1
00:00:13,520 --> 00:00:18,880
Speaker 1: Hello, My love it Ken with Randall and I am

2
00:00:18,920 --> 00:00:22,280
Speaker 1: on the road again, so we're basically doing this podcast

3
00:00:22,520 --> 00:00:25,599
Speaker 1: in separate areas of the nation.

4
00:00:26,120 --> 00:00:30,520
Speaker 2: Wah wah, wah, not so fun. Not so fun, babe,

5
00:00:30,520 --> 00:00:33,280
Speaker 2: when you're not here sitting next to me. But but

6
00:00:33,800 --> 00:00:35,720
Speaker 2: I will tell you and I have to just kick

7
00:00:35,760 --> 00:00:38,800
Speaker 2: it off because the excitement is overwhelming in all the

8
00:00:38,840 --> 00:00:41,520
Speaker 2: podcasts and I don't know how many, so twenty something.

9
00:00:42,320 --> 00:00:45,400
Speaker 2: This is by far our biggest guest in the history

10
00:00:45,440 --> 00:00:50,480
Speaker 2: of our podcast, the biggest movie star we have ever

11
00:00:50,640 --> 00:00:52,479
Speaker 2: had come through these doors.

12
00:00:52,880 --> 00:00:55,200
Speaker 1: And I'm not a legend a legend.

13
00:00:55,280 --> 00:00:57,040
Speaker 2: Tell him, baby, keep it, keep pumping it up before

14
00:00:57,040 --> 00:00:57,600
Speaker 2: we tell a movie.

15
00:00:57,640 --> 00:01:00,320
Speaker 1: He's an icon. He's a freaking icon. I mean, like,

16
00:01:00,920 --> 00:01:04,000
Speaker 1: no matter when you were born, how old you are,

17
00:01:04,280 --> 00:01:06,880
Speaker 1: you know who this dude is.

18
00:01:06,480 --> 00:01:11,320
Speaker 2: The biggest, the biggest, who has more successful franchises, more

19
00:01:11,520 --> 00:01:15,760
Speaker 2: over two point seven billion lifetime box office. We have

20
00:01:16,160 --> 00:01:20,720
Speaker 2: none other coming on today, for give them Lalla with Randall.

21
00:01:20,720 --> 00:01:26,200
Speaker 2: Who would have ever thought Sylvester Salone aka Rocky.

22
00:01:25,920 --> 00:01:26,760
Speaker 3: Balboa do.

23
00:01:34,720 --> 00:01:35,800
Speaker 4: It's too good?

24
00:01:36,240 --> 00:01:36,679
Speaker 2: Too good?

25
00:01:36,800 --> 00:01:38,840
Speaker 1: When you told me, when you told me that he

26
00:01:38,880 --> 00:01:41,520
Speaker 1: committed and he was down to do the podcast, I

27
00:01:41,600 --> 00:01:45,000
Speaker 1: won't lie Randall. I was like, omg, rand You're gonna

28
00:01:45,040 --> 00:01:48,760
Speaker 1: have to like carry this. I'm freaking out. I'm nervous,

29
00:01:48,800 --> 00:01:53,840
Speaker 1: like I only talk to Brav celebrity freaking out.

30
00:01:54,040 --> 00:01:56,680
Speaker 2: Okay, first of all, not true, but but I know

31
00:01:56,720 --> 00:01:59,040
Speaker 2: you're freaking out because you actually called me, and I'm

32
00:01:59,080 --> 00:02:00,640
Speaker 2: gonna I'm gonna look at out of the bag. You

33
00:02:00,680 --> 00:02:03,160
Speaker 2: called me yesterday and said, Babe, I just let you

34
00:02:03,240 --> 00:02:07,440
Speaker 2: know something. When Sylve Salona is on, I'm gonna just

35
00:02:07,520 --> 00:02:09,600
Speaker 2: kind of let you lead the way. First of all,

36
00:02:09,600 --> 00:02:11,760
Speaker 2: I haven't led the way in this relationship in four years,

37
00:02:11,800 --> 00:02:13,520
Speaker 2: so I don't know what you're talking about. But anyway,

38
00:02:13,639 --> 00:02:14,040
Speaker 2: I knew you.

39
00:02:14,200 --> 00:02:16,040
Speaker 1: I think you should take advantage of this moment.

40
00:02:16,960 --> 00:02:19,200
Speaker 2: I want to tell you something really interesting. I was

41
00:02:19,240 --> 00:02:21,560
Speaker 2: talking to I call him Sly, So I was talking

42
00:02:21,560 --> 00:02:24,680
Speaker 2: to Sly because I've done movies with him. I was

43
00:02:24,680 --> 00:02:27,000
Speaker 2: talking to Slide earlier today and I didn't know this,

44
00:02:27,120 --> 00:02:30,359
Speaker 2: but he has never done a podcast before, so this

45
00:02:30,520 --> 00:02:35,239
Speaker 2: is his first podcast ever. So I am blown away

46
00:02:35,480 --> 00:02:38,200
Speaker 2: by how kind he is being to do this for us.

47
00:02:38,560 --> 00:02:39,240
Speaker 4: Oh my gosh.

48
00:02:39,280 --> 00:02:41,880
Speaker 1: And can I tell you something that you probably won't

49
00:02:41,919 --> 00:02:42,640
Speaker 1: care about But.

50
00:02:42,560 --> 00:02:46,880
Speaker 4: I was trolling the Gram. No problem trolling, No you won't.

51
00:02:47,080 --> 00:02:50,920
Speaker 1: I was trolling the Gram and I was looking at

52
00:02:50,960 --> 00:02:55,399
Speaker 1: this girl's page. Her name is Brielle Beerman. She's Kim

53
00:02:55,480 --> 00:02:59,880
Speaker 1: Zolciak Berman's daughter, right, Okay, Kim Zolciak is a Brava lever.

54
00:03:00,200 --> 00:03:03,320
Speaker 1: She was on Housewives of Atlanta. So I'm looking at

55
00:03:03,360 --> 00:03:09,360
Speaker 1: Brielle's page and she's chilling at Catch with Sistine Stallone.

56
00:03:09,800 --> 00:03:12,360
Speaker 1: They're homies. So I think Fly may be a little

57
00:03:12,400 --> 00:03:15,160
Speaker 1: closer to the Bravo Sam.

58
00:03:14,440 --> 00:03:17,240
Speaker 2: Than he even knows, than he even knows exactly. Yes, well,

59
00:03:17,280 --> 00:03:19,920
Speaker 2: let me tell you that is great tea. I've learned

60
00:03:19,919 --> 00:03:24,680
Speaker 2: that word so I can own it. Producer Tim sitting here, Tim,

61
00:03:24,840 --> 00:03:27,520
Speaker 2: I mean, did you ever think in our entire old

62
00:03:27,560 --> 00:03:29,480
Speaker 2: age that would ever be dropping the word tea?

63
00:03:29,600 --> 00:03:32,400
Speaker 5: I still haven't dropped it. It just doesn't like feel

64
00:03:32,400 --> 00:03:33,680
Speaker 5: good coming out of my mouth.

65
00:03:34,840 --> 00:03:36,560
Speaker 1: Tim is going to drop it soon. I have a

66
00:03:36,920 --> 00:03:40,119
Speaker 1: feeling he's going to be. I mean, you guys don't

67
00:03:40,160 --> 00:03:41,960
Speaker 1: need to spill the tea. You just need to sip

68
00:03:42,040 --> 00:03:44,960
Speaker 1: up on, you know, my English breakfast.

69
00:03:45,480 --> 00:03:47,160
Speaker 2: Okay, this is just going tound the level and the

70
00:03:47,200 --> 00:03:50,560
Speaker 2: funny thing is Tim's wife is English, so the only

71
00:03:50,600 --> 00:03:53,080
Speaker 2: tea he knows about is drinking it at high noon

72
00:03:53,240 --> 00:03:53,600
Speaker 2: or whatever.

73
00:03:53,600 --> 00:03:55,800
Speaker 3: He drinks with your pinkies.

74
00:03:55,440 --> 00:03:57,240
Speaker 5: Up the afternoon tea hour.

75
00:03:57,440 --> 00:04:01,920
Speaker 2: Yeah, anyway, I'm very excited, you know. Listen, I started

76
00:04:01,920 --> 00:04:04,800
Speaker 2: working with Sly. My partner Georgia, and I started working

77
00:04:04,800 --> 00:04:07,880
Speaker 2: with Sly many years ago, and it's just such an

78
00:04:07,920 --> 00:04:10,200
Speaker 2: honor he is even when I walk onto the set.

79
00:04:10,200 --> 00:04:11,280
Speaker 2: And I'm not going to tell him this to his

80
00:04:11,280 --> 00:04:13,840
Speaker 2: face because I'm too embarrassed, but he'll hear this, I'm

81
00:04:13,880 --> 00:04:17,839
Speaker 2: sure now. But every time I meet with him on

82
00:04:17,880 --> 00:04:20,200
Speaker 2: a movie, discuss a script, go to his house to

83
00:04:20,240 --> 00:04:22,800
Speaker 2: talk about a film, or walk onto the set and

84
00:04:22,800 --> 00:04:27,080
Speaker 2: see him, it's still like, holy shit, it's Sylvester Stallone.

85
00:04:27,200 --> 00:04:29,760
Speaker 2: So I'm never gonna say that and don't wrap me out,

86
00:04:29,760 --> 00:04:33,240
Speaker 2: but it's pretty exciting and I'm pretty uh. I'm a

87
00:04:33,279 --> 00:04:35,320
Speaker 2: little nervous now, to be honest, I've been nervous.

88
00:04:35,880 --> 00:04:42,080
Speaker 1: Randall freaking not like he's a legend. And I'm not kidding,

89
00:04:42,320 --> 00:04:46,240
Speaker 1: like if I fall silent, know that I'm still breathing.

90
00:04:46,440 --> 00:04:48,760
Speaker 1: I'm just trying to regain my composure.

91
00:04:48,960 --> 00:04:52,960
Speaker 2: Okay, okay, I'm with you. I'm with you, and and

92
00:04:53,080 --> 00:04:55,600
Speaker 2: we'll talk about Sistine when we get Sly on the phone.

93
00:04:55,640 --> 00:04:59,280
Speaker 2: One of his daughters, who is amazing and an actress

94
00:04:59,320 --> 00:05:02,080
Speaker 2: and who actually he was in my first movie that

95
00:05:02,120 --> 00:05:05,440
Speaker 2: I directed, Midnight in Switchcrass. So that's a really cool thing.

96
00:05:05,600 --> 00:05:08,280
Speaker 2: And I'll tell Sly when we get on, I'll tell

97
00:05:08,320 --> 00:05:10,400
Speaker 2: that story about when he called me. I'll never forget

98
00:05:10,400 --> 00:05:14,560
Speaker 2: that because I didn't even call Sly to ask his

99
00:05:14,640 --> 00:05:17,440
Speaker 2: permission to put his daughter into the movie. His age.

100
00:05:17,480 --> 00:05:19,960
Speaker 2: Her agent called me then said are you open to

101
00:05:20,000 --> 00:05:22,120
Speaker 2: assisting Saloon? And we're like, of course. And we looked

102
00:05:22,120 --> 00:05:24,960
Speaker 2: at her tape and she auditioned, she read, and we

103
00:05:25,000 --> 00:05:28,520
Speaker 2: watched the tape and we cast her and she flew out.

104
00:05:28,600 --> 00:05:30,400
Speaker 2: I never had a conversation with Sly. I think I

105
00:05:30,400 --> 00:05:31,880
Speaker 2: was too scared. I thought it would just be like,

106
00:05:32,240 --> 00:05:34,679
Speaker 2: you know, fuck off, my daughter's not doing your movie.

107
00:05:34,760 --> 00:05:38,280
Speaker 2: But but it wasn't like that. It was the opposite.

108
00:05:38,360 --> 00:05:40,479
Speaker 2: And she got out there and she was a total pro.

109
00:05:40,600 --> 00:05:43,920
Speaker 2: And clearly the lineage you know, lives on through her.

110
00:05:44,000 --> 00:05:46,640
Speaker 2: So that's gonna be a fun thing. So I'm really

111
00:05:46,640 --> 00:05:48,359
Speaker 2: pumped up. I don't even know where to go. So

112
00:05:48,400 --> 00:05:50,840
Speaker 2: I'm you know, and your fans someone say I talk

113
00:05:50,920 --> 00:05:53,240
Speaker 2: too much, I talk over you. So I'm gonna for

114
00:05:53,440 --> 00:05:56,120
Speaker 2: three minutes, I'm gonna shut up, and I want you

115
00:05:56,240 --> 00:06:00,719
Speaker 2: law to run this podcast so that I could, so

116
00:06:00,760 --> 00:06:03,360
Speaker 2: I could prove that I could be quiet. Go go

117
00:06:03,480 --> 00:06:03,839
Speaker 2: lock go.

118
00:06:04,120 --> 00:06:08,200
Speaker 1: Okay, So let's we're gonna get down on into the

119
00:06:08,240 --> 00:06:10,800
Speaker 1: ditty gritty Randall. You're gonna have to not be totally

120
00:06:10,839 --> 00:06:15,680
Speaker 1: silent because we're gonna go there right now with how

121
00:06:15,839 --> 00:06:18,839
Speaker 1: my mother thinks can we go there?

122
00:06:19,160 --> 00:06:21,200
Speaker 2: Oh, we can go there, but I mean I still

123
00:06:21,240 --> 00:06:22,599
Speaker 2: want to have a future mother in law.

124
00:06:22,720 --> 00:06:27,480
Speaker 1: So no, I know, okay, Randall. And my mom, my

125
00:06:27,600 --> 00:06:32,720
Speaker 1: mom does this thing or like she she's very giving.

126
00:06:32,920 --> 00:06:35,599
Speaker 1: She you know, she she works for the Humane Society

127
00:06:35,600 --> 00:06:38,200
Speaker 1: of Utah. Before that she was working with special needs.

128
00:06:38,240 --> 00:06:42,680
Speaker 1: Like she's just a giver. Yeah, yes, she means Society

129
00:06:42,680 --> 00:06:45,239
Speaker 1: of Utah. If you don't know where to donate your money,

130
00:06:45,640 --> 00:06:49,200
Speaker 1: that's where you should give it to. And so my

131
00:06:49,320 --> 00:06:53,880
Speaker 1: mom recently feels that she has the kindest heart because

132
00:06:53,920 --> 00:06:58,520
Speaker 1: she volunteers things. But she's volunteering my services.

133
00:06:58,560 --> 00:07:04,120
Speaker 2: Now, people don't know your mom. Your mom I will

134
00:07:04,120 --> 00:07:06,280
Speaker 2: say it kindly because I need you on my corner,

135
00:07:06,279 --> 00:07:09,920
Speaker 2: but your mom likes to step and volunteer you without

136
00:07:10,000 --> 00:07:10,840
Speaker 2: your permission.

137
00:07:11,680 --> 00:07:16,840
Speaker 1: Right, So yes, So my friend was getting married and random.

138
00:07:16,560 --> 00:07:21,720
Speaker 2: And my god, you're doing that. Oh my god, real quick,

139
00:07:21,840 --> 00:07:23,560
Speaker 2: I'm going to shut up, but I just you have

140
00:07:23,640 --> 00:07:26,960
Speaker 2: big ball, so I'm gonna be quick. Listen, just listen.

141
00:07:27,120 --> 00:07:29,680
Speaker 1: Okay, So Rand and I bought these speakers. They were

142
00:07:29,680 --> 00:07:33,360
Speaker 1: like one hundred bucks each. We brought to for the backyard. Right, Okay,

143
00:07:33,400 --> 00:07:36,160
Speaker 1: So my friend's getting married and my mom then says

144
00:07:36,200 --> 00:07:39,440
Speaker 1: like she calls me and she's like, hey, they're they're

145
00:07:39,480 --> 00:07:41,480
Speaker 1: going to still get married. It was like COVID, they're

146
00:07:41,480 --> 00:07:43,800
Speaker 1: going to get married, like outside, it's going to be amazing.

147
00:07:44,120 --> 00:07:47,480
Speaker 1: I was thinking that you could bring your speakers, and

148
00:07:47,520 --> 00:07:49,520
Speaker 1: when I told her that's not happening. I am not

149
00:07:49,720 --> 00:07:52,600
Speaker 1: hauling speakers onto a freaking plane.

150
00:07:53,360 --> 00:07:55,080
Speaker 4: These are not small speakers. They're huge.

151
00:07:55,240 --> 00:07:57,960
Speaker 1: When I shut her down, which when I shut her down,

152
00:07:58,040 --> 00:08:00,600
Speaker 1: she gets all moody, and so I was like, it's

153
00:08:00,640 --> 00:08:03,800
Speaker 1: not happening, mom, and she then tells me, she goes,

154
00:08:03,880 --> 00:08:07,800
Speaker 1: I'm just nicer than you are, Like, I just like

155
00:08:07,880 --> 00:08:11,720
Speaker 1: to help people. I'm like, bro, No, this isn't you

156
00:08:12,280 --> 00:08:16,920
Speaker 1: helping anybody. This is you volunteering me to help someone,

157
00:08:17,680 --> 00:08:20,720
Speaker 1: like you bring speakers or you go to target and

158
00:08:20,760 --> 00:08:21,480
Speaker 1: buy speakers.

159
00:08:21,600 --> 00:08:22,320
Speaker 4: Like what the fuck?

160
00:08:22,480 --> 00:08:22,520
Speaker 3: Ma?

161
00:08:22,960 --> 00:08:25,400
Speaker 2: No, not only did no? You shut her down and

162
00:08:25,440 --> 00:08:27,560
Speaker 2: I said, but don't worry, she's coming again for a

163
00:08:27,600 --> 00:08:31,640
Speaker 2: second ask and then you said, Mom, it's not happening.

164
00:08:31,800 --> 00:08:32,840
Speaker 2: These speakers aren't leading.

165
00:08:32,920 --> 00:08:35,560
Speaker 1: No, Randall, Remember I said to you after we had

166
00:08:35,559 --> 00:08:37,360
Speaker 1: the conversation, I was like, she's gonna hit me back

167
00:08:37,400 --> 00:08:40,800
Speaker 1: and say I'll carry the speakers plane.

168
00:08:40,320 --> 00:08:43,080
Speaker 2: And she did, Yeah she did. I mean I said

169
00:08:43,120 --> 00:08:44,520
Speaker 2: to her. I made a joke when we were in

170
00:08:44,520 --> 00:08:46,840
Speaker 2: Florida last week. I said, Lisa, why don't you just

171
00:08:46,880 --> 00:08:49,200
Speaker 2: dig up our pool and fly it off to Texas

172
00:08:49,360 --> 00:08:50,920
Speaker 2: and you could put the pool in the backyard.

173
00:08:51,080 --> 00:08:53,760
Speaker 1: Dude, the woman thinks she's mother Teresa, but she's like

174
00:08:53,880 --> 00:08:56,080
Speaker 1: volunteering me to like be the mother.

175
00:08:56,480 --> 00:08:58,719
Speaker 5: The next time somebody asked me to like help them move,

176
00:08:58,760 --> 00:09:00,640
Speaker 5: I'm gonna be like, oh, yeah, I know, my wife

177
00:09:00,679 --> 00:09:01,520
Speaker 5: will go do that for you.

178
00:09:02,080 --> 00:09:03,160
Speaker 3: You're a yeah.

179
00:09:02,880 --> 00:09:05,480
Speaker 1: And then Tim, when your wife says no, you can

180
00:09:05,520 --> 00:09:07,080
Speaker 1: tell her. I'm just nicer to you.

181
00:09:07,240 --> 00:09:08,800
Speaker 2: I'm so much more generous than you.

182
00:09:12,679 --> 00:09:14,000
Speaker 1: Is gonna slaughter us?

183
00:09:14,600 --> 00:09:17,640
Speaker 2: No, not me, not me. I want to tell you, Lisa,

184
00:09:18,200 --> 00:09:20,240
Speaker 2: I am the biggest supporter of the Man City if

185
00:09:20,240 --> 00:09:23,319
Speaker 2: you tell you know that, financially and emotionally. So please

186
00:09:23,360 --> 00:09:24,920
Speaker 2: go for your daughter on this one. I had nothing

187
00:09:24,920 --> 00:09:25,600
Speaker 2: to do with this story.

188
00:09:25,679 --> 00:09:28,640
Speaker 1: I just had to share that story because it was epic.

189
00:09:28,960 --> 00:09:32,080
Speaker 2: All right, let me tell you something, great job. Your

190
00:09:32,080 --> 00:09:34,800
Speaker 2: fans cannot get mad at me now for cutting you off.

191
00:09:35,360 --> 00:09:38,319
Speaker 2: And I shut up for two minutes and now I'm

192
00:09:38,360 --> 00:09:40,960
Speaker 2: ready to talk because I don't have a platform to talk.

193
00:09:41,640 --> 00:09:44,120
Speaker 2: I am not on a TV show. I'm just Randall

194
00:09:44,640 --> 00:09:45,560
Speaker 2: the movie producer.

195
00:09:46,000 --> 00:09:47,600
Speaker 4: I'm so I miss you so bad.

196
00:09:48,120 --> 00:09:49,079
Speaker 2: I miss you too, baby.

197
00:09:49,080 --> 00:09:51,040
Speaker 3: All right, let's let's sly on this week.

198
00:09:51,160 --> 00:09:52,719
Speaker 2: Let's go to break. Let's go to break, take a

199
00:09:52,760 --> 00:10:06,360
Speaker 2: quick break, and we're gonna come back with Rocky Balboa.

200
00:10:01,120 --> 00:10:06,480
Speaker 1: And fast infamous legend.

201
00:10:05,840 --> 00:10:08,319
Speaker 3: I sound like.

202
00:10:10,320 --> 00:10:13,439
Speaker 6: You know you're just like I was telling brand no matter.

203
00:10:13,520 --> 00:10:16,000
Speaker 1: Who you are, when you were born, where you come from,

204
00:10:16,160 --> 00:10:20,520
Speaker 1: you know liat And so I'm I'm shooting bricks the fact.

205
00:10:20,360 --> 00:10:25,000
Speaker 3: That we have you on Oh well, vice versa. I'm

206
00:10:25,040 --> 00:10:26,199
Speaker 3: nervous around you guys.

207
00:10:26,280 --> 00:10:28,760
Speaker 1: Oh come on, Oh that's sweet.

208
00:10:29,400 --> 00:10:33,599
Speaker 3: Know you guys just whose talent here? Your show is fantastic.

209
00:10:34,200 --> 00:10:36,120
Speaker 3: You know, it's not easy to do what you do,

210
00:10:36,280 --> 00:10:40,480
Speaker 3: so I'm uh, I'll be as cooperative as I can.

211
00:10:40,679 --> 00:10:43,040
Speaker 2: Thank you. And I got to tell you something. I

212
00:10:43,120 --> 00:10:44,960
Speaker 2: you know, when we started the slide, you know, we

213
00:10:45,000 --> 00:10:46,960
Speaker 2: got together Lala and I to do this and I've

214
00:10:47,000 --> 00:10:48,720
Speaker 2: never been in front of the camera, and nor does

215
00:10:48,760 --> 00:10:50,520
Speaker 2: anybody want to see my face in front of the camera.

216
00:10:50,840 --> 00:10:55,000
Speaker 2: But anyway, this has been a lot of fun and honestly,

217
00:10:55,080 --> 00:10:57,800
Speaker 2: first of all, thank you for doing this. You're obviously

218
00:10:57,880 --> 00:11:02,000
Speaker 2: the biggest we've ever had. I just want to I

219
00:11:02,080 --> 00:11:04,160
Speaker 2: just want to jump in real quick, and I want

220
00:11:04,200 --> 00:11:06,160
Speaker 2: to tell people because I don't know if everybody knows this,

221
00:11:06,559 --> 00:11:08,720
Speaker 2: but I want to get into the Rocky story, which

222
00:11:08,960 --> 00:11:11,640
Speaker 2: I know a little bit about. You wrote Rocky in

223
00:11:11,720 --> 00:11:14,760
Speaker 2: nineteen seventy five at age twenty nine, over the course

224
00:11:14,800 --> 00:11:18,680
Speaker 2: of three days, one of the most legendary franchises that

225
00:11:18,840 --> 00:11:21,400
Speaker 2: you went on to be nominated for three Oscars. You

226
00:11:21,480 --> 00:11:26,280
Speaker 2: want to go to globe. You know, it's unbelievable. Can

227
00:11:26,320 --> 00:11:29,680
Speaker 2: you just share kind of how it started for you

228
00:11:30,120 --> 00:11:32,079
Speaker 2: to become you know who you are?

229
00:11:32,360 --> 00:11:32,720
Speaker 4: Okay.

230
00:11:33,200 --> 00:11:35,320
Speaker 3: Well, I was a knock around actor in New York

231
00:11:35,400 --> 00:11:39,880
Speaker 3: and I wasn't getting anywhere because people thought I had

232
00:11:39,880 --> 00:11:43,679
Speaker 3: an affectation with my voice. It was very, very deep,

233
00:11:43,720 --> 00:11:47,040
Speaker 3: and I slurred a great deal because of an accident

234
00:11:47,200 --> 00:11:50,960
Speaker 3: I had during birth, which is a four step accident

235
00:11:51,679 --> 00:11:54,960
Speaker 3: that sort of numbed my vocal cord. So no matter what,

236
00:11:55,120 --> 00:11:57,840
Speaker 3: I sound like, I'm half underwater.

237
00:11:59,080 --> 00:12:02,199
Speaker 2: So wow, I didn't know that.

238
00:12:02,280 --> 00:12:02,760
Speaker 4: Inside.

239
00:12:02,920 --> 00:12:05,200
Speaker 3: Oh yeah, I sound to me inside, I sound like

240
00:12:06,000 --> 00:12:08,280
Speaker 3: you know, Daniel day Lewis or I found you know,

241
00:12:08,720 --> 00:12:12,720
Speaker 3: But when it comes out, I sound like like a.

242
00:12:12,720 --> 00:12:15,079
Speaker 4: Mafia pole bearer. You know what I Mean's like, what

243
00:12:15,360 --> 00:12:18,000
Speaker 4: are you doing? How are you doing? I s hot?

244
00:12:20,280 --> 00:12:22,880
Speaker 3: Well, you know the thing is, I finally realized that

245
00:12:23,080 --> 00:12:27,640
Speaker 3: I'm never going to get cast in anything unless perhaps

246
00:12:27,679 --> 00:12:29,000
Speaker 3: I sort of do it myself.

247
00:12:29,400 --> 00:12:30,880
Speaker 4: I realized that jigger was up.

248
00:12:30,880 --> 00:12:33,480
Speaker 3: In nineteen seventy when I couldn't even get an extra

249
00:12:33,559 --> 00:12:36,160
Speaker 3: part and The Godfather, I went, I'll look, I'll be

250
00:12:36,559 --> 00:12:38,840
Speaker 3: in the wedding scene. I said, I'll stand behind the

251
00:12:38,920 --> 00:12:43,440
Speaker 3: cake anything. I said, wow, this is really not looking good.

252
00:12:43,840 --> 00:12:45,800
Speaker 3: So that's when I started to write, and I had

253
00:12:45,840 --> 00:12:48,960
Speaker 3: never written before, but I took a job as an

254
00:12:49,040 --> 00:12:53,119
Speaker 3: usher at night, literally to just record.

255
00:12:53,280 --> 00:12:55,640
Speaker 4: I had a little recorder, you know, a movie.

256
00:12:55,400 --> 00:12:58,480
Speaker 3: Like mash and other vehicles. And I go home and

257
00:12:58,520 --> 00:13:00,920
Speaker 3: I listened to the dialogue, and then I started to

258
00:13:01,000 --> 00:13:04,520
Speaker 3: write new dialogue for the same movie, kind of like

259
00:13:04,520 --> 00:13:09,280
Speaker 3: as an exercise. Well, anyway, years move on, nothing happens,

260
00:13:09,280 --> 00:13:13,959
Speaker 3: and I go to Hollywood and I get some half

261
00:13:14,000 --> 00:13:18,920
Speaker 3: baked agent and I just have an open audition. I

262
00:13:18,920 --> 00:13:20,680
Speaker 3: don't even know how I got it. I think a

263
00:13:20,720 --> 00:13:22,600
Speaker 3: guy named Gene Kirk whod got it for me for

264
00:13:22,679 --> 00:13:25,240
Speaker 3: shot off in Winkler. And they didn't want to really

265
00:13:25,320 --> 00:13:28,560
Speaker 3: see me, but I think it was a favor. Everyone

266
00:13:28,679 --> 00:13:31,200
Speaker 3: was looking at their cuff lanes. I could watch and

267
00:13:31,240 --> 00:13:34,800
Speaker 3: you know that thing, it's the truth. So they said, oh,

268
00:13:34,920 --> 00:13:38,079
Speaker 3: you know, thanks for coming. I go thanks, and on

269
00:13:38,240 --> 00:13:40,440
Speaker 3: the way out, for some reason, I said, I don't

270
00:13:40,480 --> 00:13:43,040
Speaker 3: know if it matters, but I write a little bit

271
00:13:43,080 --> 00:13:45,640
Speaker 3: and they go, okay, sure, well I haven't got anything,

272
00:13:45,800 --> 00:13:50,080
Speaker 3: just let me know, and that's it. So wow, the

273
00:13:50,120 --> 00:13:53,839
Speaker 3: door's open. But I don't have anything. And that's when

274
00:13:53,880 --> 00:13:56,680
Speaker 3: I went home and formulated Rocky. Right away, I said,

275
00:13:56,720 --> 00:14:01,880
Speaker 3: I need something that will late to everybody, but also

276
00:14:02,440 --> 00:14:06,520
Speaker 3: it's perfect for who I am, my slurry voice, the

277
00:14:06,559 --> 00:14:09,880
Speaker 3: way I look, the way I sound. And that's when

278
00:14:09,920 --> 00:14:13,240
Speaker 3: I came up with this half baked idea of Rocky.

279
00:14:13,800 --> 00:14:16,240
Speaker 3: And I started to borrow from other films like On

280
00:14:16,280 --> 00:14:18,880
Speaker 3: the Waterfront, Mean Streets, this and that, that kind of

281
00:14:19,000 --> 00:14:21,360
Speaker 3: I said, you know, that kind of vibe sort of works,

282
00:14:21,520 --> 00:14:23,760
Speaker 3: and I just sat down. I started right and write

283
00:14:23,800 --> 00:14:25,640
Speaker 3: and write, and about three and a half days later,

284
00:14:26,200 --> 00:14:29,880
Speaker 3: I had about a ninety five page script. I'm not

285
00:14:29,960 --> 00:14:33,080
Speaker 3: saying it was you know probably you know Randall, maybe

286
00:14:33,360 --> 00:14:35,440
Speaker 3: twenty percent was good. But it was done.

287
00:14:35,640 --> 00:14:38,880
Speaker 2: Wow, done, You did that in three days.

288
00:14:39,040 --> 00:14:41,400
Speaker 3: Yeah, three and a half days. That's But then again,

289
00:14:41,440 --> 00:14:42,440
Speaker 3: it wasn't. It wasn't.

290
00:14:42,720 --> 00:14:44,360
Speaker 2: It wasn't the shooting script, but it was.

291
00:14:44,440 --> 00:14:47,960
Speaker 3: No, No, it wasn't. But see, I'm a big believer that, uh,

292
00:14:48,080 --> 00:14:51,040
Speaker 3: I'd rather get something done and if it's a little sloppy,

293
00:14:51,120 --> 00:14:53,720
Speaker 3: I can fix it. The mean thing is, while you're

294
00:14:53,880 --> 00:14:57,160
Speaker 3: in that mood, while you're in that stiver, go for

295
00:14:57,320 --> 00:15:00,880
Speaker 3: it and repair it later rather than Yeah, you know,

296
00:15:01,000 --> 00:15:06,160
Speaker 3: some some actors are painters will spend a year on something.

297
00:15:06,200 --> 00:15:09,440
Speaker 3: I'm going, how do you stay passionate for a year?

298
00:15:09,560 --> 00:15:12,520
Speaker 3: You don't know? You don't. Then it becomes clinical, and

299
00:15:12,520 --> 00:15:16,200
Speaker 3: then you become a sort of of you get, you

300
00:15:16,240 --> 00:15:18,760
Speaker 3: start to get, You doubt yourself, you question yourself.

301
00:15:18,760 --> 00:15:20,600
Speaker 4: It's this page good? Is that page good?

302
00:15:20,840 --> 00:15:23,320
Speaker 3: So I'm a believer in just' just jumping head first

303
00:15:23,360 --> 00:15:26,880
Speaker 3: into something and I'll fix the mistakes later. I'll get

304
00:15:27,120 --> 00:15:29,360
Speaker 3: I'll get stitched up later, I'll put my arm in

305
00:15:29,360 --> 00:15:32,280
Speaker 3: a cast later. But at least it's done.

306
00:15:32,360 --> 00:15:35,240
Speaker 2: Right right now. What happens after after this?

307
00:15:35,320 --> 00:15:38,680
Speaker 3: Because I walk in there. I walk in there and

308
00:15:38,720 --> 00:15:42,600
Speaker 3: I say, here's the screenplay, and they went, not bad,

309
00:15:42,840 --> 00:15:47,160
Speaker 3: not bad, not bad. We'd like to you know, we'll

310
00:15:47,240 --> 00:15:47,680
Speaker 3: run with it.

311
00:15:47,840 --> 00:15:48,080
Speaker 4: This.

312
00:15:48,080 --> 00:15:50,160
Speaker 3: This is not a bad story. It's kind of derivative.

313
00:15:50,160 --> 00:15:52,800
Speaker 3: But and I said, well, I want to be in and.

314
00:15:52,680 --> 00:15:56,520
Speaker 2: They go, how is that really?

315
00:15:57,600 --> 00:15:59,000
Speaker 3: Why don't you try comedy?

316
00:15:59,080 --> 00:16:00,720
Speaker 4: Really? Like?

317
00:16:01,160 --> 00:16:06,200
Speaker 3: Who knows you? And they were pretty blunt. They said,

318
00:16:06,400 --> 00:16:08,440
Speaker 3: tell you the truth. You have a speech impediment.

319
00:16:08,480 --> 00:16:09,080
Speaker 2: We don't.

320
00:16:09,120 --> 00:16:10,760
Speaker 3: We're going to tell you right now. It's hard to

321
00:16:10,880 --> 00:16:16,000
Speaker 3: understand you. So I go, he's punchy anyway, So what

322
00:16:16,360 --> 00:16:18,880
Speaker 3: and they go they didn't think that was funny. So

323
00:16:19,040 --> 00:16:22,440
Speaker 3: they offered a certain amount of money, and I was broke.

324
00:16:22,520 --> 00:16:25,080
Speaker 3: I mean when I tell you it was you know,

325
00:16:25,120 --> 00:16:27,600
Speaker 3: it's one of those things where you got a crossroad guys, and.

326
00:16:27,600 --> 00:16:29,160
Speaker 4: You go, this is it.

327
00:16:29,480 --> 00:16:32,760
Speaker 3: You either take a little bit of money now or you.

328
00:16:32,840 --> 00:16:34,960
Speaker 4: Just go all in. Wow.

329
00:16:35,040 --> 00:16:38,920
Speaker 3: So it went to twenty grand was the Writer's Guild minimum,

330
00:16:39,480 --> 00:16:43,320
Speaker 3: and then I said no. They were kind of flabber astid. Anyway,

331
00:16:43,400 --> 00:16:46,000
Speaker 3: cut to a long story short. They said, look, we

332
00:16:46,080 --> 00:16:49,880
Speaker 3: got guys like Burt Reynolds and Ryan on the Robert Redford,

333
00:16:50,040 --> 00:16:53,720
Speaker 3: Jimmy Kahn. There was that all these physical types back then. Yeah,

334
00:16:53,760 --> 00:16:56,760
Speaker 3: there was a real plethora. There was an abundance of

335
00:16:56,800 --> 00:17:00,480
Speaker 3: them as opposed to today. And they said, why don't

336
00:17:00,520 --> 00:17:04,080
Speaker 3: you just take one hundred grand? So I went home

337
00:17:04,119 --> 00:17:05,960
Speaker 3: to my wife, said one hundred grand is she like

338
00:17:05,960 --> 00:17:06,520
Speaker 3: almost got.

339
00:17:06,440 --> 00:17:08,040
Speaker 4: A nose bleacher cool.

340
00:17:09,280 --> 00:17:13,520
Speaker 3: But that's gonna be gone and we're gonna be here,

341
00:17:13,600 --> 00:17:14,120
Speaker 3: and I'm going.

342
00:17:14,119 --> 00:17:16,639
Speaker 4: To be really bitter, really bitter.

343
00:17:16,720 --> 00:17:20,120
Speaker 3: I just know I'm gonna be I just don't have

344
00:17:20,200 --> 00:17:24,240
Speaker 3: the mentality to realize. I sold out and if the

345
00:17:24,280 --> 00:17:27,560
Speaker 3: movie God Forbid became a hit, then I'm going to

346
00:17:27,640 --> 00:17:30,240
Speaker 3: be useless to you, to me, to society.

347
00:17:30,600 --> 00:17:31,280
Speaker 4: I just know it.

348
00:17:31,359 --> 00:17:32,840
Speaker 3: I'm just gonna be a shell of a man.

349
00:17:33,000 --> 00:17:34,720
Speaker 2: I just want to say when things like the fact

350
00:17:34,760 --> 00:17:37,320
Speaker 2: that you had the foresight or you know, to be

351
00:17:37,359 --> 00:17:40,000
Speaker 2: able to see that, because ninety nine percent of the

352
00:17:40,040 --> 00:17:43,520
Speaker 2: world that kind of money back then would be half

353
00:17:43,560 --> 00:17:46,440
Speaker 2: a million dollars today and if you're broke, ninety nine

354
00:17:46,480 --> 00:17:48,639
Speaker 2: percent of the world's taking that deal. So the fact

355
00:17:49,080 --> 00:17:53,119
Speaker 2: that you believed in yourself on the long play is

356
00:17:53,119 --> 00:17:55,800
Speaker 2: is unbelievable. I mean, it's such a lesson there, you know.

357
00:17:55,840 --> 00:17:57,680
Speaker 2: But but okay, so now what happens.

358
00:17:57,880 --> 00:17:58,679
Speaker 4: So it goes up.

359
00:17:58,800 --> 00:18:02,359
Speaker 3: It goes up to two hundred and now my agent

360
00:18:02,440 --> 00:18:06,919
Speaker 3: is going, seriously, we're sorry, there's a lot of money.

361
00:18:07,280 --> 00:18:11,040
Speaker 3: I said, but it's not I'm telling you. I can't

362
00:18:11,320 --> 00:18:15,160
Speaker 3: ever live with myself if I'm telling you. And then

363
00:18:15,280 --> 00:18:18,359
Speaker 3: it went to three hundred and sixty thousand dollars. Now

364
00:18:18,920 --> 00:18:21,280
Speaker 3: that that's this is now the studio is going, what

365
00:18:21,800 --> 00:18:23,679
Speaker 3: is this like a game? He's not worth it, This

366
00:18:23,760 --> 00:18:26,760
Speaker 3: movie isn't worth it. So they're getting very angry at

367
00:18:26,800 --> 00:18:33,159
Speaker 3: the producers. Everyone hates everybody. Now so finally, finally they go,

368
00:18:33,400 --> 00:18:37,360
Speaker 3: you know what we're gonna We'll do this movie. We'll

369
00:18:37,359 --> 00:18:40,240
Speaker 3: pay him twenty grand. He gets nothing. He gets three

370
00:18:40,320 --> 00:18:43,640
Speaker 3: hundred and sixty three hundred and sixty dollars a week

371
00:18:43,840 --> 00:18:47,640
Speaker 3: before taxes, and after five days, if we don't like him,

372
00:18:47,840 --> 00:18:51,359
Speaker 3: we're firing him. And they didn't even know who I was.

373
00:18:51,520 --> 00:18:54,040
Speaker 3: They they go, who is Sta Loone? Can we see

374
00:18:54,080 --> 00:18:56,800
Speaker 3: a picture of him? So what they did is they

375
00:18:56,840 --> 00:19:00,760
Speaker 3: send over the a print of or It's a Flat

376
00:19:00,800 --> 00:19:03,399
Speaker 3: Bush where I played this like two hundred and twenty

377
00:19:03,440 --> 00:19:08,719
Speaker 3: pounds Greaseball. But the indeed in it was movie star handsome.

378
00:19:08,760 --> 00:19:11,600
Speaker 3: His name was Perry King. He looked like Brad Pitt,

379
00:19:11,720 --> 00:19:16,520
Speaker 3: clefting the chin, blue eyes, blonde hair, as waspy and big,

380
00:19:16,840 --> 00:19:21,440
Speaker 3: you know, truly handsome. So they go, oh, we could

381
00:19:21,480 --> 00:19:24,800
Speaker 3: do something with that guy. And then he said, okay,

382
00:19:25,080 --> 00:19:28,399
Speaker 3: we'll greenlight the movie. They think I'm the blonde with

383
00:19:28,440 --> 00:19:32,280
Speaker 3: the blue eyes. And then when they finally dawned on them,

384
00:19:32,680 --> 00:19:36,560
Speaker 3: the thug looking out with the crooked mouth and the brown.

385
00:19:36,240 --> 00:19:38,120
Speaker 4: Eyes, it was too late.

386
00:19:38,440 --> 00:19:41,679
Speaker 3: Seriously, they said, okay, we'll try it for five days.

387
00:19:41,680 --> 00:19:45,199
Speaker 3: If we hate him, we're canceling the movie because they

388
00:19:45,200 --> 00:19:45,959
Speaker 3: didn't want to make it.

389
00:19:46,000 --> 00:19:46,960
Speaker 4: They were only.

390
00:19:46,680 --> 00:19:51,720
Speaker 3: Making this literally as a second billing at a drive in.

391
00:19:51,880 --> 00:19:55,440
Speaker 3: This was never meant to be released. I couldn't believe it,

392
00:19:55,480 --> 00:19:56,159
Speaker 3: but it's true.

393
00:19:56,440 --> 00:19:56,920
Speaker 2: Wow.

394
00:19:57,359 --> 00:19:59,760
Speaker 3: So I remember the first day in the said, I went, god,

395
00:20:00,000 --> 00:20:04,800
Speaker 3: this is it? Go for my friend. And I remember

396
00:20:04,960 --> 00:20:08,320
Speaker 3: the day where I'm supposed to shake down it's it's

397
00:20:08,440 --> 00:20:10,760
Speaker 3: the first scene on the docks where I go and

398
00:20:10,800 --> 00:20:12,920
Speaker 3: I'm a loan shark clock and I go over to

399
00:20:13,000 --> 00:20:15,879
Speaker 3: the guy, Hey, you know you owe me one hundred

400
00:20:15,880 --> 00:20:17,840
Speaker 3: and fifty dollars. You can pay mister guys because I

401
00:20:17,840 --> 00:20:18,280
Speaker 3: don't have it.

402
00:20:18,320 --> 00:20:20,440
Speaker 4: I go take my coat. I don't want your coat.

403
00:20:20,480 --> 00:20:22,879
Speaker 4: Come on, break my thumbs. Don't think it.

404
00:20:22,960 --> 00:20:24,920
Speaker 3: I said, look, I won't break your thumbs.

405
00:20:25,119 --> 00:20:29,120
Speaker 4: And you see that. Rocky is like really yeah.

406
00:20:29,119 --> 00:20:34,200
Speaker 3: He's he can't even do anything well, and the studio went,

407
00:20:34,280 --> 00:20:37,639
Speaker 3: you know this, my this is kind of interesting, you know.

408
00:20:37,840 --> 00:20:42,560
Speaker 3: And that was the beginning. So I'm just a compositive

409
00:20:42,800 --> 00:20:44,479
Speaker 3: errors that right now.

410
00:20:45,240 --> 00:20:47,720
Speaker 2: That is that is a very humble statement. I have

411
00:20:47,760 --> 00:20:51,520
Speaker 2: a question when you were done with Rocky, when did

412
00:20:51,560 --> 00:20:55,760
Speaker 2: it happen like where you where it became Rocky. You know, like,

413
00:20:55,800 --> 00:20:59,480
Speaker 2: when was that moment where you knew, wow, everything had changed?

414
00:20:59,760 --> 00:20:59,879
Speaker 4: Right?

415
00:21:00,240 --> 00:21:00,880
Speaker 2: Yes? Yeah.

416
00:21:01,800 --> 00:21:08,160
Speaker 3: They had a screening at mgym and made tell.

417
00:21:08,040 --> 00:21:08,680
Speaker 4: Me about it.

418
00:21:08,960 --> 00:21:12,359
Speaker 3: So I got there like literally as the movie ended,

419
00:21:13,080 --> 00:21:16,160
Speaker 3: and I was standing there just looking at people coming

420
00:21:16,240 --> 00:21:20,959
Speaker 3: up and Frank Sinatra. I went, wow, he's here, damn.

421
00:21:21,560 --> 00:21:25,280
Speaker 3: And he started to go buy me. He walked past,

422
00:21:25,800 --> 00:21:28,360
Speaker 3: and I remember he pulled out a camel and I'll

423
00:21:28,359 --> 00:21:30,760
Speaker 3: never get in a camel lighter and I had a

424
00:21:30,840 --> 00:21:34,159
Speaker 3: lighter or camels, and he started tapping the.

425
00:21:34,240 --> 00:21:35,680
Speaker 4: Cigarette on the lighter.

426
00:21:35,760 --> 00:21:39,679
Speaker 3: He looked up because, hey, you're the wise guy in

427
00:21:39,720 --> 00:21:43,119
Speaker 3: the film. You know what, You're not going to be

428
00:21:43,160 --> 00:21:48,480
Speaker 3: in anyone's rearview mirror for long. Wow, come on, you're

429
00:21:48,480 --> 00:21:51,119
Speaker 3: not going to be in anyone's rearview mirror for long.

430
00:21:53,840 --> 00:21:56,800
Speaker 3: And Freank Sinatra for real. And then a couple of

431
00:21:56,840 --> 00:22:00,400
Speaker 3: years later I met him and I reminded him my bag.

432
00:22:00,800 --> 00:22:05,480
Speaker 3: Of course, He's like, who are you at the moment

433
00:22:05,520 --> 00:22:08,719
Speaker 3: and see, I said, damn, And it's just sorted happening.

434
00:22:08,720 --> 00:22:11,600
Speaker 3: It was him and a couple like Diana's shore. Then

435
00:22:11,640 --> 00:22:17,600
Speaker 3: another person came out, Anthony Anthony Hopkins and damn, yeah,

436
00:22:17,720 --> 00:22:21,600
Speaker 3: all these people. So that's when I realized something was happening.

437
00:22:21,800 --> 00:22:22,440
Speaker 2: Yeah.

438
00:22:22,520 --> 00:22:25,159
Speaker 3: Then then about a week later, they had a screen

439
00:22:25,240 --> 00:22:29,040
Speaker 3: at the Writers Director's Guild and everything went wrong. No

440
00:22:29,040 --> 00:22:32,480
Speaker 3: one left, no one applauded. When the movie was over,

441
00:22:32,520 --> 00:22:36,840
Speaker 3: everyone left and went, holy, well this is really bad.

442
00:22:37,200 --> 00:22:41,080
Speaker 3: And I went into major depression. So as I was

443
00:22:41,119 --> 00:22:45,800
Speaker 3: going down the escalator, uh to leave in complete silence.

444
00:22:45,840 --> 00:22:50,200
Speaker 3: I mean, it was like pitiful. So I look up

445
00:22:50,280 --> 00:22:54,040
Speaker 3: and there's everyone waiting in the lobby, like these are

446
00:22:54,080 --> 00:22:57,840
Speaker 3: hardcore directors, you know, and you know everyone Hollywood runs

447
00:22:57,920 --> 00:23:01,680
Speaker 3: on the three ages. You know, Hollywood hates happiness. That's it,

448
00:23:04,240 --> 00:23:05,800
Speaker 3: it is, Hollywood hates happiness.

449
00:23:05,840 --> 00:23:07,200
Speaker 4: And you know you're you're like.

450
00:23:07,320 --> 00:23:11,600
Speaker 3: Because if that guy succeeds, that means you might not.

451
00:23:12,400 --> 00:23:16,080
Speaker 3: So it's a really tough, tough, tough crowd, very clinical crowd.

452
00:23:16,280 --> 00:23:18,720
Speaker 3: And when they were down there and they started a flooding,

453
00:23:19,240 --> 00:23:22,800
Speaker 3: and damn, I'm gonna be able to buy a house.

454
00:23:23,280 --> 00:23:25,840
Speaker 4: I'm going to pay for food, I could get my

455
00:23:25,960 --> 00:23:26,600
Speaker 4: GOLG back.

456
00:23:26,960 --> 00:23:29,879
Speaker 3: I mean, all these things started to happen. And so

457
00:23:30,119 --> 00:23:32,639
Speaker 3: it was when people ask me, like, how do you

458
00:23:32,760 --> 00:23:37,320
Speaker 3: do it? I don't know, n No, it's it's just

459
00:23:37,400 --> 00:23:42,960
Speaker 3: a it's just a confluence of so many different things

460
00:23:43,440 --> 00:23:46,119
Speaker 3: happening that there is there's no formula, as you know,

461
00:23:46,680 --> 00:23:49,560
Speaker 3: it's the things that you think will never work. If

462
00:23:49,600 --> 00:23:51,879
Speaker 3: I tried to pitch Rocky today, let's say I was

463
00:23:51,920 --> 00:23:55,239
Speaker 3: a nobody, that movie would never be made ever in

464
00:23:55,240 --> 00:23:56,040
Speaker 3: a million years.

465
00:23:56,160 --> 00:23:56,680
Speaker 2: It was time.

466
00:23:56,880 --> 00:24:00,359
Speaker 3: It's a matter of timing this the country that time.

467
00:24:01,000 --> 00:24:03,680
Speaker 3: I mean every film I was up against, like all

468
00:24:03,720 --> 00:24:08,120
Speaker 3: the President's men, dealing with Watergate, Taxi driver, dealing with

469
00:24:08,160 --> 00:24:13,480
Speaker 3: you know, nihilism and politics, Bound for Gloria again politics,

470
00:24:13,800 --> 00:24:16,680
Speaker 3: and I'm going and then Rocky, the goofy guy who

471
00:24:16,840 --> 00:24:21,040
Speaker 3: just wants to fall in love and be happy that it.

472
00:24:21,000 --> 00:24:23,600
Speaker 2: Is a love story, I mean at its core, and

473
00:24:23,640 --> 00:24:26,920
Speaker 2: the Underdogs is seeding right, I mean, if you're looking.

474
00:24:26,720 --> 00:24:27,800
Speaker 4: At it's a love story.

475
00:24:27,880 --> 00:24:29,840
Speaker 3: And he happens to be a boxer, and not a

476
00:24:29,920 --> 00:24:35,840
Speaker 3: very good one. He's a terrible fighter, but he really

477
00:24:35,880 --> 00:24:38,879
Speaker 3: And I said, like, I never put it in the screenplay,

478
00:24:38,920 --> 00:24:41,560
Speaker 3: but I wanted to because I'm no great fighter. I

479
00:24:41,560 --> 00:24:43,879
Speaker 3: fight great fighters, but I ain't nothing great about me

480
00:24:44,640 --> 00:24:46,040
Speaker 3: except I don't want to lose.

481
00:24:46,520 --> 00:24:46,960
Speaker 4: That's it.

482
00:24:47,640 --> 00:24:50,919
Speaker 3: And that's basically how I've lived my life. I'm not

483
00:24:51,600 --> 00:24:55,000
Speaker 3: a great actor, a great come on, come on, but no,

484
00:24:55,040 --> 00:24:58,240
Speaker 3: I'm serious. I look at some of these actors like, god,

485
00:24:58,400 --> 00:25:01,840
Speaker 3: that guy is incredible. Look at that writings. But there's

486
00:25:01,880 --> 00:25:06,439
Speaker 3: another element to there's a desire to get it across

487
00:25:06,480 --> 00:25:09,320
Speaker 3: the finish lines. It's just you know what I mean. Win.

488
00:25:09,960 --> 00:25:12,040
Speaker 3: It may not be pretty, but I just want to

489
00:25:12,040 --> 00:25:12,440
Speaker 3: make it.

490
00:25:12,760 --> 00:25:15,880
Speaker 4: You know, win. I just want to win. And that's it.

491
00:25:15,960 --> 00:25:18,320
Speaker 6: The heart, it's the heart behind you you do, and

492
00:25:18,359 --> 00:25:20,040
Speaker 6: that's what makes you a legend.

493
00:25:20,600 --> 00:25:23,439
Speaker 1: And I don't know if you like this, but you

494
00:25:23,480 --> 00:25:25,919
Speaker 1: know why you were you. It was just in the

495
00:25:26,000 --> 00:25:29,520
Speaker 1: stars for you. You were destined to make something great and

496
00:25:29,600 --> 00:25:32,439
Speaker 1: be great. And that's that's how I feel about it.

497
00:25:32,480 --> 00:25:33,800
Speaker 1: So thank you for sharing.

498
00:25:33,840 --> 00:25:37,200
Speaker 3: Oh well, thank you well for all the other outcasts

499
00:25:37,200 --> 00:25:41,919
Speaker 3: out there, come don't yeah, all your little outcasts. They

500
00:25:42,040 --> 00:25:44,680
Speaker 3: think that you know, you're different and you're weird, because

501
00:25:44,720 --> 00:25:47,560
Speaker 3: you are. You are different and you are weird. But

502
00:25:47,880 --> 00:25:51,879
Speaker 3: that's what makes that's what makes for really interesting adventures

503
00:25:51,880 --> 00:25:53,360
Speaker 3: in your life because you're not.

504
00:25:53,359 --> 00:25:55,679
Speaker 4: The status quo. You're the outcast.

505
00:25:55,840 --> 00:26:01,240
Speaker 3: And I said, embrace your oddness. Really I'm telling you

506
00:26:01,240 --> 00:26:03,359
Speaker 3: you don't want to fit in. You don't want to

507
00:26:03,359 --> 00:26:04,880
Speaker 3: fit in. I love that.

508
00:26:05,160 --> 00:26:06,639
Speaker 2: And by the way, I love that slide because I

509
00:26:06,680 --> 00:26:09,600
Speaker 2: grew up obviously as an outcast and I I you know,

510
00:26:09,640 --> 00:26:12,399
Speaker 2: as you know, I've I've trailblazed my own path. I

511
00:26:12,720 --> 00:26:15,760
Speaker 2: want to say, you know, people don't realize that to

512
00:26:15,880 --> 00:26:18,720
Speaker 2: have one franchise in Hollywood is a dream. I mean

513
00:26:18,720 --> 00:26:21,800
Speaker 2: that that really as a producer, a director, an actor,

514
00:26:21,960 --> 00:26:28,720
Speaker 2: everybody wants a single franchise. You have Rocky Rambo, expendables, uh,

515
00:26:28,760 --> 00:26:32,440
Speaker 2: an escape plan. I mean, you have multiple franchises. Do

516
00:26:32,480 --> 00:26:36,320
Speaker 2: you do you recognize I mean, I I know you

517
00:26:36,359 --> 00:26:39,080
Speaker 2: know how hard it is to be successful, but do

518
00:26:39,119 --> 00:26:41,600
Speaker 2: you even know how hard it is to have fourth

519
00:26:41,720 --> 00:26:43,440
Speaker 2: I mean, nobody has that.

520
00:26:43,720 --> 00:26:45,600
Speaker 1: He's like, He's like, yeah, dude, I know how hard

521
00:26:45,600 --> 00:26:45,840
Speaker 1: it is.

522
00:26:46,400 --> 00:26:51,120
Speaker 2: I thanks thanks for that.

523
00:26:51,960 --> 00:26:55,280
Speaker 3: You know, I'll tell you you've got the You know,

524
00:26:55,359 --> 00:26:58,920
Speaker 3: if you can do a sequel, it's the third one.

525
00:26:59,400 --> 00:27:00,480
Speaker 3: It's the third one.

526
00:27:00,600 --> 00:27:01,240
Speaker 4: Is that really?

527
00:27:01,359 --> 00:27:05,359
Speaker 3: That's because you've lost the element of surprise? But what

528
00:27:05,600 --> 00:27:08,720
Speaker 3: early on in my career, I go, why can that

529
00:27:08,880 --> 00:27:13,520
Speaker 3: television show run for ten years? And you make an

530
00:27:13,560 --> 00:27:17,280
Speaker 3: interesting character? And actors go, well, that's it. I don't

531
00:27:17,280 --> 00:27:20,679
Speaker 3: want to revisit that again ago, but the character is

532
00:27:20,720 --> 00:27:24,639
Speaker 3: still growing and the audience really likes it. Why would

533
00:27:24,680 --> 00:27:28,119
Speaker 3: you stop? And they go because it's not pure it'

534
00:27:28,320 --> 00:27:31,920
Speaker 3: it's it's a money grab. I go, well, it's all

535
00:27:32,000 --> 00:27:35,679
Speaker 3: those things, but it still can be really good entertainment.

536
00:27:35,800 --> 00:27:39,720
Speaker 3: And the character is growing because the actor is growing,

537
00:27:39,840 --> 00:27:44,040
Speaker 3: and so I earlier on I've always I've always said why.

538
00:27:44,480 --> 00:27:46,760
Speaker 3: I mean, if I see Rampa like I was the

539
00:27:46,800 --> 00:27:49,960
Speaker 3: eleventh choice for Ramba. Nobody wanted to do the movie.

540
00:27:50,160 --> 00:27:57,080
Speaker 3: Everyone in Hollywood who had any kind of notoriety said path,

541
00:27:57,960 --> 00:28:02,440
Speaker 3: including three different directors. Rambo went, this is a no brainer.

542
00:28:03,520 --> 00:28:05,600
Speaker 3: This is an interesting All I have to do is

543
00:28:05,680 --> 00:28:10,159
Speaker 3: change one thing. Rambo was a psychotic, and I go,

544
00:28:10,280 --> 00:28:12,880
Speaker 3: you know what, let's make the world psychotic. And he

545
00:28:13,040 --> 00:28:17,000
Speaker 3: just wants to like fit in as opposed to being out.

546
00:28:17,040 --> 00:28:18,000
Speaker 4: That's all I want to change.

547
00:28:18,040 --> 00:28:22,480
Speaker 3: I said in the In the novel, guys, he kills everyone,

548
00:28:22,720 --> 00:28:26,119
Speaker 3: he's crazy, and I go, why why why if you

549
00:28:26,280 --> 00:28:28,720
Speaker 3: just take that element out? And he wants to fit

550
00:28:28,800 --> 00:28:33,160
Speaker 3: in whole the character, whole the story, And I would

551
00:28:33,160 --> 00:28:35,440
Speaker 3: do if my body.

552
00:28:35,119 --> 00:28:35,800
Speaker 4: Would hold up.

553
00:28:36,080 --> 00:28:41,040
Speaker 3: I would do him. Rambo literally turns into dust, like, okay,

554
00:28:41,440 --> 00:28:43,800
Speaker 3: Rambo twenty the dust.

555
00:28:43,560 --> 00:28:47,280
Speaker 4: Bowl and that's it.

556
00:28:47,560 --> 00:28:49,840
Speaker 3: It swirls away in a dust devil and that's the

557
00:28:49,920 --> 00:28:50,240
Speaker 3: end of it.

558
00:28:50,360 --> 00:28:53,480
Speaker 2: Wait so so, but but sly so. All these people

559
00:28:53,560 --> 00:28:56,560
Speaker 2: passed on Rambo, which I had no idea. And again

560
00:28:56,640 --> 00:28:59,360
Speaker 2: another property that you saw something that nobody else saw.

561
00:28:59,400 --> 00:29:05,640
Speaker 2: I mean, that's kind of right, that's pretty epical, real

562
00:29:05,720 --> 00:29:08,280
Speaker 2: quick nostalgia. I said it before we had you on.

563
00:29:08,880 --> 00:29:11,720
Speaker 2: You know, it's crazy. The story of Sustine, one of

564
00:29:11,760 --> 00:29:15,960
Speaker 2: your daughters, who worked on my first movie I directed,

565
00:29:16,040 --> 00:29:18,560
Speaker 2: and I didn't I was telling the audience the story

566
00:29:18,640 --> 00:29:21,680
Speaker 2: that I didn't call you, which normally I call you

567
00:29:21,720 --> 00:29:25,880
Speaker 2: for anything story related, and her agent had called me,

568
00:29:26,080 --> 00:29:28,960
Speaker 2: and I was like, of course, I'll see Sustine. I mean,

569
00:29:29,160 --> 00:29:31,880
Speaker 2: the lineage is there, let's see. And I watched her

570
00:29:31,920 --> 00:29:34,840
Speaker 2: tape and she crushed it. She's obviously an incredible talent.

571
00:29:35,120 --> 00:29:37,920
Speaker 2: We cast her on the spot and you, I don't

572
00:29:37,960 --> 00:29:41,160
Speaker 2: think new till she was in Puerto Rico filming is

573
00:29:41,160 --> 00:29:44,760
Speaker 2: that we're about to leave about that.

574
00:29:44,800 --> 00:29:49,720
Speaker 4: I was so shocked. That's when I called you. It's true. Yeah, yeah.

575
00:29:49,800 --> 00:29:55,120
Speaker 3: I thought she had run away from home, I swear

576
00:29:55,160 --> 00:29:58,120
Speaker 3: to you, so she doesn't want any help at all.

577
00:29:58,240 --> 00:30:00,760
Speaker 4: So I was so taken in the back that she

578
00:30:00,880 --> 00:30:01,600
Speaker 4: actually did.

579
00:30:01,480 --> 00:30:04,560
Speaker 3: It on her own volition. Oh yeah, nice, yow.

580
00:30:04,840 --> 00:30:07,280
Speaker 2: And I gave her a lot of respect props. I

581
00:30:07,280 --> 00:30:09,080
Speaker 2: said to her, I said, you know, I've not She said,

582
00:30:09,080 --> 00:30:10,840
Speaker 2: have you spoken to my dad? I said, I've never

583
00:30:10,920 --> 00:30:13,040
Speaker 2: not spoken to her dad. No, and I said, And

584
00:30:13,080 --> 00:30:15,320
Speaker 2: when she got there, she pretty much had finished or

585
00:30:15,480 --> 00:30:17,160
Speaker 2: the day before, she was about to shoot. And then

586
00:30:17,160 --> 00:30:19,480
Speaker 2: you called me, and I was even more shocked, and

587
00:30:19,560 --> 00:30:21,840
Speaker 2: were I think we were both shocked, like you didn't know,

588
00:30:21,880 --> 00:30:22,840
Speaker 2: I didn't know. We didn't know.

589
00:30:23,400 --> 00:30:24,040
Speaker 4: I didn't know.

590
00:30:25,400 --> 00:30:25,760
Speaker 3: I know.

591
00:30:25,960 --> 00:30:28,280
Speaker 4: And it's it really is hard for.

592
00:30:28,760 --> 00:30:31,360
Speaker 3: Kids that have I guess she might say, have a

593
00:30:31,480 --> 00:30:35,320
Speaker 3: step up or privileged background to feel as though they've

594
00:30:35,360 --> 00:30:39,320
Speaker 3: actually done something on their own cognization, on their own watch.

595
00:30:39,400 --> 00:30:43,600
Speaker 3: And thank you very much for recognizing that she she

596
00:30:43,800 --> 00:30:46,720
Speaker 3: literally did it without any help from her father.

597
00:30:46,840 --> 00:30:50,360
Speaker 2: No, no, hundred percent. And there were three girls up

598
00:30:50,360 --> 00:30:53,200
Speaker 2: for that role, and I watched them all just on performance,

599
00:30:53,200 --> 00:30:55,960
Speaker 2: and she crushed it and she was fantastic on set.

600
00:30:56,080 --> 00:30:57,160
Speaker 1: She was fantastic.

601
00:30:57,160 --> 00:31:00,600
Speaker 2: She took direction and and she just she's she she's

602
00:31:00,920 --> 00:31:03,320
Speaker 2: obviously got it in her blood and she's gonna have

603
00:31:03,720 --> 00:31:05,560
Speaker 2: a big career. So I thank you for that.

604
00:31:05,960 --> 00:31:10,160
Speaker 6: Why before we leave, so, are any of your other

605
00:31:10,360 --> 00:31:14,280
Speaker 6: girls into acting or is it just stem?

606
00:31:14,920 --> 00:31:20,040
Speaker 3: No? Actually, uh, Scarlet has. There's something about Scarlet that

607
00:31:20,800 --> 00:31:23,560
Speaker 3: is very drawn to the arts, and it's something that

608
00:31:23,640 --> 00:31:26,760
Speaker 3: I kind of persuade. I say, you know, this comes

609
00:31:26,800 --> 00:31:30,640
Speaker 3: with an abundance of heartache. You understand that. And this

610
00:31:30,760 --> 00:31:35,240
Speaker 3: is the most insecure profession there is because the product

611
00:31:35,400 --> 00:31:37,760
Speaker 3: is you. It's not a pair of shoes or a purse.

612
00:31:38,360 --> 00:31:41,200
Speaker 3: When you don't get it, it's you being rejected. So

613
00:31:41,600 --> 00:31:45,560
Speaker 3: the one thing, if you have to have incredibly, incredibly

614
00:31:45,720 --> 00:31:52,800
Speaker 3: thick skin, it's more important than having thick hair. So

615
00:31:53,200 --> 00:31:57,800
Speaker 3: if you have that, you may persevere. Sophia is very

616
00:31:57,880 --> 00:31:59,560
Speaker 3: very aeradise.

617
00:31:59,640 --> 00:32:00,600
Speaker 4: She likes to read.

618
00:32:00,720 --> 00:32:05,240
Speaker 3: She's this and that. So they're actually doing a podcast together,

619
00:32:05,960 --> 00:32:08,640
Speaker 3: Christean and Scott. They're starting I think in a day

620
00:32:08,720 --> 00:32:13,640
Speaker 3: or so, and it's called are you ready?

621
00:32:14,280 --> 00:32:16,240
Speaker 2: Oh my God? That's fun.

622
00:32:17,240 --> 00:32:21,880
Speaker 3: Unwax. You could interpret that a lot of way, surve

623
00:32:21,960 --> 00:32:24,600
Speaker 3: forwards or oneself.

624
00:32:24,200 --> 00:32:28,680
Speaker 2: Oh my goodness. Well, I can't wait to hear that.

625
00:32:28,760 --> 00:32:31,200
Speaker 2: As soon as that's out, I'm sure i'll see the

626
00:32:31,760 --> 00:32:33,880
Speaker 2: thank you. They're going to be great and obviously they

627
00:32:34,000 --> 00:32:38,280
Speaker 2: they're going to have an easy time getting guests, you know.

628
00:32:38,440 --> 00:32:40,400
Speaker 3: I mean, well, I'm going to thank you. Listen, you

629
00:32:40,440 --> 00:32:43,240
Speaker 3: two guys are doing a fantastic job. I know it's

630
00:32:43,240 --> 00:32:46,920
Speaker 3: not easy. Well, we know each other personally, so this

631
00:32:47,120 --> 00:32:52,040
Speaker 3: this is a wonderful treat because this team out of nowhere.

632
00:32:52,080 --> 00:32:55,000
Speaker 3: So it's something that you've all developed and you're you know,

633
00:32:55,160 --> 00:32:59,520
Speaker 3: you are such a magnanimous and humorous it's smart man.

634
00:32:59,800 --> 00:33:05,360
Speaker 3: And you is there anything you can't do here? Yeah?

635
00:33:05,640 --> 00:33:07,480
Speaker 1: Go sly, there we go.

636
00:33:07,880 --> 00:33:11,200
Speaker 3: I'm very nice, very nice.

637
00:33:11,720 --> 00:33:12,640
Speaker 4: It's so serious.

638
00:33:12,680 --> 00:33:15,120
Speaker 3: I mean, you asked a nice question, but you have

639
00:33:15,200 --> 00:33:19,560
Speaker 3: a certain aura about your show here that I see

640
00:33:19,600 --> 00:33:21,600
Speaker 3: nothing but green lights and blue skies.

641
00:33:24,080 --> 00:33:27,120
Speaker 2: We are so grateful to have you. Thank you, and

642
00:33:27,280 --> 00:33:30,400
Speaker 2: thanks for being a great friend and colleague and guest.

643
00:33:30,880 --> 00:33:34,600
Speaker 2: I love you and I'm appreciative and we just can't

644
00:33:34,640 --> 00:33:35,680
Speaker 2: say enough nice things.

645
00:33:35,880 --> 00:33:38,040
Speaker 3: Well, thank you, and we're going to be working together

646
00:33:38,080 --> 00:33:38,920
Speaker 3: real soon as you know.

647
00:33:39,160 --> 00:33:41,920
Speaker 2: Yes, we have an announcement soon on another movie that

648
00:33:41,920 --> 00:33:45,200
Speaker 2: we're doing together, so you be all right, thanksly and

649
00:33:45,280 --> 00:33:48,800
Speaker 2: everybody all right, thank you guys. Wow lah.

650
00:33:49,880 --> 00:33:52,280
Speaker 4: So I mean I'm like, shook it.

651
00:33:52,880 --> 00:33:55,560
Speaker 2: I'm going to say something. I think that your fans

652
00:33:55,600 --> 00:33:58,320
Speaker 2: will be happy because I think that's the first time

653
00:33:58,680 --> 00:34:02,000
Speaker 2: I was quiet pretty much the entire episode. I mean,

654
00:34:02,200 --> 00:34:06,280
Speaker 2: he by the way he deserves I mean my silence

655
00:34:06,320 --> 00:34:08,640
Speaker 2: because he is just epic epic.

656
00:34:08,920 --> 00:34:12,680
Speaker 1: He is he is epic and every time, you know,

657
00:34:12,800 --> 00:34:17,120
Speaker 1: I've had the pleasure of being around him in more

658
00:34:17,120 --> 00:34:22,239
Speaker 1: intimate settings and it's you almost have to like take

659
00:34:22,640 --> 00:34:25,239
Speaker 1: you have an out of body experience, like when you

660
00:34:25,280 --> 00:34:28,800
Speaker 1: go through his life, and that he wasn't given a chance.

661
00:34:28,840 --> 00:34:31,040
Speaker 1: So he was like, fuck this, I'm writing my own

662
00:34:31,200 --> 00:34:34,120
Speaker 1: script like he just like he did the work.

663
00:34:34,160 --> 00:34:34,560
Speaker 3: They don't.

664
00:34:34,960 --> 00:34:36,960
Speaker 1: There aren't very many stars like him anymore.

665
00:34:37,160 --> 00:34:38,240
Speaker 4: There's a lot of waiters.

666
00:34:38,320 --> 00:34:41,359
Speaker 1: There's not a lot of people who who go for it.

667
00:34:41,760 --> 00:34:43,520
Speaker 2: I want to I want to second that I agree

668
00:34:43,560 --> 00:34:47,239
Speaker 2: with you, and not only that, to hear that being

669
00:34:47,320 --> 00:34:52,480
Speaker 2: an outcast makes you unique and special and drive success.

670
00:34:52,840 --> 00:34:55,560
Speaker 2: I think a lot of us share that same kind

671
00:34:55,640 --> 00:34:57,680
Speaker 2: of thing. You know, I was an outcast, you were

672
00:34:57,880 --> 00:35:00,319
Speaker 2: an outcast, and I think that being an outcome cast

673
00:35:00,680 --> 00:35:03,560
Speaker 2: as when you're young. We have to embrace that and

674
00:35:03,600 --> 00:35:06,279
Speaker 2: say it's okay, because that means we're creating our own

675
00:35:06,320 --> 00:35:08,560
Speaker 2: path in our own way, and we're not going to

676
00:35:08,560 --> 00:35:11,239
Speaker 2: be a follower. And anyway, I was just look, I've

677
00:35:11,239 --> 00:35:13,920
Speaker 2: known Sly a long time, and I felt like, Wow,

678
00:35:13,960 --> 00:35:17,400
Speaker 2: he really gave us his heart in this interview, and

679
00:35:17,440 --> 00:35:19,839
Speaker 2: I felt like he really shared with us things that

680
00:35:19,880 --> 00:35:23,440
Speaker 2: he didn't have to share in vulnerability to. So if

681
00:35:23,480 --> 00:35:26,359
Speaker 2: people who are wanting to get in the business or

682
00:35:26,600 --> 00:35:28,600
Speaker 2: wanting to start their own business, maybe they can take

683
00:35:28,600 --> 00:35:31,800
Speaker 2: away from this interview that, you know, don't be afraid

684
00:35:31,920 --> 00:35:34,920
Speaker 2: and just create your own path and be honorable to that.

685
00:35:35,360 --> 00:35:39,120
Speaker 2: So I am. I'm so moved right now. I'm so grateful,

686
00:35:39,440 --> 00:35:42,040
Speaker 2: and I'm so thankful for having Sylvester Sloan.

687
00:35:42,239 --> 00:35:44,880
Speaker 1: I also have to give you before we let everyone

688
00:35:44,960 --> 00:35:48,319
Speaker 1: go back to their real life, I also have to

689
00:35:48,320 --> 00:35:51,440
Speaker 1: give you a lot of credit, Rand, because you know,

690
00:35:52,080 --> 00:35:55,520
Speaker 1: we have these guests on and they're very open with

691
00:35:55,719 --> 00:35:59,560
Speaker 1: us and they share things that you know, I think

692
00:35:59,640 --> 00:36:02,760
Speaker 1: they they otherwise wouldn't share if they didn't feel safe.

693
00:36:02,800 --> 00:36:04,960
Speaker 1: And you and I have talked about this before this

694
00:36:05,040 --> 00:36:08,239
Speaker 1: podcast is not too We always talk about spilling the tea,

695
00:36:08,320 --> 00:36:10,560
Speaker 1: but I'm not here to break news. I'm not here

696
00:36:10,640 --> 00:36:13,120
Speaker 1: to like make you feel uncomfortable, and hopefully a lot

697
00:36:13,160 --> 00:36:15,920
Speaker 1: of articles are written about it. I just want people

698
00:36:15,960 --> 00:36:18,200
Speaker 1: to show up and feel like they're in a safe place,

699
00:36:18,600 --> 00:36:24,000
Speaker 1: and you bring guests on that you've really made incredible

700
00:36:25,200 --> 00:36:27,960
Speaker 1: friendships with them so they feel safe with you. So

701
00:36:28,239 --> 00:36:30,920
Speaker 1: I also give yourself some credit when when we have

702
00:36:31,040 --> 00:36:33,080
Speaker 1: guests on that share like that, they also are doing

703
00:36:33,160 --> 00:36:36,440
Speaker 1: that because they feel safe with you. No, and hopefully

704
00:36:36,480 --> 00:36:36,839
Speaker 1: me too.

705
00:36:38,600 --> 00:36:40,960
Speaker 2: No, but first of all, I appreciate that, babe, And

706
00:36:41,440 --> 00:36:44,040
Speaker 2: of course, and I know that they come on because

707
00:36:44,040 --> 00:36:46,560
Speaker 2: there is a trust and a long history of a relationship.

708
00:36:46,560 --> 00:36:50,080
Speaker 2: But at the same time, even coming on, you know,

709
00:36:50,800 --> 00:36:53,200
Speaker 2: they make a decision, and you're right, obviously, I think

710
00:36:53,200 --> 00:36:55,600
Speaker 2: because of our relationship they open up more. But it

711
00:36:55,680 --> 00:37:00,319
Speaker 2: is so kind to see somebody of his success sit

712
00:37:00,360 --> 00:37:03,840
Speaker 2: on our podcast and say, hey, you know, this is

713
00:37:03,880 --> 00:37:06,400
Speaker 2: what it was like and I wasn't secure when I

714
00:37:06,560 --> 00:37:09,359
Speaker 2: didn't have anything, and blah blah blah, And honestly, I

715
00:37:09,440 --> 00:37:16,040
Speaker 2: really hope our audience embraces these vulnerable, honest authentic moments

716
00:37:16,040 --> 00:37:18,840
Speaker 2: that we get with our guests, because for me, everything's

717
00:37:18,880 --> 00:37:20,600
Speaker 2: about you know what, let's take it back a step.

718
00:37:20,640 --> 00:37:21,840
Speaker 2: Everything's about relationship.

719
00:37:21,840 --> 00:37:22,000
Speaker 4: You know.

720
00:37:22,080 --> 00:37:25,200
Speaker 2: Our podcast is built on our relationship, that's how it started,

721
00:37:25,360 --> 00:37:28,600
Speaker 2: but it's also our relationships with everybody else, you know,

722
00:37:28,640 --> 00:37:31,239
Speaker 2: with our friends, with our circle, with people we meet.

723
00:37:31,320 --> 00:37:34,880
Speaker 2: And I just am grateful to have you and to

724
00:37:34,920 --> 00:37:37,200
Speaker 2: have this podcast and a platform for us to share

725
00:37:37,360 --> 00:37:40,120
Speaker 2: and bring people in that are part of our lives.

726
00:37:40,160 --> 00:37:43,000
Speaker 2: And Sly was an incredible guest today and it was

727
00:37:43,040 --> 00:37:43,880
Speaker 2: just perfect.

728
00:37:44,160 --> 00:37:48,960
Speaker 1: Well, we are super corny today, super cheapy. I'm into it.

729
00:37:49,000 --> 00:37:50,920
Speaker 1: I don't think there's going to be any comments in

730
00:37:50,960 --> 00:37:53,719
Speaker 1: the comment section that say we bicker too much because

731
00:37:53,719 --> 00:37:55,200
Speaker 1: we are showing mad love to each other.

732
00:37:55,239 --> 00:37:55,359
Speaker 4: YEA.

733
00:37:55,520 --> 00:37:56,960
Speaker 2: First of First of all, I want and I want

734
00:37:57,000 --> 00:37:58,480
Speaker 2: to say something because I don't read the comments, but

735
00:37:58,520 --> 00:38:01,000
Speaker 2: you've told me if anybody says bicker too much. First

736
00:38:01,040 --> 00:38:03,680
Speaker 2: of all, we're in a relationship, what do you think?

737
00:38:04,080 --> 00:38:06,640
Speaker 2: Second of all, I love you, babe, and you love me,

738
00:38:07,040 --> 00:38:09,600
Speaker 2: and we know that, and I just had to say

739
00:38:09,600 --> 00:38:12,000
Speaker 2: it out loud. But I have a question for producer

740
00:38:12,040 --> 00:38:15,319
Speaker 2: Tim because he is like the movie guru, what is

741
00:38:15,360 --> 00:38:17,719
Speaker 2: your takeaway from that podcast because you've been around Sly

742
00:38:17,840 --> 00:38:19,000
Speaker 2: on our movies and stuff.

743
00:38:19,239 --> 00:38:24,040
Speaker 5: Yeah, you know, I was struck by how inspirational he

744
00:38:24,239 --> 00:38:28,200
Speaker 5: was and just you know, making a point to speak

745
00:38:28,239 --> 00:38:32,359
Speaker 5: to people with aspirations and dreams of getting into the

746
00:38:32,760 --> 00:38:35,440
Speaker 5: I mean, I took his comments as much more broad

747
00:38:35,480 --> 00:38:37,919
Speaker 5: than just the film industry, but you know, he did

748
00:38:37,960 --> 00:38:41,440
Speaker 5: speak directly to those young people that are trying to

749
00:38:41,520 --> 00:38:42,160
Speaker 5: catch a break.

750
00:38:42,239 --> 00:38:43,840
Speaker 2: But I agree with you. I agree that it was

751
00:38:44,040 --> 00:38:46,480
Speaker 2: much broader, and I think that no matter what business

752
00:38:46,480 --> 00:38:49,600
Speaker 2: you're in, after this podcast, you should be so inspired

753
00:38:49,840 --> 00:38:52,239
Speaker 2: if you're trying to you know, I don't know, if

754
00:38:52,239 --> 00:38:54,120
Speaker 2: you're trying whatever, you're trying to start up a new

755
00:38:54,120 --> 00:38:57,960
Speaker 2: company from scratch in your basement, like this podcast should

756
00:38:57,960 --> 00:39:00,919
Speaker 2: tell you, go do it. Don't think about it, don't

757
00:39:00,960 --> 00:39:05,000
Speaker 2: over obsess, don't obsess over it, just do it. And

758
00:39:05,000 --> 00:39:07,360
Speaker 2: and that's the words I'm gonna take away from today.

759
00:39:07,400 --> 00:39:09,800
Speaker 2: So laala any last words, because I just I'm in

760
00:39:09,880 --> 00:39:10,759
Speaker 2: such a high right now.

761
00:39:11,880 --> 00:39:14,239
Speaker 1: All I want to say is, we just had motherfucking

762
00:39:14,360 --> 00:39:16,000
Speaker 1: Sylvester Stallone on our podcast.

763
00:39:16,560 --> 00:39:17,120
Speaker 3: No big deal.

764
00:39:18,719 --> 00:39:21,480
Speaker 2: I'm gonna leave it at that. All right, All right,

765
00:39:21,719 --> 00:39:22,919
Speaker 2: go ahead, baby, take us out.

766
00:39:23,600 --> 00:39:25,960
Speaker 1: I'm going to take you out by reminding you that

767
00:39:26,040 --> 00:39:28,799
Speaker 1: give Them La Laauti has just relaunched, So go to

768
00:39:29,000 --> 00:39:31,200
Speaker 1: give them Lala dot com for all of your La

769
00:39:31,320 --> 00:39:33,759
Speaker 1: La goods, and we want to thank you so much

770
00:39:33,760 --> 00:39:35,920
Speaker 1: for tuning in to the Give Them La La with

771
00:39:36,040 --> 00:39:38,839
Speaker 1: Roundela podcast again and we will catch you next week.

772
00:39:39,000 --> 00:39:42,080
Speaker 4: Bye boy,