1>but she essentially sacrificed herself. She sacrificed her health. She

0:34:30.360 --> 0:34:34.320
<v Speaker 1>put herself in danger in order to protect and save

0:34:34.760 --> 0:34:38.279
<v Speaker 1>her children because because knowing that she would um get

0:34:38.520 --> 0:34:41.440
<v Speaker 1>beaten once he discovers what hap. I think there's a

0:34:41.520 --> 0:34:45.200
<v Speaker 1>constant theme throughout this book of people being willing to

0:34:45.280 --> 0:34:48.640
<v Speaker 1>put themselves in positions of tremendous danger to defend people

0:34:48.719 --> 0:34:53.879
<v Speaker 1>that they love. Khalil Um at the beginning, they talked

0:34:53.880 --> 0:34:57.440
<v Speaker 1>about how he wanted to make money because he wanted

0:34:57.480 --> 0:35:00.719
<v Speaker 1>to help his mom. He was still trying to his mother.

0:35:01.239 --> 0:35:04.520
<v Speaker 1>His last words were asking if Starr was okay speaking

0:35:04.560 --> 0:35:09.120
<v Speaker 1>of sacrifice and putting yourself in danger. You know, after

0:35:10.239 --> 0:35:13.800
<v Speaker 1>the protests and the riots and they almost die in

0:35:14.000 --> 0:35:19.479
<v Speaker 1>maps shop because King King's guys throw in a what's

0:35:19.480 --> 0:35:23.759
<v Speaker 1>it called tail and they almost die and it's this

0:35:24.000 --> 0:35:27.440
<v Speaker 1>very scary scene and they're rescued. And then when everyone

0:35:28.560 --> 0:35:32.600
<v Speaker 1>snitches on King and they realized that King will will

0:35:32.640 --> 0:35:35.719
<v Speaker 1>be out by the end of the week. Um, Davante

0:35:36.239 --> 0:35:39.840
<v Speaker 1>says that he will. Um, he will be an informant

0:35:40.000 --> 0:35:42.319
<v Speaker 1>and tell them where the drugs are so that they

0:35:42.520 --> 0:35:45.040
<v Speaker 1>will that he will stay in prison and that is

0:35:45.840 --> 0:35:49.480
<v Speaker 1>his his sacrifice, you know. Um at the end of

0:35:49.520 --> 0:35:53.319
<v Speaker 1>the book, which also speaks to mandatory minimums and how

0:35:53.440 --> 0:36:01.000
<v Speaker 1>drug charges have much longer sentences murder. Yeah, the book,

0:36:01.080 --> 0:36:03.600
<v Speaker 1>which the film doesn't get into, but is I am

0:36:03.680 --> 0:36:07.360
<v Speaker 1>really excellent well and the end of the film is

0:36:07.480 --> 0:36:11.560
<v Speaker 1>very different with Sakani having the gun, and I understand

0:36:11.600 --> 0:36:14.920
<v Speaker 1>that it needed something stronger visually. Uh, and it was

0:36:15.000 --> 0:36:17.640
<v Speaker 1>definitely very strong. I was like, oh no, my sweet baby,

0:36:17.840 --> 0:36:20.160
<v Speaker 1>because I love Sakani, He's my favorite. I love that.

0:36:20.200 --> 0:36:21.800
<v Speaker 1>The first scene we see him in the movie is

0:36:21.880 --> 0:36:27.480
<v Speaker 1>him peeing wrong. He's just missing, he's just missing the toilet. Um.

0:36:29.239 --> 0:36:33.000
<v Speaker 1>They don't get into. Yeah, his name means joy since

0:36:33.040 --> 0:36:39.400
<v Speaker 1>we're on name meanings. UM. I think that it's important,

0:36:39.640 --> 0:36:42.640
<v Speaker 1>I guess for the plot development to have it wrap

0:36:42.800 --> 0:36:45.520
<v Speaker 1>up with the hate you give little infants and show

0:36:45.719 --> 0:36:48.759
<v Speaker 1>this is it. This is the visual manifestation at This

0:36:49.080 --> 0:36:53.080
<v Speaker 1>is Sakani holding a gun at Kang saying leave my

0:36:53.200 --> 0:36:57.160
<v Speaker 1>daddy alone. And it fox everyone because if the police,

0:36:57.320 --> 0:36:59.360
<v Speaker 1>I was surprised the police didn't arrest him. But the

0:36:59.400 --> 0:37:03.640
<v Speaker 1>police show up point guns. It succoming and I think

0:37:03.760 --> 0:37:05.120
<v Speaker 1>part of it if he had been a white kid

0:37:05.160 --> 0:37:07.040
<v Speaker 1>with a gun, it would have maybe been a slightly

0:37:07.080 --> 0:37:09.600
<v Speaker 1>different situation, especially because he didn't have his gun pointed

0:37:09.640 --> 0:37:14.600
<v Speaker 1>at anybody else. Another I mean important moment in the

0:37:15.000 --> 0:37:19.640
<v Speaker 1>in the book sort of a climax is during the protest, uh,

0:37:20.600 --> 0:37:23.480
<v Speaker 1>Star gets the courage to climb on a car and

0:37:23.560 --> 0:37:25.879
<v Speaker 1>grab a megaphone and use it to to talk about

0:37:25.920 --> 0:37:29.440
<v Speaker 1>her experience publicly about being the witness. And that was

0:37:30.239 --> 0:37:32.560
<v Speaker 1>that's her I think, you know, big moment to her

0:37:32.640 --> 0:37:34.880
<v Speaker 1>act of courage, just being able to publicly speak out

0:37:34.920 --> 0:37:39.000
<v Speaker 1>about this and and hold the weapon of the megaphone.

0:37:39.520 --> 0:37:43.360
<v Speaker 1>I thought one motif that I thought was really beautiful

0:37:43.600 --> 0:37:48.120
<v Speaker 1>was the literal ways in which Star finds her voice

0:37:48.760 --> 0:37:53.040
<v Speaker 1>throughout the story that it starts with her. You know,

0:37:53.239 --> 0:37:55.839
<v Speaker 1>she doesn't tell her friends at school, she doesn't tell

0:37:56.000 --> 0:37:58.800
<v Speaker 1>Chris she has to go to the police, like or

0:37:58.880 --> 0:38:02.520
<v Speaker 1>she decides she wants to, but she tries to back

0:38:02.560 --> 0:38:06.600
<v Speaker 1>out at a certain point. And then after that experience,

0:38:06.719 --> 0:38:09.359
<v Speaker 1>you know, she talks to the grand jury and then

0:38:09.480 --> 0:38:12.640
<v Speaker 1>she does the interview, but the interview is still anonymous

0:38:12.840 --> 0:38:16.480
<v Speaker 1>and so and then that final moment was so I mean,

0:38:16.560 --> 0:38:20.160
<v Speaker 1>it felt so emotional of her getting on that cop

0:38:20.239 --> 0:38:23.600
<v Speaker 1>car and it was that true moment of her finding

0:38:23.640 --> 0:38:28.200
<v Speaker 1>her voice with a literal bullhorn. And I just loved

0:38:28.320 --> 0:38:30.160
<v Speaker 1>that arc. And now we can go back to the

0:38:30.200 --> 0:38:34.640
<v Speaker 1>grand jury. But I just thought the way Angie wrote

0:38:34.760 --> 0:38:38.040
<v Speaker 1>those and sort of but and talking to Chris at

0:38:38.120 --> 0:38:41.640
<v Speaker 1>prom about it too, was like it was each like

0:38:41.880 --> 0:38:44.959
<v Speaker 1>unfolding of it and opening up and speaking her truth.

0:38:45.080 --> 0:38:52.400
<v Speaker 1>I just thought it was so beautiful. You're listening to

0:38:52.480 --> 0:38:54.840
<v Speaker 1>Popcorn Book Club for My Heart Radio and we'll be

0:38:54.920 --> 0:39:06.960
<v Speaker 1>back right after the break. So we're back with Popcorn

0:39:07.040 --> 0:39:13.839
<v Speaker 1>Book Club for My Heart Radio. I know that, um,

0:39:14.280 --> 0:39:17.279
<v Speaker 1>for queer people, you have to come out multiple times.

0:39:17.320 --> 0:39:19.239
<v Speaker 1>Like everybody's like, oh, you came out, and it's like, no,

0:39:19.400 --> 0:39:22.360
<v Speaker 1>I have to come out all the time. If I

0:39:22.440 --> 0:39:25.800
<v Speaker 1>ever have a partner that is like I personally am bisexual,

0:39:25.840 --> 0:39:28.040
<v Speaker 1>So if I have a partner who is of a

0:39:28.160 --> 0:39:30.319
<v Speaker 1>similar gender to me than I have to be like, yes,

0:39:30.440 --> 0:39:33.320
<v Speaker 1>this is a thing, and like, particularly because I have

0:39:33.560 --> 0:39:36.680
<v Speaker 1>dated people who were not of similar genders to me,

0:39:36.800 --> 0:39:38.719
<v Speaker 1>then I have to come out again. And I think

0:39:38.840 --> 0:39:43.960
<v Speaker 1>that being black and having intimate relationships with white people,

0:39:44.000 --> 0:39:47.520
<v Speaker 1>whether it's friendship, whether it's family in some people's cases,

0:39:48.160 --> 0:39:51.120
<v Speaker 1>or whether it is a relationship, you have to in

0:39:51.200 --> 0:39:53.279
<v Speaker 1>a way sort of come out over and over again

0:39:53.360 --> 0:39:56.240
<v Speaker 1>and show them aspects of your blackness over and over again,

0:39:56.800 --> 0:39:59.319
<v Speaker 1>and like they're just things that you don't talk about.

0:39:59.360 --> 0:40:00.920
<v Speaker 1>Like I have a friend and who's going to be

0:40:01.000 --> 0:40:04.239
<v Speaker 1>in prison until and I don't talk about that a lot.

0:40:04.480 --> 0:40:06.560
<v Speaker 1>And when I do talk about it, I feel bad

0:40:07.080 --> 0:40:08.840
<v Speaker 1>because I'm like, I just dumped a whole bunch of

0:40:08.880 --> 0:40:12.560
<v Speaker 1>stuff on you, and my friends are like, well, now

0:40:12.640 --> 0:40:16.160
<v Speaker 1>I understand a lot more about you and why certain

0:40:16.239 --> 0:40:18.640
<v Speaker 1>things maybe get under your skin. And like, I think

0:40:18.719 --> 0:40:22.400
<v Speaker 1>that people should be able to vote after they've served

0:40:22.440 --> 0:40:29.359
<v Speaker 1>their time. That's not it's ridiculous um for parties. It's

0:40:29.520 --> 0:40:33.320
<v Speaker 1>saying that that doesn't happen. I also believe that people

0:40:33.440 --> 0:40:35.880
<v Speaker 1>should be able to vote while they're in prison. I

0:40:35.960 --> 0:40:38.520
<v Speaker 1>know that's a little bit more controversial. It does exist

0:40:38.560 --> 0:40:40.719
<v Speaker 1>in some states, but I think at the very least,

0:40:40.800 --> 0:40:43.359
<v Speaker 1>the bare minimum is that if you've served your time,

0:40:43.400 --> 0:40:46.640
<v Speaker 1>you've done your debt to society. We can argue about

0:40:46.680 --> 0:40:50.360
<v Speaker 1>whether prison should even be the punishment because residivism is

0:40:50.400 --> 0:40:53.560
<v Speaker 1>out of control, um and it makes it harder to

0:40:53.640 --> 0:40:55.839
<v Speaker 1>get a job after you've been in prison. Like, being

0:40:55.920 --> 0:40:59.520
<v Speaker 1>in prison truly ruins people's lives. But I think that

0:41:00.760 --> 0:41:03.800
<v Speaker 1>knowing that about me did gives people insight in a

0:41:03.840 --> 0:41:06.359
<v Speaker 1>different way. But it's also a thing that you can't

0:41:06.360 --> 0:41:09.920
<v Speaker 1>just whip out at parties, Like I mean, Dana has

0:41:09.920 --> 0:41:11.720
<v Speaker 1>known me for years and years and she just found

0:41:11.760 --> 0:41:14.040
<v Speaker 1>that out right now as we're recording a podcast. And

0:41:14.440 --> 0:41:17.680
<v Speaker 1>I've known this friend, my friend who is incarcerated currently,

0:41:18.120 --> 0:41:20.040
<v Speaker 1>since I was four years old, and he's like my brother.

0:41:20.120 --> 0:41:22.960
<v Speaker 1>He's basically my Davante, And I'm so grateful that he

0:41:23.120 --> 0:41:27.320
<v Speaker 1>is alive and that when he was arrested he survived that.

0:41:28.200 --> 0:41:32.279
<v Speaker 1>But it's also like at what costs, Like what life

0:41:32.360 --> 0:41:35.560
<v Speaker 1>is he going to have if he gets out right.

0:41:36.239 --> 0:41:38.520
<v Speaker 1>To bring it back to the hate you give, is

0:41:38.600 --> 0:41:41.480
<v Speaker 1>I do feel like it's all part of the same problem,

0:41:41.520 --> 0:41:44.959
<v Speaker 1>where the system of law enforcement is one in which

0:41:45.360 --> 0:41:50.279
<v Speaker 1>someone like one fifteen gets to determine Khalil's entire life

0:41:50.360 --> 0:41:54.800
<v Speaker 1>and death. Where you know, in a different universe, Khalil

0:41:54.920 --> 0:41:57.400
<v Speaker 1>might have been arrested for for drug dealing, you know,

0:41:57.680 --> 0:42:00.799
<v Speaker 1>and that would have been better than murdered, but it's

0:42:00.800 --> 0:42:04.959
<v Speaker 1>still a systemic act of violence against against his body

0:42:05.000 --> 0:42:07.160
<v Speaker 1>where he just can't live as a person in the

0:42:07.239 --> 0:42:10.920
<v Speaker 1>world because the entire system is rigged against him. In

0:42:11.000 --> 0:42:13.640
<v Speaker 1>a different reality, he might have been stopped in frist

0:42:13.960 --> 0:42:17.719
<v Speaker 1>and a lot of stopping frisk does h end up

0:42:18.560 --> 0:42:23.719
<v Speaker 1>as effectively sort of sexual assault where they are violated

0:42:23.920 --> 0:42:26.480
<v Speaker 1>in the people who are stopped and fristed are violated

0:42:26.600 --> 0:42:29.160
<v Speaker 1>by these police officers and there's nothing you can do

0:42:29.280 --> 0:42:31.080
<v Speaker 1>about it. I mean, and you can get raped by

0:42:31.080 --> 0:42:34.400
<v Speaker 1>a police officer legally in like twenty States or something like.

0:42:34.960 --> 0:42:40.200
<v Speaker 1>It'sas which we do not hold police accountable, as what

0:42:40.640 --> 0:42:44.440
<v Speaker 1>why are we letting that happen? Also, in a in

0:42:44.560 --> 0:42:46.919
<v Speaker 1>a very different world, he wouldn't have needed to drug

0:42:47.000 --> 0:42:50.720
<v Speaker 1>deal to pay for his grandmother's cancer treatments because medical

0:42:50.840 --> 0:42:54.640
<v Speaker 1>care would be affordable a marriage is not a good place.

0:42:57.800 --> 0:43:00.600
<v Speaker 1>I mean, there are a good part, and that's the

0:43:00.719 --> 0:43:05.600
<v Speaker 1>thing we are. We're all responsible as people in this

0:43:05.800 --> 0:43:08.880
<v Speaker 1>country for trying to make the good parts outweigh the

0:43:08.920 --> 0:43:11.800
<v Speaker 1>bad parts. And some of the good parts are some

0:43:11.920 --> 0:43:14.440
<v Speaker 1>of the freedoms that we hold, like freedom of speech.

0:43:14.560 --> 0:43:17.480
<v Speaker 1>We get to say all this stuff because of the

0:43:17.560 --> 0:43:21.040
<v Speaker 1>First Amendment in the Constitution. But I think people forget

0:43:21.280 --> 0:43:24.240
<v Speaker 1>that the Constitution is supposed to be a living, breathing document,

0:43:24.640 --> 0:43:26.560
<v Speaker 1>and a lot of people forget that we're saying the

0:43:26.600 --> 0:43:30.000
<v Speaker 1>First Amendment. It wasn't in the Constitution that we got

0:43:30.080 --> 0:43:32.279
<v Speaker 1>freedom of speech. We amended it because we were like, oh,

0:43:32.360 --> 0:43:36.880
<v Speaker 1>that's the thing people should have. And we amended the

0:43:37.120 --> 0:43:42.800
<v Speaker 1>Constitution to abolished slavery. Accept I think that except is

0:43:42.840 --> 0:43:46.560
<v Speaker 1>a big word in the thirteenth Amendment, but we keep

0:43:46.640 --> 0:43:50.759
<v Speaker 1>making changes. We amended the Constitution to prohibit alcohol, and

0:43:50.800 --> 0:43:53.760
<v Speaker 1>then we amended it back because we were like, remember,

0:43:55.840 --> 0:44:00.200
<v Speaker 1>this is the problem. The problem with American exceptionalism when

0:44:00.239 --> 0:44:03.239
<v Speaker 1>people assume that this is the only way. So it's like,

0:44:03.320 --> 0:44:06.880
<v Speaker 1>I think America is exceptional in some ways. It's like, yeah, well,

0:44:06.960 --> 0:44:11.040
<v Speaker 1>great that in theory we have communication and freedoms and changing.

0:44:11.520 --> 0:44:14.520
<v Speaker 1>But that then that idea that America is the best

0:44:15.320 --> 0:44:17.600
<v Speaker 1>bite us in the ass, because then it prevents us

0:44:17.640 --> 0:44:21.239
<v Speaker 1>from making it better. Um. I think it's also a

0:44:21.440 --> 0:44:27.359
<v Speaker 1>culture that actively disparages learning about other cultures. It's one

0:44:27.440 --> 0:44:30.759
<v Speaker 1>of the only My family is Canadian. Um, I was

0:44:30.840 --> 0:44:34.040
<v Speaker 1>born here. I'm a dual citizen. But everybody in my

0:44:34.160 --> 0:44:37.279
<v Speaker 1>family because they're run away. Oh my god, why are

0:44:37.360 --> 0:44:41.160
<v Speaker 1>you still here? Um? It's a really good question, you know.

0:44:41.239 --> 0:44:44.600
<v Speaker 1>I think in the same way, the people in this book,

0:44:44.680 --> 0:44:46.960
<v Speaker 1>to bring it back to the book, can want to

0:44:47.000 --> 0:44:49.400
<v Speaker 1>stay in Garden Heights because you think that if you

0:44:49.560 --> 0:44:52.080
<v Speaker 1>use your voice and you try to be a good person,

0:44:52.200 --> 0:44:55.439
<v Speaker 1>you can make things a little bit better. Maybe that's

0:44:55.560 --> 0:44:58.160
<v Speaker 1>what we're all trying to do with America right now.

0:44:58.440 --> 0:45:02.640
<v Speaker 1>I hope. Um. But yeah, but it's a culture where

0:45:03.280 --> 0:45:06.120
<v Speaker 1>the entire rest of my family speaks French and English.

0:45:06.239 --> 0:45:11.040
<v Speaker 1>Because you learn French in the schools, you also learn English. UM,

0:45:11.320 --> 0:45:15.439
<v Speaker 1>I don't France, never mind. Could I also just say

0:45:15.680 --> 0:45:19.160
<v Speaker 1>on the record, Jennifer, you are the fanciest witch I know. Oh,

0:45:19.520 --> 0:45:28.120
<v Speaker 1>thank you. That's nice of you. Wow, wow shots fires Well,

0:45:28.440 --> 0:45:31.560
<v Speaker 1>thanks thanks Melissa. I think you are fancy, and I

0:45:31.640 --> 0:45:35.480
<v Speaker 1>think you Sorry. You guys have one day invite me

0:45:35.600 --> 0:45:39.200
<v Speaker 1>to a party where the alcohol served is exclusively champagne,

0:45:39.320 --> 0:45:41.600
<v Speaker 1>and then you will also compete for the Fanciest Bitch

0:45:41.640 --> 0:45:46.360
<v Speaker 1>I know award. Um, I will also saying that I

0:45:46.400 --> 0:45:48.880
<v Speaker 1>will ever say. Growing up, I was told never to

0:45:49.000 --> 0:45:54.560
<v Speaker 1>use the word fancy because it's vulgar. See, I'm not

0:45:54.719 --> 0:46:02.560
<v Speaker 1>a fancy fanciest shit I've ever heard. Yeah, that's super Guenevere.

0:46:03.000 --> 0:46:04.960
<v Speaker 1>When you're fancy, We're gonna call you Guenevere from now.

0:46:07.680 --> 0:46:12.640
<v Speaker 1>But I do think actually just to bring the we

0:46:12.640 --> 0:46:16.439
<v Speaker 1>should bring me the pace. Well, in the very first

0:46:16.480 --> 0:46:18.839
<v Speaker 1>scene in the book, I think it's actually the very

0:46:18.920 --> 0:46:21.560
<v Speaker 1>first line in the book, Star says I don't belong here.

0:46:22.160 --> 0:46:24.680
<v Speaker 1>And she's at this party and she's like, I don't

0:46:24.719 --> 0:46:26.719
<v Speaker 1>belong here, and then she says and that's not on

0:46:26.840 --> 0:46:31.560
<v Speaker 1>some bougie ship, which um, I thought was really interesting

0:46:31.719 --> 0:46:35.120
<v Speaker 1>because there is the immediate thing like, well, I'm not bougie.

0:46:35.160 --> 0:46:37.000
<v Speaker 1>I'm not trying to think that I'm better than anybody.

0:46:37.400 --> 0:46:39.600
<v Speaker 1>And I think that there's a lot of defense of

0:46:39.680 --> 0:46:42.279
<v Speaker 1>that that has to happen for Star because she goes

0:46:42.400 --> 0:46:45.279
<v Speaker 1>to this school, and I know that for me when

0:46:45.440 --> 0:46:47.960
<v Speaker 1>I was younger, when I even younger than Star, when

0:46:48.000 --> 0:46:49.960
<v Speaker 1>I was like eleven and twelve, I got called an

0:46:50.040 --> 0:46:53.840
<v Speaker 1>oreo a lot because I liked school. And do you

0:46:53.920 --> 0:46:57.960
<v Speaker 1>guys know that term? Ya? I mean obviously not the cookie,

0:46:58.040 --> 0:47:00.520
<v Speaker 1>but um so for listeners who might not oreo as

0:47:00.520 --> 0:47:02.719
<v Speaker 1>a person who is black on the outside and white

0:47:02.760 --> 0:47:05.200
<v Speaker 1>on the inside. So I got called I got told

0:47:05.239 --> 0:47:07.680
<v Speaker 1>I act white. I got told that I was an oreo.

0:47:07.840 --> 0:47:10.520
<v Speaker 1>And I think, thankfully, because there is less of a

0:47:10.840 --> 0:47:15.200
<v Speaker 1>larger cultural belief, not just in black cultures but in

0:47:15.760 --> 0:47:19.399
<v Speaker 1>American culture, that there is this monolith of blackness, black

0:47:19.520 --> 0:47:22.120
<v Speaker 1>people feel less like they have to hold everybody to

0:47:22.280 --> 0:47:25.080
<v Speaker 1>the standard of this monolith of blackness. And I think

0:47:25.120 --> 0:47:28.279
<v Speaker 1>that one of the reasons that people do that is

0:47:28.400 --> 0:47:31.040
<v Speaker 1>because or not do that, but did that to me

0:47:31.400 --> 0:47:34.759
<v Speaker 1>is because if I am seeing as different from them,

0:47:34.880 --> 0:47:37.319
<v Speaker 1>and I think that I'm better than them, then they

0:47:37.440 --> 0:47:40.360
<v Speaker 1>are worse and they are the people who are getting

0:47:40.360 --> 0:47:42.520
<v Speaker 1>stopped by the police, Like I drive a Prius with

0:47:42.600 --> 0:47:45.680
<v Speaker 1>a brown university sticker on the back, and I think

0:47:45.800 --> 0:47:48.279
<v Speaker 1>that's probably a large part of why I very rarely

0:47:48.320 --> 0:47:50.399
<v Speaker 1>get pulled over by cops. I can count on one

0:47:50.480 --> 0:47:53.640
<v Speaker 1>hand how many times I've been pulled over, and both

0:47:53.719 --> 0:47:56.200
<v Speaker 1>times I was deeply afraid. I was lucky I didn't

0:47:56.200 --> 0:47:58.680
<v Speaker 1>get a ticket either time, But the second time I

0:47:58.840 --> 0:48:01.279
<v Speaker 1>know that it was probably belie the fact that I

0:48:01.400 --> 0:48:03.279
<v Speaker 1>had somebody who was not black in the car with

0:48:03.480 --> 0:48:06.479
<v Speaker 1>me that made it not an altercation of any sort.

0:48:06.680 --> 0:48:09.400
<v Speaker 1>And I think that Star's mom says that you can

0:48:09.400 --> 0:48:12.120
<v Speaker 1>do everything right and things can still go wrong, but

0:48:12.480 --> 0:48:14.719
<v Speaker 1>the important thing is to keep doing right. And she

0:48:14.840 --> 0:48:18.080
<v Speaker 1>said that more in terms of speaking out and speaking up.

0:48:18.719 --> 0:48:23.239
<v Speaker 1>But I feel like Khalil was frustrated because he did

0:48:23.280 --> 0:48:26.480
<v Speaker 1>everything right and he was still getting pulled over. And

0:48:26.600 --> 0:48:28.799
<v Speaker 1>the thing is, you have to keep doing everything right.

0:48:29.320 --> 0:48:31.160
<v Speaker 1>You just still have to keep doing it. It sort

0:48:31.200 --> 0:48:34.120
<v Speaker 1>of reminded me also of when it's so horrible that

0:48:34.400 --> 0:48:36.080
<v Speaker 1>there are so many people that I'm like, do you

0:48:36.160 --> 0:48:40.080
<v Speaker 1>remember when Michael Brown died and it was the phrase

0:48:40.239 --> 0:48:41.880
<v Speaker 1>they I think they used the phrase like he was

0:48:41.960 --> 0:48:46.960
<v Speaker 1>no angel to describe him. Oh yeah, the news, which

0:48:47.040 --> 0:48:51.200
<v Speaker 1>I think making Khalil a drug dealer for like reasons

0:48:51.280 --> 0:48:53.359
<v Speaker 1>justifiable or not, Like he was just like a young

0:48:53.520 --> 0:48:56.480
<v Speaker 1>kid caught up in this community is really important in

0:48:56.560 --> 0:48:59.560
<v Speaker 1>this book because it doesn't make his life any less

0:48:59.640 --> 0:49:01.960
<v Speaker 1>meaning full or valuable. You don't have to be a

0:49:02.120 --> 0:49:04.280
<v Speaker 1>good person. You don't have to be a sweet person

0:49:04.480 --> 0:49:07.360
<v Speaker 1>or a good person or a nice person to not

0:49:08.200 --> 0:49:12.520
<v Speaker 1>to have it be bad that cops indiscriminately murder you. Yeah,

0:49:12.640 --> 0:49:15.200
<v Speaker 1>we don't live in the wild West. Even if you

0:49:15.320 --> 0:49:20.440
<v Speaker 1>are objectively a very bad fully murderous person, Cops shouldn't

0:49:20.440 --> 0:49:22.839
<v Speaker 1>be allowed to just shoot you in the streets when

0:49:22.920 --> 0:49:26.399
<v Speaker 1>you're eating side and they And I think the other

0:49:26.480 --> 0:49:29.640
<v Speaker 1>side of that too, is for Star she's learns in

0:49:29.760 --> 0:49:32.799
<v Speaker 1>that same conversation Karma that you brought up where her

0:49:32.880 --> 0:49:34.840
<v Speaker 1>mom talks to her. Oh, I think. I think they

0:49:34.920 --> 0:49:38.520
<v Speaker 1>go through a blockade to get back into the neighborhood

0:49:38.560 --> 0:49:42.120
<v Speaker 1>as protests are happening, and she's still she has PTSD

0:49:42.239 --> 0:49:45.200
<v Speaker 1>and she's worried about the cops because she also could

0:49:45.239 --> 0:49:47.480
<v Speaker 1>have been killed in that the cop point of the

0:49:47.520 --> 0:49:50.200
<v Speaker 1>gun at her. So like, I think the conversation that

0:49:50.360 --> 0:49:52.239
<v Speaker 1>is that needs to be a part of it too,

0:49:52.320 --> 0:49:55.760
<v Speaker 1>is that there's no amount of respectability that black folks

0:49:56.360 --> 0:50:00.080
<v Speaker 1>can move about in this world without being police to

0:50:00.200 --> 0:50:04.920
<v Speaker 1>buy a violent state in a racist society, and that

0:50:05.120 --> 0:50:09.640
<v Speaker 1>like someone like Star who did everything right, who goes

0:50:09.760 --> 0:50:13.839
<v Speaker 1>to a private school, who is a good kid, could

0:50:13.960 --> 0:50:23.239
<v Speaker 1>also fall victim to stay violence. That's our show for

0:50:23.320 --> 0:50:25.800
<v Speaker 1>the week. Thank you so much for listening. I'm Danis

0:50:25.840 --> 0:50:28.040
<v Speaker 1>Schwartz and you can find me on Twitter at Danish

0:50:28.040 --> 0:50:31.239
<v Speaker 1>Schwartz with three z's. You can follow Jennifer Wright at

0:50:31.360 --> 0:50:35.720
<v Speaker 1>jen Ashley Wright Karama, Donqua is at Karama Drama, Melissa

0:50:35.840 --> 0:50:39.439
<v Speaker 1>Hunter is at Melissa f t W and Tan Tran

0:50:39.640 --> 0:50:41.719
<v Speaker 1>is smart enough to have gotten off Twitter, but she

0:50:41.840 --> 0:50:45.000
<v Speaker 1>is on Insta at Hank Tina. Our executive producer is

0:50:45.080 --> 0:50:49.000
<v Speaker 1>Christopher Hessiotes were produced and edited by Mike Johns. Special

0:50:49.080 --> 0:50:52.400
<v Speaker 1>thanks to David Wasserman. Next week, I am so excited

0:50:52.480 --> 0:50:55.040
<v Speaker 1>to say we sit down with author Angie Thomas to

0:50:55.120 --> 0:50:57.560
<v Speaker 1>talk about the hate you give. I am so excited

0:50:57.600 --> 0:50:59.960
<v Speaker 1>about this conversation. I cannot wait for you all to

0:51:00.080 --> 0:51:02.279
<v Speaker 1>hear it. Popcorn Book Club is a production of I

0:51:02.440 --> 0:51:09.040
<v Speaker 1>Heart Radio. See you next week, m HM.